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Subjects(RVK)
  • 1
    Journal/Serial
    Journal/Serial
    Thousand Oaks, Calif. [u.a.] : Sage Publ. | Minneapolis, Minn. : Council | Greenwich, Conn. [u.a.] : Jai Press ; 1.1976 -
    ISSN: 0363-1990 , ISSN 1552-5473 , ISSN 1552-5473
    Language: English
    Dates of Publication: 1.1976 -
    Parallel Title: Erscheint auch als Journal of family history
    Former Title: Vorg. The Family in historical perspective
    DDC: 730
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    Keywords: Familiensoziologie ; Familienstruktur ; Wirtschaftsgeschichte ; Sozialgeschichte ; Zeitschrift ; Genealogie ; Zeitschrift ; Familie ; Geschichte ; Zeitschrift ; Genealogie
    Note: Herausgeber früher: the National Council on Family Relations , Einzelne Hefte als "Special issue" bez. , Index 1/3.1976/78 in: 3.1978; 1/10.1976/85 in: 10.1985; 1/20.1976/95 in: 20.1995
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  • 2
    Book
    Book
    Berlin : Wasmuth
    Language: German
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    Keywords: Deutschland ; Handwerk ; Brauch ; Geschichte ; Zunft ; Handwerk ; Geschichte ; Brauch ; Handwerk ; Geschichte ; Handwerksrecht ; Geschichte
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  • 3
    Microfilm
    Microfilm
    Freiburg im Breisgau : Verlag Herder | [Wechselnde Erscheinungsorte] : [Wechselnde Verlage] | München : Alber ; 1.1880 - 61.1941; 62/69.1949 -
    ISSN: 0018-2621 , ISSN 0018-2621 , ISSN 0018-2621
    Language: German
    Edition: Berlin Staatsbibliothek zu Berlin 1996-1996 Mikrofiche-Ausgabe: Berlin : Staatsbibliothek zu Berlin, 1996
    Dates of Publication: 1.1880 - 61.1941; 62/69.1949 -
    Parallel Title: Elektronische Reproduktion Historisches Jahrbuch
    Former Title: Historisches Jahrbuch der Görres-Gesellschaft
    DDC: 390
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    Keywords: History Periodicals ; History Bibliography ; Periodicals ; Church history Periodicals ; Geschichte ; Zeitschrift ; Weltgeschichte ; Geschichte
    Note: Repr.: Bad Feilnbach : Schmidt Periodicals , Mikrofiche-Ausgabe: Berlin : Staatsbibliothek zu Berlin, 1996 , Enthält Indices
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  • 4
    Book
    Book
    London [u.a.] : Oxford Univ. Pr.
    Language: English
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    Keywords: Aufsatzsammlung ; Afrika ; Musik ; Geschichte
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  • 5
    Journal/Serial
    Journal/Serial
    Hoyerswerda : Stadt Hoyerswerda, Stadtmuseum | Hoyerswerda : Stadtverwaltung Hoyerswerda ; Nr. 1.1998 -
    Language: German
    Pages: 22 cm
    Dates of Publication: Nr. 1.1998 -
    Former Title: Vorg. Hoyerswerdaer Geschichtshefte
    DDC: 900
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    Keywords: Zeitschrift ; Hoyerswerda ; Heimatkunde ; Hoyerswerda ; Geschichte ; Landkreis Hoyerswerda ; Musik ; Geschichte
    Note: Ersch. jährl.
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  • 6
    Book
    Book
    München : Beck
    ISBN: 9783406324901 , 3406324908 , 9783406578724
    Language: German
    DDC: 306/.0943
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    Keywords: Germany Social conditions ; Germany Economic conditions ; Geschichte ; Gesellschaft ; Entwicklung ; Politisches System ; Politischer Wandel ; Wirtschaftsentwicklung ; Deutschland ; Deutschland ; Sozialgeschichte 1700-1990
    Note: 1 (1987) - 5 (2008)
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  • 7
    Online Resource
    Online Resource
    New York, NY : New York University Press
    ISBN: 9781479818297 , 9781479818266
    Language: English
    Pages: 1 Online-Ressource (xxiii, 199 Seiten)
    Edition: Fourth edition
    Series Statement: Critical America
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 342.7308/73
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    Keywords: SOCIAL SCIENCE / Discrimination & Race Relations ; Critical legal studies ; Critical race theory ; Race discrimination Law and legislation ; Rassismus ; Rassentheorie ; Ethnische Beziehungen ; Rassendiskriminierung ; USA ; Einführung ; Einführung ; Einführung ; USA ; Rassendiskriminierung ; Rassentheorie ; Rassismus ; Ethnische Beziehungen
    Abstract: A new edition of a seminal text in Critical Race TheorySince the publication of the third edition of Critical Race Theory: An Introduction in 2017, the United States has experienced a dramatic increase in racially motivated mass shootings and a pandemic that revealed how deeply entrenched medical racism is and how public disasters disproportionately affect minority communities. We have also seen a sharp backlash against Critical Race Theory, and a president who deemed racism a thing of the past while he fanned the flames of racial intolerance and promoted nativist sentiments among his followers. Now more than ever, the racial disparities in all aspects ofpublic life are glaringly obvious. Taking note of all these developments, this fourth edition covers a range of new topics and events and addresses the rise of a fierce wave of criticism from right-wing websites, think tanks, and foundations, some of which insist that America is now colorblind and has little use for racial analysis and study. Award-winning authors Richard Delgado and Jean Stefancic also address the rise in legislative efforts to curtail K-12 teaching of racial history. Critical Race Theory, Fourth Edition, is essential for understanding developments in this burgeoning field, which has spread to other disciplines and countries. The new edition also covers the ways in which other societies and disciplines adapt its teachings and, for readers wanting to advance a progressive race agenda, includes new readings and questions for discussion aimed at outlining practical steps to achieve this objective
    Note: In English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    ISBN: 9783959583602 , 3959583605
    Language: German
    Pages: 208, XXXII Seiten , Illustrationen , 21 cm x 12.5 cm
    DDC: 782.42164
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    Keywords: Erlebnisbericht ; Interview ; Erlebnisbericht ; Interview ; Deutschland ; The Beatles ; Geschichte
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    URL: Cover
    URL: Cover
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  • 9
    ISBN: 9781479818259
    Language: English
    Pages: xxiii, 199 Seiten , 203 mm
    Edition: Fourth edition
    Series Statement: Critical America
    Parallel Title: Erscheint auch als
    Former Title: Vorangegangen ist
    DDC: 342.730873
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    Keywords: bicssc / Ethnic minorities & multicultural studies ; bicssc / Human rights & civil liberties law ; bisacsh / LAW / Civil Rights ; bisacsh / SOCIAL SCIENCE / Race & Ethnic Relations ; Race discrimination - Law and legislation - United States ; Critical legal studies - United States ; Critical race theory ; United States - Race relations - Philosophy ; Rassismus ; Rassentheorie ; Rassendiskriminierung ; Ethnische Beziehungen ; USA ; Einführung ; Einführung ; Einführung ; Einführung ; Einführung ; Rassentheorie ; Rassismus ; Ethnische Beziehungen ; USA ; Rassendiskriminierung
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  • 10
    ISBN: 9783150144572 , 3150144574
    Language: German
    Pages: 348 Seiten , 14.8 cm x 9.6 cm
    Edition: Durchgesehene und ergänzte Ausgabe
    Series Statement: Reclams Universal-Bibliothek Nr. 14457
    DDC: 303.61
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    Keywords: Aufsatzsammlung ; Quelle ; Aufsatzsammlung ; Quelle ; Gewaltloser Widerstand ; Geschichte ; Protestbewegung ; Gewaltloser Widerstand ; Ökologische Bewegung
    Note: Literaturverzeichnis: Seite 347-348
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltstext  (lizenzpflichtig)
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  • 11
    ISBN: 9783955655891
    Language: German
    Pages: 285 Seiten , Illustrationen
    Edition: 1. Auflage
    DDC: 390
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    Keywords: Weber, Ilse ; Judentum ; Kinderliteratur ; Antisemitismus ; Juden ; Jüdinnen ; jüdisch ; Geschichte ; Theresienstadt ; Kinderbücher ; Kinderliteratur ; Erzählungen ; Märchen ; Judentum ; Anthologie ; Weber, Ilse 1903-1944 ; Judentum ; Kinderliteratur
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  • 12
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501383427
    Language: English
    Pages: x, 180 Seiten , 19,8 cm
    Series Statement: Genre, a 33 1/3 series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.630968
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    Keywords: Rockmusik ; Geschichte ; Kultur ; Popmusik ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
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  • 13
    Book
    Book
    New York ; London ; Oxford : Bloomsbury Academic
    ISBN: 9781501373602
    Language: English
    Pages: viii, 169 Seiten , 20 cm
    Series Statement: Genre: a 33 1/3 series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Trip Hop ; Trip-hop (Music) / History and criticism ; Trip Hop ; Geschichte
    Abstract: "Guides readers through the genre of trip-hop as the first book on the genre in 20 years, right at a time when trip-hop is making a revival in both underground scenes and popular artists"--
    Description / Table of Contents: Prologue. Beat Bop -- Trip-Hop -- Dub-Hop -- Lovers Hip-Hop -- Chill Out -- Cut-Up -- Contemplating Jazz -- Abstract Hip-Hop -- Lo-Fi -- Blunted Beats -- Subterranean Abstract Blues -- Black-Hearted Soul -- Exotica -- Hip-Hop Blues -- Canceled Futures
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  • 14
    ISBN: 9783465046028
    Language: French , German , English
    Pages: VIII, 213 Seiten , Illustrationen, Diagramme, genealogische Tafeln , 24 cm x 16 cm
    Series Statement: Studien zur europäischen Rechtsgeschichte Band 338
    Series Statement: Studien zur europäischen Rechtsgeschichte
    Parallel Title: Erscheint auch als Arbeit und Familie in Nordwesteuropa im Spätmittelalter und in der Frühen Neuzeit
    DDC: 306.360940903
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    Keywords: Geschichte ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Nordwesteuropa ; Arbeit ; Familie ; Frau ; Recht ; Geschichte 1300-1800 ; Nordwesteuropa ; Arbeit ; Familie ; Arbeitsrecht ; Geschichte 1400-1800
    Note: Literaturangaben , "Der vorliegende Band ist aus dem deutsch-französischen Nachwuchsworkshop ... hervorgegangen, der am 8. und 9. Juni 2017 in Frankfurt am Main stattfand." Danksagung , Einige Beiträge in deutsch, einige in französisch und einige in englisch
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  • 15
    ISBN: 9783957324764
    Language: German
    Pages: Illustrationen
    Titel der Quelle: Magnetizdat DDR
    Publ. der Quelle: Berlin : Verbrecher Verlag, 2023
    Angaben zur Quelle: (2023), Seite 29-47
    Angaben zur Quelle: year:2023
    Angaben zur Quelle: pages:29-47
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    Keywords: Deutschland ; Musikleben ; Subkultur ; Geschichte
    Note: Betrifft auch Dresden, Leipzig, Karl-Marx-Stadt/Chemnitz u.a
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  • 16
    ISBN: 9781032332215 , 9781032332239
    Language: English
    Pages: viii, 154 Seiten
    Series Statement: Routledge histories of Central and Eastern Europe
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Nationalhymne ; Ostmitteleuropa ; Südosteuropa ; Ostmitteleuropa ; Südosteuropa ; Nationalhymne ; Geschichte
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  • 17
    Book
    Book
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108837057 , 9781108940030
    Language: English
    Pages: xv, 295 Seiten
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
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  • 18
    ISBN: 9781793651853
    Language: English
    Pages: IX, 407 Seiten , Illustrationen , 24 cm
    Series Statement: Extreme sounds studies : global socio-cultural explorations
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musikleben ; Heavy Metal ; Sozialer Wandel ; Entwicklungsländer ; Heavy metal (Music) / Developing countries / History and criticism ; Heavy metal (Music) / Social aspects / Developing countries ; Heavy metal (Music) ; Developing countries ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Entwicklungsländer ; Heavy Metal ; Musikleben ; Sozialer Wandel ; Geschichte
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  • 19
    Title: Ленинградский рок-клуб, Рубинштейна, 13 : рождение истории
    Author, Corporation: Бурлака, Андрей Петрович
    Publisher: Москва : Издательство АСТ
    ISBN: 9785171488741
    Language: Russian
    Pages: 207 Seiten , Illustrationen , 29 cm
    Series Statement: Zvezdy veka
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    Keywords: Akvarium ; Zoopark ; Kino ; Geschichte ; Rockgruppe ; Russland ; History and criticism ; Literature on music ; The performing arts. Show business ; Russland ; Rockgruppe ; Akvarium ; Kino ; Zoopark ; Geschichte
    Note: Akvarium, Zoopark, Popularnaja mechanika, Kino, Mify, Rossijane, Piknik , Text russisch , Kyrillisch
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  • 20
    ISBN: 9783830947561 , 3830947569
    Language: English
    Pages: 233 Seiten
    Series Statement: Populäre Kultur und Musik Band 40
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
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    Keywords: Unterhaltungsmusik ; USA ; Hip-Hop ; Tupac Shakur ; German Schlager ; Schlager-Pop ; Middlebrow Musical Theater ; American Opera ; Broadway-Musical ; Creedence Clearwater Revival ; Bill Morrison ; Spike Lee ; U2 ; Rolling Stones ; Steve Earle ; trans identity ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Unterhaltungsmusik
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  • 21
    ISBN: 9783608501674
    Language: German
    Pages: 303 Seiten , 21 cm x 12.8 cm
    Series Statement: Tropen Sachbuch
    Parallel Title: Erscheint auch als
    DDC: 943
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    Keywords: Neue Deutsche Welle ; Geschichte ; Migrationshintergrund ; Musiker ; Musikerin ; 1980 ; 80er-Jahre ; Gleichberechtigung ; Rassismus ; Feminismus ; Ökologie ; Gender ; Grauzone ; DAF ; daf ; Deutsch-amerikanische Freundschaft ; Achtziger ; 80er Jahre ; 80er ; 1978 ; Habermas ; nationale Identität ; Identität ; Kollektividentität ; The Wirtschaftswunder ; Wirtschaftswunder ; Der Kommissar ; Cem Kaya ; Anette Humpe ; Ideal ; Wir stehn auf Berlin ; Ich steh auf Berlin ; Überfremdungsangst ; German Angst ; Kottbusser Tor ; Kreuzberg ; Thilo Sarrazin ; Sarrazin ; Anwerbeabkommen ; türkische Gemeinde ; Gastarbeiter ; Asylanten ; Aufsatzsammlung ; Neue Deutsche Welle ; Musiker ; Musikerin ; Migrationshintergrund ; Geschichte
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  • 22
    ISBN: 9783518588048 , 3518588044
    Language: German
    Pages: 432 Seiten , Illustrationen , 22 cm
    Edition: Deutsche Erstausgabe, erste Auflage
    Uniform Title: Rules
    Parallel Title: Übersetzung von Daston, Lorraine, 1951 - Rules
    DDC: 303.36
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    Keywords: Authority ; Order (Philosophy) ; Algorithms ; Law ; Natural law ; Gesellschaft ; Regel ; Soziale Norm ; Konvention ; Gesetz ; Geschichte ; Gesellschaft ; Regel ; Geschichte
    Note: Literatur- und Quellenverzeichnis: Seite 387-416 , Hier auch später erschienene, unveränderte Nachdrucke
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltstext  (lizenzpflichtig)
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  • 23
    Book
    Book
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Edition: First edition
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Abstract: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Description / Table of Contents: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 24
    ISBN: 9781793655639
    Language: English
    Pages: ix, 179 Seiten
    Series Statement: For the record : Lexington studies in rock and popular music
    DDC: 781.660973
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    Keywords: Rock 'n' Roll ; Protest ; USA
    Note: References Seite 159-166
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  • 25
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501370816 , 9781501370809
    Language: English
    Pages: ix, 430 Seiten , Illustrationen
    Edition: Updated and expanded edition
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Progressive Rock ; Progressive rock music / History and criticism ; Rock music / History and criticism ; Progressive rock music ; Rock music ; Criticism, interpretation, etc ; Progressive Rock ; Geschichte
    Abstract: "The original edition of Beyond and Before extends an understanding of "progressive rock" by providing a fuller definition of what progressive rock is, was and can be. Called by Record Collector "the most accomplished critical overview yet" of progressive rock and one of their 2011 books of the year, Beyond and Before moves away from the limited consensus that prog rock is exclusively English in origin and that it was destroyed by the advent of punk in 1976. Instead, by tracing its multiple origins and complex transitions, it argues for the integration of jazz and folk into progressive rock and the extension of prog in Kate Bush, Radiohead, Porcupine Tree and many more. This 10-year anniversary revised edition continues to further unpack definitions of progressive rock and includes a brand new chapter focusing on post-conceptual trends in the 2010s through to the contemporary moment. The new edition discusses the complex creativity of progressive metal and folk in greater depth, as well as new fusions of genre that move across global cultures and that rework the extended form and mission of progressive rock, including in recent pop concept albums. All chapters are revised to keep the process of rethinking progressive rock alive and vibrant as a hybrid, open form"--
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  • 26
    ISBN: 9780190906498
    Language: English
    Pages: 718 Seiten , Notenbeispiele
    Edition: second edition
    DDC: 782.421640922
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    Keywords: Geschichte 1900-2000 ; Geschichte 1920-1940 ; Chansons anglaises - États-Unis - Histoire et critique ; Culture populaire - États-Unis - Histoire - 20e siècle ; Dichters ; Musique populaire - États-Unis - Histoire et critique ; Paralittérature - États-Unis - Histoire et critique ; Paroliers - États-Unis ; Poésie américaine - 20e siècle - Histoire et critique ; Poésie lyrique - Histoire et critique ; Geschichte ; American poetry History and criticism 20th century ; Lyric poetry History and criticism ; Lyricists ; Popular culture History 20th century ; Popular literature History and criticism ; Popular music History and criticism ; Songs, English History and criticism ; Schlager ; United States - Popular culture - History - 20th century ; USA ; USA ; Schlager ; USA ; Geschichte 1920-1940
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  • 27
    ISBN: 9789004516816 , 9004516816
    Language: English
    Pages: XV, 441 Seiten , Illustrationen , 25 cm
    Series Statement: Collected works of Jao Tsung-i 1
    Series Statement: Collected works of Jao Tsung-i
    Uniform Title: Works
    Parallel Title: Online version Rao, Zongyi Harmoniousness
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    Keywords: Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Music / China / History and criticism ; Music / China / Philosophy and aesthetics ; Music theory / China / History ; Music archaeology / China ; Music ; Music archaeology ; Music / Philosophy and aesthetics ; Music theory ; China ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    Abstract: "From prehistoric bone flutes to Confucian bell-sets, from ancient divination to his beloved qin, this book presents translations of thirteen seminal essays on musical subjects by Jao Tsung-i. In language as elegant and refined as the ancient texts he so admired, his journey takes readers through Buddhist incantation, the philosophy of musical instruments, acoustical numerology, lyric poetry, historical and sociological contexts, manuscript studies, dance choreography, repertoire formulation, and opera texts. His voice is authoritative and intimate, the expert crafting his arguments, both accessible and sophisticated, succinct and richly tapestried; and concealed within a deft modesty is a thinker privileging us with his most profound observation. The musician's musician, the scholar's scholar, bold yet cautious, flamboyant yet restrained, a man for all seasons, a harmoniousness of time and place"--
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  • 28
    ISBN: 9783411756698 , 3411756691
    Language: German
    Pages: 223 Seiten , 20.5 cm x 12.5 cm
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte ; Sprachgebrauch ; Popmusik ; Deutschland ; Einführung ; Deutschland ; Popmusik ; Sprachgebrauch ; Geschichte
    URL: Cover
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  • 29
    ISBN: 9780231189187 , 9780231189194
    Language: English
    Pages: xiii, 275 Seiten , Illustrationen
    Series Statement: Leonard Hastings Schoff memorial lectures
    Parallel Title: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
    RVK:
    Keywords: Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Abstract: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Abstract: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Note: Includes index
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  • 30
    Image
    Image
    Berlin : Hirnkost KG
    ISBN: 9783949452000 , 3949452001
    Language: German
    Pages: 432 Seiten , Illustrationen , 21 cm x 21 cm
    Edition: 1. Auflage
    DDC: 780.2660688
    RVK:
    Keywords: Rock-O-Rama ; Punk Rock ; Geschichte ; Label ; Punk
    Abstract: Punkbands mit provokanten Namen wie Böhse Onkelz, Cotzbrocken, Oberste Heeresleitung oder Stosstrupp sorgten bereits in der Frühphase der wohl kontroversesten deutschen Schallplattenfirma medial für reichlich Zündstoff: Tonträger wurden indiziert, zensiert oder staatsanwaltschaftlich beschlagnahmt. Wenige Jahre später hatte sich das einstige Kultlabel der Punks in einen weltweit agierenden Rechtsrock-Vertrieb verwandelt. So sich als Rechtsrock-Mekka ab Mitte der 1980er-Jahre konstant im Fadenkreuz des Verfassungsschutzes befindend, ist Rock-O-Rama bis heute ein ergiebiges Diskussionsthema innerhalb der deutschen Jugendsubkulturen, der Politszenen und des Musik-Undergrounds gleichermaßen. Eine Unmenge obskurer Anekdoten und haarsträubender Storys ranken sich um den konsequent medienscheuen Firmenchef Herbert E.: Gerüchte über "abgeschnittene Ohren" und die Unterwanderung der Punkszene durch die NPD machten die Runde. Dieses Buch bringt auf über 400 Seiten endlich Licht ins Dunkel der Legenden, Mythen und Mysterien und offeriert dabei nicht nur Musik-Nerds und Szene-Insider:innen exklusive Background-Infos, sondern leistet darüber hinaus auch einen zentralen Beitrag zur Historie des Rechtsrock-Nukleus in Europa.
    Note: Literaturverzeichnis: Seite 425-432 , Diskografie: Seite 410-423
    URL: Cover
    URL: Cover
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  • 31
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press
    ISBN: 9780472903016
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 32
    Book
    Book
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781666900880
    Language: English
    Pages: xx, 241 Seiten , Illustrationen, Karten, Notenbeispiele
    Series Statement: The Lexington series in historical ethnomusicology: deep soundings
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte ; Rezeption ; Islam ; Ensemble ; Einflussnahme ; Hofmusik ; Malaysia ; Islamische Staaten ; Nobat ; Music / Southeast Asia / History and criticism ; Music / Political aspects / Southeast Asia / History ; Courts and courtiers / History ; Islam / Southeast Asia / History ; Courts and courtiers ; Islam ; Music ; Music / Political aspects ; Southeast Asia ; Criticism, interpretation, etc ; History ; Malaysia ; Islam ; Hofmusik ; Ensemble ; Einflussnahme ; Rezeption ; Islamische Staaten ; Geschichte
    Abstract: "The Malay Nobat: A History of Power, Acculturation, and Sovereignty explores the history and meaning of the nobat, its spread throughout the Muslim empire, and its emergence as a symbol of power and sovereignty, ultimately showing how existing nobat ensembles in Malaysia and Brunei are the last living legacy of the Mulism world"--
    Description / Table of Contents: Introduction -- Early Histories -- The Malay Nobat -- The Nobat in Early Malay Literature : A Lesson from Patani -- The Adat Aceh and 17th Century European Encounter -- From British Colonialism to Independence -- Conclusion
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  • 33
    ISBN: 9783955751685 , 3955751686
    Language: German
    Pages: 267 Seiten , 14 cm x 19.5 cm
    Edition: 1. Auflage
    DDC: 780
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Punk ; Deutschland ; Punk ; Geschichte
    Abstract: Als Punk etwa im Jahr 1980 in der DDR ankam, verunsicherte er nicht nur die sogenannten Staatsorgane, auch die Spießer und Biedermänner liefen Amok. Bereits optisch als Provokation gewollt und verstanden, bildete sich in einigen Zentren eine ganze Gegenkultur samt Lifestyle und Musik heraus, der es um Freiräume und Freiheit ging. Und genau wie Punk in der DDR eine von Stadt zu Stadt, von Kaff zu Kaff ganz unterschied­liche Szene jeweils mit ganz eigenen Protago­nist:innen und Eigenheiten war, zeichnet sich dieser Sammelband durch Vielstimmigkeit aus, Stories stehen neben Anekdoten, sachliche Analysen neben ganz persönlichen Reflektionen. "negativ-dekadent" versteht sich als eine Zeitklammer, die möglichst viel von dem wiedergeben will, was für zehn Jahre in diesem diktatorisch regierten Teil Deutschlands für zumindest etwas Farbe und viel Verwirrung sorgte. Mit Texten von Cornelia Schleime, Franziska Hause, Jan Müller, Anne Hahn, Tim Mohr, Alexander Pehlemann, Jan Off, Roland Galenza, Jochen Schmidt, Peter Wawerzinek, Heinz Havemeister, Iron Henning und vielen anderen mehr. Einige der hier versammelten Texte sind bereits in vergriffenen Publikationen erschienen, einige wurden extra für dieses Buch verfasst. Gemeinsam ist ihnen allen, dass sie möglichst viel von der Lebenswirklichkeit made in GDR abbilden, die in die Geschichte einging.
    URL: Cover
    URL: Cover
    URL: Cover
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  • 34
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 35
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 36
    ISBN: 9783631867723 , 3631867727
    Language: English
    Pages: 447 Seiten , Illustrationen , 21 cm x 14.8 cm, 646 g
    Series Statement: American Culture Vol. 16
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Lomax, Alan ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 37
    Book
    Book
    New Haven, CT : Yale University Press
    ISBN: 9780300255317
    Language: English
    Pages: 273 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    DDC: 782.42164
    RVK:
    Keywords: Dylan, Bob ; Folksong ; USA ; Dylan, Bob / 1941- / Songs and music ; Folk music / United States / History and criticism ; MUSIC / Genres & Styles / Folk & Traditional ; Biografie ; Biografie ; Biografie ; Dylan, Bob 1941- ; USA ; Folksong
    Abstract: Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen.0 In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to "see myself in others." Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan's continuing presence and relevance through his empathy-his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan, but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own
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  • 38
    ISBN: 9780520281844 , 9780520281837
    Language: English
    Pages: xvii, 287 Seiten
    Series Statement: Phono
    DDC: 780.8996073
    RVK:
    Keywords: Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Note: Includes bibliographical references and index
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  • 39
    ISBN: 9780472055685 , 9780472075683
    Language: English
    Pages: xi, 151 Seiten , 23 cm
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; Rap (Music) / History and criticism ; Hip-hop / History and criticism ; Gay musicians / United States ; Lesbian musicians / United States ; Transgender musicians / United States ; African American gays ; African American lesbians ; African American bisexuals ; African American transgender people ; Gender-nonconforming people / United States ; Queer musicology ; Gender identity in music ; Queer theory ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    Abstract: "Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success. In Queer Voices in Hip Hop, Lauron Kehrer turns our attention to openly queer and trans rappers and positions them within a longer Black queer musical lineage. Combining musical, textual, and visual analysis with reception history, this book reclaims queer involvement in hip hop by tracing the genre's beginnings within Black and Latinx queer music-making practices and spaces, demonstrating that queer and trans rappers draw on Ballroom and other cultural expressions particular to queer and trans communities of color in their work in order to articulate their subject positions. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the of hip hop's queer roots"
    Description / Table of Contents: Introduction. "I don't have any secrets I need kept anymore": Out in hip-hop -- Hip-hop's queer roots: Disco, house, and early hip-hop -- Queer articulations in ballroom rap -- "The bro code"" Black queer women and female masculinity in rap -- "Nice for what": New Orleans bounce and disembodied queer voices in the mainstream -- Outro. "Call me by your name": Demarginalizing queer hip-hop
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  • 40
    Online Resource
    Online Resource
    Leiden ; Boston : Brill
    ISBN: 9789004517073
    Language: English
    Pages: 1 Online-Ressource (XV, 441 Seiten)
    Series Statement: Collected works of Jao Tsung-i: Xuantang anthology volume 1
    Series Statement: Collected works of Jao Tsung-i: Xuantang anthology
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 41
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520382787 , 9780520382800
    Language: English
    Pages: xxvi, 448 Seiten , Illustrationen
    Series Statement: Hip Hop studies 3
    Series Statement: Hip Hop studies
    Parallel Title: Erscheint auch als
    DDC: 306.484249
    RVK:
    Keywords: Geschichte ; Hip-Hop ; Rap ; Rap (Music) / Political aspects ; Rap (Music) / Social aspects ; Rap musicians / Political activity ; Hip-hop / Influence ; Rappeurs / Activité politique ; Hip-hop / Influence ; Rap (Music) / Political aspects ; Rap (Music) / Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Rap ; Hip-Hop ; Geschichte
    Abstract: "Moving through over a dozen cities across four continents, Freedom Moves: Hip Hop Knowledges, Pedagogies, and Futures represents a cutting-edge, field-defining moment in Hip Hop Studies. As we approach 50 years of hip hop cultural history, and 30 years of hip hop scholarship, hip hop continues to be one of the most profound and transformative social, cultural, and political movements of the late 20th and early 21st centuries. In this book, H. Samy Alim, Jeff Chang, and Casey Philip Wong invite us to engage dialogically with some of the world's most innovative and provocative Hip Hop artists and intellectuals as they collectively rethink the relationships between Hip Hop knowledges, pedagogies, and futures.
    Abstract: Rooting hip hop in Black freedom culture, this state-of-the-art collection presents a globally diverse group of Black, Indigenous, Latinx, Asian American, Arab, European, North African and South Asian artists, activists, and thinkers who view hip hop as a means to move freedom forward for all of us.
    Abstract: Contributors do so by taking stock of the politics of hip hop culture at this critical juncture of renewed racial justice movements in the US and globally (Chuck D, Rakim, and Talib Kweli); resisting oppressive policing and reimagining community safety, healing, and growth in US urban centers like New York (Bryonn Bain), Pittsburgh (Jasiri X), Chicago (Kuumba Lynx), Atlanta and "the New South" (Bettina Love, Regina Bradley, and Mark Anthony Neal), and the San Francisco Bay Area (Mark Gonzales, A-lan Holt, Michelle Lee and the Mural Music and Arts Project); and recovering traditional, Indigenous knowledges and ways of being in the world at the same time that they create new ones (Dream Warriors). Leading thinkers take seriously the act of forging new languages for new articulations of Black/feminist/queer/disabled futures within and beyond Hip Hop (Joan Morgan, Brittney Cooper, Treva Lindsey, Kaila Aida Story, Esther Armah, Leroy F. Moore, Jr.
    Description / Table of Contents: Introduction -- Sweat the technique : the politics and poetics of hip hop / Rakim, Chuck D, and Talib Kweli -- Know the ledge(s) : the meanings of knowledge of self in "post"-apartheid South Africa / Shaheen Ariefdien and Emile YX? -- "Alshaab yurid isqaat al-nitham!" : sustaining revolution and disrupting dominant narratives of Palestine and Syria through hip hop / DAM (Tamer Nafar, Suhell Nafar and Mahmoud Jreri), Omar Offendum, and Ramzi Salti -- "The revolution will be indigenous" : collective liberation, healing, and resistance to settler colonialism through hip hop / Jessa Calderon, Gunner Jules, Lyla June, Tall Paul, and Tanaya Winder, with Casey Philip Wong -- "Luchando Derechos" in neoliberal Spain : hip hop visions beyond racism, xenophobia, Islamophobia and the gentrification of El Raval, Barcelona / La Llama Rap Colectivo with H. Samy Alim -- 1Hood : hip hop art, activism, and media creation in Pittsburgh / Jasiri X --
    Description / Table of Contents: "Protection from police who hinder respiratory airways" : hip hop theatre and activism with Kuumba Lynx in Chicago / Jacinda Bullie, Jaquanda Saulter-Villegas, and Leyda Lady Sol Garcia -- Ripples of hope and healing : sustaining community by creating a social justice arts ecosystem / Sonya Clark-Herrera, with Dorien Blue fka Adorie Howard, Measha Ferguson-Smith, Reagan Ross, and Casey Philip Wong -- Beyond trauma : storytelling as cultural shift and collective healing / Bryonn Bain, Mark Gonzales, A-Ian Holt, and Michelle Lee -- "Where the beat drops" : culturally relevant to culturally sustaining hip hop pedagogies / Gloria Ladson-Billings, Django Paris, and H. Samy Alim -- How hip hop means : retrospect for beats, rhymes, and classroom life / Marc Lamont Hill -- The magic behind science genius : how hip hop can transform science education / Christopher Emdin & The GZA, with Bryan Brown --
    Description / Table of Contents: Hip hop, whiteness, and critical pedagogies in the context of Black Lives Matter / A.J. Robinson -- The pleasure principle : articulating a post-hip hop feminist politics of pleasure / Joan Morgan, Brittney Cooper, Treva Lindsey, Kaila Adia Story, and Esther Armah -- "When can black disabled folks come home? : the krip-hop movement, race, and disability justice / Leroy F. Moore, Jr. and Stephanie Keeney Parks -- Queering hip hop feminist pedagogies in the New South / Bettina Love, Regina Bradley, and Mark Anthony Neal -- "These are not sonnet times" : building towards liberatory futures / Maisha Winn
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  • 42
    Book
    Book
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781316519974 , 9781009011532
    Language: English
    Pages: xi, 324 Seiten , Diagramme
    Parallel Title: Erscheint auch als Fight the power
    DDC: 306.4/84249
    RVK:
    Keywords: Rap (Music) Political aspects ; African Americans Political activity ; African Americans Social conditions ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Rap ; Musiksoziologie
    Abstract: From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby.
    Abstract: "Paul Butler considers NWA's 1988 song, "Fuck tha Police," as an invitation to think about putting the police on trial for crimes against African Americans. It examines the resonance of "Fuck tha Police" over time, up to and including the George Floyd inspired protests. It will also use the song to analyze how civilians should feel about cops in a democracy. Are they a positive good, as many white people might suggest, a necessary evil, as some people of color might suggest, or an unnecessary evil, as suggested by the "defund the police" movement? Butler also will explore the meaning of the trial metaphor in the song - what would it mean for African Americans to put the police on trial? What would be the crime and the appropriate punishment?"--
    Note: Includes bibliographical references and index
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  • 43
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
    RVK:
    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Cover
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  • 44
    ISBN: 9780197559284 , 9780197559277
    Language: English
    Pages: xviii, 254 Seiten , Illustrationen, Notenbeispiele, Portraits
    Parallel Title: Erscheint auch als Wells, Christi Jay Between beats
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    Keywords: Geschichte ; Jazztanz ; Jazztanz ; Geschichte
    Abstract: "The Jazz Tradition and Black Vernacular Dance explores the complex intersections between jazz music and popular dance over the last hundred-plus years. It aims to show how popular entertainment and cultures of social dancing were crucial to jazz music's formation and development, but it also investigates the processes through which jazz music came to earn a reputation as a "legitimate" art form better suited for still, seated listening. Through the concept of "choreographies of listening," the book explores amateur and professional jazz dancers' relationships with jazz music and musicians as jazz's soundscapes and choreoscapes were forged through close contact and mutual creative exchange. The book's later chapters also critically unpack the aesthetic and political negotiations through which jazz music supposedly distanced itself from dancing bodies. As musicians and critics sought to secure institutional space for jazz within America's body-averse academic and high-art cultures, an intentional severance from the dancing body proved crucial to jazz's re-positioning as a form of autonomous, elite art. Fusing little-discussed material from diverse historical and contemporary sources with the author's own years of experience as a social jazz dancer, this book seeks to advance participatory dance and embodied practice as central topics of analysis in jazz studies. As it tells the rich, untold story of jazz as popular dance music, this book also exposes how American anxieties about bodies and a broad cultural privileging of the cerebral over the corporeal have shaped efforts to "elevate" expressive forms such as jazz to elite status"--
    Description / Table of Contents: Jazz Music and its Choreographies of Listening -- "Its Bite and Its Feeling" : The Quadroon Ball and Jazz's New Orleans Plaçage Complex -- "Lindy Hopper's Delight" : The Chick Webb Orchestra and the Fluid Labor of Whitey's Lindy Hoppers -- "Counter-Bopaganda" and "Torn Riffs" : Bebop as Popular Dance Music -- "A Fine Art in Danger" : Marshall Stearns's Jazz Dance Advocacy -- Dancing Every Note : Community Theater and Kinetic Memory at Jazz 966
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  • 45
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253057549 , 9780253057532
    Language: English
    Pages: xi, 309 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musikwirtschaft ; Kultur ; Politik ; Musik ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
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  • 46
    ISBN: 9783150196779 , 3150196779
    Language: German
    Pages: 280 Seiten , 14.8 cm x 9.6 cm
    Series Statement: Reclams Universal-Bibliothek
    Series Statement: Reclam Sachbuch premium
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    Keywords: Geschichte ; Hip-Hop ; Album ; Hip-Hop ; Album ; Geschichte
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  • 47
    ISBN: 9783837655568
    Language: German
    Pages: 337 Seiten , Illustrationen
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    DDC: 782.42164909436
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    Keywords: Geschichte ; Globalisierung ; Musikleben ; Hip-Hop ; Österreich ; Österreich ; Musik ; Glokalisierung ; Musikanalyse ; Popkultur ; Popmusik ; Musikwissenschaft ; Kultursoziologie ; Hip Hop ; Austria ; Music ; Glocalization ; Music Analysis ; Popular Culture ; Pop Music ; Musicology ; Sociology of Culture ; Hochschulschrift ; Österreich ; Hip-Hop ; Musikleben ; Globalisierung ; Geschichte
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  • 48
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030551605
    Language: English
    Pages: xvii, 320 Seiten , Illustrationen
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musikleben ; Reggae ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Reggae ; Musikleben ; Geschichte
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  • 49
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
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    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 50
    ISBN: 9783667121882 , 3667121881
    Language: German
    Pages: 520 Seiten , Illustrationen , 27 cm x 21 cm, 1 g
    Edition: 1. Auflage
    Uniform Title: Queen - La Totale
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    Keywords: Queen ; Geschichte ; Song ; freddie mercury ; bohemian rhapsody ; we are the champions ; queen songs ; hits der 80er ; queen alben ; hits der 70er ; queen album covers ; rockballaden ; queen bilder ; die besten hits aller zeiten ; kult band ; berühmte songs ; diskografie queen ; bildband musik ; band queen ; benoit clerc ; Biografie ; Verzeichnis ; Biografie ; Verzeichnis ; Biografie ; Verzeichnis ; Queen ; Song ; Geschichte ; Queen ; Song
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  • 51
    Book
    Book
    Bristol, UK ; Chicago, USA : Intellect
    ISBN: 9781789384000
    Language: English
    Pages: XII, 296 Seiten , Illustrationen, Diagramme, Karten (teilweise farbig)
    Series Statement: Advances in metal music and culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Heavy Metal ; Heavy metal (Music) / History and criticism ; Heavy metal (Music) ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Heavy Metal ; Heavy Metal ; Geschichte
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  • 52
    ISBN: 9783426281864 , 3426281864
    Language: German
    Pages: 383 Seiten , Illustrationen, Karten , 21.8 cm x 14.5 cm, 573 g
    Edition: Deutsche Erstausgabe
    Additional Information: In Beziehung stehende Ressource 9783426301135
    Uniform Title: Eat the Buddha
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Geschichte 1958-2018 ; Geschichte 1958- ; Besetzung ; Selbstverbrennung ; Tibeter ; Unterdrückung ; Protest ; Sichuan ; China ; Aba ; Lebensgeschichten Schicksal Bücher ; Im Land des Flüsterns ; wahre Geschichten Bücher ; Mao ; Assimilation ; Provinz ; Unterdrückung ; Tibet Geschichte ; Tibet ; Langer Marsch ; China ; Exil ; Barbara Demick ; Dalai Lama ; Selbstverbrennung ; Gewalt ; Buddhismus ; Flucht ; Lebensgeschichten ; Schicksal ; tibetische Kultur ; Erlebnisbericht ; Erlebnisbericht ; Sichuan ; Tibeter ; Geschichte 1958- ; China ; Tibeter ; Selbstverbrennung ; Protest ; Geschichte ; Aba ; Besetzung ; China ; Unterdrückung ; Tibeter ; Protest ; Geschichte 1958-2018
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  • 53
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108902519
    Language: English
    Pages: 1 Online-Ressource (xxiv, 259 Seiten)
    Series Statement: Slaveries since emancipation
    Parallel Title: Erscheint auch als
    DDC: 306.3/620905
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    Keywords: Geschichte ; Slavery / History / 21st century ; Human trafficking / History / 21st century ; Bekämpfung ; Politik ; Menschenhandel ; Aufsatzsammlung ; Aufsatzsammlung ; Menschenhandel ; Bekämpfung ; Politik ; Geschichte
    Abstract: Over the last two decades, fighting modern slavery and human trafficking has become a cause célèbre. Yet large numbers of researchers, non-governmental organizations, trade unions, workers, and others who would seem like natural allies in the fight against modern slavery and trafficking are hugely skeptical of these movements. They object to how the problems are framed, and are skeptical of the "new abolitionist" movement. Why? This book tackles key controversies surrounding the anti-slavery and anti-trafficking movements head on. Champions and skeptics explore the fissures and fault lines that surround efforts to fight modern slavery and human trafficking today. These include: whether efforts to fight modern slavery displace or crowd out support for labor and migrant rights; whether and to what extent efforts to fight modern slavery mask, naturalize, and distract from racial, gendered, and economic inequality; and whether contemporary anti-slavery and anti-trafficking crusaders' use of history are accurate and appropriate
    Note: Title from publisher's bibliographic system (viewed on 18 Jun 2021)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 54
    Online Resource
    Online Resource
    Baden-Baden : Nomos Verlagsgesellschaft
    ISBN: 9783845295145
    Language: German
    Pages: 1 Online-Ressource (409 Seiten)
    Edition: 1. Auflage
    Series Statement: Studien zur Geschichte des Völkerrechts Band 39
    Series Statement: Nomos eLibrary
    Series Statement: Open Access
    Series Statement: Studien zur Geschichte des Völkerrechts
    Parallel Title: Erscheint auch als Spitra, Sebastian M. Die Verwaltung von Kultur im Völkerrecht
    Dissertation note: Dissertation Universität Wien 2018
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    Keywords: Kolonialismus ; Kultur ; Verwaltung ; postkolonial ; Kulturgüterschutz ; Restitution ; Kulturgutrestitutionen ; Kultur im Völkerrecht ; Kulturstandard ; standard of civilization ; administration of culture ; Rechtsgeschichte ; Völkerrecht ; Globalgeschichte ; cultural heritage ; Geschichte ; Verfassungsgeschichte ; knowledge ; public international law ; constitutional history ; history ; legal history ; global history ; Wissen ; Hochschulschrift ; Hochschulschrift ; Kulturgüterschutz
    Abstract: Das Buch schreibt die Entstehungsgeschichte des Kulturgüterschutzes im Völkerrecht aus einer postkolonialen Perspektive neu. Im Gegensatz zur bisherigen Historiographie von „Kultur“ im Völkerrecht argumentiert die vorliegende Studie, dass der eurozentrische „Kulturstandard“ des 19. und 20. Jahrhundert maßgeblich in Wechselwirkung mit der Entwicklung des Kulturgüterschutzes stand. Verschiedene Akteure nutzten das Recht auf unterschiedliche Weise, um an dem „Zivilisationsdiskurs“ teilzuhaben. Das Ziel des Buchs ist es, ein neues Narrativ in die Geschichte des Kulturgüterschutzes einzuführen. Das dominante Fortschrittsnarrativ soll durch eine kritische Genealogie des Völkerrechts ersetzt werden, welche die hegemonialen Strukturen der Vergangenheit und Gegenwart aufdeckt. Sebastian M. Spitra ist wissenschaftlicher Mitarbeiter am Institut für Rechts- und Verfassungsgeschichte der Universität Wien und Grotius Fellow der University of Michigan Law School.
    Abstract: This book analyses the development of the norms of protecting cultural heritage from a postcolonial perspective. In contrast to the traditional historiography of ‘culture’ in international law, it reveals how the highly problematic and Eurocentric ‘standard of civilisation’ in the 19th and 20th centuries served as a driving force for the formation of cultural heritage protection norms. Various actors used the law in different ways to take part in this discourse on ‘civilisation’. The aim of this book is to lay down a new narrative on the history of the protection of world cultural heritage. It endeavours to replace the inherent politics of the dominant narrative on progress with a critical genealogy which reveals the long-lasting hegemonic structures of today’s international law. Sebastian M. Spitra is a research fellow at the Department of Legal and Constitutional History at the University of Vienna and a Grotius fellow at the University of Michigan Law School.
    Note: Gesehen am 14.07.2021
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  • 55
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472902446 , 047290244X
    Language: English
    Pages: 1 Online-Ressource (XVII, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.4216213073
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    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 56
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
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    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 57
    Book
    Book
    Cambridge, United Kingdom ; New York, NY ; Port Melbourne, VIC ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781108830621 , 9781108822404
    Language: English
    Pages: xxiv, 259 Seiten , Illustrationen, Diagramme
    Series Statement: Slaveries since emancipation
    Parallel Title: Erscheint auch als
    DDC: 306.3/620905
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    Keywords: Geschichte ; Politik ; Menschenhandel ; Bekämpfung ; Slavery / History / 21st century ; Human trafficking / History / 21st century ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Menschenhandel ; Bekämpfung ; Politik ; Geschichte
    Abstract: Klappentext: "Over the last two decades, fighting modern slavery and human trafficking has become a cause célèbre. Policies to fight modern slavery are championed by right- and left-wing governments. Multi-national corporations host panels about fighting modern slavery at the World Economic Forum, United Nations summits, and rock music festivals. A motley civil society coalition of anti-slavery activists, students, churches, and conservative antifeminist organizations have banded together to eradicate slavery with an arsenal ranging from "slave raids" to awareness-raising campaigns. This coalition has spent billions of dollars on projects that promise to end slavery in our lifetime"--
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  • 58
    ISBN: 9783828844414 , 3828844413
    Language: German
    Pages: 152 Seiten , Illustrationen , 21 cm x 14.8 cm
    Series Statement: Dresdner Schriften zur Musik Band 12
    Series Statement: Dresdner Schriften zur Musik
    Parallel Title: Erscheint auch als Jazz/Rock/Pop - Das Dresdner Modell
    DDC: 781.630711432142
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Hochschule für Musik Carl Maria von Weber Dresden ; Musikstudium ; Unterhaltungsmusik ; Geschichte ; Musikhochschule ; Dresden ; Jazz ; Rockmusik ; Popmusik ; Ehemaliger Schüler ; Biografie
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  • 59
    ISBN: 9783487160511 , 348716051X
    Language: German , French
    Pages: VI, 277 Seiten, 16 Tafeln , Illustrationen , 24 cm x 16 cm, 605 g
    Series Statement: Sklaverei - Knechtschaft - Zwangsarbeit Band 21
    Series Statement: Sklaverei - Knechtschaft - Zwangsarbeit
    DDC: 306.36209
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Sklave ; Identität ; Unfreiheit ; Geschichte
    Note: Literaturangaben , "Die Beiträge des vorliegenden Sammelbandes gehen zum großen Teil auf eine Ringvorlesung zurück, die an der Universität Luxemburg im Rahmen des Bachelor en Cultures Européennes im Sommersemester 2016 stattfand." (Vorwort) , Beiträge überwiegend deutsch, ein Beitrag französisch
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  • 60
    ISBN: 9783518299524 , 3518299522
    Language: German
    Pages: 489 Seiten , 17.7 cm x 10.8 cm
    Edition: Originalausgabe, erste Auflage
    Additional Information: Rezensiert in Von "sorgsamen Überlegungen", "Rasse" und Recht 2021
    Series Statement: Suhrkamp Taschenbuch Wissenschaft 2352
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2020
    DDC: 342.43001
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    Keywords: Rassismus ; Stamm ; Volk ; Rassendiskriminierung ; Recht ; Rechtswissenschaft ; Rechtstheorie ; Antirassismus ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Rasse ; Rechtsbegriff ; Rechtstheorie ; Geschichte
    Abstract: Über »Rasse« im Grundgesetz wird derzeit viel gestritten. Ist es ein rassistisches Wort, das es zu ersetzen gilt, oder eine für die Bekämpfung von Diskriminierung notwendige Kategorie? Doris Liebscher geht der Frage historisch, rassismustheoretisch und rechtsdogmatisch auf den Grund. Sie rekonstruiert, wie der Begriff ins Grundgesetz kam, und untersucht, wie Gerichte und Rechtswissenschaft heute das auf »Rasse« bezogene Diskriminierungsverbot aus Artikel 3 GG auslegen. Auch das Recht der DDR sowie europäische, US-amerikanische und weitere internationale Rechtsdebatten unterzieht sie einer kritischen Analyse, um schließlich für ein postkategoriales Antidiskriminierungsrecht zu plädieren: die Ersetzung des Rechtsbegriffs »Rasse« durch »rassistisch«
    Note: Dissertationsvermerk der Danksagung auf Seite 487 entnommen
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  • 61
    ISBN: 9783963181177 , 3963181176
    Language: German
    Pages: 335 Seiten , Illustrationen , 21 cm x 14.5 cm
    Edition: Aktualisierte und überarbeitete Neuauflage
    DDC: 781.66094309047
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    Keywords: Krautrock ; Geschichte
    Abstract: Anspruchsvoll und kosmisch: Henning Dedekind über den Krautrock."Die Leistungen des Krautrock werden hierzulande viel zu wenig gewürdigt" (FAZ).Am Anfang war das Schmähwort. "Krauts" wurden deutsche Soldaten von den Briten im Zweiten Weltkrieg genannt. Als "Krautrock" bezeichneten vor allem internationale Journalisten Ende der Sechziger alles, was musikalischen Ursprungs aus Deutschland dahinstampfte. Erst später wurde Krautrock zu einem Synonym für experimentelle, anspruchsvolle Musik, psychedelisch angehauchten Art-Rock. Vielseitige Gruppen wie Amon Düðl, Faust, Neu! und Can gingen aus jener Zeit hervor. Ausufernde Klangwände, flirrende Elektronik und "kosmische Musik" bereiteten den Boden für zukünftige Trends wie Industrial und Techno. Henning Dedekind, Jahrgang 1968, begibt sich mit seinem Buch auf Spurensuche. Aus Gesprächen mit Musikern und Zeitzeugen vermittelt er das Lebensgefühl einer Zeit, die vom Vietnamkrieg und der Anti-Atomkraft-Bewegung geprägt wurde. Der Autor analysiert mit wissenschaftlicher Expertise und folgt so unterschiedlichen Strömungen wie dem Polit-Rock, Jazz-Rock und der "kosmischen Musik". Am Ende geht Dedekind der Frage nach, warum der Krautrock schliesslich unterging und was von ihm geblieben ist. Eine umfangreiche Literaturliste sowie Disko- und Kurzbiografien ergänzen die Ausführungen. "Vielleicht ist "Krautrock" somit so etwas wie ein zukünftiges Standardwerk"
    Note: Literaturverzeichnis: Seite 331-335 , Erstmals erschienen als Krautrock - Underground, LSD und kosmische Kuriere (Höfen 2008)
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  • 62
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 9780192893932
    Language: English
    Pages: viii, 228 Seiten
    Edition: First Edition
    Parallel Title: Erscheint auch als Heath, Deana Colonial terror
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    Keywords: Britisch-Indien ; Kolonialismus ; Staatsgewalt ; Folter ; Geschichte
    Note: Literaturverzeichnis: Seite 189-221
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  • 63
    ISBN: 9783962332730 , 3962332731
    Language: German , English
    Pages: 271 Seiten , Illustrationen, Notenbeispiele , 24 cm x 16,5 cm
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München Band 16
    Parallel Title: Erscheint auch als Jüdische Musik im süddeutschen Raum
    DDC: 780.899240434
    RVK:
    Keywords: Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Süddeutschland ; Juden ; Musik ; Geschichte
    Abstract: Dieser Band kartiert die jüdische Musik Süddeutschlands im 19. und 20. Jahrhundert: als einen Raum, der jüdische Musikgeschichte produziert, beherbergt und bewahrt; als einen gemeinsamen Raum von Juden und Nicht-Juden mit der möglichen Kultur des Zusammenflusses; und als einen Raum der Ausgrenzung und Verfolgung. Diese Räume - teils symbolisch, abstrakt, metaphorisch, teils konkret und inszeniert - erschließen sich in acht Kapiteln: zur Topografie jüdischen Musiklebens im NS-Staat in München, zum Leben und Wirken von Jakob Schönberg und Richard Fuchs im Kontext jüdischer Kunstmusik, zu den musikalischen Praktiken der jüdischen Gemeinden in Bamberg und Binswangen, zu den Aktivitäten des Esslinger Cantors Mayer Levi, zur Verlagerung süddeutscher und österreichischer jüdischer Musiker und ihrem Wirken in Ferramonti di Tarsia und nicht zuletzt zu Paul Ben-Haims sozialem und intellektuellem Umfeld vor und kurz nach der Emigration.
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  • 64
    Online Resource
    Online Resource
    Cambridge, Massachuesetts ; London, England : The Belknap Press of Harvard University Press
    ISBN: 9780674258808 , 9780674258815
    Language: English
    Pages: 1 Online-Ressource (viii, 598 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.82/0973
    RVK:
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    Keywords: Geschichte ; SOCIAL SCIENCE / Popular Culture ; African American feminists ; African American women musicians ; African American women Intellectual life ; African American women Music ; History and criticism ; Musical criticism History ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; USA ; Afroamerikanische Musik ; Feminismus ; Musikkritik ; Geschichte
    Abstract: An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 65
    Book
    Book
    Warszawa : Wydawnictwo Naukowe SCHOLAR
    ISBN: 9788366470101
    Language: Polish
    Pages: 281 Seiten , 24 cm
    Edition: Wydanie pierwsze
    RVK:
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    Keywords: Geschichte 1980-2019 ; Popkultur ; Rap ; Soziale Identität ; Nationalismus ; Nationalismus ; USA ; Polen ; Hip-hop / wpływ ; Hip-hop / Polska ; Tożsamość społeczna ; Komunikacja międzykulturowa ; Muzyka rap / aspekt polityczny / Polska ; Muzyka rap / aspekt polityczny / Stany Zjednoczone ; Polen ; USA ; Rap ; Popkultur ; Nationalismus ; Nationalismus ; Soziale Identität ; Geschichte 1980-2019
    Note: Literaturverzeichnis Seite 246-271 , Text polnisch
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  • 66
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501348037
    Language: English
    Pages: ix, 255 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.421660922
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    Keywords: The Beatles ; Geschichte ; Rezeption ; Weiblicher Fan ; Frau ; The Beatles ; Frau ; The Beatles ; Rezeption ; Weiblicher Fan ; Geschichte
    Abstract: "The only academic book to discuss the Beatles and their social and cultural impact as understood through the experiences and lives of women"--
    Description / Table of Contents: Introducing A Women's History of the Beatles -- "Remember Me" : Stories from Merseyside -- With the Beatles : A Fan History -- "Don't Blame it On Yoko" : Wives and Girlfriends in the Beatles Fairy Tale -- "Free as a Bird" : Music-Making and the Liberatory Beatlesque -- "Think For Yourself" : Entrepreneurs and Intellectuals -- Conclusion. Beatles History, Women's Lives
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  • 67
    ISBN: 9783990128947
    Language: English
    Pages: IX, 391 Seiten , Illustrationen , 24 cm
    Series Statement: Jazzforschung 48 (2016)
    Series Statement: Jazzforschung
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    Keywords: Jazz ; Geschichte ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jazz ; Geschichte
    Note: Erweiterte Fassung der Dissertation "The stories of jazz: performing America through its musical history", Dortmund 2014. - Literaturverzeichnis: Seiten 361-391
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  • 68
    ISBN: 9780472038558
    Language: English
    Pages: XVII, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
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  • 69
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783030551612
    Language: English
    Pages: 1 Online-Ressource (XVII, 320 Seiten) , Illustrationen
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 941
    RVK:
    Keywords: Geschichte ; Great Britain-History ; History, Modern ; Civilization-History ; Social history ; Music ; Musikleben ; Reggae ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Reggae ; Musikleben ; Geschichte
    Abstract: This book explores the history of reggae in modern Britain from the time it emerged as a cultural force in the 1970s. As basslines from Jamaica reverberated across the Atlantic, so they were received and transmitted by the UK's Afro-Caribbean community. From roots to lovers' rock, from deejays harnessing the dancehall crowd to dub poets reporting back from the socio-economic front line, British reggae soundtracked the inner-city experience of black youth. In time, reggae's influence permeated the wider culture, informing the sounds and the language of popular music whilst also retaining a connection to the street-level sound systems, clubs and centres that provided space to create, protest and innovate. This book is therefore a testament to struggle and ingenuity, a collection of essays tracing reggae's importance to both the culture and the politics of late twentieth and early twenty-first century Britain
    Note: 1. Introduction: Narratives from the Bassline- William 'Lez' Henry & Matthew Worley -- 2. Vexed history: time and the waning of heart-I-cal philosophy- Paul Gilroy -- 3. Reggae culture as local knowledge: Mapping the beats on south east London streets- William 'Lez' Henry & Les Back -- 4. A Who Seh? Reflections of a lost and found dub poet- Martin Glynn -- 5. 'What a devilment a Englan!' Dub poets and ranters- Tim Wells -- 6. Smiley Culture: A hybrid voice for the Commonwealth- Lucy Robinson -- 7. The Story of Nzinga Soundz and the Women's Voice in Sound System Culture- Lynda Rosenior-Patten and June Reid -- 8. Sound-tapes & Soundscapes: Lo-Fi cassette recordings as vectors of cultural Transmission- Kenny Monrose -- 9. 'Dem a call us pirates, dem a call us illegal broadcasters!': 'Pirates' Anthem', PCRL and the struggle for black free radio in Birmingham- Lisa Palmer -- 10. Rebel Music in the Rebel City: The Performance Geography of the Nottingham 'Blues Party', 1957-1987- Tom Kew -- 11. 'Curious roots & crafts': Record shops and record labels amid the British reggae diaspora- Peter Hughes Jachimiak -- 12. From Sound Systems to Disc Jockeys, From Local Bands to Major Success: On Bristol's Crucial Role in Integrating Reggae and Jamaican Music in British Culture- Melissa Chemam -- 13. Growing up under the influence: A sonic genealogy of grime- Joy White -- 14. Sound Systems and the Christian deviation- Carl Tracey -- 15. Handsworth Revolution: Reggae theomusicology, gospel borderlands and delinking Black British Contemporary Gospel Music from Colonial Christianity- Robert Beckford
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 70
    Book
    Book
    Hildesheim : Georg Olms Verlag
    ISBN: 9783487159157 , 3487159155
    Language: German
    Pages: 345 Seiten , Illustrationen, Notenbeispiele , 22 cm x 14 cm
    Series Statement: Folkwang-Studien Band 21
    Series Statement: Folkwang-Studien
    RVK:
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    Keywords: Krieg + Frieden ; Geschichte ; Geistliche Musik ; Friede ; Krieg und Frieden ; Musik im sozialen Kontext ; Zeremonien ; Aufsatzsammlung ; Konferenzschrift 2018 ; Aufsatzsammlung ; Konferenzschrift 2018 ; Aufsatzsammlung ; Konferenzschrift 2018 ; Krieg + Frieden ; Friede ; Geistliche Musik ; Geschichte
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  • 71
    ISBN: 9782503594873
    Language: English
    Pages: xxii, 247 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Specvlvm mvsicae volume 41
    Series Statement: Specvlvm mvsicae
    DDC: 780
    RVK:
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    Keywords: Liszt, Franz ; Geschichte ; Geschichte 1800-1900 ; Rezeption ; Zigeunermusik ; Rhapsodie ; Zigeunermusik ; Rhapsodie ; Geschichte 1800-1900 ; Liszt, Franz 1811-1886 ; Rezeption ; Zigeunermusik ; Rhapsodie ; Geschichte
    Abstract: This volume examines the concept of rhapsody through a broad lens. Beginning with a discussion of the meaning(s) of the term itself, it then traces the history and reception of the genre and its significance in European culture. It argues for a close relationship between the idea of rhapsody and the concept of Gypsiness by demonstrating that 'rhapsody' and 'Gypsiness' can be seen as manifestations of the same types of influence and preferences for certain aesthetic categories. The book pays special attention to the seminal role of Franz Liszt in its discussion of the instrumental rhapsody. Ultimately, it reveals the consequences of historiographical representations of the rhapsody (e.g. the ossification of the image of the European Gypsy musician as a bard/rhapsode, the fossilization of presumptions concerning the nature of so-called ?Gypsies?) as well as unexpected similarities and differences between the rhapsody and the ballad as romantic genres with national implications.
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  • 72
    Online Resource
    Online Resource
    London, UK ; New York, NY, USA ; Dublin, Ireland : Zed Books
    ISBN: 9781350225282 , 9781786998149 , 9781786998163
    Language: English
    Pages: 1 Online-Ressource (xxxiii, 291 Seiten)
    Edition: Third edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.80072
    RVK:
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    Keywords: Ethnologie ; Ethnosoziologie ; Forschung ; Imperialismus ; Geschichte ; Kolonialismus ; Naturvolk ; Entkolonialisierung ; Aufsatzsammlung ; Ethnologie ; Forschung ; Naturvolk ; Ethnologie ; Imperialismus ; Geschichte ; Kolonialismus ; Geschichte ; Entkolonialisierung ; Ethnosoziologie
    Abstract: To the colonized, the term 'research' is conflated with European colonialism; the ways in which academic research has been implicated in the throes of imperialism remains a painful memory. This essential volume explores intersections of imperialism and research - specifically, the ways in which imperialism is embedded in disciplines of knowledge and tradition as 'regimes of truth.' Concepts such as 'discovery' and 'claiming' are discussed and an argument presented that the decolonization of research methods will help to reclaim control over indigenous ways of knowing and being.Now in its eagerly awaited second edition, this bestselling book has been substantially revised, with new case-studies and examples and important additions on new indigenous literature, the role of research in indigenous struggles for social justice, which brings this essential volume urgently up-to-date. Quelle: Klappentext.
    Note: Informationen wurden (z.T.) der Landingpage entnommen, da weder Titelblatt noch Impressum vorhanden ist (Bloomsbury Collections)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 73
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520383739 , 9780520383746
    Language: English
    Pages: xiv, 258 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48422
    RVK:
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    Keywords: Folk music ; Politik ; USA
    Note: Literaturverzeichnis Seite 225-258
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  • 74
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    ISBN: 9781350126329
    Language: English
    Pages: xii, 210 Seiten , 15 Illustrationen
    Series Statement: Dress cultures
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1980-2018 ; Punk ; Indie-Pop ; Subkultur ; Mode ; USA ; Großbritannien ; 21st century history: from c 2000 - ; Punk, New Wave & Indie ; Fashion & beauty industries ; Popular culture ; SOCIAL SCIENCE / Popular Culture ; SOCIAL SCIENCE / Gender Studies ; BUSINESS & ECONOMICS / Industries / Fashion & Textile Industry ; Fashion - Social aspects - History - 21st century ; Indie culture ; Popular culture - History - 21st century ; Großbritannien ; USA ; Indie-Pop ; Punk ; Mode ; Subkultur ; Geschichte 1980-2018
    Description / Table of Contents: List of Illustrations; Introduction; Chapter 1: From subculture to hot look: The evolution of indie; Chapter 2: Skinny boys and Parisian runways: The commodification of indie authenticity; Chapter 3: Wellies, fringe and individual style: The commercial rise of festival fashion; Chapter 4: Prints, paints and crop tops: The emergence of Afro-diasporic festival fashion ; Chapter 5: Beyond Retro and the pop ragtrade; Conclusion; Notes; Bibliography; Index
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  • 75
    Book
    Book
    New York ; London : Routledge,Taylor & Francis Group
    ISBN: 9781138577558 , 9781138577541
    Language: English
    Pages: viii, 208 Seiten , Illustrationen
    Series Statement: Transnational studies in jazz
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Jazz ; Globalisierung ; Jazz / History and criticism ; Music and globalization ; Jazz ; Music and globalization ; Criticism, interpretation, etc ; Jazz ; Globalisierung ; Geschichte
    Abstract: "Jazz Diaspora: New Approaches to Music and Globalisation is about the international diaspora of jazz, well underway within a year of the first jazz recordings in 1917. This book studies the processes of the global jazz diaspora and its implications for jazz historiography in general, arguing for its relevance to the fields of sonic studies and cognitive theory. Until the late twentieth century, the historiography and analysis of jazz were centred on the US to the almost complete exclusion of any other region. The driving premise of this book is that jazz was not 'invented' and then exported: it was invented in the process of being disseminated. Jazz Diaspora is a sustained argument for an alternative historiography, based on a shift from a US-centric to a diasporic perspective on the music. The rationale is double-edged. It appears that most of the world's jazz is experienced (performed and consumed) in diasporic sites--that is, outside its agreed geographical point of origin--and to ignore diasporic jazz is thus to ignore most jazz activity. It is also widely felt that the balance has shifted, as jazz in its homeland has become increasingly conservative. There has been an assumption that only the 'authentic' version of the music--as represented in its country of origin--was of aesthetic and historical interest in the jazz narrative; that the forms that emerged in other countries were simply rather pallid and enervated echoes of the 'real thing.' This has been accompanied by challenges to the criterion of place- and race-based authenticity as a way of assessing the value of popular music forms in general. As the prototype for the globalisation of popular music, diasporic jazz provides a richly instructive template for the study of the history of modernity as played out musically"--
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  • 76
    ISBN: 9781472463999
    Language: English
    Pages: xxxviii, 272 Seiten, [16] Blatt , Illustrationen
    RVK:
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    Keywords: Herkunft ; Sozialanthropologie ; Musikinstrumentenkunde ; Musikinstrument ; Archäologie ; Geschichte ; Ethnologie ; Musikinstrument ; Musikinstrumentenkunde ; Geschichte ; Herkunft ; Archäologie ; Ethnologie ; Sozialanthropologie
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  • 77
    ISBN: 9781478009597 , 9781478008699
    Language: English
    Pages: x, 217 Seiten
    Series Statement: Refiguring American music
    DDC: 781.644
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    Keywords: Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; USA
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  • 78
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780815360179 , 9780815360155
    Language: English
    Pages: xix, 267 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.630951249
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    Keywords: Geschichte ; Popmusik ; Taiwan ; Popular music / Taiwan / History and criticism ; Popular music ; Taiwan ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Taiwan ; Popmusik ; Geschichte
    Abstract: "Made in Taiwan: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary Taiwanese popular music. Each essay, written by a leading scholar of Taiwanese music, covers the major figures, styles, and social contexts of pop music in Taiwan and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Taiwan, followed by essays organized into thematic sections: Trajectories, Identities, Issues, and Interactions"--
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  • 79
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190908294
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.62914970561
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    Keywords: Geschichte ; Romanies / Turkey / Music / History and criticism ; Music / Social aspects / Turkey ; Romanies / Turkey / Social life and customs ; Music / Turkey / History and criticism ; Identität ; Musikleben ; Roma ; Türkei ; Türkei West ; Roma ; Musikleben ; Identität ; Geschichte
    Abstract: 'Sounding Roman' traces the role of music performance in maintaining, shaping, and challenging ascribed social identities of Roman ('Gypsy') groups, who constitute one of the most socially reviled and yet culturally romanticized minorities in Turkey
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 80
    ISBN: 9780190687410 , 9780190687403
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 780.98
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    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Note: Includes bibliographical references and index
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  • 81
    ISBN: 3355018775 , 9783355018777
    Language: German
    Pages: 319 Seiten , Illustrationen, Porträts , 21 cm x 14.5 cm
    DDC: 781.660943109
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    Keywords: Interview ; Interview ; Interview ; Deutschland ; Rockmusik ; Geschichte
    Abstract: Der Musikjournalist C. Hentschel schrieb schon einige Bücher über Ostrock-Bands wie City, Keimzeit oder "Als ich fortging ...". In diesem Interviewband fragte er bei Musikern aus 15 Bands nach, wie ihre Karriere nach der Wiedervereinigung gelaufen und wie der aktuelle Stand ist. Natürlich sind die Erfolge oder Probleme in der DDR auch Thema der Interviews. Die Bands hatten alle ihre Wurzeln in der DDR, aber inzwischen sind sie auch 30 Jahre im wiedervereinigten Deutschland im Musikgeschäft. Er spricht mit unterschiedlichen Musikern wie C. Dreilich (Karat), S. Krumbiegel (Die Prinzen), T. Powileit (Gundermann), U. Hassbecker (Silly) oder D. Birr (Puhdys). Musiker mit unterschiedlichen Erfahrungen, Erfolgen und Erlebnissen, die auch Einblicke in ihr Privatleben geben. Siebzig Fotos runden das schön gestaltete Buch ab. Da dieses Buch nicht alles abbilden kann, was die DDR an Rockmusik zu bieten hatte, ist für nächstes Jahr das "jetzt wirklich allerletzte Ostrock Buch" angekündigt
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    URL: Cover
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  • 82
    Online Resource
    Online Resource
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780197531020
    Language: English
    Pages: 1 Online-Ressource (viii, 246 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 342.73
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    Keywords: Verfassungsrecht ; USA ; Constitutional law / Political aspects / United States ; United States / Politics and government / 2017- ; USA ; Verfassungsrecht
    Abstract: "America's constitutional system evolves through the interplay between three cycles: the rise and fall of dominant political parties, the waxing and waning of political polarization, and alternating episodes of constitutional rot and constitutional renewal. America's politics seems especially fraught today because we are nearing the end of the Republican Party's long political dominance, at the height of a long cycle of political polarization, and suffering from an advanced case of "constitutional rot." Constitutional rot is the historical process through which republics become increasingly less representative and less devoted to the common good. Caused by increasing economic inequality and loss of trust, constitutional rot seriously threatens the constitutional system. But America has been through these cycles before, and will get through them again. America is in a Second Gilded Age slowly moving toward a second Progressive Era, during which polarization will eventually recede. The same cycles shape the work of the federal courts and theories about constitutional interpretation. They explain why political parties have switched sides on judicial review not once but twice in the twentieth century. Polarization and constitutional rot alter the political supports for judicial review, make fights over judicial appointments especially bitter, and encourage constitutional hardball. The Constitution ordinarily relies on the judiciary to protect democracy and to prevent political corruption and self-entrenching behavior. But when constitutional rot is advanced, the Supreme Court is likely to be ineffective and may even make matters worse. Courts cannot save the country from constitutional rot; only political mobilization can"--
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 83
    Online Resource
    Online Resource
    Darmstadt : wbg Academic
    ISBN: 9783534404582 , 9783534404575
    Language: German
    Pages: 1 Online-Ressource (138 Seiten)
    Series Statement: Schriftenreihe des Mittelalterlichen Kriminalmuseums Rothenburg ob der Tauber Band 12
    Series Statement: Schriftenreihe des Mittelalterlichen Kriminalmuseums Rothenburg ob der Tauber
    Parallel Title: Erscheint auch als Gender, Macht und Recht
    DDC: 305.3
    RVK:
    Keywords: Gender ; Geschichte ; Macht ; Frauen ; Recht ; Musik ; Rollen ; Occult ; wbg Publishing Services ; #MeToo ; Upskirting ; MKM ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Geschlechterrolle ; Musik
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 84
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469658865 , 9781469658872
    Language: English
    Pages: xv, 249 Seiten , Illustrationen
    DDC: 306.48420973
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    Keywords: Geschichte 1788-1865 ; Musikleben ; Politische Kultur ; Alltagskultur ; Musikpolitik ; Nationalbewusstsein ; Konservativismus ; USA
    Note: Bibliography Seite 209-234
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  • 85
    Online Resource
    Online Resource
    Darmstadt : wbg Academic
    ISBN: 9783534403233 , 9783534403226
    Language: German
    Pages: 1 Online-Ressource (465 Seiten)
    Parallel Title: Erscheint auch als Rossbroich, Joachim Woher kommt und wohin geht Europa
    DDC: 306.094
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    Keywords: Gewalt ; Europa ; Normativität ; Freiheit ; Kultur ; Selbstbeobachtung ; Europa ; Kultur ; Politik ; Entwicklung ; Politische Kooperation ; Gewalt ; Geschichte ; Europa ; Kultur ; Soziologie ; Geschichte
    URL: Cover
    URL: Cover
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  • 86
    ISBN: 9783940396914 , 3940396915
    Language: German
    Pages: 233 Seiten , 31 cm
    Edition: 1. Auflage
    DDC: 740
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    Keywords: Deutsches Museum von Meisterwerken der Naturwissenschaft und Technik ; Geschichte ; Technischer Fortschritt ; Phonograph ; Deutschland ; Grammophon ; Tontechnik ; edison ; Bildband ; Katalog ; Katalog ; Bildband ; Bildband ; Katalog ; Deutsches Museum von Meisterwerken der Naturwissenschaft und Technik ; Phonograph ; Geschichte ; Deutschland ; Phonograph ; Technischer Fortschritt ; Geschichte
    Note: Rezensiert in: Zeitschrift für Volkskunde, 117. Jahrgang (2021), 1, Seite 107-109 (Maximilian Jablonowski, Zürich) ; Rezensiert in: Bayerisches Jahrbuch für Volkskunde 2022, Seite 174-175 (Josef Focht, Leipzig)
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  • 87
    ISBN: 9783748911890
    Language: German , English
    Pages: 1 Online-Ressource (386 Seiten) , Illustrationen
    Edition: Erste Auflage
    Series Statement: Nomos eLibrary
    Series Statement: Soziologie
    Parallel Title: Erscheint auch als Schuld - Interdisziplinäre Perspektiven auf ein Konstitutivum des Menschseins (Veranstaltung : 2019 : Graz) Schuld
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    Keywords: Geschichte ; Kulturwissenschaft ; Recht ; Wissen ; Kulturgeschichte ; Antike ; Strafrecht ; Wissenschaft ; Kulturwissenschaften ; Wissenschaftsgeschichte ; Geschichtswissenschaft ; knowledge ; cultural history ; antiquity ; law ; penal law ; history ; science ; Classical antiquity ; cultural studies ; history of science ; science of history ; Wissenschaftszweig ; branch of science ; Aufsatzsammlung ; Konferenzschrift 2019 ; Aufsatzsammlung ; Konferenzschrift 2019 ; Schuld
    Abstract: »Schuld« ist ein Basisbegriff in vielen Wissenschaftszweigen. Offensichtlich ist die Funktion von Schuld in der Rechtswissenschaft, wo sie einerseits im Strafrecht und andererseits im Zivilrecht das Fundament für die Rechtsmaterie bildet. In der Philosophie befasst sich vor allem die Ethik mit der wie auch immer definierten Schuld. Die antiken Tragödien drehen sich um verschuldetes wie unverschuldetes Unheil. In der Geschichtswissenschaft wird etwa die Frage nach der Kriegsschuld seit jeher intensiv erörtert. In der Wissenschaftsgeschichte wird über die mit wissenschaftlichen Entdeckungen einhergehende Schuld disputiert. Soziologie, Kunst- und Kulturwissenschaften befassen sich mit in den heutigen pluralistischen Gesellschaften medial und diskursiv präsenten Formen von Schuld. In der Medizin und in den Naturwissenschaften wird die Quantifizierung und Messbarkeit von Schuld sowie ihr eventueller evolutionärer Vorteil erforscht. Und in der Theologie ist die persönliche Schuld Maßstab für die Beurteilung des Menschen am dies irae. Diese Wissensfelder werden in dem vorliegenden Band miteinander in Beziehung und somit ein fruchtbarer interdisziplinärer Diskurs ins Werk gesetzt.
    Note: Der Hinweis auf die Tagung in der Einleitung , Beiträge in Deutsch, 1 Beitrag in Englisch
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 88
    Book
    Book
    New York, NY : Harper Design, an imprint of Harper Collins Publishers
    ISBN: 9780062914705
    Language: English
    Pages: 256 Seiten
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    Keywords: Geschichte 1940-1960 ; Musiklokal ; Musikleben ; Jazz ; USA ; Jazz / United States / 1931-1940 ; Jazz / United States / 1941-1950 ; Nightclubs / United States / History / 20th century ; Jazz musicians / Interviews ; Jazz / Social aspects ; Jazz ; Jazz musicians ; Jazz / Social aspects ; Nightclubs ; United States ; 1900-1999 ; History ; Interviews ; Bildband ; Bildband ; Bildband ; USA ; Jazz ; Musiklokal ; Musikleben ; Geschichte 1940-1960
    Abstract: "Sittin' in brings to public view for the first time a rare collection of more than two hundred souvenir photographs and memorabilia from the most renowned jazz nightclubs in America in the 1940s and 1950s. In an era of segregation and Jim Crow laws, jazz nightclubs across the country were among the first places where Black and white people mixed in audiences and onstage. These remarkable images, detailed histories of each club, and first-person testimonies from those who performed and visited these seminal venues are your ticket inside an extraordinary world that gave root to change and greater personal expression, both musically and socially."--Back cover
    Description / Table of Contents: The East Coast. New York City ; Atlantic City ; Washington D.C. ; Boston -- The Midwest. Cleveland ; Detroit ; Chicago ; Kansas City ; St. Louis -- The West Coast. Los Angeles ; San Francisco
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  • 89
    Book
    Book
    Rudolstadt : Stadt Rudolstadt
    ISBN: 9783981978131 , 3981978137
    Language: German
    Pages: 519 Seiten , Illustrationen , 23 cm x 16 cm, 1070 g
    Edition: 1. Auflage
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    Keywords: Geschichte ; Volkslied ; Folk music ; Deutschland ; Deutschland ; Deutschfolk ; Folk ; Deutschland ; Deutschland ; Volkslied ; Deutschland ; Volkslied ; Folk music ; Geschichte
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  • 90
    Book
    Book
    Amherst ; Boston : University of Massachusetts Press
    ISBN: 9781625345301 , 9781625345295
    Language: English
    Pages: xii, 220 Seiten
    Series Statement: American popular music
    Parallel Title: Erscheint auch als
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    Keywords: Gellert, Lawrence ; Geschichte ; Protestbewegung ; Folk music ; Afroamerikanische Musik ; African Americans / Music / History and criticism ; Folk music / United States / History and criticism ; Protest songs / United States / History and criticism ; Gellert, Lawrence / 1898-1979 ; Music / Historiography ; African Americans / Historiography ; Music / Political aspects / United States / History / 20th century ; Gellert, Lawrence / 1898-1979 ; African Americans / Historiography ; African Americans / Music ; Folk music ; Music / Historiography ; Music / Political aspects ; Protest songs ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Gellert, Lawrence 1898-1979 ; Afroamerikanische Musik ; Folk music ; Protestbewegung ; Geschichte
    Abstract: "Lawrence Gellert has long been a mysterious figure in American folk and blues studies, gaining prominence in the left-wing folk revival of the 1930s for his fieldwork in the U.S. South. A "lean, straggly-haired New Yorker," as Time magazine called him, Gellert was an independent music collector, without formal training, credentials, or affiliation. At a time of institutionalized suppression, he worked to introduce white audiences to a tradition of black musical protest that had been denied and overlooked by prior white collectors. By the folk and blues revival of the 1960s, however, when his work would again seem apt in the context of the civil rights movement, Gellert and his collection of Negro Songs of Protest were a conspicuous absence. A few leading figures in the revival defamed Gellert as a fraud, dismissing his archive of black vernacular protest as a fabrication-an example of left-wing propaganda and white interference. A Sound History is the story of an individual life, an excavation of African American musical resistance and dominant white historiography, and a cultural history of radical possibility and reversal in the defining middle decades of the U.S. twentieth century"--
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  • 91
    Book
    Book
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030288785 , 9783030288778
    Language: English
    Pages: XXI, 210 Seiten
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    DDC: 306.09
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    Keywords: Zines, Leslie ; Geschichte ; Cultural History ; Social History ; Global/International Culture ; Civilization—History ; Social history ; Culture ; Punk ; Zines, Leslie 1930-2014 ; Punk ; Geschichte
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  • 92
    ISBN: 9783515125857 , 351512585X
    Language: German
    Pages: 519 Seiten , Illustrationen , 25 cm, 1022 g
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Geschichte
    Parallel Title: Erscheint auch als Borscheid, Peter, 1943- The American Way of Music
    DDC: 781.6409
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    Keywords: Geschichte 1945-2020 ; Geschichte ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Unterhaltungsmusik ; Amerikanisierung ; USA
    Note: Literaturverzeichnis Seite 508-519
    URL: Cover
    URL: Cover
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  • 93
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520344358
    Language: English
    Pages: xi, 228 Seiten
    Parallel Title: Erscheint auch als Enriquez, Laura E., 1986- Of love and papers
    DDC: 306.70973
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    Keywords: Man-woman relationships Case studies ; Illegal aliens Case studies Family relationships ; Hispanic Americans Case studies Family relationships ; United States Emigration and immigration ; Government policy ; USA ; Einwanderungspolitik
    Abstract: Forming families in a context of illegality -- "It's because he wants papers" : choosing a romantic partner -- "You feel a little bit less" : gendered illegality and desirability when dating -- "It affects us, our future" : negotiating illegality as a mixed-status couple -- "It was time to take that step" : pursuing legalization through marriage -- "It's a constant struggle" : becoming and being parents -- "I can't offer them what other people could" : multigenerational punishment of citizen children -- Immigration policy and the future of Latino families -- Appendix A. Reflections on methods and positionality -- Appendix B. Demographic characteristics of study participants.
    Abstract: "Of Love and Papers explores how immigration policies are fundamentally reshaping Latino families. Drawing on two waves of interviews with undocumented young adults, Enriquez investigates how immigration status creeps into the most personal aspects of everyday life, intersecting with gender to constrain family formation. The imprint of illegality remains, even upon obtaining DACA or permanent residency. Interweaving the perspectives of US citizen romantic partners and children, Enriquez illustrates the multigenerational punishment that limits the upward mobility of Latino families. Of Love and Papers sparks an intimate understanding of contemporary US immigration policies and their enduring consequences for immigrant families"--
    Note: Includes bibliographical references and index
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  • 94
    ISBN: 9780367423216
    Language: English
    Pages: 67 Seiten
    Series Statement: Routledge focus
    Parallel Title: Erscheint auch als Stanton, Thomas H., 1944 - American Race Relations and the Legacy of British Colonialism
    DDC: 305.800973
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    Keywords: African Americans Legal status, laws, etc ; History ; Slavery Law and legislation ; History ; Recht ; Sklaverei ; United States Race relations ; History ; United States Colonial influence ; USA
    Abstract: "Colonial rule distorts a colony's economy and its society, and British rule was no exception. British policies led to a stratified American colonial society with slaves on the bottom and white settlers on top. The divided society functioned through laws that imposed rules and defined roles of the respective races. This occurred in other colonies too, often leading to strife that continues today. Especially since World War II the United States seems finally to have been able to remove many laws and practices that had created barriers between races in the divided society. Appeals to legitimacy, such as by abolitionists and the Civil Rights Movement, were essential to change laws from support of the divided society to instruments for disestablishing it. Thanks to the rule of law - another important British legacy -- the U.S. is much farther along than many former colonies in making progress. By highlighting the history of the interplay of two fundamental concepts, the divided society and the rule of law, and briefly contrasting the experiences of other former colonies, this book shows how the United States has made significant long-term progress, although incomplete, and ways for this to continue today"--
    Note: Includes bibliographical references and index
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  • 95
    Book
    Book
    Darmstadt : wbg Academic
    ISBN: 9783534403219 , 3534403215
    Language: German
    Pages: 465 Seiten , 29.7 cm x 21 cm
    Parallel Title: Erscheint auch als Rossbroich, Joachim Woher kommt und wohin geht Europa
    DDC: 306.094
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    Keywords: Europa ; Kultur ; Politik ; Entwicklung ; Politische Kooperation ; Gewalt ; Geschichte ; Europa ; Kultur ; Soziologie ; Geschichte
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  • 96
    Book
    Book
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781316610909 , 9781107158368
    Language: English
    Pages: xii, 203 Seiten
    Parallel Title: Erscheint auch als Chang, Felix B. Roma rights and civil rights
    DDC: 323.1196/073
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    Keywords: Race discrimination Law and legislation ; Race discrimination Law and legislation ; African Americans Civil rights ; Romanies Civil rights ; Minorities Legal status, laws, etc ; Minorities Legal status, laws, etc ; USA ; Europäische Union ; Minderheit ; Rassendiskriminierung ; Minderheitenrecht
    Abstract: "This book compares the rights and social inclusion of two racialized minority groups: Roma in Central and Southeast Europe ("CSEE") and African Americans in the United States ("U.S."), primarily in the American South. We couch those attempts loosely in the frameworks of Roma rights and civil rights, though we will focus primarily on Roma rights in post-Communist CSEE (from 1991 until the present) and civil rights during the U.S. Civil Rights Movement (roughly 1954-1968). Scholars have made fleeting comparisons between Roma and African Americans for years, and in the last decade, the Roma rights-Civil Rights comparison has recurred with increasing frequency. Despite the burgeoning recognition of the broader similarities between Roma and African Americans, including the systems that facilitate their marginalization and the barriers to their representation, no book-length work has sustained these comparisons"--
    Note: Literaturverzeichnis: Seite 174-196. - Index: Seite 197-203
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  • 97
    ISBN: 9780190083946 , 9780190083953
    Language: English
    Pages: viii, 254 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Whitmore, Aleysia World music and the Black Atlantic
    DDC: 782.4216/3097291
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    Keywords: AfroCubism ; Orchestra Baobab ; Geschichte ; Weltmusik ; Globalisierung ; Afrokubanische Musik ; Orchestra Baobab ; AfroCubism (Musical group) ; Music and globalization ; World music / History and criticism ; Popular music / Africa / Cuban influences ; AfroCubism ; Orchestra Baobab ; Afrokubanische Musik ; Weltmusik ; Globalisierung ; Geschichte
    Abstract: ""In the mid-20th century, African musicians took up Cuban music as their own. They claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and '70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African-Latin American collaborations expressly for this market niche. This book follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them-from musicians' homes in West Africa, to performances in Europe and North America, to record label offices in London. This book examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. This book offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange. ""--
    Note: Includes bibliographical references and index
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  • 98
    Title: Следы на снегу : краткая история сибирского панка
    Author, Corporation: Козлов, Владимир Владимирович
    Publisher: Москва : Common place
    ISBN: 9789999991087
    Language: Russian
    Pages: 635 Seiten , Illustrationen
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    Keywords: Interview ; Interview ; Interview ; Interview ; Interview ; Sibirien ; Punk ; Geschichte
    Note: In kyrillischer Schrift, Text russisch
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  • 99
    ISBN: 9783955751104 , 3955751104
    Language: German
    Pages: 469 Seiten
    Edition: 1. Auflage
    Uniform Title: The Sex Revolts
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    Keywords: Rockmusikerin ; Frauenkunst ; Geschlechterrolle ; Geschlechterstereotyp ; USA
    Note: Literaturverzeichnis Seite 459-463
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  • 100
    Image
    Image
    Sheffield, South Yorkshire ; Bristol, CT : Equinox Publishing
    ISBN: 9781781796450 , 9781781796443
    Language: English
    Pages: XVI, 339 Seiten , Illustrationen , 24 cm
    Series Statement: Transcultural music studies
    Parallel Title: Online version Paor-Evans, Adam de, author Provincial headz
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    Keywords: Geschichte ; Hip-Hop ; Regionalismus ; Rap ; Großbritannien ; Rap (Music) / Great Britain / History and criticism ; Hip-hop / Great Britain / History / 20th century ; Hip-hop ; Rap (Music) ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; Hip-Hop ; Rap ; Regionalismus ; Geschichte
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