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  • English  (53)
  • 2020-2024  (53)
  • History  (31)
  • China  (22)
  • Art History  (53)
Material
Language
Year
  • 1
    Book
    Book
    Locust Valley, NY : Augustin Publ.
    Show associated volumes/articles
    Language: English
    Pages: 32 cm
    Series Statement: Artibus Asiae 25
    Series Statement: Suppl.
    DDC: 709/.591
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    Keywords: Art ; Burma ; Pagan ; Pagan (Burma) ; History ; Pagan ; Kunst
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  • 2
    Book
    Book
    Wien [u.a.] : Springer
    ISBN: 3211830308
    Language: English
    Uniform Title: Zhongguo-gujianzhu-daxi 〈engl.〉
    Uniform Title: Zhong guo gu jian zhu da xi
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    Keywords: China ; Architektur
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  • 3
    Language: English
    Pages: 1284 S. , Ill. , 29 cm
    DDC: 709
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    Keywords: Art, Chinese 20th century ; Art, Chinese Western style ; China ; Kunst ; Geschichte 1900-2000
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  • 4
    ISBN: 0856670022
    Language: English
    Pages: 31 cm
    DDC: 759.954
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    Keywords: Miniature painting ; India ; Punjab ; History
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  • 5
    ISBN: 3211830308
    Language: English
    Series Statement: Springer architecture
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    Keywords: Bildband ; China ; Architektur ; Geschichte
    Note: Aus dem Chines. übers
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  • 6
    ISBN: 978-3-11-079851-7 , 3-11-079851-4
    Language: English
    Pages: 291 Seiten : , 120 Illustrationen, 2 Diagramme ; , 24 cm x 17 cm.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: China ; Kunst ; Künstlerin ; Stickerei ; Women art ; Chinese art ; embroidery ; gender studies
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  • 7
    ISBN: 9781478093718
    Language: English
    Pages: 1 Online-Ressource (568 p.)
    Parallel Title: Erscheint auch als Future/present
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    Keywords: Anti-racism History 21st century ; Arts and society History 21st century ; Arts Political aspects 21st century ; History ; ART / American / General ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity.Selected contributors. Dahlak Brathwaite, adrienne maree brown, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu
    Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English
    URL: Cover  (lizenzpflichtig)
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  • 8
    ISBN: 9781478027256 , 1478027258 , 9781478093718 , 1478093714
    Language: English
    Pages: 1 online resource (554 pages) , illustrations
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Future/present
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 9
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
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    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 10
    Online Resource
    Online Resource
    Singapore : Springer Nature Singapore | Singapore : Imprint: Palgrave Macmillan
    ISBN: 9789819921812
    Language: English
    Pages: 1 Online-Ressource(XX, 241 p. 91 illus., 85 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Contemporary East Asian Visual Cultures, Societies and Politics
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.095
    RVK:
    Keywords: Ethnology ; Culture. ; China ; Motion pictures.
    Abstract: Chapter One: Chinese visual culture: Interpretations of Chinese Art and Design visual metaphors that shape social, political and historical narratives -- Chapter Two: Modernity and Contemporaneity: Methodological and Theoretical Framework: Plausible Transcultural Readings -- Chapter Three: Multimodal visual forms -- Chapter Four: Visual Culture in a Diasporic World Online Visual Forms, New Symbolism and Analysis -- Chapter 5: Digital visuality is the mirror of cultural milieu.
    Abstract: This book explores the impact of global change in China in what is considered in the West as ‘the Asian century’ and what this in turn means for visual culture. Unravelling a deep understanding of historical shifts in visual culture that represent socio-political mirrors of culture, it expands the Western perception of Chinese visual culture and the intertwined complexities of cultural signification. This book provides a key resource for Galleries and Academic Institutions, offering insights into understanding the systems underpinning ideas, skills and influences of the new visual culture in the Asian century. Justine Poplin PhD is an academic and researcher of Visual Culture; Adjunct Research Fellow to the University of NSW Judith Neilson Chair, Sydney Australia. Her ongoing research examines symbolism and the new epoch of online & offline representations in the Digital Age on which has published, presented and exhibited in Australia, China, Paris, Istanbul and London. Dr Poplin has received grants and awards including an Australian Postgraduate Award, City of Yarra Project Grant Australia and a Red Gate Gallery Artist Resident in Beijing China. .
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    ISBN: 9783110711752 , 3110711753
    Language: English
    Pages: 292 Seiten , 152 Illustrationen , 24 cm x 17 cm, 949 g
    Edition: 1. Auflage
    Series Statement: Arts du verre / Glass Art / Glaskunst 1
    Parallel Title: Erscheint auch als China and the West
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    Keywords: Geschichte ; Kulturaustausch ; Hinterglasmalerei ; China ; Westliche Welt ; Hinterglasmalerei ; China / Kunst ; Kulturaustausch ; reverse glass painting, China/art, cultural exchange ; Aufsatzsammlung ; Konferenzschrift 2020 ; China ; Hinterglasmalerei ; Westliche Welt ; China ; Hinterglasmalerei ; Geschichte ; Westliche Welt ; Kulturaustausch
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  • 12
    ISBN: 9780774890649
    Language: English
    Pages: 255 Seiten , Illustrationen , 28 cm
    DDC: 704.03/96071
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    Keywords: Art, Black ; Artists, Black History ; Black people History ; Art museums Curatorship ; Social aspects ; Art noir - Canada ; Artistes noirs - Canada - Histoire ; Personnes noires - Canada - Histoire ; Musées d'art - Conservation - Aspect social - Canada ; Art, Black ; Artists, Black ; Black people ; History ; Canada ; Canada History ; Aufsatzsammlung ; Canada History ; Aufsatzsammlung ; Kanada ; Kunst ; Künstler ; Person of Color ; Geschichte 2000- ; Kanada ; Schwarze ; Kunst ; Schwarzenbild ; Museum ; Kulturelle Einrichtung ; Kunstgeschichtsschreibung ; Geschichte
    Abstract: "Making History is an unprecedented reflection on the positioning of Black history and art within the Canadian cultural landscape. Featuring boundary-breaking artists and others from the art world, Making History brings together poems, artist statements, and art portfolios that showcase a careful and thoughtful understanding of Black aesthetics. This beautifully illustrated book also discusses the presence of Black contemporary art in Canadian institutions and offers artistic perspectives on contemporary and historical art practices. The many voices and points of view within this publication present ideas that corroborate the state of cultural emergency in which we are living, where museums are rethinking and rewriting the stories of their collections. The book explores alternate ways of approaching the relationship between institutions, artists, and audiences, emphasizing the significance of collaboration, resisting hierarchical and hegemonic curatorial practices, and making room for multiple perspectives to bring about transformative change. Through powerful essays and striking visual art, Making History highlights the dynamism and complexity of African and diasporic experiences seen through the lens of museological interventions and artistic practices at large."--
    Note: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /
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  • 13
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    New Haven : Yale University Press
    ISBN: 9780300259247
    Language: English
    Pages: xvii, 517 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    DDC: 306.094309045
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    Keywords: 20. Jahrhundert (1900 bis 1999 n. Chr.) ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HISTORY / Europe / Germany ; HISTORY / Modern / 20th Century ; HISTORY / Social History ; History ; Sozial- und Kulturgeschichte ; Deutschland ; Westdeutschland ; Sozialgeschichte ; Kultur ; Geschichte 1900-1999 ; Westdeutschland ; Künste ; Gesellschaft ; Geschichte 1945-1990
    Abstract: "After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period's progressive ideals. In this moment of cultural stasis, how could West Germany's artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen's innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past - and eventually allow democracy to reemerge"--
    Abstract: A wide-ranging, insightful history of culture in West Germany-from literature, film, and music to theater and the visual arts
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 14
    ISBN: 9781789387742 , 1789387744
    Language: English
    Pages: xv, 164 Seiten , Illustrationen , 21 cm
    Parallel Title: Erscheint auch als
    DDC: 700.103
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    Keywords: Homosexuality and the arts History ; Art and social action History ; Gay liberation movement History ; Gay artists Political activity ; History ; Großbritannien ; Kunsthandwerk ; LGBT ; Geschichte 2015-
    Note: Includes bibliographical references and index
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  • 15
    ISBN: 9780262045001
    Language: English
    Pages: xiv, 262 Seiten , Illustrationen
    Series Statement: Leonardo
    Parallel Title: Erscheint auch als Century, Michael Northern sparks
    DDC: 302.23/10971
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    Keywords: Technological innovations History 20th century ; Digital media History 20th century ; Technology Government policy 20th century ; History ; Technology and the arts History 20th century ; Kanada ; Medienkunst ; Geschichte 1967-
    Abstract: An episode of light : Canada from 1967-92 -- Norman McLaren and proto-computationality -- Hunger/la faim : when the Canadian computer had a hand and the American, an eye -- Calculated motions : gesture and expression at the interface -- Tuning, tundra, and treasure : Canada's expanded musicality -- Two faces of cultural networking -- Contesting a "new medium" : virtual reality as cultural probe -- Après le déluge : periodizing Canada's episode of light.
    Abstract: "Northern Sparks explores modern Canadian innovation in media arts and technology since 1967, focusing on the intersection of art, science, technology, and policy"--
    Note: Includes bibliographical references and index
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  • 16
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226793016 , 9780226793153
    Language: English
    Pages: 275 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Probst, Peter What is African art?
    Parallel Title: Erscheint auch als Probst, Peter What is African art?
    DDC: 709.6
    RVK:
    Keywords: Art, African Study and teaching ; History ; Art, African Historiography ; Afrika ; Kunst ; Kolonialismus ; Postkolonialismus ; Geschichte
    Abstract: "What do we have in mind when we talk about African art? This book examines the shifting answers to that question. Fluidly written, it is the first book to explore the full historical arc of the invention and development of the category of "African art" and the academic field of African art history. It is meant to be an accessible guide through the history of the field, showing us how it started and has changed from its contested beginnings until today. Peter Probst helps the reader understand how Africanists have continuously filled the notion of African art with new meanings and why these shifts manifest wider societal transformations. The book covers three key stages in the field's history, starting with the late nineteenth through mid-twentieth century. Here Probst focuses on museums, processes of collecting, photography's role in disseminating visual culture, and how early anthropologists and art historians-and artists-imbued collected objects with values that spoke to scientific debates about the evolution and diffusion of culture prominent at the time. Probst then explores the rise of Black Atlantic studies in the 1970s and 1980s, when African art history fell under the gaze of African American critique and saw an explosion of interest in contemporary African art. Finally, he examines the postcolonial reconfiguration of the field driven by questions of heritage, reparation, and the "crisis of representation." Probst believes that if the study of African art is to move in productive new directions, we must look to how the field is evolving in Africa for new models of inquiry"--
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  • 17
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    Princeton : Princeton University Press
    ISBN: 9780691231013 , 069123101X
    Language: English
    Pages: 337 Seiten , Illustrationen
    Series Statement: The A.W. Mellon lectures in the fine arts volume 68
    Series Statement: Bollingen series 35, volume 68
    Series Statement: The A. W. Mellon lectures in the fine arts
    Series Statement: Bollingen series
    Parallel Title: Erscheint auch als Wu, Hung, 1945 - Chinese art and dynastic time
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    Keywords: China ; Kunst ; Zeit ; Politik ; Religion ; Geschichte 3000 v. Chr -1999 ; China ; Dynastie ; Kunst ; Kunstgeschichtsschreibung ; Geschichte
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  • 18
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    London : Thames and Hudson
    ISBN: 9780500024621 , 0500024626
    Language: English
    Pages: 303 Seiten , 25 cm
    DDC: 700.8996041
    RVK:
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    Keywords: Arts, Black Exhibitions 21st century ; Arts, Black ; History ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Afrikaner ; Fotografie ; Malerei ; Videokunst ; Plastik ; Mixed media ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Note: Titelblattrückseite: This book was published on the occasion of the exhibition In the Black Fantastic" at the Hayward Gallery, London (29 June-18 September 2022) , Includes bibliographical references, filmography, discography and index
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  • 19
    ISBN: 1734248513 , 9781734248517
    Language: English
    Pages: 269 Seiten , 27 cm
    Edition: First edition
    RVK:
    Keywords: Taylor, Breonna Exhibitions ; Racism Exhibitions History 21st century ; Social movements in art Exhibitions ; African Americans Exhibitions Social conditions 21st century ; African American artists Exhibitions ; African American artists ; African Americans ; Social conditions ; Race relations ; Racism ; Social movements in art ; Exhibition catalogs ; Exhibition catalogs ; Louisville (Ky.) Exhibitions Race relations 21st century ; History ; Kentucky ; Louisville ; United States ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Kentucky ; Kunst ; Rassismus ; Protestbewegung ; Geschichte 2020- ; Louisville, Ky. ; Rassismus ; Polizei ; Gewalttätigkeit ; Schwarze Frau ; Geschichte 2020-2022 ; Rezeption ; Kunst ; Taylor, Breonna 1993-2020
    Abstract: The New York Times called the Speed Art Museum's Promise, Witness, Remembrance--centered around artist Amy Sherald's portrait of Breonna Taylor and originally commissioned by Ta-Nehisi Coates for the cover of Vanity Fair magazine--one of the best art exhibitions of 2021. In the words of critic Holland Cotter, "the show was assembled in four months--warp speed in museum-time--and created a prototype for institutional responses to history-as-it's-happening." This breathtaking book documents not just the 32 works featured in the exhibition, but also the process by which the Speed used this opportunity to memorialize the life of Breonna Taylor, who was killed by Louisville police in March 2020, and to serve its community through art, featuring real-time quotations from Curator Allison Glenn, Community Engagement Strategist Toya Northington, Director Stephen Reily, Tamika Palmer (Breonna Taylor's mother), artist Amy Sherald, and others. With 200 photos, featuring work by 22 Black artists, including Sam Gilliam, Lorna Simpson, Kerry James Marshall, Hank Willis Thomas, and Theaster Gates, Promise, Witness, Remembrance is a vital addition to the canon of Black American art
    Note: Titelblattrückseite: Published to document the exhibition "Promise, Witness, Remembrance", organized by the Speed Art Museum in Louisville, Kentucky, on view from April 7 to June 13, 2021 , Includes bibliographical references
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  • 20
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    London : Ridinghouse
    ISBN: 1909932698 , 9781909932692
    Language: English
    Pages: 253 Seiten , Illustrationen , 23 cm
    DDC: 306.76094237
    RVK:
    Keywords: Sexual minorities History ; Arts History ; Arts ; Manners and customs ; Sexual minorities ; History ; St. Ives (Cornwall, England) Social life and customs ; St. Ives (Cornwall, England) History ; England ; St. Ives (Cornwall) ; Saint Ives ; Kunst ; LGBT ; Geschichte 1945-1980
    Abstract: This first ever queer history of St Ives weaves together biography with art and social history to shine new light on a pivotal era in the development of British modernism. At its centre is the sculptor John Milne (1931-1978), who arrived in the town in 1952 to work as an assistant to Barbara Hepworth.0Hidden behind 20-foot-high granite walls, Milne's house, Trewyn, became a meeting point for queer figures from the arts as well as the scene of legendary parties. The large cast - both queer and otherwise - featured in Queer St Ives and Other Stories includes artists Francis Bacon, Alan Lowndes, Marlow Moss, Patrick Procktor, Mark Tobey, Keith Vaughan and Brian Wall; Whitechapel Art Gallery director Bryan Robertson; actors Keith Barron and Richard Wattis; potter Janet Leach; and writers Tony Warren and Richard Blake Brown. There is also the extraordinary Julian Nixon, a queer Everyman whose involvement in the group has been little explored until now.0Based on original interviews and previously unpublished letters and diaries, Queer St Ives and Other Stories reveals a fascinating, previously undocumented history, adding vital new insights into the history of this fabled Cornish art colony. Publication supported by the Paul Mellon Centre
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  • 21
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    Petersberg, Kr Fulda : Michael Imhof Verlag
    ISBN: 9783731912521 , 373191252X
    Language: English
    Pages: 176 Seiten , 30 cm x 23 cm
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    Keywords: Eidgenössische Technische Hochschule Zürich ; Geschichte 1689-1900 ; Farbholzschnitt ; China ; Japan ; Farbholzschnitte ; japanisch ; chinesisch ; Ostasiatika ; ETH Zürich ; Ausstellungskatalog Graphische Sammlung ETH Zürich 17.08.2022-13.11.2022 ; Bildband ; Japan ; China ; Farbholzschnitt ; Geschichte 1689-1900 ; Eidgenössische Technische Hochschule Zürich Graphische Sammlung
    Note: This catalog is published in conjunction with the exhibition "Lines from East Asia. Japanese and Chinese art on paper", August 17 - November 13, 2022, Graphische Sammlung ETH Zürich
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  • 22
    ISBN: 9789887470748
    Language: English , Chinese
    Pages: 194 Seiten
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    Keywords: Hinterglasmalerei ; China ; Bildband ; Ausstellungskatalog University Museum and Art Gallery 24.09.2021-30.01.2022 ; Hinterglasmalerei ; China
    Note: Aus dem Impressum: "Published for the exhibition 'Reflected beauty: Chinese reverse glass paintings from the Mei Lin collection' at the University Museum and Art Gallery, The University of Hong Kong, 24 September 2021-30 January 2022." , Text englisch und chinesisch
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  • 23
    ISBN: 9788070367261
    Language: Czech , English
    Pages: 229 Seiten , Illustrationen , 30 cm
    Series Statement: Editio monographica Musei Nationalis Pragae Band 31
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    Keywords: Malerei ; Traditionale Kultur ; Tracht ; China ; China ; Traditionale Kultur ; Malerei ; Tracht
    Note: Text parallel auf Tschechisch und Englisch
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  • 24
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    Colombo, Sri Lanka : Ceylon Baithulmal Fund Publication
    ISBN: 9786246210007
    Language: English
    Pages: 71 Seiten , Illustrationen , 30 x 43 cm
    Edition: First edition
    DDC: 726.2095493
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    Keywords: Mosques History ; Mosques Pictorial works History ; Mosques History ; Mosques Pictorial works History ; Mosques ; History ; Pictorial works ; Mosques ; History ; Pictorial works ; Sri Lanka ; Sri Lanka ; Bildband ; Sri Lanka ; Moschee
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  • 25
    ISBN: 9789887470748 , 9887470740
    Language: Chinese , English
    Pages: 194 Seiten
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    Keywords: Ausstellungskatalog University Museum and Art Gallery 24.09.2021-30.01.2022 ; Bildband ; Hinterglasmalerei ; China
    Note: Impressum: Published for the exhibition Reflected Beauty: Chinese reverse glass paintings from the Mei Lin Collection at the University Museum and Art Gallery, The University of Hong Kong
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  • 26
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    University Park, Pennsylvania : The Pennsylvania State University Press
    ISBN: 9780271092188
    Language: English
    Pages: xvii, 245 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Fromont, Cécile, 1980 - Images on a mission in early modern Kongo and Angola
    DDC: 255/.36096751/1401
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    Keywords: Capuchins Missions 17th century ; History ; Capuchins Missions 18th century ; History ; Capuchins Missions 17th century ; History ; Capuchins Missions 18th century ; History ; Capuchin art 17th century ; Capuchin art 18th century ; Capuchin art 17th century ; Capuchin art 18th century ; Kapuziner ; Angola ; Republik Kongo ; Italiener ; Christianisierung ; Mission ; Kunst ; Kulturaustausch ; Geschichte 1600-1800 ; Italien ; Westafrika ; Mönch ; Missionar ; Malerei ; Arbeiten auf Papier ; Geschichte 1600-1800
    Abstract: "Presents and analyzes a set of unpublished images from seventeenth- and eighteenth-century Kongo and Angola created within the Capuchin Franciscan mission to the region"--
    Note: Includes bibliographical references and index
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  • 27
    ISBN: 9781350140127 , 1350140120
    Language: English
    Pages: xxx, 238 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
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    Keywords: Kunstmuseum ; Feldforschung ; Kunstbetrieb ; Lima ; Art, Peruvian / Peru / Lima / 21st century ; Art and society / Peru / Lima / History / 21st century ; Art and globalization / Peru / Lima / History / 21st century ; Lima (Peru) / Intellectual life ; Art and globalization ; Art and society ; Art, Peruvian ; Intellectual life ; Peru / Lima ; 2000-2099 ; History ; Lima ; Kunstbetrieb ; Kunstmuseum ; Feldforschung
    Abstract: "This book examines the contemporary art world in Latin America from an anthropological and historical perspective, and recognises the recent reconfiguration of Lima's art scene. Giuliana Borea traces the practices of artists, curators, collectors, art dealers and museums in order to identify three key moments in this reconfiguration of contemporary art in Lima: artistic explorations and new curatorial narratives; museum reinforcement and the strengthening of Latin American art networks; and of the rise of the art market. In so doing, Borea highlights the different actors that come into play in activating and de-activating, directions and imaginations. The book exposes the practices of the local, global, indigeneity and politics in the arts, and reveals that the strengthening of the Lima art scene has fostered the expansion of dominant art views and formats mobilized by transnational elite actors. Featuring analytical chapters interspersed with personal stories, Borea's book presents an in-depth analysis of a specific art scene to open up a new way of understanding contemporary art practices in relation to globalization"--
    Description / Table of Contents: Triggering change : Lima Biennial and the social re-engagement of art -- Democratic effervescence : the renewal of Lima and artists' experimentations -- Enlarging the contemporary : the rise of the curator and indigenous artists -- Reinforcement of the museum : debates and institutional articulations -- Networking Latin America : transnational actors and the new role of art collectors -- The celebration of culture : creative Lima and the growth of the art market
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  • 28
    ISBN: 9781909492783
    Language: English
    Pages: xii, 146 Seiten , Illustrationen
    DDC: 759.951
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    Keywords: Painting, Chinese Expertising ; Pigments ; Aufsatzsammlung ; China ; Malerei ; Pigment
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  • 29
    ISBN: 9788194013105 , 8194013100
    Language: English
    Pages: 48 Seiten , Illustrationen, Karten , 22 cm
    DDC: 954.79
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    Keywords: Guidebooks ; History ; Ajanta Caves (India) History ; Ajanta Caves (India) Guidebooks ; India ; Ajanta Caves ; Führer
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  • 30
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    New Delhi : Lustre Press | New Delhi : Roli books
    ISBN: 9788194969174 , 8194969174
    Language: English
    Pages: 279 Seiten , Illustrationen , 27 cm
    DDC: 745.0954
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    Keywords: Art objects History ; Art, Indic ; Art, Indic ; Art objects ; Civilization ; History ; India Civilization ; India ; Indien ; Kunstwerk
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  • 31
    ISBN: 9781788841382 , 1788841387
    Language: English
    Pages: 383 Seiten , 33 cm
    DDC: 726.14409548
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    Keywords: Jaina temples ; Hindu temples ; Jaina architecture History To 1500 ; Hindu architecture History To 1500 ; Hindu architecture ; Hindu temples ; Jaina architecture ; Jaina temples ; History ; India ; Deccan ; Bildband ; Dekhan ; Hinduismus ; Jainismus ; Tempel ; Architektur ; Geschichte 600-1299
    Note: Enthält Bibliografie und Index
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  • 32
    ISBN: 9781527287624
    Language: English
    Pages: 336 Seiten
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    Keywords: Bildband ; Ausstellungskatalog Oriental Ceramic Society at the Brunei Gallery, SOAS University of London 15.10.2021-11.12.2021 ; Oriental Ceramic Society ; Geschichte 1921-2021 ; Asien ; Keramik ; Geschichte ; China ; Keramik ; Oriental Ceramic Society ; Geschichte 1921-2021
    Note: "Published by the Oriental Ceramic Society to accompany the exhibition Collectors, Curators, Connoisseurs: A Century of the Oriental Ceramic Society ..." - Rückseite der Titelseite , Titelblatt: Collectors, curators, connoisseurs, catalogue of an exhibition of the Oriental Ceramic Society at the Brunei Gallery, SOAS University of London 15th october-11th December 2021
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  • 33
    ISBN: 9783897906310 , 3897906317
    Language: English
    Pages: 303 Seiten , Illustrationen, Karten , 29 cm x 24 cm
    DDC: 730.931
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    Keywords: China ; Kleinplastik ; Geschichte 5000 v. Chr.-1424
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  • 34
    ISBN: 9781787331785
    Language: English
    Pages: 406 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 306.09410904
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    Keywords: Bewohner ; Alltag ; Herrenhaus ; Instandhaltung ; Großbritannien ; Historic buildings / Great Britain / History / 20th century ; Aristocracy (Social class) / Dwellings / Great Britain / History / 20th century ; Country life / Great Britain / History / 20th century ; Great Britain / Social conditions / 1945- ; Country life ; Historic buildings ; Social conditions ; Great Britain ; Since 1900 ; History ; Großbritannien ; Herrenhaus ; Bewohner ; Alltag ; Instandhaltung
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  • 35
    ISBN: 0847869016 , 9780847869015
    Language: English
    Pages: 352 Seiten , 33 cm
    DDC: 051
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    Keywords: Ebony (Chicago, Ill.) History ; Ebony (Chicago, Ill.) ; African American journalists ; African Americans Social life and customs ; History ; African American journalists ; African Americans ; Social life and customs ; History ; Periodicals ; United States Periodicals ; United States ; Bildband ; Ebony ; Titelseite ; Person of Color ; Geschichte 1945-2020
    Abstract: Ebony / Lavaille Lavette -- Civil rights and social justice / Common -- Love and family / Dwayne Wade and Gabrielle Union -- Ebony man / Sean Combs (Diddy) -- Ebony Woman / Kimora Lee Simmons -- Ebony music / Ciara -- Afterword / Venus Williams -- Covers 1945-2020.
    Abstract: "In 1945, Ebony's legendary founder John H. Johnson set out to create a magazine for Black America much like that of the trailblazing Life Magazine, and that he did. For the African American community, Ebony has been a breath of fresh air, speaking on issues and events from the Black perspective, celebrating Black standards of beauty and elevating heroes of Black America--athletes, entertainers, activists, elected officials, or some combination thereof. Ebony: Covering Black America, by Lavaille Lavette, is a celebration of the treasure trove of the magazine's rich history, glamorous covers, groundbreaking cultural impact, and authentic coverage of Black American life from the magazine's inception to the present. Ebony was Black America's social media long before the birth of Facebook, Twitter, and Instagram, says Lavette. Curated by Lavette, this all-out feast of a book is packed with exclusive contributions by a host of celebrities, influencers, and cultural icons, including Common, Gabrielle Union, Dwyane Wade, Sean Combs, Kimora Lee Simmons, Ciara, and Venus Williams. The book also includes more than 600 covers and photographs featuring political forces such as Martin Luther King Jr., Michelle and President Barack Obama, and Congresswoman Barbara Jordan; entertainers such as Diana Ross, Sidney Poitier, Dorothy Dandridge, Oprah Winfrey, and Prince; as well as sports heroes like Serena Williams, Muhammad Ali, Russell Westbrook, and Simone Biles. Lavette has chosen select articles, features, and reportage of note, including Martin Luther King Jr.'s advice column, and Ebony Fashion Fair photo shoots, divided into categories found within the magazine, including Civil Rights & Social Justice, Love & Family, Ebony Men, Ebony Women, and Ebony Music. Unique in the quality of its photographs and contributors and chronicling everything from fashion and food to politics and social change, to sports and entertainment, Ebony: Covering Black America is a monumental milestone in African-American history and culture, and will be a treasured volume for the magazine's legion of loyal readers."--Provided by publisher
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  • 36
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 37
    ISBN: 9780691208190
    Language: English
    Pages: vii, 254 Seiten , Illustrationen, Pläne
    DDC: 745.40973/0904
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    Keywords: Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Decorative arts Marketing ; Power (Social sciences) History 20th century ; USA ; Kunsthandwerk ; Industriedesign ; Künste ; Geschlecht ; Ethnische Gruppe ; Geschichte 1950-1960
    Note: Includes bibliographical references and index
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  • 38
    ISBN: 9780691208190
    Language: English
    Pages: VII, 254 Seiten , Illustrationen, Pläne
    Parallel Title: Erscheint auch als
    DDC: 745.40973/0904
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    Keywords: Geschichte 1950-1959 ; ART / History / General ; Decorative arts Marketing ; Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Power (Social sciences) History 20th century ; Geschlecht ; Design ; Rasse ; Industriedesign ; USA ; USA ; Industriedesign ; Geschichte 1950-1959 ; USA ; Design ; Geschlecht ; Rasse
    Abstract: The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar AmericaIn the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and sleek, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced-and were influenced by-Modern design and shaped its presentation to consumers.Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others. A striking counternarrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture
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  • 39
    ISBN: 9781606066683
    Language: English
    Pages: vii, 191 Seiten , Illustrationen, Karten
    Series Statement: Issues & debates / Getty Research Institute
    Uniform Title: French colonial collections at the Getty Research Institute
    Parallel Title: Erscheint auch als Visualizing empire
    DDC: 325/.34406
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    Keywords: ACHAC Collection (Getty Research Institute) ; Imperialism in popular culture ; Propaganda, French History 19th century ; Propaganda, French History 20th century ; Kolonialismus ; Massenkultur ; Populäre Grafik ; Präsentation ; France Colonies ; History ; France Colonies ; History ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Afrika ; Kolonie ; Propaganda ; Gebrauchsgrafik ; Geschichte 1880-1970
    Abstract: French Colonial Collections at the Getty Research Institute / Frances Terpak -- The History and Future of ACHAC / Pascal Blanchard and Dominic Thomas -- Decolonizing the ACHAC Collection / Patricia Morton -- Fragments of Empire : Ephemera, Representation, and the Dynamics of Colonial Memory / Charles Forsdick -- Intersecting Legacies of bandes dessinées and Belgian Colonial Instruction : Les aventures de Mbumbulu in Nos images (1948-55) / Peter J. Bloom -- French Colonialism : The Rules of the Game / Dominic Thomas -- The Myth of the Sahara / Michelle H. Craig -- Representations of the tirailleurs sénégalais and World War I / David Murphy -- On Posters and Postures : Colonial Enlistment Posters and the Nationalist Imagination in France / Lauren Taylor -- La France et ses colonies : Mapping, Representing, and Visualizing Empire / Steven Nelson.
    Abstract: "The essays in this book analyze aspects of colonialism through investigations into the art, popular literature, material culture, film, and exhibitions that represented, celebrated, or were created for France's colonies across the seas. These studies draw from documents and media-photographs, albums, postcards, maps, posters, advertisements, and children's games-related to the nineteenth- and twentieth-century French Empire"--
    Note: Literaturangaben
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  • 40
    Online Resource
    Online Resource
    Gainesville [und neun weitere] : University Press of Florida
    ISBN: 9780813057637
    Language: English
    Pages: 1 Online-Ressource (xv, 217 Seiten) , Illustrationen, Karten
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Wikinger ; Textilherstellung ; Sachkultur ; Frau ; Nordische Staaten ; Textile fabrics, Viking / Scandinavia / History ; Women weavers / Scandinavia / History ; Textile fabrics / Scandinavia / History ; Vikings / Clothing / Scandinavia ; Women, Viking / History ; Textile fabrics / North Atlantic Region / History ; Textile fabrics ; Textile fabrics, Viking ; Women, Viking ; Women weavers ; North Atlantic Region ; Scandinavia ; History ; Nordische Staaten ; Wikinger ; Frau ; Textilherstellung ; Sachkultur ; Geschichte
    Abstract: "Michèle Hayeur Smith uses Viking textiles as evidence for the little-known work of women in the Norse colonies that expanded from Scandinavia across the North Atlantic in the 9th century AD"--
    Description / Table of Contents: "Cold are the Counsels of Women": Bloodied Warps and Gilded Wefts -- the Engendered Economy of Cloth in the North Atlantic -- Weaving in the Viking Age: Iceland and the North Atlantic Expansion -- Textiles, Weaving, and Currency in Iceland during the Middle Ages -- Textiles in Greenland During the Medieval Period -- Cloth, Currency, Climate Change and Subsistence in Greenland -- Textiles and Trade in the North Atlantic during the Late Middle Ages and Early Modern Period -- The Danish Trade Monopoly in the North Atlantic and the Transformation of Women's Roles in Textile Production
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  • 41
    Book
    Book
    Gainesville (und neun weitere] : University Press of Florida
    ISBN: 9780813066622
    Language: English
    Pages: xv, 217 Seiten , Illustrationen, Karten , 24 cm
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Sachkultur ; Frau ; Wikinger ; Textilherstellung ; Nordische Staaten ; Textile fabrics, Viking / Scandinavia / History ; Women weavers / Scandinavia / History ; Textile fabrics / Scandinavia / History ; Vikings / Clothing / Scandinavia ; Women, Viking / History ; Textile fabrics / North Atlantic Region / History ; Textile fabrics ; Textile fabrics, Viking ; Women, Viking ; Women weavers ; North Atlantic Region ; Scandinavia ; History ; Nordische Staaten ; Wikinger ; Frau ; Textilherstellung ; Sachkultur ; Geschichte
    Abstract: "Michèle Hayeur Smith uses Viking textiles as evidence for the little-known work of women in the Norse colonies that expanded from Scandinavia across the North Atlantic in the 9th century AD"--
    Description / Table of Contents: "Cold are the Counsels of Women": Bloodied Warps and Gilded Wefts -- the Engendered Economy of Cloth in the North Atlantic -- Weaving in the Viking Age: Iceland and the North Atlantic Expansion -- Textiles, Weaving, and Currency in Iceland during the Middle Ages -- Textiles in Greenland During the Medieval Period -- Cloth, Currency, Climate Change and Subsistence in Greenland -- Textiles and Trade in the North Atlantic during the Late Middle Ages and Early Modern Period -- The Danish Trade Monopoly in the North Atlantic and the Transformation of Women's Roles in Textile Production
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  • 42
    ISBN: 9781478000426 , 9781478000563
    Language: English
    Pages: xxvi, 292 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Jarrell, Wadsworth Aikens, 1929- AFRICOBRA
    DDC: 704.9/42
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    Keywords: AFRICOBRA (Group of artists) ; Black Arts movement ; Ethnicity in art ; Art Political aspects 20th century ; History ; Africobra ; Geschichte 1965-1980
    Abstract: "AFRICOBRA (African Commune of Bad Relevant Artists) was a multidisciplinary collective of black artists who created socially conscious art in Chicago during the Black Arts Movement of the 1960's and 1970's. Artists Wadsworth Jarrell, Nelson Stevens, Jae Jarrell, Gerald Williams, and Napoloen Jones-Henderson produced textiles, paintings, sculpture and public art that sought to develop an aesthetic language that resonated with the black community. AFRICOBRA's abstract works convey the rhythmic dynamism of black culture and social life, while the structure of the collective offered a model of artistic practice embedded in the political realities and histories of the community. In this volume, Wadsworth Jarrell, one of the founding members of the AFRICOBRA collective, offers an account of the history of the group and it's founding aesthetic and political principles. The bulk of the manuscript is selected from his archive of materials ranging from exhibition ephemera to photos that show the development of the group's art practice that collectively form a sourcebook history of the group.The sourcebook intersperses documentation of exhibitions, artworks, and the members of the collective in Chicago; documents that outline the aesthetic and political goals of the group written by its members; and writing from Jarrell that narrates the history of the collective from the point of view of its founder. The writing emphasizes the importance of the group's political principles to some of its largest projects, like the Wall of Respect, a public mural in Chicago's Black Belt neighborhood. While work by AFRICOBRA has been shown at the Brooklyn Museum, the Tate, and elsewhere, this will be the first book to present an extensive record of the group's history, practice, and principles. This book will be of interest to our readers in art, African American studies, and cultural studies"--
    Note: Includes bibliographical references and index
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  • 43
    Language: German , English
    Pages: 6 ungezählte Seiten , Illustrationen
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    Keywords: Exportporzellan ; China ; Japan ; China ; Exportporzellan ; Japan ; Exportporzellan
    Note: Text auf Deutsch und Englisch
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  • 44
    ISBN: 9789004414433
    Language: English
    Pages: xii, 356 Seiten , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als Saaler, Sven, 1968 - Men in metal
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    Keywords: Public sculpture Japan ; Bronze sculpture, Japanese ; Collective memory Japan ; History ; Japan ; Bronzestatue ; Öffentlichkeit ; Topografie
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  • 45
    Book
    Book
    Minneapolis : University of Minnesota Press
    ISBN: 9781517909161 , 9781517909154
    Language: English
    Pages: xiii, 241 Seiten, 12 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Wang, Peggy Future history of contemporary Chinese art
    DDC: 700.951/0904
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    Keywords: Zhang, Xiaogang Criticism and interpretation ; Wang, Guangyi Criticism and interpretation ; Sui, Jianguo Criticism and interpretation ; Zhang, Peili Criticism and interpretation ; Lin, Tianmiao Criticism and interpretation ; Art, Chinese 21st century ; Art, Chinese 20th century ; China ; Moderne ; Kunst ; Zhang, Xiaogang 1958- ; Wang, Guangyi 1957- ; Sui, Jianguo 1956- ; Zhang, Peili 1957- ; Lin, Tianmiao 1961- ; Geschichte 1980-
    Abstract: Spaces of Self-Recognition -- Zhang Xiaogang: Bloodline and Belonging -- Wang Guangyi: Pop and the People -- Sui Jianguo: The Matter of Endurance -- Zhang Peili: Dangers of Definition -- Lin Tianmiao: Threads of Resistance.
    Abstract: "A revelatory reclaiming of five iconic Chinese artists and their place in art history"
    Note: Literaturverzeichnis Seite 223 - 234
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  • 46
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    Cambridge, Massachusetts : Harvard University Asia Center | Cambridge, Massachusetts : Harvard University Press
    ISBN: 9780674244450 , 0674244451 , 9780674244443 , 0674244443
    Language: English
    Pages: xv, 317 Seiten , Illustrationen , 26 cm
    Series Statement: Harvard East Asian monographs 430
    Series Statement: Harvard East Asian monographs
    DDC: 759.951
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    Keywords: Landscape painting, Chinese 20th century ; Landscape painting, Chinese Technique ; Landschaftsmalerei ; China ; China ; Freilichtmalerei ; Landschaftsmalerei ; Landschaft ; Geschichte 1910-1964
    Note: Includes bibliographical references (pages 275-303) and index
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  • 47
    Book
    Book
    New Delhi : Dev Publishers & Distributors
    ISBN: 9789387496385
    Language: English
    Pages: xxii, 420 Seiten , Illustrationen
    Series Statement: Leipzig Kucha studies Volume 2
    Series Statement: Leipzig Kucha studies
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    Keywords: China ; Zentralasien ; Sinkiang ; Seidenstraße ; Kuqa ; Buddhistische Kunst ; Felsbild ; Parinirvāna ; Ikonographie
    Note: Literaturverzeichnis: Seite 315-329
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  • 48
    Book
    Book
    New Delhi : Dev Publishers & Distributors
    ISBN: 9789387496262 , 9387496260 , 9789387496255 , 9387496252
    Language: English
    Pages: ix, 238 Seiten , Illustrationen , 29 cm
    Series Statement: Leipzig Kucha studies Volume1
    Series Statement: Leipzig Kucha studies
    Parallel Title: Erscheint auch als Konczak, Ines, 1973 - Essays and Studies in the Art of Kucha
    DDC: 755.9430951
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    Keywords: Buddhist mural painting and decoration ; Buddhist art ; Cave paintings ; Buddhist art ; Buddhist mural painting and decoration ; Cave paintings ; Aufsatzsammlung ; China ; Kuqa ; Buddhistische Kunst ; Felsbild ; Architektur ; China ; Sinkiang ; Seidenstraße ; Kuqa ; Buddhistische Kunst ; Felsbild ; Architektur ; Geschichte 5.-10. Jh.
    Note: Literaturverzeichnis: Seite 163-170
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  • 49
    ISBN: 9781350070387
    Language: English
    Pages: xv, 227 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Stitching the self
    DDC: 746.4
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    Keywords: Needlework History ; Needlework Social aspects ; Expression in art ; Expression in art ; Needlework ; History ; Konferenzschrift 2015 ; Stickerei ; Bildstickerei ; Selbstbild ; Art brut ; Geschichte 1850-2008 ; Geschlechterrolle ; Frau ; Identität
    Note: Includes bibliographical references and index
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  • 50
    ISBN: 9783038601869 , 3038601861
    Language: English
    Pages: 263 Seiten , Pläne , 29 cm x 29 cm
    Additional Information: Rezensiert in Küchler, Johannes, 1940 - [Rezension von: Commerell, Hans-Jürgen; Feireiss, Kristin (Hgg.), Architectural acupuncture as driver for rural revitalization in China, projects by Xu Tiantian, DnA_Beijing] 2021
    DDC: 720
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    Keywords: Bildband ; Songyang ; Ländlicher Raum ; Architektur ; China ; Dorfentwicklung
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  • 51
    ISBN: 9781501344633 , 1501344633
    Language: English
    Pages: xvi, 258 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 23 cm
    Series Statement: Contextualizing art markets
    DDC: 709.034
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    Keywords: Japonism ; Art, Modern Collectors and collecting 19th century ; History ; Women art collectors History 19th century ; Frankreich ; Kunstsammlerin ; Kunsthandel ; Japan ; Kunst ; Geschichte 1853-1914 ; Musée National des Arts Asiatiques Guimet Musée d'Ennery ; Geschichte 1893-1908 ; Ennery, Clémence d' 1823-1898 ; Langweil, Florine 1861-1958 ; Chinoiserie ; Japonismus ; Geschichte 1853-1914
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 52
    ISBN: 9781883124410
    Language: English
    Pages: 283 Seiten , Illustrationen, farbig
    DDC: 759.952
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    Keywords: Cowles, Cheney Exhibitions Art collections ; Cowles, Mary Art collections ; Painting Exhibitions Private collections ; Calligraphy Exhibitions Private collections ; Painting, Japanese Exhibitions ; Calligraphy, Japanese Exhibitions ; Ausstellungskatalog Portland Art Museum 13.10.2018-13.01.2019 ; Japan ; Malerei ; Kalligrafie ; Tuschmalerei ; Keramik ; Lyrik ; Dichtung ; Japan ; China ; Kulturaustausch
    Abstract: Introduction : Finding the poetic in Japanese visual art / Maribeth Graybill -- A history of "poetic vision" in Japan / Joshua S. Mostow -- Calligraphy as visual poetry / Sadako Ohki -- The poet portrayed / Maribeth Graybill -- The lyricism of ink painting / Arata Shimao -- Japanese literati painting and its relationship to Chinese culture / Paul Berry -- Modern visions : early twentieth-century ink painters / Michiyo Morioka -- Appendix : Signatures and seals / Sangah Kim.
    Abstract: "Assembled over the last four decades and still growing, the Mary and Cheney Cowles collection of Japanese art is one of the finest in private hands in North America. What began for Cheney Cowles as an almost casual interest in collecting early Imari ware evolved, over time, into a passion for Japanese paintings and calligraphy. This volume focuses on what the authors found to be a compelling, recurring thread within that variety: a predilection for visual poetry. Occasionally, the text or image will illustrate or allude to a specific verse; more often, the relationship to poetry is more intuitive and rooted in a long-standing pictorial tradition. From the meditative serenity of Soei's White Herons and Reeds (early sixteenth century) to the heartwarming lyricism of Yosa Buson's Visiting a Friend in Plum Valley (1781) or the frenzied energy of Tomioka Tessai's Admiring the Moon from a Grotto (1916), the paintings illustrated in this volume suggest, rather than specify. Like the resonant verses in classical Chinese or Japanese, rich with nuanced layers of signification, the pictorial images invite the viewer's full attention and participation to complete their meaning"--
    Note: "This catalogue was published in conjunction with the exhibition Poetic Imagination in Japanese Art: Selections from the Collection of Mary and Cheney Cowles, organized by the Portland Art Museum, October 13. 2018-January 13, 2019." , Includes bibliographical references and index
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  • 53
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520309623
    Language: English
    Pages: xi, 308 Seiten , Illustrationen
    DDC: 709.51/0904
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    Keywords: Socialist realism in art ; Art, Chinese 20th century ; China ; Kunst ; Zeichnung ; Skizze ; Naturalismus ; Realismus ; Sozialistischer Realismus ; Geschichte 20. Jh.
    Abstract: Within the studio : drawing pedagogy, European-Soviet transnationalism, and academic realism -- Going into life : the anti-academic impulse, social investigation, and the peasant portrait -- A socialist Huang Gongwang : between brushstroke and wash, between brush-and-ink and watercolor sketching -- Going into the construction landscape : sketching labor and panoramas of the Maoist technological sublime -- Going into revolutionary history : military landscape, color, and the Impressionism debates -- Going into the world : the artist as diplomat -- In search of revolutionary romanticism : great famine and the collective landscape of new China.
    Abstract: "Drawing From Life surveys drawings and sketches by seminal twentieth-century painters in order to trace how artists came to conceptualize socialist realism in the formative years of the People's Republic of China (1949-1965). Bringing together divergent approaches to artistic practice through works by Xu Beihong, Wang Shikuo, Li Keran, Li Xiongcai, Dong Xiwen, and Fu Baoshi, this book returns to the creative process to reconstruct artists grappling with the representational politics of an as-yet undefined, nascent socialist art. This book argues that practices of drawing and sketching must be understood as part of--and a metaphorical expression for--the Maoist art world's ambitions to forge new national forms, new registers of experience, new structures of feeling, and new aesthetic communities"--Provided by publisher.
    Note: Includes bibliographical references and index
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