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  • Art History  (377)
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  • 1
    Book
    Book
    Bonn : Bier
    Language: English
    Series Statement: JapanArchiv 5
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    Keywords: Konferenzschrift ; Japan ; Kunst ; Kunsthandwerk ; Sammlung ; Europa ; Museum
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  • 2
    Book
    Book
    Bonn : Bier
    Language: English
    Series Statement: JapanArchiv 5
    RVK:
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    Keywords: Konferenzschrift ; Japan ; Kunst ; Kunsthandwerk ; Sammlung ; Europa ; Museum
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  • 3
    Book
    Book
    Bonn : Bier
    Language: English
    Series Statement: JapanArchiv 5
    RVK:
    RVK:
    Keywords: Konferenzschrift ; Japan ; Kunst ; Kunsthandwerk ; Sammlung ; Europa ; Museum
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  • 4
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 5
    ISBN: 0691245452 , 9780691245454
    Language: English
    Pages: 175 Seiten , 26 cm
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    Keywords: 2000-2099 ; Indian art Exhibitions. 21st century ; Indigenous art Exhibitions. 21st century ; Art, American Exhibitions. 21st century ; Art, American ; Indian art ; Indigenous art ; Exhibition catalogs ; United States ; Bildband ; Ausstellungskatalog National Gallery of Art 22.09.2023-15.01.2024 ; Ausstellungskatalog New Britain Museum of American Art 18.04.2024-15.09.2024 ; USA ; Indianer ; Indigenes Volk ; Kunst ; Geschichte 2000-
    Abstract: A groundbreaking survey of contemporary Indigenous art and its enduring connections to the landThe Land Carries Our Ancestors: Contemporary Art by Native Americans brings together works by many of today s most boldly innovative Native American artists. Jaune Quick-to-See Smith, one of the leading artists and curators of her generation, has carefully chosen some fifty works across a diversity of practices-including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video-that share the common thread of the land.
    Note: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index
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  • 6
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
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    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 7
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
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    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 8
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    Memphis, TN : Dixon Gallery and Gardens | New Haven ; London : Yale University Press
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten
    DDC: 709.2396073
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    Keywords: Simpson, Merton Daniel ; Porter, James A. ; Geschichte 1950-1980 ; Künstler ; Kunst ; Künstlerin ; Schwarze ; USA ; African American art / 20th century / Exhibitions ; Porter, James A. / (James Amos) / 1905-1970 / Exhibitions ; Simpson, Merton D. / (Merton Daniel) / 1928-2013 / Exhibitions ; Art noir américain / 20e siècle / Expositions ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 22.10.2023-14.01.2024 ; Ausstellungskatalog Crocker Art Museum 04.02.2024-19.05.2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Schwarze ; Künstler ; Künstlerin ; Kunst ; Geschichte 1950-1980 ; Porter, James A. 1905-1970 ; Simpson, Merton Daniel 1928-2013
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone
    Note: Impressum: This publication was produced in conjunction with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023 - January 14, 2024, and at the Crocker Art Museum, Sacramento, February 4 - May 19, 2024
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  • 9
    Image
    Image
    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen
    DDC: 700.89/96073
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    Keywords: African American art 20th century ; African American art 21st century ; Art and society History 20th century ; Art and society History 21st century ; USA ; Kunstsoziologie ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
    Note: Includes bibliographical references and index
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  • 10
    Book
    Book
    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen , 24 cm
    DDC: 700.89/96073
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    Keywords: Geschichte 1985-2015 ; Kunst ; Schwarze ; USA ; African American art / 20th century ; African American art / 21st century ; Art and society / United States / History / 20th century ; Art and society / United States / History / 21st century ; Art noir américain / 20e siècle ; Art noir américain / 21e siècle ; Artistes noirs américains / 20e siècle ; Artistes noirs américains / 21e siècle ; African American art ; African American artists ; 1900-2099 ; USA ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1985 to 2015. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
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  • 11
    ISBN: 9780262048668
    Language: English
    Pages: xvii, 243 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Anthology of Blackness
    Parallel Title: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Description / Table of Contents: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Note: Bibliographie (Seite 234 - 243)
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  • 12
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781000627084
    Language: English
    Pages: 1 Online-Ressource (xiv, 152 Seiten) , Illustrationen
    Series Statement: Routledge research in art and race
    Parallel Title: Erscheint auch als Hamilton, Elizabeth Carmel Charting the Afrofuturist imaginary in African American art
    DDC: 700.89/96073
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    Keywords: Electronic books ; USA ; Kunst ; Künstlerin ; Afrofuturismus
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  • 13
    ISBN: 9780231205023 , 9780231205030
    Language: English
    Pages: xi, 287 Seiten , Illustrationen
    Series Statement: Literature now
    Parallel Title: Erscheint auch als Brooks, John, - 1989- The racial unfamiliar
    DDC: 810.9/896073
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    Keywords: American literature African American authors ; History and criticism ; African American art 21st century ; African Americans Race identity ; Race in literature ; Race in art ; African Americans in literature ; African Americans in art ; African Americans Intellectual life 21st century ; Literary criticism ; USA ; Literatur ; Kunst ; Schwarze ; Ästhetik ; Abstraktion
    Abstract: "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--
    Note: Includes bibliographical references and index
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  • 14
    ISBN: 9783753302386 , 9781846382635 , 3753302384
    Language: English
    Pages: 267 Seiten , Illustrationen
    Series Statement: Exhibition histories
    DDC: 704.039604109045
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; USA ; Großbritannien ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Geschichte ; Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; USA ; Großbritannien ; Schwarze ; Kunstausstellung ; Museum ; Kunstbetrieb ; Geschichte
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  • 15
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    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
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    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 16
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    Evanston, IL : Mary and Leigh Block Museum of Art | Princeton ; Oxford : Princeton University Press
    ISBN: 9780691209272
    Language: English
    Pages: 133 Seiten , 23 x 28 cm
    DDC: 709.73
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    Keywords: Gewalt ; Diskriminierung ; Schwarze ; Rassismus ; Unterdrückung ; USA ; Art, American ; Black people in art ; Black people / Violence against ; Violence in art ; Art américain ; Noirs dans l'art ; Noirs / Violence envers ; Violence dans l'art ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Rassismus ; Diskriminierung ; Unterdrückung ; Gewalt
    Note: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022
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  • 17
    ISBN: 9783945880876
    Language: German , English
    Pages: 298 Seiten , Illustrationen, Karten , 29.7 cm x 23.5 cm
    Edition: 1. Auflage
    Series Statement: Beiträge zur Denkmalpflege in Berlin. Sonderband
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    Keywords: Geschichte 900-1930 ; Keramikhandel ; Produktion ; Keramikherstellung ; Handel ; Keramik ; Steinzeug ; Berlin ; Europa ; Brandenburg ; Aufsatzsammlung ; Festschrift ; Konferenzschrift 2020 ; Aufsatzsammlung ; Festschrift ; Konferenzschrift 2020 ; Brandenburg ; Berlin ; Keramik ; Steinzeug ; Produktion ; Handel ; Europa ; Keramik ; Keramikhandel ; Geschichte 900-1930 ; Berlin ; Brandenburg ; Keramik ; Keramikherstellung ; Geschichte 900-1930
    Note: "Die enthaltene Beiträge sollten auf dem 53. Internationalen Keramik-Symposium 2020 in Berlin vorgestellt werden, das aufgrund der Corona-Pandemie jedoch nicht durchgeführt werden konnte." - Vorwort , "Das Erscheinungsjahr des Bandes fällt mit dem 75. Geburtstag von Eberhard Kirsch zusammen, [...] was die Herausgeber veranlasst, ihm den Band zu widmen." - Vorwort , Beiträge überwiegend deutsch, ein Beitrag englisch
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  • 18
    Book
    Book
    Cambridge, Massachusetts : The MIT Press
    ISBN: 9780262045841
    Language: English
    Pages: 282 Seiten
    DDC: 391.00973
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    Keywords: Geschichte 1850-1900 ; Haute couture ; Damenmode ; Bekleidungsindustrie ; Kunde ; High-Society ; Paris ; USA
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  • 19
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469663036 , 9781469663043
    Language: English
    Pages: xii, 224 Seiten , Illustrationen
    Series Statement: The John Hope Franklin series in African American history and culture
    Parallel Title: Erscheint auch als Smethurst, James Behold the Land
    DDC: 810.9/896073
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    Keywords: Black Arts movement ; American literature African American authors ; History and criticism ; African Americans in literature ; Black nationalism in literature ; Black nationalism History 20th century ; African Americans Intellectual life 20th century ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; USA ; Black arts movement ; Geschichte 1960-1985
    Note: Includes bibliographical references and index
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  • 20
    Book
    Book
    New York : Routledge, Taylor & Francis Group
    ISBN: 9780367553647
    Language: English
    Pages: xxxiv, 487 Seiten , Illustrationen , 25 cm
    Edition: First issued in paperback
    Series Statement: Routledge companions
    Series Statement: Visual studies
    DDC: 700.8996073
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    Keywords: African American art ; Art, American Historiography ; Electronic books ; USA ; Schwarze ; Kunst ; Geschichte 1700-2020
    Note: First published 2020 by Routledge
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  • 21
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469664644 , 9781469664637
    Language: English
    Pages: xiii, 231 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 302.23082
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    Keywords: Künste ; Frau ; Sklaverei ; Gewalt ; USA ; Karibik
    Note: Literaturverzeichnis Seite 203-220
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  • 22
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469663067
    Language: English
    Pages: 1 online resource (245 pages)
    Series Statement: The John Hope Franklin Series in African American History and Culture Ser.
    Parallel Title: Erscheint auch als Smethurst, James Edward Behold the land
    DDC: 810.9896073
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    Keywords: Black Arts movement--Southern States ; American literature--African American authors--History and criticism ; African Americans in literature ; Electronic books ; Geschichte 1960-1985 ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; Geschichte 1960-1985 ; USA ; Black arts movement
    Note: Description based on publisher supplied metadata and other sources
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  • 23
    Online Resource
    Online Resource
    Bielefeld : transcript
    ISBN: 9783839452943
    Language: English
    Pages: 1 Online-Ressource (215 Seiten) , Illustrationen
    Series Statement: Image volume 180
    Series Statement: Image
    Parallel Title: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 700.411
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    Keywords: Art, Black ; Blacks in art ; Blacks--Race identity ; Electronic books ; Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Abstract: Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
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  • 24
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 25
    ISBN: 1934351199 , 9781934351192
    Language: English
    Pages: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
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    Keywords: African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Abstract: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Abstract: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Note: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 26
    ISBN: 9783406766961
    Language: German
    Pages: 256 Seiten, 16 ungezählte Bildseiten , Illustrationen , 22 cm
    Parallel Title: Erscheint auch als Savoy, Bénédicte, 1972 - Afrikas Kampf um seine Kunst
    DDC: 709.60744
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    Keywords: Museum ; Außereuropäische Kunst ; Postkolonialismus ; Restitution ; Europa ; Afrika ; Afrika ; Europa ; Kolonialgeschichte ; Afrika ; Kunst ; Geschichte ; Europa ; Museum ; Postkolonialismus ; Restitution ; Geschichte 1960-2020 ; Afrika ; Kolonialismus ; Kunst ; Afrika ; Europa ; Kunst ; Rückerstattung ; Europa ; Museum ; Postkolonialismus ; Restitution
    Abstract: Schon vor 50 Jahren kämpfte Afrika um seine Kunst, die während der Kolonialzeit massenweise in europäische Museen gelangt war. Und es fand durchaus Unterstützung im Westen. Am Ende jedoch war der Kampf nicht nur vergebens, er wurde auch erfolgreich vergessen gemacht. Auf der Grundlage von unzähligen unbekannten Quellen aus Europa und Afrika erzählt Bénédicte Savoy die gespenstische Geschichte einer verpassten Chance, einer Niederlage, die heute mit umso größerer Wucht auf uns zurückschlägt. Afrikas Bemühungen um seine in der Kolonialzeit nach Europa verbrachte Kunst sind keineswegs neu. Schon bald nach 1960, als 18 ehemalige Kolonien die Unabhängigkeit erlangten, wurde von afrikanischen Intellektuellen, Politikern und Museumsleuten eine ungeheure Dynamik in Gang gesetzt. In ganz Europa suchten daraufhin Politikerinnen und Politiker, Journalisten, Akademiker und einige Museumsleute einen Weg, afrikanische Kulturgüter im Sinne einer postkolonialen und postrassistischen Solidarität zurückzugeben. Die Argumente aber, mit denen andere versuchten, die Forderungen aus Afrika zu entkräften und Lösungen zu verhindern, ähneln auf frappierende Weise denen von heute. Schließlich verlief alles im Sand. „Gebt koloniale Raubkunst zurück! Dafür engagiert sich Bénédicte Savoy. In ihrem Buch zeigt die Kunsthistorikerin nun, dass ihr Kampf ein alter ist. Schon in den 1960er-Jahren drängten die neu gegründeten Staaten Afrikas auf eine Rückführung – erfolglos. Die Argumente der Gegner von damals ähneln dabei denen von heute auf frappierende Weise“ (Platz 2 der Sachbuch-Bestenliste für April 2021, Platz 1 der Sachbuch-Bestenliste für Mai 2021)
    Note: Mit 16 Abbildungen , Hier auch später erschienene, unveränderte Nachdrucke , Deutsch
    URL: Cover
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    URL: Cover
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  • 27
    ISBN: 9780691208190
    Language: English
    Pages: VII, 254 Seiten , Illustrationen, Pläne
    Parallel Title: Erscheint auch als
    DDC: 745.40973/0904
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    Keywords: Geschichte 1950-1959 ; ART / History / General ; Decorative arts Marketing ; Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Power (Social sciences) History 20th century ; Geschlecht ; Design ; Rasse ; Industriedesign ; USA ; USA ; Industriedesign ; Geschichte 1950-1959 ; USA ; Design ; Geschlecht ; Rasse
    Abstract: The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar AmericaIn the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and sleek, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced-and were influenced by-Modern design and shaped its presentation to consumers.Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others. A striking counternarrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture
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  • 28
    ISBN: 9780691208190
    Language: English
    Pages: vii, 254 Seiten , Illustrationen, Pläne
    DDC: 745.40973/0904
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    Keywords: Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Decorative arts Marketing ; Power (Social sciences) History 20th century ; USA ; Kunsthandwerk ; Industriedesign ; Künste ; Geschlecht ; Ethnische Gruppe ; Geschichte 1950-1960
    Note: Includes bibliographical references and index
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  • 29
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469664668 , 9781469664651
    Language: English
    Pages: 1 Online-Ressource (xiii, 231 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 302.23082
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    Keywords: Künste ; Frau ; Sklaverei ; Gewalt ; Violence in literature ; Violence in motion pictures ; Violence on television ; Violence in women in literature ; Women in popular culture ; Women in popular culture ; Violence in women in popular culture ; Violence in women in popular culture ; Slavery History ; Literature ; Literature: history & criticism ; USA ; Karibik
    Abstract: This text examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Amy King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in US and Caribbean depictions of violence between women in the wake of slavery.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 30
    ISBN: 978-605-76853-5-3
    Language: English
    Pages: 276 Seiten , Illustrationen, Faksimiles , 24 cm
    Edition: 1st edition
    Uniform Title: Avrupa Şark′ı Bilmez : Eleştirel Bir Söylem (1872-1932)
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    Keywords: Geschichte 1872-1932 ; Rezeption ; Orientalismus ; Orientbild ; Europa ; Türkei ; Osmanisches Reich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Orientbild ; Orientalismus ; Rezeption ; Osmanisches Reich ; Türkei ; Geschichte 1872-1932
    Abstract: A century before the publication of Edward Said’s Orientalism, a passionate discourse emerged in the Ottoman Empire, rebutting politicized Western representations of the East. Until the 1930s, Ottoman and early Turkish Republican intellectuals, well acquainted with the European political and cultural scene and charged with their own ideological agendas, deconstructed tired clichés about "the Orient." In this book, Zeynep Çelik recontextualizes Eurocentric postcolonial studies, unearthing an important episode in modern Middle Eastern intellectual history and curating a selection of primary texts illustrating the debates.
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  • 31
    Book
    Book
    Lincoln : University of Nebraska Press
    ISBN: 9781496202123
    Language: English
    Pages: xi, 254 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Rezeption ; Indigenes Volk ; Soziale Verantwortung ; Kunst ; Kunstwerk ; USA ; Indian arts / Study and teaching ; Education, Higher / Aims and objectives ; Museums and Indians ; Cultural awareness ; Cultural awareness ; Education, Higher / Aims and objectives ; Museums and Indians ; USA ; Indigenes Volk ; Kunst ; Soziale Verantwortung ; USA ; Indigenes Volk ; Kunstwerk ; Rezeption
    Abstract: "'Knowing Native Arts' brings Nancy Marie Mithlo's Native, insider perspective to understanding the significance of indigenous arts in national and global milieus"--
    Abstract: "Knowing Native Arts brings Nancy Marie Mithlo's Native insider perspective to understanding the significance of Indigenous arts in national and global milieus. These musings, written from the perspective of a senior academic and curator traversing a dynamic and at turns fraught era of Native self-determination, are a critical appraisal of a system that is often broken for Native peoples seeking equity in the arts. Mithlo addresses crucial issues, such as the professionalization of Native arts scholarship, disparities in philanthropy and training, ethnic fraud, and the receptive scope of Native arts in new global and digital realms. This contribution to the field of fine arts broadens the scope of discussions and offers insights that are often excluded from contemporary appraisals."--book jacket
    Description / Table of Contents: Introduction: Dangerous for the heart -- 1. "The Manner in Which Knowledge Grows" -- 2. Native Arts' Visual Remix -- 3. Indigenous Arts Movements at Home and Abroad -- 4. On the Other Side of the Ocean -- 5. Postidentity Claims, Realism, and Radical Restructuring -- 6. The Encyclopedic Gaze -- 7. Decentering Durham -- 8. American Indians and Museums: The love/hate relationship -- Conclusion: The good fight -- Notes
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  • 32
    ISBN: 9781478007326
    Language: English
    Pages: 1 Online-Ressource (241 Seiten)
    Parallel Title: Erscheint auch als Beck, John, 1963 - Technocrats of the imagination
    DDC: 700.1/050973
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    Keywords: Technology and the arts History 20th century ; Military-industrial complex ; Arts Experimental methods ; Art / Criticism & Theory ; Electronic books ; USA ; Medienkunst ; Militärtechnik ; Geschichte 1960-1969 ; Experiments in Art and Technology ; Laboratorium ; Militär
    Abstract: Science, Art, Democracy -- A Laboratory of Form and Movement: Institutionalizing Emancipatory Technicity at MIT -- The Hands-on Approach: Engineering Collaboration at E.A.T. -- Feedback: Expertise, LACMA and the Think-Tank -- How to Make the World Work -- Heritage of Our Times.
    Abstract: "TECHNOCRATS OF THE IMAGINATION traces the rise of collaborative art and technology labs in the U.S. from WWII to the present. Ryan Bishop and John Beck reveal the intertwined histories of the avant-garde art movement and the military-industrial complex, showing how radical pedagogical practices traveled from Germany's Bauhaus movement to the U.S. art world and interacted with government-funded military research and development in university laboratories. During the 1960s both media labs and studio labs leaned heavily on methods of interdisciplinary collaboration and the power of American modernity to model new modes of social organization. The book's chapters take up MIT's Center for Art, Science, and Technology, Bell Labs's E.A.T. (Experiments in Art and Technology) Salon, and Los Angeles Museum of Art's Art + Technology Program. Their interconnected history illuminates how much of contemporary media culture and aesthetics depends on the historical relationship between military, corporate, and university actors. In light of revived interest in Black Mountain College and other 1960s art and technology labs, this book draws important connections between the contemporary art world and the militarized lab model of research that has dominated the sciences since the 1950s. The authors situate the rise of collaborative art and technology projects in the 1960s within John Dewey's ideology of scientific democracy, showing how leading thinkers from the Bauhaus movement in Germany immigrated to the U.S. and brought with them a Deweyan model for collaborative and interdisciplinary art and technology research. Over the course of the decade, the U.S. government increased funding to scientific research at university and private laboratories. Beck and Bishop investigate how various art and technology projects incorporated the collaborative and innovative interdisciplinarity of the avant-garde art movement with the corporate funding structure driven by the U.S. government's military and technoscientific interests. Finally, the authors consider the legacy of 1960s art and technology projects. During the 1970s and 80s, defense R&D funding was less motivated by a Cold War corporate state, and was instead restructured according to an entrepreneurial and neoliberal model. At the same time, funding in the art world also became increasingly financialized and globalized. Today's art and technology work happens collaboratively not because of an intellectual commitment to interdis ...
    Note: A cultural politics book , Includes bibliographical references and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 33
    ISBN: 9781439914236
    Language: English
    Pages: x, 235 Seiten , Illustrationen
    Additional Information: Rezensiert in Reynolds, Daniel P. Memory Passages: Holocaust Memorials in the United States and GermanyNatasha Goldman 2021
    Parallel Title: Erscheint auch als Goldman, Natasha, 1970 - Memory passages
    DDC: 940.5318640943
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    Keywords: Holocaust memorials ; Holocaust memorials ; Memorialization ; Memorialization ; Art and history ; Art and history ; USA ; Deutschland ; Judenvernichtung ; Denkmal ; Kollektives Gedächtnis ; USA ; Deutschland ; Denkmal ; Judenvernichtung
    Abstract: For decades, artists and architects have struggled to relate to the Holocaust in visual form, resulting in memorials that feature a diversity of aesthetic strategies. In 'Memory Passages', Natasha Goldman analyzes both previously-overlooked and internationally-recognized Holocaust memorials in the United States and Germany from the postwar period to the present, drawing on many historical documents for the first time. From the perspectives of visual culture and art history, the book examines changing attitudes toward the Holocaust and the artistic choices that respond to it.The book introduces lesser-known sculptures, such as Nathan Rapoport's 'Monument to the Six Million Jewish Martyrs' in Philadelphia, as well as internationally-acclaimed works, such as Peter Eisenman's 'Memorial to the Murdered Jews of Europe' in Berlin. Other artists examined include Will Lammert, Richard Serra, Joel Shapiro, Gerson Fehrenbach, Margit Kahl, and Andy Goldsworthy. Archival documents and interviews with commissioners, survivors, and artists reveal the conversations and decisions that have shaped Holocaust memorials. 'Memory Passages' suggests that memorial designers challenge visitors to navigate and activate spaces to engage with history and memory by virtue of walking or meandering. This book will be valuable for anyone teaching-or seeking to better understand-the Holocaust
    Note: Literaturverzeichnis: Seite 219-227 , Register
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  • 34
    Book
    Book
    Charlottesville : University of Virginia Press
    ISBN: 9780813943749
    Language: English
    Pages: xviii, 194 Seiten , Illustrationen
    Series Statement: Midcentury: architecture, landscape, urbanism, and design
    Parallel Title: Erscheint auch als Grubiak, Margaret M Monumental jesus
    DDC: 306.6/773
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    Keywords: Christianity and culture ; Cultural landscapes ; Popular culture Religious aspects ; Christianity ; United States Religion ; USA ; Religiöse Kunst ; Architektur ; Monumentalplastik
    Abstract: Touchdown Jesus! -- Dorothy, The Wizard of Oz, and the Mormon Temple -- Adventures in the evangelical theme park -- Charles Darwin's Night at the Creation Museum -- Gumby Jesus.
    Abstract: "This book explores how religious doubt is made manifest in the built environment by taking seriously the humorous, satirical, blasphemous, and popular culture responses to religious architecture and image in modern America. It challenges how audiences typically consider religious architecture by shifting the focus from believers to doubters and from architectural producers to architectural consumers. Its chapters explore landscapes of doubt created by "Touchdown Jesus" at the University of Notre Dame in Indiana; the Mormon temple outside Washington, D.C., recast as something from The Wizard of Oz; Jerry Falwell's waterslide plunge photograph and The Simpson's "Praiseland" episode satirizing Jim and Tammy Faye Bakker's Heritage USA evangelical theme park in South Carolina; the doctored photograph making fun of Oral Roberts's claim of seeing a 900-foot Jesus at Oral Roberts University in Tulsa, Oklahoma; MAD magazine's "Charles Darwin's Night at the Creation Museum" parody of the Creation Museum in Kentucky; and the "Gumby Jesus" renaming of the Christ of the Ozarks statue in Eureka Springs, Arkansas. These expressions of doubt activate the religious built environment in ways unanticipated but illuminating, asking Americans to consider and clarify what it is they believe"--
    Note: Includes bibliographical references and index
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  • 35
    Book
    Book
    University Park, Pennsylvania : The Pennsylvania State University Press
    ISBN: 9780271086040
    Language: English
    Pages: 241 Seiten , Illustrationen
    DDC: 759.13
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    Keywords: Jones, Lois Mailou Criticism and interpretation ; African diaspora in art ; Jones, Loi͏̈s Mailou 1905-1998 ; USA ; Schwarze ; Kunst
    Abstract: Introduction : claiming middle ground -- Seeking success : school, society, and career aspirations -- Routes to roots : from Black Washington to Black Paris -- Diasporic directions : Haiti, collage, and composite aesthetics -- In and out : Africa and the academy -- Conclusion : composite naming practices and art histories.
    Abstract: "A critical analysis of the art and career of African American painter Loïs Mailou Jones (1905-1998). Examines Jones's engagement with African and Afrodiasporic themes as well as the challenges she faced as a black woman artist"--
    Note: Includes bibliographical references and index
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  • 36
    ISBN: 9781912248667 , 1912248662
    Language: English
    Pages: xii, 431 Seiten , Illustrationen , 20 cm
    Parallel Title: Erscheint auch als Howell, Patrick Dispatches from the Vanguard
    DDC: 973.933
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    Keywords: Trump, Donald ; Trump, Donald ; Arts Political aspects ; Art, Black 21st century ; Multiculturalism in art ; Political culture ; Presidents ; African Americans Politics and government 21st century ; American literature African American authors 21st century ; African Americans Intellectual life 21st century ; African Americans ; Intellectual life ; African Americans ; Politics and government ; American literature ; African American authors ; Art, Black ; Arts ; Political aspects ; Multiculturalism in art ; Political culture ; Politics and government ; Presidents ; United States Politics and government 2017- ; United States ; USA ; Politische Kultur ; Trump, Donald 1946- ; Multikulturelle Gesellschaft ; Person of Color ; Geschichte 2017-2021
    Abstract: "A collection of writers, poets, artists, social entrepreneurs and political activists in the Global International African Arts Movement speak about their work in the context of Trump, giving a voice to the voiceless and about the 5th estate of power in this timely and important book" -- Provided by the publisher
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  • 37
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    London : Phaidon Press Limited | New York, NY : New Museum
    ISBN: 9781838661298 , 1838661298
    Language: English
    Pages: 263 Seiten , 29 x 25 cm
    DDC: 704.9491524
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    Keywords: Ausstellungskatalog New Museum of Contemporary Art, New York, NY 2020-2021 ; Bildband ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 1964-2020 ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 2016-2020
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Impressum: "In association with New Museum New York, on the occasion of the exhibition "Grief and Grievance: Art and Mourning in America" October 20, 2020-January 24, 2021"
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  • 38
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    New Haven : Yale University Press in association with the Hutchins Center For African & African American Research, Harvard Univeristy
    ISBN: 9780300245745 , 0300245742
    Language: English
    Pages: xii, 228 Seiten , Illustrationen , 26 cm
    DDC: 704.0396073
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    Keywords: Harrington, Oliver W ; Colescott, Robert ; African American art ; African American artists ; African Americans in art ; Satire, American History and criticism ; USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; USA ; Schwarze ; Kunst ; Provokation ; Antirassismus ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009
    Abstract: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic.
    Abstract: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Note: "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso
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  • 39
    ISBN: 9783709981191
    Language: German , English
    Pages: 217 Seiten , 23 cm
    Series Statement: Studiohefte 38
    Series Statement: Studiohefte
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    Keywords: Geschichte 1962-2020 ; Geschichte ; Lyrik ; Liebe ; Kunst ; Fotografie ; Iran ; Sonderausstellung ; Ausstellung ; Ausstellungskatalog ; Studioheft ; Iran ; Persien ; Europa ; Teheran ; Kunstband ; Orient ; Okzident ; Kunst ; Mazdak Ayari ; Reza Bangiz ; Nargess Hashemi ; Jazeh Tabatabai ; Parviz Tanavoli ; Kultur ; Farah Ossouli ; Tarlan Rafiee ; Ausstellungskatalog Tiroler Landesmuseum Ferdinandeum 16.10.2020-31.01.2021 ; Bildband ; Iran ; Kunst ; Fotografie ; Lyrik ; Liebe ; Geschichte ; Iran ; Kunst ; Geschichte 1962-2020
    Note: Ausgewählte Bibliographie Seite 213 , "Die Publikation erscheint anlässlich der Ausstellung "Solace of lovers/Trost der Liebenden", Tiroler Landesmuseum Ferdinandeum, 16. Oktober 2020-31. Jänner 2021", Seite 214 , Text deutsch und englisch
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  • 40
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    Philadelphia : Institute for Contemporary Art, University of Pennsylvania
    ISBN: 0884541495 , 9780884541493
    Language: English
    Pages: 320 Seiten , Illustrationen
    Edition: First edition
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    Keywords: Ausstellungskatalog ; USA ; Person of Color ; Kunst ; Gesellschaft
    Note: This book is published on the occasion of the exhibition Colored People Time, curated by Meg Onli, and organized and presented by the Institute of Contemporary Art, University of Pennsylvania, Febuary 1 - December 22, 2019; MIT List Visual Arts Center Febuary 7 - April 12, 2020
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  • 41
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    Associated volumes
    In:  Journal Fünf Kontinente / Museum Fünf Kontinente Band 3 (2018/19), Seite 96-151
    Language: English
    Pages: Illustrationen
    Titel der Quelle: Journal Fünf Kontinente / Museum Fünf Kontinente
    Publ. der Quelle: München, 2020
    Angaben zur Quelle: Band 3 (2018/19), Seite 96-151
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    Keywords: Indigenes Volk ; Stab ; Prophet ; USA ; Indigenes Volk ; USA ; Prophet ; Stab
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  • 42
    ISBN: 9789490153328 , 949015332X
    Language: English
    Pages: 184 Seiten , Illustrationen
    Series Statement: KA series 32
    Parallel Title: Parallele Sprachausgabe
    DDC: 700.411
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    Keywords: 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Abstract: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Note: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 43
    ISBN: 9783731910275
    Language: German
    Pages: 488 Seiten , Illustrationen, Karten , 29 x 24 cm
    Series Statement: Jahrbuch der Coburger Landesstiftung Band 63 (2019)
    DDC: 623.441
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    Keywords: Frühmittelalter ; Militärgeschichte ; Festschrift ; Konferenzschrift Coburger Landesstiftung 2019 ; Aufsatzsammlung ; Festschrift ; Konferenzschrift Coburger Landesstiftung 2019 ; Aufsatzsammlung ; Waffe ; Waffenkunde ; Rüstung ; Jagd ; Living History ; Waffenkunde ; Waffe ; Mittelalter ; Provinzialrömische Archäologie ; Schwert ; Europa ; Jagd ; Helm ; Armbrust ; Vor- und Frühgeschichte ; Archäologie
    Note: Verantwortlichkeitsangabe Seite [2] entnommen , Autoren der Beitrage: "Dr. Heiko Berger, Militärhistorisches Museum der Bundeswehr, [...] Dresden; Dr. Joachim Zeune, Büro für Burgenforschung, [...] Eisenberg-Zell [und 19 weitere]" (Autorenverzeichnis, Seite 488) , "Im Oktober 2019 fand auf der Veste Coburg ein öffentliches Symposium zur Verabschiedung Alfred Geibigs aus dem aktiven Dienst in den Kunstsammlungen statt. Für die damals entstandene Idee einer Festschrift konnten neben den Referenten des Symposiums zahlreiche weitere Experten und Wegbegleiter Alfred Geibigs gewonnen werden." (Vorwort, Seite 7) , Mit Zusammenfassung der Beiträge deutsch und englisch
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  • 44
    ISBN: 9783496016243 , 3496016248
    Language: English
    Pages: 246 Seiten , Illustrationen , 25 cm
    Additional Information: Rezensiert in Du Crest, Sabine, 1963 - [Rezension von: Anna Grasskamp, Objects in Frames. Displaying Foreign Collectibles in Early Modern China and Europe] 2020
    Uniform Title: Cultivated curiosities
    Dissertation note: Dissertation Universiteit Leiden 2013
    DDC: 709.510744
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    Keywords: Hochschulschrift ; Europa ; China ; Raritätenkammer ; Kunstwerk ; Präsentation ; Geschichte 1500-1700 ; China ; Europa ; Kulturaustausch ; China ; Europa ; Kulturaustausch ; Kunst ; Sammeln ; Geschichte 1500-1700 ; Europa ; China ; Exotismus ; Kunst ; Kunsthandwerk ; Raritätenkammer ; Chinoiserie ; Sammlung ; Präsentation ; Geschichte 1500-1699
    Note: Dissertation erschienen unter dem Titel: Cultivated Curiosities : a comparative study of Chinese artifacts in European Kunstkammern and European objects in Chinese elite collections , Mit Register
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  • 45
    ISBN: 9781478001874 , 9781478003007
    Language: English
    Pages: xvi, 534 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Chicano and Chicana art
    Parallel Title: Erscheint auch als Chicano and Chicana art
    DDC: 704.03/6872073
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    Keywords: Mexican American art ; Mexican American artists ; Art Political aspects ; Art and society ; Aufsatzsammlung ; USA ; Chicanos ; Kunst
    Note: Includes bibliographical references and index
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  • 46
    ISBN: 9781138605923
    Language: English
    Pages: XX, 211 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
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    Keywords: USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
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  • 47
    ISBN: 9781538101452
    Language: English
    Pages: xxvii, 382 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Mitchell, Verner D., 1957- author Encyclopedia of the Black Arts Movement
    DDC: 700.89/96073
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    Keywords: Black Arts movement Encyclopedias ; Wörterbuch ; Enzyklopädie ; Wörterbuch ; Black arts movement ; USA ; Schwarze ; Künste ; Black power
    Abstract: "The Black Arts Movement (BAM) was the name given to a group of black poets, artists, dramatists, musicians, and writers who emerged in the wake of the Black Power Movement. The entries in this volume include key contributors to the Black Arts Movement, their major works produced during the period, significant publications, and influential groups and organizations"--
    Note: Includes bibliographical references and index
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  • 48
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    Book
    New Haven : Yale University Press in association with the Hutchins Center for African & African American Research, Harvard University
    ISBN: 9780300230383
    Language: English
    Pages: xiii, 134 Seiten , Illustrationen
    Series Statement: Richard D. Cohen lectures in African and African American Art
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    Keywords: Kunst ; Moderne ; Rassismus ; Kunst ; Moderne ; Rassismus ; Leonard, Zoe 1961- ; Marshall, Kerry James 1955- ; Pope.L, William 1955- ; USA ; Kunst ; Moderne ; Rassismus ; Geschichte 1950-2016
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  • 49
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    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476669496
    Language: English
    Pages: x, 274 Seiten, 8 Seiten , Illustrationen
    DDC: 303.482730969
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    Keywords: Einfluss ; Massenkultur ; USA ; Hawaii
    Note: Bibliography Seite 256-264
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  • 50
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    ISBN: 9781350169982 , 9781474249768 , 9781474249782 , 9781474249775
    Language: English
    Pages: xv, 202 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 391.00945/511
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    Keywords: Geschichte 1500-1600 ; Geschichte 1400-1600 ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Geschichte ; Gesellschaft ; Fashion History 16th century ; Men's clothing History 16th century ; Nobility Clothing 16th century ; History ; Masculinity Social aspects 16th century ; History ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Bildnismalerei ; Mann ; Mode ; Männlichkeit ; Männlichkeit ; Männerkleidung ; Europa ; Italien ; Florence (Italy) Court and courtiers 16th century ; History ; Florenz ; Florenz ; Männerkleidung ; Mode ; Männlichkeit ; Männlichkeit ; Mann ; Bildnismalerei ; Geschichte 1400-1600
    Abstract: "Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a source of mockery? Was the graceful courtier virile or effeminate? How could a man dress for court without bankrupting himself? This book explores the whole story of clothing, from the tailor's workshop to spectacular court festivities, to show how the male nobility in one of Italy's main textile production centres used their appearances to project social, sexual, and professional identities. Sixteenth-century male fashion is often associated with swagger and ostentation but this book shows that Florentine clothing reflected manhood at a much deeper level, communicating a very Italian spectrum of male virtues and vices, from honour, courage, and restraint to luxury and excess. Situating dress at the heart of identity formation, Currie traces these codes through an array of sources, including unpublished archival records, surviving garments, portraiture, poetry, and personal correspondence between the Medici and their courtiers. Addressing important themes such as gender, politics, and consumption, Fashion and Masculinity in Renaissance Florence sheds fresh light on the sartorial culture of the Florentine court and Italy as a whole"...
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  • 51
    ISBN: 0892075481 , 9780892075485
    Language: English
    Pages: 153 Seiten , 25 cm
    DDC: 759.13
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    Keywords: Basquiat, Jean-Michel Exhibitions ; Basquiat, Jean-Michel Political and social views ; Police brutality Art ; Racism Art ; Basquiat, Jean-Michel ; Basquiat, Jean Michel ; Exhibition catalogs ; Exhibition catalogs ; Ausstellungskatalog Solomon R. Guggenheim Museum 2019 ; Basquiat, Jean Michel 1960-1988 ; USA ; Politische Kunst ; Antirassismus
    Abstract: Defacement: moment, history, and memory / Chaédria LaBouvier -- The man nobody killed / Nancy Spector -- The art of Basquiat belongs to the people / J. Faith Almiron -- Black like B. / Greg Tate -- Recollections / compiled by Chaédria LaBouvier.
    Abstract: Jean-Michel Basquiat painted 'Defacement' (The Death of Michael Stewart) in 1983 to commemorate the death of a young, black artist who died from injuries sustained while in police custody after being arrested for allegedly tagging a New York City subway station. Published to accompany a focused exhibition of Basquiat's response to anti-black racism and police brutality, this catalogue explores a chapter in the artist's career through both the lens of his identity and the Lower East Side as a nexus of activism in the early 1980s
    Note: Includes bibliographical references
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  • 52
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    Årsta, Sweden : Dokument Press
    ISBN: 9188369196 , 9789188369192
    Language: English
    Pages: 93 Seiten , 22 cm
    DDC: 700.411
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    Keywords: Rap (Music) Pictorial works ; Rap (Music) Maps ; Bildband ; USA ; Installation ; Rap
    Abstract: A visual catalog of site-specific rap lyrics in New York, Los Angeles, Philadelphia, Atlanta, Houston and more. Since 2013, multi-disciplinary artist Jay Shells (Jason Shelowitz) has been travelling to major US cities, installing his Rap Quotes campaign. At the time of this publication, the campaign has touched down in New York, Los Angeles, Philadelphia, Atlanta, Houston and the Bay Area. 0Part art book and part guide book, 'The Rap Quotes Coast to Coast' takes you on a new kind of journey, with gorgeous photography by Aymann Ismail to offer context for the hip hop lyrics that mark locations in these major cities. Each city/chapter opens with remarks by local hip hop journalists and ends with a map plotting every site-specifc rap lyric for that city, giving the reader the ability to take their own hip hop-specific tour of the city they love. The Rap Quotes campaign is ongoing, and in the next few years will launch in Chicago, New Orleans, Miami and other cities around the globe
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  • 53
    ISBN: 9780429467851 , 9780429885877 , 9780429885884 , 9780429885860 , 9780429467851
    Language: English
    Pages: 1 online resource (232 pages) , 86 illustrations, text file, PDF.
    Edition: First edition.
    Series Statement: Routledge Research in Art and Race
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts movement and the Black Panther Party in American visual culture
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    Keywords: Black Panther Party History ; Arts and society History 20th century ; Black Arts movement ; Black Arts movement Case studies ; Arts Political aspects ; African Americans Race identity ; African Americans Intellectual life 20th century ; African American arts 20th century ; Black Arts movement ; African American arts ; 20th century ; African Americans ; Race identity ; African Americans ; Intellectual life ; 20th century ; Arts ; Political aspects ; United States ; History ; 20th century ; Electronic books ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; ART / Art & Politics ; AfriCOBRA ; African American art ; African American history ; African American studies ; American art ; Angela Davis ; art history ; Berkeley ; Black Panthers ; black power ; California ; civil rights ; desegregation ; Eldridge Cleaver ; Emory Douglas ; Huey P. Newton ; identity ; Kathleen Cleaver ; Malcolm X ; newspaper ; Oakland ; Oakland Museum ; paintings ; photography ; politics ; posters ; prints ; visual culture ; Electronic books ; Electronic books ; USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
    Abstract: Part I. Black arts we make : aesthetics, collaboration, and social identity in the visual art of Black Power -- Introduction to Part I -- Pedigree of the Black arts movement : the march on Washington, death of Malcolm X, and free jazz -- Organization of Black American culture : a show of respect -- African commune of bad relevant artists : forging a Black aesthetic -- New perspectives in Black art : an Oakland class of '68 Says Black Lives Matter. -- Part II. The Black Panther Party in photography and print ephemera. Introduction to Part II -- Huey P. Newton enthroned : iconic image of Black Power -- Eldridge Cleaver's visual acumen and the coalition of Black Power with White resistance -- Emory Douglas : revolutionary artist and visual theorist -- Picturing the female revolutionary.
    Note: Includes bibliographical references and index
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  • 54
    ISBN: 9783868324877 , 3868324879
    Language: German
    Pages: 576 Seiten , 27 cm
    DDC: 759.13074435514
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    Keywords: Ausstellungskatalog Wallraf-Richartz-Museum & Foundation Corboud 23.11.2018-24.03.2019 ; Aufsatzsammlung ; Ausstellungskatalog Wallraf-Richartz-Museum & Foundation Corboud 23.11.2018-24.03.2019 ; Aufsatzsammlung ; USA ; Malerei ; Plastik ; Geschichte 1670-1980 ; USA ; Kunst
    Abstract: "Es war einmal in Amerika. 300 Jahre US-Amerikanische Kunst" bietet einem breiten Publikum die einmalige Chance, der US-amerikanischen Kunst mit einem aktuellen Blick zu begegnen und nicht zuletzt auch das jeweils eigene Amerikabild zu erweitern. Der Band umfasst den Zeitraum von 1650 bis 1950 und bietet Einblicke in die Kunst der Kolonialzeit bis hin zu den Meistern des amerikanischen Realismus und Abstrakten Expressionismus. Die Lebendigkeit, Innovationskraft und Experimentierfreude amerikanischer Künstler werden umfassend behandelt und zusätzlich werden seltene Einblicke in die Bildwelten der Native American Art gegeben. "Es war einmal in Amerika" beweist eindrucksvoll, dass es nicht "die eine" US-amerikanische Kunstgeschichte gibt, sondern eine Vielzahl derer. (Verlagsang.)
    Note: Literaturverzeichnis: Seite 550-563 , "erschienen anlässlich der gleichnamigen Ausstellung im Wallraf-Richartz-Museum & Fondation Corboud, Köln, 23. November 2018 bis 24. März 2019" - Rückseite der Titelseite
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  • 55
    Book
    Book
    New York : New York University Press
    ISBN: 9781479832774 , 9781479890170
    Language: English
    Pages: xxii, 299 Seiten , Illustrationen
    Series Statement: Sexual cultures
    Parallel Title: Erscheint auch als
    DDC: 306.7601
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    Keywords: Ishioka, Eiko ; González-Torres, Félix ; Bustamante, Nao ; Tseng, Kwong Chi ; Simone, Nina ; Danh Vo ; Queer theory ; Performance art ; Minorities Social conditions ; Performance ; Kleinkunst ; Identität ; Soziale Situation ; Darstellender Künstler ; Queer-Theorie ; USA ; USA ; Kleinkunst ; Performance ; Darstellender Künstler ; Soziale Situation ; Identität ; Queer-Theorie ; Bustamante, Nao 1963- ; Simone, Nina 1933-2003 ; Danh Vo 1975- ; Ishioka, Eiko 1939-2012 ; Tseng, Kwong Chi 1950-1990 ; González-Torres, Félix 1957-1996
    Note: Includes bibliographical references and index
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  • 56
    ISBN: 1138080551 , 9781138080553
    Language: English
    Pages: xiii, 172 Seiten , Illustrationen , 25 cm
    Series Statement: The histories of material culture and collecting, 1700-1950
    DDC: 709.511560744
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    Keywords: Art, Chinese Appreciation ; Europe ; Art, Chinese Appreciation ; Europe ; Art, Chinese ; Yuan Ming Yuan (Beijing, China) ; Yuan Ming Yuan (Beijing, China) History ; 19th century ; Yuan Ming Yuan (Beijing, China) History ; 19th century ; Konferenzschrift ; Konferenzschrift 2013 ; Konferenzschrift ; Konferenzschrift 2013 ; Konferenzschrift ; Konferenzschrift 2013 ; Europa ; Yuanmingyuan ; Landschaftsarchitektur ; Rezeption
    Note: "This volume emerged from papers presented at a conference at the University of Manchester in July 2013 - The Yuanmingyuan in Britain and Franece: Representations of the "Summer Palace" in the West." - Acknowledgments
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  • 57
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520286535
    Language: English
    Pages: xx, 318 Seiten , Illustrationen , 28 cm
    Series Statement: Ahmanson Murphy Fine Arts imprint
    DDC: 709.2/396073
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    Keywords: African American artists 20th century ; African American artists 21st century ; Artists, Black 20th century ; Artists, Black 21st century ; Großbritannien ; USA ; Kunst ; Künstler ; Künstlerin ; Person of Color ; Geschichte 1965-2015 ; Großbritannien ; USA ; Schwarze ; Kunst ; Geschichte 1965-2015
    Note: Includes bibliographical references and index
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  • 58
    ISBN: 9789004387836
    Language: English
    Pages: 1 Online-Ressource (339 Seiten)
    Series Statement: East and West: culture, diplomacy and interactions volume 4
    DDC: 909/.09821
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    Keywords: Kunst ; Rezeption ; China ; Europa ; USA
    Note: Description based on publisher supplied metadata and other sources
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  • 59
    Language: German
    Pages: 73 Seiten , Illustrationen
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    Keywords: Ausstellungskatalog ; Afrika ; Europa ; Design ; Kulturaustausch
    Abstract: Das Forschungs- und Ausstellungsprojekt "Flow of Forms/ Forms of Flow" fokussiert Designgeschichten zwischen Afrika und Europa. Es befasst sich mit den bislang in der Forschung vernachlässigten Auseinandersetzungen mit Designobjekten aus Afrika, ihren Techniken und gestalterischen Grundlagen. Aus einer verflechtungsgeschichtlichen Perspektive werden Formgenese (Forms) und kulturelle Wechselwirkungen (Flows) untersucht: 1. Formen der Moderne, 2. Transform(n)ation, 3. Formen der Kooperation/Partizipation, 4. Stoff-Wechsel und 5. Spekulative Formen.
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  • 60
    ISBN: 9781943263141 , 9781943263141
    Language: English
    Pages: 149 Seiten , Illustrationen , 23 cm
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    Keywords: Art and race History ; Freedom and art 20th century ; United States ; Art and race History ; Freedom and art 20th century ; United States ; Art and race ; Freedom and art ; Nonfiction ; Rassismus ; Kunst ; USA ; Geschichte 1969-2017 ; Rassismus ; Kunst ; USA
    Abstract: In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York's Artists Space entitled Nigger Drawings. In 1969, the Metropolitan Museum of Art's exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. 'Whitewalling: Art, Race, & Protest in 3 Acts' reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world - no less than the country at large - has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship. 'Whitewalling' takes a critical and intimate look at these three "acts" in the history of the American art scene and asks: when we speak of artistic freedom and the freedom of speech, who, exactly, is free to speak?
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Setting the stage , Act 1: Open casket, Whitney Biennial, 2017 , Act 2: The nigger drawings, Artists Space, 1979 , Act 3: Harlem on my mind, Metropolitan Museum of Art, 1969
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  • 61
    ISBN: 9783795432669 , 3795432669
    Language: German
    Pages: 376 Seiten , Illustrationen, Karten
    Edition: 1. Auflage
    Series Statement: Festungsforschung Band 9
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    Keywords: Festung ; Quellenforschung ; Quelle ; Europa ; Konferenzschrift 2015 ; Konferenzschrift 2016
    Note: Der neunte Band der Schriftenreihe "Festungsforschung" der Deutschen Gesellschaft für Festungsforschung e.V. beinhaltet die Vorträge der DGF-Tagung der Jahre 2015 in Nürnberg und 2016 in der ehemaligen Festungsstadt Saarlouis. , Literaturangaben
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  • 62
    Book
    Book
    Madrid : Iberoamericana | Frankfurt am Main : Vervuert
    ISBN: 9788416922291 , 9783954876211
    Language: Spanish
    Pages: 348 Seiten , Illustrationen
    Series Statement: La casa de la riqueza 41
    Series Statement: La casa de la riqueza
    DDC: 306
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    Keywords: García Lorca, Federico ; Buñuel, Luis ; Dalí, Salvador ; Amerikabild ; USA ; Konferenzschrift 15.10.2015-17.10.2015 ; Aufsatzsammlung ; Aufsatzsammlung ; García Lorca, Federico 1898-1936 ; Buñuel, Luis 1900-1983 ; Dalí, Salvador 1904-1989 ; USA ; Amerikabild
    URL: Cover
    URL: Cover
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  • 63
    ISBN: 9783839442012
    Language: English
    Pages: 1 Online-Ressource (207 Seiten) , Illustrationen
    Series Statement: Design 37
    Series Statement: Design
    Parallel Title: Erscheint auch als Flow of forms, forms of flow
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    Keywords: Design Exhibitions History ; Design Exhibitions Influence ; Design Exhibitions History ; Design Exhibitions Influence ; African Art. ; African Studies. ; Architecture. ; Art History of the 20th Century. ; Art History. ; Design History. ; Europe. ; European Art. ; Exhibition. ; DESIGN / History & Criticism ; Ausstellungskatalog Architekturmuseum der TU München 03.02.2017-12.03.2017 ; Ausstellungskatalog Museum für Völkerkunde 06.04.2018-19.08.2018 ; Afrika ; Europa ; Design ; Kulturaustausch
    Abstract: As a teenager, I spent my time wondering why in sci-fi movies, every landscape, every object I could see was Western or Asian based. I've finally understood that somewhere our legacy had been locked in the past, that we couldn't be "futuristic" in the eyes of our fellow Europeans. We have to look behind our shoulders, get back to our traditions, seize the best of them and shape a future with it. This without forgetting we are part of the world, totally, unquestionably. The future is for me not only a matter of dialogue with the past, but and beyond everything a dialogue with the rest of the planet. Kossi Aguessy How is it possible to adequately capture histories of design in Africa, a continent with fifty-four countries? How can one avoid producing just another essentialising master narrative of "African Design"? How can one make sense of the many entangled yet often asymmetric and sometimes ambivalent histories of form-finding processes between Africa and Europe? In keeping with the premises of a global art and design history approach, the book offers a change of perspective: focusing on the mobility of people, objects and ideas - on flows between Africa and Europe as well as on a South-South axis - allows for multiple yet necessarily fragmented design histories to be identified and recognised. The contributors trace multi-faceted design case studies from a historical perspective, with attention to the present as well as towards possible futures.
    Note: This publication appears on the occasion of the exhibition Flow of Forms / Forms of Flow. Design Histories between Africa and Europe. München: Architekturmuseum der TU München / Pinakothek der Moderne, Museum Fünf Kontinente, Kunstraum München as well as in the premises a private gallery, 3 February – 12 March 2017; Hamburg, Museum für Völkerkunde, 6 April – 19 August 2018 , Frontmatter -- ; Content -- ; Flow of Forms / Forms of Flow. Design Histories between Africa and Europe , Forms of Modernity -- ; Transform(n)ation -- ; Forms of Cooperation / Participation -- ; Material Morphosis -- ; Speculative Forms -- ; Ladi Kwali, Michael Cardew and a Tangled Story of African Studio Pottery , Design, Development and its Legacies: A Perspective on 1970s Design Culture and its Anthropological Intents , Between Favela Chic and Autonomy. Design in Latin America , The Politics of Design in Postcolonial Kenya , On the Flows of Architectural Design: The Context and Making of an Exhibition , Jules Wokam’s Aesthetics of Permeability , Tracing the Quiet Cultural Activism: Laduma Ngxokolo and Black Coffee , Cheick Diallo: Design between Politics and Poetics , Designers’ and Artists’ Biographies -- ; Authors’ Biographies , Mode of access: Internet via World Wide Web. , In English
    URL: Cover
    URL: Cover
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  • 64
    ISBN: 9783837642537 , 3837642534
    Language: German
    Pages: 375 Seiten , Illustrationen
    Series Statement: Edition Medienwissenschaften Band 51
    Series Statement: Edition Medienwissenschaft
    Parallel Title: Erscheint auch als Miggelbrink, Monique Fernsehen und Wohnkultur
    Dissertation note: Dissertation Universität Paderborn 2017
    DDC: 302.2345094309046
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    Keywords: Wohnkultur ; Fernsehempfänger ; Design ; Deutschland ; USA ; Hochschulschrift ; Hochschulschrift ; Deutschland ; USA ; Fernsehempfänger ; Design ; Wohnkultur ; Geschichte 1953-1970 ; Fernsehen ; Möbel ; Fernsehen ; Wohnkultur ; Fernsehempfänger ; Möbel
    Note: Quellen- und Literaturverzeichnis: Seite 349-375
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  • 65
    ISBN: 3837642011 , 9783837642018
    Language: English
    Pages: 207 Seiten , Illustrationen , 21 cm
    Series Statement: Design
    Parallel Title: Erscheint auch als Flow of forms, forms of flow
    Parallel Title: Erscheint auch als Flow of forms - forms of flow
    DDC: 745.4096
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    Keywords: Design History ; 21st century ; Africa ; Art, Modern 21st century ; Decoration and ornament Africa ; Art, Modern 21st century ; Design History ; Africa ; 21st century ; Art, Modern ; Decoration and ornament ; Design ; Art, Modern ; Art, Modern 21st century ; Art, Modern 21st century ; Decoration and ornament ; Decoration and ornament Africa ; Design ; Design History ; 21st century ; Africa ; Design History ; Africa ; 21st century ; Ausstellungskatalog Architekturmuseum der TU München 03.02.2017-12.03.2017 ; Ausstellungskatalog Museum für Völkerkunde 06.04.2018-19.08.2018 ; Ausstellungskatalog 03.02.2017-12.03.2017 ; Ausstellungskatalog Museum für Völkerkunde 06.04.2018-19.08.2018 ; Ausstellungskatalog Architekturmuseum der TU München 03.02.2017-12.03.2017 ; Ausstellungskatalog Museum für Völkerkunde 06.04.2018-19.08.2018 ; Ausstellungskatalog Architekturmuseum der TU München 03.02.2017-12.03.2017 ; Ausstellungskatalog Museum für Völkerkunde 06.04.2018-19.08.2018 ; Afrika ; Europa ; Design ; Kulturaustausch ; Afrika ; Europa ; Design ; Kulturaustausch
    Note: Impressum: "This publication appears on the occasion of the exhibition "Flow of Forms - Forms of Flow. Design Histories between Africa and Europe." München: Architekturmuseum der TU München / Pinakothek der Moderne, Museum Fünf Kontinente, Kunstraum München as well as in the premises of a private gallery, 3 February - 12 March 2017; Hamburg: Museum für Völkerkunde, 6 April - 19 August 2018"
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  • 66
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    New York : Hunter College Art Galleries
    ISBN: 9781732009929 , 1732009929
    Language: English
    Pages: 103 Seiten , Illustrationen , 23 cm
    DDC: 700.411
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    Keywords: Black Emergency Cultural Coalition ; Black Emergency Cultural Coalition ; Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal (Exhibition) ; African American art Exhibitions 20th century ; African American art Exhibitions 20th century ; African American artists History 20th century ; Exhibitions ; African American artists Exhibitions History 20th century ; Race awareness in art Exhibitions ; Art, American Exhibitions 20th century ; African American art ; African American artists ; Art, American ; Race awareness in art ; History ; Exhibition catalogs ; New York (State) ; New York ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; USA ; Künstler ; Person of Color ; Geschichte 1971 ; New York, NY ; Kunstbetrieb ; Schwarze ; Kunst ; Ausstellung ; Protest ; Geschichte 1971
    Abstract: This exhibition revisits the 1971 exhibition "Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal", which was organized by members of the Black Emergency Cultural Coalition at Acts of Art, a small, artist-run gallery in Greenwich Village. The original exhibition was mounted in response to the Whitney Museum?s refusal to appoint a Black curator for their survey 'Contemporary Black Artists in America'. The exhibition at Hunter presents ten of the 47 artists from the original Rebuttal show, including Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood "Bill" Rivers, and Frank Wimberley. It is a selection intended to represent the stylistic diversity of the original exhibition, with works ranging from sardonic social satire and biting figurative expressionism to Yoruban-inspired symbolism and lyrical abstraction. Through these artists, the exhibition also traces a network of organizations and groups that supported the aspirations of Black artists and the community in the 1960s and early 1970s. Through its survey of the history of the short-lived Acts of Art gallery and the events leading up to the Rebuttalshow, the exhibition and its accompanying catalogue explore the intersections between Black cultural communities and cultural politics in Greenwich Village, the Lower East Side, and Harlem in the late 1960s and early 1970s.00Exhibition: Leubsdorf Gallery, New York, USA (04.10.-25.11.2018)
    Note: "Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood Bill Rivers, Frank Wimberley"--Back cover , Catalog of an exhibition at the Hunter College Art Galleries' Bertha and Karl Leubsdorf Gallery in the fall of 2018 , "Edition of 400"--Colophon , Includes bibliographical references
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  • 67
    ISBN: 9780872731844 , 0872731847
    Language: English
    Pages: 152 Seiten , Illustrationen , 27 cm
    DDC: 305.48/896073
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    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism and the arts Exhibitions History 20th century ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism and the arts Exhibitions ; History ; 20th century ; United States ; African American feminists ; African American radicals ; African American women authors ; African American women Political activity ; Feminism and the arts ; Feminist literature United States ; African American feminists ; African American feminists ; African American radicals ; African American radicals ; African American women ; African American women ; African American women authors ; African American women authors ; Feminism and the arts ; Feminism and the arts ; Feminist literature ; Feminist literature ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California Afro-American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art 26.06.2018-30.09.2018 ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Schwarze ; Frauenkunst ; Geschichte 1965-1985
    Abstract: Illustrated volume to accompany an exhibition at the Brooklyn Museum opening April 2017, including an introduction by the exhibition co-curators; three scholarly critical essays; remarks from a symposium held in conjunction with the exhibition on April 21, 2017, consisting of personal reminiscences of the theater group Rodeo Caldonia; exhibition installation photographs with texts of the section introductions; an exhibition checklist; and a bibliography. An epigraph of two poems by Alice Walker will appear after the half-title page
    Note: Includes bibliographical references , Impressum: "Published on the occasion of the exhibition We Wanted a Revolution: Black Radical Women, 1965-85, organized by the Brooklyn Museum. Itinerary Brooklyn Museum, April 21-September 17, 2017, California African American Museum, Los Angeles, October 13, 2017-January 14, 2018, Albright-Knox Art Gallery, Buffalo, February 17-May 27, 2018, The Institute of Contemporary Art/Boston, June 26-September 30, 2018."
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  • 68
    ISBN: 9789004371095
    Language: English
    Pages: XIX, 310 Seiten , Illustrationen, Karten
    Series Statement: Studies in Persian cultural history Volume 15
    Series Statement: Studies in Persian cultural history
    DDC: 759.954025
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    Keywords: Painting, Mogul Empire European influences ; Painting, Mogul Empire Themes, motives ; Art, European Influence ; Art, European Influence ; Painting, Mogul Empire European influences ; Painting, Mogul Empire Themes, motives ; Mogulreich ; Malerei ; Europa ; Einfluss
    Note: Literaturverzeichnis Seite [271] - 293
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  • 69
    ISBN: 3862281728 , 9783862281725
    Language: English
    Pages: 224 Seiten , 263 Illustrationen , 24 cm x 17 cm
    Edition: 1. Auflage
    Parallel Title: Parallele Sprachausgabe Unvergleichlich
    DDC: 730.96707443155
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    Keywords: Ausstellungskatalog Bode-Museum 27.10.2017- ; Bildband ; Ausstellungskatalog Bode-Museum 27.10.2017- ; Bildband ; Subsaharisches Afrika ; Europa ; Plastik ; Geschichte ; Ethnologisches Museum Berlin ; Bode-Museum
    Note: Impressum: "Catalogue of the exhibition "Beyond compare. Art from Africa in the Bode Museum" Bode-Museum, Museumsisland Berlin from October 27, 2017"
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  • 70
    ISBN: 9781942884170
    Language: English
    Pages: 256 Seiten , Illustrationen , 27 cm
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    Keywords: Geschichte 1900-2000 ; Geschichte 1958-1983 ; Rezeption ; Kunst ; Black arts movement ; Black power ; USA ; USA ; Art, Black / Exhibitions ; Black power / United States / Exhibitions ; Art, American / 20th century / Exhibitions ; Ausstellungskatalog ; Ausstellungskatalog Brooklyn Museum 07.09.2018-03.02.2019 ; Ausstellungskatalog Crystal Bridges Museum of American Art 03.02.-23.04.2018 ; Ausstellungskatalog Tate Modern 12.07.2017-22.10.2017 ; Bildband ; USA ; Black arts movement ; Black power ; Kunst ; Rezeption ; Geschichte 1958-1983
    Abstract: In the period of radical change that was 1963-1983, young black artists at the beginning of their careers in the USA confronted key questions and pressures. How could they make art that would stand as innovative, original, formally and materially complex, while also making work that reflected their concerns and experience as black Americans? This significant new publication, accompanying an exhibition at Tate Modern, surveys this crucial period in American art history, bringing to light previously neglected histories of twentieth-century black artists, including Sam Gilliam, Melvin Edwards, Jack Whitten, William T. Williams and Frank Bowling. This book features substantial essays from co-curators Mark Godfrey and Zoe Whitley, writing on abstraction and figuration respectively. It will also explore the art historical and social contexts with subjects including black feminism; AfriCOBRA and other artist-run groups; the role of museums in the debates of the period; and where visual art sat in relation to the Black Arts Movement
    Note: Published on the occasion of the exhibition "Soul of a Nation : Art in the Age of Black Power", held at Tate Modern, London, 12 July - 22 October 2017; Crystal Bridges Museum of American Art, Bentonville, Arkansas, 3 February - 23 April 2018; Brooklyn Museum, New York, 7 September 2018 - 3 February 2019. - Literaturverzeichnis Seite 254 , Notes on black abstraction , American skin: artists on black figuration
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  • 71
    Book
    Book
    London : Bloomsbury Academic
    ISBN: 9781350031630 , 9781474249768
    Language: English
    Pages: XV, 202 Seiten , Illustrationen
    Edition: Paperback edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 391.00945/511
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    Keywords: Geschichte 1500-1600 ; Geschichte 1400-1600 ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Geschichte ; Gesellschaft ; Fashion History 16th century ; Men's clothing History 16th century ; Nobility Clothing 16th century ; History ; Masculinity Social aspects 16th century ; History ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Männlichkeit ; Männerkleidung ; Bildnismalerei ; Mann ; Mode ; Männlichkeit ; Europa ; Italien ; Florence (Italy) Court and courtiers 16th century ; History ; Florenz ; Florenz ; Männerkleidung ; Mode ; Männlichkeit ; Männlichkeit ; Mann ; Bildnismalerei ; Geschichte 1400-1600
    Abstract: "Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a source of mockery? Was the graceful courtier virile or effeminate? How could a man dress for court without bankrupting himself? This book explores the whole story of clothing, from the tailor's workshop to spectacular court festivities, to show how the male nobility in one of Italy's main textile production centres used their appearances to project social, sexual, and professional identities. Sixteenth-century male fashion is often associated with swagger and ostentation but this book shows that Florentine clothing reflected manhood at a much deeper level, communicating a very Italian spectrum of male virtues and vices, from honour, courage, and restraint to luxury and excess. Situating dress at the heart of identity formation, Currie traces these codes through an array of sources, including unpublished archival records, surviving garments, portraiture, poetry, and personal correspondence between the Medici and their courtiers. Addressing important themes such as gender, politics, and consumption, Fashion and Masculinity in Renaissance Florence sheds fresh light on the sartorial culture of the Florentine court and Italy as a whole"...
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  • 72
    ISBN: 9780872731837
    Language: English
    Pages: 318 Seiten
    DDC: 305.48896073
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    Keywords: Geschichte 1965-1994 ; Black arts movement ; Bürgerrechtlerin ; Engagierte Kunst ; Frauenkunst ; Künstlerin ; Person of Color ; Schwarze ; Schwarze Frau ; USA ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog The Institute of Contemporary Art 26.06.2018-30.09.2018
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Published on the occasion of the exhibition "We wanted a revolution: black radical women, 1965-85", organized by the Brooklyn Museum.
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  • 73
    ISBN: 9780872731837
    Language: English
    Pages: 319 Seiten , Illustrationen
    DDC: 305.48/896073
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    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism Sources ; Exhibitions ; History ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Black arts movement ; Schwarze Frau ; Frauenkunst ; Engagierte Kunst ; Geschichte 1965-1994
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 74
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    Cambridge, Massachusetts ; London, England : The MIT Press
    ISBN: 9780262035743 , 9780262544917
    Language: English
    Pages: 254 Seiten , Illustrationen
    DDC: 725/.7609793135
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    Keywords: Architektur ; Architecture ; Architecture and society ; American dream ; Transformation ; Architektur ; USA ; Las Vegas Strip (Nev.) ; Las Vegas (Nev.) Buildings, structures, etc ; Las Vegas, Nev. ; Las Vegas, Nev. ; Architektur ; American dream ; Transformation
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 75
    ISBN: 9780872731837
    Language: English
    Pages: 319 Seiten , Illustrationen
    Edition: First published
    Additional Information: In Beziehung stehendes Werk We wanted a revolution 2018
    DDC: 305.48896073
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    Keywords: Nengudi, Senga ; Geschichte 1900-2000 ; Geschichte 1965-1994 ; Geschichte 1965-1985 ; Geschichte ; Weibliche Schwarze. Amerika ; African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; Frauenkunst ; Person of Color ; Künstlerin ; USA ; USA ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Quelle ; USA ; Frauenkunst ; Person of Color ; Geschichte 1965-1994 ; Künstlerin ; Person of Color ; Geschichte 1965-1985 ; Nengudi, Senga 1943-
    Note: Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 76
    ISBN: 9780872731837
    Language: English
    Pages: 319 Seiten , Illustrationen
    Edition: First published
    Additional Information: In Beziehung stehendes Werk We wanted a revolution 2018
    DDC: 305.48896073
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    Keywords: Nengudi, Senga ; Geschichte 1900-2000 ; Geschichte 1965-1994 ; Geschichte 1965-1985 ; Geschichte ; Weibliche Schwarze. Amerika ; African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; Frauenkunst ; Person of Color ; Künstlerin ; USA ; USA ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Quelle ; USA ; Frauenkunst ; Person of Color ; Geschichte 1965-1994 ; Künstlerin ; Person of Color ; Geschichte 1965-1985 ; Nengudi, Senga 1943-
    Note: Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 77
    ISBN: 9783862281718 , 386228171X
    Language: German
    Pages: 223 Seiten , 27 cm
    Edition: [1. Auflage]
    DDC: 730.96707443155
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    Keywords: Bode-Museum ; Ethnologisches Museum Berlin ; Sammlung ; Plastik ; Europa ; Subsaharisches Afrika ; Ausstellungskatalog Bode-Museum 27.10.2017- ; Bildband ; Ausstellungskatalog Bode-Museum 27.10.2017- ; Bildband ; Subsaharisches Afrika ; Europa ; Plastik ; Geschichte ; Ethnologisches Museum Berlin ; Bode-Museum
    Note: "Diese Publikation erscheint anlässlich der Ausstellung 'Unvergleichlich. Kunst aus Afrika im Bode-Museum', Bode-Museum, Museumsinsel Berlin, 27. Oktober 2017 bis auf weiteres" - Impressum
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  • 78
    ISBN: 9783862281718 , 386228171X
    Language: German
    Pages: 223 Seiten , 27 cm
    Edition: [1. Auflage]
    DDC: 700
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    Keywords: Bode-Museum ; Ethnologisches Museum ; Sammlung ; Plastik ; Europa ; Subsaharisches Afrika ; Ausstellungskatalog Bode-Museum 27.10.2017- ; Bildband ; Subsaharisches Afrika ; Europa ; Plastik ; Geschichte ; Ethnologisches Museum ; Bode-Museum
    Note: "Diese Publikation erscheint anlässlich der Ausstellung 'Unvergleichlich. Kunst aus Afrika im Bode-Museum', Bode-Museum, Museumsinsel Berlin, 27. Oktober 2017 bis auf weiteres" - Impressum
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  • 79
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    New Haven and London : Yale University Press | New Haven : Yale University Press
    ISBN: 9780876332726 , 9780300225891
    Language: English
    Pages: 496 Seiten , Illustrationen
    DDC: 750
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    Keywords: Watercolor painting Exhibitions 20th century ; Watercolor painting, American Exhibitions 19th century ; Watercolor painting, American Exhibitions 20th century ; Watercolor painting Exhibitions 19th century ; Watercolor painting ; Watercolor painting ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; USA ; Aquarell ; Geschichte 1800-1930 ; USA ; Aquarell ; Geschichte 1800-1930
    Abstract: The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture
    Abstract: The American watercolor movement -- American watercolor before 1866: separate worlds -- Ruskin, Turner, and the English tradition, 1855-1865 -- The formation of the American Watercolor Society -- "Strenuous and persistent efforts": the watercolor movement, 1873-1877 -- Landscape in the 1870s -- The illustrators: from "black and white" to color, 1873-1882 -- Figure painting in the 1870s: Homer and Eakins -- Art for a Decorative Age -- Impressionism from Munich and Rome -- High-water mark: figure painters in the 1880s -- Landscape painting after 1880: tonalism -- Illustration and decoration in the Gilded Age -- Impressionism and post-impressionism: Prendergast, Homer, and Sargent -- The "American medium" and the moderns -- Flash in the pan: a history of manufacturing watercolor paint in America / Rebecca Pollak
    Note: Rückseite der Titelseite: "Published on the occasion of the exhibition American Watercolor in the Age of Homer and Sargent, March 1-May 14, 2017."
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  • 80
    ISBN: 9783862281718 , 386228171X
    Language: German
    Pages: 223 Seiten , Karten , 24 cm x 17 cm
    Parallel Title: Parallele Sprachausgabe Beyond compare - Art from Africa in the Bode Museum
    DDC: 700
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    Keywords: Bode-Museum ; Ethnologisches Museum Berlin ; Sammlung ; Plastik ; Subsaharisches Afrika ; Europa ; Afrikanische Kunst ; Skulptur ; Humboldt-Forum ; Bode-Museum ; Ausstellungskatalog Bode-Museum 27.10.2017- ; Bildband ; Ausstellungskatalog Bode-Museum 27.10.2017- ; Bildband ; Bode-Museum ; Sammlung ; Europa ; Plastik ; Subsaharisches Afrika ; Ethnologisches Museum Berlin
    Note: Ausstellung "Unvergleichlich. Kunst aus Afrika im Bode-Museum", Bode-Museum, Museumsinsel Berlin, 27. Oktober 2017 bis auf weiteres
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  • 81
    ISBN: 9783936366556
    Language: English , French
    Pages: XI, 365 Seiten , Illustrationen
    Series Statement: JapanArchiv Band 5,5
    Series Statement: JapanArchiv 5
    Series Statement: JapanArchiv
    Angaben zur Quelle: 5
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    Keywords: Sachkultur ; Sammlung ; Traditionale Kultur ; Buddhistische Kunst ; Kunst ; Europa ; Japan ; Aufsatzsammlung ; Japan ; Traditionale Kultur ; Sachkultur ; Kunst ; Buddhistische Kunst ; Europa ; Sammlung
    Note: Beiträge teilweise auf Englisch, teilweise auf Französisch
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  • 82
    ISBN: 9783930090327
    Language: German
    Pages: 144 Seiten
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    Keywords: Geschichte ; Geschichte 1500-1900 ; Lackarbeit ; Export ; Europa ; Japan ; Ausstellungskatalog Museum für Lackkunst 10.04.2016-03.07.2016 ; Japan ; Lackarbeit ; Geschichte ; Japan ; Lackarbeit ; Export ; Europa ; Geschichte 1500-1900
    Note: Impressum: Dieser Katalog erscheint anlässlich der Ausstellung "Brückenschlag von Ost nach West", 10. April bis 3. Juli 2016, Museum für Lackkunst, Münster , Auflage 700 Exemplare
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  • 83
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822371458 , 9780822358978
    Language: English
    Pages: XVI, 344 Seiten , Illustrationen, Porträts , 27 cm
    Series Statement: Art history publication initiative
    Parallel Title: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03/9607300747471
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    Keywords: Geschichte 1960-1990 ; African American art Exhibitions 20th century ; History ; Racism in museum exhibits History 20th century ; Museum exhibits Social aspects 20th century ; History ; Museum exhibits Political aspects 20th century ; History ; Künstler ; Kunst ; Schwarze ; Kunstmuseum ; Kunstausstellung ; Kunstpolitik ; Rassismus ; USA ; Aufsatzsammlung ; New York ; Kunst ; Schwarze ; New York ; Ausstellung ; Museum ; Rassismus ; Geschichte 1900-2000
    Description / Table of Contents: Electronic refractions II at the Studio Museum in HarlemHarlem on my mind at the Metropolitan Museum of Art -- Contemporary Black artists in America at the Whitney Museum of American Art -- Romare Bearden : the prevalence of ritual and the sculpture of Richard Hunt at the Museum of Modern Art.
    Note: Includes bibliographical references (pages 319-333) and index
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  • 84
    ISBN: 9782081355521
    Language: French
    Pages: 399 Seiten , zahlreiche IIllustrationen , 30 cm
    DDC: 709
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    Keywords: Ausstellungskatalog 2016 ; Ausstellungskatalog Galerie Jardin du musée du quai Branly - Jacques Chirac 04.10.2016-15.01.2017 ; USA ; Schwarze ; Künstler ; Künste ; Segregation ; Geschichte 1865-2016
    Note: Aus dem Impressum: "Cet ouvrage est publié à l´occasion de lÉxposition "The Color Line. Les artistes africains-américains et la ségrégation" présentée en Galerie Jardin du Musée du quai branly - Jacques Chirac du mardi 4 octobre 2016 au dimanche 15 janvier 2017"
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  • 85
    ISBN: 9781851778911 , 9781851778928 , 1851778918
    Language: English
    Pages: 320 Seiten , Illustrationen, Diagramme , 24 x 3.2 x 31 cm
    Edition: First published
    DDC: 781.6609
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    Keywords: Rock music Exhibitions 1961-1970 ; Nineteen sixties Exhibitions ; Counterculture Exhibitions History 20th century ; Protest movements Exhibitions History 20th century ; Bildband ; Ausstellungskatalog Victoria and Albert Museum 10.09.2016-26.02.2017 ; USA ; Großbritannien ; Pop-Kultur ; Gegenkultur ; Protestbewegung ; Musik ; Gebrauchsgrafik ; Mode ; Geschichte 1966-1970
    Abstract: The late 1960s were a period of great turbulence and rapid social and political change. You Say You Want a Revolution? examines that moment when youth culture drove an optimistic idealism, motivating people to come together and question established power structures across every area of society. It shows how many of the issues that dominate contemporary discourse environmentalism, globalization, individualism or mass-communication - have roots that can be traced back to the 1960s.1960s design culture culminated in an orgy of colour and form: a sensorial overload of Barbarella-style inflatables, plush Verner Panton playrooms and high-tech 2001: Space Odyssey furniture systems. Here, essays on music, politics, the counter-culture, social living, mind-altering experiences, festivals and more chart revolutions across media and culture, illustrated throughout with some of the most iconic images of the time - including the records that provided both the soundtrack and the key means of identification.The idealism of the period informed such disparate phenomena as the high-tech innovations of Silicon Valley and the environmental movement.Half a century later, we can reassess the genesis of these movements and explore whether the revolutions they started can be considered complete, ongoing or interrupted
    Abstract: The late 1960s were a period of great turbulence and rapid social and political change. You Say You Want a Revolution? examines that moment when youth culture drove an optimistic idealism, motivating people to come together and question established power structures across every area of society. It shows how many of the issues that dominate contemporary discourse - environmentalism, globalization, individualism or mass-communication - have roots that can be traced back to the 1960s.〈br〉1960s design culture culminated in an orgy of colour and form: a sensorial overload of Barbarella-style inflatables, plush Verner Panton playrooms and high-tech 2001: Space Odyssey furniture systems. Here, essays on music, politics, the counter-culture, social living, mind-altering experiences, festivals and more chart revolutions across media and culture, illustrated throughout with some of the most iconic images of the time - including the records that provided both the soundtrack and the key means of identification.〈br〉The idealism of the period informed such disparate phenomena as the high-tech innovations of Silicon Valley and the environmental movement. Half a century later, we can reassess the genesis of these movements and explore whether the revolutions they started can be considered complete, ongoing or interrupted
    Note: Aus dem Internet: Exhibition,Victoria & Albert Museum, London,10 September 2016- 26 February 2017 , "In the exhibition and book You Say You Want a Revolution? Records and Rebels 1966-1970, we explore key subject areas and locations where these revolutions took place" -Vorwort, Seite 12 , A tale of two cities : London, San Francisco and the transatlantic bridge , Revolution now : the traumas and legacies of US politics in the late 1960s , The counter-culture , All together now? , The Fillmore, the Grande and the Sunset Strip : the evolution of a musical revolution , You say you want a revolution? : looking at the Beatles , British fashion 1966-70 : 'A state of anarchy' , The chrome-plated marshmallow : the 1960s consumer revolution and its discontents , 'We are as gods...' : computers and America's new communalism, 1965-75 , Epilogue. Michael Sandel on where we go from here. , Englisch
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  • 86
    ISBN: 9780300214680
    Language: English
    Pages: viii, 281 Seiten , Illustrationen
    Series Statement: Studies in the history of art 81
    Series Statement: Center for Advanced Study in the Visual Arts 58
    Series Statement: Studies in the history of art
    DDC: 704.9/499737
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    Keywords: Art and war Congresses ; Art and history Congresses ; Collective memory Congresses ; United States Art and the war History Civil War, 1861-1865 ; Congresses ; Konferenzschrift 08.11.2013-09.11.2013 ; Konferenzschrift 2013 ; Konferenzschrift 08.11.2013-09.11.2013 ; Konferenzschrift 2013 ; Sezessionskrieg ; Kollektives Gedächtnis ; Kunst ; Geschichte 1861-2000 ; USA ; Sezessionskrieg ; Schwarze ; Rassenkonflikt ; Kollektives Gedächtnis ; Kunst ; Gedenkstätte ; Kriegerdenkmal
    Note: Includes index , Rückseite Titelblatt: "Proceedings of the symposium "The Civil War in Art and Memory," organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art, and sponsored by the Arthur Vining Davis Foundations. The symposium was held November 8-9, 2013, in Washington" , Konferenzschrift zum Symposium Civil War in Art and Memory
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  • 87
    Online Resource
    Online Resource
    Bielefeld : transcript | Berlin, Germany : Walter de Gruyter GmbH
    ISBN: 9783839431115
    Language: English
    Pages: 1 Online-Ressource (425 Seiten) , Illustrationen
    Edition: 1. Auflage
    Series Statement: Urban studies
    DDC: 300
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    Keywords: Geschichte 1880-2015 ; Literatur ; Amerikabild ; Stadt ; Stadt ; Soziokultureller Wandel ; America ; American Culture ; American Literature ; Cities ; City ; Cultural Geography ; Social Geography ; Sociology ; Urban Studies ; USA ; USA ; Aufsatzsammlung
    Abstract: How did American cities change throughout the 20th and early 21st century? This timely publication integrates research from American Literary and Cultural Studies, Urban Studies and History. The essays range from negotiations of the »ethnic city« in US literature and media, to studies of recent urban phenomena and their representations: gentrification, re-appropriation and conversion of urban spaces in the USA. These interdisciplinary and intercultural perspectives on American cities provide unique points of access for studying the complex narratives of urban transformation.
    Note: Literaturangaben
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 88
    ISBN: 3837631117 , 9783837631111
    Language: English
    Pages: 425 S. , graph. Darst., Kt.
    Series Statement: Urban studies
    Parallel Title: Online-Ausg. ISBN 9783839431115
    DDC: 810.9321732
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    Keywords: Geschichte 1880-2015 ; Literatur ; Amerikabild ; Stadt ; Stadt ; Soziokultureller Wandel ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben
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  • 89
    ISBN: 9783954874286 , 9788484898900
    Language: Spanish , German , English
    Pages: 446 Seiten , Illustrationen , 24 cm
    Series Statement: Ars Iberica et Americana Band 17
    Series Statement: Ars Iberica et Americana
    DDC: 709
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    Keywords: Nationenbildung ; Entkolonialisierung ; Kunst ; Malerei ; Architektur ; Bedeutung ; Rolle ; Nationalbewusstsein ; Identitätsentwicklung ; Kulturaustausch ; Dresden ; Lateinamerika ; Europa ; Konferenzschrift 2010 ; Lateinamerika ; Kunst ; Nationalbewusstsein ; Geschichte 1810-2010 ; Lateinamerika ; Kunst ; Nationalbewusstsein ; Geschichte 1810-2010
    Note: "Internationales Kolloquium des Fachgebietes Kunstgeschichte der Technischen Universität Dresden und der Carl Justi-Vereinigung zur Förderung der kunstwissenschaftlichen Zusammenarbeit mit Spanien, Portugal und Iberoamerika, Dresden, 6.-9. Mai 2010" , Vorwort und Einführung in deutscher und englischer Sprache , Beiträge teilweise deutsch, teilweise englisch, teilweise spanisch , Abstracts und Autorenverzeichnis in englischer Sprache
    URL: Cover
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  • 90
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    Chicago : The University of Chicago Press
    ISBN: 9780226131054 , 022613105X
    Language: English
    Pages: 285 Seiten , illustrationen , 24 cm
    DDC: 700.89/96073
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    Keywords: Contemporary Black Artists in America (Exhibition) 〈(1971〉 ; De Luxe Show (Exhibition) 〈(1971〉 ; Contemporary Black Artists in America (Exhibition) ; De Luxe Show (Exhibition) ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; Art, American Exhibitions 20th century ; History ; Art and race ; Art and society ; Modernism (Art) Social aspects ; Nineteen seventy-one, A.D ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; United States ; Art, American Exhibitions ; History ; 20th century ; Art and race ; Art and society United States ; Modernism (Art) Social aspects ; United States ; Nineteen seventy-one, A.D ; African American art Exhibitions ; 20th century ; USA ; Schwarze ; Person of Color ; Kunst ; Kulturpolitik ; Kunstausstellung ; Rassismus ; Geschichte 1971
    Abstract: Introduction: Social experiments with modernism -- The figure of the black modernist -- Making a show of discomposure: Contemporary Black Artists in America -- Local color and its discontents: the DeLuxe show -- Appendix: Raymond Saunders, Black is a color
    Abstract: In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists' desire to gain freedom from overt racial representation, as well as their efforts〈U+2014〉and those of their advocates〈U+2014〉to further that aim through public exhibition. Amid calls to define a black aesthetic, these experiments with modernist art prioritized cultural interaction and instability. 'Contemporary Black Artists in America' highlighted abstraction as a stance against normative approaches, while 'The DeLuxe Show' positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color's special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists〈U+2014〉among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas〈U+2014〉rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture〈U+2019〉s preoccupation with color
    Note: Includes bibliographical references and index , Introduction: Social experiments with modernism , How it looks to be a problem , Making a show of discomposure: Contemporary Black Artists in America , Local color and its discontents: the DeLuxe show , Appendix: Raymond Saunders, Black is a color (1967)
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  • 91
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    Chicago : The University of Chicago Press
    ISBN: 9780226131054 , 022613105X
    Language: English
    Pages: 285 Seiten , illustrationen , 24 cm
    DDC: 700.89/96073
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    Keywords: Contemporary Black Artists in America (Exhibition) 〈(1971〉 ; De Luxe Show (Exhibition) 〈(1971〉 ; Contemporary Black Artists in America (Exhibition) ; De Luxe Show (Exhibition) ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; Art, American Exhibitions 20th century ; History ; Art and race ; Art and society ; Modernism (Art) Social aspects ; Nineteen seventy-one, A.D ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; United States ; Art, American Exhibitions ; History ; 20th century ; Art and race ; Art and society United States ; Modernism (Art) Social aspects ; United States ; Nineteen seventy-one, A.D ; African American art Exhibitions ; 20th century ; USA ; Schwarze ; Person of Color ; Kunst ; Kulturpolitik ; Kunstausstellung ; Rassismus ; Geschichte 1971
    Abstract: Introduction: Social experiments with modernism -- The figure of the black modernist -- Making a show of discomposure: Contemporary Black Artists in America -- Local color and its discontents: the DeLuxe show -- Appendix: Raymond Saunders, Black is a color
    Abstract: In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists' desire to gain freedom from overt racial representation, as well as their efforts〈U+2014〉and those of their advocates〈U+2014〉to further that aim through public exhibition. Amid calls to define a black aesthetic, these experiments with modernist art prioritized cultural interaction and instability. 'Contemporary Black Artists in America' highlighted abstraction as a stance against normative approaches, while 'The DeLuxe Show' positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color's special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists〈U+2014〉among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas〈U+2014〉rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture〈U+2019〉s preoccupation with color
    Note: Includes bibliographical references and index , Introduction: Social experiments with modernism , How it looks to be a problem , Making a show of discomposure: Contemporary Black Artists in America , Local color and its discontents: the DeLuxe show , Appendix: Raymond Saunders, Black is a color (1967)
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  • 92
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Press
    ISBN: 978-1-62040-375-4 , 1-62040-375-7 , 9781620403761
    Language: English
    Pages: x, 333 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen , 25 cm
    DDC: 306.09
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    Keywords: Wright, Frank Lloyd / 1867-1959 / Friends and associates ; Wright, Frank Lloyd / 1867-1959 / Criticism and interpretation ; Johnson, Philip / 1906-2005 / Friends and associates ; Johnson, Philip / 1906-2005 / Criticism and interpretation ; Johnson, Philip / 1906-2005 ; Wright, Frank Lloyd / 1867-1959 ; Wright, Frank Lloyd ; Johnson, Philip ; Geschichte 1900-2000 ; Geschichte 1900-2000 ; Architecture / United States / History / 20th century ; ARCHITECTURE / History / General ; HISTORY / Americas (North, Central, South, West Indies) ; BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers ; ARCHITECTURE / History / Modern (late 19th Century to 1945) ; ARCHITECTURE / History / Contemporary (1945- ) ; Architecture ; Friendship ; Architektur ; Geschichte ; Architektur ; United States ; USA ; USA ; Wright, Frank Lloyd 1867-1959 ; Johnson, Philip 1906-2005 ; USA ; Architektur ; Geschichte 1900-2000
    Abstract: "In architectural terms, the twentieth century can be largely summed up with two names: Frank Lloyd Wright and Philip Johnson. Wright (1867-1959) began it with his romantic prairie style; Johnson (1906-2005) brought down the curtain with his spare postmodernist experiments. Between them, they built some of the most admired and discussed buildings in American history. Differing radically in their views on architecture, Wright and Johnson shared a restless creativity, enormous charisma, and an outspokenness that made each man irresistible to the media. Often publicly at odds, they were the twentieth century's flint and steel; their repeated encounters consistently set off sparks. Yet as acclaimed historian Hugh Howard shows, their rivalry was also a fruitful artistic conversation, one that yielded new directions for both men. It was not despite but rather because of their contentious--and not always admiring--relationship that they were able so powerfully to influence history. In Architecture's Odd Couple, Howard deftly traces the historical threads connecting the two men and offers readers a distinct perspective on the era they so enlivened with their designs. Featuring many of the structures that defined modern space--from Fallingwater to the Guggenheim, from the Glass House to the Seagram Building--this book presents an arresting portrait of modern architecture's odd couple and how they shaped the American landscape by shaping each other"--
    Description / Table of Contents: Prologue: The master and the maestro -- Part I: a meeting of minds -- Two conversations -- Plotting a comeback -- European travels -- Part II: The MOMA moment -- The new museum -- An invitation issued -- Wright vs. Johnson -- The show must go on -- Part III: Acting out their antagonism -- The banks of Bear Run -- Politics and art -- Wright's Manhattan project -- Philip comes out classical -- The whiskey bottle and the teapot -- Epilogue: A friendly wrangle
    Note: Includes bibliographical references (pages 285-320) and index
    URL: Cover
    URL: Cover
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  • 93
    ISBN: 9783863359935 , 9783950402506
    Language: English , German
    Pages: 255 Seiten , Illustrationen , 28 cm
    Edition: 1. Auflage
    DDC: 709.607443613
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    Keywords: Geschichte 1900-1950 ; Außereuropäische Kunst ; Volkskunst ; Kunsthandwerk ; Rezeption ; Kunst ; Afrika Afrika, Kunst Ausstellungskataloge; Kunst exotisch Expressionismus Leopold Museum Wien Modernismus Naturvölker Ozeanien, Kunst Sammlung Leopold Stammeskultur ; Afrika ; Ozeanien ; Europa ; Ausstellungskatalog Leopold Museum 23.09.2016-09.01.2017 ; Bildband ; Afrika ; Ozeanien ; Volkskunst ; Kunsthandwerk ; Rezeption ; Europa ; Kunst ; Geschichte 1900-1950 ; Außereuropäische Kunst ; Rezeption ; Europa ; Kunst ; Geschichte 1900-1950
    Note: Literaturverzeichnis: Seite 253 , "Katalog zur Ausstellung 'Fremde Götter. Faszination Afrika und Ozeanien', 23. September 2016 bis 9. Januar 2017, Leopold Museum, Wien" - Impressum , Text deutsch und englisch
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  • 94
    ISBN: 9783863359935 , 9783950402506
    Language: English , German
    Pages: 255 Seiten , Illustrationen , 28 cm
    Edition: 1. Auflage
    DDC: 709.607443613
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    Keywords: Geschichte 1900-1950 ; Außereuropäische Kunst ; Volkskunst ; Kunsthandwerk ; Rezeption ; Kunst ; Afrika Afrika, Kunst Ausstellungskataloge; Kunst exotisch Expressionismus Leopold Museum Wien Modernismus Naturvölker Ozeanien, Kunst Sammlung Leopold Stammeskultur ; Afrika ; Ozeanien ; Europa ; Ausstellungskatalog Leopold Museum 23.09.2016-09.01.2017 ; Bildband ; Afrika ; Ozeanien ; Volkskunst ; Kunsthandwerk ; Rezeption ; Europa ; Kunst ; Geschichte 1900-1950 ; Außereuropäische Kunst ; Rezeption ; Europa ; Kunst ; Geschichte 1900-1950
    Note: Literaturverzeichnis: Seite 253 , "Katalog zur Ausstellung 'Fremde Götter. Faszination Afrika und Ozeanien', 23. September 2016 bis 9. Januar 2017, Leopold Museum, Wien" - Impressum , Text deutsch und englisch
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  • 95
    Book
    Book
    Newcastle upon Tyne : Cambridge Scholars Publishing
    ISBN: 9781443883757 , 1443883751
    Language: English
    Pages: xxv, 182 Seiten, 38 ungezählte Seiten , Illustrationen
    DDC: 306.09
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunst ; Politik ; Gesellschaft ; Geschichte 1914-1970 ; USA ; Kunst ; Politik ; Gesellschaft ; Geschichte 1914-1970
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  • 96
    ISBN: 9783777420639
    Language: English
    Pages: 480 Seiten , 300 mm x 250 mm
    DDC: 745.509024
    RVK:
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    Keywords: Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Ausstellungskatalog Museo Nacional de Arte 24.03.2011-19.06.2011 ; Bildband ; Mexiko ; Europa ; Federbild ; Geschichte 1400-1700 ; Christliche Kunst ; Vogelfeder ; Künstlerisches Material ; Kunst ; Geschichte 1400-1700
    Note: Herausgebendes Organ - dem Impressum entnommen
    URL: Cover
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  • 97
    ISBN: 9780300154382 , 0300154380
    Language: English
    Pages: XII, 352 S. , überw. Ill.
    DDC: 391.0094409033
    RVK:
    Keywords: Marie Antoinette ; Ludwig ; Geschichte 1700-1800 ; Geschichte 1774-1793 ; Geschichte ; Fashion / History / 18th century / France ; DESIGN / Fashion ; HISTORY / Modern / 18th Century ; HISTORY / Europe / France ; Mode ; Rokoko ; Hofkleidung ; Absolutismus ; Europa ; Frankreich ; France / Court and courtiers / Clothing / History / 18th century ; France / History / Louis XVI, 1774-1793 ; France / Kings and rulers / Clothing ; Frankreich ; Ludwig XVI. Frankreich, König 1754-1793 ; Marie Antoinette Frankreich, Königin 1755-1793 ; Hofkleidung ; Mode ; Rokoko ; Absolutismus ; Geschichte 1774-1793 ; Hofkleidung ; Geschichte 1774-1793 ; Frankreich ; Rokoko ; Hofkleidung
    Abstract: "This engrossing book chronicles one of the most exciting, controversial, and extravagant periods in the history of fashion: the reign of Louis XVI and Marie-Antoinette in 18th-century France. Kimberly Chrisman-Campbell offers a carefully researched glimpse into the turbulent era's sophisticated and largely female-dominated fashion industry, which produced courtly finery as well as promoted a thriving secondhand clothing market outside the royal circle. She discusses in depth the exceptionally imaginative and uninhibited styles of the period immediately before the French Revolution, and also explores fashion's surprising influence on the course of the Revolution itself. The absorbing narrative demonstrates fashion's crucial role as a visible and versatile medium for social commentary, and shows the glittering surface of 18th-century high society as well as its seedy underbelly. Fashion Victims presents a compelling anthology of trends, manners, and personalities from the era, accompanied by gorgeous fashion plates, portraits, and photographs of rare surviving garments. Drawing upon documentary evidence, previously unpublished archival sources, and new information about aristocrats, politicians, and celebrities, this book is an unmatched study of French fashion in the late 18th century, providing astonishing insight, a gripping story, and stylish inspiration"--
    Description / Table of Contents: Introduction: Fashion Statements〈br〉Part One: Court and City, Chapter 1 Introduction Chapter 2 The Queen Chapter 3 The Petite-Maîtresse Chapter 4 The Marchande de Modes〈br〉Part Two: New and Novel, Chapter 5 Introduction Chapter 6 Marriage Chapter 7 Court Dress Chapter 8 Longchamp Chapter 9 Mourning〈br〉Part Three: Fashion and Fantasy, Chapter 10 Introduction Chapter 11 Fashions à l'Américaine Chapter 12 The Chemise à la Reine Chapter 13 Figaro and Fashion Chapter 14 Anglomania Chapter 15 Orientalism〈br〉Part Four: Revolution and Recovery, Chapter 16 Introduction Chapter 17 The Politics of Fashion Chapter 18 Fashion in Exile Chapter 19 Return to Paris〈br〉Conclusion From 'La Mode" to 'Le Mode'
    Note: Includes bibliographical references and index
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  • 98
    ISBN: 9780300154382 , 0300154380
    Language: English
    Pages: XII, 352 S. , überw. Ill.
    DDC: 391.0094409033
    RVK:
    Keywords: Marie Antoinette ; Ludwig ; Geschichte 1700-1800 ; Geschichte 1774-1793 ; Geschichte ; Fashion / History / 18th century / France ; DESIGN / Fashion ; HISTORY / Modern / 18th Century ; HISTORY / Europe / France ; Mode ; Rokoko ; Hofkleidung ; Absolutismus ; Europa ; Frankreich ; France / Court and courtiers / Clothing / History / 18th century ; France / History / Louis XVI, 1774-1793 ; France / Kings and rulers / Clothing ; Frankreich ; Ludwig XVI. Frankreich, König 1754-1793 ; Marie Antoinette Frankreich, Königin 1755-1793 ; Hofkleidung ; Mode ; Rokoko ; Absolutismus ; Geschichte 1774-1793 ; Hofkleidung ; Geschichte 1774-1793 ; Frankreich ; Rokoko ; Hofkleidung
    Abstract: "This engrossing book chronicles one of the most exciting, controversial, and extravagant periods in the history of fashion: the reign of Louis XVI and Marie-Antoinette in 18th-century France. Kimberly Chrisman-Campbell offers a carefully researched glimpse into the turbulent era's sophisticated and largely female-dominated fashion industry, which produced courtly finery as well as promoted a thriving secondhand clothing market outside the royal circle. She discusses in depth the exceptionally imaginative and uninhibited styles of the period immediately before the French Revolution, and also explores fashion's surprising influence on the course of the Revolution itself. The absorbing narrative demonstrates fashion's crucial role as a visible and versatile medium for social commentary, and shows the glittering surface of 18th-century high society as well as its seedy underbelly. Fashion Victims presents a compelling anthology of trends, manners, and personalities from the era, accompanied by gorgeous fashion plates, portraits, and photographs of rare surviving garments. Drawing upon documentary evidence, previously unpublished archival sources, and new information about aristocrats, politicians, and celebrities, this book is an unmatched study of French fashion in the late 18th century, providing astonishing insight, a gripping story, and stylish inspiration"--
    Description / Table of Contents: Introduction: Fashion Statements〈br〉Part One: Court and City, Chapter 1 Introduction Chapter 2 The Queen Chapter 3 The Petite-Maîtresse Chapter 4 The Marchande de Modes〈br〉Part Two: New and Novel, Chapter 5 Introduction Chapter 6 Marriage Chapter 7 Court Dress Chapter 8 Longchamp Chapter 9 Mourning〈br〉Part Three: Fashion and Fantasy, Chapter 10 Introduction Chapter 11 Fashions à l'Américaine Chapter 12 The Chemise à la Reine Chapter 13 Figaro and Fashion Chapter 14 Anglomania Chapter 15 Orientalism〈br〉Part Four: Revolution and Recovery, Chapter 16 Introduction Chapter 17 The Politics of Fashion Chapter 18 Fashion in Exile Chapter 19 Return to Paris〈br〉Conclusion From 'La Mode" to 'Le Mode'
    Note: Includes bibliographical references and index
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  • 99
    ISBN: 9783775739498 , 3775739491
    Language: English
    Pages: 167 S. , zahlr. Ill. , 22 cm
    Parallel Title: Dt. Ausg. u.d.T. Pop, Politik und Propaganda
    DDC: 720
    RVK:
    RVK:
    Keywords: Auswärtige Kulturpolitik ; Internationale Kooperation ; Bildung ; Kulturinstitut ; Ausland ; Ziel ; Grundsatzprogramm ; Einrichtung ; Organisation ; Architektur ; Umerziehung ; Konzeption ; Wandel ; USA ; Deutschland ; Deutschland ; Amerika-Haus Berlin ; Kultur ; Geschichte
    Note: Literaturangaben
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  • 100
    ISBN: 9783830980780
    Language: German
    Pages: 1 Online-Ressource (268, 36 S.) , zahlr. Ill.
    Series Statement: Studien zur Volkskunde in Thüringen 5
    Series Statement: Studien zur Volkskunde in Thüringen
    Parallel Title: Erscheint auch als
    DDC: 390
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1800-2014 ; Geschichte 1800-1900 ; Porzellanmaler ; Malerei ; Porzellanmanufaktur ; Porzellanmalerei ; Maltechnik ; Gemälde ; Europa ; Thüringen ; Verzeichnis ; Verzeichnis ; Thüringen ; Porzellanmalerei ; Gemälde ; Geschichte 1800-1900 ; Porzellanmalerei ; Maltechnik ; Europa ; Porzellanmalerei ; Malerei ; Geschichte 1800-2014 ; Thüringen ; Porzellanmanufaktur ; Porzellanmaler ; Porzellanmalerei ; Malerei
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