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  • BVB  (290)
  • MPI Ethno. Forsch.  (37)
  • 2015-2019  (314)
  • 2016  (314)
  • Musicology  (314)
Datasource
Material
Language
Year
  • 1
    Journal/Serial
    Journal/Serial
    Grahamstown | Johannesburg | Roodeport ; 1.1954/57 - 7.1991/99; 8.2007 -
    ISSN: 0065-4019
    Language: English
    Dates of Publication: 1.1954/57 - 7.1991/99; 8.2007 -
    Parallel Title: Online-Ausg. African music
    Former Title: Vorg.: African Music Society Newsletter / African Music Society
    Former Title: journal of the African Music Society
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    Keywords: Zeitschrift
    Note: Repr.: Amsterdam : Swets & Zeitlinger
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  • 2
    Language: German
    Dates of Publication: Nachgewiesen 2001 -
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    Keywords: Zeitschrift
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  • 3
    Journal/Serial
    Journal/Serial
    Paris : Musée du Quai Branly | Paris : Musée de l'Homme ; 1.1895/96 - 5.1904; N.S. 1.1903/04 -
    ISSN: 0037-9174 , ISSN 1957-7842
    Language: French
    Pages: 28 cm
    Dates of Publication: 1.1895/96 - 5.1904; N.S. 1.1903/04 -
    Additional Information: Beil.: Société des Américanistes de Paris Actes de la Société
    Additional Information: Ab 68.1982 darin Bibliographie américaniste / Archéologie et préhistoire, anthropologie et ethnohistoire. Archéologie et préhistoire, anthropologie et ethnohistoire
    Additional Information: Bis 1964 darin u. ab 1965 Beil. Bibliographie américaniste
    Parallel Title: Digital. Ausg. Société des Américanistes de Paris Journal de la Société des Américanistes
    Parallel Title: Online-Ausg. Société des Américanistes de Paris Journal de la Société des Américanistes
    Former Title: Journal de la Société des Américanistes de Paris
    Former Title: Journal
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    Keywords: Zeitschrift
    Note: Repr.: New York, NY : Johnson , Ersch. jährl. , Index 64/72.1977/86 in: 73.1987
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  • 4
    Journal/Serial
    Journal/Serial
    Berlin : Logos Verlag Berlin | Stockholm : Nordiska Musikförl. | Halle an der Saale : Stekovics | Münster : MV-Wissenschaft, Monsenstein und Vannerdat ; 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    ISSN: 2191-5261 , 2191-5261
    Language: English
    Pages: 24 cm
    Dates of Publication: 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    Additional Information: 1=3; 2=4; 3=5; 4=6; 5=7; 6=8; 7=9 von Musikmuseet 〈Stockholm〉 Musikhistoriska Museets skrifter Stockholm : Norstedt, 1964-1981 0081-5675
    Additional Information: 1=2; 2=3; 4=4; 5=5; 6=6; 7=7 von International Folk Music Council / Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Folk Music Council Stockholm : Musikhistoriska Museet, 1969-1981
    Additional Information: 8=10; 9=14; 10=24 von Musikmuseet 〈Stockholm〉 Musikmuseets skrifter Stockholm : Musikmuseet, 1985- 0282-8952
    Additional Information: 8=8 von International Council for Traditional Music / Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Council for Traditional Music Stockholm : Musikmuseet, 1985-1985
    Additional Information: 9=9; 10=10; 11=11; 12=12 von International Council for Traditional Music / Study Group on Folk Musical Instruments Report from the ... international meeting of the International Council for Traditional Music's Study Group on Folk Musical Instruments Stockholm : Musikmuseet, 1989-2004
    Additional Information: 15=15 von International Council for Traditional Music / Study Group on Folk Musical Instruments Proceedings from the ... international meeting / International Council for Traditional Music, Study Group on Folk Musical Instruments Stockholm : Svensk Visarkiv, 2005-2005
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    Keywords: Volksmusik ; Volksmusikinstrument ; Zeitschrift ; Volksmusikinstrument ; Volksmusik ; Volksmusikinstrument
    Note: 13 u. 14 nicht ersch.
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  • 5
    Language: Serbian , English
    Dates of Publication: 1.1950 -
    Additional Information: 1=158; 8=271 von Srpska akademija nauka i umetnosti Posebna izdanja / Srpska Akademija Nauka i Umetnosti Beograd : [Wechselnde Verleger], 1960 0352-1850
    Additional Information: 1=158; 8=271 von Srpska akademija nauka i umetnosti Posebna izdanja / Srpska Akademija Nauka i Umetnosti Beograd : [Wechselnde Verleger], 1960 0352-1850
    DDC: 300
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    Keywords: Monografische Reihe
    Note: Wechselnde Parallelsacht , Urh. anfangs: Srpska Akademija Nauk, Etnografski Institut , Ersch. unregelmäßig , Teils in kyrill. Schr.; Text serb.
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  • 6
    Language: German
    Parallel Title: Erscheint auch als Deutscher Gangsta-Rap
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    Keywords: Gangsta rap (Music) Social aspects ; Rap (Music) History and criticism ; Aufsatzsammlung
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  • 7
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520963412
    Language: English
    Pages: 1 Online-Ressource (xvi, 261 Seiten) , Illustrationen
    Series Statement: Music of the african diaspora 18
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6508996073044361
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    Keywords: Geschichte 1900-2000 ; Geschichte 1945-1961 ; Jazz musicians 20th century ; African American musicians 20th century ; Jazz History and criticism ; African American authors 20th century ; Amerikanischer Einwanderer ; Schriftsteller ; Kulturkontakt ; Ethnische Identität ; Jazzmusiker ; Schwarze ; Frankreich ; Paris (France) Race relations 20th century ; Paris ; Paris ; Amerikanischer Einwanderer ; Jazzmusiker ; Schriftsteller ; Schwarze ; Ethnische Identität ; Kulturkontakt ; Geschichte 1945-1961
    Abstract: "At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians...and African American artists based in Europe like writer and social critic James Baldwin...adopted a variety of strategies to cope with the cultural and social assumptions that greeted them throughout their careers in Paris, particularly in light of the cultural struggles over race and identity that gripped France as colonial conflicts like the Algerian War escalated. Through case studies of prominent musicians and thoughtful analysis of personal interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this post-war musical migration. Examining a number of players in the jazz scene, including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke, Braggs identifies how they performed both as musicians and as African Americans. The collaborations that they and other African Americans created with French musicians and critics complicated racial and cultural understandings of who could play and represent "authentic" jazz. Their role in French society challenged their American identity and illusions of France as a racial safe haven. In this post-war era of collapsing nations and empires, African American jazz players and their French counterparts destabilized set notions of identity. Sliding in and out of black and white and American and French identities, they created collaborative spaces for mobile and mobilized musical identities, what Braggs terms 'jazz diasporas.'"...Provided by publisher
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253019493
    Language: English
    Pages: 1 Online-Ressource (360 Seiten)
    Series Statement: Ethnomusicology multimedia
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.947/54
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    Keywords: Geschichte ; Music / Azerbaijan / History and criticism ; Folk music / Azerbaijan / History and criticism ; Azerbaijanis / Music ; Musik ; Nationalbewusstsein ; Aserbaidschan ; Aserbaidschan ; Musik ; Nationalbewusstsein ; Geschichte
    Note: Includes bibliographical references and index
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  • 9
    ISBN: 9783955750527 , 3955750523
    Language: German
    Pages: 132 Seiten
    Edition: 1. Auflage
    Series Statement: testcard zwergobst
    DDC: 780
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    Keywords: Geschichte 1968-1978 ; Krautrock ; Deutschland ; Deutschland ; Krautrock ; Geschichte 1968-1978
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  • 10
    ISBN: 9781594518157 , 9781594518164
    Language: English
    Pages: xiii, 166 Seiten
    DDC: 782.42164/159
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    Keywords: Popular music / History and criticism ; Love songs / History and criticism ; Emotions in music ; Emotions in music ; Love songs ; Popular music / Criticism, interpretation, etc
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  • 11
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780199338634
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als
    DDC: 791.43/6
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    Keywords: Dance in motion pictures, television, etc ; Dance in motion pictures, television, etc ; Tanz ; Film ; Video ; Performance
    Abstract: The Oxford Handbook of Screendance Studies offers a scholarly overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema, and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each essay discusses and reframes current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed include politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; dance and interactive and digital technology; and production and curatorial practice.
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  • 12
    ISBN: 9780199356171
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als
    DDC: 780.71
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    Keywords: Music Instruction and study ; Social aspects ; Social justice ; Music ; Instruction and study ; Social aspects ; Social justice ; Aufsatzsammlung ; Musikerziehung ; Soziale Gerechtigkeit
    Abstract: Preface
    Note: Literaturangaben
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  • 13
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden | Imprint: Springer VS
    ISBN: 9783658133733 , 9783658133726
    Language: German
    Pages: 1 Online-Ressource (XVIII, 262 S. 13 Abb)
    Parallel Title: Erscheint auch als SängerInnenberuf heute
    DDC: 306.3
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    Keywords: Klassische Musik ; Anforderungsprofil ; Sänger ; Berufsausbildung ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Sänger ; Klassische Musik ; Berufsausbildung ; Anforderungsprofil
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 14
    Online Resource
    Online Resource
    Wiesbaden : Springer VS
    ISBN: 9783658114961
    Language: German
    Pages: Online-Ressource (XX, 514 S. 150 Abb., 67 Abb. in Farbe, online resource)
    Edition: 1. Aufl. 2016
    Series Statement: Systematische Musikwissenschaft
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Hemming, Jan, 1967 - Methoden der Erforschung populärer Musik
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    Keywords: Culture Study and teaching ; Cultural and Media Studies ; Music ; Social sciences ; Cultural studies ; Popmusik ; Systematische Musikwissenschaft ; Forschungsmethode ; Popmusik ; Forschung
    Abstract: Text 4. Mit der Schwerpunktsetzung auf Methoden ermöglicht dieses Buch einen Einstieg in das Gebiet der wissenschaftlichen Beschäftigung mit populärer Musik. Geschrieben aus der Perspektive eines Musikwissenschaftlers richtet es sich gleichermaßen an Studierende wie an Wissenschaftler aus dem disziplinären und interdisziplinären Kontext. Es werden sowohl elementare Grundlagen vermittelt als auch umfassende theoretische Reflexionen angeboten, um eigene Forschungen anzuregen und zu unterstützen. Hierzu werden in den jeweiligen Kapiteln Überblicksdarstellungen gegeben und durch eigene Anwendungsbeispiele veranschaulicht. Der Inhalt • Ein theoretisches Rahmenmodell zu Musikwissenschaft und populärer Musik • Neun Methodenkapitel zu Produktion, Analyse, Semiotik, Geschlecht, empirischen Verfahren, Kontext, Ökonomie, Globalisierung und Geschichte • Definition populärer Musik und dazugehörige wissenschaftliche Terminologie Die Zielgruppen • Studierende und Forschende in Musikwissenschaft und angrenzenden Disziplinen Der Autor Jan Hemming ist Professor für Systematische Musikwissenschaft an der Universität Kassel, war Vorstandsmitglied der International Association for the Study of Popular Music und steht für die Zusammenführung kulturtheoretischer und e mpirischer Zugänge in der Erforschung populärer Musik.
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 15
    ISBN: 9780199378579
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als
    DDC: 780.87
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    Keywords: People with disabilities in music ; Disability studies ; Musicians with disabilities ; People with disabilities in music ; Disability studies ; Musicians with disabilities ; Musiker ; Behinderung
    Abstract: The essays in this volume share a theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability is shown to be a core feature of the musical identity of music makers (especially composers and performers), something that affects their lives and works and their public reception. Music represents disability in various ways and affirms the notion that disability is a performance, something you do rather than something you are. These essays make the case that disability is not something at the periphery of culture and music, but something central to our art and to our humanity. They also address an important lacuna within a Disability Studies that has mostly overlooked music as a medium through which disability can be constructed.
    Note: Includes bibliographical references (Seiten 889-890) and index , First issued as an Oxford University Press paperback
    URL: Volltext  (lizenzpflichtig)
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  • 16
    ISBN: 9781137497604
    Language: English
    Pages: 1 Online-Ressource (xi, 204 Seiten) , Illustrationen
    Series Statement: Pop music, culture and identity
    DDC: 301
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    Note: Literaturangaben , Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 17
    ISBN: 3839435048 , 9783839435045
    Language: English
    Pages: 1 Online-Ressource (428 Seiten) , Illustrationen
    Series Statement: Mainz historical cultural sciences volume 33
    Series Statement: Mainzer historische Kulturwissenschaften
    Parallel Title: Erscheint auch als Music Migrations: from Source Research to Cultural Studies (Veranstaltung : 2014 : Mainz) Musicians' mobilities and music migrations in Early Modern Europe
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    Keywords: Konferenzschrift 2014 ; Europa ; Musikleben ; Musiker ; Mobilität ; Migration ; Geschichte 1600-1899
    Abstract: "During the 17th and 18th century musicians' mobilities and migrations are essential for the European music history and the cultural exchange of music. Adopting viewpoints that reflect different methodological approaches and diversified research cultures, the book presents studies on central scopes, strategies and artistic outcomes of mobile and migratory musicians as well as on the transfer of music. By looking at elite and non-elite musicians and their everyday mobilities to major and minor centers of music production and practice, new biographical patterns and new stylistic paradigms in the European East, West and South emerge
    Abstract: Cover -- Content -- Preface -- Roads which are commonly wonderful for the musicians -- Early Modern Times Musicians' Mobility and Migration -- Between Collective Biography and Biography: Cultural -- Historical Approaches to Musicians' Migrations in the Early Modern Age. -- Migration and Biography. The Case of Agostino Steffani try it elsewhere ... -- Konrad Hagius and Musicians' Mobility in Early Modern Times in Light of Local and Regional Profile -- Competition at the Catholic of Munich. Italian Musicians and Family Networks. -- Foreign Musicians at the Polish Court in the Eighteenth Century. The Case of Pietro Mira Luka Sorgo -- a Nobleman and Composer from Dubrovnik -- MUSICI and MusMig. Continuities and Discontinuities -- Sources of Musicians' Migrations Between Court and City. -- Musical Travels. Sources of Musicians' Tours and Migrations in the Seventeenth and Eighteenth Century " & und bißhero mein Glück in der Welt zu suchen & -- Notes on the Biography of Jonas Friederich Boenicke -- The Russian Experience. The Example of Filippo Balatri
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  • 18
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190629267
    Language: English
    Pages: 1 Online-Ressource (xxvi, 220 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42166092
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    Keywords: Radiohead (Musical group) ; Radiohead ; Geschichte 1989- ; Rock music / England / History and criticism ; Rockmusik ; Musikalische Analyse ; Rockgruppe ; Großbritannien ; Radiohead ; Rockmusik ; Musikalische Analyse ; Großbritannien ; Rockgruppe ; Geschichte 1989-
    Abstract: 'Everything in its Right Place' identifies the secret to Radiohead's immense commercial and critical success in the band's ability to navigate a sweet spot between expectation and surprise. The author uses tools from musical perception, semiotics, and music theory to demonstrate this reconciliation of extremes, and analyzes musical meaning with lyrics, biographical details, and intertextual relationships
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 19
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199347698 , 9780199347674 , 9780199347681 , 9780190456825
    Language: English
    Pages: 1 Online-Ressource (xiii, 289 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 791.43/6578
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    Keywords: Jazz in motion pictures ; Musicians in motion pictures ; Jazz on television ; Musicians on television ; Rezeption ; Jazz ; Fernsehsendung ; Jazzmusiker ; Film ; Konferenzschrift 2011 ; Konferenzschrift 2011 ; Film ; Fernsehsendung ; Rezeption ; Jazzmusiker ; Jazz
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 20
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190467845
    Language: English
    Pages: 1 Online-Ressource (xiv, 263 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 781.64094965
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    Keywords: Geschichte 1945-2010 ; Popular music / Political aspects / Albania ; Music and state ; Popular music / Albania / History and criticism ; Musikpolitik ; Entwicklung ; Gesellschaft ; Soziologie ; Staat ; Popmusik ; Albanien ; Hochschulschrift ; Hochschulschrift ; Albanien ; Popmusik ; Staat ; Musikpolitik ; Gesellschaft ; Soziologie ; Entwicklung ; Geschichte 1945-2010
    Abstract: In 'Audible States', Nicholas Tochka traces an aural history of Albania's government through a close examination of the development and reception of light music as it has long been broadcast at an annual song competition, Radio-Television Albania's Festival of Song. Drawing on a wide range of archival resources and over 40 interviews with composers, lyricists, singers, and bureaucrats, Tochka describes how popular music became integral to governmental projects to improve society and a major concern for both state-socialist and post-socialist regimes between 1945 and the present
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190497071
    Language: English
    Pages: 1 Online-Ressource (293 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.3/6
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    Keywords: Juden ; Judentum ; Musik ; Jews Music ; History and criticism ; Judaism Liturgy ; Kirchengesang ; Judentum ; Neue Medien ; Moderne ; Geistliche Musik ; Liturgie ; Judentum ; Geistliche Musik ; Kirchengesang ; Liturgie ; Neue Medien ; Moderne
    Abstract: Singing God's Words is the first in-depth study of the experience and meaning of chanting or "reading" Torah among contemporary American Jews. This experience has been transformed dramatically in recent years by the impact of digital technology, feminism, the empowerment of lay people and a search for self-fulfillment through involvement with community. At a time when worshippers seek deeper spiritual experience, many Jews have found new meaning in the experience of reading Torah, an act that is broadly accessible to Jewish adults even as it requires intensive immersion with the text of the Bible in Hebrew. This book examines why and how growing numbers of American Jews in all denominations see the public chanting of Biblical texts during the synagogue service as one of the most authentic and personal expressions of their religious identity. Drawing on hundreds of interviews with men and women, both professionals and congregants, Jeffrey A. Summit describes how the reading of Torah embodies their understanding of historical religious practice, even as it is shaped by contemporary views of spiritual experience. Through this act, holiness becomes manifest at the intersection of Biblical chant, sacred text, the individual, and the community. - Jeffrey A. Summit is Research Professor in the Department of Music and Judaic Studies at Tufts University, where he also serves as rabbi and Neubauer Executive Director of Tufts Hillel. He is the author of The Lord's Song in a Strange Land: Music and Identity in Contemporary Jewish Worship (OUP). His CD Abayudaya: Music from the Jewish People of Uganda was nominated for a Grammy Award.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 22
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190244545
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 781.62924
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    Keywords: Sozialgeschichte ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Musikleben ; Klezmer ; Aschkenasim ; Musik ; Musikalischer Stil ; Tanz ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 23
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199387809
    Language: English
    Pages: 1 Online-Ressource (xxii, 260 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64089680747
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    Keywords: Geschichte 1930-1970 ; Salsa (Music) / New York (State) / New York / 1961-1970 / History and criticism ; Salsa (Music) / New York (State) / New York / 1971-1980 / History and criticism ; Salsa (Music) ; Musikleben ; Salsa ; New York (State) / New York ; New York, NY ; New York, NY ; Salsa ; Musikleben ; Geschichte 1930-1970
    Description / Table of Contents: Includes bibliographical references and index
    Description / Table of Contents: Introduction. Guaracha to mambo : style shifts of the earlier generations (1930-60) -- Pachanga alegre -- La perfectafit -- Boogaloo soul -- Revolt in típico -- Fania's Latin thing -- Salsoul challenges
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 24
    Book
    Book
    London and New York : Routledge Taylor & Francis Group
    ISBN: 9781138907850
    Language: English
    Pages: VI, 298 Seiten
    Edition: 5. ed.
    Uniform Title: Understanding popular music culture
    DDC: 781.64
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    Keywords: Geschichte 1900-2000 ; Geschichte 1900-2010 ; Geschichte ; Popular music History and criticism ; Popular culture History 20th century ; Popkultur ; Popmusik ; Einführung ; Popmusik ; Popkultur ; Geschichte 1900-2010
    Description / Table of Contents: Includes bibliographical references and index
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  • 25
    Book
    Book
    Gurgaon, India : Shubhi Publications
    ISBN: 9788182901711
    Language: English
    Pages: 168 Seiten, 14 ungezählte Blätter , Illustrationen
    Edition: First edition
    DDC: 792.0954
    RVK:
    Keywords: Geschichte ; Dance / India / History ; Music / India / History and criticism ; Theater / India / History ; Geschichte ; Musik ; Musiktheater ; Musik ; Tanz ; Indien ; Indien ; Indien ; Tanz ; Musik ; Geschichte ; Indien ; Musiktheater ; Geschichte
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  • 26
    Book
    Book
    London : Faber & Faber
    ISBN: 9780571277636
    Language: English
    Pages: XII, 653 Seiten , Illustrationen
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    Keywords: Geschichte 1966 ; Sozialgeschichte ; Musik ; Popkultur ; Politisches Engagement ; Gesellschaft ; Kunst ; Popkultur ; Musik ; Kunst ; Gesellschaft ; Politisches Engagement ; Sozialgeschichte ; Geschichte 1966
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  • 27
    ISBN: 9783839433874
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1945-1990 ; Politik ; Medien ; DDR ; Musik ; Popkultur ; BRD ; Alltagskultur ; Media ; Politics ; Music ; Deutsche Geschichte ; German History ; Popular Culture ; Musikgeschichte ; Musikwissenschaft ; Music History ; Musicology ; Popmusik ; Pop Music ; Gdr ; Daily Life ; Blues ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Blues ; Geschichte 1945-1990
    Abstract: Der Blues wird gern auf eine Handvoll Klischees und zwölf Takte reduziert. Doch tatsächlich verbergen sich hinter der scheinbar standardisierten Klangoberfläche mannigfaltige Formen des kulturellen Gebrauchs. Mittels umfangreicher Archivrecherchen illustriert Michael Rauhuts Vergleich der Entwicklung des Blues in Ost- und Westdeutschland, wie soziale und politische Verhältnisse den Sinn von Musik formen.Rauhut zeigt: Wenn auch die Sounds weltweit gültigen Mustern folgen und kaum Unterschiede erkennen lassen, sind doch die Bedeutungszusammenhänge, in denen sich der Blues realisiert, durchaus verschieden. Die Studie bietet nicht nur ein kultur- und musikgeschichtliches Resümee der Genese des Blues in Deutschland, sondern leistet auch einen Beitrag zur Globalisierungsdebatte
    Abstract: People like to reduce the blues to a handful of clichés and twelve bars. But in actual fact, behind the seemingly standardized surface of the sound, manifold forms of cultural use are concealed. Using extensive archival research, Michael Rauhut's comparison of the development of the blues in East and West Germany illustrates how social and political relations form the meaning of music. It shows that even if the sounds follow globally valid models and differences can barely be recognized, the contexts of meaning in which the blues is employed are thoroughly different. This study offers not just a historical summary of the blues, it also provides a contribution to the debate around globalization
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  • 28
    ISBN: 3658118121 , 9783658118129 , 9783658118136
    Language: German
    Pages: 333 Seiten , Diagramme , 21 cm x 14.8 cm, 442 g
    Series Statement: Musik und Medien
    Dissertation note: Dissertation Humboldt-Universität Berlin 2013
    DDC: 320
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    Keywords: WOMEX ; Musikwirtschaft ; Kultursoziologie ; Kulturökonomik ; Internationaler Markt ; Welt ; Europa ; Marktsoziologie ; Dissertation ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Weltmusik ; Musikmarkt
    Note: Erscheinungsjahr in Vorlageform:[2016]
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  • 29
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199764891
    Language: English
    Pages: xxii, 260 Seiten , Illustrationen , 21 cm
    DDC: 781.64089680747
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    Keywords: Geschichte 1930-1970 ; Salsa (Music) / New York (State) / New York / 1961-1970 / History and criticism ; Salsa (Music) / New York (State) / New York / 1971-1980 / History and criticism ; Salsa (Music) ; Musikleben ; Salsa ; New York (State) / New York ; New York, NY ; New York, NY ; Salsa ; Musikleben ; Geschichte 1930-1970
    Description / Table of Contents: Introduction. Guaracha to mambo : style shifts of the earlier generations (1930-60) -- Pachanga alegre -- La perfectafit -- Boogaloo soul -- Revolt in típico -- Fania's Latin thing -- Salsoul challenges
    Note: Includes bibliographical references and index
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  • 30
    ISBN: 9783506782953 , 3506782959
    Language: German
    Pages: 208 Seiten , Illustrationen , 21.5 cm x 13.4 cm
    DDC: 781.6509
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    Keywords: Aufsatzsammlung ; Konferenzschrift 15.11.2013-16.11.2013 ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift 15.11.2013-16.11.2013 ; Hobsbawm, Eric J. 1917-2012 ; Jazz ; Geschichte ; Musikgeschichtsschreibung ; Musikästhetik
    Note: Literaturangaben, Diskografieangaben , "Die Beiträge des vorliegenden Bandes gehen auf die Tagung "Hobsbawm, Newton und Jazz" zurück, die wir am 15. und 16. November 2013 an der Johannes Gutenberg-Universitat (JUG) [...] ausgerichtet haben." (Seite 26)
    URL: Cover
    URL: Cover
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  • 31
    ISBN: 9781472452108
    Language: English
    Pages: XIV, 237 Seiten , Illustration
    Edition: First published
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    DDC: 782.42164094
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    Keywords: Gesellschaft ; Politik ; Popular music Influence ; Popular music Political aspects ; Popular music Social aspects ; Music and transnationalism ; Politik ; Sänger ; Musiksoziologie ; Songwriter ; Popmusik ; Europa ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Popmusik ; Sänger ; Songwriter ; Politik ; Musiksoziologie
    Note: Includes bibliographical references and index
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  • 32
    ISBN: 9781472465719 , 9781472465726 , 9781472465733
    Language: English
    Pages: xiv, 276 Seiten , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: SOAS musicology series
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2016
    DDC: 781.62/893
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    Keywords: Rebetiko ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Rebetiko
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  • 33
    ISBN: 9781438462042 , 9781438462035
    Language: English
    Pages: xii, 255 Seiten , 24 cm
    Series Statement: SUNY series in new political science
    DDC: 305.809/073
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    Keywords: White supremacy movements Songs and music ; History and criticism ; Popular music Political aspects ; Popular music Social aspects ; Neo-Nazism ; Hate groups ; Einführung ; Einführung ; Rassismus ; Rechtsradikalismus ; Rockmusik ; Demokratie ; Soziale Funktion
    Abstract: Popular music plays a major role in mobilizing citizens, especially youth, to fight for political causes. Yet the presence of music in politics receives relatively little attention from scholars, politicians, and citizens. White power music is no exception, despite its role in recent high-profile hate crimes. Trendy Fascism is the first book to explore how contemporary white supremacists use popular music to teach hate and promote violence. Nancy S. Love focuses on how white power music supports "trendy fascism," a neo-fascist aesthetic politics. Unlike classical fascism, trendy fascism involves a hyper-modern cultural politics that exploits social media to create a global white supremacist community. Three case studies examine different facets of the white power music scene: racist skinhead, neo-Nazi folk, and goth/metal. Together these cases illustrate how music has replaced traditional forms of public discourse to become the primary medium for conveying white supremacist ideology today. Written from the interdisciplinary perspective on culture, economics, and politics best described as critical theory, this book is crucial reading for everyone concerned about the future of democracy. -- Provided by publisher
    Abstract: Mobilizing white power: music, culture, and politics -- Playing with hate: racist skinheads, Skrewdriver, and liberal tolerance -- Imaging a white nation: neo-nazi folk, family values, and Prussian Blue -- Building a church: Rahowa, heavy metal, and racial ecology -- Recycling white trash: aesthetics, music, and democracy
    Note: Includes bibliographical references (pages 215-245) and index
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  • 34
    ISBN: 9781496804914 , 9781496805058
    Language: English
    Pages: xviii, 280 Seiten , Diagramme
    Series Statement: American made music series
    DDC: 781.642081
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    Keywords: Country-Musiker ; Country-Musikerin ; Geschlechterrolle ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Selected bibliography Seite 255-266
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  • 35
    Book
    Book
    Ann Arbor : University of Michigan Press
    ISBN: 9780472119950
    Language: English
    Pages: x, 291 Seiten
    Series Statement: Tracking pop
    DDC: 782.42166092/2
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    Keywords: Wilson, Brian ; The Beach Boys ; Geschichte
    Note: General bibliography: Seite 263-274
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  • 36
    ISBN: 9783518466759 , 3518466755
    Language: German
    Pages: 478 Seiten , Illustrationen , 21 cm
    Edition: Erste Auflage, deutsche Erstausgabe
    Series Statement: Suhrkamp-Taschenbuch 4675
    Series Statement: Suhrkamp nova
    Uniform Title: Clothes, clothes, clothes. Music, music, music. Boys, boys, boys
    DDC: 782.42166092
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    Keywords: Albertine, Viv ; Geschichte 1954- ; Rockmusikerin ; Punk Rock ; Großbritannien ; Best Music Book of 2014 ; Feminismus ; Frauenpunkband ; Memoir ; Pop Music Book of the Year 2014 ; Popkultur ; Punk ; Punkszene ; Riot Girl ; The Slits ; Autobiografie ; Autobiografie ; Albertine, Viv 1954- ; Großbritannien ; Rockmusikerin ; Punk Rock ; Geschichte 1954-
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 37
    ISBN: 9781433123368 , 9781433123375
    Language: English
    Pages: XXI, 221 Seiten , Illustrationen
    Series Statement: Popular Culture and Everyday Life 27
    Parallel Title: Erscheint auch als
    DDC: 780
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    Keywords: Kreativität ; Technische Innovation ; Neue Medien ; Hip-Hop ; Discjockey ; Musikwirtschaft ; Evolution of Technology ; Hip Hop ; Hip Hop DJ ; History of DJs ; Sound Technology ; Vinyl Archive ; Discjockey ; Hip-Hop ; Neue Medien ; Discjockey ; Hip-Hop ; Musikwirtschaft ; Kreativität ; Technische Innovation
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  • 38
    ISBN: 9781498531801 , 9781498531788
    Language: English
    Pages: xiv, 257 Seiten
    DDC: 781.5990973
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    Keywords: Bürgerrechtsbewegung ; Afroamerikanische Musik ; Soziale Funktion ; USA
    Note: Bibliographie Seite 203-248
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  • 39
    ISBN: 9780472119752 , 9780472121649
    Language: English
    Pages: VIII, 295 Seiten , Illustrationen , 24 cm
    Series Statement: Tracking pop
    DDC: 781.64
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    Keywords: Underground music Social aspects ; Underground music Political aspects ; Underground music History and criticism ; Subculture ; Underground ; Musiker ; Musikleben ; Soziale Funktion
    Abstract: In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture through interviews and analysis, developing a critical account of both the music and its political and cultural economy
    Note: Literaturverzeichnis: Seite 269-289
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  • 40
    ISBN: 1439913331 , 9781439913338
    Language: English
    Pages: xv, 335 Seiten , Fotografien
    DDC: 781.65092
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    Keywords: Golson, Benny ; Autobiografie ; Biografie ; Autobiografie ; Biografie
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  • 41
    Book
    Book
    Lanham, Maryland : Rowman & Littlefield
    ISBN: 9781442247246 , 9781442247239
    Language: English
    Pages: xix, 205 pages , 24 cm
    Parallel Title: Erscheint auch als All by myself
    DDC: 781.66092/2
    RVK:
    Keywords: Solo albums (Sound recordings) History and criticism ; Rock music History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Rockmusiker ; Solist ; Musikalbum ; Schallaufzeichnung
    Abstract: I think I'm pretty good : Paul McCartney and the art of AlphaSoloism / by Steve Hamelman -- A perspective on the single-artist album and John Fogerty's Blue Ridge Rangers (1973) / by Thomas Kitts -- Songs in the key of strife : Stevie Wonder's solitary songs of social significance on Innervisions (1973) / by Ian Peddie -- His life with you he shares : Prince's For you (1979) / by Sarah Niblock -- Breaking free of Queen : Roger Taylor's Fun in space (1981) / by Nick Braae -- Martin Newell's the Greatest living Englishman (1993) / by James Martens -- Resignation with flair : Elliott Smith's Roman candle (1994) / by Kristin Lieb -- Thrown into a cruel world : Neil Young's Dead man (1995) / by Ulrich Adelt -- Narrative themes about post-band solo work in media coverage of Ben Folds's Rockin' the suburbs (2001) / by Jordan M. McClain and Amanda S. McClain -- What's for tea, daughter? : technology and selling out in Petra Haden sings the Who sell out (2005) / by Colin Helb -- So young, so country, so self-contained : Hunter Hayes (2011) / by Lawrence Pitilli
    Description / Table of Contents: I think I'm pretty good : Paul McCartney and the art of AlphaSoloism / by Steve HamelmanA perspective on the single-artist album and John Fogerty's Blue Ridge Rangers (1973) / by Thomas Kitts -- Songs in the key of strife : Stevie Wonder's solitary songs of social significance on Innervisions (1973) / by Ian Peddie -- His life with you he shares : Prince's For you (1979) / by Sarah Niblock -- Breaking free of Queen : Roger Taylor's Fun in space (1981) / by Nick Braae -- Martin Newell's the Greatest living Englishman (1993) / by James Martens -- Resignation with flair : Elliott Smith's Roman candle (1994) / by Kristin Lieb -- Thrown into a cruel world : Neil Young's Dead man (1995) / by Ulrich Adelt -- Narrative themes about post-band solo work in media coverage of Ben Folds's Rockin' the suburbs (2001) / by Jordan M. McClain and Amanda S. McClain -- What's for tea, daughter? : technology and selling out in Petra Haden sings the Who sell out (2005) / by Colin Helb -- So young, so country, so self-contained : Hunter Hayes (2011) / by Lawrence Pitilli.
    Note: Includes bibliographical references and index
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  • 42
    ISBN: 9783869165011 , 3869165014
    Language: German
    Pages: 304 Seiten , Notenbeispiele
    Uniform Title: Die semantischen Wandlungen des Jazz in der Filmmusik
    Dissertation note: Dissertation Hochschule für Musik Carl Maria von Weber Dresden 2015
    DDC: 780
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    Keywords: Geschichte 1900-2000 ; Jazz ; Filmmusik ; Filmmusik ; Geschichte des Jazz ; Jazz ; Kulturgeschichte ; Musikgeschichte ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Filmmusik ; Jazz ; Geschichte 1900-2000
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  • 43
    Book
    Book
    Madison : Fairleigh Dickinson University Press
    ISBN: 9781611478600
    Language: English
    Pages: XXXIX, 217 Seiten
    DDC: 782.42166092/2
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    Keywords: Radiohead (Musical group) ; Radiohead ; Gesellschaft ; Technology Social aspects ; Ökologie ; Medien ; Technologie ; Sozialer Wandel ; Radiohead OK computer ; Technologie ; Medien ; Ökologie ; Sozialer Wandel
    Note: Includes bibliographical references and index
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  • 44
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190263201 , 9780190263218
    Language: English
    Pages: x, 372 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.967
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    Keywords: Musik ; Ethnologie ; Globalisierung ; Musikethnologie ; Afrika
    Note: Dscography Seite 335-342 , Videography Seite 343-344 , Bibliography Seite 345-363
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  • 45
    ISBN: 3806230285 , 9783806233889
    Language: German
    Pages: 238 Seiten
    DDC: 782.42164
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    Keywords: Popsong ; Beispielsammlung ; Beispielsammlung ; Beispielsammlung
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  • 46
    Book
    Book
    United States of America : The Clayton Publishing Group
    ISBN: 9781846973666
    Language: English
    Pages: xi, 451 Seiten , Illustrationen
    Edition: [...revised edition]
    Parallel Title: Erscheint auch als
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    Keywords: Motown Records ; Geschichte 1967 ; Musikleben ; Soul ; Musik ; Detroit, Mich. ; Motown Records ; Geschichte 1967 ; Musik ; Musikleben ; Soul ; Detroit, Mich.
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  • 47
    ISBN: 9783631669037 , 3631669038
    Language: German , English
    Pages: XI, 232 Seiten , Illustrationen , 22 cm, 420 g
    Series Statement: Schriftenreihe der Carl-Stumpf-Gesellschaft Band 6
    Series Statement: Schriftenreihe der Carl-Stumpf-Gesellschaft
    Parallel Title: Erscheint auch als Ebeling Carl Stumpfs Berliner Phonogrammarchiv
    DDC: 150
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    Keywords: Stumpf, Carl ; Berliner Phonogramm-Archiv ; Erkenntnistheorie ; Musikpsychologie ; Musikethnologie ; Berliner ; Carl ; Erkenntnistheorie ; Ethnologische ; Evolution ; Kult ; Musik ; Perspektiven ; Phonogrammarchiv ; Stumpfs ; erkenntnistheoretische ; musikpsychologische ; Konferenzschrift 2014 ; Konferenzschrift 2014 ; Konferenzschrift 2014 ; Berliner Phonogramm-Archiv ; Stumpf, Carl 1848-1936 ; Musikethnologie ; Musikpsychologie ; Erkenntnistheorie
    Note: Beiträge der 4. Jahrestagung der Carl Stumpf Gesellschaft 2014 in Berlin (Vorwort) , Zusammenfassungen in deutscher und englischer Sprache
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  • 48
    Book
    Book
    New York ; London : Routledge
    ISBN: 9781138791381 , 9781138791404
    Language: English
    Pages: XXIX, 275 Seiten , Illustrationen
    Additional Material: 1 CD
    Edition: First published
    Series Statement: Focus on world music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Music / Japan / History and criticism ; Music / Performance / Social aspects / Japan ; Japanese / Music / History and criticism ; Gesellschaft ; Musik ; Musik ; Japan ; Japan ; Musik
    Note: Includes index
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  • 49
    ISBN: 9780415824514
    Language: English
    Pages: viii, 249 Seiten
    Edition: first published 2016
    Series Statement: Routledge studies in popular music 8
    Series Statement: Routledge studies in popular music
    Parallel Title: Erscheint auch als
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  • 50
    Online Resource
    Online Resource
    London and New York : Routledge Taylor and Francis Group
    ISBN: 9781315586458
    Language: English
    Pages: 1 Online-Ressource (XX, 282 Seiten) , Illustrationen, Notenbeispiele
    Edition: First published
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
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    Keywords: Geschlechtsidentität ; Heavy Metal ; Geschlechterrolle ; Konferenzschrift 2009 ; Konferenzschrift 2009 ; Heavy Metal ; Geschlechterrolle ; Geschlechtsidentität
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 51
    ISBN: 9780199347650 , 9780199347667
    Language: English
    Pages: XIII, 289 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 791.43/6578
    RVK:
    Keywords: Jazz in motion pictures ; Musicians in motion pictures ; Jazz on television ; Musicians on television ; Jazz ; Film ; Jazzmusiker ; Fernsehsendung ; Rezeption ; Konferenzschrift 2011 ; Konferenzschrift 2011 ; Film ; Fernsehsendung ; Rezeption ; Jazzmusiker ; Jazz
    Note: Includes bibliographical references and index
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  • 52
    Book
    Book
    Würzburg : Königshausen & Neumann
    ISBN: 9783826060021 , 3826060024
    Language: German
    Pages: 176 Seiten , Illustrationen , 23.5 cm x 15.5 cm
    DDC: 000
    RVK:
    Keywords: Geschichte 1966 ; Popmusik ; Bernstein loves Pop ; Pop-Musik ; Popmusik ; Geschichte 1966
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  • 53
    ISBN: 9783453201217 , 3453201213
    Language: German
    Pages: 528 Seiten, 32 ungezählte Seiten Bildtafeln , Illustrationen , 22 cm
    Uniform Title: Not dead yet
    DDC: 790
    RVK:
    Keywords: Collins, Phil ; Achtzigerjahre ; Autobiografie ; Genesis ; Grammy ; Hall of Fame ; Legende ; Musikgeschäft ; Oscar ; Pop ; Popmusik ; Autobiografie ; Autobiografie ; Autobiografie ; Collins, Phil 1951-
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  • 54
    ISBN: 9781138278967 , 1138278963
    Language: English
    Pages: 262 Seiten , Illustrationen, Karten
    Series Statement: SOAS studies in music
    DDC: 398.20952
    RVK:
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    Keywords: Musik ; Folklore ; Performing arts ; Music ; Volksmusik ; Japan ; Japan ; Volksmusik
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  • 55
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469627946 , 9781469627939
    Language: English
    Pages: 1 Online-Ressource (ix, 372 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 787.8709969
    RVK:
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    Keywords: Geschichte ; Geschichte ; Musik ; Hawaiian guitar History ; Music History ; Music History ; World music History ; Unterhaltungsmusik ; Weltmusik ; Steel Guitar ; Rezeption ; USA ; USA ; Hawaii ; Hawaii ; Steel Guitar ; Geschichte ; Hawaii ; Steel Guitar ; Rezeption ; USA ; Hawaii ; Steel Guitar ; Rezeption ; Unterhaltungsmusik ; Weltmusik
    Abstract: Since the nineteenth century, the distinct tones of kika kila, the Hawaiian steel guitar, have defined the island sound. Here historian and steel guitarist John W. Troutman offers the instrument's definitive history, from its discovery by a young Hawaiian royalist named Joseph Kekuku to its revolutionary influence on American and world music. During the early twentieth century, Hawaiian musicians traveled the globe, from tent shows in the Mississippi Delta, where they shaped the new sounds of country and the blues, to regal theaters and vaudeville stages in New York, Berlin, Kolkata, and beyond. In the process, Hawaiian guitarists recast the role of the guitar in modern life. But as Troutman explains, by the 1970s the instrument's embrace and adoption overseas also worked to challenge its cultural legitimacy in the eyes of a new generation of Hawaiian musicians. As a consequence, the indigenous instrument nearly disappeared in its homeland. Using rich musical and historical sources, including interviews with musicians and their descendants, Troutman provides the complete story of how this Native Hawaiian instrument transformed not only American music but the sounds of modern music throughout the world
    Note: "Published with the assistance of the Anniversary Fund of the University of North Carolina Press." - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 56
    ISBN: 9783462048605 , 3462048600
    Language: German
    Pages: 310 Seiten , Illustrationen , 19 cm
    Edition: 1. Auflage
    Series Statement: KiWi 1479
    DDC: 781.66092
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    Keywords: Reiser, Rio ; Ton Steine Scherben ; König von Deutschland ; Künstler-Leben ; Musiker-Autobiografie ; Ralph Möbius ; Rio Reiser ; Rockmusik ; Ton Steine Scherben ; Autobiografie ; Diskografie ; Autobiografie ; Diskografie ; Autobiografie ; Reiser, Rio 1950-1996 ; Ton Steine Scherben
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  • 57
    ISBN: 9780199391875 , 9780199391882
    Language: English
    Pages: XI, 264 Seiten , Illustrationen, Notenbeispiele
    DDC: 782.421640973
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    Keywords: Geschichte ; Popular music History and criticism ; Unterhaltungsmusik ; USA ; USA ; USA ; Unterhaltungsmusik ; Geschichte
    Note: Includes bibliographical references
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  • 58
    ISBN: 9783806234176 , 9783806234183
    Language: German
    Pages: 1 Online-Ressource (238 Seiten)
    Series Statement: EBL-Schweitzer
    Parallel Title: Erscheint auch als Fischer, Günther, 1960 - An Tagen wie diesen
    DDC: 782.42164
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    Keywords: Beispielsammlung ; Beispielsammlung ; Popsong
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  • 59
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press
    ISBN: 9781782046936
    Language: English
    Pages: 1 Online-Ressource (x, 242 Seiten)
    Series Statement: Eastman studies in music v. 131
    Parallel Title: Erscheint auch als
    DDC: 781.640973/0954
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    Keywords: Popular music / India / History and criticism ; Popular music / United States / History and criticism ; Popular music / India / American influences ; African American musicians / India ; Afroamerikanische Musik ; Unterhaltungsmusik ; Musiker ; Popmusik ; Schwarze ; Britisch-Indien ; USA ; USA ; Schwarze ; Musiker ; Britisch-Indien ; USA ; Popmusik ; Afroamerikanische Musik ; Britisch-Indien ; USA ; Unterhaltungsmusik ; Britisch-Indien
    Abstract: 〈I〉American Popular Music in Britain's Raj〈/I〉 is the first systematic study to address the character and scope of American popular music in India during British rule. Drawing on ethnographic and archival research, it examines blackface minstrel shows, ragtime, jazz, and representations of Hollywood film music in Bombay cabarets and Hindi film songs, identifying key musical moments in the development of these styles between the middle 1800s and the middle 1900s, outlining the entertainment idioms and frameworks that supported their growth, and examining a variety of historical contexts under colonialism that influenced their meaning and commercial value.〈BR〉 Focusing on Calcutta (modern Kolkata), Lucknow, and Bombay (modern Mumbai), Bradley Shope traces the movement of music across time and space -- including between the United States, England, and India -- and addresses a variety of groups and communities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries.〈BR〉〈BR〉 Bradley G. Shope is assistant professor of music at Texas A & M-Corpus Christi
    Description / Table of Contents: Introduction -- Entertainment globalization, 1850s to 1910s -- Technologies, exoticism, and entrepreneurs, 1920s and 1930s -- Calcutta in the war -- The case of Lucknow -- Cabaret sequences in Hindi films -- Afterword
    Note: Title from publisher's bibliographic system (viewed on 23 Feb 2018)
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  • 60
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190259105
    Language: English
    Pages: 1 Online-Ressource (xix, 370 Seiten) , Illustrationen, Karten
    Edition: First edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6
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    Keywords: Gesellschaft ; Musik ; Applied ethnomusicology ; Music Social aspects ; Sustainability ; Ecomusicology ; Musikleben ; Weltmusik ; Tradition ; Musikethnologie ; Kulturvergleich ; Nachhaltigkeit ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik ; Musikleben ; Tradition ; Nachhaltigkeit ; Musikethnologie ; Kulturvergleich
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  • 61
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781317424611
    Language: English
    Pages: 1 online resource (x, 300 pages) , illustrations
    Series Statement: Routledge studies in popular music 13
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.640835/2
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    Keywords: Gesellschaft ; Gesellschaft ; Girls in music ; Popular music / Social aspects ; Girls in popular culture ; Girls in music ; Popular music Social aspects ; Girls in popular culture ; Frauensingstimme ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Frauensingstimme
    Abstract: This interdisciplinary volume explores the girl's voice and the construction of girlhood in contemporary popular music, visiting girls as musicians, activists, and performers through topics that range from female vocal development during adolescence to girls' online media culture. While girls' voices are more prominent than ever in popular music culture, the specific sonic character of the young female voice is routinely denied authority. Decades old cliches of girls as frivolous, silly, and deserving of contempt prevail in mainstream popular image and sound. Nevertheless, girls find ways to raise their voices and make themselves heard. This volume explores the contemporary girl's voice to illuminate the way ideals of girlhood are historically specific, and the way adults frame and construct girlhood to both valorize and vilify girls and women. Interrogating popular music, childhood, and gender, it analyzes the history of the all-girl band from the Runaways to the present; the changing anatomy of a girl's voice throughout adolescence; girl's participatory culture via youtube and rock camps, and representations of the girl's voice in other media like audiobooks, film, and television. Essays consider girl performers like Jackie Evancho and Lorde, and all-girl bands like Sleater Kinney, The Slits and Warpaint, as well as performative 'girlishness' in the voices of female vocalists like Joni Mitchell, Beyonce, Miley Cyrus, Taylor Swift, Kathleen Hanna, and Rebecca Black. Participating in girl studies within and beyond the field of music, this book unites scholarly perspectives from disciplines such as musicology, ethnomusicology, comparative literature, women's and gender studies, media studies, and education to investigate the importance of girls' voices in popular music, and to help unravel the complexities bound up in music and girlhood in the contemporary contexts of North America and the United Kingdom.
    Note: Includes bibliographical references and index
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  • 62
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199368242 , 9780199368235 , 9780199368259
    Language: English
    Pages: 1 Online-Ressource (X, 220 Seiten) , Illustrationen, Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.7/968981
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    Keywords: Batuque music History and criticism ; Quimbanda music History and criticism ; Umbanda music History and criticism ; Batuque (Cult) ; Quimbanda (Cult) ; Umbanda (Cult) ; Batuque ; Spiritualität ; Umbanda ; Brasilien ; Porto Alegre (Rio Grande do Sul, Brazil) Religious life and customs ; Brasilien ; Pôrto Alegre ; Brasilien ; Pôrto Alegre ; Batuque ; Umbanda ; Spiritualität
    Note: Includes bibliographical references and index
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  • 63
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190263232
    Language: English
    Pages: 1 Online-Ressource (X, 372 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.967
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    Keywords: Musik ; Music History and criticism ; Music and globalization ; Musik ; Musikethnologie ; Ethnologie ; Globalisierung ; Afrika ; Afrika ; Afrika ; Musik ; Ethnologie ; Globalisierung ; Afrika ; Musikethnologie
    Abstract: In "The African Imagination in Music", noted music scholar Kofi Agawy offers a fresh introduction to the vast, immensely rich and diverse set of repertoires that comprise the sound worlds of Sub-Saharan African music. Agawu introduces readers to the basic elements of African music and to the values upon which they are built. He then explores the key dimensions and resources of African music, including the place of music in society, musical instruments, the relationship between language and music, rhythm, melody, form, harmony and finally, appropriations of African music by musicians around the world. Written in an accessible styles, "The African Imagination in Music" is poised to renew interest in Black African music, and to engender discussion of its creative underpinnings by Africanists, ethnomusicologists, music theorists and musicologists. - Kofi Agawu was born in Ghana, West Africa where he received his initial education before studying in the UK and the US. He has taught and lectured at numerous universities in Africa, Europe and the United States. Agawu is a wide-ranging scholar and author of numerous articles and books on musical semiotics, the analysis of music, and West African music, which include "Playing with Signs: A Semiotic Interpretation of Classical Music" (Princeton University Press, 1991), "African Rhythm: A Northern Ewe Perspective" (Cambridge University Press, 1995), "Representing African Music: Postcolonial Notes, Queries, Positions" (Routledge, 2003) and "Music as Discourse: Semiotic Adventures in Romantic Music" (Oxford University Press, 2008). Dr. Agawu is currently a professor of music at Princeton University. (Klappentext)
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  • 64
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 022630339X , 9780226303390
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Parallel Title: Erscheint auch als Gluck, Bob Miles Davis Lost Quintet
    DDC: 785/.32195165
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    Keywords: Davis, Miles ; Davis, Miles ; Jazz History and criticism 1971-1980 ; Jazz musicians Biography ; Jazz History and criticism 1961-1970 ; MUSIC ; Genres & Styles ; Chamber ; Jazz ; Jazz musicians ; Avantgarde ; Quintett ; Elektronische Musik ; Rock-Jazz ; Biographies ; Criticism, interpretation, etc ; United States ; Biografie ; Biografie
    Abstract: Miles Davis's 'Bitches Brew' is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. Here, jazz historian and musician Bob Gluck explores the performances of this revolutionary group, to illuminate the thinking of one of our rarest geniuses and, by extension, the extraordinary transition in American music that he and his fellow players ushered in
    Abstract: Miles goes electric -- "Bitches brew," in the studio and on the road -- Anthony Braxton : Leroy Jenkins, Musica Elettronica Viva, and the "Peace Church" concert -- Interlude : musical rumblings in Chelsea -- Miles Davis's increasingly electric 1970, and a reflection on his 1971-75 bands -- Circle -- The Revolutionary Ensemble -- Ornette Coleman's children : comparisons and contrasts inside and outside the jazz economy.
    Note: Includes bibliographical references and index
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  • 65
    Online Resource
    Online Resource
    Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften
    ISBN: 9783653065794
    Language: English
    Pages: 1 Online-Ressource (310 Seiten) , 10 ill
    Edition: 1st, New ed
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1950-2015 ; Geschichte ; Sozialistischer Realismus ; Ideologie ; Ästhetik ; Sozialismus ; Jazz ; Postmoderne ; Jazzmusiker ; Gesellschaft ; Osteuropa ; Europa ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Osteuropa ; Jazz ; Sozialismus ; Gesellschaft ; Postmoderne ; Ideologie ; Ästhetik ; Geschichte 1950-2015 ; Europa ; Jazz ; Jazzmusiker ; Sozialistischer Realismus ; Postmoderne ; Geschichte
    Description / Table of Contents: In the 20th century, jazz was an important artistic form. Depending on the particular European country, jazz music carried different social, political and aesthetic meanings. It brought challenges in the areas of racial issues, the politics of the Cold War between East and West, and in the exploration of boundaries of artistic freedom. In socialist Czechoslovakia, Yugoslavia, Hungary and Poland, the situation began to change after 1956 and then 1968, when the ideologists shifted from the aesthetics of socialist realism to postmodernism. In Western countries such as France and Italy, jazz transformed from a modern to a postmodern period. This volume deals with the impact of these changes on the career development of jazz musicians - even beyond 1989 - in terms of various phenomena such as emigration, child prodigies, multiculturalism, multi-genre approaches, or female jazz musicians
    Note: Online resource; title from title screen (viewed June 10, 2019)
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  • 66
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226327372
    Language: English
    Pages: 1 Online-Ressource (xvi, 319 Seiten) , Illustrationen
    Series Statement: Chicago studies inn ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Music / Algeria / History and criticism ; Music / Morocco / History and criticism ; Arabs / Algeria / Music / History and criticism ; Arabs / Morocco / Music / History and criticism ; Arabs ; Music ; Musik ; Musik ; Revival ; Araber ; Algeria ; Morocco ; Algerien ; Algerien ; Marokko ; al- Andalus ; Algerien ; Marokko ; Araber ; al- Andalus ; Musik ; Revival
    Abstract: or more than a century, urban North Africans have sought to protect and revive Andalusi music, a prestigious Arabic-language performance tradition said to originate in the lost paradise of medieval Islamic Spain. Yet despite the Andalusi repertoire s enshrinement as the national classical music of postcolonial North Africa, its devotees continue to describe it as being in danger of disappearance. In "The Lost Paradise", Jonathan Glasser explores the close connection between the paradox of patrimony and the questions of embodiment, genealogy, secrecy, and social class that have long been central to Andalusi musical practice. Through a historical and ethnographic account of the Andalusi music of Algiers, Tlemcen, and their Algerian and Moroccan borderlands since the end of the nineteenth century, Glasser shows how anxiety about Andalusi music's disappearance has emerged from within the practice itself and come to be central to its ethos. The result is a sophisticated examination of musical survival and transformation that is also a meditation on temporality, labor, colonialism and nationalism, and the relationship of the living to the dead. - Jonathan Glasser is assistant professor of anthropology at the College of William and Mary."
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  • 67
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199380114 , 9780199380091 , 9780199380107
    Language: English
    Pages: 1 Online-Ressource (xiv, 311 Seiten) , Illustrations, Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.62/916204193
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    Keywords: Geschichte ; Folk music History and criticism ; Volksmusik ; Irland ; Clare ; Irland ; Irland ; Clare ; Volksmusik ; Geschichte
    Note: Includes bibliographical references (pages 281-297), discographies (pages 275-278) and index
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  • 68
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226362687
    Language: English
    Pages: 1 Online-Ressource (xx, 307 Seiten) , Illustrationen, Notenbeispiele, Karte
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63096822/1
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    Keywords: Geschichte 1994-2014 ; Gesellschaft ; Politik ; Kwaito (Music) Social aspects ; Kwaito (Music) Philosophy and aesthetics ; Kwaito (Music) Political aspects ; Musicians, Black ; Soziale Funktion ; Kwaito ; Jugend ; Politischer Wandel ; Schwarze ; Südafrika (Staat) ; South Africa Social conditions 1994- ; Südafrika ; Südafrika ; Kwaito ; Politischer Wandel ; Jugend ; Schwarze ; Soziale Funktion ; Geschichte 1994-2014
    Abstract: In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country s urban black youth developed "kwaito" a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today who face high unemployment, extreme inequality, and widespread crime Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa s crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that music is always political, Steingo elucidates a music that thrives on its its radically ambiguous relationship with politics, power, and the state. - Gavin Steingo is assistant professor of music at the University of Pittsburgh.
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  • 69
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780190245221
    Language: English
    Pages: 1 Online-Ressource (xvi, 434 Seiten) , Illustrationen, Notenbeispiele
    Edition: Second edition
    Parallel Title: Erscheint auch als
    DDC: 780.92
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    Keywords: Joplin, Scott ; Joplin, Scott ; Geschichte 1868-1917 ; Composers Biography ; Ragtime music History and criticism ; Ragtime ; USA ; USA ; Biografie ; Biografie ; USA ; Joplin, Scott 1868-1917 ; Ragtime ; Geschichte 1868-1917
    Abstract: When it was first published in 1994, "King of Ragtime: Scott Joplin and his Era" was widely heralded not only as the most thorough investigation of Scott Joplin's life and music, but also as a gripping read, almost a detective story. This new and expanded edition-more than a third larger than the first-goes far beyond the original publication in uncovering new details of the composer's life and insights into his music. It explores Joplin's early, pre-ragtime career as a quartet singer, a period of his life that was previously unknown. The book also surveys the nature of ragtime before Joplin entered the ragtime scene and how he changed the style. Author Edward A. Berlin offers insightful commentary on each of all of Joplin's works, showing his influence on other ragtime and non-ragtime composers. He traces too Joplin's continued music studies late in life, and how these reflect his dedication to education and probably account for the radical changes that occur in his last few rags. And he puts new emphasis on Joplin's efforts in musical theater, bringing in early versions of his Ragtime Dance and its precedents. Joplin's wife Freddie is shown to be a major inspiration to his opera Treemonisha, with her family background and values being reflected in that work. Joplin's reputation faded in the 1920s-30s, but interest in his music slowly re-emerged in the 1940s and gradually built toward a spectacular revival in the 1970s, when major battles ensued for possession of rights.
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  • 70
    Online Resource
    Online Resource
    London, [England] : Routledge
    ISBN: 9781317091752
    Language: English
    Pages: 1 Online-Ressource (xx, 180 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.48/24701713
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    Keywords: Geschichte 1900-2000 ; Geschichte 1938-1981 ; Geschichte ; Musik ; Politik ; Music and diplomacy ; Music / Political aspects / History / 20th century ; Arts and diplomacy ; Cold War ; Music and diplomacy ; Music Political aspects 20th century ; History ; Arts and diplomacy ; Cold War ; Ost-West-Konflikt ; Diplomatische Beziehungen ; Künste ; Musik ; Kulturaustausch ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Ost-West-Konflikt ; Musik ; Künste ; Kulturaustausch ; Diplomatische Beziehungen ; Geschichte 1938-1981
    Note: Includes bibliographical references and index
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  • 71
    ISBN: 9781317587255 , 1317587251 , 9781315742816 , 1315742810 , 9781317587248 , 1317587243 , 9781317587231 , 1317587235 , 9781138062597 , 1138062596
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Routledge studies in popular music
    DDC: 781.66
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    Keywords: Geschichte ; Heavy Metal ; Musikleben ; Heavy metal (Music) History and criticism ; Music Social aspects ; Aufsatzsammlung ; Electronic books ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philosophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom metal, Death metal, and Progressive metal. They interrogate production technologies, sound engineering, album artwork and band promotion, logos and merchandising, t-shirt and jewellery design, and fan communities that define the global metal music economy and subcultural scene. The volume explores how the new academic discipline of metal studies was formed, also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, and sociology, as well as those interested in metal communities around the world
    Note: Includes bibliographical references and index
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    URL: Volltext  (kostenfrei)
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  • 72
    Online Resource
    Online Resource
    Oxford ; New York, NY : Oxford University Press
    ISBN: 9780190259068
    Language: English
    Pages: 1 Online-Ressource (xxv, 304 Seiten) , Illustrationen, Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.62/9560082
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    Keywords: Geschichte ; Goze ; Folk music History and criticism ; Soziale Situation ; Blinde Frau ; Musikantin ; Volksmusik ; Japan ; Präfektur Niigata ; Präfektur Niigata ; Musikantin ; Blinde Frau ; Soziale Situation ; Japan ; Volksmusik ; Geschichte
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  • 73
    Online Resource
    Online Resource
    New York, NY : Oxford Univeristy Press
    ISBN: 9780190215750
    Language: English
    Pages: 1 Online-Ressource (xviii, 321 Seiten) , Illustrationen, Screenshots, Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.49094961/8
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    Keywords: Geschichte ; Gesellschaft ; Musik ; Music Social aspects ; Sound recording industry ; Soziale Funktion ; Arrangement ; Digitaltechnik ; Schallaufzeichnung ; Tonstudio ; Volksmusik ; Türkei ; Istanbul ; Istanbul ; Volksmusik ; Arrangement ; Tonstudio ; Schallaufzeichnung ; Digitaltechnik ; Soziale Funktion ; Geschichte
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  • 74
    Online Resource
    Online Resource
    New York : Peter Lang Inc., International Academic Publishers
    ISBN: 9781453913888
    Language: English
    Pages: 1 Online-Ressource (242 Seiten)
    Edition: 1st, New ed
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Kreativität ; Neue Medien ; Technische Innovation ; Hip-Hop ; Discjockey ; Musikwirtschaft ; Discjockey ; Hip-Hop ; Musikwirtschaft ; Kreativität ; Technische Innovation ; Discjockey ; Hip-Hop ; Neue Medien
    Description / Table of Contents: Using interviews with world-renowned and innovative hip-hop DJs, as well as technology manufacturers that cater to the market/culture, this book reveals stories behind some of the iconic DJ technologies that have helped shape the history and culture of DJing. More importantly, it explores how DJs have impacted the evolution of technology. By looking at the networks of innovation behind DJ technologies, this book problematizes the notion of the individual genius and the concept of invention. Developing a theory of «technocultural synergism,» this book attempts to detail the relationship between culture and industry through the manipulation, exchange, and rights associated with intellectual property. While the subject of hip-hop and intellectual property has already been well explored, this is the first time that hip-hop DJs have been conceptualized as intellectual property because of their role in the R&D and branding of DJ products. The book also addresses the impact of digital technology on the democratization of DJ culture, as well as how new digital DJ technology has affected the recorded music market
    Description / Table of Contents: «There are lots of excellent books about Hip Hop and DJing [...] but none analyze turntablism as a cultural and technical practice from such a fresh and nuanced angle within and without as this book. It might be the only text you need on the subject.» (Roy Christopher, The Journal of Hip Hop Studies, Volume 4, Issue 1 2017) Read the full review here
    Note: Online resource; title from title screen (viewed June 10, 2019)
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  • 75
    Online Resource
    Online Resource
    Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften
    ISBN: 9783035308167
    Language: English
    Pages: 1 Online-Ressource (599 Seiten)
    Edition: 1st, New ed
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1933-2000 ; Musikleben ; Juden ; Musiker ; Exil ; Australien ; Juden ; Musiker ; Exil ; Australien ; Geschichte 1933-2000 ; Australien ; Musikleben ; Juden ; Geschichte 1933-2000
    Description / Table of Contents: About 9,000 Jewish refugees from Nazi Germany settled in Australia between 1933 and 1945, a small fraction of the hundreds of thousands who fled. Although initially greeted with a mixed reception as «enemy aliens», some of these refugees remained and made a significant impact on multicultural Australia. This book traces the difficult journey of the orchestral performers, virtuoso soloists, singers, conductors and composers who sought refuge on a distant continent. A few were famous artists who toured Australia and stayed, most notably the piano virtuoso Jascha Spivakovsky and the members of the Weintraubs Syncopators, one of the most successful jazz bands of the Weimar Republic. Drawing on extensive primary sources - including correspondence, travel documents and interviews with the refugees themselves or their descendants - the author depicts in vivid detail the lives of nearly a hundred displaced musicians. Available for the first time in English, this volume brings to light a wealth of Jewish, exilic and musical history that was hitherto unknown
    Description / Table of Contents: Praise for the German edition: «Dümling has traced a web of connections between yesterday's Germany and today's Australia, a history of disgrace, culpability, neglect, unlikely twists of fate and even the occasional happy end.» (Shirley Apthorp, The Australian) «Dümling is probably best known as the curator of Degenerate Music, an important exhibition about Nazi propaganda in music. In The Vanished Musicians his approach is like that of a curator who brings neglected historical exhibits to light.» (Glenn Nicholls, Inside Story) «The liveliness Dümling manages to transmit in his stories [...] makes the book a compelling read.»(Andrea Bandhauer, Shofar)
    Note: Online resource; title from title screen (viewed June 10, 2019)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 76
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    Book
    London : Hurst & Company
    ISBN: 9781849043694 , 9781849044554
    Language: English
    Pages: xxii, 273 Seiten , Karten
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    Keywords: Mineralischer Rohstoff ; Kultur ; Guinea ; Guinea ; Mineralischer Rohstoff ; Kultur
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  • 77
    Book
    Book
    New York ; Abingdon : Routledge
    ISBN: 9781138062597 , 9781138822382
    Language: English
    Pages: IX, 369 Seiten
    Series Statement: Routledge studies in popular music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Kulturwissenschaften ; Heavy Metal ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Heavy Metal ; Kulturwissenschaften
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 78
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    Book
    Salzburg ; Wien : Residenz Verlag
    ISBN: 9783701733811 , 3701733813
    Language: German
    Pages: 200 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen , 22 cm
    Parallel Title: Erscheint auch als Schäfer 1966
    DDC: 781.64
    RVK:
    Keywords: Geschichte 1966 ; Unterhaltungsmusik ; Beatles ; LSD ; Logbuch ; Popkultur ; Pink Floyd ; Captain Kirk ; Unterhaltungsmusik ; Geschichte 1966
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  • 79
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    Book
    London : Palgrave Macmillan
    ISBN: 9781137497796 , 9781137497802
    Language: English
    Pages: XI, 228 Seiten
    Series Statement: Palgrave studies in the history of subcultures and popular music
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    Keywords: Musik ; Postpunk ; Politik ; Kultur ; Großbritannien ; Großbritannien ; Postpunk ; Politik ; Großbritannien ; Kultur ; Musik ; Postpunk
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  • 80
    Book
    Book
    Austin : University of Texas Press
    ISBN: 9780292759435
    Language: English
    Pages: viii, 198 Seiten , Illustrationen, Porträts , 23 cm
    Edition: First edition
    Series Statement: American music series
    DDC: 782.421643092
    RVK:
    Keywords: Blige, Mary J. ; Blige, Mary J. ; Blige, Mary J. ; African American women singers / United States / Biography ; Soul musicians / United States / Biography ; Sound recording executives and producers / United States / Biography ; Rap musicians / United States / Biography ; Rhythm and blues musicians / United States / Biography ; Gospel musicians / United States / Biography ; African American actresses / United States / Biography ; African American actresses ; African American women singers ; Gospel musicians ; Rap musicians ; Rhythm and blues musicians ; Soul musicians ; Sound recording executives and producers ; United States ; USA ; Biografie ; Biografie ; Biografie ; Blige, Mary J. 1971-
    Abstract: Mary J. Blige is an icon who represents the political consciousness of hip hop and the historical promise of soul. She is an everywoman, celebrated by Oprah Winfrey and beloved by pop music fans of all ages and races. Blige has sold over fifty million albums, won numerous Grammys, and even played at multiple White House events, as well as the 2013 Nobel Peace Prize ceremony. Displaying astonishing range and versatility, she has recorded everything from Broadway standards to Led Zeppelin anthems and worked with some of popular music's greatest artists-Aretha Franklin, Eric Clapton, Elton John, Whitney Houston, Sting, U2, and Beyonce, among them. Real Love, No Drama: The Music of Mary J. Blige tells the story of one of the most important artists in pop music history. Danny Alexander follows the whole arc of Blige's career, from her first album, which heralded the birth of "hip hop soul," to her critically praised 2014 album, The London Sessions. He highlights the fact that Blige was part of the historically unprecedented movement of black women onto pop radio and explores how she and other women took control of their careers and used their music to give voice to women's (and men's) everyday struggles and dreams. This book adds immensely to the story of both black women artists and artists rooted in hip hop and pays tribute to a musician who, by expanding her reach and asking tough questions about how music can and should evolve, has proven herself an artistic visionary. - Beginning his career about the same time Mary J. Blige signed her first record deal, music journalist Danny Alexander has worked as an associate editor for Dave Marsh's music newsletter Rock & Rap Confidential and covered rock, hip hop, and soul for various publications. He is the author of "Liner Notes: Soul Asylum". He lives in Overland Park, Kansas
    Description / Table of Contents: 〈〈The〉〉 artist of a generation -- The slow bomb -- Ladies, ladies, it is our turn -- Uptown -- What's the 411? -- Changes I've been going through -- Hip hop a go-go -- My life -- Natural woman -- Share my world -- On the road with MJB : Alyson Williams -- The tour -- Sisters in the studio : Channette and Channoah Higgens -- Mary, the album -- No more drama -- Love & life -- Live from Los Angeles -- Message in our music -- The breakthrough -- Growing pains -- Stronger with each tear -- Hard times come again no more -- My life II : the journey continues (act 1) -- A Mary Christmas -- Think like a man too -- The London sessions -- Being with you
    Note: Includes bibliographical references and discography
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  • 81
    ISBN: 9780190467814 , 9780190467821
    Language: English
    Pages: xiv, 263 Seiten , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 781.64094965
    RVK:
    Keywords: Geschichte 1945-2010 ; Politik ; Popular music Political aspects ; Music and state ; Popular music History and criticism ; Entwicklung ; Soziologie ; Musikpolitik ; Gesellschaft ; Staat ; Popmusik ; Albanien ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Albanien ; Popmusik ; Staat ; Musikpolitik ; Gesellschaft ; Soziologie ; Entwicklung ; Geschichte 1945-2010
    Note: Includes bibliographical references and index ; revised dissertation
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  • 82
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    Book
    London and New York : Routledge Taylor and Francis Group
    ISBN: 9781472424792 , 9781315586458
    Language: English
    Pages: XX, 282 Seiten , Illustrationen, Notenbeispiele
    Edition: First published
    Series Statement: Ashgate popular and folk music series
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    Keywords: Heavy Metal ; Geschlechterrolle ; Geschlechtsidentität ; Konferenzschrift 2009 ; Konferenzschrift 2009 ; Konferenzschrift 2009 ; Heavy Metal ; Geschlechterrolle ; Geschlechtsidentität
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  • 83
    ISBN: 3828837662 , 9783828837669
    Language: German
    Pages: 365 Seiten , Illustrationen , 22 cm, 624 g
    Edition: [1. Auflage]
    Parallel Title: Erscheint auch als Hagen-Jeske, Ina Zu weiß für die Schwarzen und zu schwarz für die Weißen
    Dissertation note: Dissertation Universität Augsburg 2014
    DDC: 306.484249
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    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deluxe, Samy 1977- ; B-Tight 1979- ; Rap ; Identität ; Rassismus ; Multikulturelle Gesellschaft
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  • 84
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 1469628813 , 9781469628813 , 146963046X , 9781469628813
    Language: English
    Pages: 201 Seiten , Illustrationen , 22 cm
    DDC: 781.62/13009043
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    Keywords: Geschichte ; Folk music ; Weltwirtschaftskrise ; Politik ; USA
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  • 85
    ISBN: 9781472468086 , 9781472468093 , 9781472468109
    Language: English
    Pages: xx, 180 Seiten
    Series Statement: An Ashgate book
    DDC: 303.48/24701713
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1938-1981 ; Geschichte ; Musik ; Politik ; Music and diplomacy ; Music Political aspects 20th century ; History ; Arts and diplomacy ; Cold War ; Musik ; Künste ; Ost-West-Konflikt ; Kulturaustausch ; Diplomatische Beziehungen ; Konferenzschrift 2012 ; Aufsatzsammlung ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Ost-West-Konflikt ; Musik ; Künste ; Kulturaustausch ; Diplomatische Beziehungen ; Geschichte 1938-1981
    Description / Table of Contents: Includes bibliographical references and index
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  • 86
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    Book
    Chicago ; London : University of Chicago Press
    ISBN: 9780226180762
    Language: English
    Pages: XII, 256 Seiten, 12 ungezählte Seiten Bildtafeln , Illustrationen
    DDC: 785.32195165
    RVK:
    Keywords: Davis, Miles ; Davis, Miles ; Jazz History and criticism 1961-1970 ; Jazz History and criticism 1971-1980 ; Jazz musicians Biography ; Avantgarde ; Elektronische Musik ; Rock-Jazz ; Quintett ; USA ; Biografie ; Biografie ; Biografie ; Davis, Miles 1926-1991 Bitches Brew ; Quintett ; Elektronische Musik ; Avantgarde ; Rock-Jazz
    Abstract: Miles Davis's Bitches Brew is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. In this book, jazz historian and musician Bob Gluck explores the performances of this revolutionary group-Davis's first electric band-to illuminate the thinking of one of our rarest geniuses and, by extension, the extraordinary transition in American music that he and his fellow players ushered in. Gluck listens deeply to the uneasy tension between this group's driving rhythmic groove and the sonic and structural openness, surprise, and experimentation they were always pushing toward. There he hears-and outlines-a fascinating web of musical interconnection that brings Davis's funk-inflected sensibilities into conversation with the avant-garde worlds that players like Ornette Coleman and John Coltrane were developing. Going on to analyze the little-known experimental groups Circle and the Revolutionary Ensemble, Gluck traces deep resonances across a commercial gap between the celebrity Miles Davis and his less famous but profoundly innovative peers. The result is a deeply attuned look at a pivotal moment when once-disparate worlds of American music came together in explosively creative combinations. - Bob Gluck is a pianist, composer, and jazz historian, as well as associate professor of music and director of the Electronic Music Studio at the State University of New York, Albany. He is the author of You'll Know When You Get There: Herbie Hancock and the Mwandishi Band, also published by the University of Chicago Press. (Klappentext)
    Note: Includes bibliographical references and index
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  • 87
    ISBN: 9783406688768 , 3406688764
    Language: German
    Pages: 255 Seiten , Illustrationen , 22 cm
    Series Statement: Edition der Carl Friedrich von Siemens Stiftung
    DDC: 800
    RVK:
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    Keywords: Dylan, Bob ; Geschichte 2001-2015 ; Lyrik ; Song ; Dylan, Bob 1941- ; Song ; Lyrik ; Geschichte 2001-2015
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 88
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    Book
    Jackson : University Press of Mississippi
    ISBN: 1496805801 , 9781496805805
    Language: English
    Pages: VIII, 251 Seiten , Notenbeispiele , 24 cm
    Series Statement: American made music series
    Parallel Title: Online version Wise, Timothy E. Yodeling and meaning in American music.
    DDC: 782.00973
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    Keywords: Geschichte ; Unterhaltungsmusik ; Countrymusic ; Klassische Musik ; Jodeln ; USA
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  • 89
    ISBN: 9781509800049
    Language: English
    Pages: 376 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen, Porträts
    RVK:
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    Keywords: Browne, Tara ; Browne, Tara ; The Beatles ; Biografie ; Biografie ; Biografie ; Browne, Tara 1945-1966 ; The Beatles A day in the life
    Abstract: AUTOBIOGRAPHY: GENERAL. Few people rode the popular wave of the sixties quite like Tara Browne. One of Swinging London's most popular faces, he lived fast, died young and was immortalized for ever in the opening lines of 'A Day in the Life', a song that many critics still regard as The Beatles' finest. But who was John Lennon's lucky man who made the grade and then blew his mind out in a car? Author Paul Howard has pieced together the extraordinary story of a young Irishman who epitomized the spirit of the times: racing car driver, Vogue model, friend of The Rolling Stones, style icon, son of a peer, heir to a Guinness fortune and the man who turned Paul McCartney on to LSD. I Read the News Today, Oh Boy is the story of a child born into Ireland's dwindling aristocracy, who spent his early years in an ancient castle in County Mayo, and who arrived in London just as it was becoming the most exciting city on the planet
    Description / Table of Contents: Machine generated contents note: 1.Guinness for Strength -- 2.War Baby -- 3.Oonaghland -- 4.The Trouble with Miguel -- 5.La Vie est Belle -- 6.All That Jazz -- 7.Venus in Blue Jeans -- 8.One Plus One Makes Three -- 9.Speed -- 10.Full Swing -- 11.London Takes a Trip -- 12.A Day for a Daydream -- 13.Here Today -- 14.A Day in the Life
    Note: Erscheint ca. Juni 2017
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  • 90
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    Book
    Chicago : Open Court
    ISBN: 9780812699210
    Language: English
    Pages: xiii, 215 Seiten
    Series Statement: Popular culture and philosophy 103
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    Keywords: Bowie, David / Criticism and interpretation ; Bowie, David ; Rock music / History and criticism ; Rock musicians / England / Philosophy ; Music and philosophy ; Philosophie ; Philosophie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Bowie, David 1947-2016 ; Philosophie
    Description / Table of Contents: Includes bibliographical references (pages 197-202) and index
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  • 91
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    Book
    New York : Bloomsbury Academic
    ISBN: 9781501314087 , 9781501314124
    Language: English
    Pages: ix, 179 Seiten , Illustrationen
    Edition: First published
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.660943
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    Keywords: Geschichte ; Gesellschaft ; Punk rock music Social aspects ; Punk rock music History and criticism ; Subkultur ; Punk Rock ; Deutschland ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Punk Rock ; Subkultur ; Geschichte
    Note: Includes bibliographical references and index
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  • 92
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    Book
    London : Bloomsbury Academic
    ISBN: 9781501307041 , 9781501307034
    Language: English
    Pages: 225 Seiten
    DDC: 781.6409051
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  • 93
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    Book
    Honolulu : University of Hawaiʻi Press
    ISBN: 9780824851569
    Language: English
    Pages: XIII, 183 Seiten , Illustrationen , 24 cm
    Series Statement: Music and performing arts of Asia and the Pacific
    DDC: 781.6309953
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    Keywords: Sanguma (Musical group) ; Sanguma ; Geschichte 1977-2001 ; Music / Papua New Guinea / History and criticism ; Musik ; Internationalität ; Weltmusik ; Papua-Neuguinea ; Papua-Neuguinea ; Sanguma ; Weltmusik ; Internationalität ; Geschichte 1977-2001
    Description / Table of Contents: Includes bibliographical references (pages 165-172) and index
    Description / Table of Contents: Introduction -- A musical Melanesian way -- A decade in the sun -- The sound of Sanguma -- Reformation in the world music era -- From heard future to sounding present -- Coda
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  • 94
    ISBN: 9781472458797
    Language: English
    Pages: xii, 131 Seiten , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Music and change
    DDC: 781.588
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    Keywords: Geschichte ; Bestattungsmusik ; Trauerritual ; Kulturvergleich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben
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  • 95
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    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc.
    ISBN: 9781501311963
    Language: English
    Pages: x, 237 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842
    RVK:
    Keywords: Gesellschaft ; Migration ; Popular music Social aspects ; Folk music Social aspects ; Music and globalization ; Emigration and immigration Social aspects ; Unterhaltungsmusik ; Jugend ; Globalisierung ; Folk music ; Migration ; Soziale Identität ; Kulturkontakt ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Globalisierung ; Migration ; Jugend ; Unterhaltungsmusik ; Folk music ; Kulturkontakt ; Soziale Identität
    Note: Includes bibliographical references and index
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  • 96
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    Book
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9780816692446 , 9780816692460
    Language: English
    Pages: 245 Seiten , Illustrationen , 22 cm
    DDC: 302.230952
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    Keywords: Mass media ; Mass media Philosophy ; Space and time in mass media
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  • 97
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    Book
    Basingstoke, Hampshire : Palgrave Macmillan
    ISBN: 9781137492555
    Language: English
    Pages: viii, 167 Seiten
    Series Statement: Pop music, culture and identity
    DDC: 306.4842
    RVK:
    URL: Cover
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  • 98
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    Book
    Cambridge, Massachusetts : Harvard University Press
    ISBN: 9780674416598
    Language: English
    Pages: 340 Seiten , Illustrationen , 22 cm
    DDC: 781.6609/046
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    Keywords: Geschichte 1960-1970 ; Rockmusiker ; Rassenfrage ; Ethnische Identität ; USA ; Großbritannien
    Note: Just around Midnight explores the interplay of popular music and racial thought in the 1960s by asking how, when, and why rock and roll music "became White." By the time Jimi Hendrix died in 1970 the idea of a Black man playing electric lead guitar was considered literally remarkable in ways it had not been for Chuck Berry only ten years earlier: this book explains how this happened. By excavating an extraordinarily cosmopolitan aesthetic amidst a far-flung community of artists on both sides of the Atlantic, including Bob Dylan, Sam Cooke, the Beatles, Aretha Franklin, Dusty Springfield, the Rolling Stones, Jimi Hendrix and others, Just around Midnight offers an interracial counter-history of Sixties music that rejects hermetic ideals of racial authenticity while revealing the pernicious effects of these ideologies on musical understanding.--
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  • 99
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    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476664149
    Language: English
    Pages: vii, 211 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.630964
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    Keywords: Nass El Ghiwane ; Bāṭmā, al-ʻArabī / 1948-1997 ; Nass el Ghiwan (Musical group) ; Popular music / Morocco / History and criticism ; Bāṭmā, al-ʻArabī / 1948-1997 ; Nass el Ghiwan (Musical group) ; Popular music ; Morocco ; Criticism, interpretation, etc ; Nass El Ghiwane
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  • 100
    ISBN: 978-0-571-30171-3
    Language: English
    Pages: XI, 687 Seiten, 8 ungezählte Seiten Bildtafeln , Illustrationen, Faksimiles, Portraits
    RVK:
    Keywords: Bowie, David ; Geschichte 1970-2015 ; Glam rock music / History and criticism ; Glam rock musicians ; Rezeption ; Rockmusiker ; Glitter Rock ; Glitter Rock ; Rockmusiker ; Rezeption ; Geschichte 1970-2015
    Abstract: "From the acclaimed author of Rip It Up and Start Again and Retromania--"the foremost popular music critic of this era (Times Literary Supplement)--comes the definitive cultural history of glam and glitter rock, celebrating its outlandish fashion and outrageous stars, including David Bowie and Alice Cooper, and tracking its vibrant legacy in contemporary pop. Spearheaded by David Bowie, Alice Cooper, T. Rex, and Roxy Music, glam rock reveled in artifice and spectacle. Reacting against the hairy, denim-clad rock bands of the late Sixties, glam was the first true teenage rampage of the new decade. In Shock and Awe, Simon Reynolds takes you on a wild cultural tour through the early Seventies, a period packed with glitzy costumes and alien make-up, thrilling music and larger-than-life personas. Shock and Awe offers a fresh, in-depth look at the glam and glitter phenomenon, placing it the wider Seventies context of social upheaval and political disillusion. It explores how artists like Lou Reed, New York Dolls, and Queen broke with the hippie generation, celebrating illusion and artifice over truth and authenticity. Probing the genre's major themes--stardom, androgyny, image, decadence, fandom, apocalypse--Reynolds tracks glam
    Description / Table of Contents: Includes bibliographical references (pages 657-664) and index
    Description / Table of Contents: Boogie poet : Marc Bolan and T. Rex. John's Children ; Tyrannosaurus Rex ; T. Rex -- The London boy : Bowie's early years. David Bowie ; Anthony Newley ; Lindsay Kemp ; Oscar Wilde -- Elected : Alice Cooper and shock rock. Alice Cooper -- Teenage rampage : glitter stomp and disco rock. Slade ; The Sweet ; Mud ; Suzi Quatro ; Gary Glitter ; Junkshop glam ; Hello -- Hard to be real : David Bowie and friends conquer the world. David Bowie ; Lou Reed ; Mott the Hoople ; Iggy and the Stooges ; Jobriath -- What's the date again? The future-retro visions of Roxy Music. Roxy Music ; David Bowie's Pinups ; Bryan Ferry -- Trash city : New York Dolls and Wayne County. Wayne County ; Theatre of the Ridiculous ; The Cockettes ; John Waters and Divine ; Andy Warhol and Paul Morrissey ; New York Dolls -- Let's do the time warp again : fifties flashbacks and rock'n'roll replays. Rock dreams ; Wizzard ; The Moodies ; David Essex ; Rock follies ; The Rocky Horror picture show -- Baroque 'n' roll : late glam. Steve Harley and Cockney Rebel ; Sparks ; Jet ; Queen ; Be-Bop Deluxe -- Run to the shadows : Bowie versus Los Angeles. David Bowie ; The English disco ; Silverhead ; Zolar X ; Les Petites Bonbons ; The man who fell to earth -- Ultraviolence : punk before punk. Heavy Metal Kids ; The Sensational Alex Harvey Band ; The Tubes ; The Runaways ; Doctors of Madness ; Ultravox -- Just another hero : Bowie's Berlin. David Bowie ; Iggy Pop ; Kraftwerk ; Brian Eno -- Aftershocks : a partial inventory of glam rock echoes and reflections starring. Johnny Rotten ; Poly Styrene ; Siouxsie Sioux ; Kate Bush ; Japan ; Grace Jones ; Klaus Nomi ; Steve Strange ; Adam Ant ; Bauhaus ; Prince ; Bryan Ferry ; Morrissey ; Leigh Bowery ; Hair metal ; Madonna ; Suede ; Marilyn Manson ; Electroclash ; Lady Gaga ; Kanye West ; Ke
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