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  • 1
    ISBN: 9783110711752 , 3110711753
    Language: English
    Pages: 292 Seiten , 152 Illustrationen , 24 cm x 17 cm, 949 g
    Edition: 1. Auflage
    Series Statement: Arts du verre / Glass Art / Glaskunst 1
    Parallel Title: Erscheint auch als China and the West
    RVK:
    Keywords: Geschichte ; Kulturaustausch ; Hinterglasmalerei ; China ; Westliche Welt ; Hinterglasmalerei ; China / Kunst ; Kulturaustausch ; reverse glass painting, China/art, cultural exchange ; Aufsatzsammlung ; Konferenzschrift 2020 ; China ; Hinterglasmalerei ; Westliche Welt ; China ; Hinterglasmalerei ; Geschichte ; Westliche Welt ; Kulturaustausch
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  • 2
    Online Resource
    Online Resource
    Bern : Peter Lang GmbH, Internationaler Verlag der Wissenschaften
    ISBN: 9783035109450
    Language: English
    Pages: 1 online resource (231 pages)
    Parallel Title: The myth of the Orient
    Parallel Title: Print version Giese, Francine The Myth of the Orient : Architecture and Ornament in the Age of Orientalism
    DDC: 303.48218210499999
    RVK:
    Keywords: Orientalism ; Orientalism ; Electronic books ; Electronic books ; Architektur ; Ornament ; Orientalismus
    Abstract: This volume presents the latest research on the Selamlik in Oberhofen Castle and on neo-Islamic architecture and ornamentation, with a special focus on Cairo as a privileged model for 19th-century Orientalism.
    Abstract: Cover -- Acknowledgements -- Contents -- The Myth of the Orient -- Bibliography -- Section I: Oriental Visions -- Figuration et fortune artistique des intérieurs du Caire au XIXe siècle -- Maisons chrétiennes, maisons désertées -- Recréer -- Bibliographie -- Les photographies du Caire peintes par Willem de Famars Testas -- Les photographies du Caire du fonds d'Émile Prisse d'Avennes -- Les photographies peintes par Willem de Famars Testas -- De l'utilité des photographies sur l'œuvre de Willem de Famars Testas -- Bibliographie -- Architecture(s) du Caire au prisme des récits de voyageuses germanophones au XIXe siècle -- Bibliographie -- Section II: Architecture - Cairo -- Carl von Diebitsch (1819-1869): Moorish Style as State-of-the-art Architecture in 19th-century Cairo -- Diebitsch's bathroom in Schwerin Palace (1857) as nucleus for his further building contracts in Cairo -- Diebitsch's Moorish House in Berlin (1857): functioning as the architect's own production facility, including his building contracts in Cairo -- Diebisch's building contracts in Cairo (1862-1869) -- Diebitsch's Moorish kiosk at the 1867 Exposition Universelle, specifically designed for the Egyptian viceroy as potential buyer of the exhibition piece -- Bibliography -- Johann Adam Rennebaum and the Architecture of Shepheard's Hotel in Cairo -- State of Research -- Johann Adam Rennebaum, Architect -- The Hotel's Architecture(s) -- Bibliography -- Section III: Architecture - Transmission -- Mamluk Reproductions: Survey and Analysis of Tombs in the Cemetery of Sant'Orsola in Palermo -- Bibliography -- Von Kairo nach Dresden: Zu den islamischen Vorbildern der Tabak- und Cigarettenfabrik Yenidze, ihrer medialen Vermittlung und formalen Adaption -- Der Vorbilder-Pool -- Eklektizistische Willkür vs. wissenschaftlicher Differenzierung -- Auftraggeber und Architekt -- Bibliografie.
    Abstract: Architecture(s) du Caire au prisme des récits de voyageuses germanophones au XIXe siècle -- Bibliographie -- Section II: Architecture - Cairo -- Carl von Diebitsch (1819-1869): Moorish Style as State-of-the-art Architecture in 19th-century Cairo -- Diebitsch's bathroom in Schwerin Palace (1857) as nucleus for his further building contracts in Cairo -- Diebitsch's Moorish House in Berlin (1857): functioning as the architect's own production facility, including his building contracts in Cairo -- Diebisch's building contracts in Cairo (1862-1869)
    Abstract: Diebitsch's Moorish kiosk at the 1867 Exposition Universelle, specifically designed for the Egyptian viceroy as potential buyer of the exhibition piece -- Bibliography -- Johann Adam Rennebaum and the Architecture of Shepheard's Hotel in Cairo -- State of Research -- Johann Adam Rennebaum, Architect -- The Hotel's Architecture(s) -- Bibliography -- Section III: Architecture - Transmission -- Mamluk Reproductions: Survey and Analysis of Tombs in the Cemetery of Sant'Orsola in Palermo -- Bibliography
    Abstract: Von Kairo nach Dresden: Zu den islamischen Vorbildern der Tabak- und Cigarettenfabrik Yenidze, ihrer medialen Vermittlung und formalen Adaption -- Der Vorbilder-Pool -- Eklektizistische Willkür vs. wissenschaftlicher Differenzierung -- Auftraggeber und Architekt -- Bibliografie -- Section IV: Ornament -- Tectonique islamique : un paradigme pour penser l'ornement au XIXe siècle -- Crise -- Tectonique -- Islamicité -- Utopie -- Bibliographie -- Owen Jones and the Oriental Perspective -- Travelling East -- Scrutinizing Islamic Ornament -- The Grammar of Ornament -- Bibliography
    Abstract: La Banque Misr du Caire : Antonio Lasciac, les décorateurs italiens et le « style arabe » -- Œuvre d'art total et travail d'équipe -- Les traits du chef-d'œuvre -- Architecture arabe moderne pour une institution égyptienne -- Bibliographie -- Section V: Selamlik -- The Oberhofen Selamlik - a Cairene manḍara made in Switzerland -- Neo-Islamic smoking rooms in Switzerland -- Albert de Pourtalès - Prussian diplomat and Orient traveller -- European Architects Going East -- Zeerleder in Cairo -- 19th century Illustrations of Cairo's Domestic Architecture -- A Cairene manḍara for Oberhofen Castle
    Abstract: Appendix
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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  • 3
    ISBN: 9783110711776 , 9783110711752
    Language: Undetermined
    Pages: 1 Online-Ressource (292 p.)
    Series Statement: Arts du verre / Glass Art / Glaskunst
    Keywords: History of art & design styles: c 1800 to c 1900 ; History of art & design styles: from c 1900 - ; Art forms ; Stained glass: artworks
    Abstract: For the first time, an edited volume presents a major survey dedicated to Chinese reverse glass painting, tracing its history, its local and global diffusion, and its artistic and technical characteristics. Manufactured for export to Europe as well as for local consumption within China, the fragile artworks constitute a paramount part of Chinese visual culture and attest to the intensive cultural and artistic exchange between China and the West
    Note: English
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