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  • KOBV  (415)
  • Kunst  (355)
  • Frankreich  (73)
  • Soziologie
  • Art History  (415)
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Language
Keywords
  • 1
    Journal/Serial
    Journal/Serial
    [s.l.] : Cultural Heritage Administration, Republic of Korea ; Vol. 01, [no. 1] (summer 2008)-vol. 10, no. 4 (winter 2017) ; vol. 40 (spring 2018)-
    ISSN: 2005-0151
    Language: English
    Dates of Publication: Vol. 01, [no. 1] (summer 2008)-vol. 10, no. 4 (winter 2017) ; vol. 40 (spring 2018)-
    Parallel Title: Erscheint auch als Korean heritage
    DDC: 390
    RVK:
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    Keywords: Zeitschrift ; Korea ; Traditionale Kultur ; Korea ; Sachkultur ; Korea ; Kunst ; Korea ; Geschichte
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  • 2
    Journal/Serial
    Journal/Serial
    Venezia : Marcianum Press | Milano : Electa | Venezia : Ed. del Gazzettino | Monfalcone : Ed. della Laguna | Mariano del Friuli : Ed. della Laguna ; 1.1988 -
    ISSN: 1121-0524
    Language: Italian
    Dates of Publication: 1.1988 -
    Former Title: rivista di storia e tutela dei beni culturali
    DDC: 390
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    Keywords: Monografische Reihe ; Italien ; Kulturdenkmal ; Kunstwerk ; Kunst ; Geschichte ; Aufsatzsammlung
    Note: Ab 9.1995 als Schriftenreihe
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  • 3
    ISBN: 9781912520992 , 1912520990
    Language: English
    Pages: 205 Seiten , Illustrationen, Porträts
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    Keywords: Gallagher, Ellen ; Reynolds, Joshua ; Turner, Joseph Mallord William ; Copley, John Singleton ; Locke, Hew ; Shonibare, Yinka ; Kolonialismus ; Sklaverei ; Kunst ; Imperialismus ; Ausstellungskatalog Royal Academy of Arts 03.02.2024-28.04.2024 ; Aufsatzsammlung ; Ausstellungskatalog Royal Academy of Arts 03.02.2024-28.04.2024 ; Aufsatzsammlung ; Turner, Joseph Mallord William 1775-1851 ; Gallagher, Ellen 1965- ; Reynolds, Joshua 1723-1792 ; Shonibare, Yinka 1962- ; Copley, John Singleton 1738-1815 ; Locke, Hew 1959- ; Kunst ; Kolonialismus ; Imperialismus ; Sklaverei
    Abstract: Informed by ongoing research, this handsome publication features the work of artists connected with the Royal Academy in an exploration of migration, exchange, artistic traditions, identity and belonging. Contemporary and historical works are brought together as part of a conversation about art and its role in shaping narratives of empire, enslavement, abolition and colonialism, and how it may help set a course for the future. The life-size painted cut-out figures of Lubaina Himid's installation Naming the Money; Hew Locke's Armada, a flotilla of "votive boats" recalling different periods and places; paintings, photographs, sculptures, drawings and prints by Sonia Boyce, Frank Bowling, John Akomfrah, Isaac Julien, El Anatsui, Kerry James Marshall, Kara Walker, Shahzia Sikander, Mohini Chandra and Betye Saar; and historical works by artists such as Joshua Reynolds, J.M.W. Turner and John Singleton Copley create connections across time that examine questions of power, representation and history
    Note: Rückseite Titelblatt: First published on the occasion of the exhibition 'Entangled Pasts, 1768-Now: Art, Colonialism and Change', Royal Academy of Arts, London, 3 February - 28 April 2024
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  • 4
    ISBN: 9783422800786 , 3422800786
    Language: German
    Pages: 158 Seiten , Illustrationen
    DDC: 700.9432224074
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    Keywords: Ausstellungskatalog TRAFO 23.09.2022-19.11.2022 ; Aufsatzsammlung ; Ausstellungskatalog TRAFO 23.09.2022-19.11.2022 ; Aufsatzsammlung ; Jena ; Hinterhof ; Kulturveranstaltung ; Gegenkultur ; Künste ; Geschichte 1986-1989 ; Jena ; Kunst ; Musik ; Gegenkultur ; Geschichte 1986-1989
    Abstract: Zwischen 1986 und 1989 fanden abseits des offiziellen DDR-Kulturbetriebes 13 Jenaer Hofvernissagen statt, die einem breiten Publikum freie Formen bildender Kunst, Literatur, Musik, Film und Theater zugänglich machten. So entstand in Jena eine „kulturelle Parallelwelt", in der alternative Handlungsmuster und Lebensentwürfe öffentlich sichtbar wurden. Der Ausstellungskatalog vermittelt die Entstehung und Entwicklung der Hinterhof-Veranstaltungen und spannt mit Kunstwerken aus der Zeit der Vernissagen, der „Nachwendejahre" und der Gegenwart den Bogen zum Heute. Neben zeit­, kultur­ und kunstgeschichtlichen Aufsätzen sowie Werkbetrachtungen vermitteln zahlreiche historische Quellen, Fotografien und Kunstwerke das Wirken einer überregional bedeutsamen, selbstbestimmten Kulturszene in den letzten Jahren der DDR.
    Note: Aus dem Impressum: "Dieser Katalog erscheint anlässlich der Ausstellung 'Autonome Kunst und Kultur in der späten DDR. Die Jenaer Hofvernissagen 1986–89', 23. September-19. November 2022, TRAFO, Jena"
    URL: Cover
    URL: Unbekannt  (lizenzpflichtig)
    URL: Cover
    URL: Unbekannt  (lizenzpflichtig)
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  • 5
    ISBN: 9780774890649
    Language: English
    Pages: 255 Seiten , Illustrationen , 28 cm
    DDC: 704.03/96071
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    Keywords: Art, Black ; Artists, Black History ; Black people History ; Art museums Curatorship ; Social aspects ; Art noir - Canada ; Artistes noirs - Canada - Histoire ; Personnes noires - Canada - Histoire ; Musées d'art - Conservation - Aspect social - Canada ; Art, Black ; Artists, Black ; Black people ; History ; Canada ; Canada History ; Aufsatzsammlung ; Canada History ; Aufsatzsammlung ; Kanada ; Kunst ; Künstler ; Person of Color ; Geschichte 2000- ; Kanada ; Schwarze ; Kunst ; Schwarzenbild ; Museum ; Kulturelle Einrichtung ; Kunstgeschichtsschreibung ; Geschichte
    Abstract: "Making History is an unprecedented reflection on the positioning of Black history and art within the Canadian cultural landscape. Featuring boundary-breaking artists and others from the art world, Making History brings together poems, artist statements, and art portfolios that showcase a careful and thoughtful understanding of Black aesthetics. This beautifully illustrated book also discusses the presence of Black contemporary art in Canadian institutions and offers artistic perspectives on contemporary and historical art practices. The many voices and points of view within this publication present ideas that corroborate the state of cultural emergency in which we are living, where museums are rethinking and rewriting the stories of their collections. The book explores alternate ways of approaching the relationship between institutions, artists, and audiences, emphasizing the significance of collaboration, resisting hierarchical and hegemonic curatorial practices, and making room for multiple perspectives to bring about transformative change. Through powerful essays and striking visual art, Making History highlights the dynamism and complexity of African and diasporic experiences seen through the lens of museological interventions and artistic practices at large."--
    Note: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /
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  • 6
    ISBN: 9780691236162
    Language: English
    Pages: 279 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Crow, Thomas The Artist in the Counterculture
    Parallel Title: Erscheint auch als Crow, Thomas E., 1948 - The Artist in the Counterculture
    DDC: 701/.03
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    Keywords: Art and society History 20th century ; Counterculture ; Kalifornien ; Kunst ; Kunstsoziologie ; Gegenkultur ; Geschichte 1960-1980
    Abstract: "An examination of the counterculture movement in California and how it both influenced and was influenced by art"--
    Note: Includes bibliographical references and index
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  • 7
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
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    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 8
    Book
    Book
    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen , 24 cm
    DDC: 700.89/96073
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    Keywords: Geschichte 1985-2015 ; Kunst ; Schwarze ; USA ; African American art / 20th century ; African American art / 21st century ; Art and society / United States / History / 20th century ; Art and society / United States / History / 21st century ; Art noir américain / 20e siècle ; Art noir américain / 21e siècle ; Artistes noirs américains / 20e siècle ; Artistes noirs américains / 21e siècle ; African American art ; African American artists ; 1900-2099 ; USA ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1985 to 2015. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
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  • 9
    Online Resource
    Online Resource
    Cham : Palgrave Macmillan | Cham : Springer International Publishing
    ISBN: 9783031176388
    Language: English
    Pages: 1 Online-Ressource (XIV, 182 Seiten) , Illustrationen
    Series Statement: Sociology of the Arts
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306
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    Keywords: Sociology of Culture ; Feminism and Feminist Theory ; Political Sociology ; Culture ; Feminism ; Feminist theory ; Political sociology ; Kulturpolitik ; Feminismus ; Künstlerin ; Kunst ; Kunstsoziologie ; Türkei ; Türkei ; Kunst ; Künstlerin ; Feminismus ; Kulturpolitik ; Kunstsoziologie
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    ISBN: 9783462006063 , 3462006061
    Language: German
    Pages: 352 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen, Karten , 21.5 cm x 14 cm
    Edition: 1. Auflage
    Parallel Title: Erscheint auch als
    DDC: 306.10943551409048
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    Keywords: Malchow, Helge ; Verlag Kiepenheuer & Witsch ; Spex ; Geschichte 1980-1995 ; Musikleben ; Kunstgalerie ; Techno ; Subkultur ; Show ; Ausstellung ; Popmusik ; Köln ; Kulturszene ; Kölner Kulturszene ; SPEX ; Joy Division ; Popkultur ; Musikjounalismus ; Magazin für Popkultur ; Rückblick ; Diedrich Diederichsen ; Dietmar Dath ; Kulturmetropole ; Musik ; Bands ; Underground ; Mühlheimer Freiheit ; Kunst ; Verschwende deine Jugend ; Nachtleben ; Erlebnisbericht ; Köln ; Subkultur ; Geschichte 1980-1995 ; Spex ; Köln ; Popmusik ; Techno ; Musikleben ; Geschichte 1980-1995 ; Malchow, Helge 1950- ; Verlag Kiepenheuer & Witsch ; Geschichte 1980-1995 ; Köln ; Show ; Kunstgalerie ; Ausstellung ; Geschichte 1980-1995
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    URL: Cover
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Rezension  (Perlentaucher)
    URL: Cover
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Rezension  (Perlentaucher)
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  • 11
    Image
    Image
    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
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    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 12
    Book
    Book
    Köln : Kunstforum International
    Language: German
    Pages: 319 Seiten , Illustrationen , 25 cm
    Series Statement: Kunstforum international Bd. 287 (März 2023)
    Series Statement: Kunstforum international
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Straßenkunst ; Straßenkunst ; Vandalismus ; Ästhetik ; Kunst
    Note: Haupttitel ist Kopftitel , Herausgeberin im Inhaltsverzeichnis genannt
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  • 13
    Image
    Image
    Washington : National Gallery of Art | New Haven : Yale University Press
    ISBN: 9780300267105
    Language: English
    Pages: 356 Seiten , Illustrationen , 29 cm
    Series Statement: Studies in the history of art 83
    Series Statement: Symposium papers 60
    Series Statement: Studies in the history of art
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    Keywords: Snowden, Sylvia - 1942- ; Stovall, Lou - 1937- ; Thomas, Alma - 1891-1978 ; Donaldson, Jeff - 1932-2004 ; Porter, James A. (James Amos) - 1905-1970 ; Burwell, Lilian Thomas - 1927- ; Coleman, Floyd W - 1939- ; Driskell, David C - 1931-2020 ; Gilliam, Sam - 1933-2022 ; Morrison, Keith - 1942- ; Puryear, Martin - 1941- ; Howard University - United States ; The Phillips Collection - United States ; African American Art - United States ; Konferenzschrift National Gallery of Art, Washington, DC ; Konferenzschrift National Gallery of Art, Washington, DC ; Washington, DC ; Schwarze ; Kunst ; Ästhetik ; Geschichte 1920-
    Abstract: In a twentieth century during which modern art largely abandoned beauty as its imperative, a group of Black artists from Washington, DC, made beauty the center of their art making. This book highlights these influential artists, including David C. Driskell, Sam Gilliam, Lois Mailou Jones, and Alma Thomas, in the context of what Jeffrey C. Stewart describes as the Washington Black Renaissance. Vibrant histories of key District institutions and the city's communities of educators, critics, and collectors animate a nuanced consideration of the evolution of an aesthetic dialectic from the 1920s up to the present day. The fifteen essays in the volume are grounded by voices from a live artist panel at the National Gallery of Art in 2017, which included Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall
    Note: Titelblattrückseite: This volume includes proceedings of the symposium "The African American Art World in Twentieth-Century Washington, DC", organized by the Center for Advanced Study in the Visual Arts, National gallery of Art, and sponsored by the Wyeth Foundation for American Art and the Arthur Vining Davis Foundations. The symposium was held March 16-17, 2017, in Washington , Includes bibliography and index , English
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  • 14
    ISBN: 9783862414796 , 3862414795
    Language: German
    Pages: 480 Seiten , Illustrationen , 23 x 31 cm
    DDC: 709.4315509051
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    Keywords: Bewegungen, Soziale und politische ; Kunst ; Stadt ; Berlin ; Streetart ; Politische Kunst ; Subkultur ; Offspace ; Geschichte 2003-2021 ; Berlin ; Subkultur ; Selbstverwaltung ; Aktionskunst ; Straßenkunst ; Graffito ; Streetart ; Gentrifizierung ; Geschichte 2003-2021
    Abstract: Ausgangspunkt dieses Buches ist der Frühling einer subkulturellen Bewegung im Umfeld besetzter Häuser, selbstverwalteter Projekte und ungenutzter Brachen im Zentrum Berlins. Eine Unzahl von Kollektiven ergriff die Gelegenheit, sich diese Räume anzueignen und sie jenseits der Spielregeln der kapitalistischen Marktwirtschaft zu nutzen. Eine seit Jahrzehnten gewachsene Graffiti-Szene traf sich mit Künstler*innen und Aktivist*innen aus aller Welt, um neue ästhetische Ausdrucksformen zu erfinden und ein Recht auf Stadt für alle zu reklamieren. Es folgte eine kreative Explosion in den Straßen. Es war der euphorische Aufbruch einer Bewegung, die glaubte, die Trennung zwischen Kunst und Alltagsleben auflösen und den öffentlichen Raum zu einem Gesamtkunstwerk umgestalten zu können. - »BITTE LEBN« ist die einzigartige und aus einer aktivistischen Perspektive geschriebene Geschichte und fotografische Dokumentation dieser Bewegung, von urbaner Kunst und Subkultur in Berlin zu Beginn des 21. Jahrhunderts. Das reich illustrierte Buch fragt aber auch nach den Grenzen künstlerischer Aktionsformen, die Gefahr laufen, selbst zur Marke und zum Standortfaktor im Wettbewerb der Metropolen zu werden.
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Deutsch
    URL: Cover
    URL: Cover
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  • 15
    ISBN: 0300263929 , 9780300263923
    Language: English
    Pages: 80 Seiten , Illustrationen , 30 cm
    DDC: 704.0396073
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    Keywords: Whitten, Jack ; Simpson, Lorna ; Gallagher, Ellen ; Leigh, Simone ; Cleveland Museum of Art Catalogs ; Art, Black History and criticism ; Art Moral and ethical aspects ; Art, Black ; Art - Moral and ethical aspects ; Criticism, interpretation, etc ; The Cleveland Museum of Art ; Kunst ; Person of Color ; Wahrnehmung ; Whitten, Jack 1939-2018 ; Simpson, Lorna 1960- ; Gallagher, Ellen 1965- ; Leigh, Simone 1968-
    Abstract: 'Perceptual Drift' offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of "perceptual drift": a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpson's Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallagher's Bouffant Pride (2003); and Erica Moiah James considers Simone Leigh's Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art
    Description / Table of Contents: Director's foreword / William M. Griswold -- Introduction / Key Jo Lee -- "To decode the full spectrum": Jack Whitten's Rho I / Christina Sharpe -- An approach to Lorna Simpson's Cure/Heal / Key Jo Lee -- "Spit-bite" notes in conversation with Ellen Gallagher's Bouffant Pride: an introduction / Robin Coste Lewis -- A gust of grace: Simone Leigh's Las Meninas / Erica Moiah James.
    Note: Includes bibliographical references
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  • 16
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781000627084
    Language: English
    Pages: 1 Online-Ressource (xiv, 152 Seiten) , Illustrationen
    Series Statement: Routledge research in art and race
    Parallel Title: Erscheint auch als Hamilton, Elizabeth Carmel Charting the Afrofuturist imaginary in African American art
    DDC: 700.89/96073
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    Keywords: Electronic books ; USA ; Kunst ; Künstlerin ; Afrofuturismus
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  • 17
    ISBN: 9781487509316
    Language: English
    Pages: 1 Online-Ressource (197 ungezählte Seiten) , Illustrationen
    Series Statement: Toronto Iberic
    Parallel Title: Erscheint auch als Infante, Catherine The arts of encounter
    DDC: 860.93823823
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    Keywords: Electronic books ; Spanien ; Christentum ; Islam ; Kulturaustausch ; Kunst ; Geschichte 1400-1700
    Abstract: The Arts of Encounter uncovers the significant role of religious images in literature, offering a new approach to understanding Christian-Muslim relations in early modern Spain.
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  • 18
    ISBN: 1734248513 , 9781734248517
    Language: English
    Pages: 269 Seiten , 27 cm
    Edition: First edition
    RVK:
    Keywords: Taylor, Breonna Exhibitions ; Racism Exhibitions History 21st century ; Social movements in art Exhibitions ; African Americans Exhibitions Social conditions 21st century ; African American artists Exhibitions ; African American artists ; African Americans ; Social conditions ; Race relations ; Racism ; Social movements in art ; Exhibition catalogs ; Exhibition catalogs ; Louisville (Ky.) Exhibitions Race relations 21st century ; History ; Kentucky ; Louisville ; United States ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Kentucky ; Kunst ; Rassismus ; Protestbewegung ; Geschichte 2020- ; Louisville, Ky. ; Rassismus ; Polizei ; Gewalttätigkeit ; Schwarze Frau ; Geschichte 2020-2022 ; Rezeption ; Kunst ; Taylor, Breonna 1993-2020
    Abstract: The New York Times called the Speed Art Museum's Promise, Witness, Remembrance--centered around artist Amy Sherald's portrait of Breonna Taylor and originally commissioned by Ta-Nehisi Coates for the cover of Vanity Fair magazine--one of the best art exhibitions of 2021. In the words of critic Holland Cotter, "the show was assembled in four months--warp speed in museum-time--and created a prototype for institutional responses to history-as-it's-happening." This breathtaking book documents not just the 32 works featured in the exhibition, but also the process by which the Speed used this opportunity to memorialize the life of Breonna Taylor, who was killed by Louisville police in March 2020, and to serve its community through art, featuring real-time quotations from Curator Allison Glenn, Community Engagement Strategist Toya Northington, Director Stephen Reily, Tamika Palmer (Breonna Taylor's mother), artist Amy Sherald, and others. With 200 photos, featuring work by 22 Black artists, including Sam Gilliam, Lorna Simpson, Kerry James Marshall, Hank Willis Thomas, and Theaster Gates, Promise, Witness, Remembrance is a vital addition to the canon of Black American art
    Note: Titelblattrückseite: Published to document the exhibition "Promise, Witness, Remembrance", organized by the Speed Art Museum in Louisville, Kentucky, on view from April 7 to June 13, 2021 , Includes bibliographical references
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  • 19
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    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
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    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 20
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    London : Ridinghouse
    ISBN: 1909932698 , 9781909932692
    Language: English
    Pages: 253 Seiten , Illustrationen , 23 cm
    DDC: 306.76094237
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    Keywords: Sexual minorities History ; Arts History ; Arts ; Manners and customs ; Sexual minorities ; History ; St. Ives (Cornwall, England) Social life and customs ; St. Ives (Cornwall, England) History ; England ; St. Ives (Cornwall) ; Saint Ives ; Kunst ; LGBT ; Geschichte 1945-1980
    Abstract: This first ever queer history of St Ives weaves together biography with art and social history to shine new light on a pivotal era in the development of British modernism. At its centre is the sculptor John Milne (1931-1978), who arrived in the town in 1952 to work as an assistant to Barbara Hepworth.0Hidden behind 20-foot-high granite walls, Milne's house, Trewyn, became a meeting point for queer figures from the arts as well as the scene of legendary parties. The large cast - both queer and otherwise - featured in Queer St Ives and Other Stories includes artists Francis Bacon, Alan Lowndes, Marlow Moss, Patrick Procktor, Mark Tobey, Keith Vaughan and Brian Wall; Whitechapel Art Gallery director Bryan Robertson; actors Keith Barron and Richard Wattis; potter Janet Leach; and writers Tony Warren and Richard Blake Brown. There is also the extraordinary Julian Nixon, a queer Everyman whose involvement in the group has been little explored until now.0Based on original interviews and previously unpublished letters and diaries, Queer St Ives and Other Stories reveals a fascinating, previously undocumented history, adding vital new insights into the history of this fabled Cornish art colony. Publication supported by the Paul Mellon Centre
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  • 21
    ISBN: 9781526156471 , 9781526169044
    Language: English
    Pages: xxi, 323 Seiten , Illustrationen
    Series Statement: RHA:Rethinking art's histories
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Duke University 2013
    DDC: 305.4209497
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    Keywords: Abramović, Marina ; Iveković, Sanja ; Sozialismus ; Künstlerin ; Kunst ; Kulturpolitik ; Jugoslawien ; Feminism / Yugoslavia ; Feminism and the arts / Yugoslavia ; Féminisme / Yougoslavie ; Féminisme et arts / Yougoslavie ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jugoslawien ; Sozialismus ; Künstlerin ; Kulturpolitik ; Kunst ; Iveković, Sanja 1949- ; Abramović, Marina 1946-
    Abstract: Coining the term "Jugoslovenka" to designate the unique history of Yugoslav women's resistance to patriarchy during and after socialism, this book shows how Yugoslavia's anti-fascist, transnational and feminist legacies manifest in performance, conceptual, video and activist works
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  • 22
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    Chemnitz : smac - Staatliches Museum für Archäologie Chemnitz | Dresden : Landesamt für Archäologie Sachsen
    ISBN: 9783943770674
    Language: German
    Pages: 300 Seiten , Illustrationen
    Additional Information: Ergänzung Chic! Schmuck. Macht. Leute. Chemnitz : smac - Staatliches Museum für Archäologie Chemnitz, 2022 9783943770681
    Series Statement: Ausstellungskataloge des Staatlichen Museums für Archäologie Chemnitz Band 5
    Series Statement: Ausstellungskataloge des Staatlichen Museums für Archäologie Chemnitz
    DDC: 730
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    Keywords: Ausstellungskatalog smac 01.04.2022-28.08.2022 ; Führer ; Ausstellungskatalog smac 01.04.2022-28.08.2022 ; Führer ; Ausstellungskatalog smac 01.04.2022-28.08.2022 ; Führer ; Schmuck ; Kunst ; Vor- und Frühgeschichte ; Archäologie ; Siedlungsarchäologie ; Funde ; Schmuck ; Ausstellung ; Chemnitz ; Geschichte 2022
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  • 23
    ISBN: 9783949257025
    Language: German
    Pages: 407 Seiten , Illustrationen
    Series Statement: Veröffentlichungen der Schwäbischen Forschungsgemeinschaft Band 48
    Series Statement: Reihe 1, Studien zur Geschichte des Bayerischen Schwaben
    Dissertation note: Dissertation Universität Stuttgart 2018
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    Keywords: Kunst ; Sakralbau ; Barock ; Kirchenbau ; Ausstattung ; Oberschwaben ; Hochschulschrift ; Hochschulschrift ; Oberschwaben ; Barock ; Sakralbau ; Geschichte 1710-1780
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 24
    ISBN: 9783943770681
    Language: German , English
    Pages: 71 Seiten , Illustrationen
    Additional Information: Ergänzung zu Chic! Schmuck. Macht. Leute. Chemnitz : smac - Staatliches Museum für Archäologie Chemnitz, 2022 9783943770674
    DDC: 730
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    Keywords: Führer ; Führer ; Schmuck ; Kunst ; Vor- und Frühgeschichte ; Archäologie ; Siedlungsarchäologie ; Funde ; Schmuck ; Ausstellung ; Chemnitz ; Geschichte 2022
    Abstract: Das Bedürfnis, den menschlichen Körper zu schmücken, reicht weit in die Vergangenheit zurück und ist geprägt von Vielfalt und Wandel, Extravaganz und Ausgrenzung ... Führer durch die Ausstellung "Chic! Schmuck. Macht. Leute." (aus dem Text der 4. Umschlagseite)
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  • 25
    ISBN: 9780691236261
    Language: English
    Pages: 1 Online-Ressource (288 pages) , 90 color + 52 b/w illus
    Parallel Title: Erscheint auch als Crow, Thomas E., 1948 - The artist in the counterculture
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    Keywords: Art and society History 20th century ; Counterculture ; ART / History / Contemporary (1945-) ; Kalifornien ; Kunst ; Kunstsoziologie ; Gegenkultur ; Geschichte 1960-1980
    Abstract: How California’s counterculture of the 1960s to 1980s profoundly shaped—and was shaped by—West Coast artistsThe 1960s exert a special fascination in modern art. But most accounts miss the defining impact of the period’s youth culture, largely incubated in California, on artists who came of age in that decade. As their prime exemplar, Bruce Conner, reminisced, “I did everything that everybody did in 1967 in the Haight-Ashbury. . . . I would take peyote and walk out in the streets.” And he vividly channeled those experiences into his art, while making his mark on every facet of the psychedelic movement—from the mountains of Mexico with Timothy Leary to the rock ballrooms of San Francisco to the gilded excesses of the New Hollywood. In The Artist in the Counterculture, Thomas Crow tells the story of California art from the 1960s to the 1980s—some of the strongest being made anywhere at the time—and why it cannot be understood apart from the new possibilities of thinking and feeling unleashed by the rebels of the counterculture.Crow reevaluates Conner and other key figures—from Catholic activist Corita Kent to Black Panther Emory Douglas to ecological witness Bonnie Ora Sherk—as part of a generational cohort galvanized by resistance to war, racial oppression, and environmental degradation. Younger practitioners of performance and installation carried the mindset of rebellion into the 1970s and 1980s, as previously excluded artists of color moved to the forefront in Los Angeles. Mike Kelley, their contemporary, remained unwaveringly true to the late countercultural flowering he had witnessed at the dawn of his career.The result is a major new account of the counterculture’s enduring influence on modern art
    Note: Frontmatter , Contents , Prologue: Neuroplasticity , One. Peyote frontier , Two. Movies and Mexico , Three. Boston and the Leary Lure , Four. Psychedelphic oracle , Five. Living up to their reputations , Six. Bearing witness to war , Seven. From war abroad to oppression at home , Eight. Toward 1970: “the ever-deepening spiral of politics” , Nine. The art of disappearance , Ten. Noir vortex , Eleven. Secret ceremonies , Twelve. Last artist of the counterculture , Notes , Acknowledgments , Index , Illustration and copyright credits , In English
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 26
    ISBN: 9783830942399
    Language: German
    Pages: 510 Seiten , Illustrationen, Karte
    Series Statement: Populäre Kultur und Musik Band 31
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2018
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    Keywords: Geschichte 1960-1970 ; Kunst ; Popmusik ; Musikleben ; Kunstbetrieb ; London ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; London ; Kunst ; Kunstbetrieb ; Popmusik ; Musikleben ; Geschichte 1960-1970
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  • 27
    ISBN: 1934351199 , 9781934351192
    Language: English
    Pages: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
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    Keywords: African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Abstract: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Abstract: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Note: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 28
    ISBN: 9791186625330
    Language: English , Korean
    Pages: 463 Seiten , Illustrationen, Karte
    Series Statement: Overseas Korean Cultural Heritage 15
    Series Statement: Kugoe han'guk munhwajae
    DDC: 709.52074433698
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    Keywords: Missionsmuseum der Erzabtei St. Ottilien ; Kunst ; Korea ; Katalog Missionsmuseum der Erzabtei St. Ottilien ; Katalog Missionsmuseum der Erzabtei St. Ottilien ; Korea ; Kunst ; Missionsmuseum der Erzabtei St. Ottilien
    Note: Text auf Englisch, teilweise auf Koreanisch
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  • 29
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    Prinsenbeek : JAP SAM Books
    ISBN: 9789492852335 , 9492852330
    Language: English , Dutch
    Pages: 191 Seiten
    DDC: 700.411
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    Keywords: Bildband ; Bildband ; Niederlande ; Kunst ; Landleben ; Geschichte 2019 ; Rotterdam ; Zuwanderung ; Landbevölkerung ; Andenken
    Abstract: Boerenzij The Rural Side' questions the hegemony of urban culture through encounters with the countryside in the city. This art project created with and by Rotterdammers places rural migration, mindsets, memories, objects and en plein air drawings in the midst of the current gentrification of Rotterdam-Zuid. Boerenzij demands critical awareness of the naturalness with which rural culture is being swallowed up and urbanized worldwide.0
    Note: Text englisch und niederländisch
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  • 30
    ISBN: 9789462702363
    Language: English , Dutch
    Pages: 268 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 700.411
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    Keywords: Geschichte 2000- ; Kolonialismus ; Museum ; Kunst ; Antwerpen ; Demokratische Republik Kongo ; Belgien ; Ausstellungskatalog Middelheim Museum 29.05.2021-03.10.2021 ; Ausstellungskatalog, Middelheim Museum, 29.05.2021-03.10.2021, Antwerpen ; Ausstellungskatalog Middelheim Museum 29.05.2021-03.10.2021 ; Antwerpen ; Belgien ; Demokratische Republik Kongo ; Kunst ; Kolonialismus ; Geschichte 2000- ; Museum
    Abstract: One hundred years after the founding of the École Coloniale Supérieure in Antwerp, the adjacent Middelheim Museum invites Sandrine Colard, researcher and curator, to conceive an exhibition that probes silenced histories of colonialism in a site-specific way. For Colard, the term Congoville encompasses the tangible and intangible urban traces of the colony, not on the African continent but in 21st-century Belgium: a school building, a park, imperial myths, and citizens of African descent. In the exhibition and this adjoining publication, the concept Congoville is the starting point for 15 contemporary artists to address colonial history and ponder its aftereffects as black flâneurs walking through a postcolonial city.00Due to the multitude of perspectives and voices, this book is both a catalogue and a reference work comprised of artistic and academic contributions. Together, the participating artists and invited authors unfold the blueprint of 'Congoville', an imaginary city that still subconsciously affects us, but also encourages us to envision a decolonial utopia.00With contributions by: Pieter Boons, Sandrine Colard, Filip De Boeck, Bas De Roo, Nadia Yala Kisukidi, Sorana Munsya & Léonard Pongo, Herman Van Goethem, Sara Weyns, Nabilla Ait Daoud.00Participating artists: Sammy Baloji, Bodys Isek Kingelez, Maurice Mbikayi, Jean Katambayi, KinAct Collective, Simone Leigh, Hank Willis Thomas, Zahia Rahmani, Ibrahim Mahama, Ângela Ferreira, Kapwani Kiwanga, Sven Augustijnen, Pascale Marthine Tayou, Elisabetta Benassi, Pélagie Gbaguidi
    Note: "This publication has been issued on the occasion of the exhibition 'Congoville', Middelheim Museum, Antwerp, Belgium (29 May 2021 - 3 October 2021) , Text auf Englisch und Niederländisch
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  • 31
    ISBN: 9781946433275 , 1946433276
    Language: English
    Pages: 215 Seiten , Illustrationen
    Edition: First edition
    DDC: 709.47
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    Keywords: Rudd, Wayland ; Art ; Mass media ; Black people in art ; Black people in mass media ; Black people ; Art - URSS ; Médias - URSS ; Personnes noires dans l'art ; Personnes noires dans les médias ; Noirs - URSS ; Art ; Mass media ; Race relations ; Soviet Union Race relations ; Soviet Union ; Sowjetunion ; Kunst ; Massenmedien ; Person of Color ; Rassismus ; Geschichte 1923-1980 ; Schwarze
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  • 32
    ISBN: 9789493148413 , 9493148416
    Language: English
    Pages: 381 Seiten , Illustrationen
    Series Statement: Onomatopee 196
    DDC: 700.411
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Kunst ; Niederlande ; Deutschland ; COVID-19 ; Geschichte ; COVID-19 ; Pandemie ; Gesellschaft ; Kultur ; Zukunft ; Utopie
    Abstract: Sixteen culture makers who are "Zeitzeugen" (contemporary witnesses) of the COVID-19 pandemic sketch how things can be different in the future. Their visions for the future came about as a reaction to the disruption of their plans for 2020, and have one thing in common: the ambition to change and to widen the limits of our imagination.00The visions and recipes of these writers, academics, philosophers, singers, visual artists, theatre makers and designers working in the Netherlands and Germany, paint a heterogeneous picture. They develop through themes such as real utopias, sustainability, the new domesticity, and the role of cultural institutions in our society,00This collection is flavoured with the food recipes that every maker has contributed. The menu ranges from eating earth to corona ice cream, from French toast to Mushrooms at the end of the world, and tastes like more
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  • 33
    ISBN: 9788829708048
    Language: Italian
    Pages: 203 Seiten
    Edition: Prima edizione
    Series Statement: Biblioteca
    DDC: 306
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    Keywords: Geschichte 1500-1600 ; Erotische Kunst ; Kunst ; Erotik ; Italien ; Italien ; Kunst ; Erotik ; Erotische Kunst ; Geschichte 1500-1600
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  • 34
    ISBN: 9783038601883 , 3038601888
    Language: English , German
    Pages: 216 Seiten , Illustrationen , 29.7 cm x 13.5 cm
    DDC: 709.43155090512
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Modellprojekt Haus der Statistik ; Stadtentwicklung ; Sozialer Wandel ; Kunst ; Öffentlicher Raum ; Geschichte 2015-2020 ; Deutschland ; Staatskunst ; Architektur ; Modellprojekt Haus der Statistik ; Stadtentwicklung ; Sozialer Wandel ; Kunst ; Öffentlicher Raum ; Geschichte 2015-2020
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  • 35
    ISBN: 9788448264369
    Language: Spanish
    Pages: 91 Seiten , Illustrationen , 31 cm
    Parallel Title: Parallele Sprachausgabe Contracultura
    DDC: 709
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    Keywords: Ausstellungskatalog IVAM 12.02.2020-17.05.2020 ; Ausstellungskatalog IVAM 12.02.2020-17.05.2020 ; Valencia ; Gegenkultur ; Kunst ; Politische Kunst ; Geschichte 1965-1980
    Note: Catalog of an exhibition held at the IVAM, Valencia, Spain, Feb. 12-May 17, 2020
    URL: Cover
    URL: Cover
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  • 36
    ISBN: 9789490153328 , 949015332X
    Language: English
    Pages: 184 Seiten , Illustrationen
    Series Statement: KA series 32
    Parallel Title: Parallele Sprachausgabe
    DDC: 700.411
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    Keywords: 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Abstract: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Note: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 37
    ISBN: 9783945867136
    Language: German , Russian
    Pages: 235 Seiten , Illustrationen
    Edition: 1. Auflage 500 durchnummerierte Exemplare
    Series Statement: Ciconia ciconia No. 16
    Series Statement: Ciconia ciconia
    DDC: 746.9209470904
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    Keywords: Geschichte 1920-2020 ; Rezeption ; Avantgarde ; Revolution ; Kunst ; Design ; Mode ; Russland ; Fashion ; Gestalten ; Kunst ; Mode ; Revolution ; Russland ; Sowjetunion ; Bildband ; Bildband ; Bildband ; Russland ; Mode ; Revolution ; Geschichte 1920-2020 ; Russland ; Kunst ; Rezeption ; Mode ; Design ; Avantgarde ; Geschichte 1920-2020
    Note: Text deutsch und russisch , Teilweise kyrillisch
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  • 38
    ISBN: 9780300254327
    Language: English
    Pages: 216 Seiten , 31 cm
    Edition: First edition
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    Keywords: Art Institute of Chicago ; Art Institute of Chicago ; Art, African / Catalogs ; Art / Illinois / Chicago / Catalogs ; Kunstethnologie ; Kunst ; Ethnografika ; Sammlung ; Afrika ; Katalog ; Bildband ; Katalog ; Bildband ; Katalog ; Bildband ; Katalog ; Bildband ; Katalog ; Bildband ; Katalog ; Bildband ; Art Institute of Chicago ; Sammlung ; Afrika ; Kunst ; Kunstethnologie ; Ethnografika
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  • 39
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    Zürich : Museum Rietberg | Zürich : Scheidegger & Spiess
    ISBN: 9783858816436 , 3858816434
    Language: German
    Pages: 328 Seiten
    Parallel Title: Parallele Sprachausgabe Congo as fiction
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    Keywords: Himmelheber, Hans ; Museum Rietberg ; Geschichte 2010-2020 ; Geschichte 1930-2020 ; Kunst ; Fotoarchiv ; Sammlung ; Kongo-Gebiet ; Republik Kongo ; Demokratische Republik Kongo ; Ausstellungskatalog Museum Rietberg 22.11.2019-15.03.2020 ; Bildband ; Ausstellungskatalog Museum Rietberg 22.11.2019-15.03.2020 ; Bildband ; Ausstellungskatalog Museum Rietberg 22.11.2019-15.03.2020 ; Bildband ; Tagebuch ; Biografie ; Ausstellungskatalog Museum Rietberg 22.11.2019-15.03.2020 ; Bildband ; Tagebuch ; Biografie ; Ausstellungskatalog Museum Rietberg 22.11.2019-15.03.2020 ; Bildband ; Tagebuch ; Biografie ; Ausstellungskatalog Museum Rietberg 22.11.2019-15.03.2020 ; Bildband ; Tagebuch ; Biografie ; Kongo-Gebiet ; Kunst ; Geschichte 1930-2020 ; Himmelheber, Hans 1908-2003 ; Museum Rietberg ; Fotoarchiv ; Kunst ; Sammlung ; Demokratische Republik Kongo ; Republik Kongo ; Kunst ; Geschichte 2010-2020
    Note: Aus dem Impressum: "Dieses Buch erscheint anlässlich der Ausstellung 'Fiktion Kongo - Kunstwelten zwischen Geschichte und Gegenwart' vom 22. November 2019 bis 15. März 2020 im Museum Rietberg Zürich"
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  • 40
    ISBN: 9783868596403 , 9783868596403 , 3868596402
    Language: German
    Pages: 191 Seiten , Illustrationen, Diagramme, Pläne, Karten
    DDC: 305.9069140943
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    Keywords: Soziale Integration ; Interkulturalität ; Sozialer Wandel ; Wohnen ; Kollektive Wohnform ; Sozialraum ; Flüchtling ; Soziologie ; Aufsatzsammlung ; Beispielsammlung ; Beispielsammlung ; Wohnen ; Sozialraum ; Soziologie ; Soziale Integration ; Sozialer Wandel ; Kollektive Wohnform ; Interkulturalität ; Flüchtling ; Soziale Integration
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  • 41
    ISBN: 9781478001409 , 9781478001003
    Language: English
    Pages: xx, 395 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
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    Keywords: AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Abstract: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people
    Note: Includes bibliographical references and index
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  • 42
    Book
    Book
    Cambridge, Massachusetts : The MIT Press
    ISBN: 9780262042703
    Language: English
    Pages: XII, 333 Seiten , Illustrationen
    DDC: 700
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    Keywords: Mendieta, Ana Criticism and interpretation ; Performance art Themes, motives ; African diaspora in art ; Cultural fusion and the arts ; Mendieta, Ana 1948-1985 ; Performance ; Karibik ; Schwarze ; Kunst
    Note: Includes bibliographical references and index
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  • 43
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030172909
    Language: English
    Pages: 1 Online-Ressource (IX, 218 p. 34 illus., 30 illus. in color)
    Edition: 1st ed. 2019
    Series Statement: Palgrave Macmillan Memory Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306
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    Keywords: Global/International Culture ; Memory Studies ; Fine Arts ; Culture ; Historiography ; Fine arts ; Postkolonialismus ; Kunst ; Schwellenländer ; Schwellenländer ; Kunst ; Postkolonialismus
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 44
    ISBN: 9781138605923
    Language: English
    Pages: XX, 211 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
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    Keywords: USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
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  • 45
    ISBN: 9780520300811
    Language: English
    Pages: 176 Seiten
    DDC: 704.03/97
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    Keywords: Indian art Exhibitions 20th century ; Indian art Exhibitions Political aspects 20th century ; Ausstellungskatalog Crocker Art Museum 2019-2020 ; Bildband ; Ausstellungskatalog Crocker Art Museum 2019-2020 ; Bildband ; Kalifornien ; Kunst ; Indigenes Volk ; Geschichte 1975-2017 ; Kalifornien ; Indianer ; Kunst ; Ethnische Identität ; Aktivismus ; Geschichte 1950-2018
    Abstract: Foreword / W. Richard West Jr. -- Introduction : the continuity of change : the fifth world / Frank LaPena -- Artists section -- Still here / Malcolm Margolin -- Reflecting the creative spirit / Julian Lang -- San Francisco's American Indian contemporary arts, a personal narrative / Janeen Antoine -- A critical site : American Indian art in California / Nicolas G. Rosenthal -- American Indian art at the Crocker Art Museum / Scott A. Shields -- Identity matters in contemporary art by indigenous women / Kristina Perea Gilmore -- California's community-based American Indian artists / Mark Dean Johnson -- Timeline of selected governmental policies and Indian activism, community cultural development, and visual art milestones / Janeen Antoine and Mark Dean Johnson.
    Abstract: "This exhibition was initially conceived by Frank LaPena, a key figure in California's Native fine art movement since the 1960's. Co-organized with Mark Johsnon, and with the assistance of curatorial staff at the Crocker Art Museum and the Autry Museum, the catalogue will feature profiles of the artists, an art historical timeline, and contextual essays by Native American scholars including FrankLaPena, Julian Land, Franklin Tuele, and Janeen Antoine. The exhibition and its accompanying catalogue will spotlight the activisit dimension in California Indian art since the 1960's. Exhibition themes include: a political interest to address history and confront erasure, an environmental postionality that considers the subtle force of balance in nature in relation to contemporary imbalances; activist employment of symbols and language that signal indigenous difference in world view; an engagement with reanimating ideas drawn from myth and ritual; and a commitment to reflecting the real issues in contemporary society and the struggle to overcome internalized trauma. The catalogue will feature the work of 20 artists and will include discussion of an additional 20 artists within the essay content"--
    Note: Ausstellungsdaten im Internet ermittelt , Impressum: "Published on the occasionof the exhibition When I Remember I See Red: American Indian Art and Activism in California, organized by the Crocker Art Museum."
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  • 46
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    Bristol : Sansom & Company
    ISBN: 1911408542 , 9781911408543
    Language: English
    Pages: 112 Seiten
    DDC: 700.411
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    Keywords: Bildband ; Ausstellungskatalog Royal West of England Academy 14.12.2019-01.03.2020 ; Ausstellungskatalog MOMA Machynlleth 14.03.2020- 16.06.2020 ; Bildband ; Ausstellungskatalog Royal West of England Academy 14.12.2019-01.03.2020 ; Ausstellungskatalog MOMA Machynlleth 14.03.2020- 16.06.2020 ; Großbritannien ; Kunst ; Fotografie ; Geschichte 1870-2000 ; Großbritannien ; Migration ; Einwanderer ; Kunst ; Geschichte 1530-2000
    Note: Catalogue of an exhibition at Royal West of England Academy, Bristol 14 December 2019-1 March 2020 and MOMA, Machynlleth 14.03.-16.06.2020 - Angaben ermittelt
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  • 47
    ISBN: 9783000622526
    Language: German , French , English
    Pages: 189 Seiten , Illustrationen
    DDC: 700
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    Keywords: Ausstellungskatalog GRASSI Museum für Völkerkunde zu Leipzig 01.12.2018-14.04.2019 ; Biografie ; Ausstellungskatalog GRASSI Museum für Völkerkunde zu Leipzig 01.12.2018-14.04.2019 ; Ausstellungskatalog GRASSI Museum für Völkerkunde zu Leipzig 01.12.2018-14.04.2019 ; Biografie ; Ausstellungskatalog GRASSI Museum für Völkerkunde zu Leipzig 01.12.2018-14.04.2019 ; Ausstellungskatalog GRASSI Museum für Völkerkunde zu Leipzig 01.12.2018-14.04.2019 ; Biografie ; Ausstellungskatalog GRASSI Museum für Völkerkunde zu Leipzig 01.12.2018-14.04.2019 ; Ausstellungskatalog GRASSI Museum für Völkerkunde zu Leipzig 01.12.2018-14.04.2019 ; Biografie ; Grassi Museum für Völkerkunde zu Leipzig ; Kinshasa ; Künstler ; Kunst ; Ausstellung
    Note: Mit Biografien der Künstler , Text deutsch, französisch und englisch
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  • 48
    ISBN: 9780429467851 , 9780429885877 , 9780429885884 , 9780429885860 , 9780429467851
    Language: English
    Pages: 1 online resource (232 pages) , 86 illustrations, text file, PDF.
    Edition: First edition.
    Series Statement: Routledge Research in Art and Race
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts movement and the Black Panther Party in American visual culture
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    Keywords: Black Panther Party History ; Arts and society History 20th century ; Black Arts movement ; Black Arts movement Case studies ; Arts Political aspects ; African Americans Race identity ; African Americans Intellectual life 20th century ; African American arts 20th century ; Black Arts movement ; African American arts ; 20th century ; African Americans ; Race identity ; African Americans ; Intellectual life ; 20th century ; Arts ; Political aspects ; United States ; History ; 20th century ; Electronic books ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; ART / Art & Politics ; AfriCOBRA ; African American art ; African American history ; African American studies ; American art ; Angela Davis ; art history ; Berkeley ; Black Panthers ; black power ; California ; civil rights ; desegregation ; Eldridge Cleaver ; Emory Douglas ; Huey P. Newton ; identity ; Kathleen Cleaver ; Malcolm X ; newspaper ; Oakland ; Oakland Museum ; paintings ; photography ; politics ; posters ; prints ; visual culture ; Electronic books ; Electronic books ; USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
    Abstract: Part I. Black arts we make : aesthetics, collaboration, and social identity in the visual art of Black Power -- Introduction to Part I -- Pedigree of the Black arts movement : the march on Washington, death of Malcolm X, and free jazz -- Organization of Black American culture : a show of respect -- African commune of bad relevant artists : forging a Black aesthetic -- New perspectives in Black art : an Oakland class of '68 Says Black Lives Matter. -- Part II. The Black Panther Party in photography and print ephemera. Introduction to Part II -- Huey P. Newton enthroned : iconic image of Black Power -- Eldridge Cleaver's visual acumen and the coalition of Black Power with White resistance -- Emory Douglas : revolutionary artist and visual theorist -- Picturing the female revolutionary.
    Note: Includes bibliographical references and index
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  • 49
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    New York : Hunter College Art Galleries
    ISBN: 9781732009929 , 1732009929
    Language: English
    Pages: 103 Seiten , Illustrationen , 23 cm
    DDC: 700.411
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    Keywords: Black Emergency Cultural Coalition ; Black Emergency Cultural Coalition ; Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal (Exhibition) ; African American art Exhibitions 20th century ; African American art Exhibitions 20th century ; African American artists History 20th century ; Exhibitions ; African American artists Exhibitions History 20th century ; Race awareness in art Exhibitions ; Art, American Exhibitions 20th century ; African American art ; African American artists ; Art, American ; Race awareness in art ; History ; Exhibition catalogs ; New York (State) ; New York ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; USA ; Künstler ; Person of Color ; Geschichte 1971 ; New York, NY ; Kunstbetrieb ; Schwarze ; Kunst ; Ausstellung ; Protest ; Geschichte 1971
    Abstract: This exhibition revisits the 1971 exhibition "Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal", which was organized by members of the Black Emergency Cultural Coalition at Acts of Art, a small, artist-run gallery in Greenwich Village. The original exhibition was mounted in response to the Whitney Museum?s refusal to appoint a Black curator for their survey 'Contemporary Black Artists in America'. The exhibition at Hunter presents ten of the 47 artists from the original Rebuttal show, including Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood "Bill" Rivers, and Frank Wimberley. It is a selection intended to represent the stylistic diversity of the original exhibition, with works ranging from sardonic social satire and biting figurative expressionism to Yoruban-inspired symbolism and lyrical abstraction. Through these artists, the exhibition also traces a network of organizations and groups that supported the aspirations of Black artists and the community in the 1960s and early 1970s. Through its survey of the history of the short-lived Acts of Art gallery and the events leading up to the Rebuttalshow, the exhibition and its accompanying catalogue explore the intersections between Black cultural communities and cultural politics in Greenwich Village, the Lower East Side, and Harlem in the late 1960s and early 1970s.00Exhibition: Leubsdorf Gallery, New York, USA (04.10.-25.11.2018)
    Note: "Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood Bill Rivers, Frank Wimberley"--Back cover , Catalog of an exhibition at the Hunter College Art Galleries' Bertha and Karl Leubsdorf Gallery in the fall of 2018 , "Edition of 400"--Colophon , Includes bibliographical references
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  • 50
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    Chicago, Illinois : Smart Museum of Art | Chicago, Illinois : The University of Chicago Press
    ISBN: 9780935573589
    Language: English
    Pages: 271 Seiten , Karten
    DDC: 700.89/96073
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    Keywords: Arts and society Exhibitions History 20th century ; African American arts Exhibitions History 20th century ; Arts and society Exhibitions ; History ; 20th century ; Illinois ; Chicago ; African American arts Exhibitions ; History ; 20th century ; Illinois ; Chicago ; ART / General ; ART / History / General ; African American arts ; Arts and society ; Civilization ; South Side (Chicago, Ill.) Exhibitions Civilization 20th century ; South Side (Chicago, Ill.) Exhibitions ; Civilization ; 20th century ; Illinois ; Chicago ; Ausstellungskatalog David and Alfred Smart Museum of Art 2018 ; Bildband ; Ausstellungskatalog Smart Museum of Art 13.09.2018-30.12.2018 ; Ausstellungskatalog David and Alfred Smart Museum of Art 2018 ; Bildband ; Ausstellungskatalog Smart Museum of Art 13.09.2018-30.12.2018 ; Chicago, Ill. ; Schwarze ; Kunst ; Black power ; Black arts movement ; Geschichte 1960-1980
    Abstract: "During the 1960s and 70s, Chicago was shaped by art and ideas produced and circulated on its South Side. Informed by the city's social, political, and geographic divides, this history of creative expression left behind a cultural legacy whose impact continues to unfold nationally and internationally. The Time is Now! Art Worlds of Chicago's South Side, 1960-1980, published in tandem with a major exhibition at the Smart Museum of Art, examines this cultural moment--ripe with change and conflict--and the figures who defined it. Focusing primarily on the Black Arts Movement, The Time is Now re-examines watershed cultural moments: from the Hairy Who to the Wall of Respect, from the Civil Rights Movement to AfriCOBRA, from vivid protest posters to visionary outsider art, and from the Free University movement to the radical jazz of the Association for the Advancement of Creative Musicians. The book contains a series of essays, interviews, and other contextual material, along with full-color images of all works included in the exhibition and extensive reproductions of ephemera and historical photographs"--
    Note: Includes bibliographical references , Letzte Seite: "Published on the occasion of the exhibition The Time is Now! Art Worlds of Chicago's South Side, 1960-1980, organized by the Smart Museum of Art, The University of Chicago, presented September 13-December 30, 2018.'"
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  • 51
    ISBN: 9789085867760
    Language: English
    Pages: 176 Seiten , Illustrationen
    Series Statement: Collcetions of the RMCA
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    Keywords: Musée Royal de l'Afrique Centrale ; Kunst ; Sachkultur ; Sammlung ; Demokratische Republik Kongo ; Zentralafrika ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog ; Bildband
    Note: This book was published on the occasion of the temporary exhibition "Unrivalled art" held to mark the opening of the Royal Museum for Central Africa on 8 December 2018. Rather than beeing an exhaustive catalogue, the book contains a selection of masterpieces from RMCA collection , Literaturverzeichnis: Seite 172 - 176
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  • 52
    ISBN: 9781910350492 , 9781910350508
    Language: English
    Pages: 327 Seiten , Karten
    Edition: First published
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    Keywords: Kunst ; Kunsthandwerk ; Sachkultur ; Ethnologie ; Art ; Ethnology ; Oceania ; Toi Māori ; Catalogs ; Exhibitions ; Essays ; Exhibition catalogs ; Illustrated works ; Ozeanien ; Ausstellungskatalog Royal Academy of Arts 29.09.2018-10.12.2018 ; Ausstellungskatalog Musée du quai Branly - Jacques Chirac 10.03.2019-07.07.2019 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 29.09.2018-10.12.2018 ; Ausstellungskatalog Musée du quai Branly - Jacques Chirac 10.03.2019-07.07.2019 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 29.09.2018-10.12.2018 ; Ausstellungskatalog Musée du quai Branly - Jacques Chirac 10.03.2019-07.07.2019 ; Bildband ; Ozeanien ; Kunst ; Kunsthandwerk ; Sachkultur ; Ethnologie
    Note: "Published on the occasion of the exhibition 'Oceania', Royal Academy of Arts, London, 29 September - 10 December 2018, Musée du quai Branly - Jacques Chirac, Paris, 12 March - 7 July 2019"
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  • 53
    ISBN: 9783840078026
    Language: German
    Pages: 239 Seiten , Illustrationen, Karte
    DDC: 759.3
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    Keywords: Maori ; Kulturkontakt ; Grafik ; Kunst ; Sachkultur ; Neuseeland ; Ausstellungskatalog Museum Fünf Kontinente 12.10.2018-28.04.2019 ; Bildband ; Ausstellungskatalog Museum Fünf Kontinente 12.10.2018-28.04.2019 ; Bildband ; Ausstellungskatalog Museum Fünf Kontinente 12.10.2018-28.04.2019 ; Bildband ; Neuseeland ; Kulturkontakt ; Rezeption ; Heine, Helme 1941- ; Malerei ; Zeichnung ; Maori ; Kunst ; Museum Fünf Kontinente
    Note: Maori-Kunst und Helme Heines Blick auf Neuseeland ist die Begleitpublikation zur gleichnamigen Ausstellung im Museum Fünf Kontinente in München, 12.10.2018-28.04.2019. - Literaturverzeichnis: Seiten 234-238
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  • 54
    ISBN: 383763664X , 9783837636642
    Language: German
    Pages: 426 Seiten , 22.5 cm x 14.8 cm, 573 g
    Series Statement: Kultur und soziale Praxis
    DDC: 390
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    Keywords: Raum ; Aneignung ; Alternativbewegung ; Kunst ; Zivilgesellschaft ; Teilhabe ; Stadtentwicklung ; Kreativität ; Salzburg
    Note: Literaturverzeichnis: Seite [391]-426
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  • 55
    ISBN: 9783839437179
    Language: German
    Pages: 1 Online-Ressource (348 Seiten) , Illustrationen
    Series Statement: Sozial- und Kulturgeographie Band 18
    Series Statement: Sozial- und Kulturgeographie
    Parallel Title: Erscheint auch als Scherzinger, Christine, 1979 - Berlin - Visionen einer zukünftigen Urbanität
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    Keywords: City planning Forecasting ; Community development, Urban Forecasting ; Urban policy Forecasting ; Artistic Research. ; Berlin. ; Geographie. ; Intervention. ; Kreativität. ; Kulturgeographie. ; Kunst. ; Künstlerische Forschung. ; Politische Kunst. ; Raum. ; Stadt. ; Stadtentwicklung. ; Stadtforschung. ; Urban Studies. ; Vision. ; Zivilgesellschaft. ; Zukunft. ; SOCIAL SCIENCE / Human Geography ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Berlin ; Urbanität ; Stadtgeografie ; Kunst ; Stadtgestaltung ; Kulturwirtschaft ; Berlin ; Stadt ; Urbanität ; Kunst ; Stadtgestaltung ; Kreativität ; Künstler
    Abstract: Can art and creativity become a means of revealing contradictions in the city system and develop their own forms of future perspectives? From a perspective encompassing critical geographical urban research, Christine Scherzinger investigates visions of a future urbanity. In case studies focussing in detail on Berlin, she analyses artistic attitudes in a reflexive trans-disciplinary process, and tests the limits of the potential to enact change for performative arts, interventions, and illustrations. The study allows visual spaces and spaces of possibility to emerge that provide momentum for an alternative kind of urban design, putting people back in the centre.
    Abstract: Können Kunst und Kreativität zu einem Mittel werden, um Widersprüche im System Stadt aufzudecken und eigene Formen der Zukunftsbetrachtungen zu entwickeln? Christine Scherzinger fragt aus Sicht einer kritischen geographischen Stadtforschung nach Visionen einer zukünftigen Urbanität. In detaillierten, auf Berlin bezogenen Fallstudien analysiert sie künstlerische Positionen in einem reflexiven, transdisziplinären Prozess und lotet die Grenzen der Veränderbarkeit zwischen performativen Künsten, Interventionen und Zeichnungen aus. Die Studie lässt Bild- und Möglichkeitsräume entstehen, die Impulse für eine andere Stadtgestaltung geben und den Menschen wieder in den Fokus rücken.
    Description / Table of Contents: Frontmatter -- -- Inhalt -- -- Einleitung -- -- 1. Theoretische Bezüge I: Kunst, Kultur und Kreativität -- -- 2. Theoretische Bezüge II: Erweiterte regulationstheoretische Ansätze -- -- 3. Untersuchungsgegenstände: Visionen und Urbanität -- -- 4. Forschungsstrategien -- -- 5. Methodendesign -- -- 6. Analysen: Künstlerpositionen -- -- 7. Zusammenfassende Analyse und Interpretation -- -- 8. Fazit – Re-Imaging und Re-Thinking Urbanity -- -- Literatur- und Quellenverzeichnis -- -- Anhang: Index
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 56
    ISBN: 386962230X , 9783869622309
    Language: German
    Pages: 431 Seiten , Illustrationen
    Series Statement: edition KHM 1
    Series Statement: Edition KHM
    DDC: 700
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    Keywords: Arts, Modern ; Art, European ; Art, African ; Aesthetics, Modern ; Art, African Influence ; Art, Primitive ; Afrika ; Kultgegenstand ; Rezeption ; Ästhetik ; Musealisierung ; Afrika ; Kunst ; Kultur ; Kolonialismus
    Abstract: Am Beispiel afrikanischer Kunst zeigt Hans Ulrich Reck auf, wie von Stammeskulturen geschaffene Kunstwerke aus ihrer ursprünglichen Bedeutung als kultische Objekte herausgelöst und in das Kunstsystem der Museen nach europäischem Vorbild eingegliedert werden. Die Überführung von Kunstwerken kultischen Ursprungs in Museen ist aber auch problematisch: Sie stellt immer auch einen Kunstraub an derjenigen Gesellschaft dar, der das überführte Kunstwerk entstammt und für die es mit seiner ursprünglichen, kultischen Bedeutung aufgeladen ist. Die Kunstgeschichte dieser Verschiebung wird erläutert mittels Einbezugs von Künstlertheorien, einer ästhetischen Kritik der Avantgardekunst, aber auch der Philosophie des künstlerischen wie – genereller – des kreativen Schaffens.
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  • 57
    Book
    Book
    Bielefeld : transcript Verlag
    ISBN: 9783837633542 , 3837633543
    Language: German
    Pages: 317 Seiten , 23 cm
    Series Statement: Urban studies
    Parallel Title: Erscheint auch als Erzählte Stadt - Der urbane Raum bei Janet Cardiff und Jeff Wall
    Dissertation note: Dissertation Hochschule für Bildende Künste Hamburg 2016
    DDC: 704.944097109049
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    Keywords: Wall, Jeff ; Cardiff, Janet ; Kultur ; Literatur ; Wissenschaftliche Literatur ; Film ; Roman ; Raumwahrnehmung ; Stadt ; Allgemeine Literaturwissenschaft ; City ; City Perception ; Contemporary Art ; Cultural Studies ; Film ; General Literature Studies ; Janet Cardiff ; Jeff Wall ; Kulturwissenschaft ; Literatur ; Literature ; Poststructural Narration ; Poststrukturelles Erzählen ; Raumtheorie ; Sociology ; Soziologie ; Spatial Theory ; Stadt ; Stadtwahrnehmung ; Urban Studies ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Cardiff, Janet 1957- ; Stadt ; Raumwahrnehmung ; Wall, Jeff 1946- ; Stadt ; Raumwahrnehmung ; Kultur ; Film ; Literatur ; Roman ; Wissenschaftliche Literatur
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  • 58
    Language: English
    Pages: 47 Seiten , 28 cm
    Series Statement: The Metropolitan Museum of Art bulletin volume 74, number 4 (spring 2017)
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    Keywords: Ausstellungskatalog Metropolitan Museum of Art 13.06.2017-04.02.2018 ; Bildband ; Ausstellungskatalog Metropolitan Museum of Art 13.06.2017-04.02.2018 ; Bildband ; Metropolitan Museum of Art The Abbey Collection ; Japan ; Bambus ; Flechtarbeit ; Kunst ; Sammlung ; Geschichte
    Note: Impressum: "This publication is issued in conjunction with the exhibition Japanese bamboo art: The Abbey Collection, on view at the Metropolitan Museum of Art from June 13, 2017 to February 4, 2018"
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  • 59
    Image
    Image
    Ottawa, Ontario : National Gallery of Canada
    ISBN: 9780888849823
    Language: English
    Pages: 257 Seiten
    DDC: 709.71
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    Keywords: Art, Canadian History ; Art canadien ; Musée des beaux-arts du Canada ; History ; Katalog ; Ausstellungskatalog ; Bildband ; Bildband ; Katalog ; Katalog ; Ausstellungskatalog ; Bildband ; National Gallery of Canada ; Kanada ; Kunst ; Geschichte
    Abstract: Discover the many themes and movements that have shaped Canada's visual arts landscape since 1968. Continuing the storylines from the new Canadian and Indigenous Galleries, this special exhibition invites visitors to experience more than 150 works in all media, including sculpture, painting, video art, installation, drawing and photography. From the feminist art movement of the 1970s to present-day Inuit art, the richness of the national Canadian and Indigenous contemporary art collections is on full display. Exhibition: National Gallery of Canada, Ottawa, Ontario (03.05.2017 - 06.05.2018).
    Abstract: Art in Canada / Marc Mayer -- A brief history of the National Gallery of Canada / Katherine Stauble -- Message from the National Gallery of Canada Foundation
    Note: Katalog zur Ausstellung in Ottawa, 3. Mai 2017 - 6. Mai 2018
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  • 60
    ISBN: 9789722725057
    Language: Portuguese , English
    Pages: 381 Seiten , color illustrations , 28 x 29 cm
    DDC: 709
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    Keywords: Ausstellungskatalog Museu Nacional de Arte Antiga 24.02.2017-09.04.2017 ; Bildband ; Ausstellungskatalog Museu Nacional de Arte Antiga, Lissabon 24.02.2017-09.04.2017 ; Ausstellungskatalog Museu Nacional de Arte Antiga 24.02.2017-09.04.2017 ; Bildband ; Ausstellungskatalog Museu Nacional de Arte Antiga, Lissabon 24.02.2017-09.04.2017 ; Lissabon ; Renaissance ; Stadtleben ; Multikulturelle Gesellschaft ; Geschichte 1500-1600 ; Lissabon ; Stadtentwicklung ; Stadtleben ; Multikulturelle Gesellschaft ; Handel ; Kunst ; Kunsthandwerk ; Geschichte 1420-1600
    Note: Catalog of an exhibition held at the Museu Nacional de Arte Antiga, Lisbon, Portugal, February 24-April 9, 2017 , Text in portugiesischer und englischer Sprache
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  • 61
    Book
    Book
    Bayreuth : Stadtheimatpfleger der Stadt Bayreuth
    Language: German
    Pages: 252 Seiten , Illustrationen, Karten , 21 x 21 cm
    DDC: 306.09
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    Keywords: Kunstführer ; Kunstführer ; Bayreuth ; Öffentlicher Raum ; Kunst ; Kunst am Bau ; Geschichte Anfänge-1800
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  • 62
    ISBN: 9781477307960 , 9781477308363
    Language: English
    Pages: xviii, 473 Seiten , Illustrationen , 24 cm
    Edition: First edition
    DDC: 305.868/720764
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    Keywords: Mexican American women History ; Women and literature History ; Mexican American artists History ; Aufsatzsammlung ; Anthologie ; Aufsatzsammlung ; Texas ; Chicanos ; Kultur ; Kunst
    Note: Includes bibliographical references
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  • 63
    Language: German
    Pages: 295 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Koch, Katharina Creating spaces – producing meanings
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2016
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    Keywords: Kunst ; Öffentlicher Raum ; Rumänien ; Hochschulschrift ; Hochschulschrift ; Rumänien ; Öffentlicher Raum ; Kunst
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  • 64
    ISBN: 9782355322419
    Language: English , French
    Pages: 199 Seiten , Illustrationen (farbig), Karten , 29 cm
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    Keywords: Kunst ; Plastik ; Ethnologie ; Sumba ; Sumba ; Kultur
    Note: Text englisch und französisch
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  • 65
    ISBN: 9782711863501
    Language: French
    Pages: 141 Seiten , Illustrationen (farbig) , 28 cm
    DDC: 306.09
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    Keywords: Léger, Fernand Exhibitions ; Groupe Espace (Group of artists) Exhibitions ; Exposition Architecture, formes, couleur Exhibitions ; Ausstellungskatalog Musée national Fernand Léger 25.06.2016-26.09.2016 ; Ausstellungskatalog 2016 ; Ausstellungskatalog Musée national Fernand Léger 25.06.2016-26.09.2016 ; Ausstellungskatalog 2016 ; Léger, Fernand 1881-1955 ; Groupe Espace ; Frankreich ; Kunst ; Geschichte 1954 ; Léger, Fernand 1881-1955 ; Groupe Espace ; Ausstellung ; Geschichte 1954
    Abstract: Le Groupe Espace: l'écho des avant-gardes : questions théoriques et enjeux professionnels / Jean-Lucien Bonillo -- Le Groupe Espace, ultime tentative de synthèse des arts? / Eve Roy -- Le rôle des revues d'André Bloc pour la diffusion des idées du Groupe Espace / Corine Girieud -- À Milan, du Movimento Arte Concreta au MAC-Espace / Annalisa Viati Navone -- L'Exposition Architecture forme couleurs à Biot, 1954: l'exposition azuréenne comme bande-annonce postmoderne / Diana Gay -- L'intervention scénographique d'André Bruyère / Eve Roy-- Le dialogue arstiste : architect au sein du Groupe Espace: la cité universitaire de Caracas, un idéal inaccessible pour le Groupe Espace? / Éléonore Marantz -- Bernard Zehrfuss et les artistes : entraide et complicité / Christine Desmoulins -- Fernand Léger et l'art mural, 1925-1955 / Diana Gay -- Fernand Léger et Paul Nelson : la couleur, l'architecture et la santé / Donato Severo -- Une intégration exemplaire : Claude Parent, 1951-1954 / Audrey Jeanroy -- Annexes: Chronologie sélective du Groupe Espace, 1951-1963 / Audrey Jeanroy -- Liste des participants du Groupe Espace et des membres du Comité d'organisation de l'exposition a Biot en 1954 -- Liste des documents exposés au Musée national Fernand Léger
    Note: Catalog of an exhibition held at the Musée national Fernand Léger, Biot, France, June 25-September 26, 2016 , Fernand Léger (1881-1955) , Includes bibliographical references (pages 138-141)
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  • 66
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822374893
    Language: English
    Pages: 1 Online-Ressource (xvi, 344 Seiten) , Illustrationen
    Series Statement: Art history publication initiative
    Parallel Title: Print version Cahan, Susan E Mounting Frustration : The Art Museum in the Age of Black Power
    Parallel Title: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03960730
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    Keywords: Museum exhibits - Political aspects - New York (State) - New York - History - 20th century ; African American art ; New York (State) ; New York ; Exhibitions ; History ; 20th century ; Racism in museum exhibits ; New York (State) ; New York ; History ; 20th century ; Museum exhibits ; Social aspects ; New York (State) ; New York ; History ; 20th century ; Museum exhibits ; Political aspects ; New York (State) ; New York ; History ; 20th century ; Electronic books ; Electronic books ; Ausstellungskatalog ; Electronic books ; New York, NY ; Schwarze ; Kunst ; Black power ; Kunstmuseum ; Kunstausstellung ; Geschichte 1965-1975 ; Studio Museum in Harlem ; Metropolitan Museum of Art ; Whitney Museum of American Art ; The Museum of Modern Art
    Abstract: In Mounting Frustration Susan E. Cahan uncovers the moment when the civil rights movement reached New York City's elite art galleries. Focusing on three controversial exhibitions that integrated African American culture and art, Cahan shows how the art world's racial politics is far more complicated than overcoming past exclusions
    Abstract: Cover -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Electronic Refractions II at the Studio Museum in Harlem -- 2. Harlem on My Mind at the Metropolitan Museum of Art -- 3. Contemporary Black Artists in America at the Whitney Museum of American Art -- 4. Romare Bearden: The Prevalence of Ritual and The Sculpture of Richard Hunt at the Museum of Modern Art -- Epilogue -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 67
    ISBN: 0847849406 , 9780847849406
    Language: English
    Pages: 304 Seiten
    DDC: 700.8664
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    Keywords: Gay artists Exhibitions ; New York (State) ; New York ; Gay culture Exhibitions ; New York (State) ; New York ; Homosexuality in art Exhibitions ; Transgender artists Exhibitions ; New York (State) ; New York ; Transgender people in art Exhibitions ; Gay artists ; Gay culture ; Homosexuality in art ; Transgender artists ; Transgender people in art ; Ausstellungskatalog Museum of the City of New York 07.10.2016-26.02.2017 ; Bildband ; Ausstellungskatalog Museum of the City of New York 07.10.2016-26.02.2017 ; Bildband ; New York, NY ; Underground ; Homosexualität ; Transgender ; Kunst ; Geschichte 1910-1992
    Abstract: This book brings to life the countercultural artistic communities that sprang up in New York over the last hundred years. A creative class whose radical ideas would determine much of modern culture. More than 200 images illuminate their personal bonds, scandal-provoking secrets at the time and many largely unknown to the public since. Starting with the bohemian era of the 1910s and 1920s, when the pansy craze drew voyeurs of all types to Greenwich Village and Harlem, the book winds through midcentury Broadway as well as Fire Island as it emerged as a hotbed, turns to the post-Stonewall, decade-long wild party that revolved around clubs like the Mineshaft and Studio 54, and continues all the way through the activist mobilization spurred by the AIDS crisis and the move toward acceptance at the century's close. By peeling back the overlapping layers of this cultural network that thrived despite its illicitness, this publication reveals a whole new side of the history of New York and celebrates the power of artistic collaboration to transcend oppression.00Exhibition: Museum of the City of New York, USA (07.10.16 - 26.02.2017)
    Note: Published on the occasion of the exhibition 'Gay Gotham: Art and Underground Culture in New York' held at The Museum of the City of New York, October 7, 2016-February 26, 2017 , Ausstellungsdaten aus dem Internet , Includes bibliographical references and index
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  • 68
    ISBN: 9782370740427 , 9782354332167
    Language: French
    Pages: 319 Seiten , 29 cm
    Additional Information: Rezensiert in Chu, Petra ten-Doesschate, 1942 - Spectaculaire second empire, 1852-1870 2017
    DDC: 709
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    Keywords: Ausstellungskatalog 2016-2017 ; Bildband ; Ausstellungskatalog Musée d'Orsay 27.09.2016-16.01.2017 ; Ausstellungskatalog 2016-2017 ; Bildband ; Ausstellungskatalog Musée d'Orsay 27.09.2016-16.01.2017 ; Frankreich ; Kunst ; Geschichte 1852-1870
    Note: Ausstellungsdaten - dem Impressum entnommen , Ce catalogue a été publié à l'occasion de l'exposition "Spectaculaire Second Empire" Paris, musée d'Orsay, 27 septembre 2016 - 16 janvier 2017
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  • 69
    ISBN: 2368380337 , 2359061739 , 9782368380338 , 9782359061734
    Language: French
    Pages: 439 Seiten , Illustrationen , 30 cm
    DDC: G:fr S:sg Z:32
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    Keywords: Le Brun, Charles Exhibitions ; Art, French Exhibitions 17th century ; Ausstellungskatalog 2016 ; Ausstellungskatalog Musée du Louvre-Lens 18.05.2016-29.08.2016 ; Ausstellungskatalog 2016 ; Ausstellungskatalog Musée du Louvre-Lens 18.05.2016-29.08.2016 ; Le Brun, Charles 1619-1690 ; Frankreich ; Kunst ; Geschichte 1600-1700 ; Le Brun, Charles 1619-1690 ; Malerei
    Note: French translation from the German : François-Xavier Durandy ; French translation from the English, for the preface : Jennifer Montagu, and for the text : Charles Penwarden and Marine Van Hoff--Verso title page , Includes bibliographical references (pages 415-433) and index , "Cet ouvrage accompagne l'exposition "Charles Le Brun. Le peintre du Roi-Soleil" présentée au musée du Louvre-Lens du 18 mai au 29 août 2016" - Impressum
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  • 70
    Image
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    University Park, Pennsylvania : The Pennsylvania State University Press
    ISBN: 9780271070889
    Language: English
    Pages: xiv, 242 Seiten , Illustrationen
    DDC: 305.309
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    Keywords: Herrad / of Landsberg, Abbess of Hohenburg / approximately 1130-1195 / Hortus deliciarum / Illustrations ; Herrad ; Illumination of books and manuscripts, Medieval / France / Alsace ; Women in Christianity / France / Alsace / History / Middle Ages, 600-1500 ; Christian women / Education / France / Alsace / History / To 1500 ; Time ; Erziehung ; Geschichte ; Frau ; Zeit ; Gesellschaft ; Buchmalerei ; Frankreich ; Herrad von Landsberg 1125-1195 Hortus deliciarum ; Buchmalerei ; Frau ; Gesellschaft ; Zeit
    Abstract: "Examines the visual traditions in a lost late twelfth-century manuscript, the Hortus deliciarum, compiled by Abbess Herrad for the sisters of Hohenbourg Abbey in Alsace. Argues that the topic of time, in the context of history, astronomy, and the calendar, was of central importance to the women's education"--Provided by publisher
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  • 71
    ISBN: 3701733953 , 9783701733958
    Language: German
    Pages: 168 Seiten , Illustrationen , 29 cm x 23 cm
    Edition: 1. Auflage
    DDC: 306.4810943613
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    Keywords: Geschichte 1766-2016 ; Freizeitpark ; Alltag ; Kultur ; Freizeitpark ; Kunst ; Wien ; Prater ; Prater ; Ausstellungskatalog Wien-Museum Karlsplatz 10.03.2016-21.08.2016 ; Ausstellungskatalog Wien Museum 10.03.2016-21.08.2016 ; Ausstellungskatalog Wien-Museum Karlsplatz 10.03.2016-21.08.2016 ; Ausstellungskatalog Wien Museum 10.03.2016-21.08.2016 ; Ausstellungskatalog Wien-Museum Karlsplatz 10.03.2016-21.08.2016 ; Ausstellungskatalog Wien Museum 10.03.2016-21.08.2016 ; Prater ; Sozialgeschichte
    Note: Impressum: "In den Prater! Wiener Vergnügungen seit 1766" 408. Ausstellung des Wien Museums, Wien Museum Karlsplatz 10. März-21. August 2016
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  • 72
    Book
    Book
    London : Laurence King Publishing
    ISBN: 978-1-78067-740-8 , 1-78067-740-5
    Language: English
    Pages: 255 Seiten , Illustrationen, Karten
    Series Statement: Renaissance Art
    DDC: 306.09
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    Keywords: Geschichte 1400-1500 ; Geschichte 1400-1600 ; Geschichte ; Renaissance ; Art, Renaissance History ; Art patronage History ; Hof ; Kultur ; Kunst ; Stadtstaat ; Mäzenatentum ; Politik ; Italien ; Italy History 1268-1492 ; Italien ; Italien ; Hof ; Kultur ; Politik ; Geschichte 1400-1600 ; Italien ; Stadtstaat ; Kunst ; Mäzenatentum ; Geschichte 1400-1500
    Abstract: This fascinating study of Renaissance courtly art and culture in fifteenth and early sixteenth-century Italy encompasses the most recent scholarship on the courts, court art and noble values. Alison Cole not only considers the role of artists, but explores the distinctive uses to which art was put at the courts, from the smaller duchies and princely courts of Ferrara, Mantua and Urbino to the larger courts of Naples and Milan. The social, intellectual and artistic milieu of each court is brought vividly to life, along with the complex personalities of the rulers, their relationships with the civic and ecclesiastical authorities, and the role of court women as patrons of the arts. Drawing on a wide range of contemporary texts and visual material, Cole paints a rich picture of the these extraordinary courts in the moment of their greatest brilliance
    Description / Table of Contents: Introduction: The Fifteenth Century Renaissance Court〈br〉 1. Art and Princely 'Magnificence'〈br〉 2. The Court Artist〈br〉 3. Piety and Propaganda: Naples under Alfonso of Aragon〈br〉 4. Arms and Letters: Urbino under Federico da Montefeltro〈br〉 5. Varieties of Pleasure: Este Ferrara〈br〉 6. The Art of Diplomacy: Mantua and the Gonzaga〈br〉 7. Local Expertise and 'Foreign Talent': Milan under Ludovico 'Il Moro'〈br〉 Epilogue: A Grander Stage
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  • 73
    ISBN: 9780300214680
    Language: English
    Pages: viii, 281 Seiten , Illustrationen
    Series Statement: Studies in the history of art 81
    Series Statement: Center for Advanced Study in the Visual Arts 58
    Series Statement: Studies in the history of art
    DDC: 704.9/499737
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    Keywords: Art and war Congresses ; Art and history Congresses ; Collective memory Congresses ; United States Art and the war History Civil War, 1861-1865 ; Congresses ; Konferenzschrift 08.11.2013-09.11.2013 ; Konferenzschrift 2013 ; Konferenzschrift 08.11.2013-09.11.2013 ; Konferenzschrift 2013 ; Sezessionskrieg ; Kollektives Gedächtnis ; Kunst ; Geschichte 1861-2000 ; USA ; Sezessionskrieg ; Schwarze ; Rassenkonflikt ; Kollektives Gedächtnis ; Kunst ; Gedenkstätte ; Kriegerdenkmal
    Note: Includes index , Rückseite Titelblatt: "Proceedings of the symposium "The Civil War in Art and Memory," organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art, and sponsored by the Arthur Vining Davis Foundations. The symposium was held November 8-9, 2013, in Washington" , Konferenzschrift zum Symposium Civil War in Art and Memory
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  • 74
    ISBN: 3957633435 , 9783957633439
    Language: English , German
    Pages: 193 Seiten , Illustrationen (farbig), Karten , 24 cm
    Edition: 1. Auflage, neue Ausgabe
    DDC: 704.949304809680746891
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    Keywords: Art, African Exhibitions 21st century ; Artists Exhibitions 21st century ; Emigration and immigration in art Exhibitions ; Migration ; Mobilität ; Kunst ; Migration ; Soziale Mobilität ; Africa, East Exhibitions Emigration and immigration ; Social aspects ; Südafrika ; Ostafrika ; Ausstellungskatalog ; Ausstellungskatalog National Gallery of Zimbabwe in Harare 04.02.2016-04.04.2016 ; Ausstellungskatalog ; Ausstellungskatalog National Gallery of Zimbabwe in Harare 04.02.2016-04.04.2016 ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog National Gallery of Zimbabwe in Harare 04.02.2016-04.04.2016 ; Ausstellungskatalog ; Ausstellungskatalog National Gallery of Zimbabwe in Harare 04.02.2016-04.04.2016 ; Südafrika ; Ostafrika ; Kunst ; Migration ; Mobilität ; Geschichte 2008-2016 ; Migration ; Soziale Mobilität
    Note: Von Seite 193: "This catalogue is published on the occasion of the travelling exhibition KABBO KA MUWALA - THE GIRL´S BASKET. Migration and Mobility in Contemporary Art in Southern and Eastern Africa. National Gallery of Zimbabwe in Harare Zimbabwe, Februay 4 - April 4, 2016, Director Doreen Sibanda. Makerere Art Gallery in Kampala Uganda, April 14 - June 12, 2016, Director: Assoc Prof. Dr. George Kyeyune. Städtische Galerie Bremen, Germany, September 24 - December 11, 2016, Director: Rose Pfister , "This catalogue ist published on the occasion of the travelling exhibition "Kabbo ka Muwala - The girl's basket. Migration and mobility in contemporary art in Southern and Eastern Africa", National Gallery of Zimbabwe in Harare, Zimbabwe, february 4 - april 4, 2016, Makerere Art Gallery in Kampala, Uganda, april 14 - june 12, 2016, Städtische Galerie Bremen, Germany, september 24 - december 11, 2016"
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  • 75
    ISBN: 9782370740489
    Language: German
    Pages: 224 Seiten
    DDC: 306.09
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    Keywords: Ernst, Max ; Geschichte 1920-1960 ; Surrealismus ; Kunst ; Realismus ; Krieg ; Ägypten ; Ausstellungskatalog Centre national d'art et de culture Georges Pompidou 19.10.2016-09.01.2017 ; Ausstellungskatalog Kunstsammlung Nordrhein-Westfalen, K21 Ständehaus 15.07.2017-15.10.2017 ; Ausstellungskatalog Museo Nacional Centro de Arte Reina Sofía 14.02.2017-28.05.2017 ; Ausstellungskatalog Tate Liverpool 10.11.2017-11.03.2018 ; Ausstellungskatalog Centre national d'art et de culture Georges Pompidou 19.10.2016-09.01.2017 ; Ausstellungskatalog Museo Nacional Centro de Arte Reina Sofía 14.02.2017-28.05.2017 ; Ausstellungskatalog Kunstsammlung Nordrhein-Westfalen, K21 Ständehaus 15.07.2017-15.10.2017 ; Ausstellungskatalog Tate Liverpool 10.11.2017-11.03.2018 ; Bildband ; Ausstellungskatalog Centre national d'art et de culture Georges Pompidou 19.10.2016-09.01.2017 ; Ausstellungskatalog Museo Nacional Centro de Arte Reina Sofía 14.02.2017-28.05.2017 ; Ausstellungskatalog Kunstsammlung Nordrhein-Westfalen, K21 Ständehaus 15.07.2017-15.10.2017 ; Ausstellungskatalog Tate Liverpool 10.11.2017-11.03.2018 ; Bildband
    Note: Vortitelblatt: "Diese Publikation erscheint anlässlich der Ausstellung "Art et Liberté: Umbruch, Krieg und Surrealismus in Ägypten (1938-1948)" Kunstsammlung Nordrhein-Westfalen, Düsseldorf K21 Ständehaus: 15.07.2017-15.10.2017, Centre national d'art et de culture Georges Pompidou, Paris 19.10.2016-09.01.2017, Museo Nacional Centro de Arte Reina Sofia, Madrid 14.02.2017-28.05.2017, Tate Liverpool 10.11.2017-11.03.2018"
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  • 76
    ISBN: 9781782386216
    Language: English
    Pages: xi, 232 Seiten , Illustrationen
    Series Statement: Material mediations 4
    Series Statement: Material mediations
    Parallel Title: Erscheint auch als
    DDC: 711.094160905
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    Keywords: Geschichte 2000-2015 ; Public art / Northern Ireland ; Art and society / Northern Ireland ; Kunst ; Öffentlicher Raum ; Nordirland ; Nordirland ; Kunst ; Öffentlicher Raum ; Geschichte 2000-2015
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  • 77
    Book
    Book
    Newcastle upon Tyne : Cambridge Scholars Publishing
    ISBN: 9781443883757 , 1443883751
    Language: English
    Pages: xxv, 182 Seiten, 38 ungezählte Seiten , Illustrationen
    DDC: 306.09
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunst ; Politik ; Gesellschaft ; Geschichte 1914-1970 ; USA ; Kunst ; Politik ; Gesellschaft ; Geschichte 1914-1970
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  • 78
    Book
    Book
    Daejeon : National Research Institute of Cultural Heritage
    ISBN: 9788929907037
    Language: English , Korean
    Pages: 127 Seiten , Illustrationen
    Additional Material: 1 CD-Rom
    Series Statement: Haeoe sojae munhwajae chosasŏ 31
    Series Statement: Hae oe so jae mun hwa jae jo sa seo
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    Keywords: Katalog ; Katalog Portland Art Museum ; Katalog Portland Art Museum ; Katalog ; Katalog ; Korea ; Kunst ; Portland Art Museum
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  • 79
    ISBN: 9783903004320
    Language: German
    Pages: 156 Seiten , Illustrationen , 24 x 17 cm
    Additional Material: 1 Faltblatt (20 ungezählte Seiten)
    DDC: 306.09
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    Keywords: Death in art Exhibitions ; Dead in art Exhibitions ; Grief in art Exhibitions ; Ausstellungskatalog 06.06.2015-10.01.2016 ; Ausstellungskatalog 06.06.2015-10.01.2016 ; Habsburger Dynastie : 1200- ; Totenkult ; Österreich ; Tod ; Sterben ; Trauer ; Kultur ; Geschichte 1765-2015 ; Österreich ; Kunst ; Tod ; Sterben ; Trauer ; Geschichte 1765-2015
    Note: Faltblatt unter dem Titel: Was können und was sollen wir für Verstorbene tun? , "Das Buch erscheint anlässlich der Ausstellung 'Das Letzte im Leben. Eine Ausstellung zu Sterben und Trauer 1765-2015', Hofburg Innsbruck, 6. Juni 2015 bis 10. Jänner 2016" (Impressum, Seite [157]) , Der lose Schutzumschlag ist innen und außen mit Informationen bedruckt
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  • 80
    ISBN: 9780996166300
    Language: English
    Pages: 136 Seiten , Illustrationen
    Series Statement: Telling amazing stories
    DDC: 704.03/97007477252
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    Keywords: Eiteljorg Museum of American Indians and Western Art Funds and scholarships ; Art, American Exhibitions 21st century ; Indian art Exhibitions 21st century ; Ausstellungskatalog Eiteljorg Museum of American Indians and Western Art, Indianapolis, Ind. 2015 ; Ausstellungskatalog Eiteljorg Museum of American Indians and Western Art, Indianapolis, Ind. 2015 ; Eiteljorg Museum of American Indians and Western Art ; Nordamerika ; Indianer ; Moderne ; Kunst
    Abstract: "This title is the catalogue for the eponymous exhibition of Native American contemporary fine art at the Eiteljorg Museum of American Indians and Western History in Indianapolis, IN"--
    Abstract: "This title is the catalogue for the eponymous exhibition of Native American contemporary fine art at the Eiteljorg Museum of American Indians and Western History in Indianapolis, IN"
    Note: Includes bibliographical references and index
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  • 81
    ISBN: 9781849763592 , 9781849763431
    Language: English
    Pages: 256 Seiten , Illustrationen, Karten
    DDC: 758.9410074421
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    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte ; Painting, Modern / Exhibitions / 19th century ; Painting, Modern / Exhibitions / 20th century ; Narrative art / Exhibitions / 19th century ; Narrative art / Exhibitions / 20th century ; Indigenous peoples in art / Exhibitions ; Imperialism in art / Exhibitions ; Colonies in art / Exhibitions ; Kolonie ; Kunst ; Imperialismus ; Indigenes Volk ; Großbritannien ; Ausstellungskatalog ; Ausstellungskatalog Tate Britain 25.11.2015-10.4.2016 ; Ausstellungskatalog ; Ausstellungskatalog Tate Britain 25.11.2015-10.4.2016 ; Großbritannien ; Imperialismus ; Kunst ; Kolonie ; Indigenes Volk ; Geschichte
    Abstract: Over the past thirty years, our ideas about the cultures of Empire have been transformed. Contemporary reflections on Empire by writers and artists are widely published and displayed, and museums have witnessed a growing number of exhibitions devoted to aspects of the rich and varied visual culture that emerged in places under British governance, from the Americas to India and Australasia. And yet, since the vast Imperial exhibitions of the early twentieth-century there has been no wide-ranging presentation of the objects made across the British Empire. This publication, which accompanies a major Tate Britain exhibition, fills that gap. Through broad groupings within thematic chapters - Mapping, Collecting, History, Portraiture, Cultural Exchange and the Return of Empire - leading scholars focus on how particular objects tell the history of life under British rule. Paintings by well-known artists such as John Singer Sargent and Sidney Nolan are illustrated alongside Benin bronze heads and Mughal miniatures in a survey that ranges from sixteenth century colonialism through to the projection of Britain's imperial might in the late nineteenth century to its decline in the post-war era. Exploring how artists have represented and critiqued the diverse places, people and events that make up the legacy of Empire, our expert authors have created a vital book on a subject of broad contemporary interest.
    Note: Veröffentlicht anlässlich der Ausstellung "Artist and empire: facing Britain's imperial past" vom 25. November 2015 - 10. April 2016 ; Tate Britain, London
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  • 82
    ISBN: 9780300154382 , 0300154380
    Language: English
    Pages: XII, 352 S. , überw. Ill.
    DDC: 391.0094409033
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    Keywords: Marie Antoinette ; Ludwig ; Geschichte 1700-1800 ; Geschichte 1774-1793 ; Geschichte ; Fashion / History / 18th century / France ; DESIGN / Fashion ; HISTORY / Modern / 18th Century ; HISTORY / Europe / France ; Mode ; Rokoko ; Hofkleidung ; Absolutismus ; Europa ; Frankreich ; France / Court and courtiers / Clothing / History / 18th century ; France / History / Louis XVI, 1774-1793 ; France / Kings and rulers / Clothing ; Frankreich ; Ludwig XVI. Frankreich, König 1754-1793 ; Marie Antoinette Frankreich, Königin 1755-1793 ; Hofkleidung ; Mode ; Rokoko ; Absolutismus ; Geschichte 1774-1793 ; Hofkleidung ; Geschichte 1774-1793 ; Frankreich ; Rokoko ; Hofkleidung
    Abstract: "This engrossing book chronicles one of the most exciting, controversial, and extravagant periods in the history of fashion: the reign of Louis XVI and Marie-Antoinette in 18th-century France. Kimberly Chrisman-Campbell offers a carefully researched glimpse into the turbulent era's sophisticated and largely female-dominated fashion industry, which produced courtly finery as well as promoted a thriving secondhand clothing market outside the royal circle. She discusses in depth the exceptionally imaginative and uninhibited styles of the period immediately before the French Revolution, and also explores fashion's surprising influence on the course of the Revolution itself. The absorbing narrative demonstrates fashion's crucial role as a visible and versatile medium for social commentary, and shows the glittering surface of 18th-century high society as well as its seedy underbelly. Fashion Victims presents a compelling anthology of trends, manners, and personalities from the era, accompanied by gorgeous fashion plates, portraits, and photographs of rare surviving garments. Drawing upon documentary evidence, previously unpublished archival sources, and new information about aristocrats, politicians, and celebrities, this book is an unmatched study of French fashion in the late 18th century, providing astonishing insight, a gripping story, and stylish inspiration"--
    Description / Table of Contents: Introduction: Fashion Statements〈br〉Part One: Court and City, Chapter 1 Introduction Chapter 2 The Queen Chapter 3 The Petite-Maîtresse Chapter 4 The Marchande de Modes〈br〉Part Two: New and Novel, Chapter 5 Introduction Chapter 6 Marriage Chapter 7 Court Dress Chapter 8 Longchamp Chapter 9 Mourning〈br〉Part Three: Fashion and Fantasy, Chapter 10 Introduction Chapter 11 Fashions à l'Américaine Chapter 12 The Chemise à la Reine Chapter 13 Figaro and Fashion Chapter 14 Anglomania Chapter 15 Orientalism〈br〉Part Four: Revolution and Recovery, Chapter 16 Introduction Chapter 17 The Politics of Fashion Chapter 18 Fashion in Exile Chapter 19 Return to Paris〈br〉Conclusion From 'La Mode" to 'Le Mode'
    Note: Includes bibliographical references and index
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  • 83
    ISBN: 9781849763592 , 9781849763431
    Language: English
    Pages: 256 Seiten , Illustrationen
    DDC: 758.9410074421
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    Keywords: Painting, Modern Exhibitions ; 19th century ; Painting, Modern Exhibitions ; 20th century ; Narrative art Exhibitions ; 19th century ; Narrative art Exhibitions ; 20th century ; Indigenous peoples in art Exhibitions ; Imperialism in art Exhibitions ; Colonies in art Exhibitions ; Colonies in art / Exhibitions ; Imperialism in art / Exhibitions ; Indigenous peoples in art / Exhibitions ; Narrative art / Exhibitions / 19th century ; Narrative art / Exhibitions / 20th century ; Painting, Modern / Exhibitions / 19th century ; Painting, Modern / Exhibitions / 20th century ; Ausstellungskatalog Tate Britain 25.11.2015-10.04.2016 ; Ausstellungskatalog Tate Britain 25.11.2015-10.04.2016 ; Ausstellungskatalog Tate Britain 25.11.2015-10.04.2016 ; Großbritannien ; Kolonialismus ; Kolonie ; Postkolonialismus ; Kunst ; Geschichte 1600-2009 ; Großbritannien ; Kunst ; Kolonie ; Indigenes Volk
    Note: "First published ... on the occasion of the exhibition 'Artist and Empire: Facing Britain's Imperial Past', Tate Britain, London, 25 November 2015-10 April 2016" - Rückseite der Titelseite
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  • 84
    ISBN: 9781472415707 , 1472415701
    Language: English
    Pages: XVIII, 322 Seiten , Illustrationen
    DDC: 303.30944/0902
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    Keywords: Geschichte 1200-1500 ; Illustration ; Buchmalerei ; Gerechtigkeit ; Herrscher ; Macht ; Frankreich ; Konferenzschrift 2012 ; Aufsatzsammlung ; Konferenzschrift 2012 ; Aufsatzsammlung ; Konferenzschrift 2012 ; Frankreich ; Macht ; Gerechtigkeit ; Herrscher ; Buchmalerei ; Illustration ; Geschichte 1200-1500
    Note: Includes bibliographical references and index
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  • 85
    ISBN: 9781782386223
    Language: English
    Pages: 1 online resource (xi, 232 Seiten) , Illustrationen
    Series Statement: Material mediations volume 4
    Series Statement: Material mediations
    Parallel Title: Erscheint auch als
    DDC: 307.1/21609416
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    Keywords: Geschichte 2000-2015 ; City planning ; Urban landscape architecture ; Social conflict ; Kunst ; Öffentlicher Raum ; Nordirland ; Nordirland ; Kunst ; Öffentlicher Raum ; Geschichte 2000-2015
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  • 86
    ISBN: 9782754108133 , 2754108130
    Language: French
    Pages: 301 S., [16] Bl. , Ill. , 21 cm
    Additional Information: Rezensiert in Ressos, Xenia [Rezension von: Olivier Bonfait, Poussin et Louis XIV. Peinture et monarchie dans la France du Grand Siècle] 2016
    DDC: G:fr S:sg Z:32
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    Keywords: Poussin, Nicolas Appreciation ; Poussin, Nicolas Criticism and interpretation ; Louis Art patronage ; Art and state ; France History Louis XIV, 1643-1715 ; Poussin, Nicolas 1594-1665 ; Ludwig XIV. Frankreich, König 1638-1715 ; Frankreich ; Staat ; Kunst ; Geschichte 1600-1700 ; Poussin, Nicolas 1594-1665 ; Rezeption ; Frankreich ; Geschichte 1600-1700
    Abstract: Comment Poussin, qui a peint presque tous ses tableaux à Rome, est-il devenu un artiste français ? Pourquoi un peintre dont le séjour à Paris fut un échec est-il un héros national ? Dans les histoires qui relient Poussin à la France au XVIIe siècle, de Richelieu à Fénélon, une suite de méprises furent à l'origine d'appropriations fécondes. Il a fallu en quelque sorte déconstruire la création de Poussin pour qu'elle devienne une peinture française. Or la royauté, tant par ses institutions que par ses discours, est au coeur de ce travail qui fit de Poussin la gloire de la nation. Cet essai souhaite montrer comment les multiples interactions autour de tableaux et de négociations autour de la figure d'un peintre transforment l'oeuvre d'un artiste. En effet un cercle de collectionneurs dans la France de la Fronde, la monarchie absolutiste, l'histoire de l'art naissante ont fait du Poussin épris de la Rome antique un peintre français moderne
    Description / Table of Contents: Rome. Un poussin baroque?Paris refuséRoma FelixUn transfert à Paris ratéParis. "Le raphaël de notre siècle"Les "hérétiques""Illuminer les aveugles"Consécration royale, appropriation nationaleLa diffusion par la gravure : reproduction et interprétationLa cour et l'académie. "L'illustre poussin"?Le Brun et Poussin: conflits autour du grand formatPoussin à l'Académie: un modèle ambiguPoussin et les peintresLe cabinet de félibien. "La gloire de la nation"Paris contre RomeLe Poussin de Félibien: l'artiste absoluUne réception janséniste de Poussin?FinalNicolas Poussin entre les Anciens et des Modernes (et au-delà).
    Note: Bibliogr. p. [276] - 291. - Index
    URL: Cover
    URL: Cover
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  • 87
    Image
    Image
    Daejeon : National Research Institute of Cultural Heritage
    ISBN: 9788929906733
    Language: English , Korean
    Pages: 174 Seiten
    Series Statement: Haeoe sojae munhwajae chosasŏ 30
    Series Statement: Hae oe so jae mun hwa jae jo sa seo
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    Keywords: Katalog ; Bildband ; Katalog ; Bildband ; Katalog ; Katalog ; Ausstellungskatalog ; Korea ; Kunst ; Seattle Art Museum
    Note: Text in koreanisch und englisch
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  • 88
    ISBN: 9780863567872
    Language: English
    Pages: XV, 312 Seiten , Illustrationen , 21 cm
    Uniform Title: Sūrīya tataḥaddaṯ 〈engl.〉
    Parallel Title: Erscheint auch als
    DDC: 892.708095691
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    Keywords: Kunst ; Bürgerkrieg ; Syrien ; Art, Syrian / 21st century ; Syria ; Syrien ; Syrien / Kunst / Künstler / Kulturprojekt / Verhältnis Kunst/Kultur - Politik/Gesellschaft / Bürgerkrieg / Aufstand/Revolte / Beispielhafte Fälle ; Syria / Arts / Artists / Cultural projects / Relations between arts and politics/society / Civil wars / Uprisings/revolts / Exemplary cases ; Syria / History / Civil War, 2011- ; Syria / Civilization / 21st century ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Syrien ; Bürgerkrieg ; Kunst
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  • 89
    Book
    Book
    Minneapolis, Minnesota : 〈〈The〉〉 Minneapolis Institute of Arts
    ISBN: 9780989371865
    Language: English
    Pages: 240 S. , Ill., Kt.
    DDC: 709.51
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    Keywords: Qin shi huang / Emperor of China / 259 B.C.-210 B.C. / Tomb / Congresses ; Qin Shihuangdi / China, Kaiser / v259-v210 ; Qin shi huang / Emperor of China / 259 B.C.-210 B.C. ; Geschichte 221 v.Chr.-206 v.Chr. ; Art, Chinese / Congresses ; Cosmology, Chinese / History / Congresses ; City planning / China / Xianyang Shi / History / Congresses ; Chinese literature / History / Congresses ; Cinnabar / China / History / Congresses ; Mercury industry and trade / China / History / Congresses ; Bronzes, Chinese / History / Congresses ; Art / China / Foreign influences / History / Congresses ; Excavations (Archaeology) / China / Congresses ; Art, Chinese / Qin-Han dynasties, 221 B.C.-220 A.D. ; Qindynastie ; Kulturaustausch ; Kosmologie ; Bestattungsritus ; Antiquities ; Art, Chinese ; Art / Foreign influences ; Bronzes, Chinese ; Chinese literature ; Cinnabar ; City planning ; Civilization ; Cosmology, Chinese ; Excavations (Archaeology) ; Mercury industry and trade ; Tombs ; Funde ; Geschichte ; Kunst ; Stadtplanung ; Kulturkontakt ; Kunst ; Qindynastie ; China / Civilization / History / Congresses ; China / History / Qin dynasty, 221-207 B.C. / Congresses ; China / Antiquities / Congresses ; Grabwächterarmee Lintong ; China ; China ; China / Xianyang Shi ; China ; Konferenzschrift 2012 ; Konferenzschrift ; Konferenzschrift 2012 ; Konferenzschrift ; Konferenzschrift 2012 ; China ; Qindynastie ; Kunst ; Kulturkontakt ; Geschichte 221 v.Chr.-206 v.Chr.
    Note: Proceedings from a symposium organized by and held at the Minneapolis Institute of Arts, October 27-28, 2012. An associated exhibition entitled "China's Terracotta Warriors: The First Emperor's Legacy" was held October 28, 2012-January 27, 2013 at the Minneapolis Institute of Arts, and February 22-May 27, 2013 at the Asian Art Museum in San Francisco , Includes bibliographical references
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  • 90
    ISBN: 9781409448969
    Language: English
    Pages: xiv, 230 pages , illustrations , 25 cm
    Series Statement: Studies in historical geography
    DDC: 307.1/2160944361
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    Keywords: City planning History ; Urban ecology (Sociology) History ; Montmartre (Paris, France) Social conditions ; Frankreich ; Paris-Montmartre ; Stadtplanung ; Stadtsoziologie ; Geschichte
    Description / Table of Contents: Introduction : art, life and the experience of modernityAnomalous and inhuman : black cats and the experience of truth in Baudelaire, Manet and Poe -- Order and progress : crises of authority and the pursuit of experience in the early third republic -- Upsetting the festival of life : humour and the politics of ressentiment -- Defiant laughter : humour and the aesthetics of place -- Counter-display and the exhibition of error -- The silent horror of the night : supernatural landscapes and the life of the senses -- : anarchism, humour and violence -- Kings of derision : anarchist laughter and the aesthetics of violence -- Conclusion : for an aesthetics of authority.
    Note: Includes bibliographical references (pages 201-224) and index
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  • 91
    Book
    Book
    Canberra, A.C.T. : Aboriginal Studies Press
    ISBN: 9781922059673
    Language: English
    Pages: XI, 178 S. , zahlr. Ill., 1 Kt.
    DDC: 305.89915
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    Keywords: Art, Aboriginal Australian ; Warlpiri (Australian people) Social life and customs ; Warlpiri (Australian people) History ; Walbiri ; Kunst ; Brauch ; Meggitt, Mervyn J. 1924- ; Feldforschung
    Abstract: In a lucid style, Remembering the Future tracks the return of the indigenous Australian Warlpiri peoples to communities and their important collection of drawings, six decades after they were made. Discussions with many people, journeys to places, and archival research build a compelling account of the colonial and contemporary circumstances of Warlpiri lives. Crayon drawings collected by anthropologists provide an illuminating prism through which to explore how the Warlpiri people of central Australia have seen their place in the world and have been seen by others. Driven by speculative enquiry, this study is as much concerned with beguiling questions that remain unanswered and the limits of scholarship, as it is with what truths drawings might speak. Through these pictorial encounters substantial and fresh insights are generated into the crucial place of images in relationships between Warlpiri people and others. The result is a book that makes a significant contribution to the anthropology and history of central Australia, as well as the wider emergent field of visual studies
    Note: Literaturverz. S. 170 - 173
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  • 92
    Book
    Book
    Edinburgh [u.a.] : Edinburgh Univ. Press
    ISBN: 9780748655786
    Language: English
    Pages: XV, 336 S. , Ill., Kt.
    Series Statement: Edinburgh studies in Islamic art
    DDC: 306.09
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    Keywords: Art, Iranian History ; Iran ; Kunst ; Geschichte 1000-1600
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  • 93
    ISBN: 9783956790386
    Language: English
    Pages: 181 Seiten , Illustrationen , 19 cm
    DDC: 701
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    Keywords: Gordon, Kim ; Koether, Jutta ; Ästhetik ; Musik ; Kunst ; Aufsatzsammlung ; Gespräch ; Aufsatzsammlung ; Gespräch ; Aufsatzsammlung ; Interview ; Interview ; Aufsatzsammlung ; Aufsatzsammlung ; Gespräch ; Aufsatzsammlung ; Interview ; Interview ; Aufsatzsammlung ; Kunst ; Musik ; Ästhetik ; Gordon, Kim 1953- ; Koether, Jutta 1958-
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  • 94
    ISBN: 9780199687695 , 0199687692
    Language: English
    Pages: XIII, 311 S. , Ill., Kt.
    Edition: 1. ed.
    Series Statement: Oxford studies in the history of archaeology
    Parallel Title: Online-Ausg. Gänger, Stefanie, 1983 - Relics of the past
    Parallel Title: Erscheint auch als Gänger, Stefanie, 1983 - Relics of the past
    Dissertation note: Dissertation University of Cambridge 2011
    DDC: 983.01
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    Keywords: Geschichte 1837-1911 ; Collectors and collecting History ; Collectors and collecting History ; Chile ; Peru ; Präkolumbische Zeit ; Kunst ; Sammeln ; Sammlung ; Chile Antiquities ; Peru Antiquities ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Chile ; Peru ; Präkolumbische Zeit ; Kunst ; Sammeln ; Sammlung
    Note: Quellen- und Literaturverz. S. [258] - 302
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  • 95
    ISBN: 9783868322149
    Language: German
    Pages: 127 S. , zahlr. Ill. , 30,5 cm
    DDC: 708.352
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    Keywords: Ausstellungskatalog ; Ausstellungskatalog Kunsthalle Bremen 22.10.2014-04.01.2015 ; Katalog ; Ausstellungskatalog ; Ausstellungskatalog Kunsthalle Bremen 22.10.2014-04.01.2015 ; Katalog ; Blome, Arnold 1894-1972 ; Glosemeyer, Heinrich 1896-1969 ; Oelze, Hugo 1892-1967 ; Sammlung ; Kunst ; Blome, Arnold 1894-1972 ; Glosemeyer, Heinrich 1896-1969 ; Oelze, Hugo 1892-1967 ; Sammlung ; Kunst ; Bremen ; Blome, Arnold 1894-1972 ; Glosemeyer, Heinrich 1896-1969 ; Oelze, Hugo 1892-1967 ; Sammlung ; Herkunft ; Kunstwerk ; Nationalsozialismus ; Kunsthandel ; Kunst ; Enteignung ; Juden ; Sammlung
    Note: Literaturverz. S. 121 - 123
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  • 96
    ISBN: 9783858814272 , 385881427X
    Language: German
    Pages: 240 Seiten , Illustrationen, Karten , 29 cm
    DDC: 730.96668074494572
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    Keywords: Geschichte ; Plastik ; Kunst ; Elfenbeinküste ; Ausstellungskatalog 2014 ; Ausstellungskatalog 2014 ; Ausstellungskatalog 2014 ; Ausstellungskatalog 2015 ; Ausstellungskatalog Museum Rietberg 14.02.2014-01.06.2014 ; Ausstellungskatalog Kunst- und Ausstellungshalle des Bundesrepublik Deutschland 27.06.2014-05.10.2014 ; Ausstellungskatalog Nationale Stichting De Nieuwe Kerk 25.10.2014-15.02.2015 ; Ausstellungskatalog Musée du Quai Branly 07.04.2015-26.07.2015 ; Ausstellungskatalog 2014 ; Ausstellungskatalog Museum Rietberg 14.02.2014-01.06.2014 ; Ausstellungskatalog Kunst- und Ausstellungshalle des Bundesrepublik Deutschland 27.06.2014-05.10.2014 ; Ausstellungskatalog Nationale Stichting De Nieuwe Kerk 25.10.2014-15.02.2015 ; Ausstellungskatalog Musée du Quai Branly 07.04.2015-26.07.2015
    Note: Literaturangaben
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  • 97
    ISBN: 9783770556427 , 3770556429
    Language: German
    Pages: 662 S., [10] Bl. , Ill. , 23 cm
    Series Statement: Berliner Schriften zur Kunst
    Dissertation note: Teilw. zugl.: Berlin, Freie Univ., Diss., 2012 u.d.T.: Bussmann, Valérie: Das Denkmal in der Pariser Stadtlandschaft
    DDC: 306
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    Keywords: Geschichte 1981-1995 ; Öffentlicher Raum ; Denkmal ; Kulturpolitik ; Kunst ; Kunstpolitik ; Frankreich ; Paris ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Frankreich ; Kunst ; Öffentlicher Raum ; Kulturpolitik ; Geschichte 1981-1995 ; Paris ; Kunstpolitik ; Denkmal ; Geschichte 1981-1995
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  • 98
    ISBN: 9781907774218 , 1907774211
    Language: English
    Pages: 149 Seiten , Illustrationen, Karten
    DDC: 306.099593
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    Keywords: Solomon Islanders Congresses History ; Solomon Islanders Congresses Social life and customs ; Cultural property Congresses History ; Material culture Congresses History ; Art, Solomon Islands Congresses History ; Wood-carving Congresses History ; Ethnology Congresses ; Kultur ; Kunst ; Ethnologie ; Solomon Islands Congresses History ; Solomon Islands Congresses Antiquities ; Salomoninseln ; Salomoninseln ; Kultur ; Geschichte
    Note: Literaturverzeichnis: Seiten 140-145
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  • 99
    ISBN: 9788822263643
    Language: Italian
    Pages: 179 S. , Ill., Kt.
    Series Statement: Biblioteca dell'Archivum Romanicum / 1 434
    DDC: 303
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    Keywords: Geschichte 1400-1600 ; Architektur ; Kunst ; Osmanisches Reich ; Italien ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Osmanisches Reich ; Italien ; Kunst ; Architektur ; Geschichte 1400-1600
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  • 100
    Book
    Book
    Mont-Saint-Aignan : Publ. des Univ. de Rouen et du Havre
    ISBN: 9791024001050
    Language: French
    Pages: 346 S. , Ill., graph. Darst. , 22 cm
    Additional Information: Rezensiert in Vaisse, Pierre, 1938 - [Rezension von: Claire Maingon, L'âge critique des salons, 1914-1925. L'école française, la tradition et l'art moderne] 2015
    Series Statement: Collection "Salons et expositions d'artistes"
    Dissertation note: Teilw. zugl.: Paris, Univ., Diss.
    DDC: 306.09
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    Keywords: Hochschulschrift ; Hochschulschrift ; Frankreich ; Kunst ; Ausstellung ; Kunstkritik ; Geschichte 1914-1925 ; Salon des Artistes Français Paris ; Salon des indépendants ; Exposition Internationale des Arts Décoratifs et Industriels Modernes Paris 1925 ; Geschichte 1914-1925 ; Frankreich ; Kunst ; Künstler ; Salon ; Geschichte 1914-1925
    Note: Includes bibliographical references (p. [313]-337) and index
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