ISBN:
9783031546389
Language:
English
Pages:
1 Online-Ressource(VII, 317 Seiten)
,
Illustrationen, Karten
Edition:
1st ed. 2024.
Series Statement:
Interdisciplinary contributions to archaeology
Parallel Title:
Erscheint auch als
Parallel Title:
Erscheint auch als
Parallel Title:
Erscheint auch als
Keywords:
Archaeology.
;
Anthropology.
;
Sociology.
Abstract:
Introduction. Deep-Times Images And The Challenges Of Globalization (Oscar Moro Abadía, Margaret Conkey, Jo McDonald) -- Part I. Recentering Rock Art -- Chapter 1. ‘Out Of Franco-Cantabria’: The Globalization of Pleistocene Rock Art (Aitor Ruiz-Redondo) -- Chapter 2. Some Implications of Pleistocene Figurative Rock Art in Indonesia and Australia (Adam Brumm, Adhi Agus Oktaviana, Maxime Aubert) -- Chapter 3. Rock Art, Modes Of Existence, And Cosmopolitics: A View From The Southern Andes (Andrés Troncoso) -- Chapter 4. Regional Reponses to Global Climate Change: Exploring Anthropomophic Depictions in Rock and Mobiliary Art Expressions from the Kimberley and Europe during the Late and Terminal Pleistocene (Peter Veth, Sam Harper, and Martin Porr) -- Part II. Comparative Views on Global Art -- Chapter 5. The Divide Between ‘European’ And ‘Indigenous’ Rock Arts: Exploring A Eurocentic Bias In The Age Of Globalization (Oscar Moro Abadía, Amy C. Chase) -- Chapter 6. Rock Art Research and Knowledge-Production in the Context of Globalisations. A Comparative Approach to the Cases of Patagonia-Argentina and Eastern Canada (Danae Fiore, Bryn Tapper, Dagmara Zawadzka, Agustín Acevedo) -- Chapter 7. The Framework for Ochre Experiences (Foes): Towards A Transdisciplinary Perspective on the Earth Material Heritage of Ochre (Elizabeth C. Velliky, Tammy Hodgskiss, Larissa Mendoza Straffon, Heidi Gustafson, Ann Gollifer, Magnus Haaland) -- Chapter 8. Why Do Old Dates Fascinate Prehistorians? (Georges Sauvet) -- Part III. Interdisciplinary Global Rock Art -- Chapter 9. What Were Rock Art Sites Like In The Past? Reconstructing the Shapes of Sites as Cultural Settings (Jean-Jacques Delannoy, Bruno David, Kim Genuite) -- Chapter 10. The Earliest Dated Pictures in the Dispersal of Psychologically Modern Humans: A Middle Paleolithic Painted Rock Shelter (C. 45ka) At Wadi Defeit, Egypt (Whitney Davis) -- Chapter 11. Understanding Rock Art: What Neuroscience Can Add (John Onians) -- Chapter 12. “… And Those Who Expect To Return To The Source Will Find Fog”: Resonances of Prehistory in Modern Art (Rémi Labrusse) -- Part IV. Tensions in Rock Art Management: Local Vs Global -- Chapter 13. The Unesco World Heritage List In A Globalized World: The Case Of The Paleolithic Caves Of Northern Spain (1985 - 2008) (Eduardo Palacio-Pérez) -- Chapter 14. Local – National – Global: Defining Indigenous Values of Murujuga’s Cultural Landscape in the Frame of International Patrimony (Amy Stevens and Jo McDonald) -- Chapter 15. Out of Place: Postcolonial Legacy and Indigenous Heritage in South Africa (Silvia Tomášková) -- Chapter 16. Graffiti, Vandalism and Destruction: Preserving Rock Art in a Globalized World (Paul S.C. Taçon) -- Part V. Rock Art and the Challenges of the Global Now -- Chapter 17. Translation and Transformation: The Materiality of Rock Art in a World of Bytes (John Robb) -- Chapter 18. Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation (Jamie Hampson, Sam Challis) -- Chapter 19. Replicated Temporality. Time, Originality, and Rock Art Replicas (Laura Mayer, Martin Porr) -- Chapter 20. Slow Science but Fast Forward: The Political Economy of Rock Art Research in a "Globalized" World (Margaret W. Conkey) -- Index.
Abstract:
This open access volume explores the impact of globalization on the contemporary study of deep-time art. The volume explores how early rock art research’s Eurocentric biases have shifted with broadened global horizons to facilitate new conversations and discourses in new post-colonial realities. The book uses seven main themes to explore theoretical, methodological, ethical, and practical developments that are orienting the study of Pleistocene and Holocene arts in the age of globalization. Compiling studies as diverse as genetics, visualization, with the proliferation of increasingly sophisticated archaeological techniques, means that vast quantities of materials and techniques are now incorporated into the analysis of the world’s visual cultures. Deep-Time Images in the Age of Globalization aims to promote critical reflection on the multitude of positive – and negative – impacts that globalization has wrought in rock art research. The volume brings new theoretical frameworks as well as engagement with indigenous knowledge and perspectives from art history. It highlights technical, methodological and interpretive developments, and showcases rock art characteristics from previously unknown (in the global north) geographic areas. This book provides comparative approaches on rock art globally and scrutinises the impacts of globalization on research, preservation, and management of deep-time art. This book will appeal to archaeologists, social scientists and art historians working in the field as well as lovers of rock art. .
Note:
Open Access
DOI:
10.1007/978-3-031-54638-9
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