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  • New York : Oxford University Press  (176)
  • London : Routledge  (103)
  • Höfen : Hannibal
  • Musikwissenschaft  (359)
Materialart
Erscheinungszeitraum
  • 1
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780197635216
    Sprache: Englisch
    Seiten: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Serie: Oxford studies in music theory
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Kurzfassung: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Beschreibung / Inhaltsverzeichnis: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
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  • 2
    ISBN: 9781032184968
    Sprache: Englisch
    Seiten: xvii, 264 Seiten
    Serie: Routledge advances in sociology
    DDC: 306.484209052
    RVK:
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  • 3
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780197525074
    Sprache: Englisch
    Seiten: xi, 301 Seiten , Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Brubeck, Dave / Criticism and interpretation. ; Jazz / History and criticism ; Music and race / United States / History / 20th century
    Kurzfassung: "How can we-historians, writers, musicians, audiences-understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights America. Dave Brubeck and the Performance of Whiteness uses Brubeck's mid-century performances of whiteness across his professional, private, and political lives as a starting point to understand mid-century whiteness, privilege, and white supremacy more fully. How is whiteness performed, and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck, his critics, and his audiences. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his white privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Buying the Myth -- "Any Jackass Can Swing" : Sounds in Black and White -- Professors, Housewives, and Playboys : The Jazz Converts -- (In)Visible Men : White Recognition and Trust -- "We Want to Play in the South" : Brubeck's Southern Strategy -- Negotiating Jewish Identity in The Gates of Justice -- Conclusion. Evading Whiteness
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  • 4
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780197555194 , 9780197555187
    Sprache: Englisch
    Seiten: X, 181 Seiten , 21 cm
    Serie: Oxford theory in ethnomusicology series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.4/842
    RVK:
    Schlagwort(e): Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Kurzfassung: "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe."
    Beschreibung / Inhaltsverzeichnis: Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion
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  • 5
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780197555224
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 181 Seiten) , Illustrationen
    Serie: Oxford theory in ethnomusicology
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 306.4842
    RVK:
    Schlagwort(e): Music / ukslc ; Society & culture: general / thema ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Kurzfassung: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity
    Anmerkung: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    ISBN: 9780190938802 , 9780190938796
    Sprache: Englisch
    Seiten: 232 Seiten
    DDC: 781.64
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    Schlagwort(e): Geschichte 2000- ; Musik ; Popmusik ; Geschlechterforschung
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  • 7
    ISBN: 9780197511510
    Sprache: Englisch
    Seiten: xvii, 313 Seiten , Illustrationen, Notenbeispiele
    DDC: 306.48420944
    RVK:
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    Schlagwort(e): Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Frankreich ; Hochschulschrift
    Anmerkung: Literaturverzeichnis Seite 277-295
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  • 8
    ISBN: 9780367489090
    Sprache: Englisch
    Seiten: xxxi, 516 Seiten , Illustrationen
    Serie: SOAS studies in music
    DDC: 306.4842
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  • 9
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190235864
    Sprache: Englisch
    Seiten: 358 Seiten
    Paralleltitel: Erscheint auch als Williams, Sean, 1959- Musics of the world
    DDC: 780.9
    RVK:
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    Schlagwort(e): World music Analysis, appreciation ; Music appreciation
    Kurzfassung: "Musics of the World offers a rich introduction to world music"--
    Anmerkung: Includes bibliographical references and index
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  • 10
    Buch
    Buch
    London : Routledge
    ISBN: 9780367768393 , 9780367768409
    Sprache: Englisch
    Seiten: xiv, 381 Seiten
    Ausgabe: Fifth edition
    Serie: Routledge key guides
    DDC: 781.6403
    RVK:
    Schlagwort(e): Wörterbuch ; Wörterbuch ; Wörterbuch
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  • 11
    ISBN: 9780190906498
    Sprache: Englisch
    Seiten: 718 Seiten , Notenbeispiele
    Ausgabe: second edition
    DDC: 782.421640922
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1900-2000 ; Geschichte 1920-1940 ; Chansons anglaises - États-Unis - Histoire et critique ; Culture populaire - États-Unis - Histoire - 20e siècle ; Dichters ; Musique populaire - États-Unis - Histoire et critique ; Paralittérature - États-Unis - Histoire et critique ; Paroliers - États-Unis ; Poésie américaine - 20e siècle - Histoire et critique ; Poésie lyrique - Histoire et critique ; Geschichte ; American poetry History and criticism 20th century ; Lyric poetry History and criticism ; Lyricists ; Popular culture History 20th century ; Popular literature History and criticism ; Popular music History and criticism ; Songs, English History and criticism ; Schlager ; United States - Popular culture - History - 20th century ; USA ; USA ; Schlager ; USA ; Geschichte 1920-1940
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  • 12
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780190056315
    Sprache: Englisch
    Seiten: 1 Online-Ressource (714 Seiten)
    Serie: Oxford handbooks online
    Paralleltitel: Erscheint auch als The Oxford handbook of music performance ; 1: The Oxford Handbook of Music Performance, Volume 1
    DDC: 780.78
    RVK:
    Schlagwort(e): Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Kurzfassung: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Anmerkung: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 10, 2022)
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  • 13
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780190058890
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxiii, 623 Seiten)
    Serie: Oxford handbooks online
    Paralleltitel: Erscheint auch als The Oxford handbook of music performance ; 2: The Oxford Handbook of Music Performance, Volume 2
    DDC: 780.78
    RVK:
    Schlagwort(e): Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Kurzfassung: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Anmerkung: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 14, 2022)
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  • 14
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190656812 , 9780190656805
    Sprache: Englisch
    Seiten: xv, 212 Seiten , Illustrationen , 24 cm (pbk.)
    Paralleltitel: Erscheint auch als Williams, Justin A Brithop
    DDC: 782.42164909/41
    RVK:
    Schlagwort(e): Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Kurzfassung: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"--
    Anmerkung: Includes bibliographical references and index
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  • 15
    Buch
    Buch
    New York : Oxford University Press
    Sprache: Englisch
    RVK:
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    Schlagwort(e): Musikethnologie ; Kolonialismus ; Wissenschaftsethik ; Angewandte Wissenschaften ; Kulturpolitik ; Sozialer Wandel ; Westliche Welt ; Entwicklungsländer
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  • 16
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190881979
    Sprache: Englisch
    Seiten: 266 Seiten , Illustrationen, Notenbeispiele , 27 cm
    Serie: Oxford studies in music theory
    DDC: 782.4216213
    RVK:
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    Schlagwort(e): Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Großbritannien ; USA
    Kurzfassung: As children, many of us learn to sing, 'If you're happy and you know it, clap your hands.' But despite the familiarity of this tune, few of us realize that what we're singing is actually part of a pervasive - and centuries-old - musical scheme. This particular scheme, dubbed the 'Sweet Thing,' has generated a large group of songs spanning a broad range of topics, genres, and time periods, but all related through a specific stanzaic form. Early twentieth-century blues songs 'My Babe' and 'Motherless Children,' country songs 'Peg and Awl' and 'Crawdad Song,' and gospel songs 'Pure Religion' and 'This Train' use this form, along with popular songs like Ray Charles's 'I Got a Woman,' The Beatles's 'One After 909,' and the Velvet Underground's 'I'm Waiting for the Man.' Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form studies one of the most productive and enduring shared musical resources in North American vernacular music. Author Nicholas Stoia offers the most comprehensive examination to date of the 'Sweet Thing's' long history, exploring how it made its way from sixteenth-century Scotland to eighteenth-century British broadside ballads to nineteenth-century American ragtime. Stoia also examines the form in various contexts, including early blues and country music, and moving forward to rhythm and blues, soul, and rock music, connecting these modern forms to their ancient roots. Through this close look at a ubiquitous musical from, Sweet Thing shows us how it has linked listeners and musicians alike across the boundaries of genre, race, and even time.
    Anmerkung: Literaturverzeichnis: Seite [249]-255
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  • 17
    ISBN: 9781032090030 , 9780367182984
    Sprache: Englisch
    Seiten: x, 198 Seiten
    Ausgabe: issued in paperback
    Serie: Routledge advances in international relations and global politics 144
    DDC: 306.48425
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    Schlagwort(e): Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; USA
    Anmerkung: Originally published: 2020. , Literaturverzeichnis Seite 169-183
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  • 18
    ISBN: 9780199367337
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xv, 1134 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Serie: Oxford handbooks online
    Paralleltitel: Erscheint auch als The Oxford handbook of Western music and philosophy
    DDC: 780.01
    RVK:
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    Schlagwort(e): Music and philosophy ; Music and philosophy ; Musikwissenschaft ; Philosophie ; Musik ; Geschichte ; Philosophie ; Musikphilosophie
    Kurzfassung: The Oxford Handbook of Western Music and Philosophy celebrates the ways in which musicians have historically called upon philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it.
    Anmerkung: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 9, 2020)
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  • 19
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190087210
    Sprache: Englisch
    Seiten: 597 Seiten , Illustrationen
    Ausgabe: Third edition
    DDC: 781.6509
    RVK:
    Schlagwort(e): Geschichte ; Jazz
    Anmerkung: Previous edition: 2011. , Includes bibliographical references and index.
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  • 20
    Buch
    Buch
    New York : Oxford University Press
    In:  2
    ISBN: 9780197517567 , 9780197517550
    Sprache: Englisch
    Seiten: viii, 260 Seiten , Illustrationen, Diagramme, Karten
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Angaben zur Quelle: 2
    RVK:
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    Schlagwort(e): Kolonialismus ; Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
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  • 21
    ISBN: 9780197517611 , 9780197517604
    Sprache: Englisch
    Seiten: viii, 272 Seiten , Illustrationen, Porträts
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Angaben zur Quelle: 1
    RVK:
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    Schlagwort(e): Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Wissenschaftsethik
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  • 22
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190869137 , 9780190869144
    Sprache: Englisch
    Seiten: xxi, 304 Seiten , Illustrationen , 24 cm
    Serie: American musicspheres
    DDC: 780.8997120798
    RVK:
    Schlagwort(e): Indigenes Volk ; Musik ; Alaska
    Kurzfassung: Sound Relations: Native Ways of Doing Music History in Alaska delves into histories of Inuit musical life in Alaska to amplify the broader significance of sound as integral to self-determination and sovereignty. The book offers radical and relational ways of listening to Inuit music across a range of genres-from hip hop to Christian hymnody and drumsongs to funk and R&B - to register how a density (not difference) of Indigenous ways of musicking from a vast archive of presence sounds out radical and relational entanglements between structures of Indigeneity and colonialism. The research aims to dismantle stereotypical understandings of "Eskimos," "Indians," and "Natives" by addressing the following questions: What exactly is "Native" about Native music? What does it mean to sound (or not sound) Native? Who decides? And how can in-depth analyses of Native music that center Indigeneity reframe larger debates of race, power, and representation in twenty-first century American music historiography? Instead of proposing singular truths or facts, this book invites readers to consider the existence of multiple simultaneous truths, a density of truths, all of which are culturally constructed, performed, and in some cases politicized and policed. A sound relations approach endeavors to advance a more Indigenized music studies and a more sounded Indigenous studies that works to move beyond colonial questions of containment - "who counts as Indigenous" and "who decides" - and measurement - "how much Indigenous is this person/performance" - and toward an aesthetics of self-determination and resurgent world-making.
    Anmerkung: Literaturverzeichnis Seite [269]-290
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  • 23
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190855475
    Sprache: Englisch
    Seiten: xii, 345 Seiten , Illustrationen, Karten
    DDC: 306.4842
    RVK:
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  • 24
    ISBN: 9781032173962
    Sprache: Englisch
    Seiten: xlvi, 372, XXXII Seiten , Illustrationen
    Ausgabe: First issued in paperback
    Serie: Classic European studies in the science of music
    RVK:
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    Schlagwort(e): Ethnologie ; Musikinstrumentenkunde ; Geschichte ; Herkunft ; Musikinstrument ; Sozialanthropologie ; Archäologie ; Musikinstrument ; Musikinstrumentenkunde ; Geschichte ; Herkunft ; Archäologie ; Ethnologie ; Sozialanthropologie
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  • 25
    ISBN: 9780197517642
    Sprache: Englisch
    Seiten: 1 Online-Ressource (272 Seiten)
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als Transforming ethnomusicology
    DDC: 780.89
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    Schlagwort(e): Ethnomusicology ; Ethnomusicology Methodology ; Electronic books ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Kurzfassung: This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 26
    ISBN: 9780197532973
    Sprache: Englisch
    Seiten: xxiii, 613 Seiten , Illustrationen , 243 mm
    Paralleltitel: Erscheint auch als
    DDC: 780.8992404309045
    RVK:
    Schlagwort(e): Geschichte 1945-1989 ; Musikleben ; Musiker ; Juden ; Deutschland ; Deutschland ; Musiker ; Juden ; Geschichte 1945-1989 ; Deutschland ; Musikleben ; Juden ; Geschichte 1945-1989
    Kurzfassung: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. Transcending Dystopia tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Author Tina Frühauf provides a kaleidoscopic panorama ofmusical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.Drawing on newly unearthed sources from archives and private collections, this book covers a wide spectrum of musical activity-from its role in commemorations and community events to synagogue concerts and its presence on the radio-across the divided Germany until the Fall of the Wall in 1989. Frühauf's use of mobility as a conceptual framework reveals the myriad ways in which the reemergence of Jewish music in Germany was shaped by cultural transfer and exchange that often relied on thecirculation of musicians, their ideas, and practices within and between communities. By illuminating the centrality of mobility to Jewish experiences and highlighting how postwar Jewish musical practices in Germany were defined by politics that reached across national borders to the United States andIsrael, this pioneering study makes a major contribution to our understanding of Jewish life and culture in a transnational context
    URL: Rezension  (H-Soz-Kult)
    URL: Rezension  (H-Soz-Kult)
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  • 27
    Bild
    Bild
    Höfen : Hannibal
    ISBN: 9783854454793
    Sprache: Deutsch
    Seiten: 592 Seiten , Illustrationen
    Ausgabe: Aktualisierte Ausgabe
    Paralleltitel: Erscheint auch als
    DDC: 782.4216490943
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1980-2015 ; Hip-Hop ; Deutschland ; Hip-Hop ; Deutschland ; Deutschland ; Hip-Hop ; Geschichte 1980-2015
    Anmerkung: Literaturverzeichnis: Seiten 565-568 , Diskografie: Seiten 549-564
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  • 28
    ISBN: 9783854454793
    Sprache: Deutsch
    Seiten: 592 Seiten , Illustrationen
    DDC: 782.4216490943
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Hip-Hop ; Deutschland ; Deutschland ; Hip-Hop ; Geschichte 1980-2015
    Anmerkung: Literaturverzeichnis: Seiten 565-568 , Diskografie: Seiten 549-564 , Auf dem Einband: Aktualisierte Ausgabe des Standardwerks über die Deutsche HIPHOP-Szene , Rückseite Titelblatt: Lektorat der Erstausgabe 2000: Jürgen Keimer
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  • 29
    Buch
    Buch
    London : Routledge
    ISBN: 9781138048065
    Sprache: Englisch
    Seiten: vii, 146 Seiten , Illustrationen
    Serie: Interdisciplinary research in gender
    Paralleltitel: Erscheint auch als
    DDC: 781.64082
    RVK:
    Schlagwort(e): Women musicians ; Older musicians ; Women in music ; Aging Social aspects ; Popular music Social aspects
    Anmerkung: Includes bibliographical references and index
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  • 30
    ISBN: 9780367312725
    Sprache: Englisch
    Seiten: xiii, 164 Seiten , Illustrationen, Karten
    Serie: SOAS studies in music series
    DDC: 306.461096651
    RVK:
    Anmerkung: Bibliographie: Seite 147-160
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  • 31
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190886912
    Sprache: Englisch
    Seiten: xi, 381 Seiten , Notenbeispiele
    Ausgabe: 20th anniversary edition
    Paralleltitel: Erscheint auch als
    DDC: 781.22
    RVK:
    RVK:
    Anmerkung: Literaturverzeichnis: Seite 375-377
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  • 32
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190461652
    Sprache: Englisch
    Seiten: xii, 458 Seiten , Illustrationen
    Serie: Readers on American musicians
    DDC: 782.254092
    RVK:
    Schlagwort(e): Jackson, Mahalia
    Anmerkung: Includes bibliographical references and index.
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  • 33
    ISBN: 9783854453703
    Sprache: Deutsch
    Seiten: 509 Seiten , Illustrationen
    Originaltitel: Please kill me - the uncensored oral history of punk
    DDC: 781.660973
    RVK:
    Schlagwort(e): USA ; Punk Rock ; Geschichte 1965-1992
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  • 34
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190923389
    Sprache: Englisch
    Seiten: xxvii, 338 Seiten , Illustrationen, Notenbeispiele
    DDC: 788.73165092
    RVK:
    Schlagwort(e): Parker, Charlie ; Jazz ; Komposition
    Anmerkung: Bibliography Seite 317-323 , Discography Seite 324
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  • 35
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780190224226
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvii, 614 Seiten) , Illustrationen
    Serie: Oxford handbooks
    Serie: Oxford handbooks online
    Paralleltitel: Erscheint auch als The Oxford handbook of the operatic canon
    DDC: 782.1
    RVK:
    Schlagwort(e): Opera ; Opera ; Oper ; Kanon ; Geschichte 1740-2020
    Kurzfassung: This collection examines the phenomenon of the operatic canon: its formation, history, current ontology and practical influence, and future. It does so by taking an international and interdisciplinary view: the workshops from which it was derived included the participation of critics, producers, artistic directors, stage directors, opera company CEOs, and even economists, from the United Kingdom, the United States, France, Italy, Ireland, Germany, the Netherlands, Denmark, and Canada. The volume is structured as a series of dialogues: each subtopic is addressed by two essays, introduced jointly by the authors, and followed by a jointly compiled list of further reading.
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  • 36
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780190658472
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvii, 825 Seiten) , Illustrationen, Notenbeispiele
    Serie: Oxford handbooks online
    Paralleltitel: Erscheint auch als The Oxford handbook of music and medievalism
    DDC: 781.59
    RVK:
    Schlagwort(e): Medievalism ; Music History and criticism ; Music Medieval influences ; Medievalism ; Music ; History and criticism ; Music ; Medieval influences ; Aufsatzsammlung ; Musik ; Mittelalter ; Rezeption ; Geschichte 1800-2020
    Kurzfassung: The Oxford Handbook of Music and Medievalism brings together international scholars from a wide range of disciplines to provide a snapshot of the diverse ways in which medievalism-the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages-powerfully transforms many of the varied musical traditions of the last two centuries.
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  • 37
    ISBN: 9780190660802
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Oxford handbooks
    Serie: Oxford handbooks online
    Paralleltitel: Erscheint auch als The Oxford handbook of social media and music learning
    DDC: 780.71
    RVK:
    Schlagwort(e): Music Instruction and study ; Technological innovations ; Music Instruction and study ; Social aspects ; Social media in education ; Music ; Instruction and study ; Technological innovations ; Music ; Instruction and study ; Social aspects ; Social media in education ; Musikerziehung ; Social Media
    Kurzfassung: The rapid pace of technological change over the last decade, particularly the rise of social media, has deeply affected the ways in which we interact as individuals, in groups, and among institutions to the point that it is difficult to grasp what it would be like to lose access to this everyday aspect of modern life. This handbook investigates the ways in which social media is now firmly engrained in all aspects of music education, providing fascinating insights into the ways in which social media, musical participation, and musical learning are increasingly entwined.
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  • 38
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780190948306
    Sprache: Englisch
    Seiten: 1 online resource (304 pages) , illustrations (black and white).
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 791.436
    RVK:
    Schlagwort(e): Jazz films History and criticism ; Jazz musicians in motion pictures ; Jazz ; Jazzmusiker ; Film
    Kurzfassung: Jazz stories have been entwined with cinema since the inception of jazz film genre in the 1920s, giving us origin tales and biopics, spectacles and low-budget quickies, comedies, musicals, and dramas, and stories of improvisers and composers at work. And the jazz film has seen a resurgence in recent years-from biopics like Miles Ahead and HBO's Bessie, to dramas Whiplash and La La Land. In Play the Way You Feel, author and jazz critic Kevin Whitehead offers a comprehensive guide to these films and other media from the perspective of the music itself. Spanning 93 years of film history, the book looks closely at movies, cartoons, and a few TV shows that tell jazz stories, from early talkies to modern times, with an eye to narrative conventions and common story points.
    Anmerkung: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 30, 2020)
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  • 39
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190052218 , 9780190052201
    Sprache: Englisch
    Seiten: ix, 199 Seiten , Illustrationen
    Serie: Oxford studies in music theory
    Paralleltitel: Erscheint auch als Malawey, Victoria, 1977- A blaze of light in every word
    DDC: 782.42/164143
    RVK:
    RVK:
    Schlagwort(e): Popular music Analysis, appreciation ; Singing ; Popmusik ; Gesang ; Singen ; Unterhaltungsmusik
    Kurzfassung: Introduction. Why Voice? Why Voice Analysis? -- Pitch -- Prosody -- Quality -- The Area in Between : Mediation with Technology -- Synthesis, or Why Covers of Elliott Smith Songs Don't Work.
    Kurzfassung: "Singing Voice presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality. The domain of pitch, which refers to listeners' perceptions of frequency, considers range, tessitura, intonation, and registration. Prosody, the pacing and flow of delivery, comprises phrasing, metric placement, motility, embellishment, and consonantal articulation. Qualitative elements include timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness. Intersecting all three domains is the area of technological mediation, which considers how external technologies, such as layering, overdubbing, pitch modification, recording transmission, compression, reverb, spatial placement, delay, and other electronic effects, impact voice in recorded music. Though the book focuses primarily on the sonic and material aspects of vocal delivery, it situates these aspects among broader cultural, philosophical, and anthropological approaches to voice with the goal to better understand the relationship between sonic content and its signification. Drawing upon transcription and spectrographic analysis as the primary means of representation, as well as modes of analysis, this book features in-depth analyses of a wide array of popular song recordings spanning genres from indie rock to hip hop to death metal, develops analytical tools for understanding how individual dimensions make singing voices both complex and unique, and synthesizes how multiple aspects interact to better understand the multi-dimensionality of singing voices"--
    Anmerkung: Includes bibliographical references and index
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  • 40
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190846121
    Sprache: Englisch
    Seiten: 471 Seiten
    RVK:
    RVK:
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  • 41
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190461652
    Sprache: Englisch
    Serie: Readers on American musicians series
    Paralleltitel: Erscheint auch als The Mahalia Jackson reader
    DDC: 782.25/4092
    RVK:
    RVK:
    Schlagwort(e): Jackson, Mahalia ; African American gospel singers Biography ; Gospel singers Biography ; African Americans Music ; History and criticism ; Gospel music History and criticism
    Kurzfassung: ""African American gospel singer Mahalia Jackson was just sixty years old when her heart finally gave out on January 27, 1972, as she lay alone in her sick bed at Little Company of Mary Hospital just south of Chicago. Obituaries faithfully recounted the best-known story lines of her unlikely career: how the power of her voice was rooted in her devout Baptist upbringing; her birth in 1911 and rise from dire poverty in Uptown New Orleans to international celebrity; a dedication to the black freedom struggle that further elevated her to the status of cultural and political symbol. Together, Jackson's voice, faith, prestige, and activism, made her at the time of her death, in the assessment of her friend Harry Belafonte, "the single most powerful black woman in the United States." Yet her reputation is also complex. Invoking the charisma of Martin and Malcolm, the persuasion of statesmen and despots, and the splendor of divas and diadems, Maceo Bowie's letter to the editor of the Chicago Defender seems to both celebrate and grapple with the substance of Jackson dynamism as a gospel singer and her consequence as an illustrious black public figure. In an editorial in the Defender following Jackson's death, E. Duke McNeil acknowledged Jackson's habitual acclaim as the "Queen of the gospel singers," while also observing: "You can almost say that Mahalia was the 'greatest' because she was the only gospel singer known everywhere." Indeed, for scholars of black gospel, the music itself is often hidden in plain sight. On the one hand, gospel voices are inescapable, audible not just within the music industry, where they have become a lingua franca for pop singers, but also in recurring representations of the black church, in the omnipresent sound of the black gospel choir, and in the personal histories of many black artists. On the other, in comparison with such genres as jazz, blues, country music, and hip hop, documentation of black gospel music, which has thrived in in-group settings, is relatively scant, leaving researchers with limited sources and largely reliant on oral history. Fortunately, the scope and coverage of Jackson's caereer produced a paper trail that enables us to study her personal and professional life while gaining insight into the black gospel field of which she was such an integral part. In compiling a wide swath of these sources on Jackson, The Mahalia Jackson Reader seeks to paint a fuller and more vivid picture of one of the most resonant musi ...
    Anmerkung: Includes bibliographical references and index
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  • 42
    ISBN: 9780197504642
    Sprache: Englisch
    Seiten: xx, 459 Seiten , Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.89/92405694
    RVK:
    Schlagwort(e): Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature
    Kurzfassung: Introduction. Stains? -- Non-Biblical Tonalities -- Biblocentrism in Modern Hebrew Culture and its Operatic Undoing -- Horizontal Realizations : The Agency of Non-Western Jewish Musical Traditions in Art Music of the 1950s and '60s -- Broken Hebrewist Vessels -- Compositional Solutions (in the double sense of the word)
    Kurzfassung: "Theological Stains traces the growth of art music in Israel from the mid twentieth century to the turn of the twenty-first. In a riveting and provocative account, Assaf Shelleg explores the theological grammar of Zionism and its impact on the art music written by emigrant and native composers grappling with biblical redemptive promises and diasporic patrimonies. Unveiling the network that bred territorial nationalism and Hebrew culture, Shelleg shows how this mechanism infiltrated composers' work as much as it triggered less desirable responses from composers who sought to realize to the non-territorial Diasporic options Zionism has renounced. In the process compositional aesthetics gets stained by the state's nationalization of the theological, by diasporism that refuses redemption, and by Jewish musical traditions that permeated inaudibly to compositions written throughout the second half of the twentieth century. Accompanying this rich and dramatic story are equivalent developments in modern Hebrew literature and poetry alongside vast and previously unstudied archival sources. The book is also lavishly illuminated with 135 music examples that render it an incisive guide to fundamental chapters in modern and late modern art music"--
    Anmerkung: Includes bibliographical references and index
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  • 43
    ISBN: 9780367185114
    Sprache: Englisch
    Seiten: xi, 311 Seiten
    Serie: Routledge studies in hip hop and religion
    Paralleltitel: Erscheint auch als Beyond Christian hip hop
    Paralleltitel: Erscheint auch als Beyond Christian hip hop
    DDC: 261.5/78
    RVK:
    Schlagwort(e): African American churches ; Hip-hop Influence ; Hip-hop Religious aspects ; Christianity ; African Americans Religion ; Aufsatzsammlung ; Aufsatzsammlung ; Christentum ; Einfluss ; Christentum ; Einfluss ; Hip-Hop ; Person of Color
    Kurzfassung: "Christians and Christianity have been central to Hip Hop since its inception. This book explores the intersection of Christians and Hip Hop and the multiple outcomes of this intersection. It lays out the ways in which Christians and Hip Hop overlap and diverge. The intersection of Christians and Hip Hop brings together African diasporic cultures, lives, memories and worldviews. Moving beyond the focus on rappers and so-called "Christian Hip Hop," each chapter explores three major themes of the book: identifying Hip Hop, irreconcilable Christianity, and boundaries.There is a self-identified Christian Hip Hop (CHH) community that has received some scholarly attention. At the same time, scholars have analyzed Christianity and Hip Hop without focusing on the self-identified community. This book brings these various conversations together and show, through these three themes, the complexities of the intersection of Christians and Hip Hop. Hip Hop is more than rap music, it is an African diasporic phenomenon. These three themes elucidate the many characteristics of the intersection between Christians and Hip Hop and our reasoning for going beyond "Christian Hip Hop." This collection is a multi-faceted view of how religious belief plays a role in Hip Hoppas' lives and community. It will, therefore, be of great interest to scholars of Religion and Hip Hop, Hip Hop, African Diasporas, Religion and the Arts, Religion and Race and Black Theology as well as Religious Studies more generally"--
    Anmerkung: Includes bibliographical references and index
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  • 44
    ISBN: 9780190083946 , 9780190083953
    Sprache: Englisch
    Seiten: viii, 254 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Whitmore, Aleysia World music and the Black Atlantic
    DDC: 782.4216/3097291
    RVK:
    RVK:
    Schlagwort(e): AfroCubism ; Orchestra Baobab ; Geschichte ; Weltmusik ; Globalisierung ; Afrokubanische Musik ; Orchestra Baobab ; AfroCubism (Musical group) ; Music and globalization ; World music / History and criticism ; Popular music / Africa / Cuban influences ; AfroCubism ; Orchestra Baobab ; Afrokubanische Musik ; Weltmusik ; Globalisierung ; Geschichte
    Kurzfassung: ""In the mid-20th century, African musicians took up Cuban music as their own. They claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and '70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African-Latin American collaborations expressly for this market niche. This book follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them-from musicians' homes in West Africa, to performances in Europe and North America, to record label offices in London. This book examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. This book offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange. ""--
    Anmerkung: Includes bibliographical references and index
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  • 45
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197506561
    Sprache: Englisch
    Seiten: 1 Online-Ressource (352 pages) , Illustrations.
    Ausgabe: 20th anniversary edition.
    Serie: Oxford scholarship online
    DDC: 781.22
    RVK:
    RVK:
    Schlagwort(e): Musical meter and rhythm ; Music Philosophy and aesthetics ; Time in music
    Kurzfassung: Rhythm is often regarded as one of the most problematic and least understood aspects of music. Restricted to those attributes that are susceptible to calibration and measurement, rhythm is usually identified with meter, durational pattern, or durational proportion. But how shall one account for those attributes of rhythm that point to the particularity and spontaneity of aesthetic experience as it is happening? Drawing on insights from the modern "process" philosophy of Henri Bergson, William James, and A. N. Whitehead, this book releases meter from its mechanistic connotations and recognizes it as a concrete, visceral agent of musical expression. It reinterprets oppositions of law and freedom, structure and process, determinacy and indeterminacy to form a theory that engages diverse repertories and aesthetic issues. Ultimately, this revised 20th anniversary edition of Christopher Hasty's Meter as Rhythm facilitates the work's current contexts of application.
    Anmerkung: Includes bibliographical references and index
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  • 46
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190923419
    Sprache: Englisch
    Seiten: 1 Online-Ressource (372 pages).
    Serie: Oxford scholarship online
    DDC: 788.73165092
    RVK:
    Schlagwort(e): Parker, Charlie Criticism and interpretation ; Parker, Charlie ; Jazz ; Komposition ; Jazz History and criticism 1941-1950 ; Jazz History and criticism 1951-1960
    Kurzfassung: Charlie Parker, Composer is the first assessment of a major jazz composer's oeuvre in its entirety. Providing analytical discussion of each of Parker's works, this study combines music-theoretical, historical, and philosophical perspectives. A variety of analytical techniques are brought to bear on Parker's compositions, including application of a revised Schenkerian approach to the music that was developed through the author's prior publications. After a review of Parker's life emphasizing his musical training and involvement in composition, the book proceeds by considering the types of Parker pieces as categorized by overall form and harmony and the amount of preplanned music they contain.
    Anmerkung: Also issued in print: 2020 , Includes bibliographical references and index
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  • 47
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190882075
    Sprache: Englisch
    Seiten: 1 Online-Ressource (560 pages) , Illustrations.
    Serie: Oxford cultural biographies
    Serie: Oxford scholarship online
    DDC: 782.42164092
    RVK:
    Schlagwort(e): Cole, Nat King ; Cole, Nat King ; Singers Biography ; Pianists Biography ; Jazz musicians Biography
    Kurzfassung: This book offers an interpretation of the two fragmentary texts of the P. Vindobonensis G 40822, now widely referred to as the Muziris papyrus. Without these two texts, there would be no knowledge of the Indo-Roman trade practices. The book also compares and contrasts the texts of the Muziris papyrus with other documents pertinent to Indo-Mediterranean (or Indo-European) trade in ancient, medieval, and early modern times. These other documents reveal the commercial and political geography of ancient South India; the sailing schedule and the size of the ships plying the South India sea route; the commodities exchanged in the South Indian emporia; and the taxes imposed on the Indian commodities en route from the Red Sea to the Mediterranean.
    Anmerkung: Also issued in print: 2020 , Includes bibliographical references and index
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  • 48
    ISBN: 9780190056650
    Sprache: Englisch
    Seiten: viii, 201 Seiten , Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als
    DDC: 781.64
    RVK:
    Schlagwort(e): Popular music History and criticism 2001-2010 ; Popular music History and criticism 2011-2020 ; Popular music Analysis, appreciation
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  • 49
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780197510483
    Sprache: Englisch
    Seiten: 1 Online-Ressource XI, 272 Seiten) , Illustrationen
    Serie: Currents in Latin American & Iberian music
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 780.98
    RVK:
    Schlagwort(e): Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Kurzfassung: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 50
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190656812 , 9780190656805
    Sprache: Englisch
    Seiten: xiii, 212 Seiten , Illustrationen, Portraits (schwarz-weiß)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Rap (Music) / Political aspects / Great Britain / History / 21st century ; Rap (Music) / Great Britain / History and criticism
    Kurzfassung: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"
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  • 51
    ISBN: 9781138334748
    Sprache: Englisch
    Seiten: VI, 185 Seiten
    Serie: Routledge studies in popular music
    DDC: 782.421660922
    RVK:
    Schlagwort(e): Radiohead ; Rockmusik ; Musikalischer Stil
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  • 52
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190882044
    Sprache: Englisch
    Seiten: xv, 633 Seiten, 16 ungezählte Seiten , Illustrationen , 25 cm
    Serie: Oxford cultural biographies
    DDC: 782.42164092
    RVK:
    Schlagwort(e): Cole, Nat King
    Kurzfassung: One of the most popular and memorable American musicians of the 20th century, Nat King Cole (1919-65) is remembered today as both a pianist and a singer, a feat rarely accomplished in the world of popular music. Now, in this complete life and times biography, author Will Friedwald offers a new take on this fascinating musician, framing him first as a bandleader and then as a star. In Cole's early phase, Friedwald explains, his primary task of keeping his trio going was just as much of a focus for him as his own playing and singing, always a collective or group performance. In the second act, Cole's collaborators were more likely to be arranger-conductors like Nelson Riddle and Gordon Jenkins, rather than his sidemen on bass and guitar. In the first act, his sidemen were equals, in the second phase, his collaborators were tasked exclusively with putting the focus on him, making him sound good, while being largely invisible themselves. Friedwald brings his full musical knowledge to bear in putting the man in the work, demonstrating how this duality appears over and over again in Cole's life and career: jazz vs. pop, solo vs. trio, piano vs. voice, wife number one (Nadine) vs. wife number two (Maria), the good songs vs. the less-than-good songs, the rhythm numbers vs. the ballads, the funny songs and novelties vs. the serious" songs of love and loss, Cole as an advocate for the Great American Songbook vs. Cole the intrepid explorer of other options: world music, rhythm & blues, country & western. Cole was different from his contemporaries in other ways; for roughly ten years after the war, the majority of hitmakers on the pop charts were veterans of the big band experience, from Sinatra on down.
    Anmerkung: Literaturangaben
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  • 53
    ISBN: 9781138587052
    Sprache: Englisch
    Seiten: xix, 319 Seiten , Illustrationen
    Serie: SOAS studies in music series
    DDC: 261.578
    RVK:
    Schlagwort(e): Christ ; Musik ; Inkulturation ; Indonesien
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  • 54
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190687410 , 9780190687403
    Sprache: Englisch
    Seiten: xi, 260 Seiten , Illustrationen
    Serie: Currents in Latin American & Iberian music
    Paralleltitel: Erscheint auch als
    DDC: 780.98
    RVK:
    Schlagwort(e): Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Kurzfassung: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Anmerkung: Includes bibliographical references and index
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  • 55
    ISBN: 9783854456797 , 3854456794
    Sprache: Deutsch
    Seiten: 391 Seiten , Illustrationen , 24 cm
    Ausgabe: Deutsche Erstausgabe
    Paralleltitel: Erscheint auch als
    DDC: 782.42166092
    RVK:
    RVK:
    Schlagwort(e): Röhr, Matthias ; Böhse Onkelz ; Biografie
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  • 56
    ISBN: 9780367882044 , 9781472484420
    Sprache: Englisch
    Seiten: 231 Seiten , 25 cm
    Ausgabe: First issued in paperback
    RVK:
    Schlagwort(e): Leadbelly ; Guthrie, Woody ; Dylan, Bob ; Outlaw ; Liedermacher ; USA
    Anmerkung: Literaturverzeichnis: Seite [215]-222
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  • 57
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 0190656840 , 9780190656843 , 0190656859 , 9780190656850
    Sprache: Englisch
    Seiten: vii, 295 Seiten , Illustrationen
    Serie: American musicspheres
    DDC: 781.629697298307471
    RVK:
    RVK:
    Schlagwort(e): Calypso ; Soca ; Steelband ; Karneval ; New York, NY
    Anmerkung: References Seite 261-266
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  • 58
    ISBN: 9780367873554 , 9781138920101
    Sprache: Englisch
    Seiten: xxvii, 229 Seiten , Illustrationen, Diagramm, Karte
    Ausgabe: First issued in paperback
    Serie: Routledge global popular music series
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Popular music History and criticism ; Popular music History and criticism ; Popmusik ; Niederlande ; Flandern ; Aufsatzsammlung ; Niederlande ; Flandern ; Popmusik
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 59
    ISBN: 9781138592100 , 9781472462404
    Sprache: Englisch
    Seiten: xxiv, 321 Seiten , Notenbeispiele
    Ausgabe: Third edition
    Serie: Ashgate popular and folk music series
    DDC: 781.66
    RVK:
    Anmerkung: Bibliography: Seite 287-297 ; Discography: Seite 299-309
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  • 60
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190885694
    Sprache: Englisch
    Seiten: x, 312 Seiten
    Serie: An Oxford handbook of applied ethnomusicology / edited by Svanibor Pettan and Jeff Todd Titon Volume 1
    Serie: Oxford handbooks
    Serie: An Oxford handbook of applied ethnomusicology
    DDC: 780.89
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Applied ethnomusicology ; Angewandte Musikwissenschaft
    Kurzfassung: An introduction to applied ethnomusicology. Applied ethnomusicology : a descriptive and historical account / Jeff Todd Titon ; Applied ethnomusicology in the global arena / Svanibor Pettan ; An introduction to the chapters / Jeff Todd Titon and Svanibor Pettan -- Theoretical and methodological considerations. Transcending researcher vulnerability through applied ethnomusicology / Dan Bendrups ; Evaluating values in applied ethnomusicology / Klisala Harrison ; Cultural engagement and ownership through participatory approaches in applied ethnomusicology / Tan Sooi Beng ; Applied ethnomusicology and intangible cultural heritage : understanding ecosystems of music as a tool for sustainability / Huib Schippers ; Sustainability, resilience, and adaptive management for applied ethnomusicology / Jeff Todd Titon -- Conflict. The role of applied ethnomusicology in post-conflict and post-catastrophe communities / Erica Haskell ; The study of survivors' music / Joshua D. Pilzer ; Music and conflict resolution : the public display of migrants in nationalist conflicts in Europe : an analytical reflection on university-based ethnomusicological activism / Britta Sweers
    Anmerkung: Includes bibliographical references and index
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  • 61
    ISBN: 9780199913923 , 9780199913947
    Sprache: Englisch
    Seiten: xiii, 319 Seiten , Illustrationen, Karten
    Serie: Currents in Latin American and Iberian music
    Paralleltitel: Erscheint auch als Quintero, Michael Birenbaum, author Rites, rights and rhythms
    DDC: 781.6409861
    RVK:
    Schlagwort(e): Folk music History and criticism ; Blacks Music ; History and criticism ; Blacks Social conditions ; Schwarze ; Volksmusik ; Soziale Situation ; Kolumbien ; Einführung ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Anmerkung: Includes bibliographical references and index
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  • 62
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190660307
    Sprache: Englisch
    Seiten: xvii, 242 Seiten , Illustrationen
    DDC: 782.4215920973
    RVK:
    Schlagwort(e): Geschichte 1900-2000 ; Protestsong ; USA
    Anmerkung: Literaturverzeichnis Seite 215-218
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  • 63
    ISBN: 9780367871222
    Sprache: Englisch
    Seiten: viii, 300 Seiten , Illustrationen
    Ausgabe: First issued in paperback
    Serie: Routledge studies in popular music 11
    Serie: Routledge studies in popular music
    DDC: 781.6609
    RVK:
    Schlagwort(e): Glam rock music History and criticism ; Popular music History and criticism ; Aufsatzsammlung ; Popmusik ; Glitter Rock ; Geschichte 1970-2014
    Anmerkung: First published 2016 by Routledge
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  • 64
    Online-Ressource
    Online-Ressource
    London : Routledge
    ISBN: 9781317091950 , 1317091957
    Sprache: Englisch
    Seiten: 1 online resource (xii, 197 pages .)
    Serie: Ashgate Popular and Folk Music Series
    Serie: Ashgate popular and folk music series
    DDC: 780.7941
    RVK:
    RVK:
    Schlagwort(e): Music festivals / Great Britain
    Kurzfassung: The outdoor music festival market has developed and commercialised significantly since the mid-1990s, and is now a mainstream part of the British summertime leisure experience. The overall number of outdoor music festivals staged in the UK doubled between 2005 and 2011 to reach a peak of over 500 events. UK Music (2016) estimates that the sector attracts over 3.7 million attendances each year, and that music tourism as a whole sustains nearly 40,000 full time jobs. Music Festivals in the UK is the first extended investigation into this commercialised rock and pop festival sector, and examines events of all sizes: from mega-events such as Glastonbury Festival, V Festival and the Reading and Leeds Festivals to 'boutique' events with maximum attendances as small as 250. In the past, research into festivals has typically focused either on their carnivalesque heritage or on developing managerial tools for the field of Events Management. Anderton moves beyond such perspectives to propose new ways of understanding and theorising the cultural, social and geographic importance of outdoor music festivals. He argues that changes in the sector since the mid-1990s, such as professionalisation, corporatisation, mediatisation, regulatory control, and sponsorship/branding, should not necessarily be regarded as a process of transgressive 'alternative culture' being co-opted by commercial concerns; instead, such changes represent a reconfiguration of the sector in line with changes in society, and a broadening of the forms and meanings that may be associated with outdoor music events
    URL: Volltext  (URL des Erstveroeffentlichers)
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  • 65
    Online-Ressource
    Online-Ressource
    London : Routledge
    ISBN: 9780429453830
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xv, 522 pages)
    Ausgabe: 4th new edition
    Paralleltitel: Erscheint auch als
    DDC: 781.641554134
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): MUSIC / Genres & Styles / Pop Vocal ; Electronic composition ; Sound / Recording and reproducing / Digital techniques ; Sound recording industry / Vocational guidance ; Sound recordings / Remixing ; Electronic dance music ; Electronic dance music Handbooks, manuals, etc ; Sound recordings Remixing ; Electronic composition ; Sound recording industry Vocational guidance ; Sound Recording and reproducing ; Digital techniques ; Tanzmusik ; Audiotechnik ; Popmusik ; Elektronische Musik ; Popmusik ; Elektronische Musik ; Tanzmusik ; Audiotechnik
    Anmerkung: Whatever your level of experience, the Dance Music Manual is packed with sound advice, techniques and practical examples to help you achieve professional results. Written by a professional producer and remixer, this book offers a comprehensive approach to music production, including knowledge of the tools, equipment and different dance genres. Get more advice and resources from the books official website, www.dancemusicproduction.com. * Included in the new edition are sections on recording instruments alongside new chapters covering more dance music genres. * Examines all aspects of music production, from sound design, compression & effect to mixing & mastering to publishing & promoting, to help you become a better producer. * The companion CD provides sample and example tracks, demonstrating the techniques used in the book
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  • 66
    ISBN: 9781138608627
    Sprache: Englisch
    Seiten: xiv, 366 Seiten , Illustrationen, Karten, Notenbeispiele , 24 cm
    Ausgabe: Reissued
    Serie: Routledge revivals
    DDC: 780.96
    RVK:
    RVK:
    Schlagwort(e): Music Africa ; Folk music Africa ; Afrika ; Musik
    Anmerkung: Includes index , First published 1999 by Ashgate Publishing
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  • 67
    ISBN: 9780415715737 , 9781138328273
    Sprache: Englisch
    Seiten: XIII, 182 Seiten , Illustrationen
    Ausgabe: 1st issued in paperback
    Serie: Routledge global popular music series
    RVK:
    Schlagwort(e): Unterhaltungsmusik ; Lateinamerika ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Kurzfassung: Includes bibliographical references and index
    Kurzfassung: Made in Latin America serves as a comprehensive introduction to the history, sociology, and musicology of contemporary Latin American popular music. Each essay, written by a leading scholar of Latin American music, covers the major figures, styles, and social contexts of popular music in Latin America and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music, followed by essays organized into thematic sections: Theoretical Issues; Transnational Scenes; Local and National Scenes; Class, Identity, and Politics; and Gendered Scenes.
    URL: Cover
    URL: Cover
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  • 68
    ISBN: 9781138793033 , 9781138328310
    Sprache: Englisch
    Seiten: xiii, 247 Seiten , Illustrationen
    Ausgabe: First issued in paperback
    Serie: Routledge global popular music series
    RVK:
    Kurzfassung: Made in Korea: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of contemporary Korean popular music. Each essay covers the major figures, styles, and social contexts of pop music in Korea, first presenting a general description of the history and background of popular music in Korea, followed by essays, written by leading scholars of Korean music, that are organized into thematic sections: History, Institution, Ideology; Genres and Styles; Artists; and Issues.
    Anmerkung: Literaturverzeichnis Seite 227-234
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  • 69
    ISBN: 9780190466992
    Sprache: Englisch
    Seiten: 1 online resource
    Serie: Oxford handbooks online
    Paralleltitel: Erscheint auch als The Oxford handbook of music listening in the 19th and 20th centuries
    DDC: 781.1/709
    RVK:
    Schlagwort(e): Listening ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Concerts History 19th century ; Concerts History 20th century ; Music ; Social aspects ; History ; 19th century ; Music ; Social aspects ; History ; 20th century ; Concerts ; History ; 19th century ; Concerts ; History ; 20th century ; Listening ; Aufsatzsammlung ; Konferenzschrift 2012 ; Musikhören ; Konzert ; Konzert ; Geschichte 1800-2000 ; Musiksoziologie
    Kurzfassung: This handbook takes on the task of examining the history of music listening over the past two hundred years. It uses the "art of listening" as a leitmotif encompassing an entanglement of interdependent practices and discourses about a learnable mode of perception. The art of listening first emerged around 1800 and was adopted and adapted across the public realm to suit a wide range of collective listening situations from popular to serious art forms up to the present day. Because this is a relatively new subject in historical research, the volume combines case studies from several disciplines in order to investigate whether, how, and why practices of music listening changed. Focusing on a diverse set of locations and actors and using a range of historical sources, it attempts to historicize and reconstruct the evolution of listening styles to show the wealth of variants in listening.
    Anmerkung: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 2, 2018)
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  • 70
    ISBN: 9781138942561
    Sprache: Englisch
    Seiten: xiv, 210 Seiten , Illustrationen
    Serie: Routledge research in gender and society 59
    DDC: 306.48428
    RVK:
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  • 71
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780199392469
    Sprache: Englisch
    Seiten: xii, 258 Seiten , Illustrationen
    Serie: Currents in Latin American & Iberian music
    DDC: 306.4842094641
    RVK:
    Schlagwort(e): Geschichte 1850-1930 ; Musik ; Gesellschaft ; Sozialordnung ; Madrid
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  • 72
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190653774 , 9780190870522
    Sprache: Englisch
    Seiten: xiii, 292 Seiten , Diagramme, Notenbeispiele
    DDC: 781.66117
    RVK:
    Schlagwort(e): Einführung ; Einführung ; Einführung ; Einführung
    Anmerkung: Literaturverzeichnis: Seite 267-275
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  • 73
    ISBN: 9781138058835 , 1138058831
    Sprache: Englisch
    Seiten: xxii, 480 Seiten , Illustrationen, Notenbeispiele, Diagramme, Karten,
    Serie: SOAS musicology series
    Serie: An Ashgate book
    DDC: 780.9
    RVK:
    RVK:
    Schlagwort(e): Music History and criticism ; Music History and criticism ; Music Western influences ; Music History and criticism ; Enlightenment ; Music History and criticism ; Music History and criticism ; Asia ; Music Western influences ; Asia ; Music History and criticism ; America ; Enlightenment ; Enlightenment ; Music ; Music Western influences ; America ; Asia ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Amerika ; Asien ; Musik ; Kulturkontakt ; Geschichte ; Westliche Welt ; Kulturvergleich ; Kulturanthropologie ; Weltgeschichte
    Kurzfassung: Introduction. Notes and queries on global music history / Martin Stokes -- Enlightenment. Ancient Greeks, world music and early modern constructions of Western European identity / David R. M. Irving ; Analytical encounters : global music criticism and enlightenment ethnomusicology / Estelle Joubert ; Musical thought in the global enlightenments / Philip V. Bohlman -- East Asia. Voice and song in early encounters between Latins, Mongols and Persians, c.1250-c.1350 / Jason Stoessel ; The transformation of the world : silk road musics, cross-cultural approaches and contemporary metaphors / Max Peter Baumann ; Music education in modern Japanese society / Rinko Fujita ; The (musical) imaginarium of Konishi Yasuharu, or how to make Western music Japanese / Oliver Seibt ; European music outside Europe : musical entangling and intercrossing in the case of Korea's modern history / Jin-Ah Kim ; Korean music : definitions and practices / Keith Howard ; East Asia in a global historical perspective : approaches and challenges / Nicola Spakowski -- South and South-east Asia. Heavy metal bamboo : how archaic bamboo instruments became modern in Bandung, Indonesia / Henry Spiller ; Cultural autonomy and the Indian exception : debating the aesthetics of Indian classical music in early 20th-century Calcutta / Matthew Pritchard ; Orientalism and beyond : Tagore, Foulds and cross-cultural exchanges between Indian and Western musicians / Suddhaseel Sen -- America. Why did indians sing? The appropriation of European musical practices by South-American natives in the Jesuit reducciones / Leonardo J. Waisman ; The global mission in the music of Jesuit drama / Tomasz Jez ; From abandoned huts to maps of the pampas : the topos of the huella and the representation of landscape in Argentine art music / Melanie Plesch ; Minor mode and the Andes : the pentatonic scale as topic and the musical representation of Peru / Julio Mendívil ; The rending call of the poor and forsaken street crier : the political and expressive dimension of a topic in Silvestre Revueltas's early works / Roberto Kolb-Neuhaus ; Passion and disappointment : waltz and danza topics in a Venezuelan musical nationalism masterpiece / Juan Francisco Sans ; Festivals, violins and global music histories : examples from the Caribbean and Canada / Tina K. Ramnarine
    Anmerkung: Includes bibliographical references and index , Introduction. Notes and queries on 'global music history' , Enlightenment. Ancient Greeks, world music, and early modern constructions of Western European identity , Analytical encounters : global music criticism and enlightenment ethnomusicology , Musical thought in the global enlightenments , East Asia. Voice and song in early encounters between Latins, Mongols, and Persians, ca. 1250-ca. 1350 , The transformation of the world' : silk road musics, cross-cultural approaches, and contemporary metaphors , Music education in modern Japanese society , The (musical) imaginarium of Konishi Yasuharu, or how to make Western music Japanese , 'European music' outside Europe? : musical entangling and intercrossing in the case of Korea's modern history , Korean music : definitions and practices , East Asia in a global historical perspective : approaches and challenges , South and South-east Asia. Heavy metal bamboo : how archaic bamboo instruments became modern in Bandung, Indonesia , Cultural autonomy and the 'Indian exception' : debating the aesthetics of Indian classical music in early 20th-century Calcutta , Orientalism and beyond : Tagore, Foulds and cross-cultural exchanges between Indian and Western musicians , America. Why did Indians sing? The appropriation of European musical practices by South-American natives in the Jesuit reducciones , The global mission in the music of Jesuit drama , From 'abandoned huts' to 'maps of the pampas' : the topos of the huella and the representation of landscape in Argentine art music , 'Minor mode and the Andes' : the pentatonic scale as topic and the musical representation of Peru , 'The rending call of the poor and forsaken street crier' : the political and expressive dimension of a topic in Silvestre Revueltas's early works , Passion and disappointment : waltz and danza topics in a Venezuelan musical nationalism masterpiece , Festivals, violins and global music histories : examples from the Caribbean and Canada
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  • 74
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190296612 , 9780190296605
    Sprache: Englisch
    Seiten: xviii, 229 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 781.49
    RVK:
    Schlagwort(e): Geschichte ; Sound recordings Production and direction ; Popular music Production and direction ; Musikproduktion ; Tonstudio ; Musiker ; Unterhaltungsmusik ; Unterhaltungsmusik ; Musiker ; Tonstudio ; Musikproduktion ; Geschichte
    Anmerkung: Includes bibliographical references and index
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  • 75
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780199733163
    Sprache: Englisch
    Seiten: XII, 709 Seiten , Illustrationen, Notenbeispiele
    Serie: Oxford handbooks
    DDC: 303.376
    RVK:
    Schlagwort(e): Musik ; Zensur ; Aufsatzsammlung ; Aufsatzsammlung
    Anmerkung: Includes bibliographical references and index.
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  • 76
    ISBN: 9783854456452 , 385445645X
    Sprache: Deutsch
    Seiten: 296 Seiten , 24 cm
    Ausgabe: Deutsche Erstausgabe
    Originaltitel: The show that never ends
    Paralleltitel: Erscheint auch als Weigel, David Progressive Rock
    Paralleltitel: Erscheint auch als Weigel, David Progressive Rock
    DDC: 781.66
    RVK:
    Schlagwort(e): Progressive Rock ; Progressive Rock
    Kurzfassung: Ende der 1960er-Jahre entwickelte sich eine von den meisten Musikmedien nie ganz ernst genommene, neue Musikrichtung, der sogenannte Prog-Rock. Der Fan und Musikjournalist D. Weigel beschreibt informativ, detailreich und gespickt mit vielen Anekdoten die Geschichte dieses Musikgenres. Angefangen bei Bands wie King Crimson, Procul Harum oder The Nice widmet er sich ausführlich den 1970er-Jahren, in denen Gruppen wie ELP, Yes, Jethro Tull oder Genesis die gröt︢en Stadien füllten und zu Superstars wurden. Die Zeit nach 1980 bis in die Gegenwart, mit Bands wie Marillon, Dream Theater oder Porcupine Tree wird nur relativ kurz abgehandelt. Leider gibt es keine Fotos und auch keine Diskografie. Fotos finden sich im Bildband von D. Dupuis "Progressive Rock Vinyl" (2014). Diese lesenswerte Chronik von D. Weigel ist das einzige Buch über dieses umstrittene Musikgenre
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  • 77
    ISBN: 9783854456520
    Sprache: Deutsch
    Seiten: 208 Seiten , 28 cm
    Ausgabe: Deutsche Erstausgabe
    Originaltitel: Life in technicolor
    RVK:
    Schlagwort(e): Coldplay ; Geschichte ; Biografie ; Chris Martin ; Coldplay ; Debs Wild ; Malcolm Croft ; Pop ; Viva La Vida ; Hardcover, Softcover / Sachbücher/Musik, Film, Theater/Biographien, Autobiographien ; Bildband ; Biografie ; Bildband ; Biografie ; Coldplay ; Geschichte
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  • 78
    ISBN: 9780367143091 , 9781138701359
    Sprache: Englisch
    Seiten: x, 129 Seiten , Illustrationen, Karte
    Ausgabe: First issued in paperback 2018
    Paralleltitel: Äquivalent
    RVK:
    RVK:
    Schlagwort(e): Kollektives Gedächtnis ; Jugend ; Kulturelle Identität ; Popmusik ; Europa ; Australien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Australien ; Popmusik ; Jugend ; Kollektives Gedächtnis ; Kulturelle Identität
    Kurzfassung: Popular music is increasingly being represented and celebrated as an aspect of contemporary cultural history and heritage. In many places across the world, popular music heritage sites - including museums, archives, commemorative plaques adorning buildings, and what could be referred to as DIY music heritage initiatives - constitute some of the key ways in which popular music artists, scenes and events are being remembered. Bringing together a selection of wide-ranging contributions, the purpose of this book is to present a number of case studies from Europe and Australia that demonstrate the variety of ways in which popular music is being cast as cultural heritage and as a medium that invokes the collective memory of successive generations whose identity and sense of cultural belonging have often been indelibly inscribed by the musical soundscapes of their teen and early adult years. This book was originally published as a special issue of Popular Music and Society
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  • 79
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780190637231
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Oxford handbooks online
    Paralleltitel: Erscheint auch als The Oxford handbook of timbre
    DDC: 781.2/34
    RVK:
    Schlagwort(e): Sound ; Tone color (Music) ; Tone color (Music) ; Klangfarbe ; Klang
    Kurzfassung: Pathways & Trajectories : A Guide to the Organization and Use of This Book -- Ethereal Timbres / Emily Dolan and Thomas Patteson -- Deconstruction and Timbre / Naomi Waltham-Smith -- Timbrality : The Vibrant Aesthetics of Tone Color / Isabella van Elferen -- Qur'an Alphabetics and the Timbre of Recitation / Peter McMurray -- The Matter of Timbre : Listening, Genealogy, Sound / Daniel Villegas Vélez -- Translations / Gage Averill -- 'Where Were You When You Found Out Singer Bobby Caldwell Was White?' : Racialized Timbre as Narrative Arc / Nina Sun Eidsheim and Schuyler Whelden -- Music for Cochlear Implants / Stefan Helmreich -- Schoenberg as Sound Student : Pierrot's Klang / Joseph Auner -- Pitch vs. Timbre / Daniel Walden -- Tracing Timbre in Ancient Greece / Naomi Weiss -- Early Modern Voices / Bettina Varwig -- Timbre Before Timbre : Listening to the Effects of Organ Stops, Violin Mutes and Piano Pedals c. 1650-1800 / Deirdre Loughridge -- Futurist Timbres : Listening Failure in Milan / Gavin Williams -- Timbre-Centered Listening in the Soundscape of Tuva / Theodore Levin and Valentina Süzükei -- Timbral Thievery : Synthesizers and Sonic Materiality / Jonathan De Souza -- Timbre/Techne / Alexander Rehding -- Complex Impression and Klangfarbe : Timbre as a Catalyst of Carl Stumpf's Psychological Research / Sebastian Klotz -- Don't Choose the Nightingale : Timbre, Index, and Birdsong in Respighi's "Pini di Roma" / Arman Schwartz -- The Naturalization of Timbre : Two Case Studies / Alexandra Hui -- Perceptual Processes in Orchestration / Meghan Goodchild and Stephen McAdams -- Timbre as Harmony-Harmony as Timbre / Robert Hasegawa -- Timbre and Polyphony in Balinese Gamelan / Michael Tenzer -- Describing Sound : the Cognitive Linguistics of Timbre / Zachary Wallmark and Roger A. Kendall -- Technology and Timbre : Features of the Changing Instrumental Soundscape of the Long Nineteenth Century (1789-1914) / Elizabeth Bradley Strauchen-Scherer.
    Kurzfassung: "With essays covering an array of topics including ancient Homeric texts, contemporary sound installations, violin mutes, birdsong, and cochlear implants, this volume reveals the richness of what it means to think and talk about timbre and the materiality of the experience of sound"--
    Anmerkung: Includes bibliographical references and index
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  • 80
    ISBN: 9783854456476
    Sprache: Deutsch
    Seiten: 383 Seiten , Illustrationen
    Ausgabe: Deutsche Erstausgabe
    Paralleltitel: Erscheint auch als
    DDC: 781.648
    RVK:
    Schlagwort(e): Elektronische Musik ; Globalisierung ; House ; Techno ; Rave ; Tanzmusik ; Beats ; Electronic Dance Music ; Mainstream ; Matthew Collin ; Rave On ; Raving ; Techno ; Rave ; House ; Techno ; Elektronische Musik ; Tanzmusik ; Globalisierung
    Anmerkung: Information über den Übersetzter auf der Rückseite des Titelblattes
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  • 81
    ISBN: 3854452527
    Sprache: Deutsch
    Seiten: 290 Seiten , Illustrationen
    Ausgabe: 5. Auflage
    Originaltitel: Electrochoc
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Elektronische Musik ; Techno ; Biografie ; Techno ; Geschichte ; Elektronische Musik ; Geschichte
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  • 82
    ISBN: 9781472479204
    Sprache: Englisch
    Seiten: x, 267 Seiten , Illustrationen
    RVK:
    Schlagwort(e): Smith, Harry Everett ; Geschichte 1926-1933 ; Geschichte 1952 ; Folk music ; USA ; Aufsatzsammlung
    Anmerkung: Literaturangaben
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  • 83
    Buch
    Buch
    London : Routledge
    ISBN: 9781472456830
    Sprache: Englisch
    Seiten: xvii, 382 Seiten
    DDC: 781.64081
    RVK:
    RVK:
    Anmerkung: Includes bibliographical references and index
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  • 84
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190215866
    Sprache: Englisch
    Seiten: 177 Seiten , 25 cm
    DDC: 781.1/7
    RVK:
    RVK:
    Schlagwort(e): Musical criticism History 20th century ; Music critics
    Kurzfassung: How to be a music critic in 1940s Spain : expectations and restrictions -- Reviewing contemporary music -- The sound of Hispanidad : reviewing early music -- Reviewing traditional music : towards the unity of the men and the land of Spain
    Beschreibung / Inhaltsverzeichnis: How to be a music critic in 1940s Spain : expectations and restrictions Reviewing contemporary music -- The sound of Hispanidad : reviewing early music -- Reviewing traditional music : towards the unity of the men and the land of Spain.
    Anmerkung: Includes bibliographical references
    URL: Cover
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  • 85
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780190204938
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xviii, 754 Seiten) , Illustrationen
    Serie: Oxford handbooks online
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als The Oxford handbook of the British musical
    DDC: 782.1/40941
    RVK:
    RVK:
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    Schlagwort(e): Musicals History and criticism ; Musicals ; Great Britain ; History and criticism ; Großbritannien ; Musical ; Geschichte
    Kurzfassung: As the first comprehensive academic survey of British musical theatre from its origins to its current state, this volume is a detailed guide to understanding a vibrant form of entertainment 'made in Britain'. It provides both a historical account of musical theatre from 1728 to the present day and a range of in-depth critical analyses of key works and productions that illustrate the aesthetic values and sociocultural meanings of the genre. The twenty-eight essays offer new perspectives on the British musical, conceiving it as a cultural form complementary to the American musical rather than its poor relation, and questioning the cultural bias that views shows initiated in the West End of London as second-rate imitations of classic Broadway models.
    Beschreibung / Inhaltsverzeichnis: Ballad opera : commercial song in enlightenment garb / Berta Joncus -- Between opera and musical : theatre music in early nineteenth-century London / Christine Furhmann -- Comic opera : English society in Gilbert and Sullivan / Carolyn Wiliams -- English musical comedy, 1890-1924 / Stephen Banfield -- English West End revue : the First World War and after / David Linton -- Musical comedy in the 1920s and 1930s : Mister Cinders and Me and my girl as class-conscious carnival / George Burrows -- West End royalty : Ivor Novello and English operetta, 1917-1951 / Stewart Nicholls -- The American invasion : the impact of Oklahoma! and Annie get your gun / Dominic Symonds -- 'Ordinary people' and British musicals of the post-war decade / John Snelson -- After Anger : the British musical of the late 1950s / Elizabeth A. Wells -- 'I'm common and I like 'em' : represenations of class in the period musical after Oliver! / Ben Francis -- Towards a British concept musical : the shows of Anthony Newley and Leslie Bricusse / David Cottis -- The pop-music industry and the British musical / Ian Sapiro -- 'Everybody's free to fail' : subsidized British revivals of the American canon / Sarah Browne -- Les misâerables : from epic novel to epic musical / Kathryn M. Grossman and Bradley Stephens -- 'Humming the sets' : scenography and the spectacular musical from Cats to The Lord of the Rings / Christine White -- Billy Elliot and its lineage : the politics of class and sexual identity in British musicals since 1953 / Robert Gordon -- Noèel Coward : sui generis / Dominic McHugh -- Joan Littlewood : collaboration and vision / Ben Macpherson -- Lionel Bart : British vernacular musical theatre / Millie Taylor -- Time Rice : the pop star scenario / Olaf Jubin -- Cameron Mackintosh : control, collaboration, and the creative producer / Miranda Lundskaer-Nielsen -- Andrew Lloyd Webber : haunted by the Phantom / David Chandler -- The beggar's legacy : playing with music and drama, 1920-2003 / Robert Lawson-Peebles -- Mamma mia! and the aesthetics of the twenty-first century jukebox musical / George Rodosthenous -- Attracting the family market : shows with cross-generational appeal / Rebecca Warner -- Genre counterpoints : challenges to the mainstream musical / David Roesner -- Some yesterdays always remain : Black British and Anglo-Asian musical theatre / Ben Macpherson
    Anmerkung: Literaturverzeichnis: Seite 697-705
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  • 86
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190248192
    Sprache: Englisch
    Seiten: 1 Online-Ressourcece.
    Serie: Oxford handbooks online
    DDC: 781.64209
    RVK:
    Schlagwort(e): Countrymusic ; Musikbranche
    Kurzfassung: Country music studies is a thriving interdisciplinary field. 'The Oxford Handbook of Country Music' draws upon the expertise of leading and emerging scholars to present an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century and to suggest potential avenues for further research.
    Anmerkung: Includes bibliographical references and index
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  • 87
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190603922
    Sprache: Englisch
    Seiten: 1 Online-Ressourcece.
    Serie: Oxford handbooks online
    DDC: 781.640948
    RVK:
    Kurzfassung: The Nordic countries, a group of countries spanning a large area of northern Europe and the North Atlantic, present unique natural and cultural environments in which popular music has come to play a significant role. Research on the region's music has largely followed national narratives and ignored more complex geographies and transcultural issues. This first handbook of music in the Nordic countries explores the significance of popular music in the history of the region, with implications for broader debates about the region's uniqueness and its future. The chapters highlight music's place in media and tourism industries, in sustaining exotic images of the North, but also in more serious issues such as racism and environmentalism.
    Anmerkung: Includes bibliographical references and index
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  • 88
    Buch
    Buch
    London : Routledge
    ISBN: 9781138680920 , 9781138680937
    Sprache: Englisch
    Seiten: xiv, 366 Seiten
    Ausgabe: Fourth edition
    Serie: Routledge key guides
    DDC: 781.6403
    RVK:
    RVK:
    Schlagwort(e): Popmusik ; Unterhaltungsmusik ; Wörterbuch
    Anmerkung: Literaturangaben
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  • 89
    ISBN: 9783854452522
    Sprache: Deutsch
    Seiten: 290 Seiten , Illustrationen
    Ausgabe: 5. Auflage
    RVK:
    RVK:
    Schlagwort(e): Elektronische Musik ; Tanzmusik ; Geschichte ; Techno ; Geschichte
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  • 90
    ISBN: 9781138452183
    Sprache: Englisch
    Seiten: 168 Seiten , Illustrationen, Notenbeispiele
    RVK:
    Schlagwort(e): Sufi music / Turkey / Congresses ; Sufi music / Middle East / Congresses ; Music / Social aspects / Turkey / Congresses ; Music / Social aspects / Middle East / Congresses ; Music / Religious aspects / Islam / Congresses ; Gesellschaft ; Musik ; Religion ; Sufismus ; Islam ; Musik ; Gesellschaft ; Naher Osten ; Türkei ; Osmanisches Reich ; Balkanhalbinsel ; Naher Osten ; Islamische Staaten ; Türkei ; Konferenzschrift 1991 ; Naher Osten ; Sufismus ; Musik ; Gesellschaft ; Türkei ; Sufismus ; Musik ; Gesellschaft ; Balkanhalbinsel ; Sufismus ; Musik ; Gesellschaft ; Osmanisches Reich ; Sufismus ; Musik ; Gesellschaft ; Islamische Staaten ; Islam ; Sufismus ; Musik ; Gesellschaft
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  • 91
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190299590
    Sprache: Englisch
    Seiten: viii, 187 Seiten , Illustrationen, Diagramme
    DDC: 306.4/84240973
    RVK:
    Schlagwort(e): Geschichte ; Musik ; Identität ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Anmerkung: Literaturverzeichnis: Seite [173]-182
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  • 92
    ISBN: 9781138298668 , 9781138840010
    Sprache: Englisch
    Seiten: xiii, 256 Seiten , Illustrationen, Diagramme, Notenbeispiele
    Ausgabe: First issued in paperback
    Serie: Routledge studies in popular music 7
    Serie: Routledge studies in popular music
    Originaltitel: Sounding out K-Pop: globalization, asymmetries, and popular music in South Korea
    Dissertationsvermerk: Dissertation Universität Heidelberg 2013
    RVK:
    Schlagwort(e): Hochschulschrift ; Südkorea ; Unterhaltungsmusik
    Anmerkung: Dissertation erschienen unter dem Ttiel: Fuhr, Michael: Sounding out K-Pop: globalization, asymmetries, and popular music in South Korea , Literaturangaben , "First published 2016 by Routledge" - Rückseite Titelblatt
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  • 93
    ISBN: 9781138575592 , 9781138775961
    Sprache: Englisch
    Seiten: xii, 181 Seiten , Illustrationen
    Ausgabe: [First paperback edition]
    Serie: Media, culture and social change in Asia 40
    DDC: 781.63095195
    RVK:
    RVK:
    RVK:
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  • 94
    ISBN: 9781472479624 , 9781138363069
    Sprache: Englisch
    Seiten: xvii, 320 Seiten
    Serie: Ashgate popular and folk music series
    DDC: 781.640943
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Popmusik ; Deutsch ; Musiksoziologie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Anmerkung: References and further reading: Seite 265-303 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 95
    ISBN: 9780195307245
    Sprache: Englisch
    Seiten: xxxv, 240 Seiten , Karten
    DDC: 780.8996
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Afroamerikanische Musik ; Schwarze ; Soziokultureller Wandel ; Diaspora ; Musiker ; Migration ; Soziale Funktion
    Anmerkung: Bibliography Seite 221-233
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  • 96
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190212605 , 9780190212599
    Sprache: Englisch
    Seiten: xv, 210 Seiten , Illustrationen
    DDC: 306.484240948
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Popmusik ; Rap ; Reggae ; Folk music ; Radikalismus ; Nationalismus ; Schweden
    Anmerkung: Literaturverzeichnis: Seite 189-206
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  • 97
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190244736
    Sprache: Englisch
    Seiten: 1 Online-Ressourcece.
    Serie: Oxford handbooks online
    DDC: 306.4842
    RVK:
    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Kurzfassung: Music has been a vital part of leisure activity across time and cultures. Contemporary commodification, commercialization, and consumerism, however, have created a chasm between conceptualizations of music making and numerous realities in our world. From a broad range of perspectives and approaches, this handbook explores avocational involvement with music (i.e., amateur, recreation) as an integral part of the human condition. The chapters in The Oxford Handbook of Music Making and Leisure present a myriad of ways for reconsidering-refocusing attention on-the rich, exciting, and emotionally charged ways in which people of all ages make time for making music through music learning and participation.
    Anmerkung: Includes bibliographical references and index
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  • 98
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780197619544
    Sprache: Englisch
    Seiten: xii, 575 Seiten , Illustrationen, Diagramme , 25 cm
    Ausgabe: First printed as an Oxford University Press paperback
    DDC: 781.64209
    RVK:
    Schlagwort(e): Country music History and criticism ; Countrymusic ; Countrymusic
    Anmerkung: Originally published: 2017
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  • 99
    ISBN: 9781472424792
    Sprache: Englisch
    Seiten: xx, 282 Seiten , Illustrationen, Diagramme, Notenbeispiele , 24 cm
    Serie: Ashgate popular and folk music series
    Paralleltitel: Erscheint auch als Heavy metal, gender and sexuality
    DDC: 781.66081
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Heavy metal music History and criticism ; Gender identity in music ; Sex in music ; Aufsatzsammlung ; Konferenzschrift ; Heavy Metal ; Geschlechterrolle ; Geschlechtsidentität
    Kurzfassung: Heavy metal culture : a case of limited diversity in gender and sexuality? Playing with gender in the key of metal / Deena Weinstein ; "Coming out" : realising the possibilities of metal / Keith Kahn-Harris ; Metal, masculinity, and the queer subject / Amber R. Clifford-Napoleone -- Solo metal masculinities. Living history : the guitar virtuoso and composer Steve Vai / Michael Custodis ; "Never say die!" : Ozzy Osbourne as a male role model / Dietmar Elflein ; Placing gender : Alice Cooper's Motor City move / Sarah Gerk -- Extended critical metal masculinities. Wild side : self-styling and the aesthetics of metal in the music videos of Mötley Crüe / Mollie Ables ; "Body Count's in the house" : challenging the US working-class metal-hero / Thorsten Hindrichs -- The monstrous male and myths of masculinity in heavy metal / Niall Scott -- Interlude. Female metal singers : a panel discussion with Sabina Classen, Britta Görtz, Angela Gossow and Doro Pesch / Sarah Chaker and Florian Heesch -- Dialogues and intermediaries. What is "male" about black and death metal music? : an empirical approach / Sarah Chaker ; "Girls like metal, too!" : female reader's engagement with the masculinist culture of the tabloid metal magazine / Andy R. Brown ; "This isn't over 'til I say it's over!" : narratives of male frustration in deathcore and beyond / Marcus Erbe -- Relocating violence in thrash metal lyrics : the Tori Amos cover of Slayer's Raining blood / Luc Bellemare ; Liquid identity : love, heavy metal and the dynamics of gender in animé soundtracks / Maria Grajdian -- Global and local perspectives. Heavy, death and doom metal in Brazil : a study on the creation and maintenance of stylistic boundaries within metal bands / Hugo Ribeiro ; Brutal masculinity in Osaka's extreme-metal scene / Rosemary Overell ; Race and gender in globalized and postmodern metal / Magnus Nilsson
    Beschreibung / Inhaltsverzeichnis: Heavy metal culture : a case of limited diversity in gender and sexuality? Playing with gender in the key of metal / Deena Weinstein ; "Coming out" : realising the possibilities of metal / Keith Kahn-Harris ; Metal, masculinity, and the queer subject / Amber R. Clifford-NapoleoneSolo metal masculinities. Living history : the guitar virtuoso and composer Steve Vai / Michael Custodis ; "Never say die!" : Ozzy Osbourne as a male role model / Dietmar Elflein ; Placing gender : Alice Cooper's Motor City move / Sarah Gerk -- Extended critical metal masculinities. Wild side : self-styling and the aesthetics of metal in the music videos of Mötley Crüe / Mollie Ables ; "Body Count's in the house" : challenging the US working-class metal-hero / Thorsten Hindrichs -- The monstrous male and myths of masculinity in heavy metal / Niall Scott -- Interlude. Female metal singers : a panel discussion with Sabina Classen, Britta Görtz, Angela Gossow and Doro Pesch / Sarah Chaker and Florian Heesch -- Dialogues and intermediaries. What is "male" about black and death metal music? : an empirical approach / Sarah Chaker ; "Girls like metal, too!" : female reader's engagement with the masculinist culture of the tabloid metal magazine / Andy R. Brown ; "This isn't over 'til I say it's over!" : narratives of male frustration in deathcore and beyond / Marcus Erbe -- Relocating violence in thrash metal lyrics : the Tori Amos cover of Slayer's Raining blood / Luc Bellemare ; Liquid identity : love, heavy metal and the dynamics of gender in animé soundtracks / Maria Grajdian -- Global and local perspectives. Heavy, death and doom metal in Brazil : a study on the creation and maintenance of stylistic boundaries within metal bands / Hugo Ribeiro ; Brutal masculinity in Osaka's extreme-metal scene / Rosemary Overell ; Race and gender in globalized and postmodern metal / Magnus Nilsson.
    Anmerkung: Literaturangaben
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  • 100
    Buch
    Buch
    London : Routledge
    ISBN: 9781409457763
    Sprache: Englisch
    Seiten: xii, 208 Seiten , Illustrationen
    Serie: Ashgate popular and folk music series
    Paralleltitel: Erscheint auch als Robinson, Roxy Music festivals and the politics of participation
    DDC: G:gb S:pm Z:40
    RVK:
    Schlagwort(e): Großbritannien ; Unterhaltungsmusik ; Musikfestspiel ; Musikbranche ; Sozialgeschichte
    Anmerkung: Includes bibliographical references and index
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