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  • BSZ  (2,101)
  • Regensburg UB  (500)
  • USA  (2,348)
  • General works  (1,220)
  • American Studies  (1,174)
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  • 1
    Language: English
    Series Statement: Transatlantic perspectives ...
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    Keywords: Aufsatzsammlung ; USA ; Nationalbewusstsein
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  • 2
    Language: German
    Pages: TIFF, 300 dpi, Farbe; Digitalisierungsvorlage: Primärausgabe
    Edition: Online-Ausgabe Greifswald Universitätsbibliothek 2021 Digitalisierte Drucke der Universitätsbibliothek Greifswald
    Parallel Title: Elektronische Reproduktion von Lutz, Hartmut, 1945 - "Indianer" und "Native Americans"
    Dissertation note: Habilitationsschrift Universität Osnabrück 1982
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    Keywords: Hochschulschrift ; USA ; Literatur ; Indianer ; Indianer ; Literatur ; Deutsch ; USA ; Indianer ; Indianer ; Literatur ; Indianer ; USA ; Kultur ; Geschichte 1500-1985 ; USA ; Literatur ; Indianer ; Geschichte 1700-1985 ; Indianer ; USA ; Sozialgeschichte 1500-1985 ; Indianer ; USA ; Stereotyp ; Indianer ; Geschichte ; Deutschland ; Stereotyp ; Indianer ; Geschichte
    Note: Erscheinungsjahr aus dem Vorwort ermittelt , UB Greifswald , Maschinenschrift
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  • 3
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 4
    Book
    Book
    New York, NY ; London : Routledge, Taylor & Francis Group
    ISBN: 9780367568245 , 0367568241 , 9780367568283 , 0367568284
    Language: English
    Pages: X, 450 Seiten , Illustrationen
    Edition: Second edition
    Parallel Title: Erscheint auch als
    DDC: 302.23/45
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    Keywords: Streaming ; Fernsehanstalt ; Fernsehkanal ; USA ; Television viewers / Effect of technological innovations on ; Television broadcasting / Technological innovations / United States ; Streaming technology (Telecommunications) ; Streaming technology (Telecommunications) ; Television broadcasting / Technological innovations ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Fernsehanstalt ; Fernsehkanal ; Streaming
    Note: Includes bibliographical references and index
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  • 5
    ISBN: 9782845979420
    Language: French
    Pages: 478 Seiten , Illustrationen
    DDC: 306.768
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    Keywords: Geschichte 1900-2000 ; American Transgender network ; History ; Fotografie ; Transgender ; Transsexualität ; Netzwerk ; USA ; Ausstellungskatalog 03.07.2023-24.09.2023 ; Ausstellungskatalog Art Gallery of Ontario 23.12.2023-14.04.2024 ; Bildband ; Ausstellungskatalog 03.07.2023-24.09.2023 ; Ausstellungskatalog Art Gallery of Ontario 23.12.2023-14.04.2024 ; Bildband ; Bildband ; Ausstellungskatalog Art Gallery of Ontario 23.12.2023-14.04.2024 ; Transgender ; Transsexualität ; Fotografie ; USA ; Netzwerk ; Geschichte 1900-2000
    Abstract: En 2004, à New York, 340 photographies datant du début des années 1960 sont retrouvées aux puces. Ces clichés d'amateurs révèlent un vaste réseau clandestin de travestis entre les Etats-Unis et le Canada. Susanna accueillait fréquemment des amis travestis dans sa propriété des Catskill. La photographie leur permet alors de conserver une trace de leur fille intérieure
    Note: Impressum: Cet ouvrage est publié à l'occasion de l'exposition "Casa Susanna", présentée aux Rencontres d'Arles du 3 juillet au 24 septembre 2023, puis à l'Art Gallery of Ontario du 23 décembre 2023 au 14 avril 2024
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  • 6
    ISBN: 3-8252-5704-5 , 978-3-8252-5704-0
    Language: German
    Pages: 344 Seiten : , Diagramme ; , 21.5 cm x 15 cm.
    Series Statement: UTB utb-Nr. 5704
    Series Statement: UTB
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.230973
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    Keywords: Medien. ; Social Media. ; Massenmedien. ; Medienpolitik. ; Medienrecht. ; Medienökonomie. ; Medienkonsum. ; USA. ; 1050: Einführungen und Grundlegungen ; 1100: Studien- und Arbeitsbücher ; 1550: Grundlagen (Bachelor) ; 1600: Vertiefung (Master) ; 2240: Medien- und Kommunikationswissenschaft ; 2246: Mediensystem/-struktur ; 2320: Politikwissenschaft ; 2328: Internationale Beziehungen ; 2460: Soziologie ; 2468: Sozialstrukturen ; Medien ; Mediensystem ; USA ; Aufsatzsammlung ; Medien ; Social Media ; Massenmedien ; Medienpolitik ; Medienrecht ; Medienökonomie ; Medienkonsum
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 7
    ISBN: 9781636810164 , 1636810160
    Language: English
    Pages: 222 Seiten , 32 x 24 cm
    DDC: 704.0396073
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    Keywords: Los Angeles County Museum of Art Catalogs ; Los Angeles County Museum of Art ; African Americans Portraits ; Exhibitions ; Portrait photography Exhibitions ; African Americans in art Exhibitions ; Art, American Exhibitions ; Art Catalogs ; African Americans ; African Americans in art ; Art ; Art, American ; Portrait photography ; Catalogs ; Exhibition catalogs ; California - Los Angeles ; Ausstellungskatalog Los Angeles County Museum of Art 2021-2022 ; Ausstellungskatalog Spelman College 2023 ; Ausstellungskatalog Memphis Brooks Museum of Art 2023-2024 ; Bildband ; Los Angeles County Museum of Art ; Sammlung ; Porträtfotografie ; Person of Color ; USA ; Schwarze ; Kunst ; Bildnis ; Schwarze
    Abstract: Spanning over two centuries from around 1800 to the present day, Black American Portraits chronicles the ways in which Black Americans have used portraiture to envision themselves in their own eyes. Remembering Two Centuries of Black American Art, curated by David C. Driskell at LACMA 45 years ago, this book is a companion to the exhibition of the same name that reframes portraiture to center Black American subjects, sitters and spaces. This selection of approximately 140 works from LACMA's permanent collection highlights emancipation, scenes from the Harlem Renaissance, portraits from the Civil Rights and Black Power eras, multiculturalism of the 1990s and the spirit of Black Lives Matter.0Countering a visual culture that often demonizes Blackness and fetishizes the spectacle of Black pain, these images center love, abundance, family, community and exuberance. Black American Portraits depicts Black figures in a range of mediums such as painting, drawing, prints, photography, sculpture, mixed media and time-based media. In addition to work by artists of African descent, Black American Portraits includes several works by artists of other backgrounds who have exemplified a thoughtfulness about, sensitivity toward and commitment to Black artists, communities, histories and subjects.00Exhibition: Los Angeles County Museum of Art (LACMA), LA, USA (07.11.2021-07.04.2022)
    Note: Seite [224]: Published in conjunction with the exhibition "Black American Portraits". Itinerary Los Angeles County Museum of Art, November 7, 2021-April 17, 2022; Spelman College Museum of Fine Art, January 30-May 14, 2023; Memphis Brooks Museum of Art, September 23, 2023-July 1, 2024 , Artists include: Cedric Adams ; Laura Aguilar ; Alvin Baltrop ; Sadie Barnette ; Richmond Barthé ; Edward Biberman ; John Biggers ; Dannielle Bowman ; Diedrick Brackens ; Mark Bradford ; Kwame Brathwaite ; Frederick J. Brown ; Bisa Butler ; Micaiah Carter ; Jordan Casteel ; Elizabeth Catlett ; Jonathan Lyndon Chase ; Renee Cox ; Njideka Akunyili Crosby ; Kim Dacres ; Bruce Davidson ; Kenturah Davis ; Roy DeCarava ; Beauford Delaney ; Woody De Othelllo ; Emory Douglas ; Stan Douglas ; Sam Doyle ; David C. Driskell ; rafa esparza ; Shepard Fairey ; Kohshin Finley ; Genevieve Gaignard ; Charles Gaines ; Rico Gatson ; Jerrell Gibbs ; Todd Gray ; Chase Hall ; Lauren Halsey ; David Hammons ; Lyle Ashton Harris ; Miki Hayakawa ; William Armfield Hobday ; Reggie Burrows Hodges ; Janna Ireland ; Arthur Jafa ; Lee Jaffe ; Sargent Claude Johnson ; Kahlil Joseph ; Isaac Julien ; Glenn Kaino ; Consuelo Kanaga ; Clifford Prince King ; Jacob Lawrence ; Deana Lawson ; Samella Lewis ; Whitfield Lovell ; Kerry James Marshall ; Wangari Mathenge ; Willie Robert Middlebrook ; Nicole Miller ; Zora J. Murff ; Alice Neel ; Ralph Nelson ; Toyin Ojih Odutola ; Lorraine O'Grady ; Kambui Olujimi ; Catherine Opie ; Gordon Parks ; Ada Pinkston ; Robert Pruitt ; Otis Kwame Kye Quaicoe ; Nathaniel Mary Quinn ; Umar Rashid ; Calida Rawles ; Deborah Roberts ; Alison Saar ; Betye Saar ; Lezley Saar ; William Scott ; Paul Mpagi Sepuya ; Amy Sherald ; Xaviera Simmons ; Lorna Simpson ; Ming Smith ; Shinique Smith ; Edward Steichen ; Martine Syms ; Henry Taylor ; Mickalene Thomas ; Tourmaline ; Kent Twitchell ; James Van Der Zee ; Meta Vaux Warrick Fuller ; Fulton Leroy Washington (aka Mr. Wash) ; Timothy Washington ; Carrie Mae Weems ; Charles White ; Kehinde Wiley ; D'Angelo Lovell Williams ; Deborah Willis , Includes bibliographical references , Face it / , A museum's commitment to the Trayvon Generation / , Black American art at LACMA: a history / , Beyond the master / , Proof of life / , A lil' history of photography: Black American photography before Barack Obama / , The elusive body: Mark Bradford and David Hammons /
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  • 8
    ISBN: 9780262048668
    Language: English
    Pages: xvii, 243 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Anthology of Blackness
    Parallel Title: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Description / Table of Contents: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Note: Bibliographie (Seite 234 - 243)
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  • 9
    ISBN: 9781479812424 , 9781479812400
    Language: English
    Pages: xvii, 309 Seiten , Illustrationen
    Series Statement: America and the long 19th century
    Parallel Title: Erscheint auch als Huerta, Monica, 1981 - The Unintended
    DDC: 770.973
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    Keywords: Images, Photographic Social aspects 19th century ; History ; Racism Economic aspects 19th century ; History ; Portrait photography Appreciation 19th century ; History ; Intellectual property Cases ; Photographs Law and legislation 19th century ; History ; Privacy, Right of Cases ; United States Race relations 19th century ; History ; USA ; Porträtfotografie ; Geistiges Eigentum ; Kapitalismus ; Rassismus ; Geschichte 1840-1900
    Abstract: "Through close attention to the centrality of involuntarity in pivotal nineteenth-century American court cases that created new property relations with photographs, this book offers a historically situated theory of photography in terms of expression and an archivally-supported theory of whiteness as an aesthetics of racial capitalism"--
    Description / Table of Contents: Preface : read, don't move -- Introduction : without intention, the end of this world -- Expression -- Property's proscenium -- Property's horizon -- Property's edge -- Expressionless.
    Note: Includes bibliographical references and index
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  • 10
    ISBN: 9783111060590
    Language: English
    Pages: 1 Online-Ressource (X, 286 p.)
    Edition: Issued also in print
    Series Statement: Buchreihe der Anglia / Anglia Book Series 82
    Parallel Title: Erscheint auch als
    DDC: 302.4
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    Keywords: American literary history ; network model ; relational epistemology ; USA ; Literatur ; Netzwerk ; Geschichte 1800-2023 ; USA ; Literatur ; Vernetzung ; Netzwerktheorie
    Abstract: Spider Web, Labyrinth, Tightrope Walk explores the shifting functions of the network as a metaphor, model, and as an epistemological framework in US American literature and culture from the 19th century until today. The book critically inquires into the literary, cultural, philosophical, and scientific rhetoric, values, and ideological underpinnings that have given rise to the network concept. Literature and culture play a major role in the ways in which networks have been imagined and how they have evolved as conceptual models. This study regards networks as historically emergent and culturally constructed formations closely tied with the development of knowledge technologies in the process of modernization as well as with an increasingly critical awareness of network technologies and infrastructures. While the rise of the network in scientific, philosophical, political and sociological discourses has received wide attention, this book contributes an important cultural and historical perspective to network theory by demonstrating how US American literature and culture have been key sites for thinking in and about networks in the past two centuries
    Note: Frontmatter , Contents , Acknowledgements , Permissions Spider Web, Labyrinth, Tightrope Walk , 1 Introduction: The Network in US American Literature and Culture , 2 Project(ing an) Interconnected America: Nineteenth Century Visions of Material Networks, Transcendental Links, and Alternative Communities , 3 “A Movement Toward Expanded Connectedness” – Networks of Evolution in Pragmatist and Naturalist Literature , 4 Mapping Alternatives: Postwar Networks and the Forking Paths of Knowledge , 5 Recentering the Human: Contemporary Fiction and the Popularization of the Network , 6 Conclusion , Works Cited , Index , Issued also in print , In English
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Cover
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  • 11
    ISBN: 9783864893919 , 3864893917
    Language: German
    Pages: 702 Seiten , 23 cm x 17 cm
    Uniform Title: Manufacturing consent
    Parallel Title: Erscheint auch als Herman, Edward S., 1925 - 2017 Die Konsensfabrik
    DDC: 302.2/34
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    Keywords: 1975-1988 ; Mediensektor ; USA ; Mass media Political aspects ; World politics 1975-1985 ; World politics 1985-1995 ; Public opinion ; Mass media Objectivity ; Massenmedien ; Realitätsbezug ; Propaganda ; USA ; Politik ; Massenmedien ; Politische Berichterstattung ; Objektivität
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 12
    ISBN: 9783110774429
    Language: German
    Pages: 1 Online-Ressource (VIII, 518 Seiten) , Illustrationen
    Series Statement: Quellen und Darstellungen zur Zeitgeschichte Band 135
    Series Statement: Quellen und Darstellungen zur Zeitgeschichte
    Uniform Title: Weapons of persuasion
    Parallel Title: Erscheint auch als Nietzel, Benno, 1978 - Die Massen lenken
    Dissertation note: Habilitationsschrift Universität Bielefeld 2019
    DDC: 303.3750904
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    Keywords: Amerikanische Geschichte ; European history ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HISTORY / Europe / General ; HISTORY / Modern / General ; HISTORY / Social History ; HISTORY / United States / General ; History of the Americas ; Modern history to 20th century: c 1700 to c 1900 ; Naturwissenschaften, allgemein ; SCIENCE / General ; Science: general issues ; Social & cultural history ; Sozial- und Kulturgeschichte ; Europa ; Europe ; USA ; Vereinigte Staaten von Amerika, USA ; Mass communication ; history of knowledge ; history of science ; history of war ; psychological warfare ; Hochschulschrift ; Propaganda ; Kommunikationsforschung ; Sozialwissenschaften ; Erster Weltkrieg ; Zweiter Weltkrieg ; Ost-West-Konflikt ; Geschichte 1918-1974
    Abstract: Seit dem Ersten Weltkrieg galten Massenkommunikation und Propaganda als integrale Faktoren des politischen und militärischen Geschehens. Damit wuchs der Bedarf an systematischer Expertise und wissenschaftlicher Erforschung. Während des Zweiten Weltkrieges und im Kalten Krieg wurde die Planung, Beobachtung und Analyse von Propaganda zu einem wichtigen Feld strategischer Wissensproduktion. Im Wege einer dreiseitig verflochtenen Wahrnehmungs- und Beziehungsgeschichte untersucht Benno Nietzel, welche Rolle Kommunikationsexperten und Wissenschaftler in der Propaganda dreier Länder spielten: in den Vereinigten Staaten, in Deutschland und der Sowjetunion. Verschiedene Akteursgruppen konkurrierten jeweils um Gehör, Einfluss und Zuständigkeiten auf dem Gebiet der Propaganda. Aus ihren Erfolgen und ihrem Scheitern ergibt sich eine alternative Geschichte von Verwissenschaftlichungsprozessen und Expertentum im 20. Jahrhundert, die von Ungleichzeitigkeiten, Gegenläufigkeiten und Widersprüchen gekennzeichnet ist
    Abstract: This work examines the role of communications experts and scholars in state propaganda in the United States, Germany, and the Soviet Union from the 1920s through the Cold War. In a three-sided interwoven history of perception and relations, Benno Nietzel thus sketches for the first time a transnational knowledge history of mass communication and propaganda in the 20th century
    Note: Dieses Buch ist die überarbeitete Fassung der Habilitationsschrift, welche Benno Nietzel im Januar 2019 unter dem Titel "Weapons of Persuasion. Propaganda, Feindbeobachtung und Kommunikationforschung von den 1920er Jahren bis zum Kalten Krieg" an der Fakultät für Geschichtswissenschaft , Philosophie und Theologie der Universität Bielefeld eingereicht hat [siehe Seite 463] , Frontmatter , Inhalt , Einleitung , I. Propaganda als Herausforderung nach dem Ersten Weltkrieg (1918—1930/33) , II. Propaganda, Demokratie und Totalitarismus (1930/33—1941) , III. Totaler Krieg, Feindbeobachtung und Psychological Warfare (1941—1945) , IV. Propaganda und Kommunikationsforschung im Kalten Krieg (1945—1974) , Schlussbetrachtungen , Dank , Abbildungsverzeichnis , Abkürzungsverzeichnis , Quellen- und Literaturverzeichnis , Personenregister , In German
    URL: Cover
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  • 13
    ISBN: 9780374609900
    Language: English
    Pages: 244 Seiten , Illustrationen , 22 cm
    Edition: First edition
    DDC: 305.868073
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    Keywords: Soziale Situation ; Ethnische Identität ; Einwanderung ; Lateinamerikaner ; USA ; Hispanic Americans / Ethnic identity ; Hispanic Americans / Social conditions ; Immigrants / United States / Social conditions ; United States / Race relations ; HISTORY / United States / General ; Hispanic Americans / Ethnic identity ; Hispanic Americans / Social conditions ; Immigrants / Social conditions ; Race relations ; United States ; Lateinamerikaner ; Soziale Situation ; USA ; Einwanderung ; Ethnische Identität
    Abstract: "A new book by the Pulitzer Prize-winning writer about the twenty-first-century Latino experience and identity"--
    Abstract: "Latino" is the most open-ended and loosely defined of the major race categories in the United States. Our Migrant Souls: A Meditation on Race and the Meanings and Myths of "Latino" assembles the Pulitzer Prize winner Héctor Tobar's personal experiences as the son of Guatemalan immigrants and the stories told to him by his Latinx students to offer a spirited rebuke to racist ideas about Latino people. Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and seeks to give voice to the angst and anger of young Latino people who have seen Latinidad transformed into hateful tropes about "illegals" and have faced insults, harassment, and division based on white insecurities and economic exploitation
    Description / Table of Contents: Prologue: Our migrant souls -- Part I: Our country -- Empires ; Walls ; Beginnings ; Cities ; Race ; Intimacies ; Secrets ; Ashes ; Lies ; Part II: Our journey's home -- Light ; Home ; Conclusion: Utopias
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  • 14
    ISBN: 9783406808272 , 3406808271
    Language: German
    Pages: 278 Seiten , 28 cm x 19.6 cm, 1160 g
    Uniform Title: Stamped from the beginning: A graphic history of racist ideas in America
    DDC: 305.800973
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    Keywords: Geschichte ; Rassentheorie ; Sklaverei ; Rassismus ; USA ; Comic ; Bildband ; Comic ; Comic
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltstext  (lizenzpflichtig)
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    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 15
    ISBN: 9783864898952
    Language: German
    Pages: 1 Online-Ressource (662 Seiten)
    Uniform Title: Manufacturing consent
    Parallel Title: Erscheint auch als Herman, Edward S., 1925 - 2017 Die Konsensfabrik
    DDC: 302.2/34
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    Keywords: 1975-1988 ; Mediensektor ; USA ; USA ; Politik ; Massenmedien ; Politische Berichterstattung ; Objektivität
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  • 16
    ISBN: 9783110774245 , 3110774240
    Language: German
    Pages: VIII, 518 Seiten , Illustrationen , 24 cm
    Series Statement: Quellen und Darstellungen zur Zeitgeschichte Band 135
    Series Statement: Quellen und Darstellungen zur Zeitgeschichte
    Uniform Title: Weapons of persuasion
    Parallel Title: Erscheint auch als Nietzel, Benno, 1978 - Die Massen lenken
    Dissertation note: Habilitationsschrift Universität Bielefeld 2019
    DDC: 303.3750904
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    Keywords: Amerikanische Geschichte ; European history ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HISTORY / Europe / General ; HISTORY / Modern / General ; HISTORY / Social History ; HISTORY / United States / General ; History of the Americas ; Modern history to 20th century: c 1700 to c 1900 ; Naturwissenschaften, allgemein ; SCIENCE / General ; Science: general issues ; Social & cultural history ; Sozial- und Kulturgeschichte ; Europa ; Europe ; USA ; Vereinigte Staaten von Amerika, USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Deutschland ; Sowjetunion ; Propaganda ; Experte ; Massenkommunikationsforschung ; Erster Weltkrieg ; Zweiter Weltkrieg ; Ost-West-Konflikt ; Geschichte 1918-1974 ; Propaganda ; Kommunikationsforschung ; Sozialwissenschaften ; Erster Weltkrieg ; Zweiter Weltkrieg ; Ost-West-Konflikt ; Geschichte 1918-1974
    Abstract: Seit dem Ersten Weltkrieg galten Massenkommunikation und Propaganda als integrale Faktoren des politischen und militärischen Geschehens. Damit wuchs der Bedarf an systematischer Expertise und wissenschaftlicher Erforschung. Während des Zweiten Weltkrieges und im Kalten Krieg wurde die Planung, Beobachtung und Analyse von Propaganda zu einem wichtigen Feld strategischer Wissensproduktion. Im Wege einer dreiseitig verflochtenen Wahrnehmungs- und Beziehungsgeschichte untersucht Benno Nietzel, welche Rolle Kommunikationsexperten und Wissenschaftler in der Propaganda dreier Länder spielten: in den Vereinigten Staaten, in Deutschland und der Sowjetunion. Verschiedene Akteursgruppen konkurrierten jeweils um Gehör, Einfluss und Zuständigkeiten auf dem Gebiet der Propaganda. Aus ihren Erfolgen und ihrem Scheitern ergibt sich eine alternative Geschichte von Verwissenschaftlichungsprozessen und Expertentum im 20. Jahrhundert, die von Ungleichzeitigkeiten, Gegenläufigkeiten und Widersprüchen gekennzeichnet ist.
    Note: Quellen- und Literaturverzeichnis: Seite 469-514 , Enthält ein Personenregister , "Dieses Buch ist die überarbeitete Fassung der Habilitationsschrift, die ich im Januar 2019 unter dem Titel "Weapons of Persuasion. Propaganda, Feindbeobachtung und Kommunikationforschung von den 1920er Jahren bis zum Kalten Krieg" an der Fakultät für Geschichtswissenschaft, Philosophie und Theologie der Universität Bielefeld eingereicht habe." (Dank, Seite 463)
    URL: Cover
    URL: Rezension  (H-Soz-Kult)
    URL: Cover
    URL: Rezension  (H-Soz-Kult)
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  • 17
    ISBN: 9780262377249 , 0262377241 , 9780262377256 , 026237725X
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: The MIT Press
    Parallel Title: Erscheint auch als An anthology of blackness
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
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  • 18
    ISBN: 9780300267389 , 030026738X , 9780300267389
    Language: English
    Pages: 226 Seiten
    DDC: 770
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    Keywords: Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; USA ; Porträtfotografie ; Fotostudio ; Person of Color ; Geschichte 1860- ; USA ; Schwarze ; Fotostudio ; Fotografie ; Geschichte
    Note: Gegenüber Titelseite: "Called to the Camera: Black American Studio Photographers" ... exhibition dates: New Orleans Museum of Art, September 15, 2022-January 8, 2023
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  • 19
    Book
    Book
    Cambridge : polity
    ISBN: 9781509546930 , 9781509546923
    Language: English
    Pages: 234 Seiten
    DDC: 302.2310973
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    Keywords: Interdisciplinary studies ; Interdisziplinäre Studien ; SOCIAL SCIENCE / Media Studies ; USA ; Person of Color ; Neue Medien ; Institutioneller Rassismus
    Abstract: Since the early days of the internet, there have been questions about how emerging technologies might one day liberate or further harm communities of color that already face structural inequalities of racism. As reliance on computing technologies increases, it is also important to address questions about racial bias in the design of digital platforms, labor inequalities in tech industries, and digital surveillance on Black and Brown communities.This textbook provides a comprehensive introduction to the theory and research on race and digital media. Focusing on the experiences of people of color in the United States, it explores the various ways that racism and white supremacy have shaped aspects of our digital world - from the infrastructures and policies that support technological development, to algorithms and the collection of data, to the interfaces that shape engagement. Yet it also reveals how communities of color have deployed digital media in ways that expand the public sphere, contest the status quo, and give voice to creativity and joy.Race and Digital Media provides an essential resource for students of communication, media, technology, and society. It shows how to make sense of our ever-changing digital media landscape in a way that centers the continued impact of institutionalized racism and the potential for anti-racist futures
    Description / Table of Contents: Acknowledgments1 Introduction2 The Early Internet3 Labor4 Infrastructures5 Artificial Intelligence6 Surveillance7 Tech Policy8 Activism9 Games10 Communities11 Into the FutureBibliographyIndex
    Note: Literaturverzeichnis: Seiten 198-222, Index
    URL: Cover
    URL: Cover
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  • 20
    ISBN: 9781509554232 , 9781509554225
    Language: English
    Pages: 200 Seiten
    DDC: 303.6
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    Keywords: Rassismus ; Entkolonialisierung ; Hochschule ; USA ; Großbritannien ; Decolonization ; Culture conflict / History / 21st century ; Universities and colleges / Social aspects ; USA ; Großbritannien ; Hochschule ; Entkolonialisierung ; Rassismus
    URL: Cover
    URL: Cover
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  • 21
    ISBN: 9780231205023 , 9780231205030
    Language: English
    Pages: xi, 287 Seiten , Illustrationen
    Series Statement: Literature now
    Parallel Title: Erscheint auch als Brooks, John, - 1989- The racial unfamiliar
    DDC: 810.9/896073
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    Keywords: American literature African American authors ; History and criticism ; African American art 21st century ; African Americans Race identity ; Race in literature ; Race in art ; African Americans in literature ; African Americans in art ; African Americans Intellectual life 21st century ; Literary criticism ; USA ; Literatur ; Kunst ; Schwarze ; Ästhetik ; Abstraktion
    Abstract: "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--
    Note: Includes bibliographical references and index
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  • 22
    Book
    Book
    New York : New York University Press
    ISBN: 9781479829828 , 9781479820733
    Language: English
    Pages: xii, 435 Seiten, 16 ungezählte Seiten , Illustrationen , Breite 152 mm, Hoehe 229 mm
    DDC: 306.76
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    Keywords: Geschichte 1970-1991 ; Frauenbewegung ; Geschlechtsidentität ; Homosexuellenbewegung ; LGBT ; Massenmedien ; USA
    Abstract: In this book, Ramzi Fawaz explores how the central values of 1970s movements for women's and gay liberation-including consciousness-raising, separatism, and coming out of the closet-were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called "normal" gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. This included placing women, queers, and gender outlaws of all stripes into exhilarating new environments-from the streets of an increasingly gay San Francisco to a post-apocalyptic commune, from an upper-East Side New York City apartment to an all-female version of Earth-and finding new ways to formally render queer genders and sexualities by articulating them to figures, outlines, or icons that could be imagined in the mind's eye and interpreted by diverse publics. Surprisingly, such creative attempts to represent queer gender and sexuality often appeared in a range of traditional, or seemingly generic, popular forms including the sequential format of comic strip serials, the token figures of science fiction genre, the narrative conventions of film melodrama, and the serialized rhythm of installment fiction. Through studies of queer and feminist cultural productions including Mart Crowley's The Boys in the Band (1970), Armistead Maupin's Tales of the City (1976-1983), Lizzy Borden's Born in Flames (1983), and Tony Kushner's Angels in America (1989-1991), Fawaz show how artists innovated in many popular mediums and genres to make the experience of gender and sexual non-conformity recognizable to mass audiences in the modern US. Ultimately, Queer Forms tells the pre-history of the contemporary renaissance in feminist and LGBTQ political cultures by developing a genealogy of late twentieth-century artifacts that projected images of gender and sexual rebellion, which came to infuse the American popular imagination in the 1970s and after.
    Note: Literaturverzeichnis Seite 407-421
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  • 23
    ISBN: 9783030935504 , 3030935507
    Language: English
    Pages: x, 287 Seiten , Illustrationen , 21 cm
    Parallel Title: Erscheint auch als
    DDC: 810.9355
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    Keywords: American literature History and criticism 19th century ; American literature History and criticism 20th century ; American literature History and criticism 21st century ; Social change in literature ; Sociology in literature ; American literature ; Civilization ; Social change in literature ; Social conditions ; Sociology in literature ; Criticism, interpretation, etc ; United States Civilization ; United States Social conditions ; United States ; Bourdieu, Pierre 1930-2002 ; Elias, Norbert 1897-1990 ; USA ; Literatur ; Literatursoziologie
    Note: Enthält Literaturangaben und Index
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  • 24
    Online Resource
    Online Resource
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781793647276
    Language: English
    Pages: 1 Online-Ressource (vii, 137 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 305.420955
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    Keywords: Protestbewegung ; Feminismus ; Frau ; Berichterstattung ; Rezeption ; Social Media ; Diskursanalyse ; USA ; Iran ; Hochschulschrift ; Iran ; Frau ; Feminismus ; Protestbewegung ; Social Media ; Rezeption ; USA ; Berichterstattung ; Diskursanalyse
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  • 25
    ISBN: 9781789384215 , 1789384214
    Language: English
    Pages: xxv, 446 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als Ainsworth, Alan John Sight Readings
    DDC: 781.650973
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    Keywords: Jazz in art ; Photography History 20th century ; Jazz History and criticism ; Jazz ; Jazz in art ; Photography ; Criticism, interpretation, etc ; History ; USA ; Fotografie ; Jazz ; Jazzmusiker ; Geschichte 1900-1960
    Note: Includes bibliographical references (pages 366-424) and index
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  • 26
    ISBN: 9783458642909 , 3458642900
    Language: German
    Pages: 608 Seiten, 16 ungezählte Seiten , Illustrationen , 21 cm x 12.5 cm
    Edition: Erste Auflage, Deutsche Erstausgabe
    Uniform Title: Flappers
    Parallel Title: Erscheint auch als
    DDC: 305.42097309042
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    Keywords: Biografie ; Flapper ; Cooper, Diana 1892-1986 ; Cunard, Nancy 1896-1965 ; Baker, Josephine 1906-1975 ; Bankhead, Tallulah 1902-1968 ; Fitzgerald, Zelda 1900-1948 ; De Lempicka, Tamara 1898-1980 ; Bankhead, Tallulah 1902-1968 ; Fitzgerald, Zelda 1900-1948 ; Baker, Josephine 1906-1975 ; Cooper, Diana 1892-1986 ; Cunard, Nancy 1896-1965 ; De Lempicka, Tamara 1898-1980 ; USA ; Jazz ; Junge Frau ; Sexuelle Revolution ; Geschichte 1920-1929
    Abstract: Die britische Autorin und Kritikerin Judith Mackrell erzählt in diesem reich bebilderten und spannend geschriebenen Buch von sechs Frauen, die zu Ikonen der ?Roaring Twenties? wurden: der Tänzerin und Sängerin Josephine Baker, der Schriftstellerin und Tänzerin Zelda Fitzgerald, den Schauspielerinnen Tallulah Bankhead und Lady Diana Cooper, der Publizistin und Verlegerin Nancy Cunard und der Malerin Tamara de Lempicka. (Verlagsinformation)
    Note: Literaturverzeichnis: Seite 593-596
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  • 27
    ISBN: 9783658394455 , 3658394455
    Language: German
    Pages: XVIII, 336 Seiten , Diagramme , 21 cm x 14.8 cm
    Series Statement: Organization & Public Management
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Otto-Friedrich-Universität Bamberg 2021
    DDC: 306.420973
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    Keywords: Hochschulschrift ; USA ; Hochschule ; Elite ; Habitus ; Macht ; Soziales Kapital ; Soziales Netzwerk
    URL: Unbekannt  (lizenzpflichtig)
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  • 28
    ISBN: 9780252044403 , 9780252086472
    Language: English
    Pages: xii, 167 Seiten , Illustrationen , 24 cm
    Series Statement: The Asian American experience
    Parallel Title: Erscheint auch als Creef, Elena Tajima Shadow traces
    DDC: 305.48/89956073
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    Keywords: Japanese American women Portraits ; Japanese American women Archives ; Women, Ainu Portraits ; Women, Ainu Archives ; War brides Portraits ; War brides Archives ; Photograph collections Social aspects ; Portrait photography Social aspects ; USA ; Porträtfotografie ; Japanerin ; Ainu ; Geschichte 1940-1960
    Abstract: "Images of Japanese and Japanese American women can teach us what it meant to be visible at specific moments in history. Elena Tajima Creef employs an Asian American feminist vantage point to examine ways of looking at indigenous Japanese Ainu women taking part in the 1904 Louisiana Purchase Exposition; Japanese immigrant picture brides of the early twentieth century; interned Nisei women in World War II camps; and Japanese war brides who immigrated to the United States in the 1950s. Creef illustrates how an against-the-grain viewing of these images and other archival materials offers textual traces that invite us to reconsider the visual history of these women and other distinct historical groups. As she shows, using an archival collection's range as a lens and frame helps us discover new intersections between race, class, gender, history, and photography. Innovative and engaging, Shadow Traces illuminates how photographs shape the history of marginalized people and outlines a method for using such materials in interdisciplinary research"--
    Description / Table of Contents: Those "mysterious little Japanese primitives" -- Looking at Japanese picture brides -- Beauty behind barbed wire -- Filling in the blank spot in an incomplete war bride archive.
    Note: Includes bibliographical references (pages 157-163) and index
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  • 29
    Book
    Book
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517910402 , 9781517910396
    Language: English
    Pages: 186 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 305.8
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    Keywords: Geschichte 1960-2020 ; Rassismus ; Medienkultur ; USA ; Electronic books ; USA ; Medienkultur ; Rassismus ; Geschichte 1960-2020
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  • 30
    ISBN: 9783423290098 , 3423290099
    Language: German
    Pages: 238 Seiten , 21 cm x 13.5 cm
    Uniform Title: Notes of a native son
    DDC: 305.896073
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    Keywords: Autobiografie ; USA ; Schwarze ; Kultur ; Alltag ; Rassismus ; Geschichte 1943-1963
    Abstract: J. Baldwin gilt als einer der bedeutendsten US-amerikanischen Schriftsteller des 20. Jahrhunderts. Seine grossen Themen sind der Rassismus sowie die Fragen nach Identität und Gleichstellung unterschiedlicher ethnischer, sozialer, religiöser oder sexuell orientierter Gruppen. Der Essayband vereint Texte aus den Jahren 1948-1955. Fast immer wählt Baldwin einen persönlichen Zugang zu seinen Themen, egal, ob es um Alltagsphänomene, Kunst, Politik oder Geschichte geht. Dies macht die sprachlich sehr eleganten und geschliffenen Aufsätze sehr authentisch. Besonders eindringlich sind die Essays, die sich mit seiner eigenen Herkunft, Harlem und seinem Stiefvater beschäftigen; ebenso aber die Beschreibungen der Anfeindung und Ausgrenzung, die ihm in einem Dorf in der Schweiz widerfahren sind. Baldwins Texte sind nach über 60 Jahren von bemerkenswerter und erschreckender Aktualität. Die vorliegende Neuübersetzung durch M. Mandelkow ist die erste vollständige deutschsprachige Ausgabe von "Notes of a Native Son" (Original erstmals 1955 erschienen). Die Lektüre ist inspirierend, bereichernd - breit einsetzbar. (2)
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  • 31
    ISBN: 978-3-8376-3533-1 , 3-8376-3533-3
    Language: German
    Pages: 319 Seiten : , Illustrationen ; , 23 cm.
    Series Statement: Locating Media/Situierte Medien Band 15
    Series Statement: Locating Media/Situierte Medien
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Siegen 2014
    DDC: 306.42
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    Keywords: Geschichte 1870-1950 ; Massenmedien. ; Verwaltung. ; Industrieforschung. ; Professionalisierung. ; Bürokratisierung. ; Verrechtlichung. ; Medien. ; Laboratorium. ; USA. ; Medien ; Bürokratie ; Industrialisierung ; Industrieforschung ; Labor ; USA ; Technik ; Massenmedien ; Telekommunikation ; Fotografie ; Patent ; Medientheorie ; Mediengeschichte ; Wissenschaftssoziologie ; Medienwissenschaft ; Media ; Bureaucracy ; Industrialisation ; Lab ; Technology ; Mass Media ; Photography ; Media Theory ; Media History ; Sociology of Science ; Media Studies ; Hochschulschrift ; Hochschulschrift ; Massenmedien ; Verwaltung ; Geschichte 1870-1950 ; Industrieforschung ; Professionalisierung ; Bürokratisierung ; Verrechtlichung ; Medien ; Laboratorium ; Geschichte 1870-1950
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  • 32
    ISBN: 9783837662603
    Language: English
    Pages: 264 Seiten
    Series Statement: American culture studies volume 39
    Series Statement: American culture studies
    Parallel Title: Erscheint auch als Schulze, Katja The poetics and politics of invective humor
    Dissertation note: Dissertation Universität Leipzig 2022
    DDC: 791.45617
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    Keywords: Hochschulschrift ; USA ; Situationskomödie ; Fernsehserie ; Frau ; Beleidigung ; Erniedrigung ; USA ; Situationskomödie ; Frau ; Humor ; Beleidigung
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 33
    Book
    Book
    New York ; London : Routledge
    ISBN: 9780367546977 , 9780367547028
    Language: English
    Pages: ix, 201 Seiten , Illustrationen (schwarz-weiß)
    Parallel Title: Erscheint auch als
    DDC: 305.3
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    Keywords: Geschichte 1920- ; Medien ; Frauenfeindlichkeit ; USA ; Sexism ; Anti-feminism ; Mass media ; Sexisme ; Antiféminisme ; Médias ; mass media ; Anti-feminism ; Mass media ; Sexism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Medien ; Frauenfeindlichkeit ; Geschichte 1920-
    Abstract: "This important and timely collection examines the troubling proliferation of anti-feminist language and concepts in contemporary media culture. Edited by Michele White and Diane Negra, these curated essays offer a critical means of considering how contemporary media, politics and digital culture function, especially in relation to how they simultaneously construct and displace feminist politics, women's bodies, and the rights of women and other disenfranchised subjects. The collection explores the simplification and disparagement of feminist histories and ongoing feminist engagements, the consolidation of all feminisms into a static and rigid structure, and tactics that are designed to disparage women and feminists as a means of further displacing disenfranchised people's identities and rights. The book also highlights how it is becoming more imperative to consider how anti-feminisms, including hostilities towards feminist activism and theories, are amplified in times of political and social unrest and used to instigate violence against women, people of color, and LGBTQIA+ individuals. A must read for students and scholars of media, culture and communication studies, gender studies, and critical race studies, with an interest in feminist media studies"--
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  • 34
    ISBN: 9780367769055 , 9780367769062
    Language: English
    Pages: xiii, 303 Seiten , Diagramme
    Series Statement: Media and power
    DDC: 305.2350973
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    Keywords: Erwachsener ; Politische Einstellung ; Politische Beteiligung ; USA
    Note: Literaturangaben
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  • 35
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478015642 , 9781478018285
    Language: English
    Pages: x, 315 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Spigel, Lynn TV snapshots
    Parallel Title: Erscheint auch als Spigel, Lynn, 1955 - TV snapshots
    DDC: 302.23/45
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    Keywords: Television Social aspects ; Photography Social aspects ; Television viewers Attitudes ; Popular culture History 20th century ; PERFORMING ARTS / Television / History & Criticism ; USA ; Fotografie ; Fernsehen ; Geschichte 1950-1970
    Abstract: TV portraits : picturing families and household things -- TV performers : a theater of everyday life -- TV dress-up : fashion poses and everyday glamour -- TV pinups : sex and the single TV -- TV memories : snapshots in digital times.
    Abstract: "In TV Snapshots, Lynn Spigel explores snapshots of people posing in front of their television sets in the 1950s through the early 1970s. Like today's selfies, TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture. Drawing on her collection of over 5,000 TV snapshots, Spigel shows that people did not just watch TV: women used the TV set as a backdrop for fashion and glamour poses; people dressed in drag in front of the screen; and, in pinup poses, people even turned the TV setting into a space for erotic display. While the TV industry promoted on-screen images of white nuclear families in suburban homes, the snapshots depict a broad range of people across racial, ethnic, and class backgrounds that do not always conform to the reigning middle-class nuclear family ideal. Showing how the television set became a central presence in the home that exceeded its mass entertainment function, Spigel highlights how TV snapshots complicate understandings of the significance of TV in everyday life"--
    Note: Includes bibliographical references and index
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  • 36
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781316514337
    Language: English
    Pages: xvii, 511 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48420973
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    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; Music / Social aspects / United States ; Songs / Social aspects / United States ; Music / Political aspects / United States ; Songs / Political aspects / United States ; Music ; Political aspects ; Music ; Social aspects ; United States ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492- ; USA ; Protestsong ; Geschichte 1492-1942
    Library Location Call Number Volume/Issue/Year Availability
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  • 37
    Book
    Book
    New York, NY, United States of America : Oxford University Press | 2022
    ISBN: 9780190908867 , 9780190908850
    Language: English
    Pages: x, 261 Seiten
    Parallel Title: Erscheint auch als
    DDC: 303.48/3
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    Keywords: Nachricht ; Journalismus ; Zeitungsverlag ; Internet ; Rezeption ; Großbritannien ; USA ; Frankreich ; Deutschland ; Technology / Sociological aspects ; Social media and society ; Information technology / Psychological aspects ; Information technology / Social aspects ; Technologie / Aspect sociologique ; Médias sociaux et société ; Technologie de l'information / Aspect psychologique ; Technologie de l'information / Aspect social ; Information technology / Psychological aspects ; Information technology / Social aspects ; Social media and society ; Technology / Sociological aspects ; Frankreich ; Deutschland ; Großbritannien ; USA ; Journalismus ; Zeitungsverlag ; Nachricht ; Rezeption ; Internet
    Abstract: "This chapter focuses on how the rise of platforms is changing our media environment, where publishers still control the production of news content, but platform companies increasingly control the channels through which people access it. It identifies the new, distinct, generative and relational forms of power that platforms including Facebook, Google, and Twitter exercise and examines how news publishers have responded. It argues that previously powerful and relatively independent institutions like the news media are increasingly in a position akin to that of ordinary users-they are simultaneously increasingly empowered by and dependent upon a small number of powerful platforms"--
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  • 38
    ISBN: 9783030977955 , 9783030977924
    Language: English
    Pages: xii, 293 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
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    Keywords: Geschichte 1960-2020 ; Media and Gender ; American Film and TV. ; Gender Studies ; Gender identity in mass media ; Motion pictures, American ; Sex ; Film ; Fernsehserie ; Transgender ; USA ; USA ; Film ; Fernsehserie ; Transgender ; Geschichte 1960-2020
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  • 39
    Book
    Book
    New York : Penguin Press
    ISBN: 9780735217959
    Language: English
    Pages: 370 Seiten
    DDC: 306.0973/09049
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    Keywords: Popular culture History 20th century ; United States Civilization 1970- ; United States Social life and customs 1971- ; United States Intellectual life 20th century ; USA ; Alltagskultur ; Pop-Kultur ; Geschichte 1990-2000
    Abstract: It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn’t know who it was. By the end, exposing someone’s address was an act of emotional violence, and nobody picked up their new cell phone if they didn’t know who it was. The 90s brought about a revolution in the human condition we’re still groping to understand. Happily, Chuck Klosterman is more than up to the job. Beyond epiphenomena like "Cop Killer" and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a 90’s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it. In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, “The video for ‘Smells Like Teen Spirit’ was not more consequential than the reunification of Germany” make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Enthält Literaturangaben und ein Register
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  • 40
    ISBN: 9783030999438
    Language: English
    Pages: xiv, 224 Seiten , 21 cm
    Series Statement: African American philosophy and the African diaspora
    Parallel Title: Erscheint auch als
    DDC: 305.8
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    Keywords: Racism ; USA ; Literatur ; Antirassismus ; Philosophie
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  • 41
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469671567 , 1469671565 , 9781469671550 , 1469671557
    Language: English
    Pages: 1 Online-Ressource (291 pages)
    Parallel Title: Erscheint auch als Hutchins, Zachary McLeod Before Equiano
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    Keywords: Slave narratives History and criticism ; Slavery History 17th century ; American newspapers History 17th century ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; USA ; Sklave ; Zeitung ; Berichterstattung ; Autobiografie ; Geschichte 1690-1789
    Abstract: Introduction. Slavery and the Newspaper: A Foreign Affair -- Sewall's Secret: The Selling of More than Two Dozen Black Africans -- Daniel and the Scotts: The Serialized Stories of Serial Runaways -- Royalty Enslaved: Of Princes, Pretenders, and Politics -- Fighting for, and against, the English: Briton Hammon and the Power of Black Africans' Allegiance -- Narratives of Slavery and the Stamp Act: Dickinson and Crèvecoeur Debate the Racial Limits of a Genre -- Conclusion. After Equiano: The Medium and the Message.
    Abstract: "In the antebellum United States, formerly enslaved men and women who told their stories and advocated for abolition helped establish a new genre with widely recognized tropes: the slave narrative. This book investigates how enslaved black Africans conceived of themselves and their stories before the War of American Independence and the genre's development in the nineteenth century. Zachary McLeod Hutchins argues that colonial newspapers were pivotal in shaping popular understandings of both slavery and the black African experience well before the slave narrative's proliferation. Introducing the voices and art of black Africans long excluded from the annals of literary history, Hutchins shows how the earliest life writing by and about enslaved black Africans established them as political agents in an Atlantic world defined by diplomacy, war, and foreign relations. In recovering their stories, Hutchins sheds new light on how black Africans became Black Americans; how the earliest accounts of enslaved life were composed editorially from textual fragments rather than authored by a single hand; and how the public discourse of slavery shifted from the language of just wars and foreign policy to a heritable, race-based system of domestic oppression."--
    Note: Includes bibliographical references and index
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  • 42
    Book
    Book
    Thousand Oaks, California : SAGE, CQ Press
    ISBN: 9781544385143
    Language: English
    Pages: xvii, 381 Seiten , Illustrationen, Diagramme
    DDC: 302.230973
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    Keywords: Mass media Political aspects ; Press and politics ; Lehrbuch ; USA ; Politik ; Massenmedien
    Abstract: The landscape of media and politics today -- Underlying concepts & historical foundations -- Political advertising : persuasion and deception -- Reporting the news : cultural bias, trust, and accountability -- Politicians, the media, and social media : the push-pull relationship -- Race and immigration in media and politics : protests, policies, and reform -- Global media : the international influencer -- The media and women in politics.
    Abstract: "Politics and the Media: Intersections and New Directions examines how media and political institutions interact to shape public thinking and debates around social problems, cultural norms, and policies. From the roles of race and gender in American politics to the 2020 elections and global coronavirus pandemic, this is an extraordinary moment for politicians, the news media, and democracy itself. Hall explores how media technologies, practices, and formats shape political decision making; how political forces influence media institutions; and how public opinion and media audiences are formed. Students will gain an understanding of these issues through in-depth interviews and case studies to help develop their own informed views and to learn to express them constructively"--
    Note: Index
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  • 43
    ISBN: 9781597115308 , 1597115304
    Language: English
    Pages: 223 Seiten , 24 cm
    Edition: First edition
    DDC: 306.76/6208996073
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    Keywords: Gay liberation movement Pictorial works ; African American transgender people Pictorial works ; Transgender people Pictorial works ; Protest movements Pictorial works ; Documentary photography ; Protest literature, American ; Photographers ; Photography, Artistic ; African American transgender people ; Gay liberation movement ; Photography, Artistic ; Transgender people ; Black transgender people ; Black queer people ; Queer rights ; Pictorial works ; New York (N.Y.) Social conditions ; United States ; Bildband ; Bildband ; USA ; Dokumentarfotografie ; LGBT ; Transgender ; Geschichte 2020-2021
    Abstract: "'Revolution is love: a year of Black Trans Liberation' is the powerful and celebratory visual record of a contemporary activist movement in New York City, and a moving testament to the enduring power of photography in actisim, advocacy, and community. In June 2020, activists Qween Jean and Joela Rivera founded the Stonewall Protests, weekly actions centering Black trans and queer identities that took place across New York City." "This book gathers twenty-four photographers who share images and words on the demonstrations, preserving this legacy as it unfolded."--Back flap of printed paper wrapper
    Note: Qween Jean and Raquel Willis in conversation , Images and voices , An ongoing revolution: writing a new history at Stonewall /
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  • 44
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783030973742 , 3030973743
    Language: English
    Pages: 1 Online-Ressource (IX, 153 Seiten)
    Edition: 1st ed. 2022
    Parallel Title: Erscheint auch als Ng, Eve Cancel Culture
    DDC: 306
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    Keywords: Konflikt ; Meinungsfreiheit ; Medien ; Ethnizität ; Identität ; Culture—Study and teaching ; Communication ; Cultural Studies ; Media and Communication ; USA ; China
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 45
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031038532
    Language: English
    Pages: 1 Online-Ressource (XII, 204 p. 34 illus., 27 illus. in color)
    Edition: 1st ed. 2022
    Series Statement: Palgrave Studies in Comics and Graphic Novels
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 741.5
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    Keywords: Geschichte 1989-2019 ; Comics Studies ; Popular Culture ; Memory Studies ; Comic books, strips, etc.—Influence on mass media ; Popular Culture ; Collective memory ; Völkermord ; Krimineller ; Comic ; Sexualisierte Gewalt ; Massenmord ; USA ; Kanada ; England ; USA ; England ; Kanada ; Comic ; Völkermord ; Massenmord ; Sexualisierte Gewalt ; Krimineller ; Geschichte 1989-2019
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 46
    ISBN: 9783031062018
    Language: English
    Pages: 1 Online-Ressource(XIII, 233 p.)
    Edition: 1st ed. 2022.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—19th century. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Motion pictures. ; Aufsatzsammlung ; Englisch ; Roman ; Sachkultur ; Geschichte 1837-1901 ; Rezeption ; Fernsehspiel ; Großbritannien ; Neuseeland ; Film ; USA ; Geschichte 1980-2022
    Abstract: 1. Introduction: Stuff and Things: Introducing Neo-Victorian Materialities -- 2. Objects and Memorabilia in Deborah Lutz’s The Brontë Cabinet: Three Lives in Nine Objects -- 3. “Around the Mizzenpole”: Charles Johnson’s Middle Passage and African Americanizing the Neo-Victorian-at-sea -- 4. Touching, Writing, Collecting: Opium Paraphernalia and Neo-Victorian Material Culture -- 5. An Instrumental Thing: Pianos Extending and Becoming Postcolonial Bodies in Jane Campion’s The Piano and Daniel Mason’s The Piano Tuner -- 6. “Wilful Phantoms”: Haunted Dress, Memory, and Agentic Materiality in Colm Tóibín’s The Master -- 7. The Thing About Haunted Houses: In The Turn of the Screw, The Innocents and The Haunting of Hill House -- 8. There’s Something in the Tea: Murder and Materiality in Dark Angel -- 9. Criminal Things: Sherlock Holmes’ Details of Detection and Their Neo-Victorian Revisions -- 10. The Sleight of Hand: Appearance and Disappearance of Things in Neo-Victorian Magic.
    Abstract: Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film is the first volume to focus solely on the replication, reconstruction, and re-presentation of Victorian things. It investigates the role of materiality in contemporary returns to the past as a means of assessing the function of things in remembering, revisioning, and/or reimagining the nineteenth century. Examining iterations of material culture in literature, film and popular television series, this volume offers a reconsideration of nineteenth-century things and the neo-Victorian cultural forms that they have inspired, animated, and even haunted. By turning to new and relatively underexplored strands of neo-Victorian materiality—including opium paraphernalia, slave ships, clothing, and biographical objects—and interrogating the critical role such objects play in reconstructing the past, this volume offers ways of thinking about how mis/apprehensions of material culture in the nineteenth century continue to shape our present understanding of things.
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  • 47
    Book
    Book
    New Brunswick : Rutgers University Press
    ISBN: 9781978824348 , 9781978824355
    Language: English
    Pages: vii, 171 Seiten , Illustrationen
    DDC: 302.23/4
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    Keywords: Documentary films Social aspects ; Documentary films Political aspects ; Radicalism in mass media ; USA ; Aktivismus ; Neue Medien ; Dokumentarfilm
    Abstract: "Activist Media: Documenting Movements and Networked Solidarity is a first-person account of Gino Canella's documentary filmmaking with Black Lives Matter 5280 and Service Employees International Union (SEIU) Local 105 in Denver, Colorado. Activist media are social practices, rooted in communication and democracy, that have the potential to foster meaningful relationships among community members. These relationships, in turn, politicize the narratives and aesthetics that organizers use in their media, and create spaces for people to navigate and embrace their political and ideological differences; articulate and amplify their values; and practice empathic listening and "care-full" organizing. Activist media rewrite the script on tired narratives that racialize and dehumanize working people, and offer alternative visions for an equitable and just society. Activist Media also provides evidence for how collaborative media projects create opportunities for scholars to contribute to social movements' communication and organizing strategies, and highlight the grassroots knowledge emanating from the streets"--
    Note: Literaturverzeichnis: Seite 153-164 und Index
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  • 48
    ISBN: 9780520388062
    Language: English
    Pages: 274 Seiten
    Edition: First edition
    DDC: 770.74/776579
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    Keywords: African American photographers Exhibitions ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; USA ; Fotografie ; Fotograf ; Person of Color ; Person of Color ; USA ; Schwarze ; Fotografie ; Schwarze ; Geschichte 1840-2020
    Abstract: Foreword / Deborah Willis -- Preface / Herman J. Milligan, Jr. -- Preface / Howard Oransky -- Mining the archive of black life and culture / Cheryl Finley -- A visual politics of black pleasure / crystal am nelson -- Why we wear a suit to do the work / Seph Rodney.
    Abstract: "A Picture Gallery of the Soul presents the work of more than one hundred Black American artists whose practice incorporates the photographic medium. Organized by the Katherine E. Nash Gallery at the University of Minnesota, this group exhibition samples a range of photographic expressions produced over three centuries, from traditional photography to mixed media and conceptual art. From the daguerreotypes made by Jules Lion in New Orleans in 1840 to the Instagram post of the Baltimore Uprising made by Devin Allen in 2015, photography has chronicled Black American life, and Black Americans have defined the possibilities of photography. Frederick Douglass recognized the quick, easy, and inexpensive reproducibility of photography and developed a theoretical framework for understanding its impact on public discourse, which he delivered as a series of four lectures during the Civil War. The subject of 160 photographic portraits and the most photographed American of the nineteenth century, Douglass anticipated that the history of American photography and the history of Black American culture and politics would be deeply intertwined. A Picture Gallery of the Soul honors the diverse visions of Blackness made manifest through the lens of photography. Published in association with the Katherine E. Nash Gallery. Exhibition dates: Katherine E. Nash Gallery: September 13-December 10, 2022"--
    Note: Titelblattrückseite: "This catalogue is published in conjunction with the exhibition "A Picture Gallery of the Soul", organized by Herman J. Milligan Jr. and Howard Oransky for the Katherine E. Nash Gallery at the University of Minnesota, Minneapolis, September 13-December 10, 2022" , Includes bibliographical references and index
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  • 49
    Image
    Image
    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
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    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 50
    ISBN: 9789004428300 , 9789004428317
    Language: English
    Pages: XX, 169 Seiten
    Series Statement: Critical media literacies series volume 10
    Series Statement: Critical media literacies series
    Parallel Title: Erscheint auch als
    DDC: 303.48/40973
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    Keywords: Social Media ; Rechtsradikalismus ; USA ; Right-wing extremists / United States ; Social media / Political aspects / United States ; Communication in politics / United States ; Populism / United States ; Authoritarianism / United States ; United States / Politics and government / 2017-2021 ; USA ; Rechtsradikalismus ; Social Media
    Abstract: "What does the backlash against Critical Race Theory, the Capitol insurrection, Trumpism, Twitter, and neo-Nazis have in common? This book delves deep into conservative social media and far-right extremist platforms to understand the revival and proliferation of far-right authoritarian populist discourses after Trump's ascent to power. After the January 6th Capitol insurrection and the role social media have played in normalizing and promoting far-right populist authoritarianism, there is a renewed interest to study digital discursive aggression. Inspired by Critical Theory, Panayota Gounari masterfully uses Critical Discourse Studies to analyze social media data and articulate a discursive, pedagogical and historical project."
    Note: Includes bibliographical references and index
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  • 51
    ISBN: 9781839766121
    Language: English
    Pages: xi, 261 Seiten
    Edition: Paperback edition
    DDC: 305.89604
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    Keywords: Geistesgeschichte ; Geschichte 1900-1950 ; Geistesleben ; Kultur ; Schwarze ; USA ; USA ; Geistesleben ; Schwarze ; USA ; Schwarze ; Kultur ; Geschichte 1900-1950 ; Schwarze ; Geistesgeschichte
    Note: First published in the United Kingdom by Verso 1993
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  • 52
    ISBN: 9783825349271
    Language: English
    Pages: 563 Seiten , Illustrationen , 21 cm x 13.5 cm
    Series Statement: American Studies - a monograph series volume 318
    Series Statement: American Studies - a monograph series
    Parallel Title: Erscheint auch als
    DDC: 306.0973
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    Keywords: Popular culture studies ; Popkultur ; Massenkultur ; USA ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; USA ; Massenkultur ; Popkultur ; USA ; Popkultur
    Note: S.20: "This volume would not exist without the conference 'U.S.-American Culture as Popular Culture' (...) took place from June 13-15,2019 at the University of Hamburg."
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 53
    ISBN: 9783825347284 , 3825347281
    Language: English
    Pages: viii, 235 Seiten , 22 cm x 14 cm
    Series Statement: American studies volume 310
    Series Statement: American studies
    Parallel Title: Erscheint auch als Schäfer, Rebecca Time(s) of Lives
    Parallel Title: Erscheint auch als Schäfer, Rebecca Time(s) of lives
    Dissertation note: Dissertation Johannes Gutenberg-Universität Mainz 2019
    DDC: 303.370973
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    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Film ; Fernsehserie ; LGBT ; Altern ; Verwandtschaft ; Soziale Norm ; Zeit ; Heteronormativität ; USA ; Film ; Kultur ; Zeit ; Alter ; Altern ; Verwandtschaft ; LGBT ; Geschlechterforschung
    Note: Literaturverzeichnis: Seite 209-235
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  • 54
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520300415 , 9780520300408 , 0520300416
    Language: English
    Pages: xiii, 338 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 302.230973
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    Keywords: Geschichte 1970-2021 ; Geschichte 1970- ; Fernsehen ; Film ; Sachkultur ; Zuschauer ; USA ; Motion pictures / Social aspects ; Motion pictures / Social aspects ; Film ; Fernsehen ; Sachkultur ; Zuschauer ; Geschichte 1970-2021 ; USA ; Film ; Fernsehen ; Sachkultur ; Zuschauer ; Geschichte 1970-
    Description / Table of Contents: Introduction : material mediations -- Collecting and recollecting : Battlestar Galactica through video's varied technologies of memory -- The commercial economy of film history : or, looking for Looking for Mr. Goodbar -- "Let's movie" : how TCM made a lifestyle of classic film -- Spirits of cinema : alcohol service and the future of theatrical exhibition -- Blunt spectatorship : inebriated poetics in contemporary US television -- Shot in black and white : the racialized reception of US cinema violence -- Conclusion : expanding the scene of the screen -- Appendix A : documented incidents of cinema violence in the United States through December 31, 2019
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  • 55
    ISBN: 9780753559543 , 9780593230572 , 9780753559536
    Language: English
    Pages: xxxiii, 590 Seiten , Illustrationen
    Parallel Title: Erscheint auch als 1619 Project
    DDC: 973
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    Keywords: 1619 Project ; African-Americans History ; Slavery Political aspects ; History ; United States Civilization ; United States Race relations ; USA ; Sklaverei ; Rassismus ; Ethnische Beziehungen
    Abstract: "The animating idea of The 1619 Project is that our national narrative is more accurately told if we begin not on July 4, 1776, but in late August of 1619, when a ship arrived in Jamestown bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival inaugurated a barbaric and unprecedented system of chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the country's very origin. The 1619 Project tells this new origin story, placing the consequences of slavery and the contributions of Black Americans at the center of the story we tell ourselves about who we are as a country. Orchestrated by the editors of The New York Times Magazine, led by MacArthur "genius" and Pulitzer Prize-winning journalist Nikole Hannah-Jones, this collection of essays and historical vignettes includes some of the most outstanding journalists, thinkers, and scholars of American history and culture--including Linda Villarosa, Jamelle Bouie, Jeneen Interlandi, Matthew Desmond, Wesley Morris, and Bryan Stevenson. Together, their work shows how the tendrils of 1619--of slavery and resistance to slavery--reach into every part of our contemporary culutre, from voting, housing and healthcare, to the way we sing and dance, the way we tell stories, and the way we worship. Interstitial works of flash fiction and poetry bring the history to life through the imaginative interpretations of some of our greatest writers. The 1619 Project ultimately sends a very strong message: We must have a clear vision of this history if we are to understand our present dilemmas. Only by reckoning with this difficult history and trying as hard as we can to undersand its powerful influence on our present, can we prepare ourselves for a more just future"--
    Note: Includes index
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  • 56
    Book
    Book
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780197551226 , 9780197551219
    Language: English
    Pages: xi, 252 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Krzych, Scott Beyond bias
    Parallel Title: Erscheint auch als Krzych, Scott Beyond bias
    DDC: 302.23/0973
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    Keywords: Motion pictures Political aspects ; Conservatism in motion pictures ; Documentary films History and criticism ; Communication in politics ; Politische Kommunikation ; USA ; Dokumentarfilm
    Abstract: ""Bias" is a term that circulates frequently in the contemporary landscape of political media, a term intended to diagnose a failure when media outlets fail to maintain journalistic objectivity. Beyond Bias interrogates what would seem, at first glance, to be cases of utterly biased examples of political media-contemporary conservative documentary films. However, rather than dismiss such examples of political representation as exemplars of ideological nonsense, reactionary propaganda, etc., Beyond Bias locates in such examples of conservative media a mode of discourse central to contemporary democratic debate in the US. Specifically, this book identifies conservative media as a mode of hysterical discourse. As the book makes clear, hysterical political discourse occurs when debate is simulated as a means to avoid a more substantive exchange; when appeals to compromise function as a screen to blur the distinctions between opposing sides or viewpoints; as recourse to any and all opinions or "alternative facts" conducive to conservatism's ideological priorities, no matter how divorced from reality; through the reduction of complex issues into moral binaries; through the depoliticizing emphasis on form over content; and, ultimately, as a sustained means to "police" the political with excess nonsense and noise that drowns out any alternative voices. Drawing from psychoanalytic theories of hysteria (Jacques Lacan, Juliet Mitchell, Teresa Brennan, Christopher Bollas, and others) and Jacques Rancière's aesthetic politics, and likewise by placing conservative documentaries in the context of many concerns central to Documentary Studies (participation, observation, representation, the archive, etc.), Beyond Bias views conservative documentary, and conservative media and politics more generally, not as the biased excesses of the contemporary political landscape but rather as texts central to understanding the implicit, though sometimes affectively traumatic, antagonisms inevitable in democracy and constitutive of democratic debate"--
    Note: Includes bibliographical references and index
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  • 57
    Online Resource
    Online Resource
    New York : New York University Press
    ISBN: 9781479810932 , 9781479810925
    Language: English
    Pages: 1 Online-Ressource (261 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
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    Keywords: LITERARY CRITICISM / American / African-American ; African Americans ; Age Social aspects ; Blacks ; Human body Social aspects ; Racism ; Altern ; Körper ; Soziale Situation ; Aussehen ; Schwarze ; USA ; USA ; Schwarze ; Körper ; Aussehen ; Altern ; Soziale Situation
    Abstract: A view of transatlantic slavery's afterlife and modern Blackness through the lens of age. Although more than fifty years apart, the murders of Emmett Till and Trayvon Martin share a commonality: Black children are not seen as children. Time and time again, excuses for police brutality and aggression-particularly against Black children- concern the victim "appearing" as a threat. But why and how is the perceived "appearance" of Black persons so completely separated from common perceptions of age and time? Black Age: Oceanic Lifespans and the Time of Black Life posits age, life stages, and lifespans as a central lens through which to view Blackness, particularly with regard to the history of transatlantic slavery. Focusing on Black literary culture of the late twentieth and early twenty-first centuries, Habiba Ibrahim examines how the history of transatlantic slavery and the constitution of modern Blackness has been reimagined through the embodiment of age. She argues that Black age-through nearly four centuries of subjugation- has become contingent, malleable, and suited for the needs of enslavement. As a result, rather than the number of years lived or a developmental life stage, Black age came to signify exchange value, historical under-development, timelessness, and other fantasies borne out of Black exclusion from the human.Ibrahim asks: What constitutes a normative timeline of maturation for Black girls when "all the women"-all the canonically feminized adults-"are white"? How does a "slave" become a "man" when adulthood is foreclosed to Black subjects of any gender? Black Age tracks the struggle between the abuses of Black exclusion from Western humanism and the reclamation of non-normative Black life, arguing that, if some of us are brave, it is because we dare to live lives considered incomprehensible within a schema of "human time.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 58
    ISBN: 9783446269712
    Language: German
    Pages: 283 Seiten , 21 cm
    Edition: 2. Auflage
    Uniform Title: Sister Outsider
    DDC: 810
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    Keywords: Lorde, Audre 1934-1992 ; USA ; Lesbische Orientierung ; Schwarze Frau
    Abstract: Audre Lorde ist die revolutionäre Denkerin und Ikone des Schwarzen Feminismus. Audre Lorde wusste, was es heißt, als Bedrohung zu gelten: als feministische Dichterin, als Schwarze Frau in einer weißen akademischen Welt, als lesbische Mutter eines Sohnes. Viele „Formen menschlicher Verblendung haben ein und dieselbe Wurzel: die Unfähigkeit, Unterschiedlichkeit als eine dynamische Kraft zu begreifen, die bereichernd ist, nicht bedrohlich“. Lorde widmete ihr Schaffen dem Kampf gegen Unterdrückung. Verschiedenheit und Schwesternschaft, Zorn, Erotik und Sprache wurden zu kraftvollen Waffen. In ihren Texten über Rassismus, Patriarchat und Klasse finden wir Antworten auf die brennenden Fragen der Gegenwart – ein halbes Jahrhundert nach Erscheinen beweist der Band seine erschreckende Aktualität.
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 59
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    Madrid : Fundación MAPFRE
    ISBN: 9788498447699
    Language: Spanish
    Pages: 235 Seiten , 23 cm
    DDC: 779
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    Keywords: Bildband ; Ausstellungskatalog KBr 11.06.2021-05.09.2021 ; Winogrand, Garry 1928-1984 ; Fotografie ; USA ; Mensch ; Geschichte 1952-1968
    Note: Publ. on the occasion of an exhibition held within PHotoEspaña Festival, at the KBr, Madrid, Spain, June 11-Sept. 5, 2021 , G. Winogrand (1928-1984), American photographer , Catalan ed. also avail. (see our card no. 4924674, EAN 9788498447705) , Text in Spanish
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  • 60
    ISBN: 9780226786483
    Language: English
    Pages: 105 Seiten
    Uniform Title: Visages de la Silicon Valley
    Parallel Title: Erscheint auch als Meehan, Mary Beth Seeing Silicon Valley
    DDC: 305.5/60979473
    RVK:
    Keywords: Bildband ; Meehan, Mary Beth ; Fotografie ; USA ; Mensch ; Silicon Valley
    Abstract: The valley on the hill /Fred Turner --Photographs and stories /Mary Beth Meehan.
    Abstract: "Silicon Valley culture expert, Fred Turner, has partnered with photographer, Mary Beth Meehan, to present an unseen view from the center of the tech world. This photography book does not celebrate the success of young entrepreneurs striving for efficiency in minimalist corporate campuses. Instead, we see portraits of those who struggle to survive -families displaced by an impossible real estate market or injured by environmental degradation. Their stories of stress, poverty, and pollution encourage reflection on the sacrifices of the community living in the same economic zone as thirty-something billionaires and a call for responsibility to the people of the real Silicon Valley"--
    Note: First published in French as Visages de la Silicon Valley by C&F Éditions, 2018 , Includes bibliographical references
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  • 61
    ISBN: 9788498447705
    Language: Catalan , English
    Pages: 235 Seiten , illustrations (some color) , 23 cm
    DDC: 779
    RVK:
    Keywords: Bildband ; Ausstellungskatalog KBr 11.06.2021-05.09.2021 ; Winogrand, Garry 1928-1984 ; Fotografie ; USA ; Geschichte 1950-1977
    Note: Publ. on the occasion of an exhibition held within PHotoEspaña Festival, at the KBr, Madrid, Spain, June 11-Sept. 5, 2021 , Spanish ed. also avail. (see our card no. 4924673, EAN 9788498447699) , G. Winogrand (1928-1984), American photographer , Text in katalanisch und englisch
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  • 62
    ISBN: 9783848778720 , 3848778726
    Language: English
    Pages: 239 Seiten , Illustrationen, Diagramme , 22.7 cm x 15.3 cm
    Edition: 1st edition
    Uniform Title: The risks of terrorism, demographic change and climate change
    Parallel Title: Erscheint auch als Fischer, Anne-Kathrin, 1989 - Dynamics of public risk perception and media coverage
    Dissertation note: Dissertation Universität Duisburg-Essen 2020
    DDC: 302.120943
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    Keywords: Hochschulschrift ; Deutschland ; USA ; Risikobewusstsein ; Zeitung ; Berichterstattung ; Klimaänderung ; Terrorismus ; Bevölkerungsentwicklung ; Geschichte 1990-2015 ; USA ; Deutschland ; Öffentlichkeit ; Sicherheit ; Terrorismus ; Bevölkerungsentwicklung ; Klimaänderung
    Note: Literaturverzeichnis: Seite 227-239
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  • 63
    ISBN: 9781780769769
    Language: English
    Pages: xi, 288 Seiten
    Series Statement: Library of gender and popular culture
    DDC: 302.2345081
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    Keywords: Television Social aspects ; Television Technological innovations ; Social aspects ; Television and women ; Television viewers Effect of technological innovations on ; Fernsehen ; Rundfunk ; Weibliche Fernsehschaffende ; Filmwirtschaft ; Frauenberuf ; Großbritannien ; USA
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  • 64
    Book
    Book
    New York NY : New York University Press
    ISBN: 9781479810895 , 9781479810888
    Language: English
    Pages: 261 Seiten
    DDC: 305.896/073
    RVK:
    Keywords: African Americans ; Blacks ; Age Social aspects ; Human body Social aspects ; Racism ; USA ; Schwarze ; Körper ; Aussehen ; Altern ; Soziale Situation
    Abstract: Introduction: Emmett's Face, Emmett's Flesh -- Shape-Shifters and Body-Snatchers -- Vampires and Relics -- The Mass and Men -- Ghosts -- Epilogue: And with Black Children.
    Abstract: "Black Age argues that age tracks the struggle between the abuses of black exclusion from western humanism, and the reclamation of non-normative black life"--
    Note: Includes bibliographical references and index
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  • 65
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478021391 , 147802139X
    Language: English
    Pages: 1 Online-Ressource (xxii, 530 Seiten) , Illustrationen
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Weisbard, Eric Songbooks
    DDC: 782.421640973
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    Keywords: Popular music History and criticism ; Popular music Historiography ; Electronic books ; USA ; Volksmusik ; Popmusik
    Abstract: Setting the Scene -- The Jazz Age -- Midcentury Icons -- Vernacular Counterculture -- After the Revolution -- New Voices, New Methods -- Topics in Progress.
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 66
    ISBN: 9781789209846
    Language: English
    Pages: xii, 185 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Gamberi, Valentina Experiencing materiality
    DDC: 306
    RVK:
    Keywords: Material culture ; Anthropological museums and collections ; Museums Curatorship ; Europa ; USA ; Ethnologisches Museum ; Anthropologie ; Sachkultur
    Abstract: Introduction. Materiality or the problem -- What thing is this? Indian storytelling scrolls -- Curatorial understanding of the Sacred within museum walls: Metalogues in dialogue with scholarship -- Manipulating sacred force: Scrolls and copies -- Material engagements in the colony: Legacies and changes in perspective -- Reconstructing the sacred: Temples or museum galleries? -- When religious power is limiting: The World Museum of Liverpool -- For a reappraisal of phenomenology: A perspectival approach to materiality -- Conclusions. Returning to museums.
    Abstract: "Representing a cutting-edge study of the junction between theoretical anthropology, material culture studies, religious studies and museum anthropology, this study examines the interaction between the human and the nonhuman in a museum setting usually defined as 'non-Western', 'non-scientific' and 'religious.' Combining an on-site analysis of exhibitive spaces with archival research and interviews with museum curators, the chapters highlight contradictions of museum practices, and suggests that museum practitioners use museum spaces and artefacts as a way of formulating new theoretical stances in material culture studies, thus viewing museums as producers of theories together with affective engagements"--
    Note: Includes bibliographical references and index
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  • 67
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520303188 , 9780520303171
    Language: English
    Pages: 176 Seiten
    Series Statement: American studies now: critical histories of the present 14
    Series Statement: American studies now
    Parallel Title: Erscheint auch als Barker, Joanne Red Scare
    DDC: 970.004/97
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    Keywords: Indians of North America Social conditions ; Social justice 21st century ; Social movements 21st century ; Kanada ; USA ; Indigenes Volk ; Indigene Frau ; Verschwinden ; Erdöl ; Aktivismus ; Ausbeutung ; Gewalt
    Abstract: Prologue -- Scared red -- The murderable Indian : terror as state (in)security -- The kinless Indian : terror as social (in)stability -- Radical alterities from huckleberry roots -- Appendix I : a chronology -- Appendix II : Cherokee treaties and membership/census rolls.
    Abstract: "New Indigenous movements are gaining traction in North America: the Missing and Murdered Women and Idle No More movements in Canada, and the Native Lives Matter and NoDAPL movements in the United States. These do not represent new demands for social justice and treaty rights, which Indigenous groups have sought for centuries. But owing to the extraordinary visibility of contemporary activism, Indigenous people have been newly cast as terrorists--a designation that justifies severe measures of policing, exploitation, and violence. The Red Scare investigates the intersectional scope of these four movements, and the broader context of the treatment of Indigenous social justice movements as threats to neoliberal and imperialist social orders. In The Red Scare, Joanne Barker shows how US and Canadian leaders leverage the fear-driven discourses of terrorism to allow for extreme responses to Indigenous activists, framing them as threats to social stability and national security. The alignment of Indigenous movements now with broader struggles against sexual, police, and environmental violence puts them at the forefront of new intersectional solidarities in prominent ways. The activist-as-terrorist framing is cropping up everywhere, but the historical and political complexities of Indigenous movements and state responses are unique. Indigenous criticisms of state policy, resource extraction and contamination, intense surveillance, and neoliberal values are met with outsized and shocking measures of militarized policing, environmental harm, and sexual violence. The Red Scare provides students and readers with a concise and thorough survey of these movements and their links to broader organizing; the common threads of historical violence against Indigenous people; and the relevant alternatives we can find in Indigenous forms of governance and relationality"--
    Note: Literaturhinweise: Seite 139-169
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  • 68
    ISBN: 9783110707366 , 3110707365
    Language: English
    Pages: VI, 294 Seiten , Illustrationen, Karten , 24 cm x 17 cm
    Series Statement: Studies in Early Modern and Contemporary European History volume 2
    Series Statement: Studies in early modern and contemporary European history
    Parallel Title: Erscheint auch als The mediatization of war and peace
    DDC: 302.2309041
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    Keywords: Aufsatzsammlung ; Europa ; USA ; Erster Weltkrieg ; Propaganda ; Massenmedien ; Geschichte ; Europa ; USA ; Massenmedien ; Erster Weltkrieg ; Kriegsende ; Friede ; Berichterstattung ; Öffentliche Meinung ; Kollektives Gedächtnis ; Geschichte 1914-1939
    URL: Rezension  (H-Soz-Kult)
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  • 69
    ISBN: 9780226786513
    Language: English
    Pages: 1 Online-Ressource(105 pages)
    Parallel Title: Erscheint auch als Meehan, Mary Beth Seeing Silicon Valley
    DDC: 305.5/60979473
    RVK:
    Keywords: Equality-California-Santa Clara Valley (Santa Clara County) ; Housing-California-Santa Clara Valley (Santa Clara County)-Pictorial works ; Santa Clara Valley (Santa Clara County, Calif.)-Pictorial works ; Electronic books ; Bildband ; Bildband ; Bildband ; Meehan, Mary Beth ; Fotografie ; USA ; Mensch ; Silicon Valley
    Abstract: Intro -- Contents -- The Valley on the Hill | Fred Turner -- Photographs and Stories | Mary Beth Meehan -- Cristobal -- Ravi and Gouthami -- Victor -- Warren -- Justyna -- Teresa -- Mary -- Diane -- Abraham and Brenda -- Ariana and Elijah -- Mark -- Imelda -- Richard -- Leslie -- Geraldine -- Jolea -- Melissa and Steve -- Jon -- Gee and Virginia -- Branton and Shirley -- Konstance -- Aurora -- Erfan -- Ted -- Elisa and Family -- Elizabeth -- Afterword -- Acknowledgments.
    Note: Description based on publisher supplied metadata and other sources
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  • 70
    Book
    Book
    Columbus : The Ohio State University Press
    ISBN: 9780814214770 , 0814214770
    Language: English
    Pages: x, 185 Seiten
    DDC: 305.896/073
    RVK:
    Keywords: Federal Writers' Project Influence ; American literature African American authors ; History and criticism ; African Americans Social conditions ; Liberalism History 20th century ; United States Race relations 20th century ; USA ; Schwarze ; Literatur ; Federal Writers' Project
    Abstract: "Shows how Black writers such as Richard Wright, Zora Neale Hurston, and Ralph Ellison participating in the Federal Writer' Project of the 1930s responded to and shaped New Deal programs and ideology"--
    Note: Includes bibliographical references and index
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  • 71
    Book
    Book
    Amherst : University of Massachusetts Press
    ISBN: 9781625345264 , 9781625345257
    Language: English
    Pages: xi, 224 Seiten , Illustrationen , 23 cm
    Series Statement: Studies in print culture and the history of the book
    DDC: 071/.308996073
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    Keywords: African American periodicals History 20th century ; African American newspapers History 20th century ; American literature African American authors ; Publishing ; History ; African Americans and mass media ; African Americans Legal status, laws, etc ; Racism ; USA ; Schwarze ; Zeitschrift ; Zeitung ; Magazin ; Geschichte 1900-1950
    Abstract: "Scholars have paid relatively little attention to the highbrow, middlebrow, and popular periodicals that African Americans read and discussed regularly during the Jim Crow era-publications such as the Chicago Defender, the Crisis, Ebony, and the Half-Century Magazine. Jim Crow Networks considers how these magazines and newspapers, and their authors, readers, advertisers, and editors worked as part of larger networks of activists and thinkers to advance racial uplift and resist racism during the first half of the twentieth century. As Eurie Dahn demonstrates, authors like James Weldon Johnson, Nella Larsen, William Faulkner, and Jean Toomer wrote in the context of interracial and black periodical networks, which shaped the literature they produced and their concerns about racial violence. This original study also explores the overlooked intersections between the black press and modernist and Harlem Renaissance texts, and highlights key sites where readers and writers worked toward bottom-up sociopolitical changes during a period of legalized segregation"--
    Note: Includes bibliographical references and index
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  • 72
    ISBN: 9781789382839
    Language: English
    Pages: viii, 169 Seiten , Illustrationen
    DDC: 306.48460973
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    Keywords: Geschichte ; Christentum ; Tanz ; Nordamerika ; USA
    Note: Literaturverzeichnis Seite 147-159
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  • 73
    Book
    Book
    New Brunswick : Rutgers University Press
    ISBN: 9781978807587 , 9781978807594
    Language: English
    Pages: ix, 229 Seiten
    Series Statement: War culture
    Parallel Title: Erscheint auch als Boyle, Brenda M American war stories
    DDC: 303.6/6
    RVK:
    Keywords: War and society ; Militarism ; War stories, American ; United States History, Military 21st century ; USA ; Kriegsliteratur
    Abstract: "American War Stories asks readers to contemplate what traditionally constitutes a "war story" and how that constitution obscures the normalization of militarism in American culture. The book claims the traditionally narrow scope of "war story," as by a combatant about his wartime experience, compartmentalizes war, casting armed violence as distinct from everyday American life. Broadening "war story" beyond the specific genres of war narratives such as "war films," "war fiction," or "war memoirs," American War Stories exposes how ingrained militarism is in everyday American life, a condition that challenges the very democratic principles the United States is touted as exemplifying"--
    Note: Includes bibliographical references and index
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  • 74
    Book
    Book
    New York : New York University Press
    ISBN: 9781479865109 , 9781479878741
    Language: English
    Pages: xiv, 227 Seiten
    Series Statement: Intersections
    Series Statement: transdisciplinary perspectives on genders and sexualities
    DDC: 302.23089/96073
    RVK:
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    Keywords: African American women in social media ; Social media ; African American women in popular culture ; Misogynoir ; African American women Social conditions ; USA ; Schwarze Frau ; Frauenfeindlichkeit ; Social Media ; Soziale Bewegung
    Abstract: Introduction: What is misogynoir? -- Misogynoir is a drag -- Transforming misogynoir through trans advocacy -- Web show worldbuilding mitigates misogynoir -- Alchemists in action against misogynoir -- Conclusion: Misogynoir transformed : BlackWomenDragBack.
    Abstract: "This book uses the Twitter, YouTube, and Tumblr productions of Black women as evidence that negative ideas about Black women can be transformed. Misogynoir describes the uniquely co-constitutive racialized and sexist violence that befalls Black women"--
    Note: Literaturverzeichnis: Seite 203-219. Index
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  • 75
    ISBN: 978-3-8394-5595-1
    Language: German
    Pages: 1 Online-Ressource (209 Seiten) : , Illustrationen.
    Series Statement: Kulturen der Gesellschaft Band 48
    Series Statement: Kulturen der Gesellschaft
    Parallel Title: Erscheint auch als
    DDC: 303.49
    RVK:
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    Keywords: Geschichte 2000- ; COVID-19. ; Pandemie. ; Katastrophe. ; Zukunftsangst. ; Apokalyptik. ; Mentalität. ; Katastrophe ; Apokalypse ; Untergang ; Pandemie ; Flüchtlingskrise ; Klimawandel ; Nationalismus ; Prepper ; Deutschland ; USA ; Europa ; Religion ; Heilsversprechen ; Extinction Rebellion ; Kultursoziologie ; Religionssoziologie ; Religionswissenschaft ; Wissenssoziologie ; Soziologie ; Crisis ; Catastrophe ; Demise ; Pandemic ; Refugee Crisis ; Climate Change ; Nationalism ; Germany ; Europe ; Promise of Salvation ; Sociology of Culture ; Sociology of Religion ; Religious Studies ; Sociology of Knowledge ; Sociology ; COVID-19 ; Pandemie ; Geschichte 2000- ; Katastrophe ; Zukunftsangst ; Apokalyptik ; Mentalität
    Abstract: "Finanzkrise, Flüchtlingskrise, Klimanotstand und nun Corona. Das 21. Jahrhundert ist von Beginn an reich an Krisen. Zugleich haben spätestens seit dem Jahrtausendwechsel apokalyptische Deutungen des Weltgeschehens Konjunktur. Alexander-Kenneth Nagel analysiert die apokalyptische Tiefenstruktur aktueller Krisendiagnosen zur Corona-Pandemie, zur ökologischen Krise vom Club of Rome bis hin zu Extinction Rebellion und zur Krise des Nationalismus. Er vermittelt ein vertieftes Verständnis der Endzeit-Mentalität spätmoderner Gesellschaften und der anhaltenden Konjunktur der Apokalyptik als religiösem und weltanschaulichem Geschäftsmodell." (Verlagsinformation)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 76
    Book
    Book
    New York ; Bern ; Berlin : Peter Lang
    ISBN: 9781433166679 , 9781433166686
    Language: English
    Pages: viii, 296 Seiten , Illustration , 22.5 cm x 15 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.3/85
    RVK:
    Keywords: Massenmedien ; Stereotyp ; USA ; Ageism ; Andrew ; Billings ; Erika ; From ; Hendrix ; Media ; Parrott ; Scott ; Stereotypes ; Xenophobia ; Stereotypes (Social psychology) in mass media ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Massenmedien ; Stereotyp
    Abstract: "When we think about the "pictures in our heads" that media create and perpetuate, what images are we truly referencing? Issues of media stereotypes and representation (both past and present) are crucial to advancing media literacy. Media Stereotypes: From Ageism to Xenophobia becomes one-stop shopping for synthesizing what we know within the composite of stereotyping research in the United States. Utilizing a cast of top American scholars with deep roots in asking stereotype-based questions, this book is essential reading for those wishing to understand what we know about past and present media representations as well as those wishing to take the baton and continue to advance media stereotyping research in the future"--
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  • 77
    ISBN: 9781479840083 , 9781479889587
    Language: English
    Pages: 245 Seiten , Illustrationen , 26 cm
    Series Statement: Postmillennial pop
    DDC: 305.8009730222
    RVK:
    Keywords: Karikatur ; Schwarze ; Rassismus ; Zugehörigkeit ; USA
    Abstract: The Content of Our Caricature is an in-depth exploration of African American comic art and its relationship to political belonging.
    Note: Literaturangaben
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  • 78
    ISBN: 9781138590182 , 9781138590229
    Language: English
    Pages: x, 444 Seiten
    Edition: Fourth edition
    Series Statement: Routledge communication series
    DDC: 302.23
    RVK:
    RVK:
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    Keywords: Mass media Psychological aspects ; Mass media Social aspects ; Mass media Political aspects ; Mass media Influence ; USA ; Massenmedien ; Massenkommunikation ; Wirkung ; Medienpolitik ; Medienforschung ; Rezeptionsforschung
    Abstract: A history of media effects research traditions / Peter Vorderer, David W. Park, and Sarah Lutz -- Media effects theories : an overview / Patti M. Valkenburg and Mary Beth Oliver -- The world of news and politics / Yariv Tsfati and Nathan Walter -- News framing theory and research / David Tewksbury and Dietram A. Scheufele -- Cultivation theory, media, stories, processes, and reality / Rick Busselle and Jan Van den Bulck -- Media priming and accessibility / David R. Ewoldsen and Nancy Rhodes -- Social cognitive theory / Marina Krcmar -- Currents in the study of persuasion / James Price Dillard -- Narrative effects / Melanie Green, Helena Bilandzic, Kaitlin Fitzgerald, and Elaine Paravati -- Media choice and selective exposure / Silvia Knobloch-Westerwick, Axel Westerwick, and Daniel J. Sude -- Media and emotion / Robin L. Nabi -- Media, identity, and the self / Jonathan Cohen, Markus Appel, and Michael D. Slater -- Media psychophysiology and neuroscience : bringing brain science into media processes and effects research / Paul D. Bolls, René Weber, Annie Lang, and Robert F. Potter -- Media violence and aggression / Jessica Taylor Piotrowski and Karin M. Fikkers -- Media and sexuality / Paul Wright -- Media stereotypes : content, effects, and theory / Travis L. Dixon -- Eudaimonia as media effect / Arthur A. Raney, Mary Beth Oliver, and Anne Bartsch -- Advertising effects and advertising effectiveness / Louisa Ha -- Educational media for children / Amy B. Jordan and Sarah E. Vaala -- Media effects and health / Jessica G. Myrick -- Entertainment and enjoyment as media effect / Arthur A. Raney and Jennings Bryant -- Video games / Christoph Klimmt and Daniel Possler -- Psychological effects of interactive media technologies : a human-computer interaction (HCI) perspective / S. Shyam Sundar and Jeeyun Oh -- Social media / Jesse Fox and Bree McEwan -- Effects of mobile communication : revolutions in an evolving field / Scott W. Campbell and Rich Ling -- Virtual reality in media effects / Sriram Kalyanaraman and Jeremy Bailenson -- Cross-cultural media effects research / Jinhee Kim and Kimin Eom.
    Abstract: "Now in its fourth edition, Media Effects again features essays from some of the finest scholars in the field and serves as a comprehensive reference volume for scholars, teachers, and students. This edition contains both new and updated content that reflects our media-saturated environments, including chapters on social media, video games, mobile communication, and virtual technologies. In recognition of the multitude of research trajectories within media effects, this edition also includes new chapters on narratives, positive media, the self and identity, media selection, and cross-cultural media effects. As scholarship in media effects continues to evolve and expand, Media Effects serves as a benchmark of theory and research for the current and future generations of scholars. Ideal for scholars and for undergraduate and graduate courses in media effects, media psychology, media theory, psychology, sociology, political science, and related disciplines"--
    Note: Literaturangaben
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  • 79
    ISBN: 9781793601308 , 1793601305
    Language: English
    Pages: xi, 149 Seiten , Illustrationen
    Series Statement: Cultural studies, media studies
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    Keywords: USA ; Kultur ; Videospiel
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  • 80
    Book
    Book
    Minneapolis, Minnesota : Graywolf Press
    ISBN: 9781644450215
    Language: English
    Pages: 342 Seiten , Illustrationen, Diagramme, Karten, Portraits (zum Teil farbig) , 24 cm
    DDC: 305.896073
    RVK:
    Keywords: Whites / Race identity / United States ; African Americans / Social conditions / 21st century ; African Americans / Social conditions ; Race relations ; Social conditions ; Whites / Race identity ; Ethnische Beziehungen ; United States / Race relations / 21st century ; United States / Social conditions / 21st century ; United States ; USA ; Essays ; Essays ; USA ; Ethnische Beziehungen
    Abstract: "At home and in government, contemporary America finds itself riven by a culture war in which aggression and defensiveness alike are on the rise. It is not alone. In such partisan conditions, how can humans best approach one another across our differences? Taking the study of whiteness and white supremacy as a guiding light, Claudia Rankine explores a series of real encounters with friends and strangers - each disrupting the false comfort of spaces where our public and private lives intersect, like the airport, the theatre, the dinner party and the voting booth - and urges us to enter into the conversations which could offer the only humane pathways through this moment of division. Just Us is an invitation to discover what it takes to stay in the room together, and to breach the silence, guilt and violence that surround whiteness. Brilliantly arranging essays, images and poems along with the voices and rebuttals of others, it counterpoints Rankine's own text with facing-page notes and commentary, and closes with a bravura study of women confronting the political and cultural implications of dyeing their hair blonde."--Publisher's description
    Description / Table of Contents: What if -- Liminal spaces I -- Evolution -- Lemonade -- Outstretched -- Daughter -- Notes on the state of whiteness -- Tiki torches -- Study on white male privilege -- Tall -- Social contract -- Violent -- Sound and fury -- Big little lies -- Ethical loneliness -- Liminal spaces II -- José Martí -- Boys will be boys -- Complicit freedoms -- Whitening -- Liminal spaces III.
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  • 81
    ISBN: 9789004431591 , 9789004391277
    Language: English
    Pages: xxii, 158 Seiten , Illustrationen
    Series Statement: Critical media literacies series volume 5
    Series Statement: Critical media literacies series
    Parallel Title: Erscheint auch als On the question of truth in the era of Trump
    DDC: 306.20973
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    Keywords: Trump, Donald Influence ; Truthfulness and falsehood Political aspects ; Right and left (Political science) ; Rhetoric Political aspects ; Mass media Political aspects ; Political culture ; United States Politics and government 2017- ; Aufsatzsammlung ; USA ; Politische Kultur ; Politische Rede ; Geschichte 2016-2020
    Abstract: "Using a range of critical perspectives, On the Question of Truth in the Era of Trump closely examines notions of "truth in crisis" leading up to and after the election of Donald Trump. The authors explore how truth is constructed along the lines of race, social class, and gender as filtered through the self-referential characteristics of social media in particular. The authors assert that the US left has shown itself inadequate to the task of confronting right wing ideologies, which have only intensified since the 2016 election, resulting in increased mobilization of white supremacist and nationalist groups. Whether underestimating Trump by downplaying the threat of his candidacy during the primaries, trivializing the concerns of women and minorities as "identity politics," or rushing to prioritize the free speech rights of the far-right, left academics and the media have found themselves unable to use their traditional arsenal of evidence, rational discourse, and appeals to diversity of viewpoints. The authors assert that political resistance to the right is not a matter of playful use of signs and symbols or discourse alone and has to be fought directly and in solidarity. At this point, it is clear that Trump and his supporters have not just deployed relativism as a form of strategy, but have fully weaponized it against their perceived enemies: women, immigrants, minorities, LGBTQ people along with educational, scientific, and journalistic institutions. It is hoped that this in-depth, critical dissection of truth in the current political reality will assist in the project of resistance. Contributors are: Faith Agostinone-Wilson, Mike Cole, Jeremy T. Godwin, Jones Irwin, Austin Pickup, Daniel Ian Rubin, and Eric C. Sheffield"--
    Note: Includes bibliographical references and index
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  • 82
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478006817 , 9781478008101
    Language: English
    Pages: xiii, 247 Seiten , Illustrationen
    Series Statement: A camera obscura book
    Parallel Title: Erscheint auch als Wallace, Leonelle Mary, 1962- Reattachment theory
    DDC: 306.84/8
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    Keywords: Same-sex marriage ; Marriage ; Lesbianism in motion pictures ; Homosexuality in motion pictures ; Gleichgeschlechtliche Ehe ; Motiv ; Film ; USA
    Abstract: "REATTACHMENT THEORY eschews dominant queer critiques of same-sex marriage to examine the varied histories of queer influences on marriage. According to the traditional queer critique, the legalization of same-sex marriage signaled a neoliberal and homonormative assimilation into normative structures of heterosexism and reproductive futurism. Countering this argument, queer film scholar Lee Wallace claims that, since the eighteenth century, marriage has allowed for many queer and non-normative plotlines. In this book, Wallace is more interested in marriage as a narrative-both in how marriage is narrativized, as well as the story of the changing meaning of marriage-than she is in marriage as a legal institution. Drawing on historians of marriage, Wallace traces the iterations of love associated with marriage vows: from obligation or duty, to romance, and finally to intimacy. Historicizing the discourse of intimacy, Wallace claims that the valorization of intimacy across the twentieth century led to an idealization of the couple form, regardless of heterosexual or homosexual affiliation. Furthermore, Wallace draws on twentieth-century formulations of sexual reciprocity and sexual satisfaction regardless of marital status-and their links to the discourses of intimacy-to reveal how these concepts proved flexible enough to include homosexuality. Tracking these changing narratives of marriage throughout the twentieth century, Wallace grounds her analyses in an archive of popular culture films. Using Stanley Cavell's notion that, following the "marriage crisis" created by divorce in the early twentieth century, all marriage is remarriage, Wallace argues that after the advent of same-sex marriage, all marriage is gay marriage. Chapter 1, which doubles as the introduction, lays out the stakes of the project. Chapter 2 examines nineteenth-century literature and early twentieth-century popular culture to reveal the changing story of marriage. Chapter 3 situates the 1936 film Craig's Wife as an anticipation of gay and lesbian alternatives to marriage. Chapter 4 reads Tom Ford's film production of Christopher Isherwood's A Single Man as a means to extend homosexual style as a "brand" of cultural and emotional capital. Chapters 6 and 7 engage directly with Cavell's theory of remarriage as an analytic to examine same-sex marriage. This book will be of interest to students and scholars of queer theory, feminist studies, and film studies"--
    Note: Includes bibliographical references and index
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  • 83
    Online Resource
    Online Resource
    New York, NY : New York University Press
    ISBN: 9781479813636
    Language: English
    Pages: 1 Online-Ressource (245 Seiten, 8 ungezählte Seiten Tafeln) , Illustrationen
    Series Statement: Postmillennial Pop Band 25
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.800973022/2
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    Keywords: Geschichte ; Aaron McGruder;African American Art;African American cartoonists;African American children;African American Soldiers;African Americans;Black Aesthetics;Black Body;black liberation;black masculinity;Black Panther;Black superheroes ; Brumsic Brandon Jr ; Captain America ; Civil Rights Movement ; Comics ; Hermeneutic ; Ho Che Anderson ; Icon ; Jennifer Cruté ; Kyle Baker ; Larry Fuller ; Martin Luther King Jr ; Nat Turner ; Ollie Harrington ; R Crumb ; Richard Grass Green ; Thomas Nast ; U.S. comics ; Violence ; World War II. ; citizenship ; editorial cartoons ; equal opportunity humor ; infantile citizenship ; offensive humor ; racial melancholia ; slavery ; stereotype ; underground comix ; visual culture ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African Americans Caricatures and cartoons ; Belonging (Social psychology) in art ; Belonging (Social psychology) ; Racism in cartoons ; Zugehörigkeit ; Comic ; Subkultur ; Karikatur ; Schwarze ; USA ; USA ; Schwarze ; Karikatur ; Zugehörigkeit ; Geschichte ; USA ; Schwarze ; Comic ; Subkultur
    Abstract: Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its headRevealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States.Historically, white artists have rendered white caricatures as virtuous representations of American identity, while their caricatures of African Americans are excluded from these kinds of idealized discourses. Employing a rich illustration program of color and black-and-white reproductions, Wanzo explores the works of artists such as Sam Milai, Larry Fuller, Richard "Grass" Green, Brumsic Brandon Jr., Jennifer Cruté, Aaron McGruder, Kyle Baker, Ollie Harrington, and George Herriman, all of whom negotiate and navigate this troublesome history of caricature. The Content of Our Caricature arrives at a gateway to understanding how a visual grammar of citizenship, and hence American identity itself, has been constructed
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 84
    ISBN: 9780429244230 , 9780429520976
    Language: English
    Pages: 1 Online-Ressource (vii, 325 Seiten)
    Edition: Second edition, 25th anniversary edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.230973
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    Keywords: Mass media United States ; Wirtschaftsförderung ; Kulturwirtschaft ; Massenmedien ; Kultur ; USA ; Europa ; Kanada ; Lehrbuch ; Lehrbuch ; Europa ; Kulturwirtschaft ; Wirtschaftsförderung ; Kanada ; Kulturwirtschaft ; Wirtschaftsförderung ; USA ; Massenmedien ; Kultur
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 85
    ISBN: 9780755601974
    Language: English
    Pages: XVI, 240 Seiten , Illustrationen
    Edition: Paperback edition
    Series Statement: Library of World War II studies 1
    Series Statement: Library of World War II studies
    DDC: 940.5488
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    Keywords: World War, 1939-1945 Propaganda ; Radio in propaganda History 20th century ; Radio in propaganda History 20th century ; Jazz Social aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Radio broadcasting History 20th century ; Radio broadcasting History 20th century ; World War (1939-1945) ; Jazz ; Social aspects ; Propaganda ; Radio broadcasting ; Radio in propaganda ; Germany ; Great Britain ; History ; Deutschland ; Großbritannien ; USA ; Jazz ; Propaganda ; Soziale Situation ; Geschichte 1939-1945
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  • 86
    ISBN: 9781478008880
    Language: English
    Pages: 1 Online-Ressource (xvi, 310 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.5/2
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    Keywords: SOCIAL SCIENCE / Anthropology / Cultural & Social ; Celebrities in mass media ; Fame Social aspects ; Hispanic American mass media ; Hispanic Americans in mass media ; Mass media and culture ; Mass media Political aspects ; Paparazzi ; Popular culture ; Women journalists ; Berühmte Persönlichkeit ; Paparazzo ; Regenbogenpresse ; Diskriminierung ; USA ; Los Angeles- Hollywood ; USA ; Los Angeles- Hollywood ; Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung
    Abstract: In Manufacturing Celebrity Vanessa Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture. Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Díaz examines the racialized and gendered labor involved in manufacturing and selling relatable celebrity personas. Celebrity reporters, most of whom are white women, are expected to leverage their sexuality to generate coverage, which makes them vulnerable to sexual exploitation and assault. Meanwhile, the predominantly male Latino paparazzi can face life-threatening situations and endure vilification that echoes anti-immigrant rhetoric. In pointing out the precarity of those who hustle to make a living by generating the bulk of celebrity media, Díaz highlights the profound inequities of the systems that provide consumers with 24/7 coverage of their favorite stars
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Cover
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  • 87
    ISBN: 9788862087223
    Language: English
    Pages: 111 Seiten , 23 cm
    DDC: 779
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    Keywords: Bildband ; USA ; Fotografie ; Einwanderer ; Italiener ; Geschichte 1940-1975
    Note: Susan Meiselas (born 1948) brings together found pictures that were made, kept and gathered by various families who handed them down from 1940 to the early 1970s , Bound
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  • 88
    Book
    Book
    New York : New York University Press
    ISBN: 9781479829965 , 9781479820375
    Language: English
    Pages: ix, 271 Seiten , Illustrationen
    Series Statement: Critical cultural communication
    Parallel Title: Erscheint auch als
    DDC: 302.2308996073
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    Keywords: Computerunterstützte Kommunikation ; Identität ; Internet ; Schwarze ; USA ; African Americans / Communication ; African Americans and mass media ; African Americans / Intellectual life / 21st century ; Internet / Social aspects / United States ; Online social networks / United States ; USA ; Internet ; Identität ; Schwarze ; Computerunterstützte Kommunikation
    Note: Includes bibliographical references and index
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  • 89
    ISBN: 9781478004684 , 9781478004073
    Language: English
    Pages: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Abstract: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Note: Includes bibliographical references and index
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  • 90
    ISBN: 9781479804177 , 9781479856770
    Language: English
    Pages: xvii, 273 Seiten , 1 Illustration
    DDC: 323.092
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    Keywords: Du Bois, W. E. B ; Sociology History ; African Americans Social conditions ; Race relations History ; History ; Du Bois, William E. B. 1868-1963 ; USA ; Schwarze ; Ethnische Beziehungen ; Soziologie ; Geschichte
    Abstract: ""The Sociology of W.E.B. Du Bois" explores racism and colonialism at the center of the understanding of modernity"--
    Note: Literaturverzeichnis: Seite 249-257
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  • 91
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012436
    Language: English
    Pages: 1 online resource (301 pages)
    Series Statement: A Camera Obscura Book Ser.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Mani, Bakirathi Unseeing empire
    DDC: 909.04914
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    Keywords: South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; South Asian Americans-Ethnic identity ; South Asian Americans-Cultural assimilation-United States ; South Asian Americans-Ethnic identity.. ; South Asian diaspora ; South Asian Americans-Cultural assimilation-United States.. ; Electronic books ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Abstract: Bakirathi Mani examines the visual and affective relationships between South Asian diasporic viewers, artists, and photographic representations of immigrant subjects, showing how empire continues to haunt South Asian American visual cultures.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 92
    ISBN: 9780367199340 , 9780367199333
    Language: English
    Pages: vii, 325 Seiten , 24 cm
    Edition: Second edition, 25th anniversary edition
    Parallel Title: Erscheint auch als Kellner, Douglas Media culture
    Parallel Title: Erscheint auch als Kellner, Douglas, 1943 - Media culture
    DDC: 302.230973
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    Keywords: Mass media ; Popular culture ; Lehrbuch ; USA ; Massenmedien ; Kultur ; Kulturwirtschaft
    Abstract: Introduction to media culture 2020 -- Theory wars, ideology critique, and media/cultural studies -- For a critical media/cultural studies -- Social anxiety, horror, and American nightmares -- Race, resistance and representation -- Gender and sexuality wars -- Youth, identities, and fashion -- News, entertainment, and documentary as political spectacle -- Fantasy, technoculture, and dystopia -- Conclusion: technologies, literacies, and the future of media culture.
    Abstract: "Media Culture argues that media culture is now the dominant form of culture which socializes us and provides materials for identity in terms of both social reproduction and change and plays major roles in the economy, polity, and social and cultural life. Kellner provides a series of lively studies that both illuminate contemporary culture and society, while providing methods of analysis, interpretation, and critique to engage contemporary U.S. culture. Many people today talk about cultural studies, but Kellner actually does it, carrying through a unique mixture of theoretical analysis and concrete discussions of some of the most popular and influential forms of contemporary media culture. Studies cover a wide range of topics including: Reagan and Rambo; horror and youth films; women's films, the TV-series Orange is the New Black and Hulu's TV series on Margaret Atwood's The Handmaid's Tale; the films of Spike Lee and African-American culture; Latino films and cinematic narratives on migration; pop female icons Madonna, Beyoncé, and Lady Gaga; fashion and celebrity; television news, documentary films, and recent work of Michael Moore; fantasy and science fiction, with focus on the cinematic version of Lord of the Rings, Philip K. Dick and the Blade Runner films, and the work of David Cronenberg. Situating the works of media culture in their social context, within political struggles, and the system of cultural production and reception, Kellner develops a multidimensional approach to cultural studies that broadens the field and opens it to a variety of disciplines. He also provides new approaches to the vexed question of the effects of culture and offers new perspectives for cultural studies. Anyone interested in the nature and effects of contemporary society and culture should read this book"--
    Note: Literaturverzeichnis: Seite 303-316
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  • 93
    Book
    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476676760
    Language: English
    Pages: vii, 282 Seiten , Illustrationen , 26 cm
    Parallel Title: Erscheint auch als
    DDC: 305.8096/073
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    Keywords: Geschichte 1830-1960 ; Minstrel show ; Massenmedien ; Blackfacing ; USA ; Minstrel shows in mass media ; Blackface in mass media ; African Americans in mass media ; Mass media / United States / History / 20th century ; USA ; Massenmedien ; Minstrel show ; Blackfacing ; Geschichte 1830-1960
    Abstract: The origins of Blackface Minstrelsy -- The Minstrel Show on records -- The Minstrel Show on radio -- The Minstrel Show in Motion Pictures -- The Minstrel Show on Television -- Epilogue and Conclusions -- Appendix 1. Prominent Minstrel Troupes Active after 1890 -- Appendix 2. Discography of Minstrel Recordings -- Appendix 3. Early Recording Artists with Minstrel Experience
    Abstract: "The minstrel show occupies a complex and controversial space in the history of American popular culture. While it is seen as a relic of America's deeply shameful and racist past, it also provided the first vehicle by which African-Americans were able to enter the entertainment world. This book investigates the often ignored 20th century history of minstrelsy as it entered the age of mass media, addressing such minstrel stars as Al Jolson, Bing Crosby, and Mickey Rooney. Tracing the history of minstrelsy through to its abrupt end in the 1950s, this book is a chronicle of "modern" minstrelsy and America's rapidly changing values"
    Note: Includes bibliographical references, discography, and index
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  • 94
    ISBN: 9781478009009
    Language: English
    Pages: 1 Online-Ressource (325 Seiten)
    Parallel Title: Erscheint auch als
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    DDC: 305.896/073
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    Keywords: Geschichte 2000-2019 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African American arts ; African Americans in popular culture ; Politics and culture ; Popular culture ; Racism in popular culture ; Massenkultur ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Abstract: The advent of the internet and the availability of social media and digital downloads have expanded the creation, distribution, and consumption of Black cultural production as never before. At the same time, a new generation of Black public intellectuals who speak to the relationship between race, politics, and popular culture has come into national prominence. The contributors to Are You Entertained? address these trends to consider what culture and blackness mean in the twenty-first century's digital consumer economy. In this collection of essays, interviews, visual art, and an artist statement the contributors examine a range of topics and issues, from music, white consumerism, cartoons, and the rise of Black Twitter to the NBA's dress code, dance, and Moonlight. Analyzing the myriad ways in which people perform, avow, politicize, own, and love blackness, this volume charts the shifting debates in Black popular culture scholarship over the past quarter century while offering new avenues for future scholarship.Contributors. Takiyah Nur Amin, Patricia Hill Collins, Kelly Jo Fulkerson-Dikuua, Simone C. Drake, Dwan K. Henderson, Imani Kai Johnson, Ralina L. Joseph, David J. Leonard, Emily J. Lordi, Nina Angela Mercer, Mark Anthony Neal, H. Ike Okafor-Newsum, Kinohi Nishikawa, Eric Darnell Pritchard, Richard Schur, Tracy Sharpley-Whiting, Vincent Stephens, Lisa B. Thompson, Sheneese Thompson
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Cover
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  • 95
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197519448
    Language: English
    Pages: 1 Online-Ressource (272 pages).
    Series Statement: Oxford scholarship online
    DDC: 302.230973
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    Keywords: Journalismus ; Intellektueller ; USA
    Abstract: Where Ideas Go to Die explores the troubled relationship of US journalism and intellect. A defender of common sense, the press is irked at intellect yet often dependent on its critical autonomy. The social control of intellect by journalism is accompanied by social control of journalism in newsrooms and in classrooms where norms are cultivated. Anti-intellectualism consequently operates like dark matter in media, a presence inferred by its effects rather than directly observed or acknowledged. When journalists anticipate a punitive public, the reified resentment is no more real than the fiction of omnipotent citizens in democratic theory, yet the audience imagined compels how intellect is rendered in the news as nuisance, deviance, or object of ridicule. Interviews with 25 "dangerous professors" demonstrate how alliances in the academic-media nexus can seed intellect in newswork.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
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  • 96
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478005537
    Language: English
    Pages: 1 Online-Ressource (ix, 236 Seiten)
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; Photography in ethnology-United States-History ; Electronic books ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; Rassenfrage ; Fotografie
    Abstract: In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
    URL: Cover
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  • 97
    Online Resource
    Online Resource
    Durham ; London : Duke University Press
    ISBN: 9781478009153
    Language: English
    Pages: 1 Online-Ressource (viii, 278 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.77
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    Keywords: SOCIAL SCIENCE / Gender Studies ; Computer crimes Investigation ; Internet and children Social aspects ; Mass media and crime ; Online sexual predators ; Pedophilia in mass media Social aspects ; Pedophilia Social aspects ; Sex offenders ; Pädophilie ; Massenmedien ; Sexualtäter ; USA ; USA ; Pädophilie ; Sexualtäter ; Massenmedien
    Abstract: In Virtual Pedophilia Gillian Harkins traces how by the end of the twentieth century the pedophile as a social outcast evolved into its contemporary appearance as a virtually normal white male. The pedophile's alleged racial and gender normativity was treated as an exception to dominant racialized modes of criminal or diagnostic profiling. The pedophile was instead profiled as a virtual figure, a potential threat made visible only when information was transformed into predictive image. The virtual pedophile was everywhere and nowhere, slipping through day-to-day life undetected until people learned how to arm themselves with the right combination of visually predictive information. Drawing on television, movies, and documentaries such as Law and Order: SVU, To Catch a Predator, Mystic River, and Capturing the Friedmans, Harkins shows how diverse U.S. audiences have been conscripted and trained to be lay detectives who should always be on the lookout for the pedophile as virtual predator. In this way, the perceived threat of the pedophile legitimated increased surveillance and ramped-up legal strictures that expanded the security apparatus of the carceral state
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 98
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009337
    Language: English
    Pages: 1 Online-Ressource (xi, 290 Seiten)
    Series Statement: Sign, Storage, Transmission
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.76/63
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    Keywords: Lesbian Herstory Archives ; Geschichte 1970-2020 ; SOCIAL SCIENCE / Media Studies ; Archival materials Digitization ; Social aspects ; Archives Social aspects ; Digital media Social aspects ; Lesbian feminism Archival resources ; Lesbians Archival resources ; Queer theory ; Medien ; Queer-Theorie ; Soziale Bewegung ; Lesbe ; Kommunikation ; Feminismus ; USA ; Hochschulschrift ; Hochschulschrift ; Aufsatzsammlung ; USA ; Lesbe ; Feminismus ; Soziale Bewegung ; Medien ; Kommunikation ; Queer-Theorie ; Geschichte 1970-2020 ; Lesbian Herstory Archives
    Abstract: For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. InInformation Activism Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on-the-fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 99
    Book
    Book
    London ; New York, NY : Routledge
    ISBN: 9780367198275 , 9780367198268
    Language: English
    Pages: x, 130 Seiten
    Series Statement: Routledge research in gender, sexuality, and media
    DDC: 305.23082/0973
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    Keywords: Problem ; Geschichte 1920-2010 ; Körper ; Konstruktion ; Pubertät ; Journalismus ; Mädchen ; USA ; Mass media and girls / United States ; Girls in mass media ; Girls / United States / Public opinion ; Moral panics / United States ; Human body / Social aspects / United States ; Mass media and public opinion / United States ; USA ; Mädchen ; Körper ; Pubertät ; Journalismus ; Konstruktion ; Problem ; Geschichte 1920-2010
    Abstract: Constructing "Ophelias" : Time magazine, neoliberalism, and the next female generation -- "Precious years ... lost" : early puberty and the discourse of sexualization -- "The perfect storm" : constructing the Gloucester High School pregnancy pact -- American girls & sex : manufacturing a crisis around girls and social media -- "The media loves Emma González" : activism, celebrification, and intersecting -- Conclusion: Making sense of "the grand narrative."
    Abstract: "In this book, Sharon Mazzarella examines the representational politics behind journalistic constructions of US girls and girlhood through a series of contemporary in-depth case studies which work to document a wider cultural moral panic about the troublesome nature of girls' bodies. The public concern and media fascination with youth so evident in the United States today is a century-old phenomenon. From the flappers of the 1920s to the bobbysoxers of the 1950s, from the hippies of the 1960s and on to the ever-present pregnant teens, this fascination has played out in the media and has consistently focused on (primarily White, middle-class, heterosexual) girls. A growing body of research, for example, has revealed the manner in which journalistic practice constructs such girls as problems. Girls, Moral Panic, and News Media takes a broad look at U.S. news media constructions of girls, girlhoods, and girl's bodies/sexualities through a series of contemporary in-depth case studies including, but not limited to news coverage of the 2008 Gloucester (MA) High School "pregnancy pact," teen gun control activist Emma González, and the sexualization of "early puberty." In general, the news media constructs girls' bodies as troublesome and in need of adult surveillance and policing. Taken as a whole these case studies document a cultural obsession with girls' bodies-an obsession that often approaches moral panic. This book will be key reading for researchers and instructors in a wide range of disciplines. While the primary audience will be those in the area of the rapidly growing international and interdisciplinary field of Girls' Studies, scholars and students of Media Studies, Cultural Studies, Women's/Gender/Sexuality Studies, Communication and Journalism will also find this an important study"--
    Note: Includes bibliographical references and index
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  • 100
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780191890406
    Language: English
    Pages: 1 Online-Ressource (xviii, 242 Seiten) , Illustrationen
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.4613
    RVK:
    Keywords: Geschichte ; Prosthesis Social aspects ; Prosthesis Psychological aspects ; Body image ; Amputees Psychology ; Amputees History 20th century ; Prothese ; Schwerstbehinderung ; Krieg ; Literatur ; Weltkrieg ; Behinderung ; USA ; USA ; Literatur ; Behinderung ; Prothese ; Krieg ; Schwerstbehinderung ; Weltkrieg ; Geschichte
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