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  • Art History  (406)
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  • 1
    ISBN: 9781478093718
    Language: English
    Pages: 1 Online-Ressource (568 p.)
    Parallel Title: Erscheint auch als Future/present
    RVK:
    Keywords: Anti-racism History 21st century ; Arts and society History 21st century ; Arts Political aspects 21st century ; History ; ART / American / General ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity.Selected contributors. Dahlak Brathwaite, adrienne maree brown, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu
    Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English
    URL: Cover  (lizenzpflichtig)
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  • 2
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 3
    ISBN: 9781478027256 , 1478027258 , 9781478093718 , 1478093714
    Language: English
    Pages: 1 online resource (554 pages) , illustrations
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Future/present
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 4
    ISBN: 9780262377249 , 0262377241 , 9780262377256 , 026237725X
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: The MIT Press
    Parallel Title: Erscheint auch als An anthology of blackness
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
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  • 5
    Image
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    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen
    DDC: 700.89/96073
    RVK:
    Keywords: African American art 20th century ; African American art 21st century ; Art and society History 20th century ; Art and society History 21st century ; USA ; Kunstsoziologie ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
    Note: Includes bibliographical references and index
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  • 6
    ISBN: 0691245452 , 9780691245454
    Language: English
    Pages: 175 Seiten , 26 cm
    RVK:
    Keywords: 2000-2099 ; Indian art Exhibitions. 21st century ; Indigenous art Exhibitions. 21st century ; Art, American Exhibitions. 21st century ; Art, American ; Indian art ; Indigenous art ; Exhibition catalogs ; United States ; Bildband ; Ausstellungskatalog National Gallery of Art 22.09.2023-15.01.2024 ; Ausstellungskatalog New Britain Museum of American Art 18.04.2024-15.09.2024 ; USA ; Indianer ; Indigenes Volk ; Kunst ; Geschichte 2000-
    Abstract: A groundbreaking survey of contemporary Indigenous art and its enduring connections to the landThe Land Carries Our Ancestors: Contemporary Art by Native Americans brings together works by many of today s most boldly innovative Native American artists. Jaune Quick-to-See Smith, one of the leading artists and curators of her generation, has carefully chosen some fifty works across a diversity of practices-including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video-that share the common thread of the land.
    Note: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index
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  • 7
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
    RVK:
    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 8
    ISBN: 9783731512387
    Language: German
    Pages: 1 Online-Ressource (363 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Gantner, Manuela Das "friedliche Atom" als Narrativ in Politik, Wissenschaft und Design
    Dissertation note: Dissertation Karlsruher Institut für Technologie (KIT) 2022
    DDC: 303.483
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    Keywords: Hochschulschrift ; Deutschland ; Kunst ; Kernenergie ; Geschichte 1953-1978
    URL: Volltext  (kostenfrei)
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  • 9
    ISBN: 9780262048668
    Language: English
    Pages: xvii, 243 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Anthology of Blackness
    Parallel Title: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Description / Table of Contents: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Note: Bibliographie (Seite 234 - 243)
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  • 10
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
    RVK:
    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 11
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    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
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    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 12
    ISBN: 9783954905195 , 3954905191
    Language: English
    Pages: 158 Seiten, 56 ungezählte Seiten , Illustrationen, Karten , 24 cm x 17 cm
    Series Statement: Studien zur islamischen Kunst und Archäologie Band 3
    Series Statement: Studien zur islamischen Kunst und Archäologie
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Chicago 2014
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    Keywords: Geschichte 750-900 ; Palast ; Abbasidenreich ; Irak ; Jawsaq al-Khāqānī ; Art History ; Archaeology ; Islamic art and architecture ; Architectural history ; Middle Eastern Studies ; Kunstgeschichte/Islamische Kunstgeschichte ; Altertumswissenschaften ; Hochschulschrift ; Jawsaq al-Khāqānī ; Geschichte 750-900 ; Irak ; Abbasidenreich ; Palast ; Geschichte 750-900
    Note: Literaturverzeichnis: Seite [141]-151
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  • 13
    ISBN: 9780231205023 , 9780231205030
    Language: English
    Pages: xi, 287 Seiten , Illustrationen
    Series Statement: Literature now
    Parallel Title: Erscheint auch als Brooks, John, - 1989- The racial unfamiliar
    DDC: 810.9/896073
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    Keywords: American literature African American authors ; History and criticism ; African American art 21st century ; African Americans Race identity ; Race in literature ; Race in art ; African Americans in literature ; African Americans in art ; African Americans Intellectual life 21st century ; Literary criticism ; USA ; Literatur ; Kunst ; Schwarze ; Ästhetik ; Abstraktion
    Abstract: "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--
    Note: Includes bibliographical references and index
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  • 14
    ISBN: 9783837660845
    Language: German
    Pages: 403 Seiten , Illustrationen , 24 cm
    Edition: 1. Auflage
    Series Statement: Image Band 207
    Series Statement: Image
    Uniform Title: Arte Argentino - Bildende Kunst in Bewegung. Marta Minujín und Luis Felipe Noé
    Parallel Title: Erscheint auch als Geuer, Lena Arte argentino - Ästhetik und Identitätsnarrative in der argentinischen Kunst
    Dissertation note: Dissertation Heinrich-Heine-Universität Düsseldorf 2020
    DDC: 709.8209045
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    Keywords: Kunst ; Ästhetik ; Argentinien ; Hochschulschrift ; Argentinien ; Kunst ; Ästhetik ; Nationalbewusstsein ; Geschichte 1960-2022 ; Minujin, Marta 1943- ; Noé, Luis Felipe 1933- ; Argentinien ; Kunst ; Ästhetik ; Nationalbewusstsein ; Geschichte 1960-2022 ; Noé, Luis Felipe 1933- ; Minujin, Marta 1943-
    URL: Cover
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  • 15
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781000627084
    Language: English
    Pages: 1 Online-Ressource (xiv, 152 Seiten) , Illustrationen
    Series Statement: Routledge research in art and race
    Parallel Title: Erscheint auch als Hamilton, Elizabeth Carmel Charting the Afrofuturist imaginary in African American art
    DDC: 700.89/96073
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    Keywords: Electronic books ; USA ; Kunst ; Künstlerin ; Afrofuturismus
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  • 16
    ISBN: 9781526156471 , 9781526169044
    Language: English
    Pages: xxi, 323 Seiten , Illustrationen
    Series Statement: RHA:Rethinking art's histories
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Duke University 2013
    DDC: 305.4209497
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    Keywords: Abramović, Marina ; Iveković, Sanja ; Sozialismus ; Künstlerin ; Kunst ; Kulturpolitik ; Jugoslawien ; Feminism / Yugoslavia ; Feminism and the arts / Yugoslavia ; Féminisme / Yougoslavie ; Féminisme et arts / Yougoslavie ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jugoslawien ; Sozialismus ; Künstlerin ; Kulturpolitik ; Kunst ; Iveković, Sanja 1949- ; Abramović, Marina 1946-
    Abstract: Coining the term "Jugoslovenka" to designate the unique history of Yugoslav women's resistance to patriarchy during and after socialism, this book shows how Yugoslavia's anti-fascist, transnational and feminist legacies manifest in performance, conceptual, video and activist works
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  • 17
    ISBN: 9783753302386 , 9781846382635 , 3753302384
    Language: English
    Pages: 267 Seiten , Illustrationen
    Series Statement: Exhibition histories
    DDC: 704.039604109045
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; USA ; Großbritannien ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Geschichte ; Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; USA ; Großbritannien ; Schwarze ; Kunstausstellung ; Museum ; Kunstbetrieb ; Geschichte
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  • 18
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    Evanston, IL : Mary and Leigh Block Museum of Art | Princeton ; Oxford : Princeton University Press
    ISBN: 9780691209272
    Language: English
    Pages: 133 Seiten , 23 x 28 cm
    DDC: 709.73
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    Keywords: Gewalt ; Diskriminierung ; Schwarze ; Rassismus ; Unterdrückung ; USA ; Art, American ; Black people in art ; Black people / Violence against ; Violence in art ; Art américain ; Noirs dans l'art ; Noirs / Violence envers ; Violence dans l'art ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Rassismus ; Diskriminierung ; Unterdrückung ; Gewalt
    Note: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022
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  • 19
    Image
    Image
    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
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    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 20
    ISBN: 9783837658507
    Language: German
    Pages: 442 Seiten , Illustrationen , 24 cm
    Series Statement: Architekturen Band 64
    Series Statement: Architekturen
    Parallel Title: Erscheint auch als Schmitz, Rainer Heimat. Volkstum. Architektur
    Dissertation note: Dissertation Technische Universität Darmstadt
    DDC: 720.94309041
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    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutscher Bund Heimatschutz ; Heimat ; Nationalbewusstsein ; Architektur ; Geschichte 1904-1939 ; Heimat ; Architektur ; Gruppenidentität ; Architektur ; Bund Heimatschutz ; Heimatpflege ; Volkstumspolitik ; Architekturtheorie ; Ideologie ; Geschichte 1900-1939
    Note: Erweiterte Dissertation
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 21
    ISBN: 9783949257025
    Language: German
    Pages: 407 Seiten , Illustrationen
    Series Statement: Veröffentlichungen der Schwäbischen Forschungsgemeinschaft Band 48
    Series Statement: Reihe 1, Studien zur Geschichte des Bayerischen Schwaben
    Dissertation note: Dissertation Universität Stuttgart 2018
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    Keywords: Kunst ; Sakralbau ; Barock ; Kirchenbau ; Ausstattung ; Oberschwaben ; Hochschulschrift ; Hochschulschrift ; Oberschwaben ; Barock ; Sakralbau ; Geschichte 1710-1780
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 22
    ISBN: 9783830942399
    Language: German
    Pages: 510 Seiten , Illustrationen, Karte
    Series Statement: Populäre Kultur und Musik Band 31
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2018
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    Keywords: Geschichte 1960-1970 ; Kunst ; Popmusik ; Musikleben ; Kunstbetrieb ; London ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; London ; Kunst ; Kunstbetrieb ; Popmusik ; Musikleben ; Geschichte 1960-1970
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  • 23
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469663036 , 9781469663043
    Language: English
    Pages: xii, 224 Seiten , Illustrationen
    Series Statement: The John Hope Franklin series in African American history and culture
    Parallel Title: Erscheint auch als Smethurst, James Behold the Land
    DDC: 810.9/896073
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    Keywords: Black Arts movement ; American literature African American authors ; History and criticism ; African Americans in literature ; Black nationalism in literature ; Black nationalism History 20th century ; African Americans Intellectual life 20th century ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; USA ; Black arts movement ; Geschichte 1960-1985
    Note: Includes bibliographical references and index
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  • 24
    Book
    Book
    New York : Routledge, Taylor & Francis Group
    ISBN: 9780367553647
    Language: English
    Pages: xxxiv, 487 Seiten , Illustrationen , 25 cm
    Edition: First issued in paperback
    Series Statement: Routledge companions
    Series Statement: Visual studies
    DDC: 700.8996073
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    Keywords: African American art ; Art, American Historiography ; Electronic books ; USA ; Schwarze ; Kunst ; Geschichte 1700-2020
    Note: First published 2020 by Routledge
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  • 25
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469663067
    Language: English
    Pages: 1 online resource (245 pages)
    Series Statement: The John Hope Franklin Series in African American History and Culture Ser.
    Parallel Title: Erscheint auch als Smethurst, James Edward Behold the land
    DDC: 810.9896073
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    Keywords: Black Arts movement--Southern States ; American literature--African American authors--History and criticism ; African Americans in literature ; Electronic books ; Geschichte 1960-1985 ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; Geschichte 1960-1985 ; USA ; Black arts movement
    Note: Description based on publisher supplied metadata and other sources
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  • 26
    ISBN: 9783496016649
    Language: German
    Pages: 231 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Ruppio, Christin, 1985 - Karl Ernst Osthaus und der Hohenhof in Hagen
    Dissertation note: Dissertation Technischen Universität Dortmund
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    Keywords: Hochschulschrift ; Osthaus, Karl Ernst 1874-1921 ; Hohenhof
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  • 27
    ISBN: 9783906927275
    Language: German
    Pages: IX, 463 Seiten , Illustrationen
    Series Statement: Basel Southern Africa studies 13
    Series Statement: Basel Southern Africa studies
    Dissertation note: Dissertation Universität Bayreuth 2020
    DDC: 709.688109051
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    Keywords: Hochschulschrift ; Namibia ; Kunst ; Kolonialismus ; Kollektives Gedächtnis ; Geschichte ; Namibia ; Deutschland ; Kolonialismus ; Erinnerung ; Denkmal ; Vergangenheitsbewältigung
    Note: Literaturverzeichnis: Seiten 425-463
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  • 28
    ISBN: 9780691208190
    Language: English
    Pages: vii, 254 Seiten , Illustrationen, Pläne
    DDC: 745.40973/0904
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    Keywords: Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Decorative arts Marketing ; Power (Social sciences) History 20th century ; USA ; Kunsthandwerk ; Industriedesign ; Künste ; Geschlecht ; Ethnische Gruppe ; Geschichte 1950-1960
    Note: Includes bibliographical references and index
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  • 29
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469664668 , 9781469664651
    Language: English
    Pages: 1 Online-Ressource (xiii, 231 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 302.23082
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    Keywords: Künste ; Frau ; Sklaverei ; Gewalt ; Violence in literature ; Violence in motion pictures ; Violence on television ; Violence in women in literature ; Women in popular culture ; Women in popular culture ; Violence in women in popular culture ; Violence in women in popular culture ; Slavery History ; Literature ; Literature: history & criticism ; USA ; Karibik
    Abstract: This text examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Amy King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in US and Caribbean depictions of violence between women in the wake of slavery.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 30
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 31
    ISBN: 1934351199 , 9781934351192
    Language: English
    Pages: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
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    Keywords: African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Abstract: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Abstract: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Note: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 32
    ISBN: 9783731906353 , 373190635X
    Language: German
    Pages: 448 Seiten , Illustrationen, Karten, Pläne , 30 cm x 22 cm, 1200 g
    Series Statement: Studien zur internationalen Architektur- und Kunstgeschichte 189
    Series Statement: Studien zur internationalen Architektur- und Kunstgeschichte
    Dissertation note: Dissertation Ruprecht-Karls-Universität Heidelberg 2016
    DDC: 726.09498409034
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    Keywords: Hochschulschrift ; Hermannstadt ; Braşov ; Gesellschaftsordnung ; Sakralbau ; Architektur ; Geschichte 1880-1900 ; Siebenbürgen ; Hermannstadt ; Kronstadt ; Sakralbau ; Stadt ; Gesellschaftsordnung ; Geschichte 1880-1900
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  • 33
    Online Resource
    Online Resource
    Bielefeld : transcript
    ISBN: 9783839452943
    Language: English
    Pages: 1 Online-Ressource (215 Seiten) , Illustrationen
    Series Statement: Image volume 180
    Series Statement: Image
    Parallel Title: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 700.411
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    Keywords: Art, Black ; Blacks in art ; Blacks--Race identity ; Electronic books ; Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Abstract: Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
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  • 34
    Book
    Book
    University Park, Pennsylvania : The Pennsylvania State University Press
    ISBN: 9780271086040
    Language: English
    Pages: 241 Seiten , Illustrationen
    DDC: 759.13
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    Keywords: Jones, Lois Mailou Criticism and interpretation ; African diaspora in art ; Jones, Loi͏̈s Mailou 1905-1998 ; USA ; Schwarze ; Kunst
    Abstract: Introduction : claiming middle ground -- Seeking success : school, society, and career aspirations -- Routes to roots : from Black Washington to Black Paris -- Diasporic directions : Haiti, collage, and composite aesthetics -- In and out : Africa and the academy -- Conclusion : composite naming practices and art histories.
    Abstract: "A critical analysis of the art and career of African American painter Loïs Mailou Jones (1905-1998). Examines Jones's engagement with African and Afrodiasporic themes as well as the challenges she faced as a black woman artist"--
    Note: Includes bibliographical references and index
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  • 35
    Book
    Book
    München : Universitätsbibliothek Ludwig-Maximilians-Universität München
    ISBN: 9783959250733
    Language: German
    Pages: XIII, 668 Seiten , Illustrationen
    Series Statement: Dissertationen der LMU München Band 19
    Series Statement: Dissertationen der LMU München
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Ludwig-Maximilians-Universität München 2017
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    Keywords: Museum Fünf Kontinente ; Islamische Kunst ; Museum ; Keramik ; Deutschland ; Hochschulschrift ; Deutschland ; Museum ; Islamische Kunst ; Keramik ; Museum Fünf Kontinente ; Islamische Kunst ; Keramik
    URL: Volltext  (kostenfrei)
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  • 36
    Book
    Book
    Charlottesville : University of Virginia Press
    ISBN: 9780813943749
    Language: English
    Pages: xviii, 194 Seiten , Illustrationen
    Series Statement: Midcentury: architecture, landscape, urbanism, and design
    Parallel Title: Erscheint auch als Grubiak, Margaret M Monumental jesus
    DDC: 306.6/773
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    Keywords: Christianity and culture ; Cultural landscapes ; Popular culture Religious aspects ; Christianity ; United States Religion ; USA ; Religiöse Kunst ; Architektur ; Monumentalplastik
    Abstract: Touchdown Jesus! -- Dorothy, The Wizard of Oz, and the Mormon Temple -- Adventures in the evangelical theme park -- Charles Darwin's Night at the Creation Museum -- Gumby Jesus.
    Abstract: "This book explores how religious doubt is made manifest in the built environment by taking seriously the humorous, satirical, blasphemous, and popular culture responses to religious architecture and image in modern America. It challenges how audiences typically consider religious architecture by shifting the focus from believers to doubters and from architectural producers to architectural consumers. Its chapters explore landscapes of doubt created by "Touchdown Jesus" at the University of Notre Dame in Indiana; the Mormon temple outside Washington, D.C., recast as something from The Wizard of Oz; Jerry Falwell's waterslide plunge photograph and The Simpson's "Praiseland" episode satirizing Jim and Tammy Faye Bakker's Heritage USA evangelical theme park in South Carolina; the doctored photograph making fun of Oral Roberts's claim of seeing a 900-foot Jesus at Oral Roberts University in Tulsa, Oklahoma; MAD magazine's "Charles Darwin's Night at the Creation Museum" parody of the Creation Museum in Kentucky; and the "Gumby Jesus" renaming of the Christ of the Ozarks statue in Eureka Springs, Arkansas. These expressions of doubt activate the religious built environment in ways unanticipated but illuminating, asking Americans to consider and clarify what it is they believe"--
    Note: Includes bibliographical references and index
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  • 37
    ISBN: 9783954901227 , 3954901226
    Language: German
    Pages: XVI, 58 Seiten, 76 Tafeln , Illustrationen, Karten , 31 cm, 890 g
    Series Statement: Ausgrabungen Kharab Sayyar Band 4
    Series Statement: Ausgrabungen Kharab Sayyar
    Parallel Title: Erscheint auch als
    Dissertation note: Magisterarbeit Goethe-Universität Frankfurt
    DDC: 729.50956912
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    Keywords: Geschichte 700-1000 ; Ausstattung ; Ausgrabung ; Wohngebiet ; Stuck ; Moschee ; Islamische Architektur ; Wohnraum ; Charāb Sējār ; Kunstgeschichte ; Archäologie ; Kulturgeschichte ; Mittlerer Osten ; Wanddekoration ; Archäologie/Außereuropäische Archäologie ; Kunstgeschichte/Islamische Kunstgeschichte ; Hochschulschrift ; Charāb Sējār ; Wohngebiet ; Wohnraum ; Moschee ; Stuck ; Ausstattung ; Ausgrabung ; Geschichte 700-1000 ; Charāb Sējār ; Islamische Architektur ; Geschichte 700-1000
    Note: Aus dem Vorwort des Herausgebers: "Die hier präsentierten Ergebnisse stellen eine überarbeitete Version ihrer Magisterarbeit [...] sowie ihrer Masterarbeit [...] dar; hinzu kommt noch die Bearbeitung von wenigen Fragmenten, die in einem großen Gebäude auf dem antiken Tell im Südosten der Siedlung Kharab Sayyar geborgen wurden."
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  • 38
    Book
    Book
    Lincoln : University of Nebraska Press
    ISBN: 9781496202123
    Language: English
    Pages: xi, 254 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Rezeption ; Indigenes Volk ; Soziale Verantwortung ; Kunst ; Kunstwerk ; USA ; Indian arts / Study and teaching ; Education, Higher / Aims and objectives ; Museums and Indians ; Cultural awareness ; Cultural awareness ; Education, Higher / Aims and objectives ; Museums and Indians ; USA ; Indigenes Volk ; Kunst ; Soziale Verantwortung ; USA ; Indigenes Volk ; Kunstwerk ; Rezeption
    Abstract: "'Knowing Native Arts' brings Nancy Marie Mithlo's Native, insider perspective to understanding the significance of indigenous arts in national and global milieus"--
    Abstract: "Knowing Native Arts brings Nancy Marie Mithlo's Native insider perspective to understanding the significance of Indigenous arts in national and global milieus. These musings, written from the perspective of a senior academic and curator traversing a dynamic and at turns fraught era of Native self-determination, are a critical appraisal of a system that is often broken for Native peoples seeking equity in the arts. Mithlo addresses crucial issues, such as the professionalization of Native arts scholarship, disparities in philanthropy and training, ethnic fraud, and the receptive scope of Native arts in new global and digital realms. This contribution to the field of fine arts broadens the scope of discussions and offers insights that are often excluded from contemporary appraisals."--book jacket
    Description / Table of Contents: Introduction: Dangerous for the heart -- 1. "The Manner in Which Knowledge Grows" -- 2. Native Arts' Visual Remix -- 3. Indigenous Arts Movements at Home and Abroad -- 4. On the Other Side of the Ocean -- 5. Postidentity Claims, Realism, and Radical Restructuring -- 6. The Encyclopedic Gaze -- 7. Decentering Durham -- 8. American Indians and Museums: The love/hate relationship -- Conclusion: The good fight -- Notes
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  • 39
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    London : Phaidon Press Limited | New York, NY : New Museum
    ISBN: 9781838661298 , 1838661298
    Language: English
    Pages: 263 Seiten , 29 x 25 cm
    DDC: 704.9491524
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    Keywords: Ausstellungskatalog New Museum of Contemporary Art, New York, NY 2020-2021 ; Bildband ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 1964-2020 ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 2016-2020
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Impressum: "In association with New Museum New York, on the occasion of the exhibition "Grief and Grievance: Art and Mourning in America" October 20, 2020-January 24, 2021"
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  • 40
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    New Haven : Yale University Press in association with the Hutchins Center For African & African American Research, Harvard Univeristy
    ISBN: 9780300245745 , 0300245742
    Language: English
    Pages: xii, 228 Seiten , Illustrationen , 26 cm
    DDC: 704.0396073
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    Keywords: Harrington, Oliver W ; Colescott, Robert ; African American art ; African American artists ; African Americans in art ; Satire, American History and criticism ; USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; USA ; Schwarze ; Kunst ; Provokation ; Antirassismus ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009
    Abstract: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic.
    Abstract: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Note: "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso
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  • 41
    ISBN: 9789490153328 , 949015332X
    Language: English
    Pages: 184 Seiten , Illustrationen
    Series Statement: KA series 32
    Parallel Title: Parallele Sprachausgabe
    DDC: 700.411
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    Keywords: 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Abstract: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Note: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 42
    ISBN: 9783942214308 , 394221430X
    Language: German
    Pages: 448 Seiten , Illustrationen
    Dissertation note: Dissertation Hochschule für Grafik und Buchkunst 2018
    DDC: 700.103
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    Keywords: Hochschulschrift ; Hochschulschrift ; Botschaft e.V. ; Kulturarbeit ; Engagierte Kunst ; Raum ; Zwischennutzung
    Note: Literatur- und Quellenverzeichnis: Seite 362-409
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  • 43
    ISBN: 9783825369378 , 3825369374
    Language: German
    Pages: 478 Seiten , Illustrationen , 23.5 cm x 15.5 cm
    Series Statement: Heidelberg transcultural studies volume 5
    Dissertation note: Dissertation Ruprecht-Karls-Universität Heidelberg 2014
    DDC: 940
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    Keywords: Jesuiten ; Geschichte 1600-1800 ; Architektur ; Kirchenbau ; Gartenkunst ; Interkulturalität ; Macht ; Repräsentation ; Mission ; Peking ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: "Die vorliegende Studie ist die erweiterte Fassung einer Dissertationsschrift, welche von der Philosophischen Fakultät der Ruprecht-Karls-Universität Heidelberg im Wintersemester 2014 angenommen wurde."
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  • 44
    ISBN: 9781538101452
    Language: English
    Pages: xxvii, 382 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Mitchell, Verner D., 1957- author Encyclopedia of the Black Arts Movement
    DDC: 700.89/96073
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    Keywords: Black Arts movement Encyclopedias ; Wörterbuch ; Enzyklopädie ; Wörterbuch ; Black arts movement ; USA ; Schwarze ; Künste ; Black power
    Abstract: "The Black Arts Movement (BAM) was the name given to a group of black poets, artists, dramatists, musicians, and writers who emerged in the wake of the Black Power Movement. The entries in this volume include key contributors to the Black Arts Movement, their major works produced during the period, significant publications, and influential groups and organizations"--
    Note: Includes bibliographical references and index
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  • 45
    Book
    Book
    New Haven : Yale University Press in association with the Hutchins Center for African & African American Research, Harvard University
    ISBN: 9780300230383
    Language: English
    Pages: xiii, 134 Seiten , Illustrationen
    Series Statement: Richard D. Cohen lectures in African and African American Art
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    Keywords: Kunst ; Moderne ; Rassismus ; Kunst ; Moderne ; Rassismus ; Leonard, Zoe 1961- ; Marshall, Kerry James 1955- ; Pope.L, William 1955- ; USA ; Kunst ; Moderne ; Rassismus ; Geschichte 1950-2016
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  • 46
    Book
    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476669496
    Language: English
    Pages: x, 274 Seiten, 8 Seiten , Illustrationen
    DDC: 303.482730969
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    Keywords: Einfluss ; Massenkultur ; USA ; Hawaii
    Note: Bibliography Seite 256-264
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  • 47
    ISBN: 9781138605923
    Language: English
    Pages: XX, 211 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
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    Keywords: USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
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  • 48
    Book
    Book
    Baden-Baden : Tectum Verlag
    ISBN: 9783828842076 , 3828842070
    Language: German
    Pages: VIII, 450 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Gottfried Wilhelm Leibniz Universität Hannover 2016
    DDC: 363.6909431
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    Keywords: Geschichte 1989-2015 ; Geschichte 1926-1995 ; Neubewertung ; Denkmalschutz ; Denkmalpflege ; Berlin ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Denkmalschutz ; Denkmalpflege ; Geschichte 1989-2015 ; Deutschland ; Berlin ; Denkmalschutz ; Denkmalpflege ; Neubewertung ; Geschichte 1926-1995
    URL: Cover
    URL: Cover
    URL: Cover
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  • 49
    Language: German
    Pages: 1 Online-Ressource (196 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Großmann, Maya Anna Rosalie Kunst gegen den Identitätsverlust
    Dissertation note: Dissertation Frankfurt am Main, Johann Wolfgang Goethe-Universität 2018
    DDC: 303.482
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    Keywords: Hochschulschrift ; Hansen-Jacobsen, Niels 1861-1941 ; Plastik ; Nationalbewusstsein ; Hansen-Jacobsen, Niels 1861-1941
    URL: Volltext  (kostenfrei)
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  • 50
    ISBN: 9783862056248 , 3862056244
    Language: German
    Pages: 321 Seiten , Illustrationen , 23 cm, 467 g
    Dissertation note: Dissertation Universität Trier 2017
    DDC: 390.0952
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    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Japan ; Geruch ; Räucherung ; Kultur ; Ästhetik ; Geschichte 1603-1868 ; Kōdō
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  • 51
    ISBN: 0892075481 , 9780892075485
    Language: English
    Pages: 153 Seiten , 25 cm
    DDC: 759.13
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    Keywords: Basquiat, Jean-Michel Exhibitions ; Basquiat, Jean-Michel Political and social views ; Police brutality Art ; Racism Art ; Basquiat, Jean-Michel ; Basquiat, Jean Michel ; Exhibition catalogs ; Exhibition catalogs ; Ausstellungskatalog Solomon R. Guggenheim Museum 2019 ; Basquiat, Jean Michel 1960-1988 ; USA ; Politische Kunst ; Antirassismus
    Abstract: Defacement: moment, history, and memory / Chaédria LaBouvier -- The man nobody killed / Nancy Spector -- The art of Basquiat belongs to the people / J. Faith Almiron -- Black like B. / Greg Tate -- Recollections / compiled by Chaédria LaBouvier.
    Abstract: Jean-Michel Basquiat painted 'Defacement' (The Death of Michael Stewart) in 1983 to commemorate the death of a young, black artist who died from injuries sustained while in police custody after being arrested for allegedly tagging a New York City subway station. Published to accompany a focused exhibition of Basquiat's response to anti-black racism and police brutality, this catalogue explores a chapter in the artist's career through both the lens of his identity and the Lower East Side as a nexus of activism in the early 1980s
    Note: Includes bibliographical references
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  • 52
    ISBN: 9780429467851 , 9780429885877 , 9780429885884 , 9780429885860 , 9780429467851
    Language: English
    Pages: 1 online resource (232 pages) , 86 illustrations, text file, PDF.
    Edition: First edition.
    Series Statement: Routledge Research in Art and Race
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts movement and the Black Panther Party in American visual culture
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    Keywords: Black Panther Party History ; Arts and society History 20th century ; Black Arts movement ; Black Arts movement Case studies ; Arts Political aspects ; African Americans Race identity ; African Americans Intellectual life 20th century ; African American arts 20th century ; Black Arts movement ; African American arts ; 20th century ; African Americans ; Race identity ; African Americans ; Intellectual life ; 20th century ; Arts ; Political aspects ; United States ; History ; 20th century ; Electronic books ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; ART / Art & Politics ; AfriCOBRA ; African American art ; African American history ; African American studies ; American art ; Angela Davis ; art history ; Berkeley ; Black Panthers ; black power ; California ; civil rights ; desegregation ; Eldridge Cleaver ; Emory Douglas ; Huey P. Newton ; identity ; Kathleen Cleaver ; Malcolm X ; newspaper ; Oakland ; Oakland Museum ; paintings ; photography ; politics ; posters ; prints ; visual culture ; Electronic books ; Electronic books ; USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
    Abstract: Part I. Black arts we make : aesthetics, collaboration, and social identity in the visual art of Black Power -- Introduction to Part I -- Pedigree of the Black arts movement : the march on Washington, death of Malcolm X, and free jazz -- Organization of Black American culture : a show of respect -- African commune of bad relevant artists : forging a Black aesthetic -- New perspectives in Black art : an Oakland class of '68 Says Black Lives Matter. -- Part II. The Black Panther Party in photography and print ephemera. Introduction to Part II -- Huey P. Newton enthroned : iconic image of Black Power -- Eldridge Cleaver's visual acumen and the coalition of Black Power with White resistance -- Emory Douglas : revolutionary artist and visual theorist -- Picturing the female revolutionary.
    Note: Includes bibliographical references and index
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  • 53
    ISBN: 3746742250 , 9783746742250
    Language: German
    Pages: 389 Seiten , Illustrationen , 24 x 17 cm
    Parallel Title: Erscheint auch als Enders, Tina Behagliche Monumentalität in Frankfurt
    Dissertation note: Dissertation Technische Universität Berlin 2018
    DDC: 720
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    Keywords: Hochschulschrift ; Hochschulschrift ; Jügelhaus ; Architektur ; Stadt ; Gesellschaft
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  • 54
    ISBN: 9781943263141 , 9781943263141
    Language: English
    Pages: 149 Seiten , Illustrationen , 23 cm
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    Keywords: Art and race History ; Freedom and art 20th century ; United States ; Art and race History ; Freedom and art 20th century ; United States ; Art and race ; Freedom and art ; Nonfiction ; Rassismus ; Kunst ; USA ; Geschichte 1969-2017 ; Rassismus ; Kunst ; USA
    Abstract: In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York's Artists Space entitled Nigger Drawings. In 1969, the Metropolitan Museum of Art's exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. 'Whitewalling: Art, Race, & Protest in 3 Acts' reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world - no less than the country at large - has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship. 'Whitewalling' takes a critical and intimate look at these three "acts" in the history of the American art scene and asks: when we speak of artistic freedom and the freedom of speech, who, exactly, is free to speak?
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Setting the stage , Act 1: Open casket, Whitney Biennial, 2017 , Act 2: The nigger drawings, Artists Space, 1979 , Act 3: Harlem on my mind, Metropolitan Museum of Art, 1969
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  • 55
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520286535
    Language: English
    Pages: xx, 318 Seiten , Illustrationen , 28 cm
    Series Statement: Ahmanson Murphy Fine Arts imprint
    DDC: 709.2/396073
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    Keywords: African American artists 20th century ; African American artists 21st century ; Artists, Black 20th century ; Artists, Black 21st century ; Großbritannien ; USA ; Kunst ; Künstler ; Künstlerin ; Person of Color ; Geschichte 1965-2015 ; Großbritannien ; USA ; Schwarze ; Kunst ; Geschichte 1965-2015
    Note: Includes bibliographical references and index
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  • 56
    Language: German
    Pages: 1 Online-Ressource (389 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Enders, Tina Behagliche Monumentalität in Frankfurt
    Dissertation note: Dissertation Berlin, Technische Universität Berlin 2017
    DDC: 720
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    Keywords: Hochschulschrift ; Hochschulschrift ; Jügelhaus ; Architektur ; Stadt ; Gesellschaft
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  • 57
    ISBN: 9783837642537 , 3837642534
    Language: German
    Pages: 375 Seiten , Illustrationen
    Series Statement: Edition Medienwissenschaften Band 51
    Series Statement: Edition Medienwissenschaft
    Parallel Title: Erscheint auch als Miggelbrink, Monique Fernsehen und Wohnkultur
    Dissertation note: Dissertation Universität Paderborn 2017
    DDC: 302.2345094309046
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    Keywords: Wohnkultur ; Fernsehempfänger ; Design ; Deutschland ; USA ; Hochschulschrift ; Hochschulschrift ; Deutschland ; USA ; Fernsehempfänger ; Design ; Wohnkultur ; Geschichte 1953-1970 ; Fernsehen ; Möbel ; Fernsehen ; Wohnkultur ; Fernsehempfänger ; Möbel
    Note: Quellen- und Literaturverzeichnis: Seite 349-375
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  • 58
    Book
    Book
    Madrid : Iberoamericana | Frankfurt am Main : Vervuert
    ISBN: 9788416922291 , 9783954876211
    Language: Spanish
    Pages: 348 Seiten , Illustrationen
    Series Statement: La casa de la riqueza 41
    Series Statement: La casa de la riqueza
    DDC: 306
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    Keywords: García Lorca, Federico ; Buñuel, Luis ; Dalí, Salvador ; Amerikabild ; USA ; Konferenzschrift 15.10.2015-17.10.2015 ; Aufsatzsammlung ; Aufsatzsammlung ; García Lorca, Federico 1898-1936 ; Buñuel, Luis 1900-1983 ; Dalí, Salvador 1904-1989 ; USA ; Amerikabild
    URL: Cover
    URL: Cover
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  • 59
    Language: German
    Pages: 95 Seiten
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    Keywords: Staatliche Akademie der Bildenden Künste Stuttgart ; Institut für Auslandsbeziehungen ; Netz ; Netzwerk ; Vernetzung ; Kunst ; Design ; Kunsthochschule ; Textilkunst ; Stuttgart ; Ausstellungskatalog ifa-Galerie Stuttgart 13.07.2018-16.09.2018 ; Bildband ; Hochschulschrift ; Textilkunst ; Textilien ; Design ; Netz
    Note: "Eine Ausstellung der ifa-Galerie Stuttgart in Kooperation mit dem Studiengang Textildesign an der Staatlichen Akademie der Bildenden Künste Stuttgart und dem Institut für Leichtbau, Entwerfen und Konstruieren der Universität Stuttgart" (Impressum) 13. Juli - 16. September 2018
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  • 60
    ISBN: 9783954902743 , 3954902745
    Language: English
    Pages: XIX, 77, 109, 224 Seiten , Illustrationen , 31 cm, 1970 g
    Additional Material: 1 Karte
    Series Statement: Ausgrabungen Kharab Sayyar Band 3
    Series Statement: Ausgrabungen Kharab Sayyar
    Dissertation note: Dissertation Goethe-Universität Frankfurt am Main 2016
    DDC: 720.95691209021
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    Keywords: Geschichte 700-1000 ; Islamische Architektur ; Ausgrabung ; Wohngebiet ; Wasserbau ; Charāb Sējār ; Stadt ; Türkei ; Mesopotamien ; Syrien ; Stadtgeschichte ; Siedlungsarchäologie ; Kharab Sayyar ; Siedlung ; Archäologie/Außereuropäische Archäologie ; Kunstgeschichte/Islamische Kunstgeschichte ; Hochschulschrift ; Charāb Sējār ; Wohngebiet ; Islamische Architektur ; Wasserbau ; Geschichte 700-1000 ; Ausgrabung
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  • 61
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    New York : Hunter College Art Galleries
    ISBN: 9781732009929 , 1732009929
    Language: English
    Pages: 103 Seiten , Illustrationen , 23 cm
    DDC: 700.411
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    Keywords: Black Emergency Cultural Coalition ; Black Emergency Cultural Coalition ; Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal (Exhibition) ; African American art Exhibitions 20th century ; African American art Exhibitions 20th century ; African American artists History 20th century ; Exhibitions ; African American artists Exhibitions History 20th century ; Race awareness in art Exhibitions ; Art, American Exhibitions 20th century ; African American art ; African American artists ; Art, American ; Race awareness in art ; History ; Exhibition catalogs ; New York (State) ; New York ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; USA ; Künstler ; Person of Color ; Geschichte 1971 ; New York, NY ; Kunstbetrieb ; Schwarze ; Kunst ; Ausstellung ; Protest ; Geschichte 1971
    Abstract: This exhibition revisits the 1971 exhibition "Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal", which was organized by members of the Black Emergency Cultural Coalition at Acts of Art, a small, artist-run gallery in Greenwich Village. The original exhibition was mounted in response to the Whitney Museum?s refusal to appoint a Black curator for their survey 'Contemporary Black Artists in America'. The exhibition at Hunter presents ten of the 47 artists from the original Rebuttal show, including Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood "Bill" Rivers, and Frank Wimberley. It is a selection intended to represent the stylistic diversity of the original exhibition, with works ranging from sardonic social satire and biting figurative expressionism to Yoruban-inspired symbolism and lyrical abstraction. Through these artists, the exhibition also traces a network of organizations and groups that supported the aspirations of Black artists and the community in the 1960s and early 1970s. Through its survey of the history of the short-lived Acts of Art gallery and the events leading up to the Rebuttalshow, the exhibition and its accompanying catalogue explore the intersections between Black cultural communities and cultural politics in Greenwich Village, the Lower East Side, and Harlem in the late 1960s and early 1970s.00Exhibition: Leubsdorf Gallery, New York, USA (04.10.-25.11.2018)
    Note: "Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood Bill Rivers, Frank Wimberley"--Back cover , Catalog of an exhibition at the Hunter College Art Galleries' Bertha and Karl Leubsdorf Gallery in the fall of 2018 , "Edition of 400"--Colophon , Includes bibliographical references
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  • 62
    ISBN: 9780872731844 , 0872731847
    Language: English
    Pages: 152 Seiten , Illustrationen , 27 cm
    DDC: 305.48/896073
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    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism and the arts Exhibitions History 20th century ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism and the arts Exhibitions ; History ; 20th century ; United States ; African American feminists ; African American radicals ; African American women authors ; African American women Political activity ; Feminism and the arts ; Feminist literature United States ; African American feminists ; African American feminists ; African American radicals ; African American radicals ; African American women ; African American women ; African American women authors ; African American women authors ; Feminism and the arts ; Feminism and the arts ; Feminist literature ; Feminist literature ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California Afro-American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art 26.06.2018-30.09.2018 ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Schwarze ; Frauenkunst ; Geschichte 1965-1985
    Abstract: Illustrated volume to accompany an exhibition at the Brooklyn Museum opening April 2017, including an introduction by the exhibition co-curators; three scholarly critical essays; remarks from a symposium held in conjunction with the exhibition on April 21, 2017, consisting of personal reminiscences of the theater group Rodeo Caldonia; exhibition installation photographs with texts of the section introductions; an exhibition checklist; and a bibliography. An epigraph of two poems by Alice Walker will appear after the half-title page
    Note: Includes bibliographical references , Impressum: "Published on the occasion of the exhibition We Wanted a Revolution: Black Radical Women, 1965-85, organized by the Brooklyn Museum. Itinerary Brooklyn Museum, April 21-September 17, 2017, California African American Museum, Los Angeles, October 13, 2017-January 14, 2018, Albright-Knox Art Gallery, Buffalo, February 17-May 27, 2018, The Institute of Contemporary Art/Boston, June 26-September 30, 2018."
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  • 63
    Book
    Book
    New York : New York University Press
    ISBN: 9781479832774 , 9781479890170
    Language: English
    Pages: xxii, 299 Seiten , Illustrationen
    Series Statement: Sexual cultures
    Parallel Title: Erscheint auch als
    DDC: 306.7601
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    Keywords: Ishioka, Eiko ; González-Torres, Félix ; Bustamante, Nao ; Tseng, Kwong Chi ; Simone, Nina ; Danh Vo ; Queer theory ; Performance art ; Minorities Social conditions ; Performance ; Kleinkunst ; Identität ; Soziale Situation ; Darstellender Künstler ; Queer-Theorie ; USA ; USA ; Kleinkunst ; Performance ; Darstellender Künstler ; Soziale Situation ; Identität ; Queer-Theorie ; Bustamante, Nao 1963- ; Simone, Nina 1933-2003 ; Danh Vo 1975- ; Ishioka, Eiko 1939-2012 ; Tseng, Kwong Chi 1950-1990 ; González-Torres, Félix 1957-1996
    Note: Includes bibliographical references and index
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  • 64
    ISBN: 9783956502538 , 3956502531
    Language: German
    Pages: 400 Seiten , Illustrationen , 23 cm x 15.5 cm, 678 g
    Series Statement: Kultur, Recht und Politik in muslimischen Gesellschaften Band 36
    Series Statement: Kultur, Recht und Politik in muslimischen Gesellschaften
    Dissertation note: Dissertation Universität Heidelberg 2015
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    Keywords: Geschichte 650-1258 ; Islam ; Amulett ; Schriftlichkeit ; Iran ; Hochschulschrift ; Iran ; Islam ; Amulett ; Schriftlichkeit ; Geschichte 650-1258
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  • 65
    ISBN: 9783895006791
    Language: German
    Pages: xxix, 282, 83 Seiten , Karten, Illustrationen
    Series Statement: Studien zur islamischen Kunst und Archäologie Band 1
    Series Statement: Studien zur islamischen Kunst und Archäologie
    Dissertation note: Magisterarbeit Universität Bamberg 1994
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    Keywords: Geschichte 700-800 ; Bauforschung ; Ausgrabung ; Minja ; Hochschulschrift ; Minja ; Ausgrabung ; Geschichte 700-800 ; Minja ; Bauforschung ; Geschichte 700-800
    Note: Angekündigt unter dem Titel: Der frühislamische Residenzbau in Khirbat al-Minya am See von Tiberias, 8. Jahrhundert
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  • 66
    Language: German
    Pages: 465, 13, 11 Seiten , Illustrationen, Karten
    Additional Material: 1 CD-ROM (12 cm)
    Dissertation note: Dissertation Technische Universität Darmstadt 2017
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    Keywords: Hochschulschrift ; Hochschulschrift ; Dresden ; Juden ; Bürgerfamilie ; Haus ; Villa ; Geschichte
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  • 67
    Image
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    New Haven and London : Yale University Press | New Haven : Yale University Press
    ISBN: 9780876332726 , 9780300225891
    Language: English
    Pages: 496 Seiten , Illustrationen
    DDC: 750
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    Keywords: Watercolor painting Exhibitions 20th century ; Watercolor painting, American Exhibitions 19th century ; Watercolor painting, American Exhibitions 20th century ; Watercolor painting Exhibitions 19th century ; Watercolor painting ; Watercolor painting ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; USA ; Aquarell ; Geschichte 1800-1930 ; USA ; Aquarell ; Geschichte 1800-1930
    Abstract: The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture
    Abstract: The American watercolor movement -- American watercolor before 1866: separate worlds -- Ruskin, Turner, and the English tradition, 1855-1865 -- The formation of the American Watercolor Society -- "Strenuous and persistent efforts": the watercolor movement, 1873-1877 -- Landscape in the 1870s -- The illustrators: from "black and white" to color, 1873-1882 -- Figure painting in the 1870s: Homer and Eakins -- Art for a Decorative Age -- Impressionism from Munich and Rome -- High-water mark: figure painters in the 1880s -- Landscape painting after 1880: tonalism -- Illustration and decoration in the Gilded Age -- Impressionism and post-impressionism: Prendergast, Homer, and Sargent -- The "American medium" and the moderns -- Flash in the pan: a history of manufacturing watercolor paint in America / Rebecca Pollak
    Note: Rückseite der Titelseite: "Published on the occasion of the exhibition American Watercolor in the Age of Homer and Sargent, March 1-May 14, 2017."
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  • 68
    ISBN: 3-496-01533-0 , 978-3-496-01533-8
    Language: German
    Pages: 431 Seiten , Illustrationen
    DDC: 720.954552
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    Keywords: Indien Stadt ; Stadtplanung ; Architektur ; Sozialer Aspekt ; Stadtforschung, ethnologische ; Ethnographie ; Postkolonialismus ; Le Corbusier ; Chandigarh 〈Indien〉 ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Bildband ; Hochschulschrift ; Bildband ; Hochschulschrift ; Bildband
    Abstract: 1951 beauftragten indische Regierungsvertreter Le Corbusier zur Mitarbeit an einem ambitionierten Vorhaben, dem Bau von Chandigarh, Indiens größtem postkolonialen Städtebauprojekt. Skulpturale Architekturen und ein vom rechten Winkel geprägter Masterplan zeichnen seither Chandigarhs urbanes Gefüge aus. Heute, 50 Jahre nach dem Tod Le Corbusiers, leben über eine Million Menschen in der sogenannten »City Beautiful«. Bärbel Högner untersucht den von wechselseitiger Beeinflussung geprägten Entwurfsprozess der Planstadt und beleuchtet erstmals die soziale Seite des künstlich geschaffenen Stadtraums. Dabei wird deutlich, dass Le Corbusiers Regelwerk lokalen Gepflogenheiten gerecht wird: Seine Vision der »funktionellen Stadt« erfährt eine eigene Interpretation.
    Note: Dissertation, Goethe-Universität Frankfurt am Main, 2013
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  • 69
    ISBN: 9783944101729
    Language: German
    Pages: 414 Seiten , Illustrationen
    Series Statement: IÖR Schriften Band 72
    Dissertation note: Dissertation Technische Universität Dresden 2016
    DDC: 307.7209432145
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    Keywords: Landleben ; Lebensqualität ; Wohnstandard ; Umgebindehaus ; Regionalentwicklung ; Bewohner ; Umgebindehaus ; Engagement ; Zugehörigkeit ; Oberlausitz ; Oberlausitz ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 70
    ISBN: 9780872731837
    Language: English
    Pages: 319 Seiten , Illustrationen
    Edition: First published
    Additional Information: In Beziehung stehendes Werk We wanted a revolution 2018
    DDC: 305.48896073
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    Keywords: Nengudi, Senga ; Geschichte 1900-2000 ; Geschichte 1965-1994 ; Geschichte 1965-1985 ; Geschichte ; Weibliche Schwarze. Amerika ; African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; Frauenkunst ; Person of Color ; Künstlerin ; USA ; USA ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Quelle ; USA ; Frauenkunst ; Person of Color ; Geschichte 1965-1994 ; Künstlerin ; Person of Color ; Geschichte 1965-1985 ; Nengudi, Senga 1943-
    Note: Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 71
    ISBN: 9783731904878 , 373190487X
    Language: German
    Pages: 184 Seiten , Illustrationen , 29 cm
    Series Statement: Studien zur internationalen Architektur- und Kunstgeschichte 154
    Series Statement: Studien zur internationalen Architektur- und Kunstgeschichte
    Dissertation note: Magisterarbeit Humboldt-Universität zu Berlin 2008
    DDC: 571.87609
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    Keywords: Merian, Maria Sibylla ; Merian, Maria Sibylla ; Merian, Maria Sibylla ; Merian, Maria Sibylla ; Geschichte ; Insects Pictorial works ; Early works to 1800 ; Insects Pictorial works ; Early works to 1800 ; Biological illustration Early works to 1800 ; Naturdarstellung ; Biologie ; Kunst ; Merian, Maria Sibylla ; Hochschulschrift ; Merian, Maria Sibylla 1647-1717 Metamorphosis insectorum Surinamensium ; Tierdarstellung
    Description / Table of Contents: Vorwort Merians* -- Einleitung -- Abbildungen -- Abbildung I, Ananasblüte -- Beschreibung und Interpretation -- Kommentar zum Begleittext -- Abbildung IV, Maniokspross -- Beschreibung und Interpretation -- Kommentar zum Begleittext -- Abbildung V, Maniokknollen -- Beschreibung und Interpretation -- Kommentar zum Begleittext -- Abbildung XVIII, Spinnen -- Beschreibung und Interpretation -- Kommentar zum Begleittext -- Abbildung XIX, Guajavazweig mit Insekten -- Beschreibung und Interpretation -- Kommentar zum Begleittext -- Abbildung LX, Grosser Atlas Caligo idomenenus -- Beschreibung und Interpretation -- Kommentar zum Begleittext -- Vergleich der Themen und Texte der ersten und letzten Abbildung -- Charakteristika der Darstellungsweise Merians -- Überlegungen zur Herkunft und Begründung des Titels "Metamorphosis Insectorum Surinamensium" -- Die Entstehung Des Surinambuches -- Merians Entscheidung ein eigenständiges Leben zu führen -- Merians Aufenthalt bei den Labadisten -- Merians Verhältnis zur Religion -- Merians Motivation und Vorbereitung der Reise nach Surinam -- Der Aufenthalt in Surinam -- Die Herstellung der Bilder und Texte -- Das Studienbuch -- Vom Entwurf zum Aquarell -- Die Aquarelle -- Vom Aquarell zur Kupfertafel -- Die Folgeauflagen des "Surinambuches" -- Einleitende Bemerkungen die Auflage von 1719 betreffend -- Interpretation der Bilder und Texte LXI : LXXII der Auflagen ab 1719 -- Vermutungen über die Entstehung der zwölf Tafeln der späteren Auflagen -- Die Vorstellung der weiteren Auflagen -- Unterschiede in der Qualität der Kolorierung der verschiedenen Auflagen -- Untersuchung, ob für die weiteren Auflagen neue Kupferplatten gestochen wurden -- Die Rezeption der "Metamorphosis Insectorum Surinamensium" -- Die Rezeption zu Merians Lebzeiten -- Die Übernahme von Bildern aus ihren Kupfertafeln -- Die Anerkennung Merians -- Merians Kritiker -- Merians Bemühen um Anerkennung ihrer Forschungen, ohne als Forscherin zu Gelten -- Merians Beitrag zur Forschung -- Merians Beitrag zur Kunst -- Schlussbetrachtung -- Anhang -- Unterschiede bei den von Merian selbst kolorierten Erstausgaben von 1705 -- Abkürzungen -- Literatur und Quellen -- Abbildungsverzeichnis und Bildnachweis -- Anmerkungen -- Register.
    Note: Literaturverzeichnis: Seite 163-168
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  • 72
    ISBN: 9780872731837
    Language: English
    Pages: 319 Seiten , Illustrationen
    DDC: 305.48/896073
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    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism Sources ; Exhibitions ; History ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Black arts movement ; Schwarze Frau ; Frauenkunst ; Engagierte Kunst ; Geschichte 1965-1994
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 73
    Book
    Book
    Bielefeld : transcript Verlag
    ISBN: 9783837633542 , 3837633543
    Language: German
    Pages: 317 Seiten , 23 cm
    Series Statement: Urban studies
    Parallel Title: Erscheint auch als Erzählte Stadt - Der urbane Raum bei Janet Cardiff und Jeff Wall
    Dissertation note: Dissertation Hochschule für Bildende Künste Hamburg 2016
    DDC: 704.944097109049
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    Keywords: Wall, Jeff ; Cardiff, Janet ; Kultur ; Literatur ; Wissenschaftliche Literatur ; Film ; Roman ; Raumwahrnehmung ; Stadt ; Allgemeine Literaturwissenschaft ; City ; City Perception ; Contemporary Art ; Cultural Studies ; Film ; General Literature Studies ; Janet Cardiff ; Jeff Wall ; Kulturwissenschaft ; Literatur ; Literature ; Poststructural Narration ; Poststrukturelles Erzählen ; Raumtheorie ; Sociology ; Soziologie ; Spatial Theory ; Stadt ; Stadtwahrnehmung ; Urban Studies ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Cardiff, Janet 1957- ; Stadt ; Raumwahrnehmung ; Wall, Jeff 1946- ; Stadt ; Raumwahrnehmung ; Kultur ; Film ; Literatur ; Roman ; Wissenschaftliche Literatur
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  • 74
    ISBN: 9782753550223 , 2753550220
    Language: French
    Pages: 342 Seiten , Illustrationen , 24 cm
    Series Statement: Collection "Arts contemporains"
    Dissertation note: Dissertation Universität Clermont-Ferrand 2 2009
    DDC: 709.04
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    Keywords: Sculpture française 20e siècle ; Sculpture Matériaux ; 20e siècle ; France ; Matières plastiques ; Fer ; Sculpture en fer 20e siècle ; France ; Soudage 20e siècle ; France ; Compactage France ; Vie intellectuelle ; 20e siècle ; Compactage France ; Vie intellectuelle ; 20e siècle ; Fer ; Matières plastiques ; Sculpture Matériaux ; 20e siècle ; France ; Sculpture en fer 20e siècle ; France ; Sculpture française 20e siècle ; Soudage 20e siècle ; France ; Compactage ; Fer ; Matières plastiques ; Sculpture ; Sculpture en fer ; Sculpture française ; Soudage ; Hochschulschrift ; Hochschulschrift ; César 1921-1998 ; Eisenplastik ; Geschichte 1949-1966
    Note: Bibliographie et filmographie p. 313-325
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  • 75
    ISBN: 9783828836457
    Language: German
    Pages: 175 Seiten , Illustrationen , 14.8 cm x 21 cm, 300 g
    Additional Information: Analyse von Ǔnaulǔtǔ Berlin : Edition Brusberg, 1986
    Dissertation note: Magisterarbeit Justus-Liebig-Universität Gießen 2012
    DDC: 709.22
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    Keywords: Artists' books ; Caraja Indians ; Indians of South America ; Hochschulschrift ; Hochschulschrift ; Heinze, Frieder 1950- ; Wegewitz, Olaf 1949- ; Künstlerbuch
    URL: Cover
    URL: Cover
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  • 76
    Language: English
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2016
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    Keywords: Hochschulschrift ; Mecklenburg-Schwerin ; Höfische Kultur ; Höfische Kunst ; Raumausstattung ; Geschichte 1790-1850
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  • 77
    Language: German
    Pages: 249 Seiten , Illustrationen
    Dissertation note: Inauguraldissertation Fachbereich Philosophie- und Gechichtswissenschaften der Johann Wolfgang Goethe-Universität zu Frankfurt am Main 2016
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    Keywords: Hochschulschrift
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  • 78
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822371458 , 9780822358978
    Language: English
    Pages: XVI, 344 Seiten , Illustrationen, Porträts , 27 cm
    Series Statement: Art history publication initiative
    Parallel Title: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03/9607300747471
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    Keywords: Geschichte 1960-1990 ; African American art Exhibitions 20th century ; History ; Racism in museum exhibits History 20th century ; Museum exhibits Social aspects 20th century ; History ; Museum exhibits Political aspects 20th century ; History ; Künstler ; Kunst ; Schwarze ; Kunstmuseum ; Kunstausstellung ; Kunstpolitik ; Rassismus ; USA ; Aufsatzsammlung ; New York ; Kunst ; Schwarze ; New York ; Ausstellung ; Museum ; Rassismus ; Geschichte 1900-2000
    Description / Table of Contents: Electronic refractions II at the Studio Museum in HarlemHarlem on my mind at the Metropolitan Museum of Art -- Contemporary Black artists in America at the Whitney Museum of American Art -- Romare Bearden : the prevalence of ritual and the sculpture of Richard Hunt at the Museum of Modern Art.
    Note: Includes bibliographical references (pages 319-333) and index
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  • 79
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Press
    ISBN: 978-1-62040-375-4 , 1-62040-375-7 , 9781620403761
    Language: English
    Pages: x, 333 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen , 25 cm
    DDC: 306.09
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    Keywords: Wright, Frank Lloyd / 1867-1959 / Friends and associates ; Wright, Frank Lloyd / 1867-1959 / Criticism and interpretation ; Johnson, Philip / 1906-2005 / Friends and associates ; Johnson, Philip / 1906-2005 / Criticism and interpretation ; Johnson, Philip / 1906-2005 ; Wright, Frank Lloyd / 1867-1959 ; Wright, Frank Lloyd ; Johnson, Philip ; Geschichte 1900-2000 ; Geschichte 1900-2000 ; Architecture / United States / History / 20th century ; ARCHITECTURE / History / General ; HISTORY / Americas (North, Central, South, West Indies) ; BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers ; ARCHITECTURE / History / Modern (late 19th Century to 1945) ; ARCHITECTURE / History / Contemporary (1945- ) ; Architecture ; Friendship ; Architektur ; Geschichte ; Architektur ; United States ; USA ; USA ; Wright, Frank Lloyd 1867-1959 ; Johnson, Philip 1906-2005 ; USA ; Architektur ; Geschichte 1900-2000
    Abstract: "In architectural terms, the twentieth century can be largely summed up with two names: Frank Lloyd Wright and Philip Johnson. Wright (1867-1959) began it with his romantic prairie style; Johnson (1906-2005) brought down the curtain with his spare postmodernist experiments. Between them, they built some of the most admired and discussed buildings in American history. Differing radically in their views on architecture, Wright and Johnson shared a restless creativity, enormous charisma, and an outspokenness that made each man irresistible to the media. Often publicly at odds, they were the twentieth century's flint and steel; their repeated encounters consistently set off sparks. Yet as acclaimed historian Hugh Howard shows, their rivalry was also a fruitful artistic conversation, one that yielded new directions for both men. It was not despite but rather because of their contentious--and not always admiring--relationship that they were able so powerfully to influence history. In Architecture's Odd Couple, Howard deftly traces the historical threads connecting the two men and offers readers a distinct perspective on the era they so enlivened with their designs. Featuring many of the structures that defined modern space--from Fallingwater to the Guggenheim, from the Glass House to the Seagram Building--this book presents an arresting portrait of modern architecture's odd couple and how they shaped the American landscape by shaping each other"--
    Description / Table of Contents: Prologue: The master and the maestro -- Part I: a meeting of minds -- Two conversations -- Plotting a comeback -- European travels -- Part II: The MOMA moment -- The new museum -- An invitation issued -- Wright vs. Johnson -- The show must go on -- Part III: Acting out their antagonism -- The banks of Bear Run -- Politics and art -- Wright's Manhattan project -- Philip comes out classical -- The whiskey bottle and the teapot -- Epilogue: A friendly wrangle
    Note: Includes bibliographical references (pages 285-320) and index
    URL: Cover
    URL: Cover
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  • 80
    ISBN: 9780300214680
    Language: English
    Pages: viii, 281 Seiten , Illustrationen
    Series Statement: Studies in the history of art 81
    Series Statement: Center for Advanced Study in the Visual Arts 58
    Series Statement: Studies in the history of art
    DDC: 704.9/499737
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    Keywords: Art and war Congresses ; Art and history Congresses ; Collective memory Congresses ; United States Art and the war History Civil War, 1861-1865 ; Congresses ; Konferenzschrift 08.11.2013-09.11.2013 ; Konferenzschrift 2013 ; Konferenzschrift 08.11.2013-09.11.2013 ; Konferenzschrift 2013 ; Sezessionskrieg ; Kollektives Gedächtnis ; Kunst ; Geschichte 1861-2000 ; USA ; Sezessionskrieg ; Schwarze ; Rassenkonflikt ; Kollektives Gedächtnis ; Kunst ; Gedenkstätte ; Kriegerdenkmal
    Note: Includes index , Rückseite Titelblatt: "Proceedings of the symposium "The Civil War in Art and Memory," organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art, and sponsored by the Arthur Vining Davis Foundations. The symposium was held November 8-9, 2013, in Washington" , Konferenzschrift zum Symposium Civil War in Art and Memory
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  • 81
    ISBN: 9783839432990
    Language: German
    Pages: 1 Online-Ressource (329 Seiten)
    Series Statement: Kunst- und Designwissenschaft Band 3
    Series Statement: De Gruyter eBook-Paket Architektur und Design
    Series Statement: Kunst- und Designwissenschaft
    Uniform Title: Sentimentale Urbanität?
    Parallel Title: Erscheint auch als Caplan, Anne, 1984 - Sentimentale Urbanität
    Dissertation note: Dissertation Folkwang Universität der Künste zu Essen 2015
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    Keywords: Aesthetics ; Home in art ; Stadtgestaltung ; Sentimentalität ; Kulturelle Identität ; Kollektives Gedächtnis ; Alltagskultur ; Architecture and Design, other . ; Architecture, Art, Music. ; Design. ; Designforschung. ; Erinnerungskultur. ; Fine Arts and Architecture. ; Heimat. ; Kultursoziologie. ; Musée Sentimental. ; Stadt. ; Stadtforschung. ; Urban Studies. ; Öffentlicher Raum ; Kunst ; Alltagskultur. ; Sentimentalität ; Kollektives Gedächtnis ; Stadtgestaltung ; Kulturelle Identität ; DESIGN / History & Criticism ; Ruhrgebiet ; Hochschulschrift ; Hochschulschrift ; Ruhrgebiet ; Kunst ; Öffentlicher Raum ; Kulturelle Identität ; Kollektives Gedächtnis ; Stadtgestaltung ; Alltagskultur ; Sentimentalität
    Abstract: Heimat als Allegorie von Identität versöhnt auf einzigartige Weise das Rationale mit dem Emotionalen. 1977 nahm sich der Künstler Daniel Spoerri dieses besondere Verhältnis zum Vorbild für die Entwicklung seines Musée Sentimental und eine damit verknüpfte
    Description / Table of Contents: Frontmatter -- -- Inhalt -- -- 1. Einleitung -- -- 2. Begriffsbestimmung -- -- 3. Forschungsgrundlage -- -- 4 Methodik -- -- 5 Das Sentimentale im Ruhrgebiet -- -- 6 Das Sentimentale im musealen Kontext -- -- 7 Kulturgeschichte des Musée Sentimental -- -- Exkurs in den Situationismus: Haltung, künstlerische Strategien und Einfluss der Avantgarde-Bewegung auf den Nouveaux Réalisme -- -- 8 Gedächtnisorte und künstlerische Interventionen -- -- 9 Potentiale des Musée Sentimental -- -- Anhang -- -- Literaturverzeichnis -- -- Dank -- -- Backmatter
    Note: "Vorliegende Publikation wurde 2015 unter dem Titel 'Sentimentale Urbanität? Die Bedeutung gefühlsbetonter Symbole für die Heimatwahrnehmung' dem Fachbereich Gestaltung der Folkwang Universität der Künste zu Essen als Dissertation vorgelegt. Der hier publizierte Text ist eine überarbeitete Fassung der Dissertationsschrift."
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  • 82
    ISBN: 9783865993090 , 3865993095
    Language: German
    Pages: 320 Seiten , Illustrationen , 24 cm
    DDC: 305.8007443155
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    Keywords: Ethnologisches Museum ; Ausstellung ; Konzeption ; Planungsprozess ; Diskurs ; Feldforschung ; Humboldt-Forum ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Ausstellung ; Ausstellungskatalog
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  • 83
    ISBN: 9783658116057 , 9783658116040
    Language: English
    Pages: 1 Online-Ressource (XV, 192 p. 52 illus)
    Edition: 1st ed. 2016
    DDC: 306
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    Keywords: Social sciences ; History ; Cultural studies ; Area studies ; Hochschulschrift
    URL: Volltext  (lizenzpflichtig)
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  • 84
    ISBN: 9781851778911 , 9781851778928 , 1851778918
    Language: English
    Pages: 320 Seiten , Illustrationen, Diagramme , 24 x 3.2 x 31 cm
    Edition: First published
    DDC: 781.6609
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    Keywords: Rock music Exhibitions 1961-1970 ; Nineteen sixties Exhibitions ; Counterculture Exhibitions History 20th century ; Protest movements Exhibitions History 20th century ; Bildband ; Ausstellungskatalog Victoria and Albert Museum 10.09.2016-26.02.2017 ; USA ; Großbritannien ; Pop-Kultur ; Gegenkultur ; Protestbewegung ; Musik ; Gebrauchsgrafik ; Mode ; Geschichte 1966-1970
    Abstract: The late 1960s were a period of great turbulence and rapid social and political change. You Say You Want a Revolution? examines that moment when youth culture drove an optimistic idealism, motivating people to come together and question established power structures across every area of society. It shows how many of the issues that dominate contemporary discourse environmentalism, globalization, individualism or mass-communication - have roots that can be traced back to the 1960s.1960s design culture culminated in an orgy of colour and form: a sensorial overload of Barbarella-style inflatables, plush Verner Panton playrooms and high-tech 2001: Space Odyssey furniture systems. Here, essays on music, politics, the counter-culture, social living, mind-altering experiences, festivals and more chart revolutions across media and culture, illustrated throughout with some of the most iconic images of the time - including the records that provided both the soundtrack and the key means of identification.The idealism of the period informed such disparate phenomena as the high-tech innovations of Silicon Valley and the environmental movement.Half a century later, we can reassess the genesis of these movements and explore whether the revolutions they started can be considered complete, ongoing or interrupted
    Abstract: The late 1960s were a period of great turbulence and rapid social and political change. You Say You Want a Revolution? examines that moment when youth culture drove an optimistic idealism, motivating people to come together and question established power structures across every area of society. It shows how many of the issues that dominate contemporary discourse - environmentalism, globalization, individualism or mass-communication - have roots that can be traced back to the 1960s.〈br〉1960s design culture culminated in an orgy of colour and form: a sensorial overload of Barbarella-style inflatables, plush Verner Panton playrooms and high-tech 2001: Space Odyssey furniture systems. Here, essays on music, politics, the counter-culture, social living, mind-altering experiences, festivals and more chart revolutions across media and culture, illustrated throughout with some of the most iconic images of the time - including the records that provided both the soundtrack and the key means of identification.〈br〉The idealism of the period informed such disparate phenomena as the high-tech innovations of Silicon Valley and the environmental movement. Half a century later, we can reassess the genesis of these movements and explore whether the revolutions they started can be considered complete, ongoing or interrupted
    Note: Aus dem Internet: Exhibition,Victoria & Albert Museum, London,10 September 2016- 26 February 2017 , "In the exhibition and book You Say You Want a Revolution? Records and Rebels 1966-1970, we explore key subject areas and locations where these revolutions took place" -Vorwort, Seite 12 , A tale of two cities : London, San Francisco and the transatlantic bridge , Revolution now : the traumas and legacies of US politics in the late 1960s , The counter-culture , All together now? , The Fillmore, the Grande and the Sunset Strip : the evolution of a musical revolution , You say you want a revolution? : looking at the Beatles , British fashion 1966-70 : 'A state of anarchy' , The chrome-plated marshmallow : the 1960s consumer revolution and its discontents , 'We are as gods...' : computers and America's new communalism, 1965-75 , Epilogue. Michael Sandel on where we go from here. , Englisch
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  • 85
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    Chicago : The University of Chicago Press
    ISBN: 9780226131054 , 022613105X
    Language: English
    Pages: 285 Seiten , illustrationen , 24 cm
    DDC: 700.89/96073
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    Keywords: Contemporary Black Artists in America (Exhibition) 〈(1971〉 ; De Luxe Show (Exhibition) 〈(1971〉 ; Contemporary Black Artists in America (Exhibition) ; De Luxe Show (Exhibition) ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; Art, American Exhibitions 20th century ; History ; Art and race ; Art and society ; Modernism (Art) Social aspects ; Nineteen seventy-one, A.D ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; United States ; Art, American Exhibitions ; History ; 20th century ; Art and race ; Art and society United States ; Modernism (Art) Social aspects ; United States ; Nineteen seventy-one, A.D ; African American art Exhibitions ; 20th century ; USA ; Schwarze ; Person of Color ; Kunst ; Kulturpolitik ; Kunstausstellung ; Rassismus ; Geschichte 1971
    Abstract: Introduction: Social experiments with modernism -- The figure of the black modernist -- Making a show of discomposure: Contemporary Black Artists in America -- Local color and its discontents: the DeLuxe show -- Appendix: Raymond Saunders, Black is a color
    Abstract: In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists' desire to gain freedom from overt racial representation, as well as their efforts〈U+2014〉and those of their advocates〈U+2014〉to further that aim through public exhibition. Amid calls to define a black aesthetic, these experiments with modernist art prioritized cultural interaction and instability. 'Contemporary Black Artists in America' highlighted abstraction as a stance against normative approaches, while 'The DeLuxe Show' positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color's special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists〈U+2014〉among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas〈U+2014〉rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture〈U+2019〉s preoccupation with color
    Note: Includes bibliographical references and index , Introduction: Social experiments with modernism , How it looks to be a problem , Making a show of discomposure: Contemporary Black Artists in America , Local color and its discontents: the DeLuxe show , Appendix: Raymond Saunders, Black is a color (1967)
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  • 86
    ISBN: 3837632997 , 9783837632996
    Language: German
    Pages: 329 Seiten , 23 cm
    Additional Information: Überarbeitung von Sentimentale Urbanität? Die Bedeutung gefühlsbetonter Symbole für die Heimatwahrnehmung
    Series Statement: Kunst- und Designwissenschaft Band 3
    Series Statement: Kunst- und Designwissenschaft
    Parallel Title: Erscheint auch als Caplan, Anne, 1984 - Sentimentale Urbanität
    Parallel Title: Erscheint auch als Caplan, Anne, 1984 - Sentimentale Urbanität
    Parallel Title: Erscheint auch als Caplan, Anne, 1984 - Sentimentale Urbanität
    Parallel Title: Erscheint auch als Caplan, Anne, 1984 - Sentimentale Urbanität
    Dissertation note: Dissertation Folkwang Universität der Künste zu Essen 2015
    DDC: 709.4355090512
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    Keywords: Stadtgestaltung ; Sentimentalität ; Kulturelle Identität ; Kollektives Gedächtnis ; Alltagskultur ; Ruhrgebiet ; Hochschulschrift ; Hochschulschrift ; Ruhrgebiet ; Kunst ; Öffentlicher Raum ; Kulturelle Identität ; Kollektives Gedächtnis ; Stadtgestaltung ; Alltagskultur ; Sentimentalität
    Abstract: Als Symbol vermittelt die Heimat Identität und versöhnt sentimentale Gefühle, das Herz und die Erinnerung mit biologischer Schöpfung und Rationalität. 1977 nahm sich der Künstler Daniel Spoerri die sentimentale Beziehung zum Raum als Vorbild für die Entwicklung seines Musée Sentimental und eine damit verknüpfte städtische Identitätsarbeit. Die Gestalterin Anne Caplan überträgt die von Spoerri entwickelte Methode zur Sentimentalisierung auf den Designprozess, um so mittels Gestaltung ein individuelles Alltagsgedächtnis für städtische Identitäten im Ruhrgebiet fruchtbar zu machen.
    Note: Überarbeitete Fassung der unter dem Titel Dissertation "Sentimentale Urbanität? Die Bedeutung gefühlsbetonter Symbole für die Heimatwahrnehmung" erschienenen Dissertation
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  • 87
    Book
    Book
    Göteborg : Göteborgs Universitet
    ISBN: 9789185245673
    Language: English
    Pages: 576 Seiten , Illustrationen
    Series Statement: GOTARC. Series B, Gothenburg archaeological theses 69
    Series Statement: GOTARC. Series B, Gothenburg archaeological theses
    Dissertation note: Dissertation University of Gothenburg 2016
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    Keywords: British Museum ; Sachkultur ; Sammlung ; Kunstwerk ; Benin ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Benin ; Sachkultur ; Kunstwerk ; British Museum ; Sammlung
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  • 88
    ISBN: 3837631117 , 9783837631111
    Language: English
    Pages: 425 S. , graph. Darst., Kt.
    Series Statement: Urban studies
    Parallel Title: Online-Ausg. ISBN 9783839431115
    DDC: 810.9321732
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    Keywords: Geschichte 1880-2015 ; Literatur ; Amerikabild ; Stadt ; Stadt ; Soziokultureller Wandel ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben
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  • 89
    Book
    Book
    Rennes : Presses universitaires de Rennes
    ISBN: 2753536058 , 275353554X , 9782753535541 , 9782753536050
    Language: French
    Pages: 170 S. , Ill , 24 cm
    Series Statement: Des Amériques
    Parallel Title: Other edition available "¡ Arriba los que luchan !" [Texte imprimé]
    Dissertation note: Texte remanié de : Thèse : Anthropologie sociale et culturelle : Toulouse 2 : 2010
    DDC: 989.5
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    Keywords: Hochschulschrift ; Hochschulschrift
    Note: Bibliogr. p. 161-168
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  • 90
    ISBN: 9783643130860
    Language: German
    Pages: 447 S. , Ill., graph. Darst., Kt.
    Dissertation note: Zugl.: München, Techn. Univ., Diss., 2014
    DDC: 726.80943852
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    Keywords: Hochschulschrift ; Hochschulschrift ; Alter Jüdischer Friedhof ; Grabmal ; Orientalismus ; Breslau ; Jüdischer Friedhof ; Grabmal ; Orientalismus
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  • 91
    Language: English
    Pages: 71 Blatt , Illustrationen (farbig) , 30 cm
    Dissertation note: University College London 2015
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    Keywords: Hochschulschrift ; Ethnologisches Museum Berlin Afrikasammlung ; Musée National des Arts d'Afrique et d'Océanie ; British Museum
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  • 92
    ISBN: 3826055713 , 9783826055713
    Language: German
    Pages: 511 Seiten, 4 ungezählte Blätter , Illustrationen, Diagramme , 24 cm
    DDC: 393.2
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    Keywords: Crematoriums History ; Crematoriums Design and construction ; Cremation History ; Architecture History ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Feuerbestattung ; Geschichte 1800-1940 ; Krematorium ; Architektur ; Geschichte 1800-1940
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  • 93
    Book
    Book
    Newcastle upon Tyne : Cambridge Scholars Publishing
    ISBN: 9781443883757 , 1443883751
    Language: English
    Pages: xxv, 182 Seiten, 38 ungezählte Seiten , Illustrationen
    DDC: 306.09
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunst ; Politik ; Gesellschaft ; Geschichte 1914-1970 ; USA ; Kunst ; Politik ; Gesellschaft ; Geschichte 1914-1970
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  • 94
    ISBN: 9783422073029
    Language: German
    Pages: 392 Seiten , Illustrationen (schwarz-weiß) , 28 cm
    Series Statement: Kunstwissenschaftliche Studien Band 182
    Series Statement: Kunstwissenschaftliche Studien
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2012
    DDC: 730.943109045
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    Keywords: Memorials ; Hochschulschrift ; Deutschland ; Denkmal ; Rezeption ; Deutschland ; Kollektives Gedächtnis ; Geschichte 1989-2012 ; Deutschland ; Denkmal ; Deutschland ; Denkmal ; Kollektives Gedächtnis
    Note: Literaturverzeichnis: Seite 377-391
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  • 95
    ISBN: 379542948X , 9783795429485
    Language: German
    Pages: 384 S. , zahlr. Ill., Kt. , 29 cm
    Edition: 1. Aufl.
    Dissertation note: Zugl.: Würzburg, Univ., Diss., 2011
    DDC: 730.943309032
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    Keywords: Coffins 17th century ; Coffins 18th century ; Verzeichnis ; Hochschulschrift ; Hohenzollern Dynastie : 1061- ; Franken ; Grabmal ; Sarg ; Geschichte 1603-1791 ; Hohenzollern Dynastie : 1061- ; Franken ; Grabmal ; Sarg ; Geschichte 1603-1791 ; Hohenzollern Dynastie : 1061- ; Franken ; Bestattung ; Repräsentation ; Zeremoniell ; Geschichte 1603-1791 ; Barock
    Description / Table of Contents: Enth. Teil 1, Text und Teil 2, Katalog
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  • 96
    ISBN: 9782600005586 , 2600005587
    Language: French
    Pages: 380 S. , Ill.
    Series Statement: Titre courant 58
    Series Statement: Titre courant
    DDC: 306.09
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    Keywords: Villard, active 13th century *de Honnecourt* ; Architectural design France ; History ; To 1500 ; Architecture, Medieval France ; Hochschulschrift ; Frankreich ; Architektur ; Baumeister ; Geschichte 1200-1300 ; Villard de Honnecourt
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  • 97
    ISBN: 9783795426408
    Language: German
    Pages: 428 S. , zahlr. Ill., Faks., Kt. , 29 cm
    Edition: 1. Aufl.
    Dissertation note: Zugl.: Wien, Univ., Habil.-Schr., 2014
    DDC: 758.1450943
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    Keywords: Landscape painting, German 18th century ; Landscape painting, German 19th century ; Hochschulschrift ; Deutschland ; Landschaftsmalerei ; Italien ; Geschichte 1760-1870 ; Deutschland ; Italienbild ; Geschichte 1760-1870
    Abstract: Die Beschäftigung mit den Landschaften Italiens gehörte im 18. und 19. Jahrhundert zur kulturellen Identität des deutschen Bürgertums – eine an Brüchen, Widersprüchen, Illusionen und Enttäuschungen reiche Geschichte, die hier erstmals über einen großen Zeitraum hinweg kritisch nachgezeichnet wird.
    Description / Table of Contents: Vorwort -- Einleitung -- Erlebnis und Vorstellung -- Landschaft und Visualität -- Eingrenzung -- Themen, Fragen, Ziele -- Forschung und Materialien -- I. Wandererlandschaften -- Frühe Wahrnehmung italienischer Landschaften -- Landschaftliche Topoi im Zeitalter der Grand Tour -- Landschaft und deutsche Identität -- Wandern und das Erleben von Landschaft -- Gehen als Fortschritt -- Entschleunigung, Vertiefung, Fragmentierung -- Wandererlandschaften -- Landschaften ohne Namen -- Romantisch, männlich, deutsch -- Gelobtes Hinterland -- Männerlandschaften -- Italien als deutsches Märchen -- Italien als Erlebnis und Vorstellung -- Carl Gustav Carus : Fensterblicke einer italienischen Dienstreise -- Erinnerung ohne Erlebnis : Schinkel in Neapel -- II. Die Landschaft der Griechen in Italien suchen -- Italien als Spiegel Griechenlands -- "... so wie man sich Großgriechenland denkt" -- Griechenlandsehnsucht -- Winckelmanns nicht durchgeführte Griechenlandreisen -- Riedesels Reisen -- Sizilianische Griechenlanderlebnisse -- Sizilien als deutsches Griechenland -- In Alkinoos' Garten -- Goethes griechische Italienbilder -- Ruinen griechischer Landschaft -- III. Wie sieht Italien wirklich aus? : Konstruktionen, Dekonstruktionen, Rekonstruktionen -- Landschaftsruinen -- Die Campagna Romana -- Formen, Flächen, Farben -- Ölskizzen als Kunstwerke -- Rottmann und die Re-Goethisierung der deutschen Italienwahrnehmung -- Südliche Ikonographien und nördliche Vorstellungen -- Wie sieht Italien aus? : die Gustav-Nicolai-Affäre -- Victor Hehns Ikonographie des Mediterranen -- Erlebnis ohne Vorstellung : Carl Blechen -- Gemeinschaft als kreative Krise : die deutsche Künstlerkolonie in Rom -- "Wenigstens ich bloß" - Blechen auf dem Monte Mario -- Dunkles Licht und heller Schatten -- Das Sehen sehen : Blechens Erlebnisbilder -- IV. An Meeresufern : Melancholie, Mythos und Geschichte -- Der "letzte Ring der Kette" : historistische Italienwahrnehmung -- An melancholischen Gestaden -- Geschichte und Landschaft : Gregorovius am Lateinischen Ufer -- "Das ist nicht unser Italien" : Böcklins Villa am Meer -- Jenseits von Zeitgenossenschaft -- Feuerbach in Anzio und Griechenlands Rückkehr nach Rom -- Vorgestellte Erlebnisse : Marées in Neapel -- Schluss: Konstruktion und Erosion visueller Kulturen -- Identität durch gemeinsame Visualität -- Ikonologie ohne Ikonen -- Erosion visueller Kulturen -- Zusammenfassung -- Literatur- und Quellenverzeichnis -- Verzeichnis der abgekürzten Literatur -- Quellen -- Index.
    Note: Literatur- und Quellenverz. S. 402 - 423 , Mit Index
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  • 98
    ISBN: 9783643130860
    Language: German
    Pages: 447 S. , zahlr. Ill., graph. Darst., Kt.
    Series Statement: Kasseler Studien zur Sepulkralkultur 22
    Series Statement: Kasseler Studien zur Sepulkralkultur
    Dissertation note: Zugl.: München, Techn. Univ., Diss., 2014
    DDC: 390
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    Keywords: Orientalismus ; Grabmal ; Alter Jüdischer Friedhof ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Alter Jüdischer Friedhof ; Grabmal ; Orientalismus
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  • 99
    ISBN: 9783643124821
    Language: German
    Pages: 395 S. , Ill.
    Series Statement: Zeithorizonte 14
    Series Statement: Zeithorizonte
    Dissertation note: Zugl.: Berlin, Humboldt-Univ., Diss., 2013
    DDC: 700.943109045
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    Keywords: Lokales Wissen ; Ideologie ; Volkskunst ; Kulturpolitik ; Laienkunst ; Kulturerbe ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Volkskunst ; Laienkunst ; Kulturerbe ; Kulturpolitik ; Deutschland ; Volkskunst ; Lokales Wissen ; Kulturerbe ; Kulturpolitik ; Ideologie
    Note: Literaturverz. S. 376 - 394
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  • 100
    ISBN: 9783839424926
    Language: German
    Pages: 1 Online-Ressource (360 Seiten) , Illustrationen
    Edition: 2015
    Series Statement: Studien zur visuellen Kultur Band 21
    Series Statement: De Gruyter eBook-Paket Kunst, Architektur und Design
    Series Statement: Studien zur visuellen Kultur
    Parallel Title: Erscheint auch als Wienand, Kea, 1976 - Nach dem Primitivismus?
    Dissertation note: Dissertation Carl von Ossietzky Universität Oldenburg 2012
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    Keywords: Art, German Themes, motives 20th century ; Primitivism in art ; Arts Arts, general ; Rezeption ; Primitivismus ; Kunst ; Kunstkritik ; Ästhetik ; ART / History / Contemporary (1945-) ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Kunst ; Primitivismus ; Geschichte 1960-1990 ; Primitivismus ; Rezeption ; Ästhetik ; Kunstkritik ; Deutschland ; Geschichte 1960-1990 ; Deutschland ; Primitivismus ; Rezeption ; Kunst ; Kunstkritik ; Ästhetik ; Geschichte 1960-1990 ; Deutschland ; Kunst ; Primitivismus ; Geschichte 1960-1990 ; Primitivismus ; Rezeption ; Ästhetik ; Kunstkritik ; Deutschland ; Geschichte 1960-1990
    Abstract: Art defamed by National Socialism as »degenerate«, referring to supposedly »primitive cultures«, was considered »antifascist« in the Federal Republic of Germany, but whose colonial racisms were reflected? How were these cultural differences negotiated in the art of the FRG from 1960 to 1990? Kea Wienand discusses to what extent artists such as Joseph Beuys, Sigmar Polke, and Ulrike Rosenbach, among others, continued, altered, or criticized primitivism after 1960. She illustrates how beliefs about artistry, sexuality, gender, and history were thematized via images of cultural difference.
    Description / Table of Contents: Frontmatter -- Inhalt -- Einleitung -- 1. Forschungsperspektive -- 2. Primitivismus in Deutschland – eine genealogische Skizze -- 3. ‚Der Osten‘ – ‚der Indianer‘ – ‚die Heilung‘: Joseph Beuys trifft einen Kojoten (1974) -- 4. Repräsentationen kultureller Differenz im Kontext von Kriegen und Dekolonisationsbewegungen: zwei Arbeiten von Wolf Vostell (1968 und 1980) -- 5. ‚Unsichere Objekte‘ – Zeichen kultureller Differenz? Lothar Baumgarten fotografiert in einem ethnologischen Museum (1968/69) -- 6. Gefesselt in tradierten Bildern? Ulrike Rosenbachs ‚ Kontaktversuch‘ mit alteritären ‚Frauenkulturen‘ (1977/78) -- 7. Die Faszination des Anderen – Parodien (klein-)bürgerlicher Fantasien in drei Arbeiten von Sigmar Polke (1968, 1975 und 1976) -- 8. Primitivismus überdreht? Exotisierende Selbstbildnisse und Stereotype in Arbeiten der Neuen Wilden (1980er Jahre) -- 9. Eigener Rassismus? Olaf Metzels Aktion „Türkenwohnung Abstand 12.000 DM VB" (1982) -- Schluss -- Literaturverzeichnis -- Abbildungsverzeichnis -- Dank -- Backmatter.
    Note: Dissertation erschienen unter dem Titel: Nach dem Primitivismus? Künstlerische Verhandlungen von kultureller Differenz in der Bundesrepublik Deutschland vor 1990 : eine postkoloniale Relektüre
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