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  • Book  (664)
  • Media Combination
  • History  (664)
  • English Studies  (453)
  • Musicology  (213)
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Material
Language
Years
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    A history of everyday life in Scotland (2010-)
    Edinburgh : Edinburgh Univ. Press
    Details
    Language: English
    DDC: 941.1
    RVK:
    HD 305
    Keywords: Scotland ; Social life and customs ; History ; Scotland ; History ; Scotland ; Social conditions ; History ; Aufsatzsammlung ; Schottland ; Alltagskultur ; Geschichte ; Schottland ; Sozialgeschichte 1600-1800
    Note: Erschienen: 1 - 4
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    KOBV
  • 2
    Book
    Book
    Subcultures : critical concepts in media and cultural studies (2007-)
    London : Routledge
    Details
    ISBN: 0415379571 , 9780415379571 , 9780415379571 , 0415379571 , 9780415379588 , 041537958X , 9780415379595 , 0415379598 , 9780415379601 , 0415379601 , 9780415379618 , 041537961X
    Language: English
    Pages: 4 Bände , Illustrationen , 25 cm
    Series Statement: Critical concepts in media and cultural studies
    DDC: 306.1
    RVK:
    AP 13800
    RVK:
    HD 300
    Keywords: Subculture ; Subculture History ; Counterculture ; Counterculture ; Subculture ; History ; Subkultur ; Gegenkultur ; Aufsatzsammlung ; Subkultur ; Aufsatzsammlung ; Identité sexuelle ; Communautés ; Gegenkultur ; Subkultur ; Geschichte ; Aufsatzsammlung ; Geschlechtsidentität ; Alternativprojekt ; Lebensform
    Abstract: Vol. 1 Subcultural histories.
    Abstract: Vol. 2 Chicago, Birmingham, scenes and communities.
    Abstract: Vol. 3 Subcultures and music.
    Abstract: Vol. 4 Sexed subjects, virtual communities, neo-tribes.
    Abstract: Vol. 1.Subcultural histories --Vol. 2.Chicago, Birmingham, scenes and communities --Vol. 3.Subcultures and music --Vol. 4.Sexed subjects, virtual communities, neo-tribes.
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    GBV
  • 3
    Book
    Book
    A history of everyday life in Scotland (2010-)
    Edinburgh : Edinburgh Univ. Press
    Details
    Language: English
    DDC: 941.1
    RVK:
    HD 305
    Keywords: Scotland ; Social life and customs ; History ; Scotland ; History ; Scotland ; Social conditions ; History ; Aufsatzsammlung ; Schottland ; Alltagskultur ; Geschichte ; Schottland ; Sozialgeschichte 1600-1800
    Note: Erschienen: 1 - 4
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    GBV
  • 4
    Book
    Book
    Jazz and American culture (2024)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    DDC: 781.650973
    RVK:
    LS 48200
    RVK:
    HU 1121
    RVK:
    HU 1520
    RVK:
    HU 1691
    RVK:
    HV 11400
    RVK:
    HV 15200
    RVK:
    HV 17000
    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
    URL: Inhaltsverzeichnis
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    Book
    München BSB
    Regensburg UB
    BVB
  • 5
    Book
    Book
    How the earth feels : geological fantasy in the nineteenth-century United States (2024)
    Durham : Duke University Press
    Details
    ISBN: 9781478025702 , 9781478020967
    Language: English
    Pages: xii, 242 Seiten , Illustrationen
    Series Statement: Anima
    Series Statement: critical race studies otherwise
    Parallel Title: Erscheint auch als Luciano, Dana How the earth feels
    Parallel Title: Erscheint auch als Luciano, Dana How the earth feels
    RVK:
    HT 1691
    RVK:
    HD 470
    RVK:
    RU 10123
    Keywords: c 1800 to c 1900 ; 19. Jahrhundert (1800 bis 1899 n. Chr.) ; Geology in literature ; Geology Social aspects 19th century ; History ; Geology History 19th century ; American literature History 19th century ; NATURE / Environmental Conservation & Protection ; HISTORY / Modern / 19th Century ; Conservation of the environment ; General & world history ; Geschichte allgemein und Weltgeschichte ; SOC069000 ; Umweltschutz
    Abstract: "By the start of the nineteenth century, the impact of the geological sciences and advancements in the field had radically expanded people's perception of the Earth's age. In How the Earth Feels, Dana Luciano maps the emergence of a "geological fantasy," in which increased knowledge of planetary life was used to racialize Native peoples as fossils and curiosities. Further, the geological fantasy served to cement the notion that the Earth had been preparing for the presence of humans, and that humans were in fact the ultimate expression of the Earth's teleological development in a both scientific and spiritual sense. Counterposing a range of texts-from early European and US geological texts to Indigenous accounts of earthquakes to African American men's anti-slavery writing featuring geological tropes-Luciano reveals the workings of the geological fantasy as it operated across the racial and biopolitical discourses of the nineteenth-century United States. Luciano offers a rich and historically nuanced account of how imagined relations with the non-human world have long served as a means of avoiding engagement with the dynamics of racial and colonial power"
    Abstract: Dana Luciano examines the impacts of the new science of geology on nineteenth-century US culture, showing how it catalyzed transformative conversations regarding the intersections between humans and the nonhuman world
    Description / Table of Contents: The "Fashionable Science" -- 'The Infinite Go-Before of the Present': Geological Time, Worldmaking, and Race in the Nineteenth Century -- Unsettled Ground: Indigenous Prophecy, Geological Fantasy, and the New Madrid Earthquakes -- Romancing the Trace: Ichnology, Affect, Race -- Matters of Spirit: Vibrant Materiality and White Femme Geophilia -- The Natural History of Freedom: Blackness, Geomorphology, Worldmaking -- Ishmael's Anthropocenes and Others: Geological Fantasy in the Twentiethfirst Century.
    Note: Includes bibliographical references and index
    URL: Cover  (lizenzpflichtig)
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    Book
    MPI Ethno. Forsch.
  • 6
    Book
    Book
    From St. Petersburg to Vienna : the New Jewish School in music (1908-1938) as part of the Jewish cultural renaissance (2024)
    Wiesbaden : Harrassowitz Verlag
    Details
    ISBN: 9783447111058
    Language: English
    Pages: XIX, 475 Seiten , Illustrationen
    Series Statement: Jüdische Musik Band 17
    Series Statement: Jüdische Musik
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    LS 33120
    Keywords: Cultural Studies ; East European Studies ; Folkore Studies ; History ; Jewish Studies ; Klezmer ; Musicology ; Religious Studies
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HU Berlin
    Würzburg UB
    Regensburg UB
    KOBV
    BVB
  • 7
    Book
    Book
    Music in medieval rituals for the end of life (2024)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197685914
    Language: English
    Pages: x, 222 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Parallel Title: Erscheint auch als Hild, Elaine Stratton Music in medieval rituals for the end of life
    DDC: 781.5/880902
    RVK:
    LR 11042
    RVK:
    LB 60005
    Keywords: Gregorian chants History and criticism ; Death Religious aspects To 1500 ; Christianity ; History ; Death Social aspects To 1500 ; History ; Funeral rites and ceremonies, Medieval History
    Abstract: "Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": close readings of rituals from diverse communities, each as they appear in a single source. The rituals' chants are transcribed into modern notation and analyzed, both for their relationships between text and melody and for their functions within the rituals. Created for the powerful and the poor, the educated and the uneducated, women and men, monastics, clerics, and laity, these manuscripts offer a glimpse into the religious practices that distinguished communities from one another and bound them together within a single tradition. The book provides the first editions of the rituals' chants and considers the functions of the music. Why was music given such a prominent position within the deathbed liturgies? Why did communities gather and sing when a loved one was dying? The manuscripts reveal a lost art of comforting the dying and the grieving"--
    Description / Table of Contents: Introduction : Contemporary approaches to medieval rituals for the dying -- Religious elites : Rome, "old Roman" tradition -- Political and religious leaders : Sens, Cathedral of Saint Stephen -- With the laity : Orsières, Switzerland -- Among women : Abbey of Saint Mary the Virgin and Saint Francis without Aldgate (England) -- Analysis : variation and continuity within the liturgical tradition -- Final considerations : Why sing?
    Note: Includes bibliographical references and index
    DOI: 10.1093/oso/9780197685914.001.0001
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    Book
    BSZ
  • 8
    Book
    Book
    The Palgrave handbook of neo-Victorianism (2024)
    Cham : Palgrave Macmillan
    Details
    ISBN: 9783031321597
    Language: English
    Pages: xix, 527 Seiten , Illustrationen
    Parallel Title: Erscheint auch als The Palgrave handbook of Neo-Victorianism
    DDC: 306.094109034
    RVK:
    HN 1101
    Keywords: 1800-1901 ; History ; Great Britain History Victoria, 1837-1901 ; In popular culture ; Great Britain Social life and customs 19th century ; In popular culture ; Great Britain ; Aufsatzsammlung ; Großbritannien ; Kultur ; Geschichte 1837-1901 ; Rezeption
    DOI: 10.1007/978-3-031-32160-3
    URL: Inhaltsverzeichnis
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    Book
    BSZ
    GBV
  • 9
    Book
    Book
    Formidable : American women and the fight for equality: 1920-2020 (2023)
    New York ; London : Pegasus Books
    Details
    ISBN: 9781639363971
    Language: English
    Pages: XX, 507 Seiten, 24 ungezählte Seiten Tafeln , Illustrationen , 24 cm
    Edition: First Pegasus books paperback edition
    DDC: 305.4209
    RVK:
    HD 472
    Keywords: Geschichte 1920-2020 ; Frauenbewegung ; USA ; Women's rights / United States / History / 20th century ; Women's rights / United States / History / 21st century ; African American women / History / 20th century ; African American women / History / 21st century ; Equality / United States / History / 20th century ; Equality / United States / History / 21st century ; Women's rights ; African American women ; Equality ; History ; United States ; Twentieth century ; Twenty-first century ; History ; USA ; Frauenbewegung ; Geschichte 1920-2020
    Abstract: "The Nineteenth Amendment was an incomplete victory. A century later, women are still grappling with how to use the vote and their political power to expand civil rights, confront racial violence, improve maternal health, advance educational and employment opportunities, and secure reproductive rights. Formidable chronicles the efforts of white and Black women to advance sometimes competing causes. Black women wanted the rights enjoyed by whites. White women wanted to be equal to white men. In this riveting narrative, Dr. Elisabeth Griffith integrates the fight by white and Black women to achieve equality"--
    Description / Table of Contents: Author's note: Story lines -- "Now we can begin" -- Flapper & feminists, 1920-1928 -- The Eleanor effect, 1928-1945 -- From Rosie to Rosa Parks, 1945-1959 -- Pillboxes & protests, 1960-1972 -- Battle lines, 1972-1980 -- Faction & firsts, 1980-1992 -- Isolation & intersectionality, 1993-2008 -- Leaning in & losing, 2009-2016 -- Enraged & empowered, 2017-2020 -- Epilogue: Not enough
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Würzburg UB
    Regensburg UB
    BVB
  • 10
    Book
    Book
    The invention of the English landscape : c. 1700-1939 (2023)
    London : Bloomsbury Academic
    Details
    ISBN: 9781350031678
    Language: English
    Pages: x, 289 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Borsay, Peter, 1950 - 2020 The Invention of the English Landscape
    DDC: 304.2094109/03
    RVK:
    HG 430
    RVK:
    ZH 9610
    Keywords: 20. Jahrhundert (1900 bis 1999 n. Chr.) ; Landscapes History ; Heritage tourism History ; Leisure Social aspects ; History ; Nature Effect of human beings on ; 20th century history: c 1900 to c 2000 ; British & Irish history ; Early modern history: c 1450/1500 to c 1700 ; HISTORY / Europe / Great Britain ; HISTORY / General ; HISTORY / Modern / General ; Modern history to 20th century: c 1700 to c 1900 ; Sozial- und Kulturgeschichte ; Great Britain Environmental conditions ; History ; Vereinigtes Königreich, Großbritannien ; Großbritannien ; Entdeckung ; Landschaft ; Geschichte 1700-1939
    Abstract: Since at least the Reformation, English men and women have been engaged in visiting, exploring and portraying, in words and images, the landscape of their nation. The Invention of the English Landscape examines these journeys and investigations to explore how the natural and historic English landscape was reconfigured to become a widely enjoyed cultural and leisure resource.Peter Borsay considers the manifold forces behind this transformation, such as the rise of consumer culture, the media, industrial and transport revolutions, the Enlightenment, Romanticism, and the Gothic revival. In doing so, he reveals the development of a powerful bond between landscape and natural identity, against the backdrop of social and political change from the early modern period to the start of the Second World War. Borsay s interdisciplinary approach demonstrates how human understandings of the natural world shaped the geography of England, and uncovers a wealth of valuable material, from novels and poems to paintings, that expose historical understandings of the landscape. This innovative approach illuminates how the English countryside and historic buildings became cultural icons behind which the nation was rallied during war-time, and explores the emergence of a post-war heritage industry that is now a definitive part of British cultural life
    URL: Cover  (lizenzpflichtig)
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    BSZ
  • 11
    Book
    Book
    Punk revolution! : an oral history of punk rock politics and activism (2023)
    Lanham ; Boulder ; New York ; London :Rowman & Littlefield,
    Details
    ISBN: 978-1-5381-7172-1
    Language: English
    Pages: xviii, 357 Seiten : , Illustrationen, Porträts ; , 24 cm.
    Parallel Title: Erscheint auch als
    DDC: 306.48426
    RVK:
    LB 42000
    RVK:
    LC 86000
    RVK:
    LS 48645
    RVK:
    MS 2350
    Keywords: Geschichte 1970-2022 ; Punk rock music / Political aspects / History ; Punk rock musicians / Interviews ; Punk rock musicians ; Punk Rock. ; Rockmusiker. ; Rockmusikerin. ; Politischer Protest. ; Aktivismus. ; Soziale Bewegung. ; Interview ; History ; Interviews ; Oral histories ; Interview ; Interview ; Interview ; Punk Rock ; Rockmusiker ; Rockmusikerin ; Politischer Protest ; Aktivismus ; Soziale Bewegung ; Geschichte 1970-2022
    Abstract: "This is the most wide-ranging and provocative look at punk rock as a social change movement over the past forty-five years, told through first-hand accounts of roughly 250 musicians and activists. John Malkin brings together punk's most famous figures as well as underground voices, creating a new and insightful history of punk throughout the ages"--
    Description / Table of Contents: Introduction. What You Think Changes How You Act -- Acknowledgments & Gratitude -- Mixing Punk & Politics : Common Ground For The Revolution -- Do It Yourself : DIY Together -- We Are All Pussy Riot : Punk On The Frontlines, Russia To Myanmar, China To Mexico -- East Berlin Punk : Clandestine Concerts Behind The Berlin Wall -- Music Is That Powerful Tool : Blackfire Navajo Punks -- Tijuana No! : Latin Punk Rock From Peru To Mexico To East L.A. -- Pansy Division : Out Of The Closet Into The Slampit -- Positive Force : Mark Andersen And Fugazi In Washington D.C. -- Fight War Not Wars : Punk Rock, Militarism, And War -- Just Another Gulf War : Punk, U.S. Wars In Iraq And Afghanistan, And 9/ -- America! Fuck Yeah! : Punks Perform For U.S. Soldiers -- Nazi Trumps Fuck Off! : Punk In The Trump Era -- I Am An Anarchist : Anti-Authoritarian Soundtrack -- To Hell With Poverty : Capitalism And Class In Punk Rock -- White Riot : Race And Anti-Racism In Punk -- Equal But Different : Gender & Feminism In Punk -- The Revolution Is Personal : Politics With A Small "P" -- The Revolution Will Be Commodified -- Burn Punk London : Joe Corre' And Extinction Rebellion -- How Revolutionary Has Punk Rock Been? -- Where Is The Revolution Now?
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HU Berlin
    München BSB
    KOBV
    HeBIS
    BVB
  • 12
    Book
    Book
    Entangled entertainers : Jews and popular culture in Fin-de-Siècle Vienna (2023)
    New York ; Oxford : Berghahn
    Details
    ISBN: 9781800737259 , 9781789200300
    Language: English
    Pages: 186 Seiten
    Series Statement: Austrian and Habsburg studies volume 24
    Series Statement: Austrian and Habsburg studies
    Parallel Title: Erscheint auch als
    RVK:
    LC 86160
    RVK:
    LB 46160
    RVK:
    LQ 81106
    Keywords: Geschichte 1890-1910 ; Varieté ; Volkssänger ; Juden ; Wien ; Jews / Austria / Vienna / History / 19th century ; Jews / Austria / Vienna / Identity ; Jews / Cultural assimilation / Austria / Vienna ; Vienna (Austria) / Social conditions / 19th century ; Vienna (Austria) / Ethnic relations ; Ethnic relations ; Jews ; Jews / Cultural assimilation ; Jews / Identity ; Social conditions ; Austria / Vienna ; 1800-1899 ; History ; Wien ; Juden ; Volkssänger ; Varieté ; Geschichte 1890-1910
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    BVB
  • 13
    Book
    Book
    Dark waves : the synthesizer and the dystopian sound of Britain (1977-80) (2023)
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    Details
    ISBN: 9781538165300
    Language: English
    Pages: xi, 187 Seiten
    Series Statement: Popular musics matter: Social, political and cultural interventions
    Parallel Title: Erscheint auch als
    RVK:
    LQ 84007
    RVK:
    LS 48645
    Keywords: Geschichte 1977-1980 ; Elektronische Musik ; Synthesizer ; Popmusik ; Großbritannien ; Electronica (Music) / Great Britain / History and criticism ; Popular music / Great Britain / 1971-1980 / History and criticism ; Synthesizer (Musical instrument) / Great Britain / History ; Electronica (Music) ; Popular music ; Synthesizer (Musical instrument) ; Great Britain ; 1971-1980 ; Criticism, interpretation, etc ; History ; Großbritannien ; Popmusik ; Synthesizer ; Elektronische Musik ; Geschichte 1977-1980
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    HU Berlin
    München BSB
    KOBV
  • 14
    Book
    Book
    Electronic dance music : from deviant subculture to culture industry (2023)
    Lanham ; Boulder ; New York ; London : Lexington Books
    Details
    ISBN: 9781793620392
    Language: English
    Pages: IX, 139 Seiten , Illustrationen, Porträts
    Series Statement: Critical perspectives on music and society
    Parallel Title: Erscheint auch als
    RVK:
    LS 48655
    Keywords: Geschichte 1980-2022 ; Subkultur ; Techno ; Rave ; Musikwirtschaft ; Electronic dance music / Social aspects / History ; Rave culture ; Rave culture ; History ; Rave ; Techno ; Subkultur ; Musikwirtschaft ; Geschichte 1980-2022
    Abstract: "This text explores how the Electronic Dance Music subculture transitioned from a marginalized deviant subculture to a billion-dollar culture industry, looking at how the culture's success has undermined in-group solidarity and marginalized those who helped pioneer it"--
    Description / Table of Contents: Introduction -- Phase I : Beginnings (1980s-1995) Phase II : The Rise of the Rave Outlaw (1995-2009) -- Phase III : EDM as Culture Industry (2010-2022) -- Conclusion -- Appendix. The Rave Act
    Note: Noch nicht erschienen (Stand: 12.05.2023)
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
  • 15
    Book
    Book
    The Cambridge companion to K-pop (2023)
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    Details
    ISBN: 9781108837057 , 9781108940030
    Language: English
    Pages: xv, 295 Seiten
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    RVK:
    LQ 94008
    RVK:
    LS 48060
    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    HU Berlin
    München BSB
    Regensburg UB
    KOBV
    BVB
  • 16
    Book
    Book
    Disaster songs as intangible memorials in Atlantic Canada (2023)
    New York ; London : Routledge
    Details
    ISBN: 9781032111209 , 9781032111230 , 9781032431147
    Language: English
    Pages: xvi, 218 Seiten
    Series Statement: SOAS studies in music
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
    LS 21140
    Keywords: Geschichte 1980- ; Gedenken ; Lied ; Katastrophe ; Kanada ; Maritime Provinzen ; Disasters / Atlantic Provinces / Songs and music / History and criticism ; Memorialization / Atlantic Provinces / History ; Canada ; Disasters / Songs and music ; Memorialization ; Canada / Atlantic Provinces ; Criticism, interpretation, etc ; History ; Kanada ; Maritime Provinzen ; Lied ; Katastrophe ; Gedenken ; Geschichte 1980-
    Abstract: "Disaster Songs as Intangible Memorials in Atlantic Canada draws on a collection of over 500 Atlantic Canadian songs relating to disasters from 1891 up until the present, and describes the characteristics that define them as intangible memorials. The book demonstrates the relationship between vernacular memorials - informal memorials collectively and spontaneously created from objects and notes by the general public - and disaster songs. Author identifies the features that define vernacular memorials, and applies them to disaster songs: spontaneity; ephemerality; importance of place; motivations and meaning-making; content, as well as the role of media in inspiring and disseminating memorials and songs"--
    Description / Table of Contents: Preface. Come All Ye -- Introduction -- Formal Memorials, Vernacular Memorials, and Disaster Songs -- Going Down in History : The Story of Disaster Songs -- Locating Meaning : The Place of Disasters in Songs -- Spontaneity & Ephemerality : The Timing of Memorialization -- Social Significance : The Motivation to Create Disaster Songs -- Personal Motivations : Relationships & Grief -- News & Social Media : Inspiring, Informing, and Disseminating Disaster Songs -- Conclusion
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    München BSB
    Würzburg UB
    BVB
  • 17
    Book
    Book
    Music and musicians in the medieval Islamicate world : a social history (2023)
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris
    Details
    ISBN: 9780755641819
    Language: English
    Pages: 284 Seiten
    Edition: Paperback edition
    Series Statement: The early and medieval Islamic world
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 34120
    Keywords: Geschichte 800-1400 ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Music / Islamic countries / History / To 1500 ; Musicians / Islamic countries / History / To 1500 ; Musicology / Islamic countries ; Islamic countries / Social conditions ; Music ; Musicians ; Musicology ; Social conditions ; Islamic countries ; To 1500 ; History ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."--
    Note: Literaturverzeichnis Seite [255]-271
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Party lines : dance music and the making of modern Britain (2023)
    London : Picador
    Details
    ISBN: 9781529070644 , 1529070643
    Language: English
    Pages: 452 Seiten , Illustrationen , 24 cm
    Parallel Title: ebook version
    RVK:
    LQ 84007
    RVK:
    LQ 84008
    RVK:
    LS 48015
    Keywords: Electronic dance music / Great Britain / History and criticism ; Music / Political aspects / Great Britain / History / 20th century ; Music / Political aspects / Great Britain / History / 21st century ; Great Britain / Politics and government / 20th century ; Great Britain / Politics and government / 21st century ; Dance music / Grande-Bretagne / Histoire et critique ; Musique / Aspect politique / Grande-Bretagne / Histoire / 20e siècle ; Musique / Aspect politique / Grande-Bretagne / Histoire / 21e siècle ; Grande-Bretagne / Politique et gouvernement / 20e siècle ; Grande-Bretagne / Politique et gouvernement / 21e siècle ; Electronic dance music ; Music / Political aspects ; Politics and government ; Great Britain / https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP ; 1900-2099 ; Criticism, interpretation, etc ; History
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  • 19
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    Textual magic : charms and written amulets in medieval England (2023)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226825335 , 0226825337
    Language: English
    Pages: xiii, 299 Seiten , Illustrationen , 23 cm
    DDC: 203/.32094202
    RVK:
    HH 4061
    RVK:
    BE 2563
    Keywords: Geschichte 200-1500 ; Zauberformel ; Amulett ; Charms History To 1500 ; Magic History To 1500 ; English literature History and criticism Middle English, 1100-1500 ; English literature History and criticism Old English, ca ; Latin literature, Medieval and modern History and criticism ; Anglo-Norman literature History and criticism ; SOCIAL SCIENCE / Folklore & Mythology ; Anglo-Norman literature ; Charms ; English literature Middle English ; English literature Old English ; Latin literature, Medieval and modern ; Magic ; England ; England ; Criticism, interpretation, etc ; History
    Abstract: "Katherine Storm Hindley explores words at their most powerful: words that people expected would physically change the world. Medieval Europeans often resorted to the use of spoken or written charms to ensure health or fend off danger. Here Hindley draws on an unprecedented archive, based on her own extensive research, and the result is an original sampling of more than a thousand charms from medieval England, more than twice the number gathered, transcribed, and edited in previous studies, including many texts still unknown to specialists on this topic. Focusing on charms from the so-called fallow period (1100-1350) of English history, and on previously unremarked texts in Latin, Anglo-Norman, French, and English, Hindley addresses important questions about how people thought about language, belief, and power, while also injecting a bit of fun into the mix. She describes 700 years of the dynamic, shifting cultural landscape, where multiple languages, invented alphabets, and modes of transmission gained and lost their protective and healing power. Where previous scholarship has bemoaned a lack of continuity in the English charm tradition, Hindley finds surprising links between languages and eras, all without losing sight of the extraordinary variety of the medieval charm tradition: a continuous, deeply rooted part of the English Middle Ages. Textual Magic will be important reading for historians and manuscript studies scholars, and for students from various disciplines in medieval English culture wanting to learn about the many weird and wonderful types and uses of charms during this period. And Hindley's new findings will appeal to a wide number of specialists, including those in literary and religious studies, the medical humanities, and the history of magic. The book should also find a wider general audience, always eager to read about magic and charms
    Note: Literaturangaben
    URL: Inhaltsverzeichnis
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  • 20
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    Manchester unspun : pop, property and power in the original modern city (2023)
    Manchester : Manchester University Press
    Details
    ISBN: 9781526168450
    Language: English
    Pages: viii, 365 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 942.733085
    RVK:
    LQ 84407
    RVK:
    LS 48635
    Keywords: Geschichte 1979-2023 ; Stadtentwicklung ; Popkultur ; Sport ; Popmusik ; Manchester ; Popular culture / England / Manchester ; Popular music / England / Manchester ; Property / England / Manchester ; Soccer / England / Manchester ; Manchester (England) / History / 20th century ; Manchester (England) / History / 21st century ; Popular culture ; Popular music ; Property ; Soccer ; England / Manchester ; 1900-2099 ; History ; Manchester ; Popmusik ; Popkultur ; Sport ; Stadtentwicklung ; Geschichte 1979-2023
    Abstract: At the end of the 1970s, Manchester seemed to be sliding into the dustbin of history. Today the city is an international destination for culture and sport, and one of the fastest-growing urban regions in Europe. This book gives a first-hand account of what happened in between
    Note: Maps on lining paper
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Cover  (lizenzpflichtig)
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  • 21
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    Menergy : San Francisco's gay disco sound (2022)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197511084 , 0197511082 , 9780197511077 , 0197511074
    Language: English
    Pages: X, 277 Seiten , Illustrationen , 25 cm
    Parallel Title: Online version Niebur, Louis, 1971- Menergy
    DDC: 781.64815540979461
    RVK:
    LS 48640
    Keywords: Disco music / California / San Francisco / History and criticism ; Electronic dance music / California / San Francisco / History and criticism ; Sound recording industry / California / San Francisco / History / 20th century ; Gay men / California / San Francisco / Social life and customs / 20th century ; Castro (San Francisco, Calif.) ; Disco (Musique) / Californie / San Francisco / Histoire et critique ; Dance music / Californie / San Francisco / Histoire et critique ; Homosexuels masculins / Californie / San Francisco / Mœurs et coutumes / 20e siècle ; Disco music ; Electronic dance music ; Gay men / Social life and customs ; Sound recording industry ; California / San Francisco ; California / San Francisco / Castro ; 1900-1999 ; Criticism, interpretation, etc ; History
    Abstract: "Menergy tells the story of a "post-disco" recording industry in San Francisco between the years 1978-1984. For most of America, disco died in 1979. Gay men, however, continued to dance, and in the gay enclave of the Castro neighborhood in San Francisco, enterprising gay DJs, record producers, and musicians started their own small dance music record labels to make up for the lack of new, danceable music. These independent labels' music did more than copy what the larger industry had been doing, however. Instead, the upstart companies built upon the musical experiments their roster of local musicians and producers had been exploring over the last several years, developing a distinctive style of its own. Known as "high energy," the music reveled in electronics, fast tempos, disco and DJ culture, and, above all, gay liberation as it had emerged over the previous decade in the Castro neighborhood by so called "Castro clones" (a gay subculture of exaggerated masculinity with a strong presence in the city's nightlife). The sound, like the new revolutionary ethos, derived its aesthetic from San Francisco's unique configuration of elements, but immediately this music had a reach far beyond the Bay, with Megatone Records, Moby Dick Records, and other labels achieving worldwide success with San Francisco artists such as Sylvester, Patrick Cowley, Paul Parker, Lisa, Loverde, and Jolo, creating the world's first gay-owned, gay-produced music for a dancing audience"--
    Description / Table of Contents: Introduction : Setting up the sound -- Disco, the Castro and gay liberation -- Liberation for some : The continued expansion of gay San Francisco in the late 1970s -- Sylvester's fantasy comes true -- The first wave of the San Francisco sound -- Blecman and Hedges -- Disco's dead/not dead -- The San Francisco sound thrives -- New heights -- Trouble in Paradise -- Dancing with AIDS -- Everything falls apart -- In retrospect
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  • 22
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    Exhibitions, music and the British Empire / (2022)
    Woodbridge :The Boydell Press,
    Details
    ISBN: 978-1-78327-673-8
    Language: English
    Pages: xiii, 246 Seiten : , Illustrationen.
    Series Statement: Music in Britain, 1600-2000 30
    Series Statement: Music in Britain, 1600-2000
    Parallel Title: Erscheint auch als
    RVK:
    LQ 84005
    RVK:
    LQ 91705
    RVK:
    MS 8020
    RVK:
    LQ 94505
    Keywords: Great Britain ; 1800-1899 ; Geschichte 1870-1900 ; Music / Social aspects / Great Britain / History / 19th century ; Exhibitions / Great Britain / History / 19th century ; Musicology / Great Britain / History / 19th century ; Exhibitions ; Music / Social aspects ; Musicology ; Internationale Ausstellung. ; Musik. ; Großbritannien. ; History ; Internationale Ausstellung ; Musik ; Geschichte 1870-1900
    URL: Inhaltsverzeichnis
    URL: Klappentext
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    HU Berlin
  • 23
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    Legacy of violence : a history of the British empire (2022)
    New York : Alfred A. Knopf
    Details
    ISBN: 9780307272423
    Language: English
    Pages: x, 875 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als Elkins, Caroline Legacy of violence
    DDC: 909/.0971241082
    RVK:
    NQ 9410
    RVK:
    HD 410
    RVK:
    NK 2100
    Keywords: State-sponsored terrorism History 20th century ; Punishment History 20th century ; Liberalism History 20th century ; Imperialism ; Great Britain Colonies 20th century ; Administration ; History ; Great Britain Colonies ; Social conditions ; Great Britain Politics and government 20th century ; Großbritannien ; Commonwealth ; Kolonialismus ; Gewalt
    Abstract: "From the Pulitzer Prize-winning historian: a searing study of the British Empire that interrogates the country's pervasive use of violence throughout the twentieth century and traces how these practices were exported, modified, and institutionalized in colonies around the globe"--
    Note: "This is a Borzoi Book published by Alfred A. Knopf." , Includes bibliographical references and index
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    MPI Ethno. Forsch.
  • 24
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    The N-word in music : an American history (2022)
    Jefferson, North Carolina : McFarland & Company
    Details
    ISBN: 9781476687063
    Language: English
    Pages: ix, 257 Seiten
    DDC: 306.4/8420973
    RVK:
    LR 54607
    RVK:
    LC 87610
    Keywords: Popular music Social aspects ; History ; Slurs History ; Music and language History ; Music and race History ; African Americans in popular culture ; African American comedians ; MUSIC / History & Criticism ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
    Abstract: The N-Word's Musical Contours -- Out of Music : The N-Word's Material, Environmental, and Social Contours -- John Lennon's N-Word Moment -- Interlude. Diverse Opinions -- Philosorock : John Lennon, Bob Dylan, and Other White Musicians Who Sing the N-Word -- Black Demystification, White Bewilderment : Transformation and Numbing in Black Comedy and Black Music -- Muhammad Ali, Rap, and That Word -- A Hip-Hop Icon -- A Sensible Rule : A Case Study -- Inviting Destruction Beyond the Music -- Conclusion. Welcome to the Conversation, Country Music.
    Abstract: "The minstrelsy play, song, and dance "Jump, Jim Crow" did more than enable blackface performers to spread racist stereotypes about Black Americans. This widespread antebellum-era cultural phenomenon was instrumental in normalizing the N-word across several aspects of American life. Material culture, sporting culture, consumer products, house-pets, carnival games and even geographic landmarks obtained the racial slur as a formal and informal appellation. Music, it is argued, was the catalyst for normalizing and disseminating those two ugly syllables throughout society, well beyond the environs of plantation and urban slavery. This weighty and engaging look at the English language's most explosive slur, described by scholars as the "atomic bomb" of bigoted words, traces the N-word's journey through various music genres and across generations. The author uses private letters, newspaper accounts, exclusive interviews and, most importantly, music lyrics from artists in the fields of minstrelsy, folk, country, ragtime, blues, jazz, rock 'n' roll and hip hop. The result is a reflective account of how the music industry has channeled linguistic and cultural movements across eras, resulting in changes to the slur's meaning and spelling"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Breaks in the air : the birth of rap radio in New York City (2022)
    Durham : Duke University Press
    Details
    ISBN: 9781478018872 , 9781478016236
    Language: English
    Pages: xiv, 218 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    LS 48650
    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Abstract: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Description / Table of Contents: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 26
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    Rude citizenship : Jamaican popular music, copyright, and the reverberations of colonial power (2022)
    Chapel Hill : The University of North Carolina Press
    Details
    ISBN: 9781469667249 , 9781469667232
    Language: English
    Pages: 228 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48015
    RVK:
    LS 48700
    Keywords: Kooperation ; Musik ; Urheberrecht ; Jamaika ; Popular music / Jamaica / History and criticism ; Popular music / Social aspects / Jamaica / History ; Music trade / Jamaica ; Copyright / Music / Jamaica ; Music and race / Jamaica ; Musique populaire / Jamaïque / Histoire et critique ; Musique populaire / Aspect social / Jamaïque / Histoire ; Musique / Industrie / Jamaïque ; Droit d'auteur / Musique / Jamaïque ; Musique et race / Jamaïque ; Copyright / Music ; Music trade ; Popular music ; Popular music / Social aspects ; Jamaica ; Criticism, interpretation, etc ; History ; Jamaika ; Musik ; Kooperation ; Urheberrecht
    Abstract: "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--
    Description / Table of Contents: Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Dilla time : the life and afterlife of J Dilla, the hip-hop producer who reinvented rhythm (2022)
    New York : Farrar, Straus and Giroux
    Details
    ISBN: 9780374139940
    Language: English
    Pages: XVI, 458 Seiten , Illustrationen, Karten
    Edition: First edition
    RVK:
    LS 48045
    Keywords: J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Abstract: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Abstract: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Description / Table of Contents: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    The coffin ship : life and death at sea during the Great Irish Famine (2022)
    New York : New York University Press
    Details
    ISBN: 9781479820535
    Language: English
    Pages: 315 Seiten , Illustrationen, Diagramm , 23 cm
    Edition: Paperback edition
    Series Statement: Glucksman Irish diaspora
    DDC: 304.80941509034
    RVK:
    HG 290
    Keywords: Immigrants Correspondence ; Passenger ships History 19th century ; Immigrants History 19th century ; Irish History 19th century ; Ocean travel History 19th century ; Seafaring life ; Ireland History Famine, 1845-1852 ; Ireland Emigration and immigration 19th century ; History
    Note: Includes bibliographical references and index
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    BSZ
  • 29
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    The Stone age : sixty years of the Rolling Stones (2022)
    New York, NY : Pegasus Books
    Details
    ISBN: 9781639362073
    Language: English
    Pages: 388 Seiten, 16 ungezählte Blätter Tafeln , Illustrationen, Porträts
    Edition: First Pegasus Books cloth edition
    Parallel Title: Erscheint auch als
    RVK:
    LS 48040
    RVK:
    LS 48635
    Keywords: The Rolling Stones ; Geschichte 1962-2022 ; Rolling Stones ; Rolling Stones / History ; Rock musicians / England / Biography ; Rolling Stones ; Rock musicians ; England ; Biographies ; History ; Biographies ; Biografie ; Biografie ; The Rolling Stones ; Geschichte 1962-2022
    Abstract: "An acclaimed rock and roll journalist evokes the legacy of The Rolling Stones--iconic, granitic, commercially unstoppable as a collective; and fascinating, contradictory, and occasionally disturbing as individuals. As Lesley-Ann Jones writes, the Rolling Stones are 'still roaming the globe like rusty tanks without a war to go to. Jumping, jacking, flashing, posturing, these septuagenarian caricatures with faces that might have been microwaved but coming on like eternal thirty-year-olds.' On 12th July 1962, the Rollin' Stones performed their first-ever gig at London's Marquee jazz club. Down the line, a 'g' was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex, and drugs. Denounced as 'corruptors of youth' and 'messengers of the devil,' they created some of the most thrilling music ever recorded. Now their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones's new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock's ongoing reckoning...where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad, and often ugly, here are the Rolling Stones as never seen before"--
    Description / Table of Contents: Karma -- Joner -- Mick'n'keef -- Drum'n'bass -- Hustlers -- Heyday -- Reaction -- Marianne -- Anita -- Redlands -- Mouche -- Christopher Robin -- Altamont -- Exile -- Crisis -- Juggernaut -- Mandy -- Cliodhna -- Resonance -- So long -- Roots -- Out of timeline -- Stones women -- Chapter notes -- Quote, unquote -- Select bibliography -- Acknowledgements -- Index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 30
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    Border bodies : racialized sexuality, sexual capital, and violence in the nineteenth-century borderlands (2022)
    Chapel Hill : The University of North Carolina Press
    Details
    ISBN: 9781469667898 , 9781469667881
    Language: English
    Pages: xv, 225 Seiten , Illustrationen, Karte , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 305.30979
    RVK:
    HD 474
    Keywords: Geschichte ; Grenzgebiet ; Sexualisierte Gewalt ; Einwanderin ; Sexualität ; Geschlechterrolle ; Ausbeutung ; Mexikanerin ; USA Südweststaaten ; Sex role / Southwest, New / History ; Women / Southwest, New / History ; Mexican American women / Southwest, New / History ; Sex crimes / Southwest, New / History ; Sexual abuse victims / Southwest, New / History ; Capitalism / Southwest, New / History ; Capitalism ; Mexican American women ; Sex crimes ; Sex role ; Sexual abuse victims ; Women ; New Southwest ; History ; USA Südweststaaten ; Mexikanerin ; Einwanderin ; Grenzgebiet ; Sexualität ; Sexualisierte Gewalt ; Geschlechterrolle ; Ausbeutung ; Geschichte
    Abstract: "In this study of sex, gender, sexual violence, and power along the border, Bernadine Hernández brings to light under-heard stories of women who lived in a critical era of American history. Elaborating on the concept of sexual capital, she uses little-known newspapers and periodicals, letters, testimonios, court cases, short stories, and photographs to reveal how sex, violence, and capital conspired to govern not only women's bodies but their role in the changing American Southwest"--
    Description / Table of Contents: Introduction: Sexual Frontiers, Racialized Bodies, and Sexual Capital -- The Oikopolitic: The Father of All, Brokering of the Californiana Body, and the "Natural Order of Things" in Alta California -- Circuits of Brown, Black, and Red: The Politics of Racialized Gender and Sexuality in the Nineteenth-Century Borderlands -- Absent Presence: The Ghost of the "Only Woman Hanged" in Texas and the Abstract Labor of Gender Racial Formations -- Productive Racialized Sex: The Sexual Economy of the Southwest Borderlands, the Nuevomexicana Body Politic, and Memory Archives -- Technology of "Unproductive" Brown Bodies: The Political Economy of Prostitution and Racialized Sexual Pathology in Arizona at the Turn of the Century
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    The Malay nobat : a history of power, acculturation, and sovereignty (2022)
    Lanham ; Boulder ; New York ; London : Lexington Books
    Details
    ISBN: 9781666900880
    Language: English
    Pages: xx, 241 Seiten , Illustrationen, Karten, Notenbeispiele
    Series Statement: The Lexington series in historical ethnomusicology: deep soundings
    Parallel Title: Erscheint auch als
    RVK:
    LC 87420
    RVK:
    LS 45700
    Keywords: Geschichte ; Rezeption ; Islam ; Ensemble ; Einflussnahme ; Hofmusik ; Malaysia ; Islamische Staaten ; Nobat ; Music / Southeast Asia / History and criticism ; Music / Political aspects / Southeast Asia / History ; Courts and courtiers / History ; Islam / Southeast Asia / History ; Courts and courtiers ; Islam ; Music ; Music / Political aspects ; Southeast Asia ; Criticism, interpretation, etc ; History ; Malaysia ; Islam ; Hofmusik ; Ensemble ; Einflussnahme ; Rezeption ; Islamische Staaten ; Geschichte
    Abstract: "The Malay Nobat: A History of Power, Acculturation, and Sovereignty explores the history and meaning of the nobat, its spread throughout the Muslim empire, and its emergence as a symbol of power and sovereignty, ultimately showing how existing nobat ensembles in Malaysia and Brunei are the last living legacy of the Mulism world"--
    Description / Table of Contents: Introduction -- Early Histories -- The Malay Nobat -- The Nobat in Early Malay Literature : A Lesson from Patani -- The Adat Aceh and 17th Century European Encounter -- From British Colonialism to Independence -- Conclusion
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Rock and roll, desegregation movements, and racism in the post-Civil Rights era : an "integrated effort" (2022)
    Lanham ; Boulder ; New York ; London : Lexington Books
    Details
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
    RVK:
    LS 48630
    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Inhaltsverzeichnis
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    Rise : a pop history of Asian America from the nineties to now (2022)
    Boston : Mariner Books, an imprint of HarperCollinsPublishers
    Details
    ISBN: 9780358508090 , 0358508096
    Language: English
    Pages: xi, 484 Seiten , Illustrationen , 24 cm
    DDC: 306/.095
    RVK:
    HD 474
    Keywords: Asian Americans History ; Asian Americans in mass media ; Asian Americans in popular culture ; Biography ; Américains d'origine asiatique - Histoire ; Américains d'origine asiatique dans les médias ; Américains d'origine asiatique dans la culture populaire ; Biographies ; SOCIAL SCIENCE / Popular Culture ; BIOGRAPHY & AUTOBIOGRAPHY / Cultural, Ethnic & Regional / Asian & Asian American ; SOCIAL SCIENCE / Ethnic Studies / Asian Studies ; Biographies ; Biography ; Asian Americans ; Asian Americans in mass media ; Asian Americans in popular culture ; Asian Americans ; illustrated books ; Illustrated works ; Biographies ; History ; Biographies ; Illustrated works ; Biographies ; Ouvrages illustrés ; Biography ; Biography ; Biography ; Biography
    Abstract: "RISE is a love letter to and for Asian Americans--a vivid scrapbook of voices, emotions, and memories from an era in which our culture was forged and transformed, and a way to preserve both the headlines and the intimate conversations that have shaped our community into who we are today."--
    Abstract: "When the Hart-Celler Act passed in 1965, opening up US immigration to non-Europeans, it ushered in a whole new era. But even to the first generation of Asian Americans born in the US after that milestone, it would have been impossible to imagine that sushi and boba would one day be beloved by all, that a Korean boy band named BTS would be the biggest musical act in the world, that one of the most acclaimed and popular movies of 2018 would be Crazy Rich Asians, or that we would have an Asian American Vice President. And that's not even mentioning the creators, performers, entrepreneurs, execs and influencers who've been making all this happen, behind the scenes and on the screen; or the activists and representatives continuing to fight for equity, building coalitions and defiantly holding space for our voices and concerns. And still: Asian America is just getting started. The timing could not be better for this intimate, eye-opening, and frequently hilarious guided tour through the pop-cultural touchstones and sociopolitical shifts of the 1990s, 2000s, 2010s, and beyond. Jeff Yang, Phil Yu, and Philip Wang chronicle how we've arrived at today's unprecedented diversity of Asian American cultural representation through engaging, interactive infographics (including a step-by-step guide to a night out in K-Town, an atlas that unearths historic Asian American landmarks, a handy "Appreciation or Appropriation?" flowchart, and visual celebrations of both our "founding fathers and mothers" and the nostalgia-inducing personalities of each decade), plus illustrations and graphic essays from major AAPI artists, exclusive roundtables with Asian American cultural icons, and more, anchored by extended insider narratives of each decade by the three co-authors. Rise is an informative, lively, and inclusive celebration of both shared experiences and singular moments, and all the different ways in which we have chosen to come together."--
    Note: Includes index , Before. Before : an essay / , 1990s. The 1990s: an essay / , Asian Americans on campus , The Asian American syllabus : 1990s , Sa-I-Gu 1992 : remembering the Los Angeles riots , The long dark shadow of "Me love you long time" , Asian American food glow up , Asian Americans dot com , How to "AZN" , Asian Avenue, annotated , The style list : 1990s , Generasian gap : 1990s , Speed racers , The Asian American playlist : the 1990s , Setting sail on the Love Boat , Spaces : Asian home , Boba triumphant , The Joy Luck Club remembered , How the golden age of Hong Kong cinema gave us hope , Bollywood saved us , Awesome Asian bad guys , Reflections on Mulan , After Connie , When Asian American Indie features suddenly mattered , It all began with Margaret Cho , What's funny? : 1990s , The Asian American yearbook : the 1990s , Spaces : Asian grocery store , Founding fathers and mothers : 1990s , Anime of the people , Yellowface in the 1990s , DISGRASIAN: 1990s , Undercover Asians : 1990s , RISE : a poem , 2000s. The 2000s : an essay / , Suburbasia , "Dis-spelled" , Spaces : the boba shop , The Asian American syllabus : 2000s , 9/11 : remembering a tragedy and the dark days that followed , Spin doctors : how Filipino American DJs turned the tables on hip-hop , Stepping into the cypher : Asian American rappers , MC Jin's greatest spits , The trials of Dr. Wen Ho Lee , Tomorrow never dies , Animasians : the cartoon characters that shaped our kidhood , Harold and Kumar , Spaces : the Asian American film festival , Elevated or appropriated? , "Asian night" : the Asian party scene , The style list : 2000s , Generasian gap : 2000s , The Asian American reality TV hall of fame , William Hung does not need your sympathy , The Asian American playlist : 2000s , Bhangra is the beat , The dance crew revolution , Tops of the tube : pioneers of Asian American YouTube , The musicians : a YouTube playlist , Founding fathers and mothers : 2000s , The do-over , Spaces : finding our religion , What's funny : 2000s , The wonderful world of white saviors , Yellowface in the 2000s , The Asian American yearbook : the 2000s , DISGRASIAN : 2000s , Undercover Asians : 2000s , 2010s. The 2010s : an essay / , The Asian American playlist : the 2010s , Hashtag #ASIANAMERICA , Remembering Linsanity , The Asian American syllabus : 2010s , Tops of the tube : Asian American YouTube crosses over , The seven stages of PSY , Clawing back at tiger mom , This isn't even my final form : the evolution of Asian memes , Appreciation of appropriation? , Hallyu like me now , Generasian gap : 2010s , The style list : 2010s , Asians all the rave , Spaces : a night in Koreatown , LOVE, Asian American style , What's funny? : 2010s , The FAQ about Apu , #StarringJohnCho , Fresh Off the Boat : a retrospective , Three kings , The road to Crazy Rich Asians , Spaces : university culture fest , Founding fathers and mothers : 2010s , Asian celebrity chefs , The Asian American yearbook : the 2010s , Gaming while Asian , Coming out in public , DISGRASIAN : 2010s , Undercover Asians : 2010s , Yellowface in the 2010s , It's a bird... it's a plane... it's Asian superheroes , Beyond. Beyond : an essay / , Black and Asian : a conversation , After "Asian August" : a conversation , Spaces : life during COVID , The essential Awkwafina 12-pack , Tomorrow, the world : talking with the founders of subtle Asian traits , BTS : inside the American ARMY , She, Rose : an interview with Kelly Marie Tran , The math of Andrew Yang , A sign of things to come , It's an honor just to be Sandra : an interview with Sandra Oh , The first action hero.
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    The pop musical : sweat, tears, and tarnished utopias (2021)
    New York : Wallflower
    Details
    ISBN: 9780231191234
    Language: English
    Pages: viii, 149 Seiten , Illustrationen , 22 cm
    Series Statement: Short cuts : introductions to film studies
    Parallel Title: Erscheint auch als
    RVK:
    LS 48050
    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; USA ; Musical films / United States / History and criticism ; Popular music / Social aspects / United States / History ; Motion pictures and music ; Musical films ; Popular music / Social aspects ; United States ; Criticism, interpretation, etc ; History
    Note: Bibliography Seite 137-142
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    Black British lives matter : a clarion call for equality (2021)
    London : Faber & Faber
    Details
    ISBN: 9780571368518 , 9780571368495
    Language: English
    Pages: viii, 375 Seiten , Illustrationen , 22 cm
    Parallel Title: Erscheint auch als
    DDC: 305.896041
    RVK:
    HD 405
    Keywords: Blacks ; Black lives matter movement ; Great Britain Race relations 21st century ; History ; Großbritannien ; Black Lives Matter
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Brithop : the politics of UK rap in the new century (2021)
    New York : Oxford University Press
    Details
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xv, 212 Seiten , Illustrationen , 24 cm (pbk.)
    Parallel Title: Erscheint auch als Williams, Justin A Brithop
    DDC: 782.42164909/41
    RVK:
    LS 48650
    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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    Citizen Cash : the political life and times of Johnny Cash (2021)
    New York : Basic Books
    Details
    ISBN: 9781541699571
    Language: English
    Pages: ix, 355 Seiten , Illustrationen
    Edition: First edition
    RVK:
    LS 48040
    Keywords: Cash, Johnny Criticism and interpretation ; Cash, Johnny Political activity ; Cash, Johnny Political and social views ; Cash, Johnny ; Politisches Denken ; Country music Political aspects 20th century ; History
    Abstract: "Johnny Cash was an American icon, known for his level bass-baritone voice and somber demeanor, for huge hits like "Ring of Fire" and "I Walk the Line." He's one of the best-selling musicians of all time, and his crossover appeal earned him inductions into the Country Music, Gospel Music, and Rock and Roll Halls of Fame. But he was also the most prominent political artist in the United States, even if he wasn't recognized for it in his own lifetime, or since his death in 2003. Then and now, people have misread Cash's politics, usually accepting the idea of him as a "walking contradiction." Cash didn't fit into easy political categories-liberal or conservative, Red state or Blue state, hawk or dove. Like most people, Cash's politics were remarkably consistent in that they were based not on ideology or scripts-but on emotion, instinct, and identification. He supported Richard Nixon in his Vietnam War policies, while also seeming to stand up both for those asked to fight the war and for those who protested against it. Instead of choosing sides, Cash channeled an emotional discontent that bridged America's youth and the "silent majority." Foley traces the political evolution of the Man in Black as a prominent public citizen. Drawing on untapped archives and new research on social movements and grassroots activism, Citizen Cash offers a major reassessment of a legendary figure
    Note: Literaturangaben
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    The queer bible (2021)
    London : HQ
    Details
    ISBN: 9780008343989 , 0008343985
    Language: English
    Pages: 320 Seiten , Illustrations, Portraits , 23 cm
    DDC: 306.76
    RVK:
    HN 1541
    RVK:
    HN 1626
    Keywords: Sexual minorities History ; Sexual minority community History ; Gay liberation movement History ; Gay liberation movement ; Sexual minorities ; Sexual minority community ; Essays ; History ; Essays
    Abstract: 'We stand on the shoulders of giants. Now we learn their names.' THE QUEER BIBLE is a collection of essays written by queer icons, about the queer trailblazers throughout history who inspired them. From Elton John on Divine to Graham Norton on Armistead Maupin; Russell Tovey on David Robilliard to Lady Phyll on Maud Goba; Tan France on the Queer Eye cast to Mae Martin on Tim Curry, today's queer heroes write about the icons that provided a creative inspiration to them. Other contributors include Amelia Abraham, Paula Akpan, Courtney Act, Munroe Bergdorf, Mykki Blanco, Joseph Cassara, David Furnish, Paul Flynn, Paris Lees, Juliet Jacques, Gus Kenworthy, Freddy McConnell, Paul Mendez, Mark Moore, Hans Ulrich Obrist, Hanne Gaby Odiele and Matthew Todd. Each essay is accompanied by exclusive, bespoke illustrations by queer or ally artists, to create a truly beautiful celebration of queer culture. Based on the popular website QueerBible.com, founded by model and activist Jack Guinness, this timely collection, edited by him, continues his mission - to create a space dedicated to the celebration of queer history. The Queer Bible is a love letter to the LGBTQI+ community and its allies
    Note: "Elton John on Divine. Munroe Bergdorf on Paris is burning. Graham Norton on Armistead Maupin. Paris Lees on Edward Enninful. Tan France on Queer Eye. Lady Phyll on Maud Goba"--Cover
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    Takin' care of business : a history of working people's rock 'n' roll (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197548813
    Language: English
    Pages: 203 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    LS 48630
    RVK:
    LS 48015
    Keywords: Geschichte ; Arbeiterklasse ; Unterhaltungsmusik ; Rockmusik ; Rock 'n' Roll ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Rock music / Social aspects ; Working class / Attitudes ; 1900-1999 ; History ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: "We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they only wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world"--
    Description / Table of Contents: Introduction. Dream On -- Salt of the Earth -- Wrote A Song For Everyone -- Free For All -- Workin' Man Blues -- Swamp Music -- British Steel -- For Those About to Rock -- Youngstown -- One In a Million -- Conclusion. Subdivisions
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Crossing bar lines : the politics and practices of Black musical space (2021)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Cut/copy/paste : fragments from the history of bookwork (2021)
    Minneapolis : University of Minnnesota Press
    Details
    ISBN: 1517904099 , 9781517904098 , 1517904080 , 9781517904081
    Language: English
    Pages: 324 pages , illustrations , 21 cm
    DDC: 302.231
    RVK:
    HD 206
    Keywords: Altered books ; Digital media ; Assemblage (Art) ; Book industries and trade History ; Assemblage (Art) ; Book industries and trade ; Digital media ; History
    Note: Includes bibliographic references and index
    URL: Inhaltsverzeichnis
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    Wit, virtue, and emotion : British women's enlightenment rhetoric (2021)
    Carbondale : Southern Illinois University Press
    Details
    ISBN: 9780809338276
    Language: English
    Pages: xiii, 219 Seiten , Illustrationen
    Series Statement: Studies in rhetorics and feminisms
    Parallel Title: Erscheint auch als Davis, Elizabeth Tasker, 1962- Wit, virtue, and emotion
    DDC: 305.420941
    RVK:
    HK 1081
    Keywords: Geschichte 1600-1800 ; Women Social conditions ; Feminism and rhetoric ; Women Language ; English language Rhetoric ; History ; English wit and humor ; Virtue in literature ; Emotions in literature ; Enlightenment ; Frau ; Rhetorik ; Tugend ; Great Britain Intellectual life 18th century ; England
    Abstract: A revolution in mood : emblems, embodiment, and ephemera -- On the stage : dramatized women's rhetoric -- In sociable venues : clubs, salons, and debating societies -- On the page : written rhetoric and arguments about education.
    Abstract: "Author Elizabeth Tasker Davis demonstrates in this comprehensive study how wit, virtue, and fine feeling built upon each other in overlapping, gendered appeals for women's rights and capabilities in the late seventeenth to the late eighteenth century"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    ʿAlilat ha-raʿash neged ha-Yehudim : = The Music libel against the Jews (2021)
    Yerushalayim : Hotsaʾat sefarim ʿal sh. Y.L. Magnes, ha-Universiṭah ha-ʿIvrit
    Details
    Title: עלילת הרעש נגד היהודים
    Author, Corporation: הכהן-פינצ'ובר, רות
    Publisher: ירושלים : הוצאת ספרים ע"ש י"ל מאגנס, האוניברסיטה העברית
    ISBN: 9789657776964 , 9657776961
    Language: Hebrew
    Pages: 565 Seiten , Illustrationen , 23 cm
    RVK:
    LS 33100
    RVK:
    BD 1300
    Keywords: Geschichte ; Christentum ; Juden ; Musik ; Antijudaismus ; Antisemitismus ; Judaism Relations ; Christianity ; History ; Jews in music ; Music by Jewish composers History and criticism ; Judaïsme Relations ; Christianisme ; Histoire ; Juifs dans la musique ; Musique de compositeurs juifs Histoire et critique ; Christianity ; Interfaith relations ; Jews in music ; Judaism ; Music by Jewish composers ; Criticism, interpretation, etc ; History
    Note: Originally published in English as The music libel against the Jews, Yale University Press, 2012. , Literaturangaben, Seiten 487-539 , Hebräisch
    URL: Inhaltsverzeichnis
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    Girly drinks : a world history of women and alcohol (2021)
    Toronto, Ontario, Canada : Hanover Square Press
    Details
    ISBN: 9781335282408 , 1335282408
    Language: English
    Pages: 383 Seiten , Illustrationen , 24 cm
    DDC: 362.292082
    RVK:
    HD 300
    Keywords: Distillers ; Women brewers ; Brewing History ; Alcoholic beverages History ; Alcoholic beverages Social aspects ; Drinking customs ; Women Alcohol use ; History ; Alcoholic beverages ; Alcoholic beverages ; Social aspects ; Brewing ; Distillers ; Drinking customs ; Women ; Alcohol use ; Women brewers ; Women ; Gender identity ; Women ; illustrated books ; History ; Illustrated works ; Ouvrages illustrés ; Frau ; Alkoholkonsum ; Brauerei ; Brauch ; Geschichte
    Abstract: Drunken monkeys and discovering alcohol : the dawn of time -- Cleopatra and her inimitable liver : the ancient world -- Hildegard's brewnuns just want to have fun : the early Middle Ages -- Li Qingzhao and the devil's schoolhouse : the high Middle Ages -- The deviant mirth of Mary Frith : the Renaissance -- The vodka empire of Catherine the Great : the eighteenth century -- The widow Clicquot and the deliciously feminine : the nineteenth century -- Ada Coleman's American bar : the twentieth century -- Gertrude Lythgoe, queen of the bootleggers : the 1920's -- Tequila, trousers and the legacy of Lucha Reyes : the 1930s and 40s -- Sunny Sund the beachcomber : the 1950s -- Ladies night with Bessie Williamson : the 1960s and 70s -- The Joy Spence anniversary blend : the 1980s and 90s -- Julie Reiner behind the bar after three : The 2000s -- Apiwe Nxusani-Mawela's bold brew : the 2010s.
    Abstract: Provides a tour through the feminist history of women drinking, revealing the untold female distillers, drinkers, and brewers that played vital roles in potent potable history, from ancient Sumerian beer goddess Ninkasi to 1920s bartender Ada Coleman
    Note: Includes bibliographical references (pages 353-372) and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Agonistic memory and the legacy of 20th century wars in Europe (2021)
    Basingstoke : Palgrave Macmillan
    Details
    ISBN: 9783030860547 , 303086054X
    Language: English
    Pages: xvii, 260 Seiten , Illustrationen , 21 cm.
    Series Statement: Palgrave Macmillan memory studies
    Parallel Title: ebook version
    DDC: 303.660940904
    RVK:
    HD 300
    Keywords: War and society History 20th century ; Collective memory History 20th century ; Collective memory ; War and society ; Europe ; History
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    Anglo-Indian identity : past and present, in India and the diaspora (2021)
    Cham, Switzerland : Palgrave Macmillan
    Details
    ISBN: 9783030644574 , 303064457X
    Language: English
    Pages: xvii, 439 Seiten , Illustrationen , 21 cm
    Parallel Title: ebook version
    DDC: 305.8914/11
    RVK:
    HP 1112
    Keywords: Anglo-Indians Ethnic identity ; Anglo-Indians History ; Anglo-Indians ; Ethnic relations ; India History British occupation, 1765-1947 ; India Ethnic relations ; India ; History
    Note: Literaturangaben und Index
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    Tear down the walls : white radicalism and black power in 1960s rock (2021)
    Chicago ; London : The University of Chicago Press
    Details
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
    RVK:
    LS 48635
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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    Listening to the Lomax Archive : the sonic rhetorics of African American folksong in the 1930s (2021)
    Ann Arbor : University of Michigan Press
    Details
    ISBN: 9780472038558
    Language: English
    Pages: XVII, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LS 21000
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
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    Traveling black : a story of race and resistance (2021)
    Cambridge, Massachusetts ; London, England : The Belknap Press of Harvard University Press
    Details
    ISBN: 9780674979963
    Language: English
    Pages: 391 Seiten , Illustrationen , 25 cm
    DDC: 305.896073
    RVK:
    HD 474
    Keywords: Rassentrennung ; Reise ; Personenverkehr ; Schwarze ; USA ; African Americans / Segregation / History ; African Americans / Travel / History ; Segregation in transportation / United States / History ; African Americans / Segregation ; African Americans / Travel ; Segregation in transportation ; United States ; History ; USA ; Schwarze ; Reise ; Personenverkehr ; Rassentrennung
    Abstract: "What was it like to travel while Black under Jim Crow? Mia Bay brings this dramatic history to life. With gripping stories and a close eye on the rail, bus, and airline operators who implemented segregation, she shows why access to unrestricted mobility has been central to the Black freedom struggle since Reconstruction and remains so today"--
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  • 50
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    Made in Germany : studies in popular music (2021)
    New York ; London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9780815391784 , 9780815391777
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    LS 48060
    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    Abstract: "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"--
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    Liner notes for the revolution : the intellectual life of black feminist sound (2021)
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    Details
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
    HD 370
    RVK:
    LS 48015
    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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    Soundtrack to a movement : African American Islam, jazz, and black internationalism (2021)
    New York : New York University Press
    Details
    ISBN: 9781479806768 , 9781479871032
    Language: English
    Pages: 247 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    LR 57747
    RVK:
    LS 48100
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Schwarze ; Islam ; Jazz ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
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    The coffin ship : life and death at sea during the Great Irish Famine (2021)
    New York : New York University Press
    Details
    ISBN: 9781479808762 , 1479808768
    Language: English
    Pages: 315 Seiten , Illustrationen, Diagramm , 24 cm
    Series Statement: Glucksman Irish diaspora
    Parallel Title: Erscheint auch als McMahon, Cian T The coffin ship
    DDC: 304.809415/09034
    RVK:
    NP 5720
    RVK:
    HG 290
    Keywords: Immigrants Correspondence ; Passenger ships History 19th century ; Immigrants History 19th century ; Irish History 19th century ; Ocean travel History 19th century ; Seafaring life ; Ireland History Famine, 1845-1852 ; Ireland Emigration and immigration 19th century ; History ; Irland ; Auswanderung ; Schiffsreise ; Geschichte 1845-1855
    Abstract: Preparation -- Embarkation -- Life -- Death -- Arrival -- Conclusion.
    Abstract: "This book uses the letters and diaries of the emigrants themselves to paint a vivid, new portrait of Ireland's Great Famine exodus"--
    Note: Includes bibliographical references and index
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    The spirit of resistance in music and spoken word of South Africa's Eastern Cape (2021)
    Lanham : Lexington Books
    Details
    ISBN: 9781498576208 , 9781498576222
    Language: English
    Pages: xiii, 283 Seiten , 24 x 16 cm
    Parallel Title: Erscheint auch als
    RVK:
    LC 60585
    RVK:
    LC 87585
    RVK:
    LS 47949
    RVK:
    MI 65092
    Keywords: Musik ; Künstler ; Widerstand ; Literatur ; Provinz Ostkap ; Music / Social aspects / South Africa / Eastern Cape / History ; Oral tradition / Social aspects / South Africa / Eastern Cape / History ; Government, Resistance to / South Africa / Eastern Cape / History ; Xhosa (African people) / South Africa / Eastern Cape / Social conditions ; Eastern Cape (South Africa) / Social conditions / History ; Eastern Cape (South Africa) / Race relations / History ; Government, Resistance to ; Music / Social aspects ; Oral tradition / Social aspects ; Race relations ; Social conditions ; Xhosa (African people) / Social conditions ; South Africa / Eastern Cape ; History ; Provinz Ostkap ; Künstler ; Widerstand ; Musik ; Literatur
    Abstract: "Explores Eastern Cape performance artists, activists, and organizations that used inventive and historical means to protest and resist oppressive authorities and systems while exhibiting their unique culture. Michie analyzes music and oral poetry to study the region's role in the history of South African protest politics and creativity"--
    Description / Table of Contents: "We Create Our Own Language" -- "Unite Like a Ball of Scrapings": Early History to the 1850s -- "Turn Phalo's Land on Its Head": Late Nineteenth and Early Twentieth Centuries -- "You Sent Us the Light, We Sit in the Dark": 1920s-1940s -- "A Spirit That Could Not Be Broken": 1950s-1960s -- "A Land in Calamity's Shadow": 1970s-1980s -- "Our Bull Has Escaped from the Pound": 1990s to the Present
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    Fandom and the Beatles : the act you've known for all these years (2021)
    Oxford : Oxford University Press
    Details
    ISBN: 9780190917869 , 9780190917852
    Language: English
    Pages: xii, 283 Seiten , Illustrationen
    DDC: 306.090905
    RVK:
    LS 48040
    Keywords: The Beatles ; Geschichte 1960-2020 ; Fan ; Popular music / 1961-1970 / History and criticism ; Popular music / Social aspects / Great Britain / History / 20th century ; Influence (Literary, artistic, etc ; Music fans ; Popular music ; Popular music / Social aspects ; Beatles / Influence ; Beatles ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben
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    Singing like Germans : black musicians in the land of Bach, Beethoven, and Brahms (2021)
    Ithaca : Cornell University Press
    Details
    ISBN: 9781501759840
    Language: English
    Pages: xiii, 351 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Thurman, Kira Singing like Germans
    Parallel Title: Erscheint auch als Thurman, Kira Singing like Germans
    DDC: 306.4/8428
    RVK:
    LQ 80106
    Keywords: Musicians, Black History 20th century ; Musicians, Black History 20th century ; Musicians, Black History 19th century ; Musicians, Black History 19th century ; African American musicians History 20th century ; African American musicians History 20th century ; African American musicians History 19th century ; African American musicians History 19th century ; Music Social aspects ; History ; Music Social aspects ; History ; Music Political aspects ; History ; Music Political aspects ; History ; Music and race ; Deutschland ; Musiker ; Amerika ; Schwarze ; Geschichte 1870-1961 ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
    Abstract: How Beethoven Came to Black America -- African American Intellectual and Musical Migration to Central Europe, 1870-1914 -- The Sonic Color Line Belts the World : Constructing Race and Music in Central Europe, 1870-1914 -- Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign -- Singing Lieder, Hearing Race : Debating Blackness, Whiteness, and German Music in Interwar Central Europe -- "A Negro Who Sings German Lieder Jeopardizes German Culture" : Black Musicians under the Shadow of Nazism -- "And I Thought They Were A Decadent Race" : Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life -- Breaking with the Past : Race, Gender, and Opera after 1945 -- Singing in the Promised Land : Black Musicians in the German Democratic Republic -- Conclusion : "What Should a Negro Do with Beethoven?!".
    Abstract: "This book examines the history of Black musicians in Germany and Austria in the nineteenth and twentieth centuries"--
    Note: Includes bibliographical references and index
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    Künstler-Ehe : ein Phänomen der bürgerlichen Musikkultur (2021)
    Wien : Böhlau Verlag
    Details
    ISBN: 9783412523930 , 3412523933
    Language: German
    Pages: 468 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Fornoff-Petrowski, Christine, 1984 - Künstler-Ehe
    Parallel Title: Erscheint auch als Fornoff-Petrowski, Christine Künstler-Ehe
    Dissertation note: Dissertation Carl von Ossietzky Universität Oldenburg 2020
    RVK:
    LC 87015
    RVK:
    LB 41015
    RVK:
    LR 57185
    Keywords: Kinkel, Gottfried ; Schumann, Clara ; Music Social aspects 19th century ; History ; Musicians Public opinion ; Musicians' spouses Public opinion ; Artist couples Public opinion ; Bildnis ; Hochschulschrift ; Biografie ; Musiker ; Musikerin ; Ehepaar ; Bürgerliche Gesellschaft ; Geschlechterverhältnis ; Geschichte 1800-1899 ; Musiker ; Musikerin ; Ehepaar ; Geschichte 1800-1899 ; Künstler ; Ehepaar ; Geschichte 1800-1899
    Abstract: Auch zu Clara Schumann und Gottfried Kinkel
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    Conduct books and the history of the ideal woman (2020)
    London : Anthem Press
    Details
    ISBN: 9781785273148
    Language: English
    Pages: viii, 207 Seiten , 23 cm
    DDC: 305.42
    RVK:
    HG 729
    Keywords: Women Social conditions ; History ; Women Conduct of life ; History ; Englisch ; Anstandsliteratur ; Frauenliteratur
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    Musical solidarities : political action and music in late twentieth-century Poland (2020)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190084080 , 9780190938284
    Language: English
    Pages: xiv, 321 Seiten , Illustrationen, Notenbeispiele
    Series Statement: The new cultural history of music series
    DDC: 306.4/8420943809048
    RVK:
    LQ 86507
    Keywords: Music Political aspects 20th century ; History
    Note: Includes bibliographical references and index
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    Music in World War II : coping with wartime in Europe and the United States (2020)
    Bloomington : Indiana University Press
    Details
    ISBN: 9780253050267 , 9780253050250
    Language: English
    Pages: xii, 303 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Music in world war II
    DDC: 780.9/04
    RVK:
    LQ 80007
    RVK:
    LP 19507
    Keywords: World War, 1939-1945 Music and the war ; Music History and criticism 20th century ; Music History and criticism 20th century ; Popular music History and criticism 1941-1950 ; Popular music History and criticism 1931-1940 ; Music Political aspects 20th century ; History ; Zweiter Weltkrieg ; Musik ; Unterhaltungsmusik ; Europa ; USA ; Aufgabensammlung ; Europa ; USA ; Zweiter Weltkrieg ; Musikleben ; Musikpolitik ; Musikpolitik ; Weltgesellschaft ; Zweiter Weltkrieg ; Kulturelle Einrichtung ; Sound ; Musik ; Geschichte
    Abstract: "How can music withstand the death and destruction brought on by war? Global conflicts of the 20th century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. Music in World War II explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war's musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of "war music" in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, examining how music in these environments played a crucial role in maintaining ties to an idealized "home" and constructing politicized notions of national and ethnic identity. This fascinating and well-constructed volume of essays builds understanding of the role and importance of music during periods of conflict and highlights the unique aspects of music during World War II"--
    Note: Literaturverzeichnis: Seiten 275-287
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    The Indian drum of the king-god and the pakhāvaj of Nathdwara (2020)
    London ; New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9780367370237
    Language: English
    Pages: ix, 190 Seiten , Illustrationen
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    RVK:
    LS 39700
    Keywords: Geschichte ; Mridanga ; Mridanga / History ; Music / Religious aspects / Hinduism ; Music / India / Religious aspects ; Carnatic music / History and criticism ; Music and mythology / India ; Carnatic music ; Mridanga ; Music and mythology ; Music / Religious aspects ; Music / Religious aspects / Hinduism ; India ; Criticism, interpretation, etc ; History ; Mridanga ; Geschichte
    Abstract: "The book studies the evolution of the ancient drum mṛdaṅga into the pakhāvaj crossing more than two thousand years of history. While focusing on the Nathdwara school of pakhāvaj, the author, joins ethnographic, historical, religious and iconographic perspectives, to argue a multifaceted interpretation of the role and function of the pakhāvaj in royal courts, temples and contemporary stages; furthermore he offers the first analysis of the visual and narrative contents of its repertoire"--
    Description / Table of Contents: Introduction -- A drum between courts and temples -- The pakhāvaj in contemporary India -- Auspicious Drumming -- The drum of the King-God -- From mṛdaṅga to pakhāvaj -- The Nathdwara gharānā: playing the pakhāvaj for Nāthjī -- The repertoire -- The solo pakhāvaj recital
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    Sittin' in : jazz clubs of the 1940s and 1950s (2020)
    New York, NY : Harper Design, an imprint of Harper Collins Publishers
    Details
    ISBN: 9780062914705
    Language: English
    Pages: 256 Seiten
    RVK:
    LS 48100
    Keywords: Geschichte 1940-1960 ; Musiklokal ; Musikleben ; Jazz ; USA ; Jazz / United States / 1931-1940 ; Jazz / United States / 1941-1950 ; Nightclubs / United States / History / 20th century ; Jazz musicians / Interviews ; Jazz / Social aspects ; Jazz ; Jazz musicians ; Jazz / Social aspects ; Nightclubs ; United States ; 1900-1999 ; History ; Interviews ; Bildband ; Bildband ; Bildband ; USA ; Jazz ; Musiklokal ; Musikleben ; Geschichte 1940-1960
    Abstract: "Sittin' in brings to public view for the first time a rare collection of more than two hundred souvenir photographs and memorabilia from the most renowned jazz nightclubs in America in the 1940s and 1950s. In an era of segregation and Jim Crow laws, jazz nightclubs across the country were among the first places where Black and white people mixed in audiences and onstage. These remarkable images, detailed histories of each club, and first-person testimonies from those who performed and visited these seminal venues are your ticket inside an extraordinary world that gave root to change and greater personal expression, both musically and socially."--Back cover
    Description / Table of Contents: The East Coast. New York City ; Atlantic City ; Washington D.C. ; Boston -- The Midwest. Cleveland ; Detroit ; Chicago ; Kansas City ; St. Louis -- The West Coast. Los Angeles ; San Francisco
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    A sound history : Lawrence Gellert, black musical protest, and white denial (2020)
    Amherst ; Boston : University of Massachusetts Press
    Details
    ISBN: 9781625345301 , 9781625345295
    Language: English
    Pages: xii, 220 Seiten
    Series Statement: American popular music
    Parallel Title: Erscheint auch als
    RVK:
    LQ 89307
    RVK:
    LC 87610
    RVK:
    LB 81350
    RVK:
    LB 31960
    Keywords: Gellert, Lawrence ; Geschichte ; Protestbewegung ; Folk music ; Afroamerikanische Musik ; African Americans / Music / History and criticism ; Folk music / United States / History and criticism ; Protest songs / United States / History and criticism ; Gellert, Lawrence / 1898-1979 ; Music / Historiography ; African Americans / Historiography ; Music / Political aspects / United States / History / 20th century ; Gellert, Lawrence / 1898-1979 ; African Americans / Historiography ; African Americans / Music ; Folk music ; Music / Historiography ; Music / Political aspects ; Protest songs ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Gellert, Lawrence 1898-1979 ; Afroamerikanische Musik ; Folk music ; Protestbewegung ; Geschichte
    Abstract: "Lawrence Gellert has long been a mysterious figure in American folk and blues studies, gaining prominence in the left-wing folk revival of the 1930s for his fieldwork in the U.S. South. A "lean, straggly-haired New Yorker," as Time magazine called him, Gellert was an independent music collector, without formal training, credentials, or affiliation. At a time of institutionalized suppression, he worked to introduce white audiences to a tradition of black musical protest that had been denied and overlooked by prior white collectors. By the folk and blues revival of the 1960s, however, when his work would again seem apt in the context of the civil rights movement, Gellert and his collection of Negro Songs of Protest were a conspicuous absence. A few leading figures in the revival defamed Gellert as a fraud, dismissing his archive of black vernacular protest as a fabrication-an example of left-wing propaganda and white interference. A Sound History is the story of an individual life, an excavation of African American musical resistance and dominant white historiography, and a cultural history of radical possibility and reversal in the defining middle decades of the U.S. twentieth century"--
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Demagogue for president : the rhetorical genius of Donald Trump (2020)
    College Station : Texas A&M University Press
    Details
    ISBN: 9781623499068
    Language: English
    Pages: xiv, 338 Seiten
    Edition: First edition
    DDC: 973.933092
    RVK:
    HF 617
    RVK:
    HF 612
    RVK:
    LB 49610
    RVK:
    MG 70090
    Keywords: Trump, Donald Language ; Rhetoric Political aspects 21st century ; History ; Communication in politics History 21st century ; Personality and politics History 21st century ; Populism History 21st century ; United States Politics and government 2017-
    Abstract: Trump and the Distrusting Electorate -- "I don't, frankly, have time for total political correctness." (Ad Populum) -- "It's going to be like this .... I'm going to continue to attack the press." (Ad Baculum) -- "You could have a Trojan horse situation. You could--this could be the ultimate Trojan horse." (Reification) -- "Now, the poor guy. You gotta see this guy." (Ad Hominem) -- "I'm not saying that he conspired; I'm just saying that it was all over the place." (Paralipsis) -- "I am 'America First.' So, I like the expression. I'm "America First.'" (American Exceptionalism) -- Trump and the Polarized Electorate -- "I could stand in the middle of Fifth Avenue and shoot somebody and I wouldn't lose voters." (Ad Populum) -- "Low-Energy Jeb!" (Ad Hominem) -- "I didn't tweet; I retweeted somebody that was supposedly an expert. Am I gonna check every statistic? All it was is a retweet. And it wasn't from me." (Paralipsis) -- "If she gets to pick her judges, nothing you can do, folks. Although the Second Amendment, people, maybe there is. I don't know." (Ad Baculum)
    Abstract: "Political communication expert Jennifer Mercieca shows how the Trump campaign expertly used the common rhetorical techniques of a demagogue, a word with two contradictory definitions-"a leader who makes use of popular prejudices and false claims and promises in order to gain power" or "a leader championing the cause of the common people in ancient times" (Merriam-Webster, 2019). These strategies, in conjunction with post-rhetorical public relations techniques, were meant to appeal to a segment of an already distrustful electorate"--
    Note: Literaturangaben
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Photographic returns : racial justice and the time of photography (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478004684 , 9781478004073
    Language: English
    Pages: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
    RVK:
    AP 95000
    RVK:
    HD 474
    RVK:
    MS 1235
    RVK:
    MS 3530
    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Abstract: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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    The velvet mafia : the gay men who ran the swinging sixties (2020)
    London : Omnibus Press
    Details
    ISBN: 9781787602311
    Language: English
    Pages: 348 Seiten , 16 ungezählte Seiten Tafeln , Illustrationen, Portraits
    RVK:
    LS 48015
    RVK:
    LQ 84007
    Keywords: Geschichte 1955-1970 ; Unterhaltungsmusiker ; Homosexualität ; LGBT ; Musikbranche ; Großbritannien ; lesbian/gay/bisexual,transgender/transsexual plus studies ; History of music & musical styles ; Musical criticism & theory ; Gay musicians / Great Britain ; Rock music / Great Britain / History / 20th century ; Popular music / Social aspects / Great Britain ; Nineteen sixties ; Great Britain / Social conditions / 1945- ; Gay musicians ; Nineteen sixties ; Popular music / Social aspects ; Rock music ; Social conditions ; Great Britain ; Since 1900 ; History ; Großbritannien ; Unterhaltungsmusiker ; Musikbranche ; LGBT ; Homosexualität ; Geschichte 1955-1970
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Tehrangeles dreaming : intimacy and imagination in Southern California's Iranian pop music (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478007906 , 9781478008361
    Language: English
    Pages: xiv, 245 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Parallel Title: Erscheint auch als Hemmasi, Farzaneh, 1975- Tehrangeles dreaming
    DDC: 781.63089915507949
    RVK:
    LS 37000
    Keywords: Popmusik ; Iranier ; Iranischer Einwanderer ; Los Angeles, Calif. ; Iranians / California / Los Angeles / Music ; Popular music / California / Los Angeles / History and criticism ; Iranians / California / Los Angeles / Ethnic identity ; Iranian diaspora ; Popular music / Iran / History and criticism ; Music / Political aspects / Iran / History / 20th century ; Iranian diaspora ; Iranians / Ethnic identity ; Music / Political aspects ; Popular music ; California / Los Angeles ; Iran ; 1900-1999 ; Criticism, interpretation, etc ; History ; Los Angeles, Calif. ; Iranischer Einwanderer ; Iranier ; Popmusik
    Abstract: "Tehrangeles, a name that combines Tehran and Los Angeles, is the home of an extensive Iranian expatriate culture industry. The music and popular culture created in Tehrangeles is broadcast by satellite television around the globe and has been immensely popular in Iran and throughout the Iranian diaspora. In TEHRANGELES DREAMING, Farzaneh Hemmasi traces the sources of the music's popularity, showing the ways it is unquestionably Iranian yet able to express ideas and affects not possible within the country itself. The attachment to homeland comes through the Iranian rhythms, but the music frequently features female solo singers or dancers, which are forbidden within the Iranian state. At the same time the music is associated with stereotypes of rich emigres and Southern California, and thus dismissed by others. The music is unabashedly pop and generally apolitical, which Hemmasi shows to be the source of its politics.
    Abstract: The introduction sets up the argument and tells the story of the growth of the industry and the Los Angeles Iranian community in the context of post-revolutionary Iran. Chapter 2 describes the origins of Tehrangeles dance pop and its use of the six/eight time signature, a traditional Iranian dance rhythm long-associated with intimacy. Hemmasi argues that the practices and attitudes around six/eight time establish a sense of common sociality among cultural insiders but are also a sometime source of embarrassment. Chapter 3 focuses on expatriate narratives of Iranian popular music history. Hemmasi provides three views on the history of Iranian popular music prior to the revolution from four men involved with the music business since the 1950s and 1960s. Chapter 4 is about homeland, and the desire to return to the homeland of Iran through music and the reinvention of culture.
    Abstract: Cultural producers in Tehrangeles operate within multiple moral, legal, and transnational regimes that they often only partially predict or comprehend. Chapters 5 and 6 focus on two expatriate musical celebrities who have claimed to reach and represent the nation from afar: Googoosh, who is a popular female singer; and Dariush Eghbali, who is an activist whose music and media exist in the space between political and personal transformation. The book concludes with a chapter on the changes that have occurred in Iran since the Iranian Revolution and the establishment of expatriate industries in Southern California, affirming the dreaming space of music, creation, and negotiation of both expatriates and people living in Iran. This book will be of interest to scholars in ethnomusicology, transnational media studies, Middle Eastern studies, and cultural studies"--
    Description / Table of Contents: Introduction -- The Capital of 6/8 -- Iranian popular music and history: Views from Tehrangeles -- Expatriate erotics, homeland moralities -- Iran as a singing woman -- A nation in recovery -- Conclusion: Forty years
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Ethn. Museum Berlin
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    Damaged : musicality and race in early American punk (2020)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781496831224 , 9781496831217
    Language: English
    Pages: x, 351 Seiten , Illustrationen, Porträt
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48645
    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; USA ; Punk rock music / United States / History and criticism ; Music and race / United States / History / 20th century ; Music and race ; Punk rock music ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History
    Note: Literaturverzeichnis Seite 305-321
    URL: Inhaltsverzeichnis
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    Emerald street : a history of hip hop in Seattle (2020)
    Seattle : University of Washington Press
    Details
    ISBN: 9780295747576 , 9780295747569 , 0295747579 , 0295747560
    Language: English
    Pages: xii, 280 Seiten, [24] ungezählte Seiten Tafeln , Illustrationen, Karten
    RVK:
    LS 48650
    Keywords: Hip-Hop ; Musikleben ; Rap (Music) History ; Music Political aspects ; Music History and criticism ; Music ; Music Political aspects ; Rap (Music) ; Seattle, Wash. ; Washington (State) ; Criticism, interpretation, etc ; History
    Abstract: From the first rap battles in Seattle's Central District to the Grammy stage, hip hop has shaped urban life and the music scene of the Pacific Northwest for more than four decades. In the early 1980s, Seattle's hip-hop artists developed a community-based culture of stylistic experimentation and multiethnic collaboration. Emerging at a distance from the hip-hop centers of New York City and Los Angeles, Seattle's most famous hip-hop figures, Sir Mix-A-Lot and Macklemore, found mainstream success twenty years apart by going directly against the grain of their respective eras. In addition, Seattle has produced a two-time world-champion breaking crew, globally renowned urban clothing designers, an international hip-hop magazine, and influential record producers. In Emerald Street, Daudi Abe chronicles the development of Seattle hip hop from its earliest days, drawing on interviews with artists and journalists to trace how the elements of hip hop--rapping, DJing, breaking, and graffiti--flourished in the Seattle scene. He shows how Seattle hip-hop culture goes beyond art and music, influencing politics, the relationships between communities of color and law enforcement, the changing media scene, and youth outreach and educational programs. The result is a rich narrative of a dynamic and influential force in Seattle music history and beyond. Emerald Street was made possible in part by a grant from 4Culture's Heritage Program.
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    〈〈The〉〉 Royal College of Music and its contexts : an artistic and social history (2020)
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore :Cambridge University Press,
    Details
    ISBN: 978-1-107-16338-6
    Language: English
    Pages: xix, 369 Seiten : , Illustrationen.
    Series Statement: Music since 1900
    Parallel Title: Erscheint auch als
    RVK:
    LR 57030
    Keywords: Royal College of Music (Great Britain) / History ; Royal College of Music (Great Britain) ; England / London ; Royal College of Music ; Geschichte ; Conservatories of music / England / London / History ; Conservatories of music ; History ; Geschichte
    Abstract: Located between the great Victorian museums of South Kensington and the Royal Albert Hall, the Royal College of Music, founded in 1883, has been a central influence on British musical life ever since. This wide-ranging account of the College places it within its musical and educational environments. It argues that its significance lies not only in its famous performers and composers, but also in the generations of its more anonymous former students who have done so much to improve the musical life of the localities in which they have worked as teachers and amateurs. As a social and cultural history, this account also captures how significantly society's consumption of music - from new technologies to changing cultural perspectives of historical and world musics - has changed since the College was founded, and how very different our points of musical reference now are. This history traces the effects of these developments on the College's work
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    Zeitgefühle - wie die DDR ihre Zukunft besang : eine Emotionsgeschichte (2020)
    Bielefeld :transcript,
    Details
    ISBN: 978-3-8376-5285-7
    Language: German
    Pages: 427 Seiten : , Illustrationen, Notenbeispiele ; , 24 cm x 15.5 cm, 741 g.
    Series Statement: Histoire Band 180
    Series Statement: Histoire
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Max-Planck-Institut für Bildungsforschung Berlin
    DDC: 303.3209431
    RVK:
    NQ 6970
    RVK:
    LQ 80407
    RVK:
    MG 81280
    RVK:
    MS 2300
    Keywords: Geschichte 1945-1973 ; Jugend. ; Musikleben. ; Gefühl. ; Sozialistische Lebensweise. ; Politische Sozialisation. ; Jugendpolitik. ; Deutschland ; Zukunftsforschung ; Lieder ; Singen ; Fühlen ; Gefühl ; Jugend ; Musik ; Emotion ; Freie Deutsche Jugend ; Sowjetische Besatzungszone ; Bundesrepublik Deutschland ; Jugenderziehung ; Jugendpolitik ; Gefühlserziehung ; Herrschaft ; Macht ; Regime ; Kulturgeschichte ; Bildung ; Biopolitik ; Deutsche Geschichte ; Emotionsgeschichte ; Zeitgeschichte ; Geschichte des 20. Jahrhunderts ; Geschichtswissenschaft ; German History After 1945 ; Foresight ; Songs ; Singing ; Feel ; Youth ; Music ; Free German Youth ; Federal Republic of Germany ; Youth Education ; Youth Policy ; Power Relations ; Power ; Regimes ; Cultural History ; Education ; Biopolitics ; German History ; History of Emotions ; Contemporary History ; History of the 20th Century ; History ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jugend ; Musikleben ; Gefühl ; Sozialistische Lebensweise ; Politische Sozialisation ; Jugendpolitik ; Geschichte 1945-1973
    URL: http://www.transcript-verlag.de/978-3-8376-5285-7
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Ausführliche Beschreibung  (Verlag)
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Ausführliche Beschreibung  (Verlag)
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Ausführliche Beschreibung  (Verlag)
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    Hip-hop en français : an exploration of hip-hop culture in the Francophone world (2020)
    Lanham, Maryland ; Boulder ; New York : London : Rowman & Littlefield Publishing Group
    Details
    ISBN: 9781538116326
    Language: English
    Pages: XXV, 233 Seiten
    Parallel Title: Online version Hip hop en français
    RVK:
    LS 48000
    RVK:
    LS 48650
    Keywords: Geschichte 1990-2020 ; Musikleben ; Hip-Hop ; Soziale Identität ; Rap ; Französisches Sprachgebiet ; Rap (Music) / France / History and criticism ; Rap (Music) / French-speaking countries / History and criticism ; Hip-hop / France / History ; Hip-hop / French-speaking countries / History ; Hip-hop ; Rap (Music) ; France ; French-speaking countries ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Criticism, interpretation, etc ; History ; Französisches Sprachgebiet ; Hip-Hop ; Rap ; Musikleben ; Soziale Identität ; Geschichte 1990-2020
    Abstract: "This edited volume presents an overview of the emergence and development of hip-hop culture in France, French Caribbean, Canada, and Francophone Africa from its origins until today. Contributors discuss the artists' interactions with media arts, social media, literature, race, political landscapes, as well as hip-hop based education"--
    URL: Inhaltsverzeichnis
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    München BSB
    KOBV
    HeBIS
    BVB
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    Pop music production : manufactured pop and boybands of the 1990s (2020)
    New York : Routledge Teylor & Francis Group
    Details
    ISBN: 9780815392804 , 9780815392811
    Language: English
    Pages: xv, 192 Seiten , Illustrationen, graphische Darstellungen
    Series Statement: Perspectives on music production
    RVK:
    LS 48050
    Keywords: Popmusik ; Popgruppe ; Boygroup ; Tonstudio ; Musikproduktion ; Popular music History and criticism 1991-2000 ; Popular music Production and direction ; History ; Boy bands History
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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    Deindustrialisation and popular music : Punk and "Post-Punk" in Manchester, Düsseldorf, Torino and Tampere (2020)
    London : Rowman & Littlefield International
    Details
    ISBN: 9781786607379
    Language: English
    Pages: viii, 212 Seiten
    Series Statement: Popular musics matter: social, political and cultural interventions
    Parallel Title: Erscheint auch als Bottà, Giacomo, 1974 - Deindustrialisation and Popular Music
    DDC: 781.66
    RVK:
    LS 48645
    Keywords: Popular music Social aspects ; History ; Punk rock music Social aspects ; History ; Post-punk music Social aspects ; History ; Deindustrialization ; Punk ; Postpunk ; Musikleben ; Manchester ; Düsseldorf ; Turin ; Tampere ; Europa ; Unterhaltungsmusik ; Deindustrialisierung
    Abstract: Introduction. Metal on Metal -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst : Music, Space and Place.
    Abstract: "The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods"--
    Note: Literaturverzeichnis: Seite 197-207
    URL: Rezension
    URL: Rezension
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Rezension
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    Weltkulturen Museum
    BSZ
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    An archive of taste : race and eating in the early United States (2020)
    Minneapolis : University of Minnesota Press
    Details
    ISBN: 9781517905095 , 9781517905088
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Klein, Lauren F An archive of taste
    DDC: 394.1/20973
    RVK:
    HD 370
    Keywords: Food habits History ; Cooking, American History ; Slaves Social conditions ; African Americans Food ; History ; USA ; Sklaverei ; Ess- und Trinksitte ; Ernährung ; Geschmack ; Kulturwandel
    Abstract: Introduction: No eating in the archive -- Taste: eating and aesthetics in the early United States -- Appetite: eating, embodiment, and the tasteful subject -- Satisfaction: aesthetics, speculation, and the theory of cookbooks -- Imagination: food, fiction, and the limits of taste -- Absence: slavery and silence in the archive of eating -- Epilogue: two portraits of taste.
    Abstract: "A groundbreaking synthesis of food studies, archival theory, and early American literature"--
    Note: Literaturverzeichnis: Seite 205-224
    URL: Inhaltsverzeichnis
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    From slave cabins to the White House : homemade citizenship in African American culture (2020)
    Urbana ; Chicago ; Springfield :University of Illinois Press,
    Details
    ISBN: 978-0-252-04332-1 , 978-0-252-08631-1
    Language: English
    Pages: xi, 274 Seiten : , Illustrationen.
    Series Statement: 〈〈The〉〉 new Black studies series
    Parallel Title: Erscheint auch als
    DDC: 810.9896073
    RVK:
    MS 3450
    RVK:
    HD 474
    Keywords: United States ; American literature / African American authors / History and criticism ; American literature / Women authors / History and criticism ; Women and literature / United States / History ; African American women in literature ; African Americans in literature ; African American women / Intellectual life ; African American women / Social life and customs ; African Americans / Race identity ; American literature / African American authors ; American literature / Women authors ; Women and literature ; Schwarze Frau. ; Bürgerrecht. ; USA. ; Criticism, interpretation, etc ; History ; Schwarze Frau ; Bürgerrecht
    Abstract: "Most Americans would agree that devoted wives and mothers make families strong and that strong families are the bedrock of society. Yet, throughout this nation's history, black women have managed to become model mothers and wives, but their doing so has not kept them from being mistaken for "welfare queens" and "baby mamas," the stereotypes that most consistently shape U.S. public policy. In this book, Koritha Mitchell shows the evolving connections between black women's homemaking and citizenship from domesticities of the slave cabin and to Michelle Obama in the White House. Drawing on canonical texts by and about African American women, Mitchell begins by connecting the roles of black women as rape survivor, race mother, single lady, matriarch, the strong black woman, and the evolving black women to the various roles that the site of the home served in the eras of post-emancipation, the New Negro, Civil Rights, post-civil rights, and the "post-racial." By looking at key protagonists in literary texts by authors like Frances Harper, Zora Neale Hurston, Lorraine Hansberry, Octavia Butler, and Alice Walker, Mitchell exposes us to the palpable tension that emerges when African Americans, especially women, continue to invest in traditional domesticity even while seeing the signs that it will not yield for them the respectability and safety it should--black women might become decent housekeepers, but never homemakers. All in all, the confluence of these domestic locations and scripts shows that at every juncture, the home was a site where African American women and families negotiated and reasserted their citizenship in a society and culture that consistently and persistently continues to marginalize and assert violence against African Americans, regardless of how they met standards of respectability and citizenry."
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    URL: Inhaltsverzeichnis
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    HU Berlin
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    Felice Giardini and professional music culture in mid-eighteenth-century London (2020)
    London : Routledge, Taylor and Francis Group
    Details
    ISBN: 9780367322052
    Language: English
    Pages: VI, 126 Seiten , Illustrationen, Faksimile , 22 cm
    Series Statement: Royal Musical Association monographs 35
    Parallel Title: Erscheint auch als
    DDC: 306.48420942109034
    RVK:
    LP 43100
    Keywords: Giardini, Felice ; Music Social aspects 18th century ; History ; Music Economic aspects 18th century ; History ; Music publishing History 18th century ; Musicians History 18th century ; Giardini, Felice 1716-1796 ; Musikleben ; Musikverlag ; Musikwirtschaft ; London ; Geschichte 1750-1760
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    The Beatles and Sixties Britain (2020)
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    Details
    ISBN: 9781108477246
    Language: English
    Pages: xviii, 365 Seiten , 10 Illustrationen , 26 cm
    Parallel Title: Online version Collins, Marcus, 1971- The Beatles and sixties Britain
    DDC: 782.42166092/2
    RVK:
    LS 48040
    Keywords: The Beatles ; Geschichte 1960-1970 ; Politik ; Soziokultur ; Großbritannien ; Beatles ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Beatles ; Nineteen sixties ; Popular music ; Popular music / Social aspects ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Abstract: "This book seeks to understand what the Beatles meant to people in 1960s Britain. It argues that they were iconic, divisive, atypical and prefigurative: themes introduced and illustrated in the preface using contemporary cartoons. Their depiction as icons in the 1964 Daily Mail cartoon contrasted starkly with their first appearance in a Fleet Street cartoon twelve months previously, when theirs was one of a barrage of British records raining down on the Kremlin in a display of soft power. They received minor billing in February 1963 compared to Susan Maughan, Helen Shapiro, Cliff Richard, Adam Faith, Marty Wilde and the Tornados, as befitted a band whose second single (Please Please Me) was competing for the number one spot with Frank Ifield's The Wayward Wind (1963). Over the following year, they achieved what commentators agreed to be an unprecedented celebrity"--
    Description / Table of Contents: The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Jazz libre et la révolution québécoise : musique-action, 1967-1975 (2019)
    Saint-Joseph-du-Lac (Québec), Canada : M Éditeur
    Details
    ISBN: 9782924924068
    Language: French
    Pages: 197 Seiten , Illustrationen , 21 cm
    Series Statement: Collection Mouvements
    DDC: E
    RVK:
    LS 48270
    Keywords: Free jazz History ; Free jazz ; History ; Québec (Province) History 1960- ; Québec ; Free Jazz ; Provinz Quebec ; Québec
    Abstract: "Quelle est la place du free jazz dans les luttes menées contre le capitalisme et l'impérialisme anglo-saxon au lendemain de la Révolution tranquille? En quoi l'improvisation collective en musique est-elle le moteur d'une révolte politico-culturelle, voire le vecteur d'une utopie collective? Quel est le rôle des travailleur·euses culturel·les dans le militantisme politique du Québec des années 1960 et 1970? Cette histoire du groupe Jazz libre retrace le parcours emprunté par un collectif d'improvisateurs engagés dans la recherche de nouvelles formes de communication et d'organisation : de leurs débuts à « L'Atelier de jazz » au centre-ville jusqu'à l'Amorce dans le Vieux-Montréal, en pas­sant par l'Association espagnole, la Colonie artistique de Val-David et la commune socialiste « P'tit Québec libre ». La pratique musicale du groupe se veut rassembleuse, participative, démocratique et libératrice. Elle l'amène à participer aux expérimentations de Raôul Duguay et de Walter Boudreau dans l'Infonie, et celles de Robert Charlebois et de ses complices de l'Osstidcho. Elle est surtout une « musique-action », c'est-à-dire un outil de désaliénation avec lequel le Jazz libre invite les gens à communiquer ensemble pour ensuite prendre conscience de leur capacité d'agir et de se libérer - individuellement puis collectivement. Cette démarche lui permet d'établir des réseaux avec des membres de la revue Parti pris et du Front de libération du Québec ainsi que des militant·es étudiant·es et ouvrier·ères. Dès lors, sa destinée est fatalement liée à celle de la gauche indépendantiste ; une gauche bigarrée qui, à la fin des années 1960 et au début des années 1970, fait face aux champs des possibles."--Page 4 of cover
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    Henry Cow : the world is a problem (2019)
    Durham ; London : Duke University Press
    Details
    ISBN: 9781478004660 , 9781478004059
    Language: English
    Pages: xiii, 494 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LS 48040
    Keywords: Henry Cow ; Geschichte 1968-1978 ; Jazz ; Rockgruppe ; Experimentelle Musik ; Progressive Rock ; Großbritannien ; Henry Cow (Musical group) ; Avant-garde (Music) / England / 20th century / History and criticism ; Music / Political aspects / History / 20th century ; Music / 20th century / Philosophy and aesthetics ; Rock musicians / Interviews ; Avant-garde (Music) ; Music / Philosophy and aesthetics ; Music / Political aspects ; Rock musicians ; England ; 1900-1999 ; Criticism, interpretation, etc ; History ; Interviews ; Biografie ; Biografie ; Henry Cow ; Großbritannien ; Rockgruppe ; Progressive Rock ; Jazz ; Experimentelle Musik ; Geschichte 1968-1978
    Abstract: In its open improvisations, lapidary lyrics, errant melodies, and relentless pursuit of spontaneity, the British experimental band Henry Cow pushed rock music to its limits. The band's rotating personnel, sprung from rock, free jazz, and orchestral worlds, synthesized a distinct sound that troubled genre lines, and with this musical diversity came a mixed politics, including Maoism, communism, feminism, and Italian Marxism. In Henry Cow: The World is a Problem Benjamin Piekut tells the band's story-from its founding in Cambridge in 1968 and later affiliation with Virgin Records to its demise ten years later-and analyzes its varied efforts to link aesthetics with politics. Drawing on ninety interviews with Henry Cow musicians and crew, letters, notebooks, scores, journals, and meeting notes, Piekut traces the group's pursuit of a political and musical collectivism, offering up its history as but one example of the vernacular avant-garde that emerged in the decades after World War II. Henry Cow's story resonates far beyond its inimitable music; it speaks to the avant-garde's unpredictable potential to transform the world. -- Back cover
    Description / Table of Contents: You can't play this music at Cambridge (1968-73) -- Faust and the virgins (1973) -- Contentment is hopeless, unrest is progress (1974) -- Death to the individual : Slapp Happy (1974-75) -- Europa (1975- 76) -- The roads leading to Rome (1976-77) -- No joy anymore : London 1977 -- Henry Cow always had to be Henry Cow
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Billie Holiday : essays on the artistry and legacy (2019)
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    Details
    ISBN: 9781476674698
    Language: English
    Pages: viii, 169 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42165092
    RVK:
    LS 48040
    Keywords: Holiday, Billie ; Holiday, Billie / 1915-1959 ; Holiday, Billie / 1915-1959 / Influence ; Holiday, Billie / 1915-1959 / Criticism and interpretation ; Civil rights movements / United States / History / 20th century ; Civil rights movements / United States / History / 21st century ; African American women jazz singers / Biography ; Women jazz singers / Biography ; Jazz singers / United States / Biography ; Holiday, Billie / 1915-1959 ; African American women jazz singers ; Civil rights movements ; Influence (Literary, artistic, etc.) ; Jazz singers ; Women jazz singers ; United States ; 1900-2099 ; Biography ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Holiday, Billie 1915-1959
    Abstract: ""Eleanora "Lady Day" Fagan, better known as Billie Holiday, played a primary role in the development of American jazz culture and in African American history. Devoted to the enduring jazz icon, covering many aspects of her career, image and legacy, these essays range from musical and vocal analyses, to critical assessments of film depictions of the singer, to analysis of the social movements and protests addressed by her signature songs, including her impact on contemporary movements such as #BlackLivesMatter. More than a century after her birth, Billie Holiday's abiding relevance and impact is a testament to the power of musical protest. This collection pays tribute to her creativity, bravery and lasting legacy."--
    Description / Table of Contents: Introduction / Jessica McKee and Michael V. Perez -- In stereotragic hi-fidelity : performing Billie Holiday / Michael V. Perez -- Billie reverberates her blues : advertising Love for sale that costs More than you know / Tammie Jenkins -- Lady sings the blues? : tragedy, autobiography and reassessment / Anna Maria Barry -- Merging artists : the legacy of Motown's Lady sings the blues / Claudius Stemmler -- "Owning" Billie Holiday in several representative jazz poems / William Levine -- Brigitte loves Billie : channeling Holiday in Domino (1988) / Fernando Gabriel Pagnoni Berns -- Seeing is believing? : reading Billie Holiday through photography / Matthew Duffus -- Shouting back : cohering Lady Day through Kevin Young's jazz poem anthology / Taylor Joy Mitchell -- Reevaluating Lady sings the blues and What's love got to do with it : ambivalent representations of black female artistry / Jesse Schlotterbeck -- Easy to love : representations of Billie Holiday in contemporary American poetry / Tara Betts -- The fruit is on the ground : the impact of "Strange fruit" on Black Lives Matter / Devona Mallory
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    The northern soul scene (2019)
    Sheffield : Equinox Publishing
    Details
    ISBN: 9781781795583 , 9781781795576 , 9781781795583
    Language: English
    Pages: 353 Seiten
    Series Statement: Studies in popular music
    Parallel Title: Erscheint auch als
    DDC: 781.64409427
    RVK:
    LS 48060
    RVK:
    LQ 84307
    RVK:
    LS 48640
    Keywords: Geschichte 1970- ; Soul (Music) History and criticism ; Soul (Music) Social aspects ; History ; Musikleben ; Soul ; England ; Midlands ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; England Nord ; Midlands ; Soul ; Musikleben ; Geschichte 1970-
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Dreams of Germany : musical imaginaries from the concert hall to the dance floor (2019)
    New York : Berghahn
    Details
    ISBN: 9781789200324
    Language: English
    Pages: xii, 307 Seiten , Illustrationen
    Series Statement: Spektrum / publications of the German Studies Association volume 18
    Series Statement: Spektrum
    DDC: 780.9430904
    RVK:
    LS 80100
    Keywords: Music Social aspects ; History ; 20th century ; Germany ; Music History and criticism ; 20th century ; Germany ; National characteristics, German ; Music German influences ; Aufsatzsammlung ; Deutschland ; Musik ; Gesellschaft ; Nationalbewusstsein ; Geschichte 1900-2000 ; Deutsches Sprachgebiet ; Musik ; Musikleben ; Nationalbewusstsein ; Geschichte 1900- ; Deutsches Sprachgebiet ; Musiksoziologie ; Geschichte 1900-2019
    Abstract: "The German in the concert hall" : concert-going and belonging in the early twentieth century / Hansjakob Ziemer -- "Music made in Hamburg" : how one city's music scene helped make rock and roll the lingua franca of youth / Julia Sneeringer -- "With every inconceivable finesse, excess and good music" : sex, affect, and techno at Snax Club in Berlin / Luis-Manuel Garcia -- Bruckner, Munich, and the Longue Duree of musical listening between the imperial and post- war eras / Neil Gregor -- Female musicians and "Jewish" music in the Jewish Kulturbund in Bavaria, 1934-1938 / Dana Smith -- Pride of place : the 1963 rebuilding of the Munich Nationaltheater / Emily Richmond Pollock -- Was ist Japanisch? Wagnerism and dreams of nationhood in modern Japan / Brooke McCorkle -- Hubert Parry, Germany, and the "North" Thomas Irvine -- Between musicology and mythology at the Stunde Null : Austria's 950th "birthday" and the 50th anniversary of Bruckner's death / Lap-Kwan Kam -- Hearing the Nazi Past in the German Democratic Republic : antifascist fantasies, acoustic realities, and haunted memories in Georg Katzer's Aide-memoire (1983) / Martha Sprigge -- Sprockets + Autobahn : Kraftwerk parodies, German electronic music, and retro dreams in Amerika / Sean Nye.
    Abstract: Zusammenfassung: "For many centuries, Germany has enjoyed a reputation as the 'land of music'. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale"--(Provided by publisher.)
    Note: Literaturangaben
    URL: Inhaltsverzeichnis
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    Hearing the Crimean War : wartime sound and the unmaking of sense (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190916756 , 0190916753 , 9780190916749 , 0190916745
    Language: English
    Pages: li, 268 Seiten , Illustrationen , 24 cm
    DDC: 781.599
    RVK:
    LR 57725
    RVK:
    LC 87000
    Keywords: Crimean War, 1853-1856 Music and the war ; Music Political aspects ; History ; 19th century ; Sound Political aspects ; History ; 19th century ; Music and war ; Music Political aspects ; Aufsatzsammlung ; Krimkrieg ; Musik ; Geräusch ; Geschichte
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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    Ethn. Museum Berlin
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    Together forever : Run-DMC, Beastie Boys (2019)
    New York : Rizzoli
    Details
    ISBN: 9780847866472
    Language: English
    Pages: 224 Seiten
    DDC: 782.421649
    RVK:
    LS 48650
    Keywords: Run-D Pictorial works ; Beastie Boys Pictorial works ; Beastie Boys ; Run-D ; Rap musicians Pictorial works ; Rap (Music) Pictorial works ; Hip-hop History ; African American musicians Pictorial works ; Rappeurs Ouvrages illustrés ; Hip-hop Histoire ; Musiciens noirs américains Ouvrages illustrés ; African American musicians ; Hip-hop ; Rap (Music) ; Rap musicians ; Bildband ; History ; Pictorial works
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    Bonds of secrecy : law, spirituality, and the literature of concealment in early medieval England (2019)
    Philadelphia, Pennsylvania : University of Pennsylvania Press
    Details
    ISBN: 9780812251616
    Language: English
    Pages: xv, 339 Seiten , Illustrationen, Pläne
    Series Statement: The Middle Ages series
    DDC: 303.3/7
    RVK:
    HH 1121
    Keywords: Geschichte 500-1000 ; Geheimhaltung ; Recht ; Religion ; England ; Secrecy / England / History / To 1500 ; Secrecy / Law and legislation / England / History / To 1500 ; Concealment (Criminal law) / England / History / To 1500 ; Secrecy / Religious aspects / Christianity / History / To 1500 ; God (Christianity) / Omniscience / History of doctrines / Middle Ages, 600-1500 ; Monastic and religious life / England / History / To 1500 ; Spirituality / Christianity / History / Middle Ages, 600-1500 ; Christian hagiography / History / To 1500 ; Riddles, English (Old) / History and criticism ; Latin poetry, Medieval and modern / England / History and criticism ; Christian hagiography ; Concealment (Criminal law) ; Latin poetry, Medieval and modern ; Monastic and religious life ; Riddles, English (Old) ; Secrecy ; Secrecy / Law and legislation ; Secrecy / Religious aspects / Christianity ; Spirituality / Christianity / Middle Ages ; England ; To 1500 ; Criticism, interpretation, etc ; History ; England ; Geheimhaltung ; Religion ; Recht ; Geschichte 500-1000
    URL: Inhaltsverzeichnis
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    We are everywhere : protest, power, and pride in the history of Queer Liberation (2019)
    California ; New York :Ten Speed Press,
    Details
    ISBN: 978-0-399-58181-6
    Language: English
    Pages: 367 Seiten : , Illustrationen.
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.76/60973
    RVK:
    HD 475
    RVK:
    MS 2870
    Keywords: United States ; Geschichte 1867-2017 ; Gays / United States / History ; Gays / United States / Pictorial works ; Gays ; Homosexuellenbewegung. ; USA. ; History ; Pictorial works ; Bildband ; Bildband ; Bildband ; Homosexuellenbewegung ; Geschichte 1867-2017
    Description / Table of Contents: A century of subtle attack, 1867-1968 -- Freaking fag revolutionaries, 1968-1973 -- Sissy, the closet done burned down! 1973-1979 -- Fighting for our lives, 1980-1994
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 88
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    Una Marson (2019)
    Kingston, Jamaica : The University of the West Indies Press
    Details
    ISBN: 9789766406967 , 9766406960 , 9789766406974 , 9766406979 , 9789766406981 , 9766406987 , 9789766406998 , 9766406995
    Language: English
    Pages: xi, 82 Seiten , 21 cm
    Series Statement: The Caribbean biography series
    DDC: 821.912
    RVK:
    HQ 7999
    Keywords: Marson, Una ; Jamaicans History 20th century ; Authors, Jamaican Biography 20th century ; Women poets, Jamaican Biography ; Jamaicans ; Feminists Biography ; Marson, Una ; Authors, Jamaican ; Feminists ; Jamaicans ; England ; London ; Great Britain ; Jamaica ; Biographies ; History
    Note: Literaturverzeichnis Seite 77 - 79
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    Ethn. Museum Berlin
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    Runaway genres : the global afterlives of slavery (2019)
    New York : New York University Press
    Details
    ISBN: 9781479832712 , 9781479829590 , 1479829595 , 9781479832712 , 1479832715
    Language: English
    Pages: vii, 263 Seiten
    Parallel Title: Erscheint auch als
    DDC: 306.3/6209
    RVK:
    HG 435
    RVK:
    HR 1728
    Keywords: Sklaverei ; Menschenrechtsverletzung ; Literatur ; Englisch ; Slavery / History ; African diaspora ; Globalization / Social aspects / Africa / History ; African diaspora ; Globalization / Social aspects ; Slavery ; Africa ; History ; Englisch ; Literatur ; Sklaverei ; Menschenrechtsverletzung
    Abstract: Argues that the slave narrative is a new world literary genre. In Runaway Genres, Yogita Goyal tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. The post-black satire of Paul Beatty and Mat Johnson, modern slave narratives from Sudan to Sierra Leone, and the new Afropolitan diaspora of writers like Teju Cole and Chimamanda Ngozi Adichie all are woven into Goyal's argument for the slave narrative as a new world literary genre, exploring the full complexity of this new ethical globalism. From the humanitarian spectacles of Kony 2012 and #BringBackOurGirls through gothic literature, Runaway Genres unravels, for instance, how and why the African child soldier has now appeared as the afterlife of the Atlantic slave.Goyal argues that in order to fathom forms of freedom and bondage today-from unlawful detention to sex trafficking to the refugee crisis to genocide we must turn to contemporary literature, which reveals how the literary forms used to tell these stories derive from the antebellum genre of the slave narrative. Exploring the ethics and aesthetics of globalism, the book presents alternative conceptions of human rights, showing that the revival and proliferation of slave narratives offers not just an occasion to revisit the Atlantic past, but also for re-narrating the global present. In reassessing these legacies and their ongoing relation to race and the human, Runaway Genres creates a new map with which to navigate contemporary black diaspora literature.
    Description / Table of Contents: Introduction: the genres of slavery -- Sentimental globalism -- The gothic child -- Post-black satire -- Talking books (talking back) -- We need new diasporas -- Epilogue: what we talk about when we talk about slavery -- Acknowledgments -- Notes -- Index -- About the author
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    As you like it / (2018)
    Auckland Park, South Africa :Jacana media,
    Details
    ISBN: 9781431426669 , 1431426660
    Language: English
    Pages: xii, 191 Seiten : , Illustrationen ; , 24 cm.
    Series Statement: The Gerald Kraak anthology : African perspectives on gender, social justice and sexuality Vol. II
    RVK:
    HP 1298
    RVK:
    MS 3000
    RVK:
    HP 1207
    Keywords: South Africa ; Apartheid / South Africa / History ; Social justice / South Africa ; Gay activists / South Africa ; Anti-apartheid activists / South Africa ; Gender identity / Social aspects / South Africa ; Anti-apartheid activists ; Apartheid ; Gay activists ; Gender identity / Social aspects ; Social justice ; Apartheid. ; Geschlechtsidentität. ; LGBT. ; Soziale Gerechtigkeit. ; Südafrika. ; Anthologie ; History ; Apartheid ; Geschlechtsidentität ; LGBT ; Soziale Gerechtigkeit
    Note: Published in partnership with The Other Foundation
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    HU Berlin
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    Life into story : the courtship of Elizabeth Wiseman (2018)
    London ; New York : Routledge
    Details
    ISBN: 9780367001568
    Language: English
    Pages: xlvii, 113 Seiten
    Edition: Reissued 2018
    Series Statement: Routledge revivals
    Parallel Title: Erscheint auch als
    DDC: 392.4/0942/09033
    RVK:
    PW 9180
    RVK:
    HK 1081
    Keywords: Wiseman, Elizabeth 〈1647-1730〉 Correspondence ; Wiseman, Elizabeth ; Geschichte 1600-1700 ; Geschichte 1686 ; Processen (rechtspraak) ; Geschichte ; Courtship History 17th century ; Sources ; Elite (Social sciences) History 17th century ; Sources ; Marriage England 17th century ; History ; Sources ; Liebeswerben ; Partnerwahl ; Oberschicht ; Rechtsstreit ; England Social conditions 17th century ; Sources ; England ; Quelle ; England ; Oberschicht ; Liebeswerben ; Rechtsstreit ; Geschichte 1686 ; England ; Oberschicht ; Partnerwahl ; Rechtsstreit ; Geschichte 1686 ; Wiseman, Elizabeth 1647-1730 ; Rechtsstreit ; Geschichte 1686
    Note: First published 1998 by Ashgate Publishing
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    Han'guk ŭmak changdan ŭi yŏksa : History of Korean rhythmic modes (Jangdan) (2018)
    Sŏul : Asia Ŭmak Hakhoe
    Details
    Title: 한국 음악 장단의 역사
    Author, Corporation: 전 인평
    Publisher: 서울 : 아시아음악 학회
    ISBN: 9788998671174 , 8998671174
    Language: Korean
    Pages: 646 Seiten , Illustrationen , 26 cm
    Edition: Sujŏng chŭngbop'an
    RVK:
    LS 42000
    Keywords: Music theory / Korea ; Musical meter and rhythm / History ; Music theory ; Musical meter and rhythm ; Korea ; History
    Note: Revised edition of Han'guk ŭmak changdan ŭi yŏksa wa nolli published by Chungang Taehakkyo Ch'ulp'anbu in 2005. - Aus dem Vorwort
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    Voices of the Windrush generation : the real story told by the people themselves (2018)
    London : 535
    Details
    ISBN: 9781788701341
    Language: English
    Pages: XIII, 241 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 305.8969729041
    RVK:
    HN 1135
    Keywords: West Indians History 20th century ; Blacks History 20th century ; West Indians Social conditions ; Blacks Social conditions ; Foreign workers, West Indian ; Citizenship ; Great Britain Emigration and immigration ; Government policy ; West Indies Emigration and immigration 20th century ; History ; Great Britain Race relations ; Autobiografie ; Anthologie
    URL: Inhaltsverzeichnis
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    Masculinity and power in irish nationalism, 1884-1938 (2018)
    Basingstoke, Hampshire : Palgrave Macmillan
    Details
    ISBN: 9781349684168 , 1349684163
    Language: English
    Pages: xiv, 266 Seiten , Illustrationen , 21 cm
    Series Statement: Genders and sexualities in history
    DDC: 305.3889162009034
    RVK:
    HD 305
    Keywords: Men History 19th century ; Men History 20th century ; Nationalism History 19th century ; Nationalism History 20th century ; Hommes Histoire 19e siècle ; Hommes Histoire 20e siècle ; Nationalisme Histoire 19e siècle ; Nationalisme Histoire 20e siècle ; Men ; Nationalism ; Masculinité 1800- ; Nationalisme 1800- ; Pouvoir (sciences sociales) 1800- ; Ireland ; History
    Note: Literaturverzeichnis Seite 241-256 und Index
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    John Blacking and contemporary African musicology : reflections, reviews, analyses and prospects (2018)
    Cape Town : Centre for Advanced Studies of African Society (CASAS)
    Details
    ISBN: 9781920294212
    Language: English
    Pages: xvi, 240 Seiten , Illustrationen, Notenbeispiele
    Series Statement: CASAS book series no. 126
    Series Statement: CASAS book series
    RVK:
    LS 46000
    Keywords: Blacking, John ; Musikethnologie ; Afrika ; Blacking, John ; Ethnomusicology / Africa / History ; Musicology / Africa / History ; National songs / Africa ; Musicology ; Africa ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Blacking, John 1928-1990 ; Afrika ; Musikethnologie
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    Bayreuth UB
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    Sounds in South Africa : School of Human and Social Sciences annual lectures, University of Venda, 2017 (2018)
    Cape Town : Centre for Advanced Studies of African Society (CASAS)
    Details
    ISBN: 9781920294229
    Language: English
    Pages: iv, 113 Seiten , Illustrationen, Notenbeispiel
    Series Statement: CASAS book series no. 127
    Series Statement: CASAS book series
    RVK:
    LS 47945
    RVK:
    LQ 92000
    Keywords: Geschichte ; Schwarze ; Unterhaltungsmusik ; Südafrika ; Music / South Africa / History ; Popular music / Political aspects ; Folk music / South Africa ; Musicians, Black / South Africa ; National songs / South Africa ; Folk music ; Music ; Musicians, Black ; National songs ; Popular music / Political aspects ; South Africa ; History ; Südafrika ; Schwarze ; Unterhaltungsmusik ; Geschichte
    Description / Table of Contents: 1. Life in the field : anthropologist as refugee -- 2. God rock Africa : thought on politics in popular black performance in South Africa -- 3. Sounds of the "third way" : identity and the African renaissance in contemporary South Africa popular traditional music -- 4. Nkosi Sikelel' iAfrika and the liberation of the spirit of South Africa
    Library Location Call Number Volume/Issue/Year Availability
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    BVB
    Bayreuth UB
  • 97
    Book
    Book
    Female highlife performers in Ghana : expression, resistance, and advocacy (2018)
    Lanham ; Boulder ; New York ; London : Lexington Books
    Details
    ISBN: 9781498564663
    Language: English
    Pages: xvii, 172 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63082/09667
    RVK:
    LS 46720
    Keywords: Highlife (Music) History and criticism ; Women musicians ; Popular music Political aspects ; History ; Musikerin ; Highlife ; Ghana ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Ghana ; Highlife ; Musikerin
    Abstract: This book offers a detailed analysis of the history of female musicians in the Highlife music tradition of the Republic of Ghana, particularly the challenges and constraints these women faced and overcame. Highlife – a form of West African music infusing Ghana’s traditional Akan dance rhythms and melodies with European instruments and harmonies – grew in popularity throughout the 20th century and hit its peak in the 1970s and 1980s. Although women played significant roles in the evolution and survival of the genre, few of their contributions have been thoroughly explored or documented. Despite being disregarded and ignored in many spheres, female Highlife musicians thrived and became trailblazers in the Ghanaian music industry, making particularly vibrant contributions to Highlife music in the 1970s. This book presents the voices of female Highlife artists and documents the ideological transformations expressed through their musical works, exploring the challenges they confronted throughout their musical careers and their contributions to music and culture in Ghana. - Nana Abena Amoah-Ramey is adjunct assistant professor in the Department of African American and African diaspora studies at Indiana University.
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    BVB
    Bayreuth UB
  • 98
    Book
    Book
    The relentless pursuit of tone : timbre in popular music (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780199985234
    Language: English
    Pages: xvii, 386 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LS 48000
    RVK:
    LS 48015
    Keywords: Klangfarbe ; Geschichte 1930- ; Musikproduktion ; Unterhaltungsmusik ; Schallaufzeichnung ; Popular music / History and criticism ; Popular music / Production and direction / History ; Tone color (Music) ; Popular music ; Tone color (Music) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Klangfarbe ; Schallaufzeichnung ; Musikproduktion ; Geschichte 1930-
    Description / Table of Contents: Introduction. Chasing the dragon : in search of tone in popular music / Robert Fink, Zachary Wallmark, and Melinda Latour -- Genre. Hearing timbre : perceptual learning among early Bay Area ravers / Cornelia Fales ; The twang factor in country music / Jocelyn R. Neal ; The sound of evil : timbre, body, and sacred violence in death metal / Zachary Wallmark ; Below 100 Hz : toward a musicology of subbass / Robert Fink -- Voice. Timbre and legal likeness : the case of Tom Waits / Mark C. Samples ; The triumph of Jimmy Scott : a voice beyond category / Nina Sun Eidsheim ; Auto-Tune, labor, and the pop music voice / Catherine Provenzano -- Instrument. Hearing luxe pop : Jay Z, Isaac Hayes, and the six degrees of symphonic soul / John Howland ; Santana and the metaphysics of tone : feedback loops, volume knobs and the quest for transcendence / Melinda Latour ; Synthesizers as social protest in early 1970s funk / Griffin Woodworth ; Crossing the electronic divide: guitars, synthesizers, and the shifting sound field of fusion / Steve Waksman -- Production. Clash of the timbres : recording authenticity in the California rock scene, 1966-68 / Jan Butler ; The death rattle of a laughing hyena : the sound of musical democracy / Albin J. Zak III ; The sound of nowhere : reverb and the construction of sonic space / Paul Théberge ; The spectromorphology of recorded popular music : the shaping of sonic cartoons through record production / Simon Zagorski-Thomas -- Afterword / Simon Frith
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HU Berlin
    München BSB
    Würzburg UB
    HeBIS
    BVB
  • 99
    Book
    Book
    Modzines : fanzine culture from the Mod revival (2018)
    London ; Berlin : Omnibus Press
    Details
    ISBN: 9781787601079
    Language: English
    Pages: 175 Seiten , 27 cm
    RVK:
    LS 48645
    Keywords: Mod culture (Subculture) / Great Britain ; Zines / Great Britain ; Fan magazines / Great Britain / History / 20th century ; Fan magazines ; Mod culture (Subculture) ; Zines ; Great Britain ; 1900-1999 ; History ; Bildband
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    GBV
    KOBV
  • 100
    Book
    Book
    Virginia Woolf and the madness of language / (2018)
    London :Routledge,
    Details
    ISBN: 978-1-138-54094-1 , 1-138-54094-3
    Language: English
    Pages: xi, 169 Seiten ; , 23 cm.
    Series Statement: Routledge library editions. Virginia Woolf Volume 3
    Series Statement: Routledge library editions. Virginia Woolf
    Parallel Title: Erscheint auch als
    RVK:
    MS 3250
    RVK:
    HM 4815
    Keywords: Woolf, Virginia / 1882-1941 / Criticism and interpretation ; Woolf, Virginia / 1882-1941 ; Woolf, Virginia ; England ; 1900-1999 ; Psychological fiction, English / History and criticism ; Women and literature / England / History / 20th century ; Literature and mental illness / England / History / 20th century ; Psychoanalysis and literature / England ; Modernism (Literature) / England ; Literature and mental illness ; Modernism (Literature) ; Psychoanalysis and literature ; Psychological fiction, English ; Women and literature ; Patholinguistik. ; Hochschulschrift ; Criticism, interpretation, etc ; History ; 1882-1941 Woolf, Virginia ; Patholinguistik
    Note: First published in 1990 by Routledge
    Library Location Call Number Volume/Issue/Year Availability
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    HU Berlin
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