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  • 1
    Zeitschrift/Serie
    Zeitschrift/Serie
    Grahamstown | Johannesburg | Roodeport ; 1.1954/57 - 7.1991/99; 8.2007 -
    ISSN: 0065-4019
    Sprache: Englisch
    Erscheinungsverlauf: 1.1954/57 - 7.1991/99; 8.2007 -
    Paralleltitel: Online-Ausg. African music
    Vorheriger Titel: Vorg.: African Music Society Newsletter / African Music Society
    Vorheriger Titel: journal of the African Music Society
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    Schlagwort(e): Zeitschrift
    Anmerkung: Repr.: Amsterdam : Swets & Zeitlinger
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Zeitschrift/Serie
    Zeitschrift/Serie
    Champaign, Ill. : University of Illinois Press | Middletown, Conn. [u.a.] : Society for Ethnomusicology ; [1.]1953/57=Nr. 1-11; 2.1958 -
    ISSN: 0014-1836
    Sprache: Englisch
    Erscheinungsverlauf: [1.]1953/57=Nr. 1-11; 2.1958 -
    Suppl.: Bibliographie ab 2000 Ographies
    Paralleltitel: Online-Ausg. Ethnomusicology
    Vorheriger Titel: newsletter
    RVK:
    Schlagwort(e): Zeitschrift
    Anmerkung: Index 21/30(1977/1986); 31/40.1987/96 in: 41.1997,2
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  • 3
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Sprache: Englisch
    Seiten: xv, 415 Seiten , 24 cm
    Serie: Cambridge themes in American literature and culture
    Paralleltitel: Erscheint auch als
    DDC: 781.650973
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    Schlagwort(e): Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Kurzfassung: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 4
    ISBN: 9781032431314 , 1032431318 , 9781032431321 , 1032431326
    Sprache: Englisch
    Seiten: XII, 219 Seiten
    Paralleltitel: Online version Ethnomusicology and its intimacies
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    Schlagwort(e): Musikethnologie ; Ethnomusicology ; Intimacy (Psychology) ; Ethnomusicologie ; Intimité ; ethnomusicology ; Ethnomusicology ; Intimacy (Psychology) ; Festschrift ; Festschrift ; Festschrift ; Musikethnologie
    Kurzfassung: "Ethnomusicology and its Intimacies situates intimacy, a concept that encompasses a wide range of often informal social practices and processes for building closeness and relationality, within the ethnomusicological study of music and sound. These scholarly essays reflect on a range of interactions between individuals and communities that deepen connections and associations, and which may be played out relatively briefly or nurtured over time. Three major sections on Performance, Auto/biographical strategies, and Film are each prefaced by an interview with a scholar or practitioner with close knowledge of the subject that links the chapters in that section. Often drawing directly on fieldwork experience in a variety of contexts, authors consider how concepts of intimacy can illuminate the ethnographic study of music, addressing questions such as: how can we understand ethnomusicological and ethnographic research and performance as processes of musically-mediated intimacy? How are the longstanding relationships we develop with others particularly intimated by and through musicking? How do we understand the musically intimate relationships of others and how do these inflect our own musical intimacies? How does music represent, inscribe, constrain or provoke social or personal intimacies in particular contexts? The volume will appeal to all scholars with interests in music and how it is used to construct relationships in different contexts around the world"--
    Beschreibung / Inhaltsverzeichnis: Part I. Musical Intimacy in Performance. Introspection I -- Henry Stobart ; The Intimacy of Interlocking / Paul Berliner ; Spiritual and Emotional Dimensions of Female Lullaby Singing in Afghanistan / Veronica Doubleday ; Afghan Wars and Musical Intimacy / James Kippen -- Part II. Intimate Confessions and Biographical Strategies. Introspection II -- Margaret Sarkassian ; Radio and the Music Confessional / Stephen Cottrell ; Amīr Ḳhusraw Between Balkh and Delhi : The Transnational Legacies of an Indo-Afghan Poet-Musician / William Rees Hofmann ; Meetings With Masterly Musicians : Collaboration, Creation, and Curation in the Pursuit of Ethnomusicological Knowledge / Keith Howard ; Searching for a Voice : An Anatolian Tale / Martin Stokes -- Part III. Filmic Intimacies. Introspection III -- André Singer ; Intimacy in Ethnographic Film: Listening to How to Improve the World by Nguyễn Trinh Thi / Barley Norton ; The Sonic Intimacies of Khosrow Sinai's A Lost Requiem (1983) / Laudan Nooshin ; Intoxicated Intimacies : Drunken Heroes in Greek Popular Film and Song / Dafni Tragaki ; Epilogue. Digital Ethnomusicology in a Socially-Distanced World / Stephen Wilford
    Anmerkung: 2312
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  • 5
    ISBN: 9781666932966
    Sprache: Englisch
    Seiten: xiv, 237 Seiten
    Paralleltitel: Online version Loza, Steven Joseph Ethnomusicologist's last lecture
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    Schlagwort(e): Musik ; Musikethnologie ; Philosophie ; Religion ; Globalisierung ; Ethnomusicology ; Music and globalization ; Music / Religious aspects ; Music and philosophy ; Ethnomusicologie ; Musique et mondialisation ; Musique / Aspect religieux ; Musique et philosophie ; ethnomusicology ; Musikethnologie ; Musik ; Globalisierung ; Philosophie ; Religion
    Kurzfassung: "This book critically addresses the conventional practices of studies on music, while taking readers through various global examples of musical expression"--
    Beschreibung / Inhaltsverzeichnis: Thinking Globally : Thoughts and the Ideas of Others on Philosophy, Religion, and Music -- Composers and Ideologies through a World Prism -- The Spirituality of the Blues and Related Sacred Music -- Polarities, Windmills, and the Transcendence of the Universe -- James Newton, Composer of Faith -- Masked Phantoms : Thoughts on Our Research and Scholarship in Ethnomusicology -- Challenges to the Euro-Americentric Ethnomusicological Canon : Alternatives for Graduate Readings, Theory, and Method -- Toward a Theory for Religion as Art : From Merriam to Guadalupe -- Social Justice and My Work as a Music Scholar, Teacher, and Artist -- Free Thoughts
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  • 6
    Buch
    Buch
    Rochester, NY : University of Rochester Press
    ISBN: 9781648250637
    Sprache: Englisch
    Seiten: xvi, 252 Seiten , Illustrationen , 23 cm
    Serie: Eastman/Rochester studies in ethnomusicology 13
    Serie: Eastman/Rochester studies in ethnomusicology
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 780.89
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    Schlagwort(e): Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Kurzfassung: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Beschreibung / Inhaltsverzeichnis: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 7
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197525104
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 781.65092
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    Schlagwort(e): Brubeck, Dave / Criticism and interpretation ; Brubeck, Dave / Political and social views ; Music / ukslc ; Music / thema ; Jazz / History and criticism ; Jazz / Social aspects / United States / History / 20th century ; Music and race / United States / History / 20th century ; Civil rights movements / United States / History / 20th century
    Kurzfassung: How can we - jazz fans, musicians, writers, and historians - understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America. This book uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America
    Anmerkung: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    Buch
    Buch
    Lanham ; Boulder ; New York ; London :Rowman & Littlefield,
    ISBN: 978-1-5381-7172-1
    Sprache: Englisch
    Seiten: xviii, 357 Seiten : , Illustrationen, Porträts ; , 24 cm.
    Paralleltitel: Erscheint auch als
    DDC: 306.48426
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    Schlagwort(e): Geschichte 1970-2022 ; Punk rock music / Political aspects / History ; Punk rock musicians / Interviews ; Punk rock musicians ; Punk Rock. ; Rockmusiker. ; Rockmusikerin. ; Politischer Protest. ; Aktivismus. ; Soziale Bewegung. ; Interview ; History ; Interviews ; Oral histories ; Interview ; Interview ; Interview ; Punk Rock ; Rockmusiker ; Rockmusikerin ; Politischer Protest ; Aktivismus ; Soziale Bewegung ; Geschichte 1970-2022
    Kurzfassung: "This is the most wide-ranging and provocative look at punk rock as a social change movement over the past forty-five years, told through first-hand accounts of roughly 250 musicians and activists. John Malkin brings together punk's most famous figures as well as underground voices, creating a new and insightful history of punk throughout the ages"--
    Beschreibung / Inhaltsverzeichnis: Introduction. What You Think Changes How You Act -- Acknowledgments & Gratitude -- Mixing Punk & Politics : Common Ground For The Revolution -- Do It Yourself : DIY Together -- We Are All Pussy Riot : Punk On The Frontlines, Russia To Myanmar, China To Mexico -- East Berlin Punk : Clandestine Concerts Behind The Berlin Wall -- Music Is That Powerful Tool : Blackfire Navajo Punks -- Tijuana No! : Latin Punk Rock From Peru To Mexico To East L.A. -- Pansy Division : Out Of The Closet Into The Slampit -- Positive Force : Mark Andersen And Fugazi In Washington D.C. -- Fight War Not Wars : Punk Rock, Militarism, And War -- Just Another Gulf War : Punk, U.S. Wars In Iraq And Afghanistan, And 9/ -- America! Fuck Yeah! : Punks Perform For U.S. Soldiers -- Nazi Trumps Fuck Off! : Punk In The Trump Era -- I Am An Anarchist : Anti-Authoritarian Soundtrack -- To Hell With Poverty : Capitalism And Class In Punk Rock -- White Riot : Race And Anti-Racism In Punk -- Equal But Different : Gender & Feminism In Punk -- The Revolution Is Personal : Politics With A Small "P" -- The Revolution Will Be Commodified -- Burn Punk London : Joe Corre' And Extinction Rebellion -- How Revolutionary Has Punk Rock Been? -- Where Is The Revolution Now?
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  • 9
    Buch
    Buch
    New York ; London : Routledge
    ISBN: 9781032313757 , 9781032313764
    Sprache: Englisch
    Seiten: xvii, 244 Seiten , Illustrationen
    Serie: SOAS studies in music
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Tempel ; Instrumentalensemble ; Ritual ; Geistliche Musik ; Periya mēḷam ; Spiritualität ; Hinduismus ; Indien ; Periya mēḷam ; Instrumental ensembles / India, South / History and criticism ; Hindu music / India, South / History and criticism ; Hinduism / India, South / Rituals ; Hindu music ; Hindu temples ; Hinduism / Rituals ; Music / Religious aspects / Hinduism ; South India ; Criticism, interpretation, etc ; Indien Süd ; Hinduismus ; Tempel ; Geistliche Musik ; Periya mēḷam ; Instrumentalensemble ; Ritual ; Spiritualität
    Kurzfassung: "Music and Temple Ritual in South India: Performing for Śiva explores the musical practices of the periya mēḷam, a South Indian instrumental temple ensemble of professional musicians. It investigates the role, function and meaning of these practices in a complex, highly formalised ritual of high-caste (Brahmanical) Tamil Hindu temples dedicated to the Pan-Indian god Śiva - an important patron of music since at least the 10th century. The main themes are the meaning of music in Hindu culture and South Indian present-day, and its temple instrumental music and performance, in relation to Hindu ritual, devotion and the worship of divine images, as well as the sacred function of sound, music and performance in Hindu temple ritual practice. The book is much more than a rich and vivid ethnographic description of a local tradition. It also develops a comprehensive and original analytical model, in which music and performance are understood as both situated and creative practices and where the fluid relationship between humans and non-humans, in this case divine beings, is truly taken into consideration"--
    Beschreibung / Inhaltsverzeichnis: Introduction -- Temple Ritual and Image Worship -- Musicians, from Past to Present -- The Repertoire -- Sound, Space and Divine Images -- Musical Time vs. Ritual Time -- Music, Emotion and Devotion -- Conclusion
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  • 10
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501381867
    Sprache: Englisch
    Seiten: 208 Seiten
    Serie: Genre : a 33 1/3 series
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1979- ; Dance-Punk ; Dance-Punk ; Geschichte 1979-
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  • 11
    ISBN: 9781032332215 , 9781032332239
    Sprache: Englisch
    Seiten: viii, 154 Seiten
    Serie: Routledge histories of Central and Eastern Europe
    Paralleltitel: Äquivalent
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Nationalhymne ; Ostmitteleuropa ; Südosteuropa ; Ostmitteleuropa ; Südosteuropa ; Nationalhymne ; Geschichte
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  • 12
    Noten
    Noten
    New York ; London : Routledge
    ISBN: 9781032413846 , 9781032413853
    Sprache: Englisch
    Seiten: XIII, 282 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Serie: SOAS studies in music
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1700-1900 ; Maqām ; Sammlung ; Lied ; Quelle ; Reform ; Notenschrift ; Osmanisches Reich ; Istanbul ; Türkei ; Euterpe / (1830) ; Songs, Turkish / Turkey / Istanbul / 19th century / History and criticism ; Songs, Greek / Turkey / Istanbul / 19th century / History and criticism ; Songs, Turkish / Turkey / Analysis, appreciation ; Songs, Greek / Turkey / Analysis, appreciation ; Maqām / Turkey / 19th century / History and criticism ; Musical notation / Turkey / History / 19th century ; Music / Turkey / Western influences ; Turkey / History / Ottoman Empire, 1288-1918 ; Songs, Turkish / Turkey / Istanbul ; Songs, Greek / Turkey / Istanbul ; Euterpe (Foggia, Italy) ; Maqām ; Music / Western influences ; Musical notation ; Songs, Greek ; Songs, Turkish ; Turkey ; Turkey / Istanbul ; 1288-1918 ; Criticism, interpretation, etc ; History ; Scores ; Songs ; Songs ; Scores ; Quelle ; Kommentar ; Quelle ; Kommentar ; Türkei ; Istanbul ; Osmanisches Reich ; Maqām ; Lied ; Sammlung ; Quelle ; Notenschrift ; Reform ; Geschichte 1700-1900
    Kurzfassung: "Reform, Notation and Ottoman music in Early 19th Century Istanbul presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by classical Turkish music and is accompanied by a substantial examination of the related historical, theoretical and musical topics. Through a series of Ottoman/Turkish classical vocal music compositions that can be dated to 18th and 19th centuries, Euterpe and related sources reinforce a much broader picture of musical practice and transmission in which we clearly see that the Greek and Turkish traditions are linked. Reform, Notation and Ottoman music in Early 19th Century Istanbul is presented in two parts: historical discussion and musical analysis, and complete transcription and edition of Euterpe. This book will appeal to music scholars and university students interested in minorities, cosmopolitanism in the Middle East and Balkans, the relationship between music and national identity, musical notation, classical Ottoman/Turkish music, Byzantine music, and, most significantly, ethnomusicology"--
    Beschreibung / Inhaltsverzeichnis: Part I. Historical Discussion and Musical Analysis. Euterpe in an Ottoman context ; Makam, Usul, Repertoire and Style in Euterpe -- Part II. Transcription and Edition of Euterpe. Methodology ; Edition
    Anmerkung: Critical report in English; songs with words in Turkish or Greek
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  • 13
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501389153
    Sprache: Englisch
    Seiten: 176 Seiten , 17 cm
    Serie: 33 1/3 173
    Serie: 33 1/3
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): British Broadcasting Corporation ; Geschichte 1958- ; Elektronische Musik ; Großbritannien ; BBC Radiophonic Workshop / BBC Radiophonic Workshop -- a retrospective ; Television music / Great Britain / History and criticism ; Radio music / Great Britain / History and criticism ; Radio music ; Television music ; Great Britain ; Criticism, interpretation, etc ; Großbritannien ; British Broadcasting Corporation ; Elektronische Musik ; Geschichte 1958-
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  • 14
    Buch
    Buch
    London ; New York : Routledge
    ISBN: 9781032321622 , 9781032321660
    Sprache: Englisch
    Seiten: XVIII, 305 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Serie: SOAS studies in music
    Paralleltitel: Äquivalent
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1900-1950 ; Moderne ; Kunstlied ; Australien ; Ostasien ; Songs / East Asia / 20th century / History and criticism ; Music / East Asia / Western influences ; Modernism (Music) / East Asia ; Songs / Australia / 20th century / History and criticism ; Modernism (Music) ; Music / Western influences ; Songs ; Australia ; East Asia ; 1900-1999 ; Criticism, interpretation, etc ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Ostasien ; Australien ; Kunstlied ; Moderne ; Geschichte 1900-1950
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  • 15
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780197635216
    Sprache: Englisch
    Seiten: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Serie: Oxford studies in music theory
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Kurzfassung: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Beschreibung / Inhaltsverzeichnis: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
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  • 16
    Buch
    Buch
    Durham ; London : Duke University Press
    ISBN: 9781478025047 , 9781478020080
    Sprache: Englisch
    Seiten: XVI, 304 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 2000-2023 ; Nachtleben ; Elektronische Tanzmusik ; Nähe ; Party ; House ; Berlin ; Paris ; Chicago, Ill. ; Queer studies ; Electronic dance music / Social aspects ; Electronic dance music / Social aspects / Germany / Berlin ; Electronic dance music / Social aspects / Illinois / Chicago ; Electronic dance music / Social aspects / France / Paris ; Music and dance / Social aspects ; Dance / Social aspects ; Sound effects music ; Affect (Psychology) ; Intimacy (Psychology) ; Nightlife ; House music / Social aspects ; Ethnomusicology ; MUSIC / Ethnomusicology ; SOCIAL SCIENCE / LGBTQ Studies / General ; Affect (Psychology) ; Dance / Social aspects ; Ethnomusicology ; Intimacy (Psychology) ; Nightlife ; Sound effects music ; France / Paris ; Germany / Berlin ; Illinois / Chicago ; Chicago, Ill. ; Paris ; Berlin ; Elektronische Tanzmusik ; House ; Nachtleben ; Party ; Nähe ; Geschichte 2000-2023
    Kurzfassung: "Together, Somehow is Luis-Manuel Garcia Mispireta's exploration of "minimal" house and techno parties in Chicago, Paris, and Berlin during the early 2000s. In particular, Garcia Mispireta is interested in the utopic vision of the inclusive dancefloor, and the way that is produced through what he calls stranger-intimacy--the kind of warmth, sharing, and vulnerability between strangers that happens surprisingly often at popular electronic dance music parties. Drawing on fieldwork conducted in these cities, Together, Somehow rethinks intimacy and belonging through dancing crowds and throbbing dancefloors"--
    Beschreibung / Inhaltsverzeichnis: Touch and Intimacy on the Dancefloor -- Sonic Tactility -- Liquidarity -- Thickening Something -- The Sweetness of Coming Undone -- Bouncers, Door Policies, and Embedded Diversity
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  • 17
    Buch
    Buch
    Moskva : METAMORPHOSES | Moskva : Izdatelʹstvo "Omega-L"
    Titel: Аквариум : геометрия хаоса
    Verfasser: Кушнир, Александр
    Verlag: Москва : METAMORPHOSES
    Verlag: Москва : Издательство "Омега-Л"
    ISBN: 9785370053153
    Sprache: Russisch
    Seiten: 301 Seiten , Illustrationen, Porträts
    RVK:
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    Schlagwort(e): Akvarium ; Geschichte 1965-1997 ; Akvarium ; Geschichte 1965-1997
    Anmerkung: Text russisch , Kyrillische Schrift
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  • 18
    ISBN: 9780367546311 , 9780367546328
    Sprache: Englisch
    Seiten: xxviii, 415 Seiten , Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Musikalische Analyse ; Musikproduktion ; Schallaufzeichnung ; Popmusik ; Popular music / Analysis, appreciation ; Sound recordings / Production and direction ; Popular music / Analysis, appreciation ; Sound recordings / Production and direction ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikproduktion ; Schallaufzeichnung ; Musikalische Analyse
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  • 19
    Online-Ressource
    Online-Ressource
    Rochester, NY : University of Rochester Press
    ISBN: 9781580467377
    Sprache: Englisch
    Seiten: 1 Online-Ressource (221 Seiten)
    Serie: Eastman/Rochester studies in ethnomusicology
    Paralleltitel: Erscheint auch als
    DDC: 781.6309591
    RVK:
    RVK:
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    Schlagwort(e): Geschichte 1900-2011 ; Popular music / Burma / History and criticism ; Popular music / Social aspects / Burma ; Music trade / Burma ; Popular music / Censorship / Burma ; Zensur ; Musikwirtschaft ; Popmusik ; Birma ; Birma ; Popmusik ; Musikwirtschaft ; Zensur ; Geschichte 1900-2011
    Kurzfassung: Burma's Pop Music Industry is the first book to explore the contemporary pop music industry in a country that is little known or understood in the West. Based on years of fieldwork in Burma/Myanmar, Heather MacLachlan's work explores the ways in which aspiring musical artists are forging a place within the highly repressive social and political context that is Burma today. It deals sensitively with issues such as negotiating local and global styles,performance contexts and practices, and, more importantly, with ethical issues such as the anonymity of informants and the place of Western ethnomusicologists in countries outside the West. Drawn from interviews conducted from 2007 through 2009 with Burmese composers, performers, producers, concert promoters, journalists, recording engineers, radio station employees, music teachers, and censors in Yangon -- Burma's largest city and the locus of all pop music production -- Burma's Pop Music Industry represents a significant contribution both to popular music studies and to Southeast Asian studies
    Anmerkung: Title from publisher's bibliographic system (viewed on 10 Feb 2023) , The creators of Burmese pop music -- The sound of Burmese pop songs -- Learning music in Burma today -- Six facets of the Burmese pop music industry -- Musicians and the censors : the negotiation of power -- Conclusion : the significance of the Burmese perspective
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 20
    Buch
    Buch
    London : Louder Than War Books
    ISBN: 9781526173201
    Sprache: Englisch
    Seiten: viii, 539 Seiten , Illustrationen
    RVK:
    Schlagwort(e): Sozialgeschichte ; Rockmusik ; Subkultur ; Gothic Rock ; Gothic rock music ; Goth culture (Subculture) ; Goth culture (Subculture) ; Gothic rock music ; Rockmusik ; Gothic Rock ; Subkultur ; Sozialgeschichte
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  • 21
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501387050 , 9781501387067
    Sprache: Englisch
    Seiten: xi, 354 Seiten , Illustrationen
    Ausgabe: Revised edition
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): The Beatles ; Beatles ; Rock music / Analysis, appreciation ; Rock musicians / England ; Beatles ; Rock musicians ; England ; Biografie ; Biografie ; Biografie ; The Beatles
    Kurzfassung: "A follow-up to the successful 2007 edition, which, despite numerous Beatles-related books published in the intervening years, still stands alone for its chronological, album-by-album analysis of the band's work"--
    Beschreibung / Inhaltsverzeichnis: Prologue : The End -- The Beginning -- A Cellarful of Noise -- And the Band Begins to Play -- Rock and Roll Music -- The Biggest Showbiz Town Ever -- War-Weary -- Yesterday and Today -- Plastic Soul -- The End of the Road -- The Act You've Known for All These Years -- Roll Up for the Mystery Tour -- Whiter Shades of Pale -- Getting Back -- The Dream Is Over -- Epilogue : Long Live the Dream
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  • 22
    Buch
    Buch
    Berlin : Logos Verlag Berlin
    ISBN: 9783832556280
    Sprache: Englisch
    Seiten: xiv, 204 Seiten , Illustrationen
    Serie: Musikkulturen im Fokus Band 3
    Serie: Musikkulturen im Fokus
    Originaltitel: Preserving traditional music in South Asia
    Dissertationsvermerk: Dissertation Freie Universität Berlin 2022
    DDC: 780.8991495
    RVK:
    Schlagwort(e): Gebrauchsmusik ; Volksmusikpflege ; Musikethnologie ; Nepal ; Ethnomusicology ; Nepal ; Traditional Music ; Cultural Preservation ; South Asia ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Nepal ; Volksmusikpflege ; Gebrauchsmusik ; Musikethnologie
    Anmerkung: Titel der Dissertation: Preserving traditional music in South Asia
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  • 23
    Online-Ressource
    Online-Ressource
    Rochester, NY : University of Rochester Press
    ISBN: 9781580467230
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xix, 260 Seiten) , Illustrationen
    Serie: Eastman studies in music
    Paralleltitel: Erscheint auch als
    DDC: 306.4842094409034
    RVK:
    Schlagwort(e): Geschichte 1870-1939 ; Music / Political aspects / France / History / 20th century ; Music / Political aspects / France / History / 19th century ; Nationalism in music ; Musik ; Nation ; Kultur ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation ; Geschichte 1870-1939
    Kurzfassung: Here, essays from musicologists, historians, art historians and literary scholars reconsider the relationship of Debussy, Gaugin, Jolivet, Zola, and other great French creative artists to cultural and political trends (for example, the rise of the press, nationalism, etc.) during the Third Republic
    Anmerkung: Previously issued in print: 2008. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 24
    Buch
    Buch
    Cambridge, UK ; Hoboken, NJ, USA : Polity
    ISBN: 9781509552030 , 9781509552023
    Sprache: Englisch
    Seiten: vii, 156 Seiten
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Popmusik ; Popmusik
    Kurzfassung: "A highly original account of pop music as a constellation of social practices"--
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 25
    Buch
    Buch
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781108837125 , 9781108927680
    Sprache: Englisch
    Seiten: xiii, 308 Seiten , Illustrationen, Karte , 25,2 cm
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 2000-2022 ; Countrymusic ; Nordamerika ; Country music / History and criticism ; Country music / Social aspects ; Country music ; Country music / Social aspects ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Nordamerika ; Countrymusic ; Geschichte 2000-2022
    Kurzfassung: "In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and historiography and expands new areas of inquiry relating to contemporary country music identity and culture"--
    Beschreibung / Inhaltsverzeichnis: "She went to Nashville to sing country music" : Gatekeeping and the Country Music Industry / by Paula J. Bishop and Jada Watson -- INDUSTRY. Mailbox Money : Novel Liberation Strategies of a Black Female Country Songwriter / by Alice Randall ; Dixie Chicked : Sony vs. The Chicks and the Regendering of Country Music in the Early Twentieth-Century / by Kristine M. McCusker ; How 360° Deals Homogenized Country Music / by Rachel Skaggs ; A Double-Edged Sword : Industry Data and the Construction of Country Music Narratives / by Jada Watson -- CODES OF CONDUCT. Why Country Music Needs Latina Feminism / by Sophia Enriquez ; Pistol Annies : Country Rebels with Humor / by Stephanie Vander Wel ; From Bros to Gentlemen : The Problem of Consent in Contemporary Country Music / by Phoebe E. Hughes ; Cowboys on a Beach : Summer Country and the Loss of Working-Class Identity / by Jocelyn R. Neal -- AUTHENTICITY. Dolly Parton's Netflix Reimagining : How Her Twenty-First Century "Jolene" Revises Country Music's Authenticity Narrative / by Leigh H. Edwards ; "When Britney [Spears] Ruled the World" : Expanding the Stylistic Boundaries of Nostalgia in Country Music / by Paula J. Bishop ; Rhinestone Revivals : Repurposing the Nudie Suit for the Twenty-first Century / by Janet Aspley ; Country Music Doesn't Have to Suck : Intertextuality, Community, and Bloodshot Records / by Nancy P. Riley -- BOUNDARY WORK. Playing at the Border : Navajo Country Western Music and Border Town Racism / by Kristina Jacobsen ; Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers / by Nadine Hubbs ; Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyonce's and The Chicks' "Daddy Lessons" / by Rebekah Hutten ; "We have a Lot of Work to Do" : Rhiannon Giddens and Country Music's Mixed Roots / by Tracey E. Laird -- Epilogue. Country Music Needs a Revolution / by Rissi Palmer
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  • 26
    Online-Ressource
    Online-Ressource
    London ; New York : Bloomsbury Academic
    ISBN: 9781350287006 , 9781350286986
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 544 Seiten) , Illustrationen, Diagramme
    Serie: Bloomsbury handbooks
    Serie: Bloomsbury collections
    Paralleltitel: Erscheint auch als
    DDC: 781.64/112
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Religion ; Popular music Religious aspects ; Religiosität ; Unterhaltungsmusik ; Religion ; Volksmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Volksmusik ; Religion ; Religiosität ; Geschichte
    Kurzfassung: "The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology and sociology. It comprises 33 updated essays, a replacement of one of the chapters (on Buddhism), and six new chapters on the following areas: · Popular Music, Religion, and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to methodology, key genres, and popular music subcultures, as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular."
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 27
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197635247
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Serie: Oxford studies in music theory
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 782.421641226
    RVK:
    Schlagwort(e): Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Geschichte 1960-1980 ; Music / ukslc ; Music / thema ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Kurzfassung: How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance
    Anmerkung: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 28
    Buch
    Buch
    New York ; London ; Oxford : Bloomsbury Academic
    ISBN: 9781501373602
    Sprache: Englisch
    Seiten: viii, 169 Seiten , 20 cm
    Serie: Genre: a 33 1/3 series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Trip Hop ; Trip-hop (Music) / History and criticism ; Trip Hop ; Geschichte
    Kurzfassung: "Guides readers through the genre of trip-hop as the first book on the genre in 20 years, right at a time when trip-hop is making a revival in both underground scenes and popular artists"--
    Beschreibung / Inhaltsverzeichnis: Prologue. Beat Bop -- Trip-Hop -- Dub-Hop -- Lovers Hip-Hop -- Chill Out -- Cut-Up -- Contemplating Jazz -- Abstract Hip-Hop -- Lo-Fi -- Blunted Beats -- Subterranean Abstract Blues -- Black-Hearted Soul -- Exotica -- Hip-Hop Blues -- Canceled Futures
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  • 29
    ISBN: 9781009272544 , 9781009272544
    Sprache: Englisch
    Seiten: 81 Seiten , 24 cm
    Serie: Cambridge elements: Elements in twenty-first century music practice
    RVK:
    Schlagwort(e): Geschichte 2006- ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Ethnomusicology / Vietnam ; Ethnomusicology / Cross-cultural studies ; Music / Methods / Cross-cultural studies ; Ethnomusicologie / Viêt-nam ; Ethnomusicologie / Études transculturelles ; Ethnomusicology ; Music ; Vietnam ; Cross-cultural studies ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
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  • 30
    Buch
    Buch
    Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia : Cambridge University Press
    ISBN: 9781009005272 , 9781316511077
    Sprache: Englisch
    Seiten: XX, 323 Seiten , Illustrationen
    Serie: Cambridge companions to music
    Paralleltitel: Erscheint auch als
    DDC: 781.660943/09047
    RVK:
    RVK:
    RVK:
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    Schlagwort(e): Krautrock ; Krautrock (Music) / History and criticism ; Popular music / Germany / History and criticism ; MUSIC / General ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Krautrock
    Kurzfassung: "Krautrock and its offshoots have had a tremendous impact on musical production and reception in Great Britain and the US since the 1970s. Genres such as indie, post-rock, EDM, and hip-hop have drawn heavily on Krautrock and have connected a music that initially disavowed its European American and African American origins with the lived experience of whites and blacks in the United States and Europe. At the same time, while reaching for an imagined cosmic community, Krautrock, not only by its name, stirs up essentialist notions of national identity and citizenship."
    Anmerkung: Includes index
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  • 31
    ISBN: 9783990129807
    Sprache: Englisch
    Seiten: X, 242 Seiten , 24 cm x 17 cm
    Serie: Beiträge zur Jazzforschung 16
    Serie: Beiträge zur Jazzforschung
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1880-1930 ; Jazz ; Jazz ; United States ; Mississippi ; jazz history ; Maximilian Hendler ; Beiträge zur Jazzforschung ; Studies in Jazz Research ; Jazz ; Geschichte 1880-1930
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  • 32
    Buch
    Buch
    New York ; London : Routledge
    ISBN: 9781032111209 , 9781032111230 , 9781032431147
    Sprache: Englisch
    Seiten: xvi, 218 Seiten
    Serie: SOAS studies in music
    Paralleltitel: Äquivalent
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1980- ; Gedenken ; Lied ; Katastrophe ; Kanada ; Maritime Provinzen ; Disasters / Atlantic Provinces / Songs and music / History and criticism ; Memorialization / Atlantic Provinces / History ; Canada ; Disasters / Songs and music ; Memorialization ; Canada / Atlantic Provinces ; Criticism, interpretation, etc ; History ; Kanada ; Maritime Provinzen ; Lied ; Katastrophe ; Gedenken ; Geschichte 1980-
    Kurzfassung: "Disaster Songs as Intangible Memorials in Atlantic Canada draws on a collection of over 500 Atlantic Canadian songs relating to disasters from 1891 up until the present, and describes the characteristics that define them as intangible memorials. The book demonstrates the relationship between vernacular memorials - informal memorials collectively and spontaneously created from objects and notes by the general public - and disaster songs. Author identifies the features that define vernacular memorials, and applies them to disaster songs: spontaneity; ephemerality; importance of place; motivations and meaning-making; content, as well as the role of media in inspiring and disseminating memorials and songs"--
    Beschreibung / Inhaltsverzeichnis: Preface. Come All Ye -- Introduction -- Formal Memorials, Vernacular Memorials, and Disaster Songs -- Going Down in History : The Story of Disaster Songs -- Locating Meaning : The Place of Disasters in Songs -- Spontaneity & Ephemerality : The Timing of Memorialization -- Social Significance : The Motivation to Create Disaster Songs -- Personal Motivations : Relationships & Grief -- News & Social Media : Inspiring, Informing, and Disseminating Disaster Songs -- Conclusion
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  • 33
    ISBN: 9781789387315
    Sprache: Englisch
    Seiten: xviii, 256 Seiten , Illustrationen, Karten, Porträts , 21 cm
    Serie: Global punk
    Paralleltitel: Erscheint auch als
    RVK:
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    Schlagwort(e): Demob ; Geschichte 1981-2011 ; Geschichte 1981-2017 ; Musikleben ; Subkultur ; Rezeption ; Punk Rock ; Jugoslawien ; Balkanhalbinsel ; Phillips, Barry / Travel / Former Yugoslave republics ; Demob / No room for you ; Punk rock music / Yugoslavia / History and criticism ; Yugoslavia / Social life and customs ; Former Yugoslav republics / Description and travel ; Erlebnisbericht ; Erlebnisbericht ; Erlebnisbericht ; Demob No Room For You ; Rezeption ; Jugoslawien ; Geschichte 1981-2011 ; Balkanhalbinsel ; Punk Rock ; Subkultur ; Musikleben ; Geschichte 1981-2017
    Anmerkung: das r in search ist im Haupttitel spiegelverkehrt dargestellt
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  • 34
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501383427
    Sprache: Englisch
    Seiten: x, 180 Seiten , 19,8 cm
    Serie: Genre, a 33 1/3 series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.630968
    RVK:
    Schlagwort(e): Rockmusik ; Geschichte ; Kultur ; Popmusik ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
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  • 35
    ISBN: 9781003043904 , 9780367490034 , 9780367630355
    Sprache: Englisch
    Seiten: XVII, 349 Seiten , Illustrationen
    Serie: Routledge music companions
    Paralleltitel: Äquivalent
    DDC: 780.89
    RVK:
    Schlagwort(e): Ethik ; Musikethnologie ; Forschung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Forschung ; Ethik
    Beschreibung / Inhaltsverzeichnis: Includes bibliograpical references and index
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  • 36
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197683750
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xii, 221 Seiten)
    Serie: Oxford theory in ethnomusicology
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 780.89
    RVK:
    Schlagwort(e): Music / ukslc ; Music / thema ; Ethnomusicology ; Music theory ; Musiktheorie ; Musikethnologie ; Musikethnologie ; Musiktheorie
    Kurzfassung: 'Music Theory in Ethnomusicology' outlines a conception of music theory suited to cross-cultural research on musical practices, assessing the extent to which musical terminologies of diverse languages can be interpreted in relation to general concepts without imposing the assumptions and biases of one body of existing theory
    Anmerkung: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 37
    Buch
    Buch
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108837057 , 9781108940030
    Sprache: Englisch
    Seiten: xv, 295 Seiten
    Serie: Cambridge companions to music
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Kurzfassung: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
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  • 38
    Buch
    Buch
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781793620392
    Sprache: Englisch
    Seiten: IX, 139 Seiten , Illustrationen, Porträts
    Serie: Critical perspectives on music and society
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1980-2022 ; Subkultur ; Techno ; Rave ; Musikwirtschaft ; Electronic dance music / Social aspects / History ; Rave culture ; Rave culture ; History ; Rave ; Techno ; Subkultur ; Musikwirtschaft ; Geschichte 1980-2022
    Kurzfassung: "This text explores how the Electronic Dance Music subculture transitioned from a marginalized deviant subculture to a billion-dollar culture industry, looking at how the culture's success has undermined in-group solidarity and marginalized those who helped pioneer it"--
    Beschreibung / Inhaltsverzeichnis: Introduction -- Phase I : Beginnings (1980s-1995) Phase II : The Rise of the Rave Outlaw (1995-2009) -- Phase III : EDM as Culture Industry (2010-2022) -- Conclusion -- Appendix. The Rave Act
    Anmerkung: Noch nicht erschienen (Stand: 12.05.2023)
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  • 39
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501333699
    Sprache: Englisch
    Seiten: XIX, 696 Seiten , 26,2 cm
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.4/8423
    RVK:
    RVK:
    Schlagwort(e): Jugendkultur ; Musiksoziologie ; Popmusik ; Popular music / Social aspects ; Music and youth ; Youth / Social life and customs ; Counterculture ; Subculture ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Jugendkultur ; Musiksoziologie
    Anmerkung: Description based upon print version of record
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 40
    Buch
    Buch
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781538165300
    Sprache: Englisch
    Seiten: xi, 187 Seiten
    Serie: Popular musics matter: Social, political and cultural interventions
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1977-1980 ; Elektronische Musik ; Synthesizer ; Popmusik ; Großbritannien ; Electronica (Music) / Great Britain / History and criticism ; Popular music / Great Britain / 1971-1980 / History and criticism ; Synthesizer (Musical instrument) / Great Britain / History ; Electronica (Music) ; Popular music ; Synthesizer (Musical instrument) ; Great Britain ; 1971-1980 ; Criticism, interpretation, etc ; History ; Großbritannien ; Popmusik ; Synthesizer ; Elektronische Musik ; Geschichte 1977-1980
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  • 41
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501346408 , 9781501346415
    Sprache: Englisch
    Seiten: viii, 204 Seiten , 23 cm
    Serie: Alternate takes
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Musikleben ; Musiksoziologie ; Subkultur ; Soziale Ungleichheit ; Elektronische Tanzmusik ; Frau ; Electronic dance music / History and criticism ; Electronic dance music / Social aspects ; Sex role ; Sexism ; Elektronische Tanzmusik ; Subkultur ; Musikleben ; Frau ; Soziale Ungleichheit ; Musiksoziologie
    Kurzfassung: "A candid reevaluation of dance music as an everyday culture that reproduces social inequalities"
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  • 42
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190856731
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 793.3
    RVK:
    Schlagwort(e): Hip-hop dance ; African American aesthetics ; Hip-Hop ; Tanz ; Ästhetik ; Hip-Hop ; Tanz ; Ästhetik
    Kurzfassung: Imani Kai Johnson offers a key to thinking about the relationship between Hip Hop aesthetics and Africanism on a global scale, tracking its mutations as Hip Hop has moved from New York to nearly every city and radio station around the globe.
    Anmerkung: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 43
    Buch
    Buch
    Gossenberg : Ostasien Verlag
    ISBN: 9783940527271
    Sprache: Englisch , Chinesisch
    Seiten: 285 Seiten
    Ausgabe: 1. Auflage
    Serie: Bibliothek der Tang und Song 6
    Serie: Bibliothek der Tang und Song
    RVK:
    Schlagwort(e): Zhu, Changwen ; Geschichte Anfänge - 1050 ; Geschichte 1098 ; Musiker ; Qinspiel ; Qin ; China ; Quelle ; China ; Qinspiel ; Musiker ; Geschichte Anfänge - 1050 ; Qin ; Geschichte 1098 ; Zhu, Changwen 1039-1098
    Anmerkung: Zweisprachige Ausgabe/ bilingual edition , Zusatz auf dem Umschlag: Translated and annotated by Luca Pisano , Text englisch und chinesisch
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  • 44
    Buch
    Buch
    Manchester : Manchester University Press
    ISBN: 9781526168450
    Sprache: Englisch
    Seiten: viii, 365 Seiten , Illustrationen , 24 cm
    Paralleltitel: Erscheint auch als
    DDC: 942.733085
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1979-2023 ; Stadtentwicklung ; Popkultur ; Sport ; Popmusik ; Manchester ; Popular culture / England / Manchester ; Popular music / England / Manchester ; Property / England / Manchester ; Soccer / England / Manchester ; Manchester (England) / History / 20th century ; Manchester (England) / History / 21st century ; Popular culture ; Popular music ; Property ; Soccer ; England / Manchester ; 1900-2099 ; History ; Manchester ; Popmusik ; Popkultur ; Sport ; Stadtentwicklung ; Geschichte 1979-2023
    Kurzfassung: At the end of the 1970s, Manchester seemed to be sliding into the dustbin of history. Today the city is an international destination for culture and sport, and one of the fastest-growing urban regions in Europe. This book gives a first-hand account of what happened in between
    Anmerkung: Maps on lining paper
    URL: Cover  (lizenzpflichtig)
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  • 45
    Buch
    Buch
    New York ; London : Routledge
    ISBN: 9780367534141 , 9780367630324
    Sprache: Englisch
    Seiten: xv, 498 Seiten , Illustrationen, Diagramme
    Serie: Routledge music companions
    Paralleltitel: Erscheint auch als
    DDC: 781.6509
    RVK:
    Schlagwort(e): Geschlechtsidentität ; Jazz ; Jazz / History and criticism ; Jazz / Social aspects / History ; Jazz / Historiography ; Jazz / Instruction and study / History ; Gender identity in music ; Women jazz musicians ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Geschlechtsidentität
    Kurzfassung: Part I. Historical Perspectives. "The Frivolous, Scantily Clad 'Jazzing Flapper,' Irresponsible and Undisciplined" : Jazz as a Feminine Domain / Bruce Johnson ; "I've Got the Haitian Blues" : Mamie Desdunes and the Gendered Inflections of the Common Wind / Ben Barson ; Lil Hardin Armstrong and Helen Joyner : The Forgotten Patrons of Jazz / Jeremy Brown ; Queer Aesthetics and the Performing Subject in Jazz in the 1920s / Magdalena Fürnkranz ; Black Against the Stave : Black Modern Girls in British Interwar Jazz / Jessica Chow ; Trumpet Men : Performances of Masculinity in Jazz / Aaron J. Johnson ; Hard Bop Cool Pose : Bebop, the Blues, and Masculinity in the Music of Lee Morgan / Keith Karns ; Toward a Feminist Understanding of Jazz Curatorship / Kara Attrep ; The Girl in the Other Room : Generating New Open Knowledge for the Women of Jazz / M. Cristina Pattuelli and Karen Li-Lun Hwang ; The Rise of Queermisia in Jazz : Medicalization, Legislation, and Its Effects / Chloe Resler ; Constructing a Diverse and Inclusive Jazz Tradition : A Uchronic Narrative / Michael Kahr --
    Kurzfassung: Part II. Identity and Culture. Playing the Part : A Social-Psychological Perspective on Being a Girl in Jazz / Erin L. Wehr ; Gender, Sexuality, and Jazz Saxophone Performance / Yoko Suzuki ; A Clash of Identities : How Aspects of Gender and Identity in Jazz Influence Both the Music and Its Perception / Wolfram Knauer ; "I'm Just One of Them" : Gender in Jazz Competitions / Matthias Heyman ; Gendered Interventions in European Jazz Festival Programming : Keychanges, Stars, and Alternative Networks / Kristin McGee ; Resurrecting Masculinity : Gender, Jazz Timbre, and the Afterlife of Dennis Irwin's Bass / Ken Tianyuan Ge ; Jazz Dance, Gender, and the Commodification of the Moving Body : Examining Patriarchal and White Supremacist Structures in Social and Commercial Jazz Dance Forms / Brandi Coleman ; Women's Access to Professional Jazz : From Limiting Processes to Levers for Transgression / Marie Buscatto ; "It Ain't Who You Are" : Authenticity, Sexuality, and Masculinity in Jazz / Ann Cotterell --
    Kurzfassung: Part III. Society and Education. Oppression and Hope : Students' Perceptions of Gender and Stereotypes in Jazz Appreciation and History / James Reddan ; Picturing Women in Jazz : An Analysis of Three Jazz History Textbooks / Ramsey Castaneda and Amanda Quinlan ; Degendering Jazz Guitar : Reimagining the Past - Realigning the Future / Tom Williams ; "Music Saved My Live" : Jennifer Leitham on Life, Music, and Gender ; Joshua Palkki, Carl Oser, and Jennifer Leitham ; Can E-Flat Be Sexist? Canonical Keys as Marginalizing Practice in Jazz / Wendy Hargreaves and Melissa Forbes ; Inclusive Jazz History Pedagogy / Sonya R. Lawson ; Negotiating Hegemonic Masculinity in Australian Tertiary Jazz Education / Robert Burke and Clare Hall ; Jazzwomen in Higher Education : Experiences, Attitudes, and Personality Traits / Natalie Boeyink ; The Gender Imperative in Jazz : The Role of Intercultural Maturity in Jazz Curricula / Lenora Helm Hammonds ; In Her Own Words : Documenting the Current Realities of Women-in-Jazz / Kiernan Steiner and Alexandra Manfredo ; Call and (Her) Response : Improvisation and the Myth of Absence / Dana Reason --
    Anmerkung: Includes bibliographical references and index
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  • 46
    Buch
    Buch
    London ; New York, NY : Routledge
    ISBN: 9780367406837
    Sprache: Englisch
    Seiten: 44 Seiten , 22 cm
    Serie: Routledge advances in theatre & performance studies
    Paralleltitel: Äquivalent
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Beyoncé ; Geschichte 2013-2016 ; Afroamerikanische Musik ; Feminismus ; Karriere ; Beyoncé / 1981- / Criticism and interpretation ; Popular music / History and criticism ; African American women in popular culture ; Feminism and music ; Beyoncé / 1981- ; African American women in popular culture ; Feminism and music ; Popular music ; Criticism, interpretation, etc ; Beyoncé 1981- ; Afroamerikanische Musik ; Feminismus ; Karriere ; Geschichte 2013-2016
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  • 47
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780199303533 , 9780199303526
    Sprache: Englisch
    Seiten: xii, 221 Seiten
    Serie: Oxford theory in ethnomusicology
    Paralleltitel: Erscheint auch als
    DDC: 780.89
    RVK:
    Schlagwort(e): Musiktheorie ; Musikethnologie ; Ethnomusicology ; Music theory ; Musikethnologie ; Musiktheorie
    Kurzfassung: "Music theory's presence in ethnomusicology comes from the socialization and theorizing of participants in the world's musical practices and of ethnomusicologists themselves. Results of processes of theorizing focused on musical activity differ greatly in scope, make-up, and uses. During the 1960s and 70s ethnomusicologists who formed relationships with music-makers and ritual specialists attempted to interpret their understandings of musical actions. Subsequently ethnomusicologists have studied roles of explicit and implicit theory in communication of musical knowledge, with attention to aural learning and relevant techniques of the body. They have observed the production of music theory in institutions of modern nation-states and have sought out groups and individuals whose theorizing is not constrained by projects of existing institutions. They are assessing the ways in which musical terminologies in diverse languages can be related to general concepts without imposing assumptions of one approach to music theory on all others. That exercise is increasingly recognized as a necessary effort of decolonization: the heritage of ethnomusicology encompasses all the world's music-theoretical practices, and no formulation of Western music theory should be used as a standard against which to judge other ways of theorizing and making use of the results. The best future for ethnomusicological engagement with music theory would expand the situations and media of communication along with the topics and viewpoints in play. This book reviews existing work on music theory by ethnomusicologists and others, highlighting potentially productive insights that could inspire and guide future work"
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  • 48
    Buch
    Buch
    Charlottesville ; London : University of Virginia Press
    ISBN: 9780813949826 , 9780813949819
    Sprache: Englisch
    Seiten: x, 276 Seiten , Illustrationen
    Serie: New world studies
    Paralleltitel: Erscheint auch als
    Dissertationsvermerk: Dissertation Princeton University 2023
    DDC: 781.649
    RVK:
    Schlagwort(e): Hip-Hop ; Rapmusiker ; Politischer Protest ; Haiti ; Brasilien ; Kuba ; Rap (Music) / Cuba / History and criticism ; Rap (Music) / Brazil / History and criticism ; Rap (Music) / Haiti / History and criticism ; Rap (Music) / Political aspects / Cuba ; Rap (Music) / Political aspects / Brazil ; Rap (Music) / Political aspects / Haiti ; Rap (Music) ; Rap (Music) / Political aspects ; Brazil ; Cuba ; Haiti ; Criticism, interpretation, etc ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Kuba ; Brasilien ; Haiti ; Rapmusiker ; Hip-Hop ; Politischer Protest
    Kurzfassung: "Drawing on ethnographic fieldwork and an archive of hundreds of songs by more than sixty hip hop artists, this book examines how rap's political messages are adapted and reinterpreted to reflect the unique situations in Cuba, Brazil, and Haiti"
    Anmerkung: Titel auf dem Umschlag: "Break & flow"
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  • 49
    Buch
    Buch
    Bristol, UK ; Chicago, USA : Intellect
    ISBN: 9781789388428
    Sprache: Englisch
    Seiten: xxiv, 330 Seiten , Illustrationen , 25,3 cm
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Hip-Hop ; Archivierung ; Hip-hop ; Rap (Music) ; Hip-hop / Archival resources ; Rap (Music) / Archival resources ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Hip-Hop ; Archivierung
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Klappentext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Klappentext  (lizenzpflichtig)
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  • 50
    Buch
    Buch
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9781032276533 , 9781032276540
    Sprache: Englisch
    Seiten: xvii, 222 Seiten , Illustrationen
    Serie: SOAS studies in music
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1900- ; Volkslied ; Sephardim ; Spanien ; Folk songs, Ladino / History and criticism ; Folk songs, Ladino ; Criticism, interpretation, etc ; Spanien ; Sephardim ; Volkslied ; Geschichte 1900-
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  • 51
    Online-Ressource
    Online-Ressource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108938075
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xv, 295 Seiten)
    Serie: Cambridge companions to music
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.63095195
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Popular music ; Sound recording industry ; Aufsatzsammlung ; Aufsatzsammlung ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte ; K-Pop
    Kurzfassung: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 52
    Bild
    Bild
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781793651853
    Sprache: Englisch
    Seiten: IX, 407 Seiten , Illustrationen , 24 cm
    Serie: Extreme sounds studies : global socio-cultural explorations
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Musikleben ; Heavy Metal ; Sozialer Wandel ; Entwicklungsländer ; Heavy metal (Music) / Developing countries / History and criticism ; Heavy metal (Music) / Social aspects / Developing countries ; Heavy metal (Music) ; Developing countries ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Entwicklungsländer ; Heavy Metal ; Musikleben ; Sozialer Wandel ; Geschichte
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  • 53
    Titel: Ленинградский рок-клуб, Рубинштейна, 13 : рождение истории
    Verfasser: Бурлака, Андрей Петрович
    Verlag: Москва : Издательство АСТ
    ISBN: 9785171488741
    Sprache: Russisch
    Seiten: 207 Seiten , Illustrationen , 29 cm
    Serie: Zvezdy veka
    RVK:
    RVK:
    Schlagwort(e): Akvarium ; Zoopark ; Kino ; Geschichte ; Rockgruppe ; Russland ; History and criticism ; Literature on music ; The performing arts. Show business ; Russland ; Rockgruppe ; Akvarium ; Kino ; Zoopark ; Geschichte
    Anmerkung: Akvarium, Zoopark, Popularnaja mechanika, Kino, Mify, Rossijane, Piknik , Text russisch , Kyrillisch
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  • 54
    Online-Ressource
    Online-Ressource
    Rochester : University of Rochester Press
    ISBN: 9781805430643
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxiii, 277 Seiten)
    Serie: Eastman/Rochester studies in ethnomusicology
    Paralleltitel: Erscheint auch als
    DDC: 780.89
    RVK:
    Schlagwort(e): Ethnomusicology / Uganda ; Performing arts / Uganda ; Gender identity in music ; Gender identity in dance ; Geschlechterrolle ; Postkolonialismus ; Darstellende Kunst ; Uganda ; Postkolonialismus ; Darstellende Kunst ; Geschlechterrolle ; Uganda
    Kurzfassung: Focusing on 'runyege', the main traditional performance genre of the Banyoro and Batooro people, this book explores the entanglement of traditional music, dance, and theater with gender and postcolonialism in Western Uganda
    Anmerkung: Title from publisher's bibliographic system (viewed on 15 Dec 2023) , "Traditional dance preserves culture and shows people how to behave": Runyege, MDD, and gender -- Singing marriage, Runyege, and labor -- "Women aren't supposed to": instrument playing in the past and today -- Shaking the hips, stamping the feet : the Runyege dance -- Narrating and representing local culture : theater in songs and dances -- Trans-performing and morality in cultural groups -- Postlude: gendering culture -- Appendix I. Glossary of terms in Runyoro-Rutooro -- Appendix II. Historical recordings from Bunyoro and Tooro -- Author's interviews
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 55
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9781009272575
    Sprache: Englisch
    Seiten: 1 Online-Ressource (81 Seiten)
    Serie: Cambridge elements
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 780.89
    RVK:
    Schlagwort(e): Geschichte 2006- ; Ethnomusicology / Cross-cultural studies ; Ethnomusicology / Vietnam ; Music / Methods / Cross-cultural studies ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
    Kurzfassung: This Element demonstrates how a combination of stimulated recall and collaborative autoethnographic strategies can be applied to artistic and scholarly work at the intersection of ethnomusicology and practice-led-research. The authors relate recently collected material from fieldwork in Vietnam to the long-term method development within the Vietnamese/Swedish group The Six Tones, of which three authors are the founding members. The discussion centers around the inter-subjective forms of stimulated recall analysis, developed through the creative work of this innovative intercultural music ensemble. The aim of this Element is to create a decolonized methodology-for both music performance and research-and it provides a detailed account of this method development starting in 2006. Furthermore, the authors discuss how this practice was successfully shared with three master performers in the south of Vietnam as part of a collaborative project in 2018-2019
    Anmerkung: Title from publisher's bibliographic system (viewed on 02 Oct 2023)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 56
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780197555194 , 9780197555187
    Sprache: Englisch
    Seiten: X, 181 Seiten , 21 cm
    Serie: Oxford theory in ethnomusicology series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.4/842
    RVK:
    Schlagwort(e): Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Kurzfassung: "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe."
    Beschreibung / Inhaltsverzeichnis: Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion
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  • 57
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780197555224
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 181 Seiten) , Illustrationen
    Serie: Oxford theory in ethnomusicology
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 306.4842
    RVK:
    Schlagwort(e): Music / ukslc ; Society & culture: general / thema ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Kurzfassung: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity
    Anmerkung: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 58
    Online-Ressource
    Online-Ressource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781009036535
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xx, 323 Seiten) , Illustrationen
    Serie: Cambridge companions to music
    Serie: Cambridge companions online
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.660943/09047
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    Schlagwort(e): Krautrock ; Krautrock (Music) / History and criticism ; Popular music / Germany / History and criticism ; MUSIC / General ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Krautrock
    Kurzfassung: Introduction / Uwe Schütte -- Part I. Context. Krautrock : Definitions, Concepts, Contexts / Ulrich Adelt ; Krautrock and the Radical Politics of 1968 / Detlef Siegfried ; Krautrock in the British and American Music Press / Alexander Simmeth ; Infrastructure of the German Music Business / Jan-Peter Herbst ; The Sound of Krautrock / Heather Moore -- Part II. Music. Kraftwerk / Uwe Schütte ; Can / Patrick Glen ; Tangerine Dream / Sean Nye and Michael Krikorian ; Neu! / David Stubbs ; Faust / Alexander Henkle ; Cluster/Harmonia / David Pattie ; Popol Vuh / Sascha Seiler ; Ash Ra Tempel, Manuel Göttsching and Klaus Schulze / Pertti Grönholm ; Amon Düül II / Ryan Iseppi ; The Flip Side of Krautrock / Jens Balzer -- Part III. Legacy. Krautrock and German Punk / Jeff Hayton ; Krautrock and British Post-Punk / Alexander Carpenter ; Krautrock and German Free Jazz, Kraut Fusion, Detroit Techno / Marcus Barnes ; Krautrock Today / Alex Harden.
    Kurzfassung: "Krautrock and its offshoots have had a tremendous impact on musical production and reception in Great Britain and the US since the 1970s. Genres such as indie, post-rock, EDM, and hip-hop have drawn heavily on Krautrock and have connected a music that initially disavowed its European American and African American origins with the lived experience of whites and blacks in the United States and Europe. At the same time, while reaching for an imagined cosmic community, Krautrock, not only by its name, stirs up essentialist notions of national identity and citizenship"--
    Anmerkung: Includes index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 59
    Online-Ressource
    Online-Ressource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108937443
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 295 Seiten)
    Paralleltitel: Erscheint auch als
    DDC: 781.642
    RVK:
    Schlagwort(e): Geschichte 2000-2022 ; Country music / History and criticism ; Country music / Social aspects ; Countrymusic ; Nordamerika ; Aufsatzsammlung ; Nordamerika ; Countrymusic ; Geschichte 2000-2022
    Kurzfassung: In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and historiography and expands new areas of inquiry relating to contemporary country music identity and culture
    Anmerkung: Title from publisher's bibliographic system (viewed on 03 Feb 2023) , "She went to Nashville to sing country music" : Gatekeeping and the Country Music Industry / by Paula J. Bishop and Jada Watson -- INDUSTRY. Mailbox Money : Novel Liberation Strategies of a Black Female Country Songwriter / by Alice Randall ; Dixie Chicked : Sony vs. The Chicks and the Regendering of Country Music in the Early Twentieth-Century / by Kristine M. McCusker ; How 360° Deals Homogenized Country Music / by Rachel Skaggs ; A Double-Edged Sword : Industry Data and the Construction of Country Music Narratives / by Jada Watson -- CODES OF CONDUCT. Why Country Music Needs Latina Feminism / by Sophia Enriquez ; Pistol Annies : Country Rebels with Humor / by Stephanie Vander Wel ; From Bros to Gentlemen : The Problem of Consent in Contemporary Country Music / by Phoebe E. Hughes ; Cowboys on a Beach : Summer Country and the Loss of Working-Class Identity / by Jocelyn R. Neal -- AUTHENTICITY. Dolly Parton's Netflix Reimagining : How Her Twenty-First Century "Jolene" Revises Country Music's Authenticity Narrative / by Leigh H. Edwards ; "When Britney [Spears] Ruled the World" : Expanding the Stylistic Boundaries of Nostalgia in Country Music / by Paula J. Bishop ; Rhinestone Revivals : Repurposing the Nudie Suit for the Twenty-first Century / by Janet Aspley ; Country Music Doesn't Have to Suck : Intertextuality, Community, and Bloodshot Records / by Nancy P. Riley -- BOUNDARY WORK. Playing at the Border : Navajo Country Western Music and Border Town Racism / by Kristina Jacobsen ; Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers / by Nadine Hubbs ; Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyonce's and The Chicks' "Daddy Lessons" / by Rebekah Hutten ; "We have a Lot of Work to Do" : Rhiannon Giddens and Country Music's Mixed Roots / by Tracey E. Laird -- Epilogue. Country Music Needs a Revolution / by Rissi Palmer
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 60
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501357121
    Sprache: Englisch
    Seiten: viii, 202 Seiten , Illustrationen, Diagramme (schwarz-weiß)
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Elektronische Musik ; Kognitive Psychologie ; Electronic music / History and criticism ; Electronic music / Pyschological aspects ; Electronic music / Philosophy ; Electronic music ; Criticism, interpretation, etc ; Elektronische Musik ; Kognitive Psychologie
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  • 61
    Buch
    Buch
    New York, NY ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501357275 , 9781501387715
    Sprache: Englisch
    Seiten: xii, 242 Seiten , Diagramme (schwarz-weiß)
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    Schlagwort(e): Geschichte 1970-2020 ; Musikjournalismus ; Popmusik ; Musical criticism ; Popular music / History and criticism ; Popular music / Social aspects ; Mass media and music ; Mass media / Moral and ethical aspects ; Mass media and music ; Popular music ; Popular music in motion pictures ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikjournalismus ; Geschichte 1970-2020
    Kurzfassung: "The historical significance of music-makers, music scenes, and music genres has long been mediated through academic and popular press publications such as magazines, films, and television documentaries. Media Narratives in Popular Music examines these various publications and questions how and why they are constructed. It considers the typically linear narratives that are based on simplifications, exaggerations, and omissions and the histories they construct - an approach that leads to totalizing official histories that reduce otherwise messy narratives to one-dimensional interpretations of a heroic and celebratory nature. This book questions the basis on which these mediated histories are constructed, highlights other, hidden, histories that have otherwise been neglected, and explores a range of topics including consumerism, the production pressure behind documentaries, punk fanzines, Rolling Stones covers, and more."--
    Beschreibung / Inhaltsverzeichnis: Introduction Chris Anderton and Martin James (Solent University, UK) -- SECTION 1 Narratives of Identity -- 1. Hidden in Plain Sight : Stories of Gender, Generation and Political Economy on the Northern Soul Scene Sarah Raine (Edinburgh Napier University, UK) and Tim Wall (Birmingham City University, UK) -- 2. Paid My Dues : Key Debates in the 1970s Feminist Music Press Ann-Marie Hanlon (Dundalk Institute of Technology, Ireland) -- 3. They re Not In It Like The Man Dem : How Gendered Narratives Contradict Patriarchal Discourse in Electronic Dance Music Julia Toppin (University of Hertfordshire, UK) -- 4. From Islam to Yeezies : How Consumerism Replaced Knowledge in the Media Narratives of Post-9/11 Hip-Hop Martin James (Solent University, UK) -- SECTION 2. Narratives of Genre -- 5. Exiles in Madison Square Garden : Critical Reception and Journalistic Narratives of Progressive Rock in Melody Maker Magazine, 1971 1976 Chris Anderton (Solent University, UK) --
    Beschreibung / Inhaltsverzeichnis: 6. Alternative Before Alternative : The Pre-Punk History of a 90s Genre Theo Cateforis (Syracuse University, USA) -- 7. Never Mind the B... , Here's Three Minutes of Prog Andy Bennett (Griffith University, Australia) -- 8. "There's a Crack in the Union Jack" -- Questioning National Identity in the Britpop Years : The Britpop Counter-Narrative Johnny Hopkins (Solent University, UK) -- SECTION 3. Narratives Constructed -- 9. Compromised Histories : The Impact of Production Pressures on the Construction of Historical Narratives in Popular Music Documentaries Sarah Baker (Griffith University, Australia), Lauren Istvandity (University of the Sunshine Coast, Australia), Zelmarie Cantillon (Western Sydney University, Australia) and Shane Homan (Monash University, Australia) -- 10. When a History of Gender Representation Meets the Nostalgic Storytelling of Hot Press Magazine Yvonne Kiely (Kiely Management, USA) --
    Beschreibung / Inhaltsverzeichnis: 11. Punk Fanzines, Subcultural Consecration, and Hidden Female Histories in Early British Punk Karen Fournier (University of Michigan, USA) -- 12. Tales from the Turntables : "Narrating" and "Narrativizing" the "First Club DJ" Maren Hancock (York University, UK) -- Index
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  • 62
    Buch
    Buch
    [Hofheim am Taunus] : Wolke
    ISBN: 9783955933234
    Sprache: Englisch
    Seiten: 58 Seiten , Illustrationen , 21 cm, 80 g
    Serie: Caprices 23
    Serie: Caprices
    DDC: 782.420942
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    Schlagwort(e): Geschichte 1850-1918 ; Song ; Music hall ; Großbritannien ; English Music Hall ; English Music Hall Songs ; Music Hall ; Großbritannien ; Music hall ; Song ; Geschichte 1850-1918
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  • 63
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501374715 , 9781501374753
    Sprache: Englisch
    Seiten: vii, 290 Seiten
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Fela ; Afrobeat ; Fela / 1938-1997 / Criticism and interpretation ; Fela / 1938-1997 / Philosophy ; Fela / 1938-1997 / Political and social views ; Afrobeat / Social aspects / Nigeria ; Afrobeat / Political aspects / Nigeria ; Nigeria / Politics and government / 20th century ; Afrobeat / Aspect social / Nigeria ; Afrobeat / Aspect politique / Nigeria ; Nigeria / Politique et gouvernement / 20e siècle ; Fela / 1938-1997 ; Philosophy ; Political and social views ; Politics and government ; Nigeria ; 1900-1999 ; Criticism, interpretation, etc ; Fela 1938-1997 ; Afrobeat
    Kurzfassung: "Reappraises the life, musical dynamics, and philosophy of Afrobeat legend Fela Anikulapo Kuti, and positions his music within the context of Africa's search for freedom"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Fela Anikulapo-Kuti and Fela Studies ; Fela in Perspectives -- Part A. History and Culture. Natal Tales : Fela and His Family ; The Performative Rhythm : From Highlife to Afrobeat ; The "Woman Question" : Fela and His Wives -- Part B. Fela, Art and Politics. Fela and the Postcolonial Political Economy of Nigeria ; The Politics of Fela's Music ; Fela's Use of Language ; Postcoloniality and Art in Fela and His Afrobeat -- Part C. Fela and Felasophy. Cultural Imperatives in Fela's Music ; Fela's Thoughts on African Indigenous Knowledge Systems ; Fela and Pan-Africanism ; Blackism : Fela's Political Philosophy ; Freedom and Excesses : Fela and His Social Eccentricities -- Part D. Fela in the Future. Post-Fela : Afrobeats as Memorialization ; Fela as a Legacy
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  • 64
    Buch
    Buch
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Sprache: Englisch
    Seiten: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Kurzfassung: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Beschreibung / Inhaltsverzeichnis: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 65
    Online-Ressource
    Online-Ressource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108379779
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxiv, 247 Seiten) , Notenbeispiele, Karten
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Musik ; Kulturelle Identität ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Karibik ; Musik ; Kulturelle Identität ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 66
    ISBN: 9781913172336
    Sprache: Englisch
    Seiten: xiii, 514 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1978-1983 ; Musikleben ; Musikwahrnehmung ; Elektronische Musik ; Popmusik ; Popmusik ; Elektronische Musik ; Musikwahrnehmung ; Musikleben ; Geschichte 1978-1983
    Kurzfassung: Intro -- Title Page -- Dedication -- Acknowledgements -- Introduction -- Contents -- Inspiration 1977 -- Revolution 1978 &amp -- 1979 -- 1978 -- 1978.1 Sex Pistols / The Future / The Human League / The New Musick / Devo / David Bowie / Tubeway Army / Ultravox! -- 1978.2 Kraftwerk / Devo / Brian Eno / Japan -- 1978.3 The Normal / Cabaret Voltaire / Throbbing Gristle / Orchestral Manoeuvres In The Dark / The Human League / Suicide / Joy Division / Robert Rental / Thomas Leer -- 1978.4 Ultravox / Tubeway Army / Japan / Throbbing Gristle -- 1979 -- 1979.1 Simple Minds / Joy Division / Cabaret Voltaire / Billy's / Blitz / Orchestral Manoeuvres In The Dark / Robert Rental &amp -- The Normal / Mute Records / Fad Gadget / Silicon Teens / Telex / Tubeway Army / Japan / Sparks / M / Buggles -- 1979.2 The Human League / The Men / Tubeway Army / Joy Division / Devo / Orchestral Manoeuvres In The Dark / Gary Numan -- 1979.3 Cabaret Voltaire / The Human League / Gary Numan / Musician's Union / Ultravox / Visage / Simple Minds -- Transition 1980 &amp -- 1981 -- 1980 -- 1980.1 John Foxx / Ultravox / Gareth Jones / Japan / Orchestral Manoeuvres In The Dark / The Human League / Johnny Logan / Telex / Joy Division -- 1980.2 Blitz / Mick Jagger / David Bowie / Musicians' Union / The Face / i-D / The Gentry / Spandau Ballet / Visage / Ultravox -- 1980.3 The Human League / Joy Division / The Independent Charts / Cabaret Voltaire / Deutsch Amerikanische Freundschaft / Silicon Teens / Fad Gadget / Gary Numan / Robert Palmer / Simple Minds -- 1981 -- 1981.1 Ultravox / Spandau Ballet / Visage / Landscape / Duran Duran / MTV -- 1981.2 Some Bizzare / Stevo / Depeche Mode / Soft Cell / Orchestral Manoeuvres In The Dark / Laurie Anderson / Blancmange -- 1981.3 The Human League / British Electric Foundation / Heaven 17 / Martin Rushent / Hot Gossip.
    Anmerkung: Verfasser des Vorwort vom Schutzumschlag entnommen
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  • 67
    Buch
    Buch
    Cham, Switzerland : Palgrave Macmillan
    In:  1
    ISBN: 9783030978839
    Sprache: Englisch
    Seiten: XXIII, 401 Seiten , Illustrationen
    Serie: Pop music, culture and identity
    Serie: Pop music, culture and identity
    Paralleltitel: Erscheint auch als
    Angaben zur Quelle: 1
    RVK:
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  • 68
    Buch
    Buch
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367677794 , 9780367677824
    Sprache: Englisch
    Seiten: viii, 186 Seiten , Illustration
    Serie: Ashgate popular and folk music series
    Paralleltitel: Erscheint auch als
    RVK:
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    Schlagwort(e): Diaspora ; Jazz ; Kultursoziologie ; Ungarn ; Jazz / Hungary / History and criticism ; Jazz ; Hungary ; Criticism, interpretation, etc ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Ungarn ; Jazz ; Diaspora ; Kultursoziologie
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  • 69
    ISBN: 9780520281844 , 9780520281837
    Sprache: Englisch
    Seiten: xvii, 287 Seiten
    Serie: Phono
    DDC: 780.8996073
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    Schlagwort(e): Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Anmerkung: Includes bibliographical references and index
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  • 70
    ISBN: 9783952544426 , 3952544426
    Sprache: Englisch
    Seiten: 354 Seiten , Illustrationen, Diagramme , 23.5 cm x 16.5 cm, 633 g
    Ausgabe: 1st edition
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 2000- ; Experimentelle Musik ; Elektronische Musik ; Strategie ; Musikproduktion ; Politisches Denken ; Sampling ; Ableton ; Intention ; Musikproduktion ; Deconstructed Club ; Electronica ; Kreativität ; Digital Audio Workstation ; Musical Borrowing ; Sampling ; Elektronische Musik ; Experimentelle Musik ; Sampling ; Musikproduktion ; Strategie ; Politisches Denken ; Geschichte 2000-
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  • 71
    Buch
    Buch
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030796259
    Sprache: Englisch
    Seiten: vi, 212 Seiten , 210 mm
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Eminem ; Geschichte 1999-2020 ; Ethnology—America ; Culture ; Literature—History and criticism ; Popular music ; Song ; Lyrics ; Musikalbum ; Hardcover, Softcover / Musik ; Eminem 1972- ; Musikalbum ; Song ; Lyrics ; Geschichte 1999-2020
    Kurzfassung: "This book critically analyses Eminem’s studio album releases from his first commercial album release The Slim Shady LP in 1999, to 2020’s Music To Be Murdered By, through the lens of storytelling, truth and rhetoric, narrative structure, rhyme scheme and type, perspective, and celebrity culture. In terms of lyrical content, no area has been off-limits to Eminem, and he has written about domestic violence, murder, rape, child abuse, incest, drug addiction, and torture during his career. But whilst he will always be associated with these dark subjects, Mathers has also explored fatherhood, bereavement, mental illness, poverty, friendship, and love within his lyrics, and the juxtaposition between these very different themes (sometimes within the same song), make his lyrics complex, deep, and deserving of proper critical discussion.The first full-length monograph concerning Eminem's lyrics, this book affords the same rigorous analysis to a hip-hop artist as would be applied to any great writer's body of work; such analysis of 'popular' music is often overlooked. In addition to his rich exploration of Eminem's lyrics, Fosbraey furthermore delves into a variety of different aspects within popular music including extra-verbal elements, image, video, and surrounding culture. This critical study of his work will be an invaluable resource to academics working in the fields of Popular Music, English Literature, or Cultural Studies." (Buchrückseite)
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  • 72
    ISBN: 9781793655639
    Sprache: Englisch
    Seiten: ix, 179 Seiten
    Serie: For the record : Lexington studies in rock and popular music
    DDC: 781.660973
    RVK:
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    Schlagwort(e): Rock 'n' Roll ; Protest ; USA
    Anmerkung: References Seite 159-166
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  • 73
    Buch
    Buch
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819580795 , 9780819580801
    Sprache: Englisch
    Seiten: xiii, 279 Seiten , Illustrationen, Notenbeispiele
    Serie: Music/culture
    Paralleltitel: Äquivalent
    Paralleltitel: Erscheint auch als
    Dissertationsvermerk: Dissertation
    RVK:
    Schlagwort(e): Geschichte 2007-2019 ; Musikleben ; Ethnologie ; Südvietnam ; Music / Vietnam, Southern / History and criticism ; Tài tử / Vietnam, Southern / History and criticism ; Music / Social aspects / Vietnam, Southern ; Music / Performance / Vietnam, Southern ; Musicians / Vietnam, Southern ; Creation (Literary, artistic, etc.) ; Ethnomusicology ; Improvisation (Music) ; Musique / Viêt-nam (Sud) / Histoire et critique ; Ethnomusicologie ; Improvisation (Musique) ; Musique / Aspect social / Viêt-nam (Sud) ; Musique / Exécution / Viêt-nam (Sud) ; Musiciens / Viêt-nam (Sud) ; ethnomusicology ; Creation (Literary, artistic, etc.) ; Ethnomusicology ; Improvisation (Music) ; Music ; Music / Performance ; Music / Social aspects ; Musicians ; Tài tử ; Southern Vietnam ; Criticism, interpretation, etc ; Ethnographies ; Ethnographies ; Études ethnographiques ; Hochschulschrift ; Forschungsbericht ; Hochschulschrift ; Forschungsbericht ; Hochschulschrift ; Forschungsbericht ; Südvietnam ; Musikleben ; Ethnologie ; Geschichte 2007-2019
    Kurzfassung: "Ethnographic study of creativity in traditional southern Vietnamese music in the early twenty-first century"--
    Beschreibung / Inhaltsverzeichnis: Framing contested creativities -- Creativity in ethnomusicology -- The seed of creativity in southern Vietnam -- Portrait of Đờn ca tài tử -- Playing with metaphor -- Developing creativity -- Tradition, still remains -- Creativity in new directions
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  • 74
    Buch
    Buch
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781032011813 , 9781032011783
    Sprache: Englisch
    Seiten: xxviii, 145 Seiten
    Serie: Transnational studies in jazz
    Originaltitel: Femmes du jazz
    Paralleltitel: Erscheint auch als Buscatto, Marie Women in jazz
    Paralleltitel: Erscheint auch als Buscatto, Marie Women in jazz
    Paralleltitel: Erscheint auch als Buscatto, Marie Women in jazz
    DDC: 782.42165092/2
    RVK:
    Schlagwort(e): Women jazz musicians ; Women jazz singers ; Jazz Social aspects ; Sex role in music
    Kurzfassung: "Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways women thrive as professionals despite such conditions. The author shines a light on the paradox for women in jazz: to express oneself in a "feminine" way is to be denigrated for it, yet to behave in a "masculine" manner is to be devalued for a lack of femininity. This masculine world ensures it is more difficult for women to be recognized as jazz musicians than it is for men-even when musicians, critics, and audiences are ideologically opposed to discrimination. Female singers are confined by the feminine stereotypes of their profession, while female instrumentalists must comport themselves into traditionally masculine roles. The author explores the academic and professional socializations of these musicians, the musical choice they make, and how they are perceived by jazz professionals as a result. First published in French by CNRS Editions in 2007 (and later reissued in paperback in 2018, with the author's postscript that "nothing much has changed"), Women in Jazz: Musicality, Femininity, Marginalization expands the conversation beyond the French border, identifying female jazz musicians as a discriminated minority all around the world"--
    Anmerkung: Includes bibliographical references and index
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  • 75
    ISBN: 9781793607546
    Sprache: Englisch
    Seiten: xiii, 183 Seiten , Illustrationen
    Serie: Critical perspectives on music and society
    DDC: 781.648
    RVK:
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  • 76
    ISBN: 9783631867723 , 3631867727
    Sprache: Englisch
    Seiten: 447 Seiten , Illustrationen , 21 cm x 14.8 cm, 646 g
    Serie: American Culture Vol. 16
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Lomax, Alan ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 77
    Titel: Роза на дороге : культурные традиции евреев Беларуси
    Verfasser: Либерман, Белла
    Verlag: Санкт-Петербург : Реноме
    ISBN: 9785001255383
    Sprache: Englisch , Deutsch , Russisch
    Seiten: 182 Seiten , Notenbeispiele
    Zusätzliches Material: CD-R (12 cm)
    Suppl.: Beilage Liberman, Bella Dvadcatʹ pesen ot Basi Iosifovny Bertam
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    Schlagwort(e): Lied ; Jiddisch ; Belarus ; Belarus ; Jiddisch ; Lied
    Anmerkung: Text deutsch, englisch und russisch , Teils Kyrillisch
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  • 78
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478018872 , 9781478016236
    Sprache: Englisch
    Seiten: xiv, 218 Seiten
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Kurzfassung: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Beschreibung / Inhaltsverzeichnis: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
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  • 79
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501368417 , 9781501368400
    Sprache: Englisch
    Seiten: VIII, 277 Seiten , Illustrationen , 24 cm
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1950-2020 ; Hit ; Popmusik ; Popular music / History and criticism ; One-hit wonders ; Musique populaire / Histoire et critique ; One-hit wonders ; Popular music ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Hit ; Geschichte 1950-2020
    Kurzfassung: "Catchy, memorable, irritating, or simply ubiquitous, one-hit wonders capture something of the mood of a time. This collection provides a series of short, sharp chapters focusing on one-hit wonders from the 1950s to the present day, offering a capsule history of popular music tastes and ruminations on the mechanics of fame." --
    Kurzfassung: "A chronicle of changing popular music styles and tastes as exemplified by "one-hit wonders" - focusing on the mainstream, on common musical currency, and on the often maligned"--
    Beschreibung / Inhaltsverzeichnis: Introduction / Sarah Hill -- Buchanan & Goodman, 'The Flying Saucer' (1956) / Paul Carr -- The Kingsmen, 'Louie Louie' (1963) / Samuel Murray -- ? and the Mysterians, '96 Tears' (1966) / Adam Behr -- The Easybeats, 'Friday on My Mind' (1966) / Dai Griffiths -- Norman Greenbaum, 'Spirit in the Sky' (1969) / Philip Auslander -- The Archies, 'Sugar Sugar' (1969) / Jon Stewart -- Serge Gainsbourg, 'Je t'aime (moi non plus)' (1969) / Philippe Gonin -- Blue Swede, 'Hooked On a Feeling' (1971) / Sarah Hill, with Bengt Palmers -- Wild Cherry, 'Play That Funky Music' (1976) / Robert Fink -- Althea and Donna, 'Uptown Top Ranking' (1977) / Paul Long -- Plastic Bertrand, 'Ça Plane Pour Moi' (1977) / Patrick McGuinness -- Nick Gilder, 'Hot Child in the City' (1978) / Richard Parfitt -- The Vapors, 'Turning Japanese' (1980) / Abigail Gardner -- Aneka, 'Japanese Boy' (1981) / Richard Elliott -- Toni Basil, 'Mickey' (1981) / Tim Anderson -- Trio, 'Da Da Da' (1981) / Tim Quirk -- Nena, '99 Luftballons' (1982) / Melanie Schiller -- The Grateful Dead, 'Touch of Grey' (1987) / Tom Irvine -- A View from the Ground: Being a One-Hit Wonder / Mike Jones -- A View from the Desk : Product Management / Sarah Hill, talking with a guy in a suit -- Shakespear's Sister, 'Stay' (1992) / Áine Mangaoang -- OMC, 'How Bizarre' (1996) / Geoff Stahl -- Butthole Surfers, 'Pepper' (1996) / Gina Arnold -- Chumbawamba, 'Tubthumping' (1998) / Matt Grimes -- Meredith Brooks, 'Bitch' (1997) / Asya Draganova -- New Radicals, 'You Get What You Give' (1998) / Jon Gower -- Las Ketchup, 'Aserejé' (2002) / Eulalia Febrer Coll -- Gotye, 'Somebody That I Used to Know' (2011) / Ellis Jones
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  • 80
    Buch
    Buch
    Urbana : University of Illinois Press
    ISBN: 9780252086335 , 9780252044267
    Sprache: Englisch
    Seiten: x, 268 Seiten , Illustrationen, Fotografien
    Serie: Music in American life
    Paralleltitel: Erscheint auch als
    DDC: 781.642
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    Schlagwort(e): Countrymusic ; Queer-Theorie
    Anmerkung: Diskografie Seite 229-234 , Literaturverzeichnis Seite 235-250
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  • 81
    Buch
    Buch
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469667249 , 9781469667232
    Sprache: Englisch
    Seiten: 228 Seiten
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
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    Schlagwort(e): Kooperation ; Musik ; Urheberrecht ; Jamaika ; Popular music / Jamaica / History and criticism ; Popular music / Social aspects / Jamaica / History ; Music trade / Jamaica ; Copyright / Music / Jamaica ; Music and race / Jamaica ; Musique populaire / Jamaïque / Histoire et critique ; Musique populaire / Aspect social / Jamaïque / Histoire ; Musique / Industrie / Jamaïque ; Droit d'auteur / Musique / Jamaïque ; Musique et race / Jamaïque ; Copyright / Music ; Music trade ; Popular music ; Popular music / Social aspects ; Jamaica ; Criticism, interpretation, etc ; History ; Jamaika ; Musik ; Kooperation ; Urheberrecht
    Kurzfassung: "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--
    Beschreibung / Inhaltsverzeichnis: Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons
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  • 82
    Buch
    Buch
    Newcastle upon Tyne, UK : Cambridge Scholars Publishing
    ISBN: 9781527586222
    Sprache: Englisch
    Seiten: viii, 158 Seiten
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Hass ; Popmusik ; Popmusik ; Hass
    Kurzfassung: "'Love' may be the major theme of the majority of pop songs, but 'hate', including its subcategories malevolence, vengeance, self-loathing, and contempt, run it close. Looking at artists across the history of popular music, and songs ranging from 'Runaround Sue' to 'W.A.P', this book explores the concept of hatred in lyrics, album art, music video, and the music industry itself, asking important questions about misogyny, politics, psychology, and family along the way." (Buchrückseite)
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  • 83
    Buch
    Buch
    Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia : Cambridge University Press
    ISBN: 9781108421928 , 9781108433068
    Sprache: Englisch
    Seiten: xxiv, 247 Seiten , Notenbeispiele, Karte
    Serie: Cambridge companions to music
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Musik ; Karibik ; Aufsatzsammlung ; Karibik ; Musik
    Anmerkung: Literaturangaben
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  • 84
    ISBN: 9782503600789
    Sprache: Englisch
    Seiten: xxvi, 358 Seiten , Illustrationen, Notenbeispiele
    Serie: Specvlvm Mvsicae Volume 46
    RVK:
    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Anmerkung: Literaturangaben , Publications of the Centro Studi Opera Omnia Luigi Boccherini, Luca
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  • 85
    Buch
    Buch
    Darmstadt : Jazzinstitut Darmstadt
    ISBN: 9783955930172 , 3955930173
    Sprache: Deutsch , Englisch
    Seiten: 303 Seiten , Illustrationen , 21 cm x 14.8 cm, 400 g
    Ausgabe: Originalausgabe
    Serie: Darmstädter Beiträge zur Jazzforschung Band 17
    Serie: Eine Veröffentlichung des Jazzinstituts Darmstadt
    DDC: 781.65
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    Schlagwort(e): Jazz ; Vielfalt ; Konferenzschrift 2021 ; Konferenzschrift 30.09.2021-02.10.2021 ; Konferenzschrift 30.09.2021-02.10.2021 ; Konferenzschrift 30.09.2021-02.10.2021
    Anmerkung: Texte teilweise deutsch, teilweise englisch , Literaturangaben
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  • 86
    Buch
    Buch
    New York : New York University Press
    ISBN: 9781479806904 , 9781479806881
    Sprache: Englisch
    Seiten: 225 Seiten
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Kurzfassung: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Beschreibung / Inhaltsverzeichnis: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 87
    Buch
    Buch
    New York, NY : Pegasus Books
    ISBN: 9781639362073
    Sprache: Englisch
    Seiten: 388 Seiten, 16 ungezählte Blätter Tafeln , Illustrationen, Porträts
    Ausgabe: First Pegasus Books cloth edition
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): The Rolling Stones ; Geschichte 1962-2022 ; Rolling Stones ; Rolling Stones / History ; Rock musicians / England / Biography ; Rolling Stones ; Rock musicians ; England ; Biographies ; History ; Biographies ; Biografie ; Biografie ; The Rolling Stones ; Geschichte 1962-2022
    Kurzfassung: "An acclaimed rock and roll journalist evokes the legacy of The Rolling Stones--iconic, granitic, commercially unstoppable as a collective; and fascinating, contradictory, and occasionally disturbing as individuals. As Lesley-Ann Jones writes, the Rolling Stones are 'still roaming the globe like rusty tanks without a war to go to. Jumping, jacking, flashing, posturing, these septuagenarian caricatures with faces that might have been microwaved but coming on like eternal thirty-year-olds.' On 12th July 1962, the Rollin' Stones performed their first-ever gig at London's Marquee jazz club. Down the line, a 'g' was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex, and drugs. Denounced as 'corruptors of youth' and 'messengers of the devil,' they created some of the most thrilling music ever recorded. Now their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones's new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock's ongoing reckoning...where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad, and often ugly, here are the Rolling Stones as never seen before"--
    Beschreibung / Inhaltsverzeichnis: Karma -- Joner -- Mick'n'keef -- Drum'n'bass -- Hustlers -- Heyday -- Reaction -- Marianne -- Anita -- Redlands -- Mouche -- Christopher Robin -- Altamont -- Exile -- Crisis -- Juggernaut -- Mandy -- Cliodhna -- Resonance -- So long -- Roots -- Out of timeline -- Stones women -- Chapter notes -- Quote, unquote -- Select bibliography -- Acknowledgements -- Index
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  • 88
    ISBN: 9789004501515
    Sprache: Englisch
    Seiten: XII, 207 Seiten
    Serie: Brill studies in Middle Eastern literatures volume 44
    Serie: Brill studies in Middle Eastern literatures
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 900-1100 ; Geschichte 1250 ; Musiktheorie ; Musiker ; Arabien ; Music / Arab countries / 500-1400 / History and criticism ; Music / Middle East / 500-1400 / History and criticism ; Muwashshah / History and criticism ; Nadīm al-Mawṣilī, Ibrāhīm ibn Māhān / 742 or 743-803 or 804 ; Ziryāb, ʻAlī ibn Nāfiʻ / active 9th century ; Musicians / Arab countries / Biography ; Musicians / Middle East / Biography ; Abū al-Faraj al-Iṣbahānī / 897 or 898-967 / Kitāb al-aghānī ; Ibn Ḥayyān, Abū Marwān Ḥayyān ibn Khalaf / 987 or 988-1076 / Muqtabas fī tārīkh al-Andalus / 2 ; Ibn Sanāʼ al-Mulk, Hibat Allāh ibn Jaʻfar / 1150 or 1151-1211 or 1212 / Dār al-ṭirāz fī ʻamal al-muwashshaḥāt ; Quelle ; Quelle ; Quelle ; Arabien ; Musiker ; Geschichte 900-1100 ; Arabien ; Musiktheorie ; Geschichte 1250
    Kurzfassung: "Medieval Arab Music and Musicians offers complete, annotated English translations of three of the most important medieval Arabic texts on music and musicians: the biography of the musician Ibrāhīm al-Mawṣilī from al-Iṣbahānī's Kitāb al-Aghānī (10th c), the biography of the musician Ziryāb from Ibn Ḥayyān's Kitāb al-Muqtabis (11th c), and the earliest treatise on the muwashshaḥ Andalusi song genre, Dār al-Ṭirāz, by the Egyptian scholar Ibn Sanā' al-Mulk (13th c). Al-Mawṣilī, the most famous musician of his era, was also the teacher of the legendary Ziryāb, who traveled from Baghdad to al-Andalus and is often said to have laid the foundations of Andalusi music. The third text is crucial to any understanding of the medieval muwashshaḥ and its possible relations to the Troubadours, the Cantigas de Santa María, and the Andalusi musical traditions of the modern Middle East"
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  • 89
    Buch
    Buch
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030924614
    Sprache: Englisch
    Seiten: XI, 202 Seiten , Illustrationen
    Serie: Pop music, culture and identity
    Paralleltitel: Erscheint auch als
    DDC: 781.63
    RVK:
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    Schlagwort(e): Popular Music ; Gender Studies ; Queer Studies ; Theatre and Performance Arts ; Popular music ; Sex ; Queer theory ; Performing arts ; Theater ; Technologie ; Musikproduktion ; Musikwirtschaft ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikproduktion ; Technologie ; Musikwirtschaft
    URL: Cover
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  • 90
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501379291 , 9781501379338
    Sprache: Englisch
    Seiten: 140 Seiten
    Paralleltitel: Online version Campbell, Mark V. Afrosonic life
    RVK:
    Schlagwort(e): Ausdruck ; Musik ; Klang ; Schwarze ; Popular music / African influences ; Black people / Music / History and criticism ; Turntablism ; Remixes / History and criticism ; Musique populaire / Influence africaine ; Noirs / Musique / Histoire et critique ; Platinisme ; Remix / Histoire et critique ; Black people / Music ; Popular music / African influences ; Remixes ; Turntablism ; Criticism, interpretation, etc ; Schwarze ; Musik ; Klang ; Ausdruck
    Kurzfassung: "Explores the role sonic innovations in the African diaspora play in articulating methodologies for living the afterlife of slavery"--
    Beschreibung / Inhaltsverzeichnis: Soundman/Sound System (S.W. rmx) -- Turning the Tables -- Riddim Science : On Living Hip-Hop's Sonic Innovations -- Dubbing the Remix and Its Uses -- Conclusion. Come Rewind : We were the 1st Robots
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke
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  • 91
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520382787 , 9780520382800
    Sprache: Englisch
    Seiten: xxvi, 448 Seiten , Illustrationen
    Serie: Hip Hop studies 3
    Serie: Hip Hop studies
    Paralleltitel: Erscheint auch als
    DDC: 306.484249
    RVK:
    Schlagwort(e): Geschichte ; Hip-Hop ; Rap ; Rap (Music) / Political aspects ; Rap (Music) / Social aspects ; Rap musicians / Political activity ; Hip-hop / Influence ; Rappeurs / Activité politique ; Hip-hop / Influence ; Rap (Music) / Political aspects ; Rap (Music) / Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Rap ; Hip-Hop ; Geschichte
    Kurzfassung: "Moving through over a dozen cities across four continents, Freedom Moves: Hip Hop Knowledges, Pedagogies, and Futures represents a cutting-edge, field-defining moment in Hip Hop Studies. As we approach 50 years of hip hop cultural history, and 30 years of hip hop scholarship, hip hop continues to be one of the most profound and transformative social, cultural, and political movements of the late 20th and early 21st centuries. In this book, H. Samy Alim, Jeff Chang, and Casey Philip Wong invite us to engage dialogically with some of the world's most innovative and provocative Hip Hop artists and intellectuals as they collectively rethink the relationships between Hip Hop knowledges, pedagogies, and futures.
    Kurzfassung: Rooting hip hop in Black freedom culture, this state-of-the-art collection presents a globally diverse group of Black, Indigenous, Latinx, Asian American, Arab, European, North African and South Asian artists, activists, and thinkers who view hip hop as a means to move freedom forward for all of us.
    Kurzfassung: Contributors do so by taking stock of the politics of hip hop culture at this critical juncture of renewed racial justice movements in the US and globally (Chuck D, Rakim, and Talib Kweli); resisting oppressive policing and reimagining community safety, healing, and growth in US urban centers like New York (Bryonn Bain), Pittsburgh (Jasiri X), Chicago (Kuumba Lynx), Atlanta and "the New South" (Bettina Love, Regina Bradley, and Mark Anthony Neal), and the San Francisco Bay Area (Mark Gonzales, A-lan Holt, Michelle Lee and the Mural Music and Arts Project); and recovering traditional, Indigenous knowledges and ways of being in the world at the same time that they create new ones (Dream Warriors). Leading thinkers take seriously the act of forging new languages for new articulations of Black/feminist/queer/disabled futures within and beyond Hip Hop (Joan Morgan, Brittney Cooper, Treva Lindsey, Kaila Aida Story, Esther Armah, Leroy F. Moore, Jr.
    Beschreibung / Inhaltsverzeichnis: Introduction -- Sweat the technique : the politics and poetics of hip hop / Rakim, Chuck D, and Talib Kweli -- Know the ledge(s) : the meanings of knowledge of self in "post"-apartheid South Africa / Shaheen Ariefdien and Emile YX? -- "Alshaab yurid isqaat al-nitham!" : sustaining revolution and disrupting dominant narratives of Palestine and Syria through hip hop / DAM (Tamer Nafar, Suhell Nafar and Mahmoud Jreri), Omar Offendum, and Ramzi Salti -- "The revolution will be indigenous" : collective liberation, healing, and resistance to settler colonialism through hip hop / Jessa Calderon, Gunner Jules, Lyla June, Tall Paul, and Tanaya Winder, with Casey Philip Wong -- "Luchando Derechos" in neoliberal Spain : hip hop visions beyond racism, xenophobia, Islamophobia and the gentrification of El Raval, Barcelona / La Llama Rap Colectivo with H. Samy Alim -- 1Hood : hip hop art, activism, and media creation in Pittsburgh / Jasiri X --
    Beschreibung / Inhaltsverzeichnis: "Protection from police who hinder respiratory airways" : hip hop theatre and activism with Kuumba Lynx in Chicago / Jacinda Bullie, Jaquanda Saulter-Villegas, and Leyda Lady Sol Garcia -- Ripples of hope and healing : sustaining community by creating a social justice arts ecosystem / Sonya Clark-Herrera, with Dorien Blue fka Adorie Howard, Measha Ferguson-Smith, Reagan Ross, and Casey Philip Wong -- Beyond trauma : storytelling as cultural shift and collective healing / Bryonn Bain, Mark Gonzales, A-Ian Holt, and Michelle Lee -- "Where the beat drops" : culturally relevant to culturally sustaining hip hop pedagogies / Gloria Ladson-Billings, Django Paris, and H. Samy Alim -- How hip hop means : retrospect for beats, rhymes, and classroom life / Marc Lamont Hill -- The magic behind science genius : how hip hop can transform science education / Christopher Emdin & The GZA, with Bryan Brown --
    Beschreibung / Inhaltsverzeichnis: Hip hop, whiteness, and critical pedagogies in the context of Black Lives Matter / A.J. Robinson -- The pleasure principle : articulating a post-hip hop feminist politics of pleasure / Joan Morgan, Brittney Cooper, Treva Lindsey, Kaila Adia Story, and Esther Armah -- "When can black disabled folks come home? : the krip-hop movement, race, and disability justice / Leroy F. Moore, Jr. and Stephanie Keeney Parks -- Queering hip hop feminist pedagogies in the New South / Bettina Love, Regina Bradley, and Mark Anthony Neal -- "These are not sonnet times" : building towards liberatory futures / Maisha Winn
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 92
    ISBN: 9780374139940
    Sprache: Englisch
    Seiten: XVI, 458 Seiten , Illustrationen, Karten
    Ausgabe: First edition
    RVK:
    Schlagwort(e): J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Kurzfassung: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Kurzfassung: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Beschreibung / Inhaltsverzeichnis: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
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  • 93
    Buch
    Buch
    New York : Columbia University Press
    ISBN: 9780231205931 , 9780231205924
    Sprache: Englisch
    Seiten: 192 Seiten
    Serie: The Columbia oral history series
    Paralleltitel: Erscheint auch als
    DDC: 782.42164092
    RVK:
    Schlagwort(e): Dylan, Bob ; Ballade ; Dylan, Bob / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- / Hard rain's a-gonna fall ; Folk songs / History and criticism ; Ballads / History and criticism ; Music and history ; Lord Randal ; Chansons folkloriques / Histoire et critique ; Ballades / Histoire et critique ; Musique et histoire ; Dylan, Bob / 1941- ; Ballads ; Folk songs ; Music and history ; Criticism, interpretation, etc ; Dylan, Bob 1941- ; Ballade
    Kurzfassung: "Hard Rain is an exploration of how oral culture and the ballad tradition shaped Nobel Laureate Bob Dylan's 1962 classic "A Hard Rain's a-Gonna Fall." The song was written at the apex of the folk music revival and harkens back to the British traditional ballad "Lord Randal" and the 17th-century Italian ballad "Il testemento dell'avvelenato." Its theme is relevant to the post-nuclear nightmares and youth movements of the 1960s, prefiguring contemporary concerns about environmental crisis, racism, and mass migrations. Alessandro Portelli demonstrates how Dylan was able to use the folk tradition of the ballad combined with a modern sensibility to creatively question the meaning and direction of history. Will the future bring liberation or disaster? It is up to us"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Memory, Voice, and the Global Bob Dylan -- Songs of Innocence and Experience -- The text and the voice -- Talking Atomic Blues -- Which way history? -- Appendix. History's lessons unlearned -- Appendix 2. Lyrics
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  • 94
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197511114
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 277 Seiten) , Illustrationen
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 781.6480979461
    RVK:
    Schlagwort(e): Disco music / California / San Francisco / History and criticism ; Electronic dance music / California / San Francisco / History and criticism ; Sound recording industry / California / San Francisco / History / 20th century ; Gay men / California / San Francisco / Social life and customs / 20th century ; Castro (San Francisco, Calif.)
    Kurzfassung: In 'Menergy', author Louis Niebur offers a fascinating new look at gay history through the sounds of San Francisco's queer nightlife. In doing so he also reveals new insights in the history of electronic music and dance music
    Anmerkung: Also issued in print: 2022. - Includes bibliographical references, discography and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 95
    Buch
    Buch
    New York : Abrams Press
    ISBN: 9781419749698
    Sprache: Englisch
    Seiten: XII, 306 Seiten
    Paralleltitel: Erscheint auch als
    DDC: 782.42164092
    RVK:
    Schlagwort(e): Houston, Whitney ; Houston, Whitney / https://isni.org/isni/000000011478617X ; African American women singers / United States / Biography ; African American singers / United States / Biography ; Singers / United States / Biography ; Chanteuses noires américaines / États-Unis / Biographies ; Chanteurs noirs américains / États-Unis / Biographies ; Chanteurs / États-Unis / Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts ; Houston, Whitney ; African American singers ; African American women singers ; United States ; African American women singers / Biography ; African American singers / Biography ; Biography ; Biography ; Biographies ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Houston, Whitney 1963-2012
    Kurzfassung: "A candid exploration of the genius, shame, and celebrity of Whitney Houston a decade after her passing. On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn't We Almost Have It All is author Gerrick Kennedy's exploration of the duality of Whitney's life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney's life, her whole life, told with both grace and honesty. Long before that fateful day in 2012, Whitney split the world wide open with her voice. Hers was a once-in-a-generation talent forged in Newark, NJ, and blessed with the grace of the church and the wisdom of a long lineage of famous gospel singers.
    Kurzfassung: She redefined 'The Star-Spangled Banner.' She became a box-office powerhouse, a queen of the pop charts, and an international superstar. But all the while, she was forced to rein in who she was amid constant accusations that her music wasn't Black enough, original enough, honest enough. Kennedy deftly peels back the layers of Whitney's complex story to get to the truth at the core of what drove her, what inspired her, and what haunted her. He pulls the narrative apart into the key elements that informed her life--growing up in the famed Drinkard family; the two romantic relationships that shaped the entirety of her adult life, with Robyn Crawford and Bobby Brown; her fraught relationship to her own Blackness and the ways in which she was judged by the Black community; her drug and alcohol addiction; and, finally, the shame that she carried in her heart, which informed every facet of her life.
    Kurzfassung: Drawing on hundreds of sources, Kennedy takes readers back to a world in which someone like Whitney simply could not be, and explains in excruciating detail the ways in which her fame did not and could not protect her. In the time since her passing, the world and the way we view celebrity have changed dramatically. A sweeping look at Whitney's life, Didn't We Almost Have It All contextualizes her struggles against the backdrop of tabloid culture, audience consumption, mental health stigmas, and racial divisions in America. It explores exactly how and why we lost a beloved icon far too soon" --
    Beschreibung / Inhaltsverzeichnis: Didn't We Almost Have It All?: A Meditation on Loss and Memory -- Under His Eye, Blessed Be The Sound: Faith, Gospel, and the Almighty Power of Cissy Houston -- Home: Newark and the Black American Dreams That Birthed Whitney Houston -- Stuff That You Want, Thing That You Need: The Brilliance and Influence of Whitney's Voice -- My Lonely Heart Calls: On Sex, Desire, and Sexuality -- Miss America, The Beautiful: The Burden of the National Anthem and the Politics of Whitney's Blackness -- Bolder, Blacker, Badder: The Sisters with Voices That Transformed Whitney -- Tell The Truth And Shame The Devil: How Trauma, Shame, and Tabloid Culture Broke Whitney -- The Undoing Of Whitney Houston: Virtue, Vice, and a Requiem for Redemption -- Won't They Always Love You?: Reflections on Meaning and Legacy
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  • 96
    Buch
    Buch
    Jefferson, North Carolina : McFarland & Company
    ISBN: 9781476687063
    Sprache: Englisch
    Seiten: ix, 257 Seiten
    DDC: 306.4/8420973
    RVK:
    RVK:
    Schlagwort(e): Popular music Social aspects ; History ; Slurs History ; Music and language History ; Music and race History ; African Americans in popular culture ; African American comedians ; MUSIC / History & Criticism ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
    Kurzfassung: The N-Word's Musical Contours -- Out of Music : The N-Word's Material, Environmental, and Social Contours -- John Lennon's N-Word Moment -- Interlude. Diverse Opinions -- Philosorock : John Lennon, Bob Dylan, and Other White Musicians Who Sing the N-Word -- Black Demystification, White Bewilderment : Transformation and Numbing in Black Comedy and Black Music -- Muhammad Ali, Rap, and That Word -- A Hip-Hop Icon -- A Sensible Rule : A Case Study -- Inviting Destruction Beyond the Music -- Conclusion. Welcome to the Conversation, Country Music.
    Kurzfassung: "The minstrelsy play, song, and dance "Jump, Jim Crow" did more than enable blackface performers to spread racist stereotypes about Black Americans. This widespread antebellum-era cultural phenomenon was instrumental in normalizing the N-word across several aspects of American life. Material culture, sporting culture, consumer products, house-pets, carnival games and even geographic landmarks obtained the racial slur as a formal and informal appellation. Music, it is argued, was the catalyst for normalizing and disseminating those two ugly syllables throughout society, well beyond the environs of plantation and urban slavery. This weighty and engaging look at the English language's most explosive slur, described by scholars as the "atomic bomb" of bigoted words, traces the N-word's journey through various music genres and across generations. The author uses private letters, newspaper accounts, exclusive interviews and, most importantly, music lyrics from artists in the fields of minstrelsy, folk, country, ragtime, blues, jazz, rock 'n' roll and hip hop. The result is a reflective account of how the music industry has channeled linguistic and cultural movements across eras, resulting in changes to the slur's meaning and spelling"--
    Anmerkung: Includes bibliographical references and index
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  • 97
    Buch
    Buch
    San Francisco, CA : City Lights Books
    ISBN: 9780872868762
    Sprache: Englisch
    Seiten: 299 Seiten
    Paralleltitel: Erscheint auch als
    DDC: 782.42164909
    RVK:
    Schlagwort(e): Wort-Ton-Verhältnis ; Rap ; Rap (Music) / History and criticism ; Rap (Music) / Analysis, appreciation ; Music and language ; Music and language ; Rap (Music) ; Criticism, interpretation, etc ; Music criticism and reviews ; Rap ; Wort-Ton-Verhältnis
    Kurzfassung: "What's Good is a work of passionate lyrical analysis, a set of freewheeling liner notes, and a love letter to the most vital American art form of the last half century. Over a series of short chapters, each centered on a different lyric, Daniel Levin Becker considers how rap's use of language operates and evolves at levels ranging from the local (slang, rhyme) to the analytical (quotation, transcription) to the philosophical (morality, criticism, irony), celebrating the pleasures and perils of any attempt to decipher its meaning-making technologies. Ranging from Sugarhill Gang to UGK to Young M.A, Rakim to Rick Ross to Rae Sremmurd, Jay-Z to Drake to Snoop Dogg, What's Good reads with the momentum of a deftly curated mixtape, drawing you into the conversation and teaching you to read it as it goes. A book for committed hip-hop heads, curious neophytes, armchair linguists, and everyone in between"--
    Anmerkung: Includes bibliographical references
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  • 98
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501370816 , 9781501370809
    Sprache: Englisch
    Seiten: ix, 430 Seiten , Illustrationen
    Ausgabe: Updated and expanded edition
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Progressive Rock ; Progressive rock music / History and criticism ; Rock music / History and criticism ; Progressive rock music ; Rock music ; Criticism, interpretation, etc ; Progressive Rock ; Geschichte
    Kurzfassung: "The original edition of Beyond and Before extends an understanding of "progressive rock" by providing a fuller definition of what progressive rock is, was and can be. Called by Record Collector "the most accomplished critical overview yet" of progressive rock and one of their 2011 books of the year, Beyond and Before moves away from the limited consensus that prog rock is exclusively English in origin and that it was destroyed by the advent of punk in 1976. Instead, by tracing its multiple origins and complex transitions, it argues for the integration of jazz and folk into progressive rock and the extension of prog in Kate Bush, Radiohead, Porcupine Tree and many more. This 10-year anniversary revised edition continues to further unpack definitions of progressive rock and includes a brand new chapter focusing on post-conceptual trends in the 2010s through to the contemporary moment. The new edition discusses the complex creativity of progressive metal and folk in greater depth, as well as new fusions of genre that move across global cultures and that rework the extended form and mission of progressive rock, including in recent pop concept albums. All chapters are revised to keep the process of rethinking progressive rock alive and vibrant as a hybrid, open form"--
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  • 99
    ISBN: 9783030987046
    Sprache: Englisch
    Seiten: xxvii, 465 Seiten , Illustrationen
    Serie: Pop music, culture and identity
    Serie: Pop music, culture and identity
    Paralleltitel: Erscheint auch als
    Angaben zur Quelle: 2
    RVK:
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  • 100
    Buch
    Buch
    New York, NY : Abrams Press
    ISBN: 9781419747946
    Sprache: Englisch
    Seiten: X, 502 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Michael, George ; Michael, George / 1963-2016 ; Singers / Great Britain / Biography ; Gay men / Great Britain / Biography ; Rock musicians / Great Britain / Biography ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / LGBTQ+ ; Michael, George / 1963-2016 ; Gay men ; Rock musicians ; Singers ; Great Britain ; Singers / Biography ; Gay men / Biography ; Rock musicians / Biography ; Biography ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Michael, George 1963-2016
    Kurzfassung: "The definitive biography of George Michael, offering an expansive look at the troubled life of the legendary singer, songwriter, and pop superstar" --
    Kurzfassung: George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image--that of a hypermacho sex god--loomed large in the pop culture of his day. It also hid--for a time--the secret he fought against revealing: Michael was gay. Soon his obsession with fame would start to backfire. As one of the industry's most privileged yet tortured men began to self-destruct, the press showed little sympathy. George Michael: A Life explores the compelling story of a superstar whose struggles, as well as his songs, continue to touch fans all over the world. Acclaimed music biographer James Gavin traces Michael's metamorphosis from the shy and awkward Georgios Kyriacos Panayiotou into the swaggering, dominant half of the leading British pop duo of the 1980s Wham!; he then details Michael's sensational solo career and its subsequent unraveling. With deep analysis of the creative process behind Michael's albums, tours, and music videos, as well as interviews with hundreds of his friends and colleagues, George Michael: A Life is a probing, definitive portrait of a pop legend
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