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  • 1
    ISBN: 9780814760994 , 9780814764695
    Language: English
    Pages: VI, 330 S. , 24 cm
    Series Statement: Critical cultural communication
    DDC: 302.23068
    Keywords: Management Cross-cultural studies ; Mass media Management ; Cultural industries
    Abstract: "In popular culture, management in the media industry is frequently understood as the work of network executives, studio developers, and market researchers --"the suits"-- who oppose the more productive forces of creative talent and subject that labor to the inefficiencies and risk aversion of bureaucratic hierarchies. However, such portrayals belie the reality of how media management operates as a culture of shifting discourses, dispositions, and tactics that create meaning, generate value, and shape media work throughout each moment of production and consumption. Making Media Work aims to provide a deeper and more nuanced understanding of management within the entertainment industries. Drawing from work in critical sociology and cultural studies, the collection theorizes management as a pervasive, yet flexible set of principlesdrawn upon by a wide range of practitioners--artists, talent scouts, performers, directors, show runners, and more--in their ongoing efforts to articulate relationships and bridge potentially discordant forces within the media industries. The contributors interrogate managerial labor and identity, shine a light on how management understands its roles within cultural and creative contexts, and reconfigure the complex relationship between labor and managerial authority as productive rather than solely prohibitive. Engaging with primary evidence gathered through interviews, archives, and trade materials, the essays offer tremendous insight into how management is understood and performed within media industry contexts. The volume as a whole traces the changing roles of management both historically and in the contemporary moment within US and international contexts, and across a range of media forms, from film and television to video games and social media"--
    Note: Includes bibliographical references and index
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    New York, NY ; London : Routledge, Taylor & Francis Group
    ISBN: 9780367568245 , 0367568241 , 9780367568283 , 0367568284
    Language: English
    Pages: X, 450 Seiten , Illustrationen
    Edition: Second edition
    Parallel Title: Erscheint auch als
    DDC: 302.23/45
    RVK:
    Keywords: Streaming ; Fernsehanstalt ; Fernsehkanal ; USA ; Television viewers / Effect of technological innovations on ; Television broadcasting / Technological innovations / United States ; Streaming technology (Telecommunications) ; Streaming technology (Telecommunications) ; Television broadcasting / Technological innovations ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Fernsehanstalt ; Fernsehkanal ; Streaming
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    ISBN: 9781138476448 , 9781138476431
    Language: English
    Pages: 150 Seiten
    Parallel Title: Erscheint auch als Gray, Jonathan Television goes to the movies
    DDC: 302.23/4
    RVK:
    Keywords: Motion pictures and television ; Television broadcasting of films ; Motion pictures Marketing ; Television programs Marketing ; Digital media Influence
    Abstract: Television programs go to the movies: crossing boundaries in exhibition spaces -- Television's detractors go to the movies: classic representations of television -- Television stories go to the movies: strategies of adaptation -- Television producers go to the movies: transforming professional identities -- Coda: let it go?
    Abstract: "Television and film have always been connected, but recent years have seen them overlapping, collaborating, and moving towards each other in ever more ways. Set amidst this moment of unprecedented synergy, this book examines how television and film culture interact in the 21st century. Both media appear side by side in many platforms or venues, stories and storytellers cross between them, they regularly have common owners, and they discuss each other constantly. Jonathan Gray and Derek Johnson examine what happens at these points of interaction, studying the imaginary borderlands between each medium, the boundary maintenance that quickly envelopes much discussion of interaction, and ultimately what we allow or require television and film to be. Offering separate chapters on television exhibition at movie theaters, cinematic representations of television, television-to-film and film-to-television adaptations, and television producers crossing over to film, the book explores how each zone of interaction invokes fervid debate of the roles that producers, audiences, and critics want and need each medium to play. From Game of Thrones to The TV Set, Bewitched to the Marvel Cinematic Universe, hundreds of TV shows and films are discussed. Television Goes to the Movies will be of interest to students and scholars of television studies, film studies, media studies, popular culture, adaptation studies, production studies, and media industries"--
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Book
    Book
    Malden, Mass. : Wiley-Blackwell
    ISBN: 9780470670965
    Language: English
    Pages: XII, 561 S. , Ill. , 26 cm
    DDC: 302.23
    RVK:
    Keywords: Arts Authorship ; Creation (Literary, artistic, etc.)
    Abstract: "A Companion to Media Authorship offers 28 groundbreaking chapters which investigate the practices, attributions, and meanings of authorship. Revitalizing the study within media and cultural studies, this diverse and global collection provides the definitive work on the subject. -Rethinks cultures of authorship and challenges the concept of auteurism across multiple media forms -Moves beyond notions of the individual to focus on how authorship is collaborative, contested, and networked, examining cultures of authorship and the practicalities of how it works -Draws on the cutting-edge research of scholars and practitioners whose work has produced significant new insights into the field -Examines a wide range of media, including television, social media, radio, videogames, transmedia, music, and comic books -Offers an impressive global focus, including pieces on Mexican music, amateur film production in Nairobi slums, tele-serial production in Kinshasa, Hong Kong film, and the marketing of Bollywood"--
    Abstract: "A Companion to Media Authorship offers 28 groundbreaking chapters which investigate the practices, attributions, and meanings of authorship. Revitalizing the study within media and cultural studies, this diverse and global collection provides the definitive work on the subject. -Rethinks cultures of authorship and challenges the concept of auteurism across multiple media forms -Moves beyond notions of the individual to focus on how authorship is collaborative, contested, and networked, examining cultures of authorship and the practicalities of how it works -Draws on the cutting-edge research of scholars and practitioners whose work has produced significant new insights into the field -Examines a wide range of media, including television, social media, radio, videogames, transmedia, music, and comic books -Offers an impressive global focus, including pieces on Mexican music, amateur film production in Nairobi slums, tele-serial production in Kinshasa, Hong Kong film, and the marketing of Bollywood"--
    Description / Table of Contents: Machine generated contents note: 1. Introduction: The Problem of Media Authorship (Jonathan Gray and Derek Johnson) I. Theorizing and Historicizing Authorship 2. Authorship and the Narrative of the Self (John Hartley) 3. The Return of the Author: Ethos and Identity Politics (Kristina Busse) 4. Making Music: Copyright Law and Creative Process (Olufunmilayo B. Arewa) 5. When is the Author? (Jonathan Gray) 6. Hidden Hands At Work: Authorship, the Intentional Flux, and the Dynamics of Collaboration (Colin Burnett) II. Contesting Authorship 7. Participation is Magic: Collaboration, Authorial Legitimacy, and the Audience Function (Derek Johnson) 8. Telling Whose Stories? Reexamining Author Agency in Self-Representational Media in the Slums of Nairobi (Brian Ekdale) 9. Never Ending Story: Authorship, Seriality, and the Radio Writers Guild (Michele Hilmes) 10. From Chris Chibnall to Fox: Torchwood's Marginalized Authors and Counter-Discourses of TV Authorship (Matt Hills) 11. Comics, Creators, and Copyright: On the Ownership of Serial Narratives by Multiple Authors (Ian Gordon) III. Industrializing Authorship 12. Benny Hill Theatre: "Race," Commodification, and the Politics of Representation (Anamik Saha) 13. Cynical Authorship and the Hong Kong Studio System: Li Hanxiang and his Shaw Brothers Erotic Films (Stephen Teo) 14. The Authorial Function of the Television Channel: Augmentation and Identity (Catherine Johnson) 15. The Mouse House of Cards: Disney Tween Stars and Questions of Institutional Authorship (Lindsay Hogan) 16. Transmedia Architectures of Creation: An Interview with Ivan Askwith (Jonathan Gray) 17. Dubbing the Noise: Square Enix and Corporate Creation of Videogames (Mia Consalvo) IV. Expanding Authorship 18. Authorship Below-The-Line (John T. Caldwell) 19. Production Design and the Invisible Arts of Seeing (David Brisbin) 20. Scoring Authorship: An Interview with Bear McCreary (Derek Johnson) 21. Bowdown to Your New God: Misha Collins and Decentered Authorship in the Digital Age (Louisa Stein) 22. Collaboration and Co-Creation in Networked Environments: An Interview with Molly Wright Steenson (Megan Sapnar Ankerson) 23. Dawn of the Undead Author: Fanboy Auteurism and Zack Snyder's "Vision" (Suzanne Scott) V. Relocating Authorship 24. Authoring Hype in Bollywood (Aswin Punathambekar) 25. Auteurs at the Video Store (Daniel Herbert) 26. Authorship and the State: Narcocorridos in Mexico and the New Aesthetics of Nation (Hector Amaya) 27. Scripting Kinshasa's Teleserials: Reflections on Authorship, Creativity, and Ownership (Katrien Pype) 28. "We Never Do Anything Alone": An Interview on Academic Authorship with Kathleen Fitzpatrick (Jonathan Gray and Derek Johnson) .
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781315658643 , 9781317331674
    Language: English
    Pages: 1 Online-Ressource (X, 430 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 302.2345
    RVK:
    RVK:
    Keywords: Streaming technology (Telecommunications) ; Television broadcasting Technological innovations ; Television viewers Effect of technological innovations on ; Electronic books ; Streaming technology (Telecommunications) ; Television broadcasting ; Technological innovations ; United States ; Television viewers ; Effect of technological innovations on ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    ISBN: 9780367568283 , 9780367568245
    Language: English
    Pages: x, 450 Seiten , Illustrationen
    Edition: Second edition
    Parallel Title: Erscheint auch als From networks to netflix
    DDC: 302.23/45
    Keywords: Television viewers Effect of technological innovations on ; Television broadcasting Technological innovations ; Streaming technology (Telecommunications)
    Abstract: "Now in a second edition, this textbook surveys the channels, platforms, and programming through which television distribution operates, with a diverse selection of contributors providing thorough exploration of global media industries in flux. Even as legacy media industries experience significant disruption in the face of streaming and online delivery, the power of the television channel persists. Far from disappearing, television channels have multiplied and adapted to meet the needs of old and new industry players alike. Television viewers now navigate complex choices among broadcast, cable, and streaming services across a host of different devices. From Networks to Netflix guides students, instructors, and scholars through that complex and transformed channel landscape to reveal how these industry changes unfold and why they matter. This second edition features new players like Disney+, HBO Max, Crunchyroll, Hotstar, and more, while attending to TV services across six continentsthe world. An ideal resource for students and scholars of media studies, media theory, and media industries, this book continues to offer a concrete, tangible way to grasp the foundations of television-and television studies-even as they continue to be rewritten"--
    Note: Includes bibliographical references and index , Hier auch später erschienene, unveränderte Nachdrucke
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    ISBN: 9781138998513 , 9781138998490
    Language: English
    Pages: X, 430 Seiten
    DDC: 302.2345
    RVK:
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Includes bibliographical references.
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    Malden, MA : Wiley Blackwell
    ISBN: 1299241352 , 9781299241350 , 9781118495278
    Language: English
    Pages: 1 Online-Ressource (xii, 561 Seiten) , Illustrationen
    DDC: 302.23
    RVK:
    Keywords: Arts Authorship ; Creation (Literary, artistic, etc.) ; Aufsatzsammlung
    URL: Volltext  (lizenzpflichtig)
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  • 9
    Online Resource
    Online Resource
    New York, NY : New York University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780814724989
    Language: English
    Pages: 1 Online-Ressource , 4 black and white illustrations
    Series Statement: Critical Cultural Communication 17
    DDC: 302.23068
    Abstract: The management and labor culture of the entertainment industry. In popular culture, management in the media industry isfrequently understood as the work of network executives, studio developers, andmarket researchers—“the suits”—who oppose the more productive forces ofcreative talent and subject that labor to the inefficiencies and risk aversionof bureaucratic hierarchies. However, such portrayals belie the realityof how media management operates as a culture of shifting discourses,dispositions, and tactics that create meaning, generate value, and shape mediawork throughout each moment of production and consumption.Making Media Work aims to provide a deeper and more nuanced understanding ofmanagement within the entertainment industries. Drawing from work in criticalsociology and cultural studies, the collection theorizes management as apervasive, yet flexible set of principlesdrawn upon by a wide range ofpractitioners—artists, talent scouts, performers, directors, show runners, andmore—in their ongoing efforts to articulate relationships and bridgepotentially discordant forces within the media industries. The contributorsinterrogate managerial labor and identity, shine a light on how managementunderstands its roles within cultural and creative contexts, and reconfigurethe complex relationship between labor and managerial authority as productiverather than solely prohibitive. Engaging with primary evidence gathered throughinterviews, archives, and trade materials, the essays offer tremendous insightinto how management is understood and performed within media industry contexts.The volume as a whole traces the changing roles of management both historicallyand in the contemporary moment within US and international contexts, and acrossa range of media forms, from film and television to video games and socialmedia.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    Book
    Book
    New York, NY [u.a.] : New York Univ. Press
    ISBN: 9780814743485 , 9780814743478 , 0814743471 , 081474348X
    Language: English
    Pages: IX, 291 S. , Ill. , 24 cm
    Series Statement: Postmillennial pop
    DDC: 658.8/708
    RVK:
    RVK:
    Keywords: Mediensektor ; Kultursektor ; Immaterialgüterrechte ; Franchising ; Cultural industries ; Franchises (Retail trade) ; Cultural industries ; Franchises (Retail trade) ; Kulturindustrie ; Medien ; Franchising
    Abstract: Acknowledgments -- Introduction: an industrial way of life -- Imagining the franchise : structures, social relations, and cultural work -- From ownership to partnership : the institutionalization of franchise relations -- Sharing worlds : difference, deference, and the creative context of franchising -- "A complicated genesis" : transnational production and transgenerational marketing -- Occupying industries : the collaborative labor of enfranchised consumers -- Conclusion: future exchanges and iterations -- Notes -- Index -- About the author
    Description / Table of Contents: Acknowledgments -- Introduction: an industrial way of life -- Imagining the franchise : structures, social relations, and cultural work -- From ownership to partnership : the institutionalization of franchise relations -- Sharing worlds : difference, deference, and the creative context of franchising -- "A complicated genesis" : transnational production and transgenerational marketing -- Occupying industries : the collaborative labor of enfranchised consumers -- Conclusion: future exchanges and iterations -- Notes -- Index -- About the author.
    Note: Includes bibliographical references and index. - Acknowledgments -- Introduction: an industrial way of life -- Imagining the franchise : structures, social relations, and cultural work -- From ownership to partnership : the institutionalization of franchise relations -- Sharing worlds : difference, deference, and the creative context of franchising -- "A complicated genesis" : transnational production and transgenerational marketing -- Occupying industries : the collaborative labor of enfranchised consumers -- Conclusion: future exchanges and iterations -- Notes -- Index -- About the author
    Library Location Call Number Volume/Issue/Year Availability
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