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  • English  (342)
  • United States
  • Musicology  (136)
  • English Studies  (123)
  • Theology  (91)
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  • 1
    Book
    Book
    New York : Dover Publications
    Language: English
    Pages: 25 cm
    Edition: 2. rev. ed
    DDC: 016.398
    RVK:
    Keywords: Folklore Bibliography ; United States ; African Americans Folklore ; Bibliography ; Indians of North America Folklore ; Bibliography ; Folk songs Bibliography ; United States ; Folk songs Bibliography ; History and criticism ; United States ; Afro-Americans Music ; Bibliography ; Afro-Americans Music ; Bibliography ; History and criticism ; Indians of North America Music ; Bibliography ; Indians of North America Music ; Bibliography ; History and criticism ; Bibliografie ; Nordamerika ; Folksong ; Nordamerika ; Volkskultur ; Nordamerika ; Indianer ; Eskimo ; Folksong ; Volkskultur
    Note: The first ed. of this work appeared in one vol
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    DDC: 781.650973
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 3
    ISBN: 9781800109537 , 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Parallel Title: Erscheint auch als Intimate entanglements in the ethnography of performance
    DDC: 780.89
    RVK:
    Keywords: Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; African Americans ; Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Criticism, interpretation, etc ; Africa ; United States
    Abstract: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk.
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Note: Includes bibliographical references and index
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  • 4
    ISBN: 9781639363971
    Language: English
    Pages: XX, 507 Seiten, 24 ungezählte Seiten Tafeln , Illustrationen , 24 cm
    Edition: First Pegasus books paperback edition
    DDC: 305.4209
    RVK:
    Keywords: Geschichte 1920-2020 ; Frauenbewegung ; USA ; Women's rights / United States / History / 20th century ; Women's rights / United States / History / 21st century ; African American women / History / 20th century ; African American women / History / 21st century ; Equality / United States / History / 20th century ; Equality / United States / History / 21st century ; Women's rights ; African American women ; Equality ; History ; United States ; Twentieth century ; Twenty-first century ; History ; USA ; Frauenbewegung ; Geschichte 1920-2020
    Abstract: "The Nineteenth Amendment was an incomplete victory. A century later, women are still grappling with how to use the vote and their political power to expand civil rights, confront racial violence, improve maternal health, advance educational and employment opportunities, and secure reproductive rights. Formidable chronicles the efforts of white and Black women to advance sometimes competing causes. Black women wanted the rights enjoyed by whites. White women wanted to be equal to white men. In this riveting narrative, Dr. Elisabeth Griffith integrates the fight by white and Black women to achieve equality"--
    Description / Table of Contents: Author's note: Story lines -- "Now we can begin" -- Flapper & feminists, 1920-1928 -- The Eleanor effect, 1928-1945 -- From Rosie to Rosa Parks, 1945-1959 -- Pillboxes & protests, 1960-1972 -- Battle lines, 1972-1980 -- Faction & firsts, 1980-1992 -- Isolation & intersectionality, 1993-2008 -- Leaning in & losing, 2009-2016 -- Enraged & empowered, 2017-2020 -- Epilogue: Not enough
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    ISBN: 9783990129807
    Language: English
    Pages: X, 242 Seiten , 24 cm x 17 cm
    Series Statement: Beiträge zur Jazzforschung 16
    Series Statement: Beiträge zur Jazzforschung
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1880-1930 ; Jazz ; Jazz ; United States ; Mississippi ; jazz history ; Maximilian Hendler ; Beiträge zur Jazzforschung ; Studies in Jazz Research ; Jazz ; Geschichte 1880-1930
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  • 6
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 7
    Online Resource
    Online Resource
    Stanford, California : Stanford University Press
    ISBN: 9781503632349
    Language: English
    Pages: 1 Online-Ressource (217 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.800973
    RVK:
    RVK:
    Keywords: Rassismus ; Humor ; Weiße ; Witz ; USA ; Racism / United States ; Wit and humor / Social aspects / United States ; Wit and humor / Political aspects / United States ; White people / United States / Attitudes ; White people / Race identity / United States ; United States / Race relations ; Racisme / États-Unis ; Humour / Aspect social / États-Unis ; Humour / Aspect politique / États-Unis ; États-Unis / Relations raciales ; Race relations ; Racism ; White people / Attitudes ; White people / Race identity ; Wit and humor / Social aspects ; United States ; USA ; Witz ; Rassismus ; USA ; Weiße ; Humor ; Rassismus
    Abstract: "Having a "good" sense of humor generally means being able to take a joke without getting offended--laughing even at a taboo thought or at another's expense. The insinuation is that laughter eases social tension and creates solidarity in an overly politicized social world. But, do the stakes change when the jokes are racist? In The Souls of White Jokes Raúl Pérez argues that we must genuinely confront this unsettling question in order to fully understand the persistence of anti-black racism and white supremacy in American society today. W.E.B. Du Bois's prescient essay The Souls of White Folk was one of the first to theorize whiteness as a social and political construct based on a feeling of superiority over racialized others--a kind of racial contempt. Pérez extends this theory to the study of humor, connecting theories of racial formation to parallel ideas about humor stemming from laughter at another's misfortune. Critically synthesizing scholarship on race, humor, and emotions, he uncovers a key function of humor as a tool for producing racial alienation, dehumanization, exclusion, and even violence. Pérez tracks this use of humor from blackface minstrelsy to contemporary contexts, including police culture, politics, and far-right extremists. Rather than being harmless fun, this humor plays a central role in reinforcing and mobilizing racist ideology and power under the guise of amusement. The Souls of White Jokes exposes this malicious side of humor, while also revealing a new facet of racism today. Though it can be comforting to imagine racism as coming from racial hatred and anger, the terrifying reality is that it is tied up in seemingly benign, even joyful, everyday interactions as well-- and for racism to be eradicated we must face this truth"--
    Description / Table of Contents: The racial power of humor -- Amused racial contempt, or a theory of white racist humor -- Hiding in plain sight : the racist humor of the far right -- Blue humor : the racist insults and injuries of the police -- President chimp : the politics of amused racial contempt -- Epilogue : racist humor and the cult(ure) of whiteness
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 8
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781316514337
    Language: English
    Pages: xvii, 511 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48420973
    RVK:
    RVK:
    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; Music / Social aspects / United States ; Songs / Social aspects / United States ; Music / Political aspects / United States ; Songs / Political aspects / United States ; Music ; Political aspects ; Music ; Social aspects ; United States ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492- ; USA ; Protestsong ; Geschichte 1492-1942
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  • 9
    ISBN: 9781419749698
    Language: English
    Pages: XII, 306 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42164092
    RVK:
    Keywords: Houston, Whitney ; Houston, Whitney / https://isni.org/isni/000000011478617X ; African American women singers / United States / Biography ; African American singers / United States / Biography ; Singers / United States / Biography ; Chanteuses noires américaines / États-Unis / Biographies ; Chanteurs noirs américains / États-Unis / Biographies ; Chanteurs / États-Unis / Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts ; Houston, Whitney ; African American singers ; African American women singers ; United States ; African American women singers / Biography ; African American singers / Biography ; Biography ; Biography ; Biographies ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Houston, Whitney 1963-2012
    Abstract: "A candid exploration of the genius, shame, and celebrity of Whitney Houston a decade after her passing. On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn't We Almost Have It All is author Gerrick Kennedy's exploration of the duality of Whitney's life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney's life, her whole life, told with both grace and honesty. Long before that fateful day in 2012, Whitney split the world wide open with her voice. Hers was a once-in-a-generation talent forged in Newark, NJ, and blessed with the grace of the church and the wisdom of a long lineage of famous gospel singers.
    Abstract: She redefined 'The Star-Spangled Banner.' She became a box-office powerhouse, a queen of the pop charts, and an international superstar. But all the while, she was forced to rein in who she was amid constant accusations that her music wasn't Black enough, original enough, honest enough. Kennedy deftly peels back the layers of Whitney's complex story to get to the truth at the core of what drove her, what inspired her, and what haunted her. He pulls the narrative apart into the key elements that informed her life--growing up in the famed Drinkard family; the two romantic relationships that shaped the entirety of her adult life, with Robyn Crawford and Bobby Brown; her fraught relationship to her own Blackness and the ways in which she was judged by the Black community; her drug and alcohol addiction; and, finally, the shame that she carried in her heart, which informed every facet of her life.
    Abstract: Drawing on hundreds of sources, Kennedy takes readers back to a world in which someone like Whitney simply could not be, and explains in excruciating detail the ways in which her fame did not and could not protect her. In the time since her passing, the world and the way we view celebrity have changed dramatically. A sweeping look at Whitney's life, Didn't We Almost Have It All contextualizes her struggles against the backdrop of tabloid culture, audience consumption, mental health stigmas, and racial divisions in America. It explores exactly how and why we lost a beloved icon far too soon" --
    Description / Table of Contents: Didn't We Almost Have It All?: A Meditation on Loss and Memory -- Under His Eye, Blessed Be The Sound: Faith, Gospel, and the Almighty Power of Cissy Houston -- Home: Newark and the Black American Dreams That Birthed Whitney Houston -- Stuff That You Want, Thing That You Need: The Brilliance and Influence of Whitney's Voice -- My Lonely Heart Calls: On Sex, Desire, and Sexuality -- Miss America, The Beautiful: The Burden of the National Anthem and the Politics of Whitney's Blackness -- Bolder, Blacker, Badder: The Sisters with Voices That Transformed Whitney -- Tell The Truth And Shame The Devil: How Trauma, Shame, and Tabloid Culture Broke Whitney -- The Undoing Of Whitney Houston: Virtue, Vice, and a Requiem for Redemption -- Won't They Always Love You?: Reflections on Meaning and Legacy
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  • 10
    Online Resource
    Online Resource
    London ; New York : Routledge, Taylor and Francis Group
    ISBN: 9781003215172
    Language: English
    Pages: 1 Online-Ressource ( xii, 292 Seiten)
    Series Statement: Routledge studies in media, communication and politics
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8
    RVK:
    RVK:
    Keywords: White nationalism in mass media ; Mass media / Political aspects / United States ; Mass media / Social aspects / United States ; Mass media / Political aspects ; Mass media / Social aspects ; United States ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    Book
    Book
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Edition: First edition
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Abstract: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Description / Table of Contents: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 12
    ISBN: 9780374139940
    Language: English
    Pages: XVI, 458 Seiten , Illustrationen, Karten
    Edition: First edition
    RVK:
    Keywords: J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Abstract: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Abstract: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Description / Table of Contents: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
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  • 13
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197587447
    Language: English
    Pages: ix, 257 Seiten , Diagramme , 22 cm
    Parallel Title: Erscheint auch als
    DDC: 306.630973
    RVK:
    Keywords: Nicht-Kirche-Bewegung ; Atheismus ; Areligiosität ; USA ; United States / Religion ; Ex-church members / United States ; Non-church-affiliated people / United States ; Atheists / United States ; RELIGION / Religion, Politics & State ; Atheism ; Atheists ; Irreligion ; United States ; Interviews ; Atheismus ; USA ; Nicht-Kirche-Bewegung ; Areligiosität
    Abstract: "The United States is in the midst of a religious revolution. Or, perhaps it is better to say a non-religious revolution. Around a quarter of US adults now say they have no religion. The great majority of these religious "nones" also say that they used to belong to a religion but no longer do. These are the nonverts: think "converts," but from having religion to having none. Even on the most conservative of estimates, there are currently about 59 million of them in the United States. Nonverts explores who they are, and why they joined the rising tide of the ex-religious. It draws on dozens of interviews, original analysis of high-quality survey data, and a wealth of cutting-edge studies, to present an entertaining and insightful exploration of America's ex-religious landscape. While American religion is not going to die out any time soon, ex-Christian America is a growing presence in national life. America's religious revolution is not just a religious revolution : it is catalyzing a profound social, cultural, moral, and political impact"--
    Description / Table of Contents: None the up and up -- When the saints go marching out -- None specifics -- Flatline Protestants -- Nothings come from nothing? -- Evangelicals -- The ex effect -- Recovering Catholics -- Nonvert nation
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  • 14
    ISBN: 9780197543313
    Language: English
    Pages: xxvi, 660 Seiten , Illustrationen, Porträts (teilweise farbig)
    Edition: Sixth edition
    Parallel Title: Online version Starr, Larry American popular music
    RVK:
    Keywords: Geschichte 1760-2022 ; Popmusik ; Nordamerika ; USA ; Popular music / United States / History and criticism ; Popular music ; United States ; Criticism, interpretation, etc ; Nordamerika ; USA ; Popmusik ; Geschichte 1760-2022
    Abstract: "This is an introductory text for undergraduates taking courses in the history of American popular music"--
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  • 15
    Book
    Book
    New York : New York University Press
    ISBN: 1479820512 , 9781479820511
    Language: English
    Pages: xii, 259 Seiten , Illustrationen , 23 cm
    Edition: Paperback edition
    Series Statement: North American religions series
    DDC: 305.800973
    RVK:
    RVK:
    Keywords: Jews Identity ; Jews Cultural assimilation ; Homesickness ; Nostalgia ; Judaism ; Homesickness ; Jews - Cultural assimilation ; Jews - Identity ; Judaism ; Nostalgia ; Eastern Europe ; United States
    Note: Includes bibliographical references and index
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  • 16
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 17
    Book
    Book
    Chicago ; London : University of Chicago Press
    ISBN: 9780226819167 , 9780226819143
    Language: English
    Pages: 248 Seiten , Illustrationen (schwarz-weiß)
    Parallel Title: Erscheint auch als
    DDC: 782.421649
    RVK:
    Keywords: Hip-Hop ; Rap ; Religion ; Rap (Music) / Religious aspects ; Rap (Music) / History and criticism ; Hip-hop / United States / Religious aspects ; Popular music / Latin America / History and criticism ; Musique populaire / Amérique latine / Histoire et critique ; Hip-hop / Religious aspects ; Popular music ; Rap (Music) ; Latin America ; United States ; Criticism, interpretation, etc ; Hip-Hop ; Rap ; Religion
    Abstract: "The world of hip-hop is saturated with religion, but often this element is glossed over as secondary to hip-hop's other dimensions. In Street Scriptures, Alejandro Nava focuses our attention on this relationship in a fresh way, combining his profound love of hip-hop, his passion for racial and social justice, and his deep theological knowledge. The result is a journey through hip-hop's deep entanglement with the sacred. Street Scriptures examines the reasons behind the rise of a religious heartbeat in hip-hop, looking at the crosscurrents of the sacred and profane in rap, reggaeton, and Latinx hip-hop today. Ranging from Nas, Kendrick Lamar, Chance the Rapper, Lauryn Hill, and Cardi B to St. Augustine and William James, Nava examines the ethical-political, aesthetic-spiritual, and prophetic in hip-hop, probing the pure sonic and aesthetic signatures of music, while also diving deep into the voices that invoke the spirit of protest"--
    Description / Table of Contents: A street theology: between God and hip-hop -- A brief sonic history of hip-hop -- Prophets and emcees: righteous rappers -- The return of God in hip-hop: Kendrick Lamar's street theology -- The dirty Latin South: breaking, reggaeton, and the rise of the global South -- Native tongues
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  • 18
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
    RVK:
    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Cover
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  • 19
    ISBN: 9780231191234
    Language: English
    Pages: viii, 149 Seiten , Illustrationen , 22 cm
    Series Statement: Short cuts : introductions to film studies
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; USA ; Musical films / United States / History and criticism ; Popular music / Social aspects / United States / History ; Motion pictures and music ; Musical films ; Popular music / Social aspects ; United States ; Criticism, interpretation, etc ; History
    Note: Bibliography Seite 137-142
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  • 20
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496837431 , 9781496832221
    Language: English
    Pages: xx, 289 Seiten, 10 ungezählte Seiten Tafeln , Illustrationen , 25 cm
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1950-2020 ; Jazzmusiker ; Jazz musicians / United States / Interviews ; MUSIC / Genres & Styles / Jazz ; MUSIC / History & Criticism ; Jazz musicians ; Amram, David / Interviews ; Blake, Ran / Interviews ; Cranshaw, Bob / Interviews ; Crow, Bill / 1927- / Interviews ; Davis, Charles / 1933-2016 / Interviews ; Hyman, Dick / 1927- / Interviews ; Jordan, Clifford / Interviews ; Kuhn, Steve / Interviews ; Lateef, Yusef / Interviews ; Owens, Jimmy / 1943- / Interviews ; Pizzarelli, Bucky / Interviews ; Ponomarev, Valery / Interviews ; Porcelli, Bob / Interviews ; Rollins, Sonny / Interviews ; Stewart, Sandy / 1937- / Interviews ; Sudhalter, Carol / Interviews ; Terry, Brad / Interviews ; Terry, Clark / Interviews ; Tucker, Mickey / Interviews ; Turre, Steve / Interviews ; Williams, Buster / Interviews ; Amram, David ; Blake, Ran ; Cranshaw, Bob ; Davis, Charles / 1933-2016 ; Hyman, Dick / 1927- ; Kuhn, Steve ; Lateef, Yusef ; Owens, Jimmy / 1943- ; Pizzarelli, Bucky ; Ponomarev, Valery ; Rollins, Sonny ; Terry, Clark ; Tucker, Mickey ; Turre, Steve ; Williams, Buster ; United States ; Interviews ; Interview
    Abstract: "The Jazz Masters: Setting the Record Straight features twenty-one conversations with musicians who have had at least fifty years of professional experience, and several as many as seventy-five. In all, these voices reflect some seventeen hundred years' worth of paying dues. Appealing to casual fans and jazz aficionados alike, these interviews have been carefully, but minimally edited by Peter Zimmerman for sense and clarity, without changing any of the musicians' actual words. Five of the interviewees-Dick Hyman, Jimmy Owens, Sonny Rollins, Clark Terry, and Yusef Lateef-have received the National Endowment for the Arts' prestigious Jazz Masters Fellowship, attesting to their importance and ability. While not official masters, the rest are veteran performers willing to share their experiences and knowledge. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. The musicians interviewed for the book range in age from their early seventies to mid-nineties. Older musicians started their careers during the segregation of the Jim Crow era, while the youngest came up during the struggle for civil rights. All grapple with issues of race, performance, and jazz's rich legacies. In addition to performing, touring, and recording, many have composed and arranged, and others have contributed as teachers, historians, studio musicians, session players, producers, musicians' advocates, authors, columnists, poets, and artists. The interviews in The Jazz Masters are invaluable primary material for scholars and will appeal to musicians inspired by these veterans' stories and their different approaches to music
    Note: Before words -- , A requiem for Cedar -- , Blowin' in from Chicago : Clifford Jordan, Charles Davis, and Bob Cranshaw -- , The big kahunas : Sonny Rollins and Clark Terry -- , Old school : Sandy Stewart, Dick Hyman, and Bucky Pizzarelli -- , On the scene : Bobby Porcelli and Valery Ponomarev -- , The philosophers : David Amram and Ran Blake , Local 802 : Jimmy Owens and Bill Crow -- , Shells and whistles : Brad Terry and Steve Turre -- , The mutual appreciation society : Mickey Tucker and Carol Sudhalter -- , Something more : Steve Kuhn and Buster Williams -- , The gentle giant : Yusef Lateef -- , RIP, 2012-2020
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  • 21
    ISBN: 9780802127129 , 0802127126 , 9780802159854 , 0802159850
    Language: English
    Pages: xviii, 364 Seiten, 16 ungezählte Seiten , Illustrationen , 24 cm
    Edition: First edition
    RVK:
    Keywords: Jones, Rickie Lee ; Jones, Rickie Lee ; Jones, Rickie Lee ; Women rock musicians Biography ; Women singers Biography ; Rock musicians Biography ; Singers Biography ; Musiciennes rock Biographies ; Chanteuses Biographies ; Musiciens rock Biographies ; Chanteurs Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; MUSIC / Genres & Styles / Jazz ; Rock musicians ; Singers ; Women rock musicians ; Women singers ; United States ; Biografie ; collective biographies ; Autobiographies ; Biographies
    Abstract: "A tender and intimate memoir by one of the most remarkable, trailblazing, and tenacious women in music, the two-time Grammy Award-winning "premiere song-stylist and songwriter of her generation" (New Yorker), Rickie Lee Jones. Have you met Ms. Jones? One weekend night on primetime television, a then-unknown singer and vital part of the burgeoning Los Angeles jazz pop scene skyrocketed to fame overnight after a now- iconic performance on Saturday Night Live. The year was 1979, the song "Chuck E's in Love," and the singer, donning her trademark red beret, was the soon-to-be-pronounced "Duchess of Coolsville" (Time), Rickie Lee Jones. Last Chance Texaco is the first-ever no-holds-barred account of the life of one of rock's hardest working women, in her own words. With candor and lyricism Rickie Lee Jones takes us on the journey of her exceptional life: from her nomadic childhood as the granddaughter of vaudevillian performers, to her father's abandonment of the family and her years as a teenage runaway, her beginnings at LA's Troubadour club, to her tumultuous relationship with Tom Waits, her battle with drugs, and longevity as a woman in rock and roll. These are never-before-told stories of the girl in "the raspberry beret," a songwriter who has inspired American culture for decades
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Includes discography (pages 361-364)
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  • 22
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
    RVK:
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 23
    ISBN: 9781469660783 , 9781469660776
    Language: English
    Pages: xi, 222 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Fahey, John ; Fahey, John / 1939-2001 / Criticism and interpretation ; Guitarists / United States ; Musicologists / United States ; Music / Social aspects / United States ; Music / Political aspects / United States ; Fahey, John / 1939-2001 ; Guitarists ; Music / Political aspects ; Music / Social aspects ; Musicologists ; United States ; Criticism, interpretation, etc ; Fahey, John 1939-2001
    Abstract: "For over sixty years, American guitarist John Fahey (1939-2001) has been a storied figure, first within the folk and blues revival of the long 1960s, later for fans of alternative music. Mythologizing himself as Blind Joe Death, Fahey crudely parodied white middle-class fascination with African American blues, including his own. In this book, George Henderson mines Fahey's parallel careers as essayist, notorious liner note stylist, musicologist, and fabulist for the first time. These vocations, inspired originally by Cold War educators' injunction to creatively express rather than suppress feelings, took utterly idiosyncratic and prescient turns"--
    Description / Table of Contents: Manufacturing discontent -- The puberty of political economy, or communism -- The politics of the songster -- The great liner note breakdown -- Performance as war -- Some music. Some dancing. Some unusual intermingling
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  • 24
    Book
    Book
    Princeton, New Jersey : Princeton University Press
    ISBN: 9780691210643
    Language: English
    Pages: xxiii, 246 Seiten , Illustrationen , 22 cm
    Parallel Title: Erscheint auch als Dawdy, Shannon Lee, 1967- American afterlives
    DDC: 393.
    RVK:
    Keywords: Funeral rites and ceremonies / United States ; Death / Economic aspects / United States ; Death / Social aspects / United States ; Death / Economic aspects ; Death / Social aspects ; Funeral rites and ceremonies ; United States
    Abstract: "Here is the book summary: What do you think happens to you when you die? And what do you want done with your body? For three years Shannon Lee Dawdy travelled the U.S., from Vermont to California, Illinois to Alabama, posing such questions to a wide range of people from all walks of life. Many of her interlocutors recently lost loved ones. She also spoke to people who have made death their business: funeral directors, death care entrepreneurs, designers, cemetery owners, and death doulas about the changes they were seeing, and in many cases promoting, in how the bodies of recently-deceased persons are being treated, and how the memory of the deceased are being memorialized, in the U.S. Her ethnographic research resulted in this book, a wide-ranging investigation into rapidly-changing death practices in the twenty-first century United States. The author is also working on a documentary film project on this topic with cinematographer Daniel Zox. Still photos from the film work will appear in this book"--
    Abstract: "A mesmerizing trip across America to investigate the changing face of death in contemporary lifeDeath in the United States is undergoing a quiet revolution. You can have your body frozen, dissected, composted, dissolved, or tanned. Your family can incorporate your remains into jewelry, shotgun shells, paperweights, and artwork. Cremations have more than doubled, and DIY home funerals and green burials are on the rise. American Afterlives is Shannon Lee Dawdy's lyrical and compassionate account of changing death practices in America as people face their own mortality and search for a different kind of afterlife.As an anthropologist and archaeologist, Dawdy knows that how a society treats its dead yields powerful clues about its beliefs and values. As someone who has experienced loss herself, she knows there is no way to tell this story without also reexamining her own views about death and dying. In this meditative and gently humorous book, Dawdy embarks on a transformative journey across the United States, talking to funeral directors, death-care entrepreneurs, designers, cemetery owners, death doulas, and ordinary people from all walks of life. What she discovers is that, by reinventing death, Americans are reworking their ideas about personhood, ritual, and connection across generations. She also confronts the seeming contradiction that American death is becoming at the same time more materialistic and more spiritual.Written in conjunction with a documentary film project, American Afterlives features images by cinematographer Daniel Zox that provide their own testament to our rapidly changing attitudes toward death and the afterlife"--
    Description / Table of Contents: The Hole -- Flesh -- Bones -- Dirt -- Spirit -- Epilogue
    Note: Includes bibliographical references and index
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  • 25
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
    RVK:
    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 26
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 27
    Book
    Book
    Cambridge, Massachusetts ; London, England : The Belknap Press of Harvard University Press
    ISBN: 9780674979963
    Language: English
    Pages: 391 Seiten , Illustrationen , 25 cm
    DDC: 305.896073
    RVK:
    Keywords: Rassentrennung ; Reise ; Personenverkehr ; Schwarze ; USA ; African Americans / Segregation / History ; African Americans / Travel / History ; Segregation in transportation / United States / History ; African Americans / Segregation ; African Americans / Travel ; Segregation in transportation ; United States ; History ; USA ; Schwarze ; Reise ; Personenverkehr ; Rassentrennung
    Abstract: "What was it like to travel while Black under Jim Crow? Mia Bay brings this dramatic history to life. With gripping stories and a close eye on the rail, bus, and airline operators who implemented segregation, she shows why access to unrestricted mobility has been central to the Black freedom struggle since Reconstruction and remains so today"--
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  • 28
    Online Resource
    Online Resource
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674258709
    Language: English
    Pages: 1 Online-Ressource (391 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 305.896073
    RVK:
    Keywords: Geschichte ; Personenverkehr ; Rassentrennung ; Schwarze ; Reise ; USA ; African Americans / Segregation / History ; African Americans / Travel / History ; Segregation in transportation / United States / History ; African Americans / Segregation ; African Americans / Travel ; Segregation in transportation ; United States ; History ; USA ; Schwarze ; Rassentrennung ; Personenverkehr ; Reise ; Geschichte
    Abstract: "What was it like to travel while Black under Jim Crow? Mia Bay brings this dramatic history to life. With gripping stories and a close eye on the rail, bus, and airline operators who implemented segregation, she shows why access to unrestricted mobility has been central to the Black freedom struggle since Reconstruction and remains so today"
    Description / Table of Contents: The road to Plessy: race, class, and gender on nineteenth-century common carriers -- Traveling by train: the Jim Crow car -- Traveling by car: race on the road in the automotive age -- Traveling by bus: from the Jim Crow car to the back of the bus -- Traveling by plane: segregation in the age of aviation -- Traveling for civil rights: the long fight to outlaw transportation segregation -- Traveling for freedom: the desegregation of American transportation -- Epilogue: #Black Travel Matters
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 29
    ISBN: 9780472038558
    Language: English
    Pages: XVII, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
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  • 30
    Book
    Book
    [Los Angeles] : Michael Stradford
    ISBN: 9781647865573 , 1647865573
    Language: English
    Pages: xii, 200 Seiten , Illustrationen , 23 cm
    Edition: First edition
    RVK:
    Keywords: Davis, Miles ; Davis, Miles Clothing ; Davis, Miles ; Jazz musicians Biography ; Clothing and dress ; Jazz musicians ; Biographies ; Biographies ; United States ; Davis, Miles 1926-1991
    Abstract: "...examines the fashion of Miles Davis, one of the best dressed men of the 20th century (GQ & Esquire) through biography, photos and exclusive interviews with friends, bandmates, designers, photographers ex-wives and fashionistas like Quincy Jones, Lenny Kravitz, Bryan Ferry, Ron Carter and many more."--
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  • 31
    Book
    Book
    Lanham, Maryland ; London : Rowman & Littlefield
    ISBN: 9781538155479
    Language: English
    Pages: iii, 163 Seiten , 24 cm
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Terrorismus ; Fundamentalismus ; Islamische Staaten ; Islamic fundamentalism ; Terrorism / Prevention / Government policy / United States ; Radicalism / Religious aspects / Islam ; United States / Foreign relations / Islamic countries ; Islamic countries / Foreign relations / United States ; Diplomatic relations ; Islamic fundamentalism ; Radicalism / Religious aspects / Islam ; Terrorism / Prevention / Government policy ; Islamic countries ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; Islamische Staaten ; Fundamentalismus ; Terrorismus
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  • 32
    ISBN: 9781419742132 , 1419742132
    Language: English
    Pages: xiv, 380 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Gruen, Bob Right Place, Right Time
    DDC: 770.92
    RVK:
    RVK:
    Keywords: Gruen, Bob ; Gruen, Bob ; Photographers Biography ; Rock musicians Anecdotes ; Photographers ; Rock musicians ; Anecdotes ; Autobiographies ; Biographies ; Autobiographies ; Anecdotes ; United States ; Autobiografie ; Autobiografie ; Gruen, Bob 1945- ; Fotografie ; Rockmusik ; Rockmusiker
    Abstract: Introduction -- Where it all began -- Growing up -- The Emerald City -- Where there's smoke -- The rise and fall of Glitterhouse -- The Ike and Tina express -- 1971: it's all happening -- Elephant's memory -- Coast to coast -- Some time in New York City -- In the thick of it -- Surreal days -- New York to LA and back again -- Airborne! -- New York clubs -- Central Park to Byblos -- Whatever gets you through the night -- Right place, right time -- Money honey -- Trouble in Japan -- The club scene -- London calling -- Everything will be alright -- Anarchy in the UK -- Anarchy in the USA -- All-access pass -- Full moon rising -- The record plant -- Now he is everywhere -- The view from here -- See you in Jamaica -- Stars in my eyes -- Happy birthday to me -- Epilogue.
    Abstract: The veteran rock-and-roll photographer shares memories from nearly half a century in the industry, from his cross-country trip with the Ike and Tina Turner band to his backstage encounters with KISS
    Abstract: For more than fifty years Gruen has documented the music scene in pictures that have captured the world's attention. Here he tells of his winding, adventure-filled journey in a series of wildly entertaining stories. Gruen offers a unique window into the evolution of American music culture over the last five decades. -- adapted from jacket
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  • 33
    ISBN: 978-1-47980867-0 , 978-1-47980874-8
    Language: English
    Pages: vi, 338 Seiten : , Diagramme.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: United States / Religion ; United States ; Race ; Race / Religious aspects ; Religion ; Religion. ; Rassismus. ; Sozialstruktur. ; Rassenkonflikt. ; USA. ; Religion ; Rassismus ; Sozialstruktur ; Rassenkonflikt
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  • 34
    Book
    Book
    New York, NY : Harper Design, an imprint of Harper Collins Publishers
    ISBN: 9780062914705
    Language: English
    Pages: 256 Seiten
    RVK:
    Keywords: Geschichte 1940-1960 ; Musiklokal ; Musikleben ; Jazz ; USA ; Jazz / United States / 1931-1940 ; Jazz / United States / 1941-1950 ; Nightclubs / United States / History / 20th century ; Jazz musicians / Interviews ; Jazz / Social aspects ; Jazz ; Jazz musicians ; Jazz / Social aspects ; Nightclubs ; United States ; 1900-1999 ; History ; Interviews ; Bildband ; Bildband ; Bildband ; USA ; Jazz ; Musiklokal ; Musikleben ; Geschichte 1940-1960
    Abstract: "Sittin' in brings to public view for the first time a rare collection of more than two hundred souvenir photographs and memorabilia from the most renowned jazz nightclubs in America in the 1940s and 1950s. In an era of segregation and Jim Crow laws, jazz nightclubs across the country were among the first places where Black and white people mixed in audiences and onstage. These remarkable images, detailed histories of each club, and first-person testimonies from those who performed and visited these seminal venues are your ticket inside an extraordinary world that gave root to change and greater personal expression, both musically and socially."--Back cover
    Description / Table of Contents: The East Coast. New York City ; Atlantic City ; Washington D.C. ; Boston -- The Midwest. Cleveland ; Detroit ; Chicago ; Kansas City ; St. Louis -- The West Coast. Los Angeles ; San Francisco
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  • 35
    Book
    Book
    Amherst ; Boston : University of Massachusetts Press
    ISBN: 9781625345301 , 9781625345295
    Language: English
    Pages: xii, 220 Seiten
    Series Statement: American popular music
    Parallel Title: Erscheint auch als
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    Keywords: Gellert, Lawrence ; Geschichte ; Protestbewegung ; Folk music ; Afroamerikanische Musik ; African Americans / Music / History and criticism ; Folk music / United States / History and criticism ; Protest songs / United States / History and criticism ; Gellert, Lawrence / 1898-1979 ; Music / Historiography ; African Americans / Historiography ; Music / Political aspects / United States / History / 20th century ; Gellert, Lawrence / 1898-1979 ; African Americans / Historiography ; African Americans / Music ; Folk music ; Music / Historiography ; Music / Political aspects ; Protest songs ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Gellert, Lawrence 1898-1979 ; Afroamerikanische Musik ; Folk music ; Protestbewegung ; Geschichte
    Abstract: "Lawrence Gellert has long been a mysterious figure in American folk and blues studies, gaining prominence in the left-wing folk revival of the 1930s for his fieldwork in the U.S. South. A "lean, straggly-haired New Yorker," as Time magazine called him, Gellert was an independent music collector, without formal training, credentials, or affiliation. At a time of institutionalized suppression, he worked to introduce white audiences to a tradition of black musical protest that had been denied and overlooked by prior white collectors. By the folk and blues revival of the 1960s, however, when his work would again seem apt in the context of the civil rights movement, Gellert and his collection of Negro Songs of Protest were a conspicuous absence. A few leading figures in the revival defamed Gellert as a fraud, dismissing his archive of black vernacular protest as a fabrication-an example of left-wing propaganda and white interference. A Sound History is the story of an individual life, an excavation of African American musical resistance and dominant white historiography, and a cultural history of radical possibility and reversal in the defining middle decades of the U.S. twentieth century"--
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  • 36
    Book
    Book
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517910037 , 9781517910044
    Language: English
    Pages: 192 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1960-2020 ; Afroamerikanische Musik ; Kulturkontakt ; Musik ; USA ; Südasien ; African Americans / Music / History and criticism ; Popular music / United States / South Asian influences ; Popular music / United States / History and criticism ; African Americans / Music ; Popular music ; United States ; Criticism, interpretation, etc ; USA ; Afroamerikanische Musik ; Südasien ; Musik ; Kulturkontakt ; Geschichte 1960-2020
    Abstract: "A sixty-year history of Afro-South Asian musical collaborations"--
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 37
    Book
    Book
    [Erscheinungsort nicht ermittelbar] : Jazz Internationale
    ISBN: 9781527278059 , 1527278050
    Language: English
    Pages: xxv, 345 Seiten , Illustrationen , 25 cm
    Edition: [Revised edition]
    RVK:
    Keywords: Russell, George ; Russell, George, - 1923-2009 ; Jazz musicians Biography. ; Composers Biography. ; Jazzmusiker ; Composers ; Jazz musicians ; Biographies ; United States ; Biografie
    Note: Previous edition: ©2010 , Includes bibliographical references and index
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 38
    Online Resource
    Online Resource
    Santa Barbara, California ; Dever, Coloradp : Greenwood
    ISBN: 9781440862441
    Language: English
    Pages: 1 Online-Ressource (3 Bände: xvii, 381 Seiten , XI Seiten, Seite 384-695 ; xi Seiten, Seite 698-1122)
    Series Statement: Cultures of the American mosaic
    Parallel Title: Erscheint auch als
    DDC: 305.896/073003
    RVK:
    Keywords: Kultur ; Schwarze ; USA ; African Americans / Encyclopedias ; African Americans / Social life and customs / Encyclopedias ; African Americans / Intellectual life / Encyclopedias ; African Americans / History / Encyclopedias ; African Americans / Social conditions / Encyclopedias ; Popular culture / United States / Encyclopedias ; United States / Civilization / African American influences / Encyclopedias ; African Americans ; African Americans / Intellectual life ; African Americans / Social conditions ; African Americans / Social life and customs ; Civilization / African American influences ; Popular culture ; United States ; Encyclopedias ; History ; Wörterbuch ; Wörterbuch ; USA ; Schwarze ; Kultur
    Abstract: "Covering everything from sports to art, religion, music, and entrepreneurship, this book documents the vast array of African American cultural expressions and discusses their impact on the culture of the United States."
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  • 39
    Book
    Book
    Urbana ; Chicago ; Springfield :University of Illinois Press,
    ISBN: 978-0-252-04332-1 , 978-0-252-08631-1
    Language: English
    Pages: xi, 274 Seiten : , Illustrationen.
    Series Statement: 〈〈The〉〉 new Black studies series
    Parallel Title: Erscheint auch als
    DDC: 810.9896073
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    Keywords: United States ; American literature / African American authors / History and criticism ; American literature / Women authors / History and criticism ; Women and literature / United States / History ; African American women in literature ; African Americans in literature ; African American women / Intellectual life ; African American women / Social life and customs ; African Americans / Race identity ; American literature / African American authors ; American literature / Women authors ; Women and literature ; Schwarze Frau. ; Bürgerrecht. ; USA. ; Criticism, interpretation, etc ; History ; Schwarze Frau ; Bürgerrecht
    Abstract: "Most Americans would agree that devoted wives and mothers make families strong and that strong families are the bedrock of society. Yet, throughout this nation's history, black women have managed to become model mothers and wives, but their doing so has not kept them from being mistaken for "welfare queens" and "baby mamas," the stereotypes that most consistently shape U.S. public policy. In this book, Koritha Mitchell shows the evolving connections between black women's homemaking and citizenship from domesticities of the slave cabin and to Michelle Obama in the White House. Drawing on canonical texts by and about African American women, Mitchell begins by connecting the roles of black women as rape survivor, race mother, single lady, matriarch, the strong black woman, and the evolving black women to the various roles that the site of the home served in the eras of post-emancipation, the New Negro, Civil Rights, post-civil rights, and the "post-racial." By looking at key protagonists in literary texts by authors like Frances Harper, Zora Neale Hurston, Lorraine Hansberry, Octavia Butler, and Alice Walker, Mitchell exposes us to the palpable tension that emerges when African Americans, especially women, continue to invest in traditional domesticity even while seeing the signs that it will not yield for them the respectability and safety it should--black women might become decent housekeepers, but never homemakers. All in all, the confluence of these domestic locations and scripts shows that at every juncture, the home was a site where African American women and families negotiated and reasserted their citizenship in a society and culture that consistently and persistently continues to marginalize and assert violence against African Americans, regardless of how they met standards of respectability and citizenry."
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 40
    Online Resource
    Online Resource
    Santa Barbara, California ; Denver, Colorado : ABC-CLIO
    ISBN: 9781440856419
    Language: English
    Pages: 1 Online-Ressource (xv, 346 Seiten) , Illustrationen
    Series Statement: Contemporary world issues series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Rassismus ; Identitätspolitik ; USA ; Racism / United States / History ; Racism ; United States ; History ; USA ; Identitätspolitik ; Rassismus ; Geschichte
    Abstract: "This book explains how race, once a differentiating factor, became a major basis for stratification in America that pervaded scientific thought, religious doctrine, governmental policy, and the patterned actions of decision-makers in all sectors of social life"--
    Description / Table of Contents: Background and history -- Problems, controversies, and solutions -- Perspectives -- Profiles -- Data and documents -- Resources -- Chronology -- Glossary
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  • 41
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496831224 , 9781496831217
    Language: English
    Pages: x, 351 Seiten , Illustrationen, Porträt
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; USA ; Punk rock music / United States / History and criticism ; Music and race / United States / History / 20th century ; Music and race ; Punk rock music ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History
    Note: Literaturverzeichnis Seite 305-321
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  • 42
    ISBN: 9780847868384
    Language: English
    Pages: 256 Seiten
    DDC: 782.42164/092/2
    RVK:
    Keywords: Beastie Boys Pictorial works ; Beastie Boys ; Beastie Boys ; Rap musicians Pictorial works ; Rap musicians ; United States ; Bildband ; Pictorial works
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  • 43
    ISBN: 9781419748547
    Language: English
    Pages: 236 Seiten
    Parallel Title: Erscheint auch als
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    Keywords: Grecco, Michael ; Geschichte 1978-1991 ; Rockmusiker ; Rockgruppe ; Musikleben ; Porträtfotografie ; Fotografie ; Rockmusiker ; Punk Rock ; USA ; Punk rock musicians / United States / History / 20th century / Pictorial works ; Punk rock music / United States / History / 20th century / Pictorial works ; Punk rock music ; Punk rock musicians ; United States ; 1900-1999 ; Illustrated works ; Bildband ; Bildband ; Bildband ; USA ; Rockmusiker ; Rockgruppe ; Punk Rock ; Musikleben ; Porträtfotografie ; Geschichte 1978-1991 ; Grecco, Michael 1958- ; USA ; Fotografie ; Punk Rock ; Rockmusiker ; Geschichte 1978-1991
    Abstract: "Photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York as punk rock morphed into the post-punk and new wave movements that dominated from the late '70s to the early '90s. From the Cramps to Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others, Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. In addition to concert photography, he shot album covers and promotional pieces that round out his impressively extensive photo collection. Presented here for the first time are images of the clubs and bands as they evolve into the icons that they have become today."--Back cover
    Note: Includes index
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  • 44
    Online Resource
    Online Resource
    New York : New York University Press
    ISBN: 9781479811908
    Language: English
    Pages: 1 Online-Ressource (ix, 271 Seiten) , Illustrationen
    Series Statement: Critical cultural communication [9]
    Series Statement: Critical cultural communication
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23089/96073
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    Keywords: Identität ; Computerunterstützte Kommunikation ; Internet ; Schwarze ; USA ; African Americans / Communication ; African Americans and mass media ; African Americans / Intellectual life / 21st century ; Internet / Social aspects / United States ; Online social networks / United States ; African Americans and mass media ; African Americans ; Communication ; African Americans ; Intellectual life ; Internet ; Social aspects ; Online social networks ; United States ; Electronic books. ; USA ; Internet ; Identität ; Schwarze ; Computerunterstützte Kommunikation
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 45
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520297791 , 9780520305533
    Language: English
    Pages: xii, 245 Seiten , 2 Illustrationen , 22 cm
    Edition: First paperback printing
    Parallel Title: Online version Beydoun, Khaled A., 1978- American Islamophobia
    DDC: 305.6970973
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    Keywords: Islamfeindlichkeit ; USA ; Islamophobia / United States ; Islam and politics / United States ; Islam and politics ; Islamophobia ; United States ; SOCIAL SCIENCE / Ethnic Studies / General ; SOCIAL SCIENCE / Discrimination & Race Relations ; SOCIAL SCIENCE / Islamic Studies ; USA ; Islamfeindlichkeit
    Abstract: "The term "Islamophobia" may be fairly new, but irrational fear and hatred of Islam and Muslims is anything but. Though many speak of Islamophobia's roots in racism, have we considered how anti-Muslim rhetoric is rooted in our legal system? Using his unique lens as a critical race theorist and law professor, Khaled A. Beydoun captures the many ways in which law, policy, and official state rhetoric have fueled the frightening resurgence of Islamophobia in the United States. Beydoun charts its long and terrible history, from the plight of enslaved African Muslims in the antebellum South and the laws prohibiting Muslim immigrants from becoming citizens to the ways the war on terror assigns blame for any terrorist act to Islam and the myriad trials Muslim Americans face in the Trump era. He passionately argues that by failing to frame Islamophobia as a system of bigotry endorsed and emboldened by law and carried out by government actors, U.S. society ignores the injury it inflicts on both Muslims and non-Muslims. Through the stories of Muslim Americans who have experienced Islamophobia across various racial, ethnic, and socioeconomic lines, Beydoun shares how U.S. laws shatter lives, whether directly or inadvertently. And with an eye toward benefiting society as a whole, he recommends ways for Muslim Americans and their allies to build coalitions with other groups. Like no book before it, American Islamophobia offers a robust and genuine portrait of Muslim America then and now"--Provided by publisher
    Description / Table of Contents: Introduction : crossroads and intersections -- What is Islamophobia? -- The roots of modern Islamophobia -- A reoriented "clash of civilizations" -- War on terror, war on Muslims -- A "radical" or imagined threat? -- Between anti-black racism and Islamophobia -- The fire next time -- Epilogue : homecomings and goings
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  • 46
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253040244
    Language: English
    Pages: 1 Online-Ressource (xiii, 309 Seiten) , Illustrationen, Noten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1800-1900 ; Juden ; Kirchenmusikpflege ; Synagoge ; USA ; Jews / United States / Music / History and criticism ; Synagogue music / United States / 19th century / History and criticism ; Jews / Music ; Synagogue music ; United States ; 1800-1899 ; Criticism, interpretation, etc ; USA ; Juden ; Synagoge ; Kirchenmusikpflege ; Geschichte 1800-1900
    Description / Table of Contents: Early strata : of choirs and reform through the mid-nineteenth century -- The sound of German Jewry : hymnals and singing societies in Wilhelm Fischer's zemirot -- Yisrael -- Bildungsmusik : G.M. Cohen, B'nai B'rith, and the voices of American Jewish cultivation -- Musical populists : G.S. Ensel, Simon Hecht, and the quest for the singing congregation -- The 1866 Sulzerfeier : the Viennese model and the grandeur of the urban worship -- A new cantor, a new repertoire : zimrath yah -- The path to the union hymnal -- Conclusion : restoring the soundtrack of Jewish life in nineteenth-century America
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  • 47
    Book
    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476674698
    Language: English
    Pages: viii, 169 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42165092
    RVK:
    Keywords: Holiday, Billie ; Holiday, Billie / 1915-1959 ; Holiday, Billie / 1915-1959 / Influence ; Holiday, Billie / 1915-1959 / Criticism and interpretation ; Civil rights movements / United States / History / 20th century ; Civil rights movements / United States / History / 21st century ; African American women jazz singers / Biography ; Women jazz singers / Biography ; Jazz singers / United States / Biography ; Holiday, Billie / 1915-1959 ; African American women jazz singers ; Civil rights movements ; Influence (Literary, artistic, etc.) ; Jazz singers ; Women jazz singers ; United States ; 1900-2099 ; Biography ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Holiday, Billie 1915-1959
    Abstract: ""Eleanora "Lady Day" Fagan, better known as Billie Holiday, played a primary role in the development of American jazz culture and in African American history. Devoted to the enduring jazz icon, covering many aspects of her career, image and legacy, these essays range from musical and vocal analyses, to critical assessments of film depictions of the singer, to analysis of the social movements and protests addressed by her signature songs, including her impact on contemporary movements such as #BlackLivesMatter. More than a century after her birth, Billie Holiday's abiding relevance and impact is a testament to the power of musical protest. This collection pays tribute to her creativity, bravery and lasting legacy."--
    Description / Table of Contents: Introduction / Jessica McKee and Michael V. Perez -- In stereotragic hi-fidelity : performing Billie Holiday / Michael V. Perez -- Billie reverberates her blues : advertising Love for sale that costs More than you know / Tammie Jenkins -- Lady sings the blues? : tragedy, autobiography and reassessment / Anna Maria Barry -- Merging artists : the legacy of Motown's Lady sings the blues / Claudius Stemmler -- "Owning" Billie Holiday in several representative jazz poems / William Levine -- Brigitte loves Billie : channeling Holiday in Domino (1988) / Fernando Gabriel Pagnoni Berns -- Seeing is believing? : reading Billie Holiday through photography / Matthew Duffus -- Shouting back : cohering Lady Day through Kevin Young's jazz poem anthology / Taylor Joy Mitchell -- Reevaluating Lady sings the blues and What's love got to do with it : ambivalent representations of black female artistry / Jesse Schlotterbeck -- Easy to love : representations of Billie Holiday in contemporary American poetry / Tara Betts -- The fruit is on the ground : the impact of "Strange fruit" on Black Lives Matter / Devona Mallory
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  • 48
    ISBN: 9788797078013 , 8797078018
    Language: English
    Pages: 176 Seiten , Illustrationen , 28 cm
    Series Statement: Unseen Nordic archives
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    Keywords: Hendrix, Jimi Pictorial works ; Hendrix, Jimi ; Rock musicians Biography ; Rock musicians ; Biographies ; Illustrated works ; Pictorial works ; Biographies ; Illustrated works ; United States
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  • 49
    Online Resource
    Online Resource
    Santa Barbara, California : Greenwood, an imprint of ABC-CLIO, LLC
    ISBN: 9781440862618
    Language: English
    Pages: 1 Online-Ressource (xxv, 292 Seiten)
    Series Statement: Pop goes the Decade
    Parallel Title: Erscheint auch als
    DDC: 306.09730904
    RVK:
    Keywords: Geschichte 1990-1999 ; Popkultur ; Massenkultur ; USA ; Popular culture / United States / History / 20th century ; United States / Civilization / 1970- ; United States / Social life and customs / 1971- ; Nineteen nineties ; Civilization ; Manners and customs ; Nineteen nineties ; Popular culture ; United States ; Since 1900 ; History ; USA ; Massenkultur ; Popkultur ; Geschichte 1990-1999
    Abstract: "This book presents a comprehensive view of 1990s culture, including music, television, film, literature, sports, technology, and more."--Provided by publisher
    Description / Table of Contents: Exploring popular culture -- Film -- Television -- Music -- Literature -- Sports -- Advertising -- New words -- Technology -- Controversies -- Game changers -- Legacy
    Note: Includes bibliographical references and index
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  • 50
    Book
    Book
    Cambridge, UK ; Medford, MA, USA :Polity,
    ISBN: 978-0-7456-5411-9 , 978-0-7456-5412-6
    Language: English
    Pages: xiv, 305 Seiten : , Illustrationen, Diagramme, Karten.
    Parallel Title: Erscheint auch als
    DDC: 320.97308
    RVK:
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    Keywords: United States ; Identity politics / United States ; Political participation / Social aspects / United States ; Race / Political aspects / United States ; Ethnicity / Political aspects / United States ; Gender identity / Political aspects / United States ; Identification (Religion) / Political aspects / United States ; Ethnicity / Political aspects ; Gender identity / Political aspects ; Identity politics ; Political participation / Social aspects ; Race / Political aspects ; Identitätspolitik. ; Politische Beteiligung. ; Ethnizität. ; Geschlecht. ; Denomination ; USA. ; Identitätspolitik ; Politische Beteiligung ; Ethnizität ; Geschlecht ; Denomination
    URL: Cover
    URL: Cover
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  • 51
    ISBN: 978-0-399-58181-6
    Language: English
    Pages: 367 Seiten : , Illustrationen.
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.76/60973
    RVK:
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    Keywords: United States ; Geschichte 1867-2017 ; Gays / United States / History ; Gays / United States / Pictorial works ; Gays ; Homosexuellenbewegung. ; USA. ; History ; Pictorial works ; Bildband ; Bildband ; Bildband ; Homosexuellenbewegung ; Geschichte 1867-2017
    Description / Table of Contents: A century of subtle attack, 1867-1968 -- Freaking fag revolutionaries, 1968-1973 -- Sissy, the closet done burned down! 1973-1979 -- Fighting for our lives, 1980-1994
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  • 52
    ISBN: 9780190499679
    Language: English
    Pages: 1 Online-Ressource (xiv, 253 Seiten)
    Additional Information: Rezensiert in Koch, Anne, 1971 - Singing the Congregation 2020
    Parallel Title: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264.2
    RVK:
    Keywords: Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; United States ; USA ; Evangelikale Bewegung ; Anbetung ; Musik
    Abstract: Singing the Congregation examines how contemporary worship music shapes the way evangelical Christians understand worship and argues that participatory worship-music performances have brought into being new religious social constellations (“modes of congregating”). Through ethnographic investigation of five of these modes—concert, conference, church, public, and networked congregations—this book seeks to reinvigorate the analytic categories of “congregation” and “congregational music.” Drawing from theoretical models in ethnomusicology, congregational studies, and ecclesiology, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice—in this case, the musically structured participatory activity known as “worship.” By extension, “congregational music-making” is recast as a participatory religious musical practice capable of weaving together a religious community inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a potent way to identify with far-flung individuals, institutions, and networks that this global religious community comprises. The unique congregations examined in each chapter include but extend far beyond local churches, revealing widespread conflicts over religious authority and far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
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  • 53
    Book
    Book
    New York, NY : Back Bay Books/Little Brown and Company
    ISBN: 9780316510868 , 9780316510851
    Language: English
    Pages: ix, 261 Seiten , Diagramme , 21 cm
    Edition: First Back Bay paperback edition
    DDC: 305.2420973
    RVK:
    Keywords: Generation Y / United States / Social conditions ; Young adults / United States / Social conditions / 21st century ; Generation Y / United States / Economic conditions ; Young adults / United States / Economic conditions / 21st century ; Entitlement attitudes / United States ; Entitlement attitudes ; Young adults / Economic conditions ; Young adults / Social conditions ; BUSINESS & ECONOMICS / Economic History ; BUSINESS & ECONOMICS / Labor ; HISTORY / United States / 21st Century ; SOCIAL SCIENCE / Social Classes & Economic Disparity ; Generation ; Soziale Situation ; Wirtschaftliche Lage ; Erwachsener ; United States ; USA ; USA ; Erwachsener ; Generation ; Wirtschaftliche Lage ; Soziale Situation
    Abstract: "A Millennial's groundbreaking investigation into why his generation is economically worse off than their parents, creating a radical and devastating portrait of what it means to be young in America. Millennials have been called lazy, entitled, narcissistic, and immature, but when you push aside the stereotypes, what actually unites this generation? The short answer: They've been had. Millennials are the hardest working and most educated generation in American history. They have poured unprecedented amounts of time and money into preparing themselves for the twenty-first-century workforce. Yet they are poorer, more medicated, more precariously employed, and have less of a social safety net than their parents or grandparents. Kids These Days asks why, and answers with a radical, brilliant, data-driven analysis of the economic and cultural forces that have shaped Millennial lives. Examining broad trends like runaway student debt, the rise of the intern, mass incarceration, social media, and more, Harris shows us a generation conditioned from birth to treat their lives and their efforts-their very selves and futures-as human capital to be invested. But what happens when children raised as investments grow up? Why are young people paying such a high price to train themselves for a system that exploits them? How can Millennials change or transcend what's been made of them? Gripping, mercilessly argued, deeply informed, and moving fluidly between critical theory, political policy, and pop culture, Kids These Days will wake you up, make you angry, and change how you see your place in the world. This is essential reading-not only for Millennials, but for anyone ready to take a hard look at how we got here and where we're headed if we don't change course fast"--
    Description / Table of Contents: Danny Dunn and the homework machine -- Go to college -- Work (sucks) -- The Feds -- Everybody is a star -- Behavior modification -- Conclusion -- Final word
    Note: "Millennials have been stereotyped as lazy, entitled, narcissistic, and developmentally delayed. In fact, they are the hardest working and most educated generation in American history, a generation that poured unprecedented amounts of time and money into preparing themselves for the 21st century market. Yet here they are: poorer, more medicated, more precariously employed, and with less of a social safety net than their parents or even their grandparents. To find out why, Malcolm Harris, himself a Millennial, decided to conduct a meticulous, data driven analysis of the cultural, technological, and (especially) economic forces over the past 40 years that have shaped Millennial lives. What he discovered, and the sense he made of it, will change how you see yourself, your country, and our future - whether you're a Millennial or not. Examining broad trends like the professionalization of childhood, runaway student debt, the rise of the intern, mass incarceration, social media, and more, Kids These Days charts the rise of an American ethos so normalized that we forget to notice it: the treatment of children as investments, and he dares us to confront the consequences when those children grow up. Gripping, mercilessly argued, and deeply informed, Kids These Days is essential reading, not only for Millennials but for anyone ready to take a hard look at how we got here and where we're headed if we don't change course fast"--
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  • 54
    ISBN: 9780486832623
    Language: English
    Pages: 1 Online-Ressource (467 Seiten)
    Parallel Title: Erscheint auch als Lock, Graham Forces in Motion : Anthony Braxton and the Meta-reality of Creative Music: Interviews and Tour Notes, England 1985
    RVK:
    Keywords: Braxton, Anthony ; Braxton, Anthony ; Jazz musicians Biography ; Composers Biography ; Jazz musicians ; MUSIC ; Instruction & Study ; Theory ; Biographies ; Composers ; United States ; Braxton, Anthony 1945- ; Geschichte 1985
    Abstract: Based on interviews from a 1985 tour, this book profiles one of jazz's most important figures. Anthony Braxton discusses the expression of his musical visions and related ethical, political, and spiritual beliefs. ""Absolutely essential reading.""--The Wire
    Note: Includes bibliographical references (pages 411-415) and index
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  • 55
    ISBN: 1538137666 , 9781538137666
    Language: English
    Pages: xi, 218 Seiten , Illustrationen , 23 cm
    DDC: 781.49092
    RVK:
    Keywords: Schmitt, Al ; Sound recording executives and producers Biography ; Sound recording executives and producers ; Autobiographies ; Biographies ; Autobiographies ; Autobiographies ; United States ; Autobiography
    Note: Includes bibliographical references (pages 205-210) and index
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  • 56
    ISBN: 9780830851812 , 083085181X
    Language: English
    Pages: xv, 286 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Hodge, Daniel White, 1974- Homeland insecurity
    RVK:
    Keywords: Christianity and culture ; Hip-hop Religious aspects ; Christianity ; African Americans Religion ; Missions ; Hip-hop Aspect religieux ; Christianisme ; Noirs américains Religion ; Hip-hop Religious aspects ; Christianity ; African Americans Religion ; Christianity and culture ; Missions ; United States
    Abstract: "Homeland Insecurity is Hodge's finest book to date, a must-read for anyone - especially white Christians of any political persiasion - who find themselves working in and with black and brown communities." -- Back cover
    Abstract: North American domestic missions are now situated in a complex landscape of changing faith, ethnic diversity, and racial unrest. But most missiological approaches continue under colonialist assumptions and lack the cultural competency to navigate new realities. Missiologist Daniel White Hodge explores the contours of post-civil rights contexts and focuses on Hip Hop theology as a framework for radical engagement of emerging adult populations. He critiques the impaired missiology of imperialist and white supremacist approaches to modern urban and short-term missions. With keen cultural exegesis of the wild, he explores the contours of a more contextualized Hip Hop Jesus. Reexamining the importance of race and ethnicity in mission, Hodge offers theological space for protest and social disruption and suggests conceptual models for domestic missions within a growing multiethnic demographic. Grounded in Hip Hop studies and youth ministry, Hodge constructs a hybridity of lived missiology where dissent and disruption open new possibilities for Christian faith in the twenty-first century. -- ‡c From publisher's description
    Note: Bibliographie: Seite 269-286
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  • 57
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190634933
    Language: English
    Pages: 1 Online-Ressource (xvi, 472 Seiten)
    DDC: 782.254092
    RVK:
    RVK:
    Keywords: Jackson, Mahalia 1911-1972 ; African American gospel singers Biography ; United States ; Gospel singers Biography ; United States ; African Americans Music ; History and criticism ; Gospel music History and criticism ; Jackson, Mahalia 1911-1972 ; Afroamerikanische Musik ; Gospelsong ; USA
    Abstract: Drawing on and piecing together a trove of previously unexamined sources, this book is the first critical study of the renowned African American gospel singer Mahalia Jackson (1911–1972). Beginning with the history of Jackson’s family on a remote cotton plantation in the Central Louisiana parish of Pointe Coupée, the book follows their relocation to New Orleans, where Jackson was born, and Jackson’s own migration to Chicago during the Great Depression. The principal focus is her career in the decade following World War II, during which Jackson, building upon the groundwork of seminal Chicago gospel pioneers and the influential National Baptist Convention, earned a reputation as a dynamic church singer. Eventually, Jackson achieved unprecedented mass-mediated celebrity, breaking through in the late 1940s as an internationally recognized recording artist for Apollo and Columbia Records who also starred in her own radio and television programs. But the book is also a study of the black gospel field of which Jackson was a part. Over the course of the 1940s and 1950s, black gospel singing, both as musical worship and as pop-cultural spectacle, grew exponentially, with expanded visibility, commercial clout, and forms of prestige. Methodologically informed by a Bourdiean field analysis approach that develops a more granular, dynamic, and encompassing picture of post-war black gospel, the book persistently considers Jackson, however exceptional she may have been, in relation to her fellow gospel artists, raising fresh questions about Jackson, gospel music, and the reception of black vernacular culture.
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  • 58
    ISBN: 9781107476622 , 1107476623 , 9781107094666 , 9781107476622
    Language: English
    Pages: ix, 508 Seiten
    Parallel Title: Erscheint auch als The Cambridge companion to the United States Constitution
    DDC: 342.7302
    RVK:
    RVK:
    RVK:
    Keywords: United States ; United States ; Constitutional law ; Constitutional law United States ; Aufsatzsammlung ; USA ; Verfassungsrecht ; USA ; Verfassungsrecht
    Abstract: This Companion provides a broad, historically informed introduction to the study of the US constitutional system. In place of the usual laundry lists of cases, doctrines, and theories, it presents a picture of the constitutional system in action, with separate sections devoted to constitutional principles, organizational structures, and the various legal and extra-legal 'actions' through which litigators and average citizens have attempted to bring about constitutional change. Finally, the volume covers a number of subjects that are rarely discussed in works aimed at a general audience, but which are critical to ensuring that constitutional rights are honored in the day-to-day lives of citizens. These include standing and causes of action, suits against officeholders, and the inner workings of the Foreign Intelligence Surveillance Court (FISC). This Companion places present-day constitutional controversies in historical context, and offers insights from a range of disciplines, including history, political science, and law.
    Note: Literaturangaben
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  • 59
    ISBN: 0745337910 , 0745337929 , 9780745337913 , 9780745337920
    Language: English
    Pages: xv, 165 Seiten , Illustrationen , 20 cm
    Edition: First published
    DDC: 973.933092
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Trump, Donald 1946- Trump, Donald 1946- ; Since 2017 ; Trump, Donald 1946- Trump, Donald 1946- ; Since 2017 ; Conservatism United States ; Conservatism ; Politics and government ; Conservatism ; Conservatism United States ; Politics and government ; Conservatism ; Politics and government ; Trump, Donald ; United States ; Since 2017 ; United States Politics and government ; 2017- ; United States ; United States Politics and government ; 2017- ; United States ; Trump, Donald 1946- ; USA ; Die Rechte ; Konservativismus
    Note: Literaturverzeichnis: Seite 159-164
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  • 60
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822372646 , 0822372649
    Language: English
    Pages: 1 Online-Ressource (xiv, 268 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.2/308996073
    RVK:
    Keywords: Anderson, Marian 1897-1993 ; Holiday, Billie 1915-1959 ; Scott, Jimmy 1925-2014 ; Vocaloid (Computer file) ; African Americans Music ; Social aspects ; Music and race United States ; Voice culture Social aspects ; United States ; Tone color (Music) Social aspects ; United States ; Music Social aspects ; United States ; Singing Social aspects ; United States ; Zuhören ; Afroamerikanische Musik ; Klang ; Electronic books ; Afroamerikanische Musik ; Klang ; Zuhören
    Note: Includes bibliographical references and index , Formal and informal pedagogies : believing in race, teaching race, hearing race -- Phantom genealogy : sonic Blackness and the American operatic timbre -- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity -- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed -- Bifurcated listening : the inimitable, imitated Billie Holiday -- Widening rings of being : the singer as stylist and technician
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 61
    Book
    Book
    Cambridge, Massachusetts : Harvard University Press
    ISBN: 9780674971431
    Language: English
    Pages: x, 266 Seiten
    Additional Information: Rezensiert in Watt, David Harrington, 1957 - Whose Freedoms? Which Religions? 2018
    Additional Information: Rezensiert in McBride, James A Questionable Faith in the Power of Reason 2018
    Additional Information: Rezensiert in Laborde, Cécile, 1971 - Religious Freedom, US Law, and Liberal Political Theory 2018
    Additional Information: Rezensiert in Equality of Religious Freedom 2018
    Additional Information: Rezensiert in Gordon, Sarah Barringer, 1955 - Rational Debate About Religion? That's Yuge! 2018
    Additional Information: Rezensiert in Blancarte, Roberto, 1957 - Let's Be Reasonable! 2018
    Additional Information: Rezensiert in Baumgartner, Christoph, 1969 - But There Is No Conceptual Level Playing Field! Challenges to Nelson Tebbe's Social Cohesion Approach to Religious Diversity 2018
    Additional Information: Rezensiert in Amesbury, Richard, 1972 - Does Jurisprudence Require a Method to Be Rational? 2018
    Additional Information: Rezensiert in Goldenberg, Naomi R., 1941 - An Appraisal of Religious Freedom in an Egalitarian Age by Nelson Tebbe 2018
    Parallel Title: Erscheint auch als Tebbe, Nelson, 1969 - Religious freedom in an egalitarian age
    DDC: 342.7308/52
    RVK:
    Keywords: Freedom of religion ; Equality before the law ; Discrimination Law and legislation ; Discrimination Religious aspects ; Civil rights ; Civil rights Religious aspects ; Sexual minorities Civil rights ; Religious aspects ; Law Methodology ; Freedom of religion United States ; Equality before the law United States ; Discrimination Law and legislation ; United States ; Discrimination Religious aspects ; Civil rights United States ; Civil rights Religious aspects ; Sexual minorities Civil rights ; Religious aspects ; Law Methodology ; USA ; Religionsfreiheit ; Gleichheit ; USA ; Religionsfreiheit ; Gleichheit
    Abstract: Americans today are struggling with conflicts between religious freedom and equality law. Although such tensions are not new, they are newly vibrant and visible, partly because of egalitarian advances on issues such as LGBT rights and women's reproductive freedom. Those advances have run up against claims by religious traditionalists such as Kim Davis, the county clerk who refused to issue marriage licenses to same-sex couples and Hobby Lobby, the business corporation that won the right to deny contraception coverage to its employees. Religious Freedom in an Egalitarian Age argues that such conflicts can be resolved without irrationality or arbitrariness. The book provides a method for thinking through problems of religion and equality in a reasoned way and recommends solutions in the areas of employment, public accommodations, government officials, and public funding.--
    Abstract: Americans today are struggling with conflicts between religious freedom and equality law. Although such tensions are not new, they are newly vibrant and visible, partly because of egalitarian advances on issues such as LGBT rights and women's reproductive freedom. Those advances have run up against claims by religious traditionalists such as Kim Davis, the county clerk who refused to issue marriage licenses to same-sex couples and Hobby Lobby, the business corporation that won the right to deny contraception coverage to its employees. Religious Freedom in an Egalitarian Age argues that such conflicts can be resolved without irrationality or arbitrariness. The book provides a method for thinking through problems of religion and equality in a reasoned way and recommends solutions in the areas of employment, public accommodations, government officials, and public funding.--
    Note: Includes bibliographical references and index
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  • 62
    ISBN: 9780198798071 , 0198798075
    Language: English
    Pages: xiv, 407 Seiten , Illustrationen , 24 cm
    Edition: First edition
    Additional Information: Rezensiert in Pasture, Patrick, 1961 - Questioning Secularization and Religious Innovation in the North Atlantic World. A Review Essay 2020
    Parallel Title: Erscheint auch als Secularization and religious innovation in the North Atlantic world
    DDC: 200.973
    RVK:
    Keywords: Religions Congresses ; Secularization Congresses ; Secularization Congresses ; Religions Congresses ; Secularization Congresses ; United States ; Secularization Congresses ; Europe ; Religion ; Religions ; Secularization ; United States Congresses Religion ; Europe Congresses Religion ; United States Congresses ; Religion ; Europe Congresses ; Religion ; Europe ; United States ; Konferenzschrift ; Europa ; Christentum ; Säkularisierung ; USA ; Geschichte 1800-2000
    Abstract: In the early twenty-first century it had become a cliche that there was a 'God Gap' between a more religious United States and a more secular Europe. The apparent religious differences between the United States and western Europe continue to be a focus of intense and sometimes bitter debate between three of the main schools in the sociology of religion. According to the influential 'Secularization Thesis', secularization has been an integral part of the processes of modernisation in the Western world since around 1800. For proponents of this thesis, the United States appears as an anomaly and they accordingly give considerable attention to explaining why it is different. For other sociologists, however, the apparently high level of religiosity in the USA provides a major argument in their attempts to refute the Thesis. Secularization and Religious Innovation in the Atlantic World provides a systematic comparison between the religious histories of the United States and western European countries from the eighteenth to the late twentieth century, noting parallels as well as divergences, examining their causes and especially highlighting change over time. This is achieved by a series of themes which seem especially relevant to this agenda, and in each case the theme is considered by two scholars. The volume examines whether American Christians have been more innovative, and if so how far is this explains the apparent 'God Gap'. It goes beyond the simple American/European binary to ask what is 'American' or 'European' in the Christianity of the nineteenth and twentieth centuries, and in what ways national or regional differences outweigh these commonalities
    Abstract: In the early twenty-first century it had become a cliche that there was a 'God Gap' between a more religious United States and a more secular Europe. The apparent religious differences between the United States and western Europe continue to be a focus of intense and sometimes bitter debate between three of the main schools in the sociology of religion. According to the influential 'Secularization Thesis', secularization has been an integral part of the processes of modernisation in the Western world since around 1800. For proponents of this thesis, the United States appears as an anomaly and they accordingly give considerable attention to explaining why it is different. For other sociologists, however, the apparently high level of religiosity in the USA provides a major argument in their attempts to refute the Thesis. Secularization and Religious Innovation in the Atlantic World provides a systematic comparison between the religious histories of the United States and western European countries from the eighteenth to the late twentieth century, noting parallels as well as divergences, examining their causes and especially highlighting change over time. 0This is achieved by a series of themes which seem especially relevant to this agenda, and in each case the theme is considered by two scholars. The volume examines whether American Christians have been more innovative, and if so how far is this explains the apparent 'God Gap'. It goes beyond the simple American/European binary to ask what is 'American' or 'European' in the Christianity of the nineteenth and twentieth centuries, and in what ways national or regional differences outweigh these commonalities
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  • 63
    Book
    Book
    Lanham : Rowman & Littlefield
    ISBN: 9780810895041
    Language: English
    Pages: XXXII, 171 Seiten , 24 cm
    DDC: 781.6609410973
    RVK:
    RVK:
    Keywords: Geschichte 1960-1970 ; Rock music / United States / 1961-1970 / History and criticism ; Rock music / Great Britain / 1961-1970 / History and criticism ; Rock music ; Rezeption ; Popmusik ; Great Britain ; United States ; Großbritannien ; USA ; USA ; Großbritannien ; Großbritannien ; Popmusik ; Rezeption ; USA ; Geschichte 1960-1970
    Note: Includes bibliographical references and index. - First published in hardback 2015
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  • 64
    ISBN: 0745337171 , 9780745337173 , 0745337163 , 9780745337166
    Language: English
    Pages: xxiii, 304 pages , 21 cm
    Edition: Second edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Online version Lean, Nathan Chapman The islamophobia industry : how the right manufactures hatred of Muslims
    DDC: 305.697
    RVK:
    Keywords: Islamfeindlichkeit ; Westliche Welt ; Islamophobia / United States ; Islamophobia / Europe ; Ethnic conflict ; Islam / Public opinion ; Muslims / Public opinion ; Islam and politics / United States ; Muslims / Non-Islamic countries ; Islamic civilization ; Civilization, Western ; Intercultural communication ; East and West ; Islamic countries / Relations / Western countries ; Western countries / Relations / Islamic countries ; Civilization, Western ; East and West ; Ethnic conflict ; Intercultural communication ; International relations ; Islam and politics ; Islam / Public opinion ; Islamic civilization ; Islamophobia ; Muslims ; Muslims / Public opinion ; Europe ; Islamic countries ; Non-Islamic countries ; United States ; Western countries ; Westliche Welt ; Islamfeindlichkeit
    Abstract: Provides an account of the campaign to promote fear and hatred of Muslims in the United States and Europe, from the 'War on Terror' to Trump's travel ban. Lean takes us through a world of conservative bloggers, right-wing talk show hosts, evangelical religious leaders and politicians, united in their efforts to demonize Muslims as the new enemy of Western civilization. Lean uncovers their scare tactics, traces their sources of funding and exposes the ideologies that drive their lucrative propaganda machine. This second edition includes new material on the Trump campaign and presidency, tracking the rise to power of some of the Islamophobia Industry's most extreme figures. Writers from Breitbart, liberal anti-Muslim campaigners such as Bill Maher, and Trump-influencers such as Steve Bannon, Newt Gingrich and John Bolton are all put in the spotlight. --From publisher description
    Description / Table of Contents: Introduction: Islamophobia from the War on Terror to the Age of Trump -- A history of American monster making -- Hate on the internet -- Inside the mainstream media echo chamber -- The Christian right's battle for Muslim souls -- The influence of the pro-Israel right -- The rise of liberal Islamophobia -- Politicizing and legislating fear of Muslims -- Islam as the enemy of European populism
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  • 65
    ISBN: 022644869X , 9780226448558 , 9780226448695
    Language: English
    Pages: xii, 179 Seiten , 23 cm
    Parallel Title: Erscheint auch als Gebhardt, Nicholas Vaudeville melodies
    DDC: 792.70973
    RVK:
    RVK:
    Keywords: Vaudeville ; Revues ; Music-halls (Variety-theaters, cabarets, etc.) ; Popular music ; Music-halls (Variety-theaters, cabarets, etc.) ; Popular music ; Revues ; Vaudeville ; United States ; USA ; Vaudeville ; Varieté ; Kleinkunst ; Geschichte 1870-1929 ; USA ; Vaudeville ; Varieté ; Kleinkunst ; Geschichte 1870-1929
    Abstract: That's entertainment -- There's no business like show business -- Rites of passage -- Elementary structures -- Show me the money -- On with the show -- In search of an audience -- Vaudeville melodies -- Nothing succeeds like success -- Applause
    Note: Mit Bibliographie (Seiten 163-172) und Register
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  • 66
    ISBN: 1439131333 , 1439131341 , 9781439131343 , 9781439131336
    Language: English
    Pages: 740 Seiten , Illustrationen
    Edition: First Simon & Schuster hardcover edition
    Additional Information: Kritik in Williams, Daniel K. American Evangelical Politics before the Christian Right 2018
    Parallel Title: Erscheint auch als FitzGerald, Frances, 1940- author Evangelicals
    DDC: 277.308
    RVK:
    RVK:
    Keywords: Evangelicalism History ; United States ; Fundamentalism History ; United States ; Christianity and politics History ; United States ; Christianity and politics ; Evangelicalism ; Fundamentalism ; Evangelicalism History ; Fundamentalism History ; Christianity and politics History ; United States Church history ; United States ; Church history ; History ; United States Church history ; Evangelikale Bewegung ; Fundamentalismus ; Geschichte ; Staat ; USA ; USA ; Evangelikale Bewegung ; Staat ; Geschichte
    Abstract: The great awakenings and the Evangelical empire -- Liberals and conservatives in the Post-Civil War North -- The fundamentalist-modernist conflict -- The separatists -- Billy Graham and modern evangelicalism -- Pentecostals and Southern Baptists -- Evangelicals in the sixties -- The fundamentalist uprising in the South -- Jerry Falwell and he moral majority -- Reagan and the South turns Republican -- The Evangelical thinkers -- Pat Robertson : politics and charismatic prophecies -- The Christian coalition and the Republican Party -- The Christian right and George W. Bush -- New Evangelicals -- The transformation of the Christian right
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Includes bibliographical references and index
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  • 67
    Book
    Book
    Bloomington : Indiana University Press
    ISBN: 9780253026064 , 9780253026217 , 0253026067 , 0253026210
    Language: English
    Pages: vii, 300 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Imhoff, Sarah, author Masculinity and the making of American Judaism
    DDC: 296.0811/0973
    RVK:
    RVK:
    Keywords: Masculinity Religuous aspects ; Judaism ; Masculinity ; Jewish men Religious life ; Masculinity Religious aspects ; Judaism ; Masculinity United States ; Jewish men Religious life ; United States ; RELIGION History ; RELIGION Judaism ; History ; USA ; Judentum ; Virilismus
    Abstract: "How did American Jewish men experience manhood, and how did they present their masculinity to others? In this distinctive book, Sarah Imhoff shows that the project of shaping American Jewish manhood was not just one of assimilation or exclusion. Jewish manhood was neither a mirror of normative American manhood nor its negative, effeminate opposite. Imhoff demonstrates how early twentieth-century Jews constructed a gentler, less aggressive manhood, drawn partly from the American pioneer spirit and immigration experience, but also from Hollywood and the YMCA, which required intense cultivation of a muscled male physique. She contends that these models helped Jews articulate the value of an acculturated American Judaism. Tapping into a rich historical literature to reveal how Jews looked at masculinity differently than Protestants of other religious groups, Imhoff illuminates the particular experience of American Jewish men"--
    Note: Includes bibliographical references (pages 277-290) and index
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  • 68
    Online Resource
    Online Resource
    Evanston, Illinois : Northwestern University Press
    ISBN: 9780810135321
    Language: English
    Pages: 1 online resource (184 pages).
    Series Statement: Performance Works
    Parallel Title: Erscheint auch als
    DDC: 306.48480973
    RVK:
    Keywords: Psychic trauma in the theater - United States ; American drama 21st century ; History and criticism ; Performing arts Social aspects ; United States ; Group identity in the performing arts United States ; Electronic books
    Abstract: Intro -- Contents -- Preface -- Acknowledgments -- Introduction -- Chapter 1. No Rock Straight Time Rain or Shine: Carlson/Strom Remember the Geyserlands -- Chapter 2. When Elephants Are in Must: Peggy Shaw, Acts of Trans/fer, and the Present Future of Queer -- Chapter 3. Following the Ghosts: Repetition, Return, and the Disordering of America in floodlines (2004-2010) -- Chapter 4. Teaching Time (a periplum) -- Epilogue. I Want to Play Airplane, or, It All Comes Back -- Notes -- Bibliography -- Index.
    URL: Volltext  (lizenzpflichtig)
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  • 69
    Book
    Book
    London : Simon & Schuster
    ISBN: 9781471157790
    Language: English
    Pages: 510 Seiten , Illustrationen
    Edition: First published
    RVK:
    RVK:
    Keywords: Springsteen, Bruce ; Rock musicians Biography ; United States
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  • 70
    Book
    Book
    London : Routledge
    ISBN: 9781409423768 , 140942376X
    Language: English
    Pages: 179 Seiten , Illustrationen , 24 cm
    Series Statement: An Ashgate book
    Series Statement: Ashgate popular and folk music series
    DDC: 781.66
    RVK:
    Keywords: Grunge music ; Social aspects ; United States
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  • 71
    Book
    Book
    Austin : University of Texas Press
    ISBN: 9780292759435
    Language: English
    Pages: viii, 198 Seiten , Illustrationen, Porträts , 23 cm
    Edition: First edition
    Series Statement: American music series
    DDC: 782.421643092
    RVK:
    Keywords: Blige, Mary J. ; Blige, Mary J. ; Blige, Mary J. ; African American women singers / United States / Biography ; Soul musicians / United States / Biography ; Sound recording executives and producers / United States / Biography ; Rap musicians / United States / Biography ; Rhythm and blues musicians / United States / Biography ; Gospel musicians / United States / Biography ; African American actresses / United States / Biography ; African American actresses ; African American women singers ; Gospel musicians ; Rap musicians ; Rhythm and blues musicians ; Soul musicians ; Sound recording executives and producers ; United States ; USA ; Biografie ; Biografie ; Biografie ; Blige, Mary J. 1971-
    Abstract: Mary J. Blige is an icon who represents the political consciousness of hip hop and the historical promise of soul. She is an everywoman, celebrated by Oprah Winfrey and beloved by pop music fans of all ages and races. Blige has sold over fifty million albums, won numerous Grammys, and even played at multiple White House events, as well as the 2013 Nobel Peace Prize ceremony. Displaying astonishing range and versatility, she has recorded everything from Broadway standards to Led Zeppelin anthems and worked with some of popular music's greatest artists-Aretha Franklin, Eric Clapton, Elton John, Whitney Houston, Sting, U2, and Beyonce, among them. Real Love, No Drama: The Music of Mary J. Blige tells the story of one of the most important artists in pop music history. Danny Alexander follows the whole arc of Blige's career, from her first album, which heralded the birth of "hip hop soul," to her critically praised 2014 album, The London Sessions. He highlights the fact that Blige was part of the historically unprecedented movement of black women onto pop radio and explores how she and other women took control of their careers and used their music to give voice to women's (and men's) everyday struggles and dreams. This book adds immensely to the story of both black women artists and artists rooted in hip hop and pays tribute to a musician who, by expanding her reach and asking tough questions about how music can and should evolve, has proven herself an artistic visionary. - Beginning his career about the same time Mary J. Blige signed her first record deal, music journalist Danny Alexander has worked as an associate editor for Dave Marsh's music newsletter Rock & Rap Confidential and covered rock, hip hop, and soul for various publications. He is the author of "Liner Notes: Soul Asylum". He lives in Overland Park, Kansas
    Description / Table of Contents: 〈〈The〉〉 artist of a generation -- The slow bomb -- Ladies, ladies, it is our turn -- Uptown -- What's the 411? -- Changes I've been going through -- Hip hop a go-go -- My life -- Natural woman -- Share my world -- On the road with MJB : Alyson Williams -- The tour -- Sisters in the studio : Channette and Channoah Higgens -- Mary, the album -- No more drama -- Love & life -- Live from Los Angeles -- Message in our music -- The breakthrough -- Growing pains -- Stronger with each tear -- Hard times come again no more -- My life II : the journey continues (act 1) -- A Mary Christmas -- Think like a man too -- The London sessions -- Being with you
    Note: Includes bibliographical references and discography
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  • 72
    ISBN: 9789385485015 , 9385485016
    Language: English
    Pages: xiii, 426 Seiten , Illustrationen , 22 cm
    DDC: 294.50973
    RVK:
    Keywords: Doniger, Wendy ; Doniger, Wendy ; Doniger, Wendy ; Hinduism Study and teaching ; Hinduism Study and teaching ; United States ; Hinduism ; India ; India Study and teaching ; India Study and teaching ; Doniger, Wendy 1940- ; Religionspsychologie ; Kritik ; Doniger, Wendy 1940- ; Hinduismus ; Indologie ; Kritik ; USA ; Hinduismus ; Forschung ; Hochschule ; Forschung ; Lehre ; Kritik
    Note: Includes bibliographical references
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  • 73
    Book
    Book
    Cambridge, Massachusetts : Harvard University Press
    ISBN: 9780674659681 , 0674659686
    Language: English
    Pages: viii, 307 Seiten , 22 cm
    Additional Information: Rezensiert in Zink, Jesse The Deified Market 2019
    DDC: 174/.4
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Marktwirtschaft ; Wirtschaftsordnung ; Wirtschaftsethik ; Kritik ; Religion ; Money market Moral and ethical aspects ; Financial institutions Moral and ethical aspects ; Economics Moral and ethical aspects ; Economics Religious aspects ; Money market Moral and ethical aspects ; Financial institutions Moral and ethical aspects ; United States ; Economics Moral and ethical aspects ; Economics Religious aspects ; Marktwirtschaft ; Marktmechanismus ; Religion ; Marktwirtschaft ; Bank ; Ethik ; Religion
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 74
    ISBN: 9781138278240
    Language: English
    Pages: 222 Seiten
    Edition: First issued in paperback
    Series Statement: Ashgate popular and folk music series
    Series Statement: An Ashgate book
    DDC: 781.621009045
    RVK:
    Keywords: Folk songs, English History and criticism ; United States ; Folk songs, English History and criticism ; Canada ; Folk songs, English History and criticism ; United States ; Folk songs, English History and criticism ; Canada ; USA ; Kanada ; Folk music ; Revival ; Geschichte 1945-1980
    Abstract: Defining the people's songs : national identity and the origins of the North American folk revival to 1958 -- Visions of diversity : cultural pluralism and the great boom of the folk revival, 1958-1965 -- Folk music and community in the village : Greenwich Village and Yorkville in the sixties -- The post-revival folk : Canadian dreams and American nightmares in the late 1960s and 1970s -- Folk since the seventies : diversity and insularity
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Literaturverzeichnis: Seite 187-207. - Diskografie: Seite 209-210
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  • 75
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496805805
    Language: English
    Pages: viii, 272 Seiten
    Edition: First printing
    Series Statement: American made music series
    Parallel Title: Online version Wise, Timothy E., author Yodeling and meaning in American music
    DDC: 782.00973
    RVK:
    Keywords: Popular music History and criticism ; United States ; Yodeling ; Country music History and criticism ; Mountain people in popular culture ; Cowboys in popular culture ; Humor in music ; Country music ; Cowboys in popular culture ; Humor in music ; Mountain people in popular culture ; Popular music ; Yodeling United States ; USA ; Jodeln ; Geschichte
    Abstract: Timothy E. Wise presents the first book to focus specifically on the musical content of yodeling in our culture. He shows that yodeling serves an aesthetic function in musical texts. A series of chronological chapters analyzes this musical tradition from its earliest appearances in Europe to its incorporation into a range of American genres and beyond. Wise posits the reasons for yodeling's changing status in our music. How and why was yodeling introduced into professional music making in the first place? What purposes has it served in musical texts? Why was it expunged from classical music? Why did it attach to some popular music genres and not others? Why does yodeling now appear principally at the margins of mainstream tastes?
    Note: Includes bibliographical references (pages 233-245) and index , 1.Classifying Yodeled Effects in Popular Music Yodel Species , 2.Yodel Sign and Yodel Idea in Nineteenth-Century Art Music , 3.Yodeling in Nineteenth-Century Vocal Music , 4.Americanizing the Yodel , 5.Jimmie Rodgers and the Hillbilly Yodel , 6.Cowboys and Yodeling , 7.The Vicissitudes of a Musical Sign How the Yodel Became a Joke
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  • 76
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 022630339X , 9780226303390
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Parallel Title: Erscheint auch als Gluck, Bob Miles Davis Lost Quintet
    DDC: 785/.32195165
    RVK:
    Keywords: Davis, Miles ; Davis, Miles ; Jazz History and criticism 1971-1980 ; Jazz musicians Biography ; Jazz History and criticism 1961-1970 ; MUSIC ; Genres & Styles ; Chamber ; Jazz ; Jazz musicians ; Avantgarde ; Quintett ; Elektronische Musik ; Rock-Jazz ; Biographies ; Criticism, interpretation, etc ; United States ; Biografie ; Biografie
    Abstract: Miles Davis's 'Bitches Brew' is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. Here, jazz historian and musician Bob Gluck explores the performances of this revolutionary group, to illuminate the thinking of one of our rarest geniuses and, by extension, the extraordinary transition in American music that he and his fellow players ushered in
    Abstract: Miles goes electric -- "Bitches brew," in the studio and on the road -- Anthony Braxton : Leroy Jenkins, Musica Elettronica Viva, and the "Peace Church" concert -- Interlude : musical rumblings in Chelsea -- Miles Davis's increasingly electric 1970, and a reflection on his 1971-75 bands -- Circle -- The Revolutionary Ensemble -- Ornette Coleman's children : comparisons and contrasts inside and outside the jazz economy.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 77
    Book
    Book
    Boston, MA : Da Capo Press
    ISBN: 9780306817991
    Language: English
    Pages: xiv, 658 Seiten
    Edition: First Da Capo Press edition
    DDC: 782.42/13
    RVK:
    Keywords: Composers Interviews ; Lyricists Interviews ; Popular music History and criticism ; AVS ; MUS038000 ; Individual composers & musicians, specific bands & groups ; United States ; Popular music ; Interviews ; Popular music - United States - History and criticism ; Composers ; Composers - United States ; Lyricists - United States ; Lyricists ; Criticism, interpretation, etc ; Songwriting ; Geschichte
    Abstract: Marjorie Guthrie. On Woody Guthrie -- Jerry Leiber and Mike Stoller. A bridge built on the blues -- Richard Sherman. Writing songs for Disney -- Jeff Barry. River deep mountain high -- Paul Anka. From "Diana" to "My way" -- Kenny Gamble. Inventing the Philly sound -- Norman Whitfield. Through the grapevine -- Loretta Lynn. Songs from Butcher Holler -- Sheldon Harnick. Of Fiddlers on the roof -- Peter, Paul and Mary. The power of song -- Herbie Hancock. On a journey of jazz -- John Stewart. Daydream believing -- John Sebastian. A Loving Spoonful -- Gene Clark. Still the Byrds -- Stephen Stills. The one you're with -- Paul Simon. Love and hard times -- Ringo Starr. The Beatles and beyond -- Brian Wilson. Beyond the Beach Boys -- Kris Kristofferson. Another word for freedom -- Bernie Taupin. Writing with Elton -- Paul Williams. Only just begun -- Maurice White. Inside Earth, Wind & Fire -- Bryan Ferry. Of Roxy Music -- Elvis Costello. A man out of time -- Joe Jackson. Night and day -- Rickie Lee Jones. Flying with the cowboys -- Daryl Hall. Of Sacred songs -- Patti Smith. Still Dancing barefoot -- Chrissie Hynde. On the chain gang -- John Prine. Mailman of miracles -- Michael Smith. Tulips beneath the snow -- Dave Stewart. Eurythmics and beyond -- Joan Armatrading. Walking under ladders -- Chris Difford and Glenn Tilbrook. Being Squeeze -- Aimee Mann. On memory lane -- James Taylor. The secret o' songwriting -- Randy Newman. The world isn't fair -- Alice Cooper. Inventing Alice -- Donald Fagen. Being Steely Dan -- Jorge Calderon. On writing with Zevon -- Don McLean. American pie and beyond -- Richard Thompson. Inside the beeswing -- Rob Zombie. Doing the impossible -- Jo Henry. With Blood from stars -- Sia. On a Chandelier -- Matisyahu. Darkness into light
    Note: Includes bibliographical references and index
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  • 78
    ISBN: 9780415518246 , 9780415518239
    Language: English
    Pages: XI, 170 Seiten
    Series Statement: Routledge series on identity politics
    DDC: 322.10973
    RVK:
    Keywords: Religion and politics United States ; Identification (Religion) Political aspects ; United States ; Political culture United States ; Religion and politics ; Identification (Religion) Political aspects ; Political culture ; USA ; Religionspolitik ; Religionsfreiheit ; Denomination ; Atheismus ; Neue Religion ; Soziokultureller Wandel ; USA ; Religionspolitik ; Religionsfreiheit ; Konfessionalität ; Soziokultureller Wandel ; Atheismus
    Description / Table of Contents: The Present Moment : Religious and Political Identities in the Contemporary United StatesThe "Ground Zero Mosque" : Sacred Space and the Boundaries of "American" Religion -- A Nation of Maximalists? : The Orthodox Alliance's Identity of Resistance -- Neoliberalization Theology and the Great Recession -- None of the Above : Religious Independents and Identity in the United States -- Political Religion and Religious Politics : Navigating Twenty-First Century Identities.
    Note: Literaturverz. S. [147] - 163 und Index
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  • 79
    ISBN: 9781137594129
    Language: English
    Pages: xi, 139 Seiten , 21 cm
    Series Statement: Asian christianity in the diaspora
    Series Statement: Anthropology, change and development
    Series Statement: Palgrave pivot
    DDC: 201.7089957073
    RVK:
    Keywords: Korean Americans Religious life ; Children of immigrants Social conditions ; United States ; Gender identity Religious aspects ; Gender identity United States ; Korean Americans Religion ; Korean Americans Social conditions ; Korean American men Religious life ; Children of immigrants Religious life ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Koreanischer Einwanderer ; Generation 2 ; Religiöse Erfahrung ; Protestantismus ; Männlichkeit ; USA ; Koreanischer Einwanderer ; Generation 2 ; Religiöse Erfahrung ; Protestantismus ; Männlichkeit
    Abstract: Introduction -- 1. Situating Korean Men in Asian America -- 2. Listening to Korean American Men Tell Their Lives -- 3. Sports and Korean American Men -- 4. Korean American Spirituality -- 5. Forming Korean American Men: What Can We Do?
    Note: Includes bibliographical references
    URL: Cover
    URL: Cover
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  • 80
    ISBN: 9780252081712 , 9780252040269 , 0252040260 , 0252081714 , 0252098528
    Language: English
    Pages: viii, 228 Seiten , Illustrationen
    Series Statement: The history of communication
    Parallel Title: Online version Coward, John M Indians illustrated
    Parallel Title: Erscheint auch als Coward, John M. Indians illustrated
    DDC: 070.4/4997000497
    RVK:
    Keywords: Indians of North America Press coverage ; History ; Indians of North America Public opinion ; History ; Illustrated periodicals History ; Journalism, Pictorial Social aspects ; History ; Visual communication History ; Stereotypes (Social psychology) History ; Indians in popular culture History ; Public opinion History ; Popular culture History ; Indians of North America Press coverage ; History ; Indians of North America Public opinion ; History ; Illustrated periodicals History ; United States ; Journalism, Pictorial Social aspects ; History ; United States ; Visual communication History ; United States ; Stereotypes (Social psychology) History ; United States ; Indians in popular culture History ; United States ; Public opinion History ; United States ; Popular culture History ; United States ; United States Race relations ; History ; United States Race relations ; History ; Rezension ; USA ; Presse ; Illustration ; Indianerbild ; Stereotyp
    Abstract: "Indians Illustrated is a social and cultural history of Indian illustrations in Frank Leslie's Illustrated Newspaper, Harper's Weekly, and other illustrated journals during the last half of the nineteenth century, the heyday of the American pictorial press. The pictorial press era, spurred in the mid-1850s by the transportation revolution, innovations in printing technology, and an expanded literary and pictorial market, was marked by a proliferation of detailed, realistic woodblock engravings, pictures of newsworthy people and interesting events from across the nation and the world. The pictorial press frequently depicted Indians and Indian life in popular but narrowly conceived ways. In pictures, Indians were simplified and presented in familiar and easily understood categories, usually as variations on the 'good' Indian/'bad' Indian stereotypes long established in Euro-American culture. Indian men were depicted as 'tall and copper-colored, with braided hair, clothed in buckskin, and moccasins, and adorned in headdresses, beadwork and/or turquoise' while Indian women were depicted as either Indian princesses or squaws. John Coward argues that these pictures helped create and sustain a host of popular ideas and attitudes about Indians, especially ideas about the way Indians were supposed to look and act. By describing and analyzing the various themes and visual tropes across the years of the illustrated press, this book provides a deeper understanding of the racial codes and visual signs that white Americans used to represent Native Americans in an era of western expansion and Manifest Destiny"--Provided by publisher
    Abstract: Introduction: Illustrating Indians in the pictorial press -- Posing the Indian : Native American portraits in the illustrated press -- Illustrating Indian lives : difference and deficiency in Native American imagery -- The princess and the squaw : the construction of Native American women in the pictorial press -- Making images on the Indian frontier : the adventures of special artist Theodore Davis -- Illustrating the Indian Wars : fact, fantasy, and ideology -- Making sense of savagery : Native American cartoons in the Daily graphic -- Remington's Indian illustrations : race, realism, and pictorial journalism -- Visualizing race : Native American and African American imagery in Frank Leslie's illustrated newspaper -- Conclusion: Illustrating race, demonstrating difference
    Note: Includes bibliographical references and index
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  • 81
    Online Resource
    Online Resource
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 0199328331 , 9780199328338
    Language: English
    Pages: 141 S. , Ill.
    Edition: Online-Ausg. [S.l.] Ebrary Online-Ressource Ebrary online
    Series Statement: Very short introductions
    Parallel Title: Druckausg. American women's history
    DDC: 305.40973
    RVK:
    Keywords: Women History ; United States ; Women History ; North America ; Women North America ; United States ; History ; USA ; Frau ; Geschichte
    Note: Includes bibliographical references and index
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  • 82
    ISBN: 9780859654401 , 0859654400
    Language: English
    Pages: 299 Seiten , Illustrationen , 23 cm
    Edition: Revised and updated
    DDC: 782.42166092
    RVK:
    Keywords: Morrison, Jim Interviews ; Morrison, Jim - 1943-1971 ; Doors (Musical group) ; Doors (Musical group) ; Rock musicians Biography ; Rock musicians Death ; Musiciens rock - États-Unis - Biographies ; Musiciens rock - États-Unis - Mort ; Rock musicians ; Rock musicians - Death ; Biographies ; Interviews ; United States
    Description / Table of Contents: The biography. The child ; The scholar ; The poet ; The rock star ; The drunk ; The exile ; Weird scenes ; Inside goldmine -- The Interviews. Los Angeles Free Press, John Carpenter, Summer 1968 ; WNET-TV Critique, Richard Goldstein, Spring 1969 ; Rolling Stone, Jerry Hopkins, Spring 1969 ; Zigzag, John Tobler, Autumn 1970 ; Circus, Salli Stevenson, Winter 1970 ; Los Angeles Free Press, Bob Chorush, Spring 1971 ; Rolling Stone, Ben Fong-Torres, Spring 1971 ; Creem, Lizze James, Autumn 1969 ; The Village Voice, Howard Smith, Winter 1970 -- Last words.
    Note: Previous edition: 2010, 2006
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  • 83
    ISBN: 9780199983087
    Language: English
    Pages: 1 Online-Ressource (XXXVII, 903 Seiten) , Illustrationen, Diagramme
    Edition: Oxord handbooks online. Linguistics
    Series Statement: Oxford handbooks in linguistics
    Parallel Title: Druckausg. The Oxford handbook of African American language
    Parallel Title: Erscheint auch als The Oxford handbook of African American language
    DDC: 428
    RVK:
    Keywords: African Americans Languages ; English language Variation ; United States ; Black English ; English language Dialects ; English language Variation ; African Americans Dialects ; Black English ; English language ; Dialects ; United States ; English language ; Variation ; United States ; African Americans ; Dialects ; Aufsatzsammlung ; Black English ; USA ; Schwarze ; Soziolinguistik ; Dialektologie
    Abstract: The goal of this handbook is to provide readers with a wide range of analyses of both traditional and contemporary work on language use in African American communities in a broad collective.
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  • 84
    Book
    Book
    University Park, Pennsylvania : The Pennsylvania State University Press
    ISBN: 9780271067100 , 9780271066646
    Language: English
    Pages: ix, 222 Seiten , Illustrationen , 21 cm
    DDC: 306.440973
    RVK:
    Keywords: Rhetoric Political aspects ; History ; United States ; Resentment Political aspects ; History ; United States ; USA ; Politische Rede ; Ressentiment
    Abstract: "Examines the problem of rhetorical violence in American political discourse, and maps the history of one form, the politics of resentment. Investigates key events in American history that have led to a current culture of resentment"--Provided by publisher
    Note: Includes bibliographical references (pages 183-197) and index
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  • 85
    Book
    Book
    New York : Bloomsbury Academic
    ISBN: 162892943X , 9781628929430
    Language: English
    Pages: xvii, 129 Seiten , 17 cm
    Series Statement: 33 1/3 110
    Series Statement: 33 1/3
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Davis, Miles / Bitches brew ; Davis, Miles / Criticism and interpretation ; Davis, Miles ; Bitches brew (Davis, Miles) ; Jazz musicians / United States / Biography ; Jazz / History and criticism ; Jazz ; Jazz musicians ; United States ; USA ; Biografie
    Abstract: It was 1969, and Miles Davis, prince of cool, was on the edge of being left behind by a dynamic generation of young musicians, an important handful of whom had been in his band. Rock music was flying off in every direction, just as America itself seemed about to split at its seams. Following the circumscribed grooves and ambiance of In A Silent Way; coming off a tour with a burning new quintet-called 'The Lost Band'-with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette; he went into the studio with musicians like frighteningly talented guitarist John McLaughlin, and soulful Austrian keyboardist Joe Zawinul. Working with his essential producer, Teo Macero, Miles set a cauldron of ideas loose while the tapes rolled. At the end, there was the newly minted Prince of Darkness, a completely new way forward for jazz and rock, and the endless brilliance and depth of Bitches Brew. --Publisher's description
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 86
    Book
    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9780786474462
    Language: English
    Pages: X, 234 Seiten , Illustrationen , 26 cm
    RVK:
    Keywords: Rhythm and blues musicians / United States / Biography ; Rockabilly musicians / United States / Biography ; Country musicians / United States / Biography ; Rock musicians / United States / Biography ; Musicians / United States / Interviews ; Country musicians ; Musicians ; Rhythm and blues musicians ; Rock musicians ; Rockabilly musicians ; United States ; USA ; Biografie ; Biografie
    Abstract: "Disc jockey Alan Freed coined the term "rock and roll" in the 1950s. Rock and roll's originators and revivalists continue to entertain crowds at roots music festivals worldwide. This book presents stories about performers' lives on the road and in the studio, along with the stories behind popular songs. Informative biographical profiles are provided"--
    Description / Table of Contents: Includes bibliographical references and index
    Description / Table of Contents: Rhythm and blues and Doo-wop legends -- Rockabilly pioneers -- Sun stars -- Country hit makers -- Pop sensations -- Roots revivalists -- International rockabilly performers
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  • 87
    ISBN: 978-0-87140-873-0
    Language: English
    Pages: XXIX, 365 S., [4] Bl. , Ill.
    Edition: 1. ed.
    RVK:
    Keywords: Redding, Otis / 1941-1967 ; Redding, Otis / 1941-1967 ; Soul musicians / United States / Biography ; Soul music / History and criticism ; Soul music ; Soul musicians ; United States ; USA ; Biografie
    Abstract: "A soul icon and the southern music he helped popularize come to life in this moving requiem,"--Amazon.com
    Note: Includes bibliographical references (pages 315-337) and index , Introduction : The Big O -- Prologue : "It was music" -- Son of a preacher man -- Heebie jeebies -- Rockin' Redding -- "It's something called soul" -- "A lousy singer" -- "Wait, we got time for another kid" -- Chops like a wolf -- Turning the knife -- The King of Soul -- Just one more day -- Crossing over -- The whole damn body -- Making the white feel black -- "The only son-of-a-gun this side of the sun" -- London calling -- Peace, love, and Otis Redding -- Hard to handle -- "So I guess I'll remain the same" -- Amen -- Epilogue : "Wouldn't that have been somethin'?"
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  • 88
    Image
    Image
    Durham : Duke University Press
    ISBN: 9780822359173 , 9780822359364
    Language: English
    Pages: xiv, 429 Seiten , Illustrationen , 24 cm
    Series Statement: Refiguring American music
    DDC: 782.421640811
    RVK:
    RVK:
    RVK:
    Keywords: Crooning ; Male singers United States ; Popular music History and criticism ; 1921-1930 ; United States ; Popular music History and criticism ; 1931-1940 ; United States ; Crooning ; Male singers ; Popular music History and criticism 1921-1930 ; Popular music History and criticism 1931-1940
    Abstract: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920 -- Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond)
    Description / Table of Contents: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond).
    Note: Formerly CIP. - Includes bibliographical references and index
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  • 89
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 0520283988 , 0520283996 , 9780520283985 , 9780520283992
    Language: English
    Pages: xi, 205 Seiten , Illustrationen , 23 cm
    Edition: First edition
    DDC: 782.421649
    RVK:
    Keywords: Rap (Music) Social aspects ; Music and race ; Race awareness ; Racism in popular culture ; Rap (Music) Social aspects ; United States ; Music and race ; Race awareness United States ; Racism in popular culture United States ; USA ; Rap ; Hip-Hop ; Ethnische Identität
    Abstract: "As one of the most influential and popular genres of the last three decades, rap has cultivated a mainstream audience and become a multimillion-dollar industry by promoting highly visible and often controversial representations of blackness. Sounding Race in Rap Songs argues that rap music allows us not only to see but also to hear how mass-mediated culture engenders new understandings of race. The book traces the changing sounds of race across some of the best-known rap songs of the past thirty-five years, combining song-level analysis with historical contextualization to show how these representations of identity depend on specific artistic decisions, such as those related to how producers make beats. Each chapter explores the process behind the production of hit songs by musicians including Grandmaster Flash and the Furious Five, The Sugarhill Gang, Run-D.M.C., Public Enemy, N.W.A., Dr. Dre, and Eminem. This series of case studies highlights stylistic differences in sound, lyrics, and imagery, with musical examples and illustrations that help answer the core question: can we hear race in rap songs? Integrating theory from interdisciplinary areas, this book will resonate with students and scholars of popular music, race relations, urban culture, ethnomusicology, sound studies, and beyond"--Provided by publisher
    Description / Table of Contents: "Rapper's delight" : from genre-less to new genre"Rebel without a pause" : public enemy revolutionizes the break -- "Let me ride" : gangsta rap's drive into the popular mainstream -- "My name is" : signifying whiteness, rearticulating race -- Conclusion : sounding race in the twenty-first century.
    Note: Includes bibliographical references (pages 183-191), discography (pages 179-180), filmography (page 181), and index
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  • 90
    Book
    Book
    [London] : Rogan House
    ISBN: 9780952954088 , 0952954087
    Language: English
    Pages: 1200 Seiten , Illustrationen , 24 cm
    Series Statement: Byrds Volume 1
    Series Statement: Rogan, Johnny Byrds.
    DDC: 782.421660922
    RVK:
    Keywords: Byrds (Musical group) ; Rock groups ; United States ; Biography ; Rock musicians ; United States ; Biography
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  • 91
    ISBN: 9780415890045
    Language: English
    Pages: 172 S. , graph. Darst. , 24 cm
    Edition: 1. publ.
    Series Statement: Routledge studies in sociolinguistics 8
    Series Statement: Routledge studies in sociolinguistics
    DDC: 306.4408909073
    RVK:
    Keywords: Hip-hop Influence ; United States ; Hip-hop Social aspects ; United States ; Language and culture United States ; Group identity United States ; Sociolinguistics United States ; LANGUAGE ARTS & DISCIPLINES / Linguistics / Sociolinguistics ; LANGUAGE ARTS & DISCIPLINES / Literacy ; EDUCATION / Language Experience Approach ; Hip-hop Influence ; Hip-hop ; Language and culture ; Group identity ; Sociolinguistics ; USA ; Hip-Hop ; Englisch ; Soziolinguistik
    Abstract: "This book examines language and identity among White American middle and upper-middle class youth who affiliate with Hip-Hop culture. Hip-Hop youth engage in practices that range from thec onsumption of rap music and fashion to practices like MC-ing (writing and performing raps or "rhymes"), DJ-ing (mixing records to produce a beat for the MC), graffiti tagging, and break-dancing. Cutler explores the way in which these young people stylize their speech using linguistic resources drawn from African American English and Hip-Hop slang terms. She also looks at the way they construct their identities in discussions with their friends, and how they talk about and use language to construct themselves as authentic within Hip-Hop. Cutler considers the possibility that young people experimenting with AAVE-styled speech may improve the status of AAVE in the broader society. She also addresses the need for educators to be aware of the linguistic patterns found in AAVE and Hip-Hop language, and ways to build on Hip-Hop skills like rhyming and rapping in order to motivate students and promote literacy"--
    Note: Formerly CIP. - Includes bibliographical references (pages 151-164) and index
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  • 92
    ISBN: 9780786459735
    Language: English
    Pages: x, 230 Seiten , Illustrationen , 23 cm
    DDC: 294.55
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    Keywords: Vallabhachars History ; India ; Vallabhachars History ; United States ; Bhakti ; Vallabhachars History ; Vallabhachars History ; Bhakti ; Indien ; Wallabha-Sekte ; Geschichte ; USA ; Wallabha-Sekte ; Indien ; USA ; Wallabha-Sekte
    Abstract: "The Hindu sect the Vallabha Sampradaya was founded in India in the 15th century by a devotional saint, Vallabhacharya. Following U.S. immigration reforms members of the sect established spiritual headquarters for the faith and began to construct temples in a number of states. The growth has continued as this 500 year old faith becomes an American religion"--
    Note: Includes bibliographical references and index
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  • 93
    Image
    Image
    Kuala Lumpur : Islamic Arts Museum Malaysia
    ISBN: 9832591074 , 9789832591078
    Language: English
    Pages: 79 ungezählte Seiten , Illustrationen , 30 cm
    Series Statement: Mosques of the United States of America
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    Keywords: Dar al Islam Mosque (Abiquiu, N.M.) Exhibitions ; Dar al Islam Mosque (Abiquiu, N.M.) ; Mosques Exhibitions ; United States ; Islamic architecture Exhibitions ; United States ; Mosques ; Mosques ; Islamic architecture ; USA ; Moschee
    Note: "This catalogue is published in conjunction with the handing over of the Dar al Islam Mosque model by the U.S. Embassy Kuala Lumpur to The Islamic Arts Museum Malaysia" -- Title page verso. - Includes bibliographical references. - In English
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  • 94
    Book
    Book
    Edinburgh : Edinburgh Univ. Press
    ISBN: 9780748669936 , 9780748695867
    Language: English
    Pages: XII, 229 S. , Ill. , 24 cm
    Edition: Paperback ed.
    Parallel Title: Online-Ausg. Kabir, Nahid Afrose Young American Muslims
    DDC: 305.6970973
    RVK:
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    Keywords: Muslims Ethnic identity ; Muslim youth Ethnic identity ; Muslims Attitudes ; Muslim youth Attitudes ; Muslims ; United States ; Ethnic identity ; Muslim youth ; United States ; Ethnic identity ; Muslims ; United States ; Attitudes ; Muslim youth ; United States ; Attitudes ; USA ; Muslim ; Jugend ; Identität
    Abstract: "This book presents a journey into the ideas, outlooks and identity of young Muslims in America today. Based on around 400 in-depth interviews with young Muslims from Florida, Maryland, Massachusetts, Michigan, New York and Virginia, all the richness and nuance of these minority voices can be heard. Many young Americans cherish an American dream, 'that all men are created equal'. And the election of America's first black President in 2008 has shown that America has moved forward. Yet since 9/11 Muslim Americans have faced renewed challenges, with their loyalty and sense of belonging being questioned."--Publisher's website
    Abstract: Introduction : my journey and the 'Muslim question'Identity matters -- The culture debate -- What does it take to be an American? -- Reflections on the American media -- Barack Hussein Obama and young Muslims' political awareness -- The Palestinian question -- From here to where?
    Note: Bibliogr. S. 221-224, Index S. 225-229 , Includes bibliographical references and index
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  • 95
    Book
    Book
    New York, NY : Cambridge University Press
    ISBN: 9781107068988 , 9781107667518
    Language: English
    Pages: XIII, 250 Seiten , Illustrationen , 24 cm
    DDC: 303.6097309034
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    Keywords: Slavery Political aspects ; History ; 19th century ; United States ; Slavery Social aspects ; History ; 19th century ; United States ; Sectionalism (United States) History ; 19th century ; Emotions Social aspects ; History ; 19th century ; United States ; Emotions Political aspects ; History ; 19th century ; United States ; Social conflict History ; 19th century ; United States ; HISTORY / United States / 19th Century ; United States History ; Causes ; Civil War, 1861-1865 ; United States Social conditions ; To 1865 ; United States Politics and government ; 1815-1861
    Abstract: "The sectional conflict over slavery in the United States was not only a clash between labor systems and political ideologies but also a viscerally felt part of the lives of antebellum Americans. This book contributes to the growing field of emotions history by exploring how specific emotions shaped Americans' perceptions of, and responses to, the sectional conflict in order to explain why it culminated in disunion and war. Emotions from indignation to jealousy were inextricably embedded in antebellum understandings of morality, citizenship, and political affiliation. Their arousal in the context of political debates encouraged Northerners and Southerners alike to identify with antagonistic sectional communities and to view the conflicts between them as worth fighting over. Michael E. Woods synthesizes two schools of thought on Civil War causation: the fundamentalist, which foregrounds deep-rooted economic, cultural, and political conflict, and the revisionist, which stresses contingency, individual agency, and collective passion"--
    Note: Formerly CIP. - Includes bibliographical references and index
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 96
    Book
    Book
    Athens [u.a] :Univ. of Georgia Press,
    ISBN: 978-0-8203-4526-0
    Language: English
    Pages: XV, 176 S. ; , 23 cm.
    Series Statement: 〈〈The〉〉 new Southern studies
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    Keywords: Civilization ; Study skills ; Amerikanistik. ; Kulturwissenschaften. ; Southern States / Study and teaching ; Southern States / Civilization ; United States / Study and teaching ; United States / Civilization ; Southern States ; United States ; USA ; USA Südstaaten. ; Südstaaten ; Amerikanistik ; Kulturwissenschaften
    Abstract: "The new southern studies has had an uneasy relationship with both American studies and the old southern studies. In Finding Purple America, Jon Smith, one of the founders of the new movement, locates the source of that unease in the fundamentally antimodern fantasies of both older fields. The old southern studies tends to view modernity as a threat to a mystic southern essence--a dangerous outside force taking the form of everything from a "bulldozer revolution" to a "national project of forgetting." Since the rise of the New Americanists, American studies has also imagined itself to be in a permanent crisis mode, seeking to affiliate the field and the national essence with youth countercultures that sixties leftists once imagined to be "the future." Such fantasies, Smith argues, have resulted in an old southern studies that cannot understand places like Birmingham or Atlanta (or cities at all) and an American studies that cannot understand red states. Most Americans live in neither a comforting, premodern Mayberry nor an exciting, postmodern Los Angeles but rather in what postcolonialists call "alternative modernities" and "hybrid cultures" whose relationships to past and future, to stability and change, are complex and ambivalent. Looking at how "the South" has played in global metropolitan pop culture since the nineties and at how southern popular and high culture alike have, in fact, repeatedly embraced urban modernity, Smith masterfully weaves together postcolonial theory, cultural studies, Lacanian psychoanalysis, and, surprisingly, marketing theory to open up the inconveniently in-between purple spaces and places that Americanist and southernist fantasies about "who we are"have so long sought to foreclose."--Publisher's website
    Note: Includes bibliographical references (page 151-164) and index. - What does an American studies scholar want? -- Songs that move hipsters to tears : Johnny Cash and the new melancholy -- German lessons : on getting over a lost supremacy -- Our turn : on Gen X, wearing vintage, and Neko Case -- Ties and a pistol : Faulkner, metropolitan fashion, and "the South" -- Flying without wings : race, civic branding, and identity politics in two twenty-first-century American cities -- In the garden
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  • 97
    ISBN: 9781906615581
    Language: English
    Pages: 349 pages , 22 cm
    Edition: [Revised and updated edition]
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    Keywords: Dream Theater (Musical group) ; Dream Theater (Musical group) ; Dream Theater ; Geschichte ; Rock groups / United States / Biography ; Rock groups ; United States ; USA ; Biografie ; Dream Theater ; Geschichte
    Note: This book covers the band's history from the mid-1980s to today. This updated edition includes the departure of founding drummer Mike Portner and the search for his replacement
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  • 98
    Book
    Book
    New York, NY : Basic Books
    ISBN: 9780465061518 , 9780465061501
    Language: English
    Pages: XXI, 620 S. , Ill.
    DDC: 304.6/63/09
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    Keywords: Genocide ; History ; 20th century ; United States ; Foreign relations ; 20th century
    Note: Includes bibliographical references (S. [583] - 597) and index
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  • 99
    ISBN: 9780195374490 , 0195374495 , 9780190231231
    Language: English
    Pages: 278 S. , Ill. , 24 cm
    Parallel Title: Online-Ausg. Hedstrom, Matthew S. The rise of liberal religion
    DDC: 200.973/0904
    RVK:
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    Keywords: Liberalism (Religion) History 20th century ; Religious literature, American Publishing 20th century ; History ; United States Religion 20th century ; Liberalism (Religion) ; United States ; History ; 20th century ; Religious literature, American ; Publishing ; History ; 20th century ; United States ; Religion ; 1901-1945 ; United States ; Religion ; 1945- ; USA ; Religion ; Liberalismus ; Lesekultur ; Geschichte 1900-1945
    Abstract: Enlarging the faith: books and the marketing of liberal religion in a consumer culture -- Religious book club: middlebrow culture and liberal Protestant seeker spirituality -- Publishing for seekers:Eugene Exman and the religious bestsellers of Harper & Brothers -- Religious reading mobilized: the book programs of World War II -- Inventing interfaith: the wartime reading campaign of the National Conference Of Christians And Jews -- Religious reading in the wake of war: American spirituality in the 1940s
    Description / Table of Contents: Enlarging the faith: books and the marketing of liberal religion in a consumer culture -- Religious book club: middlebrow culture and liberal Protestant seeker spirituality -- Publishing for seekers:Eugene Exman and the religious bestsellers of Harper & Brothers -- Religious reading mobilized: the book programs of World War II -- Inventing interfaith: the wartime reading campaign of the National Conference Of Christians And Jews -- Religious reading in the wake of war: American spirituality in the 1940s.
    Note: Includes bibliographical references (p. 231-262) and index
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  • 100
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press | Berlin : Knowledge Unlatched
    ISBN: 9780748669943
    Language: English
    Pages: 1 Online-Ressource (xii, 229 Seiten)
    Parallel Title: Erscheint auch als Kabir, Nahid Afrose Young American Muslims
    DDC: 305.6970973
    RVK:
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    Keywords: Muslims Ethnic identity ; Muslim youth Ethnic identity ; Muslims Attitudes ; Muslim youth Attitudes ; Muslims ; United States ; Ethnic identity ; Muslim youth ; United States ; Ethnic identity ; Muslims ; United States ; Attitudes ; Muslim youth ; United States ; Attitudes ; USA ; Muslim ; Jugend ; Identität
    Abstract: "This book presents a journey into the ideas, outlooks and identity of young Muslims in America today. Based on around 400 in-depth interviews with young Muslims from Florida, Maryland, Massachusetts, Michigan, New York and Virginia, all the richness and nuance of these minority voices can be heard. Many young Americans cherish an American dream, 'that all men are created equal'. And the election of America's first black President in 2008 has shown that America has moved forward. Yet since 9/11 Muslim Americans have faced renewed challenges, with their loyalty and sense of belonging being questioned."--Publisher's website
    Abstract: Introduction : my journey and the 'Muslim question'Identity matters -- The culture debate -- What does it take to be an American? -- Reflections on the American media -- Barack Hussein Obama and young Muslims' political awareness -- The Palestinian question -- From here to where?
    Note: Bibliografie: Seite 221-224, Index: Seite 225-229
    URL: Volltext  (kostenfrei)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (kostenfrei)
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