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  • München BSB  (1,594)
  • MEK Berlin  (4)
  • USA  (1,597)
  • Political Science  (847)
  • Musicology  (750)
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  • 1
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    DDC: 781.650973
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 2
    ISBN: 9780197635216
    Language: English
    Pages: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Description / Table of Contents: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
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  • 3
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 4
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197635247
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.421641226
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    Keywords: Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Geschichte 1960-1980 ; Music / ukslc ; Music / thema ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Book
    Book
    Toronto ; Buffalo , London : University of Toronto Press
    ISBN: 9781487544225
    Language: English
    Pages: xiv, 402 Seiten , 33 Illustrationen, 5 Diagramme , 234 grams
    Edition: Fifth edition
    DDC: 971.0648
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    Keywords: bisacsh / POLITICAL SCIENCE / Comparative Politics ; bisacsh / POLITICAL SCIENCE / World / Canadian ; Canada - Social conditions - 21st century ; Canada - Economic conditions - 21st century ; Canada - Politics and government - 21st century ; United States - Social conditions - 21st century ; United States - Economic conditions - 21st century ; United States - Politics and government - 21st century ; Politik ; Unterschied ; USA ; Kanada ; Aufsatzsammlung ; Lehrbuch ; Aufsatzsammlung ; Aufsatzsammlung ; Lehrbuch ; Aufsatzsammlung ; Lehrbuch ; Kanada ; USA ; Politik ; Unterschied
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  • 6
    Image
    Image
    Washington, DC : Smithsonian Books
    ISBN: 9781588347404 , 9781588347718
    Language: English
    Pages: 216 Seiten , 26 cm
    DDC: 305.896073
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    Keywords: Geschichte ; Popkultur ; Afrofuturismus ; Person of Color ; Schwarze ; USA ; Afrofuturism ; African American arts ; Black people in art ; Outer space / In art ; Black people in popular culture / United States ; National Museum of African American History and Culture (U.S.) / Catalogs ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; USA ; Schwarze ; Afrofuturismus ; Person of Color ; Popkultur ; Geschichte
    Abstract: "This illustrated companion book to an upcoming Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures"
    Description / Table of Contents: Foreword / Kevin Young -- Introduction / Kevin M. Strait -- Afrofuturism as Space and Being / Ytasha L. Womack -- Interstellar / Tiffany E. Barber -- Black women change the face of spaceflight / Matthew Shindell -- I came to Africa on a spaceship / Ytasha L. Womack -- Notes from the cosmic underground : a history of the Afrofuturist movement and the changing world order / Reynaldo Anderson -- We are the stars : Black speculative narratives and the history of the future / John Jennings -- W.E.B. Du Bois : documenting the present, reinterpreting the past, and imagining the future / William S. Pretzer -- There's a reason / N. K. Jemisin -- Dialogues in space : Octavia Butler and Samuel Delany / Herb Boyd -- Black Panther : an escape to Utopia / Herb Boyd -- Black joy as resistance / Ariana Curtis
    Note: Includes bibliographical references and index. - Hier auch später erschienene, unveränderte Nachdrucke
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  • 7
    ISBN: 9780197543313
    Language: English
    Pages: xxvi, 660 Seiten , Illustrationen, Porträts (teilweise farbig)
    Edition: Sixth edition
    Parallel Title: Online version Starr, Larry American popular music
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    Keywords: Geschichte 1760-2022 ; Popmusik ; Nordamerika ; USA ; Popular music / United States / History and criticism ; Popular music ; United States ; Criticism, interpretation, etc ; Nordamerika ; USA ; Popmusik ; Geschichte 1760-2022
    Abstract: "This is an introductory text for undergraduates taking courses in the history of American popular music"--
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  • 8
    ISBN: 9780197556771 , 9780197556764
    Language: English
    Pages: xi, 243 Seiten
    DDC: 305.809
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    Keywords: White privilege ; United States Ethnic relations History ; Society ; Rassismus ; USA ; USA ; Rassismus
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  • 9
    ISBN: 9789004428300 , 9789004428317
    Language: English
    Pages: XX, 169 Seiten
    Series Statement: Critical media literacies series volume 10
    Series Statement: Critical media literacies series
    Parallel Title: Erscheint auch als
    DDC: 303.48/40973
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    Keywords: Social Media ; Rechtsradikalismus ; USA ; Right-wing extremists / United States ; Social media / Political aspects / United States ; Communication in politics / United States ; Populism / United States ; Authoritarianism / United States ; United States / Politics and government / 2017-2021 ; USA ; Rechtsradikalismus ; Social Media
    Abstract: "What does the backlash against Critical Race Theory, the Capitol insurrection, Trumpism, Twitter, and neo-Nazis have in common? This book delves deep into conservative social media and far-right extremist platforms to understand the revival and proliferation of far-right authoritarian populist discourses after Trump's ascent to power. After the January 6th Capitol insurrection and the role social media have played in normalizing and promoting far-right populist authoritarianism, there is a renewed interest to study digital discursive aggression. Inspired by Critical Theory, Panayota Gounari masterfully uses Critical Discourse Studies to analyze social media data and articulate a discursive, pedagogical and historical project."
    Note: Includes bibliographical references and index
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  • 10
    Book
    Book
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Edition: First edition
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Abstract: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Description / Table of Contents: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 11
    ISBN: 9783631867723 , 3631867727
    Language: English
    Pages: 447 Seiten , Illustrationen , 21 cm x 14.8 cm, 646 g
    Series Statement: American Culture Vol. 16
    Parallel Title: Erscheint auch als
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    Keywords: Lomax, Alan ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 12
    Book
    Book
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781316519974 , 9781009011532
    Language: English
    Pages: xi, 324 Seiten , Diagramme
    Parallel Title: Erscheint auch als Fight the power
    DDC: 306.4/84249
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    Keywords: Rap (Music) Political aspects ; African Americans Political activity ; African Americans Social conditions ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Rap ; Musiksoziologie
    Abstract: From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby.
    Abstract: "Paul Butler considers NWA's 1988 song, "Fuck tha Police," as an invitation to think about putting the police on trial for crimes against African Americans. It examines the resonance of "Fuck tha Police" over time, up to and including the George Floyd inspired protests. It will also use the song to analyze how civilians should feel about cops in a democracy. Are they a positive good, as many white people might suggest, a necessary evil, as some people of color might suggest, or an unnecessary evil, as suggested by the "defund the police" movement? Butler also will explore the meaning of the trial metaphor in the song - what would it mean for African Americans to put the police on trial? What would be the crime and the appropriate punishment?"--
    Note: Includes bibliographical references and index
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  • 13
    ISBN: 9780472055685 , 9780472075683
    Language: English
    Pages: xi, 151 Seiten , 23 cm
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
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    Keywords: Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; Rap (Music) / History and criticism ; Hip-hop / History and criticism ; Gay musicians / United States ; Lesbian musicians / United States ; Transgender musicians / United States ; African American gays ; African American lesbians ; African American bisexuals ; African American transgender people ; Gender-nonconforming people / United States ; Queer musicology ; Gender identity in music ; Queer theory ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    Abstract: "Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success. In Queer Voices in Hip Hop, Lauron Kehrer turns our attention to openly queer and trans rappers and positions them within a longer Black queer musical lineage. Combining musical, textual, and visual analysis with reception history, this book reclaims queer involvement in hip hop by tracing the genre's beginnings within Black and Latinx queer music-making practices and spaces, demonstrating that queer and trans rappers draw on Ballroom and other cultural expressions particular to queer and trans communities of color in their work in order to articulate their subject positions. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the of hip hop's queer roots"
    Description / Table of Contents: Introduction. "I don't have any secrets I need kept anymore": Out in hip-hop -- Hip-hop's queer roots: Disco, house, and early hip-hop -- Queer articulations in ballroom rap -- "The bro code"" Black queer women and female masculinity in rap -- "Nice for what": New Orleans bounce and disembodied queer voices in the mainstream -- Outro. "Call me by your name": Demarginalizing queer hip-hop
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  • 14
    Online Resource
    Online Resource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108999601
    Language: English
    Pages: 1 Online-Ressource (xx, 406 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.20973
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    Keywords: Democracy / United States / History ; Political culture / United States / History ; Polarization (Social sciences) / United States ; Demokratie ; Polarisierung ; United States / Politics and government ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Demokratie ; Polarisierung
    Abstract: Politics in the United States has become increasingly polarized in recent decades. Both political elites and everyday citizens are divided into rival and mutually antagonistic partisan camps, with each camp questioning the political legitimacy and democratic commitments of the other side. Does this polarization pose threats to democracy itself? What can make some democratic institutions resilient in the face of such challenges? Democratic Resilience brings together a distinguished group of specialists to examine how polarization affects the performance of institutional checks and balances as well as the political behavior of voters, civil society actors, and political elites. The volume bridges the conventional divide between institutional and behavioral approaches to the study of American politics and incorporates historical and comparative insights to explain the nature of contemporary challenges to democracy. It also breaks new ground to identify the institutional and societal sources of democratic resilience
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781316514337
    Language: English
    Pages: xvii, 511 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48420973
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    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; Music / Social aspects / United States ; Songs / Social aspects / United States ; Music / Political aspects / United States ; Songs / Political aspects / United States ; Music ; Political aspects ; Music ; Social aspects ; United States ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492- ; USA ; Protestsong ; Geschichte 1492-1942
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  • 16
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781009086769
    Language: English
    Pages: 1 Online-Ressource (xviii, 511 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 784.4/973
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    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folk music / United States / History and criticism ; Folk songs / United States / History and criticism ; Protest songs / United States / History and criticism ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; USA ; Protestsong ; Geschichte 1492-1942 ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492-
    Abstract: Long before anyone ever heard of 'protest music', people in America were singing about their struggles. They sang for justice and fairness, food and shelter, and equality and freedom; they sang to be acknowledged. Sometimes they also sang to oppress. This book uncovers the history of these people and their songs, from the moment Columbus made fateful landfall to the start of the Second World War, when 'protest music' emerged as an identifiable brand. Cutting across musical genres, Will Kaufman recovers the passionate voices of America itself. We encounter songs of the mainland and the conquered territories of Hawai'i, Cuba, Puerto Rico, and the Philippines; we hear Indigenous songs, immigrant songs and Klan songs, minstrel songs and symphonies, songs of the heard and the unheard, songs of the celebrated and the anonymous, of the righteous and the despicable. This magisterial book shows that all these songs are woven into the very fabric of American history
    Note: Title from publisher's bibliographic system (viewed on 29 Jul 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 17
    Book
    Book
    New Haven, CT : Yale University Press
    ISBN: 9780300255317
    Language: English
    Pages: 273 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    DDC: 782.42164
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    Keywords: Dylan, Bob ; Folksong ; USA ; Dylan, Bob / 1941- / Songs and music ; Folk music / United States / History and criticism ; MUSIC / Genres & Styles / Folk & Traditional ; Biografie ; Biografie ; Biografie ; Dylan, Bob 1941- ; USA ; Folksong
    Abstract: Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen.0 In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to "see myself in others." Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan's continuing presence and relevance through his empathy-his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan, but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own
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  • 18
    ISBN: 9781793655639
    Language: English
    Pages: ix, 179 Seiten
    Series Statement: For the record : Lexington studies in rock and popular music
    DDC: 781.660973
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    Keywords: Rock 'n' Roll ; Protest ; USA
    Note: References Seite 159-166
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  • 19
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 20
    ISBN: 9780520281844 , 9780520281837
    Language: English
    Pages: xvii, 287 Seiten
    Series Statement: Phono
    DDC: 780.8996073
    RVK:
    Keywords: Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Note: Includes bibliographical references and index
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  • 21
    ISBN: 9781421443317
    Language: English
    Pages: xii, 418 Seiten , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 303.34
    RVK:
    RVK:
    Keywords: Geschichte ; Diplomatische Beziehungen ; Außenbeziehungen ; Politischer Konflikt ; Iran ; USA ; Political leadership ; National characteristics ; United States / Territorial expansion ; Manifest Destiny ; Mythology, Iranian ; Islam and politics / Iran / History ; United States / Foreign relations / Iran ; Iran / Foreign relations / United States ; United States / Politics and government ; Iran / Politics and government ; Caractéristiques nationales ; États-Unis / Expansion territoriale ; Destinée manifeste (Politique américaine) ; Mythologie iranienne ; États-Unis / Politique et gouvernement ; Iran / Politique et gouvernement ; Diplomatic relations ; Islam and politics ; Manifest Destiny ; Mythology, Iranian ; National characteristics ; Political leadership ; Politics and government ; Iran ; United States ; History ; USA ; Iran ; Außenbeziehungen ; Diplomatische Beziehungen ; Politischer Konflikt ; Geschichte
    Abstract: "Iran and the United States have been at odds for forty years, locked in a Cold War that has run the gamut from harsh rhetoric to crippling sanctions, internal repression to targeted killings. The authors argue that this intractable conflict arises from how each nation sees itself-that is, the story it tells itself about its fundamental nature and character. These stories have led to failed diplomatic relations"--
    Description / Table of Contents: Introduction: Foundations of a conflict -- The narrative trap -- The fraught U.S.-Iran relationship, from Mosaddeq to Khomeini -- The Iran-Iraq war -- Rafsanjani and the post-Khomeini order -- Khatami and the possibility of dialogue -- The shadow of Khobar in Washington -- Bush in the Khatami era -- The Iraq war and Its consequences -- The nuclear file under Bush 43 -- Obama enters -- Rouhani, Zarif, and the nuclear deal -- Trump and regeneration through violence -- Conclusion: narratives and national interests
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  • 22
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
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  • 23
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781316995761
    Language: English
    Pages: 1 Online-Ressource (xxv, 474 Seiten)
    Series Statement: Cambridge companions
    Parallel Title: Erscheint auch als
    DDC: 306.2092
    RVK:
    Keywords: Tocqueville, Alexis de / 1805-1859 / De la démocratie en Amérique ; Tocqueville, Alexis de ; Tocqueville, Alexis de ; Democracy / United States ; Demokratie ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Tocqueville, Alexis de 1805-1859 ; Tocqueville, Alexis de 1805-1859 De la démocratie en Amérique ; Demokratie ; USA
    Abstract: This collection of essays is an invaluable companion for understanding the composition, reception, and contemporary legacy of Alexis de Tocqueville's classic work Democracy in America. Chapters by political theorists, intellectual historians, economists, political scientists, and community organizers explore the major intellectual influences on Tocqueville's thought, the book's reception in its own day and by subsequent political thinkers, and its enduring relevance for some of today's most pressing issues. Chapters tackle Tocqueville's insights into liberal democracy, civil society and civic engagement, social reform, religion and politics, free markets, constitutional interpretation, the history of slavery and race relations, gender, literature, and foreign policy. The many ways in which Tocqueville's ideas have been taken up - sometimes at cross-purposes - by subsequent thinkers and political actors around the world are also examined. This volume demonstrates the enduring global significance of one of the most perceptive accounts ever written about American democracy and the future prospects for self-government
    Note: Title from publisher's bibliographic system (viewed on 24 Mar 2022) , Introduction : revisiting democracy in America in the twenty-first century / Richard Boyd -- Tocqueville and the philosophy of the Enlightenment / Ryan Patrick Hanley -- Tocqueville's Dialogues / Aurelian Craiutu - Fugitive aristocracy : Tocqueville's search for remnants of the ancien r�egime / Richard Avramenko -- Tocqueville's conservatism and the conservative's Tocqueville / Richard Boyd -- Tocqueville and the political left in America : heeding a call for decisive action / Robert T. Gannett, Jr. -- Tocqueville and anti-Americanism / Alan Levine -- Democracy in the (other) America / Jose Antonio Aguilar Rivera -- Tocqueville in Japan and China : readings and questions / James T. Schleifer -- "Ideas for the intellect and emotions for the heart" : the literary dimensions of Democracy in America / Christine Dunn Henderson -- Tocquevillean association and the market / Rachael K. Behr and Virgil Henry Storr -- Tocqueville on the federal constitution / Jeremy D. Bailey -- Religion in Democracy in America / Carson Holloway -- Tocqueville's Puritans / Joshua Mitchell -- Tocqueville's American girls : women, manners, and the Engendering of democracy / Eileen Hunt Botting -- Picturing American democracy : Tocqueville, Morrison, and the "three races" / Lawrie Balfour -- Democracy in America in the twenty-first century : new challenges of diversity and inequality / Rogers M. Smith
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  • 24
    ISBN: 9780691232768
    Language: English
    Pages: 1 online resource (xii, 344 pages) , Illustrationen
    Series Statement: Princeton Studies in American Politics: Historical, International, and Comparative Perspectives Ser. v.199
    Parallel Title: Erscheint auch als Amenta, Edwin, 1957 - Rough draft of history
    DDC: 303.4840973
    RVK:
    Keywords: Geschichte 1900-2022 ; Soziale Bewegung ; Presse ; Electronic books ; USA
    Abstract: Introduction. Uncovering a History of U.S. Social Movements -- A Brief History of Contention: 100 Organizations in the News -- Good News, Bad News, Hard News, Soft News (with Weijun Yuan) -- Movement Features: A Century of News Waves (with Thomas Alan -- Elliott and Weijun Yuan) -- Fantastic News: The Townsend Plan's Wild Media Ride -- The Race Beat and Press Beatdown: Black Rights in the 1960s -- Lopsided Politics, Unbalanced Media, and U.S. Movements Today -- Conclusion. The Past and Future of Social Movements in the News.
    Abstract: "The book offers a new view of U.S. social movement history across the twentieth century by examining how movement organizations were covered in major national newspapers. The book analyzes U.S. social movements--ranging from temperance to women's suffrage to the Tea Party and Occupy Wall Street--in a broad comparative fashion. Drawing on the full set of digitized newspapers from the twentieth-century (a task that as little as twenty years ago was considered impossible for researchers), the book offers both an institutional history of news--why the media covered what they covered, and to what effect--and also shows the influence of news coverage on a range of social mocements, from the well-known to the obscure. Media coverage is a crucial component of movement visibility; news can draw the general public into battles over new issues but also shapes how movements are perceived. The authors show how a movement's structure--it's organization, as well as the protest and non-protests activities it undertakes--influence its coverage, and consider too how macro political conditions shape movement coverage. They reveal surprising gaps between contemporaneous coverage and current scholarly focus; for instance, the labor movement received the most journalistic attention of any movement of the twentieth century, but it is greatly understudied in comparison to how much it dominated the public sphere. Taking stock of news coverage across a century of movements thus illuminates movements that were influential in public discourse but have been neglected by scholars. The authors end the manuscript by considering how recent developments--the rise of the internet and social media, the emergence of a powerful right-wing media system, and 24-hour news and the demise of many local newspapers and an overall decline in professional journalism--have aided right-wing movement actors in their bids for attention and for policy change at the expense of those on the left"--
    Abstract: "A comprehensive account of the media's coverage of social movements in the United StatesA new view of twentieth-century US social movements, Rough Draft of History examines how national newspapers covered social movements and the organizations driving them. Edwin Amenta and Neal Caren identify hundreds of movement organizations, from the Women's Christian Temperance Union to Occupy Wall Street, and document their treatment in the news. In doing so, Amenta and Caren provide an alternative account of US history from below, as it was refracted through journalistic lenses.Iconic organizations in the women's rights, African American civil rights, and environmental movements gained substantial media attention. But so too did now-forgotten groups, such as the German-American Alliance, Committee to Defend America by Aiding the Allies, and Peace and Freedom Party. Amenta and Caren show why some organizations made big news while others did not, why some were treated well while others were handled roughly. They recover forgotten stories, including that of the Townsend Plan, a Depression-era organization that helped establish Social Security. They also reveal that the media handled the civil rights movement far more harshly than popular histories recount. And they detail the difficulties movements face in today's brave new media world.Drawing from digitized newspapers across a century and through to the present, Rough Draft of History offers insights for those seeking social and political change and those trying to make sense of it"
    Note: Description based on publisher supplied metadata and other sources
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  • 25
    ISBN: 9780197557013 , 9780197557020
    Language: English
    Pages: x, 274 Seiten , Illustrationen , 24 cm
    Series Statement: Journalism and political communication unbound
    Uniform Title: Networked silence (political dissent in a digital era, 2019)
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Texas 2019
    DDC: 306.20973
    RVK:
    Keywords: Politische Einstellung ; Politische Meinungsäußerung ; Politische Soziologie ; Massenmedien ; Demokratie ; Geheimhaltung ; Polarisierung ; USA ; Political sociology / United States ; Mass media / Political aspects / United States ; Secret societies / United States / Political aspect ; Party affiliation / United States ; United States / Politics and government ; Mass media / Political aspects ; Party affiliation ; Political sociology ; Politics and government ; United States ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Politische Einstellung ; Politische Meinungsäußerung ; Polarisierung ; Geheimhaltung ; Politische Soziologie ; Demokratie ; Massenmedien
    Abstract: "Republicans and Democrats increasingly distrust, avoid, and wish harm upon those from the other party. To make matters worse, they also increasingly reside among like-minded others and are part of social groups that share their political beliefs. All of this can make expressing a dissenting political opinion hard. Yet digital and social media have given people new spaces for political discourse and community, and more control over who knows their political beliefs and who does not. With Democracy Lives in Darkness, Van Duyn looks at what these changes in the political and media landscape mean for democracy. She uncovers and follows a secret political organization in rural Texas over the entire Trump presidency. The group, which organized out of fear of their conservative community in 2016, has a confidentiality agreement, an email listserv and secret Facebook group, and meets in secret every month. By building relationships with members, she explores how and why they hide their beliefs and what this does for their own political behavior and for their community. Drawing on research from communication, political science, and sociology along with survey data on secret political expression, she finds that polarization has led even average partisans to hide their political beliefs from others. And although intensifying polarization will likely make political secrecy more common, she argues that this secrecy is not just evidence that democracy is hurting, but that it is still alive; that people persist in the face of opposition and that this matters if democracy is to survive"--
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  • 26
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
    RVK:
    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Cover
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  • 27
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press
    ISBN: 9780472903016
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
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  • 28
    Book
    Book
    London ; New York, NY : Routledge
    ISBN: 9780367700393 , 9780367700430
    Language: English
    Pages: xiii, 229 Seiten , Illustrationen, Diagramme
    DDC: 306.0973
    RVK:
    Keywords: Pandemie ; Sozialpolitik ; USA ; Welfare state / United States ; United States / Social policy ; USA ; Sozialpolitik ; Pandemie
    Abstract: "This book identifies specific changes to bring US social policy in accord with the information age of the 21st century, in contrast to the policy infrastructure of industrial America. Welfare State 3.0: Social Policy after the Pandemic acknowledges the existing social infrastructure, considers viable options, and provides supporting data to suggest social policy reform by four strategies: consolidating programs, harmonizing applications, expanding equity, and conducting experiments. The book favors discreet, poignant proposals of social programs. In twelve chapters, the text provides an analysis that honors past accomplishments, recognizes the influence of established stakeholders, and concedes program inadequacies, whilst plotting specific opportunities for policy improvement. In contrast to liberalism's tendency toward idealism, the book adopts a realpolitik appreciation for social policy. Written by one of the most respected academics of US social policy, this book will be required reading for all undergraduate and postgraduate students of social policy, social work, sociology and US politics more broadly"--
    Note: Includes bibliographical references and index
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  • 29
    ISBN: 9781642594553
    Language: English
    Pages: xv, 301 Seiten , 22 cm
    Edition: Updated edition
    DDC: 305.896073
    RVK:
    RVK:
    Keywords: Black Lives Matter ; Rassismus ; Diskriminierung ; Schwarze ; USA ; Black lives matter movement ; Obama, Barack / Influence ; African Americans / Social conditions / 21st century ; Racism / United States / 21st century ; Racial profiling in law enforcement / United States ; Discrimination in criminal justice administration ; Social movements / United States / 21st century ; African Americans / Employment / History ; African Americans / Civil rights ; Police brutality / United States ; Police misconduct / United States ; Race discrimination / United States ; Post-racialism / United States ; USA ; Rassismus ; Schwarze ; Diskriminierung ; Black Lives Matter
    Abstract: Activist and scholar Keeanga-Yamahtta Taylor surveys the historical and contemporary ravages of racism and persistence of structural inequality such as mass incarceration and Black unemployment. In this context, she argues that the new struggle against police violence holds the potential to reignite a broader push for Black liberation
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  • 30
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472902446 , 047290244X
    Language: English
    Pages: 1 Online-Ressource (XVII, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.4216213073
    RVK:
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content
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  • 31
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 9789048510757
    Language: English
    Pages: 1 Online-Ressource (224 Seiten)
    Series Statement: American studies (Amsterdam, Netherlands)
    Parallel Title: Erscheint auch als
    DDC: 305.8
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 2001-2009 ; Multiculturalism / United States / Foreign public opinion ; Emigration and immigration / Social aspects ; Multikulturelle Gesellschaft ; Interkulturalität ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Multikulturelle Gesellschaft ; Interkulturalität ; Geschichte 2001-2009
    Abstract: This groundbreaking volume explores the multicultural debate that has evolved in the United States and Europe since the cataclysmic events of 9/11. Instead of suggesting closure by presenting a unified narrative about cultural diversity, national identity, and social stratification, the essays in this well-balanced collection present a variety of perspectives, each highlighting the undiminished relevance of key issues such as immigration, assimilation, and citizenship, while also pointing to unresolved conflicts over universalism, religion, and tolerance. Most importantly, this volume shows that the struggle over multiculturalism is not limited to the political domain, but also has profound cultural implications. American Multiculturalism after 9/11: Transatlantic Perspectives is an invaluable, thought-provoking addition to the debate about multiculturalism as central to the study of the United States in a global context
    Note: Title from publisher's bibliographic system (viewed on 29 Jan 2021)
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  • 32
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197542453
    Language: English
    Pages: 1 Online-Ressource (176 Seiten) , Illustrationen
    Edition: Second edition
    Series Statement: Very short introductions
    Parallel Title: Erscheint auch als
    DDC: 304.873
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Immigrants / United States / History ; Citizenship / United States ; Cultural pluralism / United States ; Einwanderungspolitik ; Einwanderung ; United States / Emigration and immigration / History ; USA ; USA ; Einwanderung ; Geschichte ; USA ; Einwanderung ; Einwanderungspolitik
    Abstract: Americans have come from every corner of the globe, and they have been brought together by a variety of historical processes. This book provides a thoughtful look at immigration, anti-immigration sentiments and the motivations and experiences of the migrants themselves
    Note: Includes bibliographical references and index , This edition also issued in print: 2021
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  • 33
    ISBN: 9781479849697 , 9781479800360
    Language: English
    Pages: 1 Online-Ressource (247 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    RVK:
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
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  • 34
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 35
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226812915 , 022681291X , 9780226813103 , 022681310X
    Language: English
    Pages: 301 Seiten , Illustrationen, Karten, Porträts , 24 cm
    Series Statement: Chicago studies in American politics
    Parallel Title: Erscheint auch als
    DDC: 303.380973
    RVK:
    Keywords: Geschichte 1930-1940 ; Politische Kommunikation ; Medien ; Öffentliche Meinung ; USA ; Public opinion / United States ; United States / Politics and government / 1929-1933 ; United States / Politics and government / 1933-1945 ; Politics and government ; Public opinion ; United States ; 1929-1945 ; USA ; Politische Kommunikation ; Medien ; Öffentliche Meinung ; Geschichte 1930-1940
    Abstract: "Pollsters and pundits failed to predict the election of Donald Trump in 2016. Is this because they do not know our fellow Americans and how they think? Who are the public? In A Troubled Birth: The 1930s and American Public Opinion, Susan Herbst argues that we need to go back to the beginning of the idea of "public opinion" and a mass public to understand what the American public is now. Herbst contends that the idea that there was a public whose opinions mattered began in the 1930s, during the Great Depression, with the growth of mass media, the devastating impact of the economic collapse on so many people, and the entry of political leaders, like Franklin Roosevelt, who were talented at trying to shape what the public thought. In the 1930s we had a stew pot of political beliefs from far left to far right, many challenging the established democracy of the day, in the wake of the failure of government to deal with the economic and social effects of the depression. Herbst argues that public opinion about political matters can only be understood as a product of a messy mixture of culture, politics, economics-in short, all the things that influence how people live. If we are to understand what people think about politics we must dig deep into the context in which people are developing these opinions"--
    Description / Table of Contents: Introduction: Birth of a Public -- President in the Maelstrom: FDR as Public Opinion Theorist -- Twisted Populism: Pollsters and Delusions of Citizenship -- A Consuming Public: The Strange and Magnificent New York World's Fair -- Radio Embraces Race and Immigration, Awkwardly -- Interlude: A Depression Needn't Be So Depressing -- Public Opinion and Its Problems: Some Ways Forward
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  • 36
    Book
    Book
    New York : Farrar, Straus and Giroux
    ISBN: 9780374158453
    Language: English
    Pages: XIV, 857 Seiten , Illustrationen
    Edition: First edition
    DDC: 306.09730904
    RVK:
    Keywords: Geschichte 1945-1989 ; Kunst ; Kultur ; Massenkultur ; Politik ; Ost-West-Konflikt ; USA ; Popular culture / United States / History / 20th century ; Political culture / United States / History / 20th century ; Cold War / Social aspects ; United States / Intellectual life / 20th century ; United States / Civilization / 1945- ; USA ; Kunst ; Kultur ; Politik ; Massenkultur ; Ost-West-Konflikt ; Geschichte 1945-1989
    Abstract: "A history of the thinkers, writers, and artists who shaped intellectual culture in Cold War Europe and America"--
    Note: Includes bibliographical references and index , 2021
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  • 37
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
    RVK:
    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 38
    ISBN: 9781250278456 , 9781250279859 , 9781250280176
    Language: English
    Pages: viii, 193 Seiten , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.0973
    RVK:
    RVK:
    Keywords: Nationalbewusstsein ; Politik ; Trauma ; USA ; Trump, Donald / 1946- ; United States / Politics and government / 2017-2021 ; United States / Social conditions / 21st century ; Collective memory ; National characteristics, American ; Political corruption / United States ; Post-traumatic stress disorder / United States ; BIOGRAPHY & AUTOBIOGRAPHY / Presidents & Heads of State ; POLITICAL SCIENCE / Commentary & Opinion ; PSYCHOLOGY / Psychopathology / Post-Traumatic Stress Disorder (PTSD) ; Trump, Donald / 1946- ; Collective memory ; National characteristics, American ; Political corruption ; Politics and government ; Post-traumatic stress disorder ; Social conditions ; United States ; 2000-2099 ; Biography & Autobiography ; Biography & Autobiography ; Biographies ; USA ; Politik ; Nationalbewusstsein ; Trauma
    Abstract: Donald Trump's niece, Mary L. Trump, examines America's national trauma, rooted in our history but dramatically exacerbated by the impact of current events and the Trump administration's corrupt and immoral policies. Our failure to acknowledge this trauma, let alone root it out, has allowed it to metastasize. Whether it manifests itself in rising levels of rage and hatred, or hopelessness and apathy, the stress of living in a country we no longer recognize has affected all of us. America is suffering from PTSD - a new leader alone cannot fix us
    Description / Table of Contents: part I. A short history of American failure : 1865-2020. Atrocities ; Impunity -- part II. Here there be monsters. American carnage ; Abandon all hope ye who enter -- part III. American exceptionalism. Suffering in silence ; We hold these truths -- part IV. The reckoning. The precipice ; The long shadow ; Facing the truth -- Epilogue
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  • 39
    ISBN: 9781479806768 , 9781479871032
    Language: English
    Pages: 247 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
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    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Schwarze ; Islam ; Jazz ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
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  • 40
    ISBN: 9780472038558
    Language: English
    Pages: XVII, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
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  • 41
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520383739 , 9780520383746
    Language: English
    Pages: xiv, 258 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48422
    RVK:
    RVK:
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    Keywords: Folk music ; Politik ; USA
    Note: Literaturverzeichnis Seite 225-258
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  • 42
    Book
    Book
    Warszawa : Wydawnictwo Naukowe SCHOLAR
    ISBN: 9788366470101
    Language: Polish
    Pages: 281 Seiten , 24 cm
    Edition: Wydanie pierwsze
    RVK:
    RVK:
    Keywords: Geschichte 1980-2019 ; Popkultur ; Rap ; Soziale Identität ; Nationalismus ; Nationalismus ; USA ; Polen ; Hip-hop / wpływ ; Hip-hop / Polska ; Tożsamość społeczna ; Komunikacja międzykulturowa ; Muzyka rap / aspekt polityczny / Polska ; Muzyka rap / aspekt polityczny / Stany Zjednoczone ; Polen ; USA ; Rap ; Popkultur ; Nationalismus ; Nationalismus ; Soziale Identität ; Geschichte 1980-2019
    Note: Literaturverzeichnis Seite 246-271 , Text polnisch
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  • 43
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
    RVK:
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 44
    Online Resource
    Online Resource
    Cambridge, Massachuesetts ; London, England : The Belknap Press of Harvard University Press
    ISBN: 9780674258808 , 9780674258815
    Language: English
    Pages: 1 Online-Ressource (viii, 598 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.82/0973
    RVK:
    RVK:
    Keywords: Geschichte ; SOCIAL SCIENCE / Popular Culture ; African American feminists ; African American women musicians ; African American women Intellectual life ; African American women Music ; History and criticism ; Musical criticism History ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; USA ; Afroamerikanische Musik ; Feminismus ; Musikkritik ; Geschichte
    Abstract: An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 45
    Online Resource
    Online Resource
    Chicago ; London : University of Chicago Press
    ISBN: 9780226670973
    Language: English
    Pages: 1 Online-Ressource (428 Seiten) , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.14
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1780-1945 ; Nationalbewusstsein ; Solidarität ; Wohltätigkeitsorganisation ; Wohltätigkeit ; USA ; Voluntarism / United States / History ; Charity organization / United States / History ; Social service / United States ; Charity organization ; Social service ; Voluntarism ; United States ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Wohltätigkeit ; Solidarität ; Wohltätigkeitsorganisation ; Nationalbewusstsein ; Geschichte 1780-1945
    Abstract: "Civic Gifts traces how practices of reciprocity and organized mass benevolence-that is, philanthropy-have contributed to the development of novel forms of national solidarity and impressive governing capacities in the United States, contributing even to a famously anti-statist political culture. Sociologist Elisabeth Clemens paints a picture of the US, whether as nation or as state, as a puzzle. How, she asks, did a sense of shared nationhood develop despite the linguistic, religious, and ethnic differences among the settlers? How did a global power emerge from an often anti-statist political culture? How did some version of this collective identity come to be articulated with organized governance? With Civic Gifts, Clemens reveals that an important piece of the answer to these questions can be found in the unexpected political uses of philanthropy and the power of gifts to mobilize communities and to create solidarity among strangers"--
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 46
    ISBN: 9780252084959 , 9780252043086
    Language: English
    Pages: xi, 250 Seiten
    Series Statement: Music in American life
    Parallel Title: Erscheint auch als Vander Wel, Stephanie, 1969- Hillbilly maidens, okies, and cowgirls
    RVK:
    Keywords: Wells, Kitty ; Montana, Patsy ; Maddox, Rose ; Lulu Belle ; WLS (Radio station : Chicago, Ill ; Geschichte 1930-1960 ; Countrymusic ; Musiker ; Frau ; Country music History and criticism 1951-1960 ; Women country musicians ; Radio and music History 20th century ; Country music History and criticism To 1951 ; USA
    Note: Literaturverzeichnis: Seiten [225]-237
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  • 47
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    ISBN: 9781350126329
    Language: English
    Pages: xii, 210 Seiten , 15 Illustrationen
    Series Statement: Dress cultures
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1980-2018 ; Punk ; Indie-Pop ; Subkultur ; Mode ; USA ; Großbritannien ; 21st century history: from c 2000 - ; Punk, New Wave & Indie ; Fashion & beauty industries ; Popular culture ; SOCIAL SCIENCE / Popular Culture ; SOCIAL SCIENCE / Gender Studies ; BUSINESS & ECONOMICS / Industries / Fashion & Textile Industry ; Fashion - Social aspects - History - 21st century ; Indie culture ; Popular culture - History - 21st century ; Großbritannien ; USA ; Indie-Pop ; Punk ; Mode ; Subkultur ; Geschichte 1980-2018
    Description / Table of Contents: List of Illustrations; Introduction; Chapter 1: From subculture to hot look: The evolution of indie; Chapter 2: Skinny boys and Parisian runways: The commodification of indie authenticity; Chapter 3: Wellies, fringe and individual style: The commercial rise of festival fashion; Chapter 4: Prints, paints and crop tops: The emergence of Afro-diasporic festival fashion ; Chapter 5: Beyond Retro and the pop ragtrade; Conclusion; Notes; Bibliography; Index
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  • 48
    ISBN: 9781478009597 , 9781478008699
    Language: English
    Pages: x, 217 Seiten
    Series Statement: Refiguring American music
    DDC: 781.644
    RVK:
    Keywords: Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; USA
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  • 49
    Book
    Book
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517910037 , 9781517910044
    Language: English
    Pages: 192 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1960-2020 ; Afroamerikanische Musik ; Kulturkontakt ; Musik ; USA ; Südasien ; African Americans / Music / History and criticism ; Popular music / United States / South Asian influences ; Popular music / United States / History and criticism ; African Americans / Music ; Popular music ; United States ; Criticism, interpretation, etc ; USA ; Afroamerikanische Musik ; Südasien ; Musik ; Kulturkontakt ; Geschichte 1960-2020
    Abstract: "A sixty-year history of Afro-South Asian musical collaborations"--
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 50
    ISBN: 9781479846085
    Language: English
    Pages: 287 Seiten
    Series Statement: Sexual cultures
    DDC: 305.30973
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    Keywords: Sex role ; Women's rights Political aspects ; Homosexuality Religious aspects ; Christianity ; Homosexuality Government policy ; United States ; Gay rights ; USA ; Politiker ; Sexuelle Attraktion ; Geschichte
    Abstract: ""The Sex Obsession" connects perversity and possibility in American politics"--
    Note: Includes bibliographical references and index
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  • 51
    Book
    Book
    New York, NY : Harper Design, an imprint of Harper Collins Publishers
    ISBN: 9780062914705
    Language: English
    Pages: 256 Seiten
    RVK:
    Keywords: Geschichte 1940-1960 ; Musiklokal ; Musikleben ; Jazz ; USA ; Jazz / United States / 1931-1940 ; Jazz / United States / 1941-1950 ; Nightclubs / United States / History / 20th century ; Jazz musicians / Interviews ; Jazz / Social aspects ; Jazz ; Jazz musicians ; Jazz / Social aspects ; Nightclubs ; United States ; 1900-1999 ; History ; Interviews ; Bildband ; Bildband ; Bildband ; USA ; Jazz ; Musiklokal ; Musikleben ; Geschichte 1940-1960
    Abstract: "Sittin' in brings to public view for the first time a rare collection of more than two hundred souvenir photographs and memorabilia from the most renowned jazz nightclubs in America in the 1940s and 1950s. In an era of segregation and Jim Crow laws, jazz nightclubs across the country were among the first places where Black and white people mixed in audiences and onstage. These remarkable images, detailed histories of each club, and first-person testimonies from those who performed and visited these seminal venues are your ticket inside an extraordinary world that gave root to change and greater personal expression, both musically and socially."--Back cover
    Description / Table of Contents: The East Coast. New York City ; Atlantic City ; Washington D.C. ; Boston -- The Midwest. Cleveland ; Detroit ; Chicago ; Kansas City ; St. Louis -- The West Coast. Los Angeles ; San Francisco
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  • 52
    Book
    Book
    Cambridge, Massachusetts : London, England
    ISBN: 9780674987913
    Language: English
    Pages: 356 Seiten
    DDC: 303.48/30973
    RVK:
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    Keywords: Science Social aspects 20th century ; History ; Science Social aspects 21st century ; History ; Science Political aspects 20th century ; History ; Science Political aspects 21st century ; History ; Science Moral and ethical aspects 20th century ; History ; Science Moral and ethical aspects 21st century ; History ; Political culture ; Truthfulness and falsehood Political aspects ; USA ; Wissenschaft ; Gesellschaft ; Diskurs ; Geschichte 1920-2020
    Abstract: Introduction: Science by association -- Making modern minds -- Resisting the modern -- A scientific state -- Science and human behavior -- Facts and values -- Two cultures -- A new right -- Cross-fertilization -- A new left -- Skepticism instantiated -- Beyond universalism -- Conclusion: Scientific authority in pieces?
    Abstract: "Americans today are often skeptical of scientific authority. Many conservatives dismiss climate change and Darwinism as liberal fictions, arguing that "tenured radicals" have coopted the sciences and other disciplines. Some progressives, especially in the universities, worry that science's celebration of objectivity and neutrality masks its attachment to Eurocentric and patriarchal values. As we grapple with the implications of climate change and revolutions in fields from biotechnology to robotics to computing, it is crucial to understand how scientific authority functions-and where it has run up against political and cultural barriers. Science under Fire reconstructs a century of battles over the cultural implications of science in the United States. Andrew Jewett reveals a persistent current of criticism which maintains that scientists have injected faulty social philosophies into the nation's bloodstream under the cover of neutrality. This charge of corruption has taken many forms and appeared among critics with a wide range of social, political, and theological views, but common to all is the argument that an ideologically compromised science has produced an array of social ills. Jewett shows that this suspicion of science has been a major force in American politics and culture by tracking its development, varied expressions, and potent consequences since the 1920s. Looking at today's battles over science, Jewett argues that citizens and leaders must steer a course between, on the one hand, the naïve image of science as a pristine, value-neutral form of knowledge, and, on the other, the assumption that scientists' claims are merely ideologies masquerading as truths"--
    Note: Index
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  • 53
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496830609 , 9781496830524
    Language: English
    Pages: 272 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Davis, Betty ; Scott-Heron, Gil ; Khan, Chaka ; Geschichte 1970-1979 ; Soul ; Funk ; Blues ; USA ; Funk (Music) / History and criticism ; Funk (Music) ; Criticism, interpretation, etc ; USA ; Funk ; Blues ; Soul ; Geschichte 1970-1979 ; Khan, Chaka 1953- ; Scott-Heron, Gil 1949-2011 ; Davis, Betty 1945-2022 ; Funk
    Abstract: "Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history"--
    Note: Intro , Groove theory: liner notes on funk aesthetics , Blue funk: the ugly beauty of stank , Sly Stone and the gospel of funk -- , Songbird: Chaka Khan as funk queen , Funky bluesology: Gil Scott-Heron as black organic intellectual , The kinkiness of turquoise: Betty Davis's liberated funk-rock
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  • 54
    ISBN: 9781108823449
    Language: English
    Pages: 85 Seiten , Diagramme
    Series Statement: Cambridge elements: Elements in American politics
    Parallel Title: Erscheint auch als
    DDC: 306.0973
    RVK:
    Keywords: Geschichte 1990-2020 ; Polarization (Social sciences) / United States ; Polarization (Social sciences) / Cross-cultural studies ; Right and left (Political science) / United States ; Political parties / United States ; Spaltung ; Politik ; Gesellschaft ; Polarisierung ; United States / Politics and government / 1989- ; USA ; USA ; Politik ; Polarisierung ; Gesellschaft ; Spaltung ; Geschichte 1990-2020
    Abstract: American political observers express increasing concern about affective polarization, i.e., partisans' resentment toward political opponents. We advance debates about America's partisan divisions by comparing affective polarization in the US over the past 25 years with affective polarization in 19 other western publics. We conclude that American affective polarization is not extreme in comparative perspective, although Americans' dislike of partisan opponents has increased more rapidly since the mid-1990s than in most other Western publics. We then show that affective polarization is more intense when unemployment and inequality are high; when political elites clash over cultural issues such as immigration and national identity; and in countries with majoritarian electoral institutions. Our findings situate American partisan resentment and hostility in comparative perspective, and illuminate correlates of affective polarization that are difficult to detect when examining the American case in isolation
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  • 55
    Book
    Book
    New York : Columbia University Press
    ISBN: 9780231193528
    Language: English
    Pages: xiii, 258 Seiten , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 305.800973
    RVK:
    Keywords: Geschichte ; Inklusion ; Fremdheit ; Ausländer ; Nationalbewusstsein ; USA ; National characteristics, American / History ; Cultural awareness / United States ; Race awareness / United States / History ; United States / Race relations / History ; Cultural pluralism / United States / History ; Globalization / Social aspects / United States / History ; Exceptionalism / United States / History ; Americanization ; Cold War / Social aspects / United States ; Americanization ; Cultural awareness ; Cultural pluralism ; Exceptionalism ; Globalization / Social aspects ; National characteristics, American ; Race awareness ; Race relations ; Social aspects ; United States ; History ; USA ; Ausländer ; Fremdheit ; Inklusion ; Nationalbewusstsein ; Geschichte
    Abstract: "Americans have long considered themselves a people set apart. Yet American exceptionalism is built on a set of tacit beliefs about other cultures. From the founding exclusion of indigenous peoples and enslaved Africans to the uneasy welcome of waves of immigrants, from republican disavowals of colonialism to Cold War proclamations of freedom, Americans' ideas of their differences from others have shaped the modern world--and how Americans have viewed foreigners is deeply revealing of their assumptions about themselves. Just Like Us is a pathbreaking exploration of what foreignness has meant across American history. Thomas Borstelmann traces American ambivalence about non-Americans, identifying a paradoxical perception of foreigners as suspiciously different yet fundamentally sharing American values at heart beneath the layers of culture. Considering race and religion, notions of the American way of life, attitudes toward immigrants, competition with communism, Americans abroad, and the subversive power of American culture, he offers a surprisingly optimistic account of the acceptance of difference. Borstelmann contends that increasing contact with peoples around the globe during the Cold War encouraged mainstream society to grow steadily more inclusive in terms of who could be considered fully American. In a time of resurgent nativism and xenophobia, Just Like Us provides a reflective, urgent examination of how Americans have conceived of foreignness and their own exceptionalism throughout the nation's history"--
    Description / Table of Contents: The Challenge of Contact with Foreigners -- Freedom: American Culture as Human Nature -- Inbound: Immigrants from Internal Threat to Incorporation -- Lurking: Communists and the Threat of Captivity -- Outbound: U.S. Expansion Into Foreign Lands -- Subversion: The Power of American Culture in a Global Era -- Conclusion: Not So Foreign After All
    Note: Includes bibliographical references and index
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  • 56
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226670836 , 9780226559360
    Language: English
    Pages: 428 Seiten , Illustrationen, Diagramme , 23 cm
    Parallel Title: Erscheint auch als
    DDC: 302.14
    RVK:
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    Keywords: Geschichte 1780-1945 ; Nationalbewusstsein ; Wohltätigkeitsorganisation ; Solidarität ; Wohltätigkeit ; USA ; Voluntarism / United States / History ; Charity organization / United States / History ; Social service / United States ; Charity organization ; Social service ; Voluntarism ; United States ; History ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Wohltätigkeit ; Solidarität ; Wohltätigkeitsorganisation ; Nationalbewusstsein ; Geschichte 1780-1945
    Abstract: "Civic Gifts traces how practices of reciprocity and organized mass benevolence-that is, philanthropy-have contributed to the development of novel forms of national solidarity and impressive governing capacities in the United States, contributing even to a famously anti-statist political culture. Sociologist Elisabeth Clemens paints a picture of the US, whether as nation or as state, as a puzzle. How, she asks, did a sense of shared nationhood develop despite the linguistic, religious, and ethnic differences among the settlers? How did a global power emerge from an often anti-statist political culture? How did some version of this collective identity come to be articulated with organized governance? With Civic Gifts, Clemens reveals that an important piece of the answer to these questions can be found in the unexpected political uses of philanthropy and the power of gifts to mobilize communities and to create solidarity among strangers"--
    Description / Table of Contents: Principles of Association and Combination -- Civil War, Civic Expansion: The "Divine Method" of Patriotism -- Municipal Benevolence -- The Expansible Nation-State -- "Everything but Government Submarines": Limits of a Semi-governmental System -- In the Shadow of the New Deal -- The People's Partnership -- Good Citizens of a World Power -- Combinatorial Politics and Constitutive Contradictions
    Note: Includes bibliographical references and index
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  • 57
    Book
    Book
    New York ; London ; Toronto ; Sydney ; New Delhi : Simon & Schuster Paperbacks
    ISBN: 9781982130848
    Language: English
    Pages: x, 581 Seiten , Diagramme, Portrait [des Verfassers auf dem Cover] , 25 cm
    Edition: 20th anniversary edition ; with a new poreface and afterword by the author ; revised and updated
    DDC: 306.0973
    RVK:
    RVK:
    RVK:
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    Keywords: Geschichte 1975-2000 ; Social change -- United States -- History -- 20th century ; Soziales Netzwerk ; Sozialverhalten ; Isolation ; Sozialer Wandel ; United States -- Social conditions -- 1945- ; USA ; United States / Social conditions / 1945- ; Social change / United States / History / 20th century ; Social change ; Social conditions ; United States ; Since 1900 ; History ; USA ; Isolation ; USA ; Sozialverhalten ; Isolation ; USA ; Sozialer Wandel ; Geschichte 1975-2000 ; USA ; Soziales Netzwerk ; Geschichte 1975-2000
    Library Location Call Number Volume/Issue/Year Availability
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  • 58
    Online Resource
    Online Resource
    London : Taylor & Francis Group
    ISBN: 9781000070460
    Language: English
    Pages: 1 Online-Ressource (303 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Feagin, Joe R. White racial frame : centuries of racial framing and counter-framing
    DDC: 305.800973
    RVK:
    RVK:
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    Keywords: Race discrimination ; Ethnische Beziehungen ; Rassendiskriminierung ; Soziale Situation ; Schwarze ; USA ; USA ; Soziale Situation ; Schwarze ; USA ; Rassendiskriminierung ; USA ; Ethnische Beziehungen
    Note: Includes index , Description based on print version record
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  • 59
    Online Resource
    Online Resource
    Durham ; London : Duke University Press
    ISBN: 9781478009153
    Language: English
    Pages: 1 Online-Ressource (viii, 278 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.77
    RVK:
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    Keywords: SOCIAL SCIENCE / Gender Studies ; Computer crimes Investigation ; Internet and children Social aspects ; Mass media and crime ; Online sexual predators ; Pedophilia in mass media Social aspects ; Pedophilia Social aspects ; Sex offenders ; Pädophilie ; Massenmedien ; Sexualtäter ; USA ; USA ; Pädophilie ; Sexualtäter ; Massenmedien
    Abstract: In Virtual Pedophilia Gillian Harkins traces how by the end of the twentieth century the pedophile as a social outcast evolved into its contemporary appearance as a virtually normal white male. The pedophile's alleged racial and gender normativity was treated as an exception to dominant racialized modes of criminal or diagnostic profiling. The pedophile was instead profiled as a virtual figure, a potential threat made visible only when information was transformed into predictive image. The virtual pedophile was everywhere and nowhere, slipping through day-to-day life undetected until people learned how to arm themselves with the right combination of visually predictive information. Drawing on television, movies, and documentaries such as Law and Order: SVU, To Catch a Predator, Mystic River, and Capturing the Friedmans, Harkins shows how diverse U.S. audiences have been conscripted and trained to be lay detectives who should always be on the lookout for the pedophile as virtual predator. In this way, the perceived threat of the pedophile legitimated increased surveillance and ramped-up legal strictures that expanded the security apparatus of the carceral state
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 60
    Online Resource
    Online Resource
    Chicago ; London : University of Chicago Press
    ISBN: 9780226703725
    Language: English
    Pages: 1 Online-Ressource (289 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.800973
    RVK:
    Keywords: Racism / United States ; Social interaction / United States ; Race relations ; Racism ; Social interaction ; Alltag ; Rassismus ; United States / Race relations ; United States ; USA ; USA ; Alltag ; Rassismus
    Abstract: "Waverly Duck and Anne Rawls propose in this book that when "tacit" racism becomes institutionalized in the expectations of ordinary interaction-in what the authors call "Interaction Orders of Race"--it creates vast amounts of largely invisible and unconscious inequality. Because of this, interactions can produce race inequality whether the people involved are aware of it or not. The resulting divisions and exclusions divide the nation, providing fertile ground for political manipulation around issues associated with race (e.g. welfare, health care and government as the guarantor of equality). The growth of tacit and overt racism that followed the election of Barack Obama, the first African American President, ushered in a level of intolerance that most Americans thought they had left behind in the distant past. It has been a nation-wide display of how overlooking tacit racism and supporting the fiction of a "color-blind" society damages not only the least advantaged but threatens the majority; it encourages the expression of overt forms of racism that deprives society of the contributions of minorities, and it threatens democratic public spaces. As such, the authors argue, tacit racism is a clear and present danger to the survival of our nation, the public civility it depends on, the autonomy of its sciences, and its democratic institutions as a whole."
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 61
    Online Resource
    Online Resource
    Princeton, NJ : Princeton University Press
    ISBN: 9780691205892
    Language: English
    Pages: 1 Online-Ressource (272 p)
    Edition: [Online-Ausgabe]
    Additional Information: Rezensiert in Gruenewald, Jeff [Rezension von: Miller-Idriss, Cynthia, 1972-, Hate in the homeland] 2022
    Parallel Title: Erscheint auch als Miller-Idriss, Cynthia, 1972 - Hate in the homeland
    DDC: 306/.1
    RVK:
    Keywords: White supremacy movements ; Hate Political aspects ; Right-wing extremists ; Right-wing extremists Social aspects ; SOCIAL SCIENCE / Sociology / General ; USA ; Vorherrschaft ; Weiße ; Rechtsradikalismus ; Rechter Flügel
    Abstract: A startling look at the unexpected places where violent hate groups recruit young peopleHate crimes. Misinformation and conspiracy theories. Foiled white-supremacist plots. The signs of growing far-right extremism are all around us, and communities across America and around the globe are struggling to understand how so many people are being radicalized and why they are increasingly attracted to violent movements. Hate in the Homeland shows how tomorrow's far-right nationalists are being recruited in surprising places, from college campuses and mixed martial arts gyms to clothing stores, online gaming chat rooms, and YouTube cooking channels.Instead of focusing on the how and why of far-right radicalization, Cynthia Miller-Idriss seeks answers in the physical and virtual spaces where hate is cultivated. Where does the far right do its recruiting? When do young people encounter extremist messaging in their everyday lives? Miller-Idriss shows how far-right groups are swelling their ranks and developing their cultural, intellectual, and financial capacities in a variety of mainstream settings. She demonstrates how young people on the margins of our communities are targeted in these settings, and how the path to radicalization is a nuanced process of moving in and out of far-right scenes throughout adolescence and adulthood.Hate in the Homeland is essential for understanding the tactics and underlying ideas of modern far-right extremism. This eye-opening book takes readers into the mainstream places and spaces where today's far right is engaging and ensnaring young people, and reveals innovative strategies we can use to combat extremist radicalization
    Abstract: Frontmatter -- Contents -- Preface and Acknowledgments -- Abbreviations -- Introduction: The Where and When of Radicalization -- Chapter 1. Space, Place, and the Power of Homelands -- Chapter 2. Mainstreaming the Message -- Chapter 3. Selling Extremism: Food, Fashion, and Far-Right Markets -- Chapter 4. Defending the Homeland: Fight Clubs and the Mixed Martial Arts -- Chapter 5. Grooming and Recruiting: Cultivating Intellectual Leadership -- Chapter 6. Weaponizing Online Spaces -- Conclusion: Whose Homeland? Inoculating against Hate -- Notes -- Bibliography -- Index
    Note: Mode of access: Internet via World Wide Web. , In English
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 62
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012245 , 1478012242
    Language: English
    Pages: 1 Online-Ressource (x, 217 pages)
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 781.644
    RVK:
    Keywords: Geschichte 1960- ; Soul music / History and criticism ; Soul musicians ; African Americans / Music / History and criticism ; Music and race / History / 20th century / United States ; Popular music / History and criticism / United States ; Resilienz ; Afroamerikanische Musik ; Ethnische Identität ; Soulmusiker ; USA ; USA ; Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; Resilienz ; Geschichte 1960-
    Abstract: From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 63
    ISBN: 9781108914123
    Language: English
    Pages: 1 Online-Ressource (85 Seiten)
    Series Statement: Cambridge elements: Elements in American politics
    Parallel Title: Erscheint auch als
    DDC: 306.0973
    RVK:
    Keywords: Geschichte 1990-2020 ; Polarization (Social sciences) / United States ; Polarization (Social sciences) / Cross-cultural studies ; Right and left (Political science) / United States ; Political parties / United States ; Spaltung ; Politik ; Gesellschaft ; Polarisierung ; United States / Politics and government / 1989- ; USA ; USA ; Politik ; Polarisierung ; Gesellschaft ; Spaltung ; Geschichte 1990-2020
    Abstract: American political observers express increasing concern about affective polarization, i.e., partisans' resentment toward political opponents. We advance debates about America's partisan divisions by comparing affective polarization in the US over the past 25 years with affective polarization in 19 other western publics. We conclude that American affective polarization is not extreme in comparative perspective, although Americans' dislike of partisan opponents has increased more rapidly since the mid-1990s than in most other Western publics. We then show that affective polarization is more intense when unemployment and inequality are high; when political elites clash over cultural issues such as immigration and national identity; and in countries with majoritarian electoral institutions. Our findings situate American partisan resentment and hostility in comparative perspective, and illuminate correlates of affective polarization that are difficult to detect when examining the American case in isolation
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 64
    ISBN: 9781419748547
    Language: English
    Pages: 236 Seiten
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Grecco, Michael ; Geschichte 1978-1991 ; Rockmusiker ; Rockgruppe ; Musikleben ; Porträtfotografie ; Fotografie ; Rockmusiker ; Punk Rock ; USA ; Punk rock musicians / United States / History / 20th century / Pictorial works ; Punk rock music / United States / History / 20th century / Pictorial works ; Punk rock music ; Punk rock musicians ; United States ; 1900-1999 ; Illustrated works ; Bildband ; USA ; Rockmusiker ; Rockgruppe ; Punk Rock ; Musikleben ; Porträtfotografie ; Geschichte 1978-1991 ; Grecco, Michael 1958- ; USA ; Fotografie ; Punk Rock ; Rockmusiker ; Geschichte 1978-1991
    Abstract: "Photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York as punk rock morphed into the post-punk and new wave movements that dominated from the late '70s to the early '90s. From the Cramps to Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others, Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. In addition to concert photography, he shot album covers and promotional pieces that round out his impressively extensive photo collection. Presented here for the first time are images of the clubs and bands as they evolve into the icons that they have become today."--Back cover
    Note: Includes index
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  • 65
    ISBN: 9783658306540
    Language: German
    Pages: 1 Online-Ressource (XII, 286 Seiten)
    Series Statement: Politische Kultur in den neuen Demokratien Europas
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Martin-Luther-Universität Halle-Wittenberg 2019
    DDC: 306.6
    RVK:
    Keywords: Sociology of Religion ; Political Sociology ; Sociology of Culture ; Religion and sociology ; Political sociology ; Culture ; Religionssoziologie ; Internationaler Vergleich ; Wertorientierung ; Protestantismus ; Kapitalismus ; Deutschland ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Protestantismus ; Wertorientierung ; USA ; Internationaler Vergleich ; Deutschland ; USA ; Protestantismus ; Wertorientierung ; Kapitalismus ; Religionssoziologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 66
    Online Resource
    Online Resource
    Stuttgart : Franz Steiner Verlag
    ISBN: 9783515125932
    Language: German
    Pages: 1 Online-Ressource (519 Seiten) , Diagramme
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Studien zur Alltags- und Kulturgeschichte
    Parallel Title: Erscheint auch als
    DDC: 781.6409
    RVK:
    RVK:
    Keywords: Geschichte ; Geschichte 1945-2020 ; Internationalisierung ; Globalisierung ; Musikmarkt ; Unterhaltungsmusik ; Amerikanisierung ; Rockmusik ; Musikwirtschaft ; Popmusik ; USA ; Wirtschaftsgeschichte ; Musikfilm ; Tonträgerindustrie ; MTV ; Kulturgeschichte ; Globalisierung ; Disco ; Hip-Hop ; Rockmusik ; Jazz ; Musikindustrie ; Popmusik ; Musikkultur ; EDM ; Techno ; Musikmarkt ; amerikanische Geschichte ; USA ; Unterhaltungsmusik ; Musikmarkt ; Amerikanisierung ; Geschichte ; USA ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Geschichte 1945-2020
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 67
    ISBN: 9783955751104 , 3955751104
    Language: German
    Pages: 469 Seiten
    Edition: 1. Auflage
    Uniform Title: The Sex Revolts
    RVK:
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    Keywords: Rockmusikerin ; Frauenkunst ; Geschlechterrolle ; Geschlechterstereotyp ; USA
    Note: Literaturverzeichnis Seite 459-463
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  • 68
    Book
    Book
    Tuscaloosa : The University of Alabama Press
    ISBN: 9780817319984
    Language: English
    Pages: x, 172 Seiten
    Additional Information: Rezensiert in McDonald, Robert Calum L. Matheson: Desiring the bomb. Tuscaloosa: The University of Alabama Press, 2019
    Series Statement: Rhetoric, culture, and social critique
    DDC: 306.27097309045
    RVK:
    RVK:
    Keywords: Atomkrieg ; Weltuntergang ; Sozialpsychologie ; USA
    Note: Works cited Seite 155-167 , Also issued online.
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  • 69
    ISBN: 9781433161131 , 1433161133
    Language: English
    Pages: 175 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    Keywords: Hip-Hop ; Subkultur ; USA
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  • 70
    Online Resource
    Online Resource
    Stanford, California : Stanford University Press
    ISBN: 9781503609419
    Language: English
    Pages: 1 Online-Ressource (xvii, 288 Seiten) , Diagramme
    Series Statement: Culture and economic life
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.48/2599073
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    RVK:
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    Keywords: Wirtschaftsentwicklung ; Freihafen ; Globalisierung ; Soziale Ungleichheit ; Militärstützpunkt ; Subic Bay ; USA ; Subic Bay ; Freihafen ; Soziale Ungleichheit ; Globalisierung ; Subic Bay ; Militärstützpunkt ; USA ; Freihafen ; Wirtschaftsentwicklung ; Globalisierung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 71
    ISBN: 9781438471518
    Language: English
    Pages: xiv, 304 Seiten , Diagramme, Illustrationen , 24 cm
    DDC: 305.800973
    RVK:
    Keywords: USA ; Geschichte 1964-2012 ; Agenda setting ; Politische Rede ; Rassismus ; Rhetorik
    Abstract: Despite major advancements in civil rights in the United States since the 1960s, racial inequality continues to persist in American society. While it may appear that presidents do not address the topic of race, it lurks in the background of presidential political speech across a range of issues, including welfare, crime, and American identity. Using a thorough approach that places textual analysis in a historical context, One America? asks what presidents say about race, how often they say it, and to whom they say it.
    Note: Literaturverzeichnis: Seite 263-295 , Literaturverzeichnis: Seite 263-295
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  • 72
    Book
    Book
    Rochester, NY : University of Rochester Press
    ISBN: 9781580469524
    Language: English
    Pages: xi, 303 Seiten , Illustrationen , 24 cm
    DDC: 782.421640973091732
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    Keywords: Geistesgeschichte 1900-1950 ; Unterhaltungsmusik ; Song ; Stadt ; USA
    Note: Literaturverzeichnis: Seite [297]-303
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  • 73
    ISBN: 9780253040213 , 9780253040206
    Language: English
    Pages: xiii, 309 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.76/0097309034
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    Keywords: Geschichte 1800-1900 ; Juden ; Synagoge ; Geistliche Musik ; Kirchenmusikpflege ; USA
    Abstract: Early strata : of choirs and reform through the mid-nineteenth century -- The sound of German Jewry : hymnals and singing societies in Wilhelm Fischer's zemirot -- Yisrael -- Bildungsmusik : G.M. Cohen, B'nai B'rith, and the voices of American Jewish cultivation -- Musical populists : G.S. Ensel, Simon Hecht, and the quest for the singing congregation -- The 1866 Sulzerfeier : the Viennese model and the grandeur of the urban worship -- A new cantor, a new repertoire : zimrath yah -- The path to the union hymnal -- Conclusion : restoring the soundtrack of Jewish life in nineteenth-century America
    Note: Works cited Seite 277-293
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  • 74
    Online Resource
    Online Resource
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780429243509 , 9780429513220 , 9780429520082 , 9780429516658
    Language: English
    Pages: 1 Online-Ressource (x, 130 Seiten)
    Series Statement: Routledge research in gender, sexuality, and media
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.23082/0973
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    Keywords: Problem ; Geschichte 1920-2010 ; Mass media and girls / United States ; Girls in mass media ; Girls / United States / Public opinion ; Moral panics / United States ; Human body / Social aspects / United States ; Mass media and public opinion / United States ; Konstruktion ; Körper ; Pubertät ; Journalismus ; Mädchen ; USA ; USA ; Mädchen ; Körper ; Pubertät ; Journalismus ; Konstruktion ; Problem ; Geschichte 1920-2010
    Abstract: Mazzarella examines the representational politics behind journalistic constructions of US girls and girlhood through a series of contemporary in-depth case studies which work to document a wider cultural moral panic about the troublesome nature of girls' bodies. The public concern and media fascination with youth so evident in the United States today is a century-old phenomenon. From the flappers of the 1920s to the bobbysoxers of the 1950s, from the hippies of the 1960s and on to the ever-present pregnant teens, this fascination has played out in the media and has consistently focused on (primarily White, middle-class, heterosexual) girls. A growing body of research has revealed the manner in which journalistic practice constructs such girls as problems. Girls, Moral Panic, and News Media takes a broad look at U.S. news media constructions of girls, girlhoods, and girl's bodies/sexualities through a series of contemporary in-depth case studies including news coverage of the 2008 Gloucester (MA) High School "pregnancy pact," teen gun control activist Emma Gonzlez, and the sexualization of "early puberty." In general, the news media constructs girls' bodies as troublesome and in need of adult surveillance and policing. These case studies document a cultural obsession with girls' bodies--an obsession that often approaches moral panic. This book will be key reading for researchers and instructors in the rapidly growing international and interdisciplinary field of Girls' Studies, and scholars of Media Studies, Cultural Studies, Gender Studies, Communication and Journalism.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 75
    Book
    Book
    Boca Raton, FL : CRC Press, Taylor & Francis Group
    ISBN: 1138493678 , 9781138493674
    Language: English
    Pages: xxiii, 210 Seiten
    Parallel Title: Erscheint auch als
    DDC: 302.23/1
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    Keywords: Propaganda ; Massenmedien ; Populismus ; Social Media ; Radikalismus ; Innere Sicherheit ; USA
    Note: A framework to analyze the impact of social media propaganda on intolerance, extremism, and radicalization in society -- Social media propaganda and the political electoral process -- Government institutional response to social media propaganda, extremism, and radicalization -- Military response to social media propaganda driven extremism, and radicalization -- The impact of social media extremist propaganda on law enforcement -- The corporate extremist propaganda machine -- Extremist propaganda and recruitment targeting youth -- Electronic aggression or free speech -- Countering extremist anti-science propaganda -- Observations on the distribution of extremist propaganda -- Ten reasons why propaganda works
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  • 76
    Book
    Book
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781538107362 , 9781538107379
    Language: English
    Pages: X, 281 Seiten , Illustrationen
    Edition: Second edition
    Parallel Title: Erscheint auch als Gottschalk, Peter, 1963- author Islamophobia and anti-Muslim sentiment
    DDC: 305.6/97073
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    Keywords: Muslims Caricatures and cartoons ; Stereotypes (Social psychology) Caricatures and cartoons ; Muslims in popular culture ; Muslims Public opinion ; Public opinion ; American wit and humor, Pictorial ; Islamfeindlichkeit ; United States Caricatures and cartoons Ethnic relations ; United States Ethnic relations ; USA ; USA ; Islamfeindlichkeit
    Note: First edition published under title: Islamophobia. - Includes bibliographical references and index
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  • 77
    ISBN: 9781250189745
    Language: English
    Pages: xxi, 279 Seiten , Illustrationen , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 302.230973
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    Keywords: Auswirkung ; Social Media ; Politik ; Internet ; USA ; Trump, Donald / 1946- ; 4chan (Electronic resource) ; Social media / Political aspects / United States ; Internet / Political aspects / United States ; Online social networks / Political aspects / United States ; Memes / Political aspects / United States ; United States / Politics and government / 2017- ; Internet / Political aspects ; Online social networks / Political aspects ; Social media / Political aspects ; United States ; USA ; Politik ; Social Media ; Internet ; Auswirkung
    Abstract: "An insider's history of the website at the end of the world, which burst into politics and memed Donald Trump into the White House. The internet has transformed the ways we think and act, and by consequence, our politics. The most impactful recent political movements on the far left and right started with massive online collectives of teenagers. Strangely, both movements began on the same website: an anime imageboard called 4chan.org. It Came from Something Awful is the fascinating and bizarre story of 4chan and its profound effect on youth counterculture. Dale Beran has observed the website's shifting activities and interests since the beginning. 4chan is a microcosm of the internet itself--simultaneously at the vanguard of contemporary culture, politics, comedy and language, and a new low for all of the above. It was the original meme machine, mostly frequented by socially awkward and disenfranchised young men in search of a place to be alone together. During the recession of the late 2000's, the memes became political. 4chan was the online hub of a leftist hacker collective known as Anonymous and a prominent supporter of the Occupy Wall Street movement. But within a few short years, the site's ideology spun on its axis; it became the birthplace and breeding ground of the alt-right. In It Came from Something Awful, Beran uses his insider's knowledge and natural storytelling ability to chronicle 4chan's strange journey from creating rage-comics to inciting riots to--according to some--memeing Donald Trump into the White House"--
    Description / Table of Contents: Introduction : the garbage fire eternal -- Countering counterculture -- The two sprouls -- It came from something awful -- Moot in raspberry heaven -- Memes, trolls, and Chan girls -- 2008 : anonymous accidentally starts a worldwide revolution -- 2008-2011 : from hope to despair to change -- Anon peeks into the Palantir -- From gentlemen to robots -- From robots to Nazis -- Gamergate : 4chan's depression quest -- Trump the frog -- Steve Bannon : nerd out of time -- #War on the sea owl -- Tumblr and the mosaic of identity -- Politics steps through the looking glass -- Tumblr goes to college -- 2016 : ejecta assemble -- 2017 : the alt-right implodes -- 2018 : what a time to be alive
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  • 78
    ISBN: 9781789140651
    Language: English
    Pages: 220 Seiten , Illustrationen, Portraits
    Series Statement: Reverb
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    Keywords: Geschichte 1950- ; Garage rock music / History and criticism ; Punk rock music / History and criticism ; Punk Rock ; USA ; USA ; Punk Rock ; Geschichte 1950-
    Abstract: Five Years Ahead of My Time: Garage Rock from the 1950s to the Present tells of an explosive musical phenomenon whose continuing influence on popular culture is dramatic and deep. The tale begins in 1950s America, when classic rock 'n' roll was reaching middle age and teenage musicians kept its primal rawness going with rough-hewn instrumentals. In the mid-1960s, the Beatles and the British Invasion conquered America, and soon every neighbourhood had its own garage band. Groups like the Sonics and 13th Floor Elevators burned brightly but briefly, only to be rediscovered by a new generation of connoisseurs in the 1970s. Numerous compilation albums followed, spearheaded by Lenny Kaye's seminal Nuggets, which resulted in garage rock's rebirth across the world during the 1980s and '90s. Be it the White Stripes or the Black Keys, bands have consistently found inspiration in the simplicity and energy of garage rock. It is a revitalizing force, looking back to the past to forge the future. And this, for the first time, is its story
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  • 79
    ISBN: 9780190660307
    Language: English
    Pages: xvii, 242 Seiten , Illustrationen
    DDC: 782.4215920973
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    Keywords: Geschichte 1900-2000 ; Protestsong ; USA
    Note: Literaturverzeichnis Seite 215-218
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  • 80
    Book
    Book
    New York, NY : ECCO, an imprint of HarperCollins Publishers
    ISBN: 9780062873699
    Language: English
    Pages: 293 Seiten
    Edition: First edition
    DDC: 305.8924073
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    Keywords: Spannung ; Juden ; Israel ; USA ; Jews / United States / Attitudes toward Israel ; Jews / United States / Identity ; Jews / History ; Jews ; Jews / Attitudes toward Israel ; Jews / Identity ; United States ; History ; USA ; Juden ; Israel ; Spannung
    Abstract: "From National Jewish Book Award Winner and author of Israel, a bold reevaluation of the tensions between American and Israeli Jews that reimagines the past, present, and future of Jewish life. Relations between the American Jewish community and Israel are at an all-time nadir. Since Israel's founding seventy years ago, particularly as memory of the Holocaust and of Israel's early vulnerability has receded, the divide has grown only wider. Most explanations pin the blame on Israel's handling of its conflict with the Palestinians, Israel's attitude toward non-Orthodox Judaism, and Israel's dismissive attitude toward American Jews in general. In short, the cause for the rupture is not what Israel is; it's what Israel does. These explanations tell only half the story. We Stand Divided examines the history of the troubled relationship, showing that from the outset, the founders of what are now the world's two largest Jewish communities were responding to different threats and opportunities, and had very different ideas of how to guarantee a Jewish future. With an even hand, Daniel Gordis takes us beyond the headlines and explains how Israel and America have fundamentally different ideas about issues ranging from democracy and history to religion and identity. He argues that as a first step to healing the breach, the two communities must acknowledge and discuss their profound differences and moral commitments. Only then can they forge a path forward, together." --
    Description / Table of Contents: The rift. Introduction: "Why can't we all just get along?" ; A mistaken conventional wisdom ; A rift older than the state itself -- The causes. A particularist project in a universalist world ; Idealized Zion meets the messiness of history ; People or religion: who and what are the Jews? ; How naked a public square: a liberal or ethnic democracy -- The future. Charting a shared future: and why that matters -- Conclusion: "Forget your perfect offering."
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  • 81
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780815362272 , 9781351112796
    Language: English
    Pages: xxii, 229 Seiten
    Series Statement: Routledge research in race and ethnicity
    Parallel Title: Erscheint auch als
    DDC: 305.800973
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    Keywords: Whites Race identity ; Race awareness ; Whites Race awareness ; Race awareness ; Whites Race identity ; Race awareness ; Weiße ; Ethnische Identität ; Südafrika ; Europa ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Südafrika ; Europa ; Ethnische Identität ; Weiße
    Note: Includes bibliographical references and index , Hier auch später erschienene, unveränderte Nachdrucke
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  • 82
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253042507 , 9780253042460
    Language: English
    Pages: xi, 360 Seiten
    Edition: Second edition
    Series Statement: Blacks in the diaspora
    Parallel Title: Erscheint auch als
    DDC: 305.800973
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    Keywords: Bürgerrecht ; Soziale Klasse ; Ethnische Beziehungen ; Bürgerrechtsbewegung ; USA ; USA ; Bürgerrechtsbewegung ; Ethnische Beziehungen ; Soziale Klasse ; USA ; Bürgerrecht ; Ethnische Beziehungen ; Soziale Klasse
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  • 83
    ISBN: 9783956143267 , 3956143264
    Language: German
    Pages: 317 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 780
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    Keywords: Geschichte ; Jodeln ; USA ; Österreich ; Bayern ; Wagner ; Christoph Wagner ; Jodelmania ; Jodeln ; Tradition ; Alpenraum ; Volksmusik ; Folklore ; Alpen ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Bayern ; Österreich ; USA ; Jodeln ; Geschichte
    Note: Rezensiert in: Neue Zeitschrift für Musik 180 (2019), Heft 5, Seite 77 (Anna Schürmer)
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  • 84
    ISBN: 9781978803596 , 9781978803589
    Language: English
    Pages: xiii, 246 Seiten , Illustrationen , 23 cm
    DDC: 306.484243
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    Keywords: Geschichte 1970- ; Schwarze ; Rhythm and Blues ; Identität ; Sexualität ; Neoliberalismus ; USA
    Abstract: Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.
    Note: Literaturverzeichnis: Seite 225-236
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  • 85
    Online Resource
    Online Resource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108597388
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Cambridge studies in social theory, religion, and politics
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.892/4073
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    Keywords: Geschichte 1850-2000 ; POLITICAL SCIENCE / Government / General / bisacsh ; Jews Politics and government ; Liberalism History ; POLITICAL SCIENCE / Government / General ; Liberale Theologie ; Säkularismus ; Politische Beteiligung ; Liberalismus ; Juden ; United States Ethnic relations ; USA ; Juden ; Liberale Theologie ; USA ; Juden ; Säkularismus ; Liberalismus ; Politische Beteiligung ; Geschichte 1850-2000
    Abstract: "American Jews have built a political culture based on the principle of equal citizenship in a secular state. This durable worldview has guided their political behavior from the founding to the present day. In The Foundations of American Jewish Liberalism, Kenneth D. Wald traces the development of this culture by examining the controversies and threats that stimulated political participation by American Jews. Wald shows that the American political environment, permeated by classic liberal values, produced a Jewish community that differs politically from non-Jews who resemble Jews socially and from Jewish communities abroad. Drawing on survey data and extensive archival research, the book examines the ups and downs of Jewish attachment to liberalism and the Democratic Party and the tensions between two distinct strains of liberalism"...
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 86
    Online Resource
    Online Resource
    Woodbridge, Suffolk, UK : The Boydell Press
    ISBN: 9781787445345
    Language: English
    Pages: 1 Online-Ressource (xviii, 284 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 306.4842
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    Keywords: Geschichte 1800-1960 ; Music / Social aspects / History / 19th century ; Music / Social aspects / History / 20th century ; Salons / Europe / History / 19th century ; Salons / United States / History / 20th century ; Music in the home / Social aspects / History / 19th century ; Music in the home / Social aspects / History / 20th century ; Soziokultur ; Salonmusik ; Europe / Intellectual life / 19th century ; United States / Intellectual life / 20th century ; USA ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; USA ; Salonmusik ; Soziokultur ; Geschichte 1800-1960
    Abstract: This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches, this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon
    Note: Introduction - Anja Bunzel and Natasha Loges -- - Johanna Kinkel's Social Life in Berlin (1836-39) : Reflections on Historiographical Sources - Anja Bunzel -- - Accidental Aesthetics in the Salon : Amateurism and the Romantic Fragment in the Lied Sketches of Bettina von Arnim - Jennifer Ronyak -- - Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness : C. J. Arnold's "Quartettabend bei Bettina von Arnim" Reconsidered - Katharina Uhde and R. Larry Todd -- - Reading, Singing, Becoming : The M adchenlieder of Paul Heyse and Johannes Brahms - Natasha Loges -- - Fridays with Malla : Musical Repertoire in the Swedish Salon of Malla Silfverstolpe - Kirsten Santos Rutschman -- - Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature - Maren Bagge and Clemens Kreutzfeldt -- - The Salon Singer as Subject of Satire during the July Monarchy - Mary Anne Garnett -- - The Instruments of the Vienna Biedermeier Salon : Diversity in Design, Sound, and Technology - Beatrix Darmst adter -- - Offenbach and the Representation of the Salon - P eter Boz o -- - Affordances of the Piano : A Cinematic Representation of the Victorian Salon - Harry White -- - 'Der Mensch ist zur Geselligkeit geboren' : Salon Culture, Night Thoughts, and a Schubert Song - Susan Youens -- - Traditions, Preferences and Musical Taste in the Staegemann-Olfers Salon in Nineteenth-Century Berlin - Petra Wilhelmy-Dollinger -- - Josephine Lang and the Salon in Southern Germany - Harald Krebs -- - Jessie Hillebrand and Musical Life in 1870s Florence - Michael Uhde -- - An Invitation to 309 Beacon Street : Clara Kathleen Rogers and her Boston Salon - Katie A. Callam -- - "Too Much Playing Four Hands!" : Ernst von Dohn anyi's European Salon in the United States of the 1950s - Veronika Kusz
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 87
    ISBN: 9783960541882
    Language: German
    Pages: 238 Seiten , Illustrationen , 24 cm, 422 g
    Edition: Deutsche Erstausgabe
    Uniform Title: Forbudte sanger
    DDC: 782.421592
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    Keywords: Zensur ; Protestsong ; Popmusik ; Billie Holiday ; Chile ; England ; Frankfurter Buchmesse ; Gastland ; Israel ; Kate Bush ; Libanon ; Mexiko ; Musik ; Norwegen ; Punk Gebet ; Pussy Riot ; Reise ; Russland ; Strange Fruit ; Sänger ; USA ; Unsongs ; Victor Jara ; Vietnam ; Zensur ; Popmusik ; Protestsong ; Zensur
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  • 88
    ISBN: 9780735221994 , 9780735222014
    Language: English
    Pages: xxiii, 418 Seiten , Diagramme
    Parallel Title: Erscheint auch als Markovits, Daniel, 1969- author Meritocracy trap
    DDC: 305.5/50973
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    Keywords: Middle class ; Intellectuals ; Equality ; USA ; Bürgertum ; Intellektueller ; Soziale Ungleichheit
    Abstract: It is an axiom of American life that advantage should be earned through ability and effort. Even as the country divides itself at every turn, the meritocratic ideal – that social and economic rewards should follow achievement rather than breeding – reigns supreme. Both Democrats and Republicans insistently repeat meritocratic notions. Meritocracy cuts to the heart of who we are. It sustains the American dream.
    Note: Includes bibliographical references and index , Hier auch später erschienene, unveränderte Nachdrucke
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  • 89
    ISBN: 9780190922061
    Language: English
    Pages: xx, 261 Seiten , 1 Karte
    Series Statement: Oxford studies in culture and politics
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.484
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    Keywords: Protest movements ; Demonstrations ; Political violence ; Riots ; Protestbewegung ; Unruhen ; USA ; Protestbewegung ; Unruhen ; USA
    Note: Includes bibliographical references
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  • 90
    Book
    Book
    Seattle : University of Washington Press
    ISBN: 9780295744360 , 9780295744353
    Language: English
    Pages: X, 304 Seiten
    Series Statement: Decolonizing feminisms
    Parallel Title: Erscheint auch als Asian American feminisms and women of color politics
    DDC: 305.420973
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    Keywords: Feminism ; Asian American women Political activity ; Minority women Political activity ; Feminismus ; Asiatin ; Politisches Handeln ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Asiatin ; Feminismus ; Politisches Handeln
    Note: Includes bibliographical references and index
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  • 91
    ISBN: 9783319904535
    Language: English
    Pages: xi, 240 Seiten
    Parallel Title: Erscheint auch als
    DDC: 201.7
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    Keywords: Geschichte ; Social Sciences ; Sociology of Culture ; Cultural Studies ; Music ; African American Culture ; Culture and Gender ; Men's Studies ; Social sciences ; African Americans ; Music ; Cultural studies ; Religion and culture ; Musikalische Analyse ; Geschlechterrolle ; Rap ; Soziale Funktion ; USA ; USA ; Rap ; Soziale Funktion ; Geschlechterrolle ; Musikalische Analyse ; Geschichte
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  • 92
    Book
    Book
    New York : Metropolitan Books
    ISBN: 9781250293664
    Language: English
    Pages: viii, 228 Seiten
    Edition: First edition
    DDC: 306.20973
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    Keywords: Political culture ; Polarization (Social sciences) Political aspects ; Gesellschaft ; Kritik ; Politische Kultur ; USA ; USA ; Politische Kultur ; Gesellschaft ; Kritik
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  • 93
    ISBN: 9781498575874
    Language: English
    Pages: xxii, 193 Seiten , Bibliography Seite 173-181
    DDC: 306.484240973
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    Keywords: Geschichte 1940-1960 ; Unterhaltungsmusik ; Rock 'n' Roll ; Musikwirtschaft ; Rassismus ; USA ; Hochschulschrift ; Hochschulschrift
    Note: Forthcoming publication , Includes bibliographical references and index.
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  • 94
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781315169705 , 9781351689724
    Language: English
    Pages: 1 Online-Ressource (258 Seiten)
    Edition: Fifth edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.48/4/0973
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    Keywords: Geschichte 1960-1970 ; Contestation - États-Unis - Histoire ; Protestbewegingen ; Radicalisme - États-Unis - Histoire ; Geschichte ; Radikalismus ; Protest movements History ; Radicalism History ; Protestbewegung ; États-Unis - Conditions sociales - 1960-1980 ; USA ; United States Social conditions 1960-1980 ; USA ; USA ; Protestbewegung ; Geschichte 1960-1970
    Abstract: It began in 1960 with the Greensboro sit-ins. By 1973, when a few Native Americans rebelled at Wounded Knee and the U.S. Army came home from Vietnam, it was over. In between came Freedom Rides, Port Huron, the Mississippi Summer, Berkeley, Selma, Vietnam, the Summer of Love, Black Power, the Chicago Convention, hippies, Brown Power, and Women's Liberation - The Movement - in an era that became known as The Sixties. Why did millions of citizens take to the streets and become activists, and what impact did they have on America
    Abstract: These are questions Terry H. Anderson explores in The Movement and The Sixties, a searching history of the social activism that defined a generation of young Americans and that called into question the very nature of "America." Drawing on interviews, "underground" manuscripts collected at campuses and archives throughout the nation, and many popular accounts, Anderson begins with Greensboro and reveals how one event built upon another and exploded into the kaleidoscope of activism by the early 1970s. Civil rights, student power, and the crusade against the Vietnam War composed the first wave of the movement, and during and after the rip tides of 1968, the movement changed and expanded, flowing into new currents of counterculture, minority empowerment, and women's liberation. The parades of protesters, along with shocking events - from the Kennedy assassination to My Lai - encouraged other citizens to question their nation. Was America racist, imperialist, sexist
    Note: Includes filmographies and index
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 95
    Book
    Book
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780190860561 , 9780190860554
    Language: English
    Pages: xii, 244 Seiten
    Parallel Title: Erscheint auch als Valls, Andrew, 1966- author Rethinking racial justice
    DDC: 305.896/073
    RVK:
    RVK:
    Keywords: African Americans Reparations ; Social justice ; Affirmative action programs Government policy ; African Americans Social conditions 21st century ; United States Race relations ; Political aspects ; Sozialpolitik ; Schwarze ; Ethnische Beziehungen ; Soziale Gerechtigkeit ; United States Social policy ; USA ; USA ; Schwarze ; Soziale Gerechtigkeit ; Sozialpolitik ; Ethnische Beziehungen
    Note: Includes bibliographical references and index
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  • 96
    ISBN: 9781498549813
    Language: English
    Pages: XXVI, 207 Seiten
    DDC: 305.42097309045
    RVK:
    Keywords: Communist Party USA ; Geschichte 1945-1970 ; Kommunismus ; Feminismus ; Kommunistin ; USA
    Note: Literaturverzeichnis Seite183-196
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  • 97
    ISBN: 9780295742625 , 9780295742618
    Language: English , Spanish
    Pages: 352 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als
    DDC: 781.64089/68073
    RVK:
    Keywords: Geschichte 1940-2017 ; Popular music Latin American influences ; Popmusik ; Rezeption ; Musik ; Lateinamerika ; USA ; USA ; Popmusik ; Rezeption ; Lateinamerika ; Musik ; Geschichte 1940-2017
    Note: Includes bibliographical references and index
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  • 98
    ISBN: 9780199374014 , 9780199374021
    Language: English
    Pages: xviii, 177 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Ahlgren, Angela K., author Drumming Asian America
    DDC: 786.908995073
    RVK:
    Keywords: Taiko ; Taiko (Drum ensemble) ; Music Social aspects ; Asian American musicians ; Soziale Funktion ; Asiaten ; Identität ; Musik ; Einfluss ; Taiko ; Kulturpolitik ; Performance ; Asien ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Asiaten ; Taiko ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik ; USA ; Musik ; Asien ; Einfluss ; USA ; Taiko
    Note: Includes bibliographical references and index
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  • 99
    ISBN: 9781316515143 , 9781108454148
    Language: English
    Pages: XVII, 271 Seiten
    DDC: 303.60973
    RVK:
    Keywords: Gewalt ; Politik ; Polizei ; Waffenrecht ; USA
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  • 100
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520279377 , 9780520279384
    Language: English
    Pages: xii, 282 Seiten , Illustrationen
    DDC: 306.484250973
    RVK:
    Keywords: Verve Jazz Masters ; Geschichte 1956- ; Jazz ; Musikwirtschaft ; Neoliberalismus ; USA
    Note: "Roth Family Foundation music in America imprint."
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