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  • BSZ  (2,691)
  • HBZ  (1)
  • 2020-2024  (2,691)
  • 1980-1984
  • Cham : Imprint: Palgrave Macmillan  (2,691)
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  • 1
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031513077
    Language: English
    Pages: 1 Online-Ressource(XIII, 183 p. 40 illus., 12 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Motion pictures ; Motion pictures
    Abstract: 1.Setting the film studio stage -- 2. Cultures of innovation at Pinewood.-3. In the studio and on location 1 -- 4. In the studio and on location 2 -- 5. Managerial culture and labour relations at Pinewood -- 6. Cultural life at Pinewood -- 7. Anatomy of Pinewood in transition -- Bibliography.
    Abstract: This open access book examines how Pinewood came to be Britain’s dominant film studio complex, focusing on key years following the Second World War. It presents a revisionist, micro history organized around key themes that are crucial to understanding the studios’ longevity during a particularly turbulent period. Pinewood’s survival at a time when other major film studios such as Denham closed, is explained. The book examines contemporary insights into how Pinewood’s technologies and practices compared to Hollywood’s when filmmaking methods were being scrutinized. Thirteen films produced in 1946-7 are analysed in detail, tracking how economic pressures engendered many creative techniques and innovative technologies. Prevailing cultures of management and labour organization are foregrounded, as well as insights into being a studio employee. These are vividly brought to life through an in-depth focus on the in-house studio magazine the Pinewood Merry-Go Round which provides rare details of sports and leisure activities organized at the studios. Sarah Street is Professor of Film at the University of Bristol. Publications include British National Cinema (1997), Transatlantic Crossings: British Feature Films in the USA (2002), Colour Films in Britain: The Negotiation of Innovation, 1900-55 (2012), Chromatic Modernity: Color, Cinema, and Media of the 1920s (2019, with Joshua Yumibe), and The Eastmancolor Revolution (2021, with Keith M. Johnston, Paul Frith and Carolyn Rickards).
    Note: Open Access
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  • 2
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031509230
    Language: English
    Pages: 1 Online-Ressource(XIII, 196 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Communication in politics. ; Buddhism and culture. ; Communication.
    Abstract: 1. Introduction -- 2. Buddhist Advocacy and Activism Research -- 3. Historical Developments of Buddhist Advocacy and Activism in Siam and Modern Thailand -- 4. Identification and Humanizing and Dehumanizing Rhetoric -- 5. A Buddhist Rhetoric of Dignity and Degradation -- 6. A Buddhist Rhetoric of Duty: Justifying Advocacy and Activism -- 7. Conclusion.
    Abstract: This book studies Buddhist public advocacy and activism in Thailand—a movement often broadly called socially engaged Buddhism—from the perspective of rhetorical studies, specifically, on humanizing and dehumanizing communication practices. In modern Thailand and historical Siam, Buddhism has been integral to the social change processes shaping civil society and an emerging democracy. This study examined two problems: How do contemporary Buddhists in Thailand use rhetorical practice to influence the way the issues they work on are understood, and how do these Buddhists justify their advocacy and activism in rhetorical practice? To the first, a rhetoric of dignity, or humanization, was the central answer. To the second, a rhetoric of duty was the central answer. For researchers in Southeast Asian Studies, Thai Studies, and Buddhist Studies, this book offers a fresh perspective on socially engaged Buddhism through the lens of the communication discipline. For researchers in Psychology and Communication, it sheds light on the understudied practices of humanizing communication. The bulk of the current research is focused on its opposite—dehumanization—and most of this literature is in the field of psychology even though humanization and dehumanization are fundamentally and ontologically communication phenomena. For researchers within the field of Communication and Rhetorical Studies, this book advances innovations in the emerging practices of rhetorical field methods by applying rhetorical criticism to interview data in a new way and provides a non-western perspective on communication and rhetorical theory for which there has been continual calls. Craig M. Pinkerton (Ph.D., Ohio University) is Visiting Assistant Professor in the Department of Communication at Denison University. He is an educator and researcher of communication with an emphasis in rhetoric, public culture, and qualitative methods combined with interdisciplinary inquiry in Southeast Asian Studies and Buddhist Studies. He has won over fifteen academic awards and honors, including the prestigious Foreign Language and Area Studies Fellowship (FLAS) for the study of Thai language. Since 2007, he has taught over 20 courses on a wide variety of subjects on communication, including public speaking and presentation communication, argumentation, rhetoric, public advocacy and activism, marketing and public relations, organizational development, interpersonal conflict management, and the dark side of media. From 2011 to 2015, he lived in Thailand teaching communication and researching Buddhist public advocacy and activism.
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  • 3
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031418693
    Language: English
    Pages: 1 Online-Ressource(XIX, 292 p. 19 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    DDC: 302.231
    Keywords: Social media. ; Youth
    Abstract: Section 1: Social Media as an Agent for public health wellness: Celebrating Social Media among younger adults,- Chapter 1: Psychosocial Perspectives of Social Media Use among Youth in the Global South: A review of identity and the neo-global culture -- Chapter 2: Thematic Analysis of Selective WHO-Affiliated Member Countries' COVID-19 Vaccination Messages on social media Targeting Young Adults -- Chapter 3: "Vaxxed n' Masked": Global Youth & the Influence of Celebrity Remarks on Social Media -- Chapter 4: The Impact of Social Media on Asian International Students' Emergency Preparedness and Response -- Section 2: Social Media as a Conduit for socioeconomic change among the Youth: Latin America, North America, South America, Middle East, and Asia -- Chapter 5: Determinants of creativity-related skills and activities among young people in four Latin American countries -- Chapter 6: Applying the technology acceptance model to understand China's sharing economy among the young -- Chapter 7: How young people detect and analyze disinformation campaigns in Mexico: The Case of Campeche, Southeast Mexico -- Chapter 8: Impact of Social Media Use on Youths’ Identity in the Middle East and North Africa Region -- Section 3: Social Media on the Crossroads of identity negotiation: Cases in South America, East & South Asia -- Chapter 9: The interplay between identity and alterity in the uses of social media platforms by Brazilian youth -- Chapter 10: Visually Impaired Chinese Young Adults' User Behaviors on social media -- Chapter 11: Social Media use in education in the MENA region -- Chapter 12: Identity Negotiation and Cosmopolitanism in Social Media: The Case of London and Sao Paulo migrant communities -- Section 4: The Perils of social media use among Youth: Cases in Southeast Asia -- Chapter 13: Perspectives of Vietnamese Facebook users towards the LGBT Parade expressed under posts about Hanoi Pride Parade -- Chapter 14: Twitter users’ perceptions of some countries’ censorship of same-sex kissing scenes in Disney’s Lightyear (2022) -- Section 5: You Can’t shut down our voices: Social Media as a youth advocate in Africa -- Chapter 15: Youths and the Tyranny of social media: Implications for Sustainable Development in Nigeria.
    Abstract: This book illuminates the complex relationship between social media, identity, and youth in the Global South. By examining the profound impact on the psychosocial well-being and economic prospects of young people across diverse regions, the collection present empirical evidence from scholars spanning Asia, Africa, North America, Central, and South America. Contributors show how young people experience adverse side-effects online, such as social withdrawal, or animosity to others, and how good social health and social media use can help young people develop economic resources, become independent, and socially responsible. Additionally, the book explores the role of social media channels, such as Facebook and Instagram, in the rise of cyberbullying, sexting, and online radicalization; how these platforms re-negotiate identity in developing countries and compromise productivity; and how the behaviour of celebrities on said platforms influence youth behaviour. Structured into five thematic sections, this book presents a nuanced understanding of the well-being implications arising from social media use among young people hailing from diverse socio-cultural and economic backgrounds and political exigencies. Emmanuel Ngwainmbi is a Professor of International Communication, former Chair & Graduate School Professor, Department of Mass Communication, Jackson State University, MS., and a member of the International Association for Media, Communication, and Research, the International Association of Intercultural Communication Studies, the National Communication Association, International Conference on Social Sciences. He has authored 23 books; serves on the Editorial boards of 15 peer-review journals worldwide.
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  • 4
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031531842
    Language: English
    Pages: 1 Online-Ressource(X, 214 p.)
    Edition: 1st ed. 2024.
    Series Statement: Crime Files
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Literature, Modern ; Ethnology ; Culture. ; Mass media and crime.
    Abstract: Chapter 1. Sherlock Holmes versus Jack the Ripper -- Chapter 2. Enter Holmes and Jack -- Chapter 3. Parallel Culture-Texts -- Chapter 4. The Versus Storyworld -- Chapter 5. Palimpsestuous Holmes -- Chapter 6. Polymorphous Jack -- Chapter 7. (Mis)Remembering Secondary Characters -- Chapter 8. Neo-Casting or Decentring the Great Detective -- Chapter 9. Detective Doyle.
    Abstract: "Lucyna Krawczyk-Żywko’s ambitious study pursues the endlessly intriguing parallel textual lives of Sherlock Holmes and Jack the Ripper. The strange case that she sets out to solve is the extensive but neglected corpus of versus narratives: texts in which the great detective sets out to defeat the Whitechapel murderer. Krawczyk-Żywko convincingly reads these works as part of a rich textual constellation influenced by the overlapping Sherlockian and Ripperological culture texts. Her book’s focus will inevitably intrigue aficionados of Holmes and its insights into aspects of adaptation, neo-Victorianism and biofiction mean it will also appeal strongly to scholars in these areas." —Dr Chris Louttit, Radboud University, The Netherlands In versus narratives Sherlock Holmes is fighting or otherwise engaging Jack the Ripper. These texts pit the archetypal detective against the archetypal serial killer using established formulas as well as new narrative and generic features, a combination that results in their mass appeal among authors and audiences alike. The list of primary sources includes 120 titles – novels, short stories, plays, fanfiction, ‘Grand Game’ studies, movies, TV shows, video and board games – which are treated as a dialogic network of transfictional and transmedial texts. This study unpacks the versus corpus in its media dispersal by analysing Sherlock Holmes and Jack the Ripper as serial figures and culture-texts emphasising the increasing palimpsestousness of the former and the multidirectional polymorphousness of the latter, and tracing the overlapping Doylean culture-text. It also addresses the way character constellations are represented, negotiated, and fed back into the versus network, contextualising them within the coalescence of fact and fiction, Gothic and crime fiction frames, cultural memory, neo-Victorianism, and biofiction. Lucyna Krawczyk-Żywko is Assistant Professor at the Institute of English Studies, University of Warsaw, Poland. She coordinates the research group 'From Queen Anne to Queen Victoria' and initiated the Changing Narratives conference series. Her research combines neo-Victorian, crime fiction, and adaptation studies and focuses on the rewritings of Victorian villains and detectives.
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  • 5
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031533495
    Language: English
    Pages: 1 Online-Ressource(VII, 217 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; America ; Sex.
    Abstract: 1 Introduction -- 2 Studies of masculinities: an introduction -- 3 Poststructuralism and the «dissolution» of masculine identity -- 4 Masculinity as representation -- 5 Boys don’t cry? Masculinity and the politics of emotion -- 6 Dangerous liaisons? Friendships between men in Western history and culture -- 7 Masculinity as violence? Cultural and literary re-visions -- 8 Conclusions.
    Abstract: This book focuses on the construction of hegemonic masculinity as well as its representations in literature, culture, and film. Although white heterosexual masculinity continues to be the dominant model, it remains, paradoxically, largely invisible in gender terms. While the first three chapters thus offer introductory theoretical perspectives on the latest research on white masculinities, the following chapters concentrate on applying masculinity theory to the analysis of both social constructions and cultural (i.e. literary and film) representations of men’s emotions (with a special focus on new fatherhood models), friendships between men, as well as gender-based violence. Josep M. Armengol is Professor of English and Gender Studies at the University of Castilla-La Mancha, Spain. His recent (co-)edited collections include Alternative Masculinities for a Changing World (Palgrave Macmillan, 2014), Masculinities and Literary Studies: Intersections and New Directions (2017) and Aging Masculinities in Contemporary U.S. Fiction (Palgrave Macmillan, 2021).
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  • 6
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031416958
    Language: English
    Pages: 1 Online-Ressource(XXI, 373 p. 6 illus., 2 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Animals and Literature
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Fiction. ; Literature, Modern ; Literature, Modern ; Literature ; Popular Culture. ; Human ecology ; Philosophy. ; Postcolonialism.
    Abstract: Chapter 1. “Introduction: Reading the Speculative Animal” -- Chapter 2. From Animal Alterity to Animal Studies and SF Today: A Conversation with Sherryl Vint -- Chapter 3. “Safe in each other’s scaly arms”: Solace, Oddkinship, and the Third Position in African Speculative Texts -- Chapter 4. Playing the Animal: Imagining the Nonhuman Animal in 2-Dimensional Action and Adventure Games -- Chapter 5. Philip K. Dick’s Dr. Bloodmoney and the Species Politics of Risk -- Chapter 6. Listening to Nonhuman Animals in Science Fiction Film: Establishing Empathy through Dinosaur Voices in Jurassic World: Fallen Kingdom -- Chapter 7. “Muzzle for the Queen”: Settler-Nonhuman Entanglements in Australian Speculative Ecofiction -- Chapter 8. Reading the Speaking Animal: Biotechnology and Animal “Uplift” in Adam Roberts’s Bête -- Chapter 9. Spacefaring Animals and Their Humans: A Study in Extraction, Exploitation, and Co-Evolution -- Chapter 10. To “Jump” into an Animal’s Body: Empathy, Care, and ResExtendas in Emma Geen’s The Many Selves of Katherine North -- Chapter 11. “alien guest, courting the goodwill of a demonic microbe”: Living Poetry, NHAs and “Aliens Among Us” in Christian Bök’s The Xenotext: Book 1 -- Chapter 12. Disemboweling the Hyperreal in Bong Joon-ho’s Okja -- Chapter 13. A Change of Heart: Animality, Power, and Black Posthuman Enhancement in Malorie Blackman’s Pig-Heart Boy -- Chapter 14. Africanfuturist Assemblages of the Undersea in Nnedi Okorafor’s Lagoon -- Chapter 15. To Build a World: The Return of Biota in Thomas King’s The Back of the Turtle -- Chapter 16. A Multispecies Right to the City? Reimagining the Speculative Narratives of Urban Sustainability -- Chapter 17. Divination with Digital Animals: Sci-fi Realism in Jia Zhangke’s Tian Zhuding (A Touch of Sin) -- Chapter 18. “The Face of Extinction”: On Haunted Futures with Machine Animals -- Chapter 19. Mesozoic Miscegenation: Erotic Fiction’s Resurrection of Dinosaurs -- Chapter 20. A “speculation built on fact”: On Dougal Dixon’s Zoology of the Future.
    Abstract: “This is a strong contribution to the field(s) of animal studies and science fiction. Indeed, I would recommend it in both fields separately as well as in the combined field where I work. I am especially impressed by the generous range of texts, from bacteria to games to film to novels, and with some recognition of work beyond the British/American hegemony.” —Joan Gordon, Professor Emerita, Nassau Community College; Co-editor, Science Fiction Studies Animals and Science Fiction is the first edited collection to be published focusing on the intersection of animal studies and science fiction studies. It offers a broad range of theoretical approaches and primary source texts—including novels, short stories, poetry, film and TV, photography, erotica, video games, and urban planning documents—that explore the ways works of science fiction can transform how we see and interact with nonhuman others. With an eye toward more just multispecies futures, it argues that speculative imaginaries can be pivotal in changing attitudes toward and understandings of nonhuman animals in our world today. Chapters appeal to those interested in biopolitics, posthumanism, new materialism, ecocriticism and the environmental humanities, ocean humanities, postcolonial studies, critical race studies, Indigenous studies, global sf studies, film studies, and food studies. Taken together, the collection works to showcase a diverse and growing field of scholarly inquiry into animals and science fiction. Nora Castle is an IAS Early Career Fellow at the University of Warwick. She recently completed her PhD, entitled, “Food Futures: Food, Foodways, and Environmental Crisis in Contemporary Science Fiction,” which explored the future of food in/as science fiction through meat, plants, kitchens, and farms as thematic streams. Giulia Champion is a Research Fellow (Anniversary Fellowship) at the University of Southampton. Her project investigates different communities’ engagement with and representations of the seabed through culture, science communication and international policy. .
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  • 7
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031513299
    Language: English
    Pages: 1 Online-Ressource(VIII, 104 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Continental Philosophy. ; Phenomenology . ; Philosophy
    Abstract: 1: Introduction -- 2: Facts And Essences -- 3: Intentionality -- 4: The Incomplete Reduction -- 5: Phenomenology And Non-Phenomenology -- 6: Conclusion.
    Abstract: This book offers a critical re-appraisal of what is perhaps Merleau-Ponty’s most widely read text, the Preface to his Phenomenology of Perception. Although open and enigmatic text, the Preface is still often used to introduce phenomenology in general and Merleau-Ponty’s work specifically to students, scholars in disciplines other than philosophy, and art practitioners. Taking advantage of the fact that many of his course notes have been posthumously published in the last few decades, this book situates the Preface to the Phenomenology of Perception in the context of Merleau-Ponty's later work and shows how it contains many of the threads on which Merleau-Ponty would later pull. In doing so, the book chapters elaborate key themes in the Preface: “Phenomenology and its Paradoxes,” “Phenomenology and its Method,” “Phenomenology and its Incompletion,” “Phenomenology and Non-Phenomenology." Readers will learn about the radicality of Merleau-Ponty’s early articulation of phenomenology, how much it already suggests the profound transformation of phenomenology usually associated with his more mature work. .
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  • 8
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031322884
    Language: English
    Pages: 1 Online-Ressource(XIX, 231 p. 71 illus., 48 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Knowledge, Theory of. ; Ontology. ; Education ; Teaching.
    Abstract: 1. An Ontology of Belongingness through Art and Education -- 2. Belongingness in Civil Society -- 3. Indigenous Queenslanders: Inclusion and Exclusion -- 4. Experiences of Cherbourg (Barambah) -- 5. Cherbourg's Art -- 6. Aboriginality in Art Genre and Pedagogy -- 7. Kabi-Kabi Genre in Art & Education Pedagogy -- 8. Art in Pedagogy -- 9. Reclaming our Belongingness: 'Our Australia'.
    Abstract: The intent of this book focuses on Australia’s First Nations truth, voice, recognition, diversity, and respect. Hope O’Chin explains that knowledge about Australian First Nations culture and learning can be seen through new conceptual lens, which she refers to as an Ontology of Dreaming Hope for Australians. The book proposes to move from ontological propositions embedded in pedagogies and methodologies that center on the relevance of Indigenous epistemes and ways of doing. O’Chin offers a conceptual framing for engaging with Indigenous peoples, and forming communities of belongingness and relationality. She offers suggestions for ways in which art and education can act as ‘healing’ and a way forward towards a more inclusive civil society. Reflexive practice, ethnographic principles, and action research is described in a way that methodologies provide an understanding of a sense of Belonging. O'Chin argues that theoretical research, art, and educational practice can add to the value of determining a strategy of Indigenous art investment within Australia, and to address how art and education can be used to validate contemporary expression of Aboriginality within contemporary Australian society. Ultimately, the book is about Indigenous strengths and what Indigenous ways of being, knowing and doing can offer, and how one might go about honouring and working in this way respectfully. Hope O’Chin is a Kabi-Kabi, Wakka-Wakka, Koa, Gugu-Yalanji elder, educator, and artist. She obtained her PhD from the University of the Sunshine Coast, Queensland, Australia. She has worked within Government and the Private Sector, and, within the Education Sector as a Teacher, Executive Administrator, Tutor, Lecturer, and Senior Lecturer. As an artist, Hope has more than 45 exhibitions.
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  • 9
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031538698
    Language: English
    Pages: 1 Online-Ressource(IX, 95 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Religion. ; Religion ; Psychology and religion.
    Abstract: Chapter 1: Initial Considerations -- Chapter 2: Dimensions of Meaningful Aging -- Chapter 3: The Longevity of Justice: Assessing Peter Derkx’s Approach.
    Abstract: Aging is a topic of growing interest. As life expectancy in western societies is increasing, the growing number and proportion of ‘elderly’ persons raise urgent questions on how to age ‘well’. Predominantly, questions on aging are taken from biomedical and economic paradigms, which are intertwined. While people of age are seen as a cost in society, biomedical research aims at curing the declining effects of aging, thus furthering ideals of ‘healthy’ aging, ‘active’ aging, or ‘successful’ aging. In this book, Peter Derkx offers a comprehensive account of meaningful aging with Anthony Pinn responding in a fruitful and constructive way, for the benefit and edification of all of us. Peter Derkx is Professor Emeritus of Humanism and Worldviews at the University of Humanistic Studies. Anthony B. Pinn is Agnes Cullen Arnold Distinguished Professor of Humanities at Rice University.
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  • 10
    ISBN: 9783031485091
    Language: English
    Pages: 1 Online-Ressource(XVIII, 270 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Feminist theology. ; Sex. ; African literature. ; Culture ; Ecology .
    Abstract: Chapter 1. African Eco-Feminisms--African Women Writing Earth, Gender and the Sacred -- Chapter 2. Restoring Religion to the Land: Gender, Race, and Ecology in the Literature of Paulina Chiziane -- Chapter 3. Creating while black and female: Tsitsi Dangarembga’s African feminist decolonial imaginary -- Chapter 4. Religion, Gender and Earth Categories in Lauri Kubuetsile’s But Deliver us from Evil (2019) -- Chapter 5. Kwasuka-sukela: A new paradigm to the African stories of women in Futhi Ntshingila’s Shameless and They Got to You Too -- Chapter 6. The intersection of Earth, Gender and the Sacred in NoViolet Bulawayo’s We need new names: Eco-Critical African feminist and Social Semiotics perspectives -- Chapter 7. Postcolonial Dislocation and the Psyche: Connecting the dots in Tsitsi Dangarembga's This Mournable Body -- Chapter 8 -- “That’s what happens when two worlds collide”: An intersectional reading of Bessie Heads short stories, “The Collector of Treasures and other Botswana Village Tales” -- Chapter 9 -- Generational search for home: History, race and gendered perspectives in Yaa Gyasi’s Homegoing -- Chapter 10 -- Border Crossing: Religion, Gender, Race and Class in the Journeys of Ifemelu in Americanah -- Chapter 11. The Dragonfly Sea: The Sea, the Land and One African Woman’s Voyage-in -- Chapter 12. The Victims: An African-Ecofeminist Reading -- Chapter 13. Marginality, cultural positioning and religion in ’Mpho ’M’atsepo Nthunya’s Singing Away the Hunger: Stories of a life in Lesotho -- Chapter 14. All Water is Connected: African Earth Spirituality and Queering Identity in AkwaekeEmezi’s Freshwater -- Chapter 15. Earth, Gender and Religion in Zambia: An Eco-Feminist Reading of Sula and Ja, A Novel by Ellen Banda-Aaku.
    Abstract: This volume explores contemporary African women’s creative writing, highlighting their contributions to ecofeminist theology. Contributors address the following questions: How do contemporary African women writers depict the Earth/land/environment and its relationship to women in various contexts? How is religion featured in African women’s writing? How does religious literature (scriptures) form an intertextual layer in African women’s writing? The contributors proceed by analyzing the intersection of religion, gender, class, sexuality, colonialism, and ecology in selected texts written by African women. They bring these texts into conversation with broader eco-feminist theological scholarship, exploring the potential of literary writing to contribute to theological discourse of liberation and social justice in the African and global arena. Enna Sukutai Gudhlanga is Associate Professor in the Department of Languages and Literature at Zimbabwe Open University. Musa Wenkosi. Dube is Professor of New Testament at the Candler School of Theology, Emory University, USA. Limakatso Pepenene is Senior Lecturer in the French Department at the National University of Lesotho.
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  • 11
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031412110
    Language: English
    Pages: 1 Online-Ressource(XVII, 259 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Metaphysics. ; Science
    Abstract: Introduction -- Michael Polanyi and the Post-Critical Approach to Philosophy -- Polanyi’s Copernican Realism: Content, Reception, and Relation to Three Contemporary Realisms -- From Epistemology to Metaphysics -- The Material and the Immaterial in a Post-Critical Platonist Metaphysics -- Aristotle, Plato, and Polanyi on Access to Forms -- Post-Critical Platonism -- Conclusion./.
    Abstract: “A provocative interpretation of such Polanyian ideas as fields, ordering principles, and comprehensive entities which re-energize Plato’s notion of the Forms.” —Walter Gulick, Professor Emeritus of Philosophy, Humanities and Religious Studies, Montana State University Billings “Some of the most intellectually exciting work in Polanyi studies. It promises to have an important impact beyond most all that has gone before. It makes plain how Polanyi fits into the history of metaphysics and it enables us to see beyond Polanyi's own shortcomings and lacunae qua philosopher, resolving many of the long-standing controversies among Polanyi scholars.” —Dale Cannon, Professor Emeritus of Philosophy & Religious Studies, Western Oregon University This book tells the story of how the Platonic vision of Michael Polanyi – the Hungarian-British chemist and philosopher – bridges the gap between speculative metaphysics and scientific practice, thus making sense of the broad swathe of human experience in a phenomenologically satisfying fashion. The central proposal is that Polanyi is a Platonist due to his affirmation of the ontological status of abstract objects, with particular focus placed on the question of uninstantiated universals. The book engages contemporary, speculative realists from both continental and analytic traditions as it introduces Polanyi’s influential epistemology and unpacks the fascinating metaphysics implied thereby. It then proceeds to develop Polanyi’s rather unsystematic metaphysics into a coherent, post-critical Platonism which incorporates his well-known theory of tacit knowledge, thus achieving something akin to the ancient Neoplatonic synthesis of Plato and Aristotle in our contemporary, scientific context. Martin E. Turkis II is a philosopher, teacher, and musician residing in San Francisco. He holds a Ph.D. in philosophy with honors from the University of Navarra. His interests include political economy, virtue ethics, and philosophy of education. He is an associate editor of the journal Tradition and Discovery.
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  • 12
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031464560
    Language: English
    Pages: 1 Online-Ressource(XVII, 300 p.)
    Edition: 1st ed. 2024.
    Series Statement: The Palgrave Macmillan Animal Ethics Series
    Parallel Title: Erscheint auch als
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    Keywords: Animal welfare ; Animal culture. ; Human ecology ; Philosophy of nature.
    Abstract: 1. Introduction: ‘caught with ourselves in the net of life and time’ -- Part I. Animals as Experiencing Entities, Theories and Perspectives -- 2. Je suis, Je suis – I am, I follow: Formation of Animal Individual and Cultural Selves -- 3. Pain in Context: Indicators and Expressions of Animal Pain -- 4. Critical Animal Historiography, Experiential Subjectivity and Animal Standpoint Theory -- 5. Sensing Life: Intersections of Animal and Sensory Histories -- Part II. Animals’ Experiences in Narratives and History -- 6. History According To Cattle -- 7. A Historiography of Great Animal Massacres -- 8. From French Guinea to Florida: Chimpanzees as Multi-Purpose Objects of Research (1920s-1940s) -- 9. Animals And Colonial Indian Archives: Locating Nonhuman Agency and Subjectivities -- 10. Law Through the Eyes of Animals -- 11. Stolen Children of the Endless Night. A Critical Account of the Lives of British PitPonies.
    Abstract: “In an era when the collective human footprint threatens not only the future of other species, but our own, we need a radical reassessment of our place in the pantheon of life. Specifically, we need a rebuke of anthropocentrism. This book— with contributions from a variety of academic disciplines—delivers.” —Jonathan Balcombe, author of What a Fish Knows and Super Fly “Science clearly shows that numerous nonhuman animals are sentient, feeling beings who care about their own well-being and quality of life along with that of their family and friends. For decades we’ve known that animals’ inner lives are complex, rich, and deep, and this book makes the inarguable case that it’s high time to use what we know on their behalf.” —Marc Bekoff, author of The Emotional Lives of Animals This volume explores the experiences of those with little or no power—usually, although not exclusively, animals. The theme of animals as experiencing entities is what links the chapters and characterises the volume. Broadly each author in this volume contributes in one of two ways. The first group, in Section 1, theoretically engages animal subjectivity, animal experiences, and ways in which these are to some extent accessible and knowable to humans. The second group of authors, in Section 2, offer narrative accounts about specific animals or groups of animals and explore to some extent their subjective historical experiences. In summary, the first section diversely theorises about animal experiences, while the second section’s authors assume animals’ subjective experiences and construct narratives that take into account how animals might have subjectively experienced historical phenomena. Michael Glover is an Associate Fellow of the Oxford Centre for Animal Ethics and a member of the Australasian Animal Studies Association. Les Mitchell is a Research Fellow at the International Studies Group, University of the Free State. He is also a Fellow of the Oxford Centre for Animal Ethics.
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  • 13
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031525858
    Language: English
    Pages: 1 Online-Ressource(XXXI, 290 p. 4 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Science ; Philosophy, Modern.
    Abstract: Chapter 1, Logical Doubts Concerning Induction -- Chapter 2, Socrates and the Skeptical Craft -- Chapter 3, The Active Fallibilism of a Situational Skeptic -- Chapter 4, Pyrrhonian, a School of Skeptics -- Chapter 5, Freedom by Confinement -- Chapter 6, The Sphinx -- Chapter 7, Evidence and Its Refutation -- Chapter 8, Francis Bacon’s Elenchus -- Chapter 9, A Mathematical Method for Physics -- Chapter 10, A Foundational Skepticism -- Chapter 11, Applying the Foundational Method -- Chapter 12, Applying The Experimental Philosophy.
    Abstract: The book sets an ambitious goal. It devises a new account of scientific methodology that makes it possible to explain how scientists manage, at least occasionally, to find true models of reality. The new methods may be contrasted with all those currently available that employ “coherence theories” of knowledge. Under this designation are grouped positions that can seem very different (such as those of Poincaré, Duhem, Popper, Hempel, Quine, Kuhn, and Feyerabend) but are united by the idea that the most general statements of science are merely hypotheses. They may be conjectures, opinions, conventions, posits, paradigms, or even myths. The most we can claim to know from such generalities is that they are internally consistent and coherent with empirical data. Consistency is insufficient to establish the truth of a conceptual system because many different systems, perhaps an infinite number, can be logically consistent and cohere with recorded data. Such is the well-known problem of the empirical under-determination of theories. Francis Bacon’s Skeptical Recipes for New Knowledge suggests a new methodology that solves this fundamental problem of knowledge. Jagdish Hattiangadi is Professor of Philosophy at York University, Canada.
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  • 14
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031421594
    Language: English
    Pages: 1 Online-Ressource(XII, 159 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Ethics.
    Abstract: 1. Existence Is Overrated. What Is a Value? -- 2. Even More. Where Do Values Come from? And How Many Are There? -- 3. Allure of the Temporary. How Is a Value? -- 4. The Power to Connect, the Power to Relativize. What Do Values Relate To? -- 5. At Home Nowhere and Everywhere. Where and When Are Values (in Use)? -- 6. Excursus I: Values and Human Rights -- 7. The Unstable Recovery Position. How Is a Value Positioned? -- 8. Miracles of Motivation and Guarantors of Paralysis. What Do Values Have? What Do They Do? -- 9. An Unruly Victim Tamed. What Things Are Done to Values? -- 10. Excursus II: Values in the Political Soap Opera -- 11. Against Prescriptions. Why Values?.
    Abstract: In his book, Andreas Urs Sommer reflects on the question of what it really means when everybody’s appealing to values, all the time – the question, fundamentally, of what values actually are. Values explores both of these points, arriving at two intriguing suggestions: Maybe what we call values are just a set of elaborate fictions. And maybe those fictions serve some very important purposes.
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  • 15
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031477393
    Language: English
    Pages: 1 Online-Ressource(XXI, 239 p. 22 illus., 11 illus. in color.)
    Edition: 1st ed. 2024.
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    Keywords: Structuralism. ; Science ; Poststructuralism. ; Literature ; Continental Philosophy.
    Abstract: 1. Natural magic -- 2. Postmodern utopias -- 3. The debate: Cuvier and Geoffroy -- 4. Adaptationism and the author -- 5. Formalism and autonomy -- 6. The poetic function -- 7. Constitutive relations of life -- 8. The interpreting organism -- 9. Literary and biological evolution -- 10. The post-structuralist subject -- 11. Constructed views of life -- 12. Working with the whole organism.
    Abstract: The book considers biology in parallel with philosophical structuralism in order to argue that notions of form in the organism are analogous to similar ideas in structuralist philosophy and literary theory. This analogy is then used to shed light on debates among biological scientists from the turn of the 19th century to the present day, including Cuvier, Geoffroy Saint-Hilaire, Dawkins, Crick, Goodwin, Rosen and West-Eberhard. The book critiques the endorsement of genetic manipulation and bioengineering as keys to solving agricultural and environmental problems, suggesting that alternative models have been marginalized in the promotion of this discourse. Drawing from the work of philosophers including Cassirer, Saussure, Jakobson and Foucault the book ultimately argues that methods based on agroecology, supported by molecular applications (such as marker-assisted selection, MAS), can both advance agricultural development and remain focused on the whole organism. .
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  • 16
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031544194
    Language: English
    Pages: 1 Online-Ressource(IX, 311 p. 2 illus.)
    Edition: 1st ed. 2024.
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    Keywords: Social sciences ; Continental Philosophy. ; Political science
    Abstract: Chapter 1. Introduction -- Part Ⅰ. Intentionality and Actions -- Chapter 2. From Speech Act to Intentionality -- Chapter 3. The Structure of Intentionality -- Chapter 4. The Meaningful Action and Commitment -- Part Ⅱ. Collective Intentionality and Normativity -- Chapter 5. Normativity as Rational Ground -- Chapter 6. Normativity as Collective Creation -- Chapter 7. Normativity as Intersubjective Control -- Part Ⅲ. Normativity with Universal Validity -- Chapter 8. Communication and Social Evolution -- Chapter 9. Discourse Ethics and Moral Cognitivism -- Chapter 10. Critique of Cognitive Parallelism -- Chapter 11. Conclusion./ .
    Abstract: This book focuses on the formation of human social consciousness and develops a naturalist approach to social normativity. Beginning from Marx's uncompleted concept of social consciousness, the book retrospects the studies about collective intentionality in the area of philosophy of mind and social ontology. Specifically, a reinterpretation of social consciousness with respect to collective intentionality can offer us a new, naturalistic approach to the social formation and normativity. According to the naturalistic approach, we can discern the inner structure of social consciousness as a systematic pattern of Intentionality. Social consciousness involves three levels of development: subjective, objective and absolute. With this new pattern of social consciousness, the “naturalism” of the young Karl Marx can be revived. And by grasping the most essential ability of human Intentionality as the source of social formation, it also makes an interdisciplinary study of social philosophy and philosophy of mind possible. Yang Chen is an assistant professor of philosophy in the Institute of Marxist Philosophy and Chinese Modernization and the Department of Philosophy at Sun Yat-sen University in Guangzhou, China. He received his Ph.D from Goethe-University Frankfurt am Main (2022) and M.A in Philosophy from Humboldt University of Berlin (2016).
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  • 17
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031494918
    Language: English
    Pages: 1 Online-Ressource(XIX, 313 p. 5 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Education ; Social sciences ; Knowledge, Theory of. ; Science ; Political science
    Abstract: 1. Bad Philosophy, the Climate Crisis, and other Global Problems -- 2. Bad Academic Philosophy Responsible for Global Problems -- 3. The Post-Cartesian Blunder, and The Failure to Develop Philosophy as Critical Fundamentalism -- 4. The Post-Newtonian Blunder, and The Failure to Develop Aim-Oriented Empiricism -- 5. The Post-Enlightenment Blunder, and the Failure to Develop Academic Inquiry so as to Become Rationally Devoted to Helping Humanity Create a Civilized World -- 6. What We Need to Do -- 7. Appendix 1 How to Solve Hume’s Problem of Induction -- 8. Appendix 2 How Aim-Oriented Empiricism Would Benefit Science.
    Abstract: Universities have long been dominated by a philosophy of inquiry that may be called knowledge-inquiry. This holds that, in order to do justice to the basic humanitarian aim of helping to promote human welfare, academic inquiry must, in the first instance, seek knowledge and technological know-how. First, knowledge is to be acquired; once acquired, it can be applied to help promote human welfare. But this philosophy of knowledge-inquiry is an intellectual and humanitarian disaster. It violates three of the four most elementary rules of rational problem solving conceivable, and as a result fails to give priority to the task of helping humanity resolve those conflicts and problems of living, such as the climate and nature crises, that need to be resolved if we are to make progress to a better world – a world in which there is peace, democracy, justice, liberty, and sustainable prosperity, for all. Very few academics today are aware of this rationality scandal. We urgently need to bring about a revolution in universities around the world, wherever possible, so that academic inquiry puts all four rules of rational problem solving into practice, and becomes rationally devoted to helping humanity learn how to make progress towards a better world. Knowledge-inquiry needs to become wisdom-inquiry, rationally devoted to helping humanity create a wiser world. Nicholas Maxwell is Emeritus Reader at University College London. He has devoted much of his working life to arguing we need to bring about a revolution in academia so that it comes to seek and promote wisdom and does not just acquire and apply knowledge. He has published fifteen books on this theme.
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  • 18
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031468353
    Language: English
    Pages: 1 Online-Ressource(XIII, 170 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Technology ; Philosophy of mind. ; Artificial intelligence.
    Abstract: Chapter 1. Writing the Human Narrative -- Chapter 2. Where We Begin -- Chapter 3. The Science of Mindlessness -- Chapter 4. Where Computation Ends -- Chapter 5. Relational Science -- Chapter 6. Life and Mind -- Chapter 7. Thinking as a Creative Act -- Chapter 8. Emerging Minds./.
    Abstract: "Whether or not you accept the conventional wisdom that computational intelligence and human intelligence are essentially the same, I recommend that you ponder Jeffrey Kane's timely and persuasive book. " —Howard Gardner, Hobbs Research Professor of Cognition and Education, Harvard Graduate School of Education “In this breathtaking journey through both the works of classic and contemporary philosophers and scientists, Kane sometimes offers agreements but also compelling challenges, leaving the reader filled with the excitement of the mission. While so much has been learned, there is so much more to be understood. Kane illuminates that the journey to understanding how the brain gets mental has just begun.” —Mike Gazzaniga, Director of the SAGE Center for the Study of Mind, University of California, Santa Barbara While it may appear that generative AI has mastered the mystery of the human mind and released its full power, The Emergence of Mind: Where Technology Ends and We Begin demonstrates the profound and fundamental limitations of the technology and its use as a model of human thinking. In response, the book offers an emergent model of the human mind rooted in our experiences as living, sentient, social and conscious beings. The text explores the nature of meaning in human cognition and the critical importance of the experience of ideas. In so doing, it offers insights into the cultivation of specific generative capacities of the human mind. Jeffrey Kane, is a professor of Philosophy and Education at Long Island University. After serving as the Academic Vice-President of the University, Dr. Kane returned to faculty to teach and to write about the experiential foundations of human thinking. Among his publications are Beyond Empiricism: Michael Polanyi Reconsidered and a book of poetry, life as a novice. He lives in East Hills NY with his wife Janet. .
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  • 19
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031521430
    Language: English
    Pages: 1 Online-Ressource(XII, 175 p. 2 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Continental Philosophy. ; Ethics. ; Applied ethics.
    Abstract: 1. Introduction -- 2. Acting Before Future Generations -- 3. Nuclear Waste and the Site of Intergenerational Responsibility -- 4. Derrida: Iterability and Biodegradability -- 5. Turning Towards Irradiated Futures -- 6. Conclusion.
    Abstract: This book argues for the necessity of a re-evaluation of our thinking about responsibly relating to future generations in the context of environmental philosophy. Using long-term nuclear waste disposal as its paradigmatic case, this book makes the case that the predominant mode of thinking the future in terms of continuity and repetition of the present requires a critique informed by French philosopher Jacques Derrida in order to think responsibility adequately. The book begins by surveying contemporary accounts of intergenerational responsibility before outlining the specifics of nuclear waste disposal policy. With these stakes established, the contributions of Jacques Derrida to future-oriented ethics are introduced. These include discussions of communication across contexts, the relationship between inheritance and responsibility, and the political imperatives that result from this critique. This book concludes by arguing for an intergenerational environmental policy that rejects policy and infrastructural projects that depend on the present reproducing itself indefinitely.
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  • 20
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031513916
    Language: English
    Pages: 1 Online-Ressource(XXI, 267 p. 41 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    DDC: 306
    Keywords: Culture ; Art ; Cultural property. ; United States
    Abstract: Chapter 1: Archaeological Ambassadors -- Chapter 2: Cleopatra’s Needle: An Obelisk for a Rising Metropolis -- Chapter 3: Greek Bearing Gifts: The Marathon Stone, Casts, and Presidential Gifts -- Chapter 4. Columns as Cultural Capital: The Jordanian Practice of Gifting Archaeological Objects -- Chapter 5: An Exquisite Toy: The Temple of Dendur, a Gift for New York -- Chapter 6: Walks with Minerva and the Contemporary Lives of Archaeological Gifts. .
    Abstract: “A thorough and insightful analysis of the histories of four archaeological artifacts which entered the public space of New York City as diplomatic gifts. The objects are important in-and-of themselves as archaeological artifacts but Macaulay shows that they came to be intricately embedded in the city’s evolving identity as a powerhouse of international political and economic relations. Her refreshing approach takes into account the political framework of gift exchange both in originating countries and in the US as well as the legal framework of circulation of antiquities.” —Nassos Papalexandrou, University of Texas, Austin. This book investigates why nations with rich archaeological pasts like Egypt, Greece, and Jordan gave important antiquities—often unique, rare, and highly valued monuments—to New York City, New York Institutions, and the United States from 1879 to 1965. In addition to analyzing the givers’ motivations, the author examines why New Yorkers and Americans coveted such objects. The book argues that these gifted antiquities function as archaeological ambassadors and that the objects given were instruments of cultural diplomacy. These gifts sought to advance the goals of Egypt, Greece, and Jordan—all states that had rich cultural and archaeological heritages—with the United States, once an ascendent nation and then a global superpower, to strengthen cultural, economic, and political relations. Elizabeth R. Macaulay is an Associate Professor of Liberal Studies, Classics, Middle Eastern Studies, and Digital Humanities at The Graduate Center, The City University of New York. Her research examines the intersection of antiquity and modernity. She is the author or editor of six books, including Antiquity in Gotham: The Ancient Architecture of New York City (2021) and Classical New York: Discovering Greece and Rome in Gotham (2018). Educated at Cornell and Oxford Universities, she has served as a general trustee of the Archaeological Institute of America. She chairs the board of Smarhistory.org, the Center for Public Art History, where she is also a regular contributor and acquiring editor.
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  • 21
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031412196
    Language: English
    Pages: 1 Online-Ressource(XIV, 166 p.)
    Edition: 1st ed. 2024.
    Series Statement: Literary Disability Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Creative nonfiction. ; Space. ; Culture. ; Ecocriticism.
    Abstract: 1. Preface; Susannah B. Mintz and Gregory Fraser -- 2. Disability and Memoir; G. Thomas Couser -- 3. Disability and Space; Rob Imrie -- Part 1: Into the Wide Open -- 4. Learning the Camino Real—Disability and the Desert; Sheila Black -- 5. Headlamps and Fireside Light; Rachel Kolb -- 6. A Sense of Place and Cyberspace: The Hybrid Way I Live, Work, and Play; Gyasi Burks-Abbott -- 7. Ad Astra Per Aspera (To the Stars Through Difficulties); Brenda Jo Brueggemann -- Part 2: Metro-Geographies -- 8. Peaks and Valleys: A Collaborative Essay about Disability in the Bronx; Annette Serrano, Cindy Hernandez, Andrew Whyte, Sonia Gonzalez, Jovan Campbell, and Mary Morfe (with an introduction by Julia Miele Rodas) -- 9. Blindness and Dyslexia in the Movements of Everyday Life in Toronto; Rod Michalko and Tanya Titchkosky -- 10. Disability in New York City Schools and Preparing Teachers to Work in Them; Laurie Rabinowitz -- 11. Drenched Lands, Blood Compost: Disability, Land, and the Asylum Project; Petra Kuppers -- Part 3: Liminal (Dis)locations -- 12. A Tide in the River: Auditory Ecologies of Dyarubbin; Nicole Matthews -- 13. Hydra, New Hampshire; Stephen Kuusisto -- 14. Between Places; Leigh A. Neithardt -- 15. The Lie of the Land; Annmaree Watharow -- 16. Body Workers; Ellen Samuels -- 17. Never in one Place: On Waking in a Different Body; Anand Prahlad.
    Abstract: Placing Disability presents an international collection of personal essays that address the experience of disability in particular geographical locations. Each chapter engages the question of what it means to be disabled in a specific place, exploring issues of movement, work and play, community and activism, artistic production, love and marriage, access and social services, family and friendship, memory and aging—all informed by the places that people inhabit. The book is organized in terms of topographies and vistas, rather than being bound by the map, to emphasize the defining, constitutive effects of place. The authors included in Placing Disability hail from different countries, neighborhoods, climates, and landscapes; from various backgrounds and professions; from a range of disciplinary perspectives and strategies. They are trained as academics, literary critics, poets, students, public speakers, memoirists, educators, philosophers, administrators, and activists. Their essays refine our understanding of the complex dynamic between self and circumstance as they survey the impact of geographical region on their life experiences. This book is intended to be useful in creative-writing workshops, Disability Studies seminars, and classes on environmental literature, and to appeal to general readers of memoir as well as to scholars of contemporary body theory or the Anthropocene. Susannah B. Mintz is Professor of English at Skidmore College. Her books include the memoir Love Affair in the Garden of Milton (2021) and four scholarly volumes on disability and literature. She is also the co-editor of four collections of work on disability issues, including Disability Experiences (2019, with G. Thomas Couser). Gregory Fraser is Professor of English at the University of West Georgia. He is the author of four poetry collections, most recently Little Armageddon (2021), and co-author of two writing textbooks. Fraser’s poetry has appeared in journals including The New Yorker, The Paris Review, The Southern Review, and Ploughshares. He is the recipient of several awards, including grants from the National Endowment for the Arts and the Guggenheim Foundation.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031375224
    Language: English
    Pages: 1 Online-Ressource(XIV, 374 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Ethics. ; Philosophy of mind. ; Moral development.
    Abstract: Part 1: What is Empathy? -- 1: A Brief Historical Reconstruction -- 2: The Way to a Definition -- 3: A Taxonomy of Empathy -- 4: Conclusions to Part 1 -- Part 2: Empathy and Morality -- 5: Anti-Empathism -- 6: The Bright Side of Empathy -- 7: Conclusions.
    Abstract: This book has two main objectives. The first is to identify and adequately describe the phenomenon of empathy. This essentially means offering a strong, reasoned and accurate description of the phenomenon of empathy in order to capture the essence of the empathic phenomenon and clearly distinguish it from other similar emotional phenomena such as sympathy or compassion The second part focuses on the role that this phenomenon can play on the ethical-moral level. The question is whether empathy is necessary or at least important for morality, and if so, to what extent, in what way and for what reasons. This is an open access book.
    Note: Open Access
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031463679
    Language: English
    Pages: 1 Online-Ressource(XVIII, 400 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Companions
    Parallel Title: Erscheint auch als
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    Keywords: Philosophy, American. ; Pragmatism. ; Philosophy
    Abstract: 1. Introduction; Martin Coleman and Glenn Tiller -- I. Scepticism and Animal Faith -- 2. Santayana: Philosopher for the Twenty-First Century; Herman J. Saatkamp Jr -- 3. The Last Sceptic: Santayana, Descartes, and the External World; Douglas McDermid -- 4. Laying Siege to the Truth: Santayana’s Discourse on Method; Diana B. Heney -- 5. Scepticism, Anti-scepticism, and Santayana’s Singularity; Daniel Pinkas -- 6. Knowledge as a Leap of Faith; Jessica Wahman -- 7. Animal Faith and Its Object; John J. Stuhr -- 8. Natural Knowledge and Transcendental Criticism in Scepticism and Animal Faith; Paul Forster -- 9. Santayana’s Naturalism at the Junction of Epistemology and Ontology; Ángel M. Faerna -- 10. Reconstruction from Ultimate Scepticism; Angus Kerr-Lawson -- II. Ontology and Spirit -- 11. The Centrality of the Imagination in Scepticism and Animal Faith; Richard Marc Rubin -- 12. Spiritual Exercises and Animal Faith; Martin A. Coleman -- 13. The Cries of Spirit: Santayana in Dialogue with Andrey Platonov; Matthew Caleb Flamm -- 14. Fumbling Towards the Animal in “Animal Faith”; Charles Padrón -- 15. A Tension at the Center of Santayana’s Philosophy; Michael Hodges -- 16. Truth and Ontology; Glenn Tiller -- III. Philosophical Relations -- 17. On Gnats and Barnacles, or Some Similarities between Santayana’s Idea of Change and Ancient Greek Thought; Andrés Tutor de Ureta -- 18. The Ideal of a Philosophic Redemption: Baruch Spinoza’s Place in Western Philosophy and in Santayana’s Thought; Lydia Amir -- 19. G. Santayana (Scepticism and Animal Faith, 1923) and E. Husserl (Cartesianische Meditationen, 1929), Readers of R. Descartes; Daniel Moreno -- 20. Hermes as an Interpreter and the Guide to Hades: Re-reading “The Letter of Lord Chandos” with Reference to Santayana’s Scepticism and Animal Faith; Katarzyna Kremplewska -- 21. The Conservative Disposition in Santayana’s Philosophy; Michael Brodrick.
    Abstract: The first of its kind, this project is a collection of critical and interpretive essays on George Santayana’s seminal work in American philosophy, Scepticism and Animal Faith (1923), 100 years after its first edition. The reader will be guided through the intricacies of Scepticism and Animal Faith by expert scholars. This book is a companion to Scepticism and Animal Faith for both first-time readers and readers intimately familiar with this work. Martin Coleman is Director and Editor of the Santayana Edition. He is Associate Professor of Philosophy and Adjunct Associate Professor of American Studies at Indiana University Indianapolis. Glenn Tiller is Professor of Philosophy at Texas A&M University-Corpus Christi.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031517495
    Language: English
    Pages: 1 Online-Ressource(XXIV, 319 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Series in Islamic Theology, Law, and History
    Parallel Title: Erscheint auch als
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    Keywords: Islam ; Islam ; Religion and sociology. ; Sex. ; Anthropology of religion.
    Abstract: Part I South and Southeast Asia -- Matrifocal, Matrilineal, or Matriarchal? Cultural Resilience and Vulnerability Among the Matrilineal and Muslim Minangkabau in Indonesia -- Adat Perpatih in Malaysia: Nature, History, Practice, and Contemporary Issues -- Cultural and Social Integrations in Matrilineal, Matriarchal, Matrifocal Muslim Communities of South India -- Part II Northeast Asia -- Affective Matrivocality and Women’s Voices: A History of Muslim Women Writers in China -- Matriarchal Family Structure in Korea’s Jeju Island and its Implications for the Muslim Community in Korea -- The Maternal Initiative Role in the Japanese Muslim Community: Japanese Muslim Wives as Mediators Between Muslim Immigrants and Japanese Society -- Part III Africa -- Muslim Family Under Portuguese Rule: Sharı ̄ʿa and Matrilineal Custom in Colonial Coastal Northern Mozambique (ca. 1900–1974) -- Asante Nkramo and Fantse Nkramo: Unravelling the Paradox of Islam and Matriliny in Ghana -- Part IV Andalusia and Americas -- The Tuareg, from Arabia to Americas -- The Origins of Andalusian Muslim Matrilineal Systems.
    Abstract: Around the world, Islamic cultures have developed distinctive matrilineal, matrifocal, matrilocal, or matriarchal natures as a result of how they have been practised by integrated and indigenised Muslim communities. In matrilineal descent systems, in contrast to the more common mosaic of patrilineal patterns, children belong to the mother’s ancestry group. Matrilineal Muslims therefore follow a social system in which people are identified with their mother's lineage, and the inheritance of property as well as succession are transferred through the matriline. This volume focuses on matrilineal, matrifocal and matriarchal Muslims and their unique folk natures, integrated social structures, adopted legal systems, and so on. It provides a unique perspective for understanding global Muslim communities that have succeeded in integrating the matrilineal tenets of local practices with religion, adhering to essential Islamic values in a way that makes traditional women-centred cultures acceptable to mainstream Islam. Abbas Panakkal, The School of History, University of St Andrews, United Kingdom. Nasr M Arif, Visiting Professor, University of St Andrews, UK and Professor of political science, University of Cairo, Egypt.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031482700
    Language: English
    Pages: 1 Online-Ressource(XX, 699 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Christianity. ; Religion ; Africa ; Africa ; Ethnology ; Culture.
    Abstract: Chapter 1. Introduction -- Part I Mentors -- Chapter 2. The Writings and Influence of Edward W. Blyden -- Chapter 3. The Writings and Legacy of John Mbiti -- Chapter 4. The Writings and Legacy of Adrian Hastings -- Chapter 5. Elizabeth Isichei’s Contributions to the Study of Christianity -- Chapter 6. The Writings and Legacy of Andrew Walls -- Chapter 7. The Writings and Legacy of Lamin Sanneh -- Chapter 8. The Writings and Legacy of John Peel -- Chapter 9. The Legacy of Terrence Ranger for Historians of African Christianity -- Chapter 10. The Writings and Legacy of J. F. Ade Ajayi -- Chapter 11. The Writings and Legacy of Ogbu Kalu -- Part II Trans-Atlantic Christianity in Africa -- Chapter 12. Missionaries and African Christians -- Chapter 13. Catholic Missions and African Responses I: 1450–1800 -- Chapter 14. African Initiatives and Agency Within British Protestant Missions in Africa, c.1792–c.1914 -- Chapter 15. Abolitionism and the Evangelization of Africa -- Chapter 16. Continental ProtestantMissions and the Evangelization of Africa (1800–1880) -- Chapter 17. European Settlers and Christianity in Africa -- Chapter 18. Catholic Missions and African Responses II: 1800–1885 -- Chapter 19. European Christianity and European Imperialism in Africa -- Chapter 20. “New World Ethiopianism and the Evangelization of Africa” -- Chapter 21. Catholic Missions and Colonial States -- Chapter 22. Protestant Missions and Colonial States -- Chapter 23. Women Missionaries and the Evangelization of Women in Africa -- Chapter 24. Christian Africans, Muslim Africans, and the European Colonial Project -- Part III The Rooting of Christianity in Africa I: Christian Life from Ancient Times to the Independence Era -- Chapter 25. Christian Communities and Religious Movements in Roman Africa -- Chapter 26. Christian Communities and Religious Movements in Ethiopia and Nubia -- Chapter 27. Mission Station Christianity in the Nineteenth Century: A Spatial Lens -- Chapter 28. Christianity, Witchcraft, Magic, and Healing in Africa -- Chapter 29. African Women Christians -- Chapter 30. Ethiopianism in Africa -- Chapter 31. Garveyism and Christianity in Colonial Africa -- Chapter 32. The East African Revival -- Chapter 33. The Transfer of Protestant Mission Churches to African Christians -- Part IV The Rooting of Christianity in Africa II: Christian Life in Contemporary Africa -- Chapter 34. Christian Devotional Practice in Contemporary Africa -- Chapter 35. Catholic Church Growth in Independent Africa -- Chapter 36. Christian Femininity in Independent Africa -- Chapter 37. Change and Continuity in AIC Church Life and Their Scholarship: A Question of Maturation? -- Chapter 38. Significant Trends in Contemporary African Pentecostalism -- Chapter 39. African Pentecostalism from an African Perspective -- Chapter 40. Missions and Contemporary African Rulers -- Chapter 41. African Christianity Rising: Lessons from a Documentary Film Project -- Chapter 42. African Christians Outside of Africa./.
    Abstract: This comprehensive Handbook provides chapter length surveys of the history of Christian missions and Christian churches on the African continent since the time of Christ. Africa is rapidly becoming the most Christianized region of the world. While common narratives about Christianity tend to present Christianity as a set of ideas and beliefs imposed on Africa from the outside, such narratives hold little meaning for African Christians or for those seeking to understand Christianity in Africa as an indigenous faith. The proposed collection of chapters therefore provides a set of scholarly starting points for a new set of narratives. The chapters collected here communicate an idea of Christianity as it has been embraced among African peoples at particular historical moments. It therefore grants voice to the various strands of African Christianity on their own terms, and offers scholarly study of what these voices teach us about how the world's most adhered to religion is practiced and understood on the continent of Africa. Andrew E. Barnes is Professor of History at Arizona State University, USA. He is the author of The Social Dimension of Piety: Associative Life and Religious Change in the Penitent Confraternities of Marseille 1499-1792 (1994), Making Headway: The Introduction of Western Civilization in Colonial Northern Nigeria (2009), and Global Christianity and the Black Atlantic: Tuskegee, Colonialism and the Shaping of African Industrial Education (2017). Presently he is working on a monograph of the evolution of Ethiopianism among Christians of African descent across the Atlantic, 1780-1930. Toyin Falola is University Distinguished Teaching Professor and Jacob and Frances Sanger Mossiker Chair in the Humanities at the University of Texas at Austin, USA.
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    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031541254
    Language: English
    Pages: 1 Online-Ressource(XI, 222 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Political science ; Social sciences ; Political science.
    Abstract: 1. Introduction -- Part 1: Legitimacy in Global Governance -- 2. Subject and Concept of Legitimacy -- 3. Legitimacy, Justice and Democracy -- 4. The All-Affected Principle -- 5. Towards a Standard of Legitimacy for Global Governance Institutions -- Part 2: The G20 -- 6. Nature and Functions of the G20 -- 7. The Legitimacy of the G20 -- 8. Conclusions.
    Abstract: “Sören Hilbrich’s work on legitimacy and global governance is original, illuminating and very thorough in its discussion of the question of the nature of legitimacy for international institutions. I am especially impressed with the in-depth discussion of the legitimacy of the G20.” —Thomas Christiano, University of Arizona “Sören Hilbrich develops a conception of legitimacy as the right to function, which is applicable to all political institutions. The implication of this conceptually rich discussion is that we should not be too ambitious in our legitimacy standards for Global Governance institutions. This study is a remarkable achievement and is a must for those interested in International Political Theory.” —Michael Zürn, WZB Berlin Social Science Center Global governance has a major impact on the lives of people around the world. However, traditional theories of legitimacy were usually developed for states and are not suitable for the diversity of global governance institutions that exist today. This book first develops a normative concept of legitimacy that is applicable to all political institutions. According to this concept, to regard an institution as legitimate means ascribing it the right to exercise its function in political practice. Secondly, the book discusses how the use of this concept opens up new perspectives in the debate on legitimacy criteria for global governance institutions. In this context, the book analyses the relationship of legitimacy to the values of justice and democracy and discusses the role of feasibility constraints and the all-affected principle in legitimacy judgements. The concept of legitimacy as the right to function opens up the conceptual space to accommodate the insight that legitimacy criteria are not the same for all global governance institutions, but depend on their function and context. Thirdly, the book applies the developed theoretical framework to a specific global governance institution, the G20. Sören Hilbrich is a researcher at the German Institute of Development and Sustainability in Bonn, Germany.
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  • 27
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031545245
    Language: English
    Pages: 1 Online-Ressource(XIX, 266 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Philosophy, African. ; Language and languages
    Abstract: 1: Introduction and Discussion of Oruka’s Philosophic Sagacity -- 2: Logic in Selected African Languages and Proverbs -- 3: Moral Philosophy in Selected African Languages and Proverbs -- 4: Political Philosophy in Selected African Languages and Proverb -- 5: Social Philosophy in Selected African Languages and Proverbs -- 6: Theory of Knowledge in Selected African Languages and Proverbs -- 7: Metaphysics in Selected African Languages and Proverbs -- 8: Philosophy of Beauty in Selected African Languages and Proverbs -- 9: Conclusions and Recommendations.
    Abstract: This book explores African philosophic sagacity, or wisdom philosophy, as proposed by Odera Oruka in his “Four Trends in Current African Philosophy” (1981), which he later expanded to six trends (1998). Oruka defines philosophic sagacity as wisdom philosophy, or philosophy of the wise men of Africa who are independent, liberal and non-conformist thinkers, and who often deviate from the accepted common norms of their societies. This book takes philosophic sagacity discourse beyond Oruka’s definition by encompassing traditional wise sayings and proverbs. It combines individual liberal thinkers and the communal ideas, and cherishes both rational and emotional engagement, offering a broader understanding of African philosophic sagacity. Wilfred Lajul opens the door for new researchers to venture into the study of African languages, wisdom sayings, and proverbs, and helps to unveil the content of this philosophy from the perspective of different African societies. Wilfred Lajul is Associate Professor of Philosophy at Gulu University, Uganda.
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    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031499678
    Language: English
    Pages: 1 Online-Ressource(XIV, 280 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Philosophy. ; Economics. ; Law ; Social sciences
    Abstract: Chapter 1: Introduction: Breaking Free from Private Control Over Knowledge -- Chapter 2: First Prolegomena: A Brief History of Intellectual Property -- Chapter 3: Prolegomena: Rationalisation of Intellectual Property -- Chapter 4: Prolegomena: The Dangers of Intellectual Property -- Chapter 5: Conclusion: Social Disintegration and the Privatisation of Knowledge.
    Abstract: The Paradox of Intellectual Property in Capitalism is an innovative book that comprehensively discusses and analyses intellectual property under capitalistic social conditions and relations. It not only addresses some historical developments of intellectual property but also brings to the fore the very notion of what knowledge is, knowledge creation, and knowledge production and appropriation within a Marxist framework. Nonetheless, the adopted approach pays heed to multiple fields of knowledge, providing rich discussions that facilitate the understanding of actual social totality in which capitalism, knowledge production and appropriation, and the struggles of appropriation mutually reinforce each other, although not devoid of antagonisms and contradictions. In light of contemporary capitalism, the transformations that social property relations are undergoing must be scrutinised – such as those brought about by the development of digitalisation and the convergence between big pharma and tech giants. What are the conditions of intellectual property creation today? What theoretical assumptions does it make? Under what social relations is intellectual property produced? Throughout, the emphasis is not on individual cases or symptoms but on the overarching logic: the logic of capitalism as revealed in intellectual property. João Romeiro Hermeto holds a PhD in philosophy from the Witten/Herdecke University, Germany.
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  • 29
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031461217
    Language: English
    Pages: 1 Online-Ressource(XVII, 245 p. 13 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Postcolonialism and Religions
    Parallel Title: Erscheint auch als
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    Keywords: Theology. ; Liberation theology. ; Christianity and culture. ; Philosophy. ; Postcolonialism.
    Abstract: 1 Introduction -- Part I Unsettling Whiteness -- 2 Jesus Christ, Once Was a Savage! Selective Memory, Staged Identity, and Stolen Spaces -- 3 ‘The Poor Bugger Has Suffered Enough’: Vernon Ah Kee, Warwick Thornton, and the Unmaking of a White Jesus -- 4 Unsettling Jesus Christ: Indigenous and Settler Christologies in the Aftermath of Colonisation -- 5 Unsettling Theologies Means Unsettling Theological Institutions! -- Part II Dismantling Colonial Systems -- 6 Uncovering the Mat: Restorative Justice for the Dawn Raids? -- 7 ‘It’s Giving … Colonization’: Challenges to Mental Resilience for Diasporic Christian Pacific Youth -- 8 Unsettling Providential Partnership: A Critical Examination of Robert Maunsell and George Grey’s Partnership in Māori Education -- 9 Spiritualities of Belonging and Intercultural Politics in Australia -- 10 To Conquer and Subdue: An Ecological Reading of Wilderness in Jeremiah 17:5–8 and Beyond -- Part III Un-silencing Alter-Native Theologies -- 11 Taught to Fish but Still Starving: Unsettling Theological Hermeneutics in Oceania -- 12 Archives: From Places of Silence and Silencing to Places of Regeneration -- 13 Beyond the Tautologa: Tu(akoi) from a Geopolitical Lens -- 14 Unsettling Economies: A Moana Account(ing).
    Abstract: How can we understand and respond to past and present entanglements of Christianity with colonisation? What kinds of theological perspectives and approaches are needed in the wake of colonisation and its impact? Unsettling Theologies includes responses to these questions from Aboriginal, Māori, Pasifika, and White scholars. Brian Fiu Kolia is Lecturer in Old Testament Studies at Malua Theological College and an ordained minister of the Congregational Christian Church, Samoa. He grew up in Australia and Samoa and his roots go back to the villages of Sili Savaii, Satapuala, Tufutafoe, and Faleaseela. Michael Mawson is the Maclaurin Goodfellow Associate Professor of Theological and Religious Studies at the University of Auckland/ Waipapa Taumata Rau. He is a Pākehā New Zealander with Scottish and English ancestry.
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    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031456381
    Language: English
    Pages: 1 Online-Ressource(XIX, 275 p. 2 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Technology ; Technology ; Artificial intelligence.
    Abstract: 1. Introduction -- 2. Respect for Humanity -- 3. Mobile Devices and Autonomy: Individual-Level Effects -- 4. The Duty to Promote Digital Minimalism in Ourselves -- 5. The Duty to Promote Digital Minimalism in Others I: Duties of Virtue -- 6. The Duty to Promote Digital Minimalism in Others II: Duties of Right -- 7. The Duty to Promote Digital Minimalism in Group Agents -- 8. Conclusion.
    Abstract: In this open access book, Timothy Aylsworth and Clinton Castro draw on the deep well of Kantian ethics to argue that we have moral duties, both to ourselves and to others, to protect our autonomy from the threat posed by the problematic use of technology. The problematic use of technologies like smartphones threatens our autonomy in a variety of ways, and critics have only begun to appreciate the vast scope of this problem. In the last decade, we have seen a flurry of books making “self-help” arguments about how we could live happier, more fulfilling lives if we were less addicted to our phones. But none of these authors see this issue as one involving a moral duty to protect our autonomy.
    Note: Open Access
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    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031499456
    Language: English
    Pages: 1 Online-Ressource(XIV, 300 p. 17 illus., 13 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Continental Philosophy. ; Aesthetics. ; Literature
    Abstract: Part I Theoretical Advances in the Pulsatile Imaginary and Disimagination -- Chapter 1 Introduction -- Chapter 2 States Of Image: Elan, Pulsion, Rapt, Rupture, Caesura and Syncopation -- Part II Emergences – Resurgences. Pulsatile Flow -- Chapter 3 Emergences and Resurgences: Notes on the Unformed in Conversation with Henri Michaux -- Chapter 4 Pulsatile Choreography: Rhythm, (Dis)Enchantment, and Disimagination in Premodern Dance -- Chapter 5 Passing and Flowing: Rhythmical Entanglements of Writing, Painting and Knitting in Virginia Woolf and Berthe Morisot -- Chapter 6 Confusion at Sea: The Return to Water -- Part III Tearing Mimesis – Ways Of Disimagination And Re-Incarnation Of Image -- Chapter 7 Incarnation and Déchirure; Annunciation and Crucifixion -- Chapter 8 Painting Matter and Trace. Reflections on Horia Bernea’s art -- Chapter 9 Rite of Spring – Rite of Disimagination: An Inquiry into the Pulsatile Imaginary of Stravinsky’s Le Sacre -- Chapter 10 Kneading dreams: Material imagination and agency in performative clay works -- Part IV Vibrant Mimesis, New Materialism, And Otherness -- Chapter 11 Vibrant Mimesis: New Materialism to Mimetic Studies -- Chapter 12 Motor of Darkness: On the Cartographic Visual Drive of Anthropocene Culture -- Chapter 13 A Venture into the realm of the nonhuman - or how artistic performative methods can propose a practice of exchanging knowledge with matter.
    Abstract: Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary: Rites Of Disimagination brings together scholars from art history and image theory, literary studies and philosophy. Chapters of this volume engage with the overarching theme of imagination as a pulsatile force embedded in words, images, and all imaginative modes of instantiation of the work of art in their elemental aspects, expressed in visual arts, and literature, as well as bodily schemata of choreographic and musical performances. The papers employ contrasting and complementing methods from literary studies and image theory, especially phenomenology and new materialism, such as G. Bachelard and M. Merleau-Ponty, G. Bataille, J. Kristeva, P. Lacoue-Labarthe and J. Sallis, G. Didi-Huberman, H. Belting and A. Warburg, J. Bennett and Jason M. Wirth, as well as performance studies. Chapters in this volume inquire into the imaginative forces that disrupt and disinhibit the traditional habits of imagination to create pulsatile imaginaries, i.e., a dynamic process of “emergence-resurgence” of image manifested in the act of creation and in perception. This process does not properly imply a destruction of image, but rather a withdrawal of image from the realm of representation to give way to new images and new imaginative experiences. The newly coined term “rite of disimagination” points out to this operation, consecutively implying imagining and disimaging that both denies, as well as validates image – it valorizes matter. The affirmation of the materiality of image is “the re-incarnation of image.” Nicoletta Isar is Associate Professor Emerita in the Department of Arts and Cultural Studies at the University of Copenhagen (Denmark). She is author of numerous peer-reviewed articles and the books XOPÓΣ: The Dance of Adam. The Making of Byzantine Chorography (2011) and Elemental Chorology, Vignettes Imaginales (2020).
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    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031374135
    Language: English
    Pages: 1 Online-Ressource(XIV, 394 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Phenomenology . ; Feminism. ; Feminist theory. ; Social sciences
    Abstract: Chapter 1: Introduction: Expelled From The Nest -- Part I: Merged With The World -- Chapter 2: Born Of Soma And Germ Cells -- Chapter 3: Space-Time Of The Living -- Chapter 4: The World Of Human Beings -- Part II: Domination Of Spirit Over Soul -- Chapter 5: The Burial Of Touch -- Chapter 6: Anesthesia Of Soul By Spirit -- Chapter 7: A History Cut Off From Germ Cells -- Part III: The Question Of Being -- Chapter 8: Confusion Of The Living With The Made -- Chapter 9: To Be As A Conjunctive Verb -- Chapter 10: An Ontology Of The Living -- Part IV: Feeling Nostalgic For The Dynamism Of Germ Cells -- Chapter 11: What Desire Grants Us Life? -- Chapter 12: ‘My Dear Little Soul' -- Chapter 13: Dynamism Necessary For Our Becoming -- Part V: Emergence Of Germ Cells At Individual And Collective Levels -- Chapter 14: The Touch Of Grace -- Chapter 15: From Individual To Couple And To Community -- Chapter 16: Importance Of Touch For Democracy -- Part VI : Approach To Touch As Such -- Chapter 17: An Immediate Access To Transcendental -- Chapter 18: The Communion Between Beings -- Chapter 19: Elements Of A Culture Of Touch -- Chapter 20: By Way Of Epilogue: The World Born Of Our Embraces.
    Abstract: The first communication between human beings, the one between the newborn and the mother, happens through touch. Strangely this first way of relating to each other has barely been considered by our education and our culture, which have favoured sight to the detriment of touch. And yet touching and being touched means experiencing ourselves as living beings. For lack of such a touch, we do not perceive the limits nor the sensitive potential of our bodies. Then we remain immersed in a natural or a cultural universe, incapable of reaching our own individuation and of knowing our fundamental difference from the other(s). Desire, in particular sexuate desire, is a call for touching one another anew. But this touch requires us to have gained our autonomy and to be able to open up to and commune with the other as transcendent to ourselves while staying in ourselves. This book unveils and explores how touch can act as a basic living mediation in love and, more generally, in our comprehensive individual and col-lective human becoming.It also considers how touch can contribute to founding a culture respectful of difference(s) instead of subjecting them to an ideal of same-ness. We need touch as mediation to fulfil our humanity and to build a truly human thinking and world. Luce Irigaray is a retired director of research in philosophy at the Centre National de la Recherche scientifique (C.N.R.S.), Paris. She has doctorates in philosophy ( 1974), in linguistics (1968) and in philosophy and literature(1955). She is trained in psychoanalysis and in yoga. She has written more than thirty books translated in various languages. She has also co-edited three books composed of texts by early career researchers as part of a long term undertaking to give birth to a new human being and construct a new world.
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  • 33
    ISBN: 9783031503924
    Language: English
    Pages: 1 Online-Ressource(XIX, 342 p. 3 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Sustainable Development Goals Series
    Parallel Title: Erscheint auch als
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    Keywords: Africa ; Human ecology ; Food science.
    Abstract: Chapter 1. Religion, Climate change and Food security in Africa -- Chapter 2. Prophetic action, Climate Change, food security and SDG 2 in Africa -- Chapter 3. Islam, Climate Change, food security and SDG 2 in Morocco -- Chapter 4. Religion, Climate Change and food availability and accessibility in Africa -- Chapter 5. Religious Perspectives on Climate Change and Food Security in Ghana -- Chapter 6. Rastafarianism, climate change and Crop Failure in Africa -- Chapter 7. Catholicism, climate change and pests in Africa -- Chapter 8. Farming God's Way to avert crop failure and pests in Malawi -- Chapter 9. Crop diseases and Food insecurity in Africa: A Hindu Perspective -- Chapter 10. Indigenous Knowledge Systems and Food Security in the Context of Climate Change: A Case Study of Bota Reshupa (Herbal Porridge) among the Ndau of Zimbabwe -- Chapter 11. Indigenous knowledge systems, climate Change and food security in Kenya -- Chapter 12. African Women, Religion and Food Securityin the Context of Pandemics -- Chapter 13. Gender, Religion, food security and climate change in Africa -- Chapter 14. Women, Religion and food insecurity of urban people in South Africa -- Chapter 15. Climate-related conflicts, religion and food production and distribution in Africa -- Chapter 16. Faith-Based Organisations and Food Security in Africa: A Critical Review -- Chapter 17. Pentecostalism, Theology of Survival and Food Security in Zimbabwe -- Chapter 18. Religion, food security and resilience of Rural people in Ghana -- Chapter 19. Religion, Food security and Climate Change Mitigation: A Case of Luangwa Valley Women of Present Eastern Zambia.
    Abstract: This book addresses the relationship between religion, climate change, and food security in Africa. Contributors to this volume interrogate how and to what extent religion in Africa serves as a resource (or confounding factor) in responding to Sustainable Development Goals 13 (action on climate change) and 2 (achieve Zero Hunger, achieve food security and improved nutrition, and promote sustainable agriculture). Approaching the theme from diverse disciplinary and methodological angles, contributors probe the potential role of religion in Africa to accelerate the achievement of these two SDGs, especially the role of religion with regard to food availability, food accessibility, food utilization, and food systems stability. Loreen Maseno is a Senior Lecturer, Department of Religion, Theology and Philosophy, Maseno University, Kenya and Research fellow, University of South Africa (UNISA). David Andrew Omona is an Associate Professor of Ethics and International Relations and Dean School of Social Sciences at Uganda Christian University. Ezra Chitando is Professor of History and Phenomenology of Religion at the University of Zimbabwe. Sophia Chirongoma is a Senior Lecturer in the Religious Studies Department at Midlands State University, Zimbabwe.
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    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031417375
    Language: English
    Pages: 1 Online-Ressource(XLIV, 253 p. 15 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Communication in politics. ; Social media.
    Abstract: Chapter 1-Introduction: European Public Sphere, Populism and Twitter -- Chapter2- Data and Methodology in the Twitter EP2019 Analysis. -PART I Democratic Corporatist Countries. Chapter 3- The Netherlands: Populism from Margins to the Mainstream -- Chapter 4- Germany: Transnationalisation of Populist Radical Right -- Chapter 5- Finland: Populist Polarisation of Finnish Political Communication -- PART II Polarised Pluralist Countries. Chapter 6- Italy: Mixed Populism and Agenda-Setting in Election Campaign -- Chapter 7- Spain: Rising Right-Wing Populism -- PART III Liberal Countries. Chapter 8- Ireland: Emerging Right-Wing Populism -- Chapter 9- The UK: Brexit and Competing Populism -- Chapter 10- Comparison and Conclusions: What Twitter Campaigns Tell Us about Populism and Europeanisation of National Public Spheres?.
    Abstract: This volume approaches the relationship between European public sphere and political communication in the framework of establishing populism and social media. The empirical analysis focuses on the comparison between different EU countries during the 2019 EP elections campaign. The data for the analysis was collected real time from Twitter in the Netherlands, Germany, Finland, Italy, Spain, Ireland and the UK. during a month period and are analyzed with both computerized quantitative and manual qualitative methods. The book introduces a new perspective in conceptualizing populism in comparative analysis, in which populism is understood rather as an antagonist logic of political identity formation than pre-defined political ideologies, movements or party cleavages. We approach implications of populist construction of ‘us’ and ‘not us’ in national contexts of 2019 EP election campaigns to find out the relationality between different political actors and parties. A special attention is paid to national/transnational and European/Eurosceptic tendencies in campaign rhetoric. By using a unique idea of ‘hashtag publics’ we approach the common Twitter discussions around the elections and ask: what particular topics and themes did different political actors distribute over Twitter during the 2019 EP elections, how were various topics and actors linked to each other, and how were campaign agendas and actors linked to populism? Juha Herkman is an Associate Professor of Media and Communication Studies at the University of Helsinki, Finland. Emilia Palonen works as a Senior University Lecturer in Political Science at the University of Helsinki. Chapter-No.1,Chapter-No.4 and Chapter-No. 8 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
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  • 35
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031561887
    Language: English
    Pages: 1 Online-Ressource(XI, 222 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literary Journalism
    Parallel Title: Erscheint auch als
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    Keywords: Journalism.
    Abstract: -- 1 Did COVID kill travel writing?. -- 2 A complicated relationship. -- 3 What’s in a name?. -- 4 So now everyone’s a travel writer?. -- 5 Freebies, junkets and other ethical dilemmas. -- 6 The night writer: The emergence of nocturnal travel writing. -- 7 Re-imagining within history and creative ethnography. -- 8 A post-pandemic creative exploration. -- 9 How travel writers can help save the planet and still do their jobs. -- 10 Where to from here?.
    Abstract: “In an age where 'anyone might be a travel writer', this is a provocative and illuminating handbook for writers and a rigorous, thoughtful study for critics.” · Dr Patrick Mullins, Prime Minister’s Literary Award for Non-Fiction winner 2020, Douglas Stewart prize for Non-Fiction winner 2020. Australian National University National Centre of Biography. “This both readable and rigorous work is a solid addition to the study of one of literature’s most enduring, shape-shifting genres.” · Dr John Borthwick, Australian Society of Travel Writers’ Travel Writer of the Year 2022, Pacific Asia Travel Association Gold Award winner 2022. This book stems from the question that we as co-authors grappled with for the past 3-plus years while in our own periods of stasis during the pandemic: What place does the travel writing genre hold in a post-COVID world? With the massive interruptions to travel and travel writing across 2020-2023 as the pandemic forced us indoors and into isolation, it also raised many other pertinent questions about the practice of and future of travel writing. Part of the prompt for this book comes from the post-pandemic assumption that in an ecologically fraught, less mobile, and more uncertain world, there may not be a place for travel writing as we know it to exist in any meaningful way. We examine the problems and solutions apparent for travel writing as it engages with a period of re-thinking, prompted by the pandemic, though necessary for a plethora of other reasons as well. As academics and travel writing practitioners, with decades of experience in the field, we offer a unique perspectiveon this topic – as we have the in-the-field experience of professional travel writers, and we have the academic grounding to better understand the history, theoretical concerns and contradictions of the genre to provide a more in-depth perspective to our travel writing colleagues. This grounding allows us to access a unique and valuable perspective for Re-thinking Travel Writing: The Journey of a Genre for academics, aspiring travel writers and contemporary colleagues in the field. Dr. Ben Stubbs is a senior lecturer in journalism and creative writing at the University of South Australia. Dr. Lee Mylne is a media academic who also maintains a successful career as a freelance journalist, specializing in travel and tourism.
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  • 36
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031532788
    Language: English
    Pages: 1 Online-Ressource(XIII, 224 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Film genres. ; Gender identity in mass media. ; Motion pictures, American.
    Abstract: Part I: Female Bodies/Disposable Bodies -- 1. “Woke Gal Gone Bad: Gender Trouble and Populism in Ready or Not (2019) and Wrong Turn (2021)” Eduardo Valls Oyarzun -- 2 “Moral Waste in the Key of Horror: The Perfection (2018) and the #MeToo Movement Onscreen "Noelia Gregorio-Fernández -- 3. “Rape Culture, Horror, Genre Hybridization and Feminist Reception in Jennifer’s Body (2009) and Promising Young Woman (2020)” Asier Gil Vázquez -- 4. “The Culture that Can’t Anymore: Ari Aster’s Midsommar (2019) as Pilgrimage of a Traumatized Society”Marta Brkljačić -- 5. “Universal Darkness: A Transnational Perspective on Social Horror”Elena Furlanetto._Part II: Female as Creation Force Revisited -- 6. “Mother! Nature: Creation, Apocalypse, Climate Skepticism, and Darren Aronofsky’s Mother! (2017)” Zachary Ingle -- 7. “Monsters, Women, and Magic: Intersecting Hierarchies of Gender and Religion in The Witch (2015)” Cristina Casado Presa -- 8. “Nature and Horror: An Ecocritical Reading of Take Shelter (2011)” Nisa Harika Güzel Köşker._Part III: Gender(ed) Anxieties -- 9. “The Masculinities of Neo-Confederate Cultural Warfare in Antebellum (2020)” Juan José Arroyo-Paniagua and Steven McClain -- 10. “Gaslighting, Entrapping, and Trauma: Notes on #MeToo Horror Films” Todd K._Platts -- 11. “Aging as a Trope in American Horror Movies: From The Children of the Corn (1984) to The Visit (2015)” Marta Miquel-Baldellou.-12. “Searching for ‘The Final Girl’: We Are What We Are (2013), Missing Testimonials, and Media Invisibility of Missing and Murdered Mexican Indigenous Women” Mayra Ramales.
    Abstract: “The interweaving of gender and horror serves as an unsettling lens through which current socio-cultural and political upheavals can be read. The present publication offers a kaleidoscopic analysis of our contemporary moment through an array of films, with each one shedding light on the transgressions, fears, and traumas still inscribed on the gendered body. This is a must-read volume that turns its attention to film-captured corporeal violence that marks the 21st century.” Tatiani G. Rapatzikou- Associate Professor, Department of American Literature and Culture (Aristotle University of Thessaloniki, Greece). EAAS Secretary General 2014-2022. “Culture Wars and Horror Movies is an excellent survey of contemporary horror cinema within its various political and cultural contexts. Uniformly insightful, the essays gathered here illuminate much of what horror since the millennium is about. Highly recommended.” Barry Keith Grant- Professor Emeritus of Film Studies and Popular Culture (Brock University). Author of The Dread of Difference: Gender and the Horror Film. Navigating a polarized society in their representation of social values, twenty-first-century horror films critically frame conflicting and divisive ideological issues. Culture Wars and Horror Movies: Gender Debates in post-2010 US Horror Cinema analyses the ways in which these “culture wars” make their way into gender, focusing on the post-2010 US context and its fundamental political divisions. Approaching these topics from feminist and postfeminist theories to ecocritical views, this volume explores how contemporary horror movies engage with the current context of “culture wars.” Noelia Gregorio-Fernández is an Associate Professor of American Studies at the International University of La Rioja, Spain. She was a visiting scholar at the CSER at Columbia University, New York (USA), and is the author of The Rebel of Chicano Cinema: Robert Rodriguez in the Transnational Era (2020). Carmen M. Méndez-García is an Associate Professor of American Literature at the Department of English Studies, Universidad Complutense de Madrid (Spain). Current research and teaching interests include twentieth and twenty-first-century U.S. literature, postmodernism and contemporary fiction, the Countercultures in the U.S., Spatial studies, Gender studies, and Medical Humanities.
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  • 37
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031495199
    Language: English
    Pages: 1 Online-Ressource(XXII, 420 p. 2 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Journalism. ; Communication in politics. ; Religions.
    Abstract: Chapter 1: Introduction -- Chapter 2: Democracy, News Media, and Religion -- Chapter 3: Religion in the News Media -- Chapter 4: Investigating Religion in the British and Turkish Press -- Chapter 5: The Volume of Coverage of Religion Overall, Christianity, and Islam in British and Turkish Newspapers -- Chapter 6: Framing Religion -- Chapter 7: News Sources -- Chapter 8: Conclusion.
    Abstract: “[…] solidifies religion as an essential topic for journalism studies, an invaluable contribution to scholars of both religion and journalism.” —Associate Professor Gregory P. Perreault, Zimmerman School, University of South Florida, USA “[…] illuminates how, in differing national contexts, state and private sector interests interface with varied media representations of religious majorities and minorities.” —Dr. Paul Weller, Regent’s Park College, University of Oxford, and Emeritus Professor, University of Derby, UK “[…] a useful, significant, original and unique contribution to the scholarly discourse on religion in the news.” —Research Professor Ihsan Yilmaz, Deakin University, Melbourne, Australia “This empirical study, I believe, will have a significant impact both on researchers and journalists willing to rethink their approaches and revise their practices.” —Associate Professor Victor Khroul, Catholic University in Ružomberok, Slovakia This book introduces the first systematic and unified four-dimension democratic approach to newspaper religion reporting. It explores the coverage of faith, with a particular focus on Christianity and Islam, in the British and Turkish national press. The results of framing analysis, conducted through content analysis of 1,022 news articles, reveal that, in both countries, alongside the contrasting portrayals of the minority religions, even the dominant religions had a disproportioned employment of the four dimensions – spiritual, world life, political, and conflict. It contributes to scholarship not only empirically but also theoretically and methodologically, with its theoretical and methodological contribution surpassing its empirical findings. As such, it will transcend geographical and temporal boundaries, making it appealing and relevant to an international audience of academics, professionals, and students in the fields of journalism, religion, democracy, media, communication, society, and culture, as well as individuals from various backgrounds. Dr Ahmed Topkev is a university teacher at Cardiff University’s School of Journalism, Media and Culture.
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  • 38
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    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031490842
    Language: English
    Pages: 1 Online-Ressource(XXI, 512 p. 6 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Journalism. ; Communication in science. ; Communication in the environmental sciences. ; Communication in politics.
    Abstract: 1. Introduction -- Part I Core Issues in Science and Health Journalism -- 2 Journalistic conceptualisation of science and health: An overview -- 3 Who speaks for/on science & health? Use of sources by science and health reporters -- 4. Who are science and health journalists? -- 5. Numeracy in science and health journalism -- 6. Uncertainty in the process of risk communication for public health: An integrative theory-based approach -- 7. Muzzling misinformation: Drawing from other disciplines and engaging health and science journalists as research collaborators -- 8 Understanding complexity in science/health: The challenges for two cultures -- Part II Reporting Formats and Audiences -- 9 Inclusion and exclusion in science and health journalism -- 10. The politics and economics of health and science journalism on TV -- 11. Telling science/health stories in audio -- 12. Social media and science/health reporting -- 13. Innovative journalism practices: Insights for reporting science and health issues -- Part III Key science and health topics in the media: Now and in the future -- 14. Journalism for the climate and biodiversity crises -- 15. Media coverage of space science and exploration.-16. Covering major epidemics/pandemics -- 17. News coverage of science and health policy: Impacts on public opinion and policy -- 18. It’s not all bad news: Solutions-oriented journalism approaches -- Part IV The impact of science and health reporting -- 19 Science and health journalism and its effects on audiences -- 20. Science and health journalism in the digital age and its implications on public trust -- 21. Politicisation of science and health topics -- 22. Treading waters: The many socio-ethical challenges of science and health journalism -- 23. Conclusion.
    Abstract: This handbook reviews the extant literature on the most important issues in health and science journalism, with a focus on summarizing the relevant research and identifying key questions that are yet to be answered. It explores challenges and best practices in health and science reporting, formats and audiences, key topics such as climate change, pandemics and space science, and the ethics and political impacts of science and health journalist practice. With numerous international contributions, it provides a comprehensive overview of an emerging area of journalism studies and science communication. Kim Walsh-Childers is Professor of Journalism at University of Florida, USA. Her research focuses on news coverage of health issues and mass media effects on individual health beliefs and behaviors and on health policy development. Merryn McKinnon is an Associate Professor at the Centre for the Public Awareness of Science at the Australian National University. Merryn’s research draws from her background in science, science communication and journalism to explore the factors influencing relationships between science, media and publics.
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  • 39
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031527128
    Language: English
    Pages: 1 Online-Ressource(XI, 103 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature. ; Philosophy. ; Creative writing.
    Abstract: 1. Cause and Effect in Fiction: An Introduction -- 2. Causation and Causation in Fiction -- 3. Cause and Effect in Plot -- 4. Cause and Effect in Character -- 5. Cause and Effect in Setting -- 6. Cause and Effect in Dialogue -- 7. Cause and Effect in Theme -- 8. Cause and Effect, Counterfactuals, and the Role of Fiction in our Psychic Lives -- 9. Objections and Replies.
    Abstract: This book explores and defends George Saunders’ causal thesis that successful stories are those that establish causation well. The book includes an in-depth discussion of causation’s role in several different key craft elements of fiction writing and examines different theories of causation and their implications for causation in fiction. Other discussions include the role of causation in building suspense, character and causation, causation in dialogue and connections between fiction and counterfactuals (or hypotheticals). The book also considers a number of objections to the causal thesis and offers a reply. Frances Howard-Snyder is a Philosophy Professor at Western Washington University and has co-authored a logic textbook. She has also published numerous articles on ethics and philosophy of religion. She has an MFA from the Rainier Writing Workshop, and has published stories in The Magnolia Review, Silver Pen, Halfway Down the Stairs, as well as other publications. For more information, see franceshowardsnyder.com.
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  • 40
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031535451
    Language: English
    Pages: 1 Online-Ressource(XIV, 173 p. 7 illus., 4 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: New Directions in Irish and Irish American Literature
    Parallel Title: Erscheint auch als
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    Keywords: Theater ; Theater. ; Cultural industries.
    Abstract: Chapter 1: Introduction: The Irish Repertory Theatre Company: Celebrating Thirty-Five Years Off-Broadway -- Chapter 2: Charlotte Moore and Ciarán O’Reilly: “Smitten With Magic of the Theatre” -- Chapter 3: Opening Season: 1988-1989 and Season 2: 1989-1990: The Plough and the Stars, Whistle in the Dark, Yeats! A Celebration, and Philadelphia, Here I Come! -- Chapter 4: Grandchild of Kings: Harold Prince Takes the Helm, and Highlights From Seasons 3-7: 1990-1995 -- Chapter 5: Renting a Home in Chelsea, and Highlights from Season 8: 1995-1996 -- Chapter 6: The Irish … and How They Got That Way: Highlights from Seasons 9-15: 1996-2003 -- Chapter 7: Purchasing Their Home in Chelsea and Highlights from Seasons 16-22: 2003-2009 -- Chapter 8: From Renovation and Reopening to a Global Pandemic, Plus Highlights from Seasons 23-34: 2010-2022 -- Chapter 9: Conclusion: The Ongoing Success of the Irish Rep, and What Lies Ahead.
    Abstract: The Irish Repertory Theatre: Celebrating Thirty-Five Years Off-Broadway is the first book-length history of the multi-award winning Off-Broadway Irish Repertory Theatre Company, from its beginning in 1988 to its thirty-fifth season in 2023. The book considers how the Irish Rep’s plays and musicals reflect the Irish diaspora, the relationship between Ireland and America, and what it means to be Irish and Irish American, both historically, and in the twenty-first century, including how the Irish Rep is showcasing more diverse voices and experiences, from women, the LGBTQIA+ community, and Irish and Irish American people of color. Maria Szasz holds degrees from the University of British Columbia, Emerson College, and the University of New Mexico. Her publications include Brian Friel and America (2013), and “Lyra McKee (1990-2019): ‘How Uncomfortable Conversations Can Save Lives,’” in The Rose and Irish Identity (2021). Szasz is a second generation UNM faculty member who teaches Theatre History in the UNM Honors College. She lives in Albuquerque, New Mexico, with her husband and their garden.
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  • 41
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031406249
    Language: English
    Pages: 1 Online-Ressource(XV, 273 p. 37 illus., 3 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: New Dramaturgies
    Parallel Title: Erscheint auch als
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    Keywords: Theater ; Theater. ; Cultural industries.
    Abstract: Chapter1. Multilingual Dramaturgies: Theories, Politics, and European landscape -- Part I: Questions Of Language -- Chapter 2. The Failures of Multilingual Dramaturgies: The blind poet by Needcompany -- Chapter 3. Multisensory, Multilingual Dramaturgy as a Tool for Social Change: Nie Mów Nikomu (Don’t Tell Anyone) by Scena Robocza.-Chapter 4. Dramaturgy of Incomprehensibility and Encounter in Odin Teatret’s The Tree -- Part II: Multilingual Adaptations -- Chapter 5. Multilingual Histories of Europe: Sir David Pountney on The Passenger and Memories of Auschwitz -- Chapter 6. Multilingualism as Mask and Virus: The Dialogue with Tradition in the Theatre of Radosław Rychci -- Chapter 7. Actors as Creators of Multilingual Dramaturgies: Teatro Inverso and Their Transnational Adaptations -- Part III: Local And Trans-Local Tales Of Cities And Their Communities -- Chapter 8. Dramaturging the Multilingual Community: Dramaturg Nina Thunnissen on the Work of Frisian Tryater -- Chapter 9. Multilingualismand Dramaturgy of History and Democracy: the Lithuanian National Theatre’s Žalia pievelė -- Chapter 10. Local and Global Politics in Malmö’s Teater Foratt and Teater JaLaDa -- Part IV:Webbed Dramaturgies -- Chapter 11. Towards Porous Europe: Multilingual Dramaturgies in Rimini Protokoll’s 100% City -- Chapter 12. Towards Aesthetics of Transatlantic Theatre: Multilingualism in SignDance Collective International’s production of Carthage/Cartagena by Caridad Svich.-Chapter 13. Making Europe: How Anne Bérélowitch’s Directorial and Training Practices Open Spaces for New Multilingual Dramaturgies -- Chapter 14. Towards New European Theatre.
    Abstract: “A brilliant book on the practices and politics of making multilingual theatre in a in a European continent in flux where language is anything but stable.” — Professor Maria Delgado, Royal Central School of Speech and Drama, University of London “Profoundly impactful for our understanding of dramaturgy, translation, collaboration.” —Professor Patrick Lonergan, University of Galway Multilingual Dramaturgies provides a study of dramaturgical practices in contemporary multilingual theatre in Europe. Featuring interviews with international theatremakers, the book gives an insight to diverse approaches towards multilingual theatre and its dramaturgy that reflect cultural, political, and economic landscapes of contemporary Europe, its inhabitants, and its theatres. First-hand accounts are contextualized to reveal a complex set of negotiations involved in the creative and political tasks of staging multilingualism and engaging the audience, as well as in practical issues like funding and developing working models. By bringing voices of artists together and providing a critical commentary, the book reveals multilingual dramaturgies as webbed practices of differences that also offer new ways of understanding and performing identity in European context. Multilingual Dramaturgies sheds light on an exciting theatre practice, argues for its central role in European future, and highlights potential directions for its further development. Kasia Lech is a scholar, actor, storyteller, dramaturg, puppeteer, and Associate Professor in Global Performance History at the University of Amsterdam. Her research and creative practice explore theatre through practice-based and traditional scholarship and primarily focus on theatre in relation to multilingualism, verse, translation, migration, dramaturgy, and cross-cultural encounters. Kasia is the author of Dramaturgy of Form: Performing Verse in Contemporary Theatre (2021). She performed internationally and co-founded Polish Theatre Ireland, a multilingual theatre company based in Dublin. She is an Executive Director at TheTheatreTimes.com, a global theatre portal which seeks to decolonize theatre criticism. She co-convenes the Translation Adaptation Dramaturgy working group at the International Federation for Theatre Research. .
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  • 42
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031554971
    Language: English
    Pages: 1 Online-Ressource(XXV, 270 p. 37 illus., 34 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Cultural property.
    Abstract: Chapter 1: Politicisation and crisis -- Chapter 2: Bringing the World Heritage regime into view -- Chapter 3: The Faustian pact -- Chapter 4: The name of the orchid: expertise and the sustainable generation of prestige -- Chapter 5: Burnishing the lustre of prestige -- Chapter 6: Brokering between prestige and protection -- Chapter 7: Beneficiaries: experts in the market for prestige -- Chapter 8: From 'World Champion of World Heritage' to 'superpower of culture': World Heritage, prestige and international status -- Chapter 9: Conclusion.
    Abstract: “Deploying … cogent theoretical ideas, lively observations from multilateral meeting rooms and candid remarks confided by key players, James shows how … politics and expertise are inevitably intertwined. Readers interested in heritage conservation, global governance and the political economy of knowledge in our post-truth times will be inspired by his piercing analysis.” (— Christoph Brumann, Head of Research Group, Max Planck Institute for Social Anthropology, Halle, Germany “By foregrounding the figurative and reciprocal economy of ‘prestige’ in the world of heritage conservation, this thorough, empirically grounded study … opens new and important lines of enquiry in understanding the politics of the past in the present. In doing so, the book makes a significant intervention in current debates regarding world heritage and the future of cultural heritage conservation...” — Rodney Harrison, Professor of Heritage Studies, University College London, UK “Interesting and thought-provoking, this book … gives us a glimpse into the inner workings of the UNESCO World Heritage Committee. Engaging and readable, it brings a fresh approach to our understanding of the implementation of the World Heritage Convention.” — Claire Cave, Assistant Professor School of Archaeology, University College Dublin, Ireland Addressing the topic of expertise in international cultural conservation, this book argues that the UNESCO World Heritage regime emerged as a Faustian pact between protection and prestige, and a productive tension between these elements remains at its core, embodied by the heritage expert. Tracing experts’ practices in the World Heritage regime, this book shows how they burnish, broker and themselves benefit from World Heritage prestige. As World Heritage prestige also contributes to states’ international status claims, the stakes are raised, with both the denouement of the pact and the future for World Heritage poised between condemnation and redemption. Luke James is a heritage studies scholar, lawyer and heritage practitioner specialising in World Heritage and international conservation governance. Luke is Lecturer, Cultural Heritage and Museum Studies at Deakin University and previously worked in the Australian Government’s International Heritage Section, with UNESCO and as a heritage consultant.
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  • 43
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031482519
    Language: English
    Pages: 1 Online-Ressource(VII, 131 p. 20 illus. in color.)
    Edition: 2nd ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Art ; Art, Modern ; Medicine and the humanities. ; People with disabilities
    Abstract: Introduction: Curating this Collection -- Chapter 1: Disarming Venus -- Chapter 2: Sculpting Body Ideals -- Chapter 3: Performing Amputation -- Chapter 4: Staring Back and Forth: The Photographs of Kevin Connolly -- Chapter 5: Cripping Aesthetics: The Work of Persimmon Blackbridge -- Chapter 6: Watching One’s Back: Self-Portraits of Disabled Women’s Backs as Provocative and Protective -- Conclusion: Looking Forward.
    Abstract: 'An enlightening collection of work exploring the intersection between art and disability. Millett-Gallant’s writing illuminates the transformative power of perspective and its ability to challenge and redefine social norms.' Kevin Michael Connolly 'The Disabled Body in Contemporary Art has for more than a decade been the primary, indispensable resource for thinking about the myriad ways that disability is represented by contemporary artists. This second edition updates and extends Ann Millett-Gallant’s groundbreaking text.' Robert McRuer, author of Crip Theory: Cultural Signs of Queerness and Disability (2006) Operating from the position that disability offers "an opportunity for alternative and unique insights," Ann Millett-Gallant presents readers with engaging analyses of the work of Mary Duffy, Marc Quinn, Joel-Peter Witkin, Kevin Connolly, Persimmon Blackbridge, Sandie Yi, and others, which challenges prevailing stereotypes and assumptions about corporeal difference. This long-awaited revision and extension of Millet-Gallant's groundbreaking The Disabled Body in Contemporary Art (2010) is a must-read for anyone interested in art and disability. Keri Watson, Co-editor, The Routledge Companion to Art and Disability (2022) The second edition offers an essential update to the foundational first edition, The Disabled Body in Contemporary Art. Featuring updated chapters and case studies, this second edition will not only expand on the first edition but will bring a new focus to contemporary disabled artists and their embodied, multimedia work. Ann Millett-Gallant, PhD is Senior Lecturer for the University of North Carolina at Greensboro, USA. Her online courses combine art history, visual culture, disability studies, and women’s and gender studies, and her books include The Disabled Body in Contemporary Art; Re-Membering: Putting Mind and Body Back Together Following Traumatic Brain Injury; and the coedited volumes Disability and Art History and Disability and Art History: From Antiquity to the Twenty-First Century. Millett-Gallant’s artworks have been displayed at universities and galleries in North Carolina. Her website is annmg.com.
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  • 44
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031567063
    Language: English
    Pages: 1 Online-Ressource(IX, 268 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Theology. ; Catholic Church. ; Religion and politics.
    Abstract: Part One – What Did the Council Teach and What’s Wrong with It? -- Chapter One: Why Study Vatican II on Church-State Relations? -- Chapter Two: Survey of Conciliar Documents on Ecclesiology and the Lay Apostolate in Politics -- chapter Three: Defining the Debate in Political Theology -- 3.1 Introduction -- 3.2 Two ways of classifying political theology to be rejected -- 3.3 A qualified acceptance of an alternative classification -- Chapter Four: Reading DH through the Lens of Ecclesial Ethics -- 4.1 Introduction -- 4.2 'Not Late Enough: The Divided Mind of Dignitatis Humanae Personae' -- 4.3 Distinguishing the arguments that are distinctive to ecclesial ethics -- 4.4 First argument: DH's distinctions between nature-grace, reason-revelation -- 4.5 Second argument: distinction between religion and politics -- Chapter Five: Reading LG, AA, and GS through the Lens of Ecclesial Ethics -- 5.1 Introduction -- 5.2 The structure of Cavanaugh's argument -- 5.3 The problematic ecclesiology underlying Catholic Action -- 5.4 The elusive presence of Vatican II in Cavanaugh's thought -- 5.5 The critique of the Dogmatic Constitution on the Church -- 5.6 The critique of the Decree on the Lay Apostolate -- 5.7 The critique of the Pastoral Constitution on the Church in the Modern World -- 5.8 Summary of critique -- Chapter Six: A Critique of Hauerwas and Cavanaugh -- 6.1 Why Hauerwas and Cavanaugh are not sectarians -- 6.2 The modern state as an irredeemable foe -- 6.3 The church as a contrast society -- 6.4 Conclusion -- Part Two – How Can the Church’s Teaching be Corrected? -- Chapter Seven: Methodological Introduction -- Chapter Eight: Powers and Principalities in the New Testament -- 8.1 Introduction -- 8.2 Scholarship on the Powers -- 8.3 The Powers: Created, fallen, defeated -- 8.4 Political authority as one of the Powers -- 8.5 Oliver O'Donovan on the Powers and political authority -- 8.6 Conclusion -- Chapter Nine: Deliverance from the Powers in the church -- 9.1 The sacramental shape of the church -- 9.2 Baptism -- 9.3 Eucharist -- 9.4 Participating in the threefold office: Prophet, Priest, King -- 9.5 Ordained ministry -- Chapter Ten: Learning from the Ambiguous Legacy of Christendom -- 10.1 Bearing witness before the Powers -- 10.2 Mission leading to martyrdom or mutual service -- 10.3 From Two Cities to Two Swords -- 10.4 The Gospel’s impact on political authorities -- Chapter Eleven – Conclusion -- Bibliography.
    Abstract: “To revisit the legacy of Vatican II as it attempted to reconstruct the relation of church and state around a theology of the laity; to honour its ambitions to escape from the straitjacket of a two-level theory of authority; to enrich it with concepts drawn from the primary missionary impulses of the apostolic church and the debates of contemporary political theology; those are the very considerable ambitions of this constantly stimulating book. It should prove rewarding to Christians in all churches, taking one major Christian achievement of the twentieth century as a starting point for an ecumenical approach to the challenges of political life in the twenty first.” —Oliver O'Donovan, Professor Emeritus, University of Edinburgh, Scotland, UK Should religion and politics be kept apart? What should be the relationship between the church and the state? M.Y. Ciftci answers these questions by studying the most important event in the recent history of the Catholic Church: The Second Vatican Council (1962-65). The book provides a new interpretation of the Council’s teaching on church-state relations to better appreciate its flaws and need for reform. By paying attention to the (often overlooked) importance given by the Council to the lay apostolate, it reveals how the Council did not reform, as is often thought, but retained a flawed conception of the laity’s role in politics. It then proposes a new framework for understanding church-state relations using the ressourcement method of returning to scripture and tradition, and by a critical dialogue with Oliver O’Donovan and various Protestant biblical scholars of the Powers in the New Testament. Ciftci shows how fruitful an self-consciously ecumenical approach can be for political theology. As most ressourcement theologians have overlooked political issues, and since ecumenical theology rarely touches on issues of church-state relations, this work makes an original contribution to the ressourcement project and to ecumenism. M. Y. Ciftci is Public Bioethics Fellow at the Anscombe Bioethics Centre. He was previously Etienne Gilson Postdoctoral Fellow at the University of Toronto.
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  • 45
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031495403
    Language: English
    Pages: 1 Online-Ressource(XII, 195 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Poetry. ; Literature. ; Culture
    Abstract: Chapter 1: ‘While Yet a Boy I Sought for Ghosts’: Contexts -- Chapter 2: ‘Rending the Veil of Mortal Frailty’: Queen Mab (1813) -- Chapter 3: ‘Who Lifteth the Veil of What is to Come?’: Alastor (1816) -- Chapter 4: ‘And is This Death?’: ‘Seeing’ the Unseen, and Visionary Experimentation (1816-20) -- Chapter 5: ‘Where the Eternal Are’: Adonais (1821) -- Chapter 6: Shadows and Dreams: Conclusions.
    Abstract: “Andrew Lacey’s original approach to Shelley’s poetic practice and thought offers a timely reconsideration of the poet’s conceptualisation and treatment of death. This focus on death in Shelley’s artistic vision reveals fresh connections between those familiar and lesser-known poetic works. Lacey’s persuasive readings remain alert throughout to telling philosophical, scientific, textual, and biographical details.” — Professor Mark Sandy, Durham University, UK This book provides the first modern, in-depth analysis of Percy Bysshe Shelley’s engagement with the phenomenon of death. It argues that, for Shelley, this most nebulous of realities represents, first and foremost, possibility: Shelley’s poetic writings on death are both numerous and varied, presenting his reader, with differing degrees of confidence over the course of his brief but brilliant career, with several key visions of what death might be or actually is. Shelley’s Visions of Death stresses the seldom-appreciated fact that death was one of Shelley’s most enduring preoccupations, and also demonstrates the poet’s power to imagine, with startling variety, that which lies beyond the boundaries of experience. Andrew Lacey is a scholar of the literature and culture of the Romantic period. In the last decade, he has worked as Senior Research Associate, on the Davy Notebooks Project and the Davy Letters Project, in the Department of English Literature and Creative Writing at Lancaster University, UK. He assisted in the preparation of The Collected Letters of Sir Humphry Davy (4 volumes, 2020) and Volume Four of The Poems of Shelley in the Longman Annotated English Poets series (2014). He is Co-Editor of Nineteenth-Century Contexts: An Interdisciplinary Journal, and a former winner of the Keats-Shelley Memorial Association Keats-Shelley Prize.
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  • 46
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031541322
    Language: English
    Pages: 1 Online-Ressource(XI, 156 p. 10 illus., 9 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Macmillan Memory Studies
    Parallel Title: Erscheint auch als
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    Keywords: Collective memory. ; Ethnology ; Culture.
    Abstract: Chapter 1: Introduction -- Chapter 2: Memory and scales: culture, institutions, and interaction -- Chapter 3: Shifting memory narratives: the macro-meso link -- Chapter 4: Meso-processes: outsourcing the administration of European memory -- Chapter 5: Micro-level implementation: the politics of situations -- Chapter 6: Epistemic authority in the micro-details of pedagogical memory discourse -- Chapter 7: Conclusion.
    Abstract: This book investigates the entanglement of memory and morality in an extended case study of the memory policy of the European Commission between 2014 and 2020. The main empirical aim is to provide an understanding of how the European Commission, various non-governmental intermediary institutions (including the Memory Studies Association and Euroclio) and, in the end, participants in policy projects, attribute meaning to the past and connect that past with specific norms and values. The book queries how the European Commission turns more general cultural memories into concrete moral discourses in its memory policy; how these policies are institutionally operationalised; what draws these institutions to the European Commission’s memory policy; and what happens when individual citizens are exposed to the outcomes of those policy projects. Theoretically, Outsourcing the European Past integrates theories from cultural sociology, political science, cultural studies and sociolinguistics in an innovative theory of memory. Thomas Van de Putte, PhD, is Postdoctoral Researcher at King’s College London. His first book, Contemporary Auschwitz/Oswiecim: a synchronic, interactional approach to collective memory was published in 2021. He works on questions of cultural and collective Holocaust memory, combining perspectives from sociology, linguistics and cultural studies.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031459368
    Language: English
    Pages: 1 Online-Ressource(XI, 229 p. 4 illus. in color.)
    Edition: 1st ed. 2024.
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    Keywords: Literature, Modern ; Literature, Modern ; Comparative literature. ; European literature. ; America ; Literature.
    Abstract: 1. WAYS OF BELONGING -- 2. NAOMI FONTAINE’S INDIGENOUS WRTING: SELF, COMMUNITY, SOCIETY -- 3. ABLA FARHOUD: MONTREAL MIGRATIONS AND THE GHOST OF LEBANON -- 4. ANITA ALOISIO AND AKOS VERBOCZY: CHILDREN OF LA LOI 101 -- 5 CONCLUSION: INSCRIBING HOME IN QUÉBEC.
    Abstract: This book focuses on modes of cultural belonging in Québec. It looks at recent literary memoir, autobiographical fiction, and documentary testimony. Through four in-depth case studies of cultural creators, one Indigenous and three non-Indigenous, Dervila Cooke discusses multicultural and ethnically diverse society in Québec, examining current tensions, challenges, and opportunities. Works studied range from Abla Farhoud’s first novel in 1998 to Anita Aloisio’s 2022 documentary film Calliari QC. Topics include the desire for freedom to self-ascribe and enact cultural identity, self-reinvention through fiction, expressions of Indigeneity in Naomi Fontaine, the term “Québécois”, especially after Bill 21, and the thorny question of integration of immigrants, discussed in relation to Akos Verboczy’s Rhapsodie québécoise. As with the companion volume on France, societal factors are discussed, here relating to the cultural renaissance of Indigenous writing, Farhoud’s Libano-Québécois context, and language laws in Québec, including the foundational Bill 101 and the more recent Bill 96. Dervila Cooke teaches in the School of Applied Language and Intercultural Studies at Dublin City University, Ireland. She is the author of Present Pasts: Patrick Modiano's (Auto) Biographical Fictions (2005) and editor of New Work on Immigration and Identity in Contemporary France, Québec and Ireland (2016), and of Modiano et l’image (2012).
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031404948
    Language: English
    Pages: 1 Online-Ressource(XXV, 802 p. 6 illus.)
    Edition: 1st ed. 2024.
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    Keywords: Literature, Modern ; Women ; Sex. ; Latin American literature. ; European literature.
    Abstract: 1. Transnational Flows: Women Writing in the Long Nineteenth Century Clorinda Donato and Claire Emilie Martin -- 2. Women across Boundaries: Transnational Exchanges in Nineteenth-Century Europe; Rewriting Women’s History from a Transnational Perspective -- 3. Transatlantic Networks against Cultural Periphery: The Baroness of Wilson’s Canon and the Spanish and Latin American Women of Letters in the Nineteenth Century -- 4. Transnational Identities and Translated Agencies: From Madame de Staël’s Corinne, oul’Italie (1807) to Kim Ragusa’s The Skin between Us: A Memoir of Race, Beauty, and Belonging (2006) -- 5. The Confessions of the Countess Merlin and Jean-Jacques Rousseau: Writing as the Essential Adventure of Their Lives -- 6. “Tutto il sesso femminino per mia bocca v’intima Guerra” (Through My Mouth, the Entire Female Sex Declares War on You), Signed: A European Woman -- 7. Angelica Palli and Alessio: Love and Patriotism in the Early Italian Historical Novel -- 8. The Transatlantic Experience in the Construction of Flora Tristan’s Authorial Posture: From Pariah to Female Messiah -- 9. El baúl de Miss Florence: (Re)imagining the Past; Women’s Travel Literature and the Sweet Tyranny of the Sugar Haciendas in Puerto Rico -- 10. Romantic Cartographies: La Condesa de Merlin’s Colonial Havana and the View from the Harbor -- 11. Matilde Serao, Flânerie and Women in Urban Spaces -- 12. The Fourth Estate in Petticoats -- 13. The Twenty-Year Journey: Flavia Steno’s La Chiosa and the French Daily Newspaper La Fronde -- 14. Women Readers in Nineteenth-Century Mexico: A Study of the Periodicals Las Hijas del Anáhuac, El Álbum de la Mujer, and Violetas del Anáhuac -- 15. Clorinda Matto de Turner’s Tradiciones cuzqueñas: A Writer’s Perspective -- 16. Luck of the Draw: Gambling, Marriage, and the Labor Economy in Clorinda Matto de Turner’s Herencia -- 17. Clorinda’s Cosmopolis: Crisis, Reinvention, and the Birth of Búcaro Americano -- 18. Adapting Economic Strategies to a Changing World in María del Pilar Sinués’s La dama elegante (1880) -- 19. Hiding in Plain Sight: Feminism and Geopolitical Commentary in Fernán Caballero’s La corruptora y la buena maestra (1868) -- 20. Epistolary and Commodity Exchanges in Nineteenth-Century Argentina, or Mariquita Sánchez de Mendeville’s Agency -- 21. Solitary Confinement in Rachilde’s La Tour d’amour: Dehumanization and Madness of the Buried Alive -- 22. Towards New Models of Femininity in the Works of Virginia Elena Ortea -- 23. In Defense of Women’s Progress and Freethinking: Amalia Domingo Soler, Eugenia Estopa and Dolores Navas -- 24. Writing about the Unspeakable: Gendered Violence in the Nineteenth Century -- 25. Women Worthies? Ascriptions of Masculinity to Exceptional Women Writers in Early Nineteenth-Century Italy -- 26. “Doña María Dolores López, Vecina of Tehuacán” or the Case of a Too-Soon Forgotten Nineteenth-Century Mexican Woman Writer -- 27. Annie Vivanti’s Multicultural Identity and the Shaping of the Artist’s Body -- 28. The “Alpine Sybil”: Her Verses and Prose Between Arcadia and Romanticism (the Italian Way) -- 29. Gender Fluidity, the Crisis of Care, and Ecocriticism in George Sand’s François le champi -- 30. What Have You Done Philately? Stamps and the Death of the Liberal Dream in Carmen de Burgos’ Don Manolito (1916) -- 31. Transnational Emancipationism: Fanny Salazar Zampini's Commitment to Women's Liberation -- 32. Adaptation to or of the Environment? Examining the Works of French Women Writers of the First Republic and First Empire through an Ecocritical Lens -- 33. The Archive as Legitimizing Artifact in Ccora Campillana: Romance histórico del tiempo de la conquista (1873) by Carolina Freyre de Jaimes -- 34. “One of the First, If Not the Very First Woman of Her Age”: Germaine de Staël and Her Literary Posterity -- 35. The Making of Il Giorno: Matilde Serao’s Letters to Luigi Luzzatti -- 36. Celebrity by Way of Autobiography: The Case of Angela Veronese -- 37. Alliance and Sorellanza in Matilde Serao’s Romanzo della fanciulla -- 38. Superstition and Orientalism in Il ventre di Napoli by Matilde Serao -- 39. Concepción Gimeno de Flaquer and Her Transatlantic Journey (1873–1890): Victorina o el heroísmo del corazón -- 40. Liturgization and the Satire of Politics in Emilia Pardo Bazán’s La tribuna (1883) -- 41. Between Conformity and Transgression: Approaches to Writing in the Albums of Emilia Pardo Bazán -- 42. Victoria Ocampo’s Transnational Networks: A Sociocultural and Data-Driven Approach.
    Abstract: This handbook explores the rich and as yet understudied field of women’s writing during the nation-building years that characterized the global politics of the long nineteenth century. In the wake of the American and French Revolutions, the waning of the Spanish Empire, subsequent Latin American uprisings, and the Italian Risorgimento, nineteenth-century women writers cracked wide open the myths of gender, race, and class that had sustained the ancien régime. This volume shows that the transnational networks of women writing about politics, sexuality, economics, and the forging of the modern nation were much broader and more inclusive at a global level than has previously been understood. The handbook uniquely foregrounds French, Italian, Latin American, and Spanish women writers, focusing on the transnational nature of their relationships and cultural production within a growing body of research that casts an ever-wider net in the effort to document women’s voices. Claire Emilie Martin is Professor Emerita of Spanish at California State University, Long Beach, USA. She holds a doctorate from Yale University in Spanish American Literature. Her research focuses on nineteenth-century cultural and literary studies with a special emphasis on gender issues, domesticity, education, politics, and travel. She has published numerous articles and edited and co-edited several volumes on nineteenth-century Latin American women writers. Clorinda Donato is Professor of French and Italian at California State University, Long Beach, USA, and director of the Clorinda Donato Center for Global Romance Languages and Translation Studies. She is an eighteenth- and nineteenth-century scholar of French and Italian literature. Her most recent publication is Translation and Transfer of Knowledge in Encyclopedic Compilations, 1680–1830 co-edited with Hans-Jürgen Lüsebrink (2021). .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031400339
    Language: English
    Pages: 1 Online-Ressource(XII, 213 p. 31 illus., 18 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Close Readings in Film and Television
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    Keywords: Motion pictures. ; Motion pictures ; Gender identity in mass media.
    Abstract: Introduction -- Chapter 1 – Découpage: Building the House -- Chapter 2 – Mise-en-scène: Visualising the Rooms -- Chapter 3 – Sound: Creating Invisible Rooms -- Chapter 4 – Editing: Reconstructing the House -- Conclusion.
    Abstract: This book explores visions of home in cinema and the ways in which women inhabit the onscreen realm. Looking closely at a range of films made between 1936 and 2013, it examines how filmmakers reconfigure studio sets and real locations through the filmmaking process into mutable onscreen domains imbued with depth, metaphor, and expressivity. The book studies the films through the lens of four filmmaking processes in particular: découpage, mise-en-scène, sound and editing. Close analysis reveals how filmmakers use these cinematic ‘building blocks’ to shape onscreen worlds charged with emotion and animated by the warp and weft of psychic life. Images of home abound in the cinema, and women frequently find themselves at the core of both structures. Drawing on recent spatial and feminist enquiry, the book reviews the idea of home as a fixed and stable location and illustrates how the art of cinema is well equipped to explore home as an imaginary as well as a material realm. With its emphasis on film practice as a route into critical reflection, this book will be of interest to filmmakers, film theorists and those who simply want to understand more about how films work. Louise Radinger Field is a filmmaker and writer living in London. She has a PhD in film from the University of Reading.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031531002
    Language: English
    Pages: 1 Online-Ressource(VIII, 243 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Science and Medicine
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    Keywords: Literature, Modern ; Literature, Modern ; Ecocriticism. ; Science ; Communication in medicine.
    Abstract: 1. Introduction: Books of Life in the Long Century of the Gene -- 2. Simon Mawer’s Book of Life: Mendel’s Dwarf as Fictional Genetic Life Writing -- 3. There is grandeur in this view of life...or is there? Ian McEwan’s Poetics of Chance and the Unreliable Structures of Genetic Determinism -- 4. Genetics’ Perilous Analogies: Metaphors of Life in A. S. Byatt’s Quartet -- 5. Ecologies of Life: Genetics in Margaret Atwood’s MaddAddam Trilogy -- 6. Conclusion: Levels of Life.
    Abstract: Genetics and the Novel: Reimagining Life Through Fiction argues that literary fiction has reimagined life in the age of genetics. The new genetic paradigm has proposed to rewrite core assumptions about such fundamental aspects of life as the nature of kinship and biological connection, human-environmental relations, or the link between biology and art. Investigating major texts of genetic fiction by A. S. Byatt, Ian McEwan, Simon Mawer and Margaret Atwood, this monograph offers the first systematic study of how these assumptions about life itself have been renegotiated through the contemporary novel’s engagement with genetic science. This book identifies a significant new phase in the novel’s aesthetic exploration of life and demonstrates that the novel emerges as the cultural form uniquely positioned to engage both the imaginative and concrete challenges raised by genetic science for the lifeworlds of the new millennium. Paul Hamann-Rose is Assistant Professor of English Literature and Culture at the University of Passau, Germany.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031520341
    Language: English
    Pages: 1 Online-Ressource(XXXVIII, 194 p.)
    Edition: 1st ed. 2024.
    Series Statement: Critical Approaches to Children's Literature
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    Keywords: Children's literature. ; Interpretation, Literary. ; People with disabilities
    Abstract: Introduction: Worlds of Difference -- Chapter 1 -Goblin-ology: Eugenics and hysterisation in George MacDonald's The Princess and the Goblin (1872) -- Chapter 2 -"Lonely, tender, passionate heart": Melancholy and Isolation in Dinah Mulock Craik's The Little Lame Prince and his Traveling Cloak (1875) -- Chapter 3 -Building Beasties: Disability, Imperialism and Violence in William Golding's Lord of the Flies (1954) -- Chapter 4 -On the Fringes: John Wyndham's The Chrysalids (1955) and Technologies of the Self -- Chapter 5 -"A Perversion of Nature? How Exciting!": Tim Burton's Edward Scissorhands (1990), the Freak, the Monster and the Limits of Inclusion -- Chapter 6 -"Blind. Deaf. Disabled. Wheelchair": Community, History and Resistance in Jane Stemp's Waterbound (1995) -- Chapter 7 -"This Magic Keeps Me Alive, but it's Making Me Crazy!": Amputation, Madness and Control in Adventure Time (2009-2018) -- Chapter 8 -"Loss is Loss is Loss": Embodying the Family-as-Trauma in Julianna Baggott's Pure (2012).
    Abstract: This book takes up the task of mapping discursive shifts in the representation of disability in dystopian youth texts across four historical periods where major social, cultural and political shifts were occurring in the lives of many disabled people. By focusing on dystopian texts, which the author argues act as sites for challenging or reinforcing dominant belief systems and ways of being, this study explores the potential of literature, film and television to act as a catalyst of change in the representation of disability. In addition, this work discusses the texts and technologies that continue to perpetuate questionable and often competing discourses on the subject.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031128639
    Language: English
    Pages: 1 Online-Ressource(XIII, 192 p.)
    Edition: 1st ed. 2024.
    Series Statement: Literatures of the Americas
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    Keywords: America ; Comparative literature. ; Literature ; Feminism and literature. ; Ethnology ; Culture. ; Psychic trauma.
    Abstract: Chapter 1– Introduction: Cicatrix Poetics: Chicana Literary Trauma Studies -- Chapter 2 – La Malogra and Liberating La Mujer Sufrida in Ana Castillo’s So Far from God -- Chapter 3 – La Chingada and “The Silent Lloronas” in Lucha Corpi’s Black Widow’s Wardrobe -- Chapter 4 – Coyolxauhqui and Coming of Age in Sandra Cisneros’s The House on Mango Street -- Chapter 5– Survival Scars and Solidarity in Emma Pérez’s Forgetting the Alamo, Or, Blood Memory -- Chapter 6 – Conclusion: Beyond Survival.
    Abstract: This book explores how Chicana literature often represents gender violence while simultaneously presenting strategies of survival in response. Adrianna M. Santos aims to contribute to a broader conversation concerning the intersections between Chicana literature and decolonial trauma theory, one which questions the colonial matrix of power and the universality of Western knowledge. Santos argues that Chicana survival narratives arise out of colonial wounds and form scars that both mark and protect the violated body. Cicatrix Poetics, Trauma and Healing in the Literary Borderlands proposes a “cicatrix poetics” that makes bold gestures toward healing and narrative/storytelling as survival. The book contends that the cicatrix fashioned through artistic expression is a necessary component for Chicana communities—not just to survive, but to thrive. The books presents several case studies that examine transformative narrativity and by theorizing the texts as survival narratives, social protest works that bring attention to violence and erasure, the chapters explore how literature can be an effective catalyst for both social change and personal transformation, an orientation towards freedom, liberation through love. Adrianna M. Santos is Associate Professor of English at Texas A&M University–San Antonio, USA, and advisor of the Mexican American Student Association. She has published in Aztlán, Chicana/Latina Studies, Shakespeare Bulletin and Latina Critical Feminism and is co-editor of The Bard in the Borderlands, and El Mundo Zurdo 8. .
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031400513
    Language: English
    Pages: 1 Online-Ressource(XIX, 179 p. 13 illus.)
    Edition: 1st ed. 2024.
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    Keywords: Literature ; Feminism and literature. ; Continental Philosophy. ; Sex.
    Abstract: 1: Introduction: Digging, Unburying and Going to Writing School -- 2: Writing Myself Back Together -- 3: The School of the Dead and My Mother: A Story of Hunger -- 4: Finding a Language of My Own: Journeying to the School of the Dead with Cixous -- 5: The Narcissist Never Leaves, Only Dies: An Autoethno-graphic Account inspired by Cixous -- 6: Your Dreambody Must be Heard—Writing Trauma in the School of Dreams -- 7: The Fatal Blow: “Who are I­­­?” A Feminist Autoethnographer’s Encounter with Cixous -- 8: This Writing Chatters, Just Like a Dream: The Ragged Vitality of Teeth and Memory Loss -- 9: Learning Cixous’ Écriture Feminine Through the Flow of Words and Blood -- 10: Metis and Cixous—Cunning Resistance, Bodily Intelligence and Allies -- 11: Denying the Penis: Bringing Women to Writing [With/in and] Through Doc-toral Supervision -- 12: Writing Australian Gardens to Cross Borders Between the Online and Offline Worlds -- Inter-View. .
    Abstract: The project offers a collection of new interdisciplinary critical autoethnographic engagements with Hélène Cixous écriture feminine and work Three steps on the ladder of writing. Critical autoethnography shares a reciprocal, and inter-animating relationship with Hélène Cixous’ écriture feminine (“feminine writing”), and in this collection authors explore that inter-animation by explicitly engaging with Three steps on the ladder of writing. Three steps is a poetic, insightful, and ultimately moving reflection on the writing process and explores three distinct areas essential for writing: The School of the Dead—the notion that something or someone must die in order for good writing to be born; The School of Dreams—the crucial role dreams play in literary inspiration and output; and The School of Roots—the importance of depth in the 'nether realms' in all aspects of writing. Topics covered include: ways Cixous’ work can address the need for loss and reparation in writing critical autoethnography, how Cixous’ writing “makes our body speak” through concepts of birth and the body in, through and of critical autoethnography, whether writing in this way recast and reform prevailing orders of domination and oppression, and how Cixous’ writing around the ethics of loving and giving translates into response-able and non-violent forms of critical autoethnography in relation to otherness and difference. In this collection, we invite you to “Let us go to the school of [critical autoethnographic] writing” (Cixous, 1993, p. 3) with the work of Hélène Cixous, and speak in a different way and through a different medium of academic language, in an approach that reveals the tensions, the paradoxes, the pains and the pleasures of writing with critical autoethnography in the contemporary university.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031420689
    Language: English
    Pages: 1 Online-Ressource(XIII, 258 p.)
    Edition: 1st ed. 2024.
    Series Statement: New Directions in Irish and Irish American Literature
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    Keywords: Literature ; Drama. ; Queer theory. ; Theater ; Sex.
    Abstract: 1 Introduction -- 2 Family, Normativity, and the Will to Escape -- 3 Moral Prudery, Respectability, and Broken Intimacies -- 4 Sadomasochistic Attachments: Reverse Power and Erotic Stimulations -- 5 Defiant Dykes: New Women against Patriarchy -- 6 Conclusions.
    Abstract: Queering W. B. Yeats and Gabriele D’Annunzio is an important new study that is revelatory not only for what it reveals about these two important playwrights, but also for its innovative approach to methodology. As modernist playwrights, Yeats and D’Annunzio adopted a variety of approaches – both overlapping and contrasting – to their dramaturgy and stagecraft, and this book sheds new light on the political and aesthetic consequences of their work. Of even greater value, however, is Balázs’s extraordinarily deft and original application of queer theory to these writers’ dramas and legacies. The overall impact is to open up new approaches to research in modernism, theatre studies, queer theory – and beyond. -Prof. Patrick Lonergan, University of Galway, Ireland Queering W. B. Yeats and Gabriele D’Annunzio offers a fresh, creative, and highly illuminating approach to the work of two essential yet perplexing modern European playwrights. Reading Yeats through the lens of queer theory unlocks some of the contradictions of his treatment of gender and sexuality, demonstrating that they remain profoundly anti-normative and anti-authoritarian even when citing heteronormative or misogynistic tropes. In addition to provocative and generative readings of some of Yeats's and D’Annunzio’s most difficult plays, Balázs’s book offers a treasure trove of information about modernist theatrical production and the performers who brought these dramas to life. The questions raised in this book about the arts and authority could not possibly be more timely. This book will be essential reading for anyone drawn to the fascinating world of modern European drama. -Prof. Susan Cannon Harris, University of Notre Dame This monograph provides the first fully theorised queer and comparative reading of Yeats’s and D’Annunzio’s drama in light of the playwrights’ rich queer and feminist networks. It uncovers a subversive and often coded social commentary in eight key dramatic texts by each playwright through meticulous and highly topical dramaturgical readings which carry relevant implications for the contemporary moment. Zsuzsanna Balázs is Assistant Professor at Óbuda University in Budapest, Hungary.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031393181
    Language: English
    Pages: 1 Online-Ressource(XVII, 279 p. 19 illus., 2 illus. in color.)
    Edition: 1st ed. 2024.
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    Keywords: Theater. ; Theater ; World politics. ; World War, 1939-1945.
    Abstract: Chapter-1: Introduction -- Part One: Dramaturgical Contexts: Institutionalised Ideologies -- Chapter 2 - Institutional Dramaturgy at Deutsches Theater Berlin - Ann-Christine Simke -- Chapter 3 - National Dramaturg Rainer Schlösser and German Theatre after 1933 - Gerwin Strobl -- Chapter 4 - Implementing Germanic Repertoires – Institutional Dramaturgy during WWII - Anselm Heinrich -- Chapter 5 - Brecht’s Performance Theories in Post- war Germany - Ramona Mosse -- Chapter 6 - Cold War Dramaturgies: Institution and Ideology in 1950s German Theatre - Michael Bachmann -- Part Two: Institutional Infrastructures: Theatres of Oppression -- Chapter 7 - Theatre Poznań/Posen (Poland) - Alexander Weigel -- Chapter 8 - Theatre Maribor/Marburg (Slovenia) - Matjaz Birk -- Chapter 9 - Theatre in Prague - Volker Mohn -- Chapter 10 - Theatre in Oslo - Anselm Heinrich -- Part Three: Performance Practice: Dramaturgy and the Aesthetics of War- Chapter 11 - In the Open Air: Shell Shock Theatre - Evelyn Annuss -- Chapter 12 - Berlin – Amsterdam – Westerbork: Revue and the Aesthetics of War: Veronika Zangl -- Chapter 13 - Theatre under the NS regime in Austria: Theatrical activities in Crisis Situations - Brigitte Dalinger -- Chapter 14 - Spanish classical theatre during Third Reich - John London. .
    Abstract: This book examines the institutional contexts of dramaturgical practices in the changing political landscape of 20th century Germany. Through wide-ranging case studies, it discusses the way in which operationalised modes of action, legal frameworks and an established profession have shaped dramaturgical practice and thus links to current debates around the “institutional turn” in theatre and performance studies. German theatre represents a rich and well-chosen field as it is here where the role of the dramaturg was first created and where dramaturgy played a significantly politicised role in the changing political systems of the 20th century. The volume represents an important addition to a growing field of work on dramaturgy by contributing to a historical contextualisation of current practice. In doing so, it understands dramaturgy not only as a process which occurs in rehearsal rooms and writers’ studies, but one that has far wider institutional and political implications. Anselm Heinrich is a Professor of Theatre Studies at the University of Glasgow. His books include Entertainment, Education, Propaganda (2007), Theater in der Region (2012), Theatre in Europe Under German Occupation (2017), and a volume on Ruskin, The Theatre, and Victorian Visual Culture (2009). He is currently under contract for a monograph on theatre in Britain during WWII. He has held research fellowships at Harvard, Oxford and Marburg. Ann-Christine Simke is a Lecturer in Performance at the University of the West of Scotland. She recently published the article “Forensic Architecture in the Theatre and the Gallery: A Reflection on Counter hegemonic Potentials and Pitfalls of Art Institutions” (with Anika Marschall, 2022) and is currently under contract for a co-authored (with Anika Marschall) book on intersectional theatre practices.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031283222
    Language: English
    Pages: 1 Online-Ressource(92 illus., 64 illus. in color. eReference.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Keywords: Intermediality. ; Digital media. ; Motion pictures. ; Television broadcasting. ; Mass media and history.
    Abstract: Introduction to The Palgrave Handbook of Intermediality -- Intermediality: Introducing terminology and approaches in the field -- An Updated Survey of Early Interart and Intermediality Roots: Claus Clüver -- Ekphrasis – Intermedial and Anglophone Perspectives -- Intermediality and Medium Specificity -- Intermedialities, Societies, and Power Histories -- Montreal School of Intermediality: Beyond Media Studies -- Case Studies as a Heuristic of Intermediality -- Linnaeus University Center for Intermedial and Multimodal Studies and the legacy of Lars Elleström -- Intermediality in Brazil: a diachronic survey -- An Overview of Intermedial Studies in China -- Intermediality, Semiotics and Media theory -- Intermediality and/in Translation -- Visual Citation in Intermedial Relations -- Reformulating the Theory of Literary Intermediality: A Genealogy from Ut pictura poesis to Poststructuralist In-betweenness -- Transmedial Narratology and Transmedia Storytelling -- The Narrator: A Transmedial Device -- Intermediality, Teaching and Literacy -- Intermedia, Multimedia and Media -- Citational Aesthetics: for Intermediality as Interrelation -- Traditional Chinese Painting: An Intermedial Play of Sister Arts Since the Eleventh Century -- The Anchor and the Dolphin: A History of Emblems -- The Age of Wonder and Entertainment: An Introduction to Intermedial Networks in Baroque Culture -- Intermediality in Seventeenth-Century Baroque Celebrations in Hispanic America: Commissions, Poetry, and Ephemeral Architecture -- Cabinets of Curiosities as a Transhistorical and Intermedial Phenomenon -- Crossing Media Borders: From Intermedial Shakespeares to Shakespearean Intermediality -- Metareference in the Nineteenth-Century Pictorial Press and Beyond -- Picturing Music in the 19th Century -- Prototype models of intermedial praxis (Wagner, Kandinsky, Brecht) and their resonances in contemporary performance -- Intermediality and Liveness at the Turn of the Twentieth Century -- The Sonification of Modernist Fiction: A Critical Review -- Adaptation and Sound -- Music Transformation in Literature -- Collage as a Creative Act: Emergence, Displacement and Re-signification -- Anthropophagic Appropriation and Intermediality -- Late Twentieth-Century Intermedia Poetry in the Americas -- Photo-Journalism and Beyond -- Media borders in a post-media age: the historical and conceptual co-evolution of cinema, television, video and computer screens -- The Qualified Medium of Computer Games: Form and Matter, Technology, and Use -- The Ecological Crisis and Intermedial Studies -- Simulated Climate in Ecological Games: Mediating Climate Change to Endow Players with Transformative Agency -- Intermediality in Theme Parks -- Interactive and Participatory Sound -- Intermediality and Computer Simulation -- Intermediality and Digital Fiction -- Intermediality and Metamediality: From Analog Representations to Digital Resources -- The Recommended Experience: Engaging Networked Media Platforms with Intermediality -- Posthuman Intermedial Semiotics and Distributed Agency for Sustainable Development.
    Abstract: This handbook provides an extensive overview of traditional and emerging research areas within the field of intermediality studies, understood broadly as the study of interrelations among all forms of communicative media types, including transmedial phenomena. Section I offers accounts of the development of the field of intermediality - its histories, theories and methods. Section II, III and IV then explore intermedial facets of communication from ancient times until the 21st century, with discussion on a wide range of cultural and geographical settings, media types, and topics, by contributors from a diverse set of disciplines. It concludes with an emphasis on urgent societal issues that an intermedial perspective might help understand.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031445958
    Language: English
    Pages: 1 Online-Ressource(XX, 268 p. 8 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave European Film and Media Studies
    Parallel Title: Erscheint auch als
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    Keywords: Motion picture plays, European. ; Ethnology ; Culture. ; Motion picture industry. ; Television broadcasting.
    Abstract: 1. Introduction: European film consumption, representation, and identity -- 2. The transnational viewership of European film: markets, audiences, and policies -- 3. Euro-million mainstream films: large audiences, limited diversity or insights -- 4. Euro-million arthouse films: diverse and insightful stories, niche audiences -- 5. Euro-million middlebrow films: insightful stories, varied audiences, limited diversity. 6. The transnational impact of European film: perceptions, identity, and other effects -- 7. Conclusion: limited unity and diversity -- Index.
    Abstract: “This study, based on a wealth of original research, analyses the production, circulation and reception of European films since 2005, considering their impact on broader cultural and social issues, notably the vexed question of what constitutes a European identity. Throughout, the author tests various theorisations and conceptual frameworks against the empirical evidence he has unearthed. His carefully considered interpretation will be widely welcomed as an important contribution to understanding European cinema.” - Andrew Spicer, Professor of Cultural Production, University of the West of England Bristol, UK This book explores how audiences in contemporary Europe engage with films from other European countries. It draws on admissions data, surveys, and focus group discussions to explain why viewers are attracted to particular European films and genres, including action-adventures, family films, biopics, period dramas, thrillers, comedies, and romances. It also examines how these films are produced and distributed, how they represent Europe, and how they affect audiences. Case-studies range from mainstream movies like Skyfall, Taken, and Asterix & Obelix: God Save Britannia, to more middlebrow and arthouse titles, such as The Lives of Others, Volver, Coco Before Chanel, Love Is All You Need, Intouchables, The Angels’ Share, Ida, The Hunt, and Blue Is the Warmest Colour. The study shows that watching European films can contribute to people’s understandings of other countries and make them feel more European. However, this is limited by the strong preference for Anglo-American action-adventures that offer few insights into the realities of European life. The book discusses what these findings mean for the European film industry, cultural policy, and scholarship on transnational and European cinema. It also considers how surveys, focus groups, databases and other methods that go beyond traditional textual analysis can offer new insights into our understanding of film. Huw D. Jones is a Lecturer in Film Studies at the University of Southampton, UK. He previously worked on ‘Mediating Cultural Encounters through European Screens’ (MeCETES), a collaborative project on European film and television drama, funded by Humanities in the European Research Area (HERA). .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031406164
    Language: English
    Pages: 1 Online-Ressource(XII, 202 p. 6 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Arab Cinema
    Parallel Title: Erscheint auch als
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    Keywords: Motion pictures ; Motion pictures. ; Culture. ; Sex. ; Motion pictures ; Ethnology
    Abstract: Chapter 1: Tangier and Paris – Multiculturalism and Feminism -- Chapter 2: Tangier and (Re)Turn to Fes: A Door to the Sky (1988) -- Chapter 3: Farida’s great halqa throughout Morocco & beyond -- Chapter 4: Tangier and the world: Juanita Narboni (2005) -- Chapter 5: The Sahara, the Atlas, and Tangier.
    Abstract: 'A marvelous and timely book on Morocco’s national treasure Farida Benlyazid. An elegant and playful spiral structure accommodates Martin’s deep understanding of Benlyazid's many contexts, from the socioeconomic to the spiritual.' ----Laura Marks, Simon Fraser University, Canada 'Florence Martin has achieved an into-depth exploration of a unique and unequalled Moroccan female cineaste-biography. Well-written, nuanced and historically informed.' ---Viola Shafik, Independent scholar and filmmaker, Berlin, Germany and Cairo, Egypt This book project unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film. A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco’s rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the “years of lead” under the reign of Hassan II; and finally Mohamed VI’s current reign since 1999. As a result, she has a long view of Morocco’s politics of self-representation as well as of the representation of Moroccan women on screen Florence Martin is Dean John Blackford Van Meter Professor of French Transnational Studies at Goucher College, USA. She is the author of Screens and Veils: Maghrebi Women’s Cinema (2011) and the co-author (with Will Higbee and Jamal Bahmad) of Moroccan Cinema Uncut: Decentred Voices, Transnational Perspectives (2020).
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031470738
    Language: English
    Pages: 1 Online-Ressource(XXII, 137 p. 45 illus., 41 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave BioArt
    Parallel Title: Erscheint auch als
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    Keywords: Arts. ; Biotechnology. ; Culture ; Medicine and the humanities. ; Biomaterials. ; Art, Modern
    Abstract: 1. Introduction -- 2. Making Difference -- 3. BLOOD, COMPARING: Relative Velocity Inscription Device -- 4. PATTERN, IDENTIFYING: Latent Figure Protocol -- 5. EVIDENCE, PERFORMING: Suspect Inversion Center and Deep Woods PCR -- 6. SPIT, ANONYMIZING: America Project -- 7. MATTER, MAPPING: Ocular Revision -- 8. SWEAT, (RE)MATERIALIZING: Labor.
    Abstract: Preface by Jens Hauser “A truly remarkable book by a pioneering bioartist that challenges us to critically reevaluate our notions of genetic and biological identities.” - Gunalan Nadarajan, Dean Emeritus and Professor, Penny W. Stamps School of Art and Design, University of Michigan, USA This book chronicles over two decades of critical, artistic investigations by Paul Vanouse. His bio-media artwork utilizes the tools of the life sciences reflexively, to challenge tropes and cultural politics surrounding DNA, biotechnology, and life itself. DNA has been called a “Truth Machine”, “God’s Blueprint”, the “Code of Codes” and the “Book of Life”. Vanouse’s work explores questions at the heart of such evocative metaphor and hyperbole: how does DNA link us together, how does it differentiate us and how are the grand metaphors, which grant DNA complete centrality, misconstruing the complexity of life. Furthermore, how do technologies of genetic typing and identification fit within a broader cultural and political history of difference making, particularly the construction of race. Melding critical theory, artist’s manifesto, participatory observation and histories of the sciences, this book offers insight into both an artistic practice and the bio-techno-sciences it interrogates. Paul Vanouse is an artist, SUNY Distinguished Professor and founding director of the Coalesce Center for Biological Art at the University at Buffalo, USA. A pioneer of bio-media art, his artwork employs molecular biology techniques to challenge entrenched notions of individual, racial, and national identity, and the cultural authority of DNA. His projects have been exhibited in 30 countries and widely across the US. Venues have included Albright-Knox Art Gallery (Buffalo), New Museum (New York), Andy Warhol Museum (Pittsburgh), Walker Art Center (Minneapolis), Henry Art Gallery (Seattle), Museo Nacional de Bellas Artes (Buenos Aires), Louvre (Paris), Haus Der Kulturen Der Welt and Schering Stiftung (Berlin), ZKM (Karlsruhe), and TePapa Museum (Wellington). His recent, multi-sensory, bio-media artwork, "Labor", received a Golden Nica at Prix Ars Electronica.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031522840
    Language: English
    Pages: 1 Online-Ressource(XII, 188 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Bernard Shaw and His Contemporaries
    Parallel Title: Erscheint auch als
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    Keywords: Theater ; Literature, Modern ; Drama.
    Abstract: Chapter 1: Introduction -- Chapter 2: Love and Marriage -- Chapter 3: Morals and Manners -- Chapter 4: Comedies of Realism and Romance -- Chapter 5: The Theatre of War -- Chapter 6: Deeper Waters -- Chapter 7: Drama and Contemporary Society -- Chapter 8: Post-War Drama and Fiction -- Chapter 9: Last Plays -- Chapter 10: The Entertainer.
    Abstract: Discussions of Coward’s achievement in the theatre between 1920 and 1966 have tended to stay with the colourful biography. The more analytical literary approach adopted here places Coward’s success in its wider theatrical context, making the connections with the work of other dramatists. He developed his technique according to what worked with theatre audiences. Taking up the well-made play, he brought in a more colloquial dialogue, explored, for instance, the morality and psychology of marriage and free love, and frequently exploited the dramatic possibilities of characters grouped into two camps. The book considers both the ‘pleasant’ and ‘unpleasant’ plays (to use the Shavian terms), and the episodic patriotic plays. It Includes Coward’s ambivalent approach to the ‘theatre of war’ in the 20th century. (123) Roger Kojecky: After an Oxford University English Faculty D. Phil. he held teaching positions in Tokyo and London University (lecturing on drama). He has been Secretary of the Christian Literary Studies Group, Oxford, and edits The Glass, covering a range of academic literature with articles and reviews. .
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031523151
    Language: English
    Pages: 1 Online-Ressource(XIV, 259 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature. ; Comparative literature. ; Communication in science.
    Abstract: Chapter 1. Pierre Boulle’s Planet of the Apes (1963) From Novel to Screenplay, Bernard Montoneri, Independent Researcher, Taiwan; Murielle El Hajj, Lusail University, Qatar -- Chapter 2. Travelling through Time and Space in the Works of Russian Speaking Science Fiction Writers, Iryna B. Morozova, Odesa Mechnikov National University, Ukraine -- Chapter 3. El anacronópete (1884, 1887), the First Journey in a Time Machine in Hispanic literature, Fernando Darío González Grueso, Tamkang University, Taipei Rachid Lamarti, Tamkang University, Taipei -- Chapter 4. The Ice People (1968), a story of humankind’s auto-destruction, Murielle El Hajj, Lusail University, Qatar -- Chapter 5. ‘I’m just a traveller’: Doctor Who and the Wibbly Wobbly Histories of Time and Space, Alyson Miller and Eleanore Gardner, Deakin University, Australia -- Chapter 6. Time Travel in M. Bugakov's Master and Margarita, Anna Toom, Touro College & University System, New York, USA -- Chapter 7. Chronotopes, Afrotropes, and Restorative Aesthetics in Pauline Elizabeth Hopkins’s Of One Blood: Or, The Hidden Self, Michaela Keck, Carl von Ossietzky University of Oldenburg, Germany -- Chapter 8. Femi Osofisan’s One Legend, Many Seasons, Oyewumi Olatoye, Agunbiade & Enongene Mirabeau, Sone, Walter Sisulu University, South Africa -- Chapter 9. Time Travel in Japan and The Girl who Leapt through Time, Akiyoshi Suzuki, Nagasaki University, Japan -- Chapter 10. The Concept of Time Travel in Vedic Literature- A Perspective, Beena Giridharan, Curtin University, Malaysia.
    Abstract: Time travel is an important theme in literature and other arts. This excellent collection introduces readers to some of the most innovative and influential works and offers insightful discussions of works from different literary traditions and in different forms, both famous classics and new discoveries. For anyone interested in this theme and its various manifestations, reading this collection will be remarkably rewarding. Professor Zhang Longxi, Hunan Normal University, China The book consists of fascinating chapters that explore in depth various themes related to time travel. Each chapter focuses on a different literary work or medium and explores how time travel has influenced different cultures, literature, and philosophies. It is a highly engaging resource for exploring this interesting topic from the perspectives of different literary works and cultures. Professor Yoriko Ishida, National Institute of Technology, Oshima College, Japan. In this wonderful collection, time travel is read under the temporal gaze of capitalism and imperialism, history and modernity, and across the undulating sheets of time. It is an essential edition to the field of time travel studies and a form of revelatory chrononautics. One enters the book and moves across the great and small histories of time and space. Professor Sean Redmond, Deakin University, Australia. Time Travel in World Literature and Cinema discusses various literary works, movies, and TV series with a special focus on time travel. Each chapter is written by professors and scholars from various countries, including the US, Japan, Germany, France, Spain, Taiwan, South Africa, Qatar, Russia, Ukraine and Australia. The book addresses themes of racism, sexism, feminism, and social injustice as well as dystopian futures. This will appeal to students and scholars studying science fiction, dystopian literature, world literature, and world cinema. Bernard Montoneri was an Associate Professor in the Department of European Languages and Cultures at the National Chengchi University, Taipei, Taiwan until January 2020. He is now an independent researcher. He has around 60 publications and was the co-founder and editor-in-chief of the IAFOR Journal of Education until 2017. He is the editor of the IAFOR Journal of Literature and Librarianship since 2019.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031478314
    Language: English
    Pages: 1 Online-Ressource(XVI, 313 p. 23 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Culture and Human Rights
    Parallel Title: Erscheint auch als
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    Keywords: Motion picture plays, European. ; Culture ; Emigration and immigration. ; Literature. ; Europe
    Abstract: 1. Introduction -- Part I Art and Activism by and with Refugees -- 2. The Trojans Project: Therapeutic Drama from Syria to Scotland -- 3. Channelling and Challenging the ‘imperative to tell’: Reflections on Negotiating Representations of Refugeeness from Practice-Based Performance Research -- 4. ‘To live well is to story well’: Co-writing and Polyphonic Writing with Denmark’s Asylum Community -- 5. Life in Detention: Journey and Border -- 6. Carceral Witnessing and the Spatial Imagination -- Part II Challenging Representations of Refugees -- 7. ‘She is the meteor and I, her space’: Co-Becoming and Biopolitical Trauma in Chris Abani’s Becoming Abigail -- 8. Unsettled: Narrative Strategies in Exhibitions About the ‘Refugee Crisis’ -- 9. Archaeologies of Nonentity in Aki Kaurismäki’s The Other Side of Hope -- 10. Beyond Objectifying the Humane: Memory in Media and Political Genres -- 11. Wolves in the Sanctuary: Ecopolitics and Forced Migration in the Literature of the Anthropocene -- 12. Remapping the Borderlands of Britain: The Calais “Jungle” and the Enduring Legacy of Imperial Frontier Policing -- .
    Abstract: This book engages with current debates around refugeedom by examining cultural production that represents and interrogates the construction of refugees and the refugee experience on the borders of contemporary Europe. The refugee subject is produced by discursive regimes and border practices inherited from colonial projects that construct the diametrically opposed concepts of citizen and refugee, and their attendant administrative sub-categories. In the early twenty-first century these categories have been strengthened by the politicisation of forced migration and the hardening of ‘Fortress Europe’. While the predominant response to the increasing numbers of refugees seeking asylum in Europe has been to harden the borders (regime), on the one hand, or to stress the common humanity of those displaced (refuge), on the other, this volume argues that both approaches result in refugees becoming objectified, othered, and abstracted as vectors of exile. It explores what recent cultural production can achieve in engaging with and representing issues of dispossession, detention and resettlement, and probes the limits of artistic potential to mediate the refugee experience. It examines transnational approaches to cultural production that both occupy and exceed the borders of Europe, with a focus on borderscapes, spaces of detention, and (neo-)colonialism. Bringing together original contributions from an international range of scholars, it analyses contemporary textual and visual representations of forced migration to argue that other forms of solidarity and hospitality towards refugees in Europe and beyond must be possible. Dr Fiona Barclay is Senior Lecturer in French Studies at the University of Stirling, UK. She has published widely on memories of colonial and postcolonial migration, including Writing Postcolonial France: Haunting, Literature, and the Maghreb (Lanham, MD: Lexington Books, 2011), and France's Colonial Legacies: Memory, Identity and Narrative (Cardiff: University of Wales Press, 2013). Dr Beatrice Ivey is a Learning Designer at the University of Leeds, UK. As a researcher in French and Francophone Studies her work explores the transcultural memory of French colonialism across literatures from France and North Africa.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031472114
    Language: English
    Pages: 1 Online-Ressource(XV, 353 p.)
    Edition: 1st ed. 2024.
    Series Statement: Italian and Italian American Studies
    Parallel Title: Erscheint auch als
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    Keywords: Motion pictures, American.
    Abstract: Chapter 1/Introduction Daniele Fioretti and Fulvio Orsitto -- PART I -THE IMMIGRANT EXPERIENCE :Silent Films -- Chapter 2 Races to the Rescue in an Ethnic Urban Milieu: D.W. Griffith and the Biograph Italian Dramas Irene Lottini -- Chapter 3The Italian (1915) and the Representation of Italian Immigrants in Silent American Cinema Bernard Kuhn Revising Gender and Ethnic Perspectives -- Chapter 4: Italianness and Foundational Masculinity in Edward Dmytryk’s Rendition of Pietro Di Donato’s Christ in Concrete Gloria Pastorino -- Chapter 5 A Sting from the Past: Femininity and Ethnic Roots in Helen De Michiel’s Tarantella (1995) Daniele Fioretti -- Chapter 6: The Celluloid Closet: Sex, Power, and Coming Out Repression of the Italian American Closet in Nunzio’s Second Cousin (1994), Kiss Me, Guido (1997), and Mambo Italiano (2003) Ryan Calabretta-Sajder -- Chapter 7From True Love (1989) to Union Square (2011): Recovering the Exploded Family in Nancy Savoca’s Films Gloria Pastorino -- Chapter 8: A Realistic Tale of Improbable Friendship. Notes on Matthew Bonifacio’s Amexicano (2007) Claudia Peralta and Fulvio Orsitto -- PART II - ITALIAN AMERICANS IN OTHER MEDIA -- Chapter 9: Italian American Gangsters Taking on a New Line of Work in Luc Besson’s The Family (2013) Rosetta Caponetto Giuliani -- Chapter 10: The Transnational Puppet: From Italy and Back Federico Pacchioni -- Chapter 11: Comfortable and Uncomfortable Fictions: Italian Americans in the First Decades of Television Fulvio Orsitto -- Chapter 12: Looking Back, Moving Forward: Italian Americans on Television from the 1970s to the1990s Fulvio Orsitto -- Chapter 13: Italian Americans on Television in the New Millennium: From Small to Smaller Screen(s) Fulvio Orsitto -- Chapter 14: The Goddess and the Huntress: Diana and DC’sHelena Bertinelli Felice Italo Beneduce -- Chapter 15: CNN’s Searching for Italy: Stanley Tucci as Foodways Icon Alan J. Gravano -- Chapter 16: Chef/Cook, Influencer, Mixologist, Travel Host: Stanley Tucci as Everyman Alan J. Gravano -- Chapter 17: An Unlimited Memeiosis of The Godfather: Diachronic and Synchronic Observations of a Pervasive and Ubiquitous Meme Anthony Dion Mitzel -- PART III - INTERVIEWS -- Chapter 18: Interview with Helen De Michiel Daniele Fioretti -- Chapter 19: Interview with Tony Vitale Daniele Fioretti -- Chapter 20: Interview with Michela Musolino Daniele Fioretti -- Chapter 21: Interview with Anthony Julian Tamburri Ryan Calabretta-Sajder.
    Abstract: Italian Americans in Film and Other Media examines the representation of the Italian immigrant experience from D.W. Griffith’s Biograph Italian Dramas (1908-1913) to the present day. Building on the editors’ previous volume Italian Americans in Film, this collection broadens their scope to address marginalized aspects of Italian Americanness, including the work of women directors and depictions of same-sex relationships. The book consists of three parts. Part I, “The Immigrant Experience”, focuses on feature films and is divided into two sections: “Silent Films” (which analyses some of Griffith’s early films and Barker’s The Italian, 1915), and “Revising Gender Perspectives”, which includes chapters focusing on single films – such as Dmytryk’s Christ in Concrete (1949), De Michiel’s Tarantella (1995), and Bonifacio’s Amexicano (2007) – and survey essays that discuss the Italian American ‘celluloid closet’ and some of Savoca’s films. Part II, “Italian Americans in Other Media”, offers a wide range of essays informed by different approaches that investigate the immigrant experience in terms of transmediality and transnationality. The types of media examined in this section include television and graphic novels as well as puppetry, Instagram, and Internet memes. Part III contains interviews with Italian American scholars, movie directors, and performers. Together, the contributions to this collection demonstrate the vitality, mutation, and persistence of Italian Americanness in visual media. Daniele Fioretti is Associate Teaching Professor of Italian at Miami University, USA. He is the author of Utopia and Dystopia in Postwar Italian Literature (2017) and Carte di fabbrica. La narrativa industriale in Italia 1934-1989 (2013). He co-edited the book Italian Americans in Film: Establishing and Challenging Italian American Identities (2022). Fulvio Orsitto is Director of the Georgetown University campus in Fiesole, Italy. He has published more than thirty essays and book chapters on Italian and Italian American literature and cinema, and has edited and co-edited ten volumes, including Pasolini: American Perspectives (2015), TOTalitarian ARTs: The Visual Arts, Fascism(s) and Mass-society (2017), and Italian Americans in Film: Establishing and Challenging Italian American Identities (2022).
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031420306
    Language: English
    Pages: 1 Online-Ressource(IX, 193 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: New Interpretations of Beckett in the Twenty-First Century
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Critical theory. ; Literature ; Continental Philosophy.
    Abstract: Chapter 1: “Beckett. On.” David Lloyd (University of California, Riverside) -- Chapter 2: “‘Where you are worth nothing’: Beckett, Geulincx, and an Ethics of the Miracle,” Gabriel Quigley (New York University) -- Chapter 3: “Philosophy in the Flesh: Feeling, Folly, and Animals in Beckett’s Molloy,” William Broadway (University of Wisconsin-Madison) -- Chapter 4: “GGREY! (Beckett/dialectic),” Rebecca Comay (University of Toronto) -- Chapter 5: “Reading Beckett’s Bilingualism with Jean-François Lyotard and Jacques Rancière,” Nadia Louar (University of Wisconsin-Oshkosh) -- Chapter 6: “Rêve de transfert collective: Beckett’s Resurgent Unanimism,” Jean-Michel Rabaté (University of Pennsylvania) -- Chapter 7: “‘The Golden Moment’: Violence, Escape, and Broken Immanence” Michael Krimper (New York University) -- Chapter 8: “Respirer sans cesse: Proust and Beckett’s Intermissions,” Stefanie Heine (University of Toronto) -- Chapter 9: “The Grammar of Absurdity and Affective Crisis: Reading Anna Burns’ Milkman through Beckett’s Philosophic Comedy,” John Waters (New York University).
    Abstract: “You must go on. I can’t go on. I’ll go on.” These are some of the most quoted lines written by Samuel Beckett, which speak to the impulse of persevering in times of crisis and impossibility. Yet few readers of Beckett agree about what this paradoxical formula could mean, let alone what mode of engagement it would seem to indicate, be it committed, autonomous, or something else entirely. This volume of essays explores what that mode of engagement could be, all the while elucidating the ethical and political stakes of the “ongoing” in both Beckett’s life and work. Across multiple disciplines in the humanities, the authors delve into questions of political subjectivity and representation, the ethics of powerlessness and refusal, the aesthetics of syncopation and destitution, multimedia experiments between genre, as well as Beckett’s wider impact on transnational itineraries of modernism and philosophy up to the contemporary. Michael Krimper teaches in the French and English departments at New York University, USA, where he received his PhD in Comparative Literature. His forthcoming book, Out of Work: The Refusal of Literature from Melville to Blanchot, examines the crystallization of an antiwork aesthetics and politics in late modernist writing and theory. He is also the editor of a recent special issue for the Journal of Beckett Studies that published Beckett’s lost translations on the Marquis de Sade. His articles, reviews, and translations have appeared in New Literary History, diacritics, SubStance, parallax, October, the Journal of Italian Philosophy, and the Los Angeles Review of Books, among other venues. Gabriel Quigley is a doctoral candidate in the Department of Comparative Literature at New York University, USA. Combining comparative modernisms, continental philosophy, and postcolonial theory, his work focuses on retrieving concealed paradigms of possibility and freedom. His articles and translations have been published or are forthcoming in Samuel Beckett Today/Aujourd'hui, French Studies Bulletin, Derrida Today, Critical Inquiry, Journal of Modern Literature, and Interventions: International Journal of Postcolonial Studies.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031472954
    Language: English
    Pages: 1 Online-Ressource(XI, 218 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Literature, Modern ; Children's literature. ; Fiction. ; Youth
    Abstract: Chapter 1. Neo-Victorian Young Adult Narratives -- Chapter 2. Re/Articulated Monstrosity: Mary and her Creature -- Chapter 3. Mash(ed) Up: Maidens, Monsters, and Mad Scientists -- Chapter 4. Illustrative Genii: The Brontës’ Genius -- Chapter 5. The Odd(est) Brontë: Portrait(s) of Emily as a Young Author -- Chapter 6. Irregulars: Sherlockian Youth as Outsiders -- Chapter 7. The Mis(s) Education of Young Women -- Chapter 8. Deviant Young Womanhood: Liminal Queerness, Mad Femininity, and Spectral Subjectivity -- Chapter 9. Things Yet Undone: Encountering the Past through the Present.
    Abstract: Neo-Victorian Young Adult Narratives examines the neo-Victorian themes and motifs currently appearing in young adult fiction—specifically addressing the themes of authorship, sexuality, and criminality in the context of the Victorian age in British and American cultures. This book explicates the complicated relationship between the Victorian past and the turn to Victorian modes of thought on literature, history, and morality. Additionally, Sarah E. Maier aims to determine if the appeal of neo-Victorian young adult fiction rests in or resists nostalgia, parody, and revision. Given the overwhelming prevalence of the Victorian in the young adult genres of biofiction, juvenile writings, gothic, sensation, mystery, and crime fiction, there is much to investigate in terms of the friction between the past and the present. Sarah E. Maier is Professor of English & Comparative Literature at the University of New Brunswick. Her recent publications include work on Ann Lister, the Brontës, neo-Victorian vampires, neo-Victorian Alienists, Maleficent, neo-Gothicism, and Queer Mash-ups. Maier has written A Vindication of the Redhead (2021 Palgrave) with Brenda Ayres, and they have co-edited The Palgrave Handbook of Neo-Victorianism (2023 Palgrave), Neo-Victorian Things (2022 Palgrave), Neo-Disneyism (2022 Lang), The Routledge Handbook of Victorian Scandals in Literature and Culture (2022 Routledge), The Theological Dickens (2022 Routledge), Neo-Victorian Madness (2020 Palgrave), Neo-Gothic Narratives: (2020 Anthem), Animals and Their Children in Victorian Culture (2019 Routledge), and Reinventing Marie Corelli (2019 Anthem). .
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031522093
    Language: English
    Pages: 1 Online-Ressource(IX, 90 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Performing arts. ; Theater. ; Theater ; Theater ; European literature
    Abstract: “This insightful book tells a neglected story: the history of RSC’s Restoration productions. It combines a loving history of RSC past performance, from the 1960s to the present day, with a bold manifesto for the future. Highly recommended!”– Professor Tiffany Stern, The Shakespeare Institute, University of Birmingham, UK Since its 1967 production of Vanbrugh’s The Relapse, the Royal Shakespeare Company has been the world’s leading producer of Restoration Comedies. This book is the first to document and critique the company’s history of engagement with that repertoire. It reviews the spaces in which productions have been performed, design principles, casting, voicing, textual adaptation, musical direction, actor perspectives, and the problems of how to confront, adopt or depart from received notions of Restoration style. It goes on to posit that, for all the RSC’s explorations of Restoration Comedy, the company has maintained the repertoire as a fringe interest played out in niche spaces, while recycling many of the assumptions it claims to challenge, and that what is needed is the writer-led intervention seen in RSC and National Theatre adaptations of French drama from the same period. Only then can Restoration Comedy begin to engage wider audiences in new sites of political, historical and cultural meaning. David Roberts is Professor of English at Birmingham City University, UK. He has published numerous books and articles about Restoration and earlier seventeenth-century theatre, including the monographs The Ladies: Female Patronage of Restoration Drama (1989), Thomas Betterton (2010), Restoration Plays and Players (2014) and George Farquhar: A Migrant Life Reversed (2018), and editions, including Pinacotheca Bettertonaeana: the Library of a Seventeenth-Century Actor (2013), Congreve’s The Way of the World (2020) and An Apology for the Life of Mr Colley Cibber (2022). David has published articles in, among others, Shakespeare Quarterly, ELH, The Cambridge Quarterly, New Theatre Quarterly, The Review of English Studies and The Times Literary Supplement. Recent commissioned chapters include essays for The Oxford Handbook of Shakespeare and Music (2022), The Oxford Handbook of Restoration Literature (2024) and The Palgrave Handbook of Theatre Censorship (2024). .
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    ISBN: 9783031493867
    Language: English
    Pages: 1 Online-Ressource(XIX, 373 p. 3 illus., 1 illus. in color.)
    Edition: 1st ed. 2024.
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    Keywords: Literature ; Literature ; Knowledge, Theory of.
    Abstract: 1: Introduction (Davor Beganović, Zrinka Božić, Andrea Milanko, and Ivana Perica) -- PART I: SYNECDOCHIC PROCEDURES -- 2: Analytical vs Synthetic Theories in 1920s Russia (Aage A. Hansen-Löve) -- 3: The Leopard in the Temple: Svetozar Petrović and the Zagreb School (Predrag Brebanović) -- 4: An Analysis of Cultural Icons: A Synecdochic Procedure (Dagmar Burkhart) -- 5: The Points of No Return: The Avant-Garde and the Institutional Crisis (Marina Protrka Štimec) -- PART II: PROCEDURES OF ACCOUNTABILITY -- 6: Inter-esse: Narrative, Theory, and the Stakes of Literature (Tomislav Brlek) -- 7: Studying Literary Multilingualism, Revisiting National Philology: Post-Imperial East-Central European Literature as a Testing Ground (Stijn Vervaet) -- 8: The Rhetoric of the Unsayable (Renate Lachmann) -- 9: Reading the Cultural Trauma: Újvidék Raid (Nevena Daković) -- PART III: PROCEDURES OF MATERIALISM 172 -- 10: The Economies of Theory and Resistance (Stipe Grgas) -- 11: Procedures of Synthesis: Mannheim’s and Lukács’s Third Ways (Ivana Perica) -- 12: On the Heuristic Validity of Aesthetics: Economy, Media and Power in Arkadij and Boris Strugatskijs’ Monday Begins on Saturday (1965) (Jurij Murašov) -- 13: Justice and Guilt: Death and the Dervish by Meša Selimović (Davor Beganović) -- PART IV: MASTERING PROCEDURE -- 14: Is Literary Theory Possible? Interpreting Crisis, Mastering Procedures (Zrinka Božić) -- 15: Literature’s Theories (Svend Erik Larsen) -- 16: Literary Theory and the Return of the Lyric (Andrea Milanko) -- PART V: RESISTING PROCEDURES -- 17: On Halt! (Vivian Liska) -- 18: Writing the Theoria: Genre occidental, Jean-Luc Nancy and Pascal Quignard, a Footnote to Plato’s Seventh Letter, 344c (Nenad Ivić) -- 19: The Stereoscopic Effects of Theory: Procedures of Contingency or Contingencies of Procedure? Notes on the Relationship Between Speculative Realism and Aleatory Materialism (Aleksandar Mijatović).
    Abstract: This volume explores the state of literary theory today, decades after the repeatedly proclaimed end of theory. It builds on the idea that theory is historically constituted as it is “always becoming something else” as Leslie Fiedler claimed in the 1950s, arguing that the historical constitution of theory relies on theory’s procedural nature. In order to assess theory’s procedural challenge to the fundamental notions that all the disciplines within an episteme have brought to the fore, it addresses these questions: What are the procedures theory has relied on? Are they a secret to its resistance, or is resistance its primary procedure? And if so, a resistance to what? Secondly, if resistance were theory’s principal vehicle, at which point does resistance, conceptualized only procedurally (as resisting something, questioning anything, criticizing whatever), display hallmarks of a disciplinary closure that must call for new resistances, and perhaps for a fundamentally another kind? The book turns to what theory does in order to avoid a partial answer to what theory is. Davor Beganović is Lecturer in the Slavic Department of the University of Tübingen and a Research Fellow at the Slavic Department of the University of Münster, Germany. He is the author of Pripovijedanje bez kraja: "Hrvatska pripovjedačka Bosna" od Ive Andrića do Nebojše Lujanovića (2022). Zrinka Božić is an Associate Professor of Literary Theory and History in the Faculty of Humanities and Social Sciences at the University of Zagreb, Croatia. She is the author of The Community in Avant-Garde Literature and Politics (2022). Andrea Milanko is an Assistant Professor of Literary Theory and History in the Faculty of Humanities and Social Sciences at the University of Zagreb, Croatia. She is the author of Pripovjedna proza Slobodana Novaka (forthcoming). Ivana Perica is Postdoctoral Researcher at the Leibniz Center for Literary and Cultural Research (ZfL), Berlin, Germany, and author of Die privat-öffentliche Achse des Politischen: Das Unvernehmen zwischen Hannah Arendt und Jacques Rancière (2016).
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  • 68
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031415463
    Language: English
    Pages: 1 Online-Ressource(XVII, 232 p. 13 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Journalism. ; Digital media. ; Mass media ; Science
    Abstract: Chapter 1. Journalism and the Smart City -- Chapter 2. Configuring the Case of the Quayside Project -- Chapter 3. Chronicle of a Mediatized Controversy -- Chapter 4. The Quayside Project: Some Reassembly Required./.
    Abstract: “Bob Hanke’s “Smarter Toronto” is an important study of a key event in the recent history of urban planning, technological innovataion and urban journalism. The book masterfully weaves together complex theoretical ideas while remaining readable and deeply engaged with the events it describes. Hanke’s account of Google’s failed Sidewalk project in Toronto should interest anyone concerned with media, urban democracy and the future of cities.” —Will Straw, James McGill Professor of Urban Media Studies, McGill University This book bridges media, technocultural, urban, and journalism studies to examine the role of journalism in relation to a smart city project on Toronto’s waterfront. From the announcement of the public-private partnership called Sidewalk Toronto to the project’s termination, a mediatized controversy unfolded. Through an assemblage approach to this project and a case study of The Globe and Mail and the Toronto Star, it follows the actors and chronicles the Quayside project story as a conversation about the promise and perils of a future “smart” neighbourhood. In the news of Waterfront Toronto, Sidewalk Labs, other actors, events, and developments, there were multiple voices and views, interpretations and arguments, that manifested conflicting interests and values. As a locally situated actor, journalism produced a porous discourse that expressed a proposeand- public pushback movement. This work of articulating mediation conditioned the project’s alteration and dissolution within asymmetrical relations of power. In addition to a wave of opposition that inflected the project’s enactment, a time lag between project time and governmental policymaking made the controversy over this future urban space intractable. With their residual symbolic power, quality journalism contributed to dialogical urban learning. Bob Hanke, a former a faculty member in the Department of Communication & Media Studies, York University, Canada, is currently an independent scholar living in Toronto.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031511608
    Language: English
    Pages: 1 Online-Ressource(XXIII, 122 p. 2 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Journalism. ; Neurosciences. ; Emotions.
    Abstract: Chapter 1-Neurosciences of communication: a multidisciplinary approach -- Chapter 2- Methodology and procedures -- Chapter 3- What our data tells -- Chapter 4- Discussion: the psychophysiological impact of journalism -- Chapter 5- Conclusion.
    Abstract: This book explores the impact of news and literary journalism on human cognition and emotion. Providing an innovative analysis of psycho-physiological measures, including emotional response, perception of pain, and changes in heartbeat, Nery seeks to understand how readers react to journalistic texts. There is a growing enthusiasm in the search for understanding the processing of information, with some already arguing for the establishment of the neuroscience of communication as a new discipline. By combing neuroscience methods with communication research studies, specifically journalistic research and theory, Nery offers us a unique way of exploring and thinking about news, literary journalism, and the brain. Isabel Nery is an award-winning journalist and researcher, with a PhD in Communication Studies. Her previous works include: ‘Sophia de Mello Breyner Andresen’, biography, ‘The 5 Men Who Changed Portugal Forever’, crossed biographies, ‘The Prisoners’, reportage, and ‘Assault to Parliament', about the Portuguese political transition to democracy.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031397875
    Language: English
    Pages: 1 Online-Ressource(XXIX, 293 p. 41 illus., 39 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Media and Environmental Communication
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    Keywords: Art, Modern ; Communication in the environmental sciences. ; Popular Culture.
    Abstract: PART 1: Staging Ice and Ice Stages in Science, Science Communication and Aesthetic Experience -- 1. Communicating Loss: Ice Research, Popular Art and Aesthetics: Introduction -- 2. Ice Stages and Staging Ice -- 3. Movies on Ice: An ArtSci Perspective on Communicating Antarctic Ice in the Climate Emergency -- 4. Here Be Science Show Dragons: Ice, Icons and Metaphoric Approaches to Climate Change Communication -- PART 2 :Ice Exploration: Heroism, Art and Imaginaries -- 5. Ethnography as Racialised Womanhood in the Arctic Writings of Josephine Diebitsch-Peary -- 6. Materiality of Time: Polar Ice as a Medium for Ecological Art for the Tempered Zones -- 7. Sensing Polar Ice Bodies -- 8. Antarctic Science on the Musical Stage -- 9. Icy Love: Performing Affect and Emotion Feeling About Climate Change -- PART 3: Pop Cultural Meanings of Ice in Visual Fiction and Film -- 10. Frozen Balloons: Aeronautic Heroism and Scientific Knowledge Production -- 11. Hard Ice, Soft Snow? Transnationalism, Spectatorship and the Arctic Sublime in Chasing Ice (2011) and Silent Snow (2011) -- 12. Frozen-Ground Cartoons—Revealing the Invisible Ice -- 13. On the Visual Narratives of Ice in Popular Culture: Comics on Ice, Icy Villains and Ice Science -- 14. Melt for Me: Communicating Ice Empathy Through the Plasticity of Disney -- 15. On the Aesthetic Facets of Ice Urgency: Some Final Reflections.-.
    Abstract: "The authors of Communicating Ice tell the stories and stages of ice, showing how its manifold bodies communicate from beyond the schemas of the Western tradition." -Amanda Boetzkes, University of Guelph, Canada "With its well-written analyses, new insights and, not least, uplifting visions of new approaches, collaborations and opportunities, this book is a joy to read." -Kirsten Thisted, University of Copenhagen, Denmark "This book makes a compelling attempt to understand ice not as an object but as an agent with which we must interact differently. Ultimately, the highly recommended volume points to the extreme urgency of political action to curb global warming" -Evi Zemanek, University of Freiburg, Germany "This collection brilliantly illustrates how storytelling and aesthetic presentation are crucial aids to understanding and communicating about objects of scientific inquiry. A timely and vital contribution to the environmental humanities, posthumanism and science communication." - Chris Danta, School of Cybernetics, Australian National University, Australia This edited collection is the first of its kind to explore the influences and interconnections between artistic and scientific understandings of, and communication around (the melting of) ice. This book investigates and clarifies the ecological and cultural implications of losing ice in the face of climate change – from glaciers to permafrost valleys, from scientific excursions into ice to its representation in (popular) art and culture. Bringing together diverse perspectives from research and practice across disciplines and media, this volume pioneers research into the cultural power of ice. Dr Anne Hemkendreis is a Lecturer (Senior Researcher) in the (SFB 948) Heroes – Heroizations - Heroism research group at the University of Freiburg (Germany) and a member of the German Young Academy. Dr Anna-Sophie Jürgens is a Lecturer in Popular Entertainment Studies at the Australian National Centre for the Public Awareness of Science at the Australian National University (ANU) and the Head of Popsicule, ANU's Science in Pop Culture and Entertainment Hub.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031426414
    Language: English
    Pages: 1 Online-Ressource(XV, 293 p. 8 illus., 4 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Animals and Literature
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    Keywords: European literature ; Ecocriticism. ; Poetry. ; Europe ; Animal welfare
    Abstract: Chapter 1. Introduction : Edmund Spenser and Animal Studies -- Chapter 2. Did Edmund Dream of Shorthaired Sheep? -- Chapter 3. Spenser, Marine Life, and the Metaphysics of Extinction: Overfishing and the True Monsters of the Deep -- Chapter 4. The Politics of Hunting: An Aristotelian Reading of Edmund Spenser’s Amoretti 67 -- Chapter 5. Errour’s Repercussions: Dragons, Race, and Animality in The Faerie Queene -- Chapter 6. Spenser’s ‘apish crue’: Aping in Prosopopoia or Mother Hubberds Tale -- Chapter 7. Scorned Little Creatures?: Insects and Genre in Complaints (1591) -- Chapter 8. Spenser’s Parenthetical Butterflies -- Chapter 9. Good to think [with]’: Spenser’s Animals Against Materiality -- Chapter 10. A Fruitful-Headed Beast?: Rhyme in The Faerie Queene -- Chapter 11. Coursers and Courses in The Faerie Queene -- Chapter 12. Spenser’s Wings -- Chapter 13. Coda.
    Abstract: This book is the first extended critical study of the early modern poet Edmund Spenser from the perspective of animal studies. With an introduction situating Spenser in current discussions of animal life and literary form, and early modern animal studies, the book proceeds in four sections: “Animals and Cultural Practices”; “Animals, Slavery, and Race”; “Animals in Complaints”; “Readers and Poetics in The Faerie Queene”. Contributors discuss a broad range of Spenser’s work, putting it into dialogue with a number of early modern discourses, including politics, poetics, and natural history.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031408854
    Language: English
    Pages: 1 Online-Ressource(XVII, 269 p. 2 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    DDC: 306.096
    RVK:
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    Keywords: Ethnology ; Culture. ; Communication in medicine. ; Communication. ; People with disabilities
    Abstract: Chapter 1. Introduction Tafadzwa Rugoho -- Chapter 2. MOBILE MEDIA AND THE SIGN LANGUAGE OF ZIMBABWE’S DEAF COMMUNITY Martin Musengia, Chenjerai Muwanikib and Esther Musengic -- Chapter 3. Girlchild with Disability in Africa: Accessing the Role and opportunities of media for inclusive development. Olayinka Oluwakemi Adeniyi and Theophilus Michael Odaudu -- Chapter 4. MEDIA PORTRAYAL OF DISABILITY AND DISABILITY ISSUES IN NIGERIA: STEREOTYPES AND SOLUTIONS Okechukwu Chukwuma, & Omokhunu Julius -- Chapter 5. Marginalization and Misrepresentation: Framing Disability in Nigeria Olusola John Ogundola & Carol Liebler’s -- Chapter 6. Unpacking Zimbabwean media’s representations of Persons with disabilities (PWDs) vending-a critical social work perspective Tatenda Nhapi -- Chapter 7. Disability, Language and the Media in Zimbabwe: Perspectives of Media Industries towards People with Disabilities Phillipa Mutswanga) -- Chapter 8. SOCIAL MEDIA AND DISABILITY POLITICS IN ZIMBABWE: Should We Celebrate 'liberation' or Resist a New Form of Social Oppression? Kudzai Shava &Isheunoziva Chinyoka -- Chapter 9. The Postcolonial Commodification of Gloria Huang’s Black, Disabled Body: A Case Study in Media Ethics Gia Alexander -- Chapter 10. Medicine Murders, Witchcraft and Humanitarian Mercy: Western Media Portrayals of Albinism in Tanzania Giorgio Brocco -- Chapter 11. Inclusion of persons who use AAC in the media: A South African perspective Samuels, Alecia and Morwane, Refilwe Elizabeth -- Chapter 12. Book chapter Can web 2.0 salvage the gains of disability rights advocacy in Africa? By Nqobani Dube -- Chapter 13. The Voices of Persons with Sensory Impairment versus their Portrayal by Mass Media in Zimbabwe (By Phillipa Mutswanga) -- Chapter 14. Disability in government-controlled media and legislation in Malawi 2012-2019.
    Abstract: This book seeks to expand some of the existing, often western and Global North facing, scholarship in the area of Disability and Media Studies to include African perspectives. Featuring predominantly Africa-based contributors, it studies an array of topics on disability and media in Africa, including issues of social media, media ethics, including marginalised voices in the media, and disability representation in the media. Tafadzwa Rugoho PhD is currently at Vrije Universiteit Amsterdam. He was a lecturer at Great Zimbabwe University in the Department of Development Studies. Tafadzwa holds an MA in Policy Studies, an MSc in Development, an MSc in Strategic Management and a BSc in Sociology. He has authored more than 25 book chapters as well as a number of journal papers on disability issues. Tafadzwa has presented several papers at local and international research conferences in this area over the past five years. Tafadzwa is also a guest lecturer at the University of Pretoria, where he teaches Sexuality and social media. He coauthored a book titled Sexual and Reproductive Health of Adolescents with Disabilities.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031385148
    Language: English
    Pages: 1 Online-Ressource(XVIII, 257 p. 10 illus., 6 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Gender and Cultural Studies in Africa and the Diaspora
    Parallel Title: Erscheint auch als
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    DDC: 306.096
    RVK:
    Keywords: Ethnology ; Culture.
    Abstract: Part I : Literary Representations Of Women And Power -- Chapter 1: Childhood Exposure To Spousal Abuse In Marily Heward Mill’s Cloth Girl -- Chapter 2: Dialectics Of Love And (Maternal) Power In Razinat Mohammed’s A Love Like A Woman’s And Other Stories -- Chapter 3: A Deconstructionist Reading Of Zaynab Alkali’s The Still Born -- Chapter 4: Feminist Imagery And Masculine Energy In Ama Ata Aidoo’s Anowa -- Chapter 5: Motherist Appraisal Of Amma Darko’s Faceless -- Chapter 6: Women’s Portrayal In On Black Sisters Street And The Secret Lives Of Baba Segi’s Wives -- Part 2: African Women And Socio – Linguistic Contexts -- Chapter 7: Women And The Fear Of Mathematics: A Gender Analysis Of The Myths And Realities In An Odl Context -- Chapter 8: Beyond The Tar Of Bottom Power: Rising Above The Sociolinguistic Denigration Of Women’s Success -- Chapter 9: A Pragma-Gender Study Of Select Couples’ Emotive Language -- Chapter 10: Sociolinguistic Analysis Of Inscriptions Of Tricycles In Aba Metropolis, Abia State -- Chapter 11: A Semiotic Study Of Gender Images In War Reports -- Part 3: African Women And Governance -- Chapter 12: Subjugation Of Widowhood: A Lexico-Semantic Analysis Of Bayo Adebowale’s Lonely Days -- Chapter 13: Women’s Legislative Participation In Ghana And Nigeria -- Chapter 14: Women And Spiritual Leadership In Chinua Achebe’s Things Fall Apart And Toni Morrison’s Beloved -- Chapter 15: Theoretical Issues In Gender And African Studies.
    Abstract: “This work opens a vista for an in depth study of a social phenomenon—gender and leadership on the African continent—that has been previously explained using largely agreed language and ideas. The text presents ideas, arguments, insightful analysis, and some alternative ideas and brings some new and well- known works of literature and methods and presents a sound problematization. Gender and Leadership will allow the reader to review and rethink the phenomenon in question and add something interesting to common knowledge.” —Morenikeji Asaaju, University of Birmingham This book provides balanced critical linguistic and literary representations of gender and power relations in Ghanaian and Nigerian texts, contrary to most existing literary and linguistic studies on gender that have either focused on male chauvinism or male emasculation. This text provides novel insight into gender dynamics, liberation and empowerment especially as it relates to language and power in Africa. Mobolanle Sotunsa is a professor of Gender Studies and African Oral Literature at Babcock University, Nigeria. Sotunsa is the coordinator of Gender and African Studies Group, Babcock University (BUGAS). She is also the Director of Babcock University Centre for Open, Distance, and e-learning (BUCODeL). Abiola Sakirat Kalejaiye (PhD) is a lecturer at Babcock University, Ilisan Remo. She teaches language courses both at undergraduate and postgraduate levels. Kalejaiye is a member of Gender and African Studies Group, Babcock University (BUGAS). She is also the commissioned editor of Babcock University Centre for Open, Distance, and e-learning (BUCODeL). Patricia Animah Nyamekye is a lecturer and a Head of Department in Arts and Social Studies at Valley View University, Ghana.
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    ISBN: 9783031407062
    Language: English
    Pages: 1 Online-Ressource(XXVII, 185 p. 5 illus.)
    Edition: 1st ed. 2024.
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    DDC: 302.2344
    Keywords: Radio broadcasting. ; Ethnology ; Culture. ; Journalism. ; Aufsatzsammlung
    Abstract: 1: Introduction_Community and Online Radio as Emerging Frontiers of South African Audio broadcasting: An introduction -- 2: Creating an enabling policy environment for democratic participation through community radio: Perspectives of a practitioner -- 3: Language Revitalization and Community Broadcasting in South Africa: A Case of Vaaltar FM -- 4: The Role of Community Radio in Youth Empowerment: A Case Study of Bush Radio -- 5: Radio Waves of Inclusion: A Practitioner's Perspective on the Catholic Church's Use of Radio Broadcasting for Evangelisation in South Africa -- 6: More than just Edutainment: Indigenous South African community radio music programmes as preservers of African Traditional Cultures -- 7: Radio and social media convergence: Motsweding FM’s use of WhatsApp and the African language digital public sphere -- 8: Radio production in the digital era: lessons from South Africa -- 9: Podcasting Unleashed: Amplifying Indigenous Language Speakers' Agency in South Africa's Shifting Media Terrain -- 10: Evolving trends in radio broadcasting in South Africa: the case of Podcast and Chill with MacG -- 11: Final thoughts_Community Radio and the Digital Milieu: Challenges and Opportunities for the next century of South Africa's Radio Landscape. .
    Abstract: The book brings together media scholars and practitioners to deliberate on the role and influence of radio broadcasting in South Africa over the past 100 years. The publication will add to the existing body of knowledge on radio in this context by being among one of the few to consider radio broadcasting in South Africa. Essentially, the book will make a distinct contribution focusing on a critique of the medium’s role in community-building and culture making among others. While the book will provide relevant theoretical frameworks, it also aims to include the voices of media practitioners who can reflect on the importance of this medium from a more realistic perspective. Volume 2 focuses on the impact of digitization on radio in South Africa, and considers the future of radio in South Africa.
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    ISBN: 9783031407024
    Language: English
    Pages: 1 Online-Ressource(XXXI, 192 p. 7 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    DDC: 302.2344
    Keywords: Radio broadcasting. ; Ethnology ; Culture. ; Journalism. ; Aufsatzsammlung
    Abstract: 1: Introduction_A Century Of South Africa’s Most Renowned Medium -- 2: 100 Years Of Radio In South Africa: A Practitioner’s Reflections On Yesteryear -- 3: The Sound Of Freedom: Radio Freedom As An Instrument Of Social And Political Mobilisation Against An Illegetimate Astate - A Practioner’s Reflection -- 4: Reflecting On Two Decades Of Strategic Choices: A Practitioners Examination Of Sabc Public Service Radio Product Management From 1996-2016 -- 5: Exploring The Radiant Allure: The Impact And Significance Of Star Iconism In Radio Mmabatho And Radio Bop On The South African Media Landscape -- 6: African Language Radio A Locus Of Indigenous Language Revival And Identity Negotiation: A Case Study Of Umhlobo Wenene FM -- 7: Resonating Voices: The Transformative Power Of Xitsonga Radio Stations In Language Preservation And Societal Discourse -- 8: The Shibobos, Dadas, And Dummies: A Reflection On Cultural Nuances, Race, And Gender In Sports And Entertainment Radio Broadcasting -- 9: Storytellers, Curators, Watchdogs And Analysts: A Metajournalistic Discourse Analysis Of South African Radio Broadcasters’ Role In Agenda Setting -- 10: Brave Broken heart? The Story of the Late Radio Journalist Suna Venter -- 11: Concluding Remarks_Radio History, Development, And Impact In South Africa.
    Abstract: The book brings together media scholars and practitioners to deliberate on the role and influence of radio broadcasting in South Africa over the past 100 years. The publication will add to the existing body of knowledge on radio in this context by being among one of the few to consider radio broadcasting in South Africa. Essentially, the book will make a distinct contribution by providing the following: a historical account of the development of the sector, an in-depth look at some of the key people and institutions that have shaped the sector, and a critique of the medium’s role in community-building and culture making among others. While the book will provide relevant theoretical frameworks, it also aims to include the voices of media practitioners who can reflect on the importance of this medium from a more realistic perspective. Volume 1 focuses on South African radio stations and broadcasters in the past and present. .
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 76
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031449109
    Language: English
    Pages: 1 Online-Ressource(XIV, 113 p.)
    Edition: 1st ed. 2024
    Parallel Title: Erscheint auch als
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    Keywords: European literature. ; Literature, Modern ; Literature
    Abstract: This book considers the relationship between sound and silence in the works of Joseph Conrad, along with their ties to Western and non-Western space. Throughout Conrad’s works, a pattern emerges where Western space is associated with sound and non-Western space is associated with silence; similarly, Western space is portrayed as full of objects and activity, whereas non-Western space is portrayed as empty. As these tales progress, though, Conrad’s characters embark on transformational journeys that cause them to reassess the world they live in and sometimes even the nature of the universe. These journeys invariably occur through encountering non-Western space, and during the course of these journeys, the dichotomy between Western space, perceived as replete with sound and activity, and non-Western space, empty of such, blurs such that the fullness of the West is revealed to be simply a surface hiding the emptiness beneath. In the end, both Western and non-Western space are revealed to be absences, as the absence of sound becomes a correlative for the emptiness of space and the emptiness of space becomes a metonym for the cosmological emptiness of nothingness. John G. Peters is University Distinguished Research Professor at the University of North Texas, USA. His books include Joseph Conrad's Critical Reception, The Cambridge Introduction to Joseph Conrad, Conrad and Impressionism, Historical Guide to Joseph Conrad, Conrad's Drama, Joseph Conrad: Contemporary Reviews (volume 2), and the Norton critical edition of Conrad's The Secret Sharer and Other Stories.
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  • 77
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031412226
    Language: English
    Pages: 1 Online-Ressource(XI, 273 p. 21 illus.)
    Edition: 1st ed. 2024
    Parallel Title: Erscheint auch als
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    Keywords: Television broadcasting. ; Motion pictures ; Comedy.
    Abstract: Chapter 1 – Introduction -- Chapter 2 – Precursors and Pioneers: 1940-1960 -- Chapter 3 - The ‘Golden Age’: 1969-1980. Part 1: Racists, Romans and Randy Busmen -- Chapter 4 - The ‘Golden Age’: 1969-1980. Part 2: Soldiers, Shopping and Sexual Frustration -- Chapter 5 – Revival and Revisionism: 1986-2007. Part 1: Global Destruction and Domination -- Chapter 6 – Revival and Revisionism: 2007-2021. Part 2: Schools, Legacies and Mockumentaries -- Chapter 7 – Conclusion.
    Abstract: Stephen Glynn has produced a terrific book on British TV sitcom spinoff films. He writes clearly and concisely and with a demonstrable passion for the subject. He pulls off the difficult trick of bringing an impressive breadth of knowledge to this material while also communicating it in helpful and often amusing ways. -Paul Newland, University of Worcester This book constitutes the first full volume dedicated to an academic analysis of theatrically-released spinoff films derived from British radio and television sitcoms. Regularly maligned as the nadir of British film production and marginalised as a last resort for the financially-bereft industry during the 1970s, this study demonstrates that the sitcom spinoff film has instead been a persistent and important presence in British cinema from the 1940s to the present day, and includes works with distinct artistic merit. Alongside an investigation of the economic imperative underpinning these productions, i.e. the exploitation of a proven product with a ready-made audience, it is argued that, with a longevity stretching from Arthur Askey and his wartime Band Waggon (1940) to the crew of Kurupt FM and their recent People Just Do Nothing: Big in Japan (2021), the British sitcom spinoff can be interpreted as following a full generic ‘life cycle’. Starting with the ‘formative’ stage where works from Hi Gang! (1941) to I Only Arsked! (1958) establish the genre’s characteristics, the spinoff genre moves to its ‘classic’ stage where, secure for form and content, it enjoys considerable popular success with films like Till Death Us Do Part (1969), On the Buses (1971), The Likely Lads (1976) and Rising Damp (1980); the genre’s revival since the late-1990s reveals a more ‘parodic’ final stage, with films like The League of Gentlemen’s Apocalypse (2005) adopting a consciously self-reflective mode. It is also posited that the sitcom spinoff film is a viable source for social history, with the often-stereotypical re-presentations of characters and events an ideological metonym for the concerns of wider British society, notably in issues of class, race, gender and sexuality. Stephen Glynn lectures in Film and Television at De Montfort University, UK. He has published widely on British cinema and genre and previous volumes for Palgrave include The British Pop Music Film (2013), The British School Film (2016) and The British Football Film (2018).
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  • 78
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031404238
    Language: English
    Pages: 1 Online-Ressource(VIII, 112 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Fiction. ; Poetry. ; Literature, Modern ; Narration (Rhetoric). ; European literature.
    Abstract: Chapter 1- Sacrifice, Consciousness, and Narrative Pronoun Shifts -- Chapter 2- May Sinclair and Two Sides of Sacrifice -- Chapter 3 - From Ritual to Narrative in Mary Butts -- Chapter 4 - Mending a Broken Duality in H. D. (Hilda Doolittle).
    Abstract: This book explores sacrifice as a narrative theme and a stylistic strategy in works by May Sinclair, Mary Butts and H. D. It argues that the modernist experiment with pronoun use informs the treatment of acts of sacrifice in the texts, understood both as acts of self-renunciation and as ritual performance. It also suggests that sacrifice, if the conditions are right, can serve as the structure upon which a cohesive community might be built. The book offers in-depth analyses of the three authors and their works, deftly dissecting the modernist narrative experiment to show that it was by no means limited — it was a means by which to approach a wide range of stories and materials. Sanna Melin Schyllert is Visiting Lecturer at Université Sorbonne Nouvelle - Paris 3, France, having previously held posts at Lund University, the University of Westminster, and University College London. Her publications include ‘Sacrifice, Pronoun Shifts and the Creation of Self in H. D.’s Prose Works’ in The Space Between Journal (2019) and ‘Sacrifice, Community and Narrative Power in Mary Butts’s Taverner Novels’ in The Journal of Religious History, Literature and Culture (2016).
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  • 79
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031398964
    Language: English
    Pages: 1 Online-Ressource(XI, 214 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Science and Medicine
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    Keywords: Literature, Modern ; Literature ; Feminism and literature. ; Medicine and the humanities.
    Abstract: Introduction -- 1. The Problem of the Self-Governed Subject in Jane Austen’s Sense and Sensibility -- 2. Embodied Knowing and the Hysteric in Dickens’s Bleak House -- 3. George Eliot’s Middlemarch and the Question of Marriage as Catalyst or Cure -- 4. Hysterical Degeneration and The New Woman in Thomas Hardy’s The Woodlanders -- Epilogue.
    Abstract: Narratives of Women’s Health and Hysteria in the Nineteenth-Century Novel looks extensively at hysteria discourse through medical and sociological texts and examines how this body of work intersects with important cultural debates to define women’s social, physical, and mental health. The book sketches out prominent shifts in cultural reactions to the idea of diffused agency and the prized model of the interiorized, individual person capable of self will and governance. Melissa Rampelli takes up the work of Jane Austen, Charles Dickens, George Eliot, and Thomas Hardy, showing how the authors play with and manipulate stock literary figures to contribute to this dialogue about the causes and cures of women’s hysterical distress.
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  • 80
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031418549
    Language: English
    Pages: 1 Online-Ressource(XVII, 350 p. 4 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Popular music. ; Ethnology ; Culture. ; Popular Culture.
    Abstract: 1: Introduction and Background -- 2: Zimdancehall's Pre-History and Roots -- 3: Zimdancehall and Youth Culture -- 4: The Zimdancehall Underground and Youth Resistance from the Margins -- 5: Zimdancehall Music and the Voices of Zimbabwean Youth -- 6: Say Their Name: Zimdancehall Chanters & the Politics of Representation -- 7: Zimdancehall and The State -- 8: Zimdancehall and Everyday Urbanism -- 9. Zimdancehall's Elite Capture -- 10: Soul Jah Love's Necropolitianism -- 11: Soul Jah Love and Representations of Orphanhood and Motherhood in Zimdancehall -- 12: Soul Jah Love and the Ambivalent Representation of Women in Zimdancehall -- 13: Feminist Zimdancehall's Subversion of Women's Objectification -- 14: Religion and Spirituality in Zimdancehall -- 15: Zimdancehall and Afrofuturism -- 16: Zimdancehall's Future.
    Abstract: Zimdancehall is a musical movement in Zimbabwe that has grown significantly since 2010. The Zimdancehall Revolution brings together critical essays on various aspects of Zimdancehall culture by scholars from diverse disciplines. Traditionally, music critics and senior academics have not taken Zimdancehall seriously, regarding it as vulgar, transient, bubble gum, lacking depth, and in short, a fad. There were also allegations that the lyrics influenced factionalism, incited violence and glorified drug use and unbridled promiscuity among the youth. This book affords this movement the protracted intellectual engagement that it deserves and argues that Zimdancehall is more than just a musical genre but an everyday culture, a way of life. The genre’s close association with the ghetto is telling and enables critics to look at it as a social movement, a revolution, or a raw, petulant and raging disturbance of peace by those who live their lives on the margins. It is, thus, a violent irruption onto the public space by marginalised young people whose presence as artistes creating art from the margins, simultaneously as victims and agents, circulating in a geography that escapes the limits of nationalist ideological and physical territory, in a way subverts communitarian prescriptions and allows young people entry into the world, albeit in a painful, tumultuous and violent way. The essays range from the mapping of the genre’s historical development to theoretical interventions in understanding the genre and its relationship with various aspects of the Zimbabwean society like politics, gender, religion, language, dance, cultural values and other genres.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031395703
    Language: English
    Pages: 1 Online-Ressource(XIV, 230 p. 3 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Animals and Literature
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    Keywords: Literature, Modern ; Ecocriticism. ; Literature ; Animal welfare ; Science
    Abstract: Chapter 1. Introduction: honey, wax, pollination Alexis Harley, La Trobe University, Christopher Harrington, La Trobe University -- Chapter 2. “Science and the Sacred Honeybee in the Nineteenth Century” Diane M. Rodgers, Northern Illinois University -- Chapter 3. “Housewives and Old Wives: sex and superstition in English Beekeeping” Adam Ebert, Mount Mercy University -- Chapter 4. “Unsettling Homes”: Honeybees, Georgiana Molloy and Colonial Beekeeping in Australia Jessica White, University of Adelaide -- Chapter 5. “The Social Insect and the Fashionable Newspaper”: Bee Poetry in the Oracle and World Claire Knowles, La Trobe University -- Chapter 6. “A Nineteenth-Century Beeography: Lucy Peacock’s The Life of a Bee Related by Herself (1800)” Samantha George, University of Hertfordshire -- Chapter 7. “Keats’s Honeybees: Sound, Passion, and Natural Prophecy” Hermione de Almeida, University of Tulsa.-Chapter 8. “Bumblebees and Emily Dickinson” Camilla Chen, Oxford University -- Chapter 9. A Hive Turned Upside Down: Drone Bees and the Chartist Imaginary Christopher Harrington, La Trobe University -- Chapter 10. “Through the Agency of Bees”: Charles Darwin, John Lubbock, and the Secret Lives of Plants and People” Jonathan Smith, University of Michigan -- Chapter 11. “Queens and Drones in Thomas Hardy’s Wessex” Alexis Harley, La Trobe University -- Chapter 12. “The Experimental Eminence of Darwin’s Bees” John Clark, St Andrews University.
    Abstract: "For centuries, humans have invested enormous weight in the symbol of the honey bee. The authors of the meticulously-researched Bees, Science, Sex and Literature in the Long Nineteenth Century show how the symbol changes radically in the literature and culture of the nineteenth-century, as emerging technologies and new biological discoveries clash with long-held agrarian and poetic traditions." —Tammy Horn Potter, author of Bees and America: How the Honey Bee Shaped a Nation The long nineteenth century (1789-1914) has been described as an axial age in the history of both bees and literature. It was the period in which the ecological and agronomic values that are still attributed to bees by modern industrial society were first established, and it was the period in which one bee species (the European honeybee) completed its dispersal to every habitable continent on Earth. At the same time, literature – which would enable, represent and in some cases repress or disavow this radical transformation of bees’ fortunes ­– was undergoing its own set of transformations. Bees, Science, and Sex in the Literature of the Long Nineteenth Century navigates the various developments that occurred in the scientific study of bees and in beekeeping during this period of remarkable change, focusing on the bees themselves, those with whom they lived, and how old and new ideas about bees found expression in an ever-diversifying range of literary media. Ranging across literary forms and genres, the studies in this volume show the ubiquity of bees in nineteenth-century culture, demonstrate the queer specificity of writing about and with bees, and foreground new avenues for research into an animal profoundly implicated in the political, economic, ecological, emotional and aesthetic conditions of the modern world. Alexis Harley lectures in literary studies at La Trobe University, Australia. She is the author of Autobiologies: Charles Darwin and the Natural History of the Self. She has kept honeybees since 2012. Christopher Harrington teaches literary studies at Victoria University in Melbourne. He has published numerous articles on the representation of bees and insects in literature.
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  • 82
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031396465
    Language: English
    Pages: 1 Online-Ressource(XIX, 402 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Creative nonfiction. ; Literature, Modern
    Abstract: 1 Introduction -- 2 Early years, the 1920s; and William Blake -- 3 The 1930s; and John Bunyan -- 4 The 1940s; and Charles Dickens -- 5 The 1950s; and George Meredith -- 6 The 1960s – mid 1970s; and William Morris -- 7 The late 1970s – 1990; and William Blake, revisited -- 8 Conclusion.
    Abstract: “In what is undoubtedly a landmark work, Cranny-Francis has found a cogent and immensely satisfying line through Lindsay’s life and writing. It provides welcome access to Lindsay-fications of five great writers, which will provoke and inspire readers to reassess those writers’ works. I can think of no one better placed to tell Lindsay's story, and Lindsay's story is an important one to tell.” — Henry Stead, University of St Andrews, UK This book offers an in-depth analysis of the work of prolific writer, activist and publisher, Jack Lindsay (1900-1990). It maps the development of his ideas across the twentieth century by reference to the five British writers about whom he published major studies: William Blake, John Bunyan, Charles Dickens, George Meredith and William Morris. At the same time it maps the formation through the twentieth-century of Left cultural politics, which Lindsay repeatedly anticipated in areas such as the fundamental interconnectedness of human beings and the natural world, the formative role of culture in both social and individual being, the crucial role of the senses in embodied being and the rejection of mind/body dualism. Through his analysis Lindsay foretold both the social alienation and the environmental degradation that characterise the beginning of the twenty-first century, while his interdisciplinary research and transdisciplinary analysis provide models for how we might address these critical concerns. Anne Cranny-Francis is Adjunct Professor in the Faculty of Arts and Social Sciences, University of Technology Sydney, Australia. She is known for her work in feminist and gender studies, cultural literacy, popular culture studies, and studies of embodiment, the senses (particularly touch) and human-technology engagement.
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  • 83
    ISBN: 9783031414015
    Language: English
    Pages: 1 Online-Ressource(XIX, 287 p. 22 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Communication in organizations. ; Sustainability. ; Political science.
    Abstract: Chapter 1: Introduction -- Part 1: Theoretical and Empirical Approaches to Communication for Development and Sustainable Social Change in Africa -- Chapter 2: Anchoring Participatory Communication in South Africa’s Municipal Citizen Participation During Integrated Development Planning (IDP) Processes -- Chapter 3: Participatory communication for sustainable development: A study of the Access project in Ghana -- Chapter 4: A theoretical framework towards mutual sustainability communication -- Part 2: Strategic Communication in Governance, Planning and Policy Reforms -- Chapter 5: Exploration of the accentuated value of Strategic Communication Management for Inclusive Citizenry Engagement through governance and sustainability -- Chapter 6: Network Governance as a Catalyst for Sustainable Development on the African Continent -- Chapter 7: Communication Strategies for Community Development: A Study of World Bank SEEFOR-CDDS projects in Ukwa East communities, Abia State, Nigeria -- Part 3: Communication for Social Change, Bottom-up Development and Social Movements in Africa -- Chapter 8: The role of the Sudanese Professionals Association in the Revolution of 2019 towards development and social change -- Chapter 9: Invited and Invented Spaces of Public Participation in South African Local Government: The study of community engagement practices and service delivery protests -- Chapter 10: Movement communication practices of students & the poor: The political economy of communication -- Part 4: Cases Studies in applied Strategic Communication, Development, Social Change and Electoral Reform -- Chapter 11: Public health Communication and Growth -- Chapter 12: Using Digital Technologies in Community Radio to Promote Social Change in Kenya -- Chapter 13: Dwindling Voters’ Turnout and Citizenship Participation: A Political Market Orientation Analysis of Nigeria’s 2015 and 2019 Presidential Elections -- Chapter 14: The Arena Model as a basis for communication strategy formulation for the National Development Plan -- Chapter 15: Concluding Remarks.
    Abstract: This book is the first of its kind within the African region to combine scholarly perspectives from the fields of Strategic Communication Management and Communication for Development and Social Change. It draws insights from scholars across the African continent by unravelling the complementary nature of scholarship between the two fields, through the lens of prevailing governance and sustainability challenges facing African countries, today. This edited volume covers issues that have adversely affected the achievement of goals related to humanitarian upliftment, development and social change for all African nations. Consequently, citizen participation, which lies at the heart of these challenges when considering the question of sustainable governance and policy development for social change in an African context is addressed. To this end, a reflection is also made on various case studies that exist where local citizens do not inform sustainable development programmes, while the promotion of bottom-up development and social change is largely replaced by top-down instrumental action approaches and hemispheric communication instead of strategic communication. Themes explored include: ● Communication for social change, bottom-up development and social movements in the local government sphere ● Strategic communication in governance, planning and policy reforms ● The role of multi-stakeholder partnerships in achieving development of objectives geared towards good governance in Africa ● Public participation, protests, and resistance from 'below' ● Public sector health communications and development ● Media relations, accountability and contested development narratives with the Fourth Estate ● Social media and eParticipation in government development programs. Tsietsi Mmutle is Senior Lecturer at the University of Pretoria in the department of Business Management, he teaches Strategic Communication Management modules at honours and Masters level in the Communication Management unit. Tshepang B. Molale is Senior Lecturer at the University of the Witwatersrand, specializing in communication for development and social change. Olanrewaju Olugbenga Akinola lectures in the Mass Communication department of the Olabisi Onbanjo University, Ago-Iwoye, Nigera. Olebogeng Selebi completed her PhD in Communication Management from the University of Pretoria. She was the host of the first Nobel Prize Dialogue event ever to take place on African soil.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031349027
    Language: English
    Pages: 1 Online-Ressource(XIII, 282 p. 15 illus.)
    Edition: 1st ed. 2024.
    Series Statement: The New Antiquity
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    Keywords: Poetry. ; Classical literature. ; Literature, Ancient. ; Literature, Modern ; European literature. ; History, Ancient.
    Abstract: 1 Introduction -- Part I: Cavafy Reads a Coin -- 2 A golden coin? -- 3 How to read a coin portrait in the early 1900s -- 4 What is a ‘poet-historian’? -- Part II: Cavafy Reads Inscriptions -- 5 ‘Caesarion’ as palimpsest -- 6 ‘In the month of Athyr’: Leucius and his friends -- Part III: Looking at Antiquity from Inside the Empire -- 7 Imperial desires -- 8 A Hellenistic Empire -- 9 How to read Cavafy inside the British Empire.
    Abstract: "Cavafy’s Hellenistic Antiquities is a fascinating and meticulous study of how the Greek poet breathes life into artefacts and textual fragments from the classical past. Kayalis delves deeply into the poems in order to lay bare the extraordinary complexity that hides beneath the surface. His book shows that modern poetry, modern homosexuality and even British imperialism were shaped by encounters with Hellenistic culture." – Stefano Evangelista, Professor of English, University of Oxford "Cavafy’s Hellenistic Antiquities offers an original critique of the poet as a belated antiquarian by redefining his archaeological poetics and aligning them with his Anglophilia and colonial positionality. Kayalis’s revisionist appraisal of Cavafy’s historicism presents compelling new readings of signature poems and forges new connections to overlooked homoerotic and popular sources. A brilliant contribution to Cavafy studies." – Peter Jeffreys, Associate Professor of English, Suffolk University This book reinterprets C. P. Cavafy’s historical and archaeological poetics by correlating his work to major cultural, political and sexualized receptions of antiquity that marked the turn of the 20th century. Focusing on selected poems which stage readings of Hellenistic and late ancient texts and material objects, this study probes the poet's personal library and archive to trace his scholarly sources and scrutinize their contribution to his creative practice. A new understanding of Cavafy's historicism emerges by comparing his poetics to a broad array of discourses and intellectual pursuits of his time; these range from antiquarianism, physiognomy and Egyptomania to cultural appropriations of the classics which sought to legitimate British colonial rule as well as homoerotic desire. As this volume demonstrates, Cavafy embraced antiquarianism as an empathetic and passionate way of relating to the past and shaped it into a method that allowed his poetry to render modern meanings to Hellenistic antiquities. Takis Kayalis is Professor of Modern Greek Literature at the Hellenic Open University, Greece. He has published extensively on nineteenth-century prose and modernist poetry and co-edited Teaching Literature at a Distance: Open, Online and Blended Learning (2010) and Cavafy as World Literature (forthcoming). In 2019 he co-curated the Cavafy Archive’s Digital Collection (Onassis Foundation).
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031498886
    Language: English
    Pages: 1 Online-Ressource(XV, 200 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Science and Medicine
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    Keywords: Poetry. ; Literature, Modern ; Literature, Modern ; Medicine and the humanities. ; Medical Ethics. ; Science
    Abstract: 1. “Poems are Bodies that Remind Us We Have Bodies”—Poetry, Medical Posthumanism, and Ethical Practice -- 2. Entangled Species / Entangled Health: The Inclusive Poetics of Juliana Spahr -- 3. Health Inequity, Structural Racism, and The Trans-Corporeal Ethics of Claudia Rankine’s Investigative Poetics -- 4. Shared Suffering and Chronic Vulnerability in the Poetry of Brian Teare -- 5. Global Health Equity, Community Building, and the Innovative Poetics of Hong and Perez -- 6. Conclusion: Affirmative Medicine: Queer Figurations and Porous Boundaries.
    Abstract: Advancing Medical Posthumanism Through Twenty-First Century American Poetry places contemporary poetics in dialogue with posthumanism and biomedicine in order to create a framework for advancing a posthuman-affirmative ethics within the culture of medical practice. This book makes a case for a posthumanist understanding of the body—one that sees health and illness not as properties possessed by individual bodies, but as processes that connect bodies to their social and natural environment, shaping their capacity to act, think, and feel. Tana Jean Welch demonstrates how contemporary American poetry is specifically poised to develop a pathway toward a posthuman intervention in biomedicine, the field of medical humanities, medical discourse, and the value systems that guide U.S. healthcare in general. Tana Jean Welch is a poet and scholar of medical humanities and contemporary American poetry. She is Associate Professor of Medical Humanities at the Florida State University College of Medicine where she teaches courses in literature, writing, and humanities and serves as Director of the Chapman Humanities and Arts in Medicine Program. Her critical work has been published in MELUS, The Journal of Ecocriticism, Literature and Medicine, and Academic Medicine. She is also the author of the poetry collections In Parachutes Descending (2024) and Latest Volcano (2016). .
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    ISBN: 9783031427718
    Language: English
    Pages: 1 Online-Ressource(XVII, 187 p. 20 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Communication in politics. ; Social media. ; Africa ; Identity politics.
    Abstract: Chapter 1. (Introduction) Election discourse in Africa: Some critical considerations -- Chapter 2. Digital rhetoric of pandemic elections: Toward multilingual multimodal information design -- Chapter 3. Metaphors and metonymies in Akosua cartoons in the Daily Guide on Ghana’s electoral politics: A cognitive linguistic approach -- Chapter 4. An examination of the communicative functions of Nana Addo Dankwa Akufo-Addo’s inaugural addresses -- Chapter 5. Political economy of vigilantism in Ghana’s 2020 general election -- Chapter 6. Social media, and electoral disagreements in Ghana’s election 2020 -- Chapter 7. Dialogic communication on digital platforms as public relations technique: A case of two political parties in Ghana -- Chapter 8. Direct address and ethical performance of political discourse: An analysis of Naana Jane Opoku-Agyemang’s inauguration speech -- Chapter 9. (Afterword) Democracy, education, and public scholarship.
    Abstract: This book explores issues at the intersection of communication and African electoral politics, taking Ghana’s 2020 general election as a focus of investigation. This interdisciplinary volume redresses gaps in the literature by highlighting the relevance of language and communication to electoral politics in Sub-Saharan Africa in the period of a global pandemic. The collection accounts for local influences on election discourse and illustrates how the specific context within which such discourse is enacted informs the linguistic, multimodal and technological choices of sociopolitical actors. The non-Western perspective it adopts extends work on political communication in a context underexplored in the literature and contributes to ongoing critical conversations on the decolonial and postcolonial aspects of communication studies. Drawing on a variety of data, including political speeches, political cartoons, election campaigns and social media posts, the volume not only addresses the dearth of scholarly work on African political communication, but also demonstrates the complexity of such scholarship and its importance to a comprehensive understanding of contemporary research on language and politics. This book enriches academic and public discussions on the future of democracy across the globe from a linguistic or communication perspective, expands scholarly work on African rhetoric and underscores the importance of engaging with diverse knowledge systems, especially non-Western epistemologies. Eliasu Mumuni (Ph.D.) is a Senior Lecturer and the Head of the Department for Communication, Innovation and Technology at the University for Development Studies, Ghana. He is also a Fulbright Scholar at the Appalachian State University. Mark Nartey (Ph.D.) is Lecturer in English Language and Linguistics at the University of the West of England. Ruby Pappoe (Ph.D.) is a Teaching Assistant Professor in Technical Writing at the University of North Carolina, Chapel Hill. Nancy Henaku (Ph.D.) is a Lecturer at the Department of English, University of Ghana. G. Edzordzi Agbozo (Ph.D.) is an Assistant Professor of English at the University of North Carolina Wilmington.
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  • 87
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031146633
    Language: English
    Pages: 1 Online-Ressource(XIII, 283 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in British Musical Theatre
    Parallel Title: Erscheint auch als
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    Keywords: Theater ; Musical theater. ; Cultural industries. ; Theater. ; Theater
    Abstract: 1. Introduction -- 2. Chapter 1: Cosmopolitan musical theatre styles at the Lane (1918-1934) -- 3. Chapter 2: The Drury Lane Musical Theatre Spectacle (1931-1939): “Hearts Splintering in Waltz Time” -- 4. Chapter 3: The Lane and ENSA (Entertainment National Services Association) headquarters (1939) -- 5. Chapter 5: Rodger’s and Hammerstein’s Oklahoma! Carousel and South Pacific: Imported Americana -- 6. Chapter 6: Ruritanian Imperialism in The King and I (1953) -- 7. Chapter 7: Fading Empire and British imitation: Lerner and Loewe -- 8. Chapter 8: Hello Dolly and the resurgence of the British musical the nostalgia of Lost Empire Word -- 9. Epilogue.
    Abstract: This monograph centres on the history of musical theatre in a space of cultural significance for British identity, namely the Theatre Royal, Drury Lane, which housed many prominent American productions from 1920-1970. It argues that during this period Drury Lane was the site of cultural exchanges between Britain and the United States that were a direct result of global engagement in two world wars and the evolution of both countries as imperial powers. The critical and public response to works of musical theatre during this period, particularly the American musical, demonstrates the shifting response by the public to global conflict, the rise of an American Empire in the eyes of the British government, and the ongoing cultural debates about the role of Americans in British public life. By considering the status of Drury Lane as a key site of cultural and political exchanges between the United States and Britain, this study allows us to gain a more complete portrait of the musical’s cultural significance in Britain. Dr. Arianne Johnson Quinn is an archivist, librarian, and scholar. She is currently the Music Special Collections Librarian at the Warren D. Allen Music Library, Florida State University, USA. She holds a Ph.D. in Musicology from Princeton University, and has worked as Digital Archivist and Research Associate for the Noël Coward Archive Trust. Arianne has been on the faculty of the Florida State Honors Program, South Georgia State College and Tallahassee Community College. Her research focuses on the intersections between the American and British musical in London’s West End from 1920-1970, particularly the works of Noël Coward, Kurt Weill, Lerner and Loewe, Irving Berlin, Cole Porter and Rodgers and Hammerstein. .
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  • 88
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031449628
    Language: English
    Pages: 1 Online-Ressource(XVII, 240 p. 29 illus., 28 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Dance. ; Performing arts. ; Theater. ; Theater ; Actors.
    Abstract: 1.Introduction -- 2 The analysis model -- 3. Case Study 1: Melancholy Spirals in Russell Maliphant’s Afterlight (Part One) (2009): Emergence, Expressiveness, and Emotional Import -- 4. Case Study 2: The poignant tensions of Crystal Pite’s Dark Matters (2009): Embodiment, Enaction and Emotion -- 5. Case Study 3: the despair of Petrichor (2016): Choreographer, analyst, audience, dancer -- 6. Conclusion.
    Abstract: This book offers an approach which unites choreographic and spectatorial perspectives, and argues for dance itself—its materials, its structures—as a medium of emotional communication. Contemporary dance often seems to contend with issues of understanding, regularly being “read” in “languages” which alienate it. Even if emotion seems a significant part of people’s engagement with dance, its workings are often surrounded by an air of mysticism. Engaging with these issues, this study investigates the experience of emotion in Euro-American contemporary dance theatre. It questions its dependence on the artist’s personal emotions, and the assumption that it is mediated by representational meaning. Instead, this book proposes that the emotional import of dance emerges from an interplay between perceptual properties and symbolic elements in an embodied affective cognitive experience. This experience includes the background of the spectator as well as the context of work, choreographer, performer(s) and other creative agents. Lucía Piquero Álvarez is a researcher and choreographer - she has produced and been commissioned to create choreographic work internationally. Lucía completed her PhD at the University of Roehampton, UK, in 2019, and was a lecturer in dance at the University of Malta between 2012–2022 and head of the dance department between 2019–2022. Lucía is currently a lecturer in performance psychology at Trinity Laban, UK, and senior lecturer at Dance City Newcastle, UK.
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  • 89
    ISBN: 9783031398926
    Language: English
    Pages: 1 Online-Ressource(XVII, 303 p. 4 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Macmillan Memory Studies
    Parallel Title: Erscheint auch als
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    Keywords: Collective memory. ; Cultural property. ; Ethnology. ; Culture. ; Peace.
    Abstract: CHAPTER 1: Introduction. Mass atrocities, memory and cultural representations in the Global South - Lungile A. Tshuma, Mphathisi Ndlovu and Shepherd Mpofu -- CHAPTER 2: Decolonizing memory studies - Lungile Augustine Tshuma -- CHAPTER 3: The Cold War politics and the dynamics of conflicts in the Global South - Mphathisi Ndlovu and Lungile A. Tshuma -- CHAPTER 4: Resisting oblivion and memory: The destruction of Gukurahundi memorial plaques in Zimbabwe - Shepherd Mpofu and Siphosami Malunga, Executive Director of the Open Society Initiative for Southern Africa (OSISA) and a human rights lawyer -- CHAPTER 5: A Country of Mass Graves: Topography of Death and the Spectrality of Disappearances in Contemporary Mexico - Pedro J Gonzalez Corona, PhD, Assistant Professor - Holocaust Studies, University of Texas at Dallas, USA -- CHAPTER 6: Memories of Nigeria-Biafra War, 1967-1970: A Case of Nsukka Igbo - Ngozika Anthonia Obi-Ani, Senior Lecturer in the Department of History and International Studies, University of Nigeria, Nsukka -- CHAPTER 7: Memoricide, Apologias, and Representation: Centring Rwanda’s ‘Double Genocide’ Discourse in the Present Tense - Nick Mdika Tembo, PhD, Associate Professor and Head of the English Department at the University of Malawi -- CHAPTER 8: Fiction literary texts as sites of alternative memory and archive making. By Gibson Ncube, PhD, Lecturer at Stellenbosch University and Yemurai Gwatirisa, PhD, Senior Lecturer at the University of Zimbabwe -- CHAPTER 9: “Carving their place in history”: Reconstructing Public Memories of Colonial Struggle through Women’s Writing. By Asante Lucy Mtenje, PhD, Associate Professor at University of Malawi -- CHAPTER 10: Genocide, memory work and the falsehood of human rights in postapartheid South Africa - Khanyile Mlotshwa, PhD, Rosa Luxemburg Stiftung (RLS) Global Scholarly Dialogue Programme research fellow -- CHAPTER 11: ‘Witnessing’ and ‘postmemories’ in Gukurahundi Documentary Films: A case study of The Children of the Genocide (2021) - Mphathisi Ndlovu -- CHAPTER 12: Exploring the representation of genocidal rape in Hotel Rwanda (2004) and The Greatest Silence: Rape in the Congo (2007): A gendered perspective - Blessed Ngwenya, PhD, Research Associate at the University of South Africa, and Mcebisi Ngwenya, Independent Researcher -- CHAPTER 13: The constructions of the Homoine massacre in Mozambican mainstream newspapers - Isaias Carlos Fuel, PhD candidate at Universidade Federal do Rio Grande do Sul, Brazil, Alexandre Dinis Zavala, PhD, Lecturer at Escola Superior de Journalismo, Mozambique and Carlos Vitannisso, lecturer at Escola Superior de Journalismo, Mozambique -- CHAPTER 14: On memory-making: Truth telling, reconciliation and peacebuilding in Zimbabwe - Darlington Tshuma, policy analyst and governance specialist/2021 Africa Policy Fellow of the School of Transnational Governance (STG) at the European University Institute in Florence, Italy and Talent Moyo, Lecturer at the Midlands State University, Zimbabwe.
    Abstract: This book explores how popular cultural artifacts, literary texts, commemorative practices and other forms of remembrances are used to convey, transmit and contest memories of mass atrocities in the Global South. Some of these historical atrocities took place during the Cold war. As such, this book unpacks the influence or role of the global powers in conflict in the Global South. Contributors are grappling with a number of issues such as the politics of memorialization, memory conflicts, exhumations, reburials, historical dialogue, peacebuilding and social healing, memory activism, visual representation, transgenerational transmission of memories, and identity politics. Mphathisi Ndlovu is a research fellow at Stellenbosch University (South Africa). Mphathisi is also an Associate Professor of Journalism and Media Studies at the National University of Science and Technology (Zimbabwe). He is also an alumnus of the Alliance for Historical Dialogue and Accountability (AHDA) fellowship at Columbia University's Institute for the Study of Human Rights. Mphathisi holds a PhD in Journalism from Stellenbosch University. His research interests are in collective memory, identity politics and digital cultures. Mphathisi’s works have been published as book chapters, and peer reviewed articles in journals such as Digital Journalism, African Cultural Studies, Journal of Genocide Research, and Nations and Nationalism. Mphathisi is also co-editor of a book titled The Idea of Matabeleland in Digital Spaces: Genealogies, Discourses and EpistemicStruggles (2022). Lungile Augustine Tshuma holds a PhD in Journalism from the University of Johannesburg, South Africa. He is a Senior PostDoctoral Fellow in the Department of Communication and Media at the University of Johannesburg in South Africa. Lungile is also an Associate Professor in the department of Journalism and Media Studies at the National University of Science and Technology (Zimbabwe). His research interests are in journalism, photography and memory. He has published in local and international peer reviewed journals and among them are: African Journalism Studies, Nations and Nationalism, Media Culture and Society, and Journal of Communication Inquiry. Shepherd Mpofu is Associate Professor of Media and Communication at the University of South Africa. He has published several articles on communication, media and journalism in Africa. His body of work covers social media and politics; social media and identity; social media and protests. He is the co-editor of New Journalism Ecologies in East and Southern Africa: Innovations, Participatory and Newsmaking Cultures (Palgrave 2023); Decolonising Media and Communication Studies Education in Sub-Saharan Africa (Routledge 2023) and Mediating Xenophobia In Africa (Palgrave 2020). He is editor of The Politics Of Laughter In The Social Media Age: Perspectives From The Global South (Palgrave Macmillan 2021) and Digital Humour In The COVID-19 Pandemic: Perspectives From The Global South (Palgrave Macmillan 2021).
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  • 90
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031249983
    Language: English
    Pages: 1 Online-Ressource(XIII, 317 p. 2 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Literature ; Comparative literature. ; Collective memory.
    Abstract: Introduction (Takayuki Shonaka, Takahiro Mimura and Shinya Morikawa) -- Part I Early Japanese Influences -- 1 Blithe Spirit: Young Ishiguro’s Contact with Japanese Children’s Culture through Shogakukan’s Graded Educational Magazines (Motoko Sugano) -- 2 Osamu Tezuka’s Astro Boy and Kazuo Ishiguro’s Klara and the Sun (Ria Taketomi) -- Part II Ghosts and Stereotypes -- 3 Constructing Japan with Stereotypes: An Analysis of Kazuo Ishiguro’s ‘A Family Supper’ (Yoshiki Tajiri) -- 4 Envisioned ‘Ghosts Project’: Kazuo Ishiguro’s Imaginary Nagasaki (Megumi Kato) -- 5 The Hidden Ghost Story: Ishiguro, Ugetsu, and Troubled English Belief (Anni Shen) -- Part III War and Responsibilities -- 6 ‘The Shame of Being on the Wrong Side of History’: Defeat and the Failures of Masculinities in An Artist of the Floating World and The Remains of the Day (Kunio Shin) -- 7 Between the A-bombing and Responsibilities for World War II: Changes in the Themes of Ishiguro’s Early Novels (Masako Matsuda) -- 8 The Representation of the Sino-Japanese War and Cosmopolitanism in Empire of the Sun, When We Were Orphans, and My Shanghai, 1942-1946 (Erica Aso) -- Part IV Creative Development -- 9 Tracing the Origin of Kazuo Ishiguro through His Early Song Lyrics (Takayuki Shonaka) -- 10 ‘The Remains’ of Charlotte Brontë in the Early Novels of Kazuo Ishiguro (Hiromi Nagara) -- 11 The Evolution of Stevens towards The Remains of the Day (Shinya Morikawa) -- Part V Past and Future -- 12 Monumental Moments: Narrative Complicity in the Novels of Kazuo Ishiguro (Takahiro Mimura) -- 13 Nonhuman/Posthuman Aspects in Kazuo Ishiguro’s New Millennium Novels (Hiroshi Ikezono). .
    Abstract: This collection of essays offers new perspectives from Japan on Nobel Prize–winning author Kazuo Ishiguro. It analyses the Japanese-born British author from the vantage point of his birthplace, showing how Ishiguro remains greatly indebted to Japanese culture and sensibilities. The influence of Japanese literature and film is evident in Ishiguro’s early novels as he deals with the problem of the atomic bomb and Japan’s war responsibility, yet his later works also engage with folk tales and the modern popular culture of Japan. The chapters consider a range of Japanese influences on Ishiguro and adaptations of Ishiguro’s work, including literary, cinematic and animated representations. The book makes use of newly archived drafts of Ishiguro’s manuscripts at the Harry Ransom Center at the University of Texas to explore the origins of his oeuvre. It also offers sharp, new examinations of Ishiguro’s work in relation to memory studies, especially in relation to Japan. Takayuki Shonaka is Professor in English Literature at Kyoto Women’s University, Japan. His research and teaching expertise are in British and American Culture, Language, and Literature. He is the author of Kazuo Ishiguro: ‘Nihon’ to ‘Igirisu’ no Hazama kara [Kazuo Ishiguro: From Between ‘Japan’ and ‘England’] (2011). Takahiro Mimura is Professor in English at Chiba Institute of Technology, Japan. He studies contemporary English novels especially from the perspective of memory. He is the author of Kazuo Ishiguro Wo Yomu [Reading Kazuo Ishiguro] (2022) and Kioku To Zinbungaku [Memory and the Humanities] (2021). Shinya Morikawa is Professor in English Literature at Hokkai-Gakuen University, Japan. His research interests include contemporary British fiction, international migration novels, and literary stylistics. He is a co-editor of Kazuo Ishiguro No Shisen: Kioku, Souzou, Kyoushu [Kazuo Ishiguro’s Gaze: Memory, Imagination, Nostalgia] (2018). .
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  • 91
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031414442
    Language: English
    Pages: 1 Online-Ressource(XXV, 339 p. 61 illus., 45 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Photography. ; Art, Modern
    Abstract: 1. Introduction - Photography as Collaboration: changing the paradigm on old and new practices in photographic creation and circulation -- Part One. The politics of voice, visibility and identity -- 2. ‘A photography of becoming. Re-imagining the promise of participatory photography through the image of young photographers from refugee and diaspora communities in the UK’ -- 3. ‘” Untitled”: collaborative creation of a photographic record of a psychiatric home’ -- 4. ‘Urban change, politics and photography in post-war Britain’ -- 5. ‘Le ciel par-dessus le toit : Photographing in prison’ -- Part Two. Public display and the distribution of collective projects -- 6. ‘Commercially Unavailable: The Distribution of Participatory Projects’ -- 7. ‘The dominance of single-artist exhibitions in French institutions: is the photographic scene running counter to trend ?’ -- 8. Reflexive Portfolio -- Part Three. Archiving and curating collective practices -- 9. ‘The Jo Spence Memorial Archive’ .-10. “Re-activating the archive: how and for whom?” -- 11. Reflexive Portfolio -- Part Four. Common spaces, collective expressions -- 12. “Mapping local territories through participatory projects .-13. ‘Charged with Collaboration’.-14. Reflexive Portfolio: David Kendall -- Part Five. Towards an ethics of collaboration -- 15. ‘Participatory creation -- 16. ‘Photographic education and the collaboration of resource sharing’ -- 17. Reflexive Portfolio.
    Abstract: This book explores a spectrum of contemporary photographic practices across the fields of image-making, curating, archiving, teaching, community development and activism that have envisioned photography as ontologically and ethically collaborative. By looking specifically into the contexts where collaborative projects are produced and shown, and into the dialogical relation to the people they engage with –in hospitals, in prisons, in working-class neighbourhoods, with indigenous people, refugees, women, persons experiencing homelessness, young people– the contributions from practitioners, scholars, and curators show participatory practices to create the conditions for building new subjectivities, or making visible a multiplicity of identities, thus opening up a new politics of visibility. Therefore, this book specifically addresses the political, counter-cultural dimension of collaborative projects, but also their subversiveness in relation to dominant practices within the field of photography: this includes a reinvention of the position of the photographer –in turns facilitator or project leader– of curating and exhibition models, of archiving methodologies, of photographic education and of market practices. Mathilde Bertrand is Senior Lecturer in the Department of English Studies at Université Bordeaux-Montaigne, France. Her research focuses on the history of independent British photography in the post-war period, particularly on the role of photography collectives, photographic magazines and the community photography movement in fostering a discussion around the politics of representation from the 1970s onwards. She has published in the journals Photography and Culture, LISA e-journal, Revue Française de Civilisation Britannique, and co-edited Ici notre défaite a commencé, on The Miners' Strike, 1984-5 (Syllepses, 2016). Karine Chambefort-Kay is Senior Lecturer in English studies and Visual Culture at Université Paris Est Créteil, France. Her research interests include the cultural, social, and political uses of images in British contemporary society, as well as exhibition and archive policies, and the issues of identity formation, memory and nationalism. She has published on various photographic practices and projects in the UK. She has published in the journals Image and Narrative, InMedia, Revue Française de Civilisation Britannique, and Archivo Papers Journal.
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  • 92
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031406546
    Language: English
    Pages: 1 Online-Ressource(XII, 329 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Culture and Economics
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    Keywords: Literature, Modern ; Literature, Modern ; Motion pictures ; Economic history.
    Abstract: 1. Introduction -- 2. The Financial Gaze -- 3. Film and Financial Ethics -- 4. Film and Financial Time -- 5. Film and 6. Financial Space -- 7. Film and Financial Performance -- 8. Conclusion.
    Abstract: The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life. Alasdair King is Reader in Film in the School of Languages, Linguistics, and Film at Queen Mary University of London, UK. He is the author of Hans Magnus Enzensberger: Writing, Media, Democracy (2007).
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  • 93
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031427985
    Language: English
    Pages: 1 Online-Ressource(XIV, 330 p. 18 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Literary Urban Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Space. ; Culture. ; Art, Modern ; Performing arts. ; Theater. ; Cities and towns
    Abstract: “(Im)mobility, Peripherality, and the City: Theoretical Orientations and Concepts”, Patricia García; Anna-Leena Toivanen (University of Alcalá; University of Eastern Finland) -- “Cihuateteo Wandering: navigating the Mexican Urban Space as a Woman”, Orly Cortés (UAM-Xochimilco) -- “Urban Ambivalence: Work and Home at Delhi’s margins”, Anubhav Pradhan (Indian Institute of Technology Bhilai) -- “The Nomadic Subject in Teju Cole’s Open City”, Aristi Trendel (Le Mans University) -- “Space, Mobility, and Belonging: Finding One’s Way through Pre-Apartheid Johannesburg”, Sophie U. Kriegel (Leipzig University) -- “Moving Upward in the City: Modes of Transport and Social Mobility in New York, My Village: A Novel and Behold the Dreamers", Lena Englund (University of Eastern Finland) -- “Delhi on the Move: a Literary Account on Urban Mobility”, Valentina Barnabei (Ca’ Foscari University of Venice and Heidelberg University) -- “Abject Urban-Rural Mobilities by Public Transport in Ousmane Sembène's "Niiwam" and Yvonne Vera's Without a Name”, Anna-Leena Toivanen (University of Eastern Finland) -- “'We take boundaries very seriously here at Positron!’: Transitions and Liminal Space in Margaret Atwood’s The Heart Goes Last”, Olga Springer (Dublin City University) -- “Space, Borders and Cognition in Urban Diasporic Fiction”, Johan Schimanski (University of Oslo) -- “What Lurks in the Peripheries: The Unusual in Liminal Suburban Territories in Recent Short Story Collections”, Rosa-María Cobo (Universidad de Burgos) -- “Moving on the Fringes of Literary Barcelona: Contemporary Novels from the Catalan Peripheries”, Patricia García (Universidad de Alcalá) -- “Once upon a Queer: Sexual Monstrosity, Sexual Misery and the Metropolis”, Jean-Philippe Imbert (Dublin City University) -- “From the Cartographic Fringes: Map Mobilizations and the Urban”, Tania Rossetto (University of Padova) -- “Narratives of Border Crossing in Kati Horna’s Photographic Tales”, Karla Segura Pantoja (CY Cergy Paris Université) -- “Urban//Rural: An Art Perspective”, Federica Mirra (Birmingham City University) -- “The (Political) Power of Not Moving”, Inga Iwasiów and Maciej Kowalewski (University of Szczecin).
    Abstract: Urban Mobilities in Literature and Art Activism explores the entwinement of mobility and immobility in urban spaces by focusing on their representation in literary narratives but also in visual and performing arts. Across a range of geographical contexts, this volume builds on the new mobilities paradigm developed by literary scholars, sociologists and human geographers. The different chapters employ a cohesive framework that is sensitive to the intersecting dimensions of power and discrimination that shape urban kinetic features. The contributions are divided into three sections, each of which places the focus on a different aspect of urban mobility: Itinerant Subjects, Modes of Transport and Places of Transit, and Urban Liminalities. Patricia García is a senior researcher in Literary Theory and Comparative Literature at the Universidad de Alcalá (Spain), where she currently leads a Ramón y Cajal project on urban peripheries in contemporary literature (2020-2025, Ministerio de Universidades, ES and European Social Fund) . Her research focuses on literary urban spaces, which she analyzes at their intersections with peripherality, gender and with representations of the supernatural. She is the author of The Urban Fantastic in Nineteenth-Century European Literature (Palgrave, 2021) and Space and the Postmodern Fantastic in Contemporary Literature (Routledge, 2015). She has held fellowships and research grants from the Netherlands Institute for Advanced Study, the Helsinki Collegium for Advanced Studies and the British Academy. She directs the network Fringe Urban Narratives (urbanfringes.com). She is the Vice-President of ALUS: Association for Literary Urban Studies, a member of the Executive Committees of the European Society of Comparative Literature and part of the editorial board of BRUMAL: Research Journal on the Fantastic. She is co-editor of the Palgrave series Literary Urban Studies. Anna-Leena Toivanen is Academy Research Fellow at the School of Humanities at the University of Eastern Finland. Her current research project, funded by the Academy of Finland (2021-2025), focuses on the poetics of mobility in Francophone African literatures. She has held a Marie Skłodowska-Curie Individual Fellowship at the University of Liège (2017-2019). Her monograph Mobilities and Cosmopolitanisms in African and Afrodiasporic Literatures was published by Brill in 2021, and she is currently working on her second book entitled Afroeuropean Mobilities in Francophone African Literatures (Palgrave Macmillan) She acts as the literary studies subject editor of the Nordic Journal of African Studies and has previously acted as the editor-in-chief of the Finnish literary studies journal Avain (2018-2019). She is in the editorial board of Mobility Humanities. She has co-edited a special issue entitled “European Peripheries” for the Journal of Postcolonial Writing (2021) and is currently guest-editing a special issue on public transport in African literatures for English Studies in Africa (forthcoming in 2024).
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  • 94
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031301797
    Language: English
    Pages: 1 Online-Ressource(XVII, 264 p.)
    Edition: 1st ed. 2024.
    Series Statement: American Literature Readings in the 21st Century
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    Keywords: America ; Ethnology ; Culture. ; Race. ; Globalization. ; Emigration and immigration.
    Abstract: Introduction: Beyond Borders. Inclusion and Exclusion in American Culture -- Isamu: Becoming Nisei -- Part I. Perpetuating Otherness. Relocation to the Outside Within -- “Don’t Fence Me In”: Interiorized Outsides and Japanese American Concentration Camps -- The Resonance of the Hostage Crisis in Funny in Farsi: A Memoir of Growing up Iranian in America (2004) and the Limits of Hospitality -- Cartographies of Inclusion/Exclusion and Contested Belongings in Raquel Cepeda’s Bird of Paradise: How I Became a Latina -- Part II. Beyond Sovereign Frames: Contesting Imaginaries and National Myths -- Foreigners in their Own Land: Nathaniel Hawthorne and the Creation of Tolerated Strangers -- E Pluribus Unum?: Disintegrating the Melting Pot Myth in American Science Fiction Narratives of National Fragmentation -- Inhospitable Homelands: Practices of Inclusion and Exclusion in African American War Narratives -- Monsters or Men?: Guillermo del Toro’s Allegories of American Othering in The Shape of Water -- Part III. Welcoming the Stranger Inside?: Exclusive Inclusion in the Age of Neoliberalism -- Strangers in the Homeland: Dystopic (in)Hospitality in McCarthy’s The Road -- Riding the Beast: Of Borders, Aliens, and Hospitality in Valeria Luiselli’s Lost Children Archive (2019) and Tell Me How It Ends (2017) -- Grief, Hospitality, and the Frontier in Chloé Zhao’s Nomadland (2020) -- Nonsecular Thirdspaces in Ayad Akhtar’s American Dervish and Homeland Elegies -- The Ugly Guy (Novel Excerpt).
    Abstract: American Borders: Inclusion and Exclusion in US Culture provides an overview of American culture produced in a range of contexts, from the founding of the nation to the age of globalization and neoliberalism, in order to understand the diverse literary landscapes of the United States from a twenty-first century perspective. The authors confront American exceptionalism, discourses on freedom and democracy, and US foundational narratives by reassessing the literary canon and exploring ethnic literature, culture, and film with a focus on identity and exclusion. Their contributions envision different manifestations of conviviality and estrangement and deconstruct neoliberal slogans, analyzing hospitable inclusion in relation to national history and ideologies. By looking at representations of foreignness and conditional belonging in literature and film from different ethnic traditions, the volume fleshes out a new border dialectic that conveys the heterogeneity of American boundaries beyond the opposition inside/outside. Paula Barba Guerrero is Assistant Professor of American Literature and Culture at Universidad de Salamanca, Spain. Her research interests include African American literature, space studies, memory, nostalgia, and speculative fiction. Mónica Fernández Jiménez holds a PhD in English from the University of Valladolid, Spain, and currently works as a translator in England. Her research interests include Caribbean literature, Postcolonial Studies, American imperialism, and ecocriticism.
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  • 95
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031419393
    Language: English
    Pages: 1 Online-Ressource(XIV, 203 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Journalism. ; Digital media.
    Abstract: Part I -- Chapter 1 Hybrid Investigative Journalism During Times of Crisis, Maria Konow-Lund, Michelle Park and Saba Bebawi -- Part II -- Chapter 2 Making Investigative Journalism in a Hybrid Manner, Maria Konow-Lund and Michelle Park -- Chapter 3 Bristol Cable – A Local Hybrid Organisation, Maria Konow-Lund -- Chapter 4 The Bureau Local – A Hybrid Network for Local Collaborative Investigative Journalism, Michelle Park and Maria Konow-Lund -- Chapter 5 The Korea Center for Investigative Journalism – A Hybrid Nonprofit Funding Model, Michelle Park and Maria Konow-Lund -- Chapter 6 A Hybrid Investigative Ecology, Maria Konow-Lund and Michelle Park -- Part III -- Chapter 7 Global Investigative Collaboration, Maria Konow-Lund and Saba Bebawi -- Chapter 8 How a COVID-19 Live Tracker Led to Innovation in Investigative Journalism, Maria Konow-Lund and Jenny Wiik -- Chapter 9 How COVID-19 Affected the Practice of Investigative Journalism in Norway and China, Maria Konow-Lund, Lin Pan and Eva-Karin Olsson Gardell -- Chapter 10 Toward a Hybrid Future for Investigative Journalism, Maria Konow-Lund, Michelle Park, Saba Bebawi.
    Abstract: “[…]essential reading for anyone who believes in the importance of investigative journalism in holding the powerful to account.” —Richard Sambrook, Emeritus Professor, Cardiff University, UK and Co-Chair of The Bureau of Investigative Journalism, UK “A fantastic, timely and comprehensive look at the current state and challenges of investigative journalism.” —Henrik Örnebring, Professor of Media and Communication, Karlstad University, Sweden and winner of the 2023 AEJMC James A. Tankard Book Award This open access book is a rare example of the ethnographic study of investigative journalism. This book explores entrepreneurial attempts to combine traditional investigative journalism with alternative ways of organising this work. It transcends watershed investigative projects in favour of the ways in which new actors (citizens, technologists, bloggers and local reporters, among others) join experienced investigative journalists in experiments with the practices of watchdog journalism in the digital era. Cases include Bristol Cable, Bureau Local and the Korea Center for Investigative Journalism, as well as Forbidden Stories. The book also includes two chapters on the impact of COVID-19 upon the development of cross-disciplinary work in a traditional newsroom and in the larger media ecosystems of both Norway and China. This is a timely book for journalism students, scholars and investigative reporters, who share a passion for this form of journalism. Maria Konow-Lund is a professor at Oslo Metropolitan University. She was Marie Skłodowska-Curie fellow at Cardiff University (2017-2019). Her recent work focuses on investigative journalism, terror coverage, practice during COVID-19, and changing roles. Michelle Park and was recently awarded her PhD degree by the School of Journalism, Media and Culture at Cardiff University, UK, after working as a newspaper reporter in the USA. Saba Bebawi is Head of the Journalism and Writing discipline in the School of Communication at the University of Technology Sydney (UTS). .
    Note: Open Access
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  • 96
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031401572
    Language: English
    Pages: 1 Online-Ressource(X, 261 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Shakespeare Studies
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    Keywords: European literature ; Drama. ; Literature
    Abstract: 1 Introduction -- 2 The Majesty of Kingship: Spectacular and Sacred Sovereign Power -- 3 “The Bloody Proclamation to Escape”: Edgar and Romantic Outlawry -- 4 Dividing Between Daughters -- 5 Lear’s Redemption -- 6 Conclusion: Lear’s Shadow, Office Today -- Index.
    Abstract: This book advances five original readings of Shakespeare's King Lear, influenced by Giorgio Agamben, but tempered by primary research into Jacobean literature, law, religion, and philosophy. To grasp Lear’s encounter between politics and identity, the play demands a wider understanding of the religious influence on political thought. As Lear himself realises, sovereignty is an extreme, glamorous example of a deeper category: sacred office. Lear also shows duty intersecting with a hierarchy of bastards, outlaws, women, waifs, and monks. This book introduces concepts like petit treason, civil death, and waivery into political theological studies, complicating Agamben’s models. Goneril’s treason shows the sovereign’s consort and children are consecrated lives too. Lear’s crisis of "self-knowing" stages a landmark critique of office. The promise of his poignant speech before the prison is foreclosed by Shakespeare's invention: an officer dutifully murdering Cordelia. This book’s conclusion, through Hannah Arendt, reconsiders Lear’s persistent association with the Holocaust. Dr Alexander Thom is a Leverhulme Early Career Fellow in the School of English, University of Leeds, UK. His postdoctoral research focuses on the displaced in English Renaissance drama. This book is based on his Midlands3Cities AHRC doctorate, which was awarded in 2020 by the Shakespeare Institute, University of Birmingham, UK.
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  • 97
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031364419
    Language: English
    Pages: 1 Online-Ressource(XIII, 286 p. 3 illus., 2 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Journalism. ; Communication in politics. ; Ethnology ; Culture.
    Abstract: 1. Introduction. Not Authoritarian, but Not Yet Democratic: the Mexican authoritarian legacies in media and politics. Volume editors -- Part 1. Media Systems, Regulation and Historical Antecedents: Explaining Continuities -- 2. Media Systems in Unconsolidated Democracies: the case of Mexico. Manuel Alejandro Guerrero -- 3. Challenges in Protecting Freedom of Expression in Mexico: 20 years of progress with poor results. Salvador de Leon Vazquez. -- 4. The Salinas Years, 1988-1994: Watershed in the opening of Mexico's print media?. Andrew Paxman -- Part 2. The Burden of Being a Journalist in Mexico: Risk, Security and Censorship -- 5. Surviving Mexico's Peripheries: limits and constraints among journalists in the Twenty-First Century. Celeste Gonzalez de Bustamente & Jeannine Relly -- 6. Still Dreaming of Democracy: How professional norms from the political opening shape risk and resilience today. Sallie Hughes -- 7. Defective Democracy, Erosion of Freedom of Press, and the Perils of Being a Journalist in Mexico Two Decades After the Democratic Transition. Ruben Arnoldo Gonzalez, Osiris S. Gonzales-Galvan -- 8. AMLO and Freedom of the Press: The struggle between conflicting visions of communicative strategies in Mexico. Stuart Davis & Melissa Santillana -- Part 3. Post-Authoritarian Media Performance: Actors and Representations in Dispute -- 9. Mediatization in post-authoritarian democracies: 20 years of media logic in Mexican press. Martin Echeverria -- 10. Press and Civil Society: Alliance and mistrust in Mexican transition to democracy. Grisel Salazar -- 11. Television Political Satire and the Mexican Democratic Transition. Frida V. Rodelo.
    Abstract: This volume presents an analytical and empirical overview of the array of issues that the Mexican media faces in the post-authoritarian age, which jointly explains how a partially accomplished democracy, its authoritarian inertias, and its unintended consequences hinder the democratic performance of the media. This is analyzed from three points of view: the stalemate Mexican media system and ineffective regulations, the conditions of risk and insecurity of the journalists on the field, and the limits of freedom of expression, political substance, and inclusiveness of media content. A binational effort, with research from US and Mexican authors, a wide analytic perspective is provided on the macro, meso, and micro levels, allowing for a deep conceptual richness and a comprehensive understanding of the Mexican case. With leading researchers in the field, the volume revolves around the problems of the media in post-authoritarian democracies. By answering the questions of how and why the Mexican media has not fully democratized, the works encompassed here can resonate with and are relevant to other post-authoritarian countries and academic disciplines. Martin Echeverria is Full-Professor at the Centre for Studies in Political Communication, Institute of Government Sciences and Strategic Development, Benemerita Universidad Autonoma de Puebla, Mexico. Ruben Arnoldo Gonzalez is Full-Professor at the Centre for Studies in Political Communication, Institute of Government Sciences and Strategic Development, Benemerita Universidad Autonoma de Puebla, Mexico.
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  • 98
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031443008
    Language: English
    Pages: 1 Online-Ressource(XV, 173 p.)
    Edition: 1st ed. 2024.
    Series Statement: American Literature Readings in the 21st Century
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    Keywords: America ; Literature, Modern ; Cities and towns
    Abstract: Introduction -- 1 Post-Civil War Stories -- 2 Art, Music, and Language -- 3 Postbellum Transitions -- 4 The “Protomodern” City -- 5 New Orleans and Chopin’s Novels -- Conclusion.
    Abstract: This book examines selected short stories and novels by Kate Chopin through the lens of the city of New Orleans. Chopin’s depictions of and references to New Orleans celebrate the vibrancy of this unique American city, but also illustrate the complex, interdependent relationships defined within its coded system of racial, gendered, and class designations. These stories feature canny depictions of the complexity of human struggles for freedom as well as love within this nineteenth-century southern city. While Chopin has been highly regarded as a local color writer and especially as a feminist literary icon, this book shows how the author’s “city” stories also point to her sophistication as an author who perceived the shifting literary landscape, and it identifies the ways many of these stories’ protomodernist elements anticipate the advent of the Modern era.
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  • 99
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031416446
    Language: English
    Pages: 1 Online-Ressource(XI, 266 p. 17 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Music and Literature
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    Keywords: Comparative literature. ; Literature. ; Music ; Culture. ; Civilization ; World politics.
    Abstract: 1. Introduction -- Section I: General Perspectives -- “National Anthems in the Nineteenth-Century: Honor Anthems vs. Revolutionary Anthems” -- 2. “What to Sing? Anthems and the Problems of National Building” -- 3. “A Connected History of Republican Anthems: Independence, Decolonization and Nationalism” -- 4. “The Voices of the Nation. The Form and Content of National Anthems” -- 5. “Resounding Nations: Anthems in Europe at War (1936-1945)” -- 6. “Songs of Redemption: A Comparison of the Anthems of European Substate Nationalisms in the Long Twentieth Century” -- Section II Case Studies -- “The National Anthem’s Moment” -- 7. “Globalization of the National Anthem: The Case of Japan and the Japanese Empire in Asia -- 8. “Displaced national anthems: An Example from Iran” -- 9. “Anthems in Schools: Negotiating National and Youth Identities in a Bilingual Florida Elementary School”. .
    Abstract: Music, Words and Nationalism: National Anthems and Songs in the Modern Era considers the concept of nationalism from 1780 to 2020 through anthems and national songs as symbolic and representative elements of the national identity of individuals, peoples, or collectivities. The volume shows that both the words and music of these works reveal a great deal about the defining features of a nation, its political and cultural history, and its self-perception. The book takes an interdisciplinary approach that provides a better understanding of the role of national anthems and songs in the expression of national identities and nationalistic goals. From this perspective, the relationship between hymns and political contexts, their own symbolic content (both literary and musical) and the role of specific hymns in the construction of national sentiments are surveyed. Javier Moreno-Luzón is Professor of Political History at the Complutense University of Madrid, Spain. He is a specialist in the political life of Modern Spain. He has published several books in English including: Modernizing the Nation: Spain during the Reign of Alfonso XIII, 1902-1931 (2012); Metaphors of Spain: Representations of Spanish National Identity in the 20th Century (with Xosé M. Núñez Seixas, eds., 2017); and The Politics of Representation: Elections and Parliamentarism in Portugal and Spain, 1875–1926 (with Pedro Tavares de Almeida, eds., 2017). María Nagore-Ferrer is Associate Professor in Musicology at the Complutense University of Madrid, Spain. Her main area of research is Spanish music in the nineteenth and twentieth centuries. She is the author of several books, including La revolución coral (2001) and Sarasate, el violín de Europa (2013), as well as numerous articles published in national and international journals.
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  • 100
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031407918
    Language: English
    Pages: 1 Online-Ressource(IX, 245 p. 4 illus.)
    Edition: 1st ed. 2024.
    Series Statement: New Directions in Irish and Irish American Literature
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    Keywords: Literature, Modern ; European literature. ; America ; Emigration and immigration. ; Women ; Literature
    Abstract: Section I: Irish American Women’s Activism (1880-1920) -- 1. Fanny Parnell: The Songstress of the Land League -- 2. Mother Jones, Elizabeth Gurley Flynn, and Famine Memory -- 3. Kate Kennedy, Irish Famine Refugee, American Feminist -- Section II: Famine Memory and Irish American Women’s Writing -- 4. From Regional Remembrance to Transatlantic Heritage: the Transportability of Famine memory in Fiction by Mary Anne Sadlier, Anna Dorsey and Alice Nolan -- 5. Margaret Dixon McDougall’s The Days of a Life (1883); an Irish-Canadian Perspective of the Repetitive Nature of Irish History -- Section III: The Global Famine Diaspora: Mary Anne Sadlier and Her Contemporary Female Authors -- 6. Irish Catholic and Irish Protestant Women Writers’ Perceptions of the Famine Migration and Resettlement in British North America -- 7. Sentimentally Irish, Racially White: The Balancing Act of Irish-American Identity in the Novels of Sadlier and Meany.
    Abstract: The Famine Diaspora and Irish-American Women’s Writing considers the works of eleven North-American female authors who wrote for or descended from the Irish Famine generation: Anna Dorsey, Christine Faber, Elizabeth Gurley Flynn, Mother Jones, Kate Kennedy, Margaret Dixon McDougall, Mary Meaney, Alice Nolan, Fanny Parnell, Mary Anne Sadlier, and Elizabeth Hely Walshe. This collection examines the ways the writings of these women contributed significantly to the construction of Irish North-American identities, and played a crucial role in the dissemination of Famine memories transgenerationally as well as transnationally. The included annotated excerpts from these women writers’ works and the accompanying essays by prominent international scholars offer insights on the sociopolitical position of the Irish in North America, their connections with the homeland, women’s activities in transnational (often Catholic) publishing networks and women writers’ mediation of Ireland’s cultural heritage. Furthermore, the volume illustrates the generic variety of Irish-American women’s writing of the Famine generation, which comprises political treatises, novels, short stories and poetry, and bears witness to these female authors’ profound engagement with political and social issues, such as the conditions of the poor and woman’s vote. Marguérite Corporaal is Full Professor of Irish Literature in Transnational Contexts at Radboud University, the Netherlands. She was PI of Relocated Remembrance: The Great Famine in Irish (Diaspora) Fiction, 1847–1921), is a NWO-VICI grant recipient for her project Redefining the Region (2019-24), and PI of Heritages of Hunger, a Dutch research council-funded NWO-NWA project (2019-24). She is the author of Relocated Memories of the Great Famine in Irish and Diaspora Fiction, 1847–70 (2017). Dr. Jason King is Academic Coordinator of the Irish Heritage Trust and National Famine Museum, Strokestown Park, and a member of the Government of Ireland National Famine Commemoration Committee. His recent publications with Christine Kinealy and Gerard Moran include More Heroes of Ireland’s Great Hunger Heroes of Ireland’s Great Hunger (2022, 2021) and Irish Famine Migration Narratives: Eyewitness Testimonies, vol II, The History of the Irish Famine (2019). Peter D. O’Neill is Associate Professor in Comparative Literature and Intercultural Studies at the University of Georgia, USA. With David Lloyd, he co-edited an essay collection, The Black and Green Atlantic: Crosscurrents of the African and Irish Diasporas, (Palgrave Macmillan; 2009). His award-winning book, Famine Irish and the American Racial State, was published in paperback in 2019. .
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