Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • Online Resource  (300)
  • USA  (300)
  • Musicology  (300)
Material
Language
  • 1
    Online Resource
    Online Resource
    La Vergne : Feral House
    ISBN: 9781627311281
    Language: English
    Pages: 1 Online-Ressource
    RVK:
    RVK:
    Keywords: Electronic books ; USA ; Punkerin ; Geschichte 1975-1983
    Abstract: Intro -- Title Page -- Copyright -- Dedication -- Contents -- Author's Note -- Foreword by Ann Magnuson -- Introduction -- Essays ¡Feminista! By Alice Bag -- Neo Boys Liner Notes by Suzi Creamcheese -- 1. Midwest: Hit Girls, Haute Girls -- Destroy All Monsters -- The Welders -- Nikki &amp -- the Corvettes -- Flirt -- Chi-Pig -- DA! -- The Shivvers -- The Waitresses -- Bitch -- The Dadistics -- The Cubes -- Unit 5 -- Ama-Dots -- The Dents -- Kate Fagan -- Algebra Suicide -- Dummy Club -- 2. South: Feast on My Heart -- Pylon -- Cichlids -- The Klitz -- The Delinquents -- Mydolls -- Screaming Sneakers -- The Cold -- F-Systems -- Teddy and the Frat Girls -- The Foams -- 3. Northwest: Guys Are Not Proud -- The Dishrags -- Chinas Comidas -- The Accident -- Neo Boys -- The Anemic Boyfriends -- Sado-Nation -- Art Object -- The Braphsmears -- The Visible Targets -- Bam Bam -- 4. West Coast (South): Manic in a Panic -- Backstage Pass -- The Bags -- The Controllers -- Castration Squad -- The Alley Cats -- The Eyes -- Suburban Lawns -- The Dinettes -- The Brat -- 45 Grave -- Tex &amp -- the Horseheads -- Sin 34 -- The Pandoras -- Screamin' Sirens -- 5. West Coast (North): Shake the Hands of Time -- Mary Monday -- The Nuns -- The Avengers -- The Blowdryers -- The Urge -- VS -- VKTMS -- U.X.A. -- IXNA -- Los Microwaves -- Romeo Void -- The Contractions -- Inflatable Boy Clams -- Wilma -- Frightwig -- 6. East Coast: Subversive Pleasure -- Jayne County -- Mars -- The Phantoms -- Helen Wheels Band -- 'B' Girls -- Teenage Jesus &amp -- the Jerks -- Cheap Perfume -- DNA -- Nasty Facts -- UT -- ESG -- Plasmatics -- Tiny Desk Unit -- Disturbed Furniture -- Bush Tetras -- Y Pants -- Egoslavia -- Dizzy and the Romilars -- Chalk Circle -- The Excuses -- Red C -- The Bloods -- Pulsallama -- IN MEMORIUM -- AUTHOR'S ACKNOWLEDGMENTS -- CITATIONS -- INDEX.
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197635247
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.421641226
    RVK:
    Keywords: Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Geschichte 1960-1980 ; Music / ukslc ; Music / thema ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197536292
    Language: English
    Pages: 1 Online-Ressource (xviii, 220 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 791.45097309045
    RVK:
    Keywords: Geschichte 1950-1969 ; Rock 'n' Roll ; Fernsehsendung ; Jugendkultur ; Rassendiskriminierung ; Television dance parties History 20th century ; Rock and roll dancing History 20th century ; Dance and race History 20th century ; Music and race History 20th century ; Performing Arts ; Films, cinema ; USA ; United States Race relations 20th century ; History
    Abstract: 'Dancing Black, Dancing White' offers a new look at a popular phenomenon of the 1950s and 1960s - the televised teen dance program. Through a social and cultural history lens, the book uses these shows to explore rock and roll and how it affected both white and Black teenagers. The crux of the book is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time.
    Note: Also issued in print: 2023 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190053024
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 782.421640973
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Lied ; Volkstümliche Musik ; Songwriter ; Popular music History and criticism ; USA
    Abstract: Composer Alec Wilder's 'American Popular Song' is widely recognized as the definitive book on American popular song. In this volume, which achieved immediate praise and recognition upon its publication, Wilder discusses some 800 songs from the American Songbook, offering a composer's insight, accessible music analysis, as well has his strong personal biases. Nearly 50 years later, this classic study has received a much-needed revision. While leaving Wilder's colorful prose and brazen opinions intact, language, style, and musical nomenclature have been updated to reflect current usage. The musical examples mostly remain, but piano score notation has been replaced with lead-sheet notation: melody, chords, and lyrics. Rhythmic notation has also been adjusted to follow present-day norms. Additionally, a final chapter has been added, which includes more than 50 songs that were not in the original.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226810331
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
    DDC: 780.89928073
    RVK:
    Keywords: Äthiopischer Einwanderer ; Musik ; Ethiopian Americans Music ; Ethiopians Music ; Musicians ; Musicians ; Music Social aspects ; Music Social aspects ; Music Political aspects ; Music Political aspects ; USA
    Abstract: A sweeping history of Ethiopian musicians during and following the 1974 Ethiopian revolution, 'Sing and Sing On' is the first study of the forced migration of musicians out of the Horn of Africa dating from the 1974 Ethiopian revolution, a political event that overthrew one of the world's oldest monarchies and installed a brutal military regime.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 6
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    Online Resource
    Online Resource
    Frankfurt a.M. : Peter Lang GmbH | Bern : Peter Lang International Academic Publishers
    ISBN: 9783631875889
    Language: English
    Pages: 1 Online-Ressource (450 Seiten) , Illustrationen
    Edition: 1st, New ed.
    Series Statement: American Culture 16
    RVK:
    Keywords: Lomax, Alan ; Geschichte 1933-1969 ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift
    Abstract: Alan Lomax (1915-2002) is arguably the most popular and influential American folk song collector of the 20th century. Pursuing a mission of both preserving and popularizing folk music, Lomax moved between political activism, the scholarly world, and the world of popular culture. Based largely on primary material, the book shows how Lomax’s diverse activities made him an authority in the field of folk music and how he used this power to advocate the cultures of perceived marginalized Americans – whom he located primarily in the American South. In this approach, however, folk music became an abstract idea onto which notions oscillating between hope and disillusionment, fear and perspective were projected. The author argues that Lomax’s role as a cultural mediator, with a politically motivated approach, helped him to decisively shape the perception and reception of what came to be known as American folk music, from the mid 1930s to the late 1960s.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 8
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781009086769
    Language: English
    Pages: 1 Online-Ressource (xviii, 511 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 784.4/973
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folk music / United States / History and criticism ; Folk songs / United States / History and criticism ; Protest songs / United States / History and criticism ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; USA ; Protestsong ; Geschichte 1492-1942 ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492-
    Abstract: Long before anyone ever heard of 'protest music', people in America were singing about their struggles. They sang for justice and fairness, food and shelter, and equality and freedom; they sang to be acknowledged. Sometimes they also sang to oppress. This book uncovers the history of these people and their songs, from the moment Columbus made fateful landfall to the start of the Second World War, when 'protest music' emerged as an identifiable brand. Cutting across musical genres, Will Kaufman recovers the passionate voices of America itself. We encounter songs of the mainland and the conquered territories of Hawai'i, Cuba, Puerto Rico, and the Philippines; we hear Indigenous songs, immigrant songs and Klan songs, minstrel songs and symphonies, songs of the heard and the unheard, songs of the celebrated and the anonymous, of the righteous and the despicable. This magisterial book shows that all these songs are woven into the very fabric of American history
    Note: Title from publisher's bibliographic system (viewed on 29 Jul 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 9
    Online Resource
    Online Resource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231548212
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Leonard Hastings Schoff Lectures
    DDC: 781.650973
    RVK:
    Keywords: Geschichte 1900-2000 ; Schwarze ; Musik ; Jazz ; Modern Jazz ; Kunst ; Literatur ; Collage ; Fiktion ; USA
    Abstract: Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 10
    Online Resource
    Online Resource
    Frankfurt u.a : Campus Frankfurt / New York
    ISBN: 9783593450766
    Language: German
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 786.2
    RVK:
    RVK:
    Keywords: Geschichte 1830-1940 ; Geschichte ; Kulturwissenschaft ; Deutschland ; USA ; Österreich ; Globalgeschichte ; global ; Südafrika ; Musik ; Japan ; Vereinigte Staaten ; Kosmopolitismus ; Verflechtungsgeschichte ; Instrument ; Musikgeschichte ; Musikwissenschaft ; Transkulturalität ; Musikkultur ; Klavier ; Piano ; Kunstmusik ; Pianoforte ; Klavierkultur ; Instrumentenhandel ; Konservatorium ; Musiktransfer ; Tasteninstrumente ; Klavierspiel ; Klavier lernen ; Klavier spielen ; Klavier ; Kulturimperialismus ; Musikwirtschaft ; Klaviermusik ; Hochschulschrift ; Klavier ; Klaviermusik ; Musikwirtschaft ; Kulturimperialismus ; Geschichte 1830-1940
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 11
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472902446 , 047290244X
    Language: English
    Pages: 1 Online-Ressource (XVII, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.4216213073
    RVK:
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 12
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190882006
    Language: English
    Pages: 1 Online-Ressource (276 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    DDC: 782.4216213
    RVK:
    RVK:
    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Popular music History and criticism ; Großbritannien ; USA
    Abstract: 'Sweet Thing' offers readers a comprehensive new perspective on a musical scheme shared by broadside ballads and experimental rock songs alike.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 13
    Online Resource
    Online Resource
    Santa Barbara : ABC-CLIO | Ann Arbor, Michigan : ProQuest
    ISBN: 9781440873195
    Language: English
    Pages: 1 Online-Ressource (401 pages)
    DDC: 782.421599097303
    RVK:
    RVK:
    Keywords: The star-spangled banner ; Geschichte ; USA ; Wörterbuch
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 14
    ISBN: 9781479849697 , 9781479800360
    Language: English
    Pages: 1 Online-Ressource (247 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    RVK:
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 15
    Online Resource
    Online Resource
    Hamburg : rowohlt e-Book
    ISBN: 9783644012493
    Language: German
    Pages: 1 Online-Ressource (209 ungezählte Seiten)
    Series Statement: rowohlts monographien
    Parallel Title: Erscheint auch als Posener, Alan, 1949 - Elvis Presley
    DDC: 782.42166/092
    RVK:
    RVK:
    Keywords: Amerika Nord-Amerika ; USA ; Populäre Musik ; Biografie ; Presley, Elvis 1935-1977
    Note: "Das Bildmaterial der Printausgabe ist in diesem E-Book nicht enthalten."
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 16
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496831262
    Language: English
    Pages: 1 Online-Ressource (352 pages) , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; Punk rock music History and criticism ; Music and race History 20th century ; USA ; United States Race relations 20th century ; History
    Abstract: This text offers a portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. The author provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era.
    Note: Previously issued in print: 2020 , Includes bibliographical references, discography, filmography and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 17
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252052811
    Language: English
    Pages: 1 Online-Ressource , Illustrations (colour).
    Series Statement: Music in American life
    Series Statement: Illinois scholarship online
    DDC: 781.640973
    RVK:
    Keywords: Musik ; Countrymusic ; Rock 'n' Roll ; Soul ; Blues ; Americana (Music) History and criticism ; USA
    Abstract: A musical genre forever outside the lines With a claim on artists from Jimmie Rodgers to Jason Isbell, Americana can be hard to define, but you know it when you hear it. John Milward's 'Americanaland' is filled with the enduring performers and vivid stories that are at the heart of Americana.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 18
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496832092
    Language: English
    Pages: 1 Online-Ressource (x, 192 pages) , Illustrations (black and white).
    Series Statement: Mississippi scholarship online
    DDC: 781.6508996073
    RVK:
    RVK:
    Keywords: Higgins, Billy Criticism and interpretation ; Blanchard, Terence Criticism and interpretation ; Carrington, Terri Lyne Criticism and interpretation ; Akinmusire, Ambrose Criticism and interpretation ; Hill, Andrew Criticism and interpretation ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; African American jazz musicians ; Jazz Political aspects ; USA
    Abstract: This text provides an interpretive framework for understanding how African American creative improvisers think of musical space. Featuring a foreword by eminent scholar Robin D.G. Kelley, this is a critical improvisation studies book that uses Black geographies theory to examine the spatial values of musical expression in the improvisational and compositional practices of trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 19
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469658896
    Language: English
    Pages: 1 Online-Ressource (268 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 306.48420973
    RVK:
    Keywords: Geschichte 1788-1865 ; Musikleben ; Politische Kultur ; Alltagskultur ; Musikpolitik ; Nationalbewusstsein ; Konservativismus ; Music Political aspects 19th century ; History ; Music Political aspects 18th century ; History ; Political culture History ; Elite (Social sciences) History ; Conservatism History ; USA
    Abstract: Following the creation of the United States, profound disagreements remained over how to secure the survival of the republic and unite its population. In this groundbreaking account, Billy Coleman uses the history of American music to illuminate the relationship between elite power and the people from the early national period to the Civil War.
    Note: Previously issued in print: 2020 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 20
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478021391 , 147802139X
    Language: English
    Pages: 1 Online-Ressource (xxii, 530 Seiten) , Illustrationen
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Weisbard, Eric Songbooks
    DDC: 782.421640973
    RVK:
    RVK:
    Keywords: Popular music History and criticism ; Popular music Historiography ; Electronic books ; USA ; Volksmusik ; Popmusik
    Abstract: Setting the Scene -- The Jazz Age -- Midcentury Icons -- Vernacular Counterculture -- After the Revolution -- New Voices, New Methods -- Topics in Progress.
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 21
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Resling | Berlin : Walter de Gruyter GmbH
    ISBN: 9783110723168
    Language: English
    Pages: 1 Online-Ressource (VI, 273 p.)
    Edition: 2021
    RVK:
    Keywords: Geschichte 1880-1965 ; Juden ; Schwarze ; Unterhaltungsmusik ; Musikwirtschaft ; Amerikanische Musik ; Ethnizität ; Juden ; Musikindustrie ; HISTORY / General ; USA ; African-American ; American Music ; Civil Rights history ; Ethnicity ; Hegemony ; Jews ; Music industry ; New Left ; Old Left ; Semiotics ; WASP
    Abstract: Stairway to Paradise reveals how American Jewish entrepreneurs, musicians, and performers influenced American popular music from the late nineteenth century till the mid-1960s. From blackface minstrelsy, ragtime, blues, jazz, and Broadway musicals, ending with folk and rock 'n' roll. The book follows the writers and artists' real and imaginative relationship with African-American culture's charisma. Stairway to Paradise discusses the artistic and occasionally ideological dialogue that these artists, writers, and entrepreneurs had with African-American artists and culture. Tracing Jewish immigration to the United States and the entry of Jews into the entertainment and cultural industry, the book allocates extensive space to the charged connection between music and politics as reflected in the Jewish-Black Alliance - both in the struggle for social justice and in the music field. It reveals Jewish success in the music industry and the unique and sometimes problematic relationships that characterized this process, as their dominance in this field became a source of blame for exploiting African-American artistic and human capital. Alongside this, the book shows how black-Jewish cooperation, and its fragile alliance, played a role in the hegemonic conflicts involving American culture during the 20th century. Unintentionally, it influenced the process of decline of the influence of the WASP elite during the 1960s. Stairway to Paradise fuses American history and musicology with cultural studies theories. This inter-disciplinary approach regarding race, class, and ethnicity offers an alternative view of more traditional notions regarding understanding American music's evolution.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 22
    Online Resource
    Online Resource
    Cambridge, Massachuesetts ; London, England : Harvard University Press
    ISBN: 9780674258808 , 9780674258815
    Language: English
    Pages: 1 Online-Ressource (viii, 598 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.82/0973
    RVK:
    RVK:
    Keywords: Geschichte ; SOCIAL SCIENCE / Popular Culture ; African American feminists ; African American women musicians ; African American women Intellectual life ; African American women Music ; History and criticism ; Musical criticism History ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; USA ; Afroamerikanische Musik ; Feminismus ; Musikkritik ; Geschichte
    Abstract: An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 23
    Online Resource
    Online Resource
    Austin : University of Texas Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781477323946
    Language: English
    Pages: 1 Online-Ressource (358 pages)
    Series Statement: American Music Ser.
    DDC: 782.421649
    RVK:
    Keywords: Geschichte 1986-1996 ; Gangsta-Rap ; Fernsehsendung ; USA ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 24
    Online Resource
    Online Resource
    Austin : University of Texas Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781477323946
    Language: English
    Pages: 1 Online-Ressource (xii, 343 Seiten)
    Edition: First edition
    Edition: 2022
    Series Statement: American music series
    DDC: 782.421649
    RVK:
    Keywords: Geschichte 1986-1996 ; Gangsta-Rap ; Fernsehsendung ; USA
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 25
    Online Resource
    Online Resource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231549295
    Language: English
    Pages: 1 Online-Ressource , 10-15 film stills
    Edition: 2021
    Series Statement: Short Cuts
    RVK:
    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; Motion pictures and music ; Musical films History and criticism ; Popular music Social aspects ; History ; PERFORMING ARTS / Theater / Broadway & Musicals ; USA
    Abstract: After Hollywood and Tin Pan Alley's iron grip on the movie musical began to slip in the face of pop's cultural dominance, many believed that the musical genre entered a terminal decline and finally wore itself out by the 1980s. Though the industrial model of the musical was disrupted by the emergence of pop, the Hollywood musical has not gone extinct. Many Hollywood productions from the 1960s to the present have revisited the forms and conventions of the classic musical-except instead of drawing from showtunes and jazz standards, they employ the styles and iconography of pop.Alberto Mira offers a new account of how pop music revolutionized the Hollywood musical. He shows that while the Hollywood system ceased producing large-scale traditional musicals, different pop strains-disco, rock 'n' roll, doo-wop, glam, and hip-hop-renewed the genre, giving it a new life. While the classical musical presented a world light on conflict, defined by theatricality and where effortless talent can shine through, the introduction of pop spurred musicals to address contemporary social and political conditions. Mira traces the emergence of a new set of themes-such as the painful hard work depicted in Dirty Dancing (1987); the double-edged fandom of Velvet Goldmine (1998); and the racial politics of Dreamgirls (2006)-to explore why the Hollywood musical has found renewed relevance.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 26
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478021698
    Language: English
    Pages: 1 Online-Ressource (140 p.)
    Series Statement: Singles
    DDC: 782.42166092
    RVK:
    Keywords: Popmusik ; USA
    Abstract: Jonathan Richman and the Modern Lovers' 1972 song "Roadrunner" captures the freedom and wonder of cruising down the highway late at night with the radio on. Although the song circles Boston's beltway, its significance reaches far beyond Richman's deceptively simple declarations of love for modern moonlight, the made world, and rock & roll. In Roadrunner, cultural theorist and poet Joshua Clover charts both the song's emotional power and its elaborate history, tracing its place in popular music from Chuck Berry to M.I.A. He also locates "Roadrunner" at the intersection of car culture, industrialization, consumption, mobility, and politics. Like the song itself, Clover tells a story about a particular time and place-the American era that rock & roll signifies-that becomes a story about love and the modern world.
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 27
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252052811
    Language: English
    Pages: 1 Online-Ressource (299 pages)
    Series Statement: Music in American Life Ser. v.1
    DDC: 781.640973
    RVK:
    Keywords: Musik ; Countrymusic ; Rock 'n' Roll ; Soul ; Blues ; USA ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 28
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226768359
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago scholarship online
    RVK:
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Black power ; Weiße ; Aktivismus ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Black power History 20th century ; Music and race History 20th century ; USA ; Großbritannien
    Abstract: 'Tear Down the Walls' sheds light on a significant but overlooked facet of 1960s rock and the Black Power era-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. It focuses on 1968 and 1969, years when the New Left in the US and UK began to combine cultural radicalism and political radicalism.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 29
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197534922
    Language: English
    Pages: 1 Online-Ressource (288 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    RVK:
    Keywords: Geschichte 1990-2000 ; Punk Rock ; Punk rock music History and criticism ; Rock music History and criticism 1991-2000 ; USA
    Abstract: At the dawn of the 1990s, as the United States celebrated its victory in the Cold War and sole superpower status by waging war on Iraq and proclaiming democratic capitalism as the best possible society, the 1990s underground punk renaissance transformed the punk scene into a site of radical opposition to American empire. Nazi skinheads were ejected from the punk scene; apathetic attitudes were challenged; women, Latino, and LGBTQ participants asserted their identities and perspectives within punk; the scene debated the virtues of maintaining DIY purity versus venturing into the musical mainstream; and punks participated in protest movements from animal rights to stopping the execution of Mumia Abu-Jamal to shutting down the 1999 World Trade Organization meeting. Punk lyrics offered strident critiques of American empire, from its exploitation of the Third World to its warped social relations.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 30
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252051944
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
    Series Statement: Illinois scholarship online
    RVK:
    Keywords: Geschichte 1930-1960 ; Countrymusic ; Musiker ; Frau ; Country music History and criticism To 1951 ; Country music History and criticism 1951-1960 ; Women country musicians ; Radio and music History 20th century ; USA
    Abstract: Well before the success of Loretta Lynn and Dolly Parton, female artists were integral to the commercial expansion and aural reception of country music. Women in early country music took on and redefined the theatrical and musical roles of the hillbilly maiden, the unruly Okie, the singing cowgirl, and the honky-tonk angel in live performance, on radio, in film, and in the recording studio. This work accounts for the vibrant presence of female country artists through an interdisciplinary focus on performance and vocal expression in relation to the cultural currents of the 1930s and 1950s.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 31
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012245 , 1478012242
    Language: English
    Pages: 1 Online-Ressource (x, 217 pages)
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 781.644
    RVK:
    Keywords: Geschichte 1960- ; Soul music / History and criticism ; Soul musicians ; African Americans / Music / History and criticism ; Music and race / History / 20th century / United States ; Popular music / History and criticism / United States ; Resilienz ; Afroamerikanische Musik ; Ethnische Identität ; Soulmusiker ; USA ; USA ; Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; Resilienz ; Geschichte 1960-
    Abstract: From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 32
    Online Resource
    Online Resource
    New York : Peter Lang Inc. | Bern : Peter Lang International Academic Publishers
    ISBN: 9781433176951
    Language: English
    Pages: 1 Online-Ressource (168 Seiten) , Illustrationen
    Edition: 1st, New ed.
    Series Statement: Counterpoints 531
    RVK:
    Keywords: Phish ; Popmusik ; Progressive Rock ; Rockmusik ; Jugendkultur ; Gegenkultur ; USA
    Abstract: The late Dennis Carlson uses the alternative nature of the Burlington, Vermont-bred band, Phish, and the larger impact of rock n’ roll to look at youth and revolutionary music culture. A History of Progressive Music and Youth Culture is designed for those who work with or teach young people to understand the nature and origin of musical commitment and devotion. For academics, the book traces a cultural study of rock which is unlike any other discussion of music or musicology published.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 33
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis | The Hague : OAPEN FOUNDATION
    ISBN: 9780429060595
    Language: English
    Pages: 1 Online-Ressource (10 p.)
    Additional Information: Enthalten in The Global Politics of Jazz in the Twentieth Century
    DDC: 306.48425
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; Regional studies ; USA ; Arts ; Music ; Western Music Styles (Early & Classical) ; 20th Century Music ; Popular Music ; Jazz ; Humanities ; History ; Contemporary History 1945- ; The Cold War ; Media & Film Studies ; Popular Music ; History of Popular Music ; Politics & International Relations ; International Relations ; Foreign Policy ; International Relations Theory ; International Political Economy ; International Politics
    Abstract: From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 34
    Online Resource
    Online Resource
    Stuttgart : Franz Steiner Verlag | Stuttgart : Wissenschaftliche Verlagsgesellschaft
    ISBN: 9783515125932
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Geschichte
    RVK:
    RVK:
    Keywords: Geschichte 1945-2020 ; Geschichte ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Unterhaltungsmusik ; Amerikanisierung ; USA
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 35
    Online Resource
    Online Resource
    Stuttgart : Franz Steiner Verlag
    ISBN: 9783515125932
    Language: German
    Pages: 1 Online-Ressource (519 Seiten) , Diagramme
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Studien zur Alltags- und Kulturgeschichte
    Parallel Title: Erscheint auch als
    DDC: 781.6409
    RVK:
    RVK:
    Keywords: Geschichte ; Geschichte 1945-2020 ; Musikmarkt ; Unterhaltungsmusik ; Internationalisierung ; Musikwirtschaft ; Rockmusik ; Globalisierung ; Amerikanisierung ; Popmusik ; USA ; Wirtschaftsgeschichte ; Musikfilm ; Tonträgerindustrie ; MTV ; Kulturgeschichte ; Globalisierung ; Disco ; Hip-Hop ; Rockmusik ; Jazz ; Musikindustrie ; Popmusik ; Musikkultur ; EDM ; Techno ; Musikmarkt ; amerikanische Geschichte ; USA ; Unterhaltungsmusik ; Musikmarkt ; Amerikanisierung ; Geschichte ; USA ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Geschichte 1945-2020
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 36
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496825148
    Language: English
    Pages: 1 Online-Ressource (xi, 506 pages) , Illustrations.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    Keywords: Rollini, Adrian ; Rollini, Adrian ; Geschichte 1903-1956 ; Jazzmusiker ; Jazz musicians Biography ; Saxophonists Biography ; Vibraphonists Biography ; Pianists Biography ; USA ; Biografie
    Abstract: Adrian Rollini (1904-1956)was as a child prodigy, playing piano when he was four. This book describes how job opportunities came to him easily at first and that his versatility helped him when they became rare. At the age of 16 he became a professional musician and, in New York, recorded piano rolls. In 1922, at the start of the jazz age, he joined the California Ramblers. He moved to the bass saxophone and gave it its definite place in early jazz. At the top of his fame Rollini became leader of his own band, with a.o. Bix Beiderbecke, Frank Trumbauer, Eddie Lang, and Joe Venuti. It was star-studded but short-lived. In late 1927, he moved to London to join Fred Eizalde's progressive dance band. Back in the USA in 1930, Rollini joined Bert Lown's hotel band, but the bass saxophone was phasing out, so he moved to the vibraphone.
    Note: Previously issued in print: 2019 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 37
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012771 , 1478012773
    Language: English
    Pages: 1 Online-Ressource (xiv, 392 pages) , illustrations
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als
    DDC: 782.421660820973
    RVK:
    RVK:
    Keywords: Geschichte 1950-1990 ; African American women rock musicians / History / 20th century / United States ; Rock music / Social aspects ; Music and race ; Rockmusikerin ; Schwarze ; Ethnische Identität ; Geschlechterrolle ; USA ; USA ; Rockmusikerin ; Schwarze ; Geschlechterrolle ; Ethnische Identität ; Geschichte 1950-1990
    Abstract: Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 38
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis | The Hague : OAPEN FOUNDATION
    ISBN: 9780429060595
    Language: English
    Pages: 1 Online-Ressource (208 p.)
    DDC: 306.48425
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; The arts ; Humanities ; Politics & government ; USA ; Arts ; humanities ; politics ; international relations
    Abstract: From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 39
    ISBN: 0190462590 , 9780190462598
    Language: English
    Pages: 1 Online-Ressource (297 p)
    DDC: 781.65071
    RVK:
    RVK:
    Keywords: Jazz Instruction and study ; MUSIC / Instruction & Study / Theory ; bisacsh ; USA ; Schule ; Musikerziehung ; Jazz
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 40
    Online Resource
    Online Resource
    Bloomington : Indiana University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780253040237
    Language: English
    Pages: 1 Online-Ressource (345 pages)
    Edition: 1st ed.
    RVK:
    RVK:
    Keywords: Geschichte 1800-1900 ; Juden ; Synagoge ; Geistliche Musik ; Kirchenmusikpflege ; USA ; Electronic books
    Abstract: Jewish Music in Nineteenth Century America looks at key Jewish American musical figures and texts from the 19th century, demonstrating the significant influence central European traditions had during this period and complicating the notion that American Jewish musical traditions "progressed" from solo chant to canters and choirs.
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 41
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253040244
    Language: English
    Pages: 1 Online-Ressource (xiii, 309 Seiten) , Illustrationen, Noten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1800-1900 ; Juden ; Kirchenmusikpflege ; Synagoge ; USA ; Jews / United States / Music / History and criticism ; Synagogue music / United States / 19th century / History and criticism ; Jews / Music ; Synagogue music ; United States ; 1800-1899 ; Criticism, interpretation, etc ; USA ; Juden ; Synagoge ; Kirchenmusikpflege ; Geschichte 1800-1900
    Description / Table of Contents: Early strata : of choirs and reform through the mid-nineteenth century -- The sound of German Jewry : hymnals and singing societies in Wilhelm Fischer's zemirot -- Yisrael -- Bildungsmusik : G.M. Cohen, B'nai B'rith, and the voices of American Jewish cultivation -- Musical populists : G.S. Ensel, Simon Hecht, and the quest for the singing congregation -- The 1866 Sulzerfeier : the Viennese model and the grandeur of the urban worship -- A new cantor, a new repertoire : zimrath yah -- The path to the union hymnal -- Conclusion : restoring the soundtrack of Jewish life in nineteenth-century America
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 42
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496805843
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.00973
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Countrymusic ; Klassische Musik ; Jodeln ; Yodeling History ; Popular music History and criticism ; USA
    Abstract: Considering yodeling as a musical device in American music, this text investigates in parallel two ways of understanding various meanings associated with yodeling: as the connotative functions of yodeling within specific musical texts and as the ideological implications of its use. It aims to provoke a reflection on the concept of singing and received cultural ideas associated with it. Starting with the premise that music is a discursive practice that is itself inseparable from a critical verbal discourse about music, the work interrogates the relationship between yodeling and predominating musical orthodoxy. Through a critical examination of that relationship, the book explores numerous examples of yodeling in American music, questioning why it achieved prominence and status in some genres and not in others and attempting to account for the relatively low prestige accorded to music featuring yodeling.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 43
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496819758
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    RVK:
    Keywords: Geschichte 1850-2018 ; Einwanderer ; Musik ; Schallaufzeichnung ; Greek Americans Music ; History and criticism ; Folk music History and criticism ; Folk music History and criticism ; Greek Americans Social life and customs ; USA ; Griechenland ; Aufsatzsammlung
    Abstract: 'Greek Music in America' provides a foundation for understanding the scope, practice, and development of Greek music in America through essays by the principal scholars in the field. This text offers a comprehensive view of the subject; despite the richness, diversity, and longevity of Greek music in America, there has been relatively little available on the topic. The volume includes several previously published essays, as well as recent work by contemporary specialists on the Greek diaspora.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 44
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190604608
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    Series Statement: Oxford scholarship online
    DDC: 781.6550973
    RVK:
    RVK:
    Keywords: Shorter, Wayne ; Hancock, Herbie ; Corea, Chick ; Geschichte 1960-1970 ; Jazz ; Musikalische Analyse ; USA
    Abstract: Innovations in postbop jazz compositions of the 1960s occurred in several dimensions, including harmony, form, and melody. Postbop jazz composers such as Wayne Shorter, Herbie Hancock, Chick Corea, along with others (Booker Little, Joe Henderson, Woody Shaw) broke with earlier tonal jazz traditions. Their compositions marked a departure from the techniques of jazz standards and original compositions that defined small-group repertory through the 1950s: single-key orientation, schematic 32-bar frameworks (in AABA or ABAC forms), and tonal harmonic progressions. The text develops analytical pathways through a number of compositions, including 'El Gaucho,' 'Penelope,' 'Pinocchio,' 'Face of the Deep' (Shorter); 'King Cobra,' 'Dolphin Dance,' 'Jessica' (Hancock); 'Windows,' 'Inner Space,' 'Song of the Wind' (Corea); as well as 'We Speak' (Little); 'Punjab' (Henderson); and 'Beyond All Limits' (Shaw).
    Note: Also issued in print: 2019 , Includes bibliographical references, discography and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 45
    Online Resource
    Online Resource
    Melton : The Boydell Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781787445345
    Language: English
    Pages: 1 Online-Ressource
    DDC: 306.4842
    RVK:
    Keywords: Geschichte 1800-1960 ; Salonmusik ; Soziokultur ; Europa ; USA ; Aufsatzsammlung
    Abstract: This book reconsiders the significance of the salon as a social and cultural phenomenon and as a source of artistic innovation and exchange in the long nineteenth century.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 46
    Online Resource
    Online Resource
    New York : Peter Lang Inc. | Bern : Peter Lang International Academic Publishers
    ISBN: 9781433161148
    Language: English
    Pages: 1 Online-Ressource
    Edition: 1st, New ed.
    RVK:
    Keywords: Hip-Hop ; Subkultur ; USA
    Abstract: Read, Write, Rhyme Institute describes how individuals participating in the Read, Write, Rhyme Institute examine today’s youth, hip-hop, and social responsibility. The institute provides a forum to engage in hip-hop Discourse (with a capital D) that includes a worldview and ways of doing, being, and knowing that are used in rap music, graffiti, spoken word poetry, and daily conversation. This book seeks to capitalize on the diversity within the hip-hop community by including successful individuals that grew up not only listening to hip-hop but also living it. Participants include educators, entertainers, and entrepreneurs.
    Abstract: “Crystal LaVoulle has produced an incredibly thoughtful, sophisticated, and well-crafted explo-ration of the intersection of hip-hop, education, and cultural studies. The scope and depth of this study will impress scholars of hip-hop, as well as aficionados of the art. It is a welcome addition to a robust body of hip-hop scholarship.”Jeffrey O. G. Ogbar, Professor of History and Director of the Center for the Study of Popular Music, University of Connecticut...
    Abstract: “In «Read, Write, Rhyme Institute», diverse members of the hip-hop community share candid and reflective opinions about the public school system and treatment of children of the current hip-hop generation. Crystal LaVoulle offers educators practical suggestions for teaching critical thinking and educating for social justice.”Eleanor Renée Rodríguez, author of «What Is It About Me That You Can’t Teach?»...
    Abstract: “Crystal LaVoulle facilitates authentic conversation between hip-hop artists and hip-hop scholars. Multiple generations of hip-hop lovers can relate to the adversity, joy, pain, commercialism and authenticity that this book attempts to address. The Read, Write, Rhyme Institute addresses un-comfortable issues within hip-hop and the African American community as well as celebrating the value of hip-hop culture.”Joel Roper, a.k.a. Rapper Joe Ski Love...
    Abstract: “Some of the most productive intellectual spaces are carved when two or more seeming disparate intellectual fields intersect. What happens when Discourse analysis, pedagogy, digital literacies, critical entrepreneurship, and critical youth studies meet by the grace of hip-hop? The answer is «Read, Write, Rhyme Institute». It is methodologically innovative, scholarly grounded, and poeti-cally hopeful. For those who are interested in language hip-hop pedagogy, this is a must-read, especially for those invested in that critical intersection of race, class, and public education. Hip-hop studies is a growing field, and «Read, Write, Rhyme Institute» is a beautiful addition to it.”Awad Ibrahim, Professor at the University of Ottawa...
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 47
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden | Imprint: Springer VS
    ISBN: 9783658277314
    Language: German
    Pages: 1 Online-Ressource (XXII, 460 S. 21 Abb)
    Edition: 1st ed. 2019
    Series Statement: Medien • Kultur • Kommunikation
    Parallel Title: Printed edition
    Dissertation note: Dissertation Paris Lodron Universität Salzburg 2017
    DDC: 302.2
    RVK:
    RVK:
    Keywords: Communication ; Popular Culture ; Sozialisation ; Fernsehsendung ; Musiksendung ; Internet ; Medienkonsum ; Jugend ; Österreich ; USA ; Hochschulschrift ; Hochschulschrift ; Österreich ; USA ; Jugend ; Musiksendung ; Fernsehsendung ; Internet ; Medienkonsum ; Sozialisation
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 48
    Online Resource
    Online Resource
    Bloomington, IN : Indiana University Press
    ISBN: 9780253045478 , 0253045479
    Language: English
    Pages: 1 Online-Ressource , illustrations
    Edition: First paperback edition
    Series Statement: [Helen B. Schwartz book in Jewish studies]
    Parallel Title: Erscheint auch als Cohen, Judah M Making of a Reform Jewish cantor
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Hebrew Union College-Jewish Institute of Religion ; Cantillation Instruction and study ; Cantors (Judaism) Education ; Reform Judaism ; Hebrew Union College-Jewish Institute of Religion ; MUSIC / Ethnomusicology ; Cantillation ; Instruction and study ; Reform Judaism ; Berufsausbildung ; Kantor ; Reformjudentum ; USA ; USA ; Electronic books
    Abstract: To fashion a cantor -- Seeking the tradition -- Constructing a tradition -- Through the prism of the practicum -- A prism of cantorial sound -- A prism of cantorial identity.
    Abstract: "The Making of a Reform Jewish Cantor provides an unprecedented look into the meaning of attaining musical authority among American Reform Jews at the turn of the twenty-first century. How do aspiring cantors adapt traditional musical forms to the practices of contemporary American congregations? What is the cantor's role in American Jewish religious life today? Judah M. Cohen follows cantorial students at the School of Sacred Music, Hebrew Union College, over the course of their training, as they prepare to become modern Jewish musical leaders. Opening a window on the practical, social, and cultural aspects of aspiring to musical authority, this book provides unusual insights into issues of musical tradition, identity, gender, community, and high and low musical culture."--Jacket
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 49
    ISBN: 9780190462611
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.65071
    RVK:
    RVK:
    Keywords: Jazz Instruction and study ; USA ; Schule ; Musikerziehung ; Jazz
    Abstract: 'Teaching School Jazz' is an edited collection of suggested practices in school jazz education authored by a seasoned and diverse lineup of jazz educators with supporting research-based case studies woven into the narrative. It provides not only a wealth of school jazz teaching strategies but also, and perhaps as important, the jazz perspectives and principles from which they are derived.
    Note: Also issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 11, 2019)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 50
    Online Resource
    Online Resource
    Woodbridge, Suffolk, UK : The Boydell Press
    ISBN: 9781787445345
    Language: English
    Pages: 1 Online-Ressource (xviii, 284 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1800-1960 ; Music / Social aspects / History / 19th century ; Music / Social aspects / History / 20th century ; Salons / Europe / History / 19th century ; Salons / United States / History / 20th century ; Music in the home / Social aspects / History / 19th century ; Music in the home / Social aspects / History / 20th century ; Soziokultur ; Salonmusik ; Europe / Intellectual life / 19th century ; United States / Intellectual life / 20th century ; USA ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; USA ; Salonmusik ; Soziokultur ; Geschichte 1800-1960
    Abstract: This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches, this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon
    Note: Introduction - Anja Bunzel and Natasha Loges -- - Johanna Kinkel's Social Life in Berlin (1836-39) : Reflections on Historiographical Sources - Anja Bunzel -- - Accidental Aesthetics in the Salon : Amateurism and the Romantic Fragment in the Lied Sketches of Bettina von Arnim - Jennifer Ronyak -- - Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness : C. J. Arnold's "Quartettabend bei Bettina von Arnim" Reconsidered - Katharina Uhde and R. Larry Todd -- - Reading, Singing, Becoming : The M adchenlieder of Paul Heyse and Johannes Brahms - Natasha Loges -- - Fridays with Malla : Musical Repertoire in the Swedish Salon of Malla Silfverstolpe - Kirsten Santos Rutschman -- - Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature - Maren Bagge and Clemens Kreutzfeldt -- - The Salon Singer as Subject of Satire during the July Monarchy - Mary Anne Garnett -- - The Instruments of the Vienna Biedermeier Salon : Diversity in Design, Sound, and Technology - Beatrix Darmst adter -- - Offenbach and the Representation of the Salon - P eter Boz o -- - Affordances of the Piano : A Cinematic Representation of the Victorian Salon - Harry White -- - 'Der Mensch ist zur Geselligkeit geboren' : Salon Culture, Night Thoughts, and a Schubert Song - Susan Youens -- - Traditions, Preferences and Musical Taste in the Staegemann-Olfers Salon in Nineteenth-Century Berlin - Petra Wilhelmy-Dollinger -- - Josephine Lang and the Salon in Southern Germany - Harald Krebs -- - Jessie Hillebrand and Musical Life in 1870s Florence - Michael Uhde -- - An Invitation to 309 Beacon Street : Clara Kathleen Rogers and her Boston Salon - Katie A. Callam -- - "Too Much Playing Four Hands!" : Ernst von Dohn anyi's European Salon in the United States of the 1950s - Veronika Kusz
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 51
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190055288
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 788.7165092
    RVK:
    Keywords: Hodges, Johnny ; Geschichte 1906-1970 ; Saxofonist ; Jazzmusiker ; USA ; Biografie
    Abstract: A full-length biography of Johnny Hodges, 'Rabbit's Blues' tells the story of one of the premier saxophonists in jazz history, who brought the woody tone and bluesy technique of New Orleans music to the hot East Coast jazz of the Ellington orchestra.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 52
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781787444638
    Language: English
    Pages: 1 Online-Ressource (xi, 303 pages)
    DDC: 782.421640973/091732
    RVK:
    Keywords: Geistesgeschichte 1900-1950 ; Unterhaltungsmusik ; Song ; Stadt ; USA
    Abstract: An insightful look at the urban sensibility that gives the Great American Songbook its pizzazz. Nothing defines the songs of the great American songbook more richly and persuasively than their urban sensibility. During the first half of the twentieth century, songwriter such as Harold Arlen, Irving Berlin, Dorothy Fields, George and Ira Gershwin, and Thomas 'Fats' Waller flourished in New York City, the home of Tin Pan Alley, Broadway, and Harlem. Many of these remarkably deft and forceful creators were native New Yorkers. Others got to Gotham as fast as they could. Either way, it was as if, from their vantage point on the West Side of Manhattan, these artists were describing America--not its geography of politics, but its heart--to Americans and to the world at large. In City songs and American life, 1900-1950, renowned author and broadcaster Michael Lasser offers an evocative and probing account of the popular songs--including some written originally for the stage or screen--that America heard, and sang, and danced to during the turbulent first half of the twentieth century. Lasser demonstrates how the spirit of the teeming city pervaded these wildly diverse songs. Often that spirit took form overtly in songs that portrayed the glamor of Broadway of the energy and jazz age culture of Harlem. But a city-bred spirit--or even a specifically New York City way of feeling and talking--also infused many other widely known and loved songs, stretching from the early decades of the century to the twenties (the age of the flapper, bathtub gin, and women's right to vote), the Great Depression, and, finally, World War II. Throughout this remarkable book, Lasser emphasizes how the soul of city life, as echoes in the nation's songs, developed and changed in tandem with economic, social, and political currents in America as a whole.
    Note: Title from publisher's bibliographic system (viewed on 30 Aug 2019)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 53
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783319770130 , 3319770136
    Language: English
    Pages: 1 Online-Ressource (V, 158 Seiten)
    Edition: 1st ed. 2018
    Parallel Title: Erscheint auch als Lefkovitz, Aaron Jimi Hendrix and the Cultural Politics of Popular Music
    DDC: 306
    RVK:
    RVK:
    Keywords: Hendrix, Jimi ; Pop-Kultur ; Politik ; Popular Culture ; Music ; Ethnology—America ; Culture ; Sex ; Race ; Popular Culture ; Music ; American Culture ; Gender Studies ; Race and Ethnicity Studies ; USA
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 54
    ISBN: 9780190499679
    Language: English
    Pages: 1 Online-Ressource (xiv, 253 Seiten)
    Additional Information: Rezensiert in Koch, Anne, 1971 - Singing the Congregation 2020
    Parallel Title: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264.2
    RVK:
    Keywords: Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; United States ; USA ; Evangelikale Bewegung ; Anbetung ; Musik
    Abstract: Singing the Congregation examines how contemporary worship music shapes the way evangelical Christians understand worship and argues that participatory worship-music performances have brought into being new religious social constellations (“modes of congregating”). Through ethnographic investigation of five of these modes—concert, conference, church, public, and networked congregations—this book seeks to reinvigorate the analytic categories of “congregation” and “congregational music.” Drawing from theoretical models in ethnomusicology, congregational studies, and ecclesiology, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice—in this case, the musically structured participatory activity known as “worship.” By extension, “congregational music-making” is recast as a participatory religious musical practice capable of weaving together a religious community inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a potent way to identify with far-flung individuals, institutions, and networks that this global religious community comprises. The unique congregations examined in each chapter include but extend far beyond local churches, revealing widespread conflicts over religious authority and far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 55
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 978-0-199374-05-2
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 786.908995073
    RVK:
    Keywords: Taiko ; Taiko (Drum ensemble) / United States ; Music / Social aspects / United States ; Asian American musicians ; Asiaten ; Musik ; Kulturpolitik ; Einfluss ; Soziale Funktion ; Identität ; Performance ; Taiko ; USA ; Asien ; Hochschulschrift ; Hochschulschrift ; USA ; Taiko ; USA ; Musik ; Asien ; Einfluss ; USA ; Asiaten ; Taiko ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik
    Abstract: With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, more than four hundred groups now exist across the United States and Canada, and these groups are comprised of people from a variety of racial and ethnic identities. Using ethnographic and historical approaches combined with performance description and analysis, this text explores the connections between taiko and Asian American cultural politics at the intersections of race, gender, and sexuality
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 56
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252050305
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
    DDC: 782.2530973
    RVK:
    Keywords: Jubilee Singers ; Geschichte 1870-1900 ; Afroamerikanische Musik ; Minstrel show ; Negrospiritual ; African Americans Music ; History and criticism ; Jubilee singers ; Spirituals (Songs) History and criticism 19th century ; Minstrel shows History 19th century ; USA
    Abstract: Spirituals performed by jubilee troupes became a sensation in post-Civil War America. First brought to the stage by choral ensembles like the Fisk Jubilee Singers, spirituals anchored a wide range of late 19th-century entertainments, including minstrelsy, variety, and plays by both black and white companies. In this work on postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 57
    Language: English
    Pages: Online-Ressource
    Dissertation note: Dissertation Dortmund, Technische Universität 2019
    RVK:
    Keywords: Hip-Hop ; Hip-hop ; Rap (Music) ; Deutschland ; USA ; Hip-hop ; Transculturation ; Bilingualism ; Multilingualism ; Aesthetic experience ; Transatlantic and transnational American studies ; Hochschulschrift ; Hochschulschrift ; USA ; Hip-Hop ; Deutschland
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 58
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190634933
    Language: English
    Pages: 1 Online-Ressource (xvi, 472 Seiten)
    DDC: 782.254092
    RVK:
    RVK:
    Keywords: Jackson, Mahalia 1911-1972 ; African American gospel singers Biography ; United States ; Gospel singers Biography ; United States ; African Americans Music ; History and criticism ; Gospel music History and criticism ; Jackson, Mahalia 1911-1972 ; Afroamerikanische Musik ; Gospelsong ; USA
    Abstract: Drawing on and piecing together a trove of previously unexamined sources, this book is the first critical study of the renowned African American gospel singer Mahalia Jackson (1911–1972). Beginning with the history of Jackson’s family on a remote cotton plantation in the Central Louisiana parish of Pointe Coupée, the book follows their relocation to New Orleans, where Jackson was born, and Jackson’s own migration to Chicago during the Great Depression. The principal focus is her career in the decade following World War II, during which Jackson, building upon the groundwork of seminal Chicago gospel pioneers and the influential National Baptist Convention, earned a reputation as a dynamic church singer. Eventually, Jackson achieved unprecedented mass-mediated celebrity, breaking through in the late 1940s as an internationally recognized recording artist for Apollo and Columbia Records who also starred in her own radio and television programs. But the book is also a study of the black gospel field of which Jackson was a part. Over the course of the 1940s and 1950s, black gospel singing, both as musical worship and as pop-cultural spectacle, grew exponentially, with expanded visibility, commercial clout, and forms of prestige. Methodologically informed by a Bourdiean field analysis approach that develops a more granular, dynamic, and encompassing picture of post-war black gospel, the book persistently considers Jackson, however exceptional she may have been, in relation to her fellow gospel artists, raising fresh questions about Jackson, gospel music, and the reception of black vernacular culture.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 59
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319660417
    Language: English
    Pages: 1 Online-Ressource (VIII, 241 p)
    Series Statement: Palgrave Studies in Sound
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Social sciences ; African Americans ; Music ; Technology in literature ; Social Sciences ; Science and Technology Studies ; Music ; African American Culture ; Literature and Technology/Media ; Technologie ; Sound Studies ; Musik ; Schwarze ; Film ; Futurismus ; USA ; USA ; Schwarze ; Musik ; Film ; Sound Studies ; Technologie ; Futurismus
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 60
    Online Resource
    Online Resource
    New York : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    ISBN: 9781538111710
    Language: English
    Pages: 1 Online-Ressource (257 pages)
    DDC: 780.71
    RVK:
    Keywords: Geschichte 2000- ; Jazz ; Musikerziehung ; Kulturelle Identität ; USA ; Electronic books
    Abstract: Black Music Matters: Jazz and the Transformation of Music Studies is among the first books to examine music studies reform through the lens of African American music, as well as the emergent field of consciousness studies. It is inspired by conversations on race and a rich body of literature on the place of black music in American culture.
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 61
    Online Resource
    Online Resource
    Cham : Palgrave Macmillan
    ISBN: 9783319770130
    Language: English
    Pages: 1 Online-Ressource (V, 158 p)
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Hendrix, Jimi ; Culture / Study and teaching ; United States / Study and teaching ; Music ; Ethnicity ; Cultural and Media Studies ; Popular Culture ; Music ; American Culture ; Culture and Gender ; Ethnicity Studies ; Politik ; Popkultur ; USA ; Hendrix, Jimi 1942-1970 ; USA ; Popkultur ; Politik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 62
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199374052
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 786.908995073
    RVK:
    Keywords: Taiko (Drum ensemble) ; Music Social aspects ; Asian American musicians ; USA ; Taiko ; Musik ; Asien ; Einfluss ; Asiaten ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik
    Abstract: With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, more than four hundred groups now exist across the United States and Canada, and these groups are comprised of people from a variety of racial and ethnic identities. Using ethnographic and historical approaches combined with performance description and analysis, this text explores the connections between taiko and Asian American cultural politics at the intersections of race, gender, and sexuality.
    Note: Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on April 18, 2018)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 63
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252099939
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: The new black studies series
    DDC: 810.9/896073
    RVK:
    RVK:
    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; American literature African American authors ; History and criticism ; Jazz in literature ; Modernism (Literature) ; African Americans Music ; History and criticism ; Black nationalism History 20th century ; African Americans Social life and customs 20th century ; USA
    Abstract: 'Jazz Internationalism' argues for the critical significance of jazz in Afro-modernist literature, from the beginning of the Great Depression through the radical social movements of the 1960s.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 64
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252050312
    Language: English
    Pages: 1 Online-Ressource (179 pages)
    Series Statement: Music in American Life Ser.
    DDC: 781.640973
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Folk music ; USA ; Erlebnisbericht
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 65
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252050305
    Language: English
    Pages: 1 Online-Ressource (278 pages)
    Series Statement: Music in American Life Ser.
    DDC: 782.2530973
    RVK:
    Keywords: Jubilee Singers ; Geschichte 1870-1900 ; Afroamerikanische Musik ; Minstrel show ; Negrospiritual ; USA
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 66
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252050442
    Language: English
    Pages: 1 Online-Ressource (230 pages)
    Series Statement: Music in American Life Ser.
    DDC: 781.642092
    RVK:
    Keywords: Rosenberg, Neil V. ; Geschichte 1961-1967 ; Bluegrass ; USA
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 67
    ISBN: 9783319904542
    Language: English
    Pages: 1 Online-Ressource (xi, 240 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 201.7
    RVK:
    Keywords: Geschichte ; Social Sciences ; Sociology of Culture ; Cultural Studies ; Music ; African American Culture ; Culture and Gender ; Men's Studies ; Social sciences ; African Americans ; Music ; Cultural studies ; Religion and culture ; Geschlechterrolle ; Musikalische Analyse ; Soziale Funktion ; Rap ; USA ; USA ; Rap ; Soziale Funktion ; Geschlechterrolle ; Musikalische Analyse ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 68
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781469638621
    Language: English
    Pages: 1 Online-Ressource (xiv, 280 Seiten)
    Series Statement: The John Hope Franklin Series in African American History and Culture
    Parallel Title: Erscheint auch als
    DDC: 782.25089/96073
    RVK:
    RVK:
    RVK:
    Keywords: Schwarze ; Anthem ; USA
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 69
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520966758
    Language: English
    Pages: 1 online resource (290 pages)
    Edition: 1st ed.
    Parallel Title: Print version Nava, Alejandro In Search of Soul : Hip-Hop, Literature, and Religion
    Parallel Title: Nava, Alejandro, 1956 - In search of soul
    DDC: 233/.5
    RVK:
    Keywords: Hip-hop Religious aspects ; Christianity ; Soul in literature ; Music Philosophy and aesthetics 20th century ; Music Philosophy and aesthetics 21st century ; Soul Judaism ; Soul Christianity ; Soul Christianity ; Electronic books ; USA ; Schwarze ; Hispanos ; Literatur ; Hip-Hop ; Seele ; Christentum ; Judentum ; Geschichte
    Abstract: In Search of Soul explores the meaning of "soul" in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the "soul" revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.
    Abstract: Cover -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- PART ONE: SACRED HISTORIES OF THE SOUL -- 1 In Search of Soul -- 2 On Hebrew Soul: De Eloquentia Vulgaria -- 3 Christian Soul and the Revolt of the Slave -- PART TWO: PROFANE ACCENTS OF SOUL -- 4 In Search of Duende: Lorca on Spanish Soul -- 5 The Souls of Black Folk: Ralph Ellison's Tragicomic Portrait -- 6 From Soul to Hip-Hop: The Rise of the Apocalypse -- 7 Afro-Latin Soul and Hip-Hop -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 70
    Online Resource
    Online Resource
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501319051
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Alternate takes: Critical responses to popular music
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Stirling 2007
    DDC: 781.66/165
    RVK:
    RVK:
    RVK:
    Keywords: Down Beat ; Rolling stone ; Geschichte 1900-2000 ; Geschichte 1950-1970 ; Geschichte ; Musical criticism History 20th century ; Jazz History and criticism ; Rock music History and criticism ; Jazz ; Rockmusik ; Rezeption ; USA ; USA ; Hochschulschrift ; USA ; Jazz ; Rockmusik ; Rezeption ; Down Beat ; Rolling stone ; Geschichte 1950-1970
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 71
    Online Resource
    Online Resource
    Princeton : Princeton University Press | Oxford : Oxford University Press
    ISBN: 9781400840458
    Language: English
    Pages: 1 Online-Ressourcece
    RVK:
    Keywords: Sozialgeschichte 1900-2012 ; Geschichte 1949-2012 ; Popmusik ; Musikgattung ; Regierung ; Einflussnahme ; Popular music Social aspects ; Popular music genres ; USA ; China ; Chile ; Nigeria ; Serbien
    Abstract: Why do some music styles gain mass popularity while others thrive in small niches? 'Banding Together' explores this question and reveals the attributes that together explain the growth of 20th century American popular music.
    Note: Previously issued in print: 2012 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 72
    Online Resource
    Online Resource
    New York : Peter Lang Inc., International Academic Publishers
    ISBN: 9781433145711
    Language: English
    Pages: 1 Online-Ressource (252 Seiten) , 9 ill
    Edition: 1st, New ed
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Akademisierung ; Identität ; Jazz ; Musikerziehung ; Jazzmusiker ; Schwarze ; USA ; Interview ; Interview ; USA ; Schwarze ; Jazz ; Jazzmusiker ; Musikerziehung ; Akademisierung ; Identität
    Description / Table of Contents: How does academic jazz education impact the Black cultural value of soulfulness and esthetic standards in contemporary jazz music? Through candid conversations with nine of the country's most highly respected jazz practitioners and teachers, What Is This Thing Called Soul explores the potential consequences of forcing the Black musical style of jazz into an academic pedagogical system that is specifically designed to facilitate the practice and pedagogy of European classical music. This work tests the belief that the cultural, emotional and esthetic elements at the very core of jazz's unique identity, along with the music's overt connection to Black culture, are effectively being "lost in translation" in traversing the divide between academic and non-academic jazz spheres. Each interviewee commands significant respect worldwide in the fields of jazz performance and jazz pedagogy. Noteworthy subjects include: Rufus Reid, Lewis Nash, Nicholas Payton and Wycliffe Gordon-along with the late jazz masters Marcus Belgrave and Phil Woods. Interviews are supplemented by original analysis of the nature and validity of these issues contributed by the author. What Is This Thing Called Soul offers a candid and objective look into pressing issues of race, culture and ethnic value in relation to both jazz music and jazz education. Sensitivity, marginalization and even a fear of offending others has limited open discussion of how the soul of jazz music can be lost in technical boundaries. What Is This Thing Called Soul is the first attempt to directly address such culturally urgent issues in jazz music
    Note: Online resource; title from title screen (viewed June 10, 2019)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 73
    Online Resource
    Online Resource
    Chicago, Illinois ; London, [England] : The University of Chicago Press
    ISBN: 9780226451787
    Language: English
    Pages: 1 online resource (371 pages)
    Parallel Title: Erscheint auch als Roberts, Brian, 1957- Blackface nation : race, reform, and identity in American popular music, 1812 - 1925
    DDC: 781.64089/96073
    RVK:
    RVK:
    Keywords: Geschichte 1812-1925 ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Mittelstand ; Unterhaltungsmusik ; Ethnische Identität ; Nationalismus ; Schwarze ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Note: Includes index , Description based on print version record
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 74
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319500232
    Language: English
    Pages: 1 Online-Ressource (VIII, 297 p)
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    Keywords: Culture / Study and teaching ; United States / Study and teaching ; Ethnology ; Music ; Religion and culture ; Cultural and Media Studies ; American Culture ; Cultural Anthropology ; Sociology of Culture ; Musik ; Unterhaltungsmusik ; Massenkultur ; Kulturelle Identität ; USA ; Kanada ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Kanada ; USA ; Unterhaltungsmusik ; Massenkultur ; Kulturelle Identität
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 75
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469628837
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 781.62/13009043
    RVK:
    RVK:
    Keywords: Geschichte ; Folk music ; Weltwirtschaftskrise ; Politik ; Folk music Political aspects 20th century ; History ; Folk music History and criticism ; Popular music History and criticism 1931-1940 ; Politics and culture History 20th century ; USA
    Abstract: While music lovers and music historians alike understand that folk music played an increasingly pivotal role in American labour and politics during the economic and social tumult of the Great Depression, how did this relationship come to be? Ronald D. Cohen sheds new light on the cultural history of folk music in America, detailing the musicians, government agencies, and record companies that had a lasting impact.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 76
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252096426
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
    DDC: 781.6213009045
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1950-1960 ; Folk music ; Folk music History and criticism ; Folk music History and criticism ; USA ; Großbritannien
    Abstract: In 'Roots of the Revival', Ronald D. Cohen and Rachel Clare Donaldson present a transatlantic history of folk's midcentury resurgence that juxtaposes the related but distinct revivals that took place in the United States and Great Britain.
    Note: Previously issued in print: 2014 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 77
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252097133
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American composers
    DDC: 780.92
    RVK:
    RVK:
    Keywords: Beyer, Johanna Magdalena ; Beyer, Johanna Magdalena ; Geschichte 1888-1944 ; Komponistin ; Deutsche Einwanderin ; USA ; Biographie ; Werkverzeichnis
    Abstract: Composer Johanna Beyer's fascinating body of music and enigmatic life story constitute an important chapter in American music history. Amy C. Beal chronicles Beyer's life from her early participation in New York's contemporary music scene through her performances at the Federal Music Project's Composers' Forum-Laboratory concerts to her unfortunate early death in 1944.
    Note: Previously issued in print: 2015 , Includes bibliographical references, discography and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 78
    ISBN: 9783839438329
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: USA ; Religion ; Amerika ; Musik ; Popkultur ; Music ; Medienästhetik ; Media Aesthetics ; America ; Popular Culture ; Musikwissenschaft ; Musicology ; Popmusik ; Pop Music ; Video ; Musikvideo ; Sakralisierung ; Hip Hop ; Music Video ; Sakraltheorie ; Georges Bataille ; Anti-Religiosität ; Kanye West ; Sacralization ; Hip-Hop ; Sakralisierung ; Musikvideo ; Das Sakrale ; USA ; Hochschulschrift ; Hochschulschrift ; USA ; Hip-Hop ; Musikvideo ; Sakralisierung ; USA ; Das Sakrale ; Hip-Hop
    Abstract: Forschung auf dem Gebiet »Hip-Hop und Religion« hat sich bisher meist auf religiöse Lesarten von Raptexten konzentriert und zudem Musikvideos bei dieser Betrachtung weitestgehend außer Acht gelassen. Eileen Simonow geht der These nach, dass religiöses Material in den Clips sakral und damit entgrenzend, in Bedeutungen überschießend - und damit im eigentlichen Sinne anti-religiös inszeniert - ist. Dafür werden Musikvideos des US-amerikanischen Mainstreams in ihrer komplexen Verschränkung der auditiven und visuellen Ebenen mit der Sakraltheorie Georges Batailles gelesen. In vier Analysen von Musikvideos - u.a. von Kanye West - wird das Sakrale als aus dem Sozialen hervorgehende Kraft im Spannungsfeld von Macht, Ideologie und Widerstand diskutiert
    Abstract: Until now, research in the area of hip-hop and religion has concentrated on rap lyrics - here, Eileen Simonow examines the depiction of the religious in hip-hop videos
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 79
    Online Resource
    Online Resource
    Durham ; London : Duke University Press
    ISBN: 9780822373117
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/96073
    RVK:
    Keywords: Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Blacks Music ; History and criticism ; Dance music History and criticism ; Music History and criticism ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Rezeption ; Soziale Funktion ; Ethnische Identität ; Afrika ; USA ; Afrika ; USA ; Rezeption ; Afrika ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; Geschichte
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 80
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Duke University Press | The Hague : OAPEN FOUNDATION
    ISBN: 9781478093251 , 9780822363705
    Language: English
    DDC: 780.8996073
    RVK:
    Keywords: Geschichte ; Afroamerikanische Musik ; Rezeption ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; Theory of music & musicology ; Music ; Ethnic studies ; USA ; Afrika ; Music ; Sociology ; African Studies
    Abstract: In Listening for Africa David F. Garcia explores how a diverse group of musicians, dancers, academics, and activists engaged with the idea of black music and dance's African origins between the 1930s and 1950s. Garcia examines the work of figures ranging from Melville J. Herskovits, Katherine Dunham, and Asadata Dafora to Duke Ellington, Dámaso Pérez Prado, and others who believed that linking black music and dance with Africa and nature would help realize modernity's promises of freedom in the face of fascism and racism in Europe and the Americas, colonialism in Africa, and the nuclear threat at the start of the Cold War. In analyzing their work, Garcia traces how such attempts to link black music and dance to Africa unintentionally reinforced the binary relationships between the West and Africa, white and black, the modern and the primitive, science and magic, and rural and urban. It was, Garcia demonstrates, modernity's determinations of unraced, heteronormative, and productive bodies, and of scientific truth that helped defer the realization of individual and political freedom in the world.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 81
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190235468 , 9780190235475 , 9780190235482 , 9780190235499
    Language: English
    Pages: 1 Online-Ressource (xv, 155 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.421649
    RVK:
    Keywords: Geschichte 2000-2016 ; Rap (Music) History and criticism ; Rap (Music) Social aspects ; Posthumanismus ; Rap ; Kulturkritik ; USA ; Hochschulschrift ; Hochschulschrift ; USA ; Rap ; Posthumanismus ; Kulturkritik ; Geschichte 2000-2016
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 82
    Online Resource
    Online Resource
    Berlin : de Gruyter
    ISBN: 9783110395280
    Language: English
    Pages: 1 Online-Ressource (318 Seiten)
    Series Statement: Buchreihe der Anglia volume 42
    Series Statement: Buchreihe der Anglia
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Universität Augsburg 2009
    RVK:
    RVK:
    RVK:
    Keywords: Jazz ; Kognitive Poetik ; Jazz poetry ; Intermedialität ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Jazz poetry ; Intermedialität ; Jazz ; Kognitive Poetik ; Jazz ; Kognitive Poetik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 83
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252094576
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
    RVK:
    Keywords: Sozialgeschichte 1900-1970 ; Popmusik ; Musikgattung ; Regionalismus ; Verbreitung ; Technologie ; Popular music History and criticism ; Popular music Social aspects ; History ; USA
    Abstract: 'Sweet Air' rewrites the history of early twentieth-century pop music in modernist terms. Tracking the evolution of popular regional genres such as blues, country, folk, and rockabilly in relation to the growth of industry and consumer culture, Edward P. Comentale shows how this music became a vital means of exploring the new and often overwhelming feelings brought on by modern life.
    Note: Previously issued in print: 2013 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 84
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781316676400
    Language: English
    Pages: 1 Online-Ressource (ix, 233 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.640973
    RVK:
    Keywords: Geschichte 1950-2016 ; Popular music / United States / History and criticism ; Ballads, English / United States / History and criticism ; Ballad ; Popsong ; USA ; USA ; Ballad ; Popsong ; Geschichte 1950-2016
    Abstract: While ballads have been a cornerstone of popular music for decades, this is the first book to explore the history and appeal of these treasured songs. David Metzer investigates how and why the styles of ballads have changed over a period of more than seventy years, offering a definition of the genre and discussing the influences of celebrated performers including Frank Sinatra, Aretha Franklin, and Whitney Houston. The emotional power of the ballad is strongly linked to the popular mood of the time, and consequently songs can tell us much about how events and emotions were felt and understood in wider culture at specific moments of recent American history. Tracing both the emotional and stylistic developments of the genre from the 1950s to the present day, this lively and engaging volume is as much a musical history as it is a history of emotional life in America
    Note: Title from publisher's bibliographic system (viewed on 15 Sep 2017)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 85
    ISBN: 9783830985044
    Language: German
    Pages: Online-Ressource (387 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Populäre Kultur und Musik Band 20
    Parallel Title: Erscheint auch als Amerika-Euphorie - Amerika-Hysterie
    DDC: 306.484240943
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1914-2014 ; Unterhaltungsmusik ; Rezeption ; Kulturaustausch ; Volkslied ; Massenkultur ; Musik ; Technologiezentrum ; Archiv ; USA ; Deutschland ; Aufsatzsammlung ; Festschrift
    Note: Lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 86
    Online Resource
    Online Resource
    Berlin, [Germany] ; Boston, [Massachusetts] : De Gruyter
    ISBN: 9783110339017
    Language: English
    Pages: 1 online resource (320 pages)
    Series Statement: Buchreihe der Anglia
    Parallel Title: Erscheint auch als Redling, Erik Translating jazz into poetry
    DDC: 808.1
    RVK:
    RVK:
    RVK:
    Keywords: Poetry History and criticism ; Jazz ; Kognitive Poetik ; Jazz poetry ; Intermedialität ; USA ; Hochschulschrift ; USA ; Jazz poetry ; Intermedialität ; Jazz ; Kognitive Poetik
    Note: Description based on online resource; title from PDF title page (ebrary, viewed April 21, 2017)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 87
    ISBN: 9783830985044
    Language: German
    Pages: 1 Online-Ressource (387 Seiten) , Illustrationen
    Series Statement: Populäre Kultur und Musik Band 20
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Deutsches Volksliedarchiv ; Geschichte 1914-2014 ; Rezeption ; Unterhaltungsmusik ; Kulturaustausch ; Deutschland ; USA ; Festschrift ; Aufsatzsammlung ; Festschrift ; Aufsatzsammlung ; Festschrift ; Konferenzschrift 2014 ; Aufsatzsammlung ; Deutsches Volksliedarchiv ; USA ; Deutschland ; Unterhaltungsmusik ; Rezeption ; Geschichte 1914-2014 ; USA ; Unterhaltungsmusik ; Rezeption ; Deutschland ; Kulturaustausch ; Geschichte 1914-2014
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 88
    Online Resource
    Online Resource
    Paderborn : Wilhelm Fink Verlag
    ISBN: 9783846761731
    Language: German
    Pages: 1 Online-Ressource
    Parallel Title: Murasov, Andrej Electronic Chants: Groove from land to land
    RVK:
    Keywords: Afrika Bambaataa ; black culture ; Edo Maajka ; Funktionen des Literarischen in Prozessen der Globalisierung ; Grandmaster Flash ; Kool Herc ; Marshall McLuhan ; Rap ; Schriftbildlichkeit ; Wild Style ; USA ; Deutschland ; Bosnien ; Hip-Hop ; Gegenkultur ; Medialisierung
    Abstract: HipHop-Kultur ist global: In jeder Sprache wird gerappt, gesampelt wird alles, von Soul Funk Breaks über Klassik bis hin zum folkloristischen Bläsersatz und auf Youtube tanzen B-Boys aus der ganzen Welt vor Wänden voller Graffiti. Ausgehend von den frühen HipHop-Performances im New York der Siebziger untersucht der Autor die Entstehung der kulturspezifischen Körpertechniken im Kontext der elektronischen Medien und zeigt, wie Unterwanderungen technischer Konventionen die spätere Wanderung dieser Kulturpraxis und ihre lokale Reproduktion initiieren. Aus der Selbstinszenierung einer lokalen Gegenkultur wird im globalen Kontext eine Kultur der Selbstinszenierung, deren Widerstand sich nicht gegen ein kulturell Anderes, sondern gegen eine andere Kultur des Medialen richtet. Die Arbeit erklärt die medialen Dynamiken der Anfänge der HipHop Kultur anhand ihrer selbstreferentiellen Erzählstrategien in Rapmusik, Djing, Breakdance und Graffiti.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 89
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252099939
    Language: English
    Pages: 1 Online-Ressource (183 pages)
    Series Statement: New Black Studies Ser.
    DDC: 810.98960729999999
    RVK:
    RVK:
    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; USA
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 90
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780226448725
    Language: English
    Pages: 1 Online-Ressource (xii, 179 Seiten)
    DDC: 792.70973000000004
    RVK:
    RVK:
    Keywords: Geschichte 1870-1927 ; Unterhaltungsmusik ; Revue ; USA
    Note: Description based on publisher supplied metadata and other sources , Bibliography Seite 163-172
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 91
    Online Resource
    Online Resource
    Iowa City : University of Iowa Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781609384890
    Language: English
    Pages: 1 Online-Ressource (227 Seiten)
    Series Statement: New American canon
    Parallel Title: Erscheint auch als
    DDC: 781.640973
    RVK:
    Keywords: Marcus, Greil ; No Depression ; Geschichte 1960-2015 ; Kulturkritik ; Musikzeitschrift ; Musikkritik ; Rootsmusik ; USA
    Note: Literaturverzeichnis: Seite 209-220 , Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 92
    Online Resource
    Online Resource
    Gainesville : University Press of Florida | Ann Arbor, Michigan : ProQuest
    ISBN: 9780813052632
    Language: English
    Pages: 1 Online-Ressource (xii, 212 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 306.4/84
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 2000-2015 ; Tanz ; Geschlechterrolle ; USA ; Aufsatzsammlung
    Note: Literaturverzeichnis Seite 185-203 , Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 93
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839438329
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    RVK:
    Keywords: Hip-Hop ; Musikvideo ; Sakralisierung ; Amerika ; Anti-Religiosität ; Georges Bataille ; Kanye West ; Medienästhetik ; Musik ; Musikvideo ; Musikwissenschaft ; Popkultur ; Popmusik ; Religion ; Sakralisierung ; Sakraltheorie ; USA ; Video ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Forschung auf dem Gebiet »Hip-Hop und Religion« hat sich bisher meist auf religiöse Lesarten von Raptexten konzentriert und zudem Musikvideos bei dieser Betrachtung weitestgehend außer Acht gelassen. Eileen Simonow geht der These nach, dass religiöses Material in den Clips sakral und damit entgrenzend, in Bedeutungen überschießend - und damit im eigentlichen Sinne anti-religiös inszeniert - ist. Dafür werden Musikvideos des US-amerikanischen Mainstreams in ihrer komplexen Verschränkung der auditiven und visuellen Ebenen mit der Sakraltheorie Georges Batailles gelesen. In vier Analysen von Musikvideos - u.a. von Kanye West - wird das Sakrale als aus dem Sozialen hervorgehende Kraft im Spannungsfeld von Macht, Ideologie und Widerstand diskutiert.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 94
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469627946 , 9781469627939
    Language: English
    Pages: 1 Online-Ressource (ix, 372 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 787.8709969
    RVK:
    RVK:
    Keywords: Geschichte ; Geschichte ; Musik ; Hawaiian guitar History ; Music History ; Music History ; World music History ; Unterhaltungsmusik ; Weltmusik ; Steel Guitar ; Rezeption ; USA ; USA ; Hawaii ; Hawaii ; Steel Guitar ; Geschichte ; Hawaii ; Steel Guitar ; Rezeption ; USA ; Hawaii ; Steel Guitar ; Rezeption ; Unterhaltungsmusik ; Weltmusik
    Abstract: Since the nineteenth century, the distinct tones of kika kila, the Hawaiian steel guitar, have defined the island sound. Here historian and steel guitarist John W. Troutman offers the instrument's definitive history, from its discovery by a young Hawaiian royalist named Joseph Kekuku to its revolutionary influence on American and world music. During the early twentieth century, Hawaiian musicians traveled the globe, from tent shows in the Mississippi Delta, where they shaped the new sounds of country and the blues, to regal theaters and vaudeville stages in New York, Berlin, Kolkata, and beyond. In the process, Hawaiian guitarists recast the role of the guitar in modern life. But as Troutman explains, by the 1970s the instrument's embrace and adoption overseas also worked to challenge its cultural legitimacy in the eyes of a new generation of Hawaiian musicians. As a consequence, the indigenous instrument nearly disappeared in its homeland. Using rich musical and historical sources, including interviews with musicians and their descendants, Troutman provides the complete story of how this Native Hawaiian instrument transformed not only American music but the sounds of modern music throughout the world
    Note: "Published with the assistance of the Anniversary Fund of the University of North Carolina Press." - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 95
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press
    ISBN: 9781782046936
    Language: English
    Pages: 1 Online-Ressource (x, 242 Seiten)
    Series Statement: Eastman studies in music v. 131
    Parallel Title: Erscheint auch als
    DDC: 781.640973/0954
    RVK:
    RVK:
    Keywords: Popular music / India / History and criticism ; Popular music / United States / History and criticism ; Popular music / India / American influences ; African American musicians / India ; Afroamerikanische Musik ; Unterhaltungsmusik ; Musiker ; Popmusik ; Schwarze ; Britisch-Indien ; USA ; USA ; Schwarze ; Musiker ; Britisch-Indien ; USA ; Popmusik ; Afroamerikanische Musik ; Britisch-Indien ; USA ; Unterhaltungsmusik ; Britisch-Indien
    Abstract: 〈I〉American Popular Music in Britain's Raj〈/I〉 is the first systematic study to address the character and scope of American popular music in India during British rule. Drawing on ethnographic and archival research, it examines blackface minstrel shows, ragtime, jazz, and representations of Hollywood film music in Bombay cabarets and Hindi film songs, identifying key musical moments in the development of these styles between the middle 1800s and the middle 1900s, outlining the entertainment idioms and frameworks that supported their growth, and examining a variety of historical contexts under colonialism that influenced their meaning and commercial value.〈BR〉 Focusing on Calcutta (modern Kolkata), Lucknow, and Bombay (modern Mumbai), Bradley Shope traces the movement of music across time and space -- including between the United States, England, and India -- and addresses a variety of groups and communities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries.〈BR〉〈BR〉 Bradley G. Shope is assistant professor of music at Texas A & M-Corpus Christi
    Description / Table of Contents: Introduction -- Entertainment globalization, 1850s to 1910s -- Technologies, exoticism, and entrepreneurs, 1920s and 1930s -- Calcutta in the war -- The case of Lucknow -- Cabaret sequences in Hindi films -- Afterword
    Note: Title from publisher's bibliographic system (viewed on 23 Feb 2018)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 96
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780190245221
    Language: English
    Pages: 1 Online-Ressource (xvi, 434 Seiten) , Illustrationen, Notenbeispiele
    Edition: Second edition
    Parallel Title: Erscheint auch als
    DDC: 780.92
    RVK:
    RVK:
    Keywords: Joplin, Scott ; Joplin, Scott ; Geschichte 1868-1917 ; Composers Biography ; Ragtime music History and criticism ; Ragtime ; USA ; USA ; Biografie ; Biografie ; USA ; Joplin, Scott 1868-1917 ; Ragtime ; Geschichte 1868-1917
    Abstract: When it was first published in 1994, "King of Ragtime: Scott Joplin and his Era" was widely heralded not only as the most thorough investigation of Scott Joplin's life and music, but also as a gripping read, almost a detective story. This new and expanded edition-more than a third larger than the first-goes far beyond the original publication in uncovering new details of the composer's life and insights into his music. It explores Joplin's early, pre-ragtime career as a quartet singer, a period of his life that was previously unknown. The book also surveys the nature of ragtime before Joplin entered the ragtime scene and how he changed the style. Author Edward A. Berlin offers insightful commentary on each of all of Joplin's works, showing his influence on other ragtime and non-ragtime composers. He traces too Joplin's continued music studies late in life, and how these reflect his dedication to education and probably account for the radical changes that occur in his last few rags. And he puts new emphasis on Joplin's efforts in musical theater, bringing in early versions of his Ragtime Dance and its precedents. Joplin's wife Freddie is shown to be a major inspiration to his opera Treemonisha, with her family background and values being reflected in that work. Joplin's reputation faded in the 1920s-30s, but interest in his music slowly re-emerged in the 1940s and gradually built toward a spectacular revival in the 1970s, when major battles ensued for possession of rights.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 97
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469622712
    Language: English
    Pages: 1 Online-Ressource , Illustrations, maps
    DDC: 780.89/9607307471
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; African Americans Music ; History and criticism ; Ragtime music History and criticism ; Ragtime music Social aspects 20th century ; History ; Music and race History 20th century ; USA
    Abstract: This work explores how African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music'. David Gilbert shows how they used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging preconceived ideas about race, culture, and modernity.
    Note: Previously issued in print: 2015 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 98
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520965317
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    Keywords: Geschichte 1900-2000 ; Popular music genres Social aspects ; Popular music History and criticism ; Musikalischer Stil ; Soziale Identität ; Musikgattung ; Popmusik ; USA ; USA ; Popmusik ; Musikgattung ; Musikalischer Stil ; Soziale Identität ; Geschichte 1900-2000
    Abstract: 'Categorizing Sound' addresses the relationship between categories of music and categories of people: in other words, how do particular ways of organizing sound become integral parts of whom we perceive ourselves to be and of how we feel connected to some people and disconnected from others?
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 99
    Online Resource
    Online Resource
    Urbana : University of Illinois Press
    ISBN: 9780252098826
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Series Statement: Music in American life
    Parallel Title: Erscheint auch als
    DDC: 784.4/8165137
    RVK:
    Keywords: Willet, Chappie ; Geschichte 1930-1950 ; Big band music History and criticism ; Jazz History and criticism 1931-1940 ; Jazz History and criticism 1941-1950 ; Arrangement (Music) History 20th century ; Big Band ; Arrangement ; Jazz ; USA ; USA ; Big Band ; Jazz ; Arrangement ; Geschichte 1930-1950 ; Willet, Chappie 1910-1976 ; Jazz ; Arrangement
    Abstract: Behind the iconic jazz orchestras, vocalists, and stage productions of the Swing Era lay the talents of popular music (TM)s unsung heroes: the arrangers. John Wriggle takes you behind the scenes of New York City's vibrant entertainment industry of the 1930s and 1940s to uncover the lives and work of jazz arrangers, both black and white, who left an indelible mark on American music and culture. 'Blue Rhythm Fantasy' traces the extraordinary career of arranger Chappie Willet - a collaborator of Louis Armstrong, Cab Calloway, Duke Ellington, Gene Krupa, and many others - to revisit legendary Swing Era venues and performers from Harlem to Times Square
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 100
    ISBN: 9780822375142 , 0822375141
    Language: English
    Pages: 1 Online-Ressource (xviii, 230 pages) , illustrations
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 780.89/9921073
    RVK:
    Keywords: Geschichte 1945-2015 ; Filipino Americans / Music ; Filipino Americans / Ethnic identity ; Filipino Americans in the performing arts ; Music / Philippines ; Soziale Funktion ; Musikleben ; Unterhaltungsmusik ; Kulturelle Identität ; Filipinos ; USA ; USA ; Filipinos ; Unterhaltungsmusik ; Musikleben ; Soziale Funktion ; Kulturelle Identität ; Geschichte 1945-2015
    Abstract: Flip the beat: an introduction -- Sonic fictions -- The serious work of karaoke -- Jessica Hagedorn's gangster routes -- Pinoise rock -- Rakenrol itineraries
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...