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  • New York : Oxford University Press  (208)
  • Musicology  (177)
  • Law  (31)
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  • 1
    ISBN: 9780197635216
    Language: English
    Pages: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Description / Table of Contents: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
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  • 2
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197525074
    Language: English
    Pages: xi, 301 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
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    Keywords: Brubeck, Dave / Criticism and interpretation. ; Jazz / History and criticism ; Music and race / United States / History / 20th century
    Abstract: "How can we-historians, writers, musicians, audiences-understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights America. Dave Brubeck and the Performance of Whiteness uses Brubeck's mid-century performances of whiteness across his professional, private, and political lives as a starting point to understand mid-century whiteness, privilege, and white supremacy more fully. How is whiteness performed, and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck, his critics, and his audiences. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his white privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries"--
    Description / Table of Contents: Introduction. Buying the Myth -- "Any Jackass Can Swing" : Sounds in Black and White -- Professors, Housewives, and Playboys : The Jazz Converts -- (In)Visible Men : White Recognition and Trust -- "We Want to Play in the South" : Brubeck's Southern Strategy -- Negotiating Jewish Identity in The Gates of Justice -- Conclusion. Evading Whiteness
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  • 3
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197555194 , 9780197555187
    Language: English
    Pages: X, 181 Seiten , 21 cm
    Series Statement: Oxford theory in ethnomusicology series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842
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    Keywords: Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe."
    Description / Table of Contents: Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion
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  • 4
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197555224
    Language: English
    Pages: 1 Online-Ressource (x, 181 Seiten) , Illustrationen
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 306.4842
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    Keywords: Music / ukslc ; Society & culture: general / thema ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    ISBN: 9780190068301
    Language: English
    Pages: viii, 225 Seiten
    Parallel Title: Erscheint auch als Erueti, Andrew The UN Declaration on the Rights of Indigenous Peoples
    Dissertation note: Disseration$dUniversity of Toronto
    DDC: 341.4/852
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    Keywords: United Nations ; Indigenous peoples (International law) ; Internationales Recht ; Minderheitenrecht ; Menschenrecht ; Vereinte Nationen Generalversammlung Declaration on the rights of indigenous peoples ; Indigenes Volk ; Internationales Recht ; Menschenrecht ; Völkerrecht
    Abstract: This book offers a distinctive approach to the key international instrument on indigenous rights, the United Nations Declaration on the Rights of Indigenous Peoples (Declaration) based on a new account of the political history of the international indigenous movement as it intersected with the Declaration's negotiation. The current orthodoxy is to read the Declaration as containing human rights adapted to the indigenous situation. However, this reading does not do full justice to the complexity and diversity of indigenous peoples' participation in the Declaration negotiations. Instead, I argue that the Declaration should be subject to a novel, mixed-model reading that views the Declaration as embodying two distinct normative strands that serve different types of indigenous peoples. Not only is this model supported by the Declaration's political history and legal argument, it provides a new and compelling theory of the bases of international indigenous rights while clarifying the vexed question of who qualifies as indigenous for the purposes of international law.
    Note: Literaturhinweise, Register
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  • 6
    ISBN: 9780190645342
    Language: English
    Pages: xii, 381 Seiten
    Parallel Title: Erscheint auch als Postema, Gerald J., 1948 - Law's rule
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    Keywords: Rule of law Philosophy ; Law (Philosophical concept) ; Rechtsstaatsprinzip ; Rechtsphilosophie
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  • 7
    ISBN: 9780197511510
    Language: English
    Pages: xvii, 313 Seiten , Illustrationen, Notenbeispiele
    DDC: 306.48420944
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    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Frankreich ; Hochschulschrift
    Note: Literaturverzeichnis Seite 277-295
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  • 8
    ISBN: 9780190938802 , 9780190938796
    Language: English
    Pages: 232 Seiten
    DDC: 781.64
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    Keywords: Geschichte 2000- ; Musik ; Popmusik ; Geschlechterforschung
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  • 9
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190235864
    Language: English
    Pages: 358 Seiten
    Parallel Title: Erscheint auch als Williams, Sean, 1959- Musics of the world
    DDC: 780.9
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    Keywords: World music Analysis, appreciation ; Music appreciation
    Abstract: "Musics of the World offers a rich introduction to world music"--
    Note: Includes bibliographical references and index
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  • 10
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190056315
    Language: English
    Pages: 1 Online-Ressource (714 Seiten)
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music performance ; 1: The Oxford Handbook of Music Performance, Volume 1
    DDC: 780.78
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    Keywords: Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Abstract: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Note: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 10, 2022)
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  • 11
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190058890
    Language: English
    Pages: 1 Online-Ressource (xxiii, 623 Seiten)
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music performance ; 2: The Oxford Handbook of Music Performance, Volume 2
    DDC: 780.78
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    Keywords: Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Abstract: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Note: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 14, 2022)
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  • 12
    ISBN: 9780190906498
    Language: English
    Pages: 718 Seiten , Notenbeispiele
    Edition: second edition
    DDC: 782.421640922
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    Keywords: Geschichte 1900-2000 ; Geschichte 1920-1940 ; Chansons anglaises - États-Unis - Histoire et critique ; Culture populaire - États-Unis - Histoire - 20e siècle ; Dichters ; Musique populaire - États-Unis - Histoire et critique ; Paralittérature - États-Unis - Histoire et critique ; Paroliers - États-Unis ; Poésie américaine - 20e siècle - Histoire et critique ; Poésie lyrique - Histoire et critique ; Geschichte ; American poetry History and criticism 20th century ; Lyric poetry History and criticism ; Lyricists ; Popular culture History 20th century ; Popular literature History and criticism ; Popular music History and criticism ; Songs, English History and criticism ; Schlager ; United States - Popular culture - History - 20th century ; USA ; USA ; Schlager ; USA ; Geschichte 1920-1940
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  • 13
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190247874
    Language: English
    Pages: 1 Online-Ressource (xiv, 575 pages) , Illustrations (black and white).
    Series Statement: Oxford handbooks
    DDC: 793.3
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    Keywords: Hip-hop dance ; Hobbies and Games ; Indoor games
    Abstract: 'The Oxford Handbook of Hip Hop Dance Studies' offers insights on individual and social histories of dance, Afrodiasporic and global lineages of the genre, the contribution of B-Girls from Honey Rockwell to Rokafella, the 'studio-fication' of hip hop, and the cultural shift into theatre, TV, and the digital social media space.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 14
    ISBN: 9780190881979
    Language: English
    Pages: 266 Seiten , Illustrationen, Notenbeispiele , 27 cm
    Series Statement: Oxford studies in music theory
    DDC: 782.4216213
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    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Großbritannien ; USA
    Abstract: As children, many of us learn to sing, 'If you're happy and you know it, clap your hands.' But despite the familiarity of this tune, few of us realize that what we're singing is actually part of a pervasive - and centuries-old - musical scheme. This particular scheme, dubbed the 'Sweet Thing,' has generated a large group of songs spanning a broad range of topics, genres, and time periods, but all related through a specific stanzaic form. Early twentieth-century blues songs 'My Babe' and 'Motherless Children,' country songs 'Peg and Awl' and 'Crawdad Song,' and gospel songs 'Pure Religion' and 'This Train' use this form, along with popular songs like Ray Charles's 'I Got a Woman,' The Beatles's 'One After 909,' and the Velvet Underground's 'I'm Waiting for the Man.' Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form studies one of the most productive and enduring shared musical resources in North American vernacular music. Author Nicholas Stoia offers the most comprehensive examination to date of the 'Sweet Thing's' long history, exploring how it made its way from sixteenth-century Scotland to eighteenth-century British broadside ballads to nineteenth-century American ragtime. Stoia also examines the form in various contexts, including early blues and country music, and moving forward to rhythm and blues, soul, and rock music, connecting these modern forms to their ancient roots. Through this close look at a ubiquitous musical from, Sweet Thing shows us how it has linked listeners and musicians alike across the boundaries of genre, race, and even time.
    Note: Literaturverzeichnis: Seite [249]-255
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  • 15
    ISBN: 9780190869137 , 9780190869144
    Language: English
    Pages: xxi, 304 Seiten , Illustrationen , 24 cm
    Series Statement: American musicspheres
    DDC: 780.8997120798
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    Keywords: Indigenes Volk ; Musik ; Alaska
    Abstract: Sound Relations: Native Ways of Doing Music History in Alaska delves into histories of Inuit musical life in Alaska to amplify the broader significance of sound as integral to self-determination and sovereignty. The book offers radical and relational ways of listening to Inuit music across a range of genres-from hip hop to Christian hymnody and drumsongs to funk and R&B - to register how a density (not difference) of Indigenous ways of musicking from a vast archive of presence sounds out radical and relational entanglements between structures of Indigeneity and colonialism. The research aims to dismantle stereotypical understandings of "Eskimos," "Indians," and "Natives" by addressing the following questions: What exactly is "Native" about Native music? What does it mean to sound (or not sound) Native? Who decides? And how can in-depth analyses of Native music that center Indigeneity reframe larger debates of race, power, and representation in twenty-first century American music historiography? Instead of proposing singular truths or facts, this book invites readers to consider the existence of multiple simultaneous truths, a density of truths, all of which are culturally constructed, performed, and in some cases politicized and policed. A sound relations approach endeavors to advance a more Indigenized music studies and a more sounded Indigenous studies that works to move beyond colonial questions of containment - "who counts as Indigenous" and "who decides" - and measurement - "how much Indigenous is this person/performance" - and toward an aesthetics of self-determination and resurgent world-making.
    Note: Literaturverzeichnis Seite [269]-290
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  • 16
    Language: English
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    Keywords: Musikethnologie ; Kolonialismus ; Wissenschaftsethik ; Angewandte Wissenschaften ; Kulturpolitik ; Sozialer Wandel ; Westliche Welt ; Entwicklungsländer
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  • 17
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190087210
    Language: English
    Pages: 597 Seiten , Illustrationen
    Edition: Third edition
    DDC: 781.6509
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    Keywords: Geschichte ; Jazz
    Note: Previous edition: 2011. , Includes bibliographical references and index.
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  • 18
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xv, 212 Seiten , Illustrationen , 24 cm (pbk.)
    Parallel Title: Erscheint auch als Williams, Justin A Brithop
    DDC: 782.42164909/41
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    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"--
    Note: Includes bibliographical references and index
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  • 19
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190904517
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: Oxford handbooks online
    DDC: 364.2
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    Keywords: Rechtsethnologie ; Kriminologie ; Strafverfolgung ; Kriminalität ; Strafrecht ; Criminal anthropology ; Criminology ; Criminals Social conditions ; Research ; Criminal justice, Administration of Social aspects ; Research
    Abstract: 'The Oxford Handbook of Ethnographies of Crime and Criminal Justice' provides critical and current reviews of key research topics, issues and debates that crime ethnographers have been grappling with for over a century. This volume brings together an outstanding group of scholars to discuss various research traditions, the ethical and pragmatic challenges associated with conducting crime-related fieldwork, relevant policy recommendations for practitioners in the field, and areas of future research for crime ethnographers.
    Note: Includes bibliographical references and index
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  • 20
    ISBN: 9780197517611 , 9780197517604
    Language: English
    Pages: viii, 272 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 1
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    Keywords: Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Wissenschaftsethik
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  • 21
    ISBN: 9780197517567 , 9780197517550
    Language: English
    Pages: viii, 260 Seiten , Illustrationen, Diagramme, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 2
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    Keywords: Kolonialismus ; Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
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  • 22
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190855475
    Language: English
    Pages: xii, 345 Seiten , Illustrationen, Karten
    DDC: 306.4842
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  • 23
    ISBN: 9780197517642
    Language: English
    Pages: 1 Online-Ressource (272 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Transforming ethnomusicology
    DDC: 780.89
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    Keywords: Ethnomusicology ; Ethnomusicology Methodology ; Electronic books ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Abstract: This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 24
    ISBN: 9780197532973
    Language: English
    Pages: xxiii, 613 Seiten , Illustrationen , 243 mm
    Parallel Title: Erscheint auch als
    DDC: 780.8992404309045
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    Keywords: Geschichte 1945-1989 ; Musikleben ; Musiker ; Juden ; Deutschland ; Deutschland ; Musiker ; Juden ; Geschichte 1945-1989 ; Deutschland ; Musikleben ; Juden ; Geschichte 1945-1989
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. Transcending Dystopia tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Author Tina Frühauf provides a kaleidoscopic panorama ofmusical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.Drawing on newly unearthed sources from archives and private collections, this book covers a wide spectrum of musical activity-from its role in commemorations and community events to synagogue concerts and its presence on the radio-across the divided Germany until the Fall of the Wall in 1989. Frühauf's use of mobility as a conceptual framework reveals the myriad ways in which the reemergence of Jewish music in Germany was shaped by cultural transfer and exchange that often relied on thecirculation of musicians, their ideas, and practices within and between communities. By illuminating the centrality of mobility to Jewish experiences and highlighting how postwar Jewish musical practices in Germany were defined by politics that reached across national borders to the United States andIsrael, this pioneering study makes a major contribution to our understanding of Jewish life and culture in a transnational context
    URL: Rezension  (H-Soz-Kult)
    URL: Rezension  (H-Soz-Kult)
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  • 25
    ISBN: 9780199367337
    Language: English
    Pages: 1 Online-Ressource (xv, 1134 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of Western music and philosophy
    DDC: 780.01
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    Keywords: Music and philosophy ; Music and philosophy ; Musikwissenschaft ; Philosophie ; Musik ; Geschichte ; Philosophie ; Musikphilosophie
    Abstract: The Oxford Handbook of Western Music and Philosophy celebrates the ways in which musicians have historically called upon philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 9, 2020)
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  • 26
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190886912
    Language: English
    Pages: xi, 381 Seiten , Notenbeispiele
    Edition: 20th anniversary edition
    Parallel Title: Erscheint auch als
    DDC: 781.22
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    Note: Literaturverzeichnis: Seite 375-377
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  • 27
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190882075
    Language: English
    Pages: 1 Online-Ressource (560 pages) , Illustrations.
    Series Statement: Oxford cultural biographies
    Series Statement: Oxford scholarship online
    DDC: 782.42164092
    RVK:
    Keywords: Cole, Nat King ; Cole, Nat King ; Singers Biography ; Pianists Biography ; Jazz musicians Biography
    Abstract: This book offers an interpretation of the two fragmentary texts of the P. Vindobonensis G 40822, now widely referred to as the Muziris papyrus. Without these two texts, there would be no knowledge of the Indo-Roman trade practices. The book also compares and contrasts the texts of the Muziris papyrus with other documents pertinent to Indo-Mediterranean (or Indo-European) trade in ancient, medieval, and early modern times. These other documents reveal the commercial and political geography of ancient South India; the sailing schedule and the size of the ships plying the South India sea route; the commodities exchanged in the South Indian emporia; and the taxes imposed on the Indian commodities en route from the Red Sea to the Mediterranean.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 28
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197506561
    Language: English
    Pages: 1 Online-Ressource (352 pages) , Illustrations.
    Edition: 20th anniversary edition.
    Series Statement: Oxford scholarship online
    DDC: 781.22
    RVK:
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    Keywords: Musical meter and rhythm ; Music Philosophy and aesthetics ; Time in music
    Abstract: Rhythm is often regarded as one of the most problematic and least understood aspects of music. Restricted to those attributes that are susceptible to calibration and measurement, rhythm is usually identified with meter, durational pattern, or durational proportion. But how shall one account for those attributes of rhythm that point to the particularity and spontaneity of aesthetic experience as it is happening? Drawing on insights from the modern "process" philosophy of Henri Bergson, William James, and A. N. Whitehead, this book releases meter from its mechanistic connotations and recognizes it as a concrete, visceral agent of musical expression. It reinterprets oppositions of law and freedom, structure and process, determinacy and indeterminacy to form a theory that engages diverse repertories and aesthetic issues. Ultimately, this revised 20th anniversary edition of Christopher Hasty's Meter as Rhythm facilitates the work's current contexts of application.
    Note: Includes bibliographical references and index
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  • 29
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190923419
    Language: English
    Pages: 1 Online-Ressource (372 pages).
    Series Statement: Oxford scholarship online
    DDC: 788.73165092
    RVK:
    Keywords: Parker, Charlie Criticism and interpretation ; Parker, Charlie ; Jazz ; Komposition ; Jazz History and criticism 1941-1950 ; Jazz History and criticism 1951-1960
    Abstract: Charlie Parker, Composer is the first assessment of a major jazz composer's oeuvre in its entirety. Providing analytical discussion of each of Parker's works, this study combines music-theoretical, historical, and philosophical perspectives. A variety of analytical techniques are brought to bear on Parker's compositions, including application of a revised Schenkerian approach to the music that was developed through the author's prior publications. After a review of Parker's life emphasizing his musical training and involvement in composition, the book proceeds by considering the types of Parker pieces as categorized by overall form and harmony and the amount of preplanned music they contain.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 30
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197510483
    Language: English
    Pages: 1 Online-Ressource XI, 272 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 31
    ISBN: 9780190056650
    Language: English
    Pages: viii, 201 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    Keywords: Popular music History and criticism 2001-2010 ; Popular music History and criticism 2011-2020 ; Popular music Analysis, appreciation
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  • 32
    ISBN: 9780190083946 , 9780190083953
    Language: English
    Pages: viii, 254 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Whitmore, Aleysia World music and the Black Atlantic
    DDC: 782.4216/3097291
    RVK:
    RVK:
    Keywords: AfroCubism ; Orchestra Baobab ; Geschichte ; Weltmusik ; Globalisierung ; Afrokubanische Musik ; Orchestra Baobab ; AfroCubism (Musical group) ; Music and globalization ; World music / History and criticism ; Popular music / Africa / Cuban influences ; AfroCubism ; Orchestra Baobab ; Afrokubanische Musik ; Weltmusik ; Globalisierung ; Geschichte
    Abstract: ""In the mid-20th century, African musicians took up Cuban music as their own. They claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and '70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African-Latin American collaborations expressly for this market niche. This book follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them-from musicians' homes in West Africa, to performances in Europe and North America, to record label offices in London. This book examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. This book offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange. ""--
    Note: Includes bibliographical references and index
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  • 33
    ISBN: 9780197504642
    Language: English
    Pages: xx, 459 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.89/92405694
    RVK:
    Keywords: Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature
    Abstract: Introduction. Stains? -- Non-Biblical Tonalities -- Biblocentrism in Modern Hebrew Culture and its Operatic Undoing -- Horizontal Realizations : The Agency of Non-Western Jewish Musical Traditions in Art Music of the 1950s and '60s -- Broken Hebrewist Vessels -- Compositional Solutions (in the double sense of the word)
    Abstract: "Theological Stains traces the growth of art music in Israel from the mid twentieth century to the turn of the twenty-first. In a riveting and provocative account, Assaf Shelleg explores the theological grammar of Zionism and its impact on the art music written by emigrant and native composers grappling with biblical redemptive promises and diasporic patrimonies. Unveiling the network that bred territorial nationalism and Hebrew culture, Shelleg shows how this mechanism infiltrated composers' work as much as it triggered less desirable responses from composers who sought to realize to the non-territorial Diasporic options Zionism has renounced. In the process compositional aesthetics gets stained by the state's nationalization of the theological, by diasporism that refuses redemption, and by Jewish musical traditions that permeated inaudibly to compositions written throughout the second half of the twentieth century. Accompanying this rich and dramatic story are equivalent developments in modern Hebrew literature and poetry alongside vast and previously unstudied archival sources. The book is also lavishly illuminated with 135 music examples that render it an incisive guide to fundamental chapters in modern and late modern art music"--
    Note: Includes bibliographical references and index
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  • 34
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xiii, 212 Seiten , Illustrationen, Portraits (schwarz-weiß)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Rap (Music) / Political aspects / Great Britain / History / 21st century ; Rap (Music) / Great Britain / History and criticism
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"
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  • 35
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190923389
    Language: English
    Pages: xxvii, 338 Seiten , Illustrationen, Notenbeispiele
    DDC: 788.73165092
    RVK:
    Keywords: Parker, Charlie ; Jazz ; Komposition
    Note: Bibliography Seite 317-323 , Discography Seite 324
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  • 36
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190054588
    Language: English
    Pages: 232 Seiten
    DDC: 323.44
    RVK:
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    Note: Includes bibliographical references and index.
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  • 37
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190461652
    Language: English
    Pages: xii, 458 Seiten , Illustrationen
    Series Statement: Readers on American musicians
    DDC: 782.254092
    RVK:
    Keywords: Jackson, Mahalia
    Note: Includes bibliographical references and index.
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  • 38
    ISBN: 9780190919696
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks online
    Series Statement: Psychology
    Parallel Title: Erscheint auch als The Oxford handbook of the new private law
    DDC: 346
    RVK:
    Keywords: Civil law ; Natural law ; Law and economics ; Trusts and trustees ; Civil law ; Natural law ; Law and economics ; Trusts and trustees ; Aufsatzsammlung ; Bürgerliches Recht ; Naturrecht ; Privatrecht
    Abstract: This volume promises to help redefine and reinvigorate the subject of private law, a domain that includes property, contract, and tort law, as well as intellectual property, unjust enrichment, and equity. It emphasizes cross-cutting perspectives and relations between areas of private law, with special attention to the doctrines and structures of the law - an approach now known as 'the New Private Law.'
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 39
    ISBN: 9780190052218 , 9780190052201
    Language: English
    Pages: ix, 199 Seiten , Illustrationen
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als Malawey, Victoria, 1977- A blaze of light in every word
    DDC: 782.42/164143
    RVK:
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    Keywords: Popular music Analysis, appreciation ; Singing ; Popmusik ; Gesang ; Singen ; Unterhaltungsmusik
    Abstract: Introduction. Why Voice? Why Voice Analysis? -- Pitch -- Prosody -- Quality -- The Area in Between : Mediation with Technology -- Synthesis, or Why Covers of Elliott Smith Songs Don't Work.
    Abstract: "Singing Voice presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality. The domain of pitch, which refers to listeners' perceptions of frequency, considers range, tessitura, intonation, and registration. Prosody, the pacing and flow of delivery, comprises phrasing, metric placement, motility, embellishment, and consonantal articulation. Qualitative elements include timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness. Intersecting all three domains is the area of technological mediation, which considers how external technologies, such as layering, overdubbing, pitch modification, recording transmission, compression, reverb, spatial placement, delay, and other electronic effects, impact voice in recorded music. Though the book focuses primarily on the sonic and material aspects of vocal delivery, it situates these aspects among broader cultural, philosophical, and anthropological approaches to voice with the goal to better understand the relationship between sonic content and its signification. Drawing upon transcription and spectrographic analysis as the primary means of representation, as well as modes of analysis, this book features in-depth analyses of a wide array of popular song recordings spanning genres from indie rock to hip hop to death metal, develops analytical tools for understanding how individual dimensions make singing voices both complex and unique, and synthesizes how multiple aspects interact to better understand the multi-dimensionality of singing voices"--
    Note: Includes bibliographical references and index
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  • 40
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190846121
    Language: English
    Pages: 471 Seiten
    RVK:
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  • 41
    ISBN: 9780190882044
    Language: English
    Pages: xv, 633 Seiten, 16 ungezählte Seiten , Illustrationen , 25 cm
    Series Statement: Oxford cultural biographies
    DDC: 782.42164092
    RVK:
    Keywords: Cole, Nat King
    Abstract: One of the most popular and memorable American musicians of the 20th century, Nat King Cole (1919-65) is remembered today as both a pianist and a singer, a feat rarely accomplished in the world of popular music. Now, in this complete life and times biography, author Will Friedwald offers a new take on this fascinating musician, framing him first as a bandleader and then as a star. In Cole's early phase, Friedwald explains, his primary task of keeping his trio going was just as much of a focus for him as his own playing and singing, always a collective or group performance. In the second act, Cole's collaborators were more likely to be arranger-conductors like Nelson Riddle and Gordon Jenkins, rather than his sidemen on bass and guitar. In the first act, his sidemen were equals, in the second phase, his collaborators were tasked exclusively with putting the focus on him, making him sound good, while being largely invisible themselves. Friedwald brings his full musical knowledge to bear in putting the man in the work, demonstrating how this duality appears over and over again in Cole's life and career: jazz vs. pop, solo vs. trio, piano vs. voice, wife number one (Nadine) vs. wife number two (Maria), the good songs vs. the less-than-good songs, the rhythm numbers vs. the ballads, the funny songs and novelties vs. the serious" songs of love and loss, Cole as an advocate for the Great American Songbook vs. Cole the intrepid explorer of other options: world music, rhythm & blues, country & western. Cole was different from his contemporaries in other ways; for roughly ten years after the war, the majority of hitmakers on the pop charts were veterans of the big band experience, from Sinatra on down.
    Note: Literaturangaben
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  • 42
    ISBN: 9780190889050
    Language: English
    Pages: xxvii, 356 Seiten
    Parallel Title: Erscheint auch als Constitutionalism justified
    DDC: 342/.001
    RVK:
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    Keywords: Forst, Rainer Influence ; Constitutional law Philosophy ; Justification (Ethics) ; Critical theory ; Aufsatzsammlung ; Verfassungsrecht
    Note: Literaturangaben
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  • 43
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190948306
    Language: English
    Pages: 1 online resource (304 pages) , illustrations (black and white).
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 791.436
    RVK:
    Keywords: Jazz films History and criticism ; Jazz musicians in motion pictures ; Jazz ; Jazzmusiker ; Film
    Abstract: Jazz stories have been entwined with cinema since the inception of jazz film genre in the 1920s, giving us origin tales and biopics, spectacles and low-budget quickies, comedies, musicals, and dramas, and stories of improvisers and composers at work. And the jazz film has seen a resurgence in recent years-from biopics like Miles Ahead and HBO's Bessie, to dramas Whiplash and La La Land. In Play the Way You Feel, author and jazz critic Kevin Whitehead offers a comprehensive guide to these films and other media from the perspective of the music itself. Spanning 93 years of film history, the book looks closely at movies, cartoons, and a few TV shows that tell jazz stories, from early talkies to modern times, with an eye to narrative conventions and common story points.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 30, 2020)
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  • 44
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190461652
    Language: English
    Series Statement: Readers on American musicians series
    Parallel Title: Erscheint auch als The Mahalia Jackson reader
    DDC: 782.25/4092
    RVK:
    RVK:
    Keywords: Jackson, Mahalia ; African American gospel singers Biography ; Gospel singers Biography ; African Americans Music ; History and criticism ; Gospel music History and criticism
    Abstract: ""African American gospel singer Mahalia Jackson was just sixty years old when her heart finally gave out on January 27, 1972, as she lay alone in her sick bed at Little Company of Mary Hospital just south of Chicago. Obituaries faithfully recounted the best-known story lines of her unlikely career: how the power of her voice was rooted in her devout Baptist upbringing; her birth in 1911 and rise from dire poverty in Uptown New Orleans to international celebrity; a dedication to the black freedom struggle that further elevated her to the status of cultural and political symbol. Together, Jackson's voice, faith, prestige, and activism, made her at the time of her death, in the assessment of her friend Harry Belafonte, "the single most powerful black woman in the United States." Yet her reputation is also complex. Invoking the charisma of Martin and Malcolm, the persuasion of statesmen and despots, and the splendor of divas and diadems, Maceo Bowie's letter to the editor of the Chicago Defender seems to both celebrate and grapple with the substance of Jackson dynamism as a gospel singer and her consequence as an illustrious black public figure. In an editorial in the Defender following Jackson's death, E. Duke McNeil acknowledged Jackson's habitual acclaim as the "Queen of the gospel singers," while also observing: "You can almost say that Mahalia was the 'greatest' because she was the only gospel singer known everywhere." Indeed, for scholars of black gospel, the music itself is often hidden in plain sight. On the one hand, gospel voices are inescapable, audible not just within the music industry, where they have become a lingua franca for pop singers, but also in recurring representations of the black church, in the omnipresent sound of the black gospel choir, and in the personal histories of many black artists. On the other, in comparison with such genres as jazz, blues, country music, and hip hop, documentation of black gospel music, which has thrived in in-group settings, is relatively scant, leaving researchers with limited sources and largely reliant on oral history. Fortunately, the scope and coverage of Jackson's caereer produced a paper trail that enables us to study her personal and professional life while gaining insight into the black gospel field of which she was such an integral part. In compiling a wide swath of these sources on Jackson, The Mahalia Jackson Reader seeks to paint a fuller and more vivid picture of one of the most resonant musi ...
    Note: Includes bibliographical references and index
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  • 45
    ISBN: 9780190660802
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of social media and music learning
    DDC: 780.71
    RVK:
    Keywords: Music Instruction and study ; Technological innovations ; Music Instruction and study ; Social aspects ; Social media in education ; Music ; Instruction and study ; Technological innovations ; Music ; Instruction and study ; Social aspects ; Social media in education ; Musikerziehung ; Social Media
    Abstract: The rapid pace of technological change over the last decade, particularly the rise of social media, has deeply affected the ways in which we interact as individuals, in groups, and among institutions to the point that it is difficult to grasp what it would be like to lose access to this everyday aspect of modern life. This handbook investigates the ways in which social media is now firmly engrained in all aspects of music education, providing fascinating insights into the ways in which social media, musical participation, and musical learning are increasingly entwined.
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  • 46
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190658472
    Language: English
    Pages: 1 Online-Ressource (xvii, 825 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music and medievalism
    DDC: 781.59
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    Keywords: Medievalism ; Music History and criticism ; Music Medieval influences ; Medievalism ; Music ; History and criticism ; Music ; Medieval influences ; Aufsatzsammlung ; Musik ; Mittelalter ; Rezeption ; Geschichte 1800-2020
    Abstract: The Oxford Handbook of Music and Medievalism brings together international scholars from a wide range of disciplines to provide a snapshot of the diverse ways in which medievalism-the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages-powerfully transforms many of the varied musical traditions of the last two centuries.
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  • 47
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190224226
    Language: English
    Pages: 1 Online-Ressource (xvii, 614 Seiten) , Illustrationen
    Series Statement: Oxford handbooks
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of the operatic canon
    DDC: 782.1
    RVK:
    Keywords: Opera ; Opera ; Oper ; Kanon ; Geschichte 1740-2020
    Abstract: This collection examines the phenomenon of the operatic canon: its formation, history, current ontology and practical influence, and future. It does so by taking an international and interdisciplinary view: the workshops from which it was derived included the participation of critics, producers, artistic directors, stage directors, opera company CEOs, and even economists, from the United Kingdom, the United States, France, Italy, Ireland, Germany, the Netherlands, Denmark, and Canada. The volume is structured as a series of dialogues: each subtopic is addressed by two essays, introduced jointly by the authors, and followed by a jointly compiled list of further reading.
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  • 48
    ISBN: 9780190687410 , 9780190687403
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Note: Includes bibliographical references and index
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  • 49
    ISBN: 9780199913923 , 9780199913947
    Language: English
    Pages: xiii, 319 Seiten , Illustrationen, Karten
    Series Statement: Currents in Latin American and Iberian music
    Parallel Title: Erscheint auch als Quintero, Michael Birenbaum, author Rites, rights and rhythms
    DDC: 781.6409861
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    Keywords: Folk music History and criticism ; Blacks Music ; History and criticism ; Blacks Social conditions ; Schwarze ; Volksmusik ; Soziale Situation ; Kolumbien ; Einführung ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Note: Includes bibliographical references and index
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  • 50
    ISBN: 9780190660307
    Language: English
    Pages: xvii, 242 Seiten , Illustrationen
    DDC: 782.4215920973
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    Keywords: Geschichte 1900-2000 ; Protestsong ; USA
    Note: Literaturverzeichnis Seite 215-218
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  • 51
    Book
    Book
    New York : Oxford University Press
    ISBN: 0190656840 , 9780190656843 , 0190656859 , 9780190656850
    Language: English
    Pages: vii, 295 Seiten , Illustrationen
    Series Statement: American musicspheres
    DDC: 781.629697298307471
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    Keywords: Calypso ; Soca ; Steelband ; Karneval ; New York, NY
    Note: References Seite 261-266
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  • 52
    ISBN: 9780190885694
    Language: English
    Pages: x, 312 Seiten
    Series Statement: An Oxford handbook of applied ethnomusicology / edited by Svanibor Pettan and Jeff Todd Titon Volume 1
    Series Statement: Oxford handbooks
    Series Statement: An Oxford handbook of applied ethnomusicology
    DDC: 780.89
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    Keywords: Applied ethnomusicology ; Angewandte Musikwissenschaft
    Abstract: An introduction to applied ethnomusicology. Applied ethnomusicology : a descriptive and historical account / Jeff Todd Titon ; Applied ethnomusicology in the global arena / Svanibor Pettan ; An introduction to the chapters / Jeff Todd Titon and Svanibor Pettan -- Theoretical and methodological considerations. Transcending researcher vulnerability through applied ethnomusicology / Dan Bendrups ; Evaluating values in applied ethnomusicology / Klisala Harrison ; Cultural engagement and ownership through participatory approaches in applied ethnomusicology / Tan Sooi Beng ; Applied ethnomusicology and intangible cultural heritage : understanding ecosystems of music as a tool for sustainability / Huib Schippers ; Sustainability, resilience, and adaptive management for applied ethnomusicology / Jeff Todd Titon -- Conflict. The role of applied ethnomusicology in post-conflict and post-catastrophe communities / Erica Haskell ; The study of survivors' music / Joshua D. Pilzer ; Music and conflict resolution : the public display of migrants in nationalist conflicts in Europe : an analytical reflection on university-based ethnomusicological activism / Britta Sweers
    Note: Includes bibliographical references and index
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  • 53
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190653774 , 9780190870522
    Language: English
    Pages: xiii, 292 Seiten , Diagramme, Notenbeispiele
    DDC: 781.66117
    RVK:
    Keywords: Einführung ; Einführung ; Einführung ; Einführung
    Note: Literaturverzeichnis: Seite 267-275
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  • 54
    ISBN: 9780190296612 , 9780190296605
    Language: English
    Pages: xviii, 229 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.49
    RVK:
    Keywords: Geschichte ; Sound recordings Production and direction ; Popular music Production and direction ; Musikproduktion ; Tonstudio ; Musiker ; Unterhaltungsmusik ; Unterhaltungsmusik ; Musiker ; Tonstudio ; Musikproduktion ; Geschichte
    Note: Includes bibliographical references and index
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  • 55
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199984442
    Language: English
    Pages: Online-Ressource
    Series Statement: The Oxford handbooks in Criminology and criminal justice
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als
    DDC: 365
    RVK:
    Keywords: Prisons ; Imprisonment ; Prisons ; Imprisonment
    Abstract: The Oxford Handbook on Prisons and Imprisonment provides a rich source of information on institutional corrections around the world, covering the most critical issues facing both inmates and prison staff. The contributors offer theoretically informed and critical discussions of these issues that facilitate more objective and realistic assessments of related problems and their possible solutions. Included are updated discussions of the always popular topics such as conditions of confinement and prisoner subcultures and topics that have taken or are destined to take greater priority in the field such as inmate victimization, special offender populations, prison programs, prisoner re-entry, and privatization.
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  • 56
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780199733163
    Language: English
    Pages: XII, 709 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford handbooks
    DDC: 303.376
    RVK:
    Keywords: Musik ; Zensur ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Includes bibliographical references and index.
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  • 57
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190662943 , 9780190662936
    Language: English
    Pages: xvii, 291 Seiten , 24 cm
    Parallel Title: Erscheint auch als Ackerly, Brooke A. Just responsibility
    DDC: 320.01/1
    RVK:
    Keywords: Human rights ; Social justice ; Responsibility Political aspects ; Feminist theory ; Human rights ; Social justice ; Responsibility Political aspects ; Feminist theory ; Menschenrecht ; Schutz ; Weltordnung ; Soziale Gerechtigkeit ; Universalitätsprinzip ; Verantwortung ; Theorie ; Feminismus ; Normativität ; Menschenrecht ; Gerechtigkeit ; Feminismus ; Politische Verantwortung
    Abstract: Where a theory of global justice begins : grounding global justice and responsibility in everyday injustice and political action -- Injustice itself : complicated causality, power inequalities, normalization, and the social epistemologies of injustice -- The theoretical (ir)relevance of the unknowns of injustice itself -- Feminist grounded normative theory and methodology -- Feminist grounded normative methods for just responsibility -- The human rights approach to political responsibility -- The rights kind of politics -- Conclusion : just responsibility and political transformation
    Note: Includes bibliographical references and index , Where a theory of global justice begins : grounding global justice and responsibility in everyday injustice and political action , Injustice itself : complicated causality, power inequalities, normalization, and the social epistemologies of injustice , The theoretical (ir)relevance of the unknowns of injustice itself , Feminist grounded normative theory and methodology , Feminist grounded normative methods for just responsibility , The human rights approach to political responsibility , The rights kind of politics , Conclusion : just responsibility and political transformation
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  • 58
    ISBN: 9780199392469
    Language: English
    Pages: xii, 258 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    DDC: 306.4842094641
    RVK:
    Keywords: Geschichte 1850-1930 ; Musik ; Gesellschaft ; Sozialordnung ; Madrid
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  • 59
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190637231
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of timbre
    DDC: 781.2/34
    RVK:
    Keywords: Sound ; Tone color (Music) ; Tone color (Music) ; Klangfarbe ; Klang
    Abstract: Pathways & Trajectories : A Guide to the Organization and Use of This Book -- Ethereal Timbres / Emily Dolan and Thomas Patteson -- Deconstruction and Timbre / Naomi Waltham-Smith -- Timbrality : The Vibrant Aesthetics of Tone Color / Isabella van Elferen -- Qur'an Alphabetics and the Timbre of Recitation / Peter McMurray -- The Matter of Timbre : Listening, Genealogy, Sound / Daniel Villegas Vélez -- Translations / Gage Averill -- 'Where Were You When You Found Out Singer Bobby Caldwell Was White?' : Racialized Timbre as Narrative Arc / Nina Sun Eidsheim and Schuyler Whelden -- Music for Cochlear Implants / Stefan Helmreich -- Schoenberg as Sound Student : Pierrot's Klang / Joseph Auner -- Pitch vs. Timbre / Daniel Walden -- Tracing Timbre in Ancient Greece / Naomi Weiss -- Early Modern Voices / Bettina Varwig -- Timbre Before Timbre : Listening to the Effects of Organ Stops, Violin Mutes and Piano Pedals c. 1650-1800 / Deirdre Loughridge -- Futurist Timbres : Listening Failure in Milan / Gavin Williams -- Timbre-Centered Listening in the Soundscape of Tuva / Theodore Levin and Valentina Süzükei -- Timbral Thievery : Synthesizers and Sonic Materiality / Jonathan De Souza -- Timbre/Techne / Alexander Rehding -- Complex Impression and Klangfarbe : Timbre as a Catalyst of Carl Stumpf's Psychological Research / Sebastian Klotz -- Don't Choose the Nightingale : Timbre, Index, and Birdsong in Respighi's "Pini di Roma" / Arman Schwartz -- The Naturalization of Timbre : Two Case Studies / Alexandra Hui -- Perceptual Processes in Orchestration / Meghan Goodchild and Stephen McAdams -- Timbre as Harmony-Harmony as Timbre / Robert Hasegawa -- Timbre and Polyphony in Balinese Gamelan / Michael Tenzer -- Describing Sound : the Cognitive Linguistics of Timbre / Zachary Wallmark and Roger A. Kendall -- Technology and Timbre : Features of the Changing Instrumental Soundscape of the Long Nineteenth Century (1789-1914) / Elizabeth Bradley Strauchen-Scherer.
    Abstract: "With essays covering an array of topics including ancient Homeric texts, contemporary sound installations, violin mutes, birdsong, and cochlear implants, this volume reveals the richness of what it means to think and talk about timbre and the materiality of the experience of sound"--
    Note: Includes bibliographical references and index
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  • 60
    ISBN: 9780190466992
    Language: English
    Pages: 1 online resource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music listening in the 19th and 20th centuries
    DDC: 781.1/709
    RVK:
    Keywords: Listening ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Concerts History 19th century ; Concerts History 20th century ; Music ; Social aspects ; History ; 19th century ; Music ; Social aspects ; History ; 20th century ; Concerts ; History ; 19th century ; Concerts ; History ; 20th century ; Listening ; Aufsatzsammlung ; Konferenzschrift 2012 ; Musikhören ; Konzert ; Konzert ; Geschichte 1800-2000 ; Musiksoziologie
    Abstract: This handbook takes on the task of examining the history of music listening over the past two hundred years. It uses the "art of listening" as a leitmotif encompassing an entanglement of interdependent practices and discourses about a learnable mode of perception. The art of listening first emerged around 1800 and was adopted and adapted across the public realm to suit a wide range of collective listening situations from popular to serious art forms up to the present day. Because this is a relatively new subject in historical research, the volume combines case studies from several disciplines in order to investigate whether, how, and why practices of music listening changed. Focusing on a diverse set of locations and actors and using a range of historical sources, it attempts to historicize and reconstruct the evolution of listening styles to show the wealth of variants in listening.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 2, 2018)
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  • 61
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190299590
    Language: English
    Pages: viii, 187 Seiten , Illustrationen, Diagramme
    DDC: 306.4/84240973
    RVK:
    Keywords: Geschichte ; Musik ; Identität ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis: Seite [173]-182
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  • 62
    ISBN: 9780195307245
    Language: English
    Pages: xxxv, 240 Seiten , Karten
    DDC: 780.8996
    RVK:
    RVK:
    Keywords: Geschichte ; Afroamerikanische Musik ; Schwarze ; Soziokultureller Wandel ; Diaspora ; Musiker ; Migration ; Soziale Funktion
    Note: Bibliography Seite 221-233
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  • 63
    ISBN: 9780190299477 , 0190299479 , 9780190299484 , 0190299487
    Language: English
    Pages: xxxiv, 894 Seiten , Illustrationen, Diagramme, Karten
    Edition: Second edition
    Series Statement: American constitutionalism / Howard Gillman; Mark A. Graber; Keith E. Whittington Volume 2
    Series Statement: Gillman, Howard American constitutionalism.
    DDC: 342.7302/9
    RVK:
    Keywords: Constitutional history ; USA ; Konstitutionalismus ; Grundrecht ; Grundfreiheiten ; Geschichte
    Abstract: V. 1. Introduction to American constitutionalism -- The colonial era : before 1776 -- The funding era : 1776-1788 -- The early national era : 1789-1828 -- The Jacksonian era : 1829-1860 -- Secession, Civil War, and Reconstruction : 1861-1876 -- The Republican era : 1877-1932 -- The New Deal and Great Society era : 1933-1968 -- Liberalism divided : 1969-1980 -- The Reagan era : 1981-1993 -- The contemporary era : 1994-present
    Note: Includes bibliographical references and indexes
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  • 64
    ISBN: 9780190299477
    Language: English
    Pages: xxx, 754 Seiten , Illustrationen, Karten
    Edition: Second edition
    Series Statement: American constitutionalism / Howard Gillman; Mark A. Graber; Keith E. Whittington Volume 1
    Series Statement: Gillman, Howard American constitutionalism.
    DDC: 342.7302/9
    RVK:
    Keywords: Constitutional history ; USA ; Staatsorganisation ; Staatsorganisationsrecht ; Geschichte
    Abstract: v. 1. Introduction to American constitutionalism -- The colonial era : before 1776 -- The funding era : 1776-1788 -- The early national era : 1789-1828 -- The Jacksonian era : 1829-1860 -- Secession, Civil War, and Reconstruction : 1861-1876 -- The Republican era : 1877-1932 -- The New Deal and Great Society era : 1933-1968 -- Liberalism divided : 1969-1980 -- The Reagan era : 1981-1993 -- The contemporary era : 1994-present
    Note: Includes bibliographical references and indexes
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  • 65
    ISBN: 9780190262204
    Language: English
    Pages: 281 Seiten , Illustrationen , 25 cm
    Additional Information: Rezensiert in Davis, Tyler This Worldwide Struggle: Religion and the International Roots of the Civil Rights Movement, Sarah Azaransky, Oxford University Press, 2017 (ISBN 978-0-19-026220-4), x + 296 pp., hb £22.99 2018
    Parallel Title: Erscheint auch als Azaransky, Sarah, author This worldwide struggle
    DDC: 323.1196/0730904
    RVK:
    Keywords: Civil rights movements History 20th century ; African Americans Civil rights 20th century ; History ; African American civil rights workers History 20th century ; Civil rights workers History 20th century ; Race relations Religious aspects ; Civil rights Religious aspects ; African American civil rights workers ; African American civil rights workers ; African Americans ; African Americans ; Civil rights ; Civil rights ; Civil rights movements ; Civil rights movements ; Civil rights workers ; Civil rights workers ; Race relations ; Race relations ; Race relations ; United States ; United States ; History ; 1900-1999 ; United States Race relations ; USA ; Schwarze ; Intellektueller ; Bürgerrechtsbewegung ; Christentum ; Internationalismus ; Geschichte 1930-1959
    Abstract: Part of this worldwide struggle -- Spiritual recognition of empire (1930s) -- Passing through a similar transition (1930s) -- We can add to the world justice (1940s) -- An admixture of tragedy and triumph (1940s) -- Opposing injustice, first of all in ourselves (1940s & 1950s) -- Moral leadership of the world (1950s)
    Note: Includes bibliographical references (pages 217-260) and index
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  • 66
    ISBN: 9780190216276
    Language: English
    Pages: 1 Online-Ressource (XVI, 755 Seiten)
    Series Statement: The Oxford handbooks in criminology and criminal justice
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of offender decision making
    DDC: 364.3
    RVK:
    RVK:
    Keywords: Criminal psychology ; Decision making ; Choice (Psychology) ; Criminology ; Criminal psychology ; Decision making ; Choice (Psychology) ; Criminology ; Aufsatzsammlung ; Kriminologie ; Kriminalpsychologie ; Entscheidungsfindung
    Abstract: How offenders make decisions that lead to criminal conduct is a core element of virtually every discussion about crime and law enforcement. What type of information can deter a potential offender? For whom is the prospect of a sanction effective? How can emotions facilitate or impede crime? How does the availability of guns affect behavior in violent conflicts? Do offenders learn to commit crime from the experiences of others? Is crime perpetrated by juveniles always the result of impulsive decisions? How do offenders choose crime targets and locations? The Oxford Handbook of Offender Decision Making covers and integrates contemporary theoretical, methodological, and empirical knowledge about the role of human decision making as it relates to criminal behavior.
    URL: Volltext  (lizenzpflichtig)
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  • 67
    ISBN: 9780190212605 , 9780190212599
    Language: English
    Pages: xv, 210 Seiten , Illustrationen
    DDC: 306.484240948
    RVK:
    RVK:
    RVK:
    Keywords: Popmusik ; Rap ; Reggae ; Folk music ; Radikalismus ; Nationalismus ; Schweden
    Note: Literaturverzeichnis: Seite 189-206
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  • 68
    ISBN: 9780190215866
    Language: English
    Pages: 177 Seiten , 25 cm
    DDC: 781.1/7
    RVK:
    RVK:
    Keywords: Musical criticism History 20th century ; Music critics
    Abstract: How to be a music critic in 1940s Spain : expectations and restrictions -- Reviewing contemporary music -- The sound of Hispanidad : reviewing early music -- Reviewing traditional music : towards the unity of the men and the land of Spain
    Description / Table of Contents: How to be a music critic in 1940s Spain : expectations and restrictions Reviewing contemporary music -- The sound of Hispanidad : reviewing early music -- Reviewing traditional music : towards the unity of the men and the land of Spain.
    Note: Includes bibliographical references
    URL: Cover
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  • 69
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190664848
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford Handbooks Online
    Parallel Title: Erscheint auch als The Oxford handbook of the Canadian constitution
    DDC: 342.71
    RVK:
    Keywords: Constitutional law Canada ; Constitutional history Canada ; Constitutional law ; Constitutional history ; Constitutional law ; Canada ; Constitutional history ; Canada ; Aufsatzsammlung ; Kanada ; Verfassungsrecht
    Abstract: This title provides an ideal first stop for Canadians and non-Canadians seeking a clear, concise, and authoritative account of Canadian constitutional law.
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  • 70
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190244736
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: Oxford handbooks online
    DDC: 306.4842
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Music has been a vital part of leisure activity across time and cultures. Contemporary commodification, commercialization, and consumerism, however, have created a chasm between conceptualizations of music making and numerous realities in our world. From a broad range of perspectives and approaches, this handbook explores avocational involvement with music (i.e., amateur, recreation) as an integral part of the human condition. The chapters in The Oxford Handbook of Music Making and Leisure present a myriad of ways for reconsidering-refocusing attention on-the rich, exciting, and emotionally charged ways in which people of all ages make time for making music through music learning and participation.
    Note: Includes bibliographical references and index
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  • 71
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190204938
    Language: English
    Pages: 1 Online-Ressource (xviii, 754 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als The Oxford handbook of the British musical
    DDC: 782.1/40941
    RVK:
    RVK:
    RVK:
    Keywords: Musicals History and criticism ; Musicals ; Great Britain ; History and criticism ; Großbritannien ; Musical ; Geschichte
    Abstract: As the first comprehensive academic survey of British musical theatre from its origins to its current state, this volume is a detailed guide to understanding a vibrant form of entertainment 'made in Britain'. It provides both a historical account of musical theatre from 1728 to the present day and a range of in-depth critical analyses of key works and productions that illustrate the aesthetic values and sociocultural meanings of the genre. The twenty-eight essays offer new perspectives on the British musical, conceiving it as a cultural form complementary to the American musical rather than its poor relation, and questioning the cultural bias that views shows initiated in the West End of London as second-rate imitations of classic Broadway models.
    Description / Table of Contents: Ballad opera : commercial song in enlightenment garb / Berta Joncus -- Between opera and musical : theatre music in early nineteenth-century London / Christine Furhmann -- Comic opera : English society in Gilbert and Sullivan / Carolyn Wiliams -- English musical comedy, 1890-1924 / Stephen Banfield -- English West End revue : the First World War and after / David Linton -- Musical comedy in the 1920s and 1930s : Mister Cinders and Me and my girl as class-conscious carnival / George Burrows -- West End royalty : Ivor Novello and English operetta, 1917-1951 / Stewart Nicholls -- The American invasion : the impact of Oklahoma! and Annie get your gun / Dominic Symonds -- 'Ordinary people' and British musicals of the post-war decade / John Snelson -- After Anger : the British musical of the late 1950s / Elizabeth A. Wells -- 'I'm common and I like 'em' : represenations of class in the period musical after Oliver! / Ben Francis -- Towards a British concept musical : the shows of Anthony Newley and Leslie Bricusse / David Cottis -- The pop-music industry and the British musical / Ian Sapiro -- 'Everybody's free to fail' : subsidized British revivals of the American canon / Sarah Browne -- Les misâerables : from epic novel to epic musical / Kathryn M. Grossman and Bradley Stephens -- 'Humming the sets' : scenography and the spectacular musical from Cats to The Lord of the Rings / Christine White -- Billy Elliot and its lineage : the politics of class and sexual identity in British musicals since 1953 / Robert Gordon -- Noèel Coward : sui generis / Dominic McHugh -- Joan Littlewood : collaboration and vision / Ben Macpherson -- Lionel Bart : British vernacular musical theatre / Millie Taylor -- Time Rice : the pop star scenario / Olaf Jubin -- Cameron Mackintosh : control, collaboration, and the creative producer / Miranda Lundskaer-Nielsen -- Andrew Lloyd Webber : haunted by the Phantom / David Chandler -- The beggar's legacy : playing with music and drama, 1920-2003 / Robert Lawson-Peebles -- Mamma mia! and the aesthetics of the twenty-first century jukebox musical / George Rodosthenous -- Attracting the family market : shows with cross-generational appeal / Rebecca Warner -- Genre counterpoints : challenges to the mainstream musical / David Roesner -- Some yesterdays always remain : Black British and Anglo-Asian musical theatre / Ben Macpherson
    Note: Literaturverzeichnis: Seite 697-705
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  • 72
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190248192
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: Oxford handbooks online
    DDC: 781.64209
    RVK:
    Keywords: Countrymusic ; Musikbranche
    Abstract: Country music studies is a thriving interdisciplinary field. 'The Oxford Handbook of Country Music' draws upon the expertise of leading and emerging scholars to present an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century and to suggest potential avenues for further research.
    Note: Includes bibliographical references and index
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  • 73
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190603922
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: Oxford handbooks online
    DDC: 781.640948
    RVK:
    Abstract: The Nordic countries, a group of countries spanning a large area of northern Europe and the North Atlantic, present unique natural and cultural environments in which popular music has come to play a significant role. Research on the region's music has largely followed national narratives and ignored more complex geographies and transcultural issues. This first handbook of music in the Nordic countries explores the significance of popular music in the history of the region, with implications for broader debates about the region's uniqueness and its future. The chapters highlight music's place in media and tourism industries, in sustaining exotic images of the North, but also in more serious issues such as racism and environmentalism.
    Note: Includes bibliographical references and index
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  • 74
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197619544
    Language: English
    Pages: xii, 575 Seiten , Illustrationen, Diagramme , 25 cm
    Edition: First printed as an Oxford University Press paperback
    DDC: 781.64209
    RVK:
    Keywords: Country music History and criticism ; Countrymusic ; Countrymusic
    Note: Originally published: 2017
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  • 75
    ISBN: 9780190490140
    Language: English
    Pages: xxiii, 265 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Collins, Ronald K.L. The Judge
    DDC: 174/.3
    RVK:
    RVK:
    Keywords: Machiavelli, Niccolò ; Judicial ethics ; Judicial process Social aspects ; Truthfulness and falsehood Philosophy ; Hypocrisy ; Justice, Administration of ; Judges ; Richter ; Rechtsethik ; Politische Theorie
    Abstract: The confirmation process and the virtues of duplicity -- How to be aggressive and passive ... and great -- Recusal and the vices of impartiality -- The use and misuse of the politics of personality -- Fortuna : the role of chance in choosing cases -- When and why to avoid a case -- Carpe diem : when to embrace a case -- Tactical tools : using procedure to one's advantage -- Oral arguments : what to say and how -- When to lose a case and win a cause -- In defense of unprincipled decision making -- How to manipulate the rule of law -- When precedents are to be honored (if only formally) -- When to take command and make demands -- The boldest moves : when and how to make them -- On writing : when style should trump substance -- When it is wise to write a separate opinion -- Law clerks : when and how to use them -- How to play to the media -- Cameras in the courtroom : seizing the future -- On television : the medium is not the message -- On publishing books : when and of what kind -- The threat of impeachment and how best to avoid it -- When it is best to retire -- Directing history : a justice's working papers and what to do with them -- How to best secure an enduring legacy
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  • 76
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190618810 , 9780199765034
    Language: English
    Pages: x, 701 Seiten , Illustrationen
    Edition: First paperback edition
    DDC: 780.9
    RVK:
    Keywords: Musik ; Revival ; Aufsatzsammlung
    Note: Originally published: 2014 , Literaturangaben
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  • 77
    ISBN: 9780190497088 , 9780199844081
    Language: English
    Pages: 293 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: American musicspheres
    DDC: 782.3/6
    RVK:
    RVK:
    RVK:
    Keywords: Jews Music ; History and criticism ; Judaism Liturgy ; Judentum ; Liturgie ; Moderne
    Note: Includes bibliographical references (pages 275-283) and index
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  • 78
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190628444 , 9780195343069
    Language: English
    Pages: xv, 317 Seiten , Illustrationen
    Edition: First published as an Oxford University Press paperback
    Series Statement: American musicspheres
    DDC: 781.62/410763
    RVK:
    RVK:
    Keywords: Geschichte 1900-2008 ; Cajun musicœxHistory and criticism ; Popular musicœxSocial aspectsœzUnited States ; CajunsœxHistory ; Cajun-Music ; Louisiana ; Louisiana ; Cajun-Music ; Geschichte 1900-2008
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 79
    ISBN: 9780190467814 , 9780190467821
    Language: English
    Pages: xiv, 263 Seiten , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 781.64094965
    RVK:
    Keywords: Geschichte 1945-2010 ; Politik ; Popular music Political aspects ; Music and state ; Popular music History and criticism ; Entwicklung ; Soziologie ; Musikpolitik ; Gesellschaft ; Staat ; Popmusik ; Albanien ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Albanien ; Popmusik ; Staat ; Musikpolitik ; Gesellschaft ; Soziologie ; Entwicklung ; Geschichte 1945-2010
    Note: Includes bibliographical references and index ; revised dissertation
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  • 80
    Book
    Book
    New York : Oxford University Press
    ISBN: 978-0-19-060807-1
    Language: English
    Pages: IX, 260 Seiten , Illustrationen
    DDC: 306.2
    RVK:
    Keywords: Menschenrecht Menschenbild ; Biologie ; Philosophie ; Anthropologie, philosophische ; Anthropologie, soziale ; Anthropologie, politische ; Anthropologie, angewandte ; Anthropologie, physische
    Abstract: "The debate over what makes human beings unique has raged for hundreds of years, and many believe it is urgent to convince others to accept their particular definition of what it is to be human. Despite these dire warnings, nobody has empirically examined whether particular definitions of a human actually lead to maltreatment. In this book sociologist John H. Evans does and concludes that the definitions of a human promoted by biologists and philosophers actually are associated with less support for human rights. Members of the public who agree with these definitions say they are less willing to sacrifice to stop genocides, and are more supportive of buying organs from poor people, experimenting on prisoners against their will, torturing people to potentially save lives, and having terminally ill people commit suicide to save money. It might appear that the assumptions of critics are empirically correct. However, Evans finds that these critics are actually only partially right, and a detailed examination of the public's views reveals a much more subtle and complex situation. First, he shows that only a minority of the general public agrees with the definitions associated with less support for human rights. Then, he shows that the public has its own definitions of a human being that are unlikely to lead to human rights abuses. So while the critics are right about the definitions of a human promoted by academic biologists and philosophers, at present their concern about widespread maltreatment is overblown"--
    Note: Literaturverzeichnis: Seite [243]-249
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  • 81
    ISBN: 9780199985203
    Language: English
    Pages: xii, 258 Seiten , 25 cm
    Parallel Title: Erscheint auch als Dan-Cohen, Meir Normative subjects
    DDC: 126
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    Keywords: Self (Philosophy) ; Normativity (Ethics) ; Law and ethics ; Rechtsphilosophie ; Politische Philosophie ; Moral ; Individuum ; Gemeinschaft ; Norm ; Normative Ethik ; Selbst ; Moral ; Gesetz
    Abstract: Construction and revision -- Constructing subjects -- Socializing Harry -- Revising our pasts -- Regret, luck, and identity -- Value and humanity -- Individuals, citizens, persons -- Dignity and self-creation -- A morality of crime and punishment -- Collective subjects -- Collective personhoods -- Sanctioning corporations -- Freedoms of collective speech
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  • 82
    ISBN: 9780190618810 , 9780199765034
    Language: English
    Pages: X, 701 Seiten , Illustrationen
    Edition: First issued as an Oxford University Press paperback
    Parallel Title: Erscheint auch als The Oxford handbook of music revival
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    Keywords: Aufsatzsammlung ; Musik ; Tradition ; Erneuerung ; Kulturvergleich ; Geschichte
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  • 83
    ISBN: 9780199368211 , 9780199368228
    Language: English
    Pages: x, 220 Seiten , Illustrationen, Notenbeispiele , 24 cm
    DDC: 781.7/968981
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    Keywords: Batuque music History and criticism ; Quimbanda music History and criticism ; Umbanda music History and criticism ; Batuque (Cult) ; Quimbanda (Cult) ; Umbanda (Cult) ; Porto Alegre (Rio Grande do Sul, Brazil) Religious life and customs ; Brasilien ; Pôrto Alegre ; Batuque ; Umbanda ; Spiritualität
    Note: Includes bibliographical references (pages 199-210) and index
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 84
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780199915231
    Language: English
    Pages: xi, 533 Seiten
    Parallel Title: Erscheint auch als Cao, Lan, 1961 - Culture in law and development
    DDC: 340/.115
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    Keywords: Culture and law ; Law and economic development ; Culture and law ; Law and economic development ; Kultur ; Kulturwandel ; Recht ; Geschichte
    Abstract: A brief history of law and development and the emerging new framework -- Culture and international law -- Law and development, culture and development -- International law norms -- To change a culture -- A normative defense of culture change
    Note: Includes bibliographical references and index
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  • 85
    ISBN: 9780190222574
    Language: English
    Pages: xii, 220 Seiten , Illustrationen , 24 cm
    Edition: First Edition
    DDC: 325/.1
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    Keywords: Emigration and immigration Social aspects ; Emigration and immigration law ; Refugees Legal status, laws, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Einwanderung ; Globalisierung ; Soziologie
    Abstract: Introduction : detaining the immigrant other : global and transnational issues / Rich Furman, Douglas Epps, Greg Lamphear -- Pressured into deportation? : detainees' (un)willingness to 'return' and the moderating influence of international relations / Arjen Leerkes & Mieke Kox -- LBGTI migrants in a global world / Shana Tabak -- Immigration detention in Malaysia : the state monopoly of (in)security / Sasagu Kudo -- The Northwest Detention Center : a nexus of the immigration debate / Dafney Blanca Dabach, Rich Furman, Alissa R. Ackerman, David Androff, Douglas Epps, Susanna Jones & Melody Loya -- Migration detention in Mexico : human rights denied / Sonja Wolf -- Immigration detention in Greece and the UK / Mary Bosworth & Andriani Fili -- Detaining asylum seekers and refugees in Indonesia / Antje Missbach -- Detaining the immigrant other in Hong Kong / Gordon Mathews & Chee Wai-chi -- Transnational migration and control : immigration detention on the edge of Europe / Ċetta, Mainwaring -- Trapped to the local : the effects of immigration detention in Drance / Stefan Le Courant & Carolina Kobelinsky -- Harm and accountability in transnational detention environments : the case of Australia's extraterritorial processing of asylum seekers / Tania Penovic & Azadeh Dastyari -- From "guesthouses" to removal centers : Europeanization of immigrant detention in Turkey / Nurcan Ozgur Baklacioglu -- Deportation as a way of life for young Afghan men / Shahram Khosravi -- Immigration detention in South Africa : the view from inside Lindela / Rebecca Sutton -- They cut your wings over here . . . you can't do nothing : voices of children and parents held in immigration detention in Canada / Rachel Kronick, Cøcile Rousseau & Janet Cleveland
    Description / Table of Contents: Introduction : detaining the immigrant other : global and transnational issues / Rich Furman, Douglas Epps, Greg LamphearPressured into deportation? : detainees' (un)willingness to 'return' and the moderating influence of international relations / Arjen Leerkes & Mieke Kox -- LBGTI migrants in a global world / Shana Tabak -- Immigration detention in Malaysia : the state monopoly of (in)security / Sasagu Kudo -- The Northwest Detention Center : a nexus of the immigration debate / Dafney Blanca Dabach, Rich Furman, Alissa R. Ackerman, David Androff, Douglas Epps, Susanna Jones & Melody Loya -- Migration detention in Mexico : human rights denied / Sonja Wolf -- Immigration detention in Greece and the UK / Mary Bosworth & Andriani Fili -- Detaining asylum seekers and refugees in Indonesia / Antje Missbach -- Detaining the immigrant other in Hong Kong / Gordon Mathews & Chee Wai-chi -- Transnational migration and control : immigration detention on the edge of Europe / Ċetta, Mainwaring -- Trapped to the local : the effects of immigration detention in Drance / Stefan Le Courant & Carolina Kobelinsky -- Harm and accountability in transnational detention environments : the case of Australia's extraterritorial processing of asylum seekers / Tania Penovic & Azadeh Dastyari -- From "guesthouses" to removal centers : Europeanization of immigrant detention in Turkey / Nurcan Ozgur Baklacioglu -- Deportation as a way of life for young Afghan men / Shahram Khosravi -- Immigration detention in South Africa : the view from inside Lindela / Rebecca Sutton -- They cut your wings over here . . . you can't do nothing : voices of children and parents held in immigration detention in Canada / Rachel Kronick, Cøcile Rousseau & Janet Cleveland.
    Note: Includes bibliographical references and index
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  • 86
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780199341801 , 9780199341818
    Language: English
    Pages: xx, 313 Seiten
    DDC: 306.4842490973
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    Keywords: Obama, Barack ; Politik ; Hip-Hop ; Politisierung ; Sozialer Wandel ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben
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  • 87
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199361533
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 780.956709051
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    Keywords: Golfkrieg ; Musik ; Geräusch ; Musikpsychologie ; Iraq War, 2003-2011 Music and the war ; Music Psychological aspects ; Iraq War, 2003-2011 Psychological aspects ; Music in the army ; Sound Psychological aspects
    Abstract: This is a groundbreaking study of the centrality of listening to the experience of modern warfare. Based on years of ethnographic interviews with US military service members and Iraqi civilians, as well as on direct observations of wartime Iraq, the book reveals how these populations learned to extract valuable information from the ambient soundscape while struggling with the deleterious effects that it produced in their ears, throughout their bodies, and in their psyches.
    Note: Includes bibliographical references and index
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  • 88
    Online Resource
    Online Resource
    New York : Oxford University Press | [Oxford] : [Oxford University Press]
    ISBN: 9780191781391
    Language: English
    Pages: 1 Online-Ressource
    DDC: 305.90695
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    Keywords: Zivilbevölkerung ; Kriegsopfer ; Tötung ; Krieg
    Abstract: Killing civilians is worse than killing soldiers. Few moral principles have been more widely and viscerally affirmed. But in recent years it has faced a rising tide of dissent. Seth Lazar turns this tide and vindicates international law. He develops new insights into the morality of harm, relevant to everyone interested in the debate.
    Note: Includes bibliographical references and index
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  • 89
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199377091
    Language: English
    Pages: 1 Online-Ressource (XI, 226 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1950-1980 ; Popular music / France / 1951-1960 / History and criticism ; Popular music / France / 1961-1970 / History and criticism ; Popular music / France / 1971-1980 / History and criticism ; Music and globalization ; Music and globalization ; Popular music ; Kulturleben ; Unterhaltungsmusik ; Globalisierung ; France ; Frankreich ; Frankreich ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben ; Geschichte 1950-1980
    Abstract: 'Sounds French' reveals how French society mediated the challenges of globalization through the consumption and production of popular music, itself increasingly an expression of globalized culture. As recorded music became more commonplace and crossed national boundaries in the second half of the twentieth century, French musicians and their audiences articulated new types of communal identities around popular music genres that reflected the impact of social, political, economic, and cultural transformations after the 1950s.
    Note: Includes bibliographical references and index , Sounds young : copains and the community of youth -- Sounds traditional : the chanson as a site of globalization -- Sounds revolutionary : progressive rock and cultural revolutions -- Sounds regional : the world in Breton folk music -- Sounds distorted : punque and the limits of globalization
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 90
    ISBN: 9780199354016
    Language: English
    Pages: 271 Seiten , Illustrationen
    DDC: 791.08996073
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    Keywords: Geschichte 1920-1945 ; Schwarze ; Darstellende Kunst ; Afroamerikanische Musik ; Harlem renaissance ; Rezeption ; Kultur ; Moderne ; USA
    Note: Bibliography Seite 259-268
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  • 91
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190245238 , 0190245239
    Language: English
    Pages: xii, 292 Seiten , 24 cm
    Edition: First issued as an Oxford University paperback
    DDC: 342.73
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    Keywords: Constitutional law ; USA ; Verfassungsrecht
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  • 92
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199379866
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Robinson, Danielle Modern moves
    DDC: 793.33097471
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    Keywords: Ballroom dancing History 20th century ; Dance History 20th century ; Dance Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race History 20th century ; Immigrants History 20th century ; Racism History 20th century ; New York (N.Y.) Race relations 20th century ; History ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung
    Abstract: 'Modern Moves' examines the movement of American social dances between black and white cultural groups and immigrant and migrant communities during the early twentieth century. It is structured by five overlapping case studies drawn from the disparate and yet related dance scenes of Manhattan, a black Atlantic capital into which diverse people and dances flowed and intermingled, and out of which new dances were marketed globally.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 24, 2015)
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  • 93
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190230944
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    Edition: [First edition].
    DDC: 201.678165
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    Keywords: Geschichte ; Jazz ; Religion ; Jazz Religious aspects ; Jazz History and criticism ; Music Social aspects ; USA
    Abstract: This is the first comprehensive comparative study of religions in the history of American jazz, and of jazz's contributions to American religions. Going beyond extant biographical studies of individual exemplars, or cursory attention to either 'spirituality' or jazz in the civil rights movement, the book argues for the centrality of religious experiences to any legitimate understanding of jazz, while also suggesting that attention to jazz opens up new interpretations of American religious history.
    Note: Includes bibliographical references and index
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  • 94
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190246068
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 793.33
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    Keywords: Salsa (Dance) ; Salsa (Dance) ; Salsa (Dance) ; Mambo (Dance) ; Dance ; Karibik ; Kuba ; New York, NY ; Los Angeles, Calif. ; Florida Süd ; Salsa ; Mambo ; USA ; Kommerzialisierung ; Sozialer Wandel
    Abstract: This study chronicles histories of salsa dance in the United States, starting from its incarnation as mambo in the late 1940s, through the creation of salsa as a musical genre in the 1970s, into the formation of a global salsa dance industry in the 1990s and 2000s. Equally informative for those interested in the dance's changing aesthetics and its relationship to evolving music styles and those concerned with how sociopolitical issues related to race, class, ethnicity, nationality, and gender played into this history, the text considers dance as both an object and an agent of change.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on May 26, 2015)
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  • 95
    ISBN: 9780199377091
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Briggs, Jonathyne, 1970 - Sounds French
    DDC: 781.64094409045
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    Keywords: Popular music History and criticism 1951-1960 ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1971-1980 ; Music and globalization ; Hochschulschrift ; Hochschulschrift ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben
    Abstract: 'Sounds French' reveals how French society mediated the challenges of globalization through the consumption and production of popular music, itself increasingly an expression of globalized culture. As recorded music became more commonplace and crossed national boundaries in the second half of the twentieth century, French musicians and their audiences articulated new types of communal identities around popular music genres that reflected the impact of social, political, economic, and cultural transformations after the 1950s.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 20, 2015)
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  • 96
    Online Resource
    Online Resource
    New York : Oxford University Press | [Oxford] : [Oxford University Press]
    ISBN: 9780191808944
    Language: English
    Pages: 1 Online-Ressource
    Edition: First edition
    DDC: 320.15
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    Keywords: Autonomie ; Nationale Minderheit ; Selbstverwaltung ; Minderheitenpolitik ; Aufsatzsammlung
    Abstract: For centuries autonomy has been a public policy tool used to provide stability and cohesion to multicultural societies. Examining case studies on non-territorial autonomy arrangements in comparison with territorial autonomy examples, this book informs both design and decision making on managing diversity.
    Note: Includes bibliographical references and index
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  • 97
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199354016 , 9780199354047 (Sekundärausgabe)
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white, and colour)
    Edition: Online-Ausg. Online-Ressource ISBN 9780199354047
    Edition: [Online-Ausg.]
    DDC: 791.08996073
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    Keywords: Geschichte 1920-1945 ; Schwarze ; Darstellende Kunst ; Afroamerikanische Musik ; Harlem renaissance ; Rezeption ; Kultur ; Moderne ; USA
    Abstract: 'Some of These Days' shows how interwar European audiences, artists, and intellectuals particularly associated with modernism, used Black American culture - for which 'jazz' was often a shorthand - to negotiate the disorientating experience of modernity and modernization. One manifestation of this process was the fashionable Negrophilia of the 1920s, the decade in which the two most successful Black American stars of their era first made their names: Josephine Baker and Paul Robeson. The book is threaded around their careers, their travels, and their relationships.
    Note: Includes bibliographical references and index , Online-Ausg.:
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  • 98
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190227951 , 9780190227975 (Sekundärausgabe)
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    Edition: Online-Ausg. Online-Ressource ISBN 9780190227975
    Edition: [Online-Ausg.]
    DDC: 810.989162
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    Keywords: Juden ; Rezeption ; Literatur ; Unterhaltungsmusik ; Irland ; USA
    Abstract: This study traces the often uncanny relationships between Irish- and Jewish-Americans, arguing for the centrality of these diasporic groups to the development of American popular music, fiction, and especially drama. The book reads such cultural forms as tenement fiction, Tin Pan Alley music, and melodrama as part of a larger 'circum-North Atlantic' world in which texts and performers from Ireland, Europe, and America were involved in a continuous cultural exchange within which stereotypes and performances of Jewishness and Irishness took centre stage.
    Note: Includes bibliographical references and index , Online-Ausg.:
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  • 99
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199367504
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 780.89924043
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    Keywords: Geschichte ; Judentum ; Musik ; Kultur ; Kollektives Gedächtnis ; Juden ; Musikleben ; Nachkriegszeit ; Jews Music History and criticism ; Music History and criticism 20th century ; National socialism and music ; Deutschland ; Aufsatzsammlung
    Abstract: This title draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. Jewish music - a highly debated topic - encompasses a multiplicity of musics and cultures, reflecting an inherent and evolving hybridity and transnationalism. German culture refers to an equally diverse concept that, in this volume, includes the various cultures of prewar Germany, occupied Germany, the divided and reunified Germany, and even 'German (Jewish) memory,' which is not necessarily physically bound to Germany.
    Note: Includes bibliographical references and index
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  • 100
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199366514
    Language: English
    Pages: 1 Online-Ressourcece
    DDC: 791.436578
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    Keywords: Geschichte 1923-1936 ; Filmmusik ; Oper ; Jazz ; Motion pictures and opera ; Opera in motion pictures ; Jazz in motion pictures ; Musical films History and criticism ; USA
    Abstract: 'Sounding American' looks at the role played by 1920s musical shorts in crafting studio identity and establishing American film sound. It argues that the persistence of opera and jazz on the soundtrack during and after the conversion produces a fragmentary text and encourages an active spectator.
    Note: Includes bibliographical references and index
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