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  • Kunstgeschichte  (421)
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  • 1
    Buch
    Buch
    Bonn : Bier
    Sprache: Englisch
    Serie: JapanArchiv 5
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    Schlagwort(e): Konferenzschrift ; Japan ; Kunst ; Kunsthandwerk ; Sammlung ; Europa ; Museum
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  • 2
    Buch
    Buch
    Bonn : Bier
    Sprache: Englisch
    Serie: JapanArchiv 5
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    Schlagwort(e): Konferenzschrift ; Japan ; Kunst ; Kunsthandwerk ; Sammlung ; Europa ; Museum
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    Bonn : Bier
    Sprache: Englisch
    Serie: JapanArchiv 5
    RVK:
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    Schlagwort(e): Konferenzschrift ; Japan ; Kunst ; Kunsthandwerk ; Sammlung ; Europa ; Museum
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    ISBN: 9781478025160 , 9781478020271
    Sprache: Englisch
    Seiten: 554 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Alvarez, Daniela Future/present
    Paralleltitel: Erscheint auch als FUTURE/PRESENT
    Paralleltitel: Erscheint auch als FUTURE/PRESENT
    RVK:
    Schlagwort(e): Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Kurzfassung: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Beschreibung / Inhaltsverzeichnis: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Anmerkung: Includes bibliographical references
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  • 5
    Online-Ressource
    Online-Ressource
    London : Bloomsbury Publishing Plc | Ann Arbor, Michigan : ProQuest
    ISBN: 9781350031654
    Sprache: Englisch
    Seiten: 1 Online-Ressource (305 pages)
    DDC: 304.20941
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    Schlagwort(e): Electronic books
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 6
    ISBN: 1912520958 , 9781912520954
    Sprache: Englisch
    Seiten: 141 Seiten
    DDC: 700.8996073
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    Schlagwort(e): 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Kurzfassung: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Anmerkung: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 7
    ISBN: 0691245452 , 9780691245454
    Sprache: Englisch
    Seiten: 175 Seiten , 26 cm
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    Schlagwort(e): 2000-2099 ; Indian art Exhibitions. 21st century ; Indigenous art Exhibitions. 21st century ; Art, American Exhibitions. 21st century ; Art, American ; Indian art ; Indigenous art ; Exhibition catalogs ; United States ; Bildband ; Ausstellungskatalog National Gallery of Art 22.09.2023-15.01.2024 ; Ausstellungskatalog New Britain Museum of American Art 18.04.2024-15.09.2024 ; USA ; Indianer ; Indigenes Volk ; Kunst ; Geschichte 2000-
    Kurzfassung: A groundbreaking survey of contemporary Indigenous art and its enduring connections to the landThe Land Carries Our Ancestors: Contemporary Art by Native Americans brings together works by many of today s most boldly innovative Native American artists. Jaune Quick-to-See Smith, one of the leading artists and curators of her generation, has carefully chosen some fifty works across a diversity of practices-including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video-that share the common thread of the land.
    Anmerkung: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index
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  • 8
    Buch
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    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Sprache: Englisch
    Seiten: xii, 233 Seiten , Illustrationen , 24 cm
    DDC: 700.89/96073
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    Schlagwort(e): Geschichte 1985-2015 ; Kunst ; Schwarze ; USA ; African American art / 20th century ; African American art / 21st century ; Art and society / United States / History / 20th century ; Art and society / United States / History / 21st century ; Art noir américain / 20e siècle ; Art noir américain / 21e siècle ; Artistes noirs américains / 20e siècle ; Artistes noirs américains / 21e siècle ; African American art ; African American artists ; 1900-2099 ; USA ; Kunst ; Schwarze ; Geschichte 1985-2015
    Kurzfassung: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1985 to 2015. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
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  • 9
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    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Sprache: Englisch
    Seiten: xii, 233 Seiten , Illustrationen
    DDC: 700.89/96073
    RVK:
    Schlagwort(e): African American art 20th century ; African American art 21st century ; Art and society History 20th century ; Art and society History 21st century ; USA ; Kunstsoziologie ; Kunst ; Schwarze ; Geschichte 1985-2015
    Kurzfassung: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
    Anmerkung: Includes bibliographical references and index
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  • 10
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    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Sprache: Englisch
    Seiten: 143 Seiten , Illustrationen , 29 cm
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    Schlagwort(e): Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Kurzfassung: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Beschreibung / Inhaltsverzeichnis: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Anmerkung: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 11
    ISBN: 9780262048668
    Sprache: Englisch
    Seiten: xvii, 243 Seiten , Illustrationen , 23 cm
    Paralleltitel: Erscheint auch als Anthology of Blackness
    Paralleltitel: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
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    Schlagwort(e): Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Kurzfassung: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Beschreibung / Inhaltsverzeichnis: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Anmerkung: Bibliographie (Seite 234 - 243)
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  • 12
    ISBN: 9780300272963
    Sprache: Englisch
    Seiten: 263 Seiten
    DDC: 702.81/20973
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    Schlagwort(e): African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Kurzfassung: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Beschreibung / Inhaltsverzeichnis: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Anmerkung: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 13
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    Buch
    New York : Columbia University Press
    ISBN: 9780231205023 , 9780231205030
    Sprache: Englisch
    Seiten: xi, 287 Seiten , Illustrationen
    Serie: Literature now
    Paralleltitel: Erscheint auch als Brooks, John, - 1989- The racial unfamiliar
    DDC: 810.9/896073
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    Schlagwort(e): American literature African American authors ; History and criticism ; African American art 21st century ; African Americans Race identity ; Race in literature ; Race in art ; African Americans in literature ; African Americans in art ; African Americans Intellectual life 21st century ; Literary criticism ; USA ; Literatur ; Kunst ; Schwarze ; Ästhetik ; Abstraktion
    Kurzfassung: "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--
    Anmerkung: Includes bibliographical references and index
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  • 14
    Online-Ressource
    Online-Ressource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781000627084
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 152 Seiten) , Illustrationen
    Serie: Routledge research in art and race
    Paralleltitel: Erscheint auch als Hamilton, Elizabeth Carmel Charting the Afrofuturist imaginary in African American art
    DDC: 700.89/96073
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    Schlagwort(e): Electronic books ; USA ; Kunst ; Künstlerin ; Afrofuturismus
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  • 15
    Online-Ressource
    Online-Ressource
    Toronto : University of Toronto Press
    ISBN: 9781487509316
    Sprache: Englisch
    Seiten: 1 Online-Ressource (197 ungezählte Seiten) , Illustrationen
    Serie: Toronto Iberic
    Paralleltitel: Erscheint auch als Infante, Catherine The arts of encounter
    DDC: 860.93823823
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    Schlagwort(e): Electronic books ; Spanien ; Christentum ; Islam ; Kulturaustausch ; Kunst ; Geschichte 1400-1700
    Kurzfassung: The Arts of Encounter uncovers the significant role of religious images in literature, offering a new approach to understanding Christian-Muslim relations in early modern Spain.
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  • 16
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    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Sprache: Englisch
    Seiten: 151 Seiten , 28 cm
    DDC: 305.896073075
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    Schlagwort(e): Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Kurzfassung: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Anmerkung: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 17
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    Evanston, IL : Mary and Leigh Block Museum of Art | Princeton ; Oxford : Princeton University Press
    ISBN: 9780691209272
    Sprache: Englisch
    Seiten: 133 Seiten , 23 x 28 cm
    DDC: 709.73
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    Schlagwort(e): Gewalt ; Diskriminierung ; Schwarze ; Rassismus ; Unterdrückung ; USA ; Art, American ; Black people in art ; Black people / Violence against ; Violence in art ; Art américain ; Noirs dans l'art ; Noirs / Violence envers ; Violence dans l'art ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Rassismus ; Diskriminierung ; Unterdrückung ; Gewalt
    Anmerkung: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022
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  • 18
    ISBN: 9783753302386 , 9781846382635 , 3753302384
    Sprache: Englisch
    Seiten: 267 Seiten , Illustrationen
    Serie: Exhibition histories
    DDC: 704.039604109045
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    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung ; USA ; Großbritannien ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Geschichte ; Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; USA ; Großbritannien ; Schwarze ; Kunstausstellung ; Museum ; Kunstbetrieb ; Geschichte
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  • 19
    ISBN: 9783945880876
    Sprache: Deutsch , Englisch
    Seiten: 298 Seiten , Illustrationen, Karten , 29.7 cm x 23.5 cm
    Ausgabe: 1. Auflage
    Serie: Beiträge zur Denkmalpflege in Berlin. Sonderband
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    Schlagwort(e): Geschichte 900-1930 ; Keramikhandel ; Produktion ; Keramikherstellung ; Handel ; Keramik ; Steinzeug ; Berlin ; Europa ; Brandenburg ; Aufsatzsammlung ; Festschrift ; Konferenzschrift 2020 ; Aufsatzsammlung ; Festschrift ; Konferenzschrift 2020 ; Brandenburg ; Berlin ; Keramik ; Steinzeug ; Produktion ; Handel ; Europa ; Keramik ; Keramikhandel ; Geschichte 900-1930 ; Berlin ; Brandenburg ; Keramik ; Keramikherstellung ; Geschichte 900-1930
    Anmerkung: "Die enthaltene Beiträge sollten auf dem 53. Internationalen Keramik-Symposium 2020 in Berlin vorgestellt werden, das aufgrund der Corona-Pandemie jedoch nicht durchgeführt werden konnte." - Vorwort , "Das Erscheinungsjahr des Bandes fällt mit dem 75. Geburtstag von Eberhard Kirsch zusammen, [...] was die Herausgeber veranlasst, ihm den Band zu widmen." - Vorwort , Beiträge überwiegend deutsch, ein Beitrag englisch
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  • 20
    Buch
    Buch
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469664644 , 9781469664637
    Sprache: Englisch
    Seiten: xiii, 231 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 302.23082
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    Schlagwort(e): Künste ; Frau ; Sklaverei ; Gewalt ; USA ; Karibik
    Anmerkung: Literaturverzeichnis Seite 203-220
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  • 21
    Buch
    Buch
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469663036 , 9781469663043
    Sprache: Englisch
    Seiten: xii, 224 Seiten , Illustrationen
    Serie: The John Hope Franklin series in African American history and culture
    Paralleltitel: Erscheint auch als Smethurst, James Behold the Land
    DDC: 810.9/896073
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    Schlagwort(e): Black Arts movement ; American literature African American authors ; History and criticism ; African Americans in literature ; Black nationalism in literature ; Black nationalism History 20th century ; African Americans Intellectual life 20th century ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; USA ; Black arts movement ; Geschichte 1960-1985
    Anmerkung: Includes bibliographical references and index
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  • 22
    Online-Ressource
    Online-Ressource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469663067
    Sprache: Englisch
    Seiten: 1 online resource (245 pages)
    Serie: The John Hope Franklin Series in African American History and Culture Ser.
    Paralleltitel: Erscheint auch als Smethurst, James Edward Behold the land
    DDC: 810.9896073
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    Schlagwort(e): Black Arts movement--Southern States ; American literature--African American authors--History and criticism ; African Americans in literature ; Electronic books ; Geschichte 1960-1985 ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; Geschichte 1960-1985 ; USA ; Black arts movement
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 23
    ISBN: 9783161606052
    Sprache: Englisch
    Seiten: 1 online resource (582 pages)
    Ausgabe: 1st ed.
    Serie: Orientalische Religionen in der Antike 27
    Serie: Orientalische Religionen in der Antike
    Paralleltitel: Erscheint auch als The Physicality of the Other - Masks as a Means of Encounter (Veranstaltung : 2015 : Leipzig) The physicality of the other
    DDC: 732
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    Schlagwort(e): Electronic books ; Konferenzschrift 2015 ; Altertum ; Maske ; Geschichte 3000 v. Chr.-1 v. Chr. ; Alter Orient ; Maske ; Ritus
    Kurzfassung: Cover -- Title -- Table of Contents -- Preface -- Abbreviations -- I. Introductory Considerations -- JUDITH E. FILITZ - Of Masks and Men. Thoughts on Masks from Different Perspectives -- ALFRED SCHÄFER - Zwischenwelten. Maskenauftritte im Egungu/Kutito-Geheimbund -- II. Masks in Egypt -- RENÉE F. FRIEDMAN - Masking in Early Egypt. A View from Hierakonpolis -- ALEXANDRA VON LIEVEN - Can Deities Be Impersonated? The Question of Use of Masks in Ancient Egyptian Rituals -- ASJA MÜLLER - Masking the Dead in Roman Egypt -- III. Masks in the Southern Levant -- IZAK CORNELIUS - The "Face of Death" and the "Face of Baal"? Masks from the Stone Age and Bronze Age -- ITZHAQ SHAI - Two Late Bronze Age Ceramic Masks from Tel Burna, Israel -- ANGELIKA BERLEJUNG - Masks in the Old Testament? Masks in Ancient Palestine/Israel! -- EPHRAIM STERN - Iron Age-Persian Masks and Protomes from Tel Dor -- IV. Masks in Syria and Mesopotamia -- JULIANE STEIN - Spätbronzezeitliche Masken aus Nordsyrien -- CLAUDIA BEUGER - Maskerade im 1. Jt. v. Chr. in Mesopotamien -- TAKAYOSHI OSHIMA - The King's Godly Image as the Perfect Physiognomy of the Holder of the Kingship. Royal Ideology in the Neo-Assyrian Period -- V. Masks on Their Way to Europe -- ADRIANO ORSINGHER - Ritualized Faces. The Masks of the Phoenicians -- ERIN WALCEK AVERETT - Playing the Part. Masks and Ritual Performance in Rural Sanctuaries in Iron Age Cyprus -- ANGELIKI VARAKIS - Encountering the Heroic prosopeion in Fifth Century Theatre Performance -- DANIEL DOST - ‚Quid sibi personae volunt?' Erkundungen im Schnittfeld von lateinisch persona und etruskisch phersu -- VI. Appendix: Katalog/Catalogue.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 24
    Buch
    Buch
    Cambridge, Massachusetts : The MIT Press
    ISBN: 9780262045841
    Sprache: Englisch
    Seiten: 282 Seiten
    DDC: 391.00973
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    Schlagwort(e): Geschichte 1850-1900 ; Haute couture ; Damenmode ; Bekleidungsindustrie ; Kunde ; High-Society ; Paris ; USA
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  • 25
    Online-Ressource
    Online-Ressource
    Bielefeld : transcript
    ISBN: 9783839452943
    Sprache: Englisch
    Seiten: 1 Online-Ressource (215 Seiten) , Illustrationen
    Serie: Image volume 180
    Serie: Image
    Paralleltitel: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 700.411
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    Schlagwort(e): Art, Black ; Blacks in art ; Blacks--Race identity ; Electronic books ; Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Kurzfassung: Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
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  • 26
    Buch
    Buch
    New York : Routledge, Taylor & Francis Group
    ISBN: 9780367553647
    Sprache: Englisch
    Seiten: xxxiv, 487 Seiten , Illustrationen , 25 cm
    Ausgabe: First issued in paperback
    Serie: Routledge companions
    Serie: Visual studies
    DDC: 700.8996073
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    Schlagwort(e): African American art ; Art, American Historiography ; Electronic books ; USA ; Schwarze ; Kunst ; Geschichte 1700-2020
    Anmerkung: First published 2020 by Routledge
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  • 27
    Online-Ressource
    Online-Ressource
    Cambridge, Massachusetts : The MIT Press
    ISBN: 9780262365666
    Sprache: Englisch
    Seiten: 1 Online-Ressource (219 Seiten)
    Paralleltitel: Erscheint auch als Campt, Tina, 1964 - A black gaze
    DDC: 704.0396073
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    Schlagwort(e): Electronic books ; Künstler ; Künstlerin ; Schwarze ; Kunst ; Wahrnehmung ; Ästhetik ; Geschichte
    Kurzfassung: Examining the work of contemporary Black artists who are dismantling the white gaze and demanding that we see--and see Blackness in particular--anew.
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  • 28
    ISBN: 978-605-76853-5-3
    Sprache: Englisch
    Seiten: 276 Seiten , Illustrationen, Faksimiles , 24 cm
    Ausgabe: 1st edition
    Originaltitel: Avrupa Şark′ı Bilmez : Eleştirel Bir Söylem (1872-1932)
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    Schlagwort(e): Geschichte 1872-1932 ; Rezeption ; Orientalismus ; Orientbild ; Europa ; Türkei ; Osmanisches Reich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Orientbild ; Orientalismus ; Rezeption ; Osmanisches Reich ; Türkei ; Geschichte 1872-1932
    Kurzfassung: A century before the publication of Edward Said’s Orientalism, a passionate discourse emerged in the Ottoman Empire, rebutting politicized Western representations of the East. Until the 1930s, Ottoman and early Turkish Republican intellectuals, well acquainted with the European political and cultural scene and charged with their own ideological agendas, deconstructed tired clichés about "the Orient." In this book, Zeynep Çelik recontextualizes Eurocentric postcolonial studies, unearthing an important episode in modern Middle Eastern intellectual history and curating a selection of primary texts illustrating the debates.
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  • 29
    ISBN: 1934351199 , 9781934351192
    Sprache: Englisch
    Seiten: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
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    Schlagwort(e): African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Kurzfassung: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Kurzfassung: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Anmerkung: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 30
    ISBN: 9781452965789
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 282 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als Sprinkle, Annie, 1954 - Assuming the ecosexual position
    DDC: 304.2
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    Schlagwort(e): Electronic books ; Electronic books ; Performance ; Ökologie ; Sexualverhalten
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 31
    ISBN: 9781941366325 , 1941366325
    Sprache: Englisch
    Seiten: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Schlagwort(e): African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Kurzfassung: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Anmerkung: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 32
    Online-Ressource
    Online-Ressource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469664668 , 9781469664651
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 231 pages) , Illustrations (black and white).
    Serie: North Carolina scholarship online
    DDC: 302.23082
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    Schlagwort(e): Künste ; Frau ; Sklaverei ; Gewalt ; Violence in literature ; Violence in motion pictures ; Violence on television ; Violence in women in literature ; Women in popular culture ; Women in popular culture ; Violence in women in popular culture ; Violence in women in popular culture ; Slavery History ; Literature ; Literature: history & criticism ; USA ; Karibik
    Kurzfassung: This text examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Amy King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in US and Caribbean depictions of violence between women in the wake of slavery.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
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  • 33
    ISBN: 9780691208190
    Sprache: Englisch
    Seiten: vii, 254 Seiten , Illustrationen, Pläne
    DDC: 745.40973/0904
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    Schlagwort(e): Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Decorative arts Marketing ; Power (Social sciences) History 20th century ; USA ; Kunsthandwerk ; Industriedesign ; Künste ; Geschlecht ; Ethnische Gruppe ; Geschichte 1950-1960
    Anmerkung: Includes bibliographical references and index
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  • 34
    Buch
    Buch
    Princeton ; Oxford : Princeton University Press
    ISBN: 9780691208190
    Sprache: Englisch
    Seiten: VII, 254 Seiten , Illustrationen, Pläne
    Paralleltitel: Erscheint auch als
    DDC: 745.40973/0904
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    Schlagwort(e): Geschichte 1950-1959 ; ART / History / General ; Decorative arts Marketing ; Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Power (Social sciences) History 20th century ; Geschlecht ; Design ; Rasse ; Industriedesign ; USA ; USA ; Industriedesign ; Geschichte 1950-1959 ; USA ; Design ; Geschlecht ; Rasse
    Kurzfassung: The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar AmericaIn the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and sleek, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced-and were influenced by-Modern design and shaped its presentation to consumers.Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others. A striking counternarrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture
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  • 35
    ISBN: 9783406766961
    Sprache: Deutsch
    Seiten: 256 Seiten, 16 ungezählte Bildseiten , Illustrationen , 22 cm
    Paralleltitel: Erscheint auch als Savoy, Bénédicte, 1972 - Afrikas Kampf um seine Kunst
    DDC: 709.60744
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    Schlagwort(e): Museum ; Außereuropäische Kunst ; Postkolonialismus ; Restitution ; Europa ; Afrika ; Afrika ; Europa ; Kolonialgeschichte ; Afrika ; Kunst ; Geschichte ; Europa ; Museum ; Postkolonialismus ; Restitution ; Geschichte 1960-2020 ; Afrika ; Kolonialismus ; Kunst ; Afrika ; Europa ; Kunst ; Rückerstattung ; Europa ; Museum ; Postkolonialismus ; Restitution
    Kurzfassung: Schon vor 50 Jahren kämpfte Afrika um seine Kunst, die während der Kolonialzeit massenweise in europäische Museen gelangt war. Und es fand durchaus Unterstützung im Westen. Am Ende jedoch war der Kampf nicht nur vergebens, er wurde auch erfolgreich vergessen gemacht. Auf der Grundlage von unzähligen unbekannten Quellen aus Europa und Afrika erzählt Bénédicte Savoy die gespenstische Geschichte einer verpassten Chance, einer Niederlage, die heute mit umso größerer Wucht auf uns zurückschlägt. Afrikas Bemühungen um seine in der Kolonialzeit nach Europa verbrachte Kunst sind keineswegs neu. Schon bald nach 1960, als 18 ehemalige Kolonien die Unabhängigkeit erlangten, wurde von afrikanischen Intellektuellen, Politikern und Museumsleuten eine ungeheure Dynamik in Gang gesetzt. In ganz Europa suchten daraufhin Politikerinnen und Politiker, Journalisten, Akademiker und einige Museumsleute einen Weg, afrikanische Kulturgüter im Sinne einer postkolonialen und postrassistischen Solidarität zurückzugeben. Die Argumente aber, mit denen andere versuchten, die Forderungen aus Afrika zu entkräften und Lösungen zu verhindern, ähneln auf frappierende Weise denen von heute. Schließlich verlief alles im Sand. „Gebt koloniale Raubkunst zurück! Dafür engagiert sich Bénédicte Savoy. In ihrem Buch zeigt die Kunsthistorikerin nun, dass ihr Kampf ein alter ist. Schon in den 1960er-Jahren drängten die neu gegründeten Staaten Afrikas auf eine Rückführung – erfolglos. Die Argumente der Gegner von damals ähneln dabei denen von heute auf frappierende Weise“ (Platz 2 der Sachbuch-Bestenliste für April 2021, Platz 1 der Sachbuch-Bestenliste für Mai 2021)
    Anmerkung: Mit 16 Abbildungen , Hier auch später erschienene, unveränderte Nachdrucke , Deutsch
    URL: Cover
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  • 36
    Online-Ressource
    Online-Ressource
    Charlottesville : University of Virginia Press
    ISBN: 9780813943800
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 287Seiten) , Illustrationen
    Serie: New World Studies
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Electronic books
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  • 37
    Buch
    Buch
    Charlottesville : University of Virginia Press
    ISBN: 9780813943749
    Sprache: Englisch
    Seiten: xviii, 194 Seiten , Illustrationen
    Serie: Midcentury: architecture, landscape, urbanism, and design
    Paralleltitel: Erscheint auch als Grubiak, Margaret M Monumental jesus
    DDC: 306.6/773
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    Schlagwort(e): Christianity and culture ; Cultural landscapes ; Popular culture Religious aspects ; Christianity ; United States Religion ; USA ; Religiöse Kunst ; Architektur ; Monumentalplastik
    Kurzfassung: Touchdown Jesus! -- Dorothy, The Wizard of Oz, and the Mormon Temple -- Adventures in the evangelical theme park -- Charles Darwin's Night at the Creation Museum -- Gumby Jesus.
    Kurzfassung: "This book explores how religious doubt is made manifest in the built environment by taking seriously the humorous, satirical, blasphemous, and popular culture responses to religious architecture and image in modern America. It challenges how audiences typically consider religious architecture by shifting the focus from believers to doubters and from architectural producers to architectural consumers. Its chapters explore landscapes of doubt created by "Touchdown Jesus" at the University of Notre Dame in Indiana; the Mormon temple outside Washington, D.C., recast as something from The Wizard of Oz; Jerry Falwell's waterslide plunge photograph and The Simpson's "Praiseland" episode satirizing Jim and Tammy Faye Bakker's Heritage USA evangelical theme park in South Carolina; the doctored photograph making fun of Oral Roberts's claim of seeing a 900-foot Jesus at Oral Roberts University in Tulsa, Oklahoma; MAD magazine's "Charles Darwin's Night at the Creation Museum" parody of the Creation Museum in Kentucky; and the "Gumby Jesus" renaming of the Christ of the Ozarks statue in Eureka Springs, Arkansas. These expressions of doubt activate the religious built environment in ways unanticipated but illuminating, asking Americans to consider and clarify what it is they believe"--
    Anmerkung: Includes bibliographical references and index
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  • 38
    Buch
    Buch
    University Park, Pennsylvania : The Pennsylvania State University Press
    ISBN: 9780271086040
    Sprache: Englisch
    Seiten: 241 Seiten , Illustrationen
    DDC: 759.13
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    Schlagwort(e): Jones, Lois Mailou Criticism and interpretation ; African diaspora in art ; Jones, Loi͏̈s Mailou 1905-1998 ; USA ; Schwarze ; Kunst
    Kurzfassung: Introduction : claiming middle ground -- Seeking success : school, society, and career aspirations -- Routes to roots : from Black Washington to Black Paris -- Diasporic directions : Haiti, collage, and composite aesthetics -- In and out : Africa and the academy -- Conclusion : composite naming practices and art histories.
    Kurzfassung: "A critical analysis of the art and career of African American painter Loïs Mailou Jones (1905-1998). Examines Jones's engagement with African and Afrodiasporic themes as well as the challenges she faced as a black woman artist"--
    Anmerkung: Includes bibliographical references and index
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  • 39
    ISBN: 9781350187139
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 280 Seiten)
    Paralleltitel: Erscheint auch als Feminism and art in postwar Italy
    DDC: 305.42094509045
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    Schlagwort(e): Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Italien ; Frauenkunst ; Feminismus ; Geschichte 1964-1980 ; Lonzi, Carla 1931-1982
    Kurzfassung: Cover -- Contents -- List of illustrations -- List of contributors -- Acknowledgements -- Introduction Against culture: Feminism and art in postwar Italy Francesco Ventrella and Giovanna Zapperi -- Part One Art writing against art -- 1 Carla Lonzi: Encountering American art Judith Russi Kirshner -- 2 Magnetic encounters: Listening to Carla Lonzi's tape recordings Francesco Ventrella -- 3 (Post-)normative silence Sabeth Buchmann -- Part Two Creativity and the feminist subject -- 4 The making of a feminist subject: Autonomy, authenticity and withdrawal Giovanna Zapperi -- 5 Turbulence zone: Diasporic resonances across Carla Lonzi's archive Liliana Ellena -- 6 'I thought art was for women' Suzanne Santoro interviewed by Francesco Ventrella and Giovanna Zapperi -- Part Three Art as relation -- 7 The end of the affair: Carla Lonzi and the politics of Rapporto Leslie Cozzi -- 8 Reimagining the family album: Carla Lonzi's Autoritratto Teresa Kittler -- 9 The Cooperativa Beato Angelico: A feminist art space in Rome Katia Almerini -- Part Four Genealogies and resonances -- 10 Free escape Elisabeth Lebovici -- 11 Feminism and art c. 1970: Writing (art) otherwise Griselda Pollock -- Index.
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  • 40
    Buch
    Buch
    Lincoln : University of Nebraska Press
    ISBN: 9781496202123
    Sprache: Englisch
    Seiten: xi, 254 Seiten , Illustrationen , 23 cm
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Rezeption ; Indigenes Volk ; Soziale Verantwortung ; Kunst ; Kunstwerk ; USA ; Indian arts / Study and teaching ; Education, Higher / Aims and objectives ; Museums and Indians ; Cultural awareness ; Cultural awareness ; Education, Higher / Aims and objectives ; Museums and Indians ; USA ; Indigenes Volk ; Kunst ; Soziale Verantwortung ; USA ; Indigenes Volk ; Kunstwerk ; Rezeption
    Kurzfassung: "'Knowing Native Arts' brings Nancy Marie Mithlo's Native, insider perspective to understanding the significance of indigenous arts in national and global milieus"--
    Kurzfassung: "Knowing Native Arts brings Nancy Marie Mithlo's Native insider perspective to understanding the significance of Indigenous arts in national and global milieus. These musings, written from the perspective of a senior academic and curator traversing a dynamic and at turns fraught era of Native self-determination, are a critical appraisal of a system that is often broken for Native peoples seeking equity in the arts. Mithlo addresses crucial issues, such as the professionalization of Native arts scholarship, disparities in philanthropy and training, ethnic fraud, and the receptive scope of Native arts in new global and digital realms. This contribution to the field of fine arts broadens the scope of discussions and offers insights that are often excluded from contemporary appraisals."--book jacket
    Beschreibung / Inhaltsverzeichnis: Introduction: Dangerous for the heart -- 1. "The Manner in Which Knowledge Grows" -- 2. Native Arts' Visual Remix -- 3. Indigenous Arts Movements at Home and Abroad -- 4. On the Other Side of the Ocean -- 5. Postidentity Claims, Realism, and Radical Restructuring -- 6. The Encyclopedic Gaze -- 7. Decentering Durham -- 8. American Indians and Museums: The love/hate relationship -- Conclusion: The good fight -- Notes
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  • 41
    Buch
    Buch
    Philadelphia : Temple University Press
    ISBN: 9781439914236
    Sprache: Englisch
    Seiten: x, 235 Seiten , Illustrationen
    Suppl.: Rezensiert in Reynolds, Daniel P. Memory Passages: Holocaust Memorials in the United States and GermanyNatasha Goldman 2021
    Paralleltitel: Erscheint auch als Goldman, Natasha, 1970 - Memory passages
    DDC: 940.5318640943
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    Schlagwort(e): Holocaust memorials ; Holocaust memorials ; Memorialization ; Memorialization ; Art and history ; Art and history ; USA ; Deutschland ; Judenvernichtung ; Denkmal ; Kollektives Gedächtnis ; USA ; Deutschland ; Denkmal ; Judenvernichtung
    Kurzfassung: For decades, artists and architects have struggled to relate to the Holocaust in visual form, resulting in memorials that feature a diversity of aesthetic strategies. In 'Memory Passages', Natasha Goldman analyzes both previously-overlooked and internationally-recognized Holocaust memorials in the United States and Germany from the postwar period to the present, drawing on many historical documents for the first time. From the perspectives of visual culture and art history, the book examines changing attitudes toward the Holocaust and the artistic choices that respond to it.The book introduces lesser-known sculptures, such as Nathan Rapoport's 'Monument to the Six Million Jewish Martyrs' in Philadelphia, as well as internationally-acclaimed works, such as Peter Eisenman's 'Memorial to the Murdered Jews of Europe' in Berlin. Other artists examined include Will Lammert, Richard Serra, Joel Shapiro, Gerson Fehrenbach, Margit Kahl, and Andy Goldsworthy. Archival documents and interviews with commissioners, survivors, and artists reveal the conversations and decisions that have shaped Holocaust memorials. 'Memory Passages' suggests that memorial designers challenge visitors to navigate and activate spaces to engage with history and memory by virtue of walking or meandering. This book will be valuable for anyone teaching-or seeking to better understand-the Holocaust
    Anmerkung: Literaturverzeichnis: Seite 219-227 , Register
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  • 42
    ISBN: 9781912248667 , 1912248662
    Sprache: Englisch
    Seiten: xii, 431 Seiten , Illustrationen , 20 cm
    Paralleltitel: Erscheint auch als Howell, Patrick Dispatches from the Vanguard
    DDC: 973.933
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    Schlagwort(e): Trump, Donald ; Trump, Donald ; Arts Political aspects ; Art, Black 21st century ; Multiculturalism in art ; Political culture ; Presidents ; African Americans Politics and government 21st century ; American literature African American authors 21st century ; African Americans Intellectual life 21st century ; African Americans ; Intellectual life ; African Americans ; Politics and government ; American literature ; African American authors ; Art, Black ; Arts ; Political aspects ; Multiculturalism in art ; Political culture ; Politics and government ; Presidents ; United States Politics and government 2017- ; United States ; USA ; Politische Kultur ; Trump, Donald 1946- ; Multikulturelle Gesellschaft ; Person of Color ; Geschichte 2017-2021
    Kurzfassung: "A collection of writers, poets, artists, social entrepreneurs and political activists in the Global International African Arts Movement speak about their work in the context of Trump, giving a voice to the voiceless and about the 5th estate of power in this timely and important book" -- Provided by the publisher
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  • 43
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    Philadelphia : Institute for Contemporary Art, University of Pennsylvania
    ISBN: 0884541495 , 9780884541493
    Sprache: Englisch
    Seiten: 320 Seiten , Illustrationen
    Ausgabe: First edition
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    Schlagwort(e): Ausstellungskatalog ; USA ; Person of Color ; Kunst ; Gesellschaft
    Anmerkung: This book is published on the occasion of the exhibition Colored People Time, curated by Meg Onli, and organized and presented by the Institute of Contemporary Art, University of Pennsylvania, Febuary 1 - December 22, 2019; MIT List Visual Arts Center Febuary 7 - April 12, 2020
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  • 44
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    In:  Journal Fünf Kontinente / Museum Fünf Kontinente Band 3 (2018/19), Seite 96-151
    Sprache: Englisch
    Seiten: Illustrationen
    Titel der Quelle: Journal Fünf Kontinente / Museum Fünf Kontinente
    Publ. der Quelle: München, 2020
    Angaben zur Quelle: Band 3 (2018/19), Seite 96-151
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    Schlagwort(e): Indigenes Volk ; Stab ; Prophet ; USA ; Indigenes Volk ; USA ; Prophet ; Stab
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  • 45
    ISBN: 9781478007326
    Sprache: Englisch
    Seiten: 1 Online-Ressource (241 Seiten)
    Paralleltitel: Erscheint auch als Beck, John, 1963 - Technocrats of the imagination
    DDC: 700.1/050973
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    Schlagwort(e): Technology and the arts History 20th century ; Military-industrial complex ; Arts Experimental methods ; Art / Criticism & Theory ; Electronic books ; USA ; Medienkunst ; Militärtechnik ; Geschichte 1960-1969 ; Experiments in Art and Technology ; Laboratorium ; Militär
    Kurzfassung: Science, Art, Democracy -- A Laboratory of Form and Movement: Institutionalizing Emancipatory Technicity at MIT -- The Hands-on Approach: Engineering Collaboration at E.A.T. -- Feedback: Expertise, LACMA and the Think-Tank -- How to Make the World Work -- Heritage of Our Times.
    Kurzfassung: "TECHNOCRATS OF THE IMAGINATION traces the rise of collaborative art and technology labs in the U.S. from WWII to the present. Ryan Bishop and John Beck reveal the intertwined histories of the avant-garde art movement and the military-industrial complex, showing how radical pedagogical practices traveled from Germany's Bauhaus movement to the U.S. art world and interacted with government-funded military research and development in university laboratories. During the 1960s both media labs and studio labs leaned heavily on methods of interdisciplinary collaboration and the power of American modernity to model new modes of social organization. The book's chapters take up MIT's Center for Art, Science, and Technology, Bell Labs's E.A.T. (Experiments in Art and Technology) Salon, and Los Angeles Museum of Art's Art + Technology Program. Their interconnected history illuminates how much of contemporary media culture and aesthetics depends on the historical relationship between military, corporate, and university actors. In light of revived interest in Black Mountain College and other 1960s art and technology labs, this book draws important connections between the contemporary art world and the militarized lab model of research that has dominated the sciences since the 1950s. The authors situate the rise of collaborative art and technology projects in the 1960s within John Dewey's ideology of scientific democracy, showing how leading thinkers from the Bauhaus movement in Germany immigrated to the U.S. and brought with them a Deweyan model for collaborative and interdisciplinary art and technology research. Over the course of the decade, the U.S. government increased funding to scientific research at university and private laboratories. Beck and Bishop investigate how various art and technology projects incorporated the collaborative and innovative interdisciplinarity of the avant-garde art movement with the corporate funding structure driven by the U.S. government's military and technoscientific interests. Finally, the authors consider the legacy of 1960s art and technology projects. During the 1970s and 80s, defense R&D funding was less motivated by a Cold War corporate state, and was instead restructured according to an entrepreneurial and neoliberal model. At the same time, funding in the art world also became increasingly financialized and globalized. Today's art and technology work happens collaboratively not because of an intellectual commitment to interdis ...
    Anmerkung: A cultural politics book , Includes bibliographical references and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 46
    ISBN: 9789490153328 , 949015332X
    Sprache: Englisch
    Seiten: 184 Seiten , Illustrationen
    Serie: KA series 32
    Paralleltitel: Parallele Sprachausgabe
    DDC: 700.411
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    Schlagwort(e): 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Kurzfassung: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Anmerkung: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 47
    ISBN: 9783731910275
    Sprache: Deutsch
    Seiten: 488 Seiten , Illustrationen, Karten , 29 x 24 cm
    Serie: Jahrbuch der Coburger Landesstiftung Band 63 (2019)
    DDC: 623.441
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    Schlagwort(e): Frühmittelalter ; Militärgeschichte ; Festschrift ; Konferenzschrift Coburger Landesstiftung 2019 ; Aufsatzsammlung ; Festschrift ; Konferenzschrift Coburger Landesstiftung 2019 ; Aufsatzsammlung ; Waffe ; Waffenkunde ; Rüstung ; Jagd ; Living History ; Waffenkunde ; Waffe ; Mittelalter ; Provinzialrömische Archäologie ; Schwert ; Europa ; Jagd ; Helm ; Armbrust ; Vor- und Frühgeschichte ; Archäologie
    Anmerkung: Verantwortlichkeitsangabe Seite [2] entnommen , Autoren der Beitrage: "Dr. Heiko Berger, Militärhistorisches Museum der Bundeswehr, [...] Dresden; Dr. Joachim Zeune, Büro für Burgenforschung, [...] Eisenberg-Zell [und 19 weitere]" (Autorenverzeichnis, Seite 488) , "Im Oktober 2019 fand auf der Veste Coburg ein öffentliches Symposium zur Verabschiedung Alfred Geibigs aus dem aktiven Dienst in den Kunstsammlungen statt. Für die damals entstandene Idee einer Festschrift konnten neben den Referenten des Symposiums zahlreiche weitere Experten und Wegbegleiter Alfred Geibigs gewonnen werden." (Vorwort, Seite 7) , Mit Zusammenfassung der Beiträge deutsch und englisch
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  • 48
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    New Haven : Yale University Press in association with the Hutchins Center For African & African American Research, Harvard Univeristy
    ISBN: 9780300245745 , 0300245742
    Sprache: Englisch
    Seiten: xii, 228 Seiten , Illustrationen , 26 cm
    DDC: 704.0396073
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    Schlagwort(e): Harrington, Oliver W ; Colescott, Robert ; African American art ; African American artists ; African Americans in art ; Satire, American History and criticism ; USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; USA ; Schwarze ; Kunst ; Provokation ; Antirassismus ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009
    Kurzfassung: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic.
    Kurzfassung: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Anmerkung: "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso
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  • 49
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    London : Phaidon Press Limited | New York, NY : New Museum
    ISBN: 9781838661298 , 1838661298
    Sprache: Englisch
    Seiten: 263 Seiten , 29 x 25 cm
    DDC: 704.9491524
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    Schlagwort(e): Ausstellungskatalog New Museum of Contemporary Art, New York, NY 2020-2021 ; Bildband ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 1964-2020 ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 2016-2020
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Impressum: "In association with New Museum New York, on the occasion of the exhibition "Grief and Grievance: Art and Mourning in America" October 20, 2020-January 24, 2021"
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  • 50
    ISBN: 9783709981191
    Sprache: Deutsch , Englisch
    Seiten: 217 Seiten , 23 cm
    Serie: Studiohefte 38
    Serie: Studiohefte
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    Schlagwort(e): Geschichte 1962-2020 ; Geschichte ; Lyrik ; Liebe ; Kunst ; Fotografie ; Iran ; Sonderausstellung ; Ausstellung ; Ausstellungskatalog ; Studioheft ; Iran ; Persien ; Europa ; Teheran ; Kunstband ; Orient ; Okzident ; Kunst ; Mazdak Ayari ; Reza Bangiz ; Nargess Hashemi ; Jazeh Tabatabai ; Parviz Tanavoli ; Kultur ; Farah Ossouli ; Tarlan Rafiee ; Ausstellungskatalog Tiroler Landesmuseum Ferdinandeum 16.10.2020-31.01.2021 ; Bildband ; Iran ; Kunst ; Fotografie ; Lyrik ; Liebe ; Geschichte ; Iran ; Kunst ; Geschichte 1962-2020
    Anmerkung: Ausgewählte Bibliographie Seite 213 , "Die Publikation erscheint anlässlich der Ausstellung "Solace of lovers/Trost der Liebenden", Tiroler Landesmuseum Ferdinandeum, 16. Oktober 2020-31. Jänner 2021", Seite 214 , Text deutsch und englisch
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  • 51
    ISBN: 9781786805454
    Sprache: Englisch
    Seiten: 1 online resource (286 pages)
    Ausgabe: 1st ed.
    Paralleltitel: Erscheint auch als The Situationist International
    DDC: 303.48/40922
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    Schlagwort(e): Internationale situationniste ; Internationale situationniste ; Internationale situationniste ; Radicalism ; Art Political aspects ; Electronic books ; Radicalisme ; Art - Aspect politique ; radicalism ; political art ; Radicalism ; Art - Political aspects ; Aufsatzsammlung ; Situationistische Internationale
    Kurzfassung: Formed amidst the incendiary violence and political turmoil of the 1960s, beyond the barricades, the Situationist International (SI) remains to this day influential in anti-capitalist cultural, political and philosophical debates. Looking at philosophy, sociology, critical theory, art, architecture and literature, The Situationist International is an up-to-date and comprehensive survey of the SI and its thought. Leading thinkers analyse the SI's interdisciplinary challenges, its roots in the artistic avant-garde and the traditional workers' movements, its engagement with the problems of postcolonialism and issues of gender and sexuality. Including contributions from key thinkers, including Anselm Jappe and Michael Lowy, as well as new and upcoming scholars, The Situationist International unpacks the complexity of a group that has come to define radical politics and culture in the postwar period
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 52
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    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476669496
    Sprache: Englisch
    Seiten: x, 274 Seiten, 8 Seiten , Illustrationen
    DDC: 303.482730969
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    Schlagwort(e): Einfluss ; Massenkultur ; USA ; Hawaii
    Anmerkung: Bibliography Seite 256-264
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  • 53
    Buch
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    Lanham : Rowman & Littlefield
    ISBN: 9781538101452
    Sprache: Englisch
    Seiten: xxvii, 382 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Mitchell, Verner D., 1957- author Encyclopedia of the Black Arts Movement
    DDC: 700.89/96073
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    Schlagwort(e): Black Arts movement Encyclopedias ; Wörterbuch ; Enzyklopädie ; Wörterbuch ; Black arts movement ; USA ; Schwarze ; Künste ; Black power
    Kurzfassung: "The Black Arts Movement (BAM) was the name given to a group of black poets, artists, dramatists, musicians, and writers who emerged in the wake of the Black Power Movement. The entries in this volume include key contributors to the Black Arts Movement, their major works produced during the period, significant publications, and influential groups and organizations"--
    Anmerkung: Includes bibliographical references and index
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  • 54
    Buch
    Buch
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    ISBN: 9781350169982 , 9781474249768 , 9781474249782 , 9781474249775
    Sprache: Englisch
    Seiten: xv, 202 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 391.00945/511
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    Schlagwort(e): Geschichte 1500-1600 ; Geschichte 1400-1600 ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Geschichte ; Gesellschaft ; Fashion History 16th century ; Men's clothing History 16th century ; Nobility Clothing 16th century ; History ; Masculinity Social aspects 16th century ; History ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Bildnismalerei ; Mann ; Mode ; Männlichkeit ; Männlichkeit ; Männerkleidung ; Europa ; Italien ; Florence (Italy) Court and courtiers 16th century ; History ; Florenz ; Florenz ; Männerkleidung ; Mode ; Männlichkeit ; Männlichkeit ; Mann ; Bildnismalerei ; Geschichte 1400-1600
    Kurzfassung: "Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a source of mockery? Was the graceful courtier virile or effeminate? How could a man dress for court without bankrupting himself? This book explores the whole story of clothing, from the tailor's workshop to spectacular court festivities, to show how the male nobility in one of Italy's main textile production centres used their appearances to project social, sexual, and professional identities. Sixteenth-century male fashion is often associated with swagger and ostentation but this book shows that Florentine clothing reflected manhood at a much deeper level, communicating a very Italian spectrum of male virtues and vices, from honour, courage, and restraint to luxury and excess. Situating dress at the heart of identity formation, Currie traces these codes through an array of sources, including unpublished archival records, surviving garments, portraiture, poetry, and personal correspondence between the Medici and their courtiers. Addressing important themes such as gender, politics, and consumption, Fashion and Masculinity in Renaissance Florence sheds fresh light on the sartorial culture of the Florentine court and Italy as a whole"...
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  • 55
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 9780192573476
    Sprache: Englisch
    Seiten: 1 Online-Ressource (178 Seiten)
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als Saumarez Smith, Otto Boom cities
    DDC: 307.1216094109046
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    Schlagwort(e): Urban renewal ; Great Britain ; History ; 20th century ; City planning ; Great Britain ; History ; 20th century ; Electronic books ; Großbritannien ; Stadtplanung ; Stadtumbau ; Städtebau ; Architektur ; Geschichte 1960-1970
    Kurzfassung: 'Boom Cities' is the first published history of the profound transformations of British city centres in the 1960s. It has often been said that urban planners did more damage to Britain's cities than even the Luftwaffe had managed, and this study details the rise and fall of modernist urban planning, revealing its origins and the dissolution of the cross-party consensus, before the ideological smearing that has ever since characterized the high-rise towers, dizzying ring roads and concrete precincts that were left behind.
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  • 56
    ISBN: 9781478001874 , 9781478003007
    Sprache: Englisch
    Seiten: xvi, 534 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Chicano and Chicana art
    Paralleltitel: Erscheint auch als Chicano and Chicana art
    DDC: 704.03/6872073
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    Schlagwort(e): Mexican American art ; Mexican American artists ; Art Political aspects ; Art and society ; Aufsatzsammlung ; USA ; Chicanos ; Kunst
    Anmerkung: Includes bibliographical references and index
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  • 57
    Buch
    Buch
    New Haven : Yale University Press in association with the Hutchins Center for African & African American Research, Harvard University
    ISBN: 9780300230383
    Sprache: Englisch
    Seiten: xiii, 134 Seiten , Illustrationen
    Serie: Richard D. Cohen lectures in African and African American Art
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    Schlagwort(e): Kunst ; Moderne ; Rassismus ; Kunst ; Moderne ; Rassismus ; Leonard, Zoe 1961- ; Marshall, Kerry James 1955- ; Pope.L, William 1955- ; USA ; Kunst ; Moderne ; Rassismus ; Geschichte 1950-2016
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  • 58
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478002468
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xx, 395 Seiten)
    Paralleltitel: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
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    Schlagwort(e): AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Electronic books ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Kurzfassung: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people.
    Kurzfassung: In the 1960s and early 1970s, Chicago witnessed a remarkable flourishing of visual arts associated with the Black Arts Movement. From the painting of murals as a way to reclaim public space and the establishment of independent community art centers to the work of the AFRICOBRA collective and Black filmmakers, artists on Chicago's South and West Sides built a vision of art as service to the people. In Art for People's Sake Rebecca Zorach traces the little-told story of the visual arts of the Black Arts Movement in Chicago, showing how artistic innovations responded to decades of racist urban planning that left Black neighborhoods sites of economic depression, infrastructural decay, and violence. Working with community leaders, children, activists, gang members, and everyday people, artists developed a way of using art to help empower and represent themselves. Showcasing the depth and sophistication of the visual arts in Chicago at this time, Zorach demonstrates the crucial role of aesthetics and artistic practice in the mobilization of Black radical politics during the Black Power era.
    Anmerkung: Includes bibliographical references and index
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  • 59
    ISBN: 9783030297183
    Sprache: Englisch
    Seiten: 1 online resource (212 pages)
    Serie: The Urban Book Ser.
    Paralleltitel: Erscheint auch als
    DDC: 943.155088
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    Schlagwort(e): City planning History ; Berlin (Germany)-History-1990- ; Electronic books ; Berlin (Germany) History 1990- ; Electronic books
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 60
    ISBN: 9781138605923
    Sprache: Englisch
    Seiten: XX, 211 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
    Paralleltitel: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
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    Schlagwort(e): USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
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  • 61
    ISBN: 9783496016243 , 3496016248
    Sprache: Englisch
    Seiten: 246 Seiten , Illustrationen , 25 cm
    Suppl.: Rezensiert in Du Crest, Sabine, 1963 - [Rezension von: Anna Grasskamp, Objects in Frames. Displaying Foreign Collectibles in Early Modern China and Europe] 2020
    Originaltitel: Cultivated curiosities
    Dissertationsvermerk: Dissertation Universiteit Leiden 2013
    DDC: 709.510744
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    Schlagwort(e): Hochschulschrift ; Europa ; China ; Raritätenkammer ; Kunstwerk ; Präsentation ; Geschichte 1500-1700 ; China ; Europa ; Kulturaustausch ; China ; Europa ; Kulturaustausch ; Kunst ; Sammeln ; Geschichte 1500-1700 ; Europa ; China ; Exotismus ; Kunst ; Kunsthandwerk ; Raritätenkammer ; Chinoiserie ; Sammlung ; Präsentation ; Geschichte 1500-1699
    Anmerkung: Dissertation erschienen unter dem Titel: Cultivated Curiosities : a comparative study of Chinese artifacts in European Kunstkammern and European objects in Chinese elite collections , Mit Register
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  • 62
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    Årsta, Sweden : Dokument Press
    ISBN: 9188369196 , 9789188369192
    Sprache: Englisch
    Seiten: 93 Seiten , 22 cm
    DDC: 700.411
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    Schlagwort(e): Rap (Music) Pictorial works ; Rap (Music) Maps ; Bildband ; USA ; Installation ; Rap
    Kurzfassung: A visual catalog of site-specific rap lyrics in New York, Los Angeles, Philadelphia, Atlanta, Houston and more. Since 2013, multi-disciplinary artist Jay Shells (Jason Shelowitz) has been travelling to major US cities, installing his Rap Quotes campaign. At the time of this publication, the campaign has touched down in New York, Los Angeles, Philadelphia, Atlanta, Houston and the Bay Area. 0Part art book and part guide book, 'The Rap Quotes Coast to Coast' takes you on a new kind of journey, with gorgeous photography by Aymann Ismail to offer context for the hip hop lyrics that mark locations in these major cities. Each city/chapter opens with remarks by local hip hop journalists and ends with a map plotting every site-specifc rap lyric for that city, giving the reader the ability to take their own hip hop-specific tour of the city they love. The Rap Quotes campaign is ongoing, and in the next few years will launch in Chicago, New Orleans, Miami and other cities around the globe
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  • 63
    ISBN: 0892075481 , 9780892075485
    Sprache: Englisch
    Seiten: 153 Seiten , 25 cm
    DDC: 759.13
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    Schlagwort(e): Basquiat, Jean-Michel Exhibitions ; Basquiat, Jean-Michel Political and social views ; Police brutality Art ; Racism Art ; Basquiat, Jean-Michel ; Basquiat, Jean Michel ; Exhibition catalogs ; Exhibition catalogs ; Ausstellungskatalog Solomon R. Guggenheim Museum 2019 ; Basquiat, Jean Michel 1960-1988 ; USA ; Politische Kunst ; Antirassismus
    Kurzfassung: Defacement: moment, history, and memory / Chaédria LaBouvier -- The man nobody killed / Nancy Spector -- The art of Basquiat belongs to the people / J. Faith Almiron -- Black like B. / Greg Tate -- Recollections / compiled by Chaédria LaBouvier.
    Kurzfassung: Jean-Michel Basquiat painted 'Defacement' (The Death of Michael Stewart) in 1983 to commemorate the death of a young, black artist who died from injuries sustained while in police custody after being arrested for allegedly tagging a New York City subway station. Published to accompany a focused exhibition of Basquiat's response to anti-black racism and police brutality, this catalogue explores a chapter in the artist's career through both the lens of his identity and the Lower East Side as a nexus of activism in the early 1980s
    Anmerkung: Includes bibliographical references
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  • 64
    Online-Ressource
    Online-Ressource
    Ithaca : Cornell University Press
    ISBN: 9781501746406
    Sprache: Englisch
    Seiten: 1 online resource (303 pages)
    Suppl.: Rezensiert in Eire, Carlos M. N. Always Among Us. Images of the poor in Zwingli's Zurich. By Lee Palmer Wandel. Pp. vii + 199. Cambridge: Cambridge University Press, 1990. £27.50. 0 521 39096 6 - ‘In His Image and Likeness’. Political iconography and religious change in Regensburg, 1500–1600. By Kristin E. S. Zapalac. Pp. xvii + 280 incl. 73 figs. Ithaca– London: Cornell University Press, 1990. £24. 0 8014 2269 8 1992
    Paralleltitel: Erscheint auch als
    DDC: 306.4/4/0943347
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    Schlagwort(e): Electronic books
    Kurzfassung: Cover -- In His Image and Likeness -- Title -- Copyright -- Contents -- Figures -- Preface -- Note on Translations -- Prolegomena "In His Image and Likeness'': Luther's Revision of the Augustinian Epistemology -- 1 Christ among the Councillors: The Iconography of Justice in the Late-Medieval Rathaus -- 2 God among the Councillors: The Iconography of Justice after the Reformation -- 3 Widow, Wife, Daughter: The Iconography of Resistance to the Emperor -- 4 Gottvater, Stadtväter, Hausväter: Paternal Imagery in the Dialogue between Bürger and Rat -- Frequently Used Abbreviations -- Notes -- Bibliography -- Index.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 65
    Online-Ressource
    Online-Ressource
    Cham [Schweiz] : Springer International Publishing | Cham [Schweiz] : Palgrave Macmillan
    ISBN: 9783030194284
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xviii, 229 Seiten) , 12 Illustrationen, 7 Illustrationen (farbig)
    Paralleltitel: Erscheint auch als
    DDC: 306.094
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    Schlagwort(e): Geschichte 1922-1943 ; European Culture ; Cultural Heritage ; Fine Arts ; European Literature ; Architectural History and Theory ; Ethnology-Europe ; Cultural heritage ; Fine arts ; European literature ; Architecture ; Faschismus ; Novelle ; Architektur ; Italien ; Electronic books ; Italien ; Faschismus ; Architektur ; Novelle ; Geschichte 1922-1943
    Anmerkung: Literaturverzeichnis: Seite 207-221
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Full-text  ((OIS Credentials Required))
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  • 66
    Online-Ressource
    Online-Ressource
    Boca Raton, FL : Routledge,
    ISBN: 9780429467851 , 9780429885877 , 9780429885884 , 9780429885860 , 9780429467851
    Sprache: Englisch
    Seiten: 1 online resource (232 pages) , 86 illustrations, text file, PDF.
    Ausgabe: First edition.
    Serie: Routledge Research in Art and Race
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Morgan, Jo-Ann The Black Arts movement and the Black Panther Party in American visual culture
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    Schlagwort(e): Black Panther Party History ; Arts and society History 20th century ; Black Arts movement ; Black Arts movement Case studies ; Arts Political aspects ; African Americans Race identity ; African Americans Intellectual life 20th century ; African American arts 20th century ; Black Arts movement ; African American arts ; 20th century ; African Americans ; Race identity ; African Americans ; Intellectual life ; 20th century ; Arts ; Political aspects ; United States ; History ; 20th century ; Electronic books ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; ART / Art & Politics ; AfriCOBRA ; African American art ; African American history ; African American studies ; American art ; Angela Davis ; art history ; Berkeley ; Black Panthers ; black power ; California ; civil rights ; desegregation ; Eldridge Cleaver ; Emory Douglas ; Huey P. Newton ; identity ; Kathleen Cleaver ; Malcolm X ; newspaper ; Oakland ; Oakland Museum ; paintings ; photography ; politics ; posters ; prints ; visual culture ; Electronic books ; Electronic books ; USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
    Kurzfassung: Part I. Black arts we make : aesthetics, collaboration, and social identity in the visual art of Black Power -- Introduction to Part I -- Pedigree of the Black arts movement : the march on Washington, death of Malcolm X, and free jazz -- Organization of Black American culture : a show of respect -- African commune of bad relevant artists : forging a Black aesthetic -- New perspectives in Black art : an Oakland class of '68 Says Black Lives Matter. -- Part II. The Black Panther Party in photography and print ephemera. Introduction to Part II -- Huey P. Newton enthroned : iconic image of Black Power -- Eldridge Cleaver's visual acumen and the coalition of Black Power with White resistance -- Emory Douglas : revolutionary artist and visual theorist -- Picturing the female revolutionary.
    Anmerkung: Includes bibliographical references and index
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  • 67
    Sprache: Deutsch
    Seiten: 73 Seiten , Illustrationen
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    Schlagwort(e): Ausstellungskatalog ; Afrika ; Europa ; Design ; Kulturaustausch
    Kurzfassung: Das Forschungs- und Ausstellungsprojekt "Flow of Forms/ Forms of Flow" fokussiert Designgeschichten zwischen Afrika und Europa. Es befasst sich mit den bislang in der Forschung vernachlässigten Auseinandersetzungen mit Designobjekten aus Afrika, ihren Techniken und gestalterischen Grundlagen. Aus einer verflechtungsgeschichtlichen Perspektive werden Formgenese (Forms) und kulturelle Wechselwirkungen (Flows) untersucht: 1. Formen der Moderne, 2. Transform(n)ation, 3. Formen der Kooperation/Partizipation, 4. Stoff-Wechsel und 5. Spekulative Formen.
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  • 68
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520286535
    Sprache: Englisch
    Seiten: xx, 318 Seiten , Illustrationen , 28 cm
    Serie: Ahmanson Murphy Fine Arts imprint
    DDC: 709.2/396073
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    Schlagwort(e): African American artists 20th century ; African American artists 21st century ; Artists, Black 20th century ; Artists, Black 21st century ; Großbritannien ; USA ; Kunst ; Künstler ; Künstlerin ; Person of Color ; Geschichte 1965-2015 ; Großbritannien ; USA ; Schwarze ; Kunst ; Geschichte 1965-2015
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 69
    ISBN: 9789004387836
    Sprache: Englisch
    Seiten: 1 Online-Ressource (339 Seiten)
    Serie: East and West: culture, diplomacy and interactions volume 4
    DDC: 909/.09821
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    Schlagwort(e): Kunst ; Rezeption ; China ; Europa ; USA
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 70
    ISBN: 9781943263141 , 9781943263141
    Sprache: Englisch
    Seiten: 149 Seiten , Illustrationen , 23 cm
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    Schlagwort(e): Art and race History ; Freedom and art 20th century ; United States ; Art and race History ; Freedom and art 20th century ; United States ; Art and race ; Freedom and art ; Nonfiction ; Rassismus ; Kunst ; USA ; Geschichte 1969-2017 ; Rassismus ; Kunst ; USA
    Kurzfassung: In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York's Artists Space entitled Nigger Drawings. In 1969, the Metropolitan Museum of Art's exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. 'Whitewalling: Art, Race, & Protest in 3 Acts' reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world - no less than the country at large - has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship. 'Whitewalling' takes a critical and intimate look at these three "acts" in the history of the American art scene and asks: when we speak of artistic freedom and the freedom of speech, who, exactly, is free to speak?
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Setting the stage , Act 1: Open casket, Whitney Biennial, 2017 , Act 2: The nigger drawings, Artists Space, 1979 , Act 3: Harlem on my mind, Metropolitan Museum of Art, 1969
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  • 71
    Buch
    Buch
    New York : New York University Press
    ISBN: 9781479832774 , 9781479890170
    Sprache: Englisch
    Seiten: xxii, 299 Seiten , Illustrationen
    Serie: Sexual cultures
    Paralleltitel: Erscheint auch als
    DDC: 306.7601
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    Schlagwort(e): Ishioka, Eiko ; González-Torres, Félix ; Bustamante, Nao ; Tseng, Kwong Chi ; Simone, Nina ; Danh Vo ; Queer theory ; Performance art ; Minorities Social conditions ; Performance ; Kleinkunst ; Identität ; Soziale Situation ; Darstellender Künstler ; Queer-Theorie ; USA ; USA ; Kleinkunst ; Performance ; Darstellender Künstler ; Soziale Situation ; Identität ; Queer-Theorie ; Bustamante, Nao 1963- ; Simone, Nina 1933-2003 ; Danh Vo 1975- ; Ishioka, Eiko 1939-2012 ; Tseng, Kwong Chi 1950-1990 ; González-Torres, Félix 1957-1996
    Anmerkung: Includes bibliographical references and index
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  • 72
    Buch
    Buch
    Madrid : Iberoamericana | Frankfurt am Main : Vervuert
    ISBN: 9788416922291 , 9783954876211
    Sprache: Spanisch
    Seiten: 348 Seiten , Illustrationen
    Serie: La casa de la riqueza 41
    Serie: La casa de la riqueza
    DDC: 306
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    Schlagwort(e): García Lorca, Federico ; Buñuel, Luis ; Dalí, Salvador ; Amerikabild ; USA ; Konferenzschrift 15.10.2015-17.10.2015 ; Aufsatzsammlung ; Aufsatzsammlung ; García Lorca, Federico 1898-1936 ; Buñuel, Luis 1900-1983 ; Dalí, Salvador 1904-1989 ; USA ; Amerikabild
    URL: Cover
    URL: Cover
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  • 73
    ISBN: 9783837642537 , 3837642534
    Sprache: Deutsch
    Seiten: 375 Seiten , Illustrationen
    Serie: Edition Medienwissenschaften Band 51
    Serie: Edition Medienwissenschaft
    Paralleltitel: Erscheint auch als Miggelbrink, Monique Fernsehen und Wohnkultur
    Dissertationsvermerk: Dissertation Universität Paderborn 2017
    DDC: 302.2345094309046
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    Schlagwort(e): Wohnkultur ; Fernsehempfänger ; Design ; Deutschland ; USA ; Hochschulschrift ; Hochschulschrift ; Deutschland ; USA ; Fernsehempfänger ; Design ; Wohnkultur ; Geschichte 1953-1970 ; Fernsehen ; Möbel ; Fernsehen ; Wohnkultur ; Fernsehempfänger ; Möbel
    Anmerkung: Quellen- und Literaturverzeichnis: Seite 349-375
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  • 74
    ISBN: 9783795432669 , 3795432669
    Sprache: Deutsch
    Seiten: 376 Seiten , Illustrationen, Karten
    Ausgabe: 1. Auflage
    Serie: Festungsforschung Band 9
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    Schlagwort(e): Festung ; Quellenforschung ; Quelle ; Europa ; Konferenzschrift 2015 ; Konferenzschrift 2016
    Anmerkung: Der neunte Band der Schriftenreihe "Festungsforschung" der Deutschen Gesellschaft für Festungsforschung e.V. beinhaltet die Vorträge der DGF-Tagung der Jahre 2015 in Nürnberg und 2016 in der ehemaligen Festungsstadt Saarlouis. , Literaturangaben
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  • 75
    ISBN: 9783868324877 , 3868324879
    Sprache: Deutsch
    Seiten: 576 Seiten , 27 cm
    DDC: 759.13074435514
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    Schlagwort(e): Ausstellungskatalog Wallraf-Richartz-Museum & Foundation Corboud 23.11.2018-24.03.2019 ; Aufsatzsammlung ; Ausstellungskatalog Wallraf-Richartz-Museum & Foundation Corboud 23.11.2018-24.03.2019 ; Aufsatzsammlung ; USA ; Malerei ; Plastik ; Geschichte 1670-1980 ; USA ; Kunst
    Kurzfassung: "Es war einmal in Amerika. 300 Jahre US-Amerikanische Kunst" bietet einem breiten Publikum die einmalige Chance, der US-amerikanischen Kunst mit einem aktuellen Blick zu begegnen und nicht zuletzt auch das jeweils eigene Amerikabild zu erweitern. Der Band umfasst den Zeitraum von 1650 bis 1950 und bietet Einblicke in die Kunst der Kolonialzeit bis hin zu den Meistern des amerikanischen Realismus und Abstrakten Expressionismus. Die Lebendigkeit, Innovationskraft und Experimentierfreude amerikanischer Künstler werden umfassend behandelt und zusätzlich werden seltene Einblicke in die Bildwelten der Native American Art gegeben. "Es war einmal in Amerika" beweist eindrucksvoll, dass es nicht "die eine" US-amerikanische Kunstgeschichte gibt, sondern eine Vielzahl derer. (Verlagsang.)
    Anmerkung: Literaturverzeichnis: Seite 550-563 , "erschienen anlässlich der gleichnamigen Ausstellung im Wallraf-Richartz-Museum & Fondation Corboud, Köln, 23. November 2018 bis 24. März 2019" - Rückseite der Titelseite
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  • 76
    ISBN: 9781477312476 , 9781477312483
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xix, 440 Seiten)
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als Music, sound, and architecture in Islam
    DDC: 700.91767
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    Schlagwort(e): Music and architecture-Islamic countries ; Art and architecture-Islamic countries ; Music-Social aspects-Islamic countries ; Music-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Art and architecture-Islamic countries ; Music and architecture-Islamic countries ; Music-Islamic countries-History and criticism ; Music-Social aspects-Islamic countries ; Electronic books ; Aufsatzsammlung ; Islam ; Architektur ; Musik ; Akustik ; Islam ; Architektur ; Musik ; Akustik
    Kurzfassung: Intro -- List of Figures, Plates, Charts, and Tables -- Foreword by Ali S. Asani -- Acknowledgments -- Part One: Transregional -- 1. Listening to Islamic Gardens and Landscapes, by D. Fairchild Ruggles -- Part Two: The Ottoman Empire and Turkey -- 2. A Sound Status among the Ottoman Elite: Architectural Patrons of Sixteenth-Century Istanbul Mosques and Their Recitation Programs, by Nina Ergin -- 3. A Concert Platform: A Space for a Style in Turkish Music, by John Morgan OâConnell -- 4. Articulating Otherness in the Construction of Alevi-BektaÅi Rituals and Ritual Space in a Transnational Perspective, by Irene Markoff -- Part Three: The Arab World -- 5. Venerating Cairoâs Saints through Monument and Ritual: Islamic Reform and the Rise of the Architext, by Michael Frishkopf -- 6. Nightingales and Sweet Basil: The Cultural Geography of Aleppine Song, by Jonathan H. Shannon -- 7. Aural Geometry: Poetry, Music, and Architecture in the Arabic Tradition, by Samer Akkach -- Part Four: Andalusia and Europe -- 8. Tents of Silk and Trees of Light in the Lands of Najd: The Aural and the Visual at a Mawlid Celebration in the Alhambra, by Cynthia Robinson -- 9. Aristocratic Residences and the Majlis in Umayyad Córdoba, by Glaire D. Anderson -- 10. Sounds of Love and Hate: Sufi Rap, Ghetto Patrimony, and the Concrete Politics of the French Urban Periphery, by Paul A. Silverstein -- Part Five: Central and South Asia -- 11. Ideal Form and Meaning in Sufi Shrines of Pakistan: A Return to the Spirit, by Kamil Khan Mumtaz -- 12. The Social and Sacred Microcosm of the Kiiz Ãi: Space and Sound in Rituals for the Dead among the Kazakhs of Mongolia, by Saida Daukeyeva -- Part Six: Iran -- 13. Listening to Pictures in Iran, by Anthony Welch -- 14. Of Mirrors and Frames: Music, Sound, and Architecture at the Iranian ZÅ«rkhÄneh, by Federico Spinetti -- References
    URL: Volltext  (lizenzpflichtig)
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  • 77
    ISBN: 1138080551 , 9781138080553
    Sprache: Englisch
    Seiten: xiii, 172 Seiten , Illustrationen , 25 cm
    Serie: The histories of material culture and collecting, 1700-1950
    DDC: 709.511560744
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    Schlagwort(e): Art, Chinese Appreciation ; Europe ; Art, Chinese Appreciation ; Europe ; Art, Chinese ; Yuan Ming Yuan (Beijing, China) ; Yuan Ming Yuan (Beijing, China) History ; 19th century ; Yuan Ming Yuan (Beijing, China) History ; 19th century ; Konferenzschrift ; Konferenzschrift 2013 ; Konferenzschrift ; Konferenzschrift 2013 ; Konferenzschrift ; Konferenzschrift 2013 ; Europa ; Yuanmingyuan ; Landschaftsarchitektur ; Rezeption
    Anmerkung: "This volume emerged from papers presented at a conference at the University of Manchester in July 2013 - The Yuanmingyuan in Britain and Franece: Representations of the "Summer Palace" in the West." - Acknowledgments
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  • 78
    ISBN: 3837642011 , 9783837642018
    Sprache: Englisch
    Seiten: 207 Seiten , Illustrationen , 21 cm
    Serie: Design
    Paralleltitel: Erscheint auch als Flow of forms, forms of flow
    Paralleltitel: Erscheint auch als Flow of forms - forms of flow
    DDC: 745.4096
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    Schlagwort(e): Design History ; 21st century ; Africa ; Art, Modern 21st century ; Decoration and ornament Africa ; Art, Modern 21st century ; Design History ; Africa ; 21st century ; Art, Modern ; Decoration and ornament ; Design ; Art, Modern ; Art, Modern 21st century ; Art, Modern 21st century ; Decoration and ornament ; Decoration and ornament Africa ; Design ; Design History ; 21st century ; Africa ; Design History ; Africa ; 21st century ; Ausstellungskatalog Architekturmuseum der TU München 03.02.2017-12.03.2017 ; Ausstellungskatalog Museum für Völkerkunde 06.04.2018-19.08.2018 ; Ausstellungskatalog 03.02.2017-12.03.2017 ; Ausstellungskatalog Museum für Völkerkunde 06.04.2018-19.08.2018 ; Ausstellungskatalog Architekturmuseum der TU München 03.02.2017-12.03.2017 ; Ausstellungskatalog Museum für Völkerkunde 06.04.2018-19.08.2018 ; Ausstellungskatalog Architekturmuseum der TU München 03.02.2017-12.03.2017 ; Ausstellungskatalog Museum für Völkerkunde 06.04.2018-19.08.2018 ; Afrika ; Europa ; Design ; Kulturaustausch ; Afrika ; Europa ; Design ; Kulturaustausch
    Anmerkung: Impressum: "This publication appears on the occasion of the exhibition "Flow of Forms - Forms of Flow. Design Histories between Africa and Europe." München: Architekturmuseum der TU München / Pinakothek der Moderne, Museum Fünf Kontinente, Kunstraum München as well as in the premises of a private gallery, 3 February - 12 March 2017; Hamburg: Museum für Völkerkunde, 6 April - 19 August 2018"
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  • 79
    ISBN: 9780872731844 , 0872731847
    Sprache: Englisch
    Seiten: 152 Seiten , Illustrationen , 27 cm
    DDC: 305.48/896073
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    Schlagwort(e): African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism and the arts Exhibitions History 20th century ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism and the arts Exhibitions ; History ; 20th century ; United States ; African American feminists ; African American radicals ; African American women authors ; African American women Political activity ; Feminism and the arts ; Feminist literature United States ; African American feminists ; African American feminists ; African American radicals ; African American radicals ; African American women ; African American women ; African American women authors ; African American women authors ; Feminism and the arts ; Feminism and the arts ; Feminist literature ; Feminist literature ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California Afro-American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art 26.06.2018-30.09.2018 ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Schwarze ; Frauenkunst ; Geschichte 1965-1985
    Kurzfassung: Illustrated volume to accompany an exhibition at the Brooklyn Museum opening April 2017, including an introduction by the exhibition co-curators; three scholarly critical essays; remarks from a symposium held in conjunction with the exhibition on April 21, 2017, consisting of personal reminiscences of the theater group Rodeo Caldonia; exhibition installation photographs with texts of the section introductions; an exhibition checklist; and a bibliography. An epigraph of two poems by Alice Walker will appear after the half-title page
    Anmerkung: Includes bibliographical references , Impressum: "Published on the occasion of the exhibition We Wanted a Revolution: Black Radical Women, 1965-85, organized by the Brooklyn Museum. Itinerary Brooklyn Museum, April 21-September 17, 2017, California African American Museum, Los Angeles, October 13, 2017-January 14, 2018, Albright-Knox Art Gallery, Buffalo, February 17-May 27, 2018, The Institute of Contemporary Art/Boston, June 26-September 30, 2018."
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  • 80
    Bild
    Bild
    New York : Hunter College Art Galleries
    ISBN: 9781732009929 , 1732009929
    Sprache: Englisch
    Seiten: 103 Seiten , Illustrationen , 23 cm
    DDC: 700.411
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    Schlagwort(e): Black Emergency Cultural Coalition ; Black Emergency Cultural Coalition ; Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal (Exhibition) ; African American art Exhibitions 20th century ; African American art Exhibitions 20th century ; African American artists History 20th century ; Exhibitions ; African American artists Exhibitions History 20th century ; Race awareness in art Exhibitions ; Art, American Exhibitions 20th century ; African American art ; African American artists ; Art, American ; Race awareness in art ; History ; Exhibition catalogs ; New York (State) ; New York ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; USA ; Künstler ; Person of Color ; Geschichte 1971 ; New York, NY ; Kunstbetrieb ; Schwarze ; Kunst ; Ausstellung ; Protest ; Geschichte 1971
    Kurzfassung: This exhibition revisits the 1971 exhibition "Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal", which was organized by members of the Black Emergency Cultural Coalition at Acts of Art, a small, artist-run gallery in Greenwich Village. The original exhibition was mounted in response to the Whitney Museum?s refusal to appoint a Black curator for their survey 'Contemporary Black Artists in America'. The exhibition at Hunter presents ten of the 47 artists from the original Rebuttal show, including Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood "Bill" Rivers, and Frank Wimberley. It is a selection intended to represent the stylistic diversity of the original exhibition, with works ranging from sardonic social satire and biting figurative expressionism to Yoruban-inspired symbolism and lyrical abstraction. Through these artists, the exhibition also traces a network of organizations and groups that supported the aspirations of Black artists and the community in the 1960s and early 1970s. Through its survey of the history of the short-lived Acts of Art gallery and the events leading up to the Rebuttalshow, the exhibition and its accompanying catalogue explore the intersections between Black cultural communities and cultural politics in Greenwich Village, the Lower East Side, and Harlem in the late 1960s and early 1970s.00Exhibition: Leubsdorf Gallery, New York, USA (04.10.-25.11.2018)
    Anmerkung: "Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood Bill Rivers, Frank Wimberley"--Back cover , Catalog of an exhibition at the Hunter College Art Galleries' Bertha and Karl Leubsdorf Gallery in the fall of 2018 , "Edition of 400"--Colophon , Includes bibliographical references
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  • 81
    ISBN: 9789004371095
    Sprache: Englisch
    Seiten: XIX, 310 Seiten , Illustrationen, Karten
    Serie: Studies in Persian cultural history Volume 15
    Serie: Studies in Persian cultural history
    DDC: 759.954025
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    Schlagwort(e): Painting, Mogul Empire European influences ; Painting, Mogul Empire Themes, motives ; Art, European Influence ; Art, European Influence ; Painting, Mogul Empire European influences ; Painting, Mogul Empire Themes, motives ; Mogulreich ; Malerei ; Europa ; Einfluss
    Anmerkung: Literaturverzeichnis Seite [271] - 293
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  • 82
    ISBN: 9783839442012
    Sprache: Englisch
    Seiten: 1 Online-Ressource (207 Seiten) , Illustrationen
    Serie: Design 37
    Serie: Design
    Paralleltitel: Erscheint auch als Flow of forms, forms of flow
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    Schlagwort(e): Design Exhibitions History ; Design Exhibitions Influence ; Design Exhibitions History ; Design Exhibitions Influence ; African Art. ; African Studies. ; Architecture. ; Art History of the 20th Century. ; Art History. ; Design History. ; Europe. ; European Art. ; Exhibition. ; DESIGN / History & Criticism ; Ausstellungskatalog Architekturmuseum der TU München 03.02.2017-12.03.2017 ; Ausstellungskatalog Museum für Völkerkunde 06.04.2018-19.08.2018 ; Afrika ; Europa ; Design ; Kulturaustausch
    Kurzfassung: As a teenager, I spent my time wondering why in sci-fi movies, every landscape, every object I could see was Western or Asian based. I've finally understood that somewhere our legacy had been locked in the past, that we couldn't be "futuristic" in the eyes of our fellow Europeans. We have to look behind our shoulders, get back to our traditions, seize the best of them and shape a future with it. This without forgetting we are part of the world, totally, unquestionably. The future is for me not only a matter of dialogue with the past, but and beyond everything a dialogue with the rest of the planet. Kossi Aguessy How is it possible to adequately capture histories of design in Africa, a continent with fifty-four countries? How can one avoid producing just another essentialising master narrative of "African Design"? How can one make sense of the many entangled yet often asymmetric and sometimes ambivalent histories of form-finding processes between Africa and Europe? In keeping with the premises of a global art and design history approach, the book offers a change of perspective: focusing on the mobility of people, objects and ideas - on flows between Africa and Europe as well as on a South-South axis - allows for multiple yet necessarily fragmented design histories to be identified and recognised. The contributors trace multi-faceted design case studies from a historical perspective, with attention to the present as well as towards possible futures.
    Anmerkung: This publication appears on the occasion of the exhibition Flow of Forms / Forms of Flow. Design Histories between Africa and Europe. München: Architekturmuseum der TU München / Pinakothek der Moderne, Museum Fünf Kontinente, Kunstraum München as well as in the premises a private gallery, 3 February – 12 March 2017; Hamburg, Museum für Völkerkunde, 6 April – 19 August 2018 , Frontmatter -- ; Content -- ; Flow of Forms / Forms of Flow. Design Histories between Africa and Europe , Forms of Modernity -- ; Transform(n)ation -- ; Forms of Cooperation / Participation -- ; Material Morphosis -- ; Speculative Forms -- ; Ladi Kwali, Michael Cardew and a Tangled Story of African Studio Pottery , Design, Development and its Legacies: A Perspective on 1970s Design Culture and its Anthropological Intents , Between Favela Chic and Autonomy. Design in Latin America , The Politics of Design in Postcolonial Kenya , On the Flows of Architectural Design: The Context and Making of an Exhibition , Jules Wokam’s Aesthetics of Permeability , Tracing the Quiet Cultural Activism: Laduma Ngxokolo and Black Coffee , Cheick Diallo: Design between Politics and Poetics , Designers’ and Artists’ Biographies -- ; Authors’ Biographies , Mode of access: Internet via World Wide Web. , In English
    URL: Cover
    URL: Cover
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  • 83
    ISBN: 9781942884170
    Sprache: Englisch
    Seiten: 256 Seiten , Illustrationen , 27 cm
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    Schlagwort(e): Geschichte 1900-2000 ; Geschichte 1958-1983 ; Rezeption ; Kunst ; Black arts movement ; Black power ; USA ; USA ; Art, Black / Exhibitions ; Black power / United States / Exhibitions ; Art, American / 20th century / Exhibitions ; Ausstellungskatalog ; Ausstellungskatalog Brooklyn Museum 07.09.2018-03.02.2019 ; Ausstellungskatalog Crystal Bridges Museum of American Art 03.02.-23.04.2018 ; Ausstellungskatalog Tate Modern 12.07.2017-22.10.2017 ; Bildband ; USA ; Black arts movement ; Black power ; Kunst ; Rezeption ; Geschichte 1958-1983
    Kurzfassung: In the period of radical change that was 1963-1983, young black artists at the beginning of their careers in the USA confronted key questions and pressures. How could they make art that would stand as innovative, original, formally and materially complex, while also making work that reflected their concerns and experience as black Americans? This significant new publication, accompanying an exhibition at Tate Modern, surveys this crucial period in American art history, bringing to light previously neglected histories of twentieth-century black artists, including Sam Gilliam, Melvin Edwards, Jack Whitten, William T. Williams and Frank Bowling. This book features substantial essays from co-curators Mark Godfrey and Zoe Whitley, writing on abstraction and figuration respectively. It will also explore the art historical and social contexts with subjects including black feminism; AfriCOBRA and other artist-run groups; the role of museums in the debates of the period; and where visual art sat in relation to the Black Arts Movement
    Anmerkung: Published on the occasion of the exhibition "Soul of a Nation : Art in the Age of Black Power", held at Tate Modern, London, 12 July - 22 October 2017; Crystal Bridges Museum of American Art, Bentonville, Arkansas, 3 February - 23 April 2018; Brooklyn Museum, New York, 7 September 2018 - 3 February 2019. - Literaturverzeichnis Seite 254 , Notes on black abstraction , American skin: artists on black figuration
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  • 84
    Buch
    Buch
    London : Bloomsbury Academic
    ISBN: 9781350031630 , 9781474249768
    Sprache: Englisch
    Seiten: XV, 202 Seiten , Illustrationen
    Ausgabe: Paperback edition
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 391.00945/511
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    Schlagwort(e): Geschichte 1500-1600 ; Geschichte 1400-1600 ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Geschichte ; Gesellschaft ; Fashion History 16th century ; Men's clothing History 16th century ; Nobility Clothing 16th century ; History ; Masculinity Social aspects 16th century ; History ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Männlichkeit ; Männerkleidung ; Bildnismalerei ; Mann ; Mode ; Männlichkeit ; Europa ; Italien ; Florence (Italy) Court and courtiers 16th century ; History ; Florenz ; Florenz ; Männerkleidung ; Mode ; Männlichkeit ; Männlichkeit ; Mann ; Bildnismalerei ; Geschichte 1400-1600
    Kurzfassung: "Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a source of mockery? Was the graceful courtier virile or effeminate? How could a man dress for court without bankrupting himself? This book explores the whole story of clothing, from the tailor's workshop to spectacular court festivities, to show how the male nobility in one of Italy's main textile production centres used their appearances to project social, sexual, and professional identities. Sixteenth-century male fashion is often associated with swagger and ostentation but this book shows that Florentine clothing reflected manhood at a much deeper level, communicating a very Italian spectrum of male virtues and vices, from honour, courage, and restraint to luxury and excess. Situating dress at the heart of identity formation, Currie traces these codes through an array of sources, including unpublished archival records, surviving garments, portraiture, poetry, and personal correspondence between the Medici and their courtiers. Addressing important themes such as gender, politics, and consumption, Fashion and Masculinity in Renaissance Florence sheds fresh light on the sartorial culture of the Florentine court and Italy as a whole"...
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  • 85
    ISBN: 3862281728 , 9783862281725
    Sprache: Englisch
    Seiten: 224 Seiten , 263 Illustrationen , 24 cm x 17 cm
    Ausgabe: 1. Auflage
    Paralleltitel: Parallele Sprachausgabe Unvergleichlich
    DDC: 730.96707443155
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    Schlagwort(e): Ausstellungskatalog Bode-Museum 27.10.2017- ; Bildband ; Ausstellungskatalog Bode-Museum 27.10.2017- ; Bildband ; Subsaharisches Afrika ; Europa ; Plastik ; Geschichte ; Ethnologisches Museum Berlin ; Bode-Museum
    Anmerkung: Impressum: "Catalogue of the exhibition "Beyond compare. Art from Africa in the Bode Museum" Bode-Museum, Museumsisland Berlin from October 27, 2017"
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  • 86
    Online-Ressource
    Online-Ressource
    London ; New York : Routledge
    ISBN: 9781315723211
    Sprache: Englisch
    Seiten: 1 Online-Ressource (148 Seiten) , Illustrationen, Karte
    Serie: Routledge research in place, space and politics
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.47098
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    Schlagwort(e): Geschichte 1980-2015 ; Politik ; Streetart ; Politische Kunst ; Lateinamerika ; Lateinamerika ; Street art / Political aspects / Latin America ; Public spaces / Political aspects / Latin Ameria ; Protest movements / Latin America ; Latin America / Politics and government / 1980- ; Electronic books ; Lateinamerika ; Politische Kunst ; Streetart ; Geschichte 1980-2015
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 87
    ISBN: 9780872731837
    Sprache: Englisch
    Seiten: 319 Seiten , Illustrationen
    DDC: 305.48/896073
    RVK:
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    Schlagwort(e): African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism Sources ; Exhibitions ; History ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Black arts movement ; Schwarze Frau ; Frauenkunst ; Engagierte Kunst ; Geschichte 1965-1994
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 88
    ISBN: 9783862281718 , 386228171X
    Sprache: Deutsch
    Seiten: 223 Seiten , Karten , 24 cm x 17 cm
    Paralleltitel: Parallele Sprachausgabe Beyond compare - Art from Africa in the Bode Museum
    DDC: 700
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    Schlagwort(e): Bode-Museum ; Ethnologisches Museum Berlin ; Sammlung ; Plastik ; Subsaharisches Afrika ; Europa ; Afrikanische Kunst ; Skulptur ; Humboldt-Forum ; Bode-Museum ; Ausstellungskatalog Bode-Museum 27.10.2017- ; Bildband ; Ausstellungskatalog Bode-Museum 27.10.2017- ; Bildband ; Bode-Museum ; Sammlung ; Europa ; Plastik ; Subsaharisches Afrika ; Ethnologisches Museum Berlin
    Anmerkung: Ausstellung "Unvergleichlich. Kunst aus Afrika im Bode-Museum", Bode-Museum, Museumsinsel Berlin, 27. Oktober 2017 bis auf weiteres
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  • 89
    ISBN: 9783862281718 , 386228171X
    Sprache: Deutsch
    Seiten: 223 Seiten , 27 cm
    Ausgabe: [1. Auflage]
    DDC: 700
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    Schlagwort(e): Bode-Museum ; Ethnologisches Museum ; Sammlung ; Plastik ; Europa ; Subsaharisches Afrika ; Ausstellungskatalog Bode-Museum 27.10.2017- ; Bildband ; Subsaharisches Afrika ; Europa ; Plastik ; Geschichte ; Ethnologisches Museum ; Bode-Museum
    Anmerkung: "Diese Publikation erscheint anlässlich der Ausstellung 'Unvergleichlich. Kunst aus Afrika im Bode-Museum', Bode-Museum, Museumsinsel Berlin, 27. Oktober 2017 bis auf weiteres" - Impressum
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  • 90
    Bild
    Bild
    New Haven and London : Yale University Press | New Haven : Yale University Press
    ISBN: 9780876332726 , 9780300225891
    Sprache: Englisch
    Seiten: 496 Seiten , Illustrationen
    DDC: 750
    RVK:
    Schlagwort(e): Watercolor painting Exhibitions 20th century ; Watercolor painting, American Exhibitions 19th century ; Watercolor painting, American Exhibitions 20th century ; Watercolor painting Exhibitions 19th century ; Watercolor painting ; Watercolor painting ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; USA ; Aquarell ; Geschichte 1800-1930 ; USA ; Aquarell ; Geschichte 1800-1930
    Kurzfassung: The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture
    Kurzfassung: The American watercolor movement -- American watercolor before 1866: separate worlds -- Ruskin, Turner, and the English tradition, 1855-1865 -- The formation of the American Watercolor Society -- "Strenuous and persistent efforts": the watercolor movement, 1873-1877 -- Landscape in the 1870s -- The illustrators: from "black and white" to color, 1873-1882 -- Figure painting in the 1870s: Homer and Eakins -- Art for a Decorative Age -- Impressionism from Munich and Rome -- High-water mark: figure painters in the 1880s -- Landscape painting after 1880: tonalism -- Illustration and decoration in the Gilded Age -- Impressionism and post-impressionism: Prendergast, Homer, and Sargent -- The "American medium" and the moderns -- Flash in the pan: a history of manufacturing watercolor paint in America / Rebecca Pollak
    Anmerkung: Rückseite der Titelseite: "Published on the occasion of the exhibition American Watercolor in the Age of Homer and Sargent, March 1-May 14, 2017."
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  • 91
    Bild
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    Cambridge, Massachusetts ; London, England : The MIT Press
    ISBN: 9780262035743 , 9780262544917
    Sprache: Englisch
    Seiten: 254 Seiten , Illustrationen
    DDC: 725/.7609793135
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    Schlagwort(e): Architektur ; Architecture ; Architecture and society ; American dream ; Transformation ; Architektur ; USA ; Las Vegas Strip (Nev.) ; Las Vegas (Nev.) Buildings, structures, etc ; Las Vegas, Nev. ; Las Vegas, Nev. ; Architektur ; American dream ; Transformation
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 92
    ISBN: 9780872731837
    Sprache: Englisch
    Seiten: 319 Seiten , Illustrationen
    Ausgabe: First published
    Suppl.: In Beziehung stehendes Werk We wanted a revolution 2018
    DDC: 305.48896073
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    Schlagwort(e): Nengudi, Senga ; Geschichte 1900-2000 ; Geschichte 1965-1994 ; Geschichte 1965-1985 ; Geschichte ; Weibliche Schwarze. Amerika ; African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; Frauenkunst ; Person of Color ; Künstlerin ; USA ; USA ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Quelle ; USA ; Frauenkunst ; Person of Color ; Geschichte 1965-1994 ; Künstlerin ; Person of Color ; Geschichte 1965-1985 ; Nengudi, Senga 1943-
    Anmerkung: Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 93
    ISBN: 9780872731837
    Sprache: Englisch
    Seiten: 319 Seiten , Illustrationen
    Ausgabe: First published
    Suppl.: In Beziehung stehendes Werk We wanted a revolution 2018
    DDC: 305.48896073
    RVK:
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    Schlagwort(e): Nengudi, Senga ; Geschichte 1900-2000 ; Geschichte 1965-1994 ; Geschichte 1965-1985 ; Geschichte ; Weibliche Schwarze. Amerika ; African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; Frauenkunst ; Person of Color ; Künstlerin ; USA ; USA ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Quelle ; USA ; Frauenkunst ; Person of Color ; Geschichte 1965-1994 ; Künstlerin ; Person of Color ; Geschichte 1965-1985 ; Nengudi, Senga 1943-
    Anmerkung: Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 94
    ISBN: 9780872731837
    Sprache: Englisch
    Seiten: 318 Seiten
    DDC: 305.48896073
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    Schlagwort(e): Geschichte 1965-1994 ; Black arts movement ; Bürgerrechtlerin ; Engagierte Kunst ; Frauenkunst ; Künstlerin ; Person of Color ; Schwarze ; Schwarze Frau ; USA ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog The Institute of Contemporary Art 26.06.2018-30.09.2018
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Published on the occasion of the exhibition "We wanted a revolution: black radical women, 1965-85", organized by the Brooklyn Museum.
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  • 95
    ISBN: 9783862281718
    Sprache: Deutsch
    Seiten: 223 Seiten , 27 cm
    Ausgabe: [1. Auflage]
    DDC: 730.96707443155
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    Schlagwort(e): Bode-Museum ; Ethnologisches Museum Berlin ; Sammlung ; Plastik ; Europa ; Subsaharisches Afrika ; Ausstellungskatalog Bode-Museum 27.10.2017- ; Bildband ; Ausstellungskatalog Bode-Museum 27.10.2017- ; Bildband ; Subsaharisches Afrika ; Europa ; Plastik ; Geschichte ; Ethnologisches Museum Berlin ; Bode-Museum
    Anmerkung: "Diese Publikation erscheint anlässlich der Ausstellung 'Unvergleichlich. Kunst aus Afrika im Bode-Museum', Bode-Museum, Museumsinsel Berlin, 27. Oktober 2017 bis auf weiteres" - Impressum
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  • 96
    ISBN: 9783936366556
    Sprache: Englisch , Französisch
    Seiten: XI, 365 Seiten , Illustrationen
    Serie: JapanArchiv Band 5,5
    Serie: JapanArchiv 5
    Serie: JapanArchiv
    Angaben zur Quelle: 5
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    Schlagwort(e): Sachkultur ; Sammlung ; Traditionale Kultur ; Buddhistische Kunst ; Kunst ; Europa ; Japan ; Aufsatzsammlung ; Japan ; Traditionale Kultur ; Sachkultur ; Kunst ; Buddhistische Kunst ; Europa ; Sammlung
    Anmerkung: Beiträge teilweise auf Englisch, teilweise auf Französisch
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  • 97
    Bild
    Bild
    Münster : Museum für Lackkunst
    ISBN: 9783930090327
    Sprache: Deutsch
    Seiten: 144 Seiten
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    Schlagwort(e): Geschichte ; Geschichte 1500-1900 ; Lackarbeit ; Export ; Europa ; Japan ; Ausstellungskatalog Museum für Lackkunst 10.04.2016-03.07.2016 ; Japan ; Lackarbeit ; Geschichte ; Japan ; Lackarbeit ; Export ; Europa ; Geschichte 1500-1900
    Anmerkung: Impressum: Dieser Katalog erscheint anlässlich der Ausstellung "Brückenschlag von Ost nach West", 10. April bis 3. Juli 2016, Museum für Lackkunst, Münster , Auflage 700 Exemplare
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  • 98
    Online-Ressource
    Online-Ressource
    London, [England] : Icon Books Ltd
    ISBN: 9781785780721
    Sprache: Englisch
    Seiten: 1 online resource (506 pages)
    Serie: Graphic Guides
    Paralleltitel: Barker, Meg-John, 1974 - Queer
    Paralleltitel: Erscheint auch als Barker, Meg-John, 1974 - Queer
    DDC: 741.5973
    RVK:
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    Schlagwort(e): Queer theory--Comic books, strips, etc ; Queer theory Comic books, strips, etc ; Queer theory ; Electronic books ; Comic ; Scheele, Jules ; Queer-Theorie
    Kurzfassung: Barker and Scheele invite you to question the status quo and to start seeing things more queerly
    Kurzfassung: Title Page -- Copyright -- Contents -- How to Introduce Queer Theory -- Who are You? -- Making Things Perfectly Queer -- Where We're Headed -- What is "Queer"? -- "Queer" Meaning Strange -- "Queer" as Hate Speech -- Reclaiming "Queer" -- Queer Umbrella? -- Queerer Umbrella? -- Queering Queer -- Multiple Meanings of Queer -- Queer Interventions -- What Queer has in Common: Anti-identity Politics -- How We Came to Think this Way about Sex: A (Very) Potted History -- Understandings are Always Contextual -- The Early Sexologists -- Open and Closed Doors: Early Sexological Understandings -- Freud -- Open and Closed Doors: Freud's Theories -- Masters and Johnson and Sex Therapy -- Open and Closed Doors: Early Sex Therapy -- Gay Rights Movement -- Open and Closed Doors: Early Gay Rights Movements -- How We Think about Sex -- Key Assumption 1: Identities are Fixed and Essential -- Key Assumption 2: Sexuality and Gender are Binary -- Key Assumption 3: Normal and Abnormal Sex Can Usefully be Distinguished -- Enter Queer Theory -- Precursors to Queer Theory -- The Existentialists -- Sartre's Homosexual -- De Beauvoir -- Becoming -- Kinsey: Sexual Diversity -- Kinsey: Categories are an Invention -- Kinsey's Legacy -- Simon and Gagnon's Sexual Scripts -- Bem's Androgyny -- Black Feminists -- Multiple Identities and Marginalization -- Rich's Compulsory Heterosexuality -- (De)Constructing Compulsory Heterosexuality -- Wittig's Straight Mind -- Crenshaw's Intersectionality -- Rubin's Thinking Sex -- The Sex Hierarchy -- The Domino Theory -- Gay Rights/Queer Activism -- After Stonewall -- Hiv/Aids and Activism -- Queer Agendas -- The Turn to Post-structuralism -- Post -structuralism 101 -- Occupying Our Identity -- Subjectivity -- Queer Theory is Born -- De Lauretis -- Queer Today, Gone Tomorrow? -- Key Features -- Foucault and Butler -- Michel Foucault
    Kurzfassung: The Panopticon -- Self-monitoring Society -- Neoliberal Consumer Capitalism -- Power -- Bodies and Normality -- Docile - and Insecure - Bodies -- Discourses and Technologies of the Self -- Power Relations -- Judith Butler -- The Category of Woman -- What Butler Saw -- The Assumptions of Identity Politics -- The Heterosexual Matrix -- Challenging the Heterosexual Matrix -- Gender Performativity -- Doing Gender -- Gender Trouble -- Foucault and Butler Recap -- Foucauldian-butlerian Resistance -- Heteronormativity -- Heteronormativity, Homophobia, and Heterosexism -- ...Oh My! -- Straight Privilege -- Problems with Privilege -- Other Normativities -- Interrogating Heteronormativity -- Inside/Out -- Coming Out -- Sedgwick: How to Bring Your Kids up Gay -- The Epistemology of the Closet -- Nature/Nurture -- Assumed Norms -- Queer Beyond Sexuality and Gender -- Queer Engagements -- Focus on Texts -- Discourse Analysis -- Playing with Language -- Queering -- Queer Moments -- Camp -- Halberstam and Low Theory -- "Dude, Where's My Gender?" -- Collectivism in Finding Nemo -- Queer Art -- Guerrilla Tactics -- Queer Biology -- Nature/Nurture -- The Heteronormative Gaze of Science -- Evolution's Rainbow and Biological Exuberance -- Sexing the Body -- Delusions of Gender -- Biopsychosocial -- Sexual Configurations -- Critical Sexology -- Features of Critical Sexology -- Thinking from the Margins -- Kink -- Open Non-monogamy -- Queering Sexual Medicine -- Queering Sex Therapy -- Criticisms and Tensions -- Why Should Race be Central to Queer Theory? -- Interrogating Race -- Responses to This Marginalization of Race -- White Minority-world Focus -- Southern Theory -- Queer Goes Global -- Strategic Essentialism -- A Place for Identity Politics after All? -- Queer and Bisexuality -- Erasing Bisexuality -- Queer and Feminism -- Queer Feminism? -- Queer Masculinity
    Kurzfassung: Queer and Trans: The Terf Wars -- Butler on Trans -- Co-opting Trans Experience? -- Trans Studies -- Genderqueer -- Cisgenderism -- Materiality Matters -- Lived Experiences -- Inaccessible? -- Ineffective? -- Driven by Fashion? -- Good Queers and Bad Not-Queers -- W(h)ither Queer Theory? -- The Trouble with Normal -- The Crab Bucket -- New Normativities -- Polynormativity and Kinknormativity -- It Ain't What You Do, It's the Way that You Do It. -- Another Funny Turn -- No Future -- Queer Feelings -- Affective and Temporality Turns -- Queer Subjectivity -- Queer Beyond Queer -- One Step Beyond -- Post-Queer? -- Queer Communities -- Queering Communities -- Queer Ways Through the Double Binds? -- Thinking Queerly -- Thinking (Completely) Queerly -- Resources -- Acknowledgements -- Biographies
    URL: Volltext  (lizenzpflichtig)
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  • 99
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9780822371458 , 9780822358978
    Sprache: Englisch
    Seiten: XVI, 344 Seiten , Illustrationen, Porträts , 27 cm
    Serie: Art history publication initiative
    Paralleltitel: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03/9607300747471
    RVK:
    Schlagwort(e): Geschichte 1960-1990 ; African American art Exhibitions 20th century ; History ; Racism in museum exhibits History 20th century ; Museum exhibits Social aspects 20th century ; History ; Museum exhibits Political aspects 20th century ; History ; Künstler ; Kunst ; Schwarze ; Kunstmuseum ; Kunstausstellung ; Kunstpolitik ; Rassismus ; USA ; Aufsatzsammlung ; New York ; Kunst ; Schwarze ; New York ; Ausstellung ; Museum ; Rassismus ; Geschichte 1900-2000
    Beschreibung / Inhaltsverzeichnis: Electronic refractions II at the Studio Museum in HarlemHarlem on my mind at the Metropolitan Museum of Art -- Contemporary Black artists in America at the Whitney Museum of American Art -- Romare Bearden : the prevalence of ritual and the sculpture of Richard Hunt at the Museum of Modern Art.
    Anmerkung: Includes bibliographical references (pages 319-333) and index
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  • 100
    Buch
    Buch
    Bielefeld : Transcript-Verl.
    ISBN: 3837631117 , 9783837631111
    Sprache: Englisch
    Seiten: 425 S. , graph. Darst., Kt.
    Serie: Urban studies
    Paralleltitel: Online-Ausg. ISBN 9783839431115
    DDC: 810.9321732
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    Schlagwort(e): Geschichte 1880-2015 ; Literatur ; Amerikabild ; Stadt ; Stadt ; Soziokultureller Wandel ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Anmerkung: Literaturangaben
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