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  • New York [u.a.] : Routledge  (151)
  • Durham : Duke University Press  (130)
  • Musicology  (188)
  • English Studies  (87)
  • Engineering  (14)
Material
Language
Subjects(RVK)
  • 1
    ISBN: 9781478025702 , 9781478020967
    Language: English
    Pages: xii, 242 Seiten , Illustrationen
    Series Statement: Anima
    Series Statement: critical race studies otherwise
    Parallel Title: Erscheint auch als Luciano, Dana How the earth feels
    Parallel Title: Erscheint auch als Luciano, Dana How the earth feels
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    Keywords: c 1800 to c 1900 ; 19. Jahrhundert (1800 bis 1899 n. Chr.) ; Geology in literature ; Geology Social aspects 19th century ; History ; Geology History 19th century ; American literature History 19th century ; NATURE / Environmental Conservation & Protection ; HISTORY / Modern / 19th Century ; Conservation of the environment ; General & world history ; Geschichte allgemein und Weltgeschichte ; SOC069000 ; Umweltschutz
    Abstract: "By the start of the nineteenth century, the impact of the geological sciences and advancements in the field had radically expanded people's perception of the Earth's age. In How the Earth Feels, Dana Luciano maps the emergence of a "geological fantasy," in which increased knowledge of planetary life was used to racialize Native peoples as fossils and curiosities. Further, the geological fantasy served to cement the notion that the Earth had been preparing for the presence of humans, and that humans were in fact the ultimate expression of the Earth's teleological development in a both scientific and spiritual sense. Counterposing a range of texts-from early European and US geological texts to Indigenous accounts of earthquakes to African American men's anti-slavery writing featuring geological tropes-Luciano reveals the workings of the geological fantasy as it operated across the racial and biopolitical discourses of the nineteenth-century United States. Luciano offers a rich and historically nuanced account of how imagined relations with the non-human world have long served as a means of avoiding engagement with the dynamics of racial and colonial power"
    Abstract: Dana Luciano examines the impacts of the new science of geology on nineteenth-century US culture, showing how it catalyzed transformative conversations regarding the intersections between humans and the nonhuman world
    Description / Table of Contents: The "Fashionable Science" -- 'The Infinite Go-Before of the Present': Geological Time, Worldmaking, and Race in the Nineteenth Century -- Unsettled Ground: Indigenous Prophecy, Geological Fantasy, and the New Madrid Earthquakes -- Romancing the Trace: Ichnology, Affect, Race -- Matters of Spirit: Vibrant Materiality and White Femme Geophilia -- The Natural History of Freedom: Blackness, Geomorphology, Worldmaking -- Ishmael's Anthropocenes and Others: Geological Fantasy in the Twentiethfirst Century.
    Note: Includes bibliographical references and index
    URL: Cover  (lizenzpflichtig)
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  • 2
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478016762 , 9781478019381
    Language: English
    Pages: 119 Seiten, Seiten 3-26 Illustrationen
    Series Statement: Practices
    Parallel Title: Erscheint auch als
    DDC: 306.109747
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    Note: Literaturverzeichnis: Seite [107]-119
    URL: Cover  (lizenzpflichtig)
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  • 3
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478027058
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 306.4846
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    Keywords: Geschichte 2000-2023 ; Nachtleben ; Elektronische Tanzmusik ; Nähe ; Party ; House ; Berlin ; Paris ; Chicago, Ill. ; Chicago, Ill. ; Paris ; Berlin ; Elektronische Tanzmusik ; House ; Nachtleben ; Party ; Nähe ; Geschichte 2000-2023
    Note: Bevorzugte Informationsquelle Landingpage (Duke), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478024491
    Language: English
    Pages: 1 Online-Ressource (248 p.)
    DDC: 305.4209797
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    Abstract: Revolutionary Feminists tells the story of the radical women's liberation movement in Seattle in the 1960s and 1970s from the perspective of a founding member, Barbara Winslow. Drawing on her collection of letters, pamphlets, and photographs as well as newspaper accounts, autobiographies, and interviews, Winslow emphasizes the vital role that Black women played in the women's liberation movement to create meaningful intersectional coalitions in an overwhelmingly White city. Winslow brings the voices and visions of those she calls the movement's "ecstatic utopians" to life. She charts their short-term successes and lasting achievements, from organizing women at work and campaigning for subsidized childcare to creating women-centered rape crisis centers, health clinics, and self-defense programs. The Seattle movement was essential to winning the first popular vote in the United States to liberalize abortion laws. Despite these achievements, Winslow critiques the failure of the movement's White members to listen to Black, Latina, Indigenous, and Asian American and Pacific Islander feminist activists. Reflecting on the Seattle movement's accomplishments and shortcomings, Winslow offers a model for contemporary feminist activism.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Image
    Image
    Durham : Duke University Press
    ISBN: 9781478025382 , 9781478020615
    Language: English
    Pages: xii, 267 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive time
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive Time
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive Time
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    Keywords: Aesthetics, Black ; Time in literature ; Time and art ; Aesthetics in literature ; Literature Black authors ; Artists, Black ; Authors, Black ; Utopias in literature ; SOCIAL SCIENCE / Black Studies (Global) ; LITERARY CRITICISM / Semiotics & Theory ; Schwarze ; Person of Color ; Kunst ; Zeit
    Abstract: "In Fugitive Time, Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. "Fugitive time" names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release, but instead sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective's Twilight City to Sun Ra's transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression"--
    Description / Table of Contents: Black Beyondness -- Toni Morrison's Anachronic Ease -- Aimé Césaire, Wifredo Lam, and the Aesthetics of Surging Life -- Black Audio's Archival Flight -- Sun Ra, Issa Samb, and the Drapetomaniacal Avant-Garde -- Yvonne Vera, NoViolet Bulawayo, and the Imminence of Dreaming Air -- Fugitive Ether.
    Note: Includes bibliographical references and index
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  • 6
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478024040
    Language: English
    Pages: 1 online resource (153 pages)
    Edition: 1st ed.
    Series Statement: Practices Ser.
    Parallel Title: Erscheint auch als
    DDC: 306.109747
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    Keywords: Electronic books
    Abstract: McKenzie Wark takes readers into the undisclosed locations of New York's thriving queer rave scene, showing how raving to techno is an art and technique at which queer and trans bodies might be particularly adept, but which is for anyone who lets the beat seduce them.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
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  • 7
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478018872 , 9781478016236
    Language: English
    Pages: xiv, 218 Seiten
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Abstract: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Description / Table of Contents: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
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  • 8
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478023500
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Note: Bevorzugte Informationsquelle Ladingpage (Duke), da weder Titelblatt nocht Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    ISBN: 9781478022534
    Language: English
    Pages: 1 Online-Ressource (xii, 167 Seiten)
    Series Statement: Thought in the Act : 18
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.48/33
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    Keywords: SOCIAL SCIENCE / Media Studies ; Communication and technology Philosophy ; Communication and technology Social aspects ; Communication and the arts Philosophy ; Sound (Philosophy) ; Sound (Philosophy) ; Technology Philosophy ; Computerunterstützte Kommunikation ; Hören ; Philosophie ; Klang ; Computerunterstützte Kommunikation ; Klang ; Hören ; Philosophie
    Abstract: In Listening in the Afterlife of Data, David Cecchetto theorizes sound, communication, and data by analyzing them in the contexts of the practical workings of specific technologies, situations, and artworks. In a time he calls the afterlife of data-the cultural context in which data's hegemony persists even in the absence of any belief in its validity-Cecchetto shows how data is repositioned as the latest in a long line of concepts that are at once constitutive of communication and suggestive of its limits. Cecchetto points to the failures and excesses of communication by focusing on the power of listening-whether through wearable technology, internet-based artwork, or the ways in which computers process sound-to pragmatically comprehend the representational excesses that data produces. Writing at a cultural moment in which data has never been more ubiquitous or less convincing, Cecchetto elucidates the paradoxes that are constitutive of computation and communication more broadly, demonstrating that data is never quite what it seems
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) , In English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    ISBN: 9781478016168 , 9781478018797
    Language: English
    Pages: xiii, 248 Seiten , Illustrationen, Diagramme, Karten
    Parallel Title: Erscheint auch als Pilkey, Orrin H., 1934 - Vanishing sands
    DDC: 577.69/9
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    Keywords: Sand and gravel mines and mining Environmental aspects ; Coasts Environmental aspects ; Sea level Environmental aspects ; Beaches Environmental aspects ; Seashore ecology ; Mines and mineral resources Environmental aspects ; Ökosystem ; Umweltschaden ; Verhalten ; Natürliche Ressourcen ; Bergbau ; Raubbau ; Küstengebiet ; Küste ; NATURE / Ecosystems & Habitats / Coastal Regions & Shorelines ; NATURE / Environmental Conservation & Protection ; Erde
    Abstract: Who's Mining the Shore? -- Sand: Earth's Most Remarkable Mineral Resource -- Singapore Sand Bandits: Sitting on Asia's Sandpile -- The Sands of Crime: Mafia, Sand Robbers, and Law Benders -- Sand Rivers to the Beach: Choked Flow -- Barbuda and Other Islands: Lessons from the Caribbean -- A Summoner's Thirteen Tales: South America's Coastal Sand Mining -- A Different Kind of Sand Mining: Legal but Destructive -- Africa Sands: Desert Abundance-Coastal Dearth -- Beach Mining: Truths and Solutions.
    Abstract: "In a time of accelerating sea level rise and increasingly intensifying storms, the world's sandy beaches and dunes have never been more crucial to protecting coastal environments. Yet, in order to meet the demands of large-scale construction projects, sand mining is stripping beaches and dunes, destroying environments, and exploiting labor in the process. The authors of Vanishing Sands track the devastating impact of legal and illegal sand mining over the past twenty years, ranging from Africa, Asia, and the Caribbean to South America and the eastern United States. They show how sand mining has reached crisis levels: beach, dune, and river ecosystems are in danger of being lost forever, while organized crime groups use deadly force to protect their illegal mining operations. Calling for immediate and widespread resistance to sand mining, the authors demonstrate that its cessation is paramount for saving beaches, dunes, and associated environments, plus lives and tourism economies everywhere"--
    Note: Includes bibliographical references and index
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  • 11
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478014089 , 9781478011941
    Language: English
    Pages: xxii, 552 Seiten , Illustrationen
    Series Statement: Refiguring American music
    DDC: 782.421640973
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    Keywords: Volksmusik ; Popmusik ; USA
    Note: Literaturverzeichnis Seite 446-512
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  • 12
    ISBN: 9781478010678 , 9781478011798
    Language: English
    Pages: vi, 295 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1950-1980 ; Popmusik ; Asien ; Popular music / Asia / History and criticism ; Popular music / Political aspects / Asia ; Cold War ; Music / Asia / History and criticism ; Music / 20th century / History and criticism ; Music / Social aspects / Asia ; Music ; Music / Social aspects ; Popular music ; Popular music / Political aspects ; Asia ; 1900-1999 ; Criticism, interpretation, etc ; Asien ; Popmusik ; Geschichte 1950-1980
    Abstract: "The contributors to Sound Alignments explore the myriad forms of popular music that circulated across Asia under the uneven Cold War situation of the 1950s, 1960s and beyond. Geographically, the regions covered stretch from India to Indonesia, Hong Kong, China, South Korea, Okinawa, and Japan. The genres of music explored include various forms of pop, rock, folk, and "yellow music," as well as traditional musics of Asia. Because the Cold War meant radically different things depending on location and time, it is examined from multiple perspectives: socialist internationalism, the nonaligned movement, and the anti-communist developmentalist and capitalist blocs"--
    Description / Table of Contents: Musical travels of the Coconut Isles and the socialist popular / Jennifer Lindsay -- Vehicles of progress : the Kerala rikshawala at the intersection of communism and social realism / Nisha Kommattam -- East Asian pop music and an incomplete regional contemporary / C. J. W.-L. Wee -- Searching for youth, the people (Minjung), and "another" West while living through anti-communist Cold War politics : South Korean "folk song" in the 1970s / Hyunjoon Shin -- Cosmopolitanism, vernacular cosmopolitanism, and sound alignments : covers and Cantonese cover songs in 1960s Hong Kong / Hon-Lun Yang -- Sonic imaginaries of Okinawa : Daiku Tetsuhiro's cosmopolitan "paradise" / Marié Abe -- Translated fronts : popular songs of socialist cosmopolitanism in Cold War India / Anna Schultz -- Yellow music criticism during China's anti-rightist movement / Qian Zhang -- Afterword: Asia's soundings of the Cold War / Christine R. Yano
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  • 13
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478014393 , 9781478013471
    Language: English
    Pages: 132 Seiten , 1 Illustration
    Series Statement: Singles
    DDC: 782.42166092
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    Keywords: Popmusik ; USA
    Note: Bibliography Seite 125-126
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  • 14
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478021698
    Language: English
    Pages: 1 Online-Ressource (140 p.)
    Series Statement: Singles
    DDC: 782.42166092
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    Keywords: Popmusik ; USA
    Abstract: Jonathan Richman and the Modern Lovers' 1972 song "Roadrunner" captures the freedom and wonder of cruising down the highway late at night with the radio on. Although the song circles Boston's beltway, its significance reaches far beyond Richman's deceptively simple declarations of love for modern moonlight, the made world, and rock & roll. In Roadrunner, cultural theorist and poet Joshua Clover charts both the song's emotional power and its elaborate history, tracing its place in popular music from Chuck Berry to M.I.A. He also locates "Roadrunner" at the intersection of car culture, industrialization, consumption, mobility, and politics. Like the song itself, Clover tells a story about a particular time and place-the American era that rock & roll signifies-that becomes a story about love and the modern world.
    URL: Cover
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  • 15
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478021391 , 147802139X
    Language: English
    Pages: 1 Online-Ressource (xxii, 530 Seiten) , Illustrationen
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Weisbard, Eric Songbooks
    DDC: 782.421640973
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    Keywords: Popular music History and criticism ; Popular music Historiography ; Electronic books ; USA ; Volksmusik ; Popmusik
    Abstract: Setting the Scene -- The Jazz Age -- Midcentury Icons -- Vernacular Counterculture -- After the Revolution -- New Voices, New Methods -- Topics in Progress.
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 16
    ISBN: 9781478021452
    Language: English
    Pages: 1 online resource (313 pages)
    Parallel Title: Erscheint auch als
    DDC: 306.362
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    Keywords: Slavery Political aspects ; Slavery Economic aspects ; Women slaves ; Slavery-Political aspects-America ; Slavery-Economic aspects-America ; Women slaves-America ; Electronic books
    Abstract: Jennifer L. Morgan draws on the lived experiences of enslaved African women in the sixteenth- and seventeenth-centuries to reveal the contours of early modern notions of trade, race, and commodification in the Black Atlantic.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 17
    ISBN: 9781478012009 , 1478012005
    Language: English
    Pages: 1 Online-Ressource (xiv, 245 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 781.63089/915507949
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    Keywords: Iranians / Music / California / Los Angeles ; Popular music / History and criticism / California / Los Angeles ; Iranians / Ethnic identity / California / Los Angeles ; Iranian diaspora ; Popular music / History and criticism / Iran ; Music / Political aspects / History / 20th century / Iran ; Iranischer Einwanderer ; Iranier ; Popmusik ; Los Angeles, Calif. ; Los Angeles, Calif. ; Iranischer Einwanderer ; Iranier ; Popmusik
    Abstract: Introduction -- The Capital of 6/8 -- Iranian popular music and history: Views from Tehrangeles -- Expatriate erotics, homeland moralities -- Iran as a singing woman -- A nation in recovery -- Conclusion: Forty years
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 18
    ISBN: 9781478004684 , 9781478004073
    Language: English
    Pages: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Abstract: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Note: Includes bibliographical references and index
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  • 19
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478008415
    Language: English
    Pages: XXXIV, 476 Seiten, 8 ungezählte Seiten , Illustrationen
    Edition: Republished with new preface
    Parallel Title: Online version Szwed, John F., 1936- Space is the place
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    Keywords: Sun Ra ; Biografie ; Biografie
    Abstract: "Sun Ra - a/k/a Herman Poole "Sonny" Blount - was born in Alabama on May 22, 1914. But like Father Divine and Elijah Muhammad, he made a lifelong effort to obscure many of the facts of his early life. After years as a rehearsal pianist for nightclub revues and in blues and swing bands, including Wynonie Harris's and Fletcher Henderson's, Sun Ra set out in the 1950s to find a way to impart his values about the galaxy, Black people, and spiritual matters through the various incarnations of the Intergalactic Arkestra. His repertoire ranging from boogie-woogie, swing, and bebop to free form, fusion, and whatever, Sun Ra was above all a paragon of contradictions: profundity and vaudeville; technical pianistic virtuosity and irony; assiduous attention to arrangements and encouragement of collective improvisation; respect for tradition and celebration of the fresh"--
    Note: Selected bibliography Seite 409-425 , Discography Seite 427-448 , "This is a paperback re-issue of the 1997 hardcover title published by Pantheon"--Provided by publisher
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  • 20
    ISBN: 9781478008323 , 9781478007838
    Language: English
    Pages: ix, 254 Seiten , Illustrationen
    Series Statement: Black studies gender and sexuality
    Parallel Title: Erscheint auch als Pinto, Samantha Infamous bodies
    DDC: 305.48/896073
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    Keywords: Wheatley, Phillis ; Hemings, Sally ; Baartman, Sarah ; Seacole, Mary ; Bonetta, Sarah Forbes ; Women, Black, in popular culture ; African American women in popular culture ; Women, Black Legal status, laws, etc ; African American women Legal status, laws, etc ; African American feminists ; Womanism ; Fame Social aspects ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Abstract: "INFAMOUS BODIES portrays ...
    Note: Includes bibliographical references and index
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  • 21
    ISBN: 9781478009597 , 9781478008699
    Language: English
    Pages: x, 217 Seiten
    Series Statement: Refiguring American music
    DDC: 781.644
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    Keywords: Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; USA
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  • 22
    ISBN: 9781478011224 , 9781478010197 , 1478010193 , 147801122X
    Language: English
    Pages: xiv, 392 Seiten
    Series Statement: Refiguring american music
    Parallel Title: Online version Mahon, Maureen Black diamond queens
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    Keywords: Schwarze ; Frau ; Rockmusik ; USA
    Abstract: African American women have played a pivotal part in rock and roll-from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
    Note: Literaturverzeichnis: Seite [349]-373 , Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
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  • 23
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478005827 , 9781478006275
    Language: English
    Pages: 235 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 808.06/6378
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    Keywords: Academic writing ; English language Rhetoric ; Englisch ; Wissenschaftssprache ; Stilistik
    Abstract: "Every day I write the book, a guide to style and writing for academics, is Amitava Kumar's fifth book of creative nonfiction with Duke University Press. Written in short first-person vignettes, this book melds form and content to explore the writing process both in and out of the academy, while offering a portrait of Kumar's writing life throughout. Kumar, whose background is in literary theory, cultural studies, and postcolonial theory, has long been a critic of academic writing and an advocate for academics to write in a more 'writerly' style. This book is an attempt to bring together reflections on Kumar's own writing style and models used by other academics. It notably collects firsthand testimony on writing from many established writers and academics-Anna Tsing, Jack Halberstam, Rob Nixon, and Kathleen Stewart, to name a few-and engages with the work of contemporary nonfiction writers such as Geoff Dyer, Claudia Rankine, and Maggie Nelson. The book is divided into nine sections-each with several sub-chapters-and two appendixes: Kumar's "Ten Rules of Writing" and a reprinted PEN 10 interview. It will be of wide interest to readers of creative nonfiction, as well as to scholars and students of writing and rhetoric"--
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  • 24
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012245 , 1478012242
    Language: English
    Pages: 1 Online-Ressource (x, 217 pages)
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 781.644
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    Keywords: Geschichte 1960- ; Soul music / History and criticism ; Soul musicians ; African Americans / Music / History and criticism ; Music and race / History / 20th century / United States ; Popular music / History and criticism / United States ; Resilienz ; Afroamerikanische Musik ; Ethnische Identität ; Soulmusiker ; USA ; USA ; Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; Resilienz ; Geschichte 1960-
    Abstract: From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 25
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009283
    Language: English
    Pages: 1 Online-Ressource (ix, 254 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.48/896073
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    Keywords: Geschichte ; SOCIAL SCIENCE / Black Studies (Global) ; African American feminists ; African American women in popular culture ; African American women Legal status, laws, etc ; Fame Social aspects ; Womanism ; Women, Black Legal status, laws, etc ; Women, Black, in popular culture ; Feministin ; Schwarze Frau ; USA ; Biografie ; Biografie ; Biografie ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Abstract: The countless retellings and reimaginings of the private and public lives of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta have transformed them into difficult cultural and black feminist icons. In Infamous Bodies Samantha Pinto explores how histories of these black women and their ongoing fame generate new ways of imagining black feminist futures. Drawing on a variety of media, cultural, legal, and critical sources, Pinto shows how key political concepts such as freedom, consent, contract, citizenship, and sovereignty are shaped by the narratives surrounding these eighteenth- and nineteenth-century celebrities. Whether analyzing Wheatley's fame in relation to conceptions of race and freedom, notions of consent in Hemings' relationship with Thomas Jefferson, or Baartman's ability to enter into legal contracts, Pinto reveals the centrality of race, gender, and sexuality in the formation of political rights. In so doing, she contends that feminist theories of black women's vulnerable embodiment can be the starting point for future progressive political projects
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 26
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781478009283
    Language: English
    Pages: 1 Online-Ressource (265 pages)
    DDC: 305.48896073
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    Abstract: Samantha Pinto explores how histories of and the ongoing fame of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta generate new ways of imagining black feminist futures.
    Note: Description based on publisher supplied metadata and other sources
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  • 27
    ISBN: 9781478008880
    Language: English
    Pages: 1 Online-Ressource (xvi, 310 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.5/2
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    Keywords: SOCIAL SCIENCE / Anthropology / Cultural & Social ; Celebrities in mass media ; Fame Social aspects ; Hispanic American mass media ; Hispanic Americans in mass media ; Mass media and culture ; Mass media Political aspects ; Paparazzi ; Popular culture ; Women journalists ; Berühmte Persönlichkeit ; Paparazzo ; Regenbogenpresse ; Diskriminierung ; USA ; Los Angeles- Hollywood ; USA ; Los Angeles- Hollywood ; Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung
    Abstract: In Manufacturing Celebrity Vanessa Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture. Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Díaz examines the racialized and gendered labor involved in manufacturing and selling relatable celebrity personas. Celebrity reporters, most of whom are white women, are expected to leverage their sexuality to generate coverage, which makes them vulnerable to sexual exploitation and assault. Meanwhile, the predominantly male Latino paparazzi can face life-threatening situations and endure vilification that echoes anti-immigrant rhetoric. In pointing out the precarity of those who hustle to make a living by generating the bulk of celebrity media, Díaz highlights the profound inequities of the systems that provide consumers with 24/7 coverage of their favorite stars
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 28
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012771 , 1478012773
    Language: English
    Pages: 1 Online-Ressource (xiv, 392 pages) , illustrations
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als
    DDC: 782.421660820973
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    Keywords: Geschichte 1950-1990 ; African American women rock musicians / History / 20th century / United States ; Rock music / Social aspects ; Music and race ; Rockmusikerin ; Schwarze ; Ethnische Identität ; Geschlechterrolle ; USA ; USA ; Rockmusikerin ; Schwarze ; Geschlechterrolle ; Ethnische Identität ; Geschichte 1950-1990
    Abstract: Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 29
    ISBN: 9781478009436 , 9781478008545
    Language: English
    Pages: xvi, 310 Seiten , Illustrationen
    DDC: 305.52
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    Keywords: Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung ; USA ; Los Angeles- Hollywood
    Note: Literaturverzeichnis Seite 271-300
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  • 30
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478005537
    Language: English
    Pages: 1 Online-Ressource (ix, 236 Seiten)
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; Photography in ethnology-United States-History ; Electronic books ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; Rassenfrage ; Fotografie
    Abstract: In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 31
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009139
    Language: English
    Pages: 1 Online-Ressource (xiii, 247 Seiten) , Illustrationen
    Series Statement: A Camera Obscura Book
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.84/8
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    Keywords: Geschichte ; Hollywood marriage plot ; changing narrative of intimacy ; valorization of intimacy ; PERFORMING ARTS / Film & Video / History & Criticism ; Homosexuality in motion pictures ; Lesbianism in motion pictures ; Marriage ; Same-sex marriage ; Homosexualität ; Film ; Ehe ; USA ; USA ; Film ; Homosexualität ; Ehe ; Geschichte
    Abstract: In Reattachment Theory Lee Wallace argues that homosexuality-far from being the threat to "traditional" marriage that same-sex marriage opponents have asserted-is so integral to its reimagining that all marriage is gay marriage. Drawing on the history of marriage, Stanley Cavell's analysis of Hollywood comedies of remarriage, and readings of recent gay and lesbian films, Wallace shows that queer experiments in domesticity have reshaped the affective and erotic horizons of heterosexual marriage and its defining principles: fidelity, exclusivity, and endurance. Wallace analyzes a series of films-Dorothy Arzner's Craig's Wife (1936); Tom Ford's A Single Man (2009); Lisa Cholodenko's High Art (1998), Laurel Canyon (2002), and The Kids Are All Right (2010); and Andrew Haigh's Weekend (2011) and 45 Years (2015)-that, she contends, do not simply reflect social and legal changes; they fundamentally alter our sense of what sexual attachment involves as both a social and a romantic form
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 32
    ISBN: 9781478007906 , 9781478008361
    Language: English
    Pages: xiv, 245 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Parallel Title: Erscheint auch als Hemmasi, Farzaneh, 1975- Tehrangeles dreaming
    DDC: 781.63089915507949
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    Keywords: Popmusik ; Iranier ; Iranischer Einwanderer ; Los Angeles, Calif. ; Iranians / California / Los Angeles / Music ; Popular music / California / Los Angeles / History and criticism ; Iranians / California / Los Angeles / Ethnic identity ; Iranian diaspora ; Popular music / Iran / History and criticism ; Music / Political aspects / Iran / History / 20th century ; Iranian diaspora ; Iranians / Ethnic identity ; Music / Political aspects ; Popular music ; California / Los Angeles ; Iran ; 1900-1999 ; Criticism, interpretation, etc ; History ; Los Angeles, Calif. ; Iranischer Einwanderer ; Iranier ; Popmusik
    Abstract: "Tehrangeles, a name that combines Tehran and Los Angeles, is the home of an extensive Iranian expatriate culture industry. The music and popular culture created in Tehrangeles is broadcast by satellite television around the globe and has been immensely popular in Iran and throughout the Iranian diaspora. In TEHRANGELES DREAMING, Farzaneh Hemmasi traces the sources of the music's popularity, showing the ways it is unquestionably Iranian yet able to express ideas and affects not possible within the country itself. The attachment to homeland comes through the Iranian rhythms, but the music frequently features female solo singers or dancers, which are forbidden within the Iranian state. At the same time the music is associated with stereotypes of rich emigres and Southern California, and thus dismissed by others. The music is unabashedly pop and generally apolitical, which Hemmasi shows to be the source of its politics.
    Abstract: The introduction sets up the argument and tells the story of the growth of the industry and the Los Angeles Iranian community in the context of post-revolutionary Iran. Chapter 2 describes the origins of Tehrangeles dance pop and its use of the six/eight time signature, a traditional Iranian dance rhythm long-associated with intimacy. Hemmasi argues that the practices and attitudes around six/eight time establish a sense of common sociality among cultural insiders but are also a sometime source of embarrassment. Chapter 3 focuses on expatriate narratives of Iranian popular music history. Hemmasi provides three views on the history of Iranian popular music prior to the revolution from four men involved with the music business since the 1950s and 1960s. Chapter 4 is about homeland, and the desire to return to the homeland of Iran through music and the reinvention of culture.
    Abstract: Cultural producers in Tehrangeles operate within multiple moral, legal, and transnational regimes that they often only partially predict or comprehend. Chapters 5 and 6 focus on two expatriate musical celebrities who have claimed to reach and represent the nation from afar: Googoosh, who is a popular female singer; and Dariush Eghbali, who is an activist whose music and media exist in the space between political and personal transformation. The book concludes with a chapter on the changes that have occurred in Iran since the Iranian Revolution and the establishment of expatriate industries in Southern California, affirming the dreaming space of music, creation, and negotiation of both expatriates and people living in Iran. This book will be of interest to scholars in ethnomusicology, transnational media studies, Middle Eastern studies, and cultural studies"--
    Description / Table of Contents: Introduction -- The Capital of 6/8 -- Iranian popular music and history: Views from Tehrangeles -- Expatriate erotics, homeland moralities -- Iran as a singing woman -- A nation in recovery -- Conclusion: Forty years
    Note: Includes bibliographical references and index
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  • 33
    ISBN: 9781478004882 , 9781478004288
    Language: English
    Pages: viii, 234 Seiten
    Parallel Title: Erscheint auch als
    DDC: 306.4/842409729
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    Keywords: Music and tourism / Caribbean Area ; Music / Social aspects / Caribbean Area ; Music / Economic aspects / Caribbean Area ; Tourism / Political aspects / Caribbean Area ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: It sounds better in the Bahamas : musicians, management, and markets in Nassau's all-inclusive hotels / Timothy Rommen -- Touristic rhythms : the Club Remix / Jerome Camal -- Listening for noise : seeking disturbing sounds in tourist spaces / Susan Harewood -- On butterflies that are caterpillars still in chrysalis : what the study of all-inclusive resorts on Sint Maarten tells us about our common decolonial state / Francio Guadeloupe and Jordi Halfman -- Sound management : listening to Sandals Halcyon in Saint Lucia / Jocelyne Guilbault -- Epilogue. The political economy of music and sound / Percy C. Hintzen.
    Note: Includes bibliographical references and index.
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  • 34
    Online Resource
    Online Resource
    Durham : Duke University Press | Baltimore, Md. : Project MUSE
    ISBN: 9781478090359 , 0822372649
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Refiguring American music
    DDC: 781.2/308996073
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    Keywords: Afroamerikanische Musik ; Klang ; Zuhören
    Note: Includes bibliographical references and index , Description based on print version record
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  • 35
    Online Resource
    Online Resource
    Durham : Duke University Press | The Hague : OAPEN FOUNDATION
    ISBN: 9781478090359 , 9780822372646
    Language: English
    Pages: 1 Online-Ressource (288 p.)
    RVK:
    Keywords: Afroamerikanische Musik ; Klang ; Zuhören ; Theory of music & musicology ; voice ; race ; timbre
    Abstract: In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre—the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience, all the while advocating for a form of listening that would allow us to hear singers in a self-reflexive, denaturalized way.
    URL: Volltext  (kostenfrei)
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  • 36
    ISBN: 9781478002406 , 1478002409
    Language: English
    Pages: 1 Online-Ressource (xi, 256 pages) , illustrations, maps
    Series Statement: Experimental futures
    Parallel Title: Erscheint auch als
    DDC: 307.1/16095357
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    Keywords: Sustainable urban development / United Arab Emirates / Abū Ẓaby (Emirate) ; City planning / Environmental aspects / United Arab Emirates / Abū Ẓaby (Emirate) ; Technological innovations / Environmental aspects / United Arab Emirates / Abū Ẓaby (Emirate) ; Urban ecology (Sociology) / United Arab Emirates / Abū Ẓaby (Emirate) ; Energiewende ; Zukunftsplanung ; Klimaänderung ; Stadtplanung ; Nachhaltigkeit ; Abu Dhabi ; Masdar City ; Masdar City ; Abu Dhabi ; Energiewende ; Klimaänderung ; Stadtplanung ; Nachhaltigkeit ; Zukunftsplanung
    Abstract: Inhabiting the spaceship -- Beautiful buildings and research contracts -- Ergos : a new energy currency -- An expensive toy -- Subsurface workings
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 37
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478003281
    Language: English
    Pages: 1 Online-Ressource (296 p.) , 4 illustrations
    Edition: 2019
    DDC: 306.3/620973
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    Keywords: Geschichte 1970-2000 ; Fortpflanzung ; Schwarze Frau ; Ersatzmutterschaft ; Feminismus ; Sklaverei ; Geschichtsphilosophie ; USA
    Abstract: In The Afterlife of Reproductive Slavery Alys Eve Weinbaum investigates the continuing resonances of Atlantic slavery in the cultures and politics of human reproduction that characterize contemporary biocapitalism. As a form of racial capitalism that relies on the commodification of the human reproductive body, biocapitalism is dependent upon what Weinbaum calls the slave episteme—the racial logic that drove four centuries of slave breeding in the Americas and Caribbean. Weinbaum outlines how the slave episteme shapes the practice of reproduction today, especially through use of biotechnology and surrogacy. Engaging with a broad set of texts, from Toni Morrison's Beloved and Octavia Butler's dystopian speculative fiction to black Marxism, histories of slavery, and legal cases involving surrogacy, Weinbaum shows how black feminist contributions from the 1970s, 1980s, and 1990s constitute a powerful philosophy of history—one that provides the means through which to understand how reproductive slavery haunts the present.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)
    URL: Cover
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  • 38
    ISBN: 9780822368564 , 9780822368687
    Language: English
    Pages: xiv, 268 Seiten , Illustrationen, Diagramme, Noten
    Series Statement: Refiguring American music
    Parallel Title: Online version Eidsheim, Nina Sun, 1975- author Race of sound
    DDC: 781.2308996073
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    Keywords: Afroamerikanische Musik ; Klang ; Zuhören
    Abstract: Formal and informal pedagogies : believing in race, teaching race, hearing race -- Phantom genealogy : sonic Blackness and the American operatic timbre -- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity -- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed -- Bifurcated listening : the inimitable, imitated Billie Holiday -- Widening rings of being : the singer as stylist and technician
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 39
    ISBN: 9781478000914 , 9781478000723
    Language: English
    Pages: xi, 256 Seiten , Illustrationen
    Series Statement: Experimental futures
    Parallel Title: Erscheint auch als
    DDC: 307.1/16095357
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    Keywords: Nachhaltigkeit ; Masdar City ; Abu Dhabi
    Note: Literaturverzeichnis (Seiten [237]-247) und Index
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  • 40
    ISBN: 9780822368557 , 9780822368670
    Language: English
    Pages: ix, 241 Seiten , Illustrationen
    Series Statement: Refiguring American music
    DDC: 780.98
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    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Includes bibliographical references and index. , Erscheint auch als Online-Ausgabe
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  • 41
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822371991 , 0822371995
    Language: English
    Pages: 1 Online-Ressource (xii, 298 pages) , illustrations, maps
    Parallel Title: Erscheint auch als
    DDC: 001.30285
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    Keywords: Digital humanities ; Sound / Recording and reproducing / Digital techniques ; Sound ; Sound in mass media ; Forschung ; Sound Studies ; Digital Humanities ; Aufsatzsammlung ; Sound Studies ; Digital Humanities ; Forschung
    Abstract: Theories and genealogies -- Ethnodigital sonics and the historical imagination / Richard Cullen Rath -- Performing Zora : critical ethnography, digital sound, and not forgetting / Myron M. Beasley -- Rhetorical folkness: reanimating Walter J. Ong in the pursuit of digital humanity / Jonathan W. Stone -- Digital communities -- The pleasure (is) principle: sounding out! and the digitizing of community / Aaron Trammell, Jennifer Lynn Stoever, and Liana Silva -- Becoming outkasted: archiving contemporary Black Southernness in a digital age / Regina N. Bradley -- Reprogramming sounds of learning: pedagogical experiments with critical making and community-based ethnography / W.F. Umi Hsu -- Disciplinary translations -- Word. spoken. articulating the voice for high-performance sound technologies for access and scholarhip (hipstas) / Tanya E. Clement -- "A foreign sound to your ear" : digital image sonification for historical interpretation / Michael J. Kramer -- Augmenting musical arguments : interdisciplinary publishing platforms and augmented notes / Joanna Swafford -- Points forward -- Digital approaches to historical acoustemologies: replication and reenactment / Rebecca Dowd Geoffroy-Schwinden -- Sound practices for digital humanities / Steph Ceraso -- Afterword: demands of duration: the futures of digital sound scholarship / Jonathan Sterne, with Mary Caton Lingold, Darren Mueller, and Whitney Trettien
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (kostenfrei)
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  • 42
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822371977 , 0822371979
    Language: English
    Pages: 1 Online-Ressource (xiii, 291 pages)
    Series Statement: Consent not to be a single being [v. 3]
    Parallel Title: Erscheint auch als
    DDC: 305.89601
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    Keywords: Black race / Philosophy ; Blacks / Race identity / Philosophy ; Philosophy, Black ; Racism / Philosophy ; Rassismus ; Identität ; Schwarze ; Schwarze ; Identität ; Rassismus
    Abstract: There is no racism intended -- Refuse, refuge -- The case of blackness
    Note: Description based on print version record
    URL: Volltext  (lizenzpflichtig)
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  • 43
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822372240
    Language: English
    Pages: 1 Online-Ressource (200 p.) , 7 illustrations
    Edition: 2017
    DDC: 261.8/357082
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    Keywords: Schwarze Frau ; Sexualverhalten ; Massenmedien ; Kirche
    Abstract: In Passionate and Pious Monique Moultrie explores the impact of faith-based sexual ministries on black women's sexual agency to trace how these women navigate sexuality, religious authority, and their spiritual walk with God. Providing churchwomen a space to candidly discuss these issues, these popular ministries exist largely beyond the traditional church, with dialogues about sex taking place in chat rooms and through text messages, social media, email, and other media. Moultrie foregrounds televangelist Juanita Bynum's construction of the black Christian sexual identity these ministries promote while emphasizing how churchwomen reconcile these prescriptive identities with their individual experiences. What does it mean for senior women to exercise sexual agency when their church standing could be questioned? What does celibacy mean for women who experience same-sex desire while believing that such desire goes against God's will? Advancing a womanist sexual ethics, Moultrie reframes biblical interpretations and conceptions of what constitutes a healthy relationship to provide a basis for sexual decision making that does not privilege monogamy or deny female pleasure, thereby calling on black churchwomen to experience responsible and life-enhancing sex.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)
    URL: Cover
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  • 44
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822372653
    Language: English
    Pages: 1 Online-Ressource (256 p.) , 15 illustrations
    Edition: 2018
    Series Statement: Refiguring American Music
    DDC: 780.98
    RVK:
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    Abstract: In On Site, In Sound Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound up in perceptions and constructions of geographic space. Focusing on the hemispheric circulation of South American musical cultures, Dorr shows how sonic production and spatial formation are mutually constitutive, thereby pointing to how people can use music and sound to challenge and transform dominant conceptions and configurations of place. Whether tracing how the evolution of the Peruvian folk song "El Condor Pasa" redefined the boundaries between national/international and rural/urban, or how a pan-Latin American performance center in San Francisco provided a venue through which to challenge gentrification, Dorr highlights how South American musicians and activists created new and alternative networks of cultural exchange and geopolitical belonging throughout the hemisphere. In linking geography with musical sound, Dorr demonstrates that place is more than the location where sound is produced and circulated; it is a constructed and contested domain through which social actors exert political influence.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)
    URL: Cover
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  • 45
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822370468 , 9780822370550
    Language: English
    Pages: xiii, 291 Seiten
    Series Statement: Consent not to be a single being [v. 3]
    Series Statement: Consent not to be a single being
    Parallel Title: Erscheint auch als Moten, Fred, author Universal machine
    Parallel Title: Erscheint auch als Moten, Fred, 1962 - The universal machine
    DDC: 305.89601
    RVK:
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    Keywords: Black race Philosophy ; Blacks Race identity ; Philosophy ; Philosophy, Black ; Racism Philosophy ; Schwarze ; Identität ; Rassismus ; Philosophie ; Schwarze ; Identität ; Rassismus ; Philosophie
    Abstract: There is no racism intended -- Refuse, refuge -- The case of blackness
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  • 46
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822370581 , 9780822370437
    Language: English
    Pages: xii, 321 Seiten , 24 cm
    Series Statement: Consent not to be a single being [v. 2]
    Series Statement: Consent not to be a single being
    Parallel Title: Erscheint auch als Moten, Fred, author Stolen life
    Parallel Title: Erscheint auch als Moten, Fred, 1962 - Stolen life
    DDC: 305.896
    RVK:
    RVK:
    Keywords: Black race Philosophy ; Blacks Race identity ; Philosophy ; Philosophy, Black ; Black race Philosophy ; Blacks Race identity ; Philosophy ; Philosophy, Black ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Schwarze ; Identität ; Rassismus ; Soziale Situation ; Geschichte ; Schwarze ; Identität ; Rassismus ; Philosophie
    Abstract: Knowledge of freedom -- Gestural critique of judgment -- Uplift and criminality -- The new international of decent feelings -- Rilya Wilson. Precious doe. Buried angel -- Black op -- The touring machine (flesh thought inside out) -- Seeing things -- Air shaft, rent party -- Notes on passage -- Here, there, and everywhere -- Anassignment letters -- The animaternalizing call -- Erotics of fugitivity
    Note: Includes bibliographical references (pages 269-308) and index
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  • 47
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822372646 , 0822372649
    Language: English
    Pages: 1 Online-Ressource (xiv, 268 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.2/308996073
    RVK:
    Keywords: Anderson, Marian 1897-1993 ; Holiday, Billie 1915-1959 ; Scott, Jimmy 1925-2014 ; Vocaloid (Computer file) ; African Americans Music ; Social aspects ; Music and race United States ; Voice culture Social aspects ; United States ; Tone color (Music) Social aspects ; United States ; Music Social aspects ; United States ; Singing Social aspects ; United States ; Zuhören ; Afroamerikanische Musik ; Klang ; Electronic books ; Afroamerikanische Musik ; Klang ; Zuhören
    Note: Includes bibliographical references and index , Formal and informal pedagogies : believing in race, teaching race, hearing race -- Phantom genealogy : sonic Blackness and the American operatic timbre -- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity -- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed -- Bifurcated listening : the inimitable, imitated Billie Holiday -- Widening rings of being : the singer as stylist and technician
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 48
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822372028 , 0822372029
    Language: English
    Pages: 1 Online-Ressource (xii, 321 pages)
    Series Statement: Consent not to be a single being [v. 2]
    Parallel Title: Erscheint auch als
    DDC: 305.896
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Black race / Philosophy ; Blacks / Race identity / Philosophy ; Philosophy, Black ; Schwarze ; Identität ; Soziale Situation ; Philosophie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Schwarze ; Identität ; Geschichte ; Philosophie ; Soziale Situation
    Abstract: Knowledge of freedom -- Gestural critique of judgment -- Uplift and criminality -- The new international of decent feelings -- Rilya Wilson. Precious doe. Buried angel -- Black op -- The touring machine (flesh thought inside out) -- Seeing things -- Air shaft, rent party -- Notes on passage -- Here, there, and everywhere -- Anassignment letters -- The animaternalizing call -- Erotics of fugitivity
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 49
    ISBN: 9780822369394 , 9780822369226
    Language: English
    Pages: xi, 201 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Singh, Julietta, 1976- author Unthinking mastery
    DDC: 809/.93358
    RVK:
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    Keywords: Coetzee, J. M Criticism and interpretation ; Mahāśvetā Debī Criticism and interpretation ; Sinha, Indra Criticism and interpretation ; Kincaid, Jamaica Criticism and interpretation ; Postcolonialism in literature ; Power (Social sciences) in literature
    Abstract: Introduction: reading against mastery -- Decolonizing mastery -- The language of mastery -- Posthumanitarian fictions -- Humanimal dispossessions -- Cultivating discomfort -- Coda: surviving mastery
    Note: Includes bibliographical references and index
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  • 50
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822370161 , 9780822370062
    Language: English
    Pages: xvii, 339 Seiten
    Series Statement: Consent not to be a single being [1]
    DDC: 305.896
    RVK:
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    Keywords: Schwarze ; Kunst ; USA
    Note: Literaturverzeichnis: Seite 317-328
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  • 51
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822373636
    Language: English
    Pages: 1 Online-Ressource (338 Seiten) , Illustrationen, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.62/963986
    RVK:
    Keywords: Gesellschaft ; Musik ; Ngoma ; Zulu ; Südafrika (Staat) ; Ngoma (Drum) music / Social aspects / South Africa ; Zulu (African people) / Music / Social aspects / South Africa ; Zulu ; Ngoma
    Note: Bevorzugte Informationsquelle Landingpage, da weder Titelblatt noch Impressum vorhanden (Due Univeristy Press)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 52
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822372226
    Language: English
    Pages: 1 Online-Ressource (361 pages)
    Series Statement: Consent Not to Be a Single Being Ser v.[v. 1]
    Parallel Title: Print version Moten, Fred Black and Blur
    DDC: 305.896
    RVK:
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    Keywords: African Americans--Race identity ; African Americans ; Race identity ; Electronic books
    Abstract: In Black and Blur--the first volume in his consent not to be a single being trilogy--Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life, exploring a wide range of thinkers, musicians, and artists
    Abstract: Cover -- Contents -- Preface -- Acknowledgments -- 1. Not In Between -- 2. Interpolation and Interpellation -- 3. Magic of Objects -- 4. Sonata Quasi Una Fantasia -- 5. Taste Dissonance Flavor Escape (Preface to a Solo by Miles Davis) -- 6. The New International of Rhythmic Feel/ings -- 7. The Phonographic Mise-en Scène -- 8. Liner Notes for Lick Piece -- 9. Rough Americana -- 10. Nothing, Everything -- 11. Nowhere, Everywhere -- 12. Nobody, Everybody -- 13. Remind -- 14. Amuse-Bouche -- 15. Collective Head -- 16. Cornered, Taken, Made to Leave -- 17. Enjoy All Monsters -- 18. Some Extrasubtitles for Wildness -- 19. To Feel, to Feel More, to Feel More Than -- 20. Irruptions and Incoherences for Jimmie Durham -- 21. Black and Blue on White. In and And in Space. -- 22. Blue Vespers -- 23. The Blur and Breathe Books -- 24. Entanglement and Virtuosity -- 25. Bobby Leeâs Hands -- Notes -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 53
    ISBN: 9780822374015 , 0822374013
    Language: English
    Pages: 1 Online-Ressource (345 pages)
    Series Statement: Improvisation, community, and social practice
    Series Statement: Knowledge Unlatched Frontlist Collection 2016
    Series Statement: Music
    Parallel Title: Erscheint auch als Improvisation and social aesthetics
    DDC: 781.36
    RVK:
    Keywords: Improvisation (Music) Social aspects ; Music Social aspects ; Aesthetics Social aspects ; Arts and society ; Improvisation ; Soziale Funktion ; Interaktion ; Musik ; Kunst ; Gesellschaft ; Geschichte
    URL: Cover  (Thumbnail cover image)
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  • 54
    ISBN: 9780822361787 , 9780822361947 , 0822361949 , 0822361787
    Language: English
    Pages: 345 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Improvisation, community, and social practice
    Parallel Title: Erscheint auch als Improvisation and social aesthetics
    Parallel Title: Erscheint auch als Born, Georgina, 1955 - Improvisation and social aesthetics
    DDC: 781.3/6
    RVK:
    Keywords: Improvisation (Music) Social aspects ; Music Social aspects ; Aesthetics Social aspects ; Arts and society ; Improvisation ; Soziale Funktion ; Interaktion ; Musik ; Kunst ; Gesellschaft ; Geschichte
    Abstract: Addressing a wide range of improvised art and music forms-from jazz and cinema to dance and literature-this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids in the creation, contestation, and codification of social realities and identities. Among other topics, the contributors discuss the social aesthetics of the Association for the Advancement of Creative Musicians, the Feminist Improvising Group, and contemporary Malian music, as well as the virtual sociality of interactive computer music, the significance of "uncreative" improvisation, responses to French New Wave cinema, and the work of figures ranging from bell hooks and Billy Strayhorn to Kenneth Goldsmith. Across its diverse chapters, Improvisation and Social Aesthetics argues that ensemble improvisation is not inherently egalitarian or emancipatory, but offers a potential site for the cultivation of new forms of social relations. It sets out a new conceptualization of the aesthetic as immanently social and political, proposing a new paradigm of improvisation studies that will have reverberations throughout the humanities
    Abstract: After relational aesthetics : improvised music, the social, and (re)theorizing the aesthetic / Georgina Born -- Scripting social interaction : improvisation, performance, and Western "art" music / Nicholas Cook -- From the American civil rights movement to Mali : reflections on social aesthetics and improvisation / Ingrid Monson - From network bands to ubiquitous computing : Rich Gold and the social aesthetics of interactivity / George E. Lewis -- The social aesthetics of swing in the 1940s : or the distribution of the non-sensible / David Brackett -- What is "great Black music"? The social aesthetics of the AACM in Paris / Eric Lewis -- Kenneth Goldsmith and uncreative improvisation / Darren Wershler -- Strayhorn's queer arrangements / Lisa Barg -- What's love got to do with it? Creating art, creating community, creating a better world / Tracey Nicholls -- Improvisation in New Wave cinema : beneath the myth, the social / Marion Froger, translated by William Straw -- Social aesthetics and transcultural improvisation : Wayde Compton and the performance of Black time / Winfried Siemerling -- Devices of existence : contact improvisation, mobile performances, and dancing through Twitter / Susan Kozel -- The dramaturgy of spontaneity : improvising the social in theater / Zoë Svendsen
    Note: Includes bibliographical references and index
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  • 55
    ISBN: 9780822370048 , 9780822369998
    Language: English
    Pages: xi, 187 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Moultrie, Monique Nicole, 1978- author Passionate and pious
    DDC: 261.8/357082
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    Keywords: Schwarze Frau ; Sexualverhalten ; Massenmedien ; Kirche
    Abstract: For all the single ladies: black women's stories of faith and sexuality -- Sexual purity as PR: tracing the impact of religious media -- Reading "our" Bynum as text: for a black woman by a black woman -- Beyond Bynum: analyzing contemporary faith-based sexuality ministries -- Why I gotta be gay? Approaches to womanist sexual hospitality -- The Lord still has work for me to do?: analyzing senior sexuality and faith-based sexuality ministries -- Horny and holy: saved women seeking sexual pleasure -- Living sexually before God: a contemporary womanist sexual ethics
    Note: Includes bibliographical references and index
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  • 56
    ISBN: 9780822363705 , 9780822363545
    Language: English
    Pages: xii, 360 Seiten , Illustrationen, Diagramme
    DDC: 780.8996073
    RVK:
    Keywords: Geschichte ; Afroamerikanische Musik ; Rezeption ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; USA ; Afrika ; Rezension ; Rezension
    Note: Literaturverzeichnis Seite 323-344
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  • 57
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822362838
    Language: English
    Pages: 1 Online-Ressource (188 SEiten)
    Parallel Title: Erscheint auch als Sharpe, Christina Elizabeth In the wake
    DDC: 305.896073
    RVK:
    RVK:
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    Keywords: Premature death - Social aspects - United States ; African Americans Social conditions ; Racism Health aspects ; Premature death Social aspects ; Discrimination in law enforcement ; Slavery Psychological aspects ; Electronic books ; Electronic books ; USA ; Schwarze ; Diskriminierung
    Abstract: Using the multiple meanings of "wake" to illustrate the ways Black lives are determined by slavery's afterlives, Christina Sharpe weaves personal experiences with readings of literary and artistic representations of Black life and death to examine what survives in the face of insistent violence and the possibilities for resistance
    Abstract: Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Chapter One: The Wake -- Chapter Two: The Ship -- Chapter Three: The Hold -- Chapter Four: The Weather -- Notes -- References -- Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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  • 58
    ISBN: 9780822375142 , 0822375141
    Language: English
    Pages: 1 Online-Ressource (xviii, 230 pages) , illustrations
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 780.89/9921073
    RVK:
    Keywords: Geschichte 1945-2015 ; Filipino Americans / Music ; Filipino Americans / Ethnic identity ; Filipino Americans in the performing arts ; Music / Philippines ; Soziale Funktion ; Musikleben ; Unterhaltungsmusik ; Kulturelle Identität ; Filipinos ; USA ; USA ; Filipinos ; Unterhaltungsmusik ; Musikleben ; Soziale Funktion ; Kulturelle Identität ; Geschichte 1945-2015
    Abstract: Flip the beat: an introduction -- Sonic fictions -- The serious work of karaoke -- Jessica Hagedorn's gangster routes -- Pinoise rock -- Rakenrol itineraries
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 59
    Book
    Book
    New York [u.a.] : Routledge
    ISBN: 9781138791404 , 9781138791381
    Language: English
    Pages: XXIX, 275 Seiten , Illustrationen, Karten
    Additional Material: 1 CD (12 cm)
    Series Statement: Focus on world music
    DDC: 780.952
    RVK:
    Keywords: Music History and criticism ; Music Social aspects ; Musik und darstellende Künste ; Musikwissenschaft ; Kulturgeschichte ; Popkultur ; Japan ; Musik ; Geschichte ; Trommelmusik ; Kyōto
    Description / Table of Contents: Japanese music in geographical, historical and cultural contextJapanese cultural identity and musical modernity -- Performing music of the pre-modern era -- Making music in the modern era -- Taiko and the marketing of tradition in Kyoto -- Four case studies and some conclusions -- Conclusion : the future of Japanese music.
    Note: CD enth.: examples of Japanese music , Includes index
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  • 60
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822373926
    Language: English
    Pages: 1 Online-Ressource (600 p.) , 115 illustrations
    DDC: 781.64
    RVK:
    RVK:
    Keywords: Geschichte 1980-1983 ; Popmusik ; Tanzmusik ; Musikleben ; Subkultur ; New York, NY
    Abstract: As the 1970s gave way to the 80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. Life and Death on the New York Dance Floor chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city's subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film. Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Tim Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification, Reaganomics, corporate intrusion, and the spread of AIDS brought this gritty and protean time and place in American culture to a troubled denouement.
    URL: Cover
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  • 61
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822361534
    Language: English
    Pages: 1 Online-Ressource (321 p)
    Series Statement: Religious Cultures of African and African Diaspora People
    Series Statement: Religious Cultures of African and African Diaspora People Ser
    Parallel Title: Print version Winters, Joseph R Hope Draped in Black : Race, Melancholy, and the Agony of Progress
    DDC: 305.800973
    RVK:
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    Keywords: African Americans - Race identity - United States ; African Americans - Race identity - United States ; Electronic books ; Electronic books
    Abstract: In Hope Draped in Black Joseph R. Winters responds to the belief that America follows a constant trajectory of racial progress, using African American literature and film to construct an idea of hope that embraces melancholy in order to acknowledge and mourn America's traumatic history
    Abstract: Cover -- Contents -- Acknowledgments -- Introduction -- One. Unreconciled Strivings: Du Bois, the Seduction of Optimism, and the Legacy of Sorrow -- Two. Unhopeful but Not Hopeless: Melancholic Interpretations of Progress and Freedom -- Three. Hearing the Breaks and Cuts of History: Ellison, Morrison, and the Uses of Literary Jazz -- Four. Reel Progress: Race, Film, and Cinematic Melancholy -- Five. Figures of the Postracial: Race, Nation, and Violence in the Age of Obama and Morrison -- Conclusion -- Notes -- Select Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K
    Abstract: L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 62
    Book
    Book
    Durham : Duke University Press
    ISBN: 0822361868 , 0822362023 , 9780822361862 , 9780822362029
    Language: English
    Pages: xxi, 578 Seiten , Illustrationen , 24 cm
    DDC: 781.64
    RVK:
    RVK:
    Keywords: Geschichte 1980-1983 ; Popmusik ; Tanzmusik ; Musikleben ; Subkultur ; New York, NY
    Abstract: "As the 1970s gave way to the '80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. [This book] chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city's subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film"--Page 4 of cover
    Note: Literaturverzeichnis, Diskogafie und Filmografie Seite 515-535
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  • 63
    ISBN: 9780822359869 , 9780822360124 , 9780822374947
    Language: English
    Pages: XI, 418 Seiten , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als Audible empire
    Parallel Title: Erscheint auch als Audible empire
    DDC: 780.9
    RVK:
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    Keywords: World music Social aspects ; History ; Imperialism Social aspects ; History ; World music Political aspects ; History ; Musik ; Tanz ; Potenzial ; Akkulturation ; Kulturübertragung ; Instrument ; Kultur ; Überlegenheit ; Abhängigkeit ; Politische Bewegung ; Soziale Bewegung ; Protestbewegung ; Auswärtige Kulturpolitik ; Kulturindustrie ; Beispiel ; Erde ; Aufsatzsammlung ; USA ; Musik ; Auswärtige Kulturpolitik ; Imperialismus ; Antikolonialismus ; USA ; Globalisierung ; Musik ; Auswärtige Kulturpolitik ; Imperialismus ; Antikolonialismus ; Musikmarkt ; Sozialgeschichte
    Abstract: Decolonizing the ear : the transcolonial reverberations of vernacular phonograph music / Michael Denning -- Smoking hot : cigarettes, jazz, and the production of global imaginaries in interwar Shanghai / Nan Enstad -- Circuit listening : Grace Chang and the dawn of the Chinese 1960s / Andrew F. Jones -- The Aesthetics of Allá : listening like a sonidero / Josh Kun -- Sound legacy : Elsie Houston / Micol Seigel -- Imperial aurality : jazz, the archive, and U.S. empire / Jairo Moreno -- Where they came from : reracializing music in the empire of silence / Philip V. Bohlman -- Di eagle and di bear : who gets to tell the story of the Cold War? / Penny Von Eschen -- Currents of revolutionary confluence : a view from Cuba's hip hop festival / Marc Perry -- Tango as intangible cultural heritage : development, diversity, and the values of music in Buenos Aires / Morgan James Luker -- Musical economies of the elusive metropolis / Gavin Steingo -- The sound of anticolonialism / Brent Hayes Edwards -- Rap, race, revolution : post-9/11 Brown and a hip hop critique of empire / Nitasha Sharma -- Echo and anthem : representing sound, music, and difference in two colonial modern novels / Amanda Weidman -- Tonality as a colonizing force in Africa / Kofi Agawu
    Description / Table of Contents: Decolonizing the ear : the transcolonial reverberations of vernacular phonograph music / Michael DenningSmoking hot : cigarettes, jazz, and the production of global imaginaries in interwar Shanghai / Nan Enstad -- Circuit listening : Grace Chang and the dawn of the Chinese 1960s / Andrew F. Jones -- The Aesthetics of Allá : listening like a sonidero / Josh Kun -- Sound legacy : Elsie Houston / Micol Seigel -- Imperial aurality : jazz, the archive, and U.S. empire / Jairo Moreno -- Where they came from : reracializing music in the empire of silence / Philip V. Bohlman -- Di eagle and di bear : who gets to tell the story of the Cold War? / Penny Von Eschen -- Currents of revolutionary confluence : a view from Cuba's hip hop festival / Marc Perry -- Tango as intangible cultural heritage : development, diversity, and the values of music in Buenos Aires / Morgan James Luker -- Musical economies of the elusive metropolis / Gavin Steingo -- The sound of anticolonialism / Brent Hayes Edwards -- Rap, race, revolution : post-9/11 Brown and a hip hop critique of empire / Nitasha Sharma -- Echo and anthem : representing sound, music, and difference in two colonial modern novels / Amanda Weidman -- Tonality as a colonizing force in Africa / Kofi Agawu.
    Note: Includes discography (Seite 357-359), bibliography (Seite 361-390) and index
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  • 64
    ISBN: 9780822359586 , 9780822360018
    Language: English
    Pages: xviii, 230 Seiten , Illustrationen
    Series Statement: Refiguring American music
    DDC: 780.899921073
    RVK:
    Keywords: Geschichte 1945-2015 ; Filipinos ; Unterhaltungsmusik ; Musikleben ; Soziale Funktion ; Kulturelle Identität ; USA
    Note: Bibliography Seite 207-218
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  • 65
    ISBN: 9780822361671 , 9780822361480
    Language: English
    Pages: xv, 184 Seiten
    Uniform Title: Brown over black
    DDC: 303.48/25406
    RVK:
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    Keywords: Race Political aspects ; Race Political aspects ; Postcolonialism ; Postcolonialism ; Indic fiction (English) History and criticism 20th century ; Race in literature ; Race Political aspects ; India ; Race Political aspects ; Africa ; Postcolonialism India ; Postcolonialism Africa ; Indic fiction (English) History and criticism ; 20th century ; Race in literature ; India Relations ; Africa Relations ; India Relations ; Africa ; Africa Relations ; India ; Afrikabild
    Abstract: Citing/siting Africa in the Indian postcolonial imagination -- Every secret thing? Racial politics in Ansuyah R. Singh's Behold the earth mourns (1960) -- Race and the politics of position: above and below in Frank Moraes' The Importance of being black (1965) -- Fictions of postcolonial development: race, intimacy and Afro-Asian solidarity in Chanakya Sen's The morning after (1973) -- Hands and feet: Phyllis Naidoo's impressions of anti-apartheid history (2002-2006)
    Description / Table of Contents: Citing/siting Africa in the Indian postcolonial imaginationEvery secret thing? Racial politics in Ansuyah R. Singh's Behold the earth mourns (1960) -- Race and the politics of position: above and below in Frank Moraes' The Importance of being black (1965) -- Fictions of postcolonial development: race, intimacy and Afro-Asian solidarity in Chanakya Sen's The morning after (1973)-- Hands and feet: Phyllis Naidoo's impressions of anti-apartheid history (2002-2006).
    Note: Includes bibliographical references and index , "Originally published as Brown over black: race and the politics of postcolonial citation by Three Essays Collective, India, 2012"
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  • 66
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375326
    Language: English
    Pages: 1 Online-Ressource (xiv, 429 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Iowa 2000
    DDC: 782.42164/0811
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    Keywords: Crosby, Bing ; Vallée, Rudy ; Geschichte 1921-1940 ; Crooning ; Male singers ; Popular music History and criticism 1921-1930 ; Popular music History and criticism 1931-1940 ; Männlichkeit ; Schlagersänger ; Crooning ; Popmusik ; USA ; Hochschulschrift ; USA ; Popmusik ; Schlagersänger ; Männlichkeit ; Crooning ; Geschichte 1921-1940 ; Vallée, Rudy 1901-1986 ; Crosby, Bing 1903-1977
    Abstract: The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners' rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 67
    ISBN: 9781138780620 , 9781138780637
    Language: English
    Pages: XII, 250 S.
    Series Statement: Transnational studies in Jazz
    DDC: 306.48425
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    Keywords: Jazzmusiker ; Jazz
    Note: Includes bibliographical references and index.
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  • 68
    Book
    Book
    New York [u.a.] : Routledge
    ISBN: 9781138133297
    Language: English
    Pages: XIX, 508 Seiten , Illustrationen, Karten, Notenbeispiele
    Additional Material: CD (12 cm)
    Edition: 2. new edition
    DDC: 780.96
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    Keywords: Geschichte ; Musique - Afrique - Histoire et critique ; Musique folklorique - Afrique - Histoire et critique ; Musik ; Music History and criticism ; Folk music History and criticism ; Musik ; Volksmusik ; Afrika ; Afrika ; Aufsatzsammlung ; Afrika ; Musik ; Geschichte ; Afrika ; Volksmusik ; Geschichte
    Note: Enth. Aufsätze aus Vol. 1.1997 der "Garland Encyclopedia of World Music" , Includes bibliographical references and index -- Discography: p -- Filmography: p
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  • 69
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822359081 , 0822359081
    Language: English
    Pages: 362 pages, 40 pages of unnumbered plates , illustrations, portraits , 24 cm
    DDC: 781.63092
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    Keywords: Mapfumo, Thomas ; Blacks Unlimited (Musical group) ; Popular music History and criticism ; Popular music Political aspects ; Revolutionary ballads and songs
    Description / Table of Contents: Chimurenga nightsRhodesia -- England is the chameleon, and I the fly -- Singing Shona -- When the spirit comes -- Songs for the book of history -- Bishop and pawn -- Agony of victory -- Zimbabwe -- Snakes in the forest -- Corruption -- Big daddy and the Zimbabwe playboys -- Sporting lions -- Too many ghosts -- Breaking the cycle -- America -- Striking at empires -- Dancing with devils -- The land of the horses -- Lions in winter.
    Note: Includes bibliographical references (pages 341-343), discography (pages 337-339) and index
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  • 70
    Book
    Book
    New York [u.a.] : Routledge
    ISBN: 9780415735292 , 9780415921725
    Language: English
    Pages: X, 270 S. , Ill.
    DDC: 306.76609753
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    Keywords: Geschichte 1920-2012 ; Homosexualität ; Schwarze ; Weiße ; Ethnische Identität ; Geschlechtsidentität ; Washington, DC
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  • 71
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822358541 , 9780822358480
    Language: English
    Pages: xx, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Chatelain, Marcia, 1979- South Side girls
    DDC: 305.2308996073077311
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    Keywords: Geschichte 1910-1940 ; Schwarze ; Mädchen ; Binnenwanderung ; Soziale Situation ; Chicago, Ill.
    Note: Literaturverzeichnis Seite 215-231
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  • 72
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822357445 , 9780822357308
    Language: English
    Pages: IX, 342 S. , Ill.
    Series Statement: Experimental futures
    DDC: 003.54
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    Keywords: Geschichte 1945-2015 ; Kybernetik ; Big Data ; Bewältigung ; Sozialanthropologie
    Note: Forthcoming publication , Includes bibliographical references and index.
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  • 73
    Book
    Book
    New York [u.a.] : Routledge
    ISBN: 9780415745727
    Language: English
    Pages: XVI, 323 S. , Ill.
    Series Statement: Routledge studies in popular music 6
    DDC: 782.42166092
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    Note: Literaturangaben
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  • 74
    ISBN: 9780415812382
    Language: English
    Pages: XII, 160 S.
    Series Statement: Routledge advances in ethnography 14
    Series Statement: Routledge advances in ethnography
    DDC: 306.484249
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    Keywords: Jugend ; Hip-Hop ; Rap ; Großbritannien ; London
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  • 75
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375425 , 0822375427
    Language: English
    Pages: 1 Online-Ressource (362 pages) , illustrations
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Mapfumo, Thomas ; Blacks Unlimited (Musical group) ; Popular music / Political aspects / Zimbabwe ; Popular music / History and criticism / Zimbabwe ; Revolutionary ballads and songs / Zimbabwe
    Abstract: Chimurenga nights -- Rhodesia -- England is the chameleon, and I the fly -- Singing Shona -- When the spirit comes -- Songs for the book of history -- Bishop and pawn -- Agony of victory -- Zimbabwe -- Snakes in the forest -- Corruption -- Big daddy and the Zimbabwe playboys -- Sporting lions -- Too many ghosts -- Breaking the cycle -- America -- Striking at empires -- Dancing with devils -- The land of the horses -- Lions in winter
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 76
    ISBN: 9780822375258 , 0822375257
    Language: English
    Pages: 1 Online-Ressource (xii, 224 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 781.646097295
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    Keywords: Geschichte 1980-2015 ; Reggaetón / History and criticism ; Reggaeton ; Puerto Rico ; Einführung ; Einführung ; Einführung ; Einführung ; Electronic books ; Puerto Rico ; Reggaeton ; Geschichte 1980-2015
    Abstract: Introduction: reggaetón takes its place -- Iron fist against rap -- The perils of perreo -- Loíza -- Fingernails con feeling -- Enter the Hurbans -- Conclusion: reggaetón's limits, possibilities, and futures
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 77
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375708
    Language: English
    Pages: 1 Online-Ressource (XX, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.2308996073077311
    RVK:
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    Keywords: Geschichte 1900-2000 ; Geschichte 1910-1940 ; Geschichte ; African American girls History 20th century ; African American girls Social conditions 20th century ; African American girls Migrations 20th century ; History ; Soziale Situation ; Mädchen ; Binnenwanderung ; Schwarze ; Chicago (Ill.) History 1875- ; Chicago (Ill.) Social conditions 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Chicago, Ill. ; Chicago, Ill. ; Schwarze ; Mädchen ; Binnenwanderung ; Soziale Situation ; Geschichte 1910-1940
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 78
    Image
    Image
    Durham : Duke University Press
    ISBN: 9780822359173 , 9780822359364
    Language: English
    Pages: xiv, 429 Seiten , Illustrationen , 24 cm
    Series Statement: Refiguring American music
    DDC: 782.421640811
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    Keywords: Crooning ; Male singers United States ; Popular music History and criticism ; 1921-1930 ; United States ; Popular music History and criticism ; 1931-1940 ; United States ; Crooning ; Male singers ; Popular music History and criticism 1921-1930 ; Popular music History and criticism 1931-1940
    Abstract: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920 -- Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond)
    Description / Table of Contents: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond).
    Note: Formerly CIP. - Includes bibliographical references and index
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  • 79
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375852 , 0822375850
    Language: English
    Pages: 1 online resource (xiii, 290 pages)
    Parallel Title: Erscheint auch als Sylvia Wynter
    DDC: 300.1
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    Keywords: Wynter, Sylvia ; Social sciences Philosophy ; Civilization, Modern Philosophy ; Race Philosophy ; Human ecology Philosophy ; Wynter, Sylvia ; Social sciences ; Philosophy ; Civilization, Modern ; Philosophy ; Race ; Philosophy ; Human ecology ; Philosophy ; Electronic books ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Wynter, Sylvia 1928- ; Kulturphilosophie
    Abstract: Yours in the intellectual struggle : Sylvia Wynter and the realization of the living / Katherine McKittrick -- Unparalleled catastrophe for our species? Or, to give humanness a different future : conversations / Sylvia Wynter and Katherine McKittrick -- Before man : Sylvia Wynter's rewriting of the modern episteme / Denise Ferreira da Silva -- Sylvia Wynter : what does it mean to be human? / Walter D. Mignolo -- Still submerged : the uninhabitability of urban redevelopment / Bench Ansfield -- Axis, bold as love : on Sylvia Wynter, Jimi Hendrix, and the promise of science / Katherine McKittrick -- Strategic anti-essentialism : decolonizing decolonization / Nandita Sharma -- Genres of human : multiculturalism, cosmo-politics, and the Caribbean Basin / Rinaldo Walcott -- From masquerade to maskarade : Caribbean cultural resistance and the rehumanizing project / Carole Boyce Davies -- "Come on kid, let's go get the thing" : the sociogenic principle and the being of being Black/human / Demetrius L. Eudell.
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 80
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822359388 , 9780822359197
    Language: English
    Pages: ix, 213 Seiten , Illustrationen
    DDC: 305.896073
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    Keywords: Schwarze ; Soziale Situation ; Überwachung ; Ethnische Beziehungen ; Nordamerika ; Afroamerikaner
    Note: Literaturverzeichnis: Seite [191]-202
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  • 81
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822359036 , 9780822358893 , 9780822375494
    Language: English
    Pages: 260 Seiten
    Parallel Title: Erscheint auch als Keywords in sound
    Parallel Title: Erscheint auch als Keywords in sound
    DDC: 152.1/5
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    Keywords: Sound Terminology ; Aufsatzsammlung ; Wörterbuch ; Aufsatzsammlung ; Wörterbuch ; Klang ; Musikphilosophie ; Klang ; Musikphilosophie ; Klang ; Musik ; Wahrnehmung
    Note: Literaturverzeichnis: Seiten 230-231 , Acoustemology , Acoustics , Body , Deafness , Echo , Hearing , Image , Language , Listening , Music , Noise , Phonography , Radio , Religion , Resonance , Silence , Space , Synthesis , Transduction , Voice
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  • 82
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822357551 , 9780822357407
    Language: English
    Pages: xvii, 292 Seiten , Illustrationen, Karten, Diagramme
    Series Statement: SST, Sign, storage, transmission
    Parallel Title: Erscheint auch als Starosielski, Nicole, 1984 - The undersea network
    DDC: 384.3/2
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    Keywords: Cables, Submarine ; Fiber optic cables ; Telecommunication lines ; Telecommunication cables ; Communication, International ; Seekabel ; Telekommunikationsnetz ; Grenzüberschreitender Datenverkehr ; Anthropogeografie
    Abstract: Circuitous routes: from topology to topography -- Short-circuiting discursive infrastructure: from connection to transmission -- Gateway: from cable colony to network operations center -- Pressure point: turbulent ecologies of the cable landing -- A network of islands: interconnecting the Pacific -- Cabled depths: the aquatic afterlives of signal traffic -- Surfacing
    Description / Table of Contents: Circuitous routes: from topology to topographyShort-circuiting discursive infrastructure: from connection to transmission -- Gateway: from cable colony to network operations center -- Pressure point: turbulent ecologies of the cable landing -- A network of islands: interconnecting the Pacific -- Cabled depths: the aquatic afterlives of signal traffic -- Surfacing.
    Note: Literaturverzeichnis: Seite263-279. - Index
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  • 83
    ISBN: 9780822357421 , 9780822357575
    Language: English
    Pages: XXIV, 384 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 940.53/1
    RVK:
    Keywords: Hollywood Canteen ; Hollywood Canteen ; Geschichte 1900-2000 ; Geschichte 1942-1945 ; Geschichte ; Gesellschaft ; Weltkrieg (1939-1945) ; World War, 1939-1945 Social aspects ; Memory Social aspects ; Dance Social aspects 20th century ; History ; Soldat ; Filmstar ; Swing ; Restaurant ; USA ; Los Angeles (Calif.) Social conditions 20th century ; Los Angeles, Calif. ; Los Angeles, Calif. ; Restaurant ; Swing ; Filmstar ; Soldat ; Geschichte 1942-1945 ; Hollywood Canteen ; Geschichte 1942-1945
    Note: Includes bibliographical references (pages 351-363) and index
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  • 84
    Online Resource
    Online Resource
    New York [u.a.] : Routledge
    ISBN: 9781317820581 , 9781315819679
    Language: English
    Pages: 1 Online-Ressource (242 S.)
    Edition: 4. ed.
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: aDiscourse analysis ; Konversationsanalyse ; Englisch ; Diskursanalyse ; Einführung ; Diskursanalyse ; Englisch ; Konversationsanalyse
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  • 85
    ISBN: 9780415824521
    Language: English
    Pages: VII, 302 S , Ill.
    Series Statement: Routledge studies in popular music 3
    Series Statement: Routledge studies in popular music
    DDC: 782.42164092
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    Keywords: Lady Gaga Criticism and interpretation ; Gender identity in music ; Popular culture History 21st century ; Fashion History 21st century ; Popular music History and criticism 2001-2010 ; Popular music History and criticism 2011-2020 ; Aufsatzsammlung ; Lady Gaga 1986-
    Note: Includes bibliographical references and index
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  • 86
    Book
    Book
    New York [u.a.] : Routledge
    ISBN: 9780415879217 , 9781138809574
    Language: English
    Pages: 179 S.
    Edition: 1. issued in paperback
    Series Statement: Routledge research in race and ethnicity 5
    Series Statement: Routledge research in race and ethnicity
    Parallel Title: Erscheint auch als
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    Keywords: Musik ; Ethnische Identität ; Schwarze ; Musik ; Schwarze ; Musik ; Ethnische Identität
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  • 87
    Book
    Book
    New York [u.a.] : Routledge
    ISBN: 9780415637572
    Language: English
    Pages: XV, 254 S. , Ill., graph. Darst., Notenbeisp.
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.630952
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    Keywords: Geschichte 1945-2014 ; Unterhaltungsmusik ; Filmmusik ; Popmusik ; Japan ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Japan ; Unterhaltungsmusik ; Popmusik ; Filmmusik ; Geschichte 1945-2014
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  • 88
    Book
    Book
    New York [u.a.] : Routledge
    ISBN: 0415866855 , 9780415866859
    Language: English
    Pages: XVII, 497 S. , Ill.
    Edition: 1. iss. in paperback
    RVK:
    Keywords: Verzeichnis ; Countrymusic ; Biografie
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  • 89
    Online Resource
    Online Resource
    New York [u.a.] : Routledge
    ISBN: 9781315772684
    Language: English
    Pages: 1 Online-Ressource
    Edition: 1. publ.
    Series Statement: Routledge Interdisciplinary Perspectives on Literature 32
    Series Statement: Routledge Interdisciplinary Perspectives on Literature
    Parallel Title: Erscheint auch als
    DDC: 820.9954
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    Keywords: South Asian fiction (English) / History and criticism ; Music in literature ; Identity (Philosophical concept) in literature ; Postcolonialism in literature ; LITERARY CRITICISM / Asian / Indic ; MUSIC / Ethnomusicology ; LITERARY CRITICISM / Books & Reading ; Musik ; Postkoloniale Literatur ; Südasien ; Großbritannien ; Musik ; Großbritannien ; Südasien ; Postkoloniale Literatur
    Abstract: "This book examines the role of music in British-South Asian postcolonial literature, asking how music relates to the construction of postcolonial identity. It focuses on novels that explore the postcolonial condition in India, Pakistan, and the United Kingdom: Vikram Seth's A Suitable Boy, Amit Chaudhuri's Afternoon Raag, Suhayl Saadi's Psychoraag, Hanif Kureishi's The Buddha of Suburbia and The Black Album, and Salman Rushdie's The Ground Beneath Her Feet, with reference to other texts, such as E.M. Forster's A Passage to India and Vikram Seth's An Equal Music. The analyzed novels feature different kinds of music, from Indian classical to non-classical traditions, and from Western classical music to pop music and rock 'n' roll. Music is depicted as a cultural artifact and as a purely aestheticized art form at the same time. As a cultural artifact, music derives meaning from its socio-cultural context of production and serves as a frame of reference to explore postcolonial identities on their own terms. As purely aesthetic art, music escapes its contextual meaning. The transgressive qualities of music render it capable of expressing identities irrespective of origin and politics of location. Thereby, music in the novels marks a very productive space to imagine the postcolonial nation and to rewrite imperial history, to express the cultural hybridity of characters in-between nations, to analyze the state of the nation and life in the multicultural diaspora of contemporary Great Britain, and to explore the ramifications of cultural globalization versus cultural imperialism. It will be a useful research and teaching tool for those interested in postcolonial literature, music studies, cultural studies, contemporary literature and South-Asian literature"--
    Note: Includes bibliographical references and index
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  • 90
    ISBN: 9780822357360 , 9780822357513
    Language: English
    Pages: XIII, 266 S.
    Series Statement: Sign, storage, transmission
    DDC: 302.2/24209861
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    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Kolumbien ; Zuhören ; Sprache ; Musik ; Stimme ; Klang ; Geschichte 1800-1900
    Description / Table of Contents: Introduction: the ear and the voice in the lettered city's geophysical history -- On vocalization -- On popular song -- On the ethnographic ear -- On vocal immunity -- Epilogue: the oral in the aural.
    Note: Includes bibliographical references and index
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  • 91
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822376262
    Language: English
    Pages: Online-Ressource (281 p)
    Edition: Online-Ausg.
    Series Statement: Sign, Storage, Transmission
    Series Statement: Sign, Storage, Transmission Ser.
    Parallel Title: Print version Aurality : Listening and Knowledge in Nineteenth-Century Colombia
    DDC: 302.2/24209861
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    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Sound - Social aspects - Colombia - History - 19th century ; Sound - Social aspects - Colombia - History - 19th century ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈div〉Ochoa Gautier's groundbreaking book draws primarily from nineteenth-century Colombian sources to explore how listening has been central to the production of notions of language, music, voice, and sound.〈/div〉
    Description / Table of Contents: Contents; Preface and Acknowledgments; Introduction. The Ear and the Voice in the Lettered City's Geophysical History; Chapter 1. On Howls and Pitches; Chapter 2. On Popular Song; Chapter 3. On the Ethnographic Ear; Chapter 4. On Vocal Immunity; Epilogue. The Oral in the Aural; Notes; References; Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 92
    ISBN: 9780822375920 , 0822375923
    Language: English
    Pages: 1 Online-Ressource (vii, 283 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 909.09/71241
    RVK:
    Keywords: Commonwealth ; Books / History / Great Britain ; Imperialism / Historiography ; Literatur ; Englisch ; Englisch ; Literatur ; Commonwealth
    Abstract: Remaking the empire from Newgate : Wakefield's A letter from Sydney / Tony Ballantyne -- Jane Eyre at home and abroad / Charlotte Macdonald -- Macaulay's History of England : a book that shaped nation and empire / Catherine Hall -- "The Day Will Come" : Charles H. Pearson's National life and character : a forecast / Marilyn Lake -- Victims of "British justice"? A century of wrong as anti-imperial tract, core narrative of the Afrikaner "nation," and victim-based solidarity-building discourse / André du Toit -- The text in the world, the world through the text : Robert Baden-Powell's Scouting for boys / Elleke Boehmer -- Hind Swaraj : translating sovereignty / Tridip Suhrud -- Totaram Sanadhya's Fiji Mein Mere Ekkis Varsh : a history of empire and nation in a minor key / Mrinalini Sinha -- C.L.R. James's The Black Jacobins and the making of the modern Atlantic world / Aaron Kamugisha -- Ethnography and cultural innovation in Mau Mau detention camps : Gakaara wa Wanjau's Mĩhĩrĩga ya aagĩkũyũ / Derek R. Peterson
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 93
    ISBN: 9780822358138 , 9780822358275
    Language: English
    Pages: VII, 283 Seiten
    Parallel Title: Ten books that shaped the British empire
    DDC: 909.09/71241
    RVK:
    RVK:
    RVK:
    Keywords: Books History ; Imperialism Historiography ; Books History ; Imperialism Historiography ; Books History ; Great Britain ; Imperialism Historiography ; Books - Great Britain - History ; Books ; Great Britain ; History ; Imperialism ; Historiography ; Great Britain ; Colonies ; Historiography ; Great Britain Colonies ; Historiography ; Great Britain Colonies ; Historiography ; Great Britain Colonies ; Historiography ; Englisch ; Literatur ; Commonwealth ; Literatur ; Englisch ; Commonwealth ; Geschichte ; Großbritannien ; Buch ; Imperialismus ; Geschichtsschreibung ; Kolonie ; Reformpolitik ; Nationalismus ; Geschichte
    Abstract: Looking at ten books that shaped the modern British Empire, the contributors examine imperial classics, anticolonial blockbusters, and a range of pamphlets, assessing the effects of each one on key aspects of imperial history.
    Abstract: Contents -- Acknowledgments -- Introduction. The Spine of Empire? : Books and the Making of an Imperial Commons - Antoinette Burton and Isabel Hofmeyr -- 1. Remaking the Empire from Newgate: Wakefield's A Letter from Sydney - Tony Ballantyne -- 2. Jane Eyre at Home and Abroad - Charlotte Macdonald -- 3. Macaulay's History of England: A Book That Shaped Nation and Empire - Catherine Hall -- 4. "The Day Will Come": Charles H. Pearson's National Life and Character: A Forecast - Marilyn Lake -- 5. Victims of "British Justice"? A Century of Wrong as Anti-imperial Tract, Core Narrative of the Afrikaner "Nation," and Victim-Based Solidarity-Building Discourse - André du Toit -- 6. The Text in the World, the World through the Text: Robert Baden-Powell's Scouting for Boys - Elleke Boehmer -- 7. Hind Swaraj: Translating Sovereignty - Tridip Suhrud -- 8. Totaram Sanadhya's Fiji Mein Mere Ekkis Varsh: A History of Empire and Nation in a Minor Key - Mrinalini Sinha -- 9. C. L. R. James's The Black Jacobins and the Making of the Modern Atlantic World - Aaron Kamugisha -- 10. Ethnography and Cultural Innovationin Mau Mau Detention Camps: Gakaara wa Wanjau's Mĩhĩrĩga ya Agĩkũyũ - Derek R. Peterson -- Bibliography -- Contributors -- Index.
    Abstract: Remaking the empire from Newgate : Wakefield's A letter from Sydney / Tony Ballantyne -- Jane Eyre at home and abroad / Charlotte Macdonald -- Macaulay's History of England : a book that shaped nation and empire / Catherine Hall -- "The Day Will Come" : Charles H. Pearson's National life and character : a forecast / Marilyn Lake -- Victims of "British justice"? A century of wrong as anti-imperial tract, core narrative of the Afrikaner "nation," and victim-based solidarity-building discourse / André du Toit -- The text in the world, the world through the text : Robert Baden-Powell's Scouting for boys / Elleke Boehmer -- Hind Swaraj : translating sovereignty / Tridip Suhrud -- Totaram Sanadhya's Fiji Mein Mere Ekkis Varsh : a history of empire and nation in a minor key / Mrinalini Sinha -- C.L.R. James's The Black Jacobins and the making of the modern Atlantic world / Aaron Kamugisha -- Ethnography and cultural innovation in Mau Mau detention camps : Gakaara wa Wanjau's Mĩhĩrĩga ya aagĩkũyũ / Derek R. Peterson.
    Description / Table of Contents: Contents; Acknowledgments; Introduction. The Spine of Empire? : Books and the Making of an Imperial Commons - Antoinette Burton and Isabel Hofmeyr; 1. Remaking the Empire from Newgate: Wakefield's A Letter from Sydney - Tony Ballantyne; 2. Jane Eyre at Home and Abroad - Charlotte Macdonald; 3. Macaulay's History of England: A Book That Shaped Nation and Empire - Catherine Hall; 4. "The Day Will Come": Charles H. Pearson's National Life and Character: A Forecast - Marilyn Lake; 5. Victims of "British Justice"? A Century of Wrong as Anti-imperial Tract, Core Narrative of the Afrikaner "Nation," and Victim-Based Solidarity-Building Discourse - André du Toit6. The Text in the World, the World through the Text: Robert Baden-Powell's Scouting for Boys - Elleke Boehmer; 7. Hind Swaraj: Translating Sovereignty - Tridip Suhrud; 8. Totaram Sanadhya's Fiji Mein Mere Ekkis Varsh: A History of Empire and Nation in a Minor Key - Mrinalini Sinha; 9. C. L. R. James's The Black Jacobins and the Making of the Modern Atlantic World - Aaron Kamugisha; 10. Ethnography and Cultural Innovationin Mau Mau Detention Camps: Gakaara wa Wanjau's Mĩhĩrĩga ya Agĩkũyũ - Derek R. PetersonBibliography; Contributors; Index
    Description / Table of Contents: Remaking the empire from Newgate : Wakefield's A letter from Sydney / Tony BallantyneJane Eyre at home and abroad / Charlotte Macdonald -- Macaulay's History of England : a book that shaped nation and empire / Catherine Hall -- "The Day Will Come" : Charles H. Pearson's National life and character : a forecast / Marilyn Lake -- Victims of "British justice"? A century of wrong as anti-imperial tract, core narrative of the Afrikaner "nation," and victim-based solidarity-building discourse / André du Toit -- The text in the world, the world through the text : Robert Baden-Powell's Scouting for boys / Elleke Boehmer -- Hind Swaraj : translating sovereignty / Tridip Suhrud -- Totaram Sanadhya's Fiji Mein Mere Ekkis Varsh : a history of empire and nation in a minor key / Mrinalini Sinha -- C.L.R. James's The Black Jacobins and the making of the modern Atlantic world / Aaron Kamugisha -- Ethnography and cultural innovation in Mau Mau detention camps : Gakaara wa Wanjau's Mĩhĩrĩga ya aagĩkũyũ / Derek R. Peterson.
    Note: Literaturverzeichnis: Seite 239-260 , Includes bibliographical references and index , Remaking the empire from Newgate : Wakefield's A letter from Sydney , Macaulay's History of England : a book that shaped nation and empire , "The Day Will Come" : Charles H. Pearson's National life and character : a forecast , Victims of "British justice"? A century of wrong as anti-imperial tract, core narrative of the Afrikaner "nation," and victim-based solidarity-building discourse , The text in the world, the world through the text : Robert Baden-Powell's Scouting for boys , Hind Swaraj : translating sovereignty , Totaram Sanadhya's Fiji Mein Mere Ekkis Varsh : a history of empire and nation in a minor key , C.L.R. James's The Black Jacobins and the making of the modern Atlantic world , Ethnography and cultural innovation in Mau Mau detention camps : Gakaara wa Wanjau's Mĩhĩrĩga ya aagĩkũyũ
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  • 94
    ISBN: 0415532922 , 9780415532921
    Language: English
    Pages: XXII, 323 S. , Ill.
    Edition: 1. publ.
    Series Statement: Routledge research in cultural and media studies 58
    Series Statement: Routledge research in cultural and media studies
    Parallel Title: Erscheint auch als
    DDC: 306.096
    RVK:
    RVK:
    Keywords: Popular culture / Africa ; Social epistemology / Africa ; Massenkultur ; Afrika ; Subsaharisches Afrika ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Subsaharisches Afrika ; Massenkultur
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  • 95
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822378877 , 0822378876
    Language: English
    Pages: 1 online resource (xviii, 333 pages)
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Vazquez, Alexandra T., 1976 - Listening in detail
    Parallel Title: Erscheint auch als Vazquez, Alexandra T., 1976 - Listening in detail
    DDC: 780.97291
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    Keywords: Music History and criticism ; Music Performance ; Music ; Cuba ; History and criticism ; Music ; Performance ; Cuba ; Electronic books ; Electronic books ; Aufsatzsammlung ; Electronic books
    Abstract: Introduction -- Performing anthology : the mystical qualities of Alfredo Rodriguez's Cuba linda -- "Una escuela rara" : the Graciela School -- Itinerant outbursts: the grunt of Dámaso Pérez Prado -- Visual arrangements, sonic impressions: the Cuban musical documentaries of Rogelio París and Sara Gómez -- Cold war kids in concert.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 96
    Book
    Book
    New York [u.a.] : Routledge
    ISBN: 9780415807807 , 9780415807821
    Language: English
    Pages: XIV, 222 S. , graph. Darst.
    DDC: 781.6409
    RVK:
    RVK:
    Keywords: Popular music History and criticism ; Popular culture ; Popmusik ; Unterhaltungsmusik ; Mainstream ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Popmusik ; Mainstream
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  • 97
    ISBN: 9780415898560 , 9780415898577
    Language: English
    Pages: XIV, 334 S. , Ill., graph. Darst., Kt.
    Series Statement: Sociolinguistics
    Parallel Title: Online-Ausg. Data collection in sociolinguistics
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.440723
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Datenerhebung ; Soziolinguistik ; Sociolinguistics--Research--Methodology. ; Qualitative research. ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Soziolinguistik ; Datenerhebung
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  • 98
    ISBN: 9780415808132 , 9781138849716
    Language: English
    Pages: XIV, 303 S. , Ill.
    Edition: 1. publ.
    Series Statement: Routledge studies in ethnomusicology 3
    Series Statement: Routledge studies in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 780.95692/5
    RVK:
    Keywords: Musikleben ; Soziale Funktion ; Politik ; Unterhaltungsmusik ; Globalisierung ; Beirut ; Libanon ; Libanon ; Beirut ; Unterhaltungsmusik ; Musikleben ; Politik ; Globalisierung ; Soziale Funktion
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  • 99
    Book
    Book
    New York [u.a.] : Routledge
    ISBN: 0415892139 , 9780415892131 , 9780415892124
    Language: English
    Pages: XV, 396 S. , Notenbeisp.
    Edition: 2. ed.
    RVK:
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  • 100
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 0822391902 , 0822354152 , 0822354306 , 9780822391906 , 9780822354154 , 9780822354307
    Language: English
    Pages: Online-Ressource (xvii, 364 pages) , illustrations
    Edition: Online-Ausg.
    Parallel Title: Print version Making samba
    DDC: 781.640981
    RVK:
    Keywords: Blacks Race identity ; Blacks Music ; History ; Music and race History ; Sambas History ; Sambas Social aspects ; History ; Sambas -- Brazil -- History ; Sambas -- Social aspects -- Brazil -- History ; Blacks -- Brazil -- Music -- History ; Music and race -- Brazil -- History ; Blacks -- Race identity -- Brazil ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈DIV〉By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.〈/div〉
    Description / Table of Contents: Contents; A Note about Brazilian Terminology, Currency, and Orthography; Abbreviations; Acknowledgments; Introduction; One. Between Fascination and Fear, Musicians' Worlds in Nineteenth-Century Rio de Janeiro; Two. Beyond the Punishment Paradigm, Popular Entertainment and Social Control after Abolition; Three. Musicians Outside the Circle, Race, Wealth, and Property in Fred Figner's Music Market; Four. "Our Music", "Pelo telefone," the Oito Batutas, and the Rise of "Samba""; Five. Mediators and Competitors, Musicians, Journalists, and the Roda do Samba
    Description / Table of Contents: Six. Bodies and Minds: Mapping Africa and Brazil during the Golden AgeSeven. Alliances and Limits: The SBAT and the Rise of the Entertainment Class; Eight. Everywhere and Nowhere: The UBC and the Consolidation of Racial and Gendered Difference; Nine. After the Golden Age: Reinvention and Political Change; Conclusion; Notes; Bibliography; Index
    Note: Includes bibliographical references (pages [299]-335) and index
    URL: Volltext  (lizenzpflichtig)
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