Ihre E-Mail wurde erfolgreich gesendet. Bitte prüfen Sie Ihren Maileingang.

Leider ist ein Fehler beim E-Mail-Versand aufgetreten. Bitte versuchen Sie es erneut.

Vorgang fortführen?

Exportieren
Filter
  • BSZ  (864)
  • HU Berlin  (773)
  • Würzburg UB  (361)
  • GRASSI Mus. Leipzig  (12)
  • MFK München  (6)
  • Buch  (1.499)
  • Online-Ressource  (130)
  • Noten  (2)
  • Englisch  (1.612)
  • Italienisch  (22)
  • Geschichte  (1.100)
  • Biografie  (411)
  • History  (269)
  • Musikwissenschaft  (1.325)
  • Rechtswissenschaft  (306)
Datenlieferant
Materialart
Schlagwörter
Fachgebiete(RVK)
  • 1
    Buch
    Buch
    London [u.a.] : Oxford Univ. Pr.
    Sprache: Englisch
    RVK:
    RVK:
    Schlagwort(e): Aufsatzsammlung ; Afrika ; Musik ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Buch
    Buch
    [London] : Rogan House
    Sprache: Englisch
    RVK:
    Schlagwort(e): Biografie
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    ISBN: 9783447111058
    Sprache: Englisch
    Seiten: XIX, 475 Seiten , Illustrationen
    Serie: Jüdische Musik Band 17
    Serie: Jüdische Musik
    Paralleltitel: Erscheint auch als
    DDC: 780
    RVK:
    Schlagwort(e): Geschichte 1908-1938 ; Musik ; Juden ; Musikethnologie ; Neue jüdische Schule ; Moskau ; Wien ; Sankt Petersburg ; Cultural Studies ; East European Studies ; Folkore Studies ; History ; Jewish Studies ; Klezmer ; Musicology ; Religious Studies ; Sankt Petersburg ; Moskau ; Wien ; Neue jüdische Schule ; Juden ; Musik ; Musikethnologie ; Geschichte 1908-1938
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780197685914
    Sprache: Englisch
    Seiten: x, 222 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Paralleltitel: Erscheint auch als Hild, Elaine Stratton Music in medieval rituals for the end of life
    DDC: 781.5/880902
    RVK:
    RVK:
    Schlagwort(e): Gregorian chants History and criticism ; Death Religious aspects To 1500 ; Christianity ; History ; Death Social aspects To 1500 ; History ; Funeral rites and ceremonies, Medieval History ; Sterben ; Musik ; Liturgie ; Geschichte 600-1500 ; Requiem ; Geschichte 600-1500
    Kurzfassung: "Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": close readings of rituals from diverse communities, each as they appear in a single source. The rituals' chants are transcribed into modern notation and analyzed, both for their relationships between text and melody and for their functions within the rituals. Created for the powerful and the poor, the educated and the uneducated, women and men, monastics, clerics, and laity, these manuscripts offer a glimpse into the religious practices that distinguished communities from one another and bound them together within a single tradition. The book provides the first editions of the rituals' chants and considers the functions of the music. Why was music given such a prominent position within the deathbed liturgies? Why did communities gather and sing when a loved one was dying? The manuscripts reveal a lost art of comforting the dying and the grieving"--
    Beschreibung / Inhaltsverzeichnis: Introduction : Contemporary approaches to medieval rituals for the dying -- Religious elites : Rome, "old Roman" tradition -- Political and religious leaders : Sens, Cathedral of Saint Stephen -- With the laity : Orsières, Switzerland -- Among women : Abbey of Saint Mary the Virgin and Saint Francis without Aldgate (England) -- Analysis : variation and continuity within the liturgical tradition -- Final considerations : Why sing?
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 5
    ISBN: 978-1-5095-5336-5 , 978-1-5095-5335-8
    Sprache: Englisch
    Seiten: xvi, 265 Seiten : , 14 Illustrationen ; , 23 cm.
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Sociological jurisprudence ; Sociologie juridique ; Juristische Person. ; Soziologische Jurisprudenz. ; Westliche Welt. ; Juristische Person ; Soziologische Jurisprudenz ; Geschichte
    Kurzfassung: ""This book provides an historically informed reconstruction of the social practices that have shaped the formation of the modern subject from the early modern period to the present. The formal legal protections accorded to subjects are, and always have been, latent in social practices, norms and language before they are articulated in formal legal orders. Vesting argues that, in Western societies, legal personhood is closely tied to three ideal types of social personhood - what he calls the gentleman, the manager, and Homo Digitalis. By examining these three ideal types and their emergence in society, we can see that Western formal law does not bring these ideal types into being but, on the contrary, arises from the social and cultural conditions that these ideal types generate and reflect. Correspondingly, Western legal personhood, or 'legal subjectivity', arises from the history and culture of Western nations, not the other way around. Therefore, signature features of Western formal law, particularly its valorization of the rights of persons (whether natural or non-natural), come from particular socio-historical cultural developments that had already generated the strong ideas of social personhood inherent in the ideal types of the gentleman, the manager, and Homo Digitalis. Subjectivity Transformed is a major contribution to legal and social theory and, with its original analysis of the formation of modern subjectivity, it will be of interest to students and scholars throughout the social sciences and humanities.""--
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 6
    Buch
    Buch
    New York ; London ; Oxford : Bloomsbury Academic
    ISBN: 9781501373602
    Sprache: Englisch
    Seiten: viii, 169 Seiten , 20 cm
    Serie: Genre: a 33 1/3 series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Trip Hop ; Trip-hop (Music) / History and criticism ; Trip Hop ; Geschichte
    Kurzfassung: "Guides readers through the genre of trip-hop as the first book on the genre in 20 years, right at a time when trip-hop is making a revival in both underground scenes and popular artists"--
    Beschreibung / Inhaltsverzeichnis: Prologue. Beat Bop -- Trip-Hop -- Dub-Hop -- Lovers Hip-Hop -- Chill Out -- Cut-Up -- Contemplating Jazz -- Abstract Hip-Hop -- Lo-Fi -- Blunted Beats -- Subterranean Abstract Blues -- Black-Hearted Soul -- Exotica -- Hip-Hop Blues -- Canceled Futures
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 7
    Noten
    Noten
    New York ; London : Routledge
    ISBN: 9781032413846 , 9781032413853
    Sprache: Englisch
    Seiten: XIII, 282 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Serie: SOAS studies in music
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1700-1900 ; Maqām ; Sammlung ; Lied ; Quelle ; Reform ; Notenschrift ; Osmanisches Reich ; Istanbul ; Türkei ; Euterpe / (1830) ; Songs, Turkish / Turkey / Istanbul / 19th century / History and criticism ; Songs, Greek / Turkey / Istanbul / 19th century / History and criticism ; Songs, Turkish / Turkey / Analysis, appreciation ; Songs, Greek / Turkey / Analysis, appreciation ; Maqām / Turkey / 19th century / History and criticism ; Musical notation / Turkey / History / 19th century ; Music / Turkey / Western influences ; Turkey / History / Ottoman Empire, 1288-1918 ; Songs, Turkish / Turkey / Istanbul ; Songs, Greek / Turkey / Istanbul ; Euterpe (Foggia, Italy) ; Maqām ; Music / Western influences ; Musical notation ; Songs, Greek ; Songs, Turkish ; Turkey ; Turkey / Istanbul ; 1288-1918 ; Criticism, interpretation, etc ; History ; Scores ; Songs ; Songs ; Scores ; Quelle ; Kommentar ; Quelle ; Kommentar ; Türkei ; Istanbul ; Osmanisches Reich ; Maqām ; Lied ; Sammlung ; Quelle ; Notenschrift ; Reform ; Geschichte 1700-1900
    Kurzfassung: "Reform, Notation and Ottoman music in Early 19th Century Istanbul presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by classical Turkish music and is accompanied by a substantial examination of the related historical, theoretical and musical topics. Through a series of Ottoman/Turkish classical vocal music compositions that can be dated to 18th and 19th centuries, Euterpe and related sources reinforce a much broader picture of musical practice and transmission in which we clearly see that the Greek and Turkish traditions are linked. Reform, Notation and Ottoman music in Early 19th Century Istanbul is presented in two parts: historical discussion and musical analysis, and complete transcription and edition of Euterpe. This book will appeal to music scholars and university students interested in minorities, cosmopolitanism in the Middle East and Balkans, the relationship between music and national identity, musical notation, classical Ottoman/Turkish music, Byzantine music, and, most significantly, ethnomusicology"--
    Beschreibung / Inhaltsverzeichnis: Part I. Historical Discussion and Musical Analysis. Euterpe in an Ottoman context ; Makam, Usul, Repertoire and Style in Euterpe -- Part II. Transcription and Edition of Euterpe. Methodology ; Edition
    Anmerkung: Critical report in English; songs with words in Turkish or Greek
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 8
    Buch
    Buch
    Lanham ; Boulder ; New York ; London :Rowman & Littlefield,
    ISBN: 978-1-5381-7172-1
    Sprache: Englisch
    Seiten: xviii, 357 Seiten : , Illustrationen, Porträts ; , 24 cm.
    Paralleltitel: Erscheint auch als
    DDC: 306.48426
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1970-2022 ; Punk rock music / Political aspects / History ; Punk rock musicians / Interviews ; Punk rock musicians ; Punk Rock. ; Rockmusiker. ; Rockmusikerin. ; Politischer Protest. ; Aktivismus. ; Soziale Bewegung. ; Interview ; History ; Interviews ; Oral histories ; Interview ; Interview ; Interview ; Punk Rock ; Rockmusiker ; Rockmusikerin ; Politischer Protest ; Aktivismus ; Soziale Bewegung ; Geschichte 1970-2022
    Kurzfassung: "This is the most wide-ranging and provocative look at punk rock as a social change movement over the past forty-five years, told through first-hand accounts of roughly 250 musicians and activists. John Malkin brings together punk's most famous figures as well as underground voices, creating a new and insightful history of punk throughout the ages"--
    Beschreibung / Inhaltsverzeichnis: Introduction. What You Think Changes How You Act -- Acknowledgments & Gratitude -- Mixing Punk & Politics : Common Ground For The Revolution -- Do It Yourself : DIY Together -- We Are All Pussy Riot : Punk On The Frontlines, Russia To Myanmar, China To Mexico -- East Berlin Punk : Clandestine Concerts Behind The Berlin Wall -- Music Is That Powerful Tool : Blackfire Navajo Punks -- Tijuana No! : Latin Punk Rock From Peru To Mexico To East L.A. -- Pansy Division : Out Of The Closet Into The Slampit -- Positive Force : Mark Andersen And Fugazi In Washington D.C. -- Fight War Not Wars : Punk Rock, Militarism, And War -- Just Another Gulf War : Punk, U.S. Wars In Iraq And Afghanistan, And 9/ -- America! Fuck Yeah! : Punks Perform For U.S. Soldiers -- Nazi Trumps Fuck Off! : Punk In The Trump Era -- I Am An Anarchist : Anti-Authoritarian Soundtrack -- To Hell With Poverty : Capitalism And Class In Punk Rock -- White Riot : Race And Anti-Racism In Punk -- Equal But Different : Gender & Feminism In Punk -- The Revolution Is Personal : Politics With A Small "P" -- The Revolution Will Be Commodified -- Burn Punk London : Joe Corre' And Extinction Rebellion -- How Revolutionary Has Punk Rock Been? -- Where Is The Revolution Now?
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 9
    ISBN: 9783465046028
    Sprache: Französisch , Deutsch , Englisch
    Seiten: VIII, 213 Seiten , Illustrationen, Diagramme, genealogische Tafeln , 24 cm x 16 cm
    Serie: Studien zur europäischen Rechtsgeschichte Band 338
    Serie: Studien zur europäischen Rechtsgeschichte
    Paralleltitel: Erscheint auch als Arbeit und Familie in Nordwesteuropa im Spätmittelalter und in der Frühen Neuzeit
    DDC: 306.360940903
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Nordwesteuropa ; Arbeit ; Familie ; Frau ; Recht ; Geschichte 1300-1800 ; Nordwesteuropa ; Arbeit ; Familie ; Arbeitsrecht ; Geschichte 1400-1800
    Anmerkung: Literaturangaben , "Der vorliegende Band ist aus dem deutsch-französischen Nachwuchsworkshop ... hervorgegangen, der am 8. und 9. Juni 2017 in Frankfurt am Main stattfand." Danksagung , Einige Beiträge in deutsch, einige in französisch und einige in englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 10
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501383427
    Sprache: Englisch
    Seiten: x, 180 Seiten , 19,8 cm
    Serie: Genre, a 33 1/3 series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.630968
    RVK:
    Schlagwort(e): Rockmusik ; Geschichte ; Kultur ; Popmusik ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 11
    Buch
    Buch
    New York ; London ; Toronto ; Sydney ; New delhi : Scribner
    ISBN: 9781982195861
    Sprache: Englisch
    Seiten: xxii, 487 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen, Porträts (teilweise farbig) , 24 cm
    Ausgabe: First Scribner hardcover edition
    RVK:
    Schlagwort(e): Harrison, George ; Rock musicians / England / Biography ; Musiciens rock / Angleterre / Biographies ; MUSIC / Genres & Styles / Rock ; Harrison, George / 1943-2001 ; Beatles ; Rock musicians ; England ; Rock musicians / Biography ; Guitarists / Biography ; Biographies ; Biografie ; Harrison, George 1943-2001
    Kurzfassung: "Despite being hailed as one of the best guitarists of his era, George Harrison, particularly in his early decades, battled feelings of inferiority. He was often the butt of jokes from his bandmates owing to his lower-class background and, typically, was allowed to contribute only one or two songs per Beatles album out of the dozens he wrote. Now, acclaimed Beatles biographer Philip Norman examines Harrison through the lens of his numerous self-contradictions. Compared to songwriting luminaries John Lennon and Paul McCartney he was considered a minor talent, yet he composed such masterpieces as "While My Guitar Gently Weeps" and "Here Comes the Sun," and his solo debut album "All Things Must Pass" achieved enormous success, appearing on many lists of the 100 best rock albums ever. Modern music critics place him in the pantheon of sixties guitar gods alongside Eric Clapton, Jimi Hendrix, Keith Richards, and Jimmy Page. Harrison railed against the material world yet wrote the first pop song complaining about income tax. He spent years lovingly restoring his Friar Park estate as a spiritual journey, but quickly mortgaged the property to help rescue a film project that would be widely banned as sacrilegious, Monty Python's Life of Brian. Harrison could be fiercely jealous, but not only did he stay friends with Eric Clapton when Clapton fell in love with Harrison's wife, Pattie Boyd, the two men grew even closer after Clapton walked away with her. Unprecedented in scope and filled with numerous color photos, this rich biography captures George Harrison at his most multi-faceted: devoted friend, loyal son, master guitar player, brilliant songwriter, cocaine addict, serial philanderer, global philanthropist, student of Indian mysticism, self-deprecating comedian, and, ultimately, iconic artist and man beloved by millions"--
    Beschreibung / Inhaltsverzeichnis: Prologue: an unextinguishable last laugh -- Part one. "Take care of him because he's going to be special" -- "He was so much in the background he was like the invisible man" -- Playing just chords was better than not playing at all" -- "From then on, nine-to-five never came back into my thinking" -- "We were like orphans" -- "My first shag was... with Paul and John and Pete Best all watching" -- "The first rock 'n' dole group" -- "It was the best buzz of all time" -- Part two. "I was always rather beastly to George" -- "I had to learn to think like a spy, leaving no trace" -- "The only Beatle glare ever caught on camera" -- "Well, that's it. I'm not a Beatle anymore" -- "The meditation buzz" -- "Please don't think I've gone off my rocket" -- "Don't upset the Hell's Angels" -- "He wanted so much to be a spiritual being" -- "That was minxy of George. He could be very minxy" -- "Beatle George's new pad--turrets and all" -- Part three. "Garbo speaks--Harrison is free" -- "I suppose he is still a person of considerable means" -- "I have to tell you, man, I'm in love with your wife" -- "By the grace of Krishna, you are one of the great men" -- "If people want their money back, they can have it" -- "Introducing George Harrison" -- "Maybe he thought God would just sort of let him off" -- "He was looking at potential debts of around €32 million" -- "Do you want to go on a yacht to the South Pacific and run away for ever?" -- "I'm being murdered in my own house" -- Epilogue: Plaudit from a prince
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 12
    Buch
    Buch
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781793620392
    Sprache: Englisch
    Seiten: IX, 139 Seiten , Illustrationen, Porträts
    Serie: Critical perspectives on music and society
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1980-2022 ; Subkultur ; Techno ; Rave ; Musikwirtschaft ; Electronic dance music / Social aspects / History ; Rave culture ; Rave culture ; History ; Rave ; Techno ; Subkultur ; Musikwirtschaft ; Geschichte 1980-2022
    Kurzfassung: "This text explores how the Electronic Dance Music subculture transitioned from a marginalized deviant subculture to a billion-dollar culture industry, looking at how the culture's success has undermined in-group solidarity and marginalized those who helped pioneer it"--
    Beschreibung / Inhaltsverzeichnis: Introduction -- Phase I : Beginnings (1980s-1995) Phase II : The Rise of the Rave Outlaw (1995-2009) -- Phase III : EDM as Culture Industry (2010-2022) -- Conclusion -- Appendix. The Rave Act
    Anmerkung: Noch nicht erschienen (Stand: 12.05.2023)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 13
    Buch
    Buch
    New York ; London : Routledge
    ISBN: 9781032111209 , 9781032111230 , 9781032431147
    Sprache: Englisch
    Seiten: xvi, 218 Seiten
    Serie: SOAS studies in music
    Paralleltitel: Äquivalent
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1980- ; Gedenken ; Lied ; Katastrophe ; Kanada ; Maritime Provinzen ; Disasters / Atlantic Provinces / Songs and music / History and criticism ; Memorialization / Atlantic Provinces / History ; Canada ; Disasters / Songs and music ; Memorialization ; Canada / Atlantic Provinces ; Criticism, interpretation, etc ; History ; Kanada ; Maritime Provinzen ; Lied ; Katastrophe ; Gedenken ; Geschichte 1980-
    Kurzfassung: "Disaster Songs as Intangible Memorials in Atlantic Canada draws on a collection of over 500 Atlantic Canadian songs relating to disasters from 1891 up until the present, and describes the characteristics that define them as intangible memorials. The book demonstrates the relationship between vernacular memorials - informal memorials collectively and spontaneously created from objects and notes by the general public - and disaster songs. Author identifies the features that define vernacular memorials, and applies them to disaster songs: spontaneity; ephemerality; importance of place; motivations and meaning-making; content, as well as the role of media in inspiring and disseminating memorials and songs"--
    Beschreibung / Inhaltsverzeichnis: Preface. Come All Ye -- Introduction -- Formal Memorials, Vernacular Memorials, and Disaster Songs -- Going Down in History : The Story of Disaster Songs -- Locating Meaning : The Place of Disasters in Songs -- Spontaneity & Ephemerality : The Timing of Memorialization -- Social Significance : The Motivation to Create Disaster Songs -- Personal Motivations : Relationships & Grief -- News & Social Media : Inspiring, Informing, and Disseminating Disaster Songs -- Conclusion
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 14
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501387050 , 9781501387067
    Sprache: Englisch
    Seiten: xi, 354 Seiten , Illustrationen
    Ausgabe: Revised edition
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): The Beatles ; Beatles ; Rock music / Analysis, appreciation ; Rock musicians / England ; Beatles ; Rock musicians ; England ; Biografie ; Biografie ; Biografie ; The Beatles
    Kurzfassung: "A follow-up to the successful 2007 edition, which, despite numerous Beatles-related books published in the intervening years, still stands alone for its chronological, album-by-album analysis of the band's work"--
    Beschreibung / Inhaltsverzeichnis: Prologue : The End -- The Beginning -- A Cellarful of Noise -- And the Band Begins to Play -- Rock and Roll Music -- The Biggest Showbiz Town Ever -- War-Weary -- Yesterday and Today -- Plastic Soul -- The End of the Road -- The Act You've Known for All These Years -- Roll Up for the Mystery Tour -- Whiter Shades of Pale -- Getting Back -- The Dream Is Over -- Epilogue : Long Live the Dream
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 15
    ISBN: 9781032332215 , 9781032332239
    Sprache: Englisch
    Seiten: viii, 154 Seiten
    Serie: Routledge histories of Central and Eastern Europe
    Paralleltitel: Äquivalent
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Nationalhymne ; Ostmitteleuropa ; Südosteuropa ; Ostmitteleuropa ; Südosteuropa ; Nationalhymne ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 16
    Buch
    Buch
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108837057 , 9781108940030
    Sprache: Englisch
    Seiten: xv, 295 Seiten
    Serie: Cambridge companions to music
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Kurzfassung: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 17
    Buch
    Buch
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781538165300
    Sprache: Englisch
    Seiten: xi, 187 Seiten
    Serie: Popular musics matter: Social, political and cultural interventions
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1977-1980 ; Elektronische Musik ; Synthesizer ; Popmusik ; Großbritannien ; Electronica (Music) / Great Britain / History and criticism ; Popular music / Great Britain / 1971-1980 / History and criticism ; Synthesizer (Musical instrument) / Great Britain / History ; Electronica (Music) ; Popular music ; Synthesizer (Musical instrument) ; Great Britain ; 1971-1980 ; Criticism, interpretation, etc ; History ; Großbritannien ; Popmusik ; Synthesizer ; Elektronische Musik ; Geschichte 1977-1980
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 18
    ISBN: 9780197549087
    Sprache: Englisch
    Seiten: xxi, 933 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Oxford handbook of peace history
    DDC: 303.6/609
    RVK:
    RVK:
    Schlagwort(e): Peace History ; Friede ; Begriff ; Friedenssichernde Maßnahme ; Beilegung ; Internationaler Konflikt ; Geschichte ; Internationale Politik ; Krieg ; Theorie ; Handbuch ; EDUCATION / General ; Friedens- und Konfliktforschung ; General & world history ; Geschichte allgemein und Weltgeschichte ; HISTORY / World ; International arbitration ; International relations ; Internationale Beziehungen ; Internationales Recht: Schiedsgerichtsbarkeit ; POLITICAL SCIENCE / History & Theory ; POLITICAL SCIENCE / International Relations / Diplomacy ; Peace studies & conflict resolution ; Politics & government ; Politik und Staat ; Erde
    Kurzfassung: The Oxford Handbook of Peace History uniquely explores the distinctive dynamics of peacemaking across time and place, and analyzing how past and present societies have created diverse cultures of peace and applied strategies for peaceful change. The analysis draws upon the expertise of many well-respected and distinguished scholars from disciplines such as anthropology, economics, history, international relations, journalism, peace studies, sociology, and theology. This work is divided into six parts. The first three sections address the chronological sweep of peace history from the Ancient Egyptians to the present while the last three cover biographical profiles of peace advocates, key issues in peace history, and the future of peace history. A central theme throughout is that the quest for peace is far more than the absence of war or the pursuit of social justice ideals. Students and scholars, alike, will appreciate that this work examines the field of peace history from an international perspective and expands analysis beyond traditional Eurocentric frameworks. This volume also goes far beyond previously published handbooks and anthologies in answering what are the strengths and limits of peace history as a discipline, and what can it offer for the future. It also has the unique features of a state-of-the-field introduction with a detailed treatment of peace history historiography and a chapter written by a noted archivist in the field that provides a comprehensive list of peace research resources. It is a work ably suited applicable for classrooms and scholarly bookshelves.
    Kurzfassung: The Oxford Handbook of Peace History offers a comprehensive analysis of peace history from ancient times to the present day. With contributions from forty-four scholars based all over the world, the Handbook provides researchers, students, and instructors a timely examination of the global dimensions of peace work
    Anmerkung: Literaturangaben, Register
    URL: Cover  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 19
    Buch
    Buch
    Manchester : Manchester University Press
    ISBN: 9781526168450
    Sprache: Englisch
    Seiten: viii, 365 Seiten , Illustrationen , 24 cm
    Paralleltitel: Erscheint auch als
    DDC: 942.733085
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1979-2023 ; Stadtentwicklung ; Popkultur ; Sport ; Popmusik ; Manchester ; Popular culture / England / Manchester ; Popular music / England / Manchester ; Property / England / Manchester ; Soccer / England / Manchester ; Manchester (England) / History / 20th century ; Manchester (England) / History / 21st century ; Popular culture ; Popular music ; Property ; Soccer ; England / Manchester ; 1900-2099 ; History ; Manchester ; Popmusik ; Popkultur ; Sport ; Stadtentwicklung ; Geschichte 1979-2023
    Kurzfassung: At the end of the 1970s, Manchester seemed to be sliding into the dustbin of history. Today the city is an international destination for culture and sport, and one of the fastest-growing urban regions in Europe. This book gives a first-hand account of what happened in between
    Anmerkung: Maps on lining paper
    URL: Cover  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 20
    Online-Ressource
    Online-Ressource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108938075
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xv, 295 Seiten)
    Serie: Cambridge companions to music
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.63095195
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Popular music ; Sound recording industry ; Aufsatzsammlung ; Aufsatzsammlung ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte ; K-Pop
    Kurzfassung: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 21
    Buch
    Buch
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781032251899 , 9781032251905
    Sprache: Englisch
    Seiten: xv, 362 Seiten , Illustrationen
    Serie: Transnational studies in jazz
    Paralleltitel: Erscheint auch als Stanbridge, Alan Rhythm changes
    DDC: 781.6509
    RVK:
    Schlagwort(e): Jazz History and criticism ; Jazz Philosophy and aesthetics ; Jazz Political aspects ; Jazz Social aspects ; Jazz ; Soziokultur ; Geschichte
    Kurzfassung: Introduction. The Persistence of Authenticity -- The Challenge of the Past : Jazz, Parody, and Jazz Discourse -- A Few of My Favorite Things : Analyzing Jazz, Interpreting Irony, Assessing Value -- My Only Sunshine : Jazz, Country Music, George Russell, and Musical Meaning -- Divine Revelations : Keith Jarrett, Acoustic Authenticity, and Romantic Genius -- The Body Electric : Music, Machines, and Mechanical Reproduction -- Can Blue Men Sing the Whites? African American Exceptionalism, European Stereotypes, and the Jazz Studies Debate.
    Kurzfassung: "Rhythm Changes: Jazz, Culture, Discourse addresses the development of jazz, the music, its makers, and its socio-cultural contexts, as well as the various discourses - especially those of academic analysis and journalistic criticism - that have influenced the creation, interpretation, and reception of jazz. Tackling diverse issues, such as race, class, nationalism, art, authenticity, irony, parody, romanticism, commercialism, technology, recording, and musical form and style, the book's viewpoint on artistic and cultural practices suggests new ways of thinking about jazz history. It challenges many established scholarly approaches in jazz research, providing a much-needed intervention in the current academic orthodoxies of Jazz Studies. Perhaps the most striking and distinctive aspect of the book is the extraordinary eclecticism of the wide-ranging but carefully chosen case studies and examples referenced throughout the text, from nineteenth century literature, through 1930s Broadway and film, to twentieth and twenty- first century jazz and popular music"--
    Anmerkung: Die paperback-Ausgabe wird lt. Verlag nicht erscheinen, 26.09.2022 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 22
    Buch
    Buch
    New York, NY : Abrams Press
    ISBN: 9781419747946
    Sprache: Englisch
    Seiten: X, 502 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Michael, George ; Michael, George / 1963-2016 ; Singers / Great Britain / Biography ; Gay men / Great Britain / Biography ; Rock musicians / Great Britain / Biography ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / LGBTQ+ ; Michael, George / 1963-2016 ; Gay men ; Rock musicians ; Singers ; Great Britain ; Singers / Biography ; Gay men / Biography ; Rock musicians / Biography ; Biography ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Michael, George 1963-2016
    Kurzfassung: "The definitive biography of George Michael, offering an expansive look at the troubled life of the legendary singer, songwriter, and pop superstar" --
    Kurzfassung: George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image--that of a hypermacho sex god--loomed large in the pop culture of his day. It also hid--for a time--the secret he fought against revealing: Michael was gay. Soon his obsession with fame would start to backfire. As one of the industry's most privileged yet tortured men began to self-destruct, the press showed little sympathy. George Michael: A Life explores the compelling story of a superstar whose struggles, as well as his songs, continue to touch fans all over the world. Acclaimed music biographer James Gavin traces Michael's metamorphosis from the shy and awkward Georgios Kyriacos Panayiotou into the swaggering, dominant half of the leading British pop duo of the 1980s Wham!; he then details Michael's sensational solo career and its subsequent unraveling. With deep analysis of the creative process behind Michael's albums, tours, and music videos, as well as interviews with hundreds of his friends and colleagues, George Michael: A Life is a probing, definitive portrait of a pop legend
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 23
    Buch
    Buch
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469667249 , 9781469667232
    Sprache: Englisch
    Seiten: 228 Seiten
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): Kooperation ; Musik ; Urheberrecht ; Jamaika ; Popular music / Jamaica / History and criticism ; Popular music / Social aspects / Jamaica / History ; Music trade / Jamaica ; Copyright / Music / Jamaica ; Music and race / Jamaica ; Musique populaire / Jamaïque / Histoire et critique ; Musique populaire / Aspect social / Jamaïque / Histoire ; Musique / Industrie / Jamaïque ; Droit d'auteur / Musique / Jamaïque ; Musique et race / Jamaïque ; Copyright / Music ; Music trade ; Popular music ; Popular music / Social aspects ; Jamaica ; Criticism, interpretation, etc ; History ; Jamaika ; Musik ; Kooperation ; Urheberrecht
    Kurzfassung: "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--
    Beschreibung / Inhaltsverzeichnis: Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 24
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501370816 , 9781501370809
    Sprache: Englisch
    Seiten: ix, 430 Seiten , Illustrationen
    Ausgabe: Updated and expanded edition
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Progressive Rock ; Progressive rock music / History and criticism ; Rock music / History and criticism ; Progressive rock music ; Rock music ; Criticism, interpretation, etc ; Progressive Rock ; Geschichte
    Kurzfassung: "The original edition of Beyond and Before extends an understanding of "progressive rock" by providing a fuller definition of what progressive rock is, was and can be. Called by Record Collector "the most accomplished critical overview yet" of progressive rock and one of their 2011 books of the year, Beyond and Before moves away from the limited consensus that prog rock is exclusively English in origin and that it was destroyed by the advent of punk in 1976. Instead, by tracing its multiple origins and complex transitions, it argues for the integration of jazz and folk into progressive rock and the extension of prog in Kate Bush, Radiohead, Porcupine Tree and many more. This 10-year anniversary revised edition continues to further unpack definitions of progressive rock and includes a brand new chapter focusing on post-conceptual trends in the 2010s through to the contemporary moment. The new edition discusses the complex creativity of progressive metal and folk in greater depth, as well as new fusions of genre that move across global cultures and that rework the extended form and mission of progressive rock, including in recent pop concept albums. All chapters are revised to keep the process of rethinking progressive rock alive and vibrant as a hybrid, open form"--
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 25
    Buch
    Buch
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Sprache: Englisch
    Seiten: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Kurzfassung: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Beschreibung / Inhaltsverzeichnis: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 26
    ISBN: 9780374139940
    Sprache: Englisch
    Seiten: XVI, 458 Seiten , Illustrationen, Karten
    Ausgabe: First edition
    RVK:
    Schlagwort(e): J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Kurzfassung: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Kurzfassung: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Beschreibung / Inhaltsverzeichnis: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 27
    Buch
    Buch
    New York : Abrams Press
    ISBN: 9781419749698
    Sprache: Englisch
    Seiten: XII, 306 Seiten
    Paralleltitel: Erscheint auch als
    DDC: 782.42164092
    RVK:
    Schlagwort(e): Houston, Whitney ; Houston, Whitney / https://isni.org/isni/000000011478617X ; African American women singers / United States / Biography ; African American singers / United States / Biography ; Singers / United States / Biography ; Chanteuses noires américaines / États-Unis / Biographies ; Chanteurs noirs américains / États-Unis / Biographies ; Chanteurs / États-Unis / Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts ; Houston, Whitney ; African American singers ; African American women singers ; United States ; African American women singers / Biography ; African American singers / Biography ; Biography ; Biography ; Biographies ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Houston, Whitney 1963-2012
    Kurzfassung: "A candid exploration of the genius, shame, and celebrity of Whitney Houston a decade after her passing. On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn't We Almost Have It All is author Gerrick Kennedy's exploration of the duality of Whitney's life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney's life, her whole life, told with both grace and honesty. Long before that fateful day in 2012, Whitney split the world wide open with her voice. Hers was a once-in-a-generation talent forged in Newark, NJ, and blessed with the grace of the church and the wisdom of a long lineage of famous gospel singers.
    Kurzfassung: She redefined 'The Star-Spangled Banner.' She became a box-office powerhouse, a queen of the pop charts, and an international superstar. But all the while, she was forced to rein in who she was amid constant accusations that her music wasn't Black enough, original enough, honest enough. Kennedy deftly peels back the layers of Whitney's complex story to get to the truth at the core of what drove her, what inspired her, and what haunted her. He pulls the narrative apart into the key elements that informed her life--growing up in the famed Drinkard family; the two romantic relationships that shaped the entirety of her adult life, with Robyn Crawford and Bobby Brown; her fraught relationship to her own Blackness and the ways in which she was judged by the Black community; her drug and alcohol addiction; and, finally, the shame that she carried in her heart, which informed every facet of her life.
    Kurzfassung: Drawing on hundreds of sources, Kennedy takes readers back to a world in which someone like Whitney simply could not be, and explains in excruciating detail the ways in which her fame did not and could not protect her. In the time since her passing, the world and the way we view celebrity have changed dramatically. A sweeping look at Whitney's life, Didn't We Almost Have It All contextualizes her struggles against the backdrop of tabloid culture, audience consumption, mental health stigmas, and racial divisions in America. It explores exactly how and why we lost a beloved icon far too soon" --
    Beschreibung / Inhaltsverzeichnis: Didn't We Almost Have It All?: A Meditation on Loss and Memory -- Under His Eye, Blessed Be The Sound: Faith, Gospel, and the Almighty Power of Cissy Houston -- Home: Newark and the Black American Dreams That Birthed Whitney Houston -- Stuff That You Want, Thing That You Need: The Brilliance and Influence of Whitney's Voice -- My Lonely Heart Calls: On Sex, Desire, and Sexuality -- Miss America, The Beautiful: The Burden of the National Anthem and the Politics of Whitney's Blackness -- Bolder, Blacker, Badder: The Sisters with Voices That Transformed Whitney -- Tell The Truth And Shame The Devil: How Trauma, Shame, and Tabloid Culture Broke Whitney -- The Undoing Of Whitney Houston: Virtue, Vice, and a Requiem for Redemption -- Won't They Always Love You?: Reflections on Meaning and Legacy
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 28
    Buch
    Buch
    Montreal ; Kingston ; London ; Chicago : McGill-Queen’s University Press
    ISBN: 9780228008347
    Sprache: Englisch
    Seiten: vi, 270 Seiten
    Originaltitel: Genocide (Montréal, Québec)
    Paralleltitel: Erscheint auch als Genocide
    Paralleltitel: Erscheint auch als
    DDC: 304.6/63
    RVK:
    RVK:
    Schlagwort(e): Genocide ; Genocide / History / 20th century ; Genocide ; 1900-1999 ; History ; Aufsatzsammlung
    Kurzfassung: "Since the 1980s the study of genocide has exploded, both historically and geographically, to encompass earlier epochs, other continents, and new cases. The concept of genocide has proved its worth, but that expansion has also compounded the tensions between a rigid legal concept and the manifold realities researchers have discovered. The legal and political benefits that accompany genocide status have also reduced complex discussions of historical events to a simplistic binary--is it genocide or not--a situation often influenced by powerful political pressures. Genocide addresses these tensions and tests the limits of the concept in cases ranging from the role of sexual violence during the Holocaust and state-induced mass starvation in Kazakh and Ukrainian history to what the Armenian, Rwandan, and Burundi experiences reveal about the uses and pitfalls of reading history and conducting politics through the lens of genocide. Contributors examine the pressures that great powers have exerted in shaping the concept; the reaction Raphaël Lemkin, originator of the word "genocide," had to the United Nations’ final resolution on the subject; France’s long-held choice not to use the concept of genocide in its courtrooms; the role of transformative social projects and use of genocide memory in politics; and the relation of genocide to mass violence targeting specific groups. Throughout, this comprehensive text offers innovative solutions to address the limitations of the genocide concept, while preserving its usefulness as an analytical framework."--
    Beschreibung / Inhaltsverzeichnis: Somebody Else’s Crime: The Drafting of the Genocide Convention as a Cold War Battle, 1946-48 / Anton Weiss-Wendt -- The Costs of Silencing Holocaust Victims: Why We Must Add Sexual Violence to Our Definition of Genocide / Annette F. Timm -- Frames and Narratives: How the Fates of the Ottoman Armenians, Stalin-Era Ukrainians, and Kazakhs Illuminate the Concept of Genocide / Ronald Grigor Suny -- The Holodomor in the Context of Soviet Mass Killing in the 1930s / Norman M. Naimark -- The Kazakh Famine, the Holodomor, and the Soviet Famines of 1930-33: Starvation and National Un-building in the Soviet Union / Andrea Graziosi -- The "Lemkin Turn" in Ukrainian Studies: Genocide, Peoples, Nations, and Empire / Douglas Irvin-Erickson -- The Orchestrated Inapplicability of the Law of Crimes against Humanity and Genocide--une exception française? / Caroline Fournet -- Is It Time to Forget Genocide? Conceptual Problems and New Directions / Michelle Tusan -- The Limits of a Genocide Lens and Possible Alternatives / Scott Straus
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 29
    ISBN: 978-0-5713-6218-9
    Sprache: Englisch
    Seiten: xiii, 372 Seiten ; , 24 cm.
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): Tutti, Cosey Fanni / https://isni.org/isni/0000000059402232 ; Derbyshire, Delia / 1937-2001 / https://isni.org/isni/0000000077928000 ; Kempe, Margery / approximately 1373- / https://isni.org/isni/0000000118044659 ; Kempe, Margery / approximately 1373- ; Tutti, Cosey Fanni ; Derbyshire, Delia ; Margery ; Women and the arts ; Women in the music trade ; Creative ability in women ; Künste. ; Kreativität. ; Biografie ; 1951- Tutti, Cosey Fanni ; 1937-2001 Derbyshire, Delia ; Kempe 1373-1439 Margery ; Künste ; Kreativität
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 30
    Buch
    Buch
    London ; New York ; Paris ; Sydney ; Copenhagen ; Berlin ; Madrid ; Tokyo : Omnibus Press
    ISBN: 9781913172664
    Sprache: Englisch
    Seiten: 259 Seiten, 16 Seiten ungezählte Bildtafeln , Illustrationen
    RVK:
    RVK:
    Schlagwort(e): McGeoch, John ; Geschichte 1955-2004 ; Postpunk ; Gitarrist ; Rockmusiker ; Großbritannien ; McGeoch, John / 1955-2004 ; Guitarists / Great Britain / Biography ; Punk rock musicians / Great Britain / Biography ; Biographies ; Biografie ; Biografie ; McGeoch, John 1955-2004 ; Großbritannien ; Rockmusiker ; Gitarrist ; Postpunk ; Geschichte 1955-2004
    Kurzfassung: "John McGeoch was the unsung hero of the post-punk era. Blazing a trail with some of Britain's biggest bands and most revered artists--Magazine, Siouxsie and the Banshees, The Armory Show and Public Image Ltd--John left an undeniable and indelible mark on music. The Light Pours Out of Me examines John's life and legacy, drawing on original interviews with the likes of Siouxsie Sioux, Howard Devoto, Johnny Marr, Billy Idol, John Frusciante, Keith Levene, Jonny Greenwood, Nick Launay, Ed O'Brien, Peter 'Hooky' Hook and many others. Illustrated with unseen photographs, this moving biography--authorised by the family--celebrates the remarkable guitarists who helped provide the soundtrack to a generation"--Dust jacket
    Beschreibung / Inhaltsverzeichnis: Forewords / Emily McGeoch, Malcolm Garrett, Dave Formula, Paul Morley, Johnny Marr -- Introduction / John McGeoch, taken from the fan information sheet, 'Secondhand daylight' -- Ian : childhood in Scotland and relocating to England -- Friends of mine : moving to Manchester to study fine art, and the first meeting with Howard Devoto -- Secondhand insight : the formation, rise and fall of Magazine -- Strange days : a brief flirtation with the emerging New Romantic movement courtesy of Visage -- Happy house : John leaves Magazine and joins up with Siouxsie and the Banshees -- Waiting for the floods : after his dismissal from the Banshees, John travels to Sweden before forming the post-punk 'supergroup', The Armoury Show -- Brave new world : John joins John Lyndon in Public Image Ltd -- Diamond : John as the family man, and starting up his own group, Pacific -- Heavens inside : John's later years and untimely death -- The anti-hero : tributes to John McGeoch from friends, family, contemporaries and admirers -- Afterword
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 31
    ISBN: 978-3-98634-122-0
    Sprache: Deutsch , Englisch
    Seiten: 1 Online-Ressource (374 Seiten) : , Illustrationen, Diagramme.
    Ausgabe: 1. Auflage
    Serie: Arbeit, Demokratie, Geschlecht Band 27
    Serie: Arbeit, Demokratie, Geschlecht
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Frau. ; Arbeitskampf. ; Arbeitskonflikt. ; Geschlechterverhältnis. ; Geschlechterkonflikt. ; Book ; Geschlechterdimensionen von Arbeitskonflikten ; Arbeitskämpfe ; Geschlechterverhältnisse ; 2732: Taschenbuch / Politikwissenschaft/Politische Wissenschaft, Politische Bildung ; Aufsatzsammlung ; Frau ; Arbeitskampf ; Arbeitskonflikt ; Geschlechterverhältnis ; Geschlechterkonflikt ; Geschichte
    Anmerkung: Beiträge überwiegend in deutscher, teilweise in englischer Sprache
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 32
    Buch
    Buch
    Woodbridge :The Boydell Press,
    ISBN: 978-1-78327-673-8
    Sprache: Englisch
    Seiten: xiii, 246 Seiten : , Illustrationen.
    Serie: Music in Britain, 1600-2000 30
    Serie: Music in Britain, 1600-2000
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Great Britain ; 1800-1899 ; Geschichte 1870-1900 ; Music / Social aspects / Great Britain / History / 19th century ; Exhibitions / Great Britain / History / 19th century ; Musicology / Great Britain / History / 19th century ; Exhibitions ; Music / Social aspects ; Musicology ; Internationale Ausstellung. ; Musik. ; Großbritannien. ; History ; Internationale Ausstellung ; Musik ; Geschichte 1870-1900
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 33
    ISBN: 9781793624383
    Sprache: Englisch
    Seiten: x, 159 Seiten
    Paralleltitel: Erscheint auch als Espada-Brignoni, Teófilo Performance of authenticity
    DDC: 781.65092/2
    RVK:
    Schlagwort(e): Bechet, Sidney ; Collins, Lee ; Dodds, Baby ; Foster, Pops ; Jazz musicians ; Autobiography ; Authenticity (Philosophy) ; Jazz History and criticism ; Jazzmusiker ; Identität ; Autobiografie ; Geschichte
    Kurzfassung: Subjectivation, Music, and Autobiography -- Storying Jazz : Bechet, Dodds, Collins, and Foster -- An Ethics of Authenticity -- Being a Jazz Man -- "Growing into the Music" -- Wise Old-Timers -- Stylizing the Self : The Mechanic and the Domestic.
    Kurzfassung: "In this book the author analyzes the autobiographies of Baby Dodds, Sidney Bechet, Pops Foster, and Lee Collins by integrating social, psychological, and literary theories. He argues that the autobiographies of New Orleans jazz musicians construct a sense of self and the collective grounded in ideas about authenticity"--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 34
    ISBN: 9788892770942
    Sprache: Italienisch
    Seiten: 390 Seiten , 21 cm
    Ausgabe: I edizione
    DDC: 781
    RVK:
    Schlagwort(e): Jazz ; Geschichte
    Anmerkung: Includes bibliographical references (pages 385-390)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 35
    Buch
    Buch
    New Haven, CT : Yale University Press
    ISBN: 9780300255317
    Sprache: Englisch
    Seiten: 273 Seiten , Illustrationen, Porträts
    Paralleltitel: Erscheint auch als
    DDC: 782.42164
    RVK:
    Schlagwort(e): Dylan, Bob ; Folksong ; USA ; Dylan, Bob / 1941- / Songs and music ; Folk music / United States / History and criticism ; MUSIC / Genres & Styles / Folk & Traditional ; Biografie ; Biografie ; Biografie ; Dylan, Bob 1941- ; USA ; Folksong
    Kurzfassung: Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen.0 In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to "see myself in others." Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan's continuing presence and relevance through his empathy-his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan, but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 36
    Online-Ressource
    Online-Ressource
    Leiden ; Boston : Brill
    ISBN: 9789004517073
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XV, 441 Seiten)
    Serie: Collected works of Jao Tsung-i: Xuantang anthology volume 1
    Serie: Collected works of Jao Tsung-i: Xuantang anthology
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 37
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520382787 , 9780520382800
    Sprache: Englisch
    Seiten: xxvi, 448 Seiten , Illustrationen
    Serie: Hip Hop studies 3
    Serie: Hip Hop studies
    Paralleltitel: Erscheint auch als
    DDC: 306.484249
    RVK:
    Schlagwort(e): Geschichte ; Hip-Hop ; Rap ; Rap (Music) / Political aspects ; Rap (Music) / Social aspects ; Rap musicians / Political activity ; Hip-hop / Influence ; Rappeurs / Activité politique ; Hip-hop / Influence ; Rap (Music) / Political aspects ; Rap (Music) / Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Rap ; Hip-Hop ; Geschichte
    Kurzfassung: "Moving through over a dozen cities across four continents, Freedom Moves: Hip Hop Knowledges, Pedagogies, and Futures represents a cutting-edge, field-defining moment in Hip Hop Studies. As we approach 50 years of hip hop cultural history, and 30 years of hip hop scholarship, hip hop continues to be one of the most profound and transformative social, cultural, and political movements of the late 20th and early 21st centuries. In this book, H. Samy Alim, Jeff Chang, and Casey Philip Wong invite us to engage dialogically with some of the world's most innovative and provocative Hip Hop artists and intellectuals as they collectively rethink the relationships between Hip Hop knowledges, pedagogies, and futures.
    Kurzfassung: Rooting hip hop in Black freedom culture, this state-of-the-art collection presents a globally diverse group of Black, Indigenous, Latinx, Asian American, Arab, European, North African and South Asian artists, activists, and thinkers who view hip hop as a means to move freedom forward for all of us.
    Kurzfassung: Contributors do so by taking stock of the politics of hip hop culture at this critical juncture of renewed racial justice movements in the US and globally (Chuck D, Rakim, and Talib Kweli); resisting oppressive policing and reimagining community safety, healing, and growth in US urban centers like New York (Bryonn Bain), Pittsburgh (Jasiri X), Chicago (Kuumba Lynx), Atlanta and "the New South" (Bettina Love, Regina Bradley, and Mark Anthony Neal), and the San Francisco Bay Area (Mark Gonzales, A-lan Holt, Michelle Lee and the Mural Music and Arts Project); and recovering traditional, Indigenous knowledges and ways of being in the world at the same time that they create new ones (Dream Warriors). Leading thinkers take seriously the act of forging new languages for new articulations of Black/feminist/queer/disabled futures within and beyond Hip Hop (Joan Morgan, Brittney Cooper, Treva Lindsey, Kaila Aida Story, Esther Armah, Leroy F. Moore, Jr.
    Beschreibung / Inhaltsverzeichnis: Introduction -- Sweat the technique : the politics and poetics of hip hop / Rakim, Chuck D, and Talib Kweli -- Know the ledge(s) : the meanings of knowledge of self in "post"-apartheid South Africa / Shaheen Ariefdien and Emile YX? -- "Alshaab yurid isqaat al-nitham!" : sustaining revolution and disrupting dominant narratives of Palestine and Syria through hip hop / DAM (Tamer Nafar, Suhell Nafar and Mahmoud Jreri), Omar Offendum, and Ramzi Salti -- "The revolution will be indigenous" : collective liberation, healing, and resistance to settler colonialism through hip hop / Jessa Calderon, Gunner Jules, Lyla June, Tall Paul, and Tanaya Winder, with Casey Philip Wong -- "Luchando Derechos" in neoliberal Spain : hip hop visions beyond racism, xenophobia, Islamophobia and the gentrification of El Raval, Barcelona / La Llama Rap Colectivo with H. Samy Alim -- 1Hood : hip hop art, activism, and media creation in Pittsburgh / Jasiri X --
    Beschreibung / Inhaltsverzeichnis: "Protection from police who hinder respiratory airways" : hip hop theatre and activism with Kuumba Lynx in Chicago / Jacinda Bullie, Jaquanda Saulter-Villegas, and Leyda Lady Sol Garcia -- Ripples of hope and healing : sustaining community by creating a social justice arts ecosystem / Sonya Clark-Herrera, with Dorien Blue fka Adorie Howard, Measha Ferguson-Smith, Reagan Ross, and Casey Philip Wong -- Beyond trauma : storytelling as cultural shift and collective healing / Bryonn Bain, Mark Gonzales, A-Ian Holt, and Michelle Lee -- "Where the beat drops" : culturally relevant to culturally sustaining hip hop pedagogies / Gloria Ladson-Billings, Django Paris, and H. Samy Alim -- How hip hop means : retrospect for beats, rhymes, and classroom life / Marc Lamont Hill -- The magic behind science genius : how hip hop can transform science education / Christopher Emdin & The GZA, with Bryan Brown --
    Beschreibung / Inhaltsverzeichnis: Hip hop, whiteness, and critical pedagogies in the context of Black Lives Matter / A.J. Robinson -- The pleasure principle : articulating a post-hip hop feminist politics of pleasure / Joan Morgan, Brittney Cooper, Treva Lindsey, Kaila Adia Story, and Esther Armah -- "When can black disabled folks come home? : the krip-hop movement, race, and disability justice / Leroy F. Moore, Jr. and Stephanie Keeney Parks -- Queering hip hop feminist pedagogies in the New South / Bettina Love, Regina Bradley, and Mark Anthony Neal -- "These are not sonnet times" : building towards liberatory futures / Maisha Winn
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 38
    ISBN: 9783990128107 , 3990128108
    Sprache: Deutsch , Englisch , Hebräisch , Japanisch
    Seiten: 181 Seiten , Illustrationen , 21.7 cm x 13.8 cm
    Paralleltitel: Erscheint auch als
    DDC: 900
    RVK:
    RVK:
    Schlagwort(e): Biografie ; Biografie ; Biografie
    Anmerkung: Literaturverzeichnis Seite 165-172 , Vorwort englisch und deutsch; Haupttexte deutsch mit englischer, hebräischer und japanischer Zusammenfassung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 39
    Buch
    Buch
    Jefferson, North Carolina : McFarland & Company
    ISBN: 9781476687063
    Sprache: Englisch
    Seiten: ix, 257 Seiten
    DDC: 306.4/8420973
    RVK:
    RVK:
    Schlagwort(e): Popular music Social aspects ; History ; Slurs History ; Music and language History ; Music and race History ; African Americans in popular culture ; African American comedians ; MUSIC / History & Criticism ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
    Kurzfassung: The N-Word's Musical Contours -- Out of Music : The N-Word's Material, Environmental, and Social Contours -- John Lennon's N-Word Moment -- Interlude. Diverse Opinions -- Philosorock : John Lennon, Bob Dylan, and Other White Musicians Who Sing the N-Word -- Black Demystification, White Bewilderment : Transformation and Numbing in Black Comedy and Black Music -- Muhammad Ali, Rap, and That Word -- A Hip-Hop Icon -- A Sensible Rule : A Case Study -- Inviting Destruction Beyond the Music -- Conclusion. Welcome to the Conversation, Country Music.
    Kurzfassung: "The minstrelsy play, song, and dance "Jump, Jim Crow" did more than enable blackface performers to spread racist stereotypes about Black Americans. This widespread antebellum-era cultural phenomenon was instrumental in normalizing the N-word across several aspects of American life. Material culture, sporting culture, consumer products, house-pets, carnival games and even geographic landmarks obtained the racial slur as a formal and informal appellation. Music, it is argued, was the catalyst for normalizing and disseminating those two ugly syllables throughout society, well beyond the environs of plantation and urban slavery. This weighty and engaging look at the English language's most explosive slur, described by scholars as the "atomic bomb" of bigoted words, traces the N-word's journey through various music genres and across generations. The author uses private letters, newspaper accounts, exclusive interviews and, most importantly, music lyrics from artists in the fields of minstrelsy, folk, country, ragtime, blues, jazz, rock 'n' roll and hip hop. The result is a reflective account of how the music industry has channeled linguistic and cultural movements across eras, resulting in changes to the slur's meaning and spelling"--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 40
    Buch
    Buch
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781793613851
    Sprache: Englisch
    Seiten: x, 363 Seiten
    Paralleltitel: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
    RVK:
    Schlagwort(e): Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Kurzfassung: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Beschreibung / Inhaltsverzeichnis: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 41
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478018872 , 9781478016236
    Sprache: Englisch
    Seiten: xiv, 218 Seiten
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Kurzfassung: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Beschreibung / Inhaltsverzeichnis: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 42
    Buch
    Buch
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781666900880
    Sprache: Englisch
    Seiten: xx, 241 Seiten , Illustrationen, Karten, Notenbeispiele
    Serie: The Lexington series in historical ethnomusicology: deep soundings
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Rezeption ; Islam ; Ensemble ; Einflussnahme ; Hofmusik ; Malaysia ; Islamische Staaten ; Nobat ; Music / Southeast Asia / History and criticism ; Music / Political aspects / Southeast Asia / History ; Courts and courtiers / History ; Islam / Southeast Asia / History ; Courts and courtiers ; Islam ; Music ; Music / Political aspects ; Southeast Asia ; Criticism, interpretation, etc ; History ; Malaysia ; Islam ; Hofmusik ; Ensemble ; Einflussnahme ; Rezeption ; Islamische Staaten ; Geschichte
    Kurzfassung: "The Malay Nobat: A History of Power, Acculturation, and Sovereignty explores the history and meaning of the nobat, its spread throughout the Muslim empire, and its emergence as a symbol of power and sovereignty, ultimately showing how existing nobat ensembles in Malaysia and Brunei are the last living legacy of the Mulism world"--
    Beschreibung / Inhaltsverzeichnis: Introduction -- Early Histories -- The Malay Nobat -- The Nobat in Early Malay Literature : A Lesson from Patani -- The Adat Aceh and 17th Century European Encounter -- From British Colonialism to Independence -- Conclusion
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 43
    Online-Ressource
    Online-Ressource
    Wien : Hollitzer Wissenschaftsverlag
    ISBN: 9783990128114
    Sprache: Deutsch , Englisch , Hebräisch , Japanisch
    Seiten: 1 Online-Ressource (181 Seiten) , Illustrationen, Porträts, Notenbeispiele
    Paralleltitel: Erscheint auch als Schwab, Andrea, 1958 - Jüdische Komponistinnen
    RVK:
    RVK:
    Schlagwort(e): Electronic books ; Biografie ; Biografie ; Jüdin ; Komponistin ; Geschichte 1832-1992 ; Deutschland ; Österreich ; Komponistin ; Jüdin ; Geschichte 1832-1992
    Kurzfassung: frontcover -- PRINT_Jüdische Komponistinnen LAYOUT.pdf -- backcover.
    Anmerkung: Vorwort auf englisch und deutsch , Text auf deutsch, Zusammenfassungen auf englisch, hebräisch und japanisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 44
    Online-Ressource
    Online-Ressource
    Montreal : McGill-Queen's University Press
    ISBN: 9780228009511 , 0228009510
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Originaltitel: Genocide (Montréal, Québec)
    Paralleltitel: Erscheint auch als Genocide
    DDC: 304.6/63
    RVK:
    RVK:
    Schlagwort(e): Genocide ; Genocide History 20th century ; Genocide ; History
    Kurzfassung: Somebody Else's Crime: The Drafting of the Genocide Convention as a Cold War Battle, 1946-48 / Anton Weiss-Wendt -- The Costs of Silencing Holocaust Victims: Why We Must Add Sexual Violence to Our Definition of Genocide / Annette F. Timm -- Frames and Narratives: How the Fates of the Ottoman Armenians, Stalin-Era Ukrainians, and Kazakhs Illuminate the Concept of Genocide / Ronald Grigor Suny -- The Holodomor in the Context of Soviet Mass Killing in the 1930s / Norman M. Naimark -- The Kazakh Famine, the Holodomor, and the Soviet Famines of 1930-33: Starvation and National Un-building in the Soviet Union / Andrea Graziosi -- The "Lemkin Turn" in Ukrainian Studies: Genocide, Peoples, Nations, and Empire / Douglas Irvin-Erickson -- The Orchestrated Inapplicability of the Law of Crimes against Humanity and Genocide--une exception française? / Caroline Fournet -- Is It Time to Forget Genocide? Conceptual Problems and New Directions / Michelle Tusan -- The Limits of a Genocide Lens and Possible Alternatives / Scott Straus.
    Kurzfassung: "Since the 1980s the study of genocide has exploded, both historically and geographically, to encompass earlier epochs, other continents, and new cases. The concept of genocide has proved its worth, but that expansion has also compounded the tensions between a rigid legal concept and the manifold realities researchers have discovered. The legal and political benefits that accompany genocide status have also reduced complex discussions of historical events to a simplistic binary--is it genocide or not--a situation often influenced by powerful political pressures. Genocide addresses these tensions and tests the limits of the concept in cases ranging from the role of sexual violence during the Holocaust and state-induced mass starvation in Kazakh and Ukrainian history to what the Armenian, Rwandan, and Burundi experiences reveal about the uses and pitfalls of reading history and conducting politics through the lens of genocide. Contributors examine the pressures that great powers have exerted in shaping the concept; the reaction Raphaël Lemkin, originator of the word "genocide," had to the United Nations' final resolution on the subject; France's long-held choice not to use the concept of genocide in its courtrooms; the role of transformative social projects and use of genocide memory in politics; and the relation of genocide to mass violence targeting specific groups. Throughout, this comprehensive text offers innovative solutions to address the limitations of the genocide concept, while preserving its usefulness as an analytical framework."--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 45
    Online-Ressource
    Online-Ressource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108379779
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxiv, 247 Seiten) , Notenbeispiele, Karten
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Musik ; Kulturelle Identität ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Karibik ; Musik ; Kulturelle Identität ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 46
    ISBN: 9789811919916
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 304 pages) , Illustrations
    Paralleltitel: Erscheint auch als Perspectives on cooperative law
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): International law. ; Trade regulation. ; Law and economics. ; Private international law. ; Conflict of laws. ; Comparative law. ; Commercial law. ; Cooperative societies ; Law and legislation ; Festschriften ; Festschrift ; Biografie ; Henry̋, Hagen 1951- ; Genossenschaftsrecht
    Kurzfassung: Historical Developments in Cooperative Law -- Specificities and Essence of Cooperatives -- Cooperative Law and Sustainable Development -- Cooperatives’ Activities and Governance -- Conclusions.
    Kurzfassung: This book contributes to the development of literature on cooperative law while paying tribute to Hagen Henrÿ’s significant impact on this field at a global scale. Hagen Henrÿ is one of the most influential scholars in the field of cooperative law. His primary contribution has been in the area of public international cooperative law. His other areas of scientific interest include development law and comparative law. This honorary volume is focused on two main axes -- the essence of cooperatives as well as their activities and their governance. The contributions throw light on how these two axes are addressed by cooperative legislation across countries, regions and continents. In the varied perspectives that the contributions put together, both a theoretical and practical approach, the authors address central, current and crucial issues for the development of cooperative law. The book is a great resource for researcher scholars, as well as policy makers and industry players interested in the topic.
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 47
    Online-Ressource
    Online-Ressource
    Cham : Palgrave Macmillan
    ISBN: 9783031081255
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 274 Seiten) , Illustrationen
    Serie: Palgrave hate studies
    Paralleltitel: Erscheint auch als Walters, Mark Austin Criminalising hate
    RVK:
    Schlagwort(e): Critical criminology. ; Law and the social sciences. ; Political sociology. ; Criminal law. ; Corrections. ; Punishment. ; Strafrecht ; Gesetz ; Hate crime ; Geschichte
    Kurzfassung: Introduction -- Chapter 1: Criminal Law as “Social Justice Liberalism” -- Chapter 2: Social Justice Liberalism and The Criminalisation of Hate -- Chapter 3: Who should be protected by hate crime laws and why? -- Chapter 4: Defining hate crime law globally: Models of legislation -- Chapter 5: Should hate crime laws mean punishing people more?. Chapter 6: Conclusions.
    Kurzfassung: This book presents both a new theoretical framework for the criminalisation of hate, referred to as “law as social justice liberalism”, and a comprehensive analysis of hate crime laws that have been enacted globally. The book begins by reflecting back on 30 years of theorisation on hate crime laws, arguing that there has been a failure to adequately capture the distinct harms of hate-based criminal conduct within legal frameworks. The book posits that liberal societies interested in advancing social equality ought to expand conventional paradigms of harm used in criminal law by comprehending hate-based conduct as a form of social injustice. Drawing on the work of Iris Young, the book sets out a comprehensive analysis of the harms of hate crime as a form of group-based oppression and uses this to set out criteria for the inclusion of protected characteristics under legislation. The second half of the book presents findings from a comparative study of hate crime laws enacted in 190 different legal jurisdictions. This includes a new taxonomy of types, models and legal tests used by legislatures to capture the myriad forms of hate-based criminal conduct that occur globally. Further evaluation of case law and empirical research on the application of these diverging legislative approaches is used to provide recommendations on how legislators ought to construct hate crime laws. The book completes its analysis of law as social justice liberalism by synthesising law, punishment and restorative justice as a means of ensuring that liberal systems of “justice” are more firmly anchored to the advancement of “social justice”. Mark Austin Walters is Professor of Criminal Law and Criminology at the University of Sussex, UK. Mark's research interests are focused primarily on hate crime studies and more broadly on criminal law theory and criminal justice reform, including restorative justice practice and theory.
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 48
    Buch
    Buch
    Bristol, UK ; Chicago, USA : Intellect
    ISBN: 9781789384000
    Sprache: Englisch
    Seiten: XII, 296 Seiten , Illustrationen, Diagramme, Karten (teilweise farbig)
    Serie: Advances in metal music and culture
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Heavy Metal ; Heavy metal (Music) / History and criticism ; Heavy metal (Music) ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Heavy Metal ; Heavy Metal ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 49
    Buch
    Buch
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780815391784 , 9780815391777
    Sprache: Englisch
    Seiten: xii, 236 Seiten , Illustrationen
    Serie: Routledge global popular music series
    Paralleltitel: Erscheint auch als
    DDC: 781.640943
    RVK:
    Schlagwort(e): Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    Kurzfassung: "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"--
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 50
    Buch
    Buch
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Sprache: Englisch
    Seiten: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 782.421661592
    RVK:
    Schlagwort(e): Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Kurzfassung: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Beschreibung / Inhaltsverzeichnis: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 51
    Buch
    Buch
    Ithaca : Cornell University Press
    ISBN: 9781501759840
    Sprache: Englisch
    Seiten: xiii, 351 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Thurman, Kira Singing like Germans
    Paralleltitel: Erscheint auch als Thurman, Kira Singing like Germans
    DDC: 306.4/8428
    RVK:
    Schlagwort(e): Musicians, Black History 20th century ; Musicians, Black History 20th century ; Musicians, Black History 19th century ; Musicians, Black History 19th century ; African American musicians History 20th century ; African American musicians History 20th century ; African American musicians History 19th century ; African American musicians History 19th century ; Music Social aspects ; History ; Music Social aspects ; History ; Music Political aspects ; History ; Music Political aspects ; History ; Music and race ; Deutschland ; Musiker ; Amerika ; Schwarze ; Geschichte 1870-1961 ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
    Kurzfassung: How Beethoven Came to Black America -- African American Intellectual and Musical Migration to Central Europe, 1870-1914 -- The Sonic Color Line Belts the World : Constructing Race and Music in Central Europe, 1870-1914 -- Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign -- Singing Lieder, Hearing Race : Debating Blackness, Whiteness, and German Music in Interwar Central Europe -- "A Negro Who Sings German Lieder Jeopardizes German Culture" : Black Musicians under the Shadow of Nazism -- "And I Thought They Were A Decadent Race" : Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life -- Breaking with the Past : Race, Gender, and Opera after 1945 -- Singing in the Promised Land : Black Musicians in the German Democratic Republic -- Conclusion : "What Should a Negro Do with Beethoven?!".
    Kurzfassung: "This book examines the history of Black musicians in Germany and Austria in the nineteenth and twentieth centuries"--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 52
    ISBN: 9781496832115 , 9781496832108
    Sprache: Englisch
    Seiten: x, 192 Seiten , Notenbeispiele, Porträt
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Kurzfassung: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Beschreibung / Inhaltsverzeichnis: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 53
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780197548813
    Sprache: Englisch
    Seiten: 203 Seiten
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Arbeiterklasse ; Unterhaltungsmusik ; Rockmusik ; Rock 'n' Roll ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Rock music / Social aspects ; Working class / Attitudes ; 1900-1999 ; History ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Kurzfassung: "We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they only wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Dream On -- Salt of the Earth -- Wrote A Song For Everyone -- Free For All -- Workin' Man Blues -- Swamp Music -- British Steel -- For Those About to Rock -- Youngstown -- One In a Million -- Conclusion. Subdivisions
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 54
    Buch
    Buch
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253057549 , 9780253057532
    Sprache: Englisch
    Seiten: xi, 309 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Musikwirtschaft ; Kultur ; Politik ; Musik ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 55
    Buch
    Buch
    New York : Basic Books
    ISBN: 9781541699571
    Sprache: Englisch
    Seiten: ix, 355 Seiten , Illustrationen
    Ausgabe: First edition
    RVK:
    Schlagwort(e): Cash, Johnny Criticism and interpretation ; Cash, Johnny Political activity ; Cash, Johnny Political and social views ; Cash, Johnny ; Politisches Denken ; Country music Political aspects 20th century ; History
    Kurzfassung: "Johnny Cash was an American icon, known for his level bass-baritone voice and somber demeanor, for huge hits like "Ring of Fire" and "I Walk the Line." He's one of the best-selling musicians of all time, and his crossover appeal earned him inductions into the Country Music, Gospel Music, and Rock and Roll Halls of Fame. But he was also the most prominent political artist in the United States, even if he wasn't recognized for it in his own lifetime, or since his death in 2003. Then and now, people have misread Cash's politics, usually accepting the idea of him as a "walking contradiction." Cash didn't fit into easy political categories-liberal or conservative, Red state or Blue state, hawk or dove. Like most people, Cash's politics were remarkably consistent in that they were based not on ideology or scripts-but on emotion, instinct, and identification. He supported Richard Nixon in his Vietnam War policies, while also seeming to stand up both for those asked to fight the war and for those who protested against it. Instead of choosing sides, Cash channeled an emotional discontent that bridged America's youth and the "silent majority." Foley traces the political evolution of the Man in Black as a prominent public citizen. Drawing on untapped archives and new research on social movements and grassroots activism, Citizen Cash offers a major reassessment of a legendary figure
    Anmerkung: Literaturangaben
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 56
    Buch
    Buch
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030551605
    Sprache: Englisch
    Seiten: xvii, 320 Seiten , Illustrationen
    Serie: Palgrave studies in the history of subcultures and popular music
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Musikleben ; Reggae ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Reggae ; Musikleben ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 57
    Buch
    Buch
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Sprache: Englisch
    Seiten: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Kurzfassung: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Anmerkung: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 58
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780197559284 , 9780197559277
    Sprache: Englisch
    Seiten: xviii, 254 Seiten , Illustrationen, Notenbeispiele, Portraits
    Paralleltitel: Erscheint auch als Wells, Christi Jay Between beats
    RVK:
    Schlagwort(e): Geschichte ; Jazztanz ; Jazztanz ; Geschichte
    Kurzfassung: "The Jazz Tradition and Black Vernacular Dance explores the complex intersections between jazz music and popular dance over the last hundred-plus years. It aims to show how popular entertainment and cultures of social dancing were crucial to jazz music's formation and development, but it also investigates the processes through which jazz music came to earn a reputation as a "legitimate" art form better suited for still, seated listening. Through the concept of "choreographies of listening," the book explores amateur and professional jazz dancers' relationships with jazz music and musicians as jazz's soundscapes and choreoscapes were forged through close contact and mutual creative exchange. The book's later chapters also critically unpack the aesthetic and political negotiations through which jazz music supposedly distanced itself from dancing bodies. As musicians and critics sought to secure institutional space for jazz within America's body-averse academic and high-art cultures, an intentional severance from the dancing body proved crucial to jazz's re-positioning as a form of autonomous, elite art. Fusing little-discussed material from diverse historical and contemporary sources with the author's own years of experience as a social jazz dancer, this book seeks to advance participatory dance and embodied practice as central topics of analysis in jazz studies. As it tells the rich, untold story of jazz as popular dance music, this book also exposes how American anxieties about bodies and a broad cultural privileging of the cerebral over the corporeal have shaped efforts to "elevate" expressive forms such as jazz to elite status"--
    Beschreibung / Inhaltsverzeichnis: Jazz Music and its Choreographies of Listening -- "Its Bite and Its Feeling" : The Quadroon Ball and Jazz's New Orleans Plaçage Complex -- "Lindy Hopper's Delight" : The Chick Webb Orchestra and the Fluid Labor of Whitey's Lindy Hoppers -- "Counter-Bopaganda" and "Torn Riffs" : Bebop as Popular Dance Music -- "A Fine Art in Danger" : Marshall Stearns's Jazz Dance Advocacy -- Dancing Every Note : Community Theater and Kinetic Memory at Jazz 966
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 59
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190656812 , 9780190656805
    Sprache: Englisch
    Seiten: xv, 212 Seiten , Illustrationen , 24 cm (pbk.)
    Paralleltitel: Erscheint auch als Williams, Justin A Brithop
    DDC: 782.42164909/41
    RVK:
    Schlagwort(e): Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Kurzfassung: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 60
    ISBN: 9781479806768 , 9781479871032
    Sprache: Englisch
    Seiten: 247 Seiten
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Schwarze ; Islam ; Jazz ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Kurzfassung: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 61
    Buch
    Buch
    Cambridge, United Kingdom ; New York, NY ; Port Melbourne, VIC ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781108830621 , 9781108822404
    Sprache: Englisch
    Seiten: xxiv, 259 Seiten , Illustrationen, Diagramme
    Serie: Slaveries since emancipation
    Paralleltitel: Erscheint auch als
    DDC: 306.3/620905
    RVK:
    Schlagwort(e): Geschichte ; Politik ; Menschenhandel ; Bekämpfung ; Slavery / History / 21st century ; Human trafficking / History / 21st century ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Menschenhandel ; Bekämpfung ; Politik ; Geschichte
    Kurzfassung: Klappentext: "Over the last two decades, fighting modern slavery and human trafficking has become a cause célèbre. Policies to fight modern slavery are championed by right- and left-wing governments. Multi-national corporations host panels about fighting modern slavery at the World Economic Forum, United Nations summits, and rock music festivals. A motley civil society coalition of anti-slavery activists, students, churches, and conservative antifeminist organizations have banded together to eradicate slavery with an arsenal ranging from "slave raids" to awareness-raising campaigns. This coalition has spent billions of dollars on projects that promise to end slavery in our lifetime"--
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 62
    Buch
    Buch
    Wien ; Köln ; Weimar : Böhlau Verlag
    ISBN: 9783412518608
    Sprache: Deutsch , Englisch
    Seiten: 456 Seiten , Illustrationen
    Serie: Beiträge zur Geschichtskultur Band 40
    Serie: Beiträge zur Geschichtskultur
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Exponat ; Debatte ; Geschichtsbewusstsein ; Museum ; Kulturgüterschutz ; Kulturgut ; Außereuropäische Kunst ; Kolonialismus ; Sammlung ; Restitution ; Herkunft ; Deutschland ; Provenienzforschung ; Koloniales Erbe ; Koloniale Kulturobjekte ; Koloniale Kunst ; Raubkunst ; Humboldt-Forum ; Aufsatzsammlung ; Kulturgüterschutz ; Kulturgut ; Restitution ; Debatte ; Deutschland ; Museum ; Kolonialismus ; Sammlung ; Geschichte ; Außereuropäische Kunst ; Exponat ; Herkunft ; Kolonialismus ; Restitution ; Geschichtsbewusstsein
    Anmerkung: Beiträge überwiegend deutsch, teilweise englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 63
    Online-Ressource
    Online-Ressource
    Wien : Hollitzer
    ISBN: 9783990128954
    Sprache: Englisch
    Seiten: 1 Online-Ressource (406 Seiten)
    Serie: Jazzforschung 48 (2016)
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Electronic books ; Jazz ; Geschichte
    Anmerkung: Description based on publisher supplied metadata and other sources
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 64
    ISBN: 9781498576208 , 9781498576222
    Sprache: Englisch
    Seiten: xiii, 283 Seiten , 24 x 16 cm
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Musik ; Künstler ; Widerstand ; Literatur ; Provinz Ostkap ; Music / Social aspects / South Africa / Eastern Cape / History ; Oral tradition / Social aspects / South Africa / Eastern Cape / History ; Government, Resistance to / South Africa / Eastern Cape / History ; Xhosa (African people) / South Africa / Eastern Cape / Social conditions ; Eastern Cape (South Africa) / Social conditions / History ; Eastern Cape (South Africa) / Race relations / History ; Government, Resistance to ; Music / Social aspects ; Oral tradition / Social aspects ; Race relations ; Social conditions ; Xhosa (African people) / Social conditions ; South Africa / Eastern Cape ; History ; Provinz Ostkap ; Künstler ; Widerstand ; Musik ; Literatur
    Kurzfassung: "Explores Eastern Cape performance artists, activists, and organizations that used inventive and historical means to protest and resist oppressive authorities and systems while exhibiting their unique culture. Michie analyzes music and oral poetry to study the region's role in the history of South African protest politics and creativity"--
    Beschreibung / Inhaltsverzeichnis: "We Create Our Own Language" -- "Unite Like a Ball of Scrapings": Early History to the 1850s -- "Turn Phalo's Land on Its Head": Late Nineteenth and Early Twentieth Centuries -- "You Sent Us the Light, We Sit in the Dark": 1920s-1940s -- "A Spirit That Could Not Be Broken": 1950s-1960s -- "A Land in Calamity's Shadow": 1970s-1980s -- "Our Bull Has Escaped from the Pound": 1990s to the Present
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 65
    ISBN: 9782503594873
    Sprache: Englisch
    Seiten: xxii, 247 Seiten , Illustrationen, Notenbeispiele
    Serie: Specvlvm mvsicae volume 41
    Serie: Specvlvm mvsicae
    DDC: 780
    RVK:
    RVK:
    Schlagwort(e): Liszt, Franz ; Geschichte ; Geschichte 1800-1900 ; Rezeption ; Zigeunermusik ; Rhapsodie ; Zigeunermusik ; Rhapsodie ; Geschichte 1800-1900 ; Liszt, Franz 1811-1886 ; Rezeption ; Zigeunermusik ; Rhapsodie ; Geschichte
    Kurzfassung: This volume examines the concept of rhapsody through a broad lens. Beginning with a discussion of the meaning(s) of the term itself, it then traces the history and reception of the genre and its significance in European culture. It argues for a close relationship between the idea of rhapsody and the concept of Gypsiness by demonstrating that 'rhapsody' and 'Gypsiness' can be seen as manifestations of the same types of influence and preferences for certain aesthetic categories. The book pays special attention to the seminal role of Franz Liszt in its discussion of the instrumental rhapsody. Ultimately, it reveals the consequences of historiographical representations of the rhapsody (e.g. the ossification of the image of the European Gypsy musician as a bard/rhapsode, the fossilization of presumptions concerning the nature of so-called ?Gypsies?) as well as unexpected similarities and differences between the rhapsody and the ballad as romantic genres with national implications.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 66
    ISBN: 9780472038558
    Sprache: Englisch
    Seiten: XVII, 240 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Kurzfassung: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 67
    Online-Ressource
    Online-Ressource
    Cambridge, Massachuesetts ; London, England : The Belknap Press of Harvard University Press
    ISBN: 9780674258808 , 9780674258815
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 598 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 780.82/0973
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; SOCIAL SCIENCE / Popular Culture ; African American feminists ; African American women musicians ; African American women Intellectual life ; African American women Music ; History and criticism ; Musical criticism History ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; USA ; Afroamerikanische Musik ; Feminismus ; Musikkritik ; Geschichte
    Kurzfassung: An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 68
    Buch
    Buch
    Wien : Hollitzer
    ISBN: 9783990128947
    Sprache: Englisch
    Seiten: IX, 391 Seiten , Illustrationen , 24 cm
    Serie: Jazzforschung 48 (2016)
    Serie: Jazzforschung
    Paralleltitel: Erscheint auch als
    DDC: 780
    RVK:
    Schlagwort(e): Jazz ; Geschichte ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jazz ; Geschichte
    Anmerkung: Erweiterte Fassung der Dissertation "The stories of jazz: performing America through its musical history", Dortmund 2014. - Literaturverzeichnis: Seiten 361-391
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 69
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing
    ISBN: 9783030551612
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XVII, 320 Seiten) , Illustrationen
    Serie: Palgrave studies in the history of subcultures and popular music
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 941
    RVK:
    Schlagwort(e): Geschichte ; Great Britain-History ; History, Modern ; Civilization-History ; Social history ; Music ; Musikleben ; Reggae ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Reggae ; Musikleben ; Geschichte
    Kurzfassung: This book explores the history of reggae in modern Britain from the time it emerged as a cultural force in the 1970s. As basslines from Jamaica reverberated across the Atlantic, so they were received and transmitted by the UK's Afro-Caribbean community. From roots to lovers' rock, from deejays harnessing the dancehall crowd to dub poets reporting back from the socio-economic front line, British reggae soundtracked the inner-city experience of black youth. In time, reggae's influence permeated the wider culture, informing the sounds and the language of popular music whilst also retaining a connection to the street-level sound systems, clubs and centres that provided space to create, protest and innovate. This book is therefore a testament to struggle and ingenuity, a collection of essays tracing reggae's importance to both the culture and the politics of late twentieth and early twenty-first century Britain
    Anmerkung: 1. Introduction: Narratives from the Bassline- William 'Lez' Henry & Matthew Worley -- 2. Vexed history: time and the waning of heart-I-cal philosophy- Paul Gilroy -- 3. Reggae culture as local knowledge: Mapping the beats on south east London streets- William 'Lez' Henry & Les Back -- 4. A Who Seh? Reflections of a lost and found dub poet- Martin Glynn -- 5. 'What a devilment a Englan!' Dub poets and ranters- Tim Wells -- 6. Smiley Culture: A hybrid voice for the Commonwealth- Lucy Robinson -- 7. The Story of Nzinga Soundz and the Women's Voice in Sound System Culture- Lynda Rosenior-Patten and June Reid -- 8. Sound-tapes & Soundscapes: Lo-Fi cassette recordings as vectors of cultural Transmission- Kenny Monrose -- 9. 'Dem a call us pirates, dem a call us illegal broadcasters!': 'Pirates' Anthem', PCRL and the struggle for black free radio in Birmingham- Lisa Palmer -- 10. Rebel Music in the Rebel City: The Performance Geography of the Nottingham 'Blues Party', 1957-1987- Tom Kew -- 11. 'Curious roots & crafts': Record shops and record labels amid the British reggae diaspora- Peter Hughes Jachimiak -- 12. From Sound Systems to Disc Jockeys, From Local Bands to Major Success: On Bristol's Crucial Role in Integrating Reggae and Jamaican Music in British Culture- Melissa Chemam -- 13. Growing up under the influence: A sonic genealogy of grime- Joy White -- 14. Sound Systems and the Christian deviation- Carl Tracey -- 15. Handsworth Revolution: Reggae theomusicology, gospel borderlands and delinking Black British Contemporary Gospel Music from Colonial Christianity- Robert Beckford
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 70
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501348037
    Sprache: Englisch
    Seiten: ix, 255 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 782.421660922
    RVK:
    Schlagwort(e): The Beatles ; Geschichte ; Rezeption ; Weiblicher Fan ; Frau ; The Beatles ; Frau ; The Beatles ; Rezeption ; Weiblicher Fan ; Geschichte
    Kurzfassung: "The only academic book to discuss the Beatles and their social and cultural impact as understood through the experiences and lives of women"--
    Beschreibung / Inhaltsverzeichnis: Introducing A Women's History of the Beatles -- "Remember Me" : Stories from Merseyside -- With the Beatles : A Fan History -- "Don't Blame it On Yoko" : Wives and Girlfriends in the Beatles Fairy Tale -- "Free as a Bird" : Music-Making and the Liberatory Beatlesque -- "Think For Yourself" : Entrepreneurs and Intellectuals -- Conclusion. Beatles History, Women's Lives
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 71
    ISBN: 9780190917869 , 9780190917852
    Sprache: Englisch
    Seiten: xii, 283 Seiten , Illustrationen
    DDC: 306.090905
    RVK:
    Schlagwort(e): The Beatles ; Geschichte 1960-2020 ; Fan ; Popular music / 1961-1970 / History and criticism ; Popular music / Social aspects / Great Britain / History / 20th century ; Influence (Literary, artistic, etc ; Music fans ; Popular music ; Popular music / Social aspects ; Beatles / Influence ; Beatles ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Anmerkung: Literaturangaben
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 72
    Buch
    Buch
    Santa Barbara, California : ABC-CLIO®, an imprint of ABC-Clio, LLC
    ISBN: 9781440873188
    Sprache: Englisch
    Seiten: xlix, 350 Seiten , Illustrationen
    DDC: 782.421599097303
    RVK:
    RVK:
    Schlagwort(e): The star-spangled banner ; Geschichte ; USA ; Wörterbuch ; Wörterbuch ; Wörterbuch
    Anmerkung: Literaturverzeichnis Seite 295-332
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 73
    Buch
    Buch
    London ; New York ; Dublin : Zed Books
    ISBN: 9781786998125 , 9781786998132
    Sprache: Englisch
    Seiten: xxxv, 302 Seiten
    Ausgabe: Third edition
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Ethnosoziologie ; Naturvolk ; Ethnologie ; Imperialismus ; Entkolonialisierung ; Kolonialismus ; Geschichte ; Forschung ; Ethnologie ; Forschung ; Naturvolk ; Ethnologie ; Imperialismus ; Geschichte ; Kolonialismus ; Geschichte ; Entkolonialisierung ; Ethnosoziologie
    Kurzfassung: To the colonized, the term 'research' is conflated with European colonialism; the ways in which academic research has been implicated in the throes of imperialism remains a painful memory. This essential volume explores intersections of imperialism and research - specifically, the ways in which imperialism is embedded in disciplines of knowledge and tradition as 'regimes of truth.' Concepts such as 'discovery' and 'claiming' are discussed and an argument presented that the decolonization of research methods will help to reclaim control over indigenous ways of knowing and being.Now in its eagerly awaited second edition, this bestselling book has been substantially revised, with new case-studies and examples and important additions on new indigenous literature, the role of research in indigenous struggles for social justice, which brings this essential volume urgently up-to-date. Quelle: Klappentext.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 74
    ISBN: 9783962332730 , 3962332731
    Sprache: Deutsch , Englisch
    Seiten: 271 Seiten , Illustrationen, Notenbeispiele , 24 cm x 16,5 cm
    Serie: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München Band 16
    Paralleltitel: Erscheint auch als Jüdische Musik im süddeutschen Raum
    DDC: 780.899240434
    RVK:
    Schlagwort(e): Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Süddeutschland ; Juden ; Musik ; Geschichte
    Kurzfassung: Dieser Band kartiert die jüdische Musik Süddeutschlands im 19. und 20. Jahrhundert: als einen Raum, der jüdische Musikgeschichte produziert, beherbergt und bewahrt; als einen gemeinsamen Raum von Juden und Nicht-Juden mit der möglichen Kultur des Zusammenflusses; und als einen Raum der Ausgrenzung und Verfolgung. Diese Räume - teils symbolisch, abstrakt, metaphorisch, teils konkret und inszeniert - erschließen sich in acht Kapiteln: zur Topografie jüdischen Musiklebens im NS-Staat in München, zum Leben und Wirken von Jakob Schönberg und Richard Fuchs im Kontext jüdischer Kunstmusik, zu den musikalischen Praktiken der jüdischen Gemeinden in Bamberg und Binswangen, zu den Aktivitäten des Esslinger Cantors Mayer Levi, zur Verlagerung süddeutscher und österreichischer jüdischer Musiker und ihrem Wirken in Ferramonti di Tarsia und nicht zuletzt zu Paul Ben-Haims sozialem und intellektuellem Umfeld vor und kurz nach der Emigration.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 75
    Online-Ressource
    Online-Ressource
    London, UK ; New York, NY, USA ; Dublin, Ireland : Zed Books
    ISBN: 9781350225282 , 9781786998149 , 9781786998163
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxxiii, 291 Seiten)
    Ausgabe: Third edition
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.80072
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Ethnologie ; Ethnosoziologie ; Forschung ; Imperialismus ; Geschichte ; Kolonialismus ; Naturvolk ; Entkolonialisierung ; Ethnologie ; Forschung ; Naturvolk ; Ethnologie ; Imperialismus ; Geschichte ; Kolonialismus ; Geschichte ; Entkolonialisierung ; Ethnosoziologie
    Kurzfassung: To the colonized, the term 'research' is conflated with European colonialism; the ways in which academic research has been implicated in the throes of imperialism remains a painful memory. This essential volume explores intersections of imperialism and research - specifically, the ways in which imperialism is embedded in disciplines of knowledge and tradition as 'regimes of truth.' Concepts such as 'discovery' and 'claiming' are discussed and an argument presented that the decolonization of research methods will help to reclaim control over indigenous ways of knowing and being.Now in its eagerly awaited second edition, this bestselling book has been substantially revised, with new case-studies and examples and important additions on new indigenous literature, the role of research in indigenous struggles for social justice, which brings this essential volume urgently up-to-date. Quelle: Klappentext.
    Anmerkung: Informationen wurden (z.T.) der Landingpage entnommen, da weder Titelblatt noch Impressum vorhanden ist (Bloomsbury Collections)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 76
    Online-Ressource
    Online-Ressource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108902519
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxiv, 259 Seiten)
    Serie: Slaveries since emancipation
    Paralleltitel: Erscheint auch als
    DDC: 306.3/620905
    RVK:
    Schlagwort(e): Geschichte ; Slavery / History / 21st century ; Human trafficking / History / 21st century ; Bekämpfung ; Politik ; Menschenhandel ; Aufsatzsammlung ; Aufsatzsammlung ; Menschenhandel ; Bekämpfung ; Politik ; Geschichte
    Kurzfassung: Over the last two decades, fighting modern slavery and human trafficking has become a cause célèbre. Yet large numbers of researchers, non-governmental organizations, trade unions, workers, and others who would seem like natural allies in the fight against modern slavery and trafficking are hugely skeptical of these movements. They object to how the problems are framed, and are skeptical of the "new abolitionist" movement. Why? This book tackles key controversies surrounding the anti-slavery and anti-trafficking movements head on. Champions and skeptics explore the fissures and fault lines that surround efforts to fight modern slavery and human trafficking today. These include: whether efforts to fight modern slavery displace or crowd out support for labor and migrant rights; whether and to what extent efforts to fight modern slavery mask, naturalize, and distract from racial, gendered, and economic inequality; and whether contemporary anti-slavery and anti-trafficking crusaders' use of history are accurate and appropriate
    Anmerkung: Title from publisher's bibliographic system (viewed on 18 Jun 2021)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 77
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197531372
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 782.4216490941
    RVK:
    Schlagwort(e): Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) ; Political aspects ; Great Britain ; History ; 21st century ; Rap (Music) ; Great Britain ; History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Kurzfassung: 'Brithop' investigates rap music's politics in the 21st century United Kingdom. In it, the author argues that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially responding through rap to mainstream Britain's political discourses. The rappers in this volume critique the United Kingdom's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture.
    Anmerkung: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 78
    Buch
    Buch
    Oxford : Oxford University Press
    ISBN: 9780192893932
    Sprache: Englisch
    Seiten: viii, 228 Seiten
    Ausgabe: First Edition
    Paralleltitel: Erscheint auch als Heath, Deana Colonial terror
    DDC: 364.6750954
    RVK:
    RVK:
    Schlagwort(e): Britisch-Indien ; Kolonialismus ; Staatsgewalt ; Folter ; Geschichte
    Anmerkung: Literaturverzeichnis: Seite 189-221
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 79
    ISBN: 9781108480642
    Sprache: Englisch
    Seiten: XIV, 281 Seiten , Illustrationen
    Serie: Studies in legal history
    Paralleltitel: Erscheint auch als Fuente, Alejandro de la, 1963 - Becoming free, becoming Black
    DDC: 305.800973
    RVK:
    Schlagwort(e): Blacks History ; Slavery History ; Blacks Legal status, laws, etc ; History ; African Americans Legal status, laws, etc ; History ; Slavery Law and legislation ; History ; Slavery Law and legislation ; History ; Slavery Law and legislation ; History ; America Race relations ; History ; USA ; Schwarze ; Rechtsstellung ; Rassendiskriminierung ; Geschichte 1500-1860
    Kurzfassung: "A Negro and by consequence an alien" : local regulations and the making of race, 1500s-1700s -- The "inconvenience" of Black freedom : manumission, 1500s-1700s -- "The natural right of all mankind" : claiming freedom in the age of revolution, 1760s-1830 -- "Rules ... for their expulsion" : foreclosing freedom, 1830s-1860 -- "Not of the same blood" : policing racial boundaries, 1830s-1860 -- Conclusion: "Home-born citizens" : the significance of free people of color.
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 80
    ISBN: 9781786607379
    Sprache: Englisch
    Seiten: viii, 212 Seiten
    Serie: Popular musics matter: social, political and cultural interventions
    Paralleltitel: Erscheint auch als Bottà, Giacomo, 1974 - Deindustrialisation and Popular Music
    DDC: 781.66
    RVK:
    Schlagwort(e): Popular music Social aspects ; History ; Punk rock music Social aspects ; History ; Post-punk music Social aspects ; History ; Deindustrialization ; Punk ; Postpunk ; Musikleben ; Manchester ; Düsseldorf ; Turin ; Tampere ; Europa ; Unterhaltungsmusik ; Deindustrialisierung
    Kurzfassung: Introduction. Metal on Metal -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst : Music, Space and Place.
    Kurzfassung: "The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods"--
    Anmerkung: Literaturverzeichnis: Seite 197-207
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 81
    Buch
    Buch
    London ; New York :Routledge, Taylor & Francis Group,
    ISBN: 978-0-367-43784-8
    Sprache: Englisch
    Seiten: xviii, 321 Seiten.
    Serie: Routledge research in human rights law
    Originaltitel: Hate speech regulation in post-communist countries
    Paralleltitel: Äquivalent
    Paralleltitel: Erscheint auch als
    Dissertationsvermerk: Dissertation Université de Genève 2019
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Hassrede. ; Menschenrecht. ; Tschechien. ; Slowakei. ; Hochschulschrift ; Hassrede ; Menschenrecht ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 82
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190687410 , 9780190687403
    Sprache: Englisch
    Seiten: xi, 260 Seiten , Illustrationen
    Serie: Currents in Latin American & Iberian music
    Paralleltitel: Erscheint auch als
    DDC: 780.98
    RVK:
    Schlagwort(e): Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Kurzfassung: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 83
    ISBN: 9783748911890
    Sprache: Deutsch , Englisch
    Seiten: 1 Online-Ressource (386 Seiten) , Illustrationen
    Ausgabe: Erste Auflage
    Serie: Nomos eLibrary
    Serie: Soziologie
    Paralleltitel: Erscheint auch als Schuld - Interdisziplinäre Perspektiven auf ein Konstitutivum des Menschseins (Veranstaltung : 2019 : Graz) Schuld
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Kulturwissenschaft ; Recht ; Wissen ; Kulturgeschichte ; Antike ; Strafrecht ; Wissenschaft ; Kulturwissenschaften ; Wissenschaftsgeschichte ; Geschichtswissenschaft ; knowledge ; cultural history ; antiquity ; law ; penal law ; history ; science ; Classical antiquity ; cultural studies ; history of science ; science of history ; Wissenschaftszweig ; branch of science ; Aufsatzsammlung ; Konferenzschrift 2019 ; Aufsatzsammlung ; Konferenzschrift 2019 ; Schuld
    Kurzfassung: »Schuld« ist ein Basisbegriff in vielen Wissenschaftszweigen. Offensichtlich ist die Funktion von Schuld in der Rechtswissenschaft, wo sie einerseits im Strafrecht und andererseits im Zivilrecht das Fundament für die Rechtsmaterie bildet. In der Philosophie befasst sich vor allem die Ethik mit der wie auch immer definierten Schuld. Die antiken Tragödien drehen sich um verschuldetes wie unverschuldetes Unheil. In der Geschichtswissenschaft wird etwa die Frage nach der Kriegsschuld seit jeher intensiv erörtert. In der Wissenschaftsgeschichte wird über die mit wissenschaftlichen Entdeckungen einhergehende Schuld disputiert. Soziologie, Kunst- und Kulturwissenschaften befassen sich mit in den heutigen pluralistischen Gesellschaften medial und diskursiv präsenten Formen von Schuld. In der Medizin und in den Naturwissenschaften wird die Quantifizierung und Messbarkeit von Schuld sowie ihr eventueller evolutionärer Vorteil erforscht. Und in der Theologie ist die persönliche Schuld Maßstab für die Beurteilung des Menschen am dies irae. Diese Wissensfelder werden in dem vorliegenden Band miteinander in Beziehung und somit ein fruchtbarer interdisziplinärer Diskurs ins Werk gesetzt.
    Anmerkung: Der Hinweis auf die Tagung in der Einleitung , Beiträge in Deutsch, 1 Beitrag in Englisch
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 84
    ISBN: 978-3-7489-0781-7
    Sprache: Englisch
    Seiten: 1 Online-Ressource.
    Ausgabe: 1. Auflage
    Serie: Studien zu Recht und Rechtskultur Chinas 9
    Serie: Studien zu Recht und Rechtskultur Chinas
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Zuwanderungsrecht. ; Ausländischer Arbeitnehmer. ; Illegale Einwanderung. ; Bekämpfung. ; China. ; Afrika. ; China ; Migrationsrecht ; Ausländerrecht ; Einwanderung ; Illegaler Grenzübertritt ; Flucht ; Hochschulschrift ; Zuwanderungsrecht ; Ausländischer Arbeitnehmer ; Geschichte ; Illegale Einwanderung ; Bekämpfung ; Zuwanderungsrecht
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 85
    ISBN: 9783982210001
    Sprache: Englisch
    Seiten: 531 Seiten , Illustrationen , 24 cm
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als Reetze, Jan, 1956- Times & Sounds
    DDC: 781.66094309047
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Krautrock
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 86
    Buch
    Buch
    London : Omnibus Press
    ISBN: 9781787602311
    Sprache: Englisch
    Seiten: 348 Seiten , 16 ungezählte Seiten Tafeln , Illustrationen, Portraits
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1955-1970 ; Unterhaltungsmusiker ; Homosexualität ; LGBT ; Musikbranche ; Großbritannien ; lesbian/gay/bisexual,transgender/transsexual plus studies ; History of music & musical styles ; Musical criticism & theory ; Gay musicians / Great Britain ; Rock music / Great Britain / History / 20th century ; Popular music / Social aspects / Great Britain ; Nineteen sixties ; Great Britain / Social conditions / 1945- ; Gay musicians ; Nineteen sixties ; Popular music / Social aspects ; Rock music ; Social conditions ; Great Britain ; Since 1900 ; History ; Großbritannien ; Unterhaltungsmusiker ; Musikbranche ; LGBT ; Homosexualität ; Geschichte 1955-1970
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 87
    Buch
    Buch
    [Erscheinungsort nicht ermittelbar] : Jazz Internationale
    ISBN: 9781527278059 , 1527278050
    Sprache: Englisch
    Seiten: xxv, 345 Seiten , Illustrationen , 25 cm
    Ausgabe: [Revised edition]
    RVK:
    Schlagwort(e): Russell, George ; Russell, George, - 1923-2009 ; Jazz musicians Biography. ; Composers Biography. ; Jazzmusiker ; Composers ; Jazz musicians ; Biographies ; United States ; Biografie
    Anmerkung: Previous edition: ©2010 , Includes bibliographical references and index
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 88
    ISBN: 9780253050267 , 9780253050250
    Sprache: Englisch
    Seiten: xii, 303 Seiten , Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als Music in world war II
    DDC: 780.9/04
    RVK:
    RVK:
    Schlagwort(e): World War, 1939-1945 Music and the war ; Music History and criticism 20th century ; Music History and criticism 20th century ; Popular music History and criticism 1941-1950 ; Popular music History and criticism 1931-1940 ; Music Political aspects 20th century ; History ; Zweiter Weltkrieg ; Musik ; Unterhaltungsmusik ; Europa ; USA ; Aufgabensammlung ; Europa ; USA ; Zweiter Weltkrieg ; Musikleben ; Musikpolitik ; Musikpolitik ; Weltgesellschaft ; Zweiter Weltkrieg ; Kulturelle Einrichtung ; Sound ; Musik ; Geschichte
    Kurzfassung: "How can music withstand the death and destruction brought on by war? Global conflicts of the 20th century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. Music in World War II explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war's musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of "war music" in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, examining how music in these environments played a crucial role in maintaining ties to an idealized "home" and constructing politicized notions of national and ethnic identity. This fascinating and well-constructed volume of essays builds understanding of the role and importance of music during periods of conflict and highlights the unique aspects of music during World War II"--
    Anmerkung: Literaturverzeichnis: Seiten 275-287
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 89
    Buch
    Buch
    Basel :Schwabe Verlag,
    ISBN: 978-3-7965-4106-3 , 3-7965-4106-2
    Sprache: Englisch
    Seiten: xxvi, 514 Seiten : , Illustrationen, Notenbeispiele, genealogische Tafel.
    Serie: Schola Cantorum Basiliensis Scripta Band 9
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Lohr, Ina ; Schola Cantorum Basiliensis. ; Geschichte 1903-1983 ; Alte Musik. ; Komponistin. ; Musiklehrerin. ; Schweiz. ; Niederlande. ; Basel ; Ina Lohr ; Paul Sacher ; Schola Cantorum Basiliensis ; Biografie ; Werkverzeichnis ; 1903-1983 Lohr, Ina ; 1903-1983 Lohr, Ina ; Alte Musik ; Komponistin ; Musiklehrerin ; Geschichte 1903-1983
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 90
    Buch
    Buch
    Boston :Academic Studies Press,
    ISBN: 978-1-64469-354-4
    Sprache: Englisch
    Seiten: vi, 351 Seiten : , Illustrationen, Notenbeispiele.
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 780.7809
    RVK:
    Schlagwort(e): Music / Performance ; Music / Performance / History ; Music / Interpretation (Phrasing, dynamics, etc.) ; Music and history ; Historiography ; Musik. ; Inszenierung. ; Performance ; Geschichte ; Musikwissenschaft. ; Konferenzschrift 10.12.2017-12.12.2017 ; Musik ; Inszenierung ; Performance ; Geschichte ; Musikwissenschaft
    Kurzfassung: "The fifteen essays of Performing History glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter. This book's chapters are structured into six key areas: historically informed performance; ethnomusicological perspectives; particular musical works that "tell," "enact," or "perform" war histories; operatic works that works that "tell," "enact," or "perform" power or enlightenment; musical works that deploy the body and a broad range of senses to convey histories; and histories involving popular music and performance. Diverse lines of evidence and manifold methodologies are represented here, ranging from traditional historical archival research to interviewing, performing, and composing. The modes of analyzing music and its associated texts represented here are as various as the kinds of evidence explored, including, for example, reading historical accounts against other contextual backdrops, and reading "between the lines" to access other voices than those provided by mainstream interpretation or traditional musicology"
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 91
    Buch
    Buch
    London : Reaktion Books
    ISBN: 9781789142303
    Sprache: Englisch
    Seiten: 248 Seiten , Illustrationen
    Serie: Reverb
    RVK:
    Schlagwort(e): The Kinks ; Geschichte 1965-1973 ; Biografie ; Biografie ; Biografie ; The Kinks ; Geschichte 1965-1973
    Anmerkung: Hier auch spätere, unveränderte Nachdrucke
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 92
    Buch
    Buch
    New York ; London : Routledge,Taylor & Francis Group
    ISBN: 9781138577558 , 9781138577541
    Sprache: Englisch
    Seiten: viii, 208 Seiten , Illustrationen
    Serie: Transnational studies in jazz
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Jazz ; Globalisierung ; Jazz / History and criticism ; Music and globalization ; Jazz ; Music and globalization ; Criticism, interpretation, etc ; Jazz ; Globalisierung ; Geschichte
    Kurzfassung: "Jazz Diaspora: New Approaches to Music and Globalisation is about the international diaspora of jazz, well underway within a year of the first jazz recordings in 1917. This book studies the processes of the global jazz diaspora and its implications for jazz historiography in general, arguing for its relevance to the fields of sonic studies and cognitive theory. Until the late twentieth century, the historiography and analysis of jazz were centred on the US to the almost complete exclusion of any other region. The driving premise of this book is that jazz was not 'invented' and then exported: it was invented in the process of being disseminated. Jazz Diaspora is a sustained argument for an alternative historiography, based on a shift from a US-centric to a diasporic perspective on the music. The rationale is double-edged. It appears that most of the world's jazz is experienced (performed and consumed) in diasporic sites--that is, outside its agreed geographical point of origin--and to ignore diasporic jazz is thus to ignore most jazz activity. It is also widely felt that the balance has shifted, as jazz in its homeland has become increasingly conservative. There has been an assumption that only the 'authentic' version of the music--as represented in its country of origin--was of aesthetic and historical interest in the jazz narrative; that the forms that emerged in other countries were simply rather pallid and enervated echoes of the 'real thing.' This has been accompanied by challenges to the criterion of place- and race-based authenticity as a way of assessing the value of popular music forms in general. As the prototype for the globalisation of popular music, diasporic jazz provides a richly instructive template for the study of the history of modernity as played out musically"--
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 93
    Buch
    Buch
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780815360179 , 9780815360155
    Sprache: Englisch
    Seiten: xix, 267 Seiten , Illustrationen
    Serie: Routledge global popular music series
    Paralleltitel: Erscheint auch als
    DDC: 781.630951249
    RVK:
    Schlagwort(e): Geschichte ; Popmusik ; Taiwan ; Popular music / Taiwan / History and criticism ; Popular music ; Taiwan ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Taiwan ; Popmusik ; Geschichte
    Kurzfassung: "Made in Taiwan: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary Taiwanese popular music. Each essay, written by a leading scholar of Taiwanese music, covers the major figures, styles, and social contexts of pop music in Taiwan and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Taiwan, followed by essays organized into thematic sections: Trajectories, Identities, Issues, and Interactions"--
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 94
    Buch
    Buch
    New York, NY : Harper Design, an imprint of Harper Collins Publishers
    ISBN: 9780062914705
    Sprache: Englisch
    Seiten: 256 Seiten
    RVK:
    Schlagwort(e): Geschichte 1940-1960 ; Musiklokal ; Musikleben ; Jazz ; USA ; Jazz / United States / 1931-1940 ; Jazz / United States / 1941-1950 ; Nightclubs / United States / History / 20th century ; Jazz musicians / Interviews ; Jazz / Social aspects ; Jazz ; Jazz musicians ; Jazz / Social aspects ; Nightclubs ; United States ; 1900-1999 ; History ; Interviews ; Bildband ; Bildband ; Bildband ; USA ; Jazz ; Musiklokal ; Musikleben ; Geschichte 1940-1960
    Kurzfassung: "Sittin' in brings to public view for the first time a rare collection of more than two hundred souvenir photographs and memorabilia from the most renowned jazz nightclubs in America in the 1940s and 1950s. In an era of segregation and Jim Crow laws, jazz nightclubs across the country were among the first places where Black and white people mixed in audiences and onstage. These remarkable images, detailed histories of each club, and first-person testimonies from those who performed and visited these seminal venues are your ticket inside an extraordinary world that gave root to change and greater personal expression, both musically and socially."--Back cover
    Beschreibung / Inhaltsverzeichnis: The East Coast. New York City ; Atlantic City ; Washington D.C. ; Boston -- The Midwest. Cleveland ; Detroit ; Chicago ; Kansas City ; St. Louis -- The West Coast. Los Angeles ; San Francisco
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 95
    ISBN: 9780190084080 , 9780190938284
    Sprache: Englisch
    Seiten: xiv, 321 Seiten , Illustrationen, Notenbeispiele
    Serie: The new cultural history of music series
    DDC: 306.4/8420943809048
    RVK:
    Schlagwort(e): Music Political aspects 20th century ; History
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 96
    Buch
    Buch
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367136260
    Sprache: Englisch
    Seiten: xii, 120 Seiten , Illustrationen
    Serie: CMS cultural expressions in music series
    Serie: Routledge focus
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Schwarze ; Trommelspiel ; Migration ; Musiker ; Musikleben ; Amerika ; Amerika ; Musiker ; Schwarze ; Migration ; Trommelspiel ; Musikleben ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 97
    Buch
    Buch
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367370237
    Sprache: Englisch
    Seiten: ix, 190 Seiten , Illustrationen
    Serie: SOAS studies in music
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Mridanga ; Mridanga / History ; Music / Religious aspects / Hinduism ; Music / India / Religious aspects ; Carnatic music / History and criticism ; Music and mythology / India ; Carnatic music ; Mridanga ; Music and mythology ; Music / Religious aspects ; Music / Religious aspects / Hinduism ; India ; Criticism, interpretation, etc ; History ; Mridanga ; Geschichte
    Kurzfassung: "The book studies the evolution of the ancient drum mṛdaṅga into the pakhāvaj crossing more than two thousand years of history. While focusing on the Nathdwara school of pakhāvaj, the author, joins ethnographic, historical, religious and iconographic perspectives, to argue a multifaceted interpretation of the role and function of the pakhāvaj in royal courts, temples and contemporary stages; furthermore he offers the first analysis of the visual and narrative contents of its repertoire"--
    Beschreibung / Inhaltsverzeichnis: Introduction -- A drum between courts and temples -- The pakhāvaj in contemporary India -- Auspicious Drumming -- The drum of the King-God -- From mṛdaṅga to pakhāvaj -- The Nathdwara gharānā: playing the pakhāvaj for Nāthjī -- The repertoire -- The solo pakhāvaj recital
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 98
    Buch
    Buch
    London : Head of Zeus Ltd.
    ISBN: 9781789544183
    Sprache: Englisch
    Seiten: 527 Seiten
    Ausgabe: Paperback edition
    Serie: An Apollo book
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Sociology ; Communities ; Gemeinschaft ; Vergesellschaftung ; Soziologie ; Anthropologie ; Biologie ; Sozialanthropologie ; Gesellschaft ; Schwarmintelligenz ; Gesellschaft ; Entwicklung ; Gruppenidentität ; Gruppenkohäsion ; Anonymität ; Selbstbild ; Fremdbild ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 99
    Buch
    Buch
    Lanham, Maryland ; Boulder ; New York : London : Rowman & Littlefield Publishing Group
    ISBN: 9781538116326
    Sprache: Englisch
    Seiten: XXV, 233 Seiten
    Paralleltitel: Online version Hip hop en français
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1990-2020 ; Musikleben ; Hip-Hop ; Soziale Identität ; Rap ; Französisches Sprachgebiet ; Rap (Music) / France / History and criticism ; Rap (Music) / French-speaking countries / History and criticism ; Hip-hop / France / History ; Hip-hop / French-speaking countries / History ; Hip-hop ; Rap (Music) ; France ; French-speaking countries ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Criticism, interpretation, etc ; History ; Französisches Sprachgebiet ; Hip-Hop ; Rap ; Musikleben ; Soziale Identität ; Geschichte 1990-2020
    Kurzfassung: "This edited volume presents an overview of the emergence and development of hip-hop culture in France, French Caribbean, Canada, and Francophone Africa from its origins until today. Contributors discuss the artists' interactions with media arts, social media, literature, race, political landscapes, as well as hip-hop based education"--
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 100
    Buch
    Buch
    Cambridge, Massachusetts ; London, England :Harvard University Press,
    ISBN: 978-0-674-97631-3
    Sprache: Englisch
    Seiten: 318 Seiten.
    Ausgabe: First printing
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Statelessness ; Stateless persons ; Staatenlosigkeit. ; Heimatlosigkeit. ; Staatenloser. ; Heimatloser. ; Staatenlosigkeit ; Heimatlosigkeit ; Staatenloser ; Heimatloser ; Geschichte
    Kurzfassung: "Two world wars left millions stranded in Europe. The collapse of empires and the rise of independent states in the twentieth century produced an unprecedented number of people without national belonging and with nowhere to go. Mira Siegelberg's innovative history weaves together ideas about law and politics, rights and citizenship, with the intimate plight of stateless persons, to explore how and why statelessness compelled a new understanding of the international order in the twentieth century and beyond. In the years following the First World War, the legal category of statelessness generated novel visions of cosmopolitan political and legal organization and challenged efforts to limit the boundaries of national membership and international authority. By linking the emergence of mass statelessness to a revolution in legal consciousness, Siegelberg shows how the rights regime created after the Second World War ultimately empowered the territorial state as the source of protection and rights, against alternative political configurations. Today, more than twelve million people are stateless and millions more belong to categories of recent invention, including refugees and asylum seekers. As Statelessness makes clear, understanding the ideological origins of the international agreements that define approaches to citizenship and non-citizenship can better equip us to confront the dilemmas of political structure and authority at a global scale"--
    Beschreibung / Inhaltsverzeichnis: Introduction -- From legal fiction to legal reality -- Post-imperial states of statelessness -- Post-imperial foundations of political order -- The reality of norms -- Conditions of world order -- Nationalizing the international -- Conclusion
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
Schließen ⊗
Diese Webseite nutzt Cookies und das Analyse-Tool Matomo. Weitere Informationen finden Sie hier...