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  • Online Resource  (179)
  • English  (179)
  • Schwarze
  • History  (106)
  • Musicology  (77)
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  • 1
    Online Resource
    Online Resource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231548212
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Leonard Hastings Schoff Lectures
    DDC: 781.650973
    RVK:
    Keywords: Geschichte 1900-2000 ; Schwarze ; Musik ; Jazz ; Modern Jazz ; Kunst ; Literatur ; Collage ; Fiktion ; USA
    Abstract: Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
    URL: Cover
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  • 2
    Online Resource
    Online Resource
    Cambridge ; New York, NY : Cambridge University Press
    ISBN: 9781108991254
    Language: English
    Pages: 1 Online-Ressource (ix, 209 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 305.800945/0904
    RVK:
    Keywords: Geschichte 1945- ; Racially mixed people / Italy / Social conditions / 20th century ; Blacks / Italy / Social conditions / 20th century ; Rassismus ; Interethnische Herkunft ; Ethnische Beziehungen ; Schwarze ; Italy / Race relations / History / 20th century ; Italy / History / 1945- ; Italien ; Italien ; Schwarze ; Interethnische Herkunft ; Ethnische Beziehungen ; Rassismus ; Geschichte 1945-
    Abstract: Focusing on the experiences and representations of the 'brown babies' born at the end of World War Two from the encounters between Black Allied soldiers and Italian women, this book explores the persistence of racial thinking and racism in post-fascist and postcolonial Italy. Through the use of a large variety of historical sources, including personal testimonies and the cinema, Silvana Patriarca illustrates Italian - and also American - responses to what many considered a 'problem'. She sensitively analyses the perceptions of race/color among different actors, such as state and local authorities, Catholic clerics, filmmakers, geneticists, psychologists, and ordinary people, and her book is rich in detail about their impact on the lives of the children. Uncovering the pervasiveness of anti-Black prejudice in the early democratic republic, as well as the presence and limitations of anti-racist sensibilities, Race in Post-Fascist Italy allows us to better understand Italy's conflicted reaction to its growing diversity
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , "Undesirables" : foreigners and women in the postwar -- Little "aliens"? Representing the "mulattini" -- "Not only a question of humanity" : assisting the "mulattini" -- Growing up Black in postwar Italy -- On the American side of the Atlantic -- Under "expert" eyes -- Black Italians on screen : two films of the 1960s -- Interlude. A story from a Calabrian village -- Ancestries and identities
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    ISBN: 9781509552795
    Language: English
    Pages: 1 online resource (386 pages) , Illustrationen, Diagramme, Karten
    Parallel Title: Erscheint auch als Patterson, Orlando, 1940 - The sociology of slavery
    DDC: 306.362097292
    RVK:
    Keywords: Electronic books ; Jamaika ; Schwarze ; Sklave ; Geschichte 1655-1838
    Abstract: Cover -- Half Title -- Dedication -- Copyright -- Contents -- Introduction to the 2022 Edition: Life and Scholarship in the Shadow of Slavery -- Preface -- I The Masters: An Overall View of Slavery -- II The Slave Plantation: Its Socio-Economic Structure -- III The Treatment of the Slaves in Law and Custom -- IV An Analysis of the Slave Population of Jamaica -- V The Tribal Origins of the Jamaican Slaves -- VI The Socialization and Personality Structure of the Slave -- VII Social Institutions of the Slaves: 1 Witchcraft, Sorcery and Religion -- VIII Social Institutions of the Slaves: 2 Economy, Recreation and Control -- IX The Mechanisms of Resistance to Slavery 260 -- X The Cultural and Social Development of Jamaica: 1655-1865 -- Appendix 1: Stephen Fuller's Account of the Number of Negroes imported and exported at Jamaica each year, 1702-1775 -- Appendix 2: Exports from Jamaica, 1768 -- Appendix 3: General Return from the Island of Jamaica, for Fifty-Three Years, ending 31st December 1836, abstracted from the Journals of the House Assembly -- Appendix 4: Output, Income and Expenditure in 1832 -- Appendix 5: Manuscripts and Official Publications Consulted -- Appendix 6: Europeans in West Africa -- Seventeenth to Eighteenth Centuries -- Appendix 7: Africa as known to Europeans in the Mid- Eighteenth Century -- Plate Credits -- Index -- Plates -- End User License Agreement.
    Note: Description based on publisher supplied metadata and other sources
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  • 4
    ISBN: 9780674276130
    Language: English
    Pages: 1 Online-Ressource (321 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Who's black and why?
    DDC: 305.8009409/033
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    Keywords: Académie royale des sciences (France) ; Racism in anthropology History 18th century ; Scientific racism History 18th century ; Black race Color 18th century ; History ; Black race Color 18th century ; Public opinion ; History ; Europeans Attitudes 18th century ; History ; Racism ; Electronic books ; Quelle ; Quelle ; Quelle ; Europa ; Schwarze ; Hautfarbe ; Rassentheorie ; Rassismus ; Geschichte 1739
    Abstract: In 1739 Bordeaux's Royal Academy of Sciences held an essay contest seeking answers to a pressing question: What was the cause of Africans' black skin? Published here for the first time and translated into English, these early documents of scientific racism lay bare the Enlightenment origins of the phantom of racial hierarchy.
    Abstract: Cover -- Title Page -- Copyright -- Dedication -- Contents -- Preface: Who's Black and Why? -- Note on the Translations -- Part I -- Introduction: The 1741 Contest on the "Degeneration" of Black Skin and Hair -- 1. Blackness through the Power of God -- 2. Blackness through the Soul of the Father -- 3. Blackness through the Maternal Imagination -- 4. Blackness as a Moral Defect -- 5. Blackness as a Result of the Torrid Zone -- 6. Blackness as a Result of Divine Providence -- 7. Blackness as a Result of Heat and Humidity -- 8. Blackness as a Reversible Accident -- 9. Blackness as a Result of Hot Air and Darkened Blood -- 10. Blackness as a Result of a Darkened Humor -- 11. Blackness as a Result of Blood Flow -- 12. Blackness as an Extension of Optical Theory -- 13. Blackness as a Result of an Original Sickness -- 14. Blackness Degenerated -- 15. Blackness Classified -- 16. Blackness Dissected -- Part II -- Introduction: The 1772 Contest on "Preserving" Negroes -- 1. A Slave Ship Surgeon on the Crossing -- 2. A Parisian Humanitarian on the Slave Trade -- 3. Louis Alphonse, Bordeaux Apothecary, on the Crossing -- Select Chronology of the Representation of Africans and Race -- Notes -- Acknowledgments -- Credits -- Index.
    Note: Description based on publisher supplied metadata and other sources
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  • 5
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478023500
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Note: Bevorzugte Informationsquelle Ladingpage (Duke), da weder Titelblatt nocht Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
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    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Resling | Berlin : Walter de Gruyter GmbH
    ISBN: 9783110723168
    Language: English
    Pages: 1 Online-Ressource (VI, 273 p.)
    Edition: 2021
    RVK:
    Keywords: Geschichte 1880-1965 ; Juden ; Schwarze ; Unterhaltungsmusik ; Musikwirtschaft ; Amerikanische Musik ; Ethnizität ; Juden ; Musikindustrie ; HISTORY / General ; USA ; African-American ; American Music ; Civil Rights history ; Ethnicity ; Hegemony ; Jews ; Music industry ; New Left ; Old Left ; Semiotics ; WASP
    Abstract: Stairway to Paradise reveals how American Jewish entrepreneurs, musicians, and performers influenced American popular music from the late nineteenth century till the mid-1960s. From blackface minstrelsy, ragtime, blues, jazz, and Broadway musicals, ending with folk and rock 'n' roll. The book follows the writers and artists' real and imaginative relationship with African-American culture's charisma. Stairway to Paradise discusses the artistic and occasionally ideological dialogue that these artists, writers, and entrepreneurs had with African-American artists and culture. Tracing Jewish immigration to the United States and the entry of Jews into the entertainment and cultural industry, the book allocates extensive space to the charged connection between music and politics as reflected in the Jewish-Black Alliance - both in the struggle for social justice and in the music field. It reveals Jewish success in the music industry and the unique and sometimes problematic relationships that characterized this process, as their dominance in this field became a source of blame for exploiting African-American artistic and human capital. Alongside this, the book shows how black-Jewish cooperation, and its fragile alliance, played a role in the hegemonic conflicts involving American culture during the 20th century. Unintentionally, it influenced the process of decline of the influence of the WASP elite during the 1960s. Stairway to Paradise fuses American history and musicology with cultural studies theories. This inter-disciplinary approach regarding race, class, and ethnicity offers an alternative view of more traditional notions regarding understanding American music's evolution.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
    URL: Cover
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  • 8
    Online Resource
    Online Resource
    Ithaca : Cornell University Press
    ISBN: 9781501759857
    Language: English
    Pages: 1 Online-Ressource (368 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.48428
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    Keywords: Geschichte 1870-1990 ; Musicians, Black Germany ; History ; 20th century ; Musicians, Black Austria ; History ; 20th century ; Musicians, Black Germany ; History ; 19th century ; Schwarze ; Musiker ; Österreich ; Deutschland ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
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  • 9
    ISBN: 9781108764971
    Language: English
    Pages: 1 Online-Ressource (xii, 317 Seiten)
    Series Statement: Global and international history
    Parallel Title: Erscheint auch als
    DDC: 305.896017/541
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    Keywords: Geschichte 1900-2000 ; Blacks / Civil rights / French-speaking countries / History / 20th century ; Blacks / Civil rights / United States / History / 20th century ; Bürgerrecht ; Schwarze ; Französisches Sprachgebiet ; USA ; Französisches Sprachgebiet ; USA ; Schwarze ; Bürgerrecht ; Geschichte 1900-2000
    Abstract: Sarah C. Dunstan constructs a narrative of black struggles for rights and citizenship that spans most of the twentieth century, encompassing a wide range of people and movements from France and the United States, the French Caribbean and African colonies. She explores how black scholars and activists grappled with the connections between culture, race and citizenship and access to rights, mapping African American and Francophone black intellectual collaborations from the Paris Peace Conference in 1919 to the March on Washington in 1963. Connecting the independent archives of black activist organizations within America and France with those of international institutions such as the League of Nations, the United Nations and the Comintern, Dunstan situates key black intellectuals in a transnational framework. She reveals how questions of race and nation intersected across national and imperial borders and illuminates the ways in which black intellectuals simultaneously constituted and reconfigured notions of Western civilization
    Note: Title from publisher's bibliographic system (viewed on 08 Mar 2021)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472902446 , 047290244X
    Language: English
    Pages: 1 Online-Ressource (XVII, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.4216213073
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    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content
    URL: Volltext  (kostenfrei)
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  • 11
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197549599
    Language: English
    Pages: 1 Online-Ressource (320 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.629608142
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    Keywords: Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Afrikanischer Einwanderer ; Schwarze ; Musiksoziologie ; Identität ; Musik ; Bahia ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: In 'Africanness in Action', author Juan Diego D iaz examines musicians' agency, constructions of blackness and Africanness, musical structure, performance practices, and rhetoric in Brazil, and provides a model for the study of African-derived music in other diasporic locales
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 12
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496832092
    Language: English
    Pages: 1 Online-Ressource (x, 192 pages) , Illustrations (black and white).
    Series Statement: Mississippi scholarship online
    DDC: 781.6508996073
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    Keywords: Higgins, Billy Criticism and interpretation ; Blanchard, Terence Criticism and interpretation ; Carrington, Terri Lyne Criticism and interpretation ; Akinmusire, Ambrose Criticism and interpretation ; Hill, Andrew Criticism and interpretation ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; African American jazz musicians ; Jazz Political aspects ; USA
    Abstract: This text provides an interpretive framework for understanding how African American creative improvisers think of musical space. Featuring a foreword by eminent scholar Robin D.G. Kelley, this is a critical improvisation studies book that uses Black geographies theory to examine the spatial values of musical expression in the improvisational and compositional practices of trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 13
    Online Resource
    Online Resource
    Manchester : Manchester University Press | Oxford : Oxford University Press
    ISBN: 9781526166685
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: Racism, resistance and social change
    Series Statement: Manchester scholarship online
    DDC: 305.8009730904
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    Keywords: Grenzgebiet ; Hispanos ; Schwarze ; Rassismus ; Ethnische Beziehungen ; Racism History 20th century ; African Americans Social conditions 20th century ; Mexican Americans Social conditions 20th century ; USA ; Mexiko ; United States Race relations 20th century ; History
    Abstract: This work examines key moments of violent social unrest in the twentieth century United States. Investigating the centrality of constructions of gender to American racism, it asks how African and Mexican American men, including those in uniform, responded to the violence of racism, and how their resistance, including their claims to manhood and nation, were understood by law enforcement, politicians, and press.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 14
    ISBN: 9781479849697 , 9781479800360
    Language: English
    Pages: 1 Online-Ressource (247 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
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    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
    ISBN: 9781912685806
    Language: English
    Pages: 1 Online-Ressource (171 Seiten) , Illustrationen
    Series Statement: Sonics series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
    URL: Volltext  (kostenfrei)
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  • 16
    Online Resource
    Online Resource
    Berlin/München/Boston : Walter de Gruyter GmbH | Ann Arbor, Michigan : ProQuest
    ISBN: 9783110748833
    Language: English
    Pages: 1 Online-Ressource (326 pages)
    DDC: 306.3/620943
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    Keywords: Geschichte 1650-1850 ; Sklaverei ; Abolitionismus ; Schwarze ; Soziale Situation ; Deutschland ; Aufsatzsammlung ; Electronic books ; Electronic books.
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  • 17
    ISBN: 9780252052750
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: The new Black studies series
    Series Statement: Illinois scholarship online
    DDC: 305.8960730904
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    Keywords: Geschichte 1900-2016 ; Schwarze ; Geistesleben ; Rassismus ; African Americans Intellectual life 20th century ; African American intellectuals History 20th century ; African Americans Race identity 20th century ; History ; Blacks Race identity 20th century ; History ; Black nationalism History 20th century ; African Americans Social conditions 20th century ; USA ; United States Race relations 20th century ; History ; Aufsatzsammlung
    Abstract: From 1900 to the present, people of African descent living in the United States have drawn on homegrown and diasporic minds to create a Black intellectual tradition engaged with ideas on race, racial oppression, and the world. This volume presents essays on the diverse thought behind the fight for racial justice as developed by African American artists and intellectuals; performers and protest activists; institutions and organizations; and educators and religious leaders. By including both women's and men's perspectives from the U.S. and the Diaspora, the essays explore the full landscape of the Black intellectual tradition.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 18
    Online Resource
    Online Resource
    Durham ; London : Duke University Press
    ISBN: 9781478012962 , 147801296X
    Language: English
    Pages: 1 Online-Ressource (x, 137 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.3/620973
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    Keywords: LITERARY CRITICISM / American / General ; Slavery / History / United States ; Slavery / Sociological aspects / United States ; Slavery in literature ; Slavery History ; Slavery Sociological aspects ; Schwarze ; Sklaverei ; Kreativität ; Psychische Verarbeitung ; Schwarze ; Sklaverei ; Psychische Verarbeitung ; Kreativität
    Abstract: In Counterlife Christopher Freeburg poses a question to contemporary studies of slavery and its aftereffects: what if freedom, agency, and domination weren't the overarching terms used for thinking about Black life? In pursuit of this question, Freeburg submits that current scholarship is too preoccupied with demonstrating enslaved Africans' acts of political resistance, and instead he considers Black social life beyond such concepts. He examines a rich array of cultural texts that depict slavery-from works by Frederick Douglass, Radcliffe Bailey, and Edward Jones to spirituals, the television cartoon The Boondocks, and Quentin Tarantino's Django Unchained-to show how enslaved Africans created meaning through artistic creativity, religious practice, and historical awareness both separate from and alongside concerns about freedom. By arguing for the impossibility of tracing slave subjects solely through their pursuits of freedom, Freeburg reminds readers of the arresting power and beauty that the enigmas of Black social life contain
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    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 19
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226653174
    Language: English
    Pages: 1 Online-Ressource (272 pages) , Illustrations (black and white).
    Series Statement: Chicago scholarship online
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    Keywords: Soulmusiker ; Soul ; Schwarze ; Soul music History and criticism ; Soul music Social aspects ; Soul music Political aspects ; Soul musicians ; African Americans Music ; History and criticism ; Chicago, Ill.
    Abstract: Chicago's place in the history of soul music is rock solid. But for Chicagoans, soul music in its heyday from the 1960s to the 1980s was more than just a series of hits: it was a marker and a source of black empowerment. In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Together, soul music and black-owned businesses thrived. Record producers and song-writers broadcast optimism for black America's future through their sophisticated, jazz-inspired productions for the Dells and many others. Curtis Mayfield boldly sang of uplift with unmistakable grooves like 'We're a Winner' and 'I Plan to Stay a Believer.' Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness.
    Note: Previously issued in print: 2019 , Includes bibliographical references and index
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  • 20
    Online Resource
    Online Resource
    Manchester : Manchester University Press
    ISBN: 9781526131249
    Language: English
    Pages: 1 Online-Ressource (296 pages)
    Parallel Title: Erscheint auch als Melville, Caspar It's a London thing : how rare groove, acid house and jungle remapped the city
    DDC: 780.94109034
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    Keywords: Geschichte 1995-2020 ; Music Social aspects 19th century ; History ; Musikleben ; Sozialer Wandel ; Schwarze ; London ; London ; Schwarze ; Musikleben ; Sozialer Wandel ; Geschichte 1995-2020
    Note: Description based on print version record
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  • 21
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012771 , 1478012773
    Language: English
    Pages: 1 Online-Ressource (xiv, 392 pages) , illustrations
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als
    DDC: 782.421660820973
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    Keywords: Geschichte 1950-1990 ; African American women rock musicians / History / 20th century / United States ; Rock music / Social aspects ; Music and race ; Rockmusikerin ; Schwarze ; Ethnische Identität ; Geschlechterrolle ; USA ; USA ; Rockmusikerin ; Schwarze ; Geschlechterrolle ; Ethnische Identität ; Geschichte 1950-1990
    Abstract: Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 22
    Online Resource
    Online Resource
    Manchester : Manchester University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781526131249
    Language: English
    Pages: 1 Online-Ressource (296 pages)
    Series Statement: Music and Society Ser.
    DDC: 781.64089960421
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    Keywords: Schwarze ; Musikleben ; Sozialer Wandel ; London
    Abstract: This book tells the history of the London black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London's precious, embattled multiculture.
    Note: Description based on publisher supplied metadata and other sources
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  • 23
    ISBN: 9781108539654
    Language: English
    Pages: 1 Online-Ressource (ix, 246 pages)
    Series Statement: Cambridge studies in stratification economics : economics and social identity
    DDC: 306.85/0899607307620904
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    Keywords: Schwarze ; Familie ; Mittelstand ; Rassendiskriminierung ; Religiöse Erziehung ; Staat Mississippi
    Abstract: Kings of Mississippi examines how a twentieth-century black middle-class family navigated life in rural Mississippi. The book introduces seven generations of a farming family and provides an organic examination of how the family experienced life and economic challenges as one of few middle-class black families living and working alongside the many struggling black and white sharecroppers and farmers in Gallman, Mississippi. Family narratives and census data across time and a socio-ecological lens help assess how race, religion, education, and key employment options influenced economic and non-economic outcomes. Family voices explain how intangible beliefs fueled socioeconomic outcomes despite racial, gender, and economic stratification. The book also examines the effects of stratification changes across time, including: post-migration; inter- and intra-racial conflicts and compromises; and, strategic decisions and outcomes. The book provides an unexpected glimpse at how a family's ethos can foster upward mobility into the middle-class.
    Note: Title from publisher's bibliographic system (viewed on 13 Mar 2019)
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  • 24
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469646510
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
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    Keywords: Broonzy, Big Bill ; Broonzy, Bill ; Schwarze ; Blues ; Ethnische Identität ; African American musicians Biography ; Blues musicians Biography ; Blues (Music) History and criticism ; Amerika ; Hochschulschrift
    Abstract: Over the course of his long career, legendary bluesman William 'Big Bill' Broonzy (1893-1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the north, to its eventual international acclaim. Through Broonzy's life and times, Kevin D. Greene assesses major themes and events in African American history.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 25
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226601038
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago scholarship online
    DDC: 305.800975667
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    Keywords: Schwarze ; Hispanos ; Ethnische Identität ; Ethnische Beziehungen ; Latin Americans ; African Americans ; Winston-Salem, NC ; Winston-Salem (N Race relations ; Winston-Salem (N Emigration and immigration
    Abstract: Studies of immigration to the United States have traditionally focused on a few key states and urban centers, but recent shifts in nonwhite settlement mean that these studies no longer paint the whole picture. Many Latinx newcomers are flocking to places like the Southeast, where traditionally few such immigrants have settled, resulting in rapidly redrawn communities. In this historic moment, Jennifer Jones brings forth an ethnographic look at changing racial identities in one Southern city: Winston-Salem, North Carolina. This city turns out to be a natural experiment in race relations, having quickly shifted in the past few decades from a neatly black and white community to a triracial one.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
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  • 26
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496812087
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: Mississippi scholarship online
    DDC: 305.800976209034
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    Keywords: Geschichte ; Sezessionskrieg ; Weiße ; Schwarze ; Ethnische Identität ; Ethnische Beziehungen ; Rassismus ; Group identity History 19th century ; Social change History 19th century ; Staat Mississippi ; Whites Race identity 19th century ; History ; African Americans Race identity 19th century ; History ; United States History Civil War, 1861-1865 ; Influence ; Mississippi Social conditions 19th century
    Abstract: 'Your Heritage Will Still Remain' details how Mississippians constructed their social identity in the aftermath of the crises that transformed the state beginning with the sectional conflict, Civil War, and Reconstruction, and finally ending in the late nineteenth century. The social identity studied in this work focuses primarily on how Mississippians thought of their place within a national context, whether as Americans, Confederates, or both.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 27
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190935849
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    Series Statement: Oxford scholarship online
    DDC: 306.362097509034
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    Keywords: Geschichte 1840-1865 ; Schwarze ; Sklave ; Soziale Situation ; Erzählung ; USA Südstaaten
    Abstract: In this study of an entire generation of slave narrators, more than sixty mid-nineteenth-century narratives reveal how work, family, skills, and connections made for social and economic differences among the enslaved of the South.
    Note: Previously issued in print: 2019 , Includes bibliographical references and index
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  • 28
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469640877
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white), maps (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 305.896073075723
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    Keywords: Clarke, Mable Owens ; Clark family ; Geschichte ; Schwarze ; Sklaverei ; Landwirtschaft ; Ethnische Beziehungen ; African Americans History ; Appalachians (People) ; South Carolina ; Appalachian Region, Southern Race relations ; Liberia (S History
    Abstract: In 2007, while researching mountain culture in upstate South Carolina, anthropologist John M. Coggeshall stumbled upon the small community of Liberia in the Blue Ridge foothills. There he met Mable Owens Clarke and her family, the remaining members of a small African American community still living on land obtained immediately after the Civil War. This intimate history tells the story of five generations of the Owens family and their friends and neighbors, chronicling their struggles through slavery, Reconstruction, the Jim Crow era, and the desegregation of the state. Through hours of interviews with Mable and her relatives, as well as friends and neighboyrs, Coggeshall presents an ethnographic history that allows members of a largely ignored community to speak and record their own history for the first time.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 29
    ISBN: 9780190903220
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Karte
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6409861
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    Keywords: Folk music / Colombia / History and criticism ; Blacks / Colombia / Music / History and criticism ; Blacks / Colombia / Social conditions ; Soziale Situation ; Volksmusik ; Schwarze ; Kolumbien ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Abstract: Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation's margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia's majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. 'Rites, Rights & Rhythms' is a book-length academic study of currulao, inquiring into the numerous ways that it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to demonstrate national heritage, to generate economic development, and to provide social amelioration in a context of war
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 30
    ISBN: 9780199913930
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Currents in Latin American and Iberian mMusic
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    Keywords: Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Abstract: Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation’s margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia’s majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. Rites, Rights & Rhythms: A Genealogy of Musical Meaning in Colombia’s Black Pacific is the first book-length academic study of currulao, inquiring into the numerous ways that it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to demonstrate national heritage, to generate economic development, and to provide social amelioration in a context of war. The author draws on both archival and ethnographic research to trace these and other opinions about how currulao has been understood, illuminating a history of struggles over its meanings that are also struggles over the meanings of blackness in Colombia. Moving from the eighteenth century to the present, this book asks how musical meaning is made, maintained, and sometimes abandoned across historical contexts as varied as colonial slavery, twentieth-century national populism, and neoliberal multiculturalism. What emerges is both a rich portrait of one of the hemisphere’s most important and understudied black cultures and a theory of history traced through the performative practice of currulao.
    Abstract: Cover -- Series -- Rites, Rights & Rhythms -- Copyright -- Dedication -- Contents -- Acknowledgments -- About the Companion Website -- A Note on Images -- Introduction -- 1. The Sounded Poetics of the Black Southern Pacific -- 2. Music in the Mines: Black Cosmopolitans and Musical Practice in the Colonial Southern Pacific -- 3. Modernities and Nonmodernities in Black Pacific Music -- 4. Race, Region, Representativity, and the Folklore Paradigm -- 5. Between Legibility and Alterity: Black Music and Self-​Making in the Age of Ethnodiversity -- Conclusion -- References -- Index
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  • 31
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    Online Resource
    Philadelphia : University of Pennsylvania Press
    ISBN: 9780812296549
    Language: English
    Pages: 1 Online-Ressource (312 p) , 15 illus
    Edition: [Online-Ausgabe]
    Additional Information: Rezensiert in Lowe, Kevin M. [Rezension von: Byrd, Brandon R., The Black Republic: African Americans and the Fate of Haiti] 2020
    Series Statement: America in the Nineteenth Century
    Parallel Title: Erscheint auch als Byrd, Brandon R. The black republic
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    Keywords: African Americans Intellectual life 19th century ; African Americans Civil rights 19th century ; History ; HISTORY / United States / 19th Century ; Haiti ; Haitianische Revolution ; Rezeption ; USA ; Schwarze ; Geschichte 1863-1934 ; USA ; Schwarze ; Geistesleben ; Kulturbeziehungen ; Haiti ; Geschichte 1863-1934
    Abstract: Frontmatter -- CONTENTS -- Prologue -- Introduction. The Ideas of Haiti and Black Internationalism -- Chapter 1. Emancipation, Reconstruction, and the Quandary of Haiti -- Chapter 2. The Reinventions of Haiti After Reconstruction -- Chapter 3. The Vexing Inspiration of Haiti in the Age of Imperialism and Jim Crow -- Chapter 4. Haiti, the Negro Problem, and the Transnational Politics of Racial Uplift -- Chapter 5. W. E. B. Du Bois, the Occupation, and Radical Black Internationalism -- Epilogue -- Notes -- Index -- Acknowledgments
    Abstract: In The Black Republic, Brandon R. Byrd explores the ambivalent attitudes that African American leaders in the post-Civil War era held toward Haiti, the first and only black republic in the Western Hemisphere. Following emancipation, African American leaders of all kinds-politicians, journalists, ministers, writers, educators, artists, and diplomats-identified new and urgent connections with Haiti, a nation long understood as an example of black self-determination. They celebrated not only its diplomatic recognition by the United States but also the renewed relevance of the Haitian Revolution.While a number of African American leaders defended the sovereignty of a black republic whose fate they saw as intertwined with their own, others expressed concern over Haiti's fitness as a model black republic, scrutinizing whether the nation truly reflected the "civilized" progress of the black race. Influenced by the imperialist rhetoric of their day, many African Americans across the political spectrum espoused a politics of racial uplift, taking responsibility for the "improvement" of Haitian education, politics, culture, and society. They considered Haiti an uncertain experiment in black self-governance: it might succeed and vindicate the capabilities of African Americans demanding their own right to self-determination or it might fail and condemn the black diasporic population to second-class status for the foreseeable future.When the United States military occupied Haiti in 1915, it created a crisis for W. E. B. Du Bois and other black activists and intellectuals who had long grappled with the meaning of Haitian independence. The resulting demand for and idea of a liberated Haiti became a cornerstone of the anticapitalist, anticolonial, and antiracist radical black internationalism that flourished between World War I and World War II. Spanning the Reconstruction, post-Reconstruction, and Jim Crow eras, The Black Republic recovers a crucial and overlooked chapter of African American internationalism and political thought
    Note: Mode of access: Internet via World Wide Web. , In English
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 32
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781108277778
    Language: English
    Pages: 1 online resource (xix, 292 pages)
    Series Statement: Afro-Latin America
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896081
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    Keywords: Geschichte 1820-1930 ; Blacks / Brazil / History / 19th century ; Indigenous peoples / Brazil / History / 19th century ; Politik ; Indianer ; Rassendiskriminierung ; Sklaverei ; Schwarze ; Brazil / History / 19th century ; Brazil / Race relations ; Brazil / Social conditions ; Brasilien ; Bibliografie ; Bibliografie ; Brasilien ; Indianer ; Schwarze ; Sklaverei ; Rassendiskriminierung ; Politik ; Geschichte 1820-1930
    Abstract: Frontiers of Citizenship is an engagingly-written, innovative history of Brazil's black and indigenous people that redefines our understanding of slavery, citizenship, and the origins of Brazil's 'racial democracy'. Through groundbreaking archival research that brings the stories of slaves, Indians, and settlers to life, Yuko Miki challenges the widespread idea that Brazilian Indians 'disappeared' during the colonial era, paving the way for the birth of Latin America's largest black nation. Focusing on the postcolonial settlement of the Atlantic frontier and Rio de Janeiro, Miki argues that the exclusion and inequality of indigenous and African-descended people became embedded in the very construction of Brazil's remarkably inclusive nationhood. She demonstrates that to understand the full scope of central themes in Latin American history - race and national identity, unequal citizenship, popular politics, and slavery and abolition - one must engage the histories of both the African diaspora and the indigenous Americas
    Note: Title from publisher's bibliographic system (viewed on 19 Jan 2018)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 33
    Online Resource
    Online Resource
    Waltham, Massachusetts : Brandeis University Press
    ISBN: 9781512602586
    Language: English
    Pages: 1 Online-Ressource (xvii, 242 Seiten)
    Series Statement: Brandeis Series in American Jewish history, culture, and life
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.800973
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    Keywords: Geschichte 1950-2000 ; African Americans Relations with Jews ; Jews History 20th century ; African Americans History 20th century ; Black power ; Politische Kultur ; Black power ; Juden ; Schwarze ; United States Race relations 20th century ; History ; United States Ethnic relations ; USA ; USA ; Juden ; Politische Kultur ; Schwarze ; Black power ; Geschichte 1950-2000
    Abstract: "Explores how American Jews leveraged the Black Power movement to strengthen American Jewish religious, ethnic, and cultural life"
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
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  • 34
    Online Resource
    Online Resource
    Gainesville : University Press of Florida | Oxford : Oxford University Press
    ISBN: 9780813053462
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white), map (black and white).
    Series Statement: Cultural heritage studies
    DDC: 305.800975627
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    Keywords: Geschichte 1739-1990 ; Schwarze ; Ethnische Beziehungen ; Öffentlicher Raum ; Denkmalkult ; Kollektives Gedächtnis ; Unruhen ; African Americans History 19th century ; Riots History 19th century ; Wilmington, NC ; Wilmington (N Race relations
    Abstract: A revealing work of public history that shows how communities remember their pasts in different ways to fit specific narratives, 'Race, Place, and Memory' charts the ebb and flow of racial violence in Wilmington, North Carolina, from the 1730s to the present day.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 35
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190466954 , 0190466952
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Series Statement: Currents in Latin American & Iberian music
    DDC: 793.319468
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    Keywords: Flamenco ; Flamenco Social aspects ; Dance and race ; Spanien ; Flamenco ; Tanz ; Rasse ; Person of Color ; Schwarze ; Sinti ; Roma ; Geschichte 1492-1933
    Abstract: How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, between 1492—when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus’s landing on Hispaniola—and 1933—when Andalusian poet Federico García Lorca published his “Theory and Play of the Duende”—the vanquished Moor became Black; and how the imagined Gitano (“Gypsy,” or Roma) embodies the warring images and sounds of this process. By the nineteenth-century nadir of its colonial reach, Spanish identity was paradoxically enacted in terms of a minstrelized Gitano, a hybrid of Spanish and American representations of Blackness. Flamenco’s imagined Gypsy, teetering between ostentatious ignorance and the humility of epiphany, references an earlier trope: the pastor bobo (foolish shepherd), who, seeing an angelic apparition, must decide whether to accept the light of Christ—or remain in darkness. Spain’s symbolic linkage of this religious peril with the Blackness of abjection scripts the evangelical narrative which defeated the Moors and enslaved the Americas. The bobo’s confusion, appealingly comic but holding the pathos of the ultimate stakes of his decision—heaven or hell, safety or extermination—bares a teeming view of the embodied politics of colonial exploitation and creole identity formation. Flamenco’s Sonidos Negros live in this precarious balance, amid the purposeful ruckus cloaking danced resistance, the lament for what has been lost, and the values and aspirations of those rendered imperceptible by slavery and colonization.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 36
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469635378
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 305.8960730758231
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    Keywords: Geschichte ; Rassenpolitik ; Rassismus ; Schwarze ; Soziale Situation ; African Americans History ; African Americans Social conditions ; African Americans Economic conditions ; Atlanta, Ga. ; Atlanta (Ga History
    Abstract: Drawn from vivid primary sources and unnerving oral histories of working-class city-dwellers and hip hop artists from Atlanta's underbelly, Hobson argues that Atlanta's political leadership has governed by bargaining with white business interests to the detriment ordinary black Atlantans. In telling this history, Hobson portrays a striking schism between the black political elite and poor city-dwellers.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 37
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469635873
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white), maps (black and white)
    DDC: 305.8009753
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    Keywords: Geschichte 1600-2010 ; Schwarze ; Sklaverei ; Rassendiskriminierung ; Demokratie ; Aktivismus ; African Americans History ; Washington, DC ; Washington (D History ; Washington (D Race relations
    Abstract: Monumental in scope and vividly detailed, 'Chocolate City' tells the tumultuous, four-century story of race and democracy in our nation's capital. Emblematic of the ongoing tensions between America's expansive democratic promises and its enduring racial realities, Washington often has served as a national battleground for contentious issues, including slavery, segregation, civil rights, the drug war, and gentrification. But D.C. is more than just a seat of government, and authors Chris Myers Asch and George Derek Musgrove also highlight the city's rich history of local activism as Washingtonians of all races have struggled to make their voices heard in an undemocratic city where residents lack full political rights.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 38
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    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252099939
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: The new black studies series
    DDC: 810.9/896073
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    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; American literature African American authors ; History and criticism ; Jazz in literature ; Modernism (Literature) ; African Americans Music ; History and criticism ; Black nationalism History 20th century ; African Americans Social life and customs 20th century ; USA
    Abstract: 'Jazz Internationalism' argues for the critical significance of jazz in Afro-modernist literature, from the beginning of the Great Depression through the radical social movements of the 1960s.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 39
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469632735
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white), maps (black and white).
    Series Statement: The John Hope Franklin series in African American history and culture
    DDC: 305.896/073
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    Keywords: Geschichte 1850-1965 ; Schwarze ; Kolonialismus ; African Americans Relations with Africans ; African Americans Intellectual life 19th century ; African Americans Intellectual life 20th century ; Anti-imperialist movements ; Black nationalism ; Amerika ; Afrika ; Africa Social conditions 19th century ; Africa Social conditions 20th century
    Abstract: Through studies of George Washington Williams, Booker T. Washington, Pauline Hopkins, Langston Hughes, Malcolm X, and other figures, Ira Dworkin brings to light a long-standing relationship that challenges familiar presumptions about African American commitments to Africa.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 40
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252099540
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Women, gender, and sexuality in American history
    DDC: 305.48/896073
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    Keywords: National Association of Colored Women (U ; Geschichte 1880-1980 ; Schwarze ; Frau ; Intellektueller ; Geistesleben ; Feminismus ; African American women Intellectual life 19th century ; African American women Intellectual life 20th century ; USA
    Abstract: 'Beyond Respectability' charts the development of African American women as public intellectuals and the evolution of their thought from the end of the 1800s through the Black Power era of the 1970s. Eschewing the Great Race Man paradigm so prominent in contemporary discourse, Brittney C. Cooper looks at the far-reaching intellectual achievements of female thinkers and activists like Anna Julia Cooper, Mary Church Terrell, Fannie Barrier Williams, Pauli Murray, and Toni Cade Bambara. Cooper delves into the processes that transformed these women and others into racial leadership figures, including long-overdue discussions of their theoretical output and personal experiences. As Cooper shows, their body of work critically reshaped our understandings of race and gender discourse. It also confronted entrenched ideas of how - and who - produced racial knowledge.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 41
    Online Resource
    Online Resource
    Albany : State University of New York Press
    ISBN: 9781438469881
    Language: English
    Pages: 1 Online-Ressource (228 pages)
    Series Statement: SUNY Series, Philosophy and Race
    Series Statement: SUNY Series, Philosophy and Race Ser.
    Parallel Title: Erscheint auch als Thompson, Mark Christian, 1970 - Anti-music
    DDC: 781.6508996073043
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    Keywords: Philosophy, German-20th century ; Jazz-Germany-20th century-History and criticism ; Blacks-Race identity-Germany-History-20th century ; Electronic books ; Deutschland ; Afroamerikanische Musik ; Jazz ; Kulturpolitik ; Geschichte 1919-1939 ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter One The Jazz Paradox -- I. Bloch's Blacks -- II. Jonny's Jimmy -- III. Parodic Primitivism -- IV. Nazi Neger -- Chapter Two The Jazz Machine -- I. The Jazz Machine -- II. The Principle of Looking -- III. Jazz Vulgarity -- IV. The Astaire Automaton -- Chapter Three The Monkey's Trick -- I. The Monkey's Trick -- II. The Track of the Divine -- III. Jazzman Mozart -- Chapter Four The Music of Fascism -- I. Jazz at War -- II. That Ol' Wagnerian Rag -- III. Slave to Jazz -- IV. Sacrificial Jazz -- Chapter Five Jazz-Heinis -- I. The Inner Crisis -- II. The Nazi Princess -- III. Stop, Thief -- IV. The White-Face Minstrel -- Conclusion -- Notes -- Bibliography -- Index
    URL: Volltext  (lizenzpflichtig)
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  • 42
    Online Resource
    Online Resource
    New Haven : Yale University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780300182286
    Language: English
    Pages: 1 Online-Ressource (254 pages)
    Series Statement: The Lamar Series in Western History
    DDC: 305.896073
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    Keywords: Geschichte 1865-1914 ; Schwarze ; Indianer ; Ethnische Beziehungen ; USA ; Oklahoma
    Note: Description based on publisher supplied metadata and other sources
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  • 43
    Online Resource
    Online Resource
    New Haven : Yale University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780300231359
    Language: English
    Pages: 1 Online-Ressource (xviii, 610 Seiten) , Illustrationen
    DDC: 323.092
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    Keywords: King, Martin Luther ; Schwarze ; Bürgerrechtsbewegung ; USA ; Biografie ; Biografie.
    Abstract: This magisterial follow-up to The New Abolition, a Grawemeyer Award winner, tells the crucial second chapter in the black social gospel's history.
    Note: Description based on publisher supplied metadata and other sources
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  • 44
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781469638621
    Language: English
    Pages: 1 Online-Ressource (xiv, 280 Seiten)
    Series Statement: The John Hope Franklin Series in African American History and Culture
    Parallel Title: Erscheint auch als
    DDC: 782.25089/96073
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    Keywords: Schwarze ; Anthem ; USA
    Note: Description based on publisher supplied metadata and other sources
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  • 45
    Online Resource
    Online Resource
    New Brunswick : Rutgers University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780813595214
    Language: English
    Pages: 1 Online-Ressource (381 pages)
    DDC: 305.896/0730749
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    Keywords: Geschichte 1664-2014 ; Schwarze ; New Jersey
    Note: Description based on publisher supplied metadata and other sources
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  • 46
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319660417
    Language: English
    Pages: 1 Online-Ressource (VIII, 241 p)
    Series Statement: Palgrave Studies in Sound
    Parallel Title: Erscheint auch als
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    Keywords: Social sciences ; African Americans ; Music ; Technology in literature ; Social Sciences ; Science and Technology Studies ; Music ; African American Culture ; Literature and Technology/Media ; Technologie ; Sound Studies ; Musik ; Schwarze ; Film ; Futurismus ; USA ; USA ; Schwarze ; Musik ; Film ; Sound Studies ; Technologie ; Futurismus
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 47
    Online Resource
    Online Resource
    Frankfurt : Campus Verlag | Grünwald : Preselect.media GmbH
    ISBN: 9783593437101
    Language: English
    Pages: 1 Online-Ressource (187 Seiten) , Illustrationen
    Series Statement: North American studies volume 38
    Uniform Title: From cocoa slavery to chocolate city
    Dissertation note: Dissertation Freie Universität Berlin, 2012
    DDC: 390
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    Keywords: Geschichte ; Schwarze ; Ethnische Identität ; Rassismus ; Schokolade ; Kakaoplantage ; Stereotyp ; Pop-Kultur ; Assoziation ; Werbung ; Massenkultur ; USA ; Hochschulschrift
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  • 48
    ISBN: 9783487422169
    Language: English , German
    Pages: 1 Online-Ressource (XV, 589 Seiten)
    Series Statement: Sklaverei - Knechtschaft - Zwangsarbeit Band 16
    Series Statement: Sklaverei - Knechtschaft - Zwangsarbeit
    Parallel Title: Erscheint auch als Adiele, Pius Onyemechi The popes, the Catholic Church and the transatlantic enslavement of black Africans 1418-1839
    Dissertation note: Dissertation Eberhard Karls Universität Tübingen 2014
    DDC: 241.675
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    Keywords: Hochschulschrift ; Afrikaner ; Versklavung ; Sklavenhandel ; Katholische Kirche ; Geschichte 1418-1839 ; Schwarze ; Sklaverei ; Bulle ; Papst ; Geschichte 1418-1839
    URL: Volltext  (kostenfrei)
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  • 49
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252099939
    Language: English
    Pages: 1 Online-Ressource (183 pages)
    Series Statement: New Black Studies Ser.
    DDC: 810.98960729999999
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    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; USA
    Note: Description based on publisher supplied metadata and other sources
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  • 50
    Online Resource
    Online Resource
    Chicago, Illinois ; London, [England] : The University of Chicago Press
    ISBN: 9780226451787
    Language: English
    Pages: 1 online resource (371 pages)
    Parallel Title: Erscheint auch als Roberts, Brian, 1957- Blackface nation : race, reform, and identity in American popular music, 1812 - 1925
    DDC: 781.64089/96073
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    Keywords: Geschichte 1812-1925 ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Mittelstand ; Unterhaltungsmusik ; Ethnische Identität ; Nationalismus ; Schwarze ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Note: Includes index , Description based on print version record
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  • 51
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469632735
    Language: English
    Pages: 1 online resource (469 pages)
    Series Statement: The John Hope Franklin Series in African American History and Culture Ser
    Parallel Title: Dworkin, Ira, 1972 - Congo love song
    Parallel Title: Print version Dworkin, Ira Congo Love Song : African American Culture and the Crisis of the Colonial State
    DDC: 305.896073
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    Keywords: Anti-imperialist movements ; Anti-imperialist movements ; Electronic books ; USA ; Schwarze ; Subsaharisches Afrika ; Demokratische Republik Kongo
    Abstract: Cover -- Contents -- Acknowledgments -- Abbreviations Used in the Text -- Introduction. James Weldon Johnson's Transnational Vaudeville -- Part I. The Nineteenth-Century Routes of Black Transnationalism -- Chapter 1. George Washington Williams's Stern Duty of History -- Chapter 2. William Henry Sheppard's Country of My Forefathers -- Chapter 3. Booker T. Washington's African at Home -- Part II. The Twentieth-Century Cultures of the American Congo -- Chapter 4. Missionary Cultures: The American Presbyterian Congo Mission, Althea Brown Edmiston, and the Languages of the Congo -- Chapter 5. Literary Cultures: The Black Press, Pauline E. Hopkins, and the Rewriting of Africa -- Chapter 6. Visual Cultures: Hampton Institute, William Sheppard's Kuba Collection, and African American Art -- Part III. The Congo in Modern African American Poetics and Politics -- Chapter 7. Near the Congo: Langston Hughes and the Geopolitics of Internationalist Poetry -- Chapter 8. Another Black Magazine with a Lumumba Poem: Patrice Lumumba and African American Poetry -- Chapter 9. The Chickens Coming Home to Roost: Malcolm X, the Congo, and Modern Black Nationalism -- Conclusion -- Appendix. Malcolm X on the Congo, February 14, 1965, Detroit -- Notes -- Bibliography -- Credits -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- T -- S -- T -- U -- V -- W -- X -- Y -- Z -- Color Plates.
    URL: Volltext  (lizenzpflichtig)
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  • 52
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190676674
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white), map (black and white)
    DDC: 305.89607307409034
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    Keywords: Geschichte 1776-1860 ; Schwarze ; Soziale Situation ; Ethnische Beziehungen ; Rassendiskriminierung ; Bürgerrechtsbewegung ; Neuengland
    Abstract: The struggle to overcome Jim Crow was part of a larger movement for equal rights in antebellum New England. Using sit-ins, boycotts, petition drives, and other initiatives, African American New Englanders and their white allies attempted to desegregate schools, transportation, neighbourhoods, churches, and cultural venues. They worked to secure the franchise, improve educational opportunities, enlarge employment prospects, remove prohibitions against mixed marriages, and protect fugitive slaves from recapture. Above all they sought to be respected and treated as equals in a reputedly democratic society. This work examines this topic.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 53
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469632704
    Language: English
    Pages: 1 online resource (305 pages)
    Series Statement: The John Hope Franklin Series in African American History and Culture Ser
    Parallel Title: Cooper, Melissa L. Making Gullah
    Parallel Title: Print version Cooper, Melissa L Making Gullah : A History of Sapelo Islanders, Race, and the American Imagination
    DDC: 975.873700496073
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    Keywords: Gullah Geechee Cultural Heritage Corridor ; Electronic books ; Sapelo Island ; Gullah ; Schwarze ; Kulturelle Identität ; Geschichte
    Abstract: Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- PROLOGUE: The Misremembered Past -- CHAPTER 1. From Wild Savages to Beloved Primitives: Gullah Folk Take Center Stage -- CHAPTER 2. The 1920s and 1930s Voodoo Craze: African Survivals in American Popular Culture and the Ivory Tower -- CHAPTER 3. Hunting Survivals: W. Robert Moore, Lydia Parrish, and Lorenzo D. Turner Discover Gullah Folk on Sapelo Island -- CHAPTER 4. Drums and Shadows: The Federal Writers' Project, Sapelo Islanders, and the Specter of African Superstitions on Georgia's Coast -- CHAPTER 5. Reworking Roots: Black Women Writers, the Sapelo Interviews in Drums and Shadows, and the Making of a New Gullah Folk -- CHAPTER 6. Gone but Not Forgotten: Sapelo's Vanishing Folk and the Gullah Geechee Cultural Heritage Corridor -- EPILOGUE: From African Survivals to the Fight for Survival -- Acknowledgments -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W.
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  • 54
    Online Resource
    Online Resource
    New York : Fordham University Press | Oxford : Oxford University Press
    ISBN: 9780823271771
    Language: English
    Pages: 1 Online-Ressourcece.
    Edition: First edition.
    Series Statement: Reconstructing America
    DDC: 305.896073076409034
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    Keywords: United States Biography Officials and employees ; United States History ; Freedmen's Bureau ; Geschichte 1865-1872 ; Schwarze ; Freigelassener ; Ethnische Beziehungen ; African Americans History 19th century ; Freedmen History ; Reconstruction (U ; Texas ; Texas Race relations 19th century ; History
    Abstract: In its brief seven-year existence, the Freedmen's Bureau became the epicenter of the debate about Reconstruction. Historians have only recently begun to focus on the Bureau's personnel in Texas, the individual agents termed the 'hearts of Reconstruction'. Specifically addressing the historiographical debates concerning the character of the Bureau and its sub-assistant commissioners (SACs), this title sheds new light on the work and reputation of these agents.
    Note: This edition previously issued in print: 2016 , Includes bibliographical references and index
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  • 55
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252094460
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 133.4308996073
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    Keywords: Schwarze ; Wodu ; Hoodoo (Cult) ; Vodou ; African American magic ; Medicine, Magic, mystic, and spagiric ; African Americans Religion ; African Americans Folklore ; Amerika
    Abstract: Katrina Hazzard-Donald explores African Americans' experience and practice of the herbal, healing folk belief tradition known as Hoodoo. Working against conventional scholarship, Hazzard-Donald argues that Hoodoo emerged first in three distinct regions she calls oregional Hoodoo clusters - and that after the turn of the 19th century, Hoodoo took on a national rather than regional profile.
    Note: Previously issued in print: 2012 , Includes bibliographical references and index
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  • 56
    Online Resource
    Online Resource
    New York : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781108140393
    Language: English
    Pages: 1 Online-Ressource (x, 197 pages)
    DDC: 306.3/6209758
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    Keywords: Geschichte 1859 ; Sklaverei ; Sklavenhandel ; Schwarze ; Kollektives Gedächtnis ; Georgia ; USA
    Abstract: In 1859, at the largest recorded slave auction in American history, over 400 men, women, and children were sold by the Butler Plantation estates. This book is one of the first to analyze the operation of this auction and trace the lives of slaves before, during, and after their sale. Immersing herself in the personal papers of the Butlers, accounts from journalists that witnessed the auction, genealogical records, and oral histories, Anne C. Bailey weaves together a narrative that brings the auction to life. Demonstrating the resilience of African American families, she includes interviews from the living descendants of slaves sold on the auction block, showing how the memories of slavery have shaped people's lives today. Using the auction as the focal point, The Weeping Time is a compelling and nuanced narrative of one of the most pivotal eras in American history, and how its legacy persists today.
    Note: Title from publisher's bibliographic system (viewed on 24 Oct 2017)
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  • 57
    Online Resource
    Online Resource
    New York : Peter Lang Inc., International Academic Publishers
    ISBN: 9781433145711
    Language: English
    Pages: 1 Online-Ressource (252 Seiten) , 9 ill
    Edition: 1st, New ed
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Akademisierung ; Identität ; Jazz ; Musikerziehung ; Jazzmusiker ; Schwarze ; USA ; Interview ; Interview ; USA ; Schwarze ; Jazz ; Jazzmusiker ; Musikerziehung ; Akademisierung ; Identität
    Description / Table of Contents: How does academic jazz education impact the Black cultural value of soulfulness and esthetic standards in contemporary jazz music? Through candid conversations with nine of the country's most highly respected jazz practitioners and teachers, What Is This Thing Called Soul explores the potential consequences of forcing the Black musical style of jazz into an academic pedagogical system that is specifically designed to facilitate the practice and pedagogy of European classical music. This work tests the belief that the cultural, emotional and esthetic elements at the very core of jazz's unique identity, along with the music's overt connection to Black culture, are effectively being "lost in translation" in traversing the divide between academic and non-academic jazz spheres. Each interviewee commands significant respect worldwide in the fields of jazz performance and jazz pedagogy. Noteworthy subjects include: Rufus Reid, Lewis Nash, Nicholas Payton and Wycliffe Gordon-along with the late jazz masters Marcus Belgrave and Phil Woods. Interviews are supplemented by original analysis of the nature and validity of these issues contributed by the author. What Is This Thing Called Soul offers a candid and objective look into pressing issues of race, culture and ethnic value in relation to both jazz music and jazz education. Sensitivity, marginalization and even a fear of offending others has limited open discussion of how the soul of jazz music can be lost in technical boundaries. What Is This Thing Called Soul is the first attempt to directly address such culturally urgent issues in jazz music
    Note: Online resource; title from title screen (viewed June 10, 2019)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 58
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226451787
    Language: English
    Pages: 1 Online-Ressource (x, 360 Seiten) , 16 Illustrationen
    DDC: 781.64089/96073
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    Keywords: African Americans Music ; History and criticism ; Minstrel music History and criticism ; Music and race History ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Schwarze ; Ethnische Identität ; Afroamerikanische Musik ; Mittelstand ; HISTORY / General
    Abstract: As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in Blackface Nation, this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast’s most popular middle-class singing group during the mid-nineteenth century, is perhaps the best example of the first strain of music. The group’s songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women’s rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America’s consumer culture while the Hutchinsons’ songs were increasingly regarded as old-fashioned. Blackface Nation elucidates the central irony in America’s musical history: much of the music that has been interpreted as black, authentic, and expressive was invented, performed, and enjoyed by people who believed strongly in white superiority. At the same time, the music often depicted as white, repressed, and boringly bourgeois was often socially and racially inclusive, committed to reform, and devoted to challenging the immoralities at the heart of America’s capitalist order
    Abstract: Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Carnival -- 2. The Vulgar Republic -- 3. Jim Crow’s Genuine Audience -- 4. Black Song -- 5. Meet the Hutchinsons -- 6. Love Crimes -- 7. The Middle-Class Moment -- 8. Culture Wars -- 9. Black America -- 10. Conclusion: Musical without End -- Notes -- Index
    Note: Mode of access: Internet via World Wide Web. , In English
    URL: Cover
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  • 59
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520966758
    Language: English
    Pages: 1 online resource (290 pages)
    Edition: 1st ed.
    Parallel Title: Print version Nava, Alejandro In Search of Soul : Hip-Hop, Literature, and Religion
    Parallel Title: Nava, Alejandro, 1956 - In search of soul
    DDC: 233/.5
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    Keywords: Hip-hop Religious aspects ; Christianity ; Soul in literature ; Music Philosophy and aesthetics 20th century ; Music Philosophy and aesthetics 21st century ; Soul Judaism ; Soul Christianity ; Soul Christianity ; Electronic books ; USA ; Schwarze ; Hispanos ; Literatur ; Hip-Hop ; Seele ; Christentum ; Judentum ; Geschichte
    Abstract: In Search of Soul explores the meaning of "soul" in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the "soul" revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.
    Abstract: Cover -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- PART ONE: SACRED HISTORIES OF THE SOUL -- 1 In Search of Soul -- 2 On Hebrew Soul: De Eloquentia Vulgaria -- 3 Christian Soul and the Revolt of the Slave -- PART TWO: PROFANE ACCENTS OF SOUL -- 4 In Search of Duende: Lorca on Spanish Soul -- 5 The Souls of Black Folk: Ralph Ellison's Tragicomic Portrait -- 6 From Soul to Hip-Hop: The Rise of the Apocalypse -- 7 Afro-Latin Soul and Hip-Hop -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Note: Includes bibliographical references and index
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  • 60
    Online Resource
    Online Resource
    Frankfurt am Main : Campus Verlag
    ISBN: 9783593437101
    Language: English
    Pages: 1 Online-Ressource (187 Seiten)
    Series Statement: Nordamerikastudien 38
    DDC: 390
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    Keywords: Geschichte ; Schwarze ; Ethnische Identität ; Rassismus ; Schokolade ; Kakaoplantage ; Stereotyp ; Pop-Kultur ; Assoziation ; Werbung ; Massenkultur ; USA ; Hochschulschrift
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  • 61
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
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    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 62
    Online Resource
    Online Resource
    Frankfurt am Main : Campus Verlag
    ISBN: 9783593437101
    Language: English
    Pages: Online-Ressourcen, 187 Seiten
    Edition: 1. Auflage
    Series Statement: Nordamerikastudien 38
    Series Statement: Nordamerikastudien
    Parallel Title: Erscheint auch als Hackenesch, Silke Chocolate and blackness
    Dissertation note: Dissertation FU Berlin
    DDC: 306.4
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    Keywords: Geschichte ; Schokolade ; Assoziation ; Schwarze ; Werbung ; Massenkultur ; (Produktform)Electronic book text ; Repräsentation ; Sklaverei ; Schwarzer Atlantik ; Black Atlantic ; Blackness ; Slavery ; 5690: Kulturwissenschaft E-Book ; Werbung ; 201702: Programm ; Advertisement ; Schwarzsein ; Plantage ; Race ; Chocolate ; USA ; Konsum ; Schokolade ; (VLB-WN)9750 ; (Produktform (spezifisch))Paperback (DE) ; 5601 : Ethnologie / Kulturanthropologie ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Schokolade ; Assoziation ; Schwarze ; Werbung ; Massenkultur ; Geschichte
    Note: Lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 63
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469631967
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white), maps (black and white)
    DDC: 305.896/0730771320904
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    Keywords: Geschichte 1900-1980 ; Schwarze ; Mittelstand ; Soziale Mobilität ; Wohngebiet ; Nachbarschaft ; Middle class African Americans Housing 20th century ; History ; Middle class African Americans History 20th century ; Middle class African Americans Social conditions 20th century ; Social mobility History 20th century ; Neighborhoods Social aspects 20th century ; History ; African American neighborhoods History 20th century ; Cleveland, Ohio ; Electronic books History
    Abstract: In this history of Cleveland's black middle class, Todd Michney uncovers the creative ways that a nascent community established footholds in areas outside the overcrowded, inner-city neighbourhoods to which most African Americans were consigned. Michney offers a valuable counterweight to histories that have focused on racial conflict and black poverty.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 64
    Online Resource
    Online Resource
    Boston, MA : Houghton Mifflin Harcourt | Ann Arbor, Michigan : ProQuest
    ISBN: 9780544386426
    Language: English
    Pages: 1 Online-Ressource (367 pages)
    DDC: 305.800973
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    Keywords: Obama, Barack ; Geschichte ; Politik ; Schwarze ; USA
    Abstract: A provocative and lively deep dive into the meaning of America's first black presidency, from "one of our most graceful and lucid intellectuals writing on race and politics today" (Vanity Fair).
    Note: Description based on publisher supplied metadata and other sources
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  • 65
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226362687
    Language: English
    Pages: 1 Online-Ressource (xx, 307 Seiten) , Illustrationen, Notenbeispiele, Karte
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63096822/1
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    Keywords: Geschichte 1994-2014 ; Gesellschaft ; Politik ; Kwaito (Music) Social aspects ; Kwaito (Music) Philosophy and aesthetics ; Kwaito (Music) Political aspects ; Musicians, Black ; Soziale Funktion ; Kwaito ; Jugend ; Politischer Wandel ; Schwarze ; Südafrika (Staat) ; South Africa Social conditions 1994- ; Südafrika ; Südafrika ; Kwaito ; Politischer Wandel ; Jugend ; Schwarze ; Soziale Funktion ; Geschichte 1994-2014
    Abstract: In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country s urban black youth developed "kwaito" a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today who face high unemployment, extreme inequality, and widespread crime Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa s crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that music is always political, Steingo elucidates a music that thrives on its its radically ambiguous relationship with politics, power, and the state. - Gavin Steingo is assistant professor of music at the University of Pittsburgh.
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 66
    Online Resource
    Online Resource
    Gainesville, FL : University Press of Florida | Oxford : Oxford University Press
    ISBN: 9780813050867
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white), maps (black and white).
    Series Statement: Southern dissent
    DDC: 305.8009757/915
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    Keywords: Geschichte 1848-1877 ; Schwarze ; Ethnische Beziehungen ; Rassendiskriminierung ; African Americans History ; African Americans Social conditions ; White supremacy movements History ; Racism History ; Charleston, SC ; South Carolina Race relations ; History
    Abstract: During the latter half of the 19th century, German and Irish immigrants were as central to the development of the political economy of Charleston, South Carolina, as white southerners and African Americans. As artisans and entrepreneurs, foreigners occupied a middle tier in the racial and ethnic hierarchy of the South's most economically and politically important city. As agents of change, they provided a buffer, alleviating tensions between the castes until assimilating after emancipation and, in many instances, effectively embracing white supremacy. In 'Unequal Freedoms', Jeff Strickland examines the complex interplay of race, ethnicity, and class to reveal the pivotal ways in which European immigrants influenced the social, economic, and political development of the South.
    Note: Includes bibliographical references and index
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  • 67
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469623115
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white), maps (black and white)
    DDC: 305.896073076209041
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    Keywords: Schwarze ; Ethnische Beziehungen ; Rassismus ; Racism History 20th century ; African Americans Social life and customs 20th century ; Staat Mississippi ; Mississippi Race relations 20th century ; History ; Mississippi Social life and customs 20th century
    Abstract: The South's system of Jim Crow racial oppression is usually understood in terms of legal segregation that mandated the separation of white and black Americans. Yet, as this work shows, it was also a high-stakes drama that played out in the routines of everyday life, where blacks and whites regularly interacted on sidewalks and buses and in businesses and homes. Every day, individuals made, unmade, and remade Jim Crow in how they played their racial roles-how they moved, talked, even gestured. The highly visible but often subtle nature of these interactions constituted the Jim Crow routine.
    Note: Previously issued in print: 2015 , Includes bibliographical references and index
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  • 68
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469622712
    Language: English
    Pages: 1 Online-Ressource , Illustrations, maps
    DDC: 780.89/9607307471
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    Keywords: Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; African Americans Music ; History and criticism ; Ragtime music History and criticism ; Ragtime music Social aspects 20th century ; History ; Music and race History 20th century ; USA
    Abstract: This work explores how African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music'. David Gilbert shows how they used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging preconceived ideas about race, culture, and modernity.
    Note: Previously issued in print: 2015 , Includes bibliographical references and index
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  • 69
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    Online Resource
    Rochester, NY : University of Rochester Press
    ISBN: 9781782046936
    Language: English
    Pages: 1 Online-Ressource (x, 242 Seiten)
    Series Statement: Eastman studies in music v. 131
    Parallel Title: Erscheint auch als
    DDC: 781.640973/0954
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    Keywords: Popular music / India / History and criticism ; Popular music / United States / History and criticism ; Popular music / India / American influences ; African American musicians / India ; Afroamerikanische Musik ; Unterhaltungsmusik ; Musiker ; Popmusik ; Schwarze ; Britisch-Indien ; USA ; USA ; Schwarze ; Musiker ; Britisch-Indien ; USA ; Popmusik ; Afroamerikanische Musik ; Britisch-Indien ; USA ; Unterhaltungsmusik ; Britisch-Indien
    Abstract: 〈I〉American Popular Music in Britain's Raj〈/I〉 is the first systematic study to address the character and scope of American popular music in India during British rule. Drawing on ethnographic and archival research, it examines blackface minstrel shows, ragtime, jazz, and representations of Hollywood film music in Bombay cabarets and Hindi film songs, identifying key musical moments in the development of these styles between the middle 1800s and the middle 1900s, outlining the entertainment idioms and frameworks that supported their growth, and examining a variety of historical contexts under colonialism that influenced their meaning and commercial value.〈BR〉 Focusing on Calcutta (modern Kolkata), Lucknow, and Bombay (modern Mumbai), Bradley Shope traces the movement of music across time and space -- including between the United States, England, and India -- and addresses a variety of groups and communities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries.〈BR〉〈BR〉 Bradley G. Shope is assistant professor of music at Texas A & M-Corpus Christi
    Description / Table of Contents: Introduction -- Entertainment globalization, 1850s to 1910s -- Technologies, exoticism, and entrepreneurs, 1920s and 1930s -- Calcutta in the war -- The case of Lucknow -- Cabaret sequences in Hindi films -- Afterword
    Note: Title from publisher's bibliographic system (viewed on 23 Feb 2018)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 70
    ISBN: 9780253024947 , 9780253025128 (Sekundärausgabe) , 9780253024947 (Sekundärausgabe)
    Language: English
    Pages: 240 pages
    Edition: Online-Ausg. Online-Ressource ISBN 9780253025128
    Edition: ISBN 9780253024947
    Edition: [Online-Ausg.]
    DDC: 305.896/073076335
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    Keywords: Schwarze ; Jazz ; Religion ; Identität ; New Orleans, La. ; Online-Publikation
    Note: Online-Ausg.:
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  • 71
    ISBN: 9783412502744
    Language: German , English
    Pages: 1 Online-Ressource (187 Seiten) , Illustrationen
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    Keywords: Geschichte 1880-1960 ; Schwarze ; Körper ; Wissen ; Ethnologie ; Medizin ; Mission ; Subsaharisches Afrika
    Abstract: Der Körper ist ein Ort, an dem religiöse Identitäten und gesellschaftliche Wissensbestände entstehen. Der Band verbindet Missions-, Religions- und Wissensgeschichte. Er untersucht den missionarischen Blick auf den schwarzen Körper. Wie waren Mission, Körp...
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  • 72
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520963412
    Language: English
    Pages: 1 Online-Ressource (xvi, 261 Seiten) , Illustrationen
    Series Statement: Music of the african diaspora 18
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6508996073044361
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    Keywords: Geschichte 1900-2000 ; Geschichte 1945-1961 ; Jazz musicians 20th century ; African American musicians 20th century ; Jazz History and criticism ; African American authors 20th century ; Amerikanischer Einwanderer ; Schriftsteller ; Kulturkontakt ; Ethnische Identität ; Jazzmusiker ; Schwarze ; Frankreich ; Paris (France) Race relations 20th century ; Paris ; Paris ; Amerikanischer Einwanderer ; Jazzmusiker ; Schriftsteller ; Schwarze ; Ethnische Identität ; Kulturkontakt ; Geschichte 1945-1961
    Abstract: "At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians...and African American artists based in Europe like writer and social critic James Baldwin...adopted a variety of strategies to cope with the cultural and social assumptions that greeted them throughout their careers in Paris, particularly in light of the cultural struggles over race and identity that gripped France as colonial conflicts like the Algerian War escalated. Through case studies of prominent musicians and thoughtful analysis of personal interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this post-war musical migration. Examining a number of players in the jazz scene, including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke, Braggs identifies how they performed both as musicians and as African Americans. The collaborations that they and other African Americans created with French musicians and critics complicated racial and cultural understandings of who could play and represent "authentic" jazz. Their role in French society challenged their American identity and illusions of France as a racial safe haven. In this post-war era of collapsing nations and empires, African American jazz players and their French counterparts destabilized set notions of identity. Sliding in and out of black and white and American and French identities, they created collaborative spaces for mobile and mobilized musical identities, what Braggs terms 'jazz diasporas.'"...Provided by publisher
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 73
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780192516619
    Language: English
    Pages: 1 Online-Ressource (417 pages) , illustrations, maps
    Parallel Title: Erscheint auch als Guyatt, Nicholas Bind us apart : how enlightened Americans invented racial segregation
    DDC: 305.800973
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    Keywords: Geschichte 1789-1815 ; Racism History ; Indians of North America Colonization ; Indianer ; Rassentrennung ; Ethnische Beziehungen ; Schwarze ; USA ; USA ; Indianer ; Schwarze ; Ethnische Beziehungen ; Rassentrennung ; Geschichte 1789-1815
    Note: Includes index , Description based on online resource; title from PDF title page (ebrary, viewed October 14, 2016)
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  • 74
    Online Resource
    Online Resource
    London, [England] ; New York, New York : Routledge
    ISBN: 9781317096887
    Language: English
    Pages: 1 Online-Ressource (194 pages) , illustrations, tables
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Manning, Harriet J. Michael Jackson and the blackface mask
    DDC: 782.42166092
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    Keywords: Jackson, Michael Criticism and interpretation ; Jackson, Michael ; Music and race ; Blackface entertainers ; Minstrel music History and criticism ; Minstrel show ; Maske ; Minstrel ; Schwarze ; Jackson, Michael 1958-2009 ; Schwarze ; Minstrel ; Maske ; Jackson, Michael 1958-2009 ; Schwarze ; Maske ; Minstrel show
    Note: "An Ashgate Book"--Cover , Description based on print version record
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  • 75
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469623115 , 1469623110
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: UPCC book collections on Project MUSE
    DDC: 305.896/073076209041
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    Keywords: Schwarze ; Ethnische Beziehungen ; Rassismus ; African Americans Social life and customs 20th century ; Racism History 20th century ; Staat Mississippi ; Mississippi Social life and customs 20th century ; Mississippi Race relations 20th century ; History ; Mississippi Race relations 20th century ; History
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 76
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375708
    Language: English
    Pages: 1 Online-Ressource (XX, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.2308996073077311
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    Keywords: Geschichte 1900-2000 ; Geschichte 1910-1940 ; Geschichte ; African American girls History 20th century ; African American girls Social conditions 20th century ; African American girls Migrations 20th century ; History ; Soziale Situation ; Mädchen ; Binnenwanderung ; Schwarze ; Chicago (Ill.) History 1875- ; Chicago (Ill.) Social conditions 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Chicago, Ill. ; Chicago, Ill. ; Schwarze ; Mädchen ; Binnenwanderung ; Soziale Situation ; Geschichte 1910-1940
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 77
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199354016 , 9780199354047 (Sekundärausgabe)
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white, and colour)
    Edition: Online-Ausg. Online-Ressource ISBN 9780199354047
    Edition: [Online-Ausg.]
    DDC: 791.08996073
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    Keywords: Geschichte 1920-1945 ; Schwarze ; Darstellende Kunst ; Afroamerikanische Musik ; Harlem renaissance ; Rezeption ; Kultur ; Moderne ; USA
    Abstract: 'Some of These Days' shows how interwar European audiences, artists, and intellectuals particularly associated with modernism, used Black American culture - for which 'jazz' was often a shorthand - to negotiate the disorientating experience of modernity and modernization. One manifestation of this process was the fashionable Negrophilia of the 1920s, the decade in which the two most successful Black American stars of their era first made their names: Josephine Baker and Paul Robeson. The book is threaded around their careers, their travels, and their relationships.
    Note: Includes bibliographical references and index , Online-Ausg.:
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  • 78
    ISBN: 9783515111195
    Language: English
    Pages: 1 Online-Ressource (303 Seiten) , Illustrationen, Karten
    Series Statement: Transatlantische historische Studien Band 56
    Series Statement: Transatlantische historische Studien
    Parallel Title: Erscheint auch als Engel, Elisabeth Encountering empire
    Dissertation note: Dissertation Freie Universität Berlin
    DDC: 266.786
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    Keywords: African American Missionaries ; African Methodist Episcopal Church ; Colonial Africa ; Missionare ; Transatlantische Geschichte ; Hochschulschrift ; Hochschulschrift ; Afrika ; African Methodist Episcopal Church ; Schwarze ; Missionar ; Kolonialismus ; Geschichte 1900-1939
    Abstract: In Encountering Empire, Elisabeth Engel traces how black American missionaries – men and women grappling with their African heritage – established connections in Africa during the heyday of European colonialism. Reconstructing the black American 'colonial encounter,' Engel analyzes the images, transatlantic relationships, and possibilities of representation African American missionaries developed for themselves while negotiating colonial regimes. Between 1900 and 1939, these missionaries paved the way for the African Methodist Episcopal Church, the oldest independent black American institution, to establish a presence in Britain's sub-Saharan colonies. Illuminating a neglected chapter of Atlantic history, Engel demonstrates that African Americans used imperial structures for their own self-determination. Encountering Empire thus challenges the notion that pan-Africanism was the only viable strategy for black emancipation.
    Note: Literaturverzeichnis: Seite [275]-296
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  • 79
    Online Resource
    Online Resource
    [New York] : Columbia University Press | Oxford : Oxford University Press
    ISBN: 9780231520355
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Columbia history of urban life
    DDC: 305.80097471
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    Keywords: Geschichte 1959-1989 ; Schwarze ; Hispanos ; Protestbewegung ; Politische Beteiligung ; African Americans Politics and government 20th century ; Hispanic Americans Politics and government 20th century ; African Americans Relations with Hispanic Americans ; New York, NY ; New York (N Politics and government 20th century ; New York (N Race relations
    Abstract: Opie provides a social history of black and Latino working-class collaboration in shared living and work spaces in New York city and reveals racist suspicion and divisive jockeying among elites in political clubs and anti-poverty programs.
    Note: Includes bibliographical references and index
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  • 80
    ISBN: 9783515111195
    Language: English
    Pages: 1 Online-Ressource (303 Seiten) , Illustrationen, Karten
    Series Statement: Transatlantische historische Studien Band 56
    Series Statement: Geschichte
    Uniform Title: African American (anti-)colonialism
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Freie Universität Berlin 2014
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    Keywords: African Methodist Episcopal Church ; Geschichte 1900-1939 ; Kolonialismus ; Missionar ; Schwarze ; Afrika ; Hochschulschrift ; Afrika ; African Methodist Episcopal Church ; Schwarze ; Missionar ; Kolonialismus ; Geschichte 1900-1939
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  • 81
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Ann Arbor, Michigan : Proquest
    ISBN: 9781469620947
    Language: English
    Pages: 1 Online-Ressource (xiii, 331 Seiten) , Illustrationen
    DDC: 305.896/073076209041
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    Keywords: Schwarze ; Ethnische Beziehungen ; Rassismus ; Staat Mississippi
    Note: Literaturverzeichnis: Seite 291-312 , Description based on print version record
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  • 82
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    Online Resource
    Chapel Hill : University of North Carolina Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781469622712
    Language: English
    Pages: 1 Online-Ressource (308 pages)
    DDC: 780.899607307471
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    Keywords: Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; USA
    Note: Description based on publisher supplied metadata and other sources
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  • 83
    Online Resource
    Online Resource
    Bloomington : Indiana University Press
    ISBN: 9780253017017 , 0253017017
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Blacks in the diaspora
    Series Statement: UPCC book collections on Project MUSE
    DDC: 305.8952/16073
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    Keywords: Schwarze ; Sklaverei ; Herkunft ; Ethnische Identität ; Soziale Situation ; African diaspora History ; Power (Social sciences) History ; Africans Ethnic identity ; History ; Blacks Ethnic identity ; History ; Slaves Social conditions ; Akan (African people) Social conditions ; Amerika ; Togo Emigration and immigration ; History ; Côte d'Ivoire Emigration and immigration ; History ; Ghana Emigration and immigration ; History ; America Ethnic relations ; History
    Abstract: "Although they came from distinct polities and peoples who spoke different languages, slaves from the African Gold Coast were collectively identified by Europeans as 'Coromantee' or 'Mina.' Why these ethnic labels were embraced and how they were utilized by enslaved Africans to develop new group identities is the subject of Walter C. Rucker's absorbing study. Rucker examines the social and political factors that contributed to the creation of New World ethnic identities and assesses the ways displaced Gold Coast Africans used familiar ideas about power as a means of understanding, defining, and resisting oppression. He explains how performing Coromantee and Mina identity involved a common set of concerns and the creation of the ideological weapons necessary to resist the slavocracy. These weapons included obeah powders, charms, and potions; the evolution of 'peasant' consciousness and the ennoblement of common people; increasingly aggressive displays of masculinity; and the empowerment of women as leaders, spiritualists, and warriors, all of which marked sharp breaks or reformulations of patterns in their Gold Coast past"--Provided by publisher.
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  • 84
    Online Resource
    Online Resource
    Philadelphia, Pa. : University of Pennsylvania Press
    ISBN: 9780812291131
    Language: English
    Pages: 1 Online-Ressource (219 Seiten)
    Series Statement: American Governance
    Parallel Title: Erscheint auch als
    DDC: 782.421649/1599
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    Keywords: Politik ; Hip-Hop ; Schwarze ; USA ; USA ; Schwarze ; Hip-Hop ; Politik
    Note: In English
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  • 85
    Online Resource
    Online Resource
    Jackson, Mississippi : University Press of Mississippi
    ISBN: 9781626740846 , 9781628461572
    Language: English
    Pages: 1 Online-Ressource (XIX, 256 Seiten)
    Series Statement: American Made Music Series
    Uniform Title: Free jazz - black power
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073
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    Keywords: Geschichte ; Geschichte 1945-1970 ; Geschichte ; Gesellschaft ; Schwarze. USA ; Jazz History and criticism ; Free jazz History and criticism ; African Americans History 1964- ; Jazz Social aspects ; Black power ; Free Jazz ; Schwarze ; USA ; USA ; Free Jazz ; Black power ; Geschichte ; USA ; Free Jazz ; Schwarze ; Geschichte 1945-1970
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 86
    Online Resource
    Online Resource
    New York : Columbia University Press | Oxford : Oxford University Press
    ISBN: 9780231539258
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 305.8009747/1
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    Keywords: Geschichte 1890-1920 ; Schwarze ; Ethnische Beziehungen ; Sozialer Konflikt ; Grundeigentum ; African Americans History ; Racism History ; New York- Harlem ; Harlem (New York, N.Y.) History ; Harlem (New York, N.Y.) Race relations ; Electronic books ; Electronic books ; Online-Publikation
    Abstract: Through the lens of real estate transactions from 1890 to 1920, Kevin McGruder offers an innovative perspective on Harlem's history and reveals the complex interactions between whites and African Americans at a critical time of migration and development.
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 87
    Online Resource
    Online Resource
    London : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc | London : Bloomsbury Publishing
    ISBN: 9781474251945 , 9781472532138 , 9781472525918
    Language: English
    Pages: 1 Online-Ressource (xii, 273 pages)
    Edition: 2014
    Uniform Title: Zwarte schande
    Parallel Title: Erscheint auch als Galen Last, Dick van, 1952 - 2010 Black shame
    Dissertation note: Zugl.: Amsterdam, Univ., Diss., 2010 u.d.T.: Galen Last, Dick van: De zwarte schande. Afrikaanse soldaten in Europa, 1914 - 1922
    DDC: 940.4/03
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    Keywords: Race discrimination 20th century ; World War, 1914-1918 ; Soldiers History 20th century ; World War, 1914-1918 ; World War, 1914-1918 Participation, African American ; Soldiers History 20th century ; World War, 1914-1918 Participation, African American ; World War, 1914-1918 ; World War, 1914-1918 ; Race discrimination 20th century ; Hochschulschrift ; Hochschulschrift ; Europa ; Afrikaner ; Schwarze ; Soldat ; Erster Weltkrieg ; Rassismus ; Diskriminierung ; Geschichte 1914-1922
    Abstract: "Black Shame offers a detailed analysis of the recruitment and deployment of and reactions to African soldiers in the WWI European theatre of war. In so doing, the book paints a vivid picture of the wider debates of race and national identity provoked by the use of African troops within the main actors on the WWI scene: France, Britain, Germany and even the US. Drawing on war-time attitudes, Dick van Galen Last explores the reality and long-term consequences of the participation of African regiments in the post-war occupation of the German territories. Wide-ranging, both geographically and thematically, the first publication of its kind, Black Shame adds a fresh, truly comparative perspective to the scholarship in the fields of imperial and military history, as well as war studies and postcolonial studies, and will appeal to academics and postgraduate students alike."--Bloomsbury Publishing
    Note: Based on the author's thesis , Includes bibliographical references and index
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  • 88
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781107449343
    Language: English
    Pages: 1 Online-Ressource (xiv, 332 pages)
    DDC: 305.80097309/04
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    Keywords: Geschichte 1919 ; Schwarze ; Rassenunruhen ; Bürgerrechtsbewegung ; USA
    Abstract: 1919, The Year of Racial Violence recounts African Americans' brave stand against a cascade of mob attacks in the United States after World War I. The emerging New Negro identity, which prized unflinching resistance to second-class citizenship, further inspired veterans and their fellow black citizens. In city after city - Washington, DC; Chicago; Charleston; and elsewhere - black men and women took up arms to repel mobs that used lynching, assaults, and other forms of violence to protect white supremacy; yet, authorities blamed blacks for the violence, leading to mass arrests and misleading news coverage. Refusing to yield, African Americans sought accuracy and fairness in the courts of public opinion and the law. This is the first account of this three-front fight - in the streets, in the press, and in the courts - against mob violence during one of the worst years of racial conflict in US history.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Volltext  (lizenzpflichtig)
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  • 89
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199936373 , 9780199346455 (Sekundärausgabe)
    Language: English
    Pages: 1 Online-Ressource
    Edition: Online-Ausg. Online-Ressource ISBN 9780199346455
    Edition: [Online-Ausg.]
    DDC: 809.896
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    Keywords: Afroamerikanische Musik ; Literatur ; Solidarität ; Schwarze ; Musik ; Afrika
    Abstract: 'Africa In Stereo' examines the role that African American music has played in the pan-Africanist imagination since the end of the 19th century. Throughout, Jaji marshals a wide array of critical, archival, literary, visual, and sonic sources to craft an argument centered on the stereophonic echoes between three sites on the African continent emblematic of pan-Africanism (Ghana, Senegal, and South Africa) and black musical cultures in the US (as well as few other placeson the diasporic landscape).
    Note: Includes bibliographical references and index , Online-Ausg.:
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  • 90
    Online Resource
    Online Resource
    New York ; London :Routledge,
    ISBN: 978-1-315-74322-6
    Language: English
    Pages: 1 Online-Ressource (200 Seiten).
    Edition: [2nd edition]
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
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    Keywords: Schwarze. USA ; Weibliche Schwarze. Amerika ; African Americans Social conditions 1975- ; African Americans in popular culture ; African American women ; Sex role ; African Americans Race identity ; Whites Race identity ; Racism ; Stereotyp. ; Rassismus. ; Schwarze. ; Massenkultur. ; Vermarktung. ; Schwarze Frau. ; Sexismus. ; USA ; United States Race relations ; USA. ; Electronic books ; Stereotyp ; Rassismus ; Schwarze ; Massenkultur ; Vermarktung ; Schwarze ; Schwarze Frau ; Rassismus ; Sexismus
    Note: Includes bibliographical references. - Erscheinungsdatum der Druck-Ausgabe 2015
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  • 91
    ISBN: 9781137071392
    Language: English
    Pages: 1 Online-Ressource (XXVII, 284 Seiten)
    Series Statement: Contemporary Black History
    DDC: 305.896073
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    Keywords: Schwarze ; Volkskultur ; Protestsong ; Hip-Hop ; USA ; Aufsatzsammlung
    Abstract: Considers the misappropriation of African American popular culture through various genres, largely Hip Hop, to argue that while such cultural creations have the potential to be healing agents, they are still exploited -often with the complicity of African Americans- for commercial purposes and to maintain white ruling class hegemony.
    Note: Description based upon print version of record
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  • 92
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199356027
    Language: English
    Pages: 1 Online-Ressource
    Edition: 25th anniversary edition
    Parallel Title: Erscheint auch als
    DDC: 305.8/96073
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    Keywords: Geschichte 1800-1900 ; Geschichte 1800-1865 ; Geschichte 1800-1900 ; Esclavage - États-Unis ; Nationalisme ; Negers ; Noirs américains - Identité ethnique - Histoire - 19e siècle ; Panafricanisme ; Slavernij ; Geschichte ; Nationalismus ; Schwarze ; Schwarze. USA ; Sklaverei ; African Americans Race identity 19th century ; History ; Pan-Africanism History 19th century ; Slavery ; Schwarze ; Kultur ; Panafrikanismus ; Ethnische Identität ; Sklave ; USA ; USA ; USA ; Sklave ; Panafrikanismus ; Geschichte 1800-1865 ; USA ; Sklave ; Ethnische Identität ; Geschichte 1800-1865 ; USA ; Kultur ; Schwarze ; Geschichte 1800-1900
    Abstract: An updated edition of the highly acclaimed contribution to African-American scholarship, 'Slave Culture' considers how various African peoples interacted on the plantations of the South to achieve a common culture, tracing of the roots of black nationalist feelings in America over several centuries
    Note: Previous edition: 1987 , Includes bibliographical references and index
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  • 93
    ISBN: 1-4724-2979-6 , 978-1-4724-2979-7 , 978-1-4724-2978-0 , 1-4724-2978-8 , 978-1-4724-2980-3 , 1-4724-2980-X , 9781315547343
    Language: English
    Pages: 1 online resource (X, 221 Seiten).
    Series Statement: Ashgate popular and folk music series
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    DDC: 781.64086/91
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    Keywords: Taha, Rachid ; Taha, Rachid Criticism and interpretation ; Geschichte 1945-2010 ; MUSIC / Instruction & Study / Theory ; Blacks ; Music and race ; Popular music / Social aspects ; Reggae music ; Ska (Music) ; Blacks / Great Britain / Music / History and criticism ; Music and race / Great Britain ; Popular music / Social aspects / Great Britain ; Reggae (Music) / Great Britain / History and criticism ; Ska (Music) / Great Britain / History and criticism ; Taha, Rachid / Criticism and interpretation ; Gesellschaft ; Musik ; Popular music Music Social aspects ; Music and race History and criticism ; Ska (Music) History and criticism ; Reggae music History and criticism ; Blacks ; Schwarze. ; Reggae. ; Ska. ; Ethnische Identität. ; Musiksoziologie. ; Großbritannien ; Großbritannien. ; Schwarze ; Reggae ; Ska ; Ethnische Identität ; Musiksoziologie ; Geschichte 1945-2010
    Description / Table of Contents: "A West Indian? you must be joking! I come out of the East end" : Kenny Lynch and English racism in the 1950s and 1960s -- Chris Blackwell and "my boy lollipop" : ska, race and British popular music -- The travels of Johnny Reggae : from Jonathan King to prince Far-I; from skinhead to rasta -- "Ob-la-di ob-la-da" : Paul McCartney, diaspora and the politics of identity -- "Brother Louie" and the representation of interracial relationships in the United Kingdom and the United States of America -- Skin deep : ska and reggae on the racial faultline in Britain, 1968-1981 -- Rachid Taha and the postcolonial presence in French popular music -- "Police on my back" and the postcolonial experience
    Description / Table of Contents: Jon Stratton explores the concept of 'song careers', referring to how a song is picked up and then transformed by being revisioned by different artists and in different cultural contexts, to examine the ways that music has crossed racial faultlines that have developed in the post-Second World War era as a consequence of the movement of previously colonized peoples to the countries that colonized them. It is this migration of music that will appeal not only to those studying popular music, but also cultural studies and race
    Note: Print version record
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  • 94
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839422731
    Language: English
    Pages: 1 Online-Ressource (316 p.)
    Edition: 1st ed.
    Series Statement: American Culture Studies 5
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    Keywords: Geschichte 1920-2000 ; Kunst ; Politik ; Frauenkunst ; Kulturaustausch ; Schwarze ; Künstlerin ; Aktivismus ; Rezeption ; Amerika ; USA ; Deutschland
    Abstract: From Josephine Baker's performances in the 1920s to the 1970s solidarity campaigns for Angela Davis, from Audre Lorde as »mother« of the Afro-German movement in the 1980s to the literary stardom of 1993 Nobel Laureate Toni Morrison, Germans have actively engaged with African American women's art and activism throughout the 20th century. The discursive strategies that have shaped the (West) German reactions to African American women's social activism and cultural work are examined in this study, which proposes not only a nuanced understanding of »African Americanizations« as a form of cultural exchange but also sheds new light on the role of African American culture for (West) German society, culture, and national identity.
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  • 95
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781139061148
    Language: English
    Pages: 1 Online-Ressource (x, 266 pages)
    DDC: 973.7/415
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    Keywords: Geschichte 1861-1865 ; Sklaverei ; Befreiung ; Schwarze ; Emanzipation ; USA
    Abstract: For a century and a half, Abraham Lincoln's signing of the Emancipation Proclamation has been the dominant narrative of African American freedom in the Civil War era. However, David Williams suggests that this portrayal marginalizes the role that African American slaves played in freeing themselves. At the Civil War's outset, Lincoln made clear his intent was to save the Union rather than free slaves - despite his personal distaste for slavery, he claimed no authority to interfere with the institution. By the second year of the war, though, when the Union army was in desperate need of black support, former slaves who escaped to Union lines struck a bargain: they would fight for the Union only if they were granted their freedom. Williams importantly demonstrates that freedom was not simply the absence of slavery but rather a dynamic process enacted by self-emancipated African American refugees, which compelled Lincoln to modify his war aims and place black freedom at the center of his wartime policies.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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  • 96
    Online Resource
    Online Resource
    New York, NY : Palgrave Macmillan | Ann Arbor, Michigan : ProQuest
    ISBN: 9781137305251
    Language: English
    Pages: 1 Online-Ressource (xii, 187 Seiten)
    DDC: 305.896073
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    Keywords: Schwarze ; Hip-Hop ; Subkultur ; Soziale Situation ; USA
    Note: Literaturangaben , Description based upon print version of record
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  • 97
    Online Resource
    Online Resource
    Blue Ridge Summit : Lexington Books | [Ann Arbor, Michigan] : [ProQuest]
    ISBN: 9780739195482
    Language: English
    Pages: 1 Online-Ressource (170 pages)
    Series Statement: New Studies in Southern History
    DDC: 305.80097
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    Keywords: Geschichte 1883-1924 ; Rassenkonflikt ; Schwarze ; Vertreibung ; Arkansas
    Abstract: Racial Cleansing in Arkansas, 1883-1924: Politics, Land, Labor, and Criminality constitutes the first examination of racial cleansing within a particular state, placing Arkansas's record of exclusionary racial violence within the context of the state's political developments, as well as the context of the broader body of ethnic conflict studies.
    Note: Description based on publisher supplied metadata and other sources
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  • 98
    Online Resource
    Online Resource
    New York : Palgrave Macmillan | Ann Arbor, Michigan : ProQuest
    ISBN: 9781137430472
    Language: English
    Pages: 1 Online-Ressource (x, 188 Seiten) , Illustrationen
    Edition: First edition
    DDC: 305.38896
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    Keywords: Geschichte 2009-2013 ; Schwarze ; Männlichkeit ; USA
    Note: Literaturverzeichnis: Seite [173]-180 , Description based on publisher supplied metadata and other sources
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  • 99
    Online Resource
    Online Resource
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780199936380
    Language: English
    Pages: 1 Online-Ressource (289 pages)
    DDC: 809/.896
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    Keywords: Afroamerikanische Musik ; Literatur ; Solidarität ; Schwarze ; Musik ; Afrika
    Note: Description based on publisher supplied metadata and other sources
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  • 100
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781139333672
    Language: English
    Pages: 1 Online-Ressource (xiv, 377 pages)
    DDC: 306.3/6209729109034
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    Keywords: Schwarze ; Haitianische Revolution ; Kuba
    Abstract: During the Haitian Revolution of 1791–1804, arguably the most radical revolution of the modern world, slaves and former slaves succeeded in ending slavery and establishing an independent state. Yet on the Spanish island of Cuba barely fifty miles distant, the events in Haiti helped usher in the antithesis of revolutionary emancipation. When Cuban planters and authorities saw the devastation of the neighboring colony, they rushed to fill the void left in the world market for sugar, to buttress the institutions of slavery and colonial rule, and to prevent 'another Haiti' from happening in their own territory. Freedom's Mirror follows the reverberations of the Haitian Revolution in Cuba, where the violent entrenchment of slavery occurred at the very moment that the Haitian Revolution provided a powerful and proximate example of slaves destroying slavery. By creatively linking two stories - the story of the Haitian Revolution and that of the rise of Cuban slave society - that are usually told separately, Ada Ferrer sheds fresh light on both of these crucial moments in Caribbean and Atlantic history.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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