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  • BSZ  (6,895)
  • Weltkulturen Museum  (1)
  • Cham : Springer International Publishing  (6,885)
  • Washington, D.C : The World Bank
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  • 1
    Online Resource
    Online Resource
    Edmund Spenser and Animal Life (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031426414
    Language: English
    Pages: 1 Online-Ressource(XV, 293 p. 8 illus., 4 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Animals and Literature
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    Keywords: European literature ; Ecocriticism. ; Poetry. ; Europe ; Animal welfare
    Abstract: Chapter 1. Introduction : Edmund Spenser and Animal Studies -- Chapter 2. Did Edmund Dream of Shorthaired Sheep? -- Chapter 3. Spenser, Marine Life, and the Metaphysics of Extinction: Overfishing and the True Monsters of the Deep -- Chapter 4. The Politics of Hunting: An Aristotelian Reading of Edmund Spenser’s Amoretti 67 -- Chapter 5. Errour’s Repercussions: Dragons, Race, and Animality in The Faerie Queene -- Chapter 6. Spenser’s ‘apish crue’: Aping in Prosopopoia or Mother Hubberds Tale -- Chapter 7. Scorned Little Creatures?: Insects and Genre in Complaints (1591) -- Chapter 8. Spenser’s Parenthetical Butterflies -- Chapter 9. Good to think [with]’: Spenser’s Animals Against Materiality -- Chapter 10. A Fruitful-Headed Beast?: Rhyme in The Faerie Queene -- Chapter 11. Coursers and Courses in The Faerie Queene -- Chapter 12. Spenser’s Wings -- Chapter 13. Coda.
    Abstract: This book is the first extended critical study of the early modern poet Edmund Spenser from the perspective of animal studies. With an introduction situating Spenser in current discussions of animal life and literary form, and early modern animal studies, the book proceeds in four sections: “Animals and Cultural Practices”; “Animals, Slavery, and Race”; “Animals in Complaints”; “Readers and Poetics in The Faerie Queene”. Contributors discuss a broad range of Spenser’s work, putting it into dialogue with a number of early modern discourses, including politics, poetics, and natural history.
    DOI: 10.1007/978-3-031-42641-4
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  • 2
    Online Resource
    Online Resource
    Shelley's Visions of Death (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031495403
    Language: English
    Pages: 1 Online-Ressource(XII, 195 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Poetry. ; Literature. ; Culture
    Abstract: Chapter 1: ‘While Yet a Boy I Sought for Ghosts’: Contexts -- Chapter 2: ‘Rending the Veil of Mortal Frailty’: Queen Mab (1813) -- Chapter 3: ‘Who Lifteth the Veil of What is to Come?’: Alastor (1816) -- Chapter 4: ‘And is This Death?’: ‘Seeing’ the Unseen, and Visionary Experimentation (1816-20) -- Chapter 5: ‘Where the Eternal Are’: Adonais (1821) -- Chapter 6: Shadows and Dreams: Conclusions.
    Abstract: “Andrew Lacey’s original approach to Shelley’s poetic practice and thought offers a timely reconsideration of the poet’s conceptualisation and treatment of death. This focus on death in Shelley’s artistic vision reveals fresh connections between those familiar and lesser-known poetic works. Lacey’s persuasive readings remain alert throughout to telling philosophical, scientific, textual, and biographical details.” — Professor Mark Sandy, Durham University, UK This book provides the first modern, in-depth analysis of Percy Bysshe Shelley’s engagement with the phenomenon of death. It argues that, for Shelley, this most nebulous of realities represents, first and foremost, possibility: Shelley’s poetic writings on death are both numerous and varied, presenting his reader, with differing degrees of confidence over the course of his brief but brilliant career, with several key visions of what death might be or actually is. Shelley’s Visions of Death stresses the seldom-appreciated fact that death was one of Shelley’s most enduring preoccupations, and also demonstrates the poet’s power to imagine, with startling variety, that which lies beyond the boundaries of experience. Andrew Lacey is a scholar of the literature and culture of the Romantic period. In the last decade, he has worked as Senior Research Associate, on the Davy Notebooks Project and the Davy Letters Project, in the Department of English Literature and Creative Writing at Lancaster University, UK. He assisted in the preparation of The Collected Letters of Sir Humphry Davy (4 volumes, 2020) and Volume Four of The Poems of Shelley in the Longman Annotated English Poets series (2014). He is Co-Editor of Nineteenth-Century Contexts: An Interdisciplinary Journal, and a former winner of the Keats-Shelley Memorial Association Keats-Shelley Prize.
    DOI: 10.1007/978-3-031-49540-3
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  • 3
    Online Resource
    Online Resource
    Women and Home in Cinema : Form, Feeling, Practice (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031400339
    Language: English
    Pages: 1 Online-Ressource(XII, 213 p. 31 illus., 18 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Close Readings in Film and Television
    Parallel Title: Erscheint auch als
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    Keywords: Motion pictures. ; Motion pictures ; Gender identity in mass media.
    Abstract: Introduction -- Chapter 1 – Découpage: Building the House -- Chapter 2 – Mise-en-scène: Visualising the Rooms -- Chapter 3 – Sound: Creating Invisible Rooms -- Chapter 4 – Editing: Reconstructing the House -- Conclusion.
    Abstract: This book explores visions of home in cinema and the ways in which women inhabit the onscreen realm. Looking closely at a range of films made between 1936 and 2013, it examines how filmmakers reconfigure studio sets and real locations through the filmmaking process into mutable onscreen domains imbued with depth, metaphor, and expressivity. The book studies the films through the lens of four filmmaking processes in particular: découpage, mise-en-scène, sound and editing. Close analysis reveals how filmmakers use these cinematic ‘building blocks’ to shape onscreen worlds charged with emotion and animated by the warp and weft of psychic life. Images of home abound in the cinema, and women frequently find themselves at the core of both structures. Drawing on recent spatial and feminist enquiry, the book reviews the idea of home as a fixed and stable location and illustrates how the art of cinema is well equipped to explore home as an imaginary as well as a material realm. With its emphasis on film practice as a route into critical reflection, this book will be of interest to filmmakers, film theorists and those who simply want to understand more about how films work. Louise Radinger Field is a filmmaker and writer living in London. She has a PhD in film from the University of Reading.
    DOI: 10.1007/978-3-031-40033-9
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  • 4
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    Contemporary Representations of Forced Migration in Europe : Beyond Regime and Refuge (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031478314
    Language: English
    Pages: 1 Online-Ressource(XVI, 313 p. 23 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Culture and Human Rights
    Parallel Title: Erscheint auch als
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    Keywords: Motion picture plays, European. ; Culture ; Emigration and immigration. ; Literature. ; Europe
    Abstract: 1. Introduction -- Part I Art and Activism by and with Refugees -- 2. The Trojans Project: Therapeutic Drama from Syria to Scotland -- 3. Channelling and Challenging the ‘imperative to tell’: Reflections on Negotiating Representations of Refugeeness from Practice-Based Performance Research -- 4. ‘To live well is to story well’: Co-writing and Polyphonic Writing with Denmark’s Asylum Community -- 5. Life in Detention: Journey and Border -- 6. Carceral Witnessing and the Spatial Imagination -- Part II Challenging Representations of Refugees -- 7. ‘She is the meteor and I, her space’: Co-Becoming and Biopolitical Trauma in Chris Abani’s Becoming Abigail -- 8. Unsettled: Narrative Strategies in Exhibitions About the ‘Refugee Crisis’ -- 9. Archaeologies of Nonentity in Aki Kaurismäki’s The Other Side of Hope -- 10. Beyond Objectifying the Humane: Memory in Media and Political Genres -- 11. Wolves in the Sanctuary: Ecopolitics and Forced Migration in the Literature of the Anthropocene -- 12. Remapping the Borderlands of Britain: The Calais “Jungle” and the Enduring Legacy of Imperial Frontier Policing -- .
    Abstract: This book engages with current debates around refugeedom by examining cultural production that represents and interrogates the construction of refugees and the refugee experience on the borders of contemporary Europe. The refugee subject is produced by discursive regimes and border practices inherited from colonial projects that construct the diametrically opposed concepts of citizen and refugee, and their attendant administrative sub-categories. In the early twenty-first century these categories have been strengthened by the politicisation of forced migration and the hardening of ‘Fortress Europe’. While the predominant response to the increasing numbers of refugees seeking asylum in Europe has been to harden the borders (regime), on the one hand, or to stress the common humanity of those displaced (refuge), on the other, this volume argues that both approaches result in refugees becoming objectified, othered, and abstracted as vectors of exile. It explores what recent cultural production can achieve in engaging with and representing issues of dispossession, detention and resettlement, and probes the limits of artistic potential to mediate the refugee experience. It examines transnational approaches to cultural production that both occupy and exceed the borders of Europe, with a focus on borderscapes, spaces of detention, and (neo-)colonialism. Bringing together original contributions from an international range of scholars, it analyses contemporary textual and visual representations of forced migration to argue that other forms of solidarity and hospitality towards refugees in Europe and beyond must be possible. Dr Fiona Barclay is Senior Lecturer in French Studies at the University of Stirling, UK. She has published widely on memories of colonial and postcolonial migration, including Writing Postcolonial France: Haunting, Literature, and the Maghreb (Lanham, MD: Lexington Books, 2011), and France's Colonial Legacies: Memory, Identity and Narrative (Cardiff: University of Wales Press, 2013). Dr Beatrice Ivey is a Learning Designer at the University of Leeds, UK. As a researcher in French and Francophone Studies her work explores the transcultural memory of French colonialism across literatures from France and North Africa.
    DOI: 10.1007/978-3-031-47831-4
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  • 5
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    Italian Americans in Film and Other Media : The Immigrant Experience from Silent Films to the Internet Age (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031472114
    Language: English
    Pages: 1 Online-Ressource(XV, 353 p.)
    Edition: 1st ed. 2024.
    Series Statement: Italian and Italian American Studies
    Parallel Title: Erscheint auch als
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    Keywords: Motion pictures, American.
    Abstract: Chapter 1/Introduction Daniele Fioretti and Fulvio Orsitto -- PART I -THE IMMIGRANT EXPERIENCE :Silent Films -- Chapter 2 Races to the Rescue in an Ethnic Urban Milieu: D.W. Griffith and the Biograph Italian Dramas Irene Lottini -- Chapter 3The Italian (1915) and the Representation of Italian Immigrants in Silent American Cinema Bernard Kuhn Revising Gender and Ethnic Perspectives -- Chapter 4: Italianness and Foundational Masculinity in Edward Dmytryk’s Rendition of Pietro Di Donato’s Christ in Concrete Gloria Pastorino -- Chapter 5 A Sting from the Past: Femininity and Ethnic Roots in Helen De Michiel’s Tarantella (1995) Daniele Fioretti -- Chapter 6: The Celluloid Closet: Sex, Power, and Coming Out Repression of the Italian American Closet in Nunzio’s Second Cousin (1994), Kiss Me, Guido (1997), and Mambo Italiano (2003) Ryan Calabretta-Sajder -- Chapter 7From True Love (1989) to Union Square (2011): Recovering the Exploded Family in Nancy Savoca’s Films Gloria Pastorino -- Chapter 8: A Realistic Tale of Improbable Friendship. Notes on Matthew Bonifacio’s Amexicano (2007) Claudia Peralta and Fulvio Orsitto -- PART II - ITALIAN AMERICANS IN OTHER MEDIA -- Chapter 9: Italian American Gangsters Taking on a New Line of Work in Luc Besson’s The Family (2013) Rosetta Caponetto Giuliani -- Chapter 10: The Transnational Puppet: From Italy and Back Federico Pacchioni -- Chapter 11: Comfortable and Uncomfortable Fictions: Italian Americans in the First Decades of Television Fulvio Orsitto -- Chapter 12: Looking Back, Moving Forward: Italian Americans on Television from the 1970s to the1990s Fulvio Orsitto -- Chapter 13: Italian Americans on Television in the New Millennium: From Small to Smaller Screen(s) Fulvio Orsitto -- Chapter 14: The Goddess and the Huntress: Diana and DC’sHelena Bertinelli Felice Italo Beneduce -- Chapter 15: CNN’s Searching for Italy: Stanley Tucci as Foodways Icon Alan J. Gravano -- Chapter 16: Chef/Cook, Influencer, Mixologist, Travel Host: Stanley Tucci as Everyman Alan J. Gravano -- Chapter 17: An Unlimited Memeiosis of The Godfather: Diachronic and Synchronic Observations of a Pervasive and Ubiquitous Meme Anthony Dion Mitzel -- PART III - INTERVIEWS -- Chapter 18: Interview with Helen De Michiel Daniele Fioretti -- Chapter 19: Interview with Tony Vitale Daniele Fioretti -- Chapter 20: Interview with Michela Musolino Daniele Fioretti -- Chapter 21: Interview with Anthony Julian Tamburri Ryan Calabretta-Sajder.
    Abstract: Italian Americans in Film and Other Media examines the representation of the Italian immigrant experience from D.W. Griffith’s Biograph Italian Dramas (1908-1913) to the present day. Building on the editors’ previous volume Italian Americans in Film, this collection broadens their scope to address marginalized aspects of Italian Americanness, including the work of women directors and depictions of same-sex relationships. The book consists of three parts. Part I, “The Immigrant Experience”, focuses on feature films and is divided into two sections: “Silent Films” (which analyses some of Griffith’s early films and Barker’s The Italian, 1915), and “Revising Gender Perspectives”, which includes chapters focusing on single films – such as Dmytryk’s Christ in Concrete (1949), De Michiel’s Tarantella (1995), and Bonifacio’s Amexicano (2007) – and survey essays that discuss the Italian American ‘celluloid closet’ and some of Savoca’s films. Part II, “Italian Americans in Other Media”, offers a wide range of essays informed by different approaches that investigate the immigrant experience in terms of transmediality and transnationality. The types of media examined in this section include television and graphic novels as well as puppetry, Instagram, and Internet memes. Part III contains interviews with Italian American scholars, movie directors, and performers. Together, the contributions to this collection demonstrate the vitality, mutation, and persistence of Italian Americanness in visual media. Daniele Fioretti is Associate Teaching Professor of Italian at Miami University, USA. He is the author of Utopia and Dystopia in Postwar Italian Literature (2017) and Carte di fabbrica. La narrativa industriale in Italia 1934-1989 (2013). He co-edited the book Italian Americans in Film: Establishing and Challenging Italian American Identities (2022). Fulvio Orsitto is Director of the Georgetown University campus in Fiesole, Italy. He has published more than thirty essays and book chapters on Italian and Italian American literature and cinema, and has edited and co-edited ten volumes, including Pasolini: American Perspectives (2015), TOTalitarian ARTs: The Visual Arts, Fascism(s) and Mass-society (2017), and Italian Americans in Film: Establishing and Challenging Italian American Identities (2022).
    DOI: 10.1007/978-3-031-47211-4
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  • 6
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    The Palgrave Handbook of Neo-Victorianism (2024)
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    Details
    ISBN: 9783031321603
    Language: English
    Pages: 1 Online-Ressource(XIX, 527 Seiten) , Illustrationen
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Literature, Modern ; Adaptation (Literary, artistic, etc.). ; Poetry. ; Drama. ; Motion pictures. ; Television broadcasting.
    Abstract: Introduction: Neo-Victorianism - Sarah E. Maier and Brenda Ayres -- Section 1: Neo-Victorian Genesis -- Chapter 1: Reinventing the Victorians by Jean Rhys and John Fowles - Catherine Layton -- Chapter 2: Tradition and Innovation in A.S. Byatt’s Possession - Pritika Pradhan, Rutgers University -- Chapter 3: Neo-Victorian Poetry - Jo Morton, University of Greenwich -- Section 2: Neo-Victorian Performances -- Chapter 4: Adapting Wilkie Collins Adapting Himself: Revisiting The Moonstone (1868, 1877, 2016) - Robert Laurella, University of Oxford -- Chapter 5: Miss Potter and Victorian Women’s Artistic Aspirations - Maria Juko, University of Hamburg -- Chapter 6: “And thou art like the poisonous tree / That stole my life away”: The Afterlives of Pre-Raphaelite Women in Desperate Romantics - Anne-Marie Beller and Claire O’Callaghan, Loughborough University, UK -- Chapter 7: Interpretations are Illimitable: Adapting George Eliot - Saswati Halder, Jadavpur University -- Chapter 8: Neo-Victorian Musical Theatre - Marija Reiff, American University of Sharjah -- Chapter 9: The Tortured Genius of the Neo-Victorian West End - Louise Creechan, Durham University -- Chapter 10: Music Hall and “The Handprint of History on the Present Moment” - Catherine Quirk, Edge Hill University -- Section 3: Neo-Victorian Crime, Empire, and Postcolonialism -- Chapter 11: The Thug in the Margin and the Murderer in the Centre: Re-reading the Victorian Discourse of Criminology in Tabish Khair’s The Thing About Thugs - Sajalkumar Bhattacharya, Kazi Nazrul University -- Chapter 12: Neo-Victorian Violence - Sophie Franklin, University of Tübingen -- Chapter 13: Rewriting the Convict Life in Australia: A Reading of Peter Carey’s Jack Maggs - Anjan Saikia, Kamargaon College -- Chapter 14: Under Transimperial Eyes: Traversing Anarchy, Crime, and Patriotism in Neo-Japanese- Victorian Anime, Moriarty, the Patriot - Preeshita Biswas, Texas Christian University -- Chapter 15: The Brontë Myth, Biofiction and Neo-Victorian Crime Novels - Barbara Braid, University of Szczecin -- Chapter 16: The Sinister Community of Objects: An Archaeological Reading of The Silent Companions - Arka Chakraborty, Jadavpur University -- Section 4: Neo-Victorian Gothic and Materiality -- Chapter 17: Temporality of the Neo-Victorian: Abjection in Matthew Kneale’s Sweet Thames - Suvendu Ghatak, University of Florida -- Chapter 18: The Hauntology of the Neo-Victorian Ghost Story - Brenda Ayres -- Chapter 19: Crimson Peak: The Ghosting of the Past - Brenda Ayres -- Chapter 20: The Limehouse Golem: Female Agency and Neo-Victorian Slumming - Brooke Cameron, Queen’s University, Ontario -- Chapter 21: Dust and Sewers, Filth and Waste: Disgusting Neo-Victorian Narratives - Eckart Voigts, TU Braunschweig -- Chapter 22: Victorian Ghostwriters, House Whisperers, and the Haunted House in Home Before Dark - Brenda Ayres -- Section 5: Neo-Victorian Other(s). -Chapter 23: “Cult of the Neo-Victorian Child” - Patricia Pulham, University of Surrey -- Chapter 24: Neo-Victorian Bodies of Inquiry: Narratives for Tweens to Teens - Sarah E. Maier -- Chapter 25: Neo-Victorian Queerness: New Directions - Rachel M. Friars, Queen’s University, Ontario -- Chapter 26: On Neo-Victorian Addiction, Alienism, Sex, and Insanity - Sarah E. Maier -- Chapter 27: “Men in Women’s Clothes”: Re-Imagining Stella and Fanny in Neo-Victorian Celebrity Biofiction - Danielle Mariann Dove, University of Surrey and Daný van Dam, Leiden University -- Section 6: Neo-Victorian Religion and Science -- Chapter 28: Dracula Never Dies: Spirituality and Science in the Neo-Victorian Vampire - Carole Senf, Georgia Tech -- Chapter 29: “Neo-Victorian Religion” - Miriam Elizabeth Burstein, SUNY Brockport -- Chapter 29: Exotic Prehistory or Relevant Science: Sukumar Ray’s Posthuman Subversion of Victorian Travel Literature - Sutirtho Roy, University of Calcutta -- Chapter 30: “I’m going to break you and remake you”: Reimagining David Lynch’s The Elephant Man in Museum, Documentary, and Comedy - Helen Davies, University of Wolverhampton and Louise Logan-Smith, Teesside University -- Section 7: Neo-Victorian Outcomes -- Chapter 31: Neo-Victorian Graphic Novel - Catherine Golden, Skidmore College -- Chapter 32: Gaslight: The Play, the Film, the Verb - Benjamin Poore, University of York -- Chapter 33: Is Steampunk Neo-Victorian? - Martin Danahay, Brock University -- Chapter 34: Drag, Dreadfuls, and Draculas: (Neo-)Victorians for TV - Sarah E. Maier .
    Abstract: This handbook offers analysis of diverse genres and media of neo-Victorianism, including film and television adaptations of Victorian texts, authors’ life stories, graphic novels, and contemporary fiction set in the nineteenth century. Contextualized by Sarah E Maier and Brenda Ayres in a comprehensive introduction, the collection describes current trends in neo-Victorian scholarship of novels, film, theatre, crime, empire/postcolonialism, Gothic, materiality, religion and science, amongst others. A variety of scholars from around the world contribute to this volume by applying an assortment of theoretical approaches and interdisciplinary focus in their critique of a wide range of narratives—from early neo-Victorian texts such as A. S. Byatt’s Possession (1963) and Jean Rhys’ Wide Sargasso Sea (1966) to recent steampunk, from musical theatre to slumming, and from The Alienist to queerness—in their investigation of how this fiction reconstructs the past, informed by and reinforming the present. Sarah E. Maier is Professor of English and Comparative Literature at the University of New Brunswick Saint John, Canada. Brenda Ayres teaches online courses for Liberty University and Southern New Hampshire University, USA. Maier and Ayres have coedited several collections of essays. The most recent are Neo-Victorian Things (2022), Neo-Disneyism (2022), The Routledge Handbook of Victorian Scandals in Literature and Culture (2022), The Theological Dickens (2022), A Vindication of the Redhead (2021), Neo-Victorian Madness (2020) Neo-Gothic Narratives: (2020), Animals and Their Children in Victorian Culture (2019), and Reinventing Marie Corelli (2019). .
    DOI: 10.1007/978-3-031-32160-3
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  • 7
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    Interior Design: Conceptual Basis (2024)
    Cham : Springer International Publishing | Cham : Imprint: Springer
    Details
    ISBN: 9783031514104
    Language: English
    Pages: 1 Online-Ressource(XXXIV, 258 p. 298 illus., 251 illus. in color.)
    Edition: 2nd ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Interior architecture. ; Building materials. ; Architecture ; Engineering design.
    Abstract: Chapter 1. Planning Concept -- Chapter 2. Circulation Concept.-Chapter 3. Three-dimensional Concept. Chapter 4.Construction Concept. Chapter 5. Material Concept -- Chapter 6. Colour Concept.-Chapter 7. Lighting Concept -- Conclusion -- Appendix -- Index.
    Abstract: This book introduces interior design as a conceptual way of thinking, which is about ideas and how they are formulated. Now in its second edition, the book is enlarged to include topical subjects such as artificial intelligence, sustainability and climate change. The book prepares designers to focus on each concept independently as much as possible, whilst acknowledging relative connections without unwarranted influences unfairly dictating a conceptual bias, and is about that part of the design process called conceptual analysis. The major themes of this second edition of Interior Design: Conceptual Basis are the seven concepts of planning, circulation, 3D, construction, materials, colour and lighting, which cover the entire spectrum of a designer’s activity. It is assumed that the site, location, building and orientation as well as the client’s brief of activities and needs have been digested and analysed to provide the data upon which the design process can begin. Designed as a highly visual illustrative book, as the interior design medium demands, the hands-on creative process of designing is detailed with original drawn illustrations. Concentrating on the conceptual process of designing interiors, and defining what these concepts are, this book helps the designer to organise his/her process of designing and to sharpen the links between the various skill bases necessary to do the job. This book is stimulating for students and instructors alike and is aimed at any student who maybe majoring in interior design, interior architecture, architecture, design thinking or furniture design. It is also useful reference for students of design management and design leadership. .
    DOI: 10.1007/978-3-031-51410-4
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  • 8
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    Indigenous and Transcultural Narratives in Québec : Ways of Belonging (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031459368
    Language: English
    Pages: 1 Online-Ressource(XI, 229 p. 4 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Comparative literature. ; European literature. ; America ; Literature.
    Abstract: 1. WAYS OF BELONGING -- 2. NAOMI FONTAINE’S INDIGENOUS WRTING: SELF, COMMUNITY, SOCIETY -- 3. ABLA FARHOUD: MONTREAL MIGRATIONS AND THE GHOST OF LEBANON -- 4. ANITA ALOISIO AND AKOS VERBOCZY: CHILDREN OF LA LOI 101 -- 5 CONCLUSION: INSCRIBING HOME IN QUÉBEC.
    Abstract: This book focuses on modes of cultural belonging in Québec. It looks at recent literary memoir, autobiographical fiction, and documentary testimony. Through four in-depth case studies of cultural creators, one Indigenous and three non-Indigenous, Dervila Cooke discusses multicultural and ethnically diverse society in Québec, examining current tensions, challenges, and opportunities. Works studied range from Abla Farhoud’s first novel in 1998 to Anita Aloisio’s 2022 documentary film Calliari QC. Topics include the desire for freedom to self-ascribe and enact cultural identity, self-reinvention through fiction, expressions of Indigeneity in Naomi Fontaine, the term “Québécois”, especially after Bill 21, and the thorny question of integration of immigrants, discussed in relation to Akos Verboczy’s Rhapsodie québécoise. As with the companion volume on France, societal factors are discussed, here relating to the cultural renaissance of Indigenous writing, Farhoud’s Libano-Québécois context, and language laws in Québec, including the foundational Bill 101 and the more recent Bill 96. Dervila Cooke teaches in the School of Applied Language and Intercultural Studies at Dublin City University, Ireland. She is the author of Present Pasts: Patrick Modiano's (Auto) Biographical Fictions (2005) and editor of New Work on Immigration and Identity in Contemporary France, Québec and Ireland (2016), and of Modiano et l’image (2012).
    DOI: 10.1007/978-3-031-45936-8
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  • 9
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    The Palgrave Handbook of Transnational Women’s Writing in the Long Nineteenth Century (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031404948
    Language: English
    Pages: 1 Online-Ressource(XXV, 802 p. 6 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Women ; Sex. ; Latin American literature. ; European literature.
    Abstract: 1. Transnational Flows: Women Writing in the Long Nineteenth Century Clorinda Donato and Claire Emilie Martin -- 2. Women across Boundaries: Transnational Exchanges in Nineteenth-Century Europe; Rewriting Women’s History from a Transnational Perspective -- 3. Transatlantic Networks against Cultural Periphery: The Baroness of Wilson’s Canon and the Spanish and Latin American Women of Letters in the Nineteenth Century -- 4. Transnational Identities and Translated Agencies: From Madame de Staël’s Corinne, oul’Italie (1807) to Kim Ragusa’s The Skin between Us: A Memoir of Race, Beauty, and Belonging (2006) -- 5. The Confessions of the Countess Merlin and Jean-Jacques Rousseau: Writing as the Essential Adventure of Their Lives -- 6. “Tutto il sesso femminino per mia bocca v’intima Guerra” (Through My Mouth, the Entire Female Sex Declares War on You), Signed: A European Woman -- 7. Angelica Palli and Alessio: Love and Patriotism in the Early Italian Historical Novel -- 8. The Transatlantic Experience in the Construction of Flora Tristan’s Authorial Posture: From Pariah to Female Messiah -- 9. El baúl de Miss Florence: (Re)imagining the Past; Women’s Travel Literature and the Sweet Tyranny of the Sugar Haciendas in Puerto Rico -- 10. Romantic Cartographies: La Condesa de Merlin’s Colonial Havana and the View from the Harbor -- 11. Matilde Serao, Flânerie and Women in Urban Spaces -- 12. The Fourth Estate in Petticoats -- 13. The Twenty-Year Journey: Flavia Steno’s La Chiosa and the French Daily Newspaper La Fronde -- 14. Women Readers in Nineteenth-Century Mexico: A Study of the Periodicals Las Hijas del Anáhuac, El Álbum de la Mujer, and Violetas del Anáhuac -- 15. Clorinda Matto de Turner’s Tradiciones cuzqueñas: A Writer’s Perspective -- 16. Luck of the Draw: Gambling, Marriage, and the Labor Economy in Clorinda Matto de Turner’s Herencia -- 17. Clorinda’s Cosmopolis: Crisis, Reinvention, and the Birth of Búcaro Americano -- 18. Adapting Economic Strategies to a Changing World in María del Pilar Sinués’s La dama elegante (1880) -- 19. Hiding in Plain Sight: Feminism and Geopolitical Commentary in Fernán Caballero’s La corruptora y la buena maestra (1868) -- 20. Epistolary and Commodity Exchanges in Nineteenth-Century Argentina, or Mariquita Sánchez de Mendeville’s Agency -- 21. Solitary Confinement in Rachilde’s La Tour d’amour: Dehumanization and Madness of the Buried Alive -- 22. Towards New Models of Femininity in the Works of Virginia Elena Ortea -- 23. In Defense of Women’s Progress and Freethinking: Amalia Domingo Soler, Eugenia Estopa and Dolores Navas -- 24. Writing about the Unspeakable: Gendered Violence in the Nineteenth Century -- 25. Women Worthies? Ascriptions of Masculinity to Exceptional Women Writers in Early Nineteenth-Century Italy -- 26. “Doña María Dolores López, Vecina of Tehuacán” or the Case of a Too-Soon Forgotten Nineteenth-Century Mexican Woman Writer -- 27. Annie Vivanti’s Multicultural Identity and the Shaping of the Artist’s Body -- 28. The “Alpine Sybil”: Her Verses and Prose Between Arcadia and Romanticism (the Italian Way) -- 29. Gender Fluidity, the Crisis of Care, and Ecocriticism in George Sand’s François le champi -- 30. What Have You Done Philately? Stamps and the Death of the Liberal Dream in Carmen de Burgos’ Don Manolito (1916) -- 31. Transnational Emancipationism: Fanny Salazar Zampini's Commitment to Women's Liberation -- 32. Adaptation to or of the Environment? Examining the Works of French Women Writers of the First Republic and First Empire through an Ecocritical Lens -- 33. The Archive as Legitimizing Artifact in Ccora Campillana: Romance histórico del tiempo de la conquista (1873) by Carolina Freyre de Jaimes -- 34. “One of the First, If Not the Very First Woman of Her Age”: Germaine de Staël and Her Literary Posterity -- 35. The Making of Il Giorno: Matilde Serao’s Letters to Luigi Luzzatti -- 36. Celebrity by Way of Autobiography: The Case of Angela Veronese -- 37. Alliance and Sorellanza in Matilde Serao’s Romanzo della fanciulla -- 38. Superstition and Orientalism in Il ventre di Napoli by Matilde Serao -- 39. Concepción Gimeno de Flaquer and Her Transatlantic Journey (1873–1890): Victorina o el heroísmo del corazón -- 40. Liturgization and the Satire of Politics in Emilia Pardo Bazán’s La tribuna (1883) -- 41. Between Conformity and Transgression: Approaches to Writing in the Albums of Emilia Pardo Bazán -- 42. Victoria Ocampo’s Transnational Networks: A Sociocultural and Data-Driven Approach.
    Abstract: This handbook explores the rich and as yet understudied field of women’s writing during the nation-building years that characterized the global politics of the long nineteenth century. In the wake of the American and French Revolutions, the waning of the Spanish Empire, subsequent Latin American uprisings, and the Italian Risorgimento, nineteenth-century women writers cracked wide open the myths of gender, race, and class that had sustained the ancien régime. This volume shows that the transnational networks of women writing about politics, sexuality, economics, and the forging of the modern nation were much broader and more inclusive at a global level than has previously been understood. The handbook uniquely foregrounds French, Italian, Latin American, and Spanish women writers, focusing on the transnational nature of their relationships and cultural production within a growing body of research that casts an ever-wider net in the effort to document women’s voices. Claire Emilie Martin is Professor Emerita of Spanish at California State University, Long Beach, USA. She holds a doctorate from Yale University in Spanish American Literature. Her research focuses on nineteenth-century cultural and literary studies with a special emphasis on gender issues, domesticity, education, politics, and travel. She has published numerous articles and edited and co-edited several volumes on nineteenth-century Latin American women writers. Clorinda Donato is Professor of French and Italian at California State University, Long Beach, USA, and director of the Clorinda Donato Center for Global Romance Languages and Translation Studies. She is an eighteenth- and nineteenth-century scholar of French and Italian literature. Her most recent publication is Translation and Transfer of Knowledge in Encyclopedic Compilations, 1680–1830 co-edited with Hans-Jürgen Lüsebrink (2021). .
    DOI: 10.1007/978-3-031-40494-8
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  • 10
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    Beckett Ongoing : Aesthetics, Ethics, Politics (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031420306
    Language: English
    Pages: 1 Online-Ressource(IX, 193 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: New Interpretations of Beckett in the Twenty-First Century
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Critical theory. ; Literature ; Continental Philosophy.
    Abstract: Chapter 1: “Beckett. On.” David Lloyd (University of California, Riverside) -- Chapter 2: “‘Where you are worth nothing’: Beckett, Geulincx, and an Ethics of the Miracle,” Gabriel Quigley (New York University) -- Chapter 3: “Philosophy in the Flesh: Feeling, Folly, and Animals in Beckett’s Molloy,” William Broadway (University of Wisconsin-Madison) -- Chapter 4: “GGREY! (Beckett/dialectic),” Rebecca Comay (University of Toronto) -- Chapter 5: “Reading Beckett’s Bilingualism with Jean-François Lyotard and Jacques Rancière,” Nadia Louar (University of Wisconsin-Oshkosh) -- Chapter 6: “Rêve de transfert collective: Beckett’s Resurgent Unanimism,” Jean-Michel Rabaté (University of Pennsylvania) -- Chapter 7: “‘The Golden Moment’: Violence, Escape, and Broken Immanence” Michael Krimper (New York University) -- Chapter 8: “Respirer sans cesse: Proust and Beckett’s Intermissions,” Stefanie Heine (University of Toronto) -- Chapter 9: “The Grammar of Absurdity and Affective Crisis: Reading Anna Burns’ Milkman through Beckett’s Philosophic Comedy,” John Waters (New York University).
    Abstract: “You must go on. I can’t go on. I’ll go on.” These are some of the most quoted lines written by Samuel Beckett, which speak to the impulse of persevering in times of crisis and impossibility. Yet few readers of Beckett agree about what this paradoxical formula could mean, let alone what mode of engagement it would seem to indicate, be it committed, autonomous, or something else entirely. This volume of essays explores what that mode of engagement could be, all the while elucidating the ethical and political stakes of the “ongoing” in both Beckett’s life and work. Across multiple disciplines in the humanities, the authors delve into questions of political subjectivity and representation, the ethics of powerlessness and refusal, the aesthetics of syncopation and destitution, multimedia experiments between genre, as well as Beckett’s wider impact on transnational itineraries of modernism and philosophy up to the contemporary. Michael Krimper teaches in the French and English departments at New York University, USA, where he received his PhD in Comparative Literature. His forthcoming book, Out of Work: The Refusal of Literature from Melville to Blanchot, examines the crystallization of an antiwork aesthetics and politics in late modernist writing and theory. He is also the editor of a recent special issue for the Journal of Beckett Studies that published Beckett’s lost translations on the Marquis de Sade. His articles, reviews, and translations have appeared in New Literary History, diacritics, SubStance, parallax, October, the Journal of Italian Philosophy, and the Los Angeles Review of Books, among other venues. Gabriel Quigley is a doctoral candidate in the Department of Comparative Literature at New York University, USA. Combining comparative modernisms, continental philosophy, and postcolonial theory, his work focuses on retrieving concealed paradigms of possibility and freedom. His articles and translations have been published or are forthcoming in Samuel Beckett Today/Aujourd'hui, French Studies Bulletin, Derrida Today, Critical Inquiry, Journal of Modern Literature, and Interventions: International Journal of Postcolonial Studies.
    DOI: 10.1007/978-3-031-42030-6
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  • 11
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    Transnational Broadcasting in the Indo Pacific : The Battle for Trusted News and Information (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031475719
    Language: English
    Pages: 1 Online-Ressource(XII, 227 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Journalism. ; Communication in economic development. ; Diplomacy.
    Abstract: Chapter 1 Australia’s voice in the Indo-Pacific: why transnational broadcasts are vital -- Chapter 2 The Indo Pacific's broadcast landscape, its strategic, military value -- Chapter 3 Distribution via Shortwave, Satellites and Social Media -- Chapter 4 Broadcast Voices in the Indo-Pacific -- Chapter 5 The rise of China’s international broadcasting services -- Chapter 6 Diplomacy, propaganda, and journalism in the digital landscape -- Chapter 7 Social and mobile media in times of disaster -- Chapter 8 Fact-checking and Verification: The changing role of professional journalists -- Chapter 9 A case study of media tensions in the Solomon Islands, China and Australia -- Chapter 10 The Future and Funding of Transnational Broadcasting and Soft Diplomacy in the Indo-Pacific.
    Abstract: “This book makes a significant contribution to knowledge about media in the Indo-Pacific, a region where trustworthy information is fundamental to securing peace inside and beyond the boundary. Wake and her fellow authors examine how the many different news ecosystems are facing the challenges brought about by social media, propaganda, misinformation, and disinformation.” —Prof Colleen Murrell, Dublin City University, Dublin, Ireland “Almost every Australian knows about the ABC, and has an opinion about it. Far fewer know much about the ABC’s role to broadcast into countries in the Indo-Pacific region. Wake is an expert in this field who is able to draw on her experience working at the ABC and buttress it with reflection and scholarship. She has brought together a team of leading contributors to explore the urgent need to adequately fund international broadcasting.” —Prof Matthew Ricketson, Deakin University, Melbourne, Australia Transnational Broadcasting in the Indo-Pacific brings together research spanning journalism, broadcast and political science to interrogate the issues arising from a rapidly changing global political and broadcast environment. This book asks: Why is there increasing interest in the provision of English-language media in the Indo-Pacific from countries like China? What are the implications for the traditional providers of foreign-produced news such as the Australia Broadcasting Corporation and the British Broadcasting Corporation? What now is the role of social media in the creation of broadcast journalism, and why is there panic in diplomatic circles about some of the journalism that originates from broadcasters in China and Russia? The result is a book that offers an insight into a rapidly transforming media landscape, the changing state of international relations, and the rise of new powers. Alexandra Wake is an Associate Professor in Journalism in the School of Media and Communication at RMIT University, Australia. She is the elected President of the Journalism Education and Research Association of Australia. Before becoming an academic, she worked as a senior journalist and editor with the Australian Broadcasting Corporation.
    DOI: 10.1007/978-3-031-47571-9
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  • 12
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    Neo-Victorian Young Adult Narratives (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031472954
    Language: English
    Pages: 1 Online-Ressource(XI, 218 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Literature, Modern ; Children's literature. ; Fiction. ; Youth
    Abstract: Chapter 1. Neo-Victorian Young Adult Narratives -- Chapter 2. Re/Articulated Monstrosity: Mary and her Creature -- Chapter 3. Mash(ed) Up: Maidens, Monsters, and Mad Scientists -- Chapter 4. Illustrative Genii: The Brontës’ Genius -- Chapter 5. The Odd(est) Brontë: Portrait(s) of Emily as a Young Author -- Chapter 6. Irregulars: Sherlockian Youth as Outsiders -- Chapter 7. The Mis(s) Education of Young Women -- Chapter 8. Deviant Young Womanhood: Liminal Queerness, Mad Femininity, and Spectral Subjectivity -- Chapter 9. Things Yet Undone: Encountering the Past through the Present.
    Abstract: Neo-Victorian Young Adult Narratives examines the neo-Victorian themes and motifs currently appearing in young adult fiction—specifically addressing the themes of authorship, sexuality, and criminality in the context of the Victorian age in British and American cultures. This book explicates the complicated relationship between the Victorian past and the turn to Victorian modes of thought on literature, history, and morality. Additionally, Sarah E. Maier aims to determine if the appeal of neo-Victorian young adult fiction rests in or resists nostalgia, parody, and revision. Given the overwhelming prevalence of the Victorian in the young adult genres of biofiction, juvenile writings, gothic, sensation, mystery, and crime fiction, there is much to investigate in terms of the friction between the past and the present. Sarah E. Maier is Professor of English & Comparative Literature at the University of New Brunswick. Her recent publications include work on Ann Lister, the Brontës, neo-Victorian vampires, neo-Victorian Alienists, Maleficent, neo-Gothicism, and Queer Mash-ups. Maier has written A Vindication of the Redhead (2021 Palgrave) with Brenda Ayres, and they have co-edited The Palgrave Handbook of Neo-Victorianism (2023 Palgrave), Neo-Victorian Things (2022 Palgrave), Neo-Disneyism (2022 Lang), The Routledge Handbook of Victorian Scandals in Literature and Culture (2022 Routledge), The Theological Dickens (2022 Routledge), Neo-Victorian Madness (2020 Palgrave), Neo-Gothic Narratives: (2020 Anthem), Animals and Their Children in Victorian Culture (2019 Routledge), and Reinventing Marie Corelli (2019 Anthem). .
    DOI: 10.1007/978-3-031-47295-4
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  • 13
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    Difference, Sameness and DNA : Investigations in Critical Art and Science (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031470738
    Language: English
    Pages: 1 Online-Ressource(XXII, 137 p. 45 illus., 41 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave BioArt
    Parallel Title: Erscheint auch als
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    Keywords: Arts. ; Biotechnology. ; Culture ; Medicine and the humanities. ; Biomaterials. ; Art, Modern
    Abstract: 1. Introduction -- 2. Making Difference -- 3. BLOOD, COMPARING: Relative Velocity Inscription Device -- 4. PATTERN, IDENTIFYING: Latent Figure Protocol -- 5. EVIDENCE, PERFORMING: Suspect Inversion Center and Deep Woods PCR -- 6. SPIT, ANONYMIZING: America Project -- 7. MATTER, MAPPING: Ocular Revision -- 8. SWEAT, (RE)MATERIALIZING: Labor.
    Abstract: Preface by Jens Hauser “A truly remarkable book by a pioneering bioartist that challenges us to critically reevaluate our notions of genetic and biological identities.” - Gunalan Nadarajan, Dean Emeritus and Professor, Penny W. Stamps School of Art and Design, University of Michigan, USA This book chronicles over two decades of critical, artistic investigations by Paul Vanouse. His bio-media artwork utilizes the tools of the life sciences reflexively, to challenge tropes and cultural politics surrounding DNA, biotechnology, and life itself. DNA has been called a “Truth Machine”, “God’s Blueprint”, the “Code of Codes” and the “Book of Life”. Vanouse’s work explores questions at the heart of such evocative metaphor and hyperbole: how does DNA link us together, how does it differentiate us and how are the grand metaphors, which grant DNA complete centrality, misconstruing the complexity of life. Furthermore, how do technologies of genetic typing and identification fit within a broader cultural and political history of difference making, particularly the construction of race. Melding critical theory, artist’s manifesto, participatory observation and histories of the sciences, this book offers insight into both an artistic practice and the bio-techno-sciences it interrogates. Paul Vanouse is an artist, SUNY Distinguished Professor and founding director of the Coalesce Center for Biological Art at the University at Buffalo, USA. A pioneer of bio-media art, his artwork employs molecular biology techniques to challenge entrenched notions of individual, racial, and national identity, and the cultural authority of DNA. His projects have been exhibited in 30 countries and widely across the US. Venues have included Albright-Knox Art Gallery (Buffalo), New Museum (New York), Andy Warhol Museum (Pittsburgh), Walker Art Center (Minneapolis), Henry Art Gallery (Seattle), Museo Nacional de Bellas Artes (Buenos Aires), Louvre (Paris), Haus Der Kulturen Der Welt and Schering Stiftung (Berlin), ZKM (Karlsruhe), and TePapa Museum (Wellington). His recent, multi-sensory, bio-media artwork, "Labor", received a Golden Nica at Prix Ars Electronica.
    DOI: 10.1007/978-3-031-47073-8
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  • 14
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    A Smarter Toronto : Some Reassembly Required (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031415463
    Language: English
    Pages: 1 Online-Ressource(XVII, 232 p. 13 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Journalism. ; Digital media. ; Mass media ; Science
    Abstract: Chapter 1. Journalism and the Smart City -- Chapter 2. Configuring the Case of the Quayside Project -- Chapter 3. Chronicle of a Mediatized Controversy -- Chapter 4. The Quayside Project: Some Reassembly Required./.
    Abstract: “Bob Hanke’s “Smarter Toronto” is an important study of a key event in the recent history of urban planning, technological innovataion and urban journalism. The book masterfully weaves together complex theoretical ideas while remaining readable and deeply engaged with the events it describes. Hanke’s account of Google’s failed Sidewalk project in Toronto should interest anyone concerned with media, urban democracy and the future of cities.” —Will Straw, James McGill Professor of Urban Media Studies, McGill University This book bridges media, technocultural, urban, and journalism studies to examine the role of journalism in relation to a smart city project on Toronto’s waterfront. From the announcement of the public-private partnership called Sidewalk Toronto to the project’s termination, a mediatized controversy unfolded. Through an assemblage approach to this project and a case study of The Globe and Mail and the Toronto Star, it follows the actors and chronicles the Quayside project story as a conversation about the promise and perils of a future “smart” neighbourhood. In the news of Waterfront Toronto, Sidewalk Labs, other actors, events, and developments, there were multiple voices and views, interpretations and arguments, that manifested conflicting interests and values. As a locally situated actor, journalism produced a porous discourse that expressed a proposeand- public pushback movement. This work of articulating mediation conditioned the project’s alteration and dissolution within asymmetrical relations of power. In addition to a wave of opposition that inflected the project’s enactment, a time lag between project time and governmental policymaking made the controversy over this future urban space intractable. With their residual symbolic power, quality journalism contributed to dialogical urban learning. Bob Hanke, a former a faculty member in the Department of Communication & Media Studies, York University, Canada, is currently an independent scholar living in Toronto.
    DOI: 10.1007/978-3-031-41546-3
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  • 15
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    Hybrid Investigative Journalism (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031419393
    Language: English
    Pages: 1 Online-Ressource(XIV, 203 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Journalism. ; Digital media.
    Abstract: Part I -- Chapter 1 Hybrid Investigative Journalism During Times of Crisis, Maria Konow-Lund, Michelle Park and Saba Bebawi -- Part II -- Chapter 2 Making Investigative Journalism in a Hybrid Manner, Maria Konow-Lund and Michelle Park -- Chapter 3 Bristol Cable – A Local Hybrid Organisation, Maria Konow-Lund -- Chapter 4 The Bureau Local – A Hybrid Network for Local Collaborative Investigative Journalism, Michelle Park and Maria Konow-Lund -- Chapter 5 The Korea Center for Investigative Journalism – A Hybrid Nonprofit Funding Model, Michelle Park and Maria Konow-Lund -- Chapter 6 A Hybrid Investigative Ecology, Maria Konow-Lund and Michelle Park -- Part III -- Chapter 7 Global Investigative Collaboration, Maria Konow-Lund and Saba Bebawi -- Chapter 8 How a COVID-19 Live Tracker Led to Innovation in Investigative Journalism, Maria Konow-Lund and Jenny Wiik -- Chapter 9 How COVID-19 Affected the Practice of Investigative Journalism in Norway and China, Maria Konow-Lund, Lin Pan and Eva-Karin Olsson Gardell -- Chapter 10 Toward a Hybrid Future for Investigative Journalism, Maria Konow-Lund, Michelle Park, Saba Bebawi.
    Abstract: “[…]essential reading for anyone who believes in the importance of investigative journalism in holding the powerful to account.” —Richard Sambrook, Emeritus Professor, Cardiff University, UK and Co-Chair of The Bureau of Investigative Journalism, UK “A fantastic, timely and comprehensive look at the current state and challenges of investigative journalism.” —Henrik Örnebring, Professor of Media and Communication, Karlstad University, Sweden and winner of the 2023 AEJMC James A. Tankard Book Award This open access book is a rare example of the ethnographic study of investigative journalism. This book explores entrepreneurial attempts to combine traditional investigative journalism with alternative ways of organising this work. It transcends watershed investigative projects in favour of the ways in which new actors (citizens, technologists, bloggers and local reporters, among others) join experienced investigative journalists in experiments with the practices of watchdog journalism in the digital era. Cases include Bristol Cable, Bureau Local and the Korea Center for Investigative Journalism, as well as Forbidden Stories. The book also includes two chapters on the impact of COVID-19 upon the development of cross-disciplinary work in a traditional newsroom and in the larger media ecosystems of both Norway and China. This is a timely book for journalism students, scholars and investigative reporters, who share a passion for this form of journalism. Maria Konow-Lund is a professor at Oslo Metropolitan University. She was Marie Skłodowska-Curie fellow at Cardiff University (2017-2019). Her recent work focuses on investigative journalism, terror coverage, practice during COVID-19, and changing roles. Michelle Park and was recently awarded her PhD degree by the School of Journalism, Media and Culture at Cardiff University, UK, after working as a newspaper reporter in the USA. Saba Bebawi is Head of the Journalism and Writing discipline in the School of Communication at the University of Technology Sydney (UTS). .
    Note: Open Access
    DOI: 10.1007/978-3-031-41939-3
    URL: kostenfrei
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  • 16
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    Cavafy's Hellenistic Antiquities : History, Archaeology, Empire (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031349027
    Language: English
    Pages: 1 Online-Ressource(XIII, 282 p. 15 illus.)
    Edition: 1st ed. 2024.
    Series Statement: The New Antiquity
    Parallel Title: Erscheint auch als
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    Keywords: Poetry. ; Classical literature. ; Literature, Ancient. ; Literature, Modern ; European literature. ; History, Ancient.
    Abstract: 1 Introduction -- Part I: Cavafy Reads a Coin -- 2 A golden coin? -- 3 How to read a coin portrait in the early 1900s -- 4 What is a ‘poet-historian’? -- Part II: Cavafy Reads Inscriptions -- 5 ‘Caesarion’ as palimpsest -- 6 ‘In the month of Athyr’: Leucius and his friends -- Part III: Looking at Antiquity from Inside the Empire -- 7 Imperial desires -- 8 A Hellenistic Empire -- 9 How to read Cavafy inside the British Empire.
    Abstract: "Cavafy’s Hellenistic Antiquities is a fascinating and meticulous study of how the Greek poet breathes life into artefacts and textual fragments from the classical past. Kayalis delves deeply into the poems in order to lay bare the extraordinary complexity that hides beneath the surface. His book shows that modern poetry, modern homosexuality and even British imperialism were shaped by encounters with Hellenistic culture." – Stefano Evangelista, Professor of English, University of Oxford "Cavafy’s Hellenistic Antiquities offers an original critique of the poet as a belated antiquarian by redefining his archaeological poetics and aligning them with his Anglophilia and colonial positionality. Kayalis’s revisionist appraisal of Cavafy’s historicism presents compelling new readings of signature poems and forges new connections to overlooked homoerotic and popular sources. A brilliant contribution to Cavafy studies." – Peter Jeffreys, Associate Professor of English, Suffolk University This book reinterprets C. P. Cavafy’s historical and archaeological poetics by correlating his work to major cultural, political and sexualized receptions of antiquity that marked the turn of the 20th century. Focusing on selected poems which stage readings of Hellenistic and late ancient texts and material objects, this study probes the poet's personal library and archive to trace his scholarly sources and scrutinize their contribution to his creative practice. A new understanding of Cavafy's historicism emerges by comparing his poetics to a broad array of discourses and intellectual pursuits of his time; these range from antiquarianism, physiognomy and Egyptomania to cultural appropriations of the classics which sought to legitimate British colonial rule as well as homoerotic desire. As this volume demonstrates, Cavafy embraced antiquarianism as an empathetic and passionate way of relating to the past and shaped it into a method that allowed his poetry to render modern meanings to Hellenistic antiquities. Takis Kayalis is Professor of Modern Greek Literature at the Hellenic Open University, Greece. He has published extensively on nineteenth-century prose and modernist poetry and co-edited Teaching Literature at a Distance: Open, Online and Blended Learning (2010) and Cavafy as World Literature (forthcoming). In 2019 he co-curated the Cavafy Archive’s Digital Collection (Onassis Foundation).
    DOI: 10.1007/978-3-031-34902-7
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  • 17
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    Japanese Perspectives on Kazuo Ishiguro (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031249983
    Language: English
    Pages: 1 Online-Ressource(XIII, 317 p. 2 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Literature ; Comparative literature. ; Collective memory.
    Abstract: Introduction (Takayuki Shonaka, Takahiro Mimura and Shinya Morikawa) -- Part I Early Japanese Influences -- 1 Blithe Spirit: Young Ishiguro’s Contact with Japanese Children’s Culture through Shogakukan’s Graded Educational Magazines (Motoko Sugano) -- 2 Osamu Tezuka’s Astro Boy and Kazuo Ishiguro’s Klara and the Sun (Ria Taketomi) -- Part II Ghosts and Stereotypes -- 3 Constructing Japan with Stereotypes: An Analysis of Kazuo Ishiguro’s ‘A Family Supper’ (Yoshiki Tajiri) -- 4 Envisioned ‘Ghosts Project’: Kazuo Ishiguro’s Imaginary Nagasaki (Megumi Kato) -- 5 The Hidden Ghost Story: Ishiguro, Ugetsu, and Troubled English Belief (Anni Shen) -- Part III War and Responsibilities -- 6 ‘The Shame of Being on the Wrong Side of History’: Defeat and the Failures of Masculinities in An Artist of the Floating World and The Remains of the Day (Kunio Shin) -- 7 Between the A-bombing and Responsibilities for World War II: Changes in the Themes of Ishiguro’s Early Novels (Masako Matsuda) -- 8 The Representation of the Sino-Japanese War and Cosmopolitanism in Empire of the Sun, When We Were Orphans, and My Shanghai, 1942-1946 (Erica Aso) -- Part IV Creative Development -- 9 Tracing the Origin of Kazuo Ishiguro through His Early Song Lyrics (Takayuki Shonaka) -- 10 ‘The Remains’ of Charlotte Brontë in the Early Novels of Kazuo Ishiguro (Hiromi Nagara) -- 11 The Evolution of Stevens towards The Remains of the Day (Shinya Morikawa) -- Part V Past and Future -- 12 Monumental Moments: Narrative Complicity in the Novels of Kazuo Ishiguro (Takahiro Mimura) -- 13 Nonhuman/Posthuman Aspects in Kazuo Ishiguro’s New Millennium Novels (Hiroshi Ikezono). .
    Abstract: This collection of essays offers new perspectives from Japan on Nobel Prize–winning author Kazuo Ishiguro. It analyses the Japanese-born British author from the vantage point of his birthplace, showing how Ishiguro remains greatly indebted to Japanese culture and sensibilities. The influence of Japanese literature and film is evident in Ishiguro’s early novels as he deals with the problem of the atomic bomb and Japan’s war responsibility, yet his later works also engage with folk tales and the modern popular culture of Japan. The chapters consider a range of Japanese influences on Ishiguro and adaptations of Ishiguro’s work, including literary, cinematic and animated representations. The book makes use of newly archived drafts of Ishiguro’s manuscripts at the Harry Ransom Center at the University of Texas to explore the origins of his oeuvre. It also offers sharp, new examinations of Ishiguro’s work in relation to memory studies, especially in relation to Japan. Takayuki Shonaka is Professor in English Literature at Kyoto Women’s University, Japan. His research and teaching expertise are in British and American Culture, Language, and Literature. He is the author of Kazuo Ishiguro: ‘Nihon’ to ‘Igirisu’ no Hazama kara [Kazuo Ishiguro: From Between ‘Japan’ and ‘England’] (2011). Takahiro Mimura is Professor in English at Chiba Institute of Technology, Japan. He studies contemporary English novels especially from the perspective of memory. He is the author of Kazuo Ishiguro Wo Yomu [Reading Kazuo Ishiguro] (2022) and Kioku To Zinbungaku [Memory and the Humanities] (2021). Shinya Morikawa is Professor in English Literature at Hokkai-Gakuen University, Japan. His research interests include contemporary British fiction, international migration novels, and literary stylistics. He is a co-editor of Kazuo Ishiguro No Shisen: Kioku, Souzou, Kyoushu [Kazuo Ishiguro’s Gaze: Memory, Imagination, Nostalgia] (2018). .
    DOI: 10.1007/978-3-031-24998-3
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    The Shaping of News : A Framework for Analysis (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031219634
    Language: English
    Pages: 1 Online-Ressource(XV, 232 p. 5 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Journalism.
    Abstract: 1. Introduction -- 2. Why study news? The democratic role of news -- 3. Understanding influences on the production of news -- 4. Routines and practices: studying the making of news -- 5. Journalism norms, values, and role perceptions -- 6. Journalism ethics -- 7. The news organisation -- 8. News audiences -- 9. News sources -- 10. Conclusion.
    Abstract: This book provides readers with the understanding required to analyse the range of key factors that shape the production of news, and to assess their implications for the role of news and journalism in democracy. It brings existing research together under the umbrella of a central organising framework to explore how news and its production is shaped by a multiplicity of factors including the norms, values, role perceptions and ethics associated with journalism as a profession, the role of news sources, the changing character and significance of news audiences, the aims and objectives of news organisations, and the political, economic and social contexts within which news is produced. Exploring these factors in depth, using examples, and considering the changing conditions of news production, the chapters chart significant changes, challenges, and responses to provide the essential background for understanding the consequences of current transformations for the democratic qualities of news. Julie Firmstone is Professor of Journalism and Political Communication at the School of Media and Communication, University of Leeds, UK. Her teaching and research explore a range of issues in the intersection between journalism, the news media, politics, and democratic engagement. She has published widely on the role of news and journalism in local democracy; journalism standards, press ethics and regulation; editorial journalism at newspapers; and communication about the European Union. .
    DOI: 10.1007/978-3-031-21963-4
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  • 19
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    Anglo-American Stage and Screen Drama : The Post-Democratic World Order (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031451980
    Language: English
    Pages: 1 Online-Ressource(XI, 287 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Theater ; Performing arts. ; Theater. ; Motion pictures. ; Television broadcasting. ; Motion picture acting. ; Cultural policy. ; Popular Culture.
    Abstract: Introduction:Anglophone Drama in a Post-Democratic, Post-Truth World -- Chapter 1. Western Theatre as Sociopolitical Forum—A Short History -- Chapter 2. Progressive Western Cinema -- Chapter 3. Case-study Films and Plays from the First Decade -- Chapter 4. Case-study Films and Plays from the First Decade -- Chapter 5. Case-study Films and Plays from the Second Decade.-Chapter 6. Case-study Films and Plays from the Second Decade -- Conclusion: Progressive Drama and its Potentialities .
    Abstract: Anglo-American Stage and Screen Drama analyses and discusses the contemporary role of stage and screen drama as a critical forum for progressive thinking in an increasingly polarised geopolitical world. The book addresses the cultural politics of socially engaged 21st century stage plays and films, and makes the case for drama as a sociopolitical forum, in which the complex and contentious issues that confront society can be explored and debated. It conceives of Anglophone political drama as a significant intervention in today’s culture wars, representing the latter as a convenient distraction from the ongoing depredations of neoliberalism. In the main part of the book selected case-study plays and films from each of the first two decades illustrate drama’s capacity to influence critical debate on social justice issues. All of the case-study texts under discussion express a powerful aesthetics of resistance to right-wing ideology, and promote inclusive and enlightened values. This broader orientation underlines drama’s role as a channel for critical agency in today’s putative post-socialist, post-democratic climate. Mike Ingham is Adjunct Professor of English Studies in the English Department at The Chinese University of Hong Kong and a dedicated tertiary teacher and former teacher-trainer. His research interests include stage and screen drama, Shakespeare studies, Hong Kong literature in English, and drama in education. Mike is also a founder member of Theatre Action, a Hong Kong-based drama group specialising in action research on literary dramatic texts. Previous monograph publications include Staging Fictions - The Prose Fiction Stage Adaptation as Social Allegory (2004), Hong Kong - A Cultural and Literary History (2007), Stage-play and Screen-play: The Intermediality of Theatre and Cinema (2017) and The Intertextuality and Intermediality of the Anglophone Popular Song (2022). He has also produced journal articles and book chapters on adaptation for stage and screen, early modern drama, documentary and feature film in Asian and Western contexts, and drama pedagogy.
    DOI: 10.1007/978-3-031-45198-0
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  • 20
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    Farida Benlyazid and Moroccan Cinema (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031406164
    Language: English
    Pages: 1 Online-Ressource(XII, 202 p. 6 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Arab Cinema
    Parallel Title: Erscheint auch als
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    Keywords: Motion pictures ; Motion pictures. ; Culture. ; Sex. ; Motion pictures ; Ethnology
    Abstract: Chapter 1: Tangier and Paris – Multiculturalism and Feminism -- Chapter 2: Tangier and (Re)Turn to Fes: A Door to the Sky (1988) -- Chapter 3: Farida’s great halqa throughout Morocco & beyond -- Chapter 4: Tangier and the world: Juanita Narboni (2005) -- Chapter 5: The Sahara, the Atlas, and Tangier.
    Abstract: 'A marvelous and timely book on Morocco’s national treasure Farida Benlyazid. An elegant and playful spiral structure accommodates Martin’s deep understanding of Benlyazid's many contexts, from the socioeconomic to the spiritual.' ----Laura Marks, Simon Fraser University, Canada 'Florence Martin has achieved an into-depth exploration of a unique and unequalled Moroccan female cineaste-biography. Well-written, nuanced and historically informed.' ---Viola Shafik, Independent scholar and filmmaker, Berlin, Germany and Cairo, Egypt This book project unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film. A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco’s rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the “years of lead” under the reign of Hassan II; and finally Mohamed VI’s current reign since 1999. As a result, she has a long view of Morocco’s politics of self-representation as well as of the representation of Moroccan women on screen Florence Martin is Dean John Blackford Van Meter Professor of French Transnational Studies at Goucher College, USA. She is the author of Screens and Veils: Maghrebi Women’s Cinema (2011) and the co-author (with Will Higbee and Jamal Bahmad) of Moroccan Cinema Uncut: Decentred Voices, Transnational Perspectives (2020).
    DOI: 10.1007/978-3-031-40616-4
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  • 21
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    Darcy Lange, Videography as Social Practice (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031369032
    Language: English
    Pages: 1 Online-Ressource(XVIII, 278 p. 45 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Experimental Film and Artists’ Moving Image
    Parallel Title: Erscheint auch als
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    Keywords: Experimental films. ; Arts. ; Photography.
    Abstract: Chapter 1 Social Consideration, Communication, Observation: From Sculpture to Film and Photography -- Chapter 2 Ethnographic, Structuralist and Real-Time Filmmaking -- Chapter 3 Images of People at Work -- Chapter 4 Education, Participation, and the Making of the Subject -- Chapter 5 Social Activism.
    Abstract: The Videography of Darcy Lange is a critical monograph of a pivotal figure in early analogue video. Trained as a sculptor at the Royal College of Art, Lange developed a socially engaged video practice with remarkable studies of people at work in industrial, farming, and teaching contexts that drew from conceptual art, social documentary and structuralist filmmaking. Lange saw in portable video a democratic tool for communication and social transformation, continuing the legacy of the revolutionary avant-garde projects that merged art with social life and turned audiences into producers. This book follows Lange's trajectory from his early observational studies to the crisis of representation and socially engaged video and activism, as it is shaped by, and resists, the artistic, cultural and political preoccupations of the 1970s and 1980s. It strikes a balance between being a monographic account providing a close analysis of Lange's oeuvre and drawing from unpublished archival materials—a sort of catalogue raisonné—whilst maintaining a breadth with theoretical discourses around the themes of labour and class, education, and indigenous struggles central to his work. The book's frameworks of Conceptual Art, structuralist and ethnographic film theory, social documentary and the critique of representation, video as social practice and the notion of 'feedback', participatory socially engaged art and postcolonial and indigenous theory,—expand our understanding of video outside the predominant structuralist tendencies. Lange's transnational and nomadic career introduces notions of alterity and challenges nationalistic accounts that excluded him in the past. Mercedes Vicente is a curator, writer, and researcher. She is Associate Lecturer in Critical and Contextual Studies at the London Metropolitan University and was a lecturer at Royal College of Art, UK. She has held museum positions as interim Director of Education and Public Programmes at Whitechapel Gallery in London, Curator of Contemporary Art and Darcy Lange Curator-at Large at Govett-Brewster Art Gallery in New Zealand, and Research Curatorial Assistant at the Whitney Museum of American Art in New York.
    DOI: 10.1007/978-3-031-36903-2
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  • 22
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    Peripheral Locations in European TV Crime Series (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031418082
    Language: English
    Pages: 1 Online-Ressource(XIII, 262 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave European Film and Media Studies
    Parallel Title: Erscheint auch als
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    Keywords: Motion picture plays, European. ; Motion pictures
    Abstract: 1.European Scenes of Crime: Peripheries at the Centre -- 2.The Double Marginality of Peripheral Locations -- 3.Nordic Noir and Arctic Peripherality in Northern Europe -- 4.Mediterranean Noir and Nordic Peripheries in Southern Europe -- 5.Country Noir and Rural Peripheries in Western Europe -- 6.Eastern Noir and the Borderscapes of Eastern Europe -- 7.Brit Noir and the Hinterlands of the British Isles -- 8.Conclusion: Negotiating European Peripheries in TV Crime Series.
    Abstract: This book is a comprehensive study of peripheral locations in contemporary European TV crime series. Ambitiously, it covers the complete geography of Europe, and offers a nuanced image of a changing, dynamic, and unfinished continent. The chapters include analyses of the practical, creative approach to producing crime series in European peripheries and rural areas, evaluating a continent marked by an internal crisis between urban and rural Europe. The study includes readings of crime series such as Shetland, Bitter Daisies, Trom, Pagan Peak, and The Border, but presents such representative cases within broader tendencies on the European TV market, including challenges from streaming services, the influence of Nordic Noir, and changes within the cognitive geography of Europe. The authors position peripheral European crime series in a complex relationship between universal appeal and local recognisability and offer a comprehensive theoretical approach to the aesthetics of peripherality. Grounded in desktop production studies, the book presents an original scholarly approach to analysing European crime series from a continental point of view. Despite local differences, the spatio-generic orientations scrutinized in the book – Nordic Noir, Mediterranean Noir, Country Noir, Eastern Noir, and Brit Noir – show remarkable aesthetic similarities in series from territories otherwise normally unconnected in television production. Consequently, television crime series reveal a common tongue and voice for dialogue on a continent in a deepening crisis. Kim Toft Hansen is Associate Professor of Scandinavian Media Studies at Aalborg University, Denmark. He is the co-author of Locating Nordic Noir: From Beck to The Bridge (2017), the co-editor of European Television Crime Drama and Beyond (2018) and has written extensively on Nordic and European television crime series. Valentina Re is Full Professor of Film and Media Studies at Link Campus University, Italy. She is the editor of Streaming media. Distribuzione, circolazione, accesso (2017) and the PI of the research project The Atlas of Italian “Giallo”: Media History and Popular Culture (1954-2020), funded by the Italian Ministry of University and Research (2022-25). .
    DOI: 10.1007/978-3-031-41808-2
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  • 23
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    Office and Duty in King Lear : Shakespeare’s Political Theologies (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031401572
    Language: English
    Pages: 1 Online-Ressource(X, 261 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Shakespeare Studies
    Parallel Title: Erscheint auch als
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    Keywords: European literature ; Drama. ; Literature
    Abstract: 1 Introduction -- 2 The Majesty of Kingship: Spectacular and Sacred Sovereign Power -- 3 “The Bloody Proclamation to Escape”: Edgar and Romantic Outlawry -- 4 Dividing Between Daughters -- 5 Lear’s Redemption -- 6 Conclusion: Lear’s Shadow, Office Today -- Index.
    Abstract: This book advances five original readings of Shakespeare's King Lear, influenced by Giorgio Agamben, but tempered by primary research into Jacobean literature, law, religion, and philosophy. To grasp Lear’s encounter between politics and identity, the play demands a wider understanding of the religious influence on political thought. As Lear himself realises, sovereignty is an extreme, glamorous example of a deeper category: sacred office. Lear also shows duty intersecting with a hierarchy of bastards, outlaws, women, waifs, and monks. This book introduces concepts like petit treason, civil death, and waivery into political theological studies, complicating Agamben’s models. Goneril’s treason shows the sovereign’s consort and children are consecrated lives too. Lear’s crisis of "self-knowing" stages a landmark critique of office. The promise of his poignant speech before the prison is foreclosed by Shakespeare's invention: an officer dutifully murdering Cordelia. This book’s conclusion, through Hannah Arendt, reconsiders Lear’s persistent association with the Holocaust. Dr Alexander Thom is a Leverhulme Early Career Fellow in the School of English, University of Leeds, UK. His postdoctoral research focuses on the displaced in English Renaissance drama. This book is based on his Midlands3Cities AHRC doctorate, which was awarded in 2020 by the Shakespeare Institute, University of Birmingham, UK.
    DOI: 10.1007/978-3-031-40157-2
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  • 24
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    Contemporary Dance Choreography and Spectatorship : Embodied Emotion (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031449628
    Language: English
    Pages: 1 Online-Ressource(XVII, 240 p. 29 illus., 28 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Dance. ; Performing arts. ; Theater. ; Theater ; Actors.
    Abstract: 1.Introduction -- 2 The analysis model -- 3. Case Study 1: Melancholy Spirals in Russell Maliphant’s Afterlight (Part One) (2009): Emergence, Expressiveness, and Emotional Import -- 4. Case Study 2: The poignant tensions of Crystal Pite’s Dark Matters (2009): Embodiment, Enaction and Emotion -- 5. Case Study 3: the despair of Petrichor (2016): Choreographer, analyst, audience, dancer -- 6. Conclusion.
    Abstract: This book offers an approach which unites choreographic and spectatorial perspectives, and argues for dance itself—its materials, its structures—as a medium of emotional communication. Contemporary dance often seems to contend with issues of understanding, regularly being “read” in “languages” which alienate it. Even if emotion seems a significant part of people’s engagement with dance, its workings are often surrounded by an air of mysticism. Engaging with these issues, this study investigates the experience of emotion in Euro-American contemporary dance theatre. It questions its dependence on the artist’s personal emotions, and the assumption that it is mediated by representational meaning. Instead, this book proposes that the emotional import of dance emerges from an interplay between perceptual properties and symbolic elements in an embodied affective cognitive experience. This experience includes the background of the spectator as well as the context of work, choreographer, performer(s) and other creative agents. Lucía Piquero Álvarez is a researcher and choreographer - she has produced and been commissioned to create choreographic work internationally. Lucía completed her PhD at the University of Roehampton, UK, in 2019, and was a lecturer in dance at the University of Malta between 2012–2022 and head of the dance department between 2019–2022. Lucía is currently a lecturer in performance psychology at Trinity Laban, UK, and senior lecturer at Dance City Newcastle, UK.
    DOI: 10.1007/978-3-031-44962-8
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  • 25
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    Communication and Electoral Politics in Ghana : Interrogating Transnational Technology, Discourse and Multimodalities (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031427718
    Language: English
    Pages: 1 Online-Ressource(XVII, 187 p. 20 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Communication in politics. ; Social media. ; Africa ; Identity politics.
    Abstract: Chapter 1. (Introduction) Election discourse in Africa: Some critical considerations -- Chapter 2. Digital rhetoric of pandemic elections: Toward multilingual multimodal information design -- Chapter 3. Metaphors and metonymies in Akosua cartoons in the Daily Guide on Ghana’s electoral politics: A cognitive linguistic approach -- Chapter 4. An examination of the communicative functions of Nana Addo Dankwa Akufo-Addo’s inaugural addresses -- Chapter 5. Political economy of vigilantism in Ghana’s 2020 general election -- Chapter 6. Social media, and electoral disagreements in Ghana’s election 2020 -- Chapter 7. Dialogic communication on digital platforms as public relations technique: A case of two political parties in Ghana -- Chapter 8. Direct address and ethical performance of political discourse: An analysis of Naana Jane Opoku-Agyemang’s inauguration speech -- Chapter 9. (Afterword) Democracy, education, and public scholarship.
    Abstract: This book explores issues at the intersection of communication and African electoral politics, taking Ghana’s 2020 general election as a focus of investigation. This interdisciplinary volume redresses gaps in the literature by highlighting the relevance of language and communication to electoral politics in Sub-Saharan Africa in the period of a global pandemic. The collection accounts for local influences on election discourse and illustrates how the specific context within which such discourse is enacted informs the linguistic, multimodal and technological choices of sociopolitical actors. The non-Western perspective it adopts extends work on political communication in a context underexplored in the literature and contributes to ongoing critical conversations on the decolonial and postcolonial aspects of communication studies. Drawing on a variety of data, including political speeches, political cartoons, election campaigns and social media posts, the volume not only addresses the dearth of scholarly work on African political communication, but also demonstrates the complexity of such scholarship and its importance to a comprehensive understanding of contemporary research on language and politics. This book enriches academic and public discussions on the future of democracy across the globe from a linguistic or communication perspective, expands scholarly work on African rhetoric and underscores the importance of engaging with diverse knowledge systems, especially non-Western epistemologies. Eliasu Mumuni (Ph.D.) is a Senior Lecturer and the Head of the Department for Communication, Innovation and Technology at the University for Development Studies, Ghana. He is also a Fulbright Scholar at the Appalachian State University. Mark Nartey (Ph.D.) is Lecturer in English Language and Linguistics at the University of the West of England. Ruby Pappoe (Ph.D.) is a Teaching Assistant Professor in Technical Writing at the University of North Carolina, Chapel Hill. Nancy Henaku (Ph.D.) is a Lecturer at the Department of English, University of Ghana. G. Edzordzi Agbozo (Ph.D.) is an Assistant Professor of English at the University of North Carolina Wilmington.
    DOI: 10.1007/978-3-031-42771-8
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    The Digital Popular in India : Mainstreaming the Marginal (2024)
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    Details
    ISBN: 9783031394355
    Language: English
    Pages: 1 Online-Ressource (XII, 146 p. 1 illus)
    Edition: 1st ed. 2024
    Parallel Title: Erscheint auch als
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    DDC: 306
    Keywords: Popular Culture ; Popular Culture
    DOI: 10.1007/978-3-031-39435-5
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 27
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    The COVID-19 Pandemic and Memory : Remembrance, commemoration, and archiving in crisis (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031345975
    Language: English
    Pages: 1 Online-Ressource(XX, 332 p. 32 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Macmillan Memory Studies
    Parallel Title: Erscheint auch als
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    Keywords: Collective memory. ; Digital media.
    Abstract: Chapter 1. Introduction: Unlocking Memory Studies: Understanding Collective Remembrance During and of Covid-19 -- Part I Can We Speak of a Covid Memory Boom? -- Chapter 2. “It seemed right to keep some sort of history”: Performances of Digital Memory Work by Young Women in London During Covid-19 -- Chapter 3. Picturing Lockdown in the UK: Memorializing an Ongoing Crisis -- Chapter 4. #Mémoriascovid19: Reimagining and Narrating Trauma in the Core of the Covid-19 Pandemic in Brazil -- Chapter 5. The Danger of a Single Story: Epic-Pandemic Narratologies and Memorials of COVID-19 in Nigeria -- Chapter 6. Pandemic from the Margins: How United-States-Based College Students Think the Pandemic Should Be Remembered -- Part II Commemorative Events Between Memory Politics and Protests: What Has Changed During the Lockdowns? -- Chapter 7. “No quarantine to workers’ rights”: Recontextualizing Labour Day Commemoration in the Semiotic Landscape of a Pandemic Demonstration -- Chapter 8. The Struggle to Remember Tiananmen Under COVID-19 and the National Security Law in Hong Kong -- Chapter 9. “Memory Does Not Quarantine”: COVID-19, Remembering the Coup, and the Struggle for Democracy in Bolsonaro’s Brazil -- Chapter 10. Human Rights Day: Grassroots Commemoration of the 60th Anniversary of the Sharpeville Massacre Amidst the COVID-19 Pandemic Restrictions in South Africa -- Part III Memorial Museums and National Days: Did Digital Practices Transform Commemoration in Times of the Pandemic? -- Chapter 11. “Le goût d’un jour de fête”? Commemorating the End of the Second World War on Twitter During the Lockdown: A Comparison Between France and Italy -- Chapter 12. #Hashtag Commemoration: A Comparison of Public Engagement with Commemoration Events for Neuengamme, Srebrenica, and Beau Bassin During Covid-19 Lockdowns -- Chapter 13. #DigitalMemorial(s): How COVID-19 Reinforced Holocaust Memorials and Museums’ Shift Toward Social Media Memory -- Chapter 14. Holocaust Remembrance on Facebook During the Lockdown: A Turning Point or a Token Gesture? -- Chapter 15. Epilogue: Did the Pandemic Change the Future of Memory?./.
    Abstract: "This jewel of a book sets a new persuasive agenda for memory studies by an international group of scholars. Exploring individual and collective mnemonic practices that took place during Covid-19 and of Covid-19, this book offers indispensable contributions to timely questions: Has the pandemic transformed mnemonic practices? Will Covid-19 become part of collective memory?" —Vered Vinitzky-Seroussi, The Hebrew University of Jerusalem "How the Covid-19 pandemic unlocked memory. A truly international cast of authors throw light on archiving, mobilization, and the digitalization of memory – from Athens to Brazil, from Nigeria to Hong Kong. Essential reading for everyone interested in Corona and collective memory." —Astrid Erll, Goethe University Frankfurt "This innovative volume documents a profound transformation in digital memory practices triggered by the covid-19 pandemic. Empirically rich contributions interrogate mnemonic activism as a response to trauma, a form of protest and an homage to legacies of violence. It is an essential reference for the study of memory." —Denisa Kostovicova, London School of Economics and Political Science This book offers a platform for the analysis of commemorative and archiving practices as they were shaped and developed during the Covid-19 lockdown periods in 2020 and the years that followed. By offering an extensive global view the book enters a dialogue with what has emerged as an initial response to the pandemic and the ways in which it has affected memory and commemoration. It aims to critically and empirically engage with this abundance of memory tracing both memorialization of the pandemic and commemoration during the pandemic. Orli Fridman is an associate professor at the Belgrade Faculty of Media and Communications (FMK) and the academic director of the SIT learning center in Serbia. She is the author of Memory Activism and Digital Practices after Conflict: Unwanted Memories (2022). Sarah Gensburger is a professor at CNRS-Sciences Po Paris. Her most recent books are Beyond Memory. Can we really learn from the past? (Palgrave, 2020, with S. Lefranc) and Memory on my doorstep. Chronicles of the Bataclan Neighborhood (2019). .
    DOI: 10.1007/978-3-031-34597-5
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    The Financial Image : Finance, Philosophy and Contemporary Film (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031406546
    Language: English
    Pages: 1 Online-Ressource(XII, 329 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Culture and Economics
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Motion pictures ; Economic history.
    Abstract: 1. Introduction -- 2. The Financial Gaze -- 3. Film and Financial Ethics -- 4. Film and Financial Time -- 5. Film and 6. Financial Space -- 7. Film and Financial Performance -- 8. Conclusion.
    Abstract: The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life. Alasdair King is Reader in Film in the School of Languages, Linguistics, and Film at Queen Mary University of London, UK. He is the author of Hans Magnus Enzensberger: Writing, Media, Democracy (2007).
    DOI: 10.1007/978-3-031-40654-6
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    Music, Words, and Nationalism : National Anthems and Songs in the Modern Era (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031416446
    Language: English
    Pages: 1 Online-Ressource(XI, 266 p. 17 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Music and Literature
    Parallel Title: Erscheint auch als
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    Keywords: Comparative literature. ; Literature. ; Music ; Culture. ; Civilization ; World politics.
    Abstract: 1. Introduction -- Section I: General Perspectives -- “National Anthems in the Nineteenth-Century: Honor Anthems vs. Revolutionary Anthems” -- 2. “What to Sing? Anthems and the Problems of National Building” -- 3. “A Connected History of Republican Anthems: Independence, Decolonization and Nationalism” -- 4. “The Voices of the Nation. The Form and Content of National Anthems” -- 5. “Resounding Nations: Anthems in Europe at War (1936-1945)” -- 6. “Songs of Redemption: A Comparison of the Anthems of European Substate Nationalisms in the Long Twentieth Century” -- Section II Case Studies -- “The National Anthem’s Moment” -- 7. “Globalization of the National Anthem: The Case of Japan and the Japanese Empire in Asia -- 8. “Displaced national anthems: An Example from Iran” -- 9. “Anthems in Schools: Negotiating National and Youth Identities in a Bilingual Florida Elementary School”. .
    Abstract: Music, Words and Nationalism: National Anthems and Songs in the Modern Era considers the concept of nationalism from 1780 to 2020 through anthems and national songs as symbolic and representative elements of the national identity of individuals, peoples, or collectivities. The volume shows that both the words and music of these works reveal a great deal about the defining features of a nation, its political and cultural history, and its self-perception. The book takes an interdisciplinary approach that provides a better understanding of the role of national anthems and songs in the expression of national identities and nationalistic goals. From this perspective, the relationship between hymns and political contexts, their own symbolic content (both literary and musical) and the role of specific hymns in the construction of national sentiments are surveyed. Javier Moreno-Luzón is Professor of Political History at the Complutense University of Madrid, Spain. He is a specialist in the political life of Modern Spain. He has published several books in English including: Modernizing the Nation: Spain during the Reign of Alfonso XIII, 1902-1931 (2012); Metaphors of Spain: Representations of Spanish National Identity in the 20th Century (with Xosé M. Núñez Seixas, eds., 2017); and The Politics of Representation: Elections and Parliamentarism in Portugal and Spain, 1875–1926 (with Pedro Tavares de Almeida, eds., 2017). María Nagore-Ferrer is Associate Professor in Musicology at the Complutense University of Madrid, Spain. Her main area of research is Spanish music in the nineteenth and twentieth centuries. She is the author of several books, including La revolución coral (2001) and Sarasate, el violín de Europa (2013), as well as numerous articles published in national and international journals.
    DOI: 10.1007/978-3-031-41644-6
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    Rethinking Peripheral Modernisms (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031355462
    Language: English
    Pages: 1 Online-Ressource(XXI, 200 p. 3 illus., 2 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature. ; Literature, Modern ; Comparative literature.
    Abstract: Introduction -- Part 1. Modernism and Peripherality: Theoretical Considerations.-1.1.Benita Parry – ‘Stylistic Irrealism in Peripheral Literatures as Symptom, Mediation and Critique of Modernity’.-1.2.Irene Ramalho Santos – ‘What is Peripheral about Peripheral Modernisms?’ -- Part 2. Liminality in the ‘Semi-peripheries’ -- 2.1. Katia Pizzi – ‘Trieste and the Untranslatable Modernism’ -- 2.2. Roberta Gefter – ‘“From the Periphery of the Metropolis”: on Joyce’s Modern Irish Peripherealities’ -- 2.3. Marilena Parlati – ‘Australian Modernisms Strike Back, or still Harping on “Margins”’ -- Part 3. Metropolis, Technology, Cultural Transfer -- 3.1. Andreas Kramer – ‘Geographies of Peripheral Modernism: The Case of the Russian Avant-Garde (Khlebnikov, Eisenstein, Tret’iakov)’ -- 3.2. Patricia Silva – ‘Transcultural Reception in the Postcolonial Periphery: Brazilian Modernism and the European Avant-Garde’ -- 3.3. Ali Mozaffari & Nigel Westbrook – ‘In Search of the Authentic Modern: The Rhetoric of Architecture in Late 20th Century Iran’.
    Abstract: This collection of essays reappraises the contributions made by modernist movements from regions generally regarded as peripheral or semi-peripheral to a global aesthetic of Modernism. It particularly focuses on European semi-peripheries, combining theoretical chapters and individual case studies to examine the cultural and aesthetic complexities of so-called peripheral modernisms. Contributing to research on the ‘transnational turn’ in New Modernist Studies, the volume takes recent scholarship on postcolonial modernisms one step further by exploring a broader geopolitical expanse than the (formerly) colonised regions under global capitalism. It highlights the local and translocal specificities of modernist movements from regions such as Eastern and Central Europe and the Mediterranean to offer new insights into the concept of global modernism.
    DOI: 10.1007/978-3-031-35546-2
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    The Palgrave Handbook of European Migration in Literature and Culture (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031307843
    Language: English
    Pages: 1 Online-Ressource(XXX, 656 p. 28 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature, Modern ; Literature. ; Emigration and immigration. ; World history.
    Abstract: Chapter 1: Introduction -- Chapter 2: Narrating Migration in the Settler Colonies: Recent Climate Fiction in Australia and New Zealand -- Chapter 3: Invasion and Replacement Fantasies: Jean Raspail’s The Camp of the Saints and the French Far Right -- Chapter 4: Between History and the Discord of Time: The Figure of the Migrant in A Seventh Man and Transit -- Chapter 5: A Border Poetics of Migration: Five Mappings of Migration Literature in Norwegian and Swedish -- Chapter 6: "A Strangely Familiar Place”: Cinematic (Re)framings of the EU’s Easternmost Border. Chapter 7: Migration, Romani Writers, and the Question of National Literatures. Chapter 8: Introduction -- Chapter 9: Setting the Stage of Contemporary Migration in the Italian Hostile Environment. Chapter 10: The Dystopian Imaginary, Climate Migration, and “Lifeboat-Nationalism”. Chapter 11: Black Parisians in Merry Colors: Queerness and Creolisation in the Popular Comedies of Lucien Jean-Baptiste -- Chapter 12: Classification and the Secrets of Kinship: Migration, Scientific Naturalism, and the Racialization of Blood in the Eighteenth Century -- Chapter 13: “There’s ways to survive these times… and I think one way is the shape the telling takes”: Hostile Environments and Hospitable Connections in Ali Smith’s Seasonal Quartet -- Chapter 14: Introduction -- Chapter 15: Migration, Forced Displacement, and Aesthetic Agency: Sharon Dodua Otoo’s Adas Raum. Chapter 16: Comparing Migrations? Russian German Jewish Writers on the “Refugee Crisis”. Chapter 17: Literary Archives and Alternative Futures. Memories of Labor Migration in Contemporary Turkish German Fiction. Chapter 18: On the Afterlife of Lucrecia Pérez: Literature and Migrant Memory against Nationalist Myth-Making in Democratic Spain. Chapter 19: On the Afterlife of Lucrecia Pérez: Literature and Migrant Memory against Nationalist Myth-Making in Democratic Spain. Chapter 20: Muslim Interpellation: Hijabs, Beards, and the Post-9/11 Border Regime. Chapter 21: Another Home. Chapter 22: Introduction -- Chapter 23: “Struggles with Identity Don’t Care about Latitude”: Saša Stanišić’s Herkunft (Where You Come From) as “Born Translated” Text -- Chapter 24: Verstummung”: Carmine Abate’s Dislocative Voices -- Chapter 25: Going for Nothing: Migration and Translation in Christina Rivera Garza -- Chapter 26: “Life Goes on, Defying Common Sense”: On Translating Russian Émigré Poetry -- Chapter 27: "It is hard to choose": An Italian Author on Migration, Diaspora, African Literature, and the Limits of Labels -- Chapter 28: Poetry as Love and Resistance -- Chapter 29: Introduction -- Chapter 30: Sound in Place: Italian Migrant Street Music in the Nineteenth-Century English Novel -- Chapter 31: Restorying the Greco-Turkish Population Exchange and the Partition of India and Palestine through Graphic Narrative: Hand-drawn Lines, Embroidered Histories, Portable Homelands -- Chapter 32: “Resonance is Contact Ripple”: Media and Contemporary Poems of Mediterranean Migration. Chapter 33: Ways of Seeing: Ethics of Looking in Refugee Films after 2015 -- Chapter 34: Curating Hospitality: Towards a More Sensitive Perception of Vulnerability -- Chapter 35: Introduction -- Chapter 36: Reading the Politics of Exile: Matei Vișniec’s Mr. K Released -- Chapter 37: Hassan Blasim’s God 99: Staying with Fragments, Designing Other Worlds -- Chapter 38: Melancholia of Migration in the Transnational Italian Imaginary -- Chapter 39: “not safe any where anymore”: Biopolitical Poetics and Irish Migration Poetry -- Chapter 40: “a historian of the soft tissue”: An Interview with Bhanu Kapil. .
    Abstract: The Palgrave Handbook of European Migration in Literature and Culture engages with migration to, within, and from Europe, foregrounding migration through the lenses of historical migratory movement and flows associated with colonialism and postcolonialism. With essays on literature, film, drama, graphic novels, and more, the book addresses migration and media, hostile environments, migration and language, migration and literary experiment, migration as palimpsest, and figurations of the migrant. Each section is introduced by one of the handbook’s contributing editors and interviews with writers and film directors are integrated throughout the volume. The essays collected in the volume move beyond the discourse of the “refugee crisis” to trace the historical roots of the current migration situation through colonialism and decolonization. .
    DOI: 10.1007/978-3-031-30784-3
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    Punchdrunk on the Classics : Experiencing Immersion in The Burnt City and Beyond (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031430671
    Language: English
    Pages: 1 Online-Ressource(XVI, 233 p. 12 illus., 11 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Theater ; Actors. ; Classical literature. ; Literature, Ancient. ; Adaptation (Literary, artistic, etc.).
    Abstract: Chapter 1: Introducing The Burnt City and beyond -- Chapter 2: Punchdrunk on the Classics: A History -- Chapter 3: The Burnt City in Development: Rehearsal as Mythopoiesis -- Chapter 4: The Burnt City in Development: Abstracting Ancient Literature -- Chapter 5: The Burnt City in Performance: Place, Space, and Experience -- Chapter 6: The Burnt City’s Legacy: Immersivity, Mimesis, and Enargeia -- Chapter 7: Conclusion.
    Abstract: Punchdrunk on the Classics: Experiencing Immersion in The Burnt City and Beyond draws attention to Punchdrunk’s use of ancient Greek literature in their creation of immersive theatre. The book documents and analyses the effects of utilising Greek tragedy within both Punchdrunk’s creative development windows, and the company’s final staged productions. It features material stretching from The House of Oedipus (2000) right through to The Burnt City (2022-23), on which the author worked as dramaturg. Chapters include rehearsal studies, explorations of how Greek literature can shape an audience’s experience in immersive theatre, and considerations of how The Burnt City might change our understanding of the poetics of immersion in antiquity. Overall, Punchdrunk on the Classics provides an unparalleled depth of insight into an individual Punchdrunk production, and highlights the until-now overlooked significance of antiquity within Punchdrunk’s practice. Emma Cole is Senior Lecturer in Drama at the University of Queensland, Australia; previously, she was Senior Lecturer in Liberal Arts and Classics at the University of Bristol. She is a classicist and a theatre historian and is an expert on Greek tragedy in contemporary theatre. Her previous book, Postdramatic Tragedies, was published in 2019.
    DOI: 10.1007/978-3-031-43067-1
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    Bees, Science, and Sex in the Literature of the Long Nineteenth Century (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031395703
    Language: English
    Pages: 1 Online-Ressource(XIV, 230 p. 3 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Animals and Literature
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Ecocriticism. ; Literature ; Animal welfare ; Science
    Abstract: Chapter 1. Introduction: honey, wax, pollination Alexis Harley, La Trobe University, Christopher Harrington, La Trobe University -- Chapter 2. “Science and the Sacred Honeybee in the Nineteenth Century” Diane M. Rodgers, Northern Illinois University -- Chapter 3. “Housewives and Old Wives: sex and superstition in English Beekeeping” Adam Ebert, Mount Mercy University -- Chapter 4. “Unsettling Homes”: Honeybees, Georgiana Molloy and Colonial Beekeeping in Australia Jessica White, University of Adelaide -- Chapter 5. “The Social Insect and the Fashionable Newspaper”: Bee Poetry in the Oracle and World Claire Knowles, La Trobe University -- Chapter 6. “A Nineteenth-Century Beeography: Lucy Peacock’s The Life of a Bee Related by Herself (1800)” Samantha George, University of Hertfordshire -- Chapter 7. “Keats’s Honeybees: Sound, Passion, and Natural Prophecy” Hermione de Almeida, University of Tulsa.-Chapter 8. “Bumblebees and Emily Dickinson” Camilla Chen, Oxford University -- Chapter 9. A Hive Turned Upside Down: Drone Bees and the Chartist Imaginary Christopher Harrington, La Trobe University -- Chapter 10. “Through the Agency of Bees”: Charles Darwin, John Lubbock, and the Secret Lives of Plants and People” Jonathan Smith, University of Michigan -- Chapter 11. “Queens and Drones in Thomas Hardy’s Wessex” Alexis Harley, La Trobe University -- Chapter 12. “The Experimental Eminence of Darwin’s Bees” John Clark, St Andrews University.
    Abstract: "For centuries, humans have invested enormous weight in the symbol of the honey bee. The authors of the meticulously-researched Bees, Science, Sex and Literature in the Long Nineteenth Century show how the symbol changes radically in the literature and culture of the nineteenth-century, as emerging technologies and new biological discoveries clash with long-held agrarian and poetic traditions." —Tammy Horn Potter, author of Bees and America: How the Honey Bee Shaped a Nation The long nineteenth century (1789-1914) has been described as an axial age in the history of both bees and literature. It was the period in which the ecological and agronomic values that are still attributed to bees by modern industrial society were first established, and it was the period in which one bee species (the European honeybee) completed its dispersal to every habitable continent on Earth. At the same time, literature – which would enable, represent and in some cases repress or disavow this radical transformation of bees’ fortunes ­– was undergoing its own set of transformations. Bees, Science, and Sex in the Literature of the Long Nineteenth Century navigates the various developments that occurred in the scientific study of bees and in beekeeping during this period of remarkable change, focusing on the bees themselves, those with whom they lived, and how old and new ideas about bees found expression in an ever-diversifying range of literary media. Ranging across literary forms and genres, the studies in this volume show the ubiquity of bees in nineteenth-century culture, demonstrate the queer specificity of writing about and with bees, and foreground new avenues for research into an animal profoundly implicated in the political, economic, ecological, emotional and aesthetic conditions of the modern world. Alexis Harley lectures in literary studies at La Trobe University, Australia. She is the author of Autobiologies: Charles Darwin and the Natural History of the Self. She has kept honeybees since 2012. Christopher Harrington teaches literary studies at Victoria University in Melbourne. He has published numerous articles on the representation of bees and insects in literature.
    DOI: 10.1007/978-3-031-39570-3
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    Kate Chopin and the City : The New Orleans Stories (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031443008
    Language: English
    Pages: 1 Online-Ressource(XV, 173 p.)
    Edition: 1st ed. 2024.
    Series Statement: American Literature Readings in the 21st Century
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    Keywords: America ; Literature, Modern ; Cities and towns
    Abstract: Introduction -- 1 Post-Civil War Stories -- 2 Art, Music, and Language -- 3 Postbellum Transitions -- 4 The “Protomodern” City -- 5 New Orleans and Chopin’s Novels -- Conclusion.
    Abstract: This book examines selected short stories and novels by Kate Chopin through the lens of the city of New Orleans. Chopin’s depictions of and references to New Orleans celebrate the vibrancy of this unique American city, but also illustrate the complex, interdependent relationships defined within its coded system of racial, gendered, and class designations. These stories feature canny depictions of the complexity of human struggles for freedom as well as love within this nineteenth-century southern city. While Chopin has been highly regarded as a local color writer and especially as a feminist literary icon, this book shows how the author’s “city” stories also point to her sophistication as an author who perceived the shifting literary landscape, and it identifies the ways many of these stories’ protomodernist elements anticipate the advent of the Modern era.
    DOI: 10.1007/978-3-031-44300-8
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    The Famine Diaspora and Irish American Women's Writing (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031407918
    Language: English
    Pages: 1 Online-Ressource(IX, 245 p. 4 illus.)
    Edition: 1st ed. 2024.
    Series Statement: New Directions in Irish and Irish American Literature
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; European literature. ; America ; Emigration and immigration. ; Women ; Literature
    Abstract: Section I: Irish American Women’s Activism (1880-1920) -- 1. Fanny Parnell: The Songstress of the Land League -- 2. Mother Jones, Elizabeth Gurley Flynn, and Famine Memory -- 3. Kate Kennedy, Irish Famine Refugee, American Feminist -- Section II: Famine Memory and Irish American Women’s Writing -- 4. From Regional Remembrance to Transatlantic Heritage: the Transportability of Famine memory in Fiction by Mary Anne Sadlier, Anna Dorsey and Alice Nolan -- 5. Margaret Dixon McDougall’s The Days of a Life (1883); an Irish-Canadian Perspective of the Repetitive Nature of Irish History -- Section III: The Global Famine Diaspora: Mary Anne Sadlier and Her Contemporary Female Authors -- 6. Irish Catholic and Irish Protestant Women Writers’ Perceptions of the Famine Migration and Resettlement in British North America -- 7. Sentimentally Irish, Racially White: The Balancing Act of Irish-American Identity in the Novels of Sadlier and Meany.
    Abstract: The Famine Diaspora and Irish-American Women’s Writing considers the works of eleven North-American female authors who wrote for or descended from the Irish Famine generation: Anna Dorsey, Christine Faber, Elizabeth Gurley Flynn, Mother Jones, Kate Kennedy, Margaret Dixon McDougall, Mary Meaney, Alice Nolan, Fanny Parnell, Mary Anne Sadlier, and Elizabeth Hely Walshe. This collection examines the ways the writings of these women contributed significantly to the construction of Irish North-American identities, and played a crucial role in the dissemination of Famine memories transgenerationally as well as transnationally. The included annotated excerpts from these women writers’ works and the accompanying essays by prominent international scholars offer insights on the sociopolitical position of the Irish in North America, their connections with the homeland, women’s activities in transnational (often Catholic) publishing networks and women writers’ mediation of Ireland’s cultural heritage. Furthermore, the volume illustrates the generic variety of Irish-American women’s writing of the Famine generation, which comprises political treatises, novels, short stories and poetry, and bears witness to these female authors’ profound engagement with political and social issues, such as the conditions of the poor and woman’s vote. Marguérite Corporaal is Full Professor of Irish Literature in Transnational Contexts at Radboud University, the Netherlands. She was PI of Relocated Remembrance: The Great Famine in Irish (Diaspora) Fiction, 1847–1921), is a NWO-VICI grant recipient for her project Redefining the Region (2019-24), and PI of Heritages of Hunger, a Dutch research council-funded NWO-NWA project (2019-24). She is the author of Relocated Memories of the Great Famine in Irish and Diaspora Fiction, 1847–70 (2017). Dr. Jason King is Academic Coordinator of the Irish Heritage Trust and National Famine Museum, Strokestown Park, and a member of the Government of Ireland National Famine Commemoration Committee. His recent publications with Christine Kinealy and Gerard Moran include More Heroes of Ireland’s Great Hunger Heroes of Ireland’s Great Hunger (2022, 2021) and Irish Famine Migration Narratives: Eyewitness Testimonies, vol II, The History of the Irish Famine (2019). Peter D. O’Neill is Associate Professor in Comparative Literature and Intercultural Studies at the University of Georgia, USA. With David Lloyd, he co-edited an essay collection, The Black and Green Atlantic: Crosscurrents of the African and Irish Diasporas, (Palgrave Macmillan; 2009). His award-winning book, Famine Irish and the American Racial State, was published in paperback in 2019. .
    DOI: 10.1007/978-3-031-40791-8
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    Cicatrix Poetics, Trauma and Healing in the Literary Borderlands : Beyond Survival (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031128639
    Language: English
    Pages: 1 Online-Ressource(XIII, 192 p.)
    Edition: 1st ed. 2024.
    Series Statement: Literatures of the Americas
    Parallel Title: Erscheint auch als
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    Keywords: America ; Comparative literature. ; Literature ; Feminism and literature. ; Ethnology ; Culture. ; Psychic trauma.
    Abstract: Chapter 1– Introduction: Cicatrix Poetics: Chicana Literary Trauma Studies -- Chapter 2 – La Malogra and Liberating La Mujer Sufrida in Ana Castillo’s So Far from God -- Chapter 3 – La Chingada and “The Silent Lloronas” in Lucha Corpi’s Black Widow’s Wardrobe -- Chapter 4 – Coyolxauhqui and Coming of Age in Sandra Cisneros’s The House on Mango Street -- Chapter 5– Survival Scars and Solidarity in Emma Pérez’s Forgetting the Alamo, Or, Blood Memory -- Chapter 6 – Conclusion: Beyond Survival.
    Abstract: This book explores how Chicana literature often represents gender violence while simultaneously presenting strategies of survival in response. Adrianna M. Santos aims to contribute to a broader conversation concerning the intersections between Chicana literature and decolonial trauma theory, one which questions the colonial matrix of power and the universality of Western knowledge. Santos argues that Chicana survival narratives arise out of colonial wounds and form scars that both mark and protect the violated body. Cicatrix Poetics, Trauma and Healing in the Literary Borderlands proposes a “cicatrix poetics” that makes bold gestures toward healing and narrative/storytelling as survival. The book contends that the cicatrix fashioned through artistic expression is a necessary component for Chicana communities—not just to survive, but to thrive. The books presents several case studies that examine transformative narrativity and by theorizing the texts as survival narratives, social protest works that bring attention to violence and erasure, the chapters explore how literature can be an effective catalyst for both social change and personal transformation, an orientation towards freedom, liberation through love. Adrianna M. Santos is Associate Professor of English at Texas A&M University–San Antonio, USA, and advisor of the Mexican American Student Association. She has published in Aztlán, Chicana/Latina Studies, Shakespeare Bulletin and Latina Critical Feminism and is co-editor of The Bard in the Borderlands, and El Mundo Zurdo 8. .
    DOI: 10.1007/978-3-031-12863-9
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    Truth Claims Across Media (2024)
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    Details
    ISBN: 9783031420641 , 3031420640
    Language: English
    Pages: 1 Online-Ressource (XIX, 339 Seiten) , 30 illus.
    Edition: 1st ed. 2024
    Series Statement: Palgrave Studies in Intermediality
    Parallel Title: Erscheint auch als Truth Claims Across Media
    DDC: 302.231
    Keywords: Digital media ; Intermediality ; Digital and New Media ; Intermediality
    DOI: 10.1007/978-3-031-42064-1
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Ausführliche Beschreibung
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    Epistemic Rights in the Era of Digital Disruption (2024)
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    Details
    ISBN: 9783031459764 , 3031459768
    Language: English
    Pages: 1 Online-Ressource (XIX, 226 Seiten)
    Edition: 1st ed. 2024
    Series Statement: Global Transformations in Media and Communication Research - A Palgrave and IAMCR Series
    Parallel Title: Erscheint auch als Epistemic Rights in the Era of Digital Disruption
    DDC: 302.231
    Keywords: Digital media ; Human rights ; Mass media Political aspects ; Digital and New Media ; Politics and Human Rights ; Media Policy and Politics
    DOI: 10.1007/978-3-031-45976-4
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Ausführliche Beschreibung
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    Queering W. B. Yeats and Gabriele D’Annunzio : Modernist Playwrights (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031420689
    Language: English
    Pages: 1 Online-Ressource(XIII, 258 p.)
    Edition: 1st ed. 2024.
    Series Statement: New Directions in Irish and Irish American Literature
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Drama. ; Queer theory. ; Theater ; Sex.
    Abstract: 1 Introduction -- 2 Family, Normativity, and the Will to Escape -- 3 Moral Prudery, Respectability, and Broken Intimacies -- 4 Sadomasochistic Attachments: Reverse Power and Erotic Stimulations -- 5 Defiant Dykes: New Women against Patriarchy -- 6 Conclusions.
    Abstract: Queering W. B. Yeats and Gabriele D’Annunzio is an important new study that is revelatory not only for what it reveals about these two important playwrights, but also for its innovative approach to methodology. As modernist playwrights, Yeats and D’Annunzio adopted a variety of approaches – both overlapping and contrasting – to their dramaturgy and stagecraft, and this book sheds new light on the political and aesthetic consequences of their work. Of even greater value, however, is Balázs’s extraordinarily deft and original application of queer theory to these writers’ dramas and legacies. The overall impact is to open up new approaches to research in modernism, theatre studies, queer theory – and beyond. -Prof. Patrick Lonergan, University of Galway, Ireland Queering W. B. Yeats and Gabriele D’Annunzio offers a fresh, creative, and highly illuminating approach to the work of two essential yet perplexing modern European playwrights. Reading Yeats through the lens of queer theory unlocks some of the contradictions of his treatment of gender and sexuality, demonstrating that they remain profoundly anti-normative and anti-authoritarian even when citing heteronormative or misogynistic tropes. In addition to provocative and generative readings of some of Yeats's and D’Annunzio’s most difficult plays, Balázs’s book offers a treasure trove of information about modernist theatrical production and the performers who brought these dramas to life. The questions raised in this book about the arts and authority could not possibly be more timely. This book will be essential reading for anyone drawn to the fascinating world of modern European drama. -Prof. Susan Cannon Harris, University of Notre Dame This monograph provides the first fully theorised queer and comparative reading of Yeats’s and D’Annunzio’s drama in light of the playwrights’ rich queer and feminist networks. It uncovers a subversive and often coded social commentary in eight key dramatic texts by each playwright through meticulous and highly topical dramaturgical readings which carry relevant implications for the contemporary moment. Zsuzsanna Balázs is Assistant Professor at Óbuda University in Budapest, Hungary.
    DOI: 10.1007/978-3-031-42068-9
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    Media and Politics in Post-Authoritarian Mexico : The Continuing Struggle for Democracy (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031364419
    Language: English
    Pages: 1 Online-Ressource(XIII, 286 p. 3 illus., 2 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Journalism. ; Communication in politics. ; Ethnology ; Culture.
    Abstract: 1. Introduction. Not Authoritarian, but Not Yet Democratic: the Mexican authoritarian legacies in media and politics. Volume editors -- Part 1. Media Systems, Regulation and Historical Antecedents: Explaining Continuities -- 2. Media Systems in Unconsolidated Democracies: the case of Mexico. Manuel Alejandro Guerrero -- 3. Challenges in Protecting Freedom of Expression in Mexico: 20 years of progress with poor results. Salvador de Leon Vazquez. -- 4. The Salinas Years, 1988-1994: Watershed in the opening of Mexico's print media?. Andrew Paxman -- Part 2. The Burden of Being a Journalist in Mexico: Risk, Security and Censorship -- 5. Surviving Mexico's Peripheries: limits and constraints among journalists in the Twenty-First Century. Celeste Gonzalez de Bustamente & Jeannine Relly -- 6. Still Dreaming of Democracy: How professional norms from the political opening shape risk and resilience today. Sallie Hughes -- 7. Defective Democracy, Erosion of Freedom of Press, and the Perils of Being a Journalist in Mexico Two Decades After the Democratic Transition. Ruben Arnoldo Gonzalez, Osiris S. Gonzales-Galvan -- 8. AMLO and Freedom of the Press: The struggle between conflicting visions of communicative strategies in Mexico. Stuart Davis & Melissa Santillana -- Part 3. Post-Authoritarian Media Performance: Actors and Representations in Dispute -- 9. Mediatization in post-authoritarian democracies: 20 years of media logic in Mexican press. Martin Echeverria -- 10. Press and Civil Society: Alliance and mistrust in Mexican transition to democracy. Grisel Salazar -- 11. Television Political Satire and the Mexican Democratic Transition. Frida V. Rodelo.
    Abstract: This volume presents an analytical and empirical overview of the array of issues that the Mexican media faces in the post-authoritarian age, which jointly explains how a partially accomplished democracy, its authoritarian inertias, and its unintended consequences hinder the democratic performance of the media. This is analyzed from three points of view: the stalemate Mexican media system and ineffective regulations, the conditions of risk and insecurity of the journalists on the field, and the limits of freedom of expression, political substance, and inclusiveness of media content. A binational effort, with research from US and Mexican authors, a wide analytic perspective is provided on the macro, meso, and micro levels, allowing for a deep conceptual richness and a comprehensive understanding of the Mexican case. With leading researchers in the field, the volume revolves around the problems of the media in post-authoritarian democracies. By answering the questions of how and why the Mexican media has not fully democratized, the works encompassed here can resonate with and are relevant to other post-authoritarian countries and academic disciplines. Martin Echeverria is Full-Professor at the Centre for Studies in Political Communication, Institute of Government Sciences and Strategic Development, Benemerita Universidad Autonoma de Puebla, Mexico. Ruben Arnoldo Gonzalez is Full-Professor at the Centre for Studies in Political Communication, Institute of Government Sciences and Strategic Development, Benemerita Universidad Autonoma de Puebla, Mexico.
    DOI: 10.1007/978-3-031-36441-9
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    The Composer, Herself : Contemporary Snapshots of the Creative Process (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031239229
    Language: English
    Pages: 1 Online-Ressource(XXVII, 423 p. 100 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Music ; Feminism. ; Feminist theory. ; Communication and traffic. ; Philosophy. ; Postcolonialism.
    Abstract: 1. Introduction: The 'Post-Feminist' Moment in Contemporary Classical Music; Lina Kouvaras -- Part 1: Activist Musical Projects and Intersectional C ollaborations -- 2. Borrowing from the Bard: Ruler of the Hive; Melody Eotvos -- 3. Letters to Clara: A Contemporary Composer's Homage to a Women Pioneer; Natalie Williams -- 4. Carnivals of Voice, Musical Playgrounds: Music from Text in Works of Andree Greenwell; Andree Greenwell -- 5. Holding, Handling, Moulding and Setting the Inner Thoughts of Another in Hidden Thoughts; Katy Abbott -- 6. Walking the Line: Emancipating the Complex Female Voice in Recent Operas; Missy Mazzoli -- 7. Democracy and Collective Composition; Cathy Milliken -- 8.Harmonia Mundi: Creating a New Work of Music Theatre to speak to the Current World Chaos; Judith Clingan -- 9. Blocking Out Noise: Metamorphosis and Identity in the Recent Chamber Music of Vivian Fung; Vivian Fung -- 10. An overview of My Compositional Practice and Collaborations into China; Rachel Walker -- 11. Luck, Grief, Hospitality: Re-Routing Power Relationships in Music; Liza Lim -- 12. In Search of the Artistic Moment: Interdisciplinary Collaboration and 'The Space Between' from an Australian Screen -- Composer's Perspective; Yantra De Vilder -- Part 2: Philosophical and Phenomenological Dimensions of Time -- 13. Finding Time, Finding Space: An Autoethnography of Compositional Praxis; Christine mcCombe -- 14. A Compositional Life in Time: The Recent Operas of Elena Kats-Chernin; Elena Kats-Chernin -- 15. Einstein's Dream: At the Threshold between Science and Art; Cindy McTee -- 16. The Pendulum Process: Point of Balance; Mary Finsterer -- 17. Gravity and Gravitas: Time, Passion, and Inevitability in the Music of Shulamit Ran; Shulamit Ran -- 18. Low Frequency as Concept in the Music of Cat Hope; Cat Hope -- 19. A Drone Opera Recast: Threat, Allure, Promise; Susan Frykberg -- Part 3: Music Awakenings: Reflecting Back, Projecting Forward -- 20: Composing the Rolls-Royce: A Composer's Adventures in Orchestral Composition; Maria Grenfell -- 21.Finding a Reason: A Composer's Pathway Forged through Social Justice Advocacy; Kathleen McGuire -- 22.'I'm A Type Triple-A Composer!' Augusta Read Thomas -- 23. How My Music is Made: 'Tantot Libre, Tantot Recherche'; Nicola LeFanu -- 25. The Mirror: A Novel in Reflections; Lera Auerbach -- 26.Sometimes Dreams do Come True: Thea Musgrave's Exploration of Dramatic-Abstract Forms in her Instrumental Music; -- 27. My Awakening as a Composer: No Adjective; Judith Lang, Zaimont -- 28. Epilogue.
    Abstract: This edited volume presents 27 original essays by living composers from all around the globe, reflecting on the creation of their music. Coterminous to the recent worldwide resurgence in feminist focus, the distinctive feature of this collection is the “snapshots” of creative processes and conceptualizing on the part of women who write music, writing in the present day, from prominent early-career composers to major figures, from a range of ethnic backgrounds in the contemporary music field. The chapters step into the juncture point at which feminism finds itself: as binary conceptions of gender are being dissolved, with critiques of the attendant gender-based historical generalizations of composers, and with the growing awareness of the rightful place of First Nations' cultural voices, the contributors explore what, actually, is being composed by women, and what they think about their world. The needs that this book serves are acutely felt: despite recent social gains, and sector initiatives and programs encouraging and presenting the work of women who compose music, their works are yet to receive commensurate exposure with that of their male counterparts. In its multi-pronged, direct response to this dire situation, this vibrant volume highlights established as well as emerging women composers on the international stage; reveals myriad issues around feminism, as broadly conceived; and gives insights, from the composers' own voices, on the inner workings of their composition process. The volume thus presents a contemporary moment in time across the generations and within developments in musical composition. With its unique insights, this book is essential for academics and practitioners interested in the illuminations of the current working landscape for creative women. Linda Kouvaras is a professor at the Melbourne Conservatorium of Music, the University of Melbourne, Australia. Natalie Williams’ most recent academic posting was as Interim Dean at the School of Music, Art and Theatre, North Park University, Chicago, United States of America. Maria Grenfell is an associate professor at the School of Creative Arts and Media at the University of Tasmania, Australia.
    DOI: 10.1007/978-3-031-23922-9
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    Performing Identity : Actor Training, Self-Commodification and Celebrity (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031157981
    Language: English
    Pages: 1 Online-Ressource(XIII, 280 p. 4 illus., 3 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Performing arts. ; Theater. ; Motion picture acting. ; Actors. ; Popular Culture.
    Abstract: 1. Introduction -- 2. The Social Body and Its Transformations -- 3. The Romance of Talent -- 4. Character as a Zombie Concept -- 5. Acting and Technology -- 6. The Search for Work -- 7. The Vicissitudes of Persona -- 8. The Star as a Digital Beneficiary. 9. Conclusion: The Condition of Para-Stardom.
    Abstract: This book examines how the persistent and deepening casualization and precarity of acting work, coupled with market pressures, has affected the ways in which actors are trained in the US and UK. It reviews the existing state of training, looking at various theories of what the actor does, debates about casting, and the impact of reality television and social media. In the increasing effort to find ways to overcome the precarious labour market for actors and other performers, the traditional emphasis on theatrical character has been replaced by the celebration of the persona – a public image of the performer as a personal brand. As a result, a physiocratic elite, that literally incorporates the collective labour of cultural workers into the star or celebrity body, has formed. This book explores how the star or celebrity’s appearance and comportment are positioned as the rule of nature, formed and abiding outside capitalism as a mode of production. This book will be of interest to those studying theatre studies and performance, contemporary stardom and celebrity and the impact of technology on the formation of identity. Barry King is Professor of Communications at Auckland University of Technology, New Zealand. He is the author (with Sean Cubitt, Harriet Margolies and Thierry Jutel) of Studying the Event Film: The Lord of the Rings (Manchester University Press, 2008) and Taking Fame to market: Essays on the prehistory and post-history of Hollywood stardom ( Palgrave, 2014). He is on the editorial board of Celebrity Studies and Palgrave Communications and is a project reviewer for the Australian Research Council. King has published a substantial number of articles that explore the relationships been popular culture, celebrity and stardom and digital media. His other publications focus on creative labour, semiotic determinism, the sociology of acting and performance and the New Zealand Cultural industries.
    DOI: 10.1007/978-3-031-15798-1
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    Transnational European Cinema : Representation, Audiences, Identity (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031445958
    Language: English
    Pages: 1 Online-Ressource(XX, 268 p. 8 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave European Film and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Motion picture plays, European. ; Ethnology ; Culture. ; Motion picture industry. ; Television broadcasting.
    Abstract: 1. Introduction: European film consumption, representation, and identity -- 2. The transnational viewership of European film: markets, audiences, and policies -- 3. Euro-million mainstream films: large audiences, limited diversity or insights -- 4. Euro-million arthouse films: diverse and insightful stories, niche audiences -- 5. Euro-million middlebrow films: insightful stories, varied audiences, limited diversity. 6. The transnational impact of European film: perceptions, identity, and other effects -- 7. Conclusion: limited unity and diversity -- Index.
    Abstract: “This study, based on a wealth of original research, analyses the production, circulation and reception of European films since 2005, considering their impact on broader cultural and social issues, notably the vexed question of what constitutes a European identity. Throughout, the author tests various theorisations and conceptual frameworks against the empirical evidence he has unearthed. His carefully considered interpretation will be widely welcomed as an important contribution to understanding European cinema.” - Andrew Spicer, Professor of Cultural Production, University of the West of England Bristol, UK This book explores how audiences in contemporary Europe engage with films from other European countries. It draws on admissions data, surveys, and focus group discussions to explain why viewers are attracted to particular European films and genres, including action-adventures, family films, biopics, period dramas, thrillers, comedies, and romances. It also examines how these films are produced and distributed, how they represent Europe, and how they affect audiences. Case-studies range from mainstream movies like Skyfall, Taken, and Asterix & Obelix: God Save Britannia, to more middlebrow and arthouse titles, such as The Lives of Others, Volver, Coco Before Chanel, Love Is All You Need, Intouchables, The Angels’ Share, Ida, The Hunt, and Blue Is the Warmest Colour. The study shows that watching European films can contribute to people’s understandings of other countries and make them feel more European. However, this is limited by the strong preference for Anglo-American action-adventures that offer few insights into the realities of European life. The book discusses what these findings mean for the European film industry, cultural policy, and scholarship on transnational and European cinema. It also considers how surveys, focus groups, databases and other methods that go beyond traditional textual analysis can offer new insights into our understanding of film. Huw D. Jones is a Lecturer in Film Studies at the University of Southampton, UK. He previously worked on ‘Mediating Cultural Encounters through European Screens’ (MeCETES), a collaborative project on European film and television drama, funded by Humanities in the European Research Area (HERA). .
    DOI: 10.1007/978-3-031-44595-8
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    Music and Cultural Diplomacy in the Middle East : Geopolitical Re-Configurations for the 21st Century (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031362798
    Language: English
    Pages: 1 Online-Ressource(XVIII, 301 p. 20 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Music. ; Ethnology ; Culture. ; Emigration and immigration ; Diplomacy.
    Abstract: Chapter 1. Introduction: Music and Cultural Diplomacy in the Middle East—Geopolitical Reconfigurations for the Twenty-First Century -- Part I Music as Cultural Diplomacy: History and Historiographic Perspectives -- Chapter 2. From the Ottoman Twilight to the Roaring Twenties: The Early Career of Sharif Muhiuddin Haidar -- Chapter 3. Strike an Elizabethan Pose: Early Music Diplomacy—Queen Elizabeth I’s Clockwork Organ Gift to the Ottoman Court -- Part II Musical Diplomacy: Migration, Diaspora, and Deterritorialised Power -- Chapter 4. Melodies Heard and Unheard: The Promise and Limits of Cultural Diplomacy Through Music -- Chapter 5. Cultural Diplomacy Despite the State: Mobility and Agency of State and Amateur Musicians in Turkish Classical Music Choirs -- Chapter 6. Shahnameh in the Classroom: Iranian Music and DIY Cultural Diplomacy in the UK -- Part III Soft Power in State, Statecraft and Music-Making -- Chapter 7. Umm Kulthum and Cultural Diplomacy in Egypt -- Chapter 8. Performing Soviet Cultural Diplomacy: “Western Art Music” and Musicians in Cairo 1955–1970 -- Chapter 9. Musical Diplomacy in Mandate Palestine from 1936 to 1948 -- Part IV Affective and Sensorial Diplomacy in Transnational Spaces -- Chapter 10. Music as Cultural Diplomacy: Analyzing the Role of Musical Flows from the Arab Levant to New Cultural Poles in the Arab Gulf in the Twenty-First Century -- Chapter 11. Arabian Violence: Censorship in Morocco’s Techno Underground -- Chapter 12. Musical Delineations of a PostNational Space for National Struggle: Hazara, Kurdish, and Baloch Cases -- Chapter 13. Epilogue: Cultural Diplomacy, Some Discontents./.
    Abstract: This edited volume offers innovative perspectives on the study of music as cultural diplomacy in the Middle East and North Africa (MENA), a region often overlooked in such discussions. It offers an innovative contribution to the field of ethnomusicology, as well as political science and international relations, by highlighting the agency of non-state actors (local voices, communities, and grassroots organizations), thereby contributing towards de-centering the state, hitherto conceived as the chief player in cultural diplomacy. This volume is divided into four main parts organized along the following themes: 1. History and Historiography, 2. Migration, Diaspora, and Ethics, 3. Statecraft and Music Making, and 4. Affective and Sensorial Diplomacy. The perspectives offered in this volume offer a deeper exploration of bottom-up initiatives of cultural diplomacy through music, instead of the more usual analyses of top-down, state-directed programmes. Overall, the aim is to reconceptualize Middle Eastern, North African and Arab Gulf musical practices in their relationship to power and cultural diplomacy in order build a broader and pluri-dimensional account of these contentious relationships. Maria M. Rijo Lopes da Cunha has been a Danish Institute in Damascus Postdoctoral Research Fellow in Ethnomusicology at the Department for Arts and Cultural Studies of the University of Copenhagen (2019 - 2021 and 2022). Jonathan Shannon is Professor of Anthropology at Hunter College and the Graduate Center, The City University of New York. Søren Møller Sørensen is Associate Professor Emeritus at Department for Arts and Cultural Studies, University of Copenhagen. Virginia Danielson retired as Director of Libraries, New York University Abu Dhabi and is currently an Associate of the Music Department at Harvard University.
    DOI: 10.1007/978-3-031-36279-8
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    Literary Cultures and Nineteenth-Century Childhoods (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031383519
    Language: English
    Pages: 1 Online-Ressource(XV, 253 p. 2 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Literary Cultures and Childhoods
    Parallel Title: Erscheint auch als
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    Keywords: Children's literature. ; Comparative literature. ; Literature, Modern ; Social history.
    Abstract: Literary Cultures and Nineteenth-Century Childhoods explores the construction of the child and the development of texts for children in the nineteenth century through the application of fresh theoretical approaches and attention to aspects of literary childhoods that have only recently begun to be illuminated. This scope enables examination of the child in canonical nineteenth-century novels by Charles Dickens, Elizabeth Gaskell, Charlotte Brontë, and Thomas Hardy alongside well-known fiction intended for young readers by George MacDonald, Christabel Coleridge, and Kate Greenaway. The century was also distinctive for the rise of the children’s magazine, and this book broadens the definition of literary cultures to include magazines produced both by, and for, young people. The volume examines how the child and family are conceptualised, how children are positioned as readers in genres including the domestic novel, school story, Robinsonade, and fantasy fiction, how literary childhoods are written and politicised, and how childhood intersects with perceptions of animals and the natural environment. The range of chapters in this collection and the texts they consider demonstrate the variability and fluidity of literary cultures and nineteenth-century childhoods. Kristine Moruzi is an Associate Professor in the School of Communication and Creative Arts at Deakin University, Australia. She has written two monographs, Constructing Girlhood through the Periodical Press, 1850-1915 (2012) and From Colonial to Modern: Transnational Girlhood in Canadian, Australian, and New Zealand Children’s Literature, 1840-1940 (with Michelle J. Smith and Clare Bradford, 2018). She is co-editor (with Nell Musgrove and Carla Pascoe Leahy) of Children’s Voices from the Past: New Historical and Interdisciplinary Perspectives (2019). Michelle J. Smith is an Associate Professor in Literary Studies at Monash University, Australia. Her most recent monograph is Consuming Female Beauty: British Literature and Periodicals, 1840-1914 (2022). Her other authored books are From Colonial to Modern: Transnational Girlhood in Canadian, Australian, and New Zealand Children’s Literature, 1840-1940 (2018, with Clare Bradford and Kristine Moruzi) and Empire in British Girls’ Literature and Culture: Imperial Girls, 1880–1915 (2011). .
    DOI: 10.1007/978-3-031-38351-9
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    Strategic Communication Management for Development and Social Change : Perspectives from the African Region (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031414015
    Language: English
    Pages: 1 Online-Ressource(XIX, 287 p. 22 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Communication in organizations. ; Sustainability. ; Political science.
    Abstract: Chapter 1: Introduction -- Part 1: Theoretical and Empirical Approaches to Communication for Development and Sustainable Social Change in Africa -- Chapter 2: Anchoring Participatory Communication in South Africa’s Municipal Citizen Participation During Integrated Development Planning (IDP) Processes -- Chapter 3: Participatory communication for sustainable development: A study of the Access project in Ghana -- Chapter 4: A theoretical framework towards mutual sustainability communication -- Part 2: Strategic Communication in Governance, Planning and Policy Reforms -- Chapter 5: Exploration of the accentuated value of Strategic Communication Management for Inclusive Citizenry Engagement through governance and sustainability -- Chapter 6: Network Governance as a Catalyst for Sustainable Development on the African Continent -- Chapter 7: Communication Strategies for Community Development: A Study of World Bank SEEFOR-CDDS projects in Ukwa East communities, Abia State, Nigeria -- Part 3: Communication for Social Change, Bottom-up Development and Social Movements in Africa -- Chapter 8: The role of the Sudanese Professionals Association in the Revolution of 2019 towards development and social change -- Chapter 9: Invited and Invented Spaces of Public Participation in South African Local Government: The study of community engagement practices and service delivery protests -- Chapter 10: Movement communication practices of students & the poor: The political economy of communication -- Part 4: Cases Studies in applied Strategic Communication, Development, Social Change and Electoral Reform -- Chapter 11: Public health Communication and Growth -- Chapter 12: Using Digital Technologies in Community Radio to Promote Social Change in Kenya -- Chapter 13: Dwindling Voters’ Turnout and Citizenship Participation: A Political Market Orientation Analysis of Nigeria’s 2015 and 2019 Presidential Elections -- Chapter 14: The Arena Model as a basis for communication strategy formulation for the National Development Plan -- Chapter 15: Concluding Remarks.
    Abstract: This book is the first of its kind within the African region to combine scholarly perspectives from the fields of Strategic Communication Management and Communication for Development and Social Change. It draws insights from scholars across the African continent by unravelling the complementary nature of scholarship between the two fields, through the lens of prevailing governance and sustainability challenges facing African countries, today. This edited volume covers issues that have adversely affected the achievement of goals related to humanitarian upliftment, development and social change for all African nations. Consequently, citizen participation, which lies at the heart of these challenges when considering the question of sustainable governance and policy development for social change in an African context is addressed. To this end, a reflection is also made on various case studies that exist where local citizens do not inform sustainable development programmes, while the promotion of bottom-up development and social change is largely replaced by top-down instrumental action approaches and hemispheric communication instead of strategic communication. Themes explored include: ● Communication for social change, bottom-up development and social movements in the local government sphere ● Strategic communication in governance, planning and policy reforms ● The role of multi-stakeholder partnerships in achieving development of objectives geared towards good governance in Africa ● Public participation, protests, and resistance from 'below' ● Public sector health communications and development ● Media relations, accountability and contested development narratives with the Fourth Estate ● Social media and eParticipation in government development programs. Tsietsi Mmutle is Senior Lecturer at the University of Pretoria in the department of Business Management, he teaches Strategic Communication Management modules at honours and Masters level in the Communication Management unit. Tshepang B. Molale is Senior Lecturer at the University of the Witwatersrand, specializing in communication for development and social change. Olanrewaju Olugbenga Akinola lectures in the Mass Communication department of the Olabisi Onbanjo University, Ago-Iwoye, Nigera. Olebogeng Selebi completed her PhD in Communication Management from the University of Pretoria. She was the host of the first Nobel Prize Dialogue event ever to take place on African soil.
    DOI: 10.1007/978-3-031-41401-5
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    Mourning and Resilience in Indian Ocean Life Writing (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031463457
    Language: English
    Pages: 1 Online-Ressource(XIII, 203 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Life Writing
    Parallel Title: Erscheint auch als
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    Keywords: Literature. ; Prose literature. ; Literature, Modern ; Literature, Modern ; Comparative literature.
    Abstract: 1 Introduction: Mourning as a Resistance Trope: Trauma, History and Memory in Indian Ocean Life Writing - Esther Pujolràs-Noguer & Felicity Hand -- Part I: Mourning Memoirs -- 2 The Ectopic Insider: Exploring the Interstices of Travel Writing, Memory and History in M.G. Vassanji’s And Home Was Kariakoo - Esther Pujolràs-Noguer -- 3 Of Father and Son: The Configuration of the Trauma of Return in Michael Ondaatje’s Running in the Family - Esther Pujolràs-Noguer -- Part II: Female Resilience -- 4 Rhizomatic Perennials: Resilience and Survival in Kenyan Asian Memoirs - Felicity Hand -- 5 ‘Learning to wear a sari is a rite of passage’: Shailja Patel’s Inventory of the Migrant Body in Migritude - Esther Pujolràs-Noguer -- Part III: Indian Ocean Crossing -- 6 Transoceanic Connections, Past and Present. Lindsey Collen’s The Indian Ocean as a Unifying Force: A Memoir - Felicity Hand -- 7 Banyans Behind Bars: Three South African Indian Memoirs - Felicity Hand.
    Abstract: This volume examines a selection of life writing in English by authors from the South West Indian Ocean, namely South Africa, East Africa, Mauritius and Sri Lanka. The two motifs that run through the chapters – mourning and resilience – are theoretical frameworks that have so far not been brought into conversation in this way. The combination of trauma studies and autobiographical analysis sharpens the focus of the discussions on Indian Ocean life writing, privileging an Indian Ocean imaginary that is transnational and cross-oceanic in its orientation and pointing to networks of connections that transcend the nation state, which is often the origin of trauma in the first place. Filling a gap in Indian Ocean studies in its close readings of trauma and resilience, the book also broadens perspectives on postcolonial life writing since little attention has been paid so far to Indian Ocean autobiographical literary products. By the same token, the volume also enriches the field of Indian Ocean literary studies by incorporating life writing as an aesthetic strategy which helps to configure Indian Ocean subjectivities. Esther Pujolràs-Noguer is a Serra-Húnter Fellow in the Department of Foreign Languages and Literatures of the University of Lleida, Spain. She teaches postcolonial literature and culture, gender studies and poetry in English. She is a poet and uses creative writing as a therapeutic tool to help people overcome traumas related to gender violence and forced displacements. She is the co-director with Felicity Hand of the research group Ratnakara, which explores the literatures and cultures of the South West Indian Ocean. Felicity Hand is Honorary Professor in the English Department of the Autonomous University of Barcelona, Spain.
    DOI: 10.1007/978-3-031-46345-7
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    Communicating COVID-19 : Media, Trust, and Public Engagement (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031412370
    Language: English
    Pages: 1 Online-Ressource(XXXIII, 501 p. 35 illus., 31 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Communication in medicine. ; Communication in science. ; Journalism. ; Digital media. ; Communication in politics.
    Abstract: Chapter 1: Introduction. Monique Lewis, Eliza Govender, Kate Holland. Section 1: Public Interest Journalism, News, and Community Media. - Chapter 2: Community Radio in the Covid-19 Crisis: Lessons from global dialogues. Vinod Pavarala -- Chapter 3: Answering Questions: Explanatory journalism and podcast 'liveness' during COVID. Mia Lindgren and Dylan Bird -- Chapter 4: 'We're Losing Our Bread and Butter Like Never Before': Journalism in the face of Covid-19 pandemic. Shaharior Rahman Razu -- Chapter 5: The Covid-19 Pandemic in Portuguese Journalism. Rita Araujo et al -- Chapter 6: Impact of Covid-19 on Journalistic Practices in Emerging Democracies. Sayyed Fawad Ali Shah and Faizullah Jah -- Chapter 7: COVID and the Future of Journalism. David Nolan et al -- Chapter 8: Media Depictions of Remote General Practice Care in a Protracted Pandemic. Gilly Mroz and Trish Greenhalgh -- Section 2: Risk Communication and Community Engagement -- Chapter 9: Perceptions of Risk and Self-Efficacy About COVID messaging in South African Townships. Mpume Gumede and Eliza Govender -- Chapter 10. Rethinking Community Engagement For Research in Pandemic Times: Lessons from the future. Theresa Rossouw et al -- Chapter 11: Application of the Extended Paralax Process Model in Cote D'Ivoire. Danielle Naugle -- Chapter 12: 'What's Up, Fellow Deadly Diseases?': Creative arts and communicating Covid-19 in Ghana. Ama de-Graft Aikins -- Chapter 13: Much Ado about Covid-19 Vaccines: Understanding perceptions and experiences of vaccines among health care workers and its influence on patient COVID-19 communication in Eswatini hospitals. Nqobile Ndinzisa and Eliza Govender -- Section 3: Vaccine Communication and Digital Technologies -- Chapter 14: COVID-19 and Aboriginal and Torres Strait Islander People in Australia: Can rhetoric equal action?. Kalinda Griffiths -- Chapter 15: Far-right Political Extremism and the Radicalization of the Anti-vaccine Movement in Canada. Sibo Chen -- Chapter 16: Harnessing Interpersonal Communication and Trusted Leadership to Increase COVID-19 Vaccination Uptake in Hard-to-Reach Wildlife Communities in Uganda. Barbara Natifu -- Chapter 17: Function Creep of Covid-19 of Big-Data Surveillance in China. Ausma Bernot and Susan Trevaskes -- Chapter 18: Identifying Novel COVID-19 Rumors Through a Multi-Channel Approach. Natalie Tibbels -- Chapter 19: Creating Demand for COVID-19 Vaccines Through a Coordinated Social Media Campaign: Religious leaders and health experts. Stella Babalola -- Section 4: Theoretical and Philosophical Concepts for Understanding Covid Communication -- Chapter 20: Values, Worldviews, Ideology and Reactance: Communication in a pandemic. Claire Hooker and Mat Marques -- Chapter 21: Communicating Ableism in a Pandemic: Compassion, vulnerability and the violence of care. Michael Orsini -- Chapter 22: Critical Health Literacy and Scientific Literacy as a Basis for Individual Appraisals of Health Information During Public Health Emergencies. Sarah Rubinelli et al -- Chapter 23: TBC. Mark Davis -- Chapter 24: Conclusion.
    Abstract: "Lessons from the COVID-19 global pandemic are vitally important to learn so as to maintain trust in public health institutions. With great timeliness and an admirable global reach, this edited collection brings forward the critical role played by communications to the task of trust-building in times of crisis". -Terry Flew, Professor of Digital Communication and Culture, The University of Sydney. This edited collection, follows on from 'Communicating COVID-19: Interdisciplinary Perspectives' (2021) and brings together different scholars from around the world to explore and critique the ongoing advances of communicating COVID, two years into the pandemic. Pandemic life has become familiar to us, with all its disruptions and uncertainties. In the second year of COVID, many societies emerged well attuned to new waves of infections, while others, having initially demonstrated 'gold standard' responses, regressed, either through a premature end to public health restrictions or challenges around vaccine rollouts. In many countries, bitter social divisions have arisen over mask-wearing, lockdowns, quarantine and vaccination. To better understand the ever evolving communicative landscape of COVID-19, this collection shares updated perspectives from the disciplines of media and communication, journalism, public health and primary care, sociology, and political and behavioural science, addressing the major issues that have confronted communicators, including vaccine hesitancy, misinformation, and the mobilisation of community driven communication responses as restrictions eased in various parts of the world. Monique Lewis is a communications scholar, sociologist, and lecturer in media and communication at Griffith University, Australia. Eliza Govender is Associate Professor and Head of Department of the Centre for Communication, Media and Society (CCMS), University of KwaZulu-Natal, South Africa. Kate Holland is Senior Research Fellow in the News & Media Research Centre at the University of Canberra, Australia. Chapters 13, 18, and 19 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
    DOI: 10.1007/978-3-031-41237-0
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    Dramaturgies of War : Institutional Dramaturgy, Politics, and Conflict in 20th-Century Germany (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031393181
    Language: English
    Pages: 1 Online-Ressource(XVII, 279 p. 19 illus., 2 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Theater. ; Theater ; World politics. ; World War, 1939-1945.
    Abstract: Chapter-1: Introduction -- Part One: Dramaturgical Contexts: Institutionalised Ideologies -- Chapter 2 - Institutional Dramaturgy at Deutsches Theater Berlin - Ann-Christine Simke -- Chapter 3 - National Dramaturg Rainer Schlösser and German Theatre after 1933 - Gerwin Strobl -- Chapter 4 - Implementing Germanic Repertoires – Institutional Dramaturgy during WWII - Anselm Heinrich -- Chapter 5 - Brecht’s Performance Theories in Post- war Germany - Ramona Mosse -- Chapter 6 - Cold War Dramaturgies: Institution and Ideology in 1950s German Theatre - Michael Bachmann -- Part Two: Institutional Infrastructures: Theatres of Oppression -- Chapter 7 - Theatre Poznań/Posen (Poland) - Alexander Weigel -- Chapter 8 - Theatre Maribor/Marburg (Slovenia) - Matjaz Birk -- Chapter 9 - Theatre in Prague - Volker Mohn -- Chapter 10 - Theatre in Oslo - Anselm Heinrich -- Part Three: Performance Practice: Dramaturgy and the Aesthetics of War- Chapter 11 - In the Open Air: Shell Shock Theatre - Evelyn Annuss -- Chapter 12 - Berlin – Amsterdam – Westerbork: Revue and the Aesthetics of War: Veronika Zangl -- Chapter 13 - Theatre under the NS regime in Austria: Theatrical activities in Crisis Situations - Brigitte Dalinger -- Chapter 14 - Spanish classical theatre during Third Reich - John London. .
    Abstract: This book examines the institutional contexts of dramaturgical practices in the changing political landscape of 20th century Germany. Through wide-ranging case studies, it discusses the way in which operationalised modes of action, legal frameworks and an established profession have shaped dramaturgical practice and thus links to current debates around the “institutional turn” in theatre and performance studies. German theatre represents a rich and well-chosen field as it is here where the role of the dramaturg was first created and where dramaturgy played a significantly politicised role in the changing political systems of the 20th century. The volume represents an important addition to a growing field of work on dramaturgy by contributing to a historical contextualisation of current practice. In doing so, it understands dramaturgy not only as a process which occurs in rehearsal rooms and writers’ studies, but one that has far wider institutional and political implications. Anselm Heinrich is a Professor of Theatre Studies at the University of Glasgow. His books include Entertainment, Education, Propaganda (2007), Theater in der Region (2012), Theatre in Europe Under German Occupation (2017), and a volume on Ruskin, The Theatre, and Victorian Visual Culture (2009). He is currently under contract for a monograph on theatre in Britain during WWII. He has held research fellowships at Harvard, Oxford and Marburg. Ann-Christine Simke is a Lecturer in Performance at the University of the West of Scotland. She recently published the article “Forensic Architecture in the Theatre and the Gallery: A Reflection on Counter hegemonic Potentials and Pitfalls of Art Institutions” (with Anika Marschall, 2022) and is currently under contract for a co-authored (with Anika Marschall) book on intersectional theatre practices.
    DOI: 10.1007/978-3-031-39318-1
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    Gadamer, Music, and Philosophical Hermeneutics (2024)
    Cham : Springer International Publishing | Cham : Imprint: Springer
    Details
    ISBN: 9783031415708
    Language: English
    Pages: 1 Online-Ressource(XIV, 294 p. 16 illus., 13 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Contributions to Hermeneutics 12
    Parallel Title: Erscheint auch als
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    Keywords: Hermeneutics. ; Aesthetics.
    Abstract: Introduction -- Serious Play: Towards a philosophical understanding of interpretative musical performance -- The Participant Belongs to the Play: The Ethical Dimensions of Improvised Music -- The Dance That Transforms: Gadamer on Morality, Music, and Religion -- Tarrying with John Cage's plant pieces -- Horizons of Fusion: Arabic Maqām, Improvisation and Gadamerian Hermeneutics -- Living Tradition: Jazz Improvisation in the light of Gadamer’s Hermeneutics -- The Drastic Hermeneutics of Hans-Georg Gadamer and Vladimir Jankélévitch -- The musical work of art and its interpretations: Gadamer's critique of Ingarden -- Gadamer's horizons as interfaces for knowing musical worlds -- Can Music Speak? The Language of Art and the Communicability of Aesthetic Experience -- The Experience of Music in the Digital Age: From Auditory Ereignis to Episodic Insignificance and Back -- Re-sounding: Towards an ontological hermeneutics of being-musically -- Gadamer, Beauty, and Musical Improvisation -- Music's Aesthetic Untology: Understanding's InMaterial Improvisations -- The Hermeneutics of Performance and the Performance of Hermeneutics -- Approaching Hermeneutics through Music.
    Abstract: This volume explores Hans-Georg Gadamer's philosophical hermeneutics within a musical context. It features contributions from philosophers, musicians, educators, and musicologists from a variety of backgrounds, and sheds light on both the hermeneutic nature of music and the musicality of hermeneutics. Contributors to this volume hermeneutically think with music to uncover its fundamentally hermeneutic character, and by thinking with Gadamer in a musical context, explore ways in which hermeneutics may be understood to possess an inherent musicality. Gadamer's thought is taken up in a variety of musical contexts including improvisation, musical performance, classical music, jazz, and music criticism. This first volume to explore Gadamer's hermeneutics in a musical context breaks new ground by challenging musical concepts and by pushing Gadamer's thought in new directions. It appeals to philosophers engaged with Gadamer's thought (and philosophical hermeneutics more broadly), as well as philosophers of music, musicologists, and musicians interested in critically engaging with the practice of performing and listening to music.
    DOI: 10.1007/978-3-031-41570-8
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    Transnational Memories and Post-Dicatorship Cinema : Brazil, Chile and Argentina (2024)
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    Details
    ISBN: 9783031470691
    Language: English
    Pages: 1 Online-Ressource (IX, 218 p. 1 illus)
    Edition: 1st ed. 2024
    Series Statement: Palgrave Macmillan Memory Studies
    Parallel Title: Erscheint auch als
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    DDC: 302.2
    Keywords: Media and Communication ; Memory Studies ; Latin American Film and TV. ; Communication ; Collective memory ; Motion pictures, American
    DOI: 10.1007/978-3-031-47069-1
    URL: Volltext  (URL des Erstveröffentlichers)
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    British and American Musical Theatre Exchanges in the West End (1924-1970) : The “Americanization” of Drury Lane (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031146633
    Language: English
    Pages: 1 Online-Ressource(XIII, 283 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in British Musical Theatre
    Parallel Title: Erscheint auch als
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    Keywords: Theater ; Musical theater. ; Cultural industries. ; Theater. ; Theater
    Abstract: 1. Introduction -- 2. Chapter 1: Cosmopolitan musical theatre styles at the Lane (1918-1934) -- 3. Chapter 2: The Drury Lane Musical Theatre Spectacle (1931-1939): “Hearts Splintering in Waltz Time” -- 4. Chapter 3: The Lane and ENSA (Entertainment National Services Association) headquarters (1939) -- 5. Chapter 5: Rodger’s and Hammerstein’s Oklahoma! Carousel and South Pacific: Imported Americana -- 6. Chapter 6: Ruritanian Imperialism in The King and I (1953) -- 7. Chapter 7: Fading Empire and British imitation: Lerner and Loewe -- 8. Chapter 8: Hello Dolly and the resurgence of the British musical the nostalgia of Lost Empire Word -- 9. Epilogue.
    Abstract: This monograph centres on the history of musical theatre in a space of cultural significance for British identity, namely the Theatre Royal, Drury Lane, which housed many prominent American productions from 1920-1970. It argues that during this period Drury Lane was the site of cultural exchanges between Britain and the United States that were a direct result of global engagement in two world wars and the evolution of both countries as imperial powers. The critical and public response to works of musical theatre during this period, particularly the American musical, demonstrates the shifting response by the public to global conflict, the rise of an American Empire in the eyes of the British government, and the ongoing cultural debates about the role of Americans in British public life. By considering the status of Drury Lane as a key site of cultural and political exchanges between the United States and Britain, this study allows us to gain a more complete portrait of the musical’s cultural significance in Britain. Dr. Arianne Johnson Quinn is an archivist, librarian, and scholar. She is currently the Music Special Collections Librarian at the Warren D. Allen Music Library, Florida State University, USA. She holds a Ph.D. in Musicology from Princeton University, and has worked as Digital Archivist and Research Associate for the Noël Coward Archive Trust. Arianne has been on the faculty of the Florida State Honors Program, South Georgia State College and Tallahassee Community College. Her research focuses on the intersections between the American and British musical in London’s West End from 1920-1970, particularly the works of Noël Coward, Kurt Weill, Lerner and Loewe, Irving Berlin, Cole Porter and Rodgers and Hammerstein. .
    DOI: 10.1007/978-3-031-14663-3
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    The Politics of Literary History : Literary Historiography in Russia, Latvia, the Czech Republic and Finland after 1990 (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031187247
    Language: English
    Pages: 1 Online-Ressource(XII, 408 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; European literature. ; Russia ; Europe, Eastern ; Soviet Union
    Abstract: Chapter 1. Introduction -- Part I Literary Historiography in Russia After 1990: From a Liberal Search for New Openings Back to the Idea of Russia -- Chapter 2. Historical Introduction -- Chapter 3. Academy of Sciences: Definitive Literary History -- Chapter 4. Post-Soviet University Literary Histories: Defining Russianness -- Chapter 5. Literary History and the Literary Canon in School Education: An Orthodox Upbringing -- Part II Latvian Literature as an Ideologically and Politically Contested Terrain: Literary Historiography Between Foreign Rule, Nationalism, and Comparative Perspectives -- Chapter 6. Introduction: An Outline of the Political and Cultural Development of Latvia -- Chapter 7. Latvian Literary Histories from 1812 to 1940: Popular Enlightenment, Romantic Nationalism, and Political Independence -- Chapter 8. Soviet Latvia and Exile: Political Changes in the Aftermath of WWII and Their Impact on Latvian Literary Histories -- Chapter 9. Literary Histories in the Period of Independence: The 1990s and Early Twenty-First Century -- Part III Politics of Literary History in the Czech Lands -- Chapter 10. 10 Introduction: History, Politics, Culture and the Origins of Literary Historiography in the Czech Lands till 1918 -- Chapter 11. The First Czechoslovak Republic: Literary Historiography 1918–1939 -- Chapter 12. Literary Historiography in the 1950s and Early 1960s -- Chapter 13. Politics and Policies in Literary Historiography During the Periods of “Disobedience” (1963–1969) and “Normalization” (1969–1989) -- Chapter 14. Literary History Since 1989: Directions, Attempts at Synthesis, Challenges -- Chapter 15. Textbooks in Literary History -- Part IV Finland: From Nation-building in Two Languages Towards a European Identity -- Chapter 16. Literary Histories from Mid-Nineteenth to Mid-Twentieth Century: The Viewpoint of Nationalism -- Chapter 17. The Literary History of a Welfare State: Kuusi’s Literary History -- Chapter 18. Celebrating Finland: Laitinen’s Literary History -- Chapter 19. Opening Windows Toward Europe: The Varpio Literary History -- Chapter 20. In Defense of Poesy: Hallila’s Survey of Contemporary Finnish Literature -- Chapter 21. Swedish-Language Literature in Finland: From a National to a Minority Literature -- Chapter 22. Literary History in the Schools: From Nationalism to Cultural Varieties./.
    Abstract: This book looks at literary historiography in Russia, Latvia, the Czech Republic and Finland, focusing on how seismic shifts in state politics and ideology after 1990 changed the writing of national literary histories in these countries. While Russia saw a return to a more nationalist way of thinking about literature and a new emphasis on Orthodox religion after the fall of the Soviet Union, the opposite is true for Latvia, the Czech Republic and Finland. In these countries, literary historiography fosters connections between Western scholarship and literatures written in the national language and engages with questions such as transnationalism, minorities, culture and power, and the cultural construction of identities. This book scrutinizes the different ways in which the construction of national, cultural and European identities has occurred in and through the literary historiography of North-Eastern Europe in the last few decades. Liisa Steinby is Professor Emerita of Comparative Literature at the University of Turku, Finland. Her publications include Myth in the Modern Novel: Imagining the Absolute (2023), co-edited volumes Narrative Concepts in the Study of Eighteenth-Century Literature (2017), and Herder and the Nineteenth Century (2020). Benedikts Kalnačs is Senior Researcher at the Institute of Literature, Folklore and Art, University of Latvia, and Professor of Comparative Literature at the University of Liepāja, Latvia. His publications include A New History of Latvian Literature: The Long Nineteenth Century (ed., with Pauls Daija, 2022). Mikhail Oshukov is Assistant Professor at Petrozavodsk State University, Russia. His publications include the articles "Ezra Pound’s Dramatic Works: Vorticist Noh Theater" (2019), "E.E. Cummings: geometry and grammar of revolution" (2017), and "Familiar Otherness: Peculiarities of dialogue in Ezra Pound’s poetics of inclusion" (2013). Viola Parente-Čapková is Professor of Finnish Literature at the University of Turku, Finland. Her publications include co-edited volumes Women Writing Intimate Spaces: The Long 19th Century at the Fringes of Europe (2023), and Nordic literature of Decadence (2020). .
    DOI: 10.1007/978-3-031-18724-7
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    Cultural Mobilities Between China and Italy (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031392597
    Language: English
    Pages: 1 Online-Ressource(XIII, 263 p. 12 illus., 4 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Studies in Mobilities, Literature, and Culture
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; European literature. ; Oriental literature. ; World history. ; Culture. ; Emigration and immigration.
    Abstract: Introduction: “Cultural Mobilities and Interactions Between Modern China and Italy” Valentina Pedone, University of Florence and Gaoheng Zhang, University of British Columbia -- Chapter 1: “Chinese Mobility, Routes and Traces: Early-20th Century Discovery of Italian Culture” Alessandra Brezzi, Sapienza University of Rome -- Chapter 2: “Dragomans, Interpreters and Diplomats: Chinese Language Knowledge by Italians in Early 20th Century” Federico Masini, Sapienza University of Rome -- Chapter 3: “Mobility, Architecture, Chronotope: Tianjin’s Italian Concession, the 1930s” Gaoheng Zhang, University of British Columbia -- Chapter 4: “Representations of Socialist Mobility in Post-WWII China-Italy Cultural Exchange” Yang Wang, University of Colorado Boulder and Martina Tanga, Museum of Fine Arts, Boston -- Chapter 5: “Maoist China through the Lens of Italian Visitors (1950s-1970s)” Xin Liu, Penn State University -- Chapter 6: “The Journey and the Memory: 20th-century Travel Notes on Italy” Miriam Castorina, University of Florence -- Chapter 7: “Becoming Chinese-Italian: The Formation of a New Italian Ethnic Minority” Daniele Cologna, Insubria University -- Chapter 8: “Chased by Chineseness: Distance and Proximity in Chinese Italian Creative Expression” Valentina Pedone, University of Florence -- Chapter 9: “‘Ne vedrai delle belle in questo paese!’ Literary Representations of the Italian Community in China” Chiara Giuliani, University College Cork.
    Abstract: This book offers a critical analysis of global mobilities across China and Italy in history. In three periods in the twentieth century, new patterns of physical mobilities and cultural contact were established between the two countries which were either novel at the time of their emergence or impactful on subsequent periods. The first two chapters provide overviews of writings by Italians in China and by Chinese in Italy in the twentieth century. The remaining chapters cover: Republican China’s relationships with Italy and Italian Fascist colonialism in China during the 1920s–1930s; Italian travelers to China during the Cold War from the 1950s to the 1970s; migrations between China and Italy during the 2000s–2010s. In analyzing these cultural mobilities, this book opens a new line of inquiry in Chinese-Italian Cultural Studies, which has been dominated by historical study, and contributes a significant case study to the scholarship on global cultural mobilities.
    DOI: 10.1007/978-3-031-39259-7
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    American Borders : Inclusion and Exclusion in US Culture (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031301797
    Language: English
    Pages: 1 Online-Ressource(XVII, 264 p.)
    Edition: 1st ed. 2024.
    Series Statement: American Literature Readings in the 21st Century
    Parallel Title: Erscheint auch als
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    Keywords: America ; Ethnology ; Culture. ; Race. ; Globalization. ; Emigration and immigration.
    Abstract: Introduction: Beyond Borders. Inclusion and Exclusion in American Culture -- Isamu: Becoming Nisei -- Part I. Perpetuating Otherness. Relocation to the Outside Within -- “Don’t Fence Me In”: Interiorized Outsides and Japanese American Concentration Camps -- The Resonance of the Hostage Crisis in Funny in Farsi: A Memoir of Growing up Iranian in America (2004) and the Limits of Hospitality -- Cartographies of Inclusion/Exclusion and Contested Belongings in Raquel Cepeda’s Bird of Paradise: How I Became a Latina -- Part II. Beyond Sovereign Frames: Contesting Imaginaries and National Myths -- Foreigners in their Own Land: Nathaniel Hawthorne and the Creation of Tolerated Strangers -- E Pluribus Unum?: Disintegrating the Melting Pot Myth in American Science Fiction Narratives of National Fragmentation -- Inhospitable Homelands: Practices of Inclusion and Exclusion in African American War Narratives -- Monsters or Men?: Guillermo del Toro’s Allegories of American Othering in The Shape of Water -- Part III. Welcoming the Stranger Inside?: Exclusive Inclusion in the Age of Neoliberalism -- Strangers in the Homeland: Dystopic (in)Hospitality in McCarthy’s The Road -- Riding the Beast: Of Borders, Aliens, and Hospitality in Valeria Luiselli’s Lost Children Archive (2019) and Tell Me How It Ends (2017) -- Grief, Hospitality, and the Frontier in Chloé Zhao’s Nomadland (2020) -- Nonsecular Thirdspaces in Ayad Akhtar’s American Dervish and Homeland Elegies -- The Ugly Guy (Novel Excerpt).
    Abstract: American Borders: Inclusion and Exclusion in US Culture provides an overview of American culture produced in a range of contexts, from the founding of the nation to the age of globalization and neoliberalism, in order to understand the diverse literary landscapes of the United States from a twenty-first century perspective. The authors confront American exceptionalism, discourses on freedom and democracy, and US foundational narratives by reassessing the literary canon and exploring ethnic literature, culture, and film with a focus on identity and exclusion. Their contributions envision different manifestations of conviviality and estrangement and deconstruct neoliberal slogans, analyzing hospitable inclusion in relation to national history and ideologies. By looking at representations of foreignness and conditional belonging in literature and film from different ethnic traditions, the volume fleshes out a new border dialectic that conveys the heterogeneity of American boundaries beyond the opposition inside/outside. Paula Barba Guerrero is Assistant Professor of American Literature and Culture at Universidad de Salamanca, Spain. Her research interests include African American literature, space studies, memory, nostalgia, and speculative fiction. Mónica Fernández Jiménez holds a PhD in English from the University of Valladolid, Spain, and currently works as a translator in England. Her research interests include Caribbean literature, Postcolonial Studies, American imperialism, and ecocriticism.
    DOI: 10.1007/978-3-031-30179-7
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    Jane Austen and Vampires : Love, Sex and Immortality in the New Millennium (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031492860
    Language: English
    Pages: 1 Online-Ressource(XIII, 123 p. 2 illus., 1 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Gothic
    Parallel Title: Erscheint auch als
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    Keywords: Fiction. ; Goth culture (Subculture). ; Audiences. ; Literature, Modern ; Literature, Modern ; America
    Abstract: 1. Introduction: Reading Austen-Vampire Mashups -- 2. To Kiss or Kill? Austen’s Vampire-Slaying Heroines -- 3. Trouble in Paradise: Pride and Prejudice as Vampire Romance -- 4. Eternally Yours: Jane Austen as Vampire -- 5. Conclusion: An Unlikely Confluence.
    Abstract: Jane Austen and Vampires is the first book to investigate the literary convergence of Jane Austen and vampires in Austen fanfic after the success of Stephenie Meyer’s Twilight (2005) and Seth Grahame-Smith’s Pride and Prejudice and Zombies (2009). It asks how the shifting cultural values of Austen and the vampire have aligned, and what their connection might mean for their respective contemporary legacies. It also makes a case for reading “low brow” Austen fanfic attentively, as a way to gain meaningful insight directly from Austen fans into the tensions and anxieties surrounding contemporary notions of love, sex, femininity, and Austen’s modern currency. Offering close readings of Austen’s vampire-slaying heroines, vampiric retellings of Pride and Prejudice, and the transformation of Austen herself into a vampire, this book reveals Austen-vampire mashups as messy, complex entanglements that creatively and self-reflexively interrogate modern fantasies of vampire romance. By its unique intersection of Jane Austen with the vampire, the Gothic, fan culture and popular romance, Jane Austen and Vampires adds a new chapter to the history of Austen’s reception, for fans, students and scholars alike.
    DOI: 10.1007/978-3-031-49286-0
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    Tuberculosis and Irish Fiction, 1800–2022 : A Lingering Condition (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031403453
    Language: English
    Pages: 1 Online-Ressource(XIX, 227 p. 3 illus.)
    Edition: 1st ed. 2024.
    Series Statement: New Directions in Irish and Irish American Literature
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Literature, Modern ; Medicine and the humanities. ; Great Britain
    Abstract: 1 The Story of Tuberculosis in Ireland: An Overview.-2 The Nameless Scourge: Tuberculosis in Ireland, 1800–the Present.-3 The Unspoken Menace -- 4 Dracula, Ireland’s Vampiric Vector -- 5 The Lingering and “The Dead”: Illusion and Irony in Early Twentieth-Century Irish Fiction -- 6 Contagion and Community in Irish Fiction 1900–1942 -- 7 Naming the Scourge and the “Sanatorium of the Imagination”.
    Abstract: This book focuses on Ireland’s lived experience of tuberculosis as represented in the nation’s fiction; not surprisingly, the disease both manifests and conceals itself with devastating frequency in literature as it did in life. It seeks to place the history of tuberculosis in Ireland, from 1800 until after its virtual eradication in the mid-Twentieth Century, in conversation with fictional representations or repressions of a condition so fearsome that until very recently it was usually referred to by code words and euphemisms rather than by its name. Rachael Sealy Lynch, Associate Professor Emerita of English at the University of Connecticut, USA, works primarily in the field of recent and contemporary Irish women writers, and, more recently, in the medical humanities. She has published widely, with a focus on sex, stigma, and shame, on writers including Anne Enright, Jennifer Johnston, Molly Keane, Edna O’Brien, Emma Donoghue, Mary Lavin, and Liam O’Flaherty.
    DOI: 10.1007/978-3-031-40345-3
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    The Palgrave Handbook of Intermediality (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031283222
    Language: English
    Pages: 1 Online-Ressource(92 illus., 64 illus. in color. eReference.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Keywords: Intermediality. ; Digital media. ; Motion pictures. ; Television broadcasting. ; Mass media and history.
    Abstract: Introduction to The Palgrave Handbook of Intermediality -- Intermediality: Introducing terminology and approaches in the field -- An Updated Survey of Early Interart and Intermediality Roots: Claus Clüver -- Ekphrasis – Intermedial and Anglophone Perspectives -- Intermediality and Medium Specificity -- Intermedialities, Societies, and Power Histories -- Montreal School of Intermediality: Beyond Media Studies -- Case Studies as a Heuristic of Intermediality -- Linnaeus University Center for Intermedial and Multimodal Studies and the legacy of Lars Elleström -- Intermediality in Brazil: a diachronic survey -- An Overview of Intermedial Studies in China -- Intermediality, Semiotics and Media theory -- Intermediality and/in Translation -- Visual Citation in Intermedial Relations -- Reformulating the Theory of Literary Intermediality: A Genealogy from Ut pictura poesis to Poststructuralist In-betweenness -- Transmedial Narratology and Transmedia Storytelling -- The Narrator: A Transmedial Device -- Intermediality, Teaching and Literacy -- Intermedia, Multimedia and Media -- Citational Aesthetics: for Intermediality as Interrelation -- Traditional Chinese Painting: An Intermedial Play of Sister Arts Since the Eleventh Century -- The Anchor and the Dolphin: A History of Emblems -- The Age of Wonder and Entertainment: An Introduction to Intermedial Networks in Baroque Culture -- Intermediality in Seventeenth-Century Baroque Celebrations in Hispanic America: Commissions, Poetry, and Ephemeral Architecture -- Cabinets of Curiosities as a Transhistorical and Intermedial Phenomenon -- Crossing Media Borders: From Intermedial Shakespeares to Shakespearean Intermediality -- Metareference in the Nineteenth-Century Pictorial Press and Beyond -- Picturing Music in the 19th Century -- Prototype models of intermedial praxis (Wagner, Kandinsky, Brecht) and their resonances in contemporary performance -- Intermediality and Liveness at the Turn of the Twentieth Century -- The Sonification of Modernist Fiction: A Critical Review -- Adaptation and Sound -- Music Transformation in Literature -- Collage as a Creative Act: Emergence, Displacement and Re-signification -- Anthropophagic Appropriation and Intermediality -- Late Twentieth-Century Intermedia Poetry in the Americas -- Photo-Journalism and Beyond -- Media borders in a post-media age: the historical and conceptual co-evolution of cinema, television, video and computer screens -- The Qualified Medium of Computer Games: Form and Matter, Technology, and Use -- The Ecological Crisis and Intermedial Studies -- Simulated Climate in Ecological Games: Mediating Climate Change to Endow Players with Transformative Agency -- Intermediality in Theme Parks -- Interactive and Participatory Sound -- Intermediality and Computer Simulation -- Intermediality and Digital Fiction -- Intermediality and Metamediality: From Analog Representations to Digital Resources -- The Recommended Experience: Engaging Networked Media Platforms with Intermediality -- Posthuman Intermedial Semiotics and Distributed Agency for Sustainable Development.
    Abstract: This handbook provides an extensive overview of traditional and emerging research areas within the field of intermediality studies, understood broadly as the study of interrelations among all forms of communicative media types, including transmedial phenomena. Section I offers accounts of the development of the field of intermediality - its histories, theories and methods. Section II, III and IV then explore intermedial facets of communication from ancient times until the 21st century, with discussion on a wide range of cultural and geographical settings, media types, and topics, by contributors from a diverse set of disciplines. It concludes with an emphasis on urgent societal issues that an intermedial perspective might help understand.
    DOI: 10.1007/978-3-031-28322-2
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    Adaptation and Illustration : New Cartographies (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031321344
    Language: English
    Pages: 1 Online-Ressource(XIX, 277 p. 46 illus., 36 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Adaptation and Visual Culture
    Parallel Title: Erscheint auch als
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    Keywords: Adaptation (Literary, artistic, etc.). ; Arts. ; Culture
    Abstract: INTRODUCTION.-PART 1: INTERACTIONS AND EXPANDED FIELDS -- CHAPTER 1 Dave McKean: “One plus one equals three” -- CHAPTER 2 Kate Newell: “Illustration and Adaptation in the Balbussos’ Pride and Prejudice (2013) and The Handmaid’s Tale (2012)” -- CHAPTER 3 Kamilla Elliott, “Ad-app-tive illustration: Alice for the iPad”.-PART 2: AFTERLIVES -- CHAPTER 4 Nathalie Collé, “‘[T]o mix colours for painters’ and illustrate and adapt Gulliver’s Travels worldwide: street murals, adaptability and transmediality” -- CHAPTER 5Ann Lewis, “Adapting Novel Illustration for the Almanac: Text/Image Relations in Chodowiecki’s Illustrations for Rousseau’s Julie” -- CHAPTER 6 Chris Louttit, “‘Alternative Dickens’: The Graphic Adaptation of the Inimitable in The New Yorker”.-PART 3: BEYOND ILLUSTRATION -- CHAPTER 7David Pinho Barros, “Drawing from Ozu: An intermedial consideration on clear line illustrations based on clear line film frames” -- CHAPTER 8 Julie LeBlanc, “Ekphrasis, illustration and adaptation: Annie Ernaux’s intermedial autobiographic and photographic production” -- CHAPTER 9Hélène Martinelli, “The ‘Great Image-Maker’ or the animation of illustrations in Karel Zeman’s Deadly Invention”.-PART 4: ILLUSTRATION AND TRANSCULTURAL ADAPTATION -- CHAPTER 10 Carol Adlam, “The Bobrov Affair: Creating a Graphic Novel Adaptation of a ‘Lost’ Russian-Empire Crime Novel” -- CHAPTER 11 Xavier Giudicelli, “Adapting, Translating, Illustrating: French Ballads of Reading Gaol in Word and Image” -- CHAPTER 12 Miriam Vieira, “What if the Grimms had been born in Brazil? The case of (illustrated) adaptations” -- CHAPTER 13 Camila Augusta Pires de Figueiredo: “The transcultural adaptation of The Little Prince to Brazilian cordel literature”.
    Abstract: This collection examines the relationship between illustration and adaptation from an intermedial and transcultural perspective. It aims to foster a dialogue between two fields that co-exist without necessarily acknowledging advances in each other’s domains, providing an argument for defining illustration as a form of adaptation, as well as an intermedial practice that redefines what we mean by adaptation. The volume embraces both a specific and an extended definition of illustration that accounts for its inclusion among the web of adaptive practices that developed with the rise of new media and intermediality. The contributors explore how crossovers may contribute to reappraise their objects, and rely on a transmedial and interdisciplinary corpus exploring the boundaries between illustration and other media such as texts, graphic novels, comics, theatre, film and mobile applications. Arguably adaptation, like intermediality, is an umbrella term that covers a variety of practices and products, and both of them have been shaped by intense debates over their boundaries and internal definitions. Illustration belongs to each of these areas, and this volume proposes insight into how illustration not only relates to adaptation and intermediality but how each field is redefined, enriched and also challenged by such interactions. Shannon Wells-Lassagne has worked extensively on film and television adaptation. She is the author of Television and Serial Adaptation, and the editor of Adapting Margaret Atwood (Palgrave), Adapting Endings, as well as of special issues of The Journal of Screenwriting, Interfaces, and TV/Series, Screen and Series. Sophie Aymes works on intermediality, modernist book history and illustration in 20th-century Britain. She has co-edited several word-and-image journal issues (inInterfaces and Image [&] Narrative), volumes on illustration (series Book Practices and Textual Itineraries), and a collection on Art and Science in Word and Image.
    DOI: 10.1007/978-3-031-32134-4
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    Contemporary Photography as Collaboration (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031414442
    Language: English
    Pages: 1 Online-Ressource(XXV, 339 p. 61 illus., 45 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Photography. ; Art, Modern
    Abstract: 1. Introduction - Photography as Collaboration: changing the paradigm on old and new practices in photographic creation and circulation -- Part One. The politics of voice, visibility and identity -- 2. ‘A photography of becoming. Re-imagining the promise of participatory photography through the image of young photographers from refugee and diaspora communities in the UK’ -- 3. ‘” Untitled”: collaborative creation of a photographic record of a psychiatric home’ -- 4. ‘Urban change, politics and photography in post-war Britain’ -- 5. ‘Le ciel par-dessus le toit : Photographing in prison’ -- Part Two. Public display and the distribution of collective projects -- 6. ‘Commercially Unavailable: The Distribution of Participatory Projects’ -- 7. ‘The dominance of single-artist exhibitions in French institutions: is the photographic scene running counter to trend ?’ -- 8. Reflexive Portfolio -- Part Three. Archiving and curating collective practices -- 9. ‘The Jo Spence Memorial Archive’ .-10. “Re-activating the archive: how and for whom?” -- 11. Reflexive Portfolio -- Part Four. Common spaces, collective expressions -- 12. “Mapping local territories through participatory projects .-13. ‘Charged with Collaboration’.-14. Reflexive Portfolio: David Kendall -- Part Five. Towards an ethics of collaboration -- 15. ‘Participatory creation -- 16. ‘Photographic education and the collaboration of resource sharing’ -- 17. Reflexive Portfolio.
    Abstract: This book explores a spectrum of contemporary photographic practices across the fields of image-making, curating, archiving, teaching, community development and activism that have envisioned photography as ontologically and ethically collaborative. By looking specifically into the contexts where collaborative projects are produced and shown, and into the dialogical relation to the people they engage with –in hospitals, in prisons, in working-class neighbourhoods, with indigenous people, refugees, women, persons experiencing homelessness, young people– the contributions from practitioners, scholars, and curators show participatory practices to create the conditions for building new subjectivities, or making visible a multiplicity of identities, thus opening up a new politics of visibility. Therefore, this book specifically addresses the political, counter-cultural dimension of collaborative projects, but also their subversiveness in relation to dominant practices within the field of photography: this includes a reinvention of the position of the photographer –in turns facilitator or project leader– of curating and exhibition models, of archiving methodologies, of photographic education and of market practices. Mathilde Bertrand is Senior Lecturer in the Department of English Studies at Université Bordeaux-Montaigne, France. Her research focuses on the history of independent British photography in the post-war period, particularly on the role of photography collectives, photographic magazines and the community photography movement in fostering a discussion around the politics of representation from the 1970s onwards. She has published in the journals Photography and Culture, LISA e-journal, Revue Française de Civilisation Britannique, and co-edited Ici notre défaite a commencé, on The Miners' Strike, 1984-5 (Syllepses, 2016). Karine Chambefort-Kay is Senior Lecturer in English studies and Visual Culture at Université Paris Est Créteil, France. Her research interests include the cultural, social, and political uses of images in British contemporary society, as well as exhibition and archive policies, and the issues of identity formation, memory and nationalism. She has published on various photographic practices and projects in the UK. She has published in the journals Image and Narrative, InMedia, Revue Française de Civilisation Britannique, and Archivo Papers Journal.
    DOI: 10.1007/978-3-031-41444-2
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    Remembering Mass Atrocities: Perspectives on Memory Struggles and Cultural Representations in Africa (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031398926
    Language: English
    Pages: 1 Online-Ressource(XVII, 303 p. 4 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Macmillan Memory Studies
    Parallel Title: Erscheint auch als
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    Keywords: Collective memory. ; Cultural property. ; Ethnology. ; Culture. ; Peace.
    Abstract: CHAPTER 1: Introduction. Mass atrocities, memory and cultural representations in the Global South - Lungile A. Tshuma, Mphathisi Ndlovu and Shepherd Mpofu -- CHAPTER 2: Decolonizing memory studies - Lungile Augustine Tshuma -- CHAPTER 3: The Cold War politics and the dynamics of conflicts in the Global South - Mphathisi Ndlovu and Lungile A. Tshuma -- CHAPTER 4: Resisting oblivion and memory: The destruction of Gukurahundi memorial plaques in Zimbabwe - Shepherd Mpofu and Siphosami Malunga, Executive Director of the Open Society Initiative for Southern Africa (OSISA) and a human rights lawyer -- CHAPTER 5: A Country of Mass Graves: Topography of Death and the Spectrality of Disappearances in Contemporary Mexico - Pedro J Gonzalez Corona, PhD, Assistant Professor - Holocaust Studies, University of Texas at Dallas, USA -- CHAPTER 6: Memories of Nigeria-Biafra War, 1967-1970: A Case of Nsukka Igbo - Ngozika Anthonia Obi-Ani, Senior Lecturer in the Department of History and International Studies, University of Nigeria, Nsukka -- CHAPTER 7: Memoricide, Apologias, and Representation: Centring Rwanda’s ‘Double Genocide’ Discourse in the Present Tense - Nick Mdika Tembo, PhD, Associate Professor and Head of the English Department at the University of Malawi -- CHAPTER 8: Fiction literary texts as sites of alternative memory and archive making. By Gibson Ncube, PhD, Lecturer at Stellenbosch University and Yemurai Gwatirisa, PhD, Senior Lecturer at the University of Zimbabwe -- CHAPTER 9: “Carving their place in history”: Reconstructing Public Memories of Colonial Struggle through Women’s Writing. By Asante Lucy Mtenje, PhD, Associate Professor at University of Malawi -- CHAPTER 10: Genocide, memory work and the falsehood of human rights in postapartheid South Africa - Khanyile Mlotshwa, PhD, Rosa Luxemburg Stiftung (RLS) Global Scholarly Dialogue Programme research fellow -- CHAPTER 11: ‘Witnessing’ and ‘postmemories’ in Gukurahundi Documentary Films: A case study of The Children of the Genocide (2021) - Mphathisi Ndlovu -- CHAPTER 12: Exploring the representation of genocidal rape in Hotel Rwanda (2004) and The Greatest Silence: Rape in the Congo (2007): A gendered perspective - Blessed Ngwenya, PhD, Research Associate at the University of South Africa, and Mcebisi Ngwenya, Independent Researcher -- CHAPTER 13: The constructions of the Homoine massacre in Mozambican mainstream newspapers - Isaias Carlos Fuel, PhD candidate at Universidade Federal do Rio Grande do Sul, Brazil, Alexandre Dinis Zavala, PhD, Lecturer at Escola Superior de Journalismo, Mozambique and Carlos Vitannisso, lecturer at Escola Superior de Journalismo, Mozambique -- CHAPTER 14: On memory-making: Truth telling, reconciliation and peacebuilding in Zimbabwe - Darlington Tshuma, policy analyst and governance specialist/2021 Africa Policy Fellow of the School of Transnational Governance (STG) at the European University Institute in Florence, Italy and Talent Moyo, Lecturer at the Midlands State University, Zimbabwe.
    Abstract: This book explores how popular cultural artifacts, literary texts, commemorative practices and other forms of remembrances are used to convey, transmit and contest memories of mass atrocities in the Global South. Some of these historical atrocities took place during the Cold war. As such, this book unpacks the influence or role of the global powers in conflict in the Global South. Contributors are grappling with a number of issues such as the politics of memorialization, memory conflicts, exhumations, reburials, historical dialogue, peacebuilding and social healing, memory activism, visual representation, transgenerational transmission of memories, and identity politics. Mphathisi Ndlovu is a research fellow at Stellenbosch University (South Africa). Mphathisi is also an Associate Professor of Journalism and Media Studies at the National University of Science and Technology (Zimbabwe). He is also an alumnus of the Alliance for Historical Dialogue and Accountability (AHDA) fellowship at Columbia University's Institute for the Study of Human Rights. Mphathisi holds a PhD in Journalism from Stellenbosch University. His research interests are in collective memory, identity politics and digital cultures. Mphathisi’s works have been published as book chapters, and peer reviewed articles in journals such as Digital Journalism, African Cultural Studies, Journal of Genocide Research, and Nations and Nationalism. Mphathisi is also co-editor of a book titled The Idea of Matabeleland in Digital Spaces: Genealogies, Discourses and EpistemicStruggles (2022). Lungile Augustine Tshuma holds a PhD in Journalism from the University of Johannesburg, South Africa. He is a Senior PostDoctoral Fellow in the Department of Communication and Media at the University of Johannesburg in South Africa. Lungile is also an Associate Professor in the department of Journalism and Media Studies at the National University of Science and Technology (Zimbabwe). His research interests are in journalism, photography and memory. He has published in local and international peer reviewed journals and among them are: African Journalism Studies, Nations and Nationalism, Media Culture and Society, and Journal of Communication Inquiry. Shepherd Mpofu is Associate Professor of Media and Communication at the University of South Africa. He has published several articles on communication, media and journalism in Africa. His body of work covers social media and politics; social media and identity; social media and protests. He is the co-editor of New Journalism Ecologies in East and Southern Africa: Innovations, Participatory and Newsmaking Cultures (Palgrave 2023); Decolonising Media and Communication Studies Education in Sub-Saharan Africa (Routledge 2023) and Mediating Xenophobia In Africa (Palgrave 2020). He is editor of The Politics Of Laughter In The Social Media Age: Perspectives From The Global South (Palgrave Macmillan 2021) and Digital Humour In The COVID-19 Pandemic: Perspectives From The Global South (Palgrave Macmillan 2021).
    DOI: 10.1007/978-3-031-39892-6
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    Retrospection and Revision in Modern and Contemporary Art, Literature and Music (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031395987
    Language: English
    Pages: 1 Online-Ressource(XXIII, 378 p. 52 illus., 46 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Motion pictures. ; Art ; Art, Modern ; Art
    Abstract: Introduction. Chapter 1. Retrospection and Revision in Modern and Contemporary Art, Literature, and Music -- Part I. Retrospection and Memory. Chapter 2. Stepping in the Same River Twice: Péter Forgács and the Revisiting of The Danube Exodus -- Chapter 3. Uwe Timm and the Ghosts of the Past: a Writer’s Ethical Impact on the Agenda of Collective Memory -- Chapter 4. Australia and Morocco Revisited: The Materialized Travel Memories of Dutch Visual Artist Theo Kuijpers -- Part II. Revision, Politics, and Ideology. Chapter 5. The Fall and Rise of Exile’s Return: Malcolm Cowley and the Cultural Politics of Revision -- Chapter 6. Revision, Change, and the Native American Oral Tradition in Louise Erdrich’s Love Medicine(s) -- Chapter 7. An Old Man Looking from the Window: Camille Pissarro, the Tuileries Garden Paintings and Turning Points in his Career -- Part III. Revisiting and Control: the Artist’s Legacy. Chapter 8. Retrospective Anticipation: Georgia O’Keeffe’s Efforts at Controlling her Legacy -- Chapter 9. Replaying the Past: Belgian Pop Band dEUS’s Return to Early Work -- Chapter 10. Confessin’ the Blues: The Rolling Stones’ Revisit of their Musical Roots -- Chapter 11. Artists’ Haunts: Late Artists Revisiting their Work Beyond their Time -- Part IV.Transformation and Change in Late Work. Chapter 12. Space, Time, and Change in Claude Monet’s Late Paintings -- Chapter 13. Winter is Coming: The Voice of Spring by Lawrence Alma-Tadema (1910).
    Abstract: “What drives creative artists to turn back later in their careers to the subject matter of their earlier years and reimagine it, reclaim it, or rewrite it? This rich and timely collection asks what prompts this “backward look,” resisting standard reductive formations such as ‘late style’ in order to assert the sheer diversity of reasons for artistic return, in the process reaching far beyond the usual suspects in the canon of late-life creativity – and indeed, in one memorable case, beyond the grave.” —Gordon McMullan, Professor of English at King's College London and Director of the London Shakespeare Centre, UK. This interdisciplinary book investigates the various ways in which North American and European modern and contemporary artists, authors, and musicians have returned to earlier works of their own, engaging in inventive revivals and transformations of the past in the present. The book is distinctive in its focus on such revisits, as well as in the diversity of art forms under review: in addition to visual art, the book explores fiction, poetry, literary criticism, film, rock music, and philosophy. This scope, together with the time-span covered in the book, from the 1850s to the twenty-first century, allows for a broad view on retrospection and revision. The case studies presented here offer a multifaceted exploration of the widely different goals to which practitioners of the arts have made retrospection and revision functional against the background of cultural, social, political, and personal forces. Mette Gieskes is Assistant Professor of Modern and Contemporary Art at Radboud University, The Netherlands. Her publications include articles on Philip Guston, Sol LeWitt, Francis Alÿs, Tamara Muller, and Otobong Nkanga. Gieskes is co-editor of Humor in Global Contemporary Art (Bloomsbury 2024, with Gregory Williams). Mathilde Roza is Associate Professor of North American Literature and North American Studies at Radboud University, the Netherlands. She has published on American modernism and the international avant-garde, American Modernist author Robert Myron Coates, The New Yorker magazine, Native North American visual art and literature, indigenous soldiers in WWII, cultural diversity, and cultural diplomacy.
    DOI: 10.1007/978-3-031-39598-7
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    Difficult Death, Dying and the Dead in Media and Culture (2024)
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    Details
    ISBN: 9783031407321
    Language: English
    Pages: 1 Online-Ressource (XVIII, 286 p)
    Edition: 1st ed. 2024
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306
    Keywords: Cultural Studies ; Film and Television Studies ; Journalism ; Culture / Study and teaching ; Motion pictures ; Television broadcasting ; Journalism
    DOI: 10.1007/978-3-031-40732-1
    URL: Volltext  (URL des Erstveröffentlichers)
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    Planetary Hinterlands : Extraction, Abandonment and Care (2024)
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    Details
    ISBN: 9783031242434 , 3031242432
    Language: English
    Pages: 1 Online-Ressource (XVI, 341 Seiten) , 15 illus., 14 illus. in color.
    Edition: 1st ed. 2024
    Series Statement: Palgrave Studies in Globalization, Culture and Society
    Parallel Title: Erscheint auch als Planetary Hinterlands
    DDC: 306
    Keywords: Culture Study and teaching ; Globalization ; Science Social aspects ; Urban ecology (Biology) ; Bioclimatology ; Cultural Studies ; Globalization ; Posthumanism ; Urban Ecology ; Climate Change Ecology
    DOI: 10.1007/978-3-031-24243-4
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Ausführliche Beschreibung
    URL: kostenfrei
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    Radio and Women's Empowerment in Francophone West Africa (2024)
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    Details
    ISBN: 9783031359859 , 3031359852
    Language: English
    Pages: 1 Online-Ressource (XIII, 239 Seiten) , 2 illus. in color.
    Edition: 1st ed. 2024
    Series Statement: Palgrave Studies in Communication for Social Change
    Parallel Title: Erscheint auch als Heywood, Emma Radio and Women's Empowerment in Francophone West Africa
    DDC: 302.2
    Keywords: Communication ; Journalism ; Communication in economic development ; Sex ; Feminism ; Feminist theory ; Media and Communication ; Journalism ; Development Communication ; Gender Studies ; Feminism and Feminist Theory
    DOI: 10.1007/978-3-031-35985-9
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Ausführliche Beschreibung
    URL: kostenfrei
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    Communicating Ice through Popular Art and Aesthetics (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031397875
    Language: English
    Pages: 1 Online-Ressource(XXIX, 293 p. 41 illus., 39 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Media and Environmental Communication
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Art, Modern ; Communication in the environmental sciences. ; Popular Culture.
    Abstract: PART 1: Staging Ice and Ice Stages in Science, Science Communication and Aesthetic Experience -- 1. Communicating Loss: Ice Research, Popular Art and Aesthetics: Introduction -- 2. Ice Stages and Staging Ice -- 3. Movies on Ice: An ArtSci Perspective on Communicating Antarctic Ice in the Climate Emergency -- 4. Here Be Science Show Dragons: Ice, Icons and Metaphoric Approaches to Climate Change Communication -- PART 2 :Ice Exploration: Heroism, Art and Imaginaries -- 5. Ethnography as Racialised Womanhood in the Arctic Writings of Josephine Diebitsch-Peary -- 6. Materiality of Time: Polar Ice as a Medium for Ecological Art for the Tempered Zones -- 7. Sensing Polar Ice Bodies -- 8. Antarctic Science on the Musical Stage -- 9. Icy Love: Performing Affect and Emotion Feeling About Climate Change -- PART 3: Pop Cultural Meanings of Ice in Visual Fiction and Film -- 10. Frozen Balloons: Aeronautic Heroism and Scientific Knowledge Production -- 11. Hard Ice, Soft Snow? Transnationalism, Spectatorship and the Arctic Sublime in Chasing Ice (2011) and Silent Snow (2011) -- 12. Frozen-Ground Cartoons—Revealing the Invisible Ice -- 13. On the Visual Narratives of Ice in Popular Culture: Comics on Ice, Icy Villains and Ice Science -- 14. Melt for Me: Communicating Ice Empathy Through the Plasticity of Disney -- 15. On the Aesthetic Facets of Ice Urgency: Some Final Reflections.-.
    Abstract: "The authors of Communicating Ice tell the stories and stages of ice, showing how its manifold bodies communicate from beyond the schemas of the Western tradition." -Amanda Boetzkes, University of Guelph, Canada "With its well-written analyses, new insights and, not least, uplifting visions of new approaches, collaborations and opportunities, this book is a joy to read." -Kirsten Thisted, University of Copenhagen, Denmark "This book makes a compelling attempt to understand ice not as an object but as an agent with which we must interact differently. Ultimately, the highly recommended volume points to the extreme urgency of political action to curb global warming" -Evi Zemanek, University of Freiburg, Germany "This collection brilliantly illustrates how storytelling and aesthetic presentation are crucial aids to understanding and communicating about objects of scientific inquiry. A timely and vital contribution to the environmental humanities, posthumanism and science communication." - Chris Danta, School of Cybernetics, Australian National University, Australia This edited collection is the first of its kind to explore the influences and interconnections between artistic and scientific understandings of, and communication around (the melting of) ice. This book investigates and clarifies the ecological and cultural implications of losing ice in the face of climate change – from glaciers to permafrost valleys, from scientific excursions into ice to its representation in (popular) art and culture. Bringing together diverse perspectives from research and practice across disciplines and media, this volume pioneers research into the cultural power of ice. Dr Anne Hemkendreis is a Lecturer (Senior Researcher) in the (SFB 948) Heroes – Heroizations - Heroism research group at the University of Freiburg (Germany) and a member of the German Young Academy. Dr Anna-Sophie Jürgens is a Lecturer in Popular Entertainment Studies at the Australian National Centre for the Public Awareness of Science at the Australian National University (ANU) and the Head of Popsicule, ANU's Science in Pop Culture and Entertainment Hub.
    DOI: 10.1007/978-3-031-39787-5
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    Handbook of Cliometrics (2024)
    Cham : Springer International Publishing | Cham : Imprint: Springer
    Details
    ISBN: 9783031355837
    Language: English
    Pages: 1 Online-Ressource (ca. 2863 Seiten. eReference.) , 230 Illustrationen
    Edition: 3rd ed. 2024.
    Parallel Title: Erscheint auch als
    Keywords: Kliometrie ; Theorie ; Humankapital ; Wirtschaftswachstum ; Finanzsystem ; Konjunktur ; Wirtschaftsgeschichte ; Welt ; Economic history. ; Econometrics. ; Economics ; Labor economics. ; Population ; Macroeconomics. ; Cliometrics ; Econometric history ; Human capital ; Growth ; Financial systems ; Innovation ; Anthropometrics ; Capital markets ; Economic development ; Gender in Economic History ; Socioeconomic development ; Labor markets ; Robert Fogel ; Industrial revolution ; GDP ; US financial system ; Antebellum banking ; Financial crises ; Income inequality ; Great depression ; Handbuch ; Aufsatzsammlung
    Abstract: Family reconstitution data: a cliometric view -- History of cliometrics -- Growth theories -- Cliometric approaches to war -- GDP and convergence in modern times -- Cliometrics and the great depression -- Financial Systems -- Cliometric approaches to international trade -- Time series -- The industrial revolution: a cliometric perspective -- The cliometric study of financial panics and crashes.
    Abstract: This handbook is a milestone in the field of historical economics and econometric history through its emphasis on the concrete contribution of cliometrics to our knowledge in economics and history. The articles in the handbook authored by the leading scholars in the fields, stress the usefulness of cliometrics for economists, historians and social scientists in general. The handbook offers a comprehensive coverage of topics with each article providing an overview of the contributions of cliometrics to a particular topic. The handbook has set a new standard of quality in the field by offering a world-wide forum of discussion in cliometrics. This updated and extended third edition of the handbook of cliometrics offers a substantially enlarged collection of articles and thus stresses its unique position as authoritative reference work in this field.
    DOI: 10.1007/978-3-031-35583-7
    URL: lizenzpflichtig
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    Bertrand Russell, Feminism, and Women Philosophers in his Circle (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031330261
    Language: English
    Pages: 1 Online-Ressource(XV, 330 p.)
    Edition: 1st ed. 2024.
    Series Statement: History of Analytic Philosophy
    Parallel Title: Erscheint auch als Bertrand Russell, feminism, and women philosophers in his circle
    Keywords: Analysis (Philosophy). ; Logic. ; Mathematics ; Feminism. ; Feminist theory. ; Aufsatzsammlung ; Russell, Bertrand 1872-1970
    Abstract: 1. Editors’ Introduction -- 2. A Moral and Intellectual Evaluation of Russell’s Romantic/Sexual Practices -- 3. Bertrand and Dora Russell on sex, marriage and the rule of fathers -- 4. Sex, Suffrage, and Marriage: Russell and Feminism -- 5. Alice Ambrose and women’s work in the foundations debate at the University of Cambridge, 1932-1937 -- 6. Alice Ambrose and Margaret MacDonald: Two Women Who Challenged Bertrand Russell on Ordinary Language -- 7. Susan Stebbing and Russell’s Logical Atomism -- 8. Grandmothers and Founding Mothers of Analytic Philosophy: Constance Jones, Bertrand Russell, and Susan Stebbing on Complete and Incomplete Symbols -- 9. Dorothy Wrinch and the Man of the Century -- 10. “I like her very much—she has very good brains.”: Dorothy Wrinch’s influence on Bertrand Russell -- 11. Patricia Russell and Her Influence on Bertrand Russell.
    Abstract: This book examines Bertrand Russell’s complicated relationships to the women around him, and to feminism more generally. The essays in this volume offer scholarly reassessments of these relationships and their import for the history of feminism and of analytic philosophy. Russell is a founder of analytic philosophy. He has also been called a feminist due to his public, decades-long advocacy for women’s rights and equality of the sexes. But his private behavior towards wives and sexual partners, and his apparently dismissive (occasionally public) responses to some women philosophers, raises the question of what sort of feminist (or chauvinist) Russell actually was. Focusing on women in Russell’s circle of acquaintance, including feminist activists and his philosophical interlocutors, this book casts new light on a timeless thinker’s feminism and the women who played critical roles in the making of analytic philosophy.
    DOI: 10.1007/978-3-031-33026-1
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    Screenwriting for Virtual Reality : Story, Space and Experience (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031541001
    Language: English
    Pages: 1 Online-Ressource(XX, 318 p. 35 illus., 21 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Screenwriting
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Motion picture authorship. ; Digital media.
    Abstract: 1. An Introduction to Screenwriting for Virtual Reality -- 2. Shifting Diegetic Boundaries -- 3. Cinematic Virtual Reality: Towards an Optics of ‘Eco Screenwriting’ -- 4: The Nature of Narration in Cinematic Virtual Reality -- 5. Towards Immersography: Considerations for an Integrated Understanding of Immersive Narrative Experiences -- 6. Writing as design: The Future of Houses, a transformative single-player VR experience -- 7. The Diagrammatic screenplay: Strategies to address the challenges of writing an interactive, Mixed Reality (MR) experience -- 8. A Case Study of VR Story Development: Fire Escape (2019) -- 9. Expanded Experience: an ‘artist-bricoleur’ approach to writing VR in contemporary art -- 10. Writing the Virtual: Diverse Modes of Development in CVR -- 11. A Net of Invisible Things: The VR development practices of Lynette Wallworth in Collisions and Awavena -- 12. Virtual Catharsis: Decoding Empathy in Refugee Narratives -- 13. Screenwriting for Virtual Reality: Future directions.
    Abstract: “Kath Dooley and Alex Munt’s book on Screenwriting for Virtual Reality: Story, Space and Experience is an invaluable tool to anyone working on storytelling in immersive space in general and VR in particular. It combines important theoretical insights with an impressive range of case studies which make it an essential companion to anyone seeking to understand what’s distinctive about work in this field or looking to embark on a project of their own.” - Adam Ganz, Head of Writers’ Room, StoryFutures and Professor of Screenwriting, Royal Holloway University of London, UK This book is focused on screenwriting and development for virtual reality (VR). It explores a diverse range of creative approaches to the writing and screen development of VR stories and immersive audience experiences. Contributions from scholars and practitioners combine conceptual and practically orientated approaches for creating fictional and documentary media VR stories. The book evaluates, challenges and adapts existing screenwriting models and practices for immersive storytelling and grapples with the future of storytelling in the era of sophisticated computer visualization, AI and the online social metaverse. The book proposes new VR storytelling models, identifies altered relationships between creators, screen works and their audiences and demonstrates how interdisciplinary practices will be core to the future of screen storytelling. Kath Dooley is a practitioner/academic based at the University of South Australia. Her work as writer/director has screened at the Busan International Short Film Festival and FIVARS, Toronto. She is the author of Cinematic Virtual Reality- A Critical Study of 21st Century Approaches and Practices (Palgrave Macmillan, 2021). Her research interests include screen production methodology for traditional and immersive media, screenwriting, women’s screen practice and diversity in the screen industries. Alex Munt is a film academic, screenwriter and director. He is based in the School of Communication, Faculty of Arts and Social Sciences at the University of Technology Sydney, Australia. His films have screened at the Sydney Film Festival and SXSW and been distributed worldwide. His research interests include independent film, artists’ moving image, VR and spatialised media. .
    DOI: 10.1007/978-3-031-54100-1
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    Consciousness Studies in Sciences and Humanities: Eastern and Western Perspectives (2024)
    Cham : Springer International Publishing | Cham : Imprint: Springer
    Details
    ISBN: 9783031139208
    Language: English
    Pages: 1 Online-Ressource(XXVI, 287 p. 29 illus., 24 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Studies in Neuroscience, Consciousness and Spirituality 8
    Parallel Title: Erscheint auch als Consciousness studies in sciences and humanities
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy of mind. ; Neurosciences. ; Information technology ; Cosmochemistry. ; Conscience ; Philosophie de l'esprit ; Consciousness ; Philosophy of mind
    Abstract: This book presents consciousness models from Eastern and Western perspectives that accommodate current scientific research in the natural sciences and humanities, from neurological experiments through philosophical enquiries to spiritual approaches. It offers up to date research from key disciplines in consciousness studies ranging from neurology, quantum mechanics, algorithmic science, mathematics, and astrophysics to literary studies, philosophy, and (comparative) theology. The volume examines the dichotomy between Western and Eastern perceptions of consciousness – where consciousness is perceived as brain activity by Western scientists, and as a divine presence by various religions, especially in the East. The essays contextualize each other and reciprocally illuminate the potential and limits of the respective approaches. The texts aim at a transdisciplinary and transcultural exchange of ideas in consciousness studies and address a readership from interested lay-readers to experts of the field. The volume is of interest to researchers of consciousness studies. .
    DOI: 10.1007/978-3-031-13920-8
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    Territory and democratic politics : a critical introduction (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031356728
    Language: English
    Pages: 1 Online-Ressource (xi, 138 Seiten)
    Edition: 1st ed. 2024
    Series Statement: Palgrave studies in European political sociology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Europe ; Political sociology. ; Human geography. ; Cultural geography ; Staat ; Nationalstaat ; Territorium ; Geografischer Raum ; Demokratie
    Abstract: Borders, democratic legitimacy, multiscale statehood, governance : the covid crisis has shaken things up and emphasized both the contradictions and the central salience of territories. In this sharp volume Oscar Mazzoleni critically reviews the main debates about territories that have unfold over the last two decades, in particular in geography and political sociology. He makes a powerful insight for a critical territorial approach aiming to analyze democratic politics. Patrick Le Galès, CNRS research professor at Sciences Po, Paris, France Mazzoleni has contributed a brief but encompassing study of the concept of territory in social sciences. This well-written piece analyzes the concept of territory as multidimensional and interdisciplinary. His is a rigorous attempt to offer a systematic framework to make territorial politics part of the contemporary research agenda. In developing a territorial approach, he adds to the field by addressing essential gaps in the literature. Margarita Gomez-Reino Cachafeiro, full professor at the UNED University, Madrid, Spain The book provides a comprehensive and up-to-date introduction to the uses of the concept of territory in the study of democratic politics. The author tests the limits of a literature which avoid territorial dimensions, and reasserts the relevance of the concepts of territory and territorial space in the understanding of contemporary politics. With a political sociological perspective, but engaging in an interdisciplinary dialogue, the book draws a new conceptual framework focusing on both traditional and innovative topics: state-building and the transformation of nation-states, the changes in democratic citizenship, the relevance of territory for voting behaviour, the territorial dimensions of populism and the experience of the pandemic, taken as a global territorial crisis. Oscar Mazzoleni is Director of the Research Observatory for Regional politics at the University of Lausanne, Switzerland.
    Note: Open Access , Literaturverzeichnisse , Why and how territory , Strength and limits of unterritorial approaches , Towards a territory-oriented approach , Beyond the territorial state? , Changing democratic citizenship , Territorial voting , Territorial populism , A global territorial crisis , Thinking democratic politics with territory
    DOI: 10.1007/978-3-031-35672-8
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    Cycling Through the Pandemic : Tactical Urbanism and the Implementation of Pop-Up Bike Lanes in the Time of COVID-19 (2024)
    Cham : Springer International Publishing | Cham : Imprint: Springer
    Details
    ISBN: 9783031453083
    Language: English
    Pages: 1 Online-Ressource(IX, 250 p. 65 illus., 62 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: The Urban Book Series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Urban policy. ; Environmental policy. ; Human ecology
    Abstract: Introduction: Has cycling got a boost from the pandemic?- ‘School Streets’ and the adaptation London’s state-led tactical urbanism during COVID-19 -- Public action in times of crisis: Trajectories of cycling policies in four French cities -- Press discourse on cycling before, during, and after the first COVID-19 lockdown in France. The rise of the user-group voice -- Tactical urbanism to develop cycling infrastructures: The implementation of COVID cycle lanes in Switzerland -- Temporary urbanism in pandemic times—Disruption and continuity of public action in Montreal -- Pop-up bike lanes and temporary shared spaces in Vienna during the COVID-19 pandemic -- The spatial dimension of “pop-up cycle paths” in metropolitan areas: A comparative study of France and Colombia -- Cycling in Bogotá during a pandemic. The influence of tactical urbanism and perceived in-security on bicycle usage -- Changing cycling practices and Covid cycle lanes in five French cities.
    Abstract: This open access book provides insight on how the tactical urbanism has the capacity to influence change in mobility practices such as cycling. COVID-19 crisis prompted the public authorities to rethink the use of public space in order to develop means of transport that are both efficient and adapted to the health context and their effects on cycling practices in Europe, North, and South America. Its contributors collectively reveal and evidence through policies analysis, mapping, and innovative qualitative analysis bridging video and interviews, how those new infrastructures and policies can be a trigger for change in a context of mobility transition. This book provides an important element on the way local authorities can act in a quicker and more agile way. While some decisions are specific to the context of the beginning of the pandemic, the analysis offers lessons on the way to implement the transition toward a low-carbon mobility, on the importance of processes based on trials and errors, on the political stakes of reallocating road space.
    Note: Open Access
    DOI: 10.1007/978-3-031-45308-3
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    NGOs Mediating Peace : Promoting Inclusion in Myanmar’s Nationwide Ceasefire Negotiations (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031421747
    Language: English
    Pages: 1 Online-Ressource(XXI, 218 p. 2 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Twenty-first Century Perspectives on War, Peace, and Human Conflict
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Peace. ; Diplomacy. ; Security, International. ; International relations. ; Nichtstaatliche Organisation ; Politischer Konflikt ; Innenpolitik ; Friede ; Schlichtung ; Mediation ; Norm ; Diffusion ; Myanmar
    Abstract: Chapter 1: Introduction: Unsettled Reflections from Golden Valley, Myanmar -- Chapter 2: Promoting Peace or Pushing Norms? Understanding Normative Agency in Mediation Processes -- Chapter 3: New Kids on the Block: The Rise of NGO Mediators in Mediation and Peacemaking -- Chapter 4: The Promised Land of Inclusive Peace: NGO Mediators as Norm Promoters of Inclusion -- Chapter 5: What’s in a Norm? What Normative Frameworks in Myanmar Reveal about Inclusivity -- Chapter 6: Chronicles of a Norm for Sale: Norm Entrepreneurship in the Myanmar NCA Negotiations -- Chapter 7: “The Trouble with Inclusivity”: How Promoting Inclusive Peace led to an Exclusive Outcome -- Chapter 8: Conclusion: The Life and Death of Inclusive Peace in Myanmar.
    Abstract: Can informal actors such as NGOs mediate peace agreements? If so, how does it work and what are the consequences for international peace mediation? This book tackles these questions and more through looking at the role of nongovernmental (NGO) mediators in promoting “inclusive peace” to negotiating parties in Myanmar’s Nationwide Ceasefire Agreement (NCA) negotiations from 2011-2015. The author argues that NGO mediators, traditionally seen as part of civil society or as weak mediators with little power or leverage, have become established mediation actors alongside more formal actors and are redefining the mediation field through norm promotion. However, even if NGO mediators can promote norms, the book questions whether they should promote norms in the first place, as the NCA process shows how the promotion of inclusivity contributed to a more exclusive outcome of years of peace negotiations in Myanmar. The outcome of the NCA process presents a critical and cautionary tale of promoting a presumed universal norm into a given locale and expecting a certain outcome without understanding how an external norm interacts with existing normative frameworks. This is an open access book. Julia Palmiano Federer holds a PhD in Political Science from the University of Basel and a Master in International Affairs from The Graduate Institute of International and Development Studies in Geneva, Switzerland. Dr. Palmiano Federer is a Postdoctoral Fellow at the University of Ottawa and the Head of Research at the Ottawa Dialogue, an organisation that specializes in the resolution of armed conflicts around the world through Track Two diplomacy, a form of unofficial and informal dialogue between warring parties. She is also currently a Senior Fellow at the Negotiation and Conflict Resolution Collaboratory at the Harvard Kennedy School’s Center for Public Leadership.
    Note: Open Access
    DOI: 10.1007/978-3-031-42174-7
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    The ESG Framework and the Energy Industry : Demand and Supply, Market Policies and Value Creation (2024)
    Cham : Springer International Publishing | Cham : Imprint: Springer
    Details
    ISBN: 9783031484575
    Language: English
    Pages: 1 Online-Ressource (VIII, 316 p. 55 illus., 37 illus. in color.)
    Parallel Title: Erscheint auch als The ESG framework and the energy industry
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    QR 530
    Keywords: Power resources. ; Business enterprises ; Economics ; Energy policy. ; Energy and state. ; Environmental ; Social and Governance ; Corporate finance ; Economic Incentives for ESG Activities ; Market-Based Policies for ESG Activities ; Financial markets ; Financial risks ; Corporate governance ; Behavioral finance ; Energy financing ; Energy markets ; Aufsatzsammlung
    Abstract: Chapter 1. Introduction (James Thewissen) -- Part I. Energy Resources and ESG Criteria: Demand and Supply Issues -- Chapter 2. The Causal Relationship Between ESG and Economic Growth: Evidence from the Panel of Commonwealth Independent States (Nermin Yasar Baskaraagac) -- Chapter 3. Macroeconomic Determinants of Energy Poverty in Türkiye (Goktug Sahin) -- Chapter 4. Towards Economic Growth Without CO2 Emissions: the Case of Türkiye (Wietze Lise) -- Chapter 5. The Natural Gas War between Europe and Russia after the Invasion of Ukraine (Mehmet Baha) -- Part II. Market-Based Policies for ESG Activities in the Energy Sector -- Chapter 6. ESG Performances of Energy Companies in OECD Countries: A Clustering Approach (Cem Menten) -- Chapter 7. The Impact of Renewable Energy Incentives on Carbon Prices in the USA (Esin Hilal Çoşkun) -- Chapter 8. Static and Dynamic Connectedness between Green Bonds and Clean Energy Markets (Ayşe Nur Şahinler) -- Chapter 9. Do Green Bonds Improve the Stock and Environmental Performance of Energy Firms? International Evidence (Mehmet Baha Karan) -- Part III. Dealing with ESG Issues: Creating Corporate Value -- Chapter 10. Resilience in Power Generation: Two Case Studies from Turkey (Fatih Avcı) -- Chapter 11. The Effect of Environmental Scores on Financial Performance in the European Region (Gizem Arı) -- Chapter 12. The Impact of Executive Pay Gap on Environmental and Social Performance in the Energy Sector: Worldwide Evidence (Deniz Kartal) -- Chapter 13. Sector and Country Effects of Carbon Reduction on Firm Performance (Robin van Emous).
    Abstract: This book contributes to a better understanding of the importance of environmental, social, and governance (ESG) principles for corporate value in the energy industry. In particular, it analyzes how the energy industry is achieving this shift in response to government regulations and how it is addressing specific ESG issues. It discusses various economic incentives and market-based policies for ESG activities in the energy sector and highlights how energy firms are using environmental, social and governance initiatives to create value. In turn, the book demonstrates how ESG principles can be implemented while considering various economic and corporate issues, such as financial markets, financial risks, asset pricing, value at risk, capital structure, capital budgeting, corporate (re)structuring, corporate governance, behavioral finance, financial performance, asset pricing, cost control, financial accounting, fiscal issues, institutions, governance, and legal aspects. Accordingly, it will appeal to scholars of economics, finance, and energy policy, and to anyone interested in the implementation of ESG principles in the energy industry. This is the ninth book in a series organized by the Centre for Energy and Value Issues (CEVI). In this book, CEVI collaborates with the Hacettepe University Energy Markets Research and Application Center (Ankara, Turkey). The previous volumes in the series were: Financial Aspects in Energy (2011), Energy Economics and Financial Markets (2012), Perspectives on Energy Risk (2014), Energy Technology and Valuation Issues (2015), Energy and Finance (2016), Energy Economy, Finance and Geostrategy (2018), Financial Implications of Regulations in the Energy Industry (2020) and Applied Operations Research and Financial Modelling in Energy (2021).
    DOI: 10.1007/978-3-031-48457-5
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    Modern Approaches in Machine Learning and Cognitive Science: A Walkthrough : Volume 4 (2024)
    Cham : Springer International Publishing | Cham : Imprint: Springer
    Details
    ISBN: 9783031430091
    Language: English
    Pages: 1 Online-Ressource(VII, 342 p. 244 illus., 171 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Studies in Computational Intelligence 1117
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Computational intelligence. ; Artificial intelligence. ; Machine learning.
    Abstract: Effect of Social Networking Advertisements (SNAs) On Attitudes and Purchase Intention towards Brand Products -- Design of Optimal Waste Management System using IOT and Machine Learning Technique in Educational institutions -- An enhanced Woelfel Image Noise Filter -- PAPR and SER Performance Analysis of OFDMA and SCFDMA -- VLSI Implementation of an 8051 Microcontroller using VHDL and Re- corrective Measure using AI -- A survey of Internet of Things frameworks for crowd management system.
    Abstract: This book provides a systematic and comprehensive overview of cognitive intelligence and AI-enabled IoT ecosystem and machine learning, capable of recognizing the object pattern in complex and large data sets. A remarkable success has been experienced in the last decade by emulating the brain–computer interface. It presents the applied cognitive science methods and AI-enabled technologies that have played a vital role at the core of practical solutions for a wide scope of tasks between handheld apps and industrial process control, autonomous vehicles, IoT, intelligent learning environment, game theory, human computer interaction, environmental policies, life sciences, playing computer games, computational theory, and engineering development. The book contains contents highlighting artificial neural networks that are analogous to the networks of neurons that comprise the brain and have given computers the ability to distinguish an image of a cat from one of a coconut, to spot pedestrians with enough accuracy to direct a self-driving car, and to recognize and respond to the spoken word. The chapters in this book focus on audiences interested in artificial intelligence, machine learning, fuzzy, cognitive and neurofuzzy-inspired computational systems, their theories, mechanisms, and architecture, which underline human and animal behavior, and their application to conscious and intelligent systems. In the current version, it focuses on the successful implementation and step-by-step execution and explanation of practical applications of the domain. It also offers a wide range of inspiring and interesting cutting-edge contributions on applications of machine learning, artificial intelligence, and cognitive science such as healthcare products, AI-enabled IoT, gaming, medical, and engineering. Overall, this book provides valuable information on effective, cutting-edge techniques, and approaches for students, researchers, practitioners, and academics in the field of machine learning and cognitive science. Furthermore, the purpose of this book is to address the interests of a broad spectrum of practitioners, students, and researchers, who are interested in applying machine learning and cognitive science methods in their respective domains.
    DOI: 10.1007/978-3-031-43009-1
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    Cancer Care in Pandemic Times : Building Inclusive Local Health Security in Africa and India (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031441233
    Language: English
    Pages: 1 Online-Ressource(XXXIV, 359 p. 17 illus., 3 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: International Political Economy Series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: International economic relations. ; International relations.
    Abstract: Part 1 cancer in pandemic times -- Chapter 1 - the cancer care challenge in the light of pandemic experience -- Chapter 2 - broken supply chains and local manufacturing innovation: responses to covid-19 and their implications for policy -- Part 2 the cancer care experience in east Africa -- Chapter 3 - the social pain of cancer in east africa: understanding need -- Chapter 4: access to cancer care: navigating the maze -- Chapter 5 - beyond ‘late presentation’: explaining delayed cancer diagnosis in east Africa -- Part 3 local industry and cancer care in india and east Africa -- Chapter 6 - cupboard full, cupboard empty: the industrial building blocks of covid-19 and cancer systems -- Chapter 7- manufacturing for cancer care in east africa: raising the ambition -- Chapter 8 - oncology drug production in sub-saharan africa: the challenge and opportunity, with evidence from india -- Part 4 - industrial innovation and industrial policy -- Chapter 9 - emerging business models in cancer diagnostic startups in india and lessons for african countries -- Chapter 10 - realistic ambitions: technology transfer for biologics platform technologies -- Chapter 11 - palliation economics: the industrial organization of morphine in india -- Part 5 - tackling institutional gaps: using scenarios -- Chapter 12 innovation and policy in cancer pain management: systemic interactions in Tanzania -- Chapter 13 - using scenarios to support innovation and mutual linkages -- Chapter 14- conclusion: better cancer care and greater local health security: lessons, opportunities and ways forward.
    Abstract: “This is a book whose time has come. Covid-19 should have forced a fundamental shift in thinking around the way African healthcare systems are organised, and how and where they procure essential health commodities. I recommend this book for every African policy maker, parliamentarian, opposition politician, financier, and especially for the political champions and civil servants in the Ministries of Health, Finance, Trade and Industry, Science and Education across the African continent.” --Dr Skhumbuzo Ngozwana, President & CEO Kiara Health; Board Chairman Biovac; Board Member, Federation of African Pharmaceutical Manufacturers Associations, South Africa This open access edited volume focuses on the scope and benefits of strengthening local industrial-health linkages. The Covid-19 pandemic collapsed international supply chains for health. That experience brought home to African policy makers the critical nature of local manufacturing capabilities for sustaining and strengthening health care, and highlighted the pandemic benefits of India’s much stronger industrial base. At that time, a network of researchers in East Africa, India and the UK were investigating how to address the crisis of cancer care in low-resource health systems. Their project, uniquely, focused on the scope and benefits of strengthening local industrial-health linkages. The project researchers were also drawn into the pressing demands of Covid19 response. The result is this very timely book. The authors link their research on cancer to pandemic experience, and they draw sharp lessons for how countries can enhance their populations’ health security. The authors argue that improving cancer care is crucial for human wellbeing and more inclusive health care. They challenge policy makers to bring together health needs, health innovations and improved industrial capabilities to embed better cancer care and broader health system improvement in local industrial innovation and development. Geoffrey Banda is Senior Lecturer, Science Technology and Innovation Studies (STIS) Department, University of Edinburgh, UK Maureen Mackintosh is Emeritus Professor of Economics, Open University, UK Mercy Karimi Njeru is Research Scientist, Kenya Medical Research Institute (KEMRI), Kenya. Smita Srinivas is Founder, the Technological Change Lab and holds Visiting and Honorary Professorial appointments at the OU and UCL. Fortunata Songora Makene is Executive Director, Economic and Social Research Foundation (ESRF), Tanzania.
    Note: Open Access
    DOI: 10.1007/978-3-031-44123-3
    URL: kostenfrei
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    Extraterritorial Apprehensions for the International Criminal Court : The Duties of Peacekeepers, Occupants and other International Forces (2024)
    Cham : Springer International Publishing | Cham : Imprint: Springer
    Details
    ISBN: 9783031458965
    Language: English
    Pages: 1 Online-Ressource(XV, 250 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: International criminal law. ; Humanitarian law. ; Politics and war.
    Abstract: Introduction -- Case Study on MONUSCO, UNOCI and UNAMID -- Potential sources of law for a duty to apprehend core criminals -- Sovereignty-based limitations on extraterritorially apprehending core criminals -- International humanitarian law -- International human rights law -- Concluding remarks.
    Abstract: The starting point of this book is the generally shared observation that in violence-torn areas of limited statehood, the civilian population is often subject to deliberate attacks. This violence often escalates to core crimes such as war crimes, crimes against humanity and even genocide. The International Criminal Court (ICC) could potentially deter such crimes. In order to do so, it largely depends on the cooperation of the states on the territory of which alleged core criminals operate. Since such states are often unwilling or unable to cooperate, the book explores whether the ICC could instead seek assistance from international forces such as UN peace support operations, UN-mandated missions, and belligerent occupants. The book covers, on the one hand, the law and practice of the UN Security Council with regard to mandating international forces to arrest and transfer alleged offenders to the ICC or to other international courts. On the other, it addresses to what extent international forces may or must hand alleged offenders over to the ICC, regardless of such mandates. More precisely, the book examines whether the duties to prosecute genocide, torture, enforced disappearance, grave breaches and other war crimes apply extraterritorially and – if so – whether international forces can discharge these duties by transferring suspects to the ICC. At the same time, the book addresses the limitations to such extraterritorial action: firstly, to what extent the prohibition of the use of force and the principle of territorial sovereignty restrict extraterritorial deprivations of liberty and transfer to the ICC. Secondly, it explores the restrictions and permissions that the law of occupation and other norms of international humanitarian law impose on such apprehensions and transfers. Finally, it discusses how international forces can uphold the right to liberty and security as well as the principle of non-refoulement when they extraterritorially apprehend ICC suspects. This also reflects the book’s relevance with regard to the more general debate on the extraterritorial application of human rights.
    DOI: 10.1007/978-3-031-45896-5
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    The “Five Eyes” Intelligence Sharing Relationship : A Contemporary Perspective (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031475818
    Language: English
    Pages: 1 Online-Ressource(XI, 160 p. 5 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Security, International.
    Abstract: Chapter 1: Background -- Chapter 2: Research Questions, Methodology, Limitations -- Chapter 3: Relationships -- Chapter 4: Australia -- Chapter 5: Canada -- Chapter 6: New Zealand -- Chapter 7: United Kingdom -- Chapter 8: United States -- Chapter 9: Analysis and Findings -- Chapter 10: Conclusion.
    Abstract: "While much has been written on the existence of the Five-Eye (US, UK, Canada, Australia, New Zealand) intelligence organization, little has been written about how these member states use this alliance for their domestic benefit. Doctors Røseth and Weaver have made a unique contribution to the literature by examining the Five-Eye alliance as seen through the lens of the types of national power (Diplomatic, Information, Military, and Economic) and the use of those powers." ---Bruce MacKay, Intelligence Enterprise Department & DIA Directorate of Operations Chair, USA (Retired). "Brisling with well-researched facts, anecdotes, and discussions that successfully encapsulate the history and raison d’être of the classic intelligence sharing system of the West. A timely and scholarly analysis of the strengths, weaknesses, and future for the Five Eyes system explained in its strategic context. An absolute read for any intelligence or policy professional.” ---Tom Tutt, Colonel (US Army retired) This book focuses on qualitative research centering on the “Five Eyes'' countries (the five countries with intelligence sharing relations: Australia, Canada, New Zealand, United Kingdom, and the United States) and how they are leveraging the instruments of national power to advance their position and to look for points of intersection where these countries will work with one another. This ten-chapter volume covers the following topics: overview, methodology, a chapter for each of the “Five Eyes' ' or FVEYs nations, analysis & findings, and conclusion. Tom Røseth, Ph.D. (University of Oslo) is an associate professor at the Norwegian Defence University College. John Michael Weaver, DPA (University of Baltimore), is Associate Professor of Intelligence Analysis, York College of Pennsylvania (USA), a retired lieutenant colonel from the US Army, and a retired civilian from the Intelligence Community of the US.
    DOI: 10.1007/978-3-031-47581-8
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    The International Loan Documentation Handbook (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031384899
    Language: English
    Pages: 1 Online-Ressource (XXXIII, 553 p. 6 illus., 1 illus. in color.)
    Edition: 3rd ed. 2024.
    Series Statement: Global Financial Markets
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Internationaler Kredit ; Kreditgeschäft ; Kreditmarkt ; Vertragsrecht ; Unternehmensfinanzierung ; Financial services industry. ; International economic relations. ; Finance ; Loans, Foreign Law and legislation ; Commercial loans Law and legislation ; Loans, Foreign Law and legislation ; Commercial loans Law and legislation ; LMA ; Loan Market Association ; market disruption ; LIBOR: Wheatley review ; Basel 3' CRD IV ; FATCA ; tax gross up ; syndicated loans ; capital adequacy ; bank funding ; interest rates ; project finance ; asset finance ; corporate finance ; title financing ; quasi security ; compulsory prepayment ; investments and securities ; Kreditvertrag ; Kreditgeschäft ; Kreditrecht
    Abstract: Introduction -- PART I: ADMINISTRATIVE PROVISIONS -- 1. Definitions and Interpretation -- 2. The Facility -- 3. Utilization -- 4. Repayment, Prepayment and Cancellation -- 5. Costs of Utilization -- 6. Additional Payment Obligations -- PART II: GUARANTEE, REPRESENTATIONS, UNDERTAKINGS AND EVENTS OF DEFAULT -- 7. Guarantee -- 8. Representations, Undertakings, and Events of Default -- PART III: BOILERPLATE AND SCHEDULES -- 9. Changes to Parties -- 10. The Finance Parties -- 11. Administration -- 12. Governing Law and Enforcement -- 13. Schedules -- Appendix A: English Law Concepts.
    Abstract: Since publication of the first edition in 2005, The International Loan Documentation Handbook has been an essential reference for lenders, their advisers and their customers, providing a practical and comprehensive review of the terms of international loan documentation. The book guides the reader, step by step, clause by clause, through the loan agreement, from start to finish. It gives detailed explanations of the purpose and commercial implications of each clause and highlights those clauses which have the biggest commercial impact. For each key clause, the text discusses some common negotiation points from the point of view of both borrower and lender. It also alerts readers to big picture issues: such as scope, flexibility, control, and syndicate democracy, as well as to pitfalls to watch out for, such as uncapitalised definitions, conflicting provisions and the role of Defaults and Events of Default. By explaining the structure and purpose of the various clauses, it equips readers with the tools to review the documents strategically and to navigate easily between the different provisions so as to follow key themes and to spot any commercial implications with ease. This definitive resource on international loan documentation, now in its third edition, provides a practical and comprehensive review of the terms of international loan agreements for bankers and lawyers at all levels of experience involved in international lending. This edition has been substantially expanded and updated to reflect significant changes since the previous edition including Brexit, post LIBOR interest options and the rise of ESG and sustainability linked loans, and includes English law concepts and a glossary of terms. Sue Wright is a well-known teacher of international loan documentation. Since qualifying as a solicitor in 1981 and practicing international finance at Norton Rose for 16 years (8 as a partner), Sue has taught loan documentation to generations of bankers, borrowers and lawyers on the hugely popular courses which she has run for Euromoney since 1995 and via her online training website at www.suewrightonline.com.
    DOI: 10.1007/978-3-031-38489-9
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    The Jurisdiction of the International Criminal Court (2024)
    Cham : Springer International Publishing | Cham : Imprint: Springer
    Details
    ISBN: 9783031461385
    Language: English
    Pages: 1 Online-Ressource(XXIII, 349 p. 7 illus., 3 illus. in color.)
    Edition: 2nd ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: International criminal law. ; Humanitarian law. ; International law. ; Human rights. ; International organization.
    Abstract: 1 The Definition of International Crime -- 2 The Preconditions for the International Criminal Court to Exercise its Jurisdiction -- 3 The Crime of Genocide and the International Criminal Court’s Jurisdiction -- 4 Crimes Against Humanity Under the ICC’s Jurisdiction -- 5 The ICC’s Jurisdiction Over War Crimes -- 6 The Crime of Aggression: The Birth of a Crime -- 7 Immunities Under Art. 27 ICCRSt and the ICC’s Jurisdiction -- 8 The ICC’s Jurisdiction Following a Security Council’s Referral of a Situation Concerning Citizens of States Non-Parties to the ICC: the Situation in Sudan and Libya (Art. 25 UN Charter & 13(b) ICCRSt) -- 9 The Awakening Hypothesis of the Complementarity Principle -- 10 Ecocide: The Emergence of a New Crime within the Jurisdiction of the International Criminal Court? -- 11 Lethal Autonomous Weapons, Drones and Robots: to what extent their usage infringes upon established principles of international criminal law? -- 12 Cyber warfare: international criminal law in the digital era.
    Abstract: This book embarks on a comprehensive exploration of the jurisdiction of the International Criminal Court (ICC) and elucidates the three foundational aspects of its jurisdiction as laid out in the Rome Statute: the preconditions for exercising jurisdiction (Article 12 ICCRSt), its substantive competence regarding core crimes (Articles 5-8bis ICCRSt), and the principle of complementarity (Article 17§1(a) ICCRSt). This principle, crucial to understanding the ICC’s ‘ultimate jurisdiction’, is invoked only when a State Party demonstrates an inability or unwillingness to genuinely undertake investigation or prosecution. The book further probes the ‘negative preconditions’ of the Court’s jurisdiction, in particular, immunities (Article 27 ICCRSt) and exceptions through Security Council referrals (Articles 13(b) and 15 ICCRSt). Intended for students, scholars, and practitioners alike, this second edition offers invaluable insights into the ICC’s jurisdiction, making a notable contribution to the existing literature. Importantly, it also navigates emerging fields of international criminal law, addressing topical and thought-provoking subjects such as ecocide, cyber warfare, automated lethal weapons, artificial intelligence, and the legal complexities arising from the Russian invasion of Ukraine.
    DOI: 10.1007/978-3-031-46138-5
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    Data Analytics in System Engineering : Proceedings of 7th Computational Methods in Systems and Software 2023, Vol. 3 (2024)
    Cham : Springer International Publishing | Cham : Imprint: Springer
    Details
    ISBN: 9783031535529
    Language: English
    Pages: 1 Online-Ressource(XIV, 460 p. 247 illus., 157 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Lecture Notes in Networks and Systems 910
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Computational intelligence. ; Software engineering.
    Abstract: Interpretable Rules with a Simplified Data Representation - a Case Study with the EMBER dataset -- Spatial econometric models: the pursuit of an accurate spatial structure with an application to labor market -- Use of Neighborhood-based Bridge Node Centrality Tuple for Preferential Vaccination of Nodes to Reduce the Number of Infected Nodes in a Complex Real-World Network -- Social Media Applications’ Privacy Policies for facilitating Digital Living -- Modeling the Alienability of an Electronic Document -- Particular Analysis of Regression Effect Sizes Applied on Big Data Set -- Foreign Languages Teaching Technologies and Methods in Traditional and Distance Forms of Learning -- Application of Fuzzy Logic for Evaluating Student Learning Outcomes in E-Learning -- The meaning of business and software architecture in the enterprise architecture -- Research of the Correlation Between the Results of Detection the Liveliness of a Face and its Identification by Facial Recognition Systems -- Profit Prediction Model for Steel Enterprises Based on Input and Output Prices.
    Abstract: These proceedings offer an insightful exploration of integrating data analytics in system engineering. This book highlights the essential role of data in driving innovation, optimizing processes, and solving complex challenges in the field. Targeted at industry professionals, researchers, and enthusiasts, this book serves as a comprehensive resource, providing actionable insights and showcasing transformative applications of data in engineering. It is a must-read for anyone keen on understanding and participating in the ongoing evolution of system engineering in our data-centric world.
    DOI: 10.1007/978-3-031-53552-9
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    Advances in Intelligent System and Smart Technologies : Proceedings of I2ST’23 (2024)
    Cham : Springer International Publishing | Cham : Imprint: Springer
    Details
    ISBN: 9783031476723
    Language: English
    Pages: 1 Online-Ressource(XXII, 410 p. 195 illus., 164 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Lecture Notes in Networks and Systems 826
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Computational intelligence. ; Artificial intelligence.
    Abstract: This book is a collection of high-quality peer-reviewed research papers presented at The International Conference on Intelligent Systems and Smart Technologies (I2ST’23) held at the Faculty of Science and Technology of Hassan First University, Morocco, on January 17–18, 2023. I2ST'23 is a forum for presenting new advances and research results in the fields of information, communication, and smart technologies. The book discusses significant issues relating to machine learning, smart technologies, and data analytics. The main and distinctive topics covered are: I) AI& Intelligent, II) Systems Smart Technologies, III) Communications and Networking, IV) Software Engineering & Web Applications, V) Information Technology, and VI) Software Engineering & Web Applications.
    DOI: 10.1007/978-3-031-47672-3
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    Heritage in War and Peace : Legal and Political Perspectives for Future Protection (2024)
    Cham : Springer International Publishing | Cham : Imprint: Springer
    Details
    ISBN: 9783031473470
    Language: English
    Pages: 1 Online-Ressource(VIII, 587 p. 2 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Law and Visual Jurisprudence 12
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Private international law. ; Conflict of laws. ; International law. ; Comparative law. ; Cultural property.
    Abstract: Introduction. Venturing to Find New Approaches to Heritage in Peril for the 21st Century -- Part I. Cultural Heritage Between Theory, the Past, and the Future -- Ruins as Cultural Heritage. Ethical and Aesthetic Considerations -- Finding the Intangible: Contested Cityscapes, Inclusive Cultural Heritage Determinations, Balancing Stakeholder Interests… Is Urban Property Law Up to the Challenge? -- Should Heritage be Preserved? Examining Contention Over Confederate Monument Removal -- Ruins and Heritages, the Great Mutation of China’s Diplomacy in its Encounter with Europe in the 19th Century -- Cultural Heritage Law and NaturalCultural Paradigms within the Sustainable Development Discourse -- Adopting a Holistic Approach to Cultural and Natural Heritage Protection under the UNESCO World Heritage Convention -- Cultural Heritage and the Conservation and Insecurity Paradigms: International Law in the Pursuit of Social Cohesion -- NFT and Blockchain Technology for a Sustainable Future of Cultural Heritage -- The Virtual Museum: How Technology and Virtual Reality may Help Protect and Promote Cultural Heritage -- The Two Most Important 21st Century Disputes in Cultural Heritage Law -- Part II. Heritage Issues in Times of War and Conflict -- The Protection of Cultural Property in the Case of Armed Conflict: The State of Current and Future Developments in Military Doctrine -- Military Necessity as an Exception in the Context of Cultural Heritage Protection: Exploring the Role Played by the Proportionality Principle -- Cultural Heritage as a Neutral Party: The Role of Neutrality in the Protection of Cultural Heritage During Armed Conflict -- Mens Rea in International Criminal Law: A Look at Eichmann’s Responsibility in the Light of Kant and Arendt -- Protecting Cultural Heritage in Times of War: A Study of the Gravity of Protection Rules vs the Weight of Violations -- To Break Their Will to Fight: The Weaponization of Heritage in Modern Irregular Warfare -- Heritage in War: International Criminal Responsibility for the Destruction of Cultural Heritage in Armed Conflict -- Destruction of Natural and Cultural Heritage during the Armed Conflicts: An International Law Perspective -- Facing Heritage Protection in Armed Conflicts, International Institutions and Civil Society -- Armed Non-State Actors and Cultural Heritage Protection under IHL -- Cultural Heritage and International Security through the role of ANSAs -- Part III. Heritage Issues in Times of Peace and Stability -- Law, Vague Legal Terms and Clothing as Everyday Culture -- Eat the Rich: A Rethinking of the Heritage-Crime-Development Nexus -- Mainstreaming Indigenous Peoples’ Human Rights in the Protection of Cultural and Natural Heritage: The Role and Issues Surrounding of Relevant Global Governance Actors -- The Legal Process of Transformation: Exploring the Interactive Relationship between Cultural Heritage and Geographical Indications (GIs) -- Gender, Traditional Cultural Expressions, and Intellectual Property: Exploring Women’s Empowerment and Cultural Production in Zambia -- Folk Art and Stylized Folk Art from the Perspective of Intellectual Property Law. Analysis of the Example of Two Polish Folk Song and Dance Ensembles, ‘Mazowsze’ and ‘Śląsk’ -- Part IV. Heritage as a Right: From the Fight for Preserving the Past to the Questions of Restitution -- Shrouds of Silence: Dismantling of the Heritage Sites of Middle Eastern Minorities as de facto Erasure of History -- The Consequences of Violence against Women and Children in Armed Conflicts for their Intangible Cultural Heritage. A Diachronic Perspective of Universal Rights of Women -- Cultural Heritage: A Critical Element of the Right to Education and the Right to Identity of Children in Armed Conflict -- Legal Obstacles to Claims for Restitution of Cultural Objects Removed as Spoils of War -- Cultural Heritage Law in the Dock: Protecting Cultural Objects in Un-recognized States and Governments -- Cultural Treasures and their Place of Origin: Crimean Treasures return to Kyiv -- Performing Special Protection: Cultural Heritage in PostWar Kosovo -- Conclusions. Heritage in War and Peace -- Afterword. Return to the First Seminar: Protecting an Invaluable Heritage. The Egyptian Case.
    Abstract: This edited collection, which brings together nearly fifty authors from across the globe and various disciplines, makes a valuable contribution to the field of conservation, covering a wide range of topics regarding the protection of heritage in times of war and peace. Uniquely linking the two typically separate perspectives, the book builds on the wealth of discussions that took place during the 2021 and 2022 installments of the international “Heritage in War and Peace” Seminars held in Rome and Montréal, respectively. Issues explored in the volume include but are not limited to questions surrounding the protection of contentious heritages, unsustainability of the current dichotomic cultural/natural heritage protection frameworks, digitalization of heritage, place of heritage in military conflicts, use of heritage by armed non-state actors, indigenous peoples’ relationships with heritage, the intersection of intellectual property (IP) law and heritage, human rights matters linked to heritage protection, and the latest case studies surrounding restitution. Given its scope, the book will be of particular interest not only to practitioners and conservation specialists but also to academics and students in the broader social sciences and humanities, and to all those who hope to preserve our heritage for future generations.
    DOI: 10.1007/978-3-031-47347-0
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    New Forms of Human Trafficking : Global South Highlights and Local Contexts on Sexual and Labor Exploitation (2024)
    Cham : Springer International Publishing | Cham : Imprint: Springer
    Details
    ISBN: 9783031397325
    Language: English
    Pages: 1 Online-Ressource(X, 285 p. 6 illus., 5 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als New forms of human trafficking
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Human rights. ; Civil rights. ; European communities. ; Organized crime. ; Transnational crime. ; Law ; Criminal law
    Abstract: Chapter 1. “Don't Give Me Moral, but a Social Ideal”: From the Social Condemnation of Prostitution to the Criminalisation of Sexual Exploitation: Pimping and Human Trafficking in the Portuguese Penal Code -- Chapter 2. Cross-Border Organized Crime and Human Rights: The Awfulness of Trafficking in Human Beings. Chapter 3. Combating Human Trafficking in South Africa -- Chapter 4. Human Trafficking Policies in Scandinavia: What Happens When International Obligations Meet National Problem Definitions? -- Chapter 5. Fight Against Human Trafficking in Poland: From Theory to Practice -- Chapter 6. The Silenced Coercion of Voodoo over Nigerian Women Trafficked from West Africa to Europe -- Chapter 7. Transvestites and Transwomen in Human Trafficking for Sexual Exploitation: A Study In Brazil -- Chapter 8. Romania – Trendstetter in European Human Trafficking? -- Chapter 9. Individuals Treated As Nonpersons and the Challenge to Criminal Justice: The Specific Problems Facing Victims of Trafficking in Human Beings -- Chapter 10. Trafficking in Human Beings as an Hourglass Paradigm -- Chapter 11. The Formal Institutions of Control and the Victims of Human Trafficking: From Frequency to Impunity -- Chapter 12. Human Trafficking in Slovenia: Contemporary Issues -- Chapter 13. How Organized is Labour Trafficking? On the Involvement of Organized Criminal Groups in Labour Exploitation -- Chapter 14. Human Trafficking in Brazilian Law: The New Legal Definition -- Chapter 15. Trafficking in Persons vis-à-vis the Recent Jurisprudence of the Inter-American Court of Human Rights: Lessons for Brazil.
    Abstract: This book analyses new forms of human trafficking taking into account the transposition of the Directive 2011/36/UE which sets out minimum standards to be applied throughout the European Union in preventing and combating trafficking in human beings and protecting its victims. Sexual exploitation of trafficked persons is at its highest rate. After COVID-19, new forms of sexual exploitation have been identified, specifically in the Global South. The book analyses new forms of exploitation used by traffickers to coerce victims. Combining the perspectives of academic researchers with those of highly skilled professionals from governmental institutions, this book is a unique contribution, promoting collaboration in preventing and combating human trafficking crime, and in raising awareness of this ongoing problem.
    DOI: 10.1007/978-3-031-39732-5
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    National and International Monetary Payments : From Smith to Keynes and Schmitt (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031517372
    Language: English
    Pages: 1 Online-Ressource (XV, 271 p. 11 illus.)
    Series Statement: Palgrave Studies in the History of Economic Thought
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Economics ; Macroeconomics. ; Schools of economics. ; International economic relations. ; Financial services industry. ; history of economic thought through 1925 ; history of economic thought since 1925 ; monetary economics ; central banking ; international monetary arrangements and institutions ; economic pathologies ; monetary reform ; national payments ; international payments ; sovereign debt crises ; theory of money emissions
    Abstract: Chapter 1. Introduction -- PART 1: NATIONAL PAYMENTS- Chapter 2. Nominal and real money, general equivalent, and value -- Chapter 3. From money as a numéraire to the quantity theory of money -- Chapter 4. Keynes on bank money and the ‘monetary theory of production’ -- Chapter 5. The macroeconomic analysis of national payments -- PART II: INTERNATIONAL PAYMENTS -- Chapter 6. The classical view of international transactions -- Chapter 7. The neoclassical approach to international transactions -- Chapter 8. Keynes’s analysis of external payments -- Chapter 9. The macroeconomic analysis of international payments -- Chapter 10. Conclusion.
    Abstract: This book demonstrates the relevance of the historical perspective with respect to national and international payment systems. Its analysis of national and international payments develops along a dialectical path that starts with the work of the Classics (thesis), undergoes a radical turn with the advent of the neoclassical school (antithesis), and reaches the modern theory of emissions passing through Keynes’s contribution (synthesis). That the history of economic thought occupies a legitimate place in the field of historical studies is beyond dispute. What may be less well understood is that it can serve purposes beyond those of the academic community of historians. This book critically investigates the contributions of the greatest economists of the past to provide insights into the pathologies of today’s systems of national and international payments and into the reforms that are needed to correct them. It will be relevant to students and researchers interested in economic policy and the history of economic thought. Andrea Carrera is an Assistant Professor of Applied Economics at Complutense University of Madrid and an Affiliated Researcher at the Complutense Institute for International Studies (ICEI). He has also been serving as a Marie Skłodowska-Curie exchange researcher in Asia and South America. His current research interests are in monetary economics and economic catch-up. Alvaro Cencini is Professor Emeritus of Monetary Economics at the Università della Svizzera italiana, Switzerland. He holds a D.phil degree from the University of Fribourg and a Ph.D. degree from the London School of Economics. He is the author of several books, contributions to books, and peer-reviewed journals on monetary economics. See also: www.quantum-macroeconomics.info.
    DOI: 10.1007/978-3-031-51737-2
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    The 3 Dimensions of Digitalised Archaeology : State-of-the-Art, Data Management and Current Challenges in Archaeological 3D-Documentation (2024)
    Cham : Springer International Publishing | Cham : Imprint: Springer
    Details
    ISBN: 9783031530326
    Language: English
    Pages: 1 Online-Ressource(XXI, 225 p. 99 illus., 58 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: History. ; Archaeology. ; Digital humanities. ; Social sciences
    Abstract: Part 1. Introduction -- Chapter 1. Editors: 3D-Archaeology and Cultural Heritage: Where are we today? -- Chapter 2. Technological developments -- Chapter 3. 1 Tobias Schreck, Stephan Karl, Elisabeth Trinkl (Graz): Exploring the virtual. Crossmodal search and visual exploration of 3D Cultural Heritage -- Chapter 4. Thomas Reuter (Dresden): Standardization, Data-Management and Scientific Usage of 3D-Data. 15 Years of 3D-Archaeology in the Archaeological Heritage Office of Saxony -- Part 2. Case Studies in Cultural Heritage and Archaeology -- Chapter 5. François Fouriaux (École Française de Rome): Defrag memories: 3D spatial analysis of remains of commemorative gestures in the necropolis of Porta Nocera at Pompeii -- Chapter 6. Vasiliy Kovalev (Novosibirsk): A 3D-approach to Siberian Rock Art Documentation.-Part 3. Current Challenges -- Chapter 7. Marco Hostettler, Anja Buhlke, Clara Drummer, Lea Emmenegger, Johannes Reich, Corinne Stäheli(Bern, Kiel, Berlin): The current application of image-based 3D technologies in archaeology. Results of an online survey -- Chapter 8. Kate Fernie (CARARE/Europeana): 3D content in EUROPEANA: The challenges of providing access -- Chapter 9. Jill Hilditch (Amsterdam): Balancing storage and user functionality: The 3D and archaeological data strategy of the tracing the potter’s wheel project -- Part 4. Data Management -- Chapter 10. Jugoslav Pendic (Novi Sad): Data management and handling of 3D-objects in the post-collection phase -- Chapter 11. Christoph Rummel and Clemens Brünenberg: Bathing in the Pompeian Light - Integrating SFM technology in excavation and standing remains assessment -- Part 5. Conclusion -- Chapter 12. Editors: Conclusion: Where is 3D-Archaeology going?.
    Abstract: This Open access book aims to provide an overview of state-of-the-art approaches to 3D documentation from a practical perspective and formulate the most important areas for future developments. Bringing together a wide range of case studies, examples of best practice approaches, workflows, and first attempts to establish sustainable solutions to pressing problems, this book offers readers current practical advice on how to approach 3D archaeology and cultural heritage. Divided into five parts, this book begins with an overview of 3D archaeology in its present state. It goes on to give insights into the development of the technology and recent cutting-edge applications. The next section identifies current challenges in 3D archaeology and then presents approaches and solutions for data management of a large number of 3D objects and ways to ensure sustainable solutions for the archiving of the produced data. This book will be of interest to researchers working in the fields of archaeology, heritage management, and digital humanities in general.
    Note: Open Access
    DOI: 10.1007/978-3-031-53032-6
    URL: kostenfrei
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    Economic Theory in the Twentieth Century, An Intellectual History - Volume III : 1946-Mid-1970s. Economic Theory in the New Golden Age of Capitalism (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031502224
    Language: English
    Pages: 1 Online-Ressource (XVII, 423 p. 11 illus.)
    Parallel Title: Erscheint auch als
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    Keywords: Economics ; Econometrics. ; Economic history. ; Economic theory ; History of economic thought ; Post-war economics ; economics of neoclassical synthesis ; heterodox economics ; non-walrasian economics ; financial crisis of 2007-2008 ; economics of Harvard, Yale, Chicago and Princeton
    Abstract: Chapter 1: Introduction -- Chapter 2: Economics at Harvard and MIT -- Chapter 3: Economics at the Cowles Commission in Chicago and Yale -- Chapter 4: Economics at the Graduate School of Industrial Administration (GSIA) in Pittsburgh -- Chapter 5: The development of the theory of games at Princeton and the Rand Corporation -- Chapter 6: Economics in Chicago and the New Chicago School -- Chapter 7: Economics in Cambridge, UK, after Keynes -- Chapter 8: Non-Mainstream Economics in the USA -- Chapter 9: Great Theoretical Controversies -- Chapter 8: The Crisis of Keynesianism and the Emergent Dominance of the Chicago School and Neoliberalism à la Chicago. .
    Abstract: This book, set out over four-volumes, provides a comprehensive history of economic thought in the 20th century. Special attention is given to the cultural and historical background behind the development of economic theories, the leading or the peripheral research communities and their interactions, and a critical appreciation and assessment of economic theories throughout these times. Volume III addresses economic theory in the period of the new golden age of capitalism, between the years from the end of the Second World War to the mid1970s, which saw the establishment of the new mainstream, in particular in its Harvard-MIT-Cowles version. It was the period of the pre-eminence of the Neoclassical Keynesian Synthesis—the theoretical core of the period’s dominant school of thought. This work provides a significant and original contribution to the history of economic thought and gives insight to the thinking of some of the major international figures in economics. It will appeal to students, scholars and the more informed reader wishing to further their understanding of the history of the discipline. Roberto Marchionatti is Professor Emeritus of Economics at the University of Torino, Fellow of the Accademia delle Scienze di Torino, and a Life Member of Clare Hall College, Cambridge. He has previously been a Visiting Scholar at the University of New York and the University of Cambridge. He is the editor of Annals of Fondazione Luigi Einaudi: An Interdisciplinary Journal of Economics, History and Political Science and he has been co-editor of History of Economic Ideas. He has published almost 50 journal articles and more than 15 books as well as a great number of contributions in edited volumes.
    DOI: 10.1007/978-3-031-50222-4
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    Making and Changing Law in Small Jurisdictions (2024)
    Cham : Springer International Publishing | Cham : Imprint: Springer
    Details
    ISBN: 9783031469435
    Language: English
    Pages: 1 Online-Ressource(VIII, 200 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: The World of Small States 11
    Parallel Title: Erscheint auch als
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    Keywords: Private international law. ; Conflict of laws. ; International law. ; Comparative law. ; Law ; Law
    Abstract: 1 Navigating Law-making and Law Reform in Small Jurisdictions -- Part I Case studies in law-making in small jurisdictions -- 2 A small state, a worldwide jurisdiction: Vatican City State and its legal system -- 3 Small states and constitutional reform: democracy in Malta -- 4 Drafting for effectiveness: Tuvalu's Climate Change Resilience Act 2019 -- Part II International influences and their impact on small jurisdictions -- 5 Mapping the UK's constitutional relationship with Britain's Overseas Territories in the human rights sphere -- 6 The Long Road to a Beneficial Ownership Regime in the Cayman Islands -- 7 Law Reform and Regulated Credit Reporting Systems in Commonwealth Small Island Developing States: a study of Jamaica -- Part III Global perspectives on law-making and law reform in small jurisdictions -- 8 The Challenges and Rewards of Law Drafting in Small States.
    Abstract: This book puts the spotlight on a different and neglected aspect of law drafting and reform: the question of size. Specifically, how does the size of a jurisdiction affect its ability to make and change its laws? Some of the challenges affecting small jurisdictions include: a lack of resources and paucity of policy/drafting capacity; the pressures and pull from sources outside the jurisdiction (e.g. international bodies or NGOs; larger states; treaty commitments); a vulnerability to domestic capture (e.g. criminal elements, big local businesses, strong domestic lobby groups); weak/bad governance (e.g. laws or institutions which themselves do not encourage or promote good governance, reflection and reform); the legacy of colonial legal systems and their interaction with indigenous or customary laws; and struggles to comply with constitutional norms such as accountability and transparency. Despite these difficulties small jurisdictions also have certain advantages when it comes to making and reforming law: they can be flexible and creative; they can legislate very quickly if the political will is there; and there is strong informal/formal accountability in a small jurisdiction. This edited collection explores law reform and law drafting in small jurisdictions through the themes of sovereignty; the impact of colonialism and legal plurality; the challenges of harmonising laws at regional and international levels; and constitutional reform. Of use to researchers and practitioners alike.
    DOI: 10.1007/978-3-031-46943-5
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    The Holocaust and Australian Journalism : Reporting and Reckoning (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031188923
    Language: English
    Pages: 1 Online-Ressource(XVII, 311 p. 35 illus., 10 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Journalism. ; World War, 1939-1945. ; History.
    Abstract: Chapter 1: Introduction: The ‘long, long story’ -- Chapter 2: ‘Keep an eye on Hitler’: 1923 - 1932 -- Chapter 3: ‘The Nazis are Coming, Hurrah, Hurrah’: 1933 – 1935 -- Chapter 4: In Plain Sight: 1936 - 1939 -- Chapter 5: Looking into the Abyss: 1939 - 1941 -- Chapter 6: ‘They are killing all of us Jews’: 1941 –1944 -- Chapter 7: ‘One More Horror Camp’: 1944 – 1945 -- Chapter 8: War Trials, Refugees and Holocaust Awareness: 1945-1949 -- Chapter 9: Conclusion: The Reckoning.
    Abstract: This book explores the Australian press reporting of the persecution and genocide of European Jews, and the extent to which the news of the Holocaust was known and believed, revealed and hidden, and acknowledged and minimised. Spanning the coverage of Hitler’s political ascent in the 1920s through to the Nazis’ extermination campaign, it culminates in the accounts of the trials of Nazi war criminals and the post-war transnational migration to Australia of Holocaust survivors, to a country far from universally welcoming in its reception of them. The book also tells the story of the journalists who reported on these tragic events and the editors who published them, along with the political, social and cultural context in which they worked, in an environment influenced by exclusionary ideas about race and nationality that did not necessarily inspire sympathy for Jews and their trauma. This book sheds light on the ethics of reporting human suffering, violence and genocide and – centrally – on the role of the press in shaping Australia’s collective memory of the Holocaust. It encourages readers to think critically about media power, public apathy, advocacy, and the importance of truth. Disturbing evidence of increasing anti-Semitism in Australia as elsewhere, along with continuing Holocaust denial, provide an additional urgency to this study. Fay Anderson is Associate Professor at the School of Media, Film and Journalism at Monash University. She has published widely on media history, war journalism, genocide, press photography, trauma, memory and crime. Fay has authored and edited four books, including An Historian's Life: Max Crawford and the Politics of Academic Freedom (MUP, 2005); her co-authored book with Richard Trembath Witnesses to War: The History of Australian Conflict Reporting (MUP, 2011); and Shooting the Picture: Press Photography in Australia, co-authored with Sally Young (MUP, 2016).
    DOI: 10.1007/978-3-031-18892-3
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    Postmemory and the Partition of India : Learning to Remember (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031433979
    Language: English
    Pages: 1 Online-Ressource(XI, 149 p. 2 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Macmillan Memory Studies
    Parallel Title: Erscheint auch als
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    Keywords: Collective memory. ; Asia ; Imperialism. ; Ethnology.
    Abstract: 1 Learning to Remember.-2.Partition Postmemory.-3.Hospitality and Loss.-4.Nostalgia. -- 5.Collecting Memory -- 6.Preserving Memory -- Conclusion.
    Abstract: “The book presents a rich and multi-layered look at the 1947 partition of India, asking whether, how, and why the disruption and atrocities that partition imparted should be remembered. It is an eloquently written, deeply felt, and nuanced account of partition and its sequalae, not focused primarily on historical facts, but on the meaning of lived experiences at the personal, community, and cultural levels.”– Michelle D. Leichtman, Professor, Department of Psychology, University of New Hampshire, USA This book examines the memories of the Partition of India in 1947 with a focus on the generation of postmemory (those who came after it) and how partition experiences have been shared (or not) and understood. It explores the formal and narrative properties of different memory practices that have been built around the partition, and the methods of oral historians involved in collecting testimonies as part of the 1947 Berkeley partition archive. Shuchi Kapila is Professor in the Department of English at Grinnell College, USA, where she teaches postcolonial literature from Africa, the Caribbean, South Asia. Her book Educating Seeta: The Anglo-Indian Family Romance and the Poetics of Indirect Rule was published in 2010.
    DOI: 10.1007/978-3-031-43397-9
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    Four Worlds of the Welfare State in Latin America (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031444203
    Language: English
    Pages: 1 Online-Ressource (XVII, 283 p. 34 illus., 32 illus. in color.)
    Parallel Title: Erscheint auch als
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    Keywords: Development economics. ; Latin America ; Social choice. ; Welfare economics. ; Economics. ; Latin America ; Welfare State ; Latin American Economics ; Latin American Studies ; Welfare Economics ; Economic Systems ; social insurance system ; social protection system
    Abstract: Chapter 1: Introduction: The Welfare State as a Social Compromise.-Chapter 2: Four Worlds of Latin American Welfare States -- Chapter 3: The Political Economy of the Statist and Socio-Corporatist Welfare States -- Chapter 4: The Political Economy of the Commodified, the Familiarist and hybrid Welfare States -- Chapter 5: The Latin American Health Systems -- Chapter 6: The Welfare State and the Wage Relation in Latin America -- Chapter 7: The Welfare State and Gender -- Chapter 8: Conclusions.
    Abstract: This book explores the trajectories and structures of Latin American welfare states using a typology developed through conceptual and historical analyses of social protection systems in Latin America. It argues that social protection can be accomplished by different actors in distinct societies, be that the State, civil society, the market, or families. This work defines four types of welfare worlds based on who administers and allocates resources: the socio-corporatist, the statist, the commodified, and the familial. Author Ilan Bizberg delves on the historical trajectories of ten Latin American countries, each with a unique analysis of the corresponding social protection system: Uruguay, Argentina, Brazil, Costa Rica, Chile, Mexico, Colombia, Bolivia, Peru, and Ecuador The book begins with a meaningful discussion on the welfare state as a necessity of modern capitalist societies. Then, it counters the consequences of the disembeddedness of the economy from society and the way the social protection system protects the society against this rupture. Chapters focus on the health system, pensions, and assistance programs of these countries, with diverse case studies that include analyzing the performance of the health systems during the pandemic. The book closes with a discussion on gender and the situations women face and encounter under and within different social-protection regimes. Ilan Bizberg is Professor and Researcher at El Colegio de México, Associate Member of the International Graduate College “Temporalities of the Future” of the Freie Universität Berlin, and Associate Member of the CEIM of the Université de Quebec in Montreal. In 2020, he was awarded the Humboldt Foundation Research Prize. He is the author of several books, including Diversity of Capitalisms in Latin America (Palgrave Macmillan, 2019).
    DOI: 10.1007/978-3-031-44420-3
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    Post-Apocalyptic Cultures : New Political Imaginaries After the Collapse of Modernity (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031505102
    Language: English
    Pages: 1 Online-Ressource(XXII, 288 p. 2 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Utopianism
    Parallel Title: Erscheint auch als
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    Keywords: Intellectual life ; World politics. ; History, Modern.
    Abstract: PART I - TECHNOPOLITICS -- Comeback to the Forbidden Planet: Dystopia in the Era of Collapse; Andoni Alonso Puello and Iñaki Arzóz -- Unidentified Technical Objects: Not Working, Breaking Laws, Doing Nothing; Eugene Kuchinov and Ivan Spitsyn -- Techno-Naturans Without Terraforming: From the Geoengineering of Mastery to Sympoietic Agency; Jorge León Casero -- Cyberculture, (Dys)Topias and Transformation; Rocío Rueda -- Smart Utopian Cities: Hangovers and Aftermaths; José María Castejón and Enrique Cano -- PART II - POSTHUMANIST BIOPOLITICS -- Post-Apocalyptic Critical Dystopias; Corin Braga -- In the World of Postselves and Posthumans: The Biopolitical Utopia of Postmortalism; Anna Bugajska -- From Utopia to Biopolitical Dystopia: The Creation of New Human Beings in Some Utopias of the Nineteenth-Century; Julia Urabayen -- Between Utopia and Reality (Modern Transhumanism Theories and Posthumanism); Ayazhan Sagikyzy and Anara Asanovna Uyzbayeva -- PART III - NON-WESTERN POLITICS -- Chinese Utopia and Dystopia from Non-Western Point of View; Dmitry Martynov -- Challenging Dystopia with Laughter: Yan Lianke’s Inversion of Political Slogans in Serve the People! (2005); Angela Yiu -- From the Virtuous City to Yūtubiya: A Condensed Account of Utopia Writings in Arabic; Yehoshua Frenkel -- Latin American Modernity and the Historical Role of the Integration Utopia; Juan Pro -- PART IV - MASS MEDIA AND AESTHETIC POLITICS -- The Creative Utopias of Abolitionist Organizing; Rebecca Zorach -- Surveillance and Utopia; Daniel Panka -- Utopias and Dystopias Through Images: The View of the Future in Films and Television Series; Leticia Florez Farfán and Gerardo De la Fuente Lora -- The Way Out is Through: Co-Produced Critical Utopias as Antidotes to Anthropocene Melancholia; Paul Raven -- Phototopia: (Re)Geneating Life from Photographs; Ana Peraica.
    Abstract: This book advocates for the necessity of recovering the value of utopias as political projects that open new channels of action. The criticism of modern political utopias is based on the supposed impossibility of creating for the future because there is no longer a future (apocalyptic ideology). However, this edited collection seeks to show that the post-apocalyptic world in which we live entails a renewed freedom of design for the radical reorganization of institutions. Post-apocalyptic cultures are not obligated to follow the capitalist, anthropocentric, correlationist and sovereign modes of the old political project of emancipation—the Western enlightenment—that has started to collapse. With this in mind, this book is divided into four sections dedicated to the main themes from which to rethink the projects of political emancipation that are possible nowadays: technopolitics; posthumanist biopolitics; non-western politicsl and the crossover between arts and politics. Julia Urabayen is Professor at the University of Navarra, Spain. In recent years, she has mainly studied public-urban space, forms of political violence, citizenship and the city, as well as governance and feminist utopias. She has published several books, book chapters and articles. Jorge León Casero is Professor at the University of Zaragoza, Spain. He has been the head researcher of the Social Risk Map project. He is the author of several books, book chapters and articles.
    DOI: 10.1007/978-3-031-50510-2
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    Cultural Activism around Gender and Sexualities in Colombia and Mexico : De un Mundo Raro (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031478550
    Language: English
    Pages: 1 Online-Ressource(Approx. 225 p. 6 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Global Queer Politics
    Parallel Title: Erscheint auch als
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    Keywords: America ; Identity politics. ; Ethnology ; Culture. ; Sex.
    Abstract: Chapter 1:Introduction -- Chapter 2: Lia -- Chapter 3: Felipe -- Chapter 4: Manuel -- Chapter 5: Conclusion.
    Abstract: This book focuses on an underestimated alternative to the mainstream liberal rights-based approach: cultural activism. This political strategy deploys art and other creative techniques to support the quest for social justice. This work explores this approach's dynamics, strategies, and potential, presenting a qualitative case study of three cultural activists in Colombia and Mexico -Lia García, Felipe Osornio, and Manuel Parra-, including in-depth interviews and ethnographic observation of their artistic/activist work. Through their intervention in the realm of ordinary affects, these cultural producers create new affective climates for the experience of sexual and gender difference and develop new repertoires of affective response concerning identities usually seen as abject or worthy of social punishment. Strategies of cultural activism aim to subvert dominant representations and performances of marginalized subjectivities, to critique and subvert gender norms, to give visibility to non-hegemonic identities, to resist different forms of oppression and marginalization, and to prompt collective healing of wounds left by violence and discrimination. César Sánchez-Avella was Senior Lecturer of Cultural Studies in the Faculty of Social Sciences at Pontificia Universidad Javeriana, Colombia. He was also a Coordinator from PLURALES Centro Rosarista de Diversidad Equidad e Inclusión . Universidad del Rosario, Colombia.
    DOI: 10.1007/978-3-031-47855-0
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    The World of the Abbaco : Abbacus Mathematics Analyzed and Situated Historically Between Fibonacci and Stifel (2024)
    Cham : Springer International Publishing | Cham : Imprint: Birkhäuser
    Details
    ISBN: 9783031251641
    Language: English
    Pages: 1 Online-Ressource(XI, 500 p. 93 illus., 30 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Frontiers in the History of Science
    Parallel Title: Erscheint auch als
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    Keywords: Science ; Mathematics.
    Abstract: Preface -- Contents -- Introduction- The home of abbacus mathematics: the abbacus school -- An example: Jacopo da Firenze's Tractatus algorismi, the short version -- Fibonacci and the Fibonacci story- The real story in select detail -- Abbacus goes into print and abroad318 -- A double conclusion -- Sigla -- Bibliography- Name, subject and source index.
    Abstract: The abbacus was a thorough and complete system of arithmetical calculations, which saw its dawn in the Indian and Arabic tradition of the Middle Ages, but which was developed in its fully fledged aspects especially in Italy, between Genoa, Milan, Venice and the region of Umbria. In this monograph, Høyrup explores how the abbacus tradition has developed in Europe, with a focus on Italy and Germany between the 14th and the 17th Century. With the analysis of texts from Fibonacci, Pacioli, and Stifel to name but a few, this book offers a critical historical analysis of the development and diffusion of a tradition of calculus that has deeply influenced the way in which mathematics has developed in the West. The primary purpose of the book is to present a fairly detailed portrait of the abbacus tradition as it developed historically; as will be argued, Fibonacci was much less important for the emergence of this tradition than mostly assumed – but since his importance is broadly taken for granted, that argument needs to be made, for which reason Fibonacci’s Liber Abbaci is also described and analyzed in some depth. A secondary purpose is to show how the adoption of abbacus mathematics in German lands gave rise to the creation of a different tradition. The end of the book investigates the interplay of abbacus algebra with other intellectual currents which turned the whole mathematical undertaking upside-down in the 17th Century.
    DOI: 10.1007/978-3-031-25164-1
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    International Investment Law and Arbitration from a Latin American Perspective (2024)
    Cham : Springer International Publishing | Cham : Imprint: Springer
    Details
    ISBN: 9783031493829
    Language: English
    Pages: 1 Online-Ressource(XIII, 271 p.)
    Edition: 1st ed. 2024.
    Series Statement: International Law and the Global South, Perspectives from the Rest of the World
    Parallel Title: Erscheint auch als
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    Keywords: International law. ; Trade regulation. ; Mediation. ; Dispute resolution (Law). ; Arbitration (Administrative law). ; Economic history.
    Abstract: Introduction - Legal protection offered to foreign investment in Latin America: context and general trends -- PART I- International Investment Law in Latin America: Where do we Stand? -- Brazilian CFIA - Evolution towards the traditional? -- INTERNATIONAL INVESTMENT LAW IN CHILE: RECENT DEVELOPMENTS IN TIMES OF REFORM -- International Investment Law and its scope in Argentina -- Venezuelan investment arbitration experience: from unilateral termination of Dutch treaty, the denunciation of ICSID Convention to its continued participation as respondent State in investment arbitration -- Philip Morris v. Uruguay through the lens of the ISDS trilemma -- PART II - Trends in dispute governance and settlement -- Dispute Prevention Methods in the Brazilian Agreements on Cooperation and Facilitation of Investments (CFIAs) -- THE BRAZILIAN BRANCHES IN THE ARBITRATION BENCH: CHALLENGES AND POSSIBILITIES IN FACE OF THE “PRECATÓRIO” SYSTEM AND CONSENSUALITY -- PART III - Trends in connecting investment law toHuman Rights -- The 2017 BIT Model of Colombia: A Human Rights Assessment from Investment Disputes against the State -- Peru and International Investment Agreements: Legal and Institutional challenges under a Business and Human Rights Perspective -- PART IV - Trends in Regionalization -- Mexico in International Investment Law: From NAFTA to USMCA.
    Abstract: The book brings to light how Latin American states have traditionally stood before the field of International Investment Law and Arbitration. It delves into their posture of resistance to critically examine how their perspective has gradually changed and how they have adapted and molded their investment agreements so as not to leave their position as players in the field of International Investment Law. Many Latin American states have appeared as defendants before international investment tribunals and some of these, like Venezuela, Bolivia or Ecuador, have denounced their international investment agreements. Deeming the law field as imbalanced, they have looked for alternatives to continue providing legal protection to foreign investors while protecting their right to regulate in the name of public interest. Some interesting investment agreements models, sometimes of a different ilk, have consequently flourished and have arrested the attention of those studying or working with international investment law. The main objective of this book is to critically discuss how Latin American states have accepted, resisted, or adapted themselves to international investment law and arbitration. Accordingly, the general connection between these states and international investment law are explained in an introduction which examines the general trends as per which Latin American states have offered a legal protection to foreign investments. The first part enters the merits of where international investment law and arbitration stand in some Latin American states whereby the experience of Brazil, Chile, Argentina, Venezuela, and Uruguay are discussed. The following parts explain the trends in international investment law and arbitration in Latin America. These trends are namely related to dispute settlement and governance, to the connection between investment law and human rights and finally to regionalization. In these parts, the experience of states like Brazil, Colombia, Peru, and Mexico are perused.
    DOI: 10.1007/978-3-031-49382-9
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    Theories of Legal Obligation (2024)
    Cham : Springer International Publishing | Cham : Imprint: Springer
    Details
    ISBN: 9783031540677
    Language: English
    Pages: 1 Online-Ressource(V, 168 p.)
    Edition: 1st ed. 2024.
    Series Statement: Law and Philosophy Library 146
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Law ; Law
    Abstract: Introduction -- Part 1: What a Legal Obligation is -- Toward a Minimal Conception of Legal Obligation -- What is a Legal Obligation? -- Part 2: Theoretical Perspectives on Legal Obligation -- Why Any Legal Positivist Idea of Legal Obligation is Untenable: A Kantian-Gewirthian Synthesis -- Gustav Radbruch’s Theory of Legal Obligation -- Part 3: Forms of Legal Obligation -- Is There a Legal Duty not to Harm in Tort Law? -- Reflections on the Justifiability of Authority: Raz vs. Wolff.
    Abstract: This volume collects six original essays by internationally respected researchers who have devoted themselves to the study of legal obligation. It brings together works that innovatively address key dimensions of the current debates concerning legal obligation from different and, in some cases, even opposing theoretical perspectives. As a result, the collection offers a comprehensive discussion of legal obligation that promises to significantly advance our understanding of the obligatory dimension of law. What specifically connects the contributions gathered here is one common thread: coming to terms with a notion – legal obligation – that is of both practical and theoretical importance. On the one hand, it is widely regarded as a fundamental legal concept by legal practitioners and laypeople alike, as not only judges, prosecutors, lawyers, and juries but also ordinary citizens make extensive use of obligation-related terms and discourses. On the other hand, the notion of legal obligation is of paramount significance for the theory of law. Indeed, even legal theorists who, quite understandably, refuse to reduce the law to a mere obligation-imposing device and opt instead for a view in which the normative dimension of the law also encompasses powers, rights, permissions, privileges and immunities, duly acknowledge the centrality of legal obligation for the understanding and conceptualisation of law. Hence the importance of the treatments presented in this volume.
    DOI: 10.1007/978-3-031-54067-7
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  • 97
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    Punk, Ageing and Time (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031478239
    Language: English
    Pages: 1 Online-Ressource(XVII, 268 p. 8 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in the History of Subcultures and Popular Music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Civilization ; History, Modern. ; Oral history. ; Collective memory. ; Music
    Abstract: 1. Introduction -- 2. Rejecting and Resisting Ageism: Female Perspectives of Ageing with Punk -- 3. Lifestyle and Memory: Profiling Two Generations of Ageing Czech Male Punks -- 4.‘… And Out Come the Comps’: Punk-O-Rama, Pro Skater, and Their Roles as Peak Music Experiences in a Current Punk Identity -- 5. Young Punk, Old Punk, Running Punk: Keeping the Old Ones Cool and the Young Ones Fresh -- 6. Live Fast, Die Old. Experiences of Ageing in Portuguese Punk DIY Scenes since the Late 1970s -- 7. “I’m Not Someone Who Calls Himself an Anarchist, I am an Anarchist”: The Continuing Significance of Anarchism in the Later Lives of Ex-Adherents of British Anarcho-Punk -- 8. Memories of the Past, Inequalities of the Present: The Temporality of Subcultural Violence, Gender, and Authenticity -- 9. Punk, Literature and Midlife Creativity: Ordinary Stories, Ordinary Men -- 10. Exploring Older Punk Women’s Conceptualisation of ‘Punk’ through Participant-Created Zine Pages -- 11. Working With/In: An Exploration of Queer Punk Time and Space in Collaborative Archival Workshops -- 12. Enduring Attachments: On the Temporalities of Punk -- 13. Generation Lost: Resignation, Rupture, and the Infinite Realities of Post-Future Punk.
    Abstract: To date there has been no plotting of punk scholarship which speaks to ‘time’, yet there are some clear bodies of work pertaining to particular issues relevant to it, including ageing and/or the life course and punk, memory and/or nostalgia and punk, ‘punk history’, and archiving and punk. Punk, Ageing and Time is therefore a timely (pun intended) book. What this edited collection does for the first time is bring together contemporary investigations and discussions specifically around punk and ageing and/or time, covering areas such as: punk and ageing; the relationship between temporality and particular concepts relevant to punk (such as authenticity, DIY, identity, resistance, spatiality, style); and punk memory, remembering and/or forgetting. Multidisciplinary in nature, this book considers areas which have received very little to no academic attention previously. Laura Way is Senior Lecturer in Sociology at the University of Roehampton, UK. She is currently engaged in research projects with young fathers and local Travellers, and ongoing research concerning marginalised identities and punk. Laura’s monograph – Punk, Gender and Ageing: Just Typical Girls (2020) – was the first to focus solely on the experiences of older punk women. She is a qualified teacher in lifelong learning and an experienced qualitative researcher, particularly in the areas of creative and participatory methods, and collaborative, community-based work. Laura is an editor of Sociological Research Online and sits on the editorial board for Punk & Post-Punk journal. Matt Grimes is Senior Lecturer in Music Industries and Radio at Birmingham City University, UK. Matt’s doctorate explored ageing, identity and the ideological significance of anarchism in the life courses of ageing adherents of anarcho-punk. He is currently writing up this research for his forthcoming monograph with Palgrave Macmillan, Ageing, Identity, Memory and British Anarcho-Punk: 'Life We Make' (Palgrave Macmillan). He has published on the subjects of anarcho-punk, anarcho-punk ‘zines, punk pedagogy, popular music and spirituality, DIY/Underground music cultures/subcultures, counter-cultural movements, and radio for social change. He is the Punk Scholars Network’s general secretary and associate editor for Punk & Post-Punk journal. Matt is also a lifelong supporter of Millwall FC.
    DOI: 10.1007/978-3-031-47823-9
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  • 98
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    Wage Rage for Equal Pay : Australia’s Long, Long Struggle (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031421785
    Language: English
    Pages: 1 Online-Ressource(XXV, 521 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Women ; Australasia. ; History. ; Labor. ; Law ; Economic history. ; Sex.
    Abstract: 1. Work, Theory, Scholarship: Equal Pay, Pay Equity and the Sex of Gendered Work -- 2. Intermission: Pay and Personalities I -- 3. A Nineteenth-Century Legacy: Early Days, Equal Pay and Radical Women -- 4. Alarums and Excursions: Infiltrating at the Palace of Versailles -- 5. The Fortunes of the Flapper: The 1920s Generation Confronts the 1930s -- 6. Alarums and Excursion: Women Versus Men Versus Women -- 7. Intruders on the Rights of Man? 1940s Women at War and Work -- 8. Alarums and Excursions: Out of Bounds in the International Arena -- 9. A Decade of Darkness - or into the Light? The Struggles and Success of the 1950s Woman -- 10. Alarums and Excursions: Women Versus Women Versus Men -- 11. The 1960s: Decade of Radical Change or Back to 1912? -- 12. Intermission: Pay and Personalities II -- 13. Ingenuity and Intellectual Rigour: Brazen 1970s Hussies Arguing Back -- 14. Alarums and Excursions: Facts, Fictions, Fallacies and Fancies -- 15. A 1980s Skirmish into Comparable Worth -- 16. Intermission: Pay and Personalities III -- 17. Enterprising Women Confront Enterprise Bargaining: 'I’m All Right Jack' Versus 1990s Woman -- 18. Alarums and Excursions: The Inside Story -- 19. Forward to the Past, Back to the Future: Beyond the New Millennium -- 20. Conclusion: Remembering and Forgetting - Women’s Work, Women’s Rights and the Long Equal Pay Struggle.
    Abstract: This book makes a major contribution to the continuing legal and historical struggle for equal pay in Australia, with international references, including Canada, the UK and US. It takes law, history and women’s and gender studies to analyse and recount campaigns, cases and debates. Industrial bodies federally and around Australia have grappled with this issue from the late nineteenth to early twentieth century onwards. This book traces the struggle through the decades, looking at women's organisations activism and demands, union ‘pro’ and ‘against’ activity, and the 'official' approach in tribunals, boards and courts. Jocelynne A. Scutt is Senior Fellow at the University of Buckingham, UK. She published Women and The Magna Carta: A Treaty for Rights or Wrongs, Women, Law and Culture – Conformity, Contradiction and Conflict with Palgrave in 2016, and Beauty, Women’s Bodies and the Law – Performances in Plastic, Palgrave 2020. .
    DOI: 10.1007/978-3-031-42178-5
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  • 99
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    Social Protection in Latin America : Causality, Stratification and Outcomes (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031497957
    Language: English
    Pages: 1 Online-Ressource(XIX, 293 p. 26 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Global Dynamics of Social Policy
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Social policy. ; Social choice. ; Welfare economics. ; Political sociology.
    Abstract: Chapter 1. Introduction -- Chapter 2. Methods -- Chapter 3. Framework -- Chapter 4. Institutions -- Chapter 5. Employment -- Chapter 6. Protection -- Chapter 7. Incorporation -- Chapter 8. Clusters -- Chapter 9. Conclusion.
    Abstract: This open access book offers a comprehensive analysis of social protection in Latin America, its origins, institutions, and outcomes. The chapters are organised in three groups. The earlier chapters discuss in turn appropriate methods, an analytical framework, and core institutions. The book advocates a causal inference approach to the study of the institutions that have dominated social protection in the region: occupational insurance, individual retirement savings, and social assistance. The middle chapters study social protection’s main stratification effects, focussing on stratification effects on employment, protection, and worker incorporation. The later chapters then assess social protection outcomes and identify country groupings including their evolution over time. The book, and its approach and findings, contributes to the advancement of a theory of social protection amongst late industrialisers. Armando Barrientos is Professor Emeritus of Poverty and Social Justice at the Global Development Institute at the University of Manchester, UK. He was Research Director at the World Poverty Institute. .
    Note: Open Access
    DOI: 10.1007/978-3-031-49795-7
    URL: kostenfrei
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  • 100
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    Street Naming and the Politics of Greek-Cypriot Identity : The Case of Nicosia (Lefkosia), 1878–1975 (2024)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031544156
    Language: English
    Pages: 1 Online-Ressource(XXIV, 344 p. 24 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Europe ; World politics. ; Social history. ; Collective memory.
    Abstract: “Through a rich account of the conflictual process of naming Nicosia’s streets during the 20th century, this book illuminates the establishment and consolidation of opposing nationalisms in Cyprus from a different angle. Theocharous’ research contributes new, significant empirical knowledge on the symbolic practices within the politics of the ethnic conflict in Cyprus and constitutes a valuable addition to the literatures of ethnic conflict and urban space, the politics of identity, and Cyprus’ studies.” — Dr. Gregoris Ioannou, Reader in Human Resource Management and Organisational Behaviour, Manchester Metropolitan University, UK This book is the first to explore street names and street-naming in the formation of a Greek-Cypriot identity in the cityscape of Nicosia between 1878 and 1975. Rather than treating toponymy as a direct linguistic act of spatial orientation, the book approaches street-naming as a contested practice involving those shared symbols and representations used to depict official history and collective identity as part of a political process. It considers how street names are part of the symbolic politics of space, and how authorities transformed the streets of Nicosia into arenas of struggle for the control of symbolic and material space. It documents historical efforts over the course of a century to impose a ‘geography of forgetting’ to buttress national identity and to cast out the ‘other’ from space — both literally and symbolically — so as to achieve territorial dominance and political legitimacy. The book is another step towards the development of a global perspective on the critical study of street-naming, thereby refining and expanding our knowledge of the political dynamics involved in the process. In their commemorative capacity, street names belong to the politics of public memory and identity. Stella Theocharous is Postdoctoral Researcher at the Heraclitus Research Centre, Cyprus University of Technology, Limassol, Cyprus. .
    DOI: 10.1007/978-3-031-54415-6
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