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  • Art History  (82)
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  • 1
    Language: English
    Pages: 29 cm
    DDC: 303.6/0973
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    Keywords: Violence in television ; United States ; Violence in television ; United States ; Statistics ; USA ; Fernsehen ; Fernsehsendung ; Gewaltdarstellung
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  • 2
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
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    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 3
    Book
    Book
    New Brunswick : Rutgers University Press
    ISBN: 9781978828254 , 9781978828261
    Language: English
    Pages: vii, 233 Seiten , Illustrationen
    DDC: 306.76/63
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    Keywords: Lesbians in popular culture ; Camp (Style) in popular culture ; Popular culture History ; USA ; Popkultur ; Camp ; Lesbe
    Abstract: "An ever-expanding and panicked Wonder Woman crashes through a city skyline begging Steve to stop her. A twisted queen of sorority row crashes her convertible trying to escape her queer shame. A suave butch emcee introduces the sequined and feathered stars of the era's most celebrated drag revue. For an unsettled and retrenching postwar America, these startling figures betrayed the failure of promised consensus and appeasing conformity. They could also be cruel, painful, and disciplinary jokes. It turns out that an obsession with managing gender and female sexuality after the war would hardly contain them. On the contrary, it spread their campy manifestations throughout mainstream culture. Offering the first major consideration of lesbian camp in American popular culture, Suffering Sappho! traces a larger-than-life lesbian menace across mid-century media forms to propose five prototypical queer icons-the sicko, the monster, the spinster, the Amazon, and the rebel. On the pages of comics and sensational pulp fiction and the dramas of television and drive-in movies, Barbara Jane Brickman discovers evidence not just of campy sexual deviants but of troubling female performers, whose failures could be epic but whose subversive potential could inspire"--
    Note: Includes bibliographical references and index
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  • 4
    Online Resource
    Online Resource
    New York : New York University Press
    ISBN: 9781479812431 , 9781479812493
    Language: English
    Pages: 1 online resource (359 pages) , Illustrationen
    Series Statement: America and the Long 19th Century Series
    Parallel Title: Erscheint auch als Huerta, Monica, 1981 - The unintended
    DDC: 770.973
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    Keywords: Electronic books ; USA ; Porträtfotografie ; Geistiges Eigentum ; Kapitalismus ; Rassismus ; Geschichte 1840-1900
    Note: Description based on publisher supplied metadata and other sources
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  • 5
    Book
    Book
    New York, NY ; London : Routledge, Taylor & Francis Group
    ISBN: 9780367568245 , 0367568241 , 9780367568283 , 0367568284
    Language: English
    Pages: X, 450 Seiten , Illustrationen
    Edition: Second edition
    Parallel Title: Erscheint auch als
    DDC: 302.23/45
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    Keywords: Streaming ; Fernsehanstalt ; Fernsehkanal ; USA ; Television viewers / Effect of technological innovations on ; Television broadcasting / Technological innovations / United States ; Streaming technology (Telecommunications) ; Streaming technology (Telecommunications) ; Television broadcasting / Technological innovations ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Fernsehanstalt ; Fernsehkanal ; Streaming
    Note: Includes bibliographical references and index
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  • 6
    ISBN: 9781509554232 , 9781509554225
    Language: English
    Pages: 200 Seiten
    DDC: 303.6
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    Keywords: Rassismus ; Entkolonialisierung ; Hochschule ; USA ; Großbritannien ; Decolonization ; Culture conflict / History / 21st century ; Universities and colleges / Social aspects ; USA ; Großbritannien ; Hochschule ; Entkolonialisierung ; Rassismus
    URL: Cover
    URL: Cover
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  • 7
    Book
    Book
    Cambridge : polity
    ISBN: 9781509546930 , 9781509546923
    Language: English
    Pages: 234 Seiten
    DDC: 302.2310973
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    Keywords: Interdisciplinary studies ; Interdisziplinäre Studien ; SOCIAL SCIENCE / Media Studies ; USA ; Person of Color ; Neue Medien ; Institutioneller Rassismus
    Abstract: Since the early days of the internet, there have been questions about how emerging technologies might one day liberate or further harm communities of color that already face structural inequalities of racism. As reliance on computing technologies increases, it is also important to address questions about racial bias in the design of digital platforms, labor inequalities in tech industries, and digital surveillance on Black and Brown communities.This textbook provides a comprehensive introduction to the theory and research on race and digital media. Focusing on the experiences of people of color in the United States, it explores the various ways that racism and white supremacy have shaped aspects of our digital world - from the infrastructures and policies that support technological development, to algorithms and the collection of data, to the interfaces that shape engagement. Yet it also reveals how communities of color have deployed digital media in ways that expand the public sphere, contest the status quo, and give voice to creativity and joy.Race and Digital Media provides an essential resource for students of communication, media, technology, and society. It shows how to make sense of our ever-changing digital media landscape in a way that centers the continued impact of institutionalized racism and the potential for anti-racist futures
    Description / Table of Contents: Acknowledgments1 Introduction2 The Early Internet3 Labor4 Infrastructures5 Artificial Intelligence6 Surveillance7 Tech Policy8 Activism9 Games10 Communities11 Into the FutureBibliographyIndex
    Note: Literaturverzeichnis: Seiten 198-222, Index
    URL: Cover
    URL: Cover
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  • 8
    ISBN: 9781479812424 , 9781479812400
    Language: English
    Pages: xvii, 309 Seiten , Illustrationen
    Series Statement: America and the long 19th century
    Parallel Title: Erscheint auch als Huerta, Monica, 1981 - The Unintended
    DDC: 770.973
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    Keywords: Images, Photographic Social aspects 19th century ; History ; Racism Economic aspects 19th century ; History ; Portrait photography Appreciation 19th century ; History ; Intellectual property Cases ; Photographs Law and legislation 19th century ; History ; Privacy, Right of Cases ; United States Race relations 19th century ; History ; USA ; Porträtfotografie ; Geistiges Eigentum ; Kapitalismus ; Rassismus ; Geschichte 1840-1900
    Abstract: "Through close attention to the centrality of involuntarity in pivotal nineteenth-century American court cases that created new property relations with photographs, this book offers a historically situated theory of photography in terms of expression and an archivally-supported theory of whiteness as an aesthetics of racial capitalism"--
    Description / Table of Contents: Preface : read, don't move -- Introduction : without intention, the end of this world -- Expression -- Property's proscenium -- Property's horizon -- Property's edge -- Expressionless.
    Note: Includes bibliographical references and index
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  • 9
    ISBN: 9780262048668
    Language: English
    Pages: xvii, 243 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Anthology of Blackness
    Parallel Title: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Description / Table of Contents: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Note: Bibliographie (Seite 234 - 243)
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  • 10
    Book
    Book
    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen , 24 cm
    DDC: 700.89/96073
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    Keywords: Geschichte 1985-2015 ; Kunst ; Schwarze ; USA ; African American art / 20th century ; African American art / 21st century ; Art and society / United States / History / 20th century ; Art and society / United States / History / 21st century ; Art noir américain / 20e siècle ; Art noir américain / 21e siècle ; Artistes noirs américains / 20e siècle ; Artistes noirs américains / 21e siècle ; African American art ; African American artists ; 1900-2099 ; USA ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1985 to 2015. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
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  • 11
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    Washington, DC : Smithsonian Books
    ISBN: 9781588347404 , 9781588347718
    Language: English
    Pages: 216 Seiten , 26 cm
    DDC: 305.896073
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    Keywords: Geschichte ; Popkultur ; Afrofuturismus ; Person of Color ; Schwarze ; USA ; Afrofuturism ; African American arts ; Black people in art ; Outer space / In art ; Black people in popular culture / United States ; National Museum of African American History and Culture (U.S.) / Catalogs ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; USA ; Schwarze ; Afrofuturismus ; Person of Color ; Popkultur ; Geschichte
    Abstract: "This illustrated companion book to an upcoming Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures"
    Description / Table of Contents: Foreword / Kevin Young -- Introduction / Kevin M. Strait -- Afrofuturism as Space and Being / Ytasha L. Womack -- Interstellar / Tiffany E. Barber -- Black women change the face of spaceflight / Matthew Shindell -- I came to Africa on a spaceship / Ytasha L. Womack -- Notes from the cosmic underground : a history of the Afrofuturist movement and the changing world order / Reynaldo Anderson -- We are the stars : Black speculative narratives and the history of the future / John Jennings -- W.E.B. Du Bois : documenting the present, reinterpreting the past, and imagining the future / William S. Pretzer -- There's a reason / N. K. Jemisin -- Dialogues in space : Octavia Butler and Samuel Delany / Herb Boyd -- Black Panther : an escape to Utopia / Herb Boyd -- Black joy as resistance / Ariana Curtis
    Note: Includes bibliographical references and index. - Hier auch später erschienene, unveränderte Nachdrucke
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  • 12
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
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    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 13
    ISBN: 9780300267389 , 030026738X , 9780300267389
    Language: English
    Pages: 226 Seiten
    DDC: 770
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    Keywords: Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; USA ; Porträtfotografie ; Fotostudio ; Person of Color ; Geschichte 1860- ; USA ; Schwarze ; Fotostudio ; Fotografie ; Geschichte
    Note: Gegenüber Titelseite: "Called to the Camera: Black American Studio Photographers" ... exhibition dates: New Orleans Museum of Art, September 15, 2022-January 8, 2023
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  • 14
    ISBN: 9782845979420
    Language: French
    Pages: 478 Seiten , Illustrationen
    DDC: 306.768
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    Keywords: Geschichte 1900-2000 ; American Transgender network ; History ; Fotografie ; Transgender ; Transsexualität ; Netzwerk ; USA ; Ausstellungskatalog 03.07.2023-24.09.2023 ; Ausstellungskatalog Art Gallery of Ontario 23.12.2023-14.04.2024 ; Bildband ; Ausstellungskatalog 03.07.2023-24.09.2023 ; Ausstellungskatalog Art Gallery of Ontario 23.12.2023-14.04.2024 ; Bildband ; Bildband ; Ausstellungskatalog Art Gallery of Ontario 23.12.2023-14.04.2024 ; Transgender ; Transsexualität ; Fotografie ; USA ; Netzwerk ; Geschichte 1900-2000
    Abstract: En 2004, à New York, 340 photographies datant du début des années 1960 sont retrouvées aux puces. Ces clichés d'amateurs révèlent un vaste réseau clandestin de travestis entre les Etats-Unis et le Canada. Susanna accueillait fréquemment des amis travestis dans sa propriété des Catskill. La photographie leur permet alors de conserver une trace de leur fille intérieure
    Note: Impressum: Cet ouvrage est publié à l'occasion de l'exposition "Casa Susanna", présentée aux Rencontres d'Arles du 3 juillet au 24 septembre 2023, puis à l'Art Gallery of Ontario du 23 décembre 2023 au 14 avril 2024
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  • 15
    ISBN: 9783406808296
    Language: German
    Pages: 1 Online-Ressource
    Edition: deutsche Ausgabe
    Uniform Title: Stamped From The Beginning: A Graphic History of Racist Ideas in America
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Rassismus ; Rassentheorie ; Sklaverei ; USA ; Comic ; USA ; Rassentheorie ; Sklaverei ; Rassismus ; Geschichte
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  • 16
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    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
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    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 17
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
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    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 18
    Book
    Book
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517910402 , 9781517910396
    Language: English
    Pages: 186 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 305.8
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    Keywords: Geschichte 1960-2020 ; Rassismus ; Medienkultur ; USA ; Electronic books ; USA ; Medienkultur ; Rassismus ; Geschichte 1960-2020
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  • 19
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781000627084
    Language: English
    Pages: 1 Online-Ressource (xiv, 152 Seiten) , Illustrationen
    Series Statement: Routledge research in art and race
    Parallel Title: Erscheint auch als Hamilton, Elizabeth Carmel Charting the Afrofuturist imaginary in African American art
    DDC: 700.89/96073
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    Keywords: Electronic books ; USA ; Kunst ; Künstlerin ; Afrofuturismus
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  • 20
    ISBN: 9789004428300 , 9789004428317
    Language: English
    Pages: XX, 169 Seiten
    Series Statement: Critical media literacies series volume 10
    Series Statement: Critical media literacies series
    Parallel Title: Erscheint auch als
    DDC: 303.48/40973
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    Keywords: Social Media ; Rechtsradikalismus ; USA ; Right-wing extremists / United States ; Social media / Political aspects / United States ; Communication in politics / United States ; Populism / United States ; Authoritarianism / United States ; United States / Politics and government / 2017-2021 ; USA ; Rechtsradikalismus ; Social Media
    Abstract: "What does the backlash against Critical Race Theory, the Capitol insurrection, Trumpism, Twitter, and neo-Nazis have in common? This book delves deep into conservative social media and far-right extremist platforms to understand the revival and proliferation of far-right authoritarian populist discourses after Trump's ascent to power. After the January 6th Capitol insurrection and the role social media have played in normalizing and promoting far-right populist authoritarianism, there is a renewed interest to study digital discursive aggression. Inspired by Critical Theory, Panayota Gounari masterfully uses Critical Discourse Studies to analyze social media data and articulate a discursive, pedagogical and historical project."
    Note: Includes bibliographical references and index
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  • 21
    Book
    Book
    Thousand Oaks, California : SAGE, CQ Press
    ISBN: 9781544385143
    Language: English
    Pages: xvii, 381 Seiten , Illustrationen, Diagramme
    DDC: 302.230973
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    Keywords: Mass media Political aspects ; Press and politics ; Lehrbuch ; USA ; Politik ; Massenmedien
    Abstract: The landscape of media and politics today -- Underlying concepts & historical foundations -- Political advertising : persuasion and deception -- Reporting the news : cultural bias, trust, and accountability -- Politicians, the media, and social media : the push-pull relationship -- Race and immigration in media and politics : protests, policies, and reform -- Global media : the international influencer -- The media and women in politics.
    Abstract: "Politics and the Media: Intersections and New Directions examines how media and political institutions interact to shape public thinking and debates around social problems, cultural norms, and policies. From the roles of race and gender in American politics to the 2020 elections and global coronavirus pandemic, this is an extraordinary moment for politicians, the news media, and democracy itself. Hall explores how media technologies, practices, and formats shape political decision making; how political forces influence media institutions; and how public opinion and media audiences are formed. Students will gain an understanding of these issues through in-depth interviews and case studies to help develop their own informed views and to learn to express them constructively"--
    Note: Index
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  • 22
    ISBN: 9781496838339 , 9781496838346
    Language: English
    Pages: ix, 286 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 741.53529
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    Keywords: Geschichte 1930-2022 ; Superheld ; Weißsein ; Rassismus ; Comic ; USA ; Comic books, strips, etc / United States / History and criticism ; Comic books, strips, etc / Social aspects / United States ; Racism / United States / Comic books, strips, etc ; Racism and the arts / United States ; White people / Race identity / United States / Comic books, strips, etc ; Outlaws / Comic books, strips, etc ; Superheroes / Comic books, strips, etc ; Comic books, strips, etc ; Criticism, interpretation, etc ; USA ; Comic ; Superheld ; Rassismus ; Weißsein ; Geschichte 1930-2022
    Abstract: "American comics from the start have reflected the white supremacist culture out of which they arose. Superheroes and comic books in general are products of whiteness, and both signal and hide its presence. Even when comics creators and publishers sought to advance an antiracist agenda, their attempts were often undermined by a lack of awareness of their own whiteness and the ideological baggage that goes along with it. Even the most celebrated figures of the industry, such as Jerry Siegel and Joe Shuster, Jack Jackson, William Gaines, Stan Lee, Robert Crumb, Will Eisner, and Frank Miller, have not been able to distance themselves from the problematic racism embedded in their narratives despite their intentions or explanations. Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels provides a sober assessment of these creators and their role in perpetuating racism throughout the history of comics. Josef Benson and Doug Singsen identify how whiteness has been defined, transformed, and occasionally undermined over the course of eighty years in comics and in many genres, including westerns, horror, crime, funny animal, underground comix, autobiography, literary fiction, and historical fiction. This exciting and groundbreaking book assesses industry giants, highlights some of the most important episodes in American comic book history, and demonstrates how they relate to one another and form a larger pattern, in unexpected and surprising ways"
    Description / Table of Contents: Introduction -- Chapter one: Race and racism in the birth of the superhero -- Chapter two: The Southern outlaw and the white Indian in Western comics -- Chapter three: Colonialism and primitivism in US Comics -- Chapter four: Civil rights and the limits of liberalism -- Chapter five: Robert Crumb's cathartic racism -- Chapter six: Jewish exceptionalism and assimilation in the 1970s and 1980s -- Chapter seven: Racial borderlands in alternative comics -- Chapter eight: The deconstruction of the white superhero in Watchmen -- Chapter nine: Frank Miller's hyper masculine whiteness and the defense of Western culture -- Chapter ten: Reskinning narratives: taking off the mask -- Conclusion -- Notes -- Bibliography -- Index
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  • 23
    ISBN: 9783837658583
    Language: German
    Pages: 374 Seiten , Illustrationen
    Series Statement: Edition Museum Band 57
    Series Statement: Edition Museum
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Köln 2022
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    Keywords: Geschichte 1850-1900 ; Repräsentation ; Museum ; Randgruppe ; Grenzgebiet ; Mexiko ; USA ; Grenze ; USA ; Amerikanische Geschichte ; Repräsentation ; Black Seminoles ; Postkolonialismus ; Erinnerungskultur ; Gesellschaft ; Kulturgeschichte ; Museumswissenschaft ; Praktische Museumskunde ; Border ; American History ; Representation ; Postcolonialism ; Memory Culture ; Society ; Cultural History ; Museology ; Practical Museography ; Hochschulschrift ; Hochschulschrift ; Mexiko ; USA ; Grenzgebiet ; Randgruppe ; Repräsentation ; Museum ; Geschichte 1850-1900
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  • 24
    Book
    Book
    New Brunswick : Rutgers University Press
    ISBN: 9781978824348 , 9781978824355
    Language: English
    Pages: vii, 171 Seiten , Illustrationen
    DDC: 302.23/4
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    Keywords: Documentary films Social aspects ; Documentary films Political aspects ; Radicalism in mass media ; USA ; Aktivismus ; Neue Medien ; Dokumentarfilm
    Abstract: "Activist Media: Documenting Movements and Networked Solidarity is a first-person account of Gino Canella's documentary filmmaking with Black Lives Matter 5280 and Service Employees International Union (SEIU) Local 105 in Denver, Colorado. Activist media are social practices, rooted in communication and democracy, that have the potential to foster meaningful relationships among community members. These relationships, in turn, politicize the narratives and aesthetics that organizers use in their media, and create spaces for people to navigate and embrace their political and ideological differences; articulate and amplify their values; and practice empathic listening and "care-full" organizing. Activist media rewrite the script on tired narratives that racialize and dehumanize working people, and offer alternative visions for an equitable and just society. Activist Media also provides evidence for how collaborative media projects create opportunities for scholars to contribute to social movements' communication and organizing strategies, and highlight the grassroots knowledge emanating from the streets"--
    Note: Literaturverzeichnis: Seite 153-164 und Index
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  • 25
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478015642 , 9781478018285
    Language: English
    Pages: x, 315 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Spigel, Lynn TV snapshots
    Parallel Title: Erscheint auch als Spigel, Lynn, 1955 - TV snapshots
    DDC: 302.23/45
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    Keywords: Television Social aspects ; Photography Social aspects ; Television viewers Attitudes ; Popular culture History 20th century ; PERFORMING ARTS / Television / History & Criticism ; USA ; Fotografie ; Fernsehen ; Geschichte 1950-1970
    Abstract: TV portraits : picturing families and household things -- TV performers : a theater of everyday life -- TV dress-up : fashion poses and everyday glamour -- TV pinups : sex and the single TV -- TV memories : snapshots in digital times.
    Abstract: "In TV Snapshots, Lynn Spigel explores snapshots of people posing in front of their television sets in the 1950s through the early 1970s. Like today's selfies, TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture. Drawing on her collection of over 5,000 TV snapshots, Spigel shows that people did not just watch TV: women used the TV set as a backdrop for fashion and glamour poses; people dressed in drag in front of the screen; and, in pinup poses, people even turned the TV setting into a space for erotic display. While the TV industry promoted on-screen images of white nuclear families in suburban homes, the snapshots depict a broad range of people across racial, ethnic, and class backgrounds that do not always conform to the reigning middle-class nuclear family ideal. Showing how the television set became a central presence in the home that exceeded its mass entertainment function, Spigel highlights how TV snapshots complicate understandings of the significance of TV in everyday life"--
    Note: Includes bibliographical references and index
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  • 26
    Book
    Book
    New York ; London : Routledge
    ISBN: 9780367546977 , 9780367547028
    Language: English
    Pages: ix, 201 Seiten , Illustrationen (schwarz-weiß)
    Parallel Title: Erscheint auch als
    DDC: 305.3
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    Keywords: Geschichte 1920- ; Medien ; Frauenfeindlichkeit ; USA ; Sexism ; Anti-feminism ; Mass media ; Sexisme ; Antiféminisme ; Médias ; mass media ; Anti-feminism ; Mass media ; Sexism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Medien ; Frauenfeindlichkeit ; Geschichte 1920-
    Abstract: "This important and timely collection examines the troubling proliferation of anti-feminist language and concepts in contemporary media culture. Edited by Michele White and Diane Negra, these curated essays offer a critical means of considering how contemporary media, politics and digital culture function, especially in relation to how they simultaneously construct and displace feminist politics, women's bodies, and the rights of women and other disenfranchised subjects. The collection explores the simplification and disparagement of feminist histories and ongoing feminist engagements, the consolidation of all feminisms into a static and rigid structure, and tactics that are designed to disparage women and feminists as a means of further displacing disenfranchised people's identities and rights. The book also highlights how it is becoming more imperative to consider how anti-feminisms, including hostilities towards feminist activism and theories, are amplified in times of political and social unrest and used to instigate violence against women, people of color, and LGBTQIA+ individuals. A must read for students and scholars of media, culture and communication studies, gender studies, and critical race studies, with an interest in feminist media studies"--
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  • 27
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783031132896 , 9783031132865
    Language: English
    Pages: xiii, 257 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University College Cork 2022
    DDC: 306
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    Keywords: Geschichte 1980-2020 ; Popular Culture ; American Film and TV ; Contemporary Literature ; Popular Culture ; Motion pictures, American ; Literature, Modern-20th century ; Literature, Modern-21st century ; Fernsehserie ; Trauma ; Computerspiel ; Film ; USA ; Hochschulschrift ; USA ; Film ; Fernsehserie ; Computerspiel ; Trauma ; Geschichte 1980-2020
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  • 28
    ISBN: 9781003183259 , 9781000562248
    Language: English
    Pages: 1 Online-Ressource (xiii, 290 Seiten)
    Series Statement: Routledge studies in climate justice
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 304.2/5
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    Keywords: Klimaänderung ; Soziale Anpassung ; Umweltpolitik ; Strukturanpassung ; China ; USA ; Electronic books ; China ; USA ; Klimaänderung ; Strukturanpassung ; Umweltpolitik ; Soziale Anpassung
    Description / Table of Contents: Cover -- Half Title -- Series -- Title -- Copyright -- Contents -- List of figures -- List of tables -- Preface -- Acknowledgments -- List of abbreviations -- 1 Introduction: uneven human vulnerability to climate change -- 2 Vulnerability: core concepts -- 3 Vulnerability and adaptation lock-ins: theoretical foundations and main analytical framework -- 4 Methodological approach -- 5 Vulnerability and adaptation governance in China and the United States -- 6 Regional backgrounds and contextual lock-ins -- 7 Protracted vulnerability -- 8 Accidental adaptation policy -- 9 Lock-ins of political epistemology across different political systems -- 10 Adaptation policy and transformation? -- 11 Conclusion -- Appendices -- Appendix 1 Biophysical and geographical impacts -- Appendix 2 -- Index
    Note: Beschreibung basiert auf der Verlagsausgabe von Taylor & Francis
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 29
    ISBN: 9783825385552
    Language: English
    Pages: 1 Online-Ressource (563 Seiten) , Illustrationen
    Series Statement: American Studies - a monograph series volume 318
    Parallel Title: Erscheint auch als
    DDC: 306.0973
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    Keywords: Popular culture studies ; Popkultur ; Massenkultur ; USA ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; USA ; Massenkultur ; Popkultur
    Note: S.20: "This volume would not exist without the conference 'U.S.-American Culture as Popular Culture' (...) took place from June 13-15,2019 at the University of Hamburg."
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  • 30
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    Evanston, IL : Mary and Leigh Block Museum of Art | Princeton ; Oxford : Princeton University Press
    ISBN: 9780691209272
    Language: English
    Pages: 133 Seiten , 23 x 28 cm
    DDC: 709.73
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    Keywords: Gewalt ; Diskriminierung ; Schwarze ; Rassismus ; Unterdrückung ; USA ; Art, American ; Black people in art ; Black people / Violence against ; Violence in art ; Art américain ; Noirs dans l'art ; Noirs / Violence envers ; Violence dans l'art ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Rassismus ; Diskriminierung ; Unterdrückung ; Gewalt
    Note: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022
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  • 31
    ISBN: 9781433191916 , 1433191911
    Language: English
    Pages: xxiv, 317 Seiten , 23 cm, 488 g
    Series Statement: Communication, sport, and society vol. 5
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als American Sport in the Shadow of a Pandemic
    DDC: 306.4830973
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; COVID-19 ; Pandemie ; Sport ; Medien ; Sportberichterstattung
    Note: Literaturangaben
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Unbekannt  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 32
    Book
    Book
    New York, NY, United States of America : Oxford University Press | 2022
    ISBN: 9780190908867 , 9780190908850
    Language: English
    Pages: x, 261 Seiten
    Parallel Title: Erscheint auch als
    DDC: 303.48/3
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    Keywords: Nachricht ; Journalismus ; Zeitungsverlag ; Internet ; Rezeption ; Großbritannien ; USA ; Frankreich ; Deutschland ; Technology / Sociological aspects ; Social media and society ; Information technology / Psychological aspects ; Information technology / Social aspects ; Technologie / Aspect sociologique ; Médias sociaux et société ; Technologie de l'information / Aspect psychologique ; Technologie de l'information / Aspect social ; Information technology / Psychological aspects ; Information technology / Social aspects ; Social media and society ; Technology / Sociological aspects ; Frankreich ; Deutschland ; Großbritannien ; USA ; Journalismus ; Zeitungsverlag ; Nachricht ; Rezeption ; Internet
    Abstract: "This chapter focuses on how the rise of platforms is changing our media environment, where publishers still control the production of news content, but platform companies increasingly control the channels through which people access it. It identifies the new, distinct, generative and relational forms of power that platforms including Facebook, Google, and Twitter exercise and examines how news publishers have responded. It argues that previously powerful and relatively independent institutions like the news media are increasingly in a position akin to that of ordinary users-they are simultaneously increasingly empowered by and dependent upon a small number of powerful platforms"--
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  • 33
    ISBN: 9783839435335
    Language: German
    Pages: 1 Online-Ressource (319 Seiten) , Illustrationen
    Series Statement: Locating Media/Situierte Medien Band 15
    Parallel Title: Erscheint auch als Taha, Nadine, 19XX - Im Medienlabor der US-amerikanischen Industrieforschung
    Dissertation note: Dissertation Universität Siegen
    DDC: 306.42
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    Keywords: Electronic books ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Massenmedien ; Geschichte 1870-1950
    Abstract: 1 Einleitung -- 2 Amateurisieren und Professionalisieren -- 3 Bürokratisieren -- 4 Verrechtlichen und justiziabel Machen -- 5 Entwickeln -- 6 Standardisieren -- 7 Skalieren -- 8 Epilog -- Dank -- Archive -- Literatur -- Abbildungen
    URL: Cover
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  • 34
    Online Resource
    Online Resource
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781793647276
    Language: English
    Pages: 1 Online-Ressource (vii, 137 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 305.420955
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    Keywords: Protestbewegung ; Feminismus ; Frau ; Berichterstattung ; Rezeption ; Social Media ; Diskursanalyse ; USA ; Iran ; Hochschulschrift ; Iran ; Frau ; Feminismus ; Protestbewegung ; Social Media ; Rezeption ; USA ; Berichterstattung ; Diskursanalyse
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  • 35
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031038532
    Language: English
    Pages: 1 Online-Ressource (XII, 204 p. 34 illus., 27 illus. in color)
    Edition: 1st ed. 2022
    Series Statement: Palgrave Studies in Comics and Graphic Novels
    Parallel Title: Erscheint auch als
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    Parallel Title: Erscheint auch als
    DDC: 741.5
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    Keywords: Geschichte 1989-2019 ; Comics Studies ; Popular Culture ; Memory Studies ; Comic books, strips, etc.—Influence on mass media ; Popular Culture ; Collective memory ; Völkermord ; Krimineller ; Comic ; Sexualisierte Gewalt ; Massenmord ; USA ; Kanada ; England ; USA ; England ; Kanada ; Comic ; Völkermord ; Massenmord ; Sexualisierte Gewalt ; Krimineller ; Geschichte 1989-2019
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 36
    ISBN: 9780520388062
    Language: English
    Pages: 274 Seiten
    Edition: First edition
    DDC: 770.74/776579
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    Keywords: African American photographers Exhibitions ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; USA ; Fotografie ; Fotograf ; Person of Color ; Person of Color ; USA ; Schwarze ; Fotografie ; Schwarze ; Geschichte 1840-2020
    Abstract: Foreword / Deborah Willis -- Preface / Herman J. Milligan, Jr. -- Preface / Howard Oransky -- Mining the archive of black life and culture / Cheryl Finley -- A visual politics of black pleasure / crystal am nelson -- Why we wear a suit to do the work / Seph Rodney.
    Abstract: "A Picture Gallery of the Soul presents the work of more than one hundred Black American artists whose practice incorporates the photographic medium. Organized by the Katherine E. Nash Gallery at the University of Minnesota, this group exhibition samples a range of photographic expressions produced over three centuries, from traditional photography to mixed media and conceptual art. From the daguerreotypes made by Jules Lion in New Orleans in 1840 to the Instagram post of the Baltimore Uprising made by Devin Allen in 2015, photography has chronicled Black American life, and Black Americans have defined the possibilities of photography. Frederick Douglass recognized the quick, easy, and inexpensive reproducibility of photography and developed a theoretical framework for understanding its impact on public discourse, which he delivered as a series of four lectures during the Civil War. The subject of 160 photographic portraits and the most photographed American of the nineteenth century, Douglass anticipated that the history of American photography and the history of Black American culture and politics would be deeply intertwined. A Picture Gallery of the Soul honors the diverse visions of Blackness made manifest through the lens of photography. Published in association with the Katherine E. Nash Gallery. Exhibition dates: Katherine E. Nash Gallery: September 13-December 10, 2022"--
    Note: Titelblattrückseite: "This catalogue is published in conjunction with the exhibition "A Picture Gallery of the Soul", organized by Herman J. Milligan Jr. and Howard Oransky for the Katherine E. Nash Gallery at the University of Minnesota, Minneapolis, September 13-December 10, 2022" , Includes bibliographical references and index
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  • 37
    ISBN: 9781597115308 , 1597115304
    Language: English
    Pages: 223 Seiten , 24 cm
    Edition: First edition
    DDC: 306.76/6208996073
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    Keywords: Gay liberation movement Pictorial works ; African American transgender people Pictorial works ; Transgender people Pictorial works ; Protest movements Pictorial works ; Documentary photography ; Protest literature, American ; Photographers ; Photography, Artistic ; African American transgender people ; Gay liberation movement ; Photography, Artistic ; Transgender people ; Black transgender people ; Black queer people ; Queer rights ; Pictorial works ; New York (N.Y.) Social conditions ; United States ; Bildband ; Bildband ; USA ; Dokumentarfotografie ; LGBT ; Transgender ; Geschichte 2020-2021
    Abstract: "'Revolution is love: a year of Black Trans Liberation' is the powerful and celebratory visual record of a contemporary activist movement in New York City, and a moving testament to the enduring power of photography in actisim, advocacy, and community. In June 2020, activists Qween Jean and Joela Rivera founded the Stonewall Protests, weekly actions centering Black trans and queer identities that took place across New York City." "This book gathers twenty-four photographers who share images and words on the demonstrations, preserving this legacy as it unfolded."--Back flap of printed paper wrapper
    Note: Qween Jean and Raquel Willis in conversation , Images and voices , An ongoing revolution: writing a new history at Stonewall /
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  • 38
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    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
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    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 39
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    Berlin : Avant-verlag
    ISBN: 9783964450685
    Language: German
    Pages: 305 Seiten , Illustrationen , 24 cm
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    Keywords: Diskriminierung ; Person of Color ; College ; Dozentin ; Rassismus ; Germanistin ; USA ; Kulturelle Aneignung ; Rassismus ; Madgermanes ; Autobiografie ; Comic ; Comic ; Comic ; Autobiografie ; Comic ; USA ; College ; Dozentin ; Germanistin ; Person of Color ; Diskriminierung ; Rassismus
    Abstract: In Zeiten der Globalisierung können wir uns überall hinbewegen, von überall arbeiten, überall leben – gesetzt den Fall, wir haben die passende Hautfarbe, ausreichend Bildung und am wichtigsten: den richtigen Pass. Im Rahmen eines Austauschprogramms unterrichtete die weiße Birgit Weyhe aus Deutschland an einem US-College. Während einer Tagung amerikanischer Germanist*innen im Mittleren Westen wird sie mit dem Vorwurf der kulturellen Aneignung konfrontiert. Nutzt sie ihre Privilegien als weiße Autorin aus, wenn sie Geschichten über Schwarze Menschen erzählt? Sie lernt Priscilla Layne, eine afroamerikanische Germanistik-Professorin mit karibischen Wurzeln kennen. Sie ist ein "Oreo": zu weiß für die Schwarzen Mitschüler*innen und für die Weißen ist ihre Haut zu dunkel. Sie beschließt gegen alle und alles gleichzeitig zu rebellieren, indem sie sich in ihrer Jugend der Skinhead-Bewegung anschließt und zu einem "Rude Girl" wird
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  • 40
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783030973742 , 3030973743
    Language: English
    Pages: 1 Online-Ressource (IX, 153 Seiten)
    Edition: 1st ed. 2022
    Parallel Title: Erscheint auch als Ng, Eve Cancel Culture
    DDC: 306
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    Keywords: Konflikt ; Meinungsfreiheit ; Medien ; Ethnizität ; Identität ; Culture—Study and teaching ; Communication ; Cultural Studies ; Media and Communication ; USA ; China
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 41
    ISBN: 9783030977955 , 9783030977924
    Language: English
    Pages: xii, 293 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 302.23
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    Keywords: Geschichte 1960-2020 ; Media and Gender ; American Film and TV. ; Gender Studies ; Gender identity in mass media ; Motion pictures, American ; Sex ; Transgender ; Fernsehserie ; Film ; USA ; USA ; Film ; Fernsehserie ; Transgender ; Geschichte 1960-2020
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  • 42
    ISBN: 9783825349271
    Language: English
    Pages: 563 Seiten , Illustrationen , 21 cm x 13.5 cm
    Series Statement: American Studies - a monograph series volume 318
    Series Statement: American Studies - a monograph series
    Parallel Title: Erscheint auch als
    DDC: 306.0973
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    Keywords: Popular culture studies ; Popkultur ; Massenkultur ; USA ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; USA ; Massenkultur ; Popkultur ; USA ; Popkultur
    Note: S.20: "This volume would not exist without the conference 'U.S.-American Culture as Popular Culture' (...) took place from June 13-15,2019 at the University of Hamburg."
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 43
    Book
    Book
    New York : New York University Press
    ISBN: 9781479865109 , 9781479878741
    Language: English
    Pages: xiv, 227 Seiten
    Series Statement: Intersections
    Series Statement: transdisciplinary perspectives on genders and sexualities
    DDC: 302.23089/96073
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    Keywords: African American women in social media ; Social media ; African American women in popular culture ; Misogynoir ; African American women Social conditions ; USA ; Schwarze Frau ; Frauenfeindlichkeit ; Social Media ; Soziale Bewegung
    Abstract: Introduction: What is misogynoir? -- Misogynoir is a drag -- Transforming misogynoir through trans advocacy -- Web show worldbuilding mitigates misogynoir -- Alchemists in action against misogynoir -- Conclusion: Misogynoir transformed : BlackWomenDragBack.
    Abstract: "This book uses the Twitter, YouTube, and Tumblr productions of Black women as evidence that negative ideas about Black women can be transformed. Misogynoir describes the uniquely co-constitutive racialized and sexist violence that befalls Black women"--
    Note: Literaturverzeichnis: Seite 203-219. Index
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  • 44
    ISBN: 9783825347284 , 3825347281
    Language: English
    Pages: viii, 235 Seiten , 22 cm x 14 cm
    Series Statement: American studies volume 310
    Series Statement: American studies
    Parallel Title: Erscheint auch als Schäfer, Rebecca Time(s) of Lives
    Parallel Title: Erscheint auch als Schäfer, Rebecca Time(s) of lives
    Dissertation note: Dissertation Johannes Gutenberg-Universität Mainz 2019
    DDC: 303.370973
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    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Film ; Fernsehserie ; LGBT ; Altern ; Verwandtschaft ; Soziale Norm ; Zeit ; Heteronormativität ; USA ; Film ; Kultur ; Zeit ; Alter ; Altern ; Verwandtschaft ; LGBT ; Geschlechterforschung
    Note: Literaturverzeichnis: Seite 209-235
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  • 45
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520300415 , 9780520300408 , 0520300416
    Language: English
    Pages: xiii, 338 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 302.230973
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    Keywords: Geschichte 1970-2021 ; Geschichte 1970- ; Fernsehen ; Film ; Sachkultur ; Zuschauer ; USA ; Motion pictures / Social aspects ; Motion pictures / Social aspects ; Film ; Fernsehen ; Sachkultur ; Zuschauer ; Geschichte 1970-2021 ; USA ; Film ; Fernsehen ; Sachkultur ; Zuschauer ; Geschichte 1970-
    Description / Table of Contents: Introduction : material mediations -- Collecting and recollecting : Battlestar Galactica through video's varied technologies of memory -- The commercial economy of film history : or, looking for Looking for Mr. Goodbar -- "Let's movie" : how TCM made a lifestyle of classic film -- Spirits of cinema : alcohol service and the future of theatrical exhibition -- Blunt spectatorship : inebriated poetics in contemporary US television -- Shot in black and white : the racialized reception of US cinema violence -- Conclusion : expanding the scene of the screen -- Appendix A : documented incidents of cinema violence in the United States through December 31, 2019
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  • 46
    Book
    Book
    New Brunswick, NJ : Rutgers University Press
    ISBN: 9781978814592 , 9781978814608
    Language: English
    Pages: viii, 278 Seiten , Illustrationen , Breite 152 mm, Hoehe 229 mm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Comic ; Ethnische Identität ; Film ; Superheld ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Comic ; Film ; Superheld ; Ethnische Identität
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  • 47
    Online Resource
    Online Resource
    New Brunswick ; Camden ; Newark : Rutgers University Press
    ISBN: 9781978806078 , 9781978806054
    Language: English
    Pages: 1 Online-Ressource (v, 205 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: LITERARY CRITICISM / General ; Comic books, strips, etc History and criticism ; Gender identity in literature ; National characteristics, American, in literature ; Race awareness in literature ; Superheroes in literature ; Superheld ; Geschlechterrolle ; Comic ; USA ; USA ; Comic ; Superheld ; Geschlechterrolle
    Abstract: The superheroes from DC and Marvel comics are some of the most iconic characters in popular culture today. But how do these figures idealize certain gender roles, body types, sexualities, and racial identities at the expense of others? Hot Pants and Spandex Suits offers a far-reaching look at how masculinity and femininity have been represented in American superhero comics, from the Golden and Silver Ages to the Modern Age. Scholar Esther De Dauw contrasts the bulletproof and musclebound phallic bodies of classic male heroes like Superman, Captain America, and Iron Man with the figures of female counterparts like Wonder Woman and Supergirl, who are drawn as superhumanly flexible and plastic. It also examines the genre's ambivalent treatment of LGBTQ representation, from the presentation of gay male heroes Wiccan and Hulkling as a model minority couple to the troubling association of Batwoman's lesbianism with monstrosity. Finally, it explores the intersection between gender and race through case studies of heroes like Luke Cage, Storm, and Ms. Marvel. Hot Pants and Spandex Suits is a fascinating and thought-provoking consideration of what superhero comics teach us about identity, embodiment, and sexuality
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 48
    ISBN: 9783030667597
    Language: English
    Pages: 1 Online-Ressource (xvii, 197 Seiten) , Illustrationen
    Edition: 1st ed.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 320.6
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    Keywords: Media Policy ; Media and Communication ; Mass media—Political aspects ; Communication ; Regulierung ; Social Media ; Medienrecht ; Neue Medien ; Europa ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Europa ; Neue Medien ; Social Media ; Regulierung ; Medienrecht
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 49
    Book
    Book
    New Brunswick, Camden ; Newark, New Jersey ; London : Rutgers University Press
    ISBN: 9781978809215 , 9781978809222
    Language: English
    Pages: vii, 168 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 741.5
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    Keywords: Marvel Comics Group ; Vielfalt ; Stereotyp ; Massenkultur ; Superheld ; USA ; USA ; Marvel Comics Group ; Massenkultur ; Superheld ; Vielfalt ; Stereotyp
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  • 50
    ISBN: 9781793613073
    Language: English
    Pages: xxv, 129 Seiten , Illustrationen
    DDC: 305.48895073
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    Keywords: Asiatin ; Illustrierte ; Frauenbild ; Stereotyp ; USA
    Note: Literaturverzeichnis Seite 115-119
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  • 51
    ISBN: 9781789382839
    Language: English
    Pages: viii, 169 Seiten , Illustrationen
    DDC: 306.48460973
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    Keywords: Geschichte ; Christentum ; Tanz ; Nordamerika ; USA
    Note: Literaturverzeichnis Seite 147-159
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  • 52
    ISBN: 9781789209846
    Language: English
    Pages: xii, 185 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Gamberi, Valentina Experiencing materiality
    DDC: 306
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    Keywords: Material culture ; Anthropological museums and collections ; Museums Curatorship ; Europa ; USA ; Ethnologisches Museum ; Anthropologie ; Sachkultur
    Abstract: Introduction. Materiality or the problem -- What thing is this? Indian storytelling scrolls -- Curatorial understanding of the Sacred within museum walls: Metalogues in dialogue with scholarship -- Manipulating sacred force: Scrolls and copies -- Material engagements in the colony: Legacies and changes in perspective -- Reconstructing the sacred: Temples or museum galleries? -- When religious power is limiting: The World Museum of Liverpool -- For a reappraisal of phenomenology: A perspectival approach to materiality -- Conclusions. Returning to museums.
    Abstract: "Representing a cutting-edge study of the junction between theoretical anthropology, material culture studies, religious studies and museum anthropology, this study examines the interaction between the human and the nonhuman in a museum setting usually defined as 'non-Western', 'non-scientific' and 'religious.' Combining an on-site analysis of exhibitive spaces with archival research and interviews with museum curators, the chapters highlight contradictions of museum practices, and suggests that museum practitioners use museum spaces and artefacts as a way of formulating new theoretical stances in material culture studies, thus viewing museums as producers of theories together with affective engagements"--
    Note: Includes bibliographical references and index
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  • 53
    ISBN: 9781978806030 , 9781978806047 , 1978806043
    Language: English
    Pages: 205 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 741.6
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    Keywords: Comic ; Geschlechterrolle ; Superheld ; USA ; Comic books, strips, etc / History and criticism ; Superheroes in literature ; Gender identity in literature ; Race awareness in literature ; National characteristics, American, in literature ; Comic books, strips, etc ; Gender identity in literature ; National characteristics, American, in literature ; Race awareness in literature ; Superheroes in literature ; Criticism, interpretation, etc ; USA ; Comic ; Superheld ; Geschlechterrolle
    Abstract: "Hot Pants and Spandex Suits looks at representations of gender and its intersection with sexuality and race through the figure of the superhero. It places superheroes in their socio-historical context, particularly those published by the 'Big Two' publishers in the industry: Marvel and DC. The superheroes are: Superman, Captain America, Iron Man, Wonder Woman, Supergirl, Wiccan, Hulkling, Batwoman, Luke Cage, Falcon, Storm and Ms Marvel. Focusing on superheroes' first appearance in World War II up to their current iterations, author Esther De Dauw looks at how superheroes have changed and adapted to either match or challenge prevailing ideas about gender, including views on masculinity and femininity in the US military, attitudes towards American national identity, how gender intersects with sexuality for gay superheroes and how the lack of representation of minority communities impacts the superhero of color. What do superheroes say about and to us? Considering how gender, race and sexuality are often inextricably enmeshed in representation politics, this book offers an analysis that examines how all these different identities intersect and how that intersection itself produces ideas about gender. What is it that superheroes teach us about what it means to be a man or a woman when we're white or gay or Black? Following this analysis, it offers strategies and solutions to the question of representation within both the comic book industry and comic book scholarship. This book will be of interest to anyone interested in superheroes, including comic book scholars, gender studies' scholars, Critical Race scholars and scholars in the field of American Studies"--
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  • 54
    ISBN: 9783658357603
    Language: German
    Pages: 1 Online-Ressource (XXXIV, 456 Seiten) , Illustrationen
    Series Statement: Perspektiven der Humangeographie
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Johannes Gutenberg-Universität Mainz
    DDC: 304.2
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    Keywords: Environmental Social Sciences ; Film Studies ; Environmental sciences—Social aspects ; Motion pictures ; New York ; Multikulturelle Gesellschaft ; Interkulturalität ; Kulturkontakt ; Sozialgeografie ; Film ; Stadtsoziologie ; Filmanalyse ; USA ; New York, NY ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Multikulturelle Gesellschaft ; Stadtsoziologie ; Sozialgeografie ; Film ; Filmanalyse ; New York, NY ; USA ; Film ; New York ; Kulturkontakt ; Interkulturalität
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 55
    ISBN: 9780226786513
    Language: English
    Pages: 1 Online-Ressource(105 pages)
    Parallel Title: Erscheint auch als Meehan, Mary Beth Seeing Silicon Valley
    DDC: 305.5/60979473
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    Keywords: Equality-California-Santa Clara Valley (Santa Clara County) ; Housing-California-Santa Clara Valley (Santa Clara County)-Pictorial works ; Santa Clara Valley (Santa Clara County, Calif.)-Pictorial works ; Electronic books ; Bildband ; Bildband ; Bildband ; Meehan, Mary Beth ; Fotografie ; USA ; Mensch ; Silicon Valley
    Abstract: Intro -- Contents -- The Valley on the Hill | Fred Turner -- Photographs and Stories | Mary Beth Meehan -- Cristobal -- Ravi and Gouthami -- Victor -- Warren -- Justyna -- Teresa -- Mary -- Diane -- Abraham and Brenda -- Ariana and Elijah -- Mark -- Imelda -- Richard -- Leslie -- Geraldine -- Jolea -- Melissa and Steve -- Jon -- Gee and Virginia -- Branton and Shirley -- Konstance -- Aurora -- Erfan -- Ted -- Elisa and Family -- Elizabeth -- Afterword -- Acknowledgments.
    Note: Description based on publisher supplied metadata and other sources
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  • 56
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520971820
    Language: English
    Pages: 1 Online-Resource (xiii, 338 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.230973
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    Keywords: Geschichte 1970- ; Geschichte 1970-2021 ; SOCIAL SCIENCE / Media Studies / bisacsh ; Motion pictures Social aspects ; Zuschauer ; Fernsehen ; Sachkultur ; Film ; USA ; USA ; Film ; Fernsehen ; Sachkultur ; Zuschauer ; Geschichte 1970- ; Film ; Fernsehen ; Sachkultur ; Zuschauer ; Geschichte 1970-2021
    Abstract: Film and television create worlds, but they are also of a world, a world that is made up of stuff, to which humans attach meaning. Think of the last time you watched a movie: the chair you sat in, the snacks you ate, the people around you, maybe the beer or joint you consumed to help you unwind-all this stuff shaped your experience of media and its influence on you. The material culture around film and television changes how we make sense of their content, not to mention the very concepts of the mediums. Focusing on material cultures of film and television reception, The Stuff of Spectatorship argues that the things we share space with and consume as we consume television and film influence the meaning we gather from them. This book examines the roles that six different material cultures have played in film and television culture since the 1970s-including video marketing, branded merchandise, drugs and alcohol, and even gun violence-and shows how objects considered peripheral to film and television culture are in fact central to its past and future
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 57
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469664668 , 9781469664651
    Language: English
    Pages: 1 Online-Ressource (xiii, 231 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 302.23082
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    Keywords: Künste ; Frau ; Sklaverei ; Gewalt ; Violence in literature ; Violence in motion pictures ; Violence on television ; Violence in women in literature ; Women in popular culture ; Women in popular culture ; Violence in women in popular culture ; Violence in women in popular culture ; Slavery History ; Literature ; Literature: history & criticism ; USA ; Karibik
    Abstract: This text examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Amy King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in US and Caribbean depictions of violence between women in the wake of slavery.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 58
    ISBN: 9780691208190
    Language: English
    Pages: VII, 254 Seiten , Illustrationen, Pläne
    Parallel Title: Erscheint auch als
    DDC: 745.40973/0904
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    Keywords: Geschichte 1950-1959 ; ART / History / General ; Decorative arts Marketing ; Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Power (Social sciences) History 20th century ; Geschlecht ; Design ; Rasse ; Industriedesign ; USA ; USA ; Industriedesign ; Geschichte 1950-1959 ; USA ; Design ; Geschlecht ; Rasse
    Abstract: The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar AmericaIn the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and sleek, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced-and were influenced by-Modern design and shaped its presentation to consumers.Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others. A striking counternarrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture
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  • 59
    ISBN: 1934351199 , 9781934351192
    Language: English
    Pages: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
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    Keywords: African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Abstract: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Abstract: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Note: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 60
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 61
    Online Resource
    Online Resource
    New Brunswick, New Jersey : Rutgers University Press
    Language: English
    Pages: 1 Online-Ressource (217 pages)
    Parallel Title: Erscheint auch als Dauw, Esther De Hot pants and spandex suits : gender representation in American superhero comics
    DDC: 741.5352
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    Keywords: Superheroes in literature ; Comic ; Geschlechterrolle ; Superheld ; USA ; USA ; Comic ; Superheld ; Geschlechterrolle
    Note: Description based on print version record
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  • 62
    Online Resource
    Online Resource
    New Brunswick, New Jersey : Rutgers University Press
    Language: English
    Pages: 1 Online-Ressource (vii, 168 pages) , illustrations
    Parallel Title: Erscheint auch als Brown, Jeffrey A., 1966- Panthers, Hulks and Ironhearts : Marvel, diversity, and the twenty-first-century superhero
    DDC: 741.59
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    Keywords: Marvel Comics Group ; Comic books, strips, etc History and criticism ; Massenkultur ; Stereotyp ; Vielfalt ; Superheld ; USA ; USA ; Marvel Comics Group ; Massenkultur ; Superheld ; Vielfalt ; Stereotyp
    Note: Description based on print version record
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  • 63
    Online Resource
    Online Resource
    New Brunswick, New Jersey : Rutgers University Press
    ISBN: 9781978814639
    Language: English
    Pages: 1 Online-Ressource (289 pages) , illustrations
    Parallel Title: Erscheint auch als Mixed-race superheroes
    DDC: 741.59
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    Keywords: Racially mixed people in literature ; Superheroes in literature ; Comic books, strips, etc History and criticism ; Comic ; Ethnische Identität ; Film ; Superheld ; USA ; Aufsatzsammlung ; USA ; Comic ; Film ; Superheld ; Ethnische Identität
    Note: Includes index , Description based on print version record
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  • 64
    Online Resource
    Online Resource
    New York, NY : New York University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781479890491
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Intersections 18
    DDC: 302.23089/96073
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    Keywords: Schwarze ; Diskriminierung ; Frauenfeindlichkeit ; Rassismus ; USA
    Abstract: Where racism and sexism meet-an understanding of anti-Black misogynyWhen Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central's The Daily Show and CNN's Cuomo Prime Time. In Misogynoir Transformed, Bailey delves into her groundbreaking concept, highlighting Black women's digital resistance to anti-Black misogyny on YouTube, Facebook, Tumblr, and other platforms. At a time when Black women are depicted as more ugly, deficient, hypersexual, and unhealthy than their non-Black counterparts, Bailey explores how Black women have bravely used social-media platforms to confront misogynoir in a number of courageous-and, most importantly, effective-ways. Focusing on queer and trans Black women, she shows us the importance of carving out digital spaces, where communities are built around queer Black webshows and hashtags like #GirlsLikeUs. Bailey shows how Black women actively reimagine the world by engaging in powerful forms of digital resistance at a time when anti-Black misogyny is thriving on social media. A groundbreaking work, Misogynoir Transformed highlights Black women's remarkable efforts to disrupt mainstream narratives, subvert negative stereotypes, and reclaim their lives.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 65
    Book
    Book
    London ; New York, NY : Routledge
    ISBN: 9780367198275 , 9780367198268
    Language: English
    Pages: x, 130 Seiten
    Series Statement: Routledge research in gender, sexuality, and media
    DDC: 305.23082/0973
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    Keywords: Problem ; Geschichte 1920-2010 ; Körper ; Konstruktion ; Pubertät ; Journalismus ; Mädchen ; USA ; Mass media and girls / United States ; Girls in mass media ; Girls / United States / Public opinion ; Moral panics / United States ; Human body / Social aspects / United States ; Mass media and public opinion / United States ; USA ; Mädchen ; Körper ; Pubertät ; Journalismus ; Konstruktion ; Problem ; Geschichte 1920-2010
    Abstract: Constructing "Ophelias" : Time magazine, neoliberalism, and the next female generation -- "Precious years ... lost" : early puberty and the discourse of sexualization -- "The perfect storm" : constructing the Gloucester High School pregnancy pact -- American girls & sex : manufacturing a crisis around girls and social media -- "The media loves Emma González" : activism, celebrification, and intersecting -- Conclusion: Making sense of "the grand narrative."
    Abstract: "In this book, Sharon Mazzarella examines the representational politics behind journalistic constructions of US girls and girlhood through a series of contemporary in-depth case studies which work to document a wider cultural moral panic about the troublesome nature of girls' bodies. The public concern and media fascination with youth so evident in the United States today is a century-old phenomenon. From the flappers of the 1920s to the bobbysoxers of the 1950s, from the hippies of the 1960s and on to the ever-present pregnant teens, this fascination has played out in the media and has consistently focused on (primarily White, middle-class, heterosexual) girls. A growing body of research, for example, has revealed the manner in which journalistic practice constructs such girls as problems. Girls, Moral Panic, and News Media takes a broad look at U.S. news media constructions of girls, girlhoods, and girl's bodies/sexualities through a series of contemporary in-depth case studies including, but not limited to news coverage of the 2008 Gloucester (MA) High School "pregnancy pact," teen gun control activist Emma González, and the sexualization of "early puberty." In general, the news media constructs girls' bodies as troublesome and in need of adult surveillance and policing. Taken as a whole these case studies document a cultural obsession with girls' bodies-an obsession that often approaches moral panic. This book will be key reading for researchers and instructors in a wide range of disciplines. While the primary audience will be those in the area of the rapidly growing international and interdisciplinary field of Girls' Studies, scholars and students of Media Studies, Cultural Studies, Women's/Gender/Sexuality Studies, Communication and Journalism will also find this an important study"--
    Note: Includes bibliographical references and index
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  • 66
    Book
    Book
    New York : New York University Press
    ISBN: 9781479829965 , 9781479820375
    Language: English
    Pages: ix, 271 Seiten , Illustrationen
    Series Statement: Critical cultural communication
    Parallel Title: Erscheint auch als
    DDC: 302.2308996073
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    Keywords: Computerunterstützte Kommunikation ; Identität ; Internet ; Schwarze ; USA ; African Americans / Communication ; African Americans and mass media ; African Americans / Intellectual life / 21st century ; Internet / Social aspects / United States ; Online social networks / United States ; USA ; Internet ; Identität ; Schwarze ; Computerunterstützte Kommunikation
    Note: Includes bibliographical references and index
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  • 67
    Online Resource
    Online Resource
    Cham : Palgrave Macmillan
    ISBN: 9783030318819
    Language: English
    Pages: 1 Online-Ressource (xvi, 260 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306
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    Keywords: Geschichte 2013-2019 ; Popular Culture ; Animation ; Culture and Gender ; Close Reading ; Media and Communication ; Popular Culture ; Animated films ; Culture ; Gender ; Motion pictures ; Communication ; Verschwörung ; Geschlechterrolle ; Zeichentrickfilm ; Außerirdische Intelligenz ; Kolonialismus ; Einfühlung ; Identität ; Kinderfernsehen ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Zeichentrickfilm ; Kinderfernsehen ; Geschlechterrolle ; Identität ; Verschwörung ; Außerirdische Intelligenz ; Einfühlung ; Kolonialismus ; Geschichte 2013-2019
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 68
    ISBN: 9780367189716
    Language: English
    Pages: xiii, 142 Seiten , Diagramme
    Series Statement: Routledge focus on media and humanitarian action
    Parallel Title: Erscheint auch als Andersen, Robin Media, Central American refugees, and the U.S. border crisis
    DDC: 362.87089/68728073
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    Keywords: Refugees ; Refugees In mass media ; Refugees Press coverage ; Mass media Political aspects ; Central America Emigration and immigration ; Press coverage ; Central America Emigration and immigration ; In mass media ; Mexican-American Border Region Press coverage ; Mexican-American Border Region In mass media ; USA ; Grenze ; Zentralamerika ; Flüchtling ; Internationale Migration
    Abstract: From the Civil War in El Salvador to MS-13 : media frames that distort, mislead and omit / Robin Andersen -- Violence, migration, and the perverse effects of gang repression in Central America / Adrian Bergmann -- The photograph seen "around the world" : media, the migrant mother from Honduras, and the U.S.-backed military coup of 2009 / Robin Andersen -- Guatemala and the extractive industries : media fail to connect migrant girl who died on custody to years of post-colonial oppression and genocide / Robin Andersen -- Violence at the U.S. Border and beyond : the media and the perpetuation of militarism in the hemisphere / Robin Andersen -- Coda: Solutions : changing course, discourse, and media frames / Robin Andersen.
    Abstract: "This book identifies the history, conventions and uses of the language of security, and argues that it distorts information and misleads the public, misidentifies the focus of concern, and omits narratives able to recognize the causes and solutions to humanitarian crises. The crisis at the border is better understood as an on-going crisis of violence, building over decades, that has forced migrants from their homes in the countries of the Northern Triangle. Authors Robin Andersen and Adrian Bergmann look back to U.S. military policies in the region and connect this legacy to the cross-border development of transnational gangs, government corruption, and on-going violence that often targets environmental and legal defenders. They argue that the discourses of demonization and securitization only help perpetuate brutality in both Central America and the United States, especially in the desert borderlands of the southwest, and offer ways in which stories of migrants can be reframed within the language of justice, empathy and humanitarianism. A compelling examination of language, media and politics, this book is both highly contemporary and widely applicable, perfect for students and scholars of global media, political communications, and their many intersections"--
    Note: Includes bibliographical references and index
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  • 69
    ISBN: 3280057264 , 9783280057261
    Language: German
    Pages: 224 Seiten , 21.3 cm x 13.6 cm
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    Keywords: Landeskunde ; USA ; Burger ; Donald Trump ; Drogen ; Global Warming ; Opioid-Krise ; US-Wahlen ; USA ; Waffen ; USA ; Landeskunde
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  • 70
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012436
    Language: English
    Pages: 1 online resource (301 pages)
    Series Statement: A Camera Obscura Book Ser.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Mani, Bakirathi Unseeing empire
    DDC: 909.04914
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    Keywords: South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; South Asian Americans-Ethnic identity ; South Asian Americans-Cultural assimilation-United States ; South Asian Americans-Ethnic identity.. ; South Asian diaspora ; South Asian Americans-Cultural assimilation-United States.. ; Electronic books ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Abstract: Bakirathi Mani examines the visual and affective relationships between South Asian diasporic viewers, artists, and photographic representations of immigrant subjects, showing how empire continues to haunt South Asian American visual cultures.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 71
    ISBN: 9783662618745
    Language: English
    Pages: 1 Online-Ressource (VIII, 229 p. 1 illus)
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Leipzig 2019
    DDC: 306
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    Keywords: Mad Men ; Geschichte 1950-1960 ; Geschichte 2000-2020 ; Popular Culture ; American Culture ; Cultural Studies ; Popular Culture ; United States—Study and teaching ; Cultural studies ; USA ; Fernsehsendung ; Geschlechterrolle ; Fernsehen ; Film ; Massenkultur ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Massenkultur ; Mad Men ; Geschlechterrolle ; Fernsehen ; Film ; USA ; Geschichte 1950-1960 ; USA ; Film ; Fernsehsendung ; Geschichte 2000-2020
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 72
    Book
    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476676760
    Language: English
    Pages: vii, 282 Seiten , Illustrationen , 26 cm
    Parallel Title: Erscheint auch als
    DDC: 305.8096/073
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    Keywords: Geschichte 1830-1960 ; Minstrel show ; Massenmedien ; Blackfacing ; USA ; Minstrel shows in mass media ; Blackface in mass media ; African Americans in mass media ; Mass media / United States / History / 20th century ; USA ; Massenmedien ; Minstrel show ; Blackfacing ; Geschichte 1830-1960
    Abstract: The origins of Blackface Minstrelsy -- The Minstrel Show on records -- The Minstrel Show on radio -- The Minstrel Show in Motion Pictures -- The Minstrel Show on Television -- Epilogue and Conclusions -- Appendix 1. Prominent Minstrel Troupes Active after 1890 -- Appendix 2. Discography of Minstrel Recordings -- Appendix 3. Early Recording Artists with Minstrel Experience
    Abstract: "The minstrel show occupies a complex and controversial space in the history of American popular culture. While it is seen as a relic of America's deeply shameful and racist past, it also provided the first vehicle by which African-Americans were able to enter the entertainment world. This book investigates the often ignored 20th century history of minstrelsy as it entered the age of mass media, addressing such minstrel stars as Al Jolson, Bing Crosby, and Mickey Rooney. Tracing the history of minstrelsy through to its abrupt end in the 1950s, this book is a chronicle of "modern" minstrelsy and America's rapidly changing values"
    Note: Includes bibliographical references, discography, and index
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  • 73
    Book
    Book
    New York : Blue Rider Press
    ISBN: 9780735213159 , 9781524746834
    Language: English
    Pages: viii, 583 Seiten , 24 cm
    Uniform Title: Facebook
    Parallel Title: Übersetzt als Levy, Steven, 1951 - Facebook - Weltmacht am Abgrund
    Parallel Title: Erscheint auch als
    DDC: 338.761/004678
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    Keywords: Facebook, Inc. ; Facebook (Firm) History ; Facebook (Firm) ; Facebook (Electronic resource) Social aspects ; Unternehmen ; Social Web ; Unternehmensgeschichte ; USA ; Facebook (Electronic resource) ; BIOGRAPHY & AUTOBIOGRAPHY Science & Technology ; BUSINESS & ECONOMICS Entrepreneurship ; TECHNOLOGY & ENGINEERING Social Aspects ; Social aspects ; History ; Facebook, Inc. ; Geschichte 2004-2019 ; Facebook, Inc. ; Kritik ; Technologieunternehmen ; Daten ; Macht
    Abstract: ZuckNet -- Ad-boarded -- Thefacebook -- Casa Facebook -- Moral dilemma -- The book of change -- Platform -- Pandemic -- Sheryl world -- Growth! -- Move fast and break things -- Paradigm shift -- Buying the future -- Election -- P for propaganda -- Clown show -- The ugly -- Integrity -- The next Facebook -- Epilogue.
    Abstract: "In his sophomore year of college, Mark Zuckerberg created a simple website to serve as a campus social network. The site caught on like wildfire, and soon students nationwide were on Facebook. Today, Facebook is nearly unrecognizable from Zuckerberg's first, modest iteration. It has grown into a tech giant, the largest social media platform and one of the most gargantuan companies in the world, with a valuation of more than $576 billion and almost 3 billion users. There is no denying the power and omnipresence of Facebook in American daily life. And in light of recent controversies surrounding election-influencing 'fake news' accounts, the handling of its users' personal data, and growing discontent with the actions of its founder and CEO, never has the company been more central to the national conversation. Based on years of exclusive reporting and interviews with Facebook's key executives and employees, including Mark Zuckerberg and Sheryl Sandberg, Steven Levy's sweeping narrative digs deep into the whole story of the company that has changed the world and reaped the consequences"--
    Note: Auf Seite [iv]: International Edition ISBN: 9781524746834 , Literaturangaben in Endnoten: Seite [533]-563 , Mit Register
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  • 74
    ISBN: 9781479840083 , 9781479889587
    Language: English
    Pages: 245 Seiten , Illustrationen , 26 cm
    Series Statement: Postmillennial pop
    DDC: 305.8009730222
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    Keywords: Karikatur ; Schwarze ; Rassismus ; Zugehörigkeit ; USA
    Abstract: The Content of Our Caricature is an in-depth exploration of African American comic art and its relationship to political belonging.
    Note: Literaturangaben
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  • 75
    Book
    Book
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781793606181 , 9781793606204
    Language: English
    Pages: xviii, 388 Seiten
    Series Statement: Communicating gender
    Parallel Title: Erscheint auch als
    DDC: 305.42
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    Keywords: Trump, Donald ; Frauenfeindlichkeit ; Medien ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Trump, Donald 1946- ; USA ; Frauenfeindlichkeit ; Medien
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  • 76
    Book
    Book
    Cambridge, Massachusetts : London, England
    ISBN: 9780674987913
    Language: English
    Pages: 356 Seiten
    DDC: 303.48/30973
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    Keywords: Science Social aspects 20th century ; History ; Science Social aspects 21st century ; History ; Science Political aspects 20th century ; History ; Science Political aspects 21st century ; History ; Science Moral and ethical aspects 20th century ; History ; Science Moral and ethical aspects 21st century ; History ; Political culture ; Truthfulness and falsehood Political aspects ; USA ; Wissenschaft ; Gesellschaft ; Diskurs ; Geschichte 1920-2020
    Abstract: Introduction: Science by association -- Making modern minds -- Resisting the modern -- A scientific state -- Science and human behavior -- Facts and values -- Two cultures -- A new right -- Cross-fertilization -- A new left -- Skepticism instantiated -- Beyond universalism -- Conclusion: Scientific authority in pieces?
    Abstract: "Americans today are often skeptical of scientific authority. Many conservatives dismiss climate change and Darwinism as liberal fictions, arguing that "tenured radicals" have coopted the sciences and other disciplines. Some progressives, especially in the universities, worry that science's celebration of objectivity and neutrality masks its attachment to Eurocentric and patriarchal values. As we grapple with the implications of climate change and revolutions in fields from biotechnology to robotics to computing, it is crucial to understand how scientific authority functions-and where it has run up against political and cultural barriers. Science under Fire reconstructs a century of battles over the cultural implications of science in the United States. Andrew Jewett reveals a persistent current of criticism which maintains that scientists have injected faulty social philosophies into the nation's bloodstream under the cover of neutrality. This charge of corruption has taken many forms and appeared among critics with a wide range of social, political, and theological views, but common to all is the argument that an ideologically compromised science has produced an array of social ills. Jewett shows that this suspicion of science has been a major force in American politics and culture by tracking its development, varied expressions, and potent consequences since the 1920s. Looking at today's battles over science, Jewett argues that citizens and leaders must steer a course between, on the one hand, the naïve image of science as a pristine, value-neutral form of knowledge, and, on the other, the assumption that scientists' claims are merely ideologies masquerading as truths"--
    Note: Index
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  • 77
    Online Resource
    Online Resource
    Durham ; London : Duke University Press
    ISBN: 9781478009153
    Language: English
    Pages: 1 Online-Ressource (viii, 278 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.77
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    Keywords: SOCIAL SCIENCE / Gender Studies ; Computer crimes Investigation ; Internet and children Social aspects ; Mass media and crime ; Online sexual predators ; Pedophilia in mass media Social aspects ; Pedophilia Social aspects ; Sex offenders ; Pädophilie ; Massenmedien ; Sexualtäter ; USA ; USA ; Pädophilie ; Sexualtäter ; Massenmedien
    Abstract: In Virtual Pedophilia Gillian Harkins traces how by the end of the twentieth century the pedophile as a social outcast evolved into its contemporary appearance as a virtually normal white male. The pedophile's alleged racial and gender normativity was treated as an exception to dominant racialized modes of criminal or diagnostic profiling. The pedophile was instead profiled as a virtual figure, a potential threat made visible only when information was transformed into predictive image. The virtual pedophile was everywhere and nowhere, slipping through day-to-day life undetected until people learned how to arm themselves with the right combination of visually predictive information. Drawing on television, movies, and documentaries such as Law and Order: SVU, To Catch a Predator, Mystic River, and Capturing the Friedmans, Harkins shows how diverse U.S. audiences have been conscripted and trained to be lay detectives who should always be on the lookout for the pedophile as virtual predator. In this way, the perceived threat of the pedophile legitimated increased surveillance and ramped-up legal strictures that expanded the security apparatus of the carceral state
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 78
    Book
    Book
    Charlottesville : University of Virginia Press
    ISBN: 9780813943749
    Language: English
    Pages: xviii, 194 Seiten , Illustrationen
    Series Statement: Midcentury: architecture, landscape, urbanism, and design
    Parallel Title: Erscheint auch als Grubiak, Margaret M Monumental jesus
    DDC: 306.6/773
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    Keywords: Christianity and culture ; Cultural landscapes ; Popular culture Religious aspects ; Christianity ; United States Religion ; USA ; Religiöse Kunst ; Architektur ; Monumentalplastik
    Abstract: Touchdown Jesus! -- Dorothy, The Wizard of Oz, and the Mormon Temple -- Adventures in the evangelical theme park -- Charles Darwin's Night at the Creation Museum -- Gumby Jesus.
    Abstract: "This book explores how religious doubt is made manifest in the built environment by taking seriously the humorous, satirical, blasphemous, and popular culture responses to religious architecture and image in modern America. It challenges how audiences typically consider religious architecture by shifting the focus from believers to doubters and from architectural producers to architectural consumers. Its chapters explore landscapes of doubt created by "Touchdown Jesus" at the University of Notre Dame in Indiana; the Mormon temple outside Washington, D.C., recast as something from The Wizard of Oz; Jerry Falwell's waterslide plunge photograph and The Simpson's "Praiseland" episode satirizing Jim and Tammy Faye Bakker's Heritage USA evangelical theme park in South Carolina; the doctored photograph making fun of Oral Roberts's claim of seeing a 900-foot Jesus at Oral Roberts University in Tulsa, Oklahoma; MAD magazine's "Charles Darwin's Night at the Creation Museum" parody of the Creation Museum in Kentucky; and the "Gumby Jesus" renaming of the Christ of the Ozarks statue in Eureka Springs, Arkansas. These expressions of doubt activate the religious built environment in ways unanticipated but illuminating, asking Americans to consider and clarify what it is they believe"--
    Note: Includes bibliographical references and index
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  • 79
    ISBN: 9780814214183 , 9780814255636
    Language: English
    Pages: xviii, 280 Seiten , Illustrationen
    Series Statement: New suns: race, gender, and sexuality in the speculative
    Parallel Title: Erscheint auch als
    DDC: 741.5352
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    Keywords: Comic ; Weißsein ; Superheld ; Ethnische Identität ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Comic ; Superheld ; USA ; Weißsein ; Ethnische Identität ; Comic
    Abstract: "Contextualizes the history of race within comic books and the fundamental whiteness observed in American superhero narratives from the late 1930s to the present."
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  • 80
    ISBN: 9789004429307
    Language: English
    Pages: 1 Online-Ressource (xvi, 756 Seiten)
    Series Statement: Caribbean series volume 37
    Series Statement: Caribbean series
    Parallel Title: Erscheint auch als
    DDC: 305.89607
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    Keywords: Geschichte 1930-1939 ; Ethnische Identität ; Geschichtsschreibung ; Schwarze ; USA ; Brasilien ; Kuba ; Blacks / America / Historiography ; Blacks / America / History / Sources ; Blacks / Study and teaching ; Ethnology / Methodology ; Ethnology / America / History / 20th century ; Anthropologists / America / Biography ; USA ; Brasilien ; Kuba ; Schwarze ; Geschichtsschreibung ; Ethnische Identität ; Geschichte 1930-1939
    Abstract: "The Things of Others: Ethnographies, Histories, and Other Artefacts deals with the things mainly, but not only, mobilized by anthropologists in order to produce knowledge about the African American, the Afro-Brazilian and the Afro-Cuban during the 1930s. However, the book's goal is not to dig up evidence of the creation of an epistemology of knowledge and its transnational connections. The research on which this book is based suggests that the artefacts created in fieldwork, offices, libraries, laboratories, museums, and other places and experiences - beyond the important fact that these places and situations involved actors other than the anthropologists themselves - have been different things during their troubled existence. The book seeks to make these differences apparent, highlighting rather than concealing the relationships between partial modes of making and being 'Afro' as a subject of science. If the artefacts created in a variety of situations have been different things, we should ask what sort of things they were and how the actors involved in their creation sought to make them meaningful. The book foregrounds these discontinuous and ever-changing contours"--
    Description / Table of Contents: Introduction: In/out the archives -- Unrestricted gifts -- Becoming brujo -- On laundresses, sergeants, and assistants : the arts of the forgetting -- Janus -- Tracings -- Paper voyages -- Ruth's books : creating additional lives -- Many words do not fill a basket -- Transformed things
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: DOI
    URL: DOI
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  • 81
    Book
    Book
    Lincoln : University of Nebraska Press
    ISBN: 9781496202123
    Language: English
    Pages: xi, 254 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als
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    Keywords: Rezeption ; Indigenes Volk ; Soziale Verantwortung ; Kunst ; Kunstwerk ; USA ; Indian arts / Study and teaching ; Education, Higher / Aims and objectives ; Museums and Indians ; Cultural awareness ; Cultural awareness ; Education, Higher / Aims and objectives ; Museums and Indians ; USA ; Indigenes Volk ; Kunst ; Soziale Verantwortung ; USA ; Indigenes Volk ; Kunstwerk ; Rezeption
    Abstract: "'Knowing Native Arts' brings Nancy Marie Mithlo's Native, insider perspective to understanding the significance of indigenous arts in national and global milieus"--
    Abstract: "Knowing Native Arts brings Nancy Marie Mithlo's Native insider perspective to understanding the significance of Indigenous arts in national and global milieus. These musings, written from the perspective of a senior academic and curator traversing a dynamic and at turns fraught era of Native self-determination, are a critical appraisal of a system that is often broken for Native peoples seeking equity in the arts. Mithlo addresses crucial issues, such as the professionalization of Native arts scholarship, disparities in philanthropy and training, ethnic fraud, and the receptive scope of Native arts in new global and digital realms. This contribution to the field of fine arts broadens the scope of discussions and offers insights that are often excluded from contemporary appraisals."--book jacket
    Description / Table of Contents: Introduction: Dangerous for the heart -- 1. "The Manner in Which Knowledge Grows" -- 2. Native Arts' Visual Remix -- 3. Indigenous Arts Movements at Home and Abroad -- 4. On the Other Side of the Ocean -- 5. Postidentity Claims, Realism, and Radical Restructuring -- 6. The Encyclopedic Gaze -- 7. Decentering Durham -- 8. American Indians and Museums: The love/hate relationship -- Conclusion: The good fight -- Notes
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  • 82
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Pivot
    ISBN: 9783030570460
    Language: English
    Pages: 1 Online-Ressource (X, 139 p. 23 illus., 18 illus. in color)
    Edition: 1st ed. 2020
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306
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    Keywords: Geschichte 1942-2020 ; Popular Culture ; Screen Studies ; Popular Culture ; Motion pictures and television ; Werbesendung ; Insel ; Fernsehsendung ; Wüste ; Film ; Hörfunksendung ; USA ; Großbritannien ; Großbritannien ; USA ; Hörfunksendung ; Film ; Fernsehsendung ; Werbesendung ; Insel ; Wüste ; Geschichte 1942-2020
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 83
    ISBN: 9781478009849 , 9781478010890
    Language: English
    Pages: xv, 271 Seiten, 12 ungezählte Seiten , Illustrationen
    Series Statement: A camera obscura book
    Parallel Title: Erscheint auch als Mani, Bakirathi Unseeing Empire
    DDC: 909/.04914
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    Keywords: South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Abstract: "In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in US public culture and to reflect on their desires to be represented"--
    Note: Literaturverzeichnis: Seiten 245-259
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  • 84
    ISBN: 9781597114783
    Language: English
    Pages: 485 Seiten , Illustrationen
    Edition: First edition
    DDC: 770.973
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    Keywords: Zealy, Joseph T. ; Weems, Carrie Mae ; Agassiz, Louis ; Peabody Museum ; Geschichte 1850 ; Geschichte 2003-2017 ; Geschichte 1850-1976 ; Rassismus ; Sklave ; Aktfotografie ; Sklaverei ; Rasse ; Schwarze ; Sklavin ; Visuelle Ethnologie ; Fotografie ; Kriminalität ; Daguerreotypie ; Rassismus ; Person of Color ; Anthropologie ; South Carolina ; USA ; Aufsatzsammlung ; Interview ; Konferenzschrift ; Aufsatzsammlung ; Interview ; USA ; Sklaverei ; Fotografie ; Daguerreotypie ; Visuelle Ethnologie ; Rassismus ; Zealy, Joseph T. 1812-1893 ; Agassiz, Louis 1807-1873 ; Peabody Museum ; South Carolina ; Daguerreotypie ; Schwarze ; Sklave ; Sklavin ; Visuelle Ethnologie ; Geschichte 1850-1976 ; Weems, Carrie Mae 1953- ; USA ; Fotografie ; Schwarze ; Rassismus ; Kriminalität ; Geschichte 2003-2017 ; Weems, Carrie Mae 1953- ; Zealy, Joseph T. 1812-1893 ; Fotografie ; Anthropologie ; Aktfotografie ; Rasse ; Person of Color ; Geschichte 1850
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  • 85
    Book
    Book
    New York ; Bern ; Berlin : Peter Lang
    ISBN: 9781433166679 , 9781433166686
    Language: English
    Pages: viii, 296 Seiten , Illustration , 22.5 cm x 15 cm
    Parallel Title: Erscheint auch als
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    DDC: 303.3/85
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    Keywords: Massenmedien ; Stereotyp ; USA ; Ageism ; Andrew ; Billings ; Erika ; From ; Hendrix ; Media ; Parrott ; Scott ; Stereotypes ; Xenophobia ; Stereotypes (Social psychology) in mass media ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Massenmedien ; Stereotyp
    Abstract: "When we think about the "pictures in our heads" that media create and perpetuate, what images are we truly referencing? Issues of media stereotypes and representation (both past and present) are crucial to advancing media literacy. Media Stereotypes: From Ageism to Xenophobia becomes one-stop shopping for synthesizing what we know within the composite of stereotyping research in the United States. Utilizing a cast of top American scholars with deep roots in asking stereotype-based questions, this book is essential reading for those wishing to understand what we know about past and present media representations as well as those wishing to take the baton and continue to advance media stereotyping research in the future"--
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  • 86
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197519448
    Language: English
    Pages: 1 Online-Ressource (272 pages).
    Series Statement: Oxford scholarship online
    DDC: 302.230973
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    Keywords: Journalismus ; Intellektueller ; USA
    Abstract: Where Ideas Go to Die explores the troubled relationship of US journalism and intellect. A defender of common sense, the press is irked at intellect yet often dependent on its critical autonomy. The social control of intellect by journalism is accompanied by social control of journalism in newsrooms and in classrooms where norms are cultivated. Anti-intellectualism consequently operates like dark matter in media, a presence inferred by its effects rather than directly observed or acknowledged. When journalists anticipate a punitive public, the reified resentment is no more real than the fiction of omnipotent citizens in democratic theory, yet the audience imagined compels how intellect is rendered in the news as nuisance, deviance, or object of ridicule. Interviews with 25 "dangerous professors" demonstrate how alliances in the academic-media nexus can seed intellect in newswork.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 87
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012733
    Language: English
    Pages: 1 online resource (257 pages)
    Parallel Title: Erscheint auch als Sheller, Mimi, 1967 - Island futures
    DDC: 304.209792
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    Keywords: Human ecology Sociological aspects ; Sustainable development ; Human ecology Political aspects ; Human ecology-Political aspects-Caribbean Area ; Karibischer Raum Haiti ; naturkatastrophe ; Klimawandel ; Verhältnis Mensch - Natur ; Humanökologie ; Anthropozän ; Postkolonialismus ; Caribbean Haiti ; Climate change ; Human ecology ; Anthropocene ; Postcolonialism ; Electronic books ; Caribbean Area Environmental aspects ; Caribbean Area Climatic factors ; Karibik ; Klimaänderung ; Naturkatastrophe ; Haiti ; USA ; Humanökologie
    Abstract: Mimi Sheller delves into the ecological crises and reconstruction challenges affecting the entire Caribbean region, showing how vulnerability to ecological collapse and the quest for a "just recovery" in the Caribbean emerge from specific transnational political, economic, and cultural dynamics.
    Abstract: Cover -- Contents -- Preface: An Autobiography of My Mother -- Acknowledgments -- Introduction: Im/Mobile Disaster -- 1. Kinopolitical Power -- 2. Water Power -- 3. Aerial Power -- 4. Digital Power -- 5. Bordering Power -- 6. Sexual Power -- Conclusion: Surviving the Anthropocene -- Afterword: This is Not a Requiem -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 88
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009337
    Language: English
    Pages: 1 Online-Ressource (xi, 290 Seiten)
    Series Statement: Sign, Storage, Transmission
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.76/63
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    Keywords: Lesbian Herstory Archives ; Geschichte 1970-2020 ; SOCIAL SCIENCE / Media Studies ; Archival materials Digitization ; Social aspects ; Archives Social aspects ; Digital media Social aspects ; Lesbian feminism Archival resources ; Lesbians Archival resources ; Queer theory ; Medien ; Queer-Theorie ; Soziale Bewegung ; Lesbe ; Kommunikation ; Feminismus ; USA ; Hochschulschrift ; Hochschulschrift ; Aufsatzsammlung ; USA ; Lesbe ; Feminismus ; Soziale Bewegung ; Medien ; Kommunikation ; Queer-Theorie ; Geschichte 1970-2020 ; Lesbian Herstory Archives
    Abstract: For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. InInformation Activism Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on-the-fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 89
    Online Resource
    Online Resource
    New York, NY : New York University Press
    ISBN: 9781479813636
    Language: English
    Pages: 1 Online-Ressource (245 Seiten, 8 ungezählte Seiten Tafeln) , Illustrationen
    Series Statement: Postmillennial Pop Band 25
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.800973022/2
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    Keywords: Geschichte ; Aaron McGruder;African American Art;African American cartoonists;African American children;African American Soldiers;African Americans;Black Aesthetics;Black Body;black liberation;black masculinity;Black Panther;Black superheroes ; Brumsic Brandon Jr ; Captain America ; Civil Rights Movement ; Comics ; Hermeneutic ; Ho Che Anderson ; Icon ; Jennifer Cruté ; Kyle Baker ; Larry Fuller ; Martin Luther King Jr ; Nat Turner ; Ollie Harrington ; R Crumb ; Richard Grass Green ; Thomas Nast ; U.S. comics ; Violence ; World War II. ; citizenship ; editorial cartoons ; equal opportunity humor ; infantile citizenship ; offensive humor ; racial melancholia ; slavery ; stereotype ; underground comix ; visual culture ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African Americans Caricatures and cartoons ; Belonging (Social psychology) in art ; Belonging (Social psychology) ; Racism in cartoons ; Zugehörigkeit ; Comic ; Subkultur ; Karikatur ; Schwarze ; USA ; USA ; Schwarze ; Karikatur ; Zugehörigkeit ; Geschichte ; USA ; Schwarze ; Comic ; Subkultur
    Abstract: Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its headRevealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States.Historically, white artists have rendered white caricatures as virtuous representations of American identity, while their caricatures of African Americans are excluded from these kinds of idealized discourses. Employing a rich illustration program of color and black-and-white reproductions, Wanzo explores the works of artists such as Sam Milai, Larry Fuller, Richard "Grass" Green, Brumsic Brandon Jr., Jennifer Cruté, Aaron McGruder, Kyle Baker, Ollie Harrington, and George Herriman, all of whom negotiate and navigate this troublesome history of caricature. The Content of Our Caricature arrives at a gateway to understanding how a visual grammar of citizenship, and hence American identity itself, has been constructed
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 90
    ISBN: 9780429244230 , 9780429520976
    Language: English
    Pages: 1 Online-Ressource (vii, 325 Seiten)
    Edition: Second edition, 25th anniversary edition
    Parallel Title: Erscheint auch als
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    DDC: 302.230973
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    Keywords: Mass media United States ; Wirtschaftsförderung ; Kulturwirtschaft ; Massenmedien ; Kultur ; USA ; Europa ; Kanada ; Lehrbuch ; Lehrbuch ; Europa ; Kulturwirtschaft ; Wirtschaftsförderung ; Kanada ; Kulturwirtschaft ; Wirtschaftsförderung ; USA ; Massenmedien ; Kultur
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveroeffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 91
    Online Resource
    Online Resource
    New York : New York University Press
    ISBN: 9781479811908
    Language: English
    Pages: 1 Online-Ressource (ix, 271 Seiten) , Illustrationen
    Series Statement: Critical cultural communication [9]
    Series Statement: Critical cultural communication
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23089/96073
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    Keywords: Identität ; Computerunterstützte Kommunikation ; Internet ; Schwarze ; USA ; African Americans / Communication ; African Americans and mass media ; African Americans / Intellectual life / 21st century ; Internet / Social aspects / United States ; Online social networks / United States ; African Americans and mass media ; African Americans ; Communication ; African Americans ; Intellectual life ; Internet ; Social aspects ; Online social networks ; United States ; Electronic books. ; USA ; Internet ; Identität ; Schwarze ; Computerunterstützte Kommunikation
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 92
    ISBN: 9789490153328 , 949015332X
    Language: English
    Pages: 184 Seiten , Illustrationen
    Series Statement: KA series 32
    Parallel Title: Parallele Sprachausgabe
    DDC: 700.411
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    Keywords: 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Abstract: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Note: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 93
    Image
    Image
    Durham ; London : Duke University Press
    ISBN: 9781478008286
    Language: English
    Pages: xi, 290 Seiten , Illustrationen, Portraits , 23 cm
    Series Statement: Sign, storage, transmission
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation York University
    DDC: 306.76/63
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    Keywords: Lesbian Herstory Archives ; Geschichte 1970-2020 ; Medien ; Feminismus ; Kommunikation ; Soziale Bewegung ; Lesbe ; Queer-Theorie ; USA ; Lesbian Herstory Archives ; Lesbians / Archival resources ; Lesbian feminism / Archival resources ; Digital media / Social aspects ; Archives / Social aspects ; Archival materials / Digitization / Social aspects ; Queer theory ; Lesbian Herstory Archives ; Digital media / Social aspects ; Queer theory ; Hochschulschrift ; Quelle ; USA ; Lesbe ; Feminismus ; Soziale Bewegung ; Medien ; Kommunikation ; Queer-Theorie ; Geschichte 1970-2020 ; Lesbian Herstory Archives
    Abstract: "INFORMATION ACTIVISM surveys the media produced by lesbian feminist archivists, librarians, historians, and hotline workers over the past 50 years, showing how volunteer-driven activist information projects formed the basis for queer digital media practices today. Recognizing a gap in the resources available to queer women and in how institutional libraries and archives represented lesbian history, these women decided to generate and index the information themselves. Cait McKinney considers how these information activists prioritized feminist theory and politics in their work, seeking to create media that were accessible, collaborative, and grassroots.
    Abstract: McKinney also looks at the evolution of lesbian feminist information projects from the 1970s to the present, charting media formats and distribution methods as they moved from paper-based methods to computerized and other new digital technologies, while the language used to categorize and tag information also changed to become more trans-inclusive. The book first looks at lesbian newsletters and periodicals that proliferated from the early 1970s to the mid-1990s to produce networks of lesbian feminist information infrastructure. These newsletters-such as Matrices, Network News, Grapevine, and Telewoman-included grassroots materials like hotline numbers, calendars of events, overviews of new primary source materials for researchers, book announcements and reviews, as well as fundraising appeals.
    Abstract: Next, McKinney considers the call logs and archived records of New York's Lesbian Switchboard and Toronto's Lesbian Phone Line, which attest to the intense emotional tone and economies of care involved in the hotlines. The third chapter turns to paper card indexes created in the 1980s, including "The Lesbian Periodicals Index" and "Black Lesbians: An Annotated Bibliography," as a form of media that allowed lesbian feminists to deliberately construct and narrate lesbian history in their own language, while making lesbian information coherent and intelligible for both insiders and outsiders. Finally, McKinney examines how the often-improvised digitization practices employed at the Lesbian Herstory Archives challenge and enrich understandings of technological values like access, usability, engagement, and preservation.
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  • 94
    ISBN: 9781478008880
    Language: English
    Pages: 1 Online-Ressource (xvi, 310 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.5/2
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    Keywords: SOCIAL SCIENCE / Anthropology / Cultural & Social ; Celebrities in mass media ; Fame Social aspects ; Hispanic American mass media ; Hispanic Americans in mass media ; Mass media and culture ; Mass media Political aspects ; Paparazzi ; Popular culture ; Women journalists ; Berühmte Persönlichkeit ; Paparazzo ; Regenbogenpresse ; Diskriminierung ; USA ; Los Angeles- Hollywood ; USA ; Los Angeles- Hollywood ; Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung
    Abstract: In Manufacturing Celebrity Vanessa Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture. Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Díaz examines the racialized and gendered labor involved in manufacturing and selling relatable celebrity personas. Celebrity reporters, most of whom are white women, are expected to leverage their sexuality to generate coverage, which makes them vulnerable to sexual exploitation and assault. Meanwhile, the predominantly male Latino paparazzi can face life-threatening situations and endure vilification that echoes anti-immigrant rhetoric. In pointing out the precarity of those who hustle to make a living by generating the bulk of celebrity media, Díaz highlights the profound inequities of the systems that provide consumers with 24/7 coverage of their favorite stars
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 95
    ISBN: 9783476049766
    Language: German
    Pages: 1 Online-Ressource (IX, 214 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 301
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    Keywords: Trump, Donald ; Medien ; Populismus ; Politische Kommunikation ; Polarisierung ; Medienkultur ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books. ; Trump, Donald 1946- ; Politische Kommunikation ; Medienkultur ; Trump, Donald 1946- ; USA ; Populismus ; Polarisierung ; Politische Kommunikation ; Medien
    Note: Auf dem Umschlag: Open Access
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
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  • 96
    Online Resource
    Online Resource
    Chicago ; London : 〈〈The〉〉 University of Chicago Press
    ISBN: 9780226627731
    Language: English
    Pages: 1 Online-Ressource (VI, 220 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.48/3
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    Keywords: Automation Social aspects ; Robotics Social aspects ; Artificial intelligence Social aspects ; Soziologie ; Künstliche Intelligenz ; Informationsgesellschaft ; Technischer Fortschritt ; Robotik ; Sozialer Wandel ; Automation ; Algorithmus ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Robotik ; Künstliche Intelligenz ; Soziologie ; USA ; Robotik ; Künstliche Intelligenz ; Automation ; Algorithmus ; Informationsgesellschaft ; Technischer Fortschritt ; Sozialer Wandel
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 97
    Online Resource
    Online Resource
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780429243509 , 9780429513220 , 9780429520082 , 9780429516658
    Language: English
    Pages: 1 Online-Ressource (x, 130 Seiten)
    Series Statement: Routledge research in gender, sexuality, and media
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.23082/0973
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    Keywords: Problem ; Geschichte 1920-2010 ; Mass media and girls / United States ; Girls in mass media ; Girls / United States / Public opinion ; Moral panics / United States ; Human body / Social aspects / United States ; Mass media and public opinion / United States ; Konstruktion ; Körper ; Pubertät ; Journalismus ; Mädchen ; USA ; USA ; Mädchen ; Körper ; Pubertät ; Journalismus ; Konstruktion ; Problem ; Geschichte 1920-2010
    Abstract: Mazzarella examines the representational politics behind journalistic constructions of US girls and girlhood through a series of contemporary in-depth case studies which work to document a wider cultural moral panic about the troublesome nature of girls' bodies. The public concern and media fascination with youth so evident in the United States today is a century-old phenomenon. From the flappers of the 1920s to the bobbysoxers of the 1950s, from the hippies of the 1960s and on to the ever-present pregnant teens, this fascination has played out in the media and has consistently focused on (primarily White, middle-class, heterosexual) girls. A growing body of research has revealed the manner in which journalistic practice constructs such girls as problems. Girls, Moral Panic, and News Media takes a broad look at U.S. news media constructions of girls, girlhoods, and girl's bodies/sexualities through a series of contemporary in-depth case studies including news coverage of the 2008 Gloucester (MA) High School "pregnancy pact," teen gun control activist Emma Gonzlez, and the sexualization of "early puberty." In general, the news media constructs girls' bodies as troublesome and in need of adult surveillance and policing. These case studies document a cultural obsession with girls' bodies--an obsession that often approaches moral panic. This book will be key reading for researchers and instructors in the rapidly growing international and interdisciplinary field of Girls' Studies, and scholars of Media Studies, Cultural Studies, Gender Studies, Communication and Journalism.
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 98
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520300934
    Language: English
    Pages: xvi, 227 Seiten , Illustrationen, Karte
    Parallel Title: Erscheint auch als
    DDC: 302.2310973
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    Keywords: Geschichte 2000-2099 ; Digital media / Political aspects / United States / 21st century ; Documentary mass media / United States / 21st century ; Mass media / Objectivity / United States / 21st century ; Online social networks / Political aspects / 21st century ; Dokumentarfilm ; Politik ; Massenkommunikation ; Soziale Unterstützung ; Falschmeldung ; Neue Medien ; USA ; USA ; Neue Medien ; Soziale Unterstützung ; Massenkommunikation ; Geschichte 2000-2099 ; Neue Medien ; Dokumentarfilm ; Politik ; Falschmeldung
    Note: Erscheint auch als Open Access bei De Gruyter
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
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  • 99
    Book
    Book
    Ann Arbor : University of Michigan Press
    ISBN: 9780472074150 , 9780472054152
    Language: English
    Pages: ix, 365 Seiten , Illustrationen, Diagramme , 23 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.30285
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    Keywords: Mass media and minorities / United States ; Group identity / United States ; Online social networks / Political aspects / United States ; Social Media ; Minderheit ; Massenmedien ; Politische Berichterstattung ; Online-Community ; Gruppenidentität ; Twitter ; Neue Medien ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Gruppenidentität ; Massenmedien ; Minderheit ; Neue Medien ; Online-Community ; Politische Berichterstattung ; Social Media ; Twitter
    Description / Table of Contents: Introduction: The Hashtags We've Been Forced to Remember / Abigail De Kosnik and Keith P. Feldman -- 1. Is Twitter a Stage?: Theories of Social Media Platforms as Performance Spaces / Abigail De Kosnik -- Part I: Black Twitter Futures. 2. #Onfleek: Authorship, Interpellation, and the Black Femme Prowess of Black Twitter / Malika Imhotep -- 3. "You Ok Sis?": Black Vernacular, Community Formation, and the Innate Tensions of the Hashtag / Paige Johnson -- 4. #Sandrabland's Mystery: a Transmedia Story of Police Brutality / Aaminah Norris and Nalya Rodriguez -- 5. Creating and Imagining Black Futures Through Afrofuturism / Grace Gipson -- 6. Ferguson Blues: a Conversation With Rev. Osagyefo Sekou -- Part II: Mediated Intersections. 7. Confused Cats and Postfeminist Performance / Lyndsey Ogle -- 8. #Whyistayed: Virtual Survivor-Centered Spaces for Transformation and Abolishing Partner Violence / Julia Havard --
    Description / Table of Contents: 9. #Gentrification, Cultural Erasure, and the (Im)Possibilities of Digital Queer Gestures / José Ramón Lizárraga and Arturo Cortéz -- 10. Hashtag Television: On-Screen Branding, Second-Screen Viewing, and Emerging Modes of Television Audience Interaction / Renée Pastel -- Part III: Disavowals. 11. Hashtag Rhetoric: #alllivesmatter and the Production of Post-Racial Affect / Kyle Booten -- 12. #Cancelcolbert: Popular Outrage, Divo Citizenship, and Digital Political Performativity / Abigail De Kosnik -- 13. #Nohomo: Homophobic Twitter Hashtags, Straight Masculinity, and Networks of Queer Disavowal / Bonnie Ruberg -- Part IV: Twitter International. 14. "Is Twitter For Celebrities Only?": A Qualitative Study of Twitter Use in India / Neha Kumar -- 15. Reterritorializing Twitter: African Moments, 2010-2015 / Reginold A. Royston and Krystal Strong -- 16. #Ifafricawasabar: Participation on Twitter across African Borders / Naveena Karusala, Trevor Perrier, and Neha Kumar --
    Description / Table of Contents: 17. Beyond Hashtags: Black Twitter and Building Solidarity across Borders / Kimberly McNair -- Part V: Notes From the Color of New Media -- 18. The Color of New Media Enters Trumplandia; 19. The Color of New Media Responds To UC Berkeley's "Free Speech Week"
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    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 100
    Book
    Book
    Boca Raton, FL : CRC Press, Taylor & Francis Group
    ISBN: 1138493678 , 9781138493674
    Language: English
    Pages: xxiii, 210 Seiten
    Parallel Title: Erscheint auch als
    DDC: 302.23/1
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    Keywords: Propaganda ; Massenmedien ; Populismus ; Social Media ; Radikalismus ; Innere Sicherheit ; USA
    Note: A framework to analyze the impact of social media propaganda on intolerance, extremism, and radicalization in society -- Social media propaganda and the political electoral process -- Government institutional response to social media propaganda, extremism, and radicalization -- Military response to social media propaganda driven extremism, and radicalization -- The impact of social media extremist propaganda on law enforcement -- The corporate extremist propaganda machine -- Extremist propaganda and recruitment targeting youth -- Electronic aggression or free speech -- Countering extremist anti-science propaganda -- Observations on the distribution of extremist propaganda -- Ten reasons why propaganda works
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