Note: Ab 9.1995 als Schriftenreihe

Note: Ab 9.1995 als Schriftenreihe

Note: Ab 9.1995 als Schriftenreihe

Note: Ersch. jährl.

Note: Repr.: Arlington, Va. : Carrollton; Millwood, NY ; New York, NY : Kraus; ab 1982 auch als Mikrofiche , Mikrofiche-Ausg. , Index 1884/1914=1914,2

Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English

Note: Includes bibliographical references and index

Note: Includes bibliographical references

Note: Includes bibliographical references and index. - Description based on print version record

Note: Includes bibliographical references and index

Note: Includes bibliographical references

Note: Enthält bibliographische Angaben. - Includes bibliographical references

Note: Description based on publisher supplied metadata and other sources

Note: Dieses Buch ist die überarbeitete Fassung der Habilitationsschrift, welche Benno Nietzel im Januar 2019 unter dem Titel "Weapons of Persuasion. Propaganda, Feindbeobachtung und Kommunikationforschung von den 1920er Jahren bis zum Kalten Krieg" an der Fakultät für Geschichtswissenschaft , Philosophie und Theologie der Universität Bielefeld eingereicht hat [siehe Seite 463] , Frontmatter , Inhalt , Einleitung , I. Propaganda als Herausforderung nach dem Ersten Weltkrieg (1918—1930/33) , II. Propaganda, Demokratie und Totalitarismus (1930/33—1941) , III. Totaler Krieg, Feindbeobachtung und Psychological Warfare (1941—1945) , IV. Propaganda und Kommunikationsforschung im Kalten Krieg (1945—1974) , Schlussbetrachtungen , Dank , Abbildungsverzeichnis , Abkürzungsverzeichnis , Quellen- und Literaturverzeichnis , Personenregister , In German

Note: Literaturverzeichnis Seite [201]-224

Note: Literaturverzeichnis: Seiten 198-222, Index

Note: Includes bibliographical references and index

Note: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index

Note: Seite [224]: Published in conjunction with the exhibition "Black American Portraits". Itinerary Los Angeles County Museum of Art, November 7, 2021-April 17, 2022; Spelman College Museum of Fine Art, January 30-May 14, 2023; Memphis Brooks Museum of Art, September 23, 2023-July 1, 2024 , Artists include: Cedric Adams ; Laura Aguilar ; Alvin Baltrop ; Sadie Barnette ; Richmond Barthé ; Edward Biberman ; John Biggers ; Dannielle Bowman ; Diedrick Brackens ; Mark Bradford ; Kwame Brathwaite ; Frederick J. Brown ; Bisa Butler ; Micaiah Carter ; Jordan Casteel ; Elizabeth Catlett ; Jonathan Lyndon Chase ; Renee Cox ; Njideka Akunyili Crosby ; Kim Dacres ; Bruce Davidson ; Kenturah Davis ; Roy DeCarava ; Beauford Delaney ; Woody De Othelllo ; Emory Douglas ; Stan Douglas ; Sam Doyle ; David C. Driskell ; rafa esparza ; Shepard Fairey ; Kohshin Finley ; Genevieve Gaignard ; Charles Gaines ; Rico Gatson ; Jerrell Gibbs ; Todd Gray ; Chase Hall ; Lauren Halsey ; David Hammons ; Lyle Ashton Harris ; Miki Hayakawa ; William Armfield Hobday ; Reggie Burrows Hodges ; Janna Ireland ; Arthur Jafa ; Lee Jaffe ; Sargent Claude Johnson ; Kahlil Joseph ; Isaac Julien ; Glenn Kaino ; Consuelo Kanaga ; Clifford Prince King ; Jacob Lawrence ; Deana Lawson ; Samella Lewis ; Whitfield Lovell ; Kerry James Marshall ; Wangari Mathenge ; Willie Robert Middlebrook ; Nicole Miller ; Zora J. Murff ; Alice Neel ; Ralph Nelson ; Toyin Ojih Odutola ; Lorraine O'Grady ; Kambui Olujimi ; Catherine Opie ; Gordon Parks ; Ada Pinkston ; Robert Pruitt ; Otis Kwame Kye Quaicoe ; Nathaniel Mary Quinn ; Umar Rashid ; Calida Rawles ; Deborah Roberts ; Alison Saar ; Betye Saar ; Lezley Saar ; William Scott ; Paul Mpagi Sepuya ; Amy Sherald ; Xaviera Simmons ; Lorna Simpson ; Ming Smith ; Shinique Smith ; Edward Steichen ; Martine Syms ; Henry Taylor ; Mickalene Thomas ; Tourmaline ; Kent Twitchell ; James Van Der Zee ; Meta Vaux Warrick Fuller ; Fulton Leroy Washington (aka Mr. Wash) ; Timothy Washington ; Carrie Mae Weems ; Charles White ; Kehinde Wiley ; D'Angelo Lovell Williams ; Deborah Willis , Includes bibliographical references , Face it / , A museum's commitment to the Trayvon Generation / , Black American art at LACMA: a history / , Beyond the master / , Proof of life / , A lil' history of photography: Black American photography before Barack Obama / , The elusive body: Mark Bradford and David Hammons /

Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index

Note: Gegenüber Titelseite: "Called to the Camera: Black American Studio Photographers" ... exhibition dates: New Orleans Museum of Art, September 15, 2022-January 8, 2023

Note: Impressum: Cet ouvrage est publié à l'occasion de l'exposition "Casa Susanna", présentée aux Rencontres d'Arles du 3 juillet au 24 septembre 2023, puis à l'Art Gallery of Ontario du 23 décembre 2023 au 14 avril 2024

Note: Includes bibliographical references and index. - Hier auch später erschienene, unveränderte Nachdrucke

Note: Quellen- und Literaturverzeichnis: Seite 469-514 , Enthält ein Personenregister , "Dieses Buch ist die überarbeitete Fassung der Habilitationsschrift, die ich im Januar 2019 unter dem Titel "Weapons of Persuasion. Propaganda, Feindbeobachtung und Kommunikationforschung von den 1920er Jahren bis zum Kalten Krieg" an der Fakultät für Geschichtswissenschaft, Philosophie und Theologie der Universität Bielefeld eingereicht habe." (Dank, Seite 463)

Note: Bibliographie (Seite 234 - 243)

Note: Includes bibliographical references and index

Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references

Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Literaturverzeichnis: Seite 205-217

Note: Bibliography Seite 121-131

Note: Includes bibliographical references and index.

Note: Includes bibliographical references and index

Note: S.20: "This volume would not exist without the conference 'U.S.-American Culture as Popular Culture' (...) took place from June 13-15,2019 at the University of Hamburg."

Note: Hier auch später erschienene, unveränderte Nachdrucke

Note: Index

Note: Literaturverzeichnis: Seite 153-164 und Index

Note: Includes bibliographical references (pages 95-99)

Note: S.20: "This volume would not exist without the conference 'U.S.-American Culture as Popular Culture' (...) took place from June 13-15,2019 at the University of Hamburg."

Note: Collected essays

Note: Literaturverzeichnis: Seite 351-394, Literaturangaben

Note: Beschreibung basiert auf der Verlagsausgabe von Taylor & Francis

Note: Literaturangaben

Note: Includes bibliographical references and index

Note: Text teilweise englisch, teilweise spanisch , Erscheinungsjahr ermittelt

Note: Bibliografie: Seite 181-187

Note: Includes bibliographical references and index

Note: Literaturangaben