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  • 1
    ISBN: 9781478011446 , 9781478010418
    Language: English
    Pages: x, 137 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Freeburg, Christopher Counterlife
    Parallel Title: Erscheint auch als Freeburg, Christopher, 1972 - Counterlife
    DDC: 306.3/620973
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    Keywords: Slavery History ; Slavery Sociological aspects ; Slavery in literature ; Schwarze ; Sklaverei ; Psychische Verarbeitung ; Kreativität
    Abstract: Introduction: Slavery's Hereafter -- Sambo's Cloak -- Kaleidoscope Views -- Sounds of Blackness -- The Last Black Hero -- Coda: Chasing Ghosts
    Abstract: "Counterlife demonstrates that scholarship on slavery in the Americas has its imaginative roots in the emergence of sociology/social theory in the 1950s as well as aesthetic movements (e.g., naturalism and modernism) that flourished in the early twentieth century. Debates between social scientists, artists, and politicians about mass culture, modern urban space, and socialization amplify slavery studies' preoccupation with political insurgency and resistance. This book analyzes the kinds of descriptions of social space, power, and personality type that became pivotal in the early sociology and psychology of slavery studies"--
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Durham ; London : Duke University Press
    ISBN: 9781478012962 , 147801296X
    Language: English
    Pages: 1 Online-Ressource (x, 137 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.3/620973
    RVK:
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    Keywords: LITERARY CRITICISM / American / General ; Slavery / History / United States ; Slavery / Sociological aspects / United States ; Slavery in literature ; Slavery History ; Slavery Sociological aspects ; Schwarze ; Sklaverei ; Kreativität ; Psychische Verarbeitung ; Schwarze ; Sklaverei ; Psychische Verarbeitung ; Kreativität
    Abstract: In Counterlife Christopher Freeburg poses a question to contemporary studies of slavery and its aftereffects: what if freedom, agency, and domination weren't the overarching terms used for thinking about Black life? In pursuit of this question, Freeburg submits that current scholarship is too preoccupied with demonstrating enslaved Africans' acts of political resistance, and instead he considers Black social life beyond such concepts. He examines a rich array of cultural texts that depict slavery-from works by Frederick Douglass, Radcliffe Bailey, and Edward Jones to spirituals, the television cartoon The Boondocks, and Quentin Tarantino's Django Unchained-to show how enslaved Africans created meaning through artistic creativity, religious practice, and historical awareness both separate from and alongside concerns about freedom. By arguing for the impossibility of tracing slave subjects solely through their pursuits of freedom, Freeburg reminds readers of the arresting power and beauty that the enigmas of Black social life contain
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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