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  • 1
    Zeitschrift/Serie
    Zeitschrift/Serie
    [s.l.] : Cultural Heritage Administration, Republic of Korea ; Vol. 01, [no. 1] (summer 2008)-vol. 10, no. 4 (winter 2017) ; vol. 40 (spring 2018)-
    ISSN: 2005-0151
    Sprache: Englisch
    Erscheinungsverlauf: Vol. 01, [no. 1] (summer 2008)-vol. 10, no. 4 (winter 2017) ; vol. 40 (spring 2018)-
    Paralleltitel: Erscheint auch als Korean heritage
    DDC: 390
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    Schlagwort(e): Zeitschrift ; Korea ; Traditionale Kultur ; Korea ; Sachkultur ; Korea ; Kunst ; Korea ; Geschichte
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  • 2
    Buch
    Buch
    London [u.a.] : Oxford Univ. Pr.
    Sprache: Englisch
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    Schlagwort(e): Aufsatzsammlung ; Afrika ; Musik ; Geschichte
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  • 3
    ISBN: 9781912520992 , 1912520990
    Sprache: Englisch
    Seiten: 205 Seiten
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    Schlagwort(e): Gallagher, Ellen ; Reynolds, Joshua ; Turner, Joseph Mallord William ; Copley, John Singleton ; Locke, Hew ; Shonibare, Yinka ; Kolonialismus ; Sklaverei ; Kunst ; Imperialismus ; Ausstellungskatalog Royal Academy of Arts 03.02.2024-28.04.2024 ; Aufsatzsammlung ; Ausstellungskatalog Royal Academy of Arts 03.02.2024-28.04.2024 ; Aufsatzsammlung ; Turner, Joseph Mallord William 1775-1851 ; Gallagher, Ellen 1965- ; Reynolds, Joshua 1723-1792 ; Shonibare, Yinka 1962- ; Copley, John Singleton 1738-1815 ; Locke, Hew 1959- ; Kunst ; Kolonialismus ; Imperialismus ; Sklaverei
    Kurzfassung: Informed by ongoing research, this handsome publication features the work of artists connected with the Royal Academy in an exploration of migration, exchange, artistic traditions, identity and belonging. Contemporary and historical works are brought together as part of a conversation about art and its role in shaping narratives of empire, enslavement, abolition and colonialism, and how it may help set a course for the future. The life-size painted cut-out figures of Lubaina Himid's installation Naming the Money; Hew Locke's Armada, a flotilla of "votive boats" recalling different periods and places; paintings, photographs, sculptures, drawings and prints by Sonia Boyce, Frank Bowling, John Akomfrah, Isaac Julien, El Anatsui, Kerry James Marshall, Kara Walker, Shahzia Sikander, Mohini Chandra and Betye Saar; and historical works by artists such as Joshua Reynolds, J.M.W. Turner and John Singleton Copley create connections across time that examine questions of power, representation and history
    Anmerkung: Rückseite Titelblatt: First published on the occasion of the exhibition 'Entangled Pasts, 1768-Now: Art, Colonialism and Change', Royal Academy of Arts, London, 3 February - 28 April 2024
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  • 4
    Buch
    Buch
    New York ; London ; Oxford : Bloomsbury Academic
    ISBN: 9781501373602
    Sprache: Englisch
    Seiten: viii, 169 Seiten , 20 cm
    Serie: Genre: a 33 1/3 series
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Trip Hop ; Trip-hop (Music) / History and criticism ; Trip Hop ; Geschichte
    Kurzfassung: "Guides readers through the genre of trip-hop as the first book on the genre in 20 years, right at a time when trip-hop is making a revival in both underground scenes and popular artists"--
    Beschreibung / Inhaltsverzeichnis: Prologue. Beat Bop -- Trip-Hop -- Dub-Hop -- Lovers Hip-Hop -- Chill Out -- Cut-Up -- Contemplating Jazz -- Abstract Hip-Hop -- Lo-Fi -- Blunted Beats -- Subterranean Abstract Blues -- Black-Hearted Soul -- Exotica -- Hip-Hop Blues -- Canceled Futures
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  • 5
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    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Sprache: Englisch
    Seiten: 143 Seiten , Illustrationen , 29 cm
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    Schlagwort(e): Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Kurzfassung: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Beschreibung / Inhaltsverzeichnis: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Anmerkung: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 6
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    Washington : National Gallery of Art | New Haven : Yale University Press
    ISBN: 9780300267105
    Sprache: Englisch
    Seiten: 356 Seiten , Illustrationen , 29 cm
    Serie: Studies in the history of art 83
    Serie: Symposium papers 60
    Serie: Studies in the history of art
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    Schlagwort(e): Snowden, Sylvia - 1942- ; Stovall, Lou - 1937- ; Thomas, Alma - 1891-1978 ; Donaldson, Jeff - 1932-2004 ; Porter, James A. (James Amos) - 1905-1970 ; Burwell, Lilian Thomas - 1927- ; Coleman, Floyd W - 1939- ; Driskell, David C - 1931-2020 ; Gilliam, Sam - 1933-2022 ; Morrison, Keith - 1942- ; Puryear, Martin - 1941- ; Howard University - United States ; The Phillips Collection - United States ; African American Art - United States ; Konferenzschrift National Gallery of Art, Washington, DC ; Konferenzschrift National Gallery of Art, Washington, DC ; Washington, DC ; Schwarze ; Kunst ; Ästhetik ; Geschichte 1920-
    Kurzfassung: In a twentieth century during which modern art largely abandoned beauty as its imperative, a group of Black artists from Washington, DC, made beauty the center of their art making. This book highlights these influential artists, including David C. Driskell, Sam Gilliam, Lois Mailou Jones, and Alma Thomas, in the context of what Jeffrey C. Stewart describes as the Washington Black Renaissance. Vibrant histories of key District institutions and the city's communities of educators, critics, and collectors animate a nuanced consideration of the evolution of an aesthetic dialectic from the 1920s up to the present day. The fifteen essays in the volume are grounded by voices from a live artist panel at the National Gallery of Art in 2017, which included Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall
    Anmerkung: Titelblattrückseite: This volume includes proceedings of the symposium "The African American Art World in Twentieth-Century Washington, DC", organized by the Center for Advanced Study in the Visual Arts, National gallery of Art, and sponsored by the Wyeth Foundation for American Art and the Arthur Vining Davis Foundations. The symposium was held March 16-17, 2017, in Washington , Includes bibliography and index , English
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  • 7
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    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Sprache: Englisch
    Seiten: xii, 233 Seiten , Illustrationen
    DDC: 700.89/96073
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    Schlagwort(e): African American art 20th century ; African American art 21st century ; Art and society History 20th century ; Art and society History 21st century ; USA ; Kunstsoziologie ; Kunst ; Schwarze ; Geschichte 1985-2015
    Kurzfassung: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
    Anmerkung: Includes bibliographical references and index
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  • 8
    ISBN: 9780691236162
    Sprache: Englisch
    Seiten: 279 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Crow, Thomas The Artist in the Counterculture
    Paralleltitel: Erscheint auch als Crow, Thomas E., 1948 - The Artist in the Counterculture
    DDC: 701/.03
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    Schlagwort(e): Art and society History 20th century ; Counterculture ; Kalifornien ; Kunst ; Kunstsoziologie ; Gegenkultur ; Geschichte 1960-1980
    Kurzfassung: "An examination of the counterculture movement in California and how it both influenced and was influenced by art"--
    Anmerkung: Includes bibliographical references and index
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  • 9
    ISBN: 1912520958 , 9781912520954
    Sprache: Englisch
    Seiten: 141 Seiten
    DDC: 700.8996073
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    Schlagwort(e): 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Kurzfassung: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Anmerkung: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 10
    ISBN: 9781032332215 , 9781032332239
    Sprache: Englisch
    Seiten: viii, 154 Seiten
    Serie: Routledge histories of Central and Eastern Europe
    Paralleltitel: Äquivalent
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    Schlagwort(e): Geschichte ; Nationalhymne ; Ostmitteleuropa ; Südosteuropa ; Ostmitteleuropa ; Südosteuropa ; Nationalhymne ; Geschichte
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  • 11
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    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781793651853
    Sprache: Englisch
    Seiten: IX, 407 Seiten , Illustrationen , 24 cm
    Serie: Extreme sounds studies : global socio-cultural explorations
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    Schlagwort(e): Geschichte ; Musikleben ; Heavy Metal ; Sozialer Wandel ; Entwicklungsländer ; Heavy metal (Music) / Developing countries / History and criticism ; Heavy metal (Music) / Social aspects / Developing countries ; Heavy metal (Music) ; Developing countries ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Entwicklungsländer ; Heavy Metal ; Musikleben ; Sozialer Wandel ; Geschichte
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  • 12
    Buch
    Buch
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108837057 , 9781108940030
    Sprache: Englisch
    Seiten: xv, 295 Seiten
    Serie: Cambridge companions to music
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    Schlagwort(e): Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Kurzfassung: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
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  • 13
    ISBN: 9783948052676
    Sprache: Englisch , Deutsch
    Seiten: 184 Seiten , Illustrationen , 29.7 cm x 21 cm
    Ausgabe: 1. Auflage
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    Schlagwort(e): Clubs ; Berlin ; Gentrifizierung ; Interviews ; Techno ; Musik ; Stadtentwicklung ; Clubsterben ; Kunst ; Kultur ; Kulturdebatten ; Zweisprachig
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  • 14
    ISBN: 9788833403779 , 9788833404141
    Sprache: Englisch
    Seiten: 399 Seiten , Illustrationen , 30 cm
    Paralleltitel: Parallele Sprachausgabe Gli ebrei, i Medici e il ghetto di Firenze
    DDC: 709
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    Schlagwort(e): Ausstellungskatalog Galleria degli Uffizi 24.10.2023-28.01.2024 ; Ausstellungskatalog Galleria degli Uffizi 24.10.2023-28.01.2024 ; Florenz ; Juden ; Medici Familie : 13.-18. Jahrhundert ; Getto ; Geschichte
    Anmerkung: Rückseite Titelblatt: "The Jews, the Medici and the Ghetto of Florenze. History, identity, Culture, and Segregation', Florence, Uffizi Galleries, Palazzo Pitti October 24, 2023-January 28, 2024"
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  • 15
    Online-Ressource
    Online-Ressource
    Cham : Palgrave Macmillan | Cham : Springer International Publishing
    ISBN: 9783031176388
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XIV, 182 Seiten) , Illustrationen
    Serie: Sociology of the Arts
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306
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    Schlagwort(e): Sociology of Culture ; Feminism and Feminist Theory ; Political Sociology ; Culture ; Feminism ; Feminist theory ; Political sociology ; Kulturpolitik ; Feminismus ; Künstlerin ; Kunst ; Kunstsoziologie ; Türkei ; Türkei ; Kunst ; Künstlerin ; Feminismus ; Kulturpolitik ; Kunstsoziologie
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 16
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501383427
    Sprache: Englisch
    Seiten: x, 180 Seiten , 19,8 cm
    Serie: Genre, a 33 1/3 series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.630968
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    Schlagwort(e): Rockmusik ; Geschichte ; Kultur ; Popmusik ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
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  • 17
    ISBN: 9780774890649
    Sprache: Englisch
    Seiten: 255 Seiten , Illustrationen , 28 cm
    DDC: 704.03/96071
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    Schlagwort(e): Art, Black ; Artists, Black History ; Black people History ; Art museums Curatorship ; Social aspects ; Art noir - Canada ; Artistes noirs - Canada - Histoire ; Personnes noires - Canada - Histoire ; Musées d'art - Conservation - Aspect social - Canada ; Art, Black ; Artists, Black ; Black people ; History ; Canada ; Canada History ; Aufsatzsammlung ; Canada History ; Aufsatzsammlung ; Kanada ; Kunst ; Künstler ; Person of Color ; Geschichte 2000- ; Kanada ; Schwarze ; Kunst ; Schwarzenbild ; Museum ; Kulturelle Einrichtung ; Kunstgeschichtsschreibung ; Geschichte
    Kurzfassung: "Making History is an unprecedented reflection on the positioning of Black history and art within the Canadian cultural landscape. Featuring boundary-breaking artists and others from the art world, Making History brings together poems, artist statements, and art portfolios that showcase a careful and thoughtful understanding of Black aesthetics. This beautifully illustrated book also discusses the presence of Black contemporary art in Canadian institutions and offers artistic perspectives on contemporary and historical art practices. The many voices and points of view within this publication present ideas that corroborate the state of cultural emergency in which we are living, where museums are rethinking and rewriting the stories of their collections. The book explores alternate ways of approaching the relationship between institutions, artists, and audiences, emphasizing the significance of collaboration, resisting hierarchical and hegemonic curatorial practices, and making room for multiple perspectives to bring about transformative change. Through powerful essays and striking visual art, Making History highlights the dynamism and complexity of African and diasporic experiences seen through the lens of museological interventions and artistic practices at large."--
    Anmerkung: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /
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  • 18
    ISBN: 9780190906498
    Sprache: Englisch
    Seiten: 718 Seiten , Notenbeispiele
    Ausgabe: second edition
    DDC: 782.421640922
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    Schlagwort(e): Geschichte 1900-2000 ; Geschichte 1920-1940 ; Chansons anglaises - États-Unis - Histoire et critique ; Culture populaire - États-Unis - Histoire - 20e siècle ; Dichters ; Musique populaire - États-Unis - Histoire et critique ; Paralittérature - États-Unis - Histoire et critique ; Paroliers - États-Unis ; Poésie américaine - 20e siècle - Histoire et critique ; Poésie lyrique - Histoire et critique ; Geschichte ; American poetry History and criticism 20th century ; Lyric poetry History and criticism ; Lyricists ; Popular culture History 20th century ; Popular literature History and criticism ; Popular music History and criticism ; Songs, English History and criticism ; Schlager ; United States - Popular culture - History - 20th century ; USA ; USA ; Schlager ; USA ; Geschichte 1920-1940
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  • 19
    Buch
    Buch
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Sprache: Englisch
    Seiten: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Kurzfassung: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Beschreibung / Inhaltsverzeichnis: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 20
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501370816 , 9781501370809
    Sprache: Englisch
    Seiten: ix, 430 Seiten , Illustrationen
    Ausgabe: Updated and expanded edition
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Progressive Rock ; Progressive rock music / History and criticism ; Rock music / History and criticism ; Progressive rock music ; Rock music ; Criticism, interpretation, etc ; Progressive Rock ; Geschichte
    Kurzfassung: "The original edition of Beyond and Before extends an understanding of "progressive rock" by providing a fuller definition of what progressive rock is, was and can be. Called by Record Collector "the most accomplished critical overview yet" of progressive rock and one of their 2011 books of the year, Beyond and Before moves away from the limited consensus that prog rock is exclusively English in origin and that it was destroyed by the advent of punk in 1976. Instead, by tracing its multiple origins and complex transitions, it argues for the integration of jazz and folk into progressive rock and the extension of prog in Kate Bush, Radiohead, Porcupine Tree and many more. This 10-year anniversary revised edition continues to further unpack definitions of progressive rock and includes a brand new chapter focusing on post-conceptual trends in the 2010s through to the contemporary moment. The new edition discusses the complex creativity of progressive metal and folk in greater depth, as well as new fusions of genre that move across global cultures and that rework the extended form and mission of progressive rock, including in recent pop concept albums. All chapters are revised to keep the process of rethinking progressive rock alive and vibrant as a hybrid, open form"--
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  • 21
    ISBN: 9781773102245 , 1773102249
    Sprache: Englisch
    Seiten: 447 Seiten , Illustrationen
    DDC: 700.89/009113
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    Schlagwort(e): Arts ; Arts ; Arts ; Indigenous art ; Indigenous art ; Indigenous art ; Art, Arctic ; Art, Sami ; Art, Arctic ; Art, Sami ; Arts ; Indigenous art ; Arctic Regions ; Northern Canada ; Scandinavia ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Arktis ; Polargebiete ; Eskimo ; Samen ; Kunst
    Kurzfassung: "Qummut Qukiria! celebrates art and culture within and beyond traditional Inuit and Sámi homelands in the Circumpolar Arctic — from the recovery of traditional practices such as storytelling and skin sewing to the development of innovative new art forms such as throatboxing (a hybrid of traditional Inuit throat singing and beatboxing). In this illuminating book, curators, scholars, artists, and activists from Inuit Nunangat, Kalaallit Nunaat, Sápmi, Canada, and Scandinavia address topics as diverse as Sámi rematriation and the revival of the ládjogahpir (a traditional woman’s headgear), the experience of bringing Inuit stone carving to a workshop for inner-city youth, and the decolonizing potential of Traditional Knowledge and its role in contemporary design and beyond. Qummut Qukiria! showcases the thriving art and culture of the Indigenous Circumpolar peoples in the present and demonstrates its importance for the revitalization of language, social well-being, and cultural identity."--
    Anmerkung: Includes bibliographical references
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  • 22
    Online-Ressource
    Online-Ressource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781000627084
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 152 Seiten) , Illustrationen
    Serie: Routledge research in art and race
    Paralleltitel: Erscheint auch als Hamilton, Elizabeth Carmel Charting the Afrofuturist imaginary in African American art
    DDC: 700.89/96073
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    Schlagwort(e): Electronic books ; USA ; Kunst ; Künstlerin ; Afrofuturismus
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  • 23
    ISBN: 0300263929 , 9780300263923
    Sprache: Englisch
    Seiten: 80 Seiten , Illustrationen , 30 cm
    DDC: 704.0396073
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    Schlagwort(e): Whitten, Jack ; Simpson, Lorna ; Gallagher, Ellen ; Leigh, Simone ; Cleveland Museum of Art Catalogs ; Art, Black History and criticism ; Art Moral and ethical aspects ; Art, Black ; Art - Moral and ethical aspects ; Criticism, interpretation, etc ; The Cleveland Museum of Art ; Kunst ; Person of Color ; Wahrnehmung ; Whitten, Jack 1939-2018 ; Simpson, Lorna 1960- ; Gallagher, Ellen 1965- ; Leigh, Simone 1968-
    Kurzfassung: 'Perceptual Drift' offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of "perceptual drift": a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpson's Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallagher's Bouffant Pride (2003); and Erica Moiah James considers Simone Leigh's Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art
    Beschreibung / Inhaltsverzeichnis: Director's foreword / William M. Griswold -- Introduction / Key Jo Lee -- "To decode the full spectrum": Jack Whitten's Rho I / Christina Sharpe -- An approach to Lorna Simpson's Cure/Heal / Key Jo Lee -- "Spit-bite" notes in conversation with Ellen Gallagher's Bouffant Pride: an introduction / Robin Coste Lewis -- A gust of grace: Simone Leigh's Las Meninas / Erica Moiah James.
    Anmerkung: Includes bibliographical references
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  • 24
    ISBN: 1734248513 , 9781734248517
    Sprache: Englisch
    Seiten: 269 Seiten , 27 cm
    Ausgabe: First edition
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    Schlagwort(e): Taylor, Breonna Exhibitions ; Racism Exhibitions History 21st century ; Social movements in art Exhibitions ; African Americans Exhibitions Social conditions 21st century ; African American artists Exhibitions ; African American artists ; African Americans ; Social conditions ; Race relations ; Racism ; Social movements in art ; Exhibition catalogs ; Exhibition catalogs ; Louisville (Ky.) Exhibitions Race relations 21st century ; History ; Kentucky ; Louisville ; United States ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Kentucky ; Kunst ; Rassismus ; Protestbewegung ; Geschichte 2020- ; Louisville, Ky. ; Rassismus ; Polizei ; Gewalttätigkeit ; Schwarze Frau ; Geschichte 2020-2022 ; Rezeption ; Kunst ; Taylor, Breonna 1993-2020
    Kurzfassung: The New York Times called the Speed Art Museum's Promise, Witness, Remembrance--centered around artist Amy Sherald's portrait of Breonna Taylor and originally commissioned by Ta-Nehisi Coates for the cover of Vanity Fair magazine--one of the best art exhibitions of 2021. In the words of critic Holland Cotter, "the show was assembled in four months--warp speed in museum-time--and created a prototype for institutional responses to history-as-it's-happening." This breathtaking book documents not just the 32 works featured in the exhibition, but also the process by which the Speed used this opportunity to memorialize the life of Breonna Taylor, who was killed by Louisville police in March 2020, and to serve its community through art, featuring real-time quotations from Curator Allison Glenn, Community Engagement Strategist Toya Northington, Director Stephen Reily, Tamika Palmer (Breonna Taylor's mother), artist Amy Sherald, and others. With 200 photos, featuring work by 22 Black artists, including Sam Gilliam, Lorna Simpson, Kerry James Marshall, Hank Willis Thomas, and Theaster Gates, Promise, Witness, Remembrance is a vital addition to the canon of Black American art
    Anmerkung: Titelblattrückseite: Published to document the exhibition "Promise, Witness, Remembrance", organized by the Speed Art Museum in Louisville, Kentucky, on view from April 7 to June 13, 2021 , Includes bibliographical references
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  • 25
    Online-Ressource
    Online-Ressource
    Toronto : University of Toronto Press
    ISBN: 9781487509316
    Sprache: Englisch
    Seiten: 1 Online-Ressource (197 ungezählte Seiten) , Illustrationen
    Serie: Toronto Iberic
    Paralleltitel: Erscheint auch als Infante, Catherine The arts of encounter
    DDC: 860.93823823
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    Schlagwort(e): Electronic books ; Spanien ; Christentum ; Islam ; Kulturaustausch ; Kunst ; Geschichte 1400-1700
    Kurzfassung: The Arts of Encounter uncovers the significant role of religious images in literature, offering a new approach to understanding Christian-Muslim relations in early modern Spain.
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  • 26
    Bild
    Bild
    London : Thames and Hudson
    ISBN: 9780500024621 , 0500024626
    Sprache: Englisch
    Seiten: 303 Seiten , 25 cm
    DDC: 700.8996041
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    Schlagwort(e): Arts, Black Exhibitions 21st century ; Arts, Black ; History ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Afrikaner ; Fotografie ; Malerei ; Videokunst ; Plastik ; Mixed media ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Anmerkung: Titelblattrückseite: This book was published on the occasion of the exhibition In the Black Fantastic" at the Hayward Gallery, London (29 June-18 September 2022) , Includes bibliographical references, filmography, discography and index
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  • 27
    ISBN: 9783943770681
    Sprache: Deutsch , Englisch
    Seiten: 71 Seiten , Illustrationen
    Suppl.: Ergänzung zu Chic! Schmuck. Macht. Leute. Chemnitz : smac - Staatliches Museum für Archäologie Chemnitz, 2022 9783943770674
    DDC: 730
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    Schlagwort(e): Führer ; Führer ; Schmuck ; Kunst ; Vor- und Frühgeschichte ; Archäologie ; Siedlungsarchäologie ; Funde ; Schmuck ; Ausstellung ; Chemnitz ; Geschichte 2022
    Kurzfassung: Das Bedürfnis, den menschlichen Körper zu schmücken, reicht weit in die Vergangenheit zurück und ist geprägt von Vielfalt und Wandel, Extravaganz und Ausgrenzung ... Führer durch die Ausstellung "Chic! Schmuck. Macht. Leute." (aus dem Text der 4. Umschlagseite)
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  • 28
    ISBN: 9780231189187 , 9780231189194
    Sprache: Englisch
    Seiten: xiii, 275 Seiten , Illustrationen
    Serie: Leonard Hastings Schoff memorial lectures
    Paralleltitel: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
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    Schlagwort(e): Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Kurzfassung: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Kurzfassung: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Anmerkung: Includes index
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  • 29
    Bild
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    London : Ridinghouse
    ISBN: 1909932698 , 9781909932692
    Sprache: Englisch
    Seiten: 253 Seiten , Illustrationen , 23 cm
    DDC: 306.76094237
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    Schlagwort(e): Sexual minorities History ; Arts History ; Arts ; Manners and customs ; Sexual minorities ; History ; St. Ives (Cornwall, England) Social life and customs ; St. Ives (Cornwall, England) History ; England ; St. Ives (Cornwall) ; Saint Ives ; Kunst ; LGBT ; Geschichte 1945-1980
    Kurzfassung: This first ever queer history of St Ives weaves together biography with art and social history to shine new light on a pivotal era in the development of British modernism. At its centre is the sculptor John Milne (1931-1978), who arrived in the town in 1952 to work as an assistant to Barbara Hepworth.0Hidden behind 20-foot-high granite walls, Milne's house, Trewyn, became a meeting point for queer figures from the arts as well as the scene of legendary parties. The large cast - both queer and otherwise - featured in Queer St Ives and Other Stories includes artists Francis Bacon, Alan Lowndes, Marlow Moss, Patrick Procktor, Mark Tobey, Keith Vaughan and Brian Wall; Whitechapel Art Gallery director Bryan Robertson; actors Keith Barron and Richard Wattis; potter Janet Leach; and writers Tony Warren and Richard Blake Brown. There is also the extraordinary Julian Nixon, a queer Everyman whose involvement in the group has been little explored until now.0Based on original interviews and previously unpublished letters and diaries, Queer St Ives and Other Stories reveals a fascinating, previously undocumented history, adding vital new insights into the history of this fabled Cornish art colony. Publication supported by the Paul Mellon Centre
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  • 30
    ISBN: 9783753302386 , 9781846382635 , 3753302384
    Sprache: Englisch
    Seiten: 267 Seiten , Illustrationen
    Serie: Exhibition histories
    DDC: 704.039604109045
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    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Großbritannien ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Geschichte ; Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; USA ; Großbritannien ; Schwarze ; Kunstausstellung ; Museum ; Kunstbetrieb ; Geschichte
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  • 31
    Online-Ressource
    Online-Ressource
    Leiden ; Boston : Brill
    ISBN: 9789004517073
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XV, 441 Seiten)
    Serie: Collected works of Jao Tsung-i: Xuantang anthology volume 1
    Serie: Collected works of Jao Tsung-i: Xuantang anthology
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 32
    Buch
    Buch
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781666900880
    Sprache: Englisch
    Seiten: xx, 241 Seiten , Illustrationen, Karten, Notenbeispiele
    Serie: The Lexington series in historical ethnomusicology: deep soundings
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Rezeption ; Islam ; Ensemble ; Einflussnahme ; Hofmusik ; Malaysia ; Islamische Staaten ; Nobat ; Music / Southeast Asia / History and criticism ; Music / Political aspects / Southeast Asia / History ; Courts and courtiers / History ; Islam / Southeast Asia / History ; Courts and courtiers ; Islam ; Music ; Music / Political aspects ; Southeast Asia ; Criticism, interpretation, etc ; History ; Malaysia ; Islam ; Hofmusik ; Ensemble ; Einflussnahme ; Rezeption ; Islamische Staaten ; Geschichte
    Kurzfassung: "The Malay Nobat: A History of Power, Acculturation, and Sovereignty explores the history and meaning of the nobat, its spread throughout the Muslim empire, and its emergence as a symbol of power and sovereignty, ultimately showing how existing nobat ensembles in Malaysia and Brunei are the last living legacy of the Mulism world"--
    Beschreibung / Inhaltsverzeichnis: Introduction -- Early Histories -- The Malay Nobat -- The Nobat in Early Malay Literature : A Lesson from Patani -- The Adat Aceh and 17th Century European Encounter -- From British Colonialism to Independence -- Conclusion
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  • 33
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520382787 , 9780520382800
    Sprache: Englisch
    Seiten: xxvi, 448 Seiten , Illustrationen
    Serie: Hip Hop studies 3
    Serie: Hip Hop studies
    Paralleltitel: Erscheint auch als
    DDC: 306.484249
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    Schlagwort(e): Geschichte ; Hip-Hop ; Rap ; Rap (Music) / Political aspects ; Rap (Music) / Social aspects ; Rap musicians / Political activity ; Hip-hop / Influence ; Rappeurs / Activité politique ; Hip-hop / Influence ; Rap (Music) / Political aspects ; Rap (Music) / Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Rap ; Hip-Hop ; Geschichte
    Kurzfassung: "Moving through over a dozen cities across four continents, Freedom Moves: Hip Hop Knowledges, Pedagogies, and Futures represents a cutting-edge, field-defining moment in Hip Hop Studies. As we approach 50 years of hip hop cultural history, and 30 years of hip hop scholarship, hip hop continues to be one of the most profound and transformative social, cultural, and political movements of the late 20th and early 21st centuries. In this book, H. Samy Alim, Jeff Chang, and Casey Philip Wong invite us to engage dialogically with some of the world's most innovative and provocative Hip Hop artists and intellectuals as they collectively rethink the relationships between Hip Hop knowledges, pedagogies, and futures.
    Kurzfassung: Rooting hip hop in Black freedom culture, this state-of-the-art collection presents a globally diverse group of Black, Indigenous, Latinx, Asian American, Arab, European, North African and South Asian artists, activists, and thinkers who view hip hop as a means to move freedom forward for all of us.
    Kurzfassung: Contributors do so by taking stock of the politics of hip hop culture at this critical juncture of renewed racial justice movements in the US and globally (Chuck D, Rakim, and Talib Kweli); resisting oppressive policing and reimagining community safety, healing, and growth in US urban centers like New York (Bryonn Bain), Pittsburgh (Jasiri X), Chicago (Kuumba Lynx), Atlanta and "the New South" (Bettina Love, Regina Bradley, and Mark Anthony Neal), and the San Francisco Bay Area (Mark Gonzales, A-lan Holt, Michelle Lee and the Mural Music and Arts Project); and recovering traditional, Indigenous knowledges and ways of being in the world at the same time that they create new ones (Dream Warriors). Leading thinkers take seriously the act of forging new languages for new articulations of Black/feminist/queer/disabled futures within and beyond Hip Hop (Joan Morgan, Brittney Cooper, Treva Lindsey, Kaila Aida Story, Esther Armah, Leroy F. Moore, Jr.
    Beschreibung / Inhaltsverzeichnis: Introduction -- Sweat the technique : the politics and poetics of hip hop / Rakim, Chuck D, and Talib Kweli -- Know the ledge(s) : the meanings of knowledge of self in "post"-apartheid South Africa / Shaheen Ariefdien and Emile YX? -- "Alshaab yurid isqaat al-nitham!" : sustaining revolution and disrupting dominant narratives of Palestine and Syria through hip hop / DAM (Tamer Nafar, Suhell Nafar and Mahmoud Jreri), Omar Offendum, and Ramzi Salti -- "The revolution will be indigenous" : collective liberation, healing, and resistance to settler colonialism through hip hop / Jessa Calderon, Gunner Jules, Lyla June, Tall Paul, and Tanaya Winder, with Casey Philip Wong -- "Luchando Derechos" in neoliberal Spain : hip hop visions beyond racism, xenophobia, Islamophobia and the gentrification of El Raval, Barcelona / La Llama Rap Colectivo with H. Samy Alim -- 1Hood : hip hop art, activism, and media creation in Pittsburgh / Jasiri X --
    Beschreibung / Inhaltsverzeichnis: "Protection from police who hinder respiratory airways" : hip hop theatre and activism with Kuumba Lynx in Chicago / Jacinda Bullie, Jaquanda Saulter-Villegas, and Leyda Lady Sol Garcia -- Ripples of hope and healing : sustaining community by creating a social justice arts ecosystem / Sonya Clark-Herrera, with Dorien Blue fka Adorie Howard, Measha Ferguson-Smith, Reagan Ross, and Casey Philip Wong -- Beyond trauma : storytelling as cultural shift and collective healing / Bryonn Bain, Mark Gonzales, A-Ian Holt, and Michelle Lee -- "Where the beat drops" : culturally relevant to culturally sustaining hip hop pedagogies / Gloria Ladson-Billings, Django Paris, and H. Samy Alim -- How hip hop means : retrospect for beats, rhymes, and classroom life / Marc Lamont Hill -- The magic behind science genius : how hip hop can transform science education / Christopher Emdin & The GZA, with Bryan Brown --
    Beschreibung / Inhaltsverzeichnis: Hip hop, whiteness, and critical pedagogies in the context of Black Lives Matter / A.J. Robinson -- The pleasure principle : articulating a post-hip hop feminist politics of pleasure / Joan Morgan, Brittney Cooper, Treva Lindsey, Kaila Adia Story, and Esther Armah -- "When can black disabled folks come home? : the krip-hop movement, race, and disability justice / Leroy F. Moore, Jr. and Stephanie Keeney Parks -- Queering hip hop feminist pedagogies in the New South / Bettina Love, Regina Bradley, and Mark Anthony Neal -- "These are not sonnet times" : building towards liberatory futures / Maisha Winn
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  • 34
    Buch
    Buch
    Manchester : Manchester University Press
    ISBN: 9781526156471 , 9781526169044
    Sprache: Englisch
    Seiten: xxi, 323 Seiten , Illustrationen
    Serie: RHA:Rethinking art's histories
    Paralleltitel: Erscheint auch als
    Dissertationsvermerk: Dissertation Duke University 2013
    DDC: 305.4209497
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    Schlagwort(e): Abramović, Marina ; Iveković, Sanja ; Sozialismus ; Künstlerin ; Kunst ; Kulturpolitik ; Jugoslawien ; Feminism / Yugoslavia ; Feminism and the arts / Yugoslavia ; Féminisme / Yougoslavie ; Féminisme et arts / Yougoslavie ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jugoslawien ; Sozialismus ; Künstlerin ; Kulturpolitik ; Kunst ; Iveković, Sanja 1949- ; Abramović, Marina 1946-
    Kurzfassung: Coining the term "Jugoslovenka" to designate the unique history of Yugoslav women's resistance to patriarchy during and after socialism, this book shows how Yugoslavia's anti-fascist, transnational and feminist legacies manifest in performance, conceptual, video and activist works
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  • 35
    ISBN: 9789004516816 , 9004516816
    Sprache: Englisch
    Seiten: XV, 441 Seiten , Illustrationen , 25 cm
    Serie: Collected works of Jao Tsung-i 1
    Serie: Collected works of Jao Tsung-i
    Originaltitel: Works
    Paralleltitel: Online version Rao, Zongyi Harmoniousness
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    Schlagwort(e): Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Music / China / History and criticism ; Music / China / Philosophy and aesthetics ; Music theory / China / History ; Music archaeology / China ; Music ; Music archaeology ; Music / Philosophy and aesthetics ; Music theory ; China ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    Kurzfassung: "From prehistoric bone flutes to Confucian bell-sets, from ancient divination to his beloved qin, this book presents translations of thirteen seminal essays on musical subjects by Jao Tsung-i. In language as elegant and refined as the ancient texts he so admired, his journey takes readers through Buddhist incantation, the philosophy of musical instruments, acoustical numerology, lyric poetry, historical and sociological contexts, manuscript studies, dance choreography, repertoire formulation, and opera texts. His voice is authoritative and intimate, the expert crafting his arguments, both accessible and sophisticated, succinct and richly tapestried; and concealed within a deft modesty is a thinker privileging us with his most profound observation. The musician's musician, the scholar's scholar, bold yet cautious, flamboyant yet restrained, a man for all seasons, a harmoniousness of time and place"--
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  • 36
    Online-Ressource
    Online-Ressource
    Princeton, NJ : Princeton University Press
    ISBN: 9780691236261
    Sprache: Englisch
    Seiten: 1 Online-Ressource (288 pages) , 90 color + 52 b/w illus
    Paralleltitel: Erscheint auch als Crow, Thomas E., 1948 - The artist in the counterculture
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    Schlagwort(e): Art and society History 20th century ; Counterculture ; ART / History / Contemporary (1945-) ; Kalifornien ; Kunst ; Kunstsoziologie ; Gegenkultur ; Geschichte 1960-1980
    Kurzfassung: How California’s counterculture of the 1960s to 1980s profoundly shaped—and was shaped by—West Coast artistsThe 1960s exert a special fascination in modern art. But most accounts miss the defining impact of the period’s youth culture, largely incubated in California, on artists who came of age in that decade. As their prime exemplar, Bruce Conner, reminisced, “I did everything that everybody did in 1967 in the Haight-Ashbury. . . . I would take peyote and walk out in the streets.” And he vividly channeled those experiences into his art, while making his mark on every facet of the psychedelic movement—from the mountains of Mexico with Timothy Leary to the rock ballrooms of San Francisco to the gilded excesses of the New Hollywood. In The Artist in the Counterculture, Thomas Crow tells the story of California art from the 1960s to the 1980s—some of the strongest being made anywhere at the time—and why it cannot be understood apart from the new possibilities of thinking and feeling unleashed by the rebels of the counterculture.Crow reevaluates Conner and other key figures—from Catholic activist Corita Kent to Black Panther Emory Douglas to ecological witness Bonnie Ora Sherk—as part of a generational cohort galvanized by resistance to war, racial oppression, and environmental degradation. Younger practitioners of performance and installation carried the mindset of rebellion into the 1970s and 1980s, as previously excluded artists of color moved to the forefront in Los Angeles. Mike Kelley, their contemporary, remained unwaveringly true to the late countercultural flowering he had witnessed at the dawn of his career.The result is a major new account of the counterculture’s enduring influence on modern art
    Anmerkung: Frontmatter , Contents , Prologue: Neuroplasticity , One. Peyote frontier , Two. Movies and Mexico , Three. Boston and the Leary Lure , Four. Psychedelphic oracle , Five. Living up to their reputations , Six. Bearing witness to war , Seven. From war abroad to oppression at home , Eight. Toward 1970: “the ever-deepening spiral of politics” , Nine. The art of disappearance , Ten. Noir vortex , Eleven. Secret ceremonies , Twelve. Last artist of the counterculture , Notes , Acknowledgments , Index , Illustration and copyright credits , In English
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 37
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    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Sprache: Englisch
    Seiten: 151 Seiten , 28 cm
    DDC: 305.896073075
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    Schlagwort(e): Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Kurzfassung: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Anmerkung: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 38
    Buch
    Buch
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030551605
    Sprache: Englisch
    Seiten: xvii, 320 Seiten , Illustrationen
    Serie: Palgrave studies in the history of subcultures and popular music
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Musikleben ; Reggae ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Reggae ; Musikleben ; Geschichte
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  • 39
    Buch
    Buch
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Sprache: Englisch
    Seiten: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
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    Schlagwort(e): Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Kurzfassung: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Anmerkung: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 40
    Buch
    Buch
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253057549 , 9780253057532
    Sprache: Englisch
    Seiten: xi, 309 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Musikwirtschaft ; Kultur ; Politik ; Musik ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
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  • 41
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780197559284 , 9780197559277
    Sprache: Englisch
    Seiten: xviii, 254 Seiten , Illustrationen, Notenbeispiele, Portraits
    Paralleltitel: Erscheint auch als Wells, Christi Jay Between beats
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    Schlagwort(e): Geschichte ; Jazztanz ; Jazztanz ; Geschichte
    Kurzfassung: "The Jazz Tradition and Black Vernacular Dance explores the complex intersections between jazz music and popular dance over the last hundred-plus years. It aims to show how popular entertainment and cultures of social dancing were crucial to jazz music's formation and development, but it also investigates the processes through which jazz music came to earn a reputation as a "legitimate" art form better suited for still, seated listening. Through the concept of "choreographies of listening," the book explores amateur and professional jazz dancers' relationships with jazz music and musicians as jazz's soundscapes and choreoscapes were forged through close contact and mutual creative exchange. The book's later chapters also critically unpack the aesthetic and political negotiations through which jazz music supposedly distanced itself from dancing bodies. As musicians and critics sought to secure institutional space for jazz within America's body-averse academic and high-art cultures, an intentional severance from the dancing body proved crucial to jazz's re-positioning as a form of autonomous, elite art. Fusing little-discussed material from diverse historical and contemporary sources with the author's own years of experience as a social jazz dancer, this book seeks to advance participatory dance and embodied practice as central topics of analysis in jazz studies. As it tells the rich, untold story of jazz as popular dance music, this book also exposes how American anxieties about bodies and a broad cultural privileging of the cerebral over the corporeal have shaped efforts to "elevate" expressive forms such as jazz to elite status"--
    Beschreibung / Inhaltsverzeichnis: Jazz Music and its Choreographies of Listening -- "Its Bite and Its Feeling" : The Quadroon Ball and Jazz's New Orleans Plaçage Complex -- "Lindy Hopper's Delight" : The Chick Webb Orchestra and the Fluid Labor of Whitey's Lindy Hoppers -- "Counter-Bopaganda" and "Torn Riffs" : Bebop as Popular Dance Music -- "A Fine Art in Danger" : Marshall Stearns's Jazz Dance Advocacy -- Dancing Every Note : Community Theater and Kinetic Memory at Jazz 966
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  • 42
    Buch
    Buch
    Bristol, UK ; Chicago, USA : Intellect
    ISBN: 9781789384000
    Sprache: Englisch
    Seiten: XII, 296 Seiten , Illustrationen, Diagramme, Karten (teilweise farbig)
    Serie: Advances in metal music and culture
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Heavy Metal ; Heavy metal (Music) / History and criticism ; Heavy metal (Music) ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Heavy Metal ; Heavy Metal ; Geschichte
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  • 43
    Buch
    Buch
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Sprache: Englisch
    Seiten: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 782.421661592
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    Schlagwort(e): Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Kurzfassung: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Beschreibung / Inhaltsverzeichnis: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Anmerkung: Includes bibliographical references and index
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  • 44
    Buch
    Buch
    Wien : Hollitzer
    ISBN: 9783990128947
    Sprache: Englisch
    Seiten: IX, 391 Seiten , Illustrationen , 24 cm
    Serie: Jazzforschung 48 (2016)
    Serie: Jazzforschung
    Paralleltitel: Erscheint auch als
    DDC: 780
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    Schlagwort(e): Jazz ; Geschichte ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jazz ; Geschichte
    Anmerkung: Erweiterte Fassung der Dissertation "The stories of jazz: performing America through its musical history", Dortmund 2014. - Literaturverzeichnis: Seiten 361-391
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  • 45
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing
    ISBN: 9783030551612
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XVII, 320 Seiten) , Illustrationen
    Serie: Palgrave studies in the history of subcultures and popular music
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 941
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    Schlagwort(e): Geschichte ; Great Britain-History ; History, Modern ; Civilization-History ; Social history ; Music ; Musikleben ; Reggae ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Reggae ; Musikleben ; Geschichte
    Kurzfassung: This book explores the history of reggae in modern Britain from the time it emerged as a cultural force in the 1970s. As basslines from Jamaica reverberated across the Atlantic, so they were received and transmitted by the UK's Afro-Caribbean community. From roots to lovers' rock, from deejays harnessing the dancehall crowd to dub poets reporting back from the socio-economic front line, British reggae soundtracked the inner-city experience of black youth. In time, reggae's influence permeated the wider culture, informing the sounds and the language of popular music whilst also retaining a connection to the street-level sound systems, clubs and centres that provided space to create, protest and innovate. This book is therefore a testament to struggle and ingenuity, a collection of essays tracing reggae's importance to both the culture and the politics of late twentieth and early twenty-first century Britain
    Anmerkung: 1. Introduction: Narratives from the Bassline- William 'Lez' Henry & Matthew Worley -- 2. Vexed history: time and the waning of heart-I-cal philosophy- Paul Gilroy -- 3. Reggae culture as local knowledge: Mapping the beats on south east London streets- William 'Lez' Henry & Les Back -- 4. A Who Seh? Reflections of a lost and found dub poet- Martin Glynn -- 5. 'What a devilment a Englan!' Dub poets and ranters- Tim Wells -- 6. Smiley Culture: A hybrid voice for the Commonwealth- Lucy Robinson -- 7. The Story of Nzinga Soundz and the Women's Voice in Sound System Culture- Lynda Rosenior-Patten and June Reid -- 8. Sound-tapes & Soundscapes: Lo-Fi cassette recordings as vectors of cultural Transmission- Kenny Monrose -- 9. 'Dem a call us pirates, dem a call us illegal broadcasters!': 'Pirates' Anthem', PCRL and the struggle for black free radio in Birmingham- Lisa Palmer -- 10. Rebel Music in the Rebel City: The Performance Geography of the Nottingham 'Blues Party', 1957-1987- Tom Kew -- 11. 'Curious roots & crafts': Record shops and record labels amid the British reggae diaspora- Peter Hughes Jachimiak -- 12. From Sound Systems to Disc Jockeys, From Local Bands to Major Success: On Bristol's Crucial Role in Integrating Reggae and Jamaican Music in British Culture- Melissa Chemam -- 13. Growing up under the influence: A sonic genealogy of grime- Joy White -- 14. Sound Systems and the Christian deviation- Carl Tracey -- 15. Handsworth Revolution: Reggae theomusicology, gospel borderlands and delinking Black British Contemporary Gospel Music from Colonial Christianity- Robert Beckford
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 46
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501348037
    Sprache: Englisch
    Seiten: ix, 255 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 782.421660922
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    Schlagwort(e): The Beatles ; Geschichte ; Rezeption ; Weiblicher Fan ; Frau ; The Beatles ; Frau ; The Beatles ; Rezeption ; Weiblicher Fan ; Geschichte
    Kurzfassung: "The only academic book to discuss the Beatles and their social and cultural impact as understood through the experiences and lives of women"--
    Beschreibung / Inhaltsverzeichnis: Introducing A Women's History of the Beatles -- "Remember Me" : Stories from Merseyside -- With the Beatles : A Fan History -- "Don't Blame it On Yoko" : Wives and Girlfriends in the Beatles Fairy Tale -- "Free as a Bird" : Music-Making and the Liberatory Beatlesque -- "Think For Yourself" : Entrepreneurs and Intellectuals -- Conclusion. Beatles History, Women's Lives
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  • 47
    Online-Ressource
    Online-Ressource
    London, UK ; New York, NY, USA ; Dublin, Ireland : Zed Books
    ISBN: 9781350225282 , 9781786998149 , 9781786998163
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxxiii, 291 Seiten)
    Ausgabe: Third edition
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.80072
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    Schlagwort(e): Ethnologie ; Ethnosoziologie ; Forschung ; Imperialismus ; Geschichte ; Kolonialismus ; Naturvolk ; Entkolonialisierung ; Aufsatzsammlung ; Ethnologie ; Forschung ; Naturvolk ; Ethnologie ; Imperialismus ; Geschichte ; Kolonialismus ; Geschichte ; Entkolonialisierung ; Ethnosoziologie
    Kurzfassung: To the colonized, the term 'research' is conflated with European colonialism; the ways in which academic research has been implicated in the throes of imperialism remains a painful memory. This essential volume explores intersections of imperialism and research - specifically, the ways in which imperialism is embedded in disciplines of knowledge and tradition as 'regimes of truth.' Concepts such as 'discovery' and 'claiming' are discussed and an argument presented that the decolonization of research methods will help to reclaim control over indigenous ways of knowing and being.Now in its eagerly awaited second edition, this bestselling book has been substantially revised, with new case-studies and examples and important additions on new indigenous literature, the role of research in indigenous struggles for social justice, which brings this essential volume urgently up-to-date. Quelle: Klappentext.
    Anmerkung: Informationen wurden (z.T.) der Landingpage entnommen, da weder Titelblatt noch Impressum vorhanden ist (Bloomsbury Collections)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 48
    ISBN: 9783962332730 , 3962332731
    Sprache: Deutsch , Englisch
    Seiten: 271 Seiten , Illustrationen, Notenbeispiele , 24 cm x 16,5 cm
    Serie: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München Band 16
    Paralleltitel: Erscheint auch als Jüdische Musik im süddeutschen Raum
    DDC: 780.899240434
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    Schlagwort(e): Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Süddeutschland ; Juden ; Musik ; Geschichte
    Kurzfassung: Dieser Band kartiert die jüdische Musik Süddeutschlands im 19. und 20. Jahrhundert: als einen Raum, der jüdische Musikgeschichte produziert, beherbergt und bewahrt; als einen gemeinsamen Raum von Juden und Nicht-Juden mit der möglichen Kultur des Zusammenflusses; und als einen Raum der Ausgrenzung und Verfolgung. Diese Räume - teils symbolisch, abstrakt, metaphorisch, teils konkret und inszeniert - erschließen sich in acht Kapiteln: zur Topografie jüdischen Musiklebens im NS-Staat in München, zum Leben und Wirken von Jakob Schönberg und Richard Fuchs im Kontext jüdischer Kunstmusik, zu den musikalischen Praktiken der jüdischen Gemeinden in Bamberg und Binswangen, zu den Aktivitäten des Esslinger Cantors Mayer Levi, zur Verlagerung süddeutscher und österreichischer jüdischer Musiker und ihrem Wirken in Ferramonti di Tarsia und nicht zuletzt zu Paul Ben-Haims sozialem und intellektuellem Umfeld vor und kurz nach der Emigration.
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  • 49
    ISBN: 1934351199 , 9781934351192
    Sprache: Englisch
    Seiten: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
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    Schlagwort(e): African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Kurzfassung: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Kurzfassung: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Anmerkung: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 50
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    London : Tate Publishing
    ISBN: 9781849767569
    Sprache: Englisch
    Seiten: 160 Seiten , Illustrationen , 18 cm
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    Schlagwort(e): Großbritannien ; Künstler ; Künstlerin ; Person of Color ; Geschichte 1945- ; Großbritannien ; Schwarze ; Kunst ; Geschichte 1937-2021
    Kurzfassung: Black artists have been making major contributions to the global art scene since at least the middle of the twentieth century. While some of these artists - of African and Caribbean descent - have been embraced at times by the art world, they have mostly been neglected or have not received the recognition they deserve. Taking its starting point as the Windrush-era Caribbean Artists Movement, and considering and contextualising the political, cultural, and artistic climate from which it emerged, this concise introduction showcases the work of seventy Black-British artists from the 1930s until the present. Artworks in a range of media offer a lens through which to understand some of the events and issues confronted and explored, shedding light on the unique Black-British experience. Constructed around contemporary ideas on race, national identity, citizenship, gender, class, sexuality and aesthetics in Britain, this book interrogates themes at the heart of Black-British Art, revealing art in dialogue with a complex past and present. Featuring some of the most prominent and influential Black-British artists of recent decades, as well as less well-known artists, it also includes work from a new generation of artists at the forefront of contemporary art. At a time when visibility within the art world has taken on a renewed urgency, this is a timely and accessible introduction celebrating Black-British artists and their outstanding contribution to art history
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  • 51
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    Prinsenbeek : JAP SAM Books
    ISBN: 9789492852335 , 9492852330
    Sprache: Englisch , Niederländisch
    Seiten: 191 Seiten
    DDC: 700.411
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    Schlagwort(e): Bildband ; Bildband ; Niederlande ; Kunst ; Landleben ; Geschichte 2019 ; Rotterdam ; Zuwanderung ; Landbevölkerung ; Andenken
    Kurzfassung: Boerenzij The Rural Side' questions the hegemony of urban culture through encounters with the countryside in the city. This art project created with and by Rotterdammers places rural migration, mindsets, memories, objects and en plein air drawings in the midst of the current gentrification of Rotterdam-Zuid. Boerenzij demands critical awareness of the naturalness with which rural culture is being swallowed up and urbanized worldwide.0
    Anmerkung: Text englisch und niederländisch
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  • 52
    Online-Ressource
    Online-Ressource
    Wien : Verlag der österreichischen Akademie der Wissenschaften
    Sprache: Englisch , Deutsch
    Seiten: 1 Online-Ressource (XV, 441 Seiten) , Illustrationen
    Serie: Veröffentlichungen zur Sozialanthropologie Band 29
    Serie: Denkschriften / Österreichische Akademie der Wissenschaften, Philosophisch-Historische Klasse Band 534
    Paralleltitel: Erscheint auch als Early West Tibetan Buddhist monuments
    DDC: 390
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    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung ; Tibet West ; Buddhismus ; Architektur ; Geschichte
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  • 53
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    London ; New York : Omnibus Press
    ISBN: 9781913172305
    Sprache: Englisch
    Seiten: 288 Seiten , Illustrationen, Portraits (teilweise farbig) , 31 cm
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    Schlagwort(e): Geschichte 1977-1986 ; Popmusik ; Rockmusik ; Musikjournalismus ; Großbritannien ; Popular music / 1971-1980 / History and criticism ; Popular music / 1981-1990 / History and criticism ; Rock music / 1971-1980 / History and criticism ; Rock music / 1981-1990 / History and criticism ; Fan magazines / Great Britain ; Jamming! ; Quelle ; Quelle ; Quelle ; Großbritannien ; Rockmusik ; Popmusik ; Musikjournalismus ; Geschichte 1977-1986
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  • 54
    Online-Ressource
    Online-Ressource
    Cambridge, Massachuesetts ; London, England : The Belknap Press of Harvard University Press
    ISBN: 9780674258808 , 9780674258815
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 598 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 780.82/0973
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    Schlagwort(e): Geschichte ; SOCIAL SCIENCE / Popular Culture ; African American feminists ; African American women musicians ; African American women Intellectual life ; African American women Music ; History and criticism ; Musical criticism History ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; USA ; Afroamerikanische Musik ; Feminismus ; Musikkritik ; Geschichte
    Kurzfassung: An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 55
    ISBN: 9782503594873
    Sprache: Englisch
    Seiten: xxii, 247 Seiten , Illustrationen, Notenbeispiele
    Serie: Specvlvm mvsicae volume 41
    Serie: Specvlvm mvsicae
    DDC: 780
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    Schlagwort(e): Liszt, Franz ; Geschichte ; Geschichte 1800-1900 ; Rezeption ; Zigeunermusik ; Rhapsodie ; Zigeunermusik ; Rhapsodie ; Geschichte 1800-1900 ; Liszt, Franz 1811-1886 ; Rezeption ; Zigeunermusik ; Rhapsodie ; Geschichte
    Kurzfassung: This volume examines the concept of rhapsody through a broad lens. Beginning with a discussion of the meaning(s) of the term itself, it then traces the history and reception of the genre and its significance in European culture. It argues for a close relationship between the idea of rhapsody and the concept of Gypsiness by demonstrating that 'rhapsody' and 'Gypsiness' can be seen as manifestations of the same types of influence and preferences for certain aesthetic categories. The book pays special attention to the seminal role of Franz Liszt in its discussion of the instrumental rhapsody. Ultimately, it reveals the consequences of historiographical representations of the rhapsody (e.g. the ossification of the image of the European Gypsy musician as a bard/rhapsode, the fossilization of presumptions concerning the nature of so-called ?Gypsies?) as well as unexpected similarities and differences between the rhapsody and the ballad as romantic genres with national implications.
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  • 56
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    Köln : Verlag der Buchhandlung Walther und Franz König
    ISBN: 9783753300573 , 3753300578
    Sprache: Englisch , Deutsch
    Seiten: 120 Seiten , Karte , 30 cm x 23 cm
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    Schlagwort(e): Geschichte ; Teke ; Holzplastik ; Kultgegenstand ; Mensch ; Afrika ; Ethnologie ; Teke ; Afrikanische Kultur ; Masken ; Bildband ; Bildband ; Teke ; Kultgegenstand ; Holzplastik ; Mensch ; Geschichte
    Anmerkung: Text deutsch und englisch
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  • 57
    ISBN: 9789462702363
    Sprache: Englisch , Niederländisch
    Seiten: 268 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 700.411
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    Schlagwort(e): Geschichte 2000- ; Kolonialismus ; Museum ; Kunst ; Antwerpen ; Demokratische Republik Kongo ; Belgien ; Ausstellungskatalog Middelheim Museum 29.05.2021-03.10.2021 ; Ausstellungskatalog, Middelheim Museum, 29.05.2021-03.10.2021, Antwerpen ; Ausstellungskatalog Middelheim Museum 29.05.2021-03.10.2021 ; Antwerpen ; Belgien ; Demokratische Republik Kongo ; Kunst ; Kolonialismus ; Geschichte 2000- ; Museum
    Kurzfassung: One hundred years after the founding of the École Coloniale Supérieure in Antwerp, the adjacent Middelheim Museum invites Sandrine Colard, researcher and curator, to conceive an exhibition that probes silenced histories of colonialism in a site-specific way. For Colard, the term Congoville encompasses the tangible and intangible urban traces of the colony, not on the African continent but in 21st-century Belgium: a school building, a park, imperial myths, and citizens of African descent. In the exhibition and this adjoining publication, the concept Congoville is the starting point for 15 contemporary artists to address colonial history and ponder its aftereffects as black flâneurs walking through a postcolonial city.00Due to the multitude of perspectives and voices, this book is both a catalogue and a reference work comprised of artistic and academic contributions. Together, the participating artists and invited authors unfold the blueprint of 'Congoville', an imaginary city that still subconsciously affects us, but also encourages us to envision a decolonial utopia.00With contributions by: Pieter Boons, Sandrine Colard, Filip De Boeck, Bas De Roo, Nadia Yala Kisukidi, Sorana Munsya & Léonard Pongo, Herman Van Goethem, Sara Weyns, Nabilla Ait Daoud.00Participating artists: Sammy Baloji, Bodys Isek Kingelez, Maurice Mbikayi, Jean Katambayi, KinAct Collective, Simone Leigh, Hank Willis Thomas, Zahia Rahmani, Ibrahim Mahama, Ângela Ferreira, Kapwani Kiwanga, Sven Augustijnen, Pascale Marthine Tayou, Elisabetta Benassi, Pélagie Gbaguidi
    Anmerkung: "This publication has been issued on the occasion of the exhibition 'Congoville', Middelheim Museum, Antwerp, Belgium (29 May 2021 - 3 October 2021) , Text auf Englisch und Niederländisch
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  • 58
    ISBN: 9791186625330
    Sprache: Englisch , Koreanisch
    Seiten: 463 Seiten , Illustrationen, Karte
    Serie: Overseas Korean Cultural Heritage 15
    Serie: Kugoe han'guk munhwajae
    DDC: 709.52074433698
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    Schlagwort(e): Missionsmuseum der Erzabtei St. Ottilien ; Kunst ; Korea ; Katalog Missionsmuseum der Erzabtei St. Ottilien ; Katalog Missionsmuseum der Erzabtei St. Ottilien ; Korea ; Kunst ; Missionsmuseum der Erzabtei St. Ottilien
    Anmerkung: Text auf Englisch, teilweise auf Koreanisch
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  • 59
    ISBN: 9781946433275 , 1946433276
    Sprache: Englisch
    Seiten: 215 Seiten , Illustrationen
    Ausgabe: First edition
    DDC: 709.47
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    Schlagwort(e): Rudd, Wayland ; Art ; Mass media ; Black people in art ; Black people in mass media ; Black people ; Art - URSS ; Médias - URSS ; Personnes noires dans l'art ; Personnes noires dans les médias ; Noirs - URSS ; Art ; Mass media ; Race relations ; Soviet Union Race relations ; Soviet Union ; Sowjetunion ; Kunst ; Massenmedien ; Person of Color ; Rassismus ; Geschichte 1923-1980 ; Schwarze
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  • 60
    ISBN: 9781138334748
    Sprache: Englisch
    Seiten: VI, 185 Seiten
    Serie: Routledge studies in popular music
    DDC: 782.421660922
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    Schlagwort(e): Radiohead ; Rockmusik ; Musikalischer Stil
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  • 61
    Buch
    Buch
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780815360179 , 9780815360155
    Sprache: Englisch
    Seiten: xix, 267 Seiten , Illustrationen
    Serie: Routledge global popular music series
    Paralleltitel: Erscheint auch als
    DDC: 781.630951249
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    Schlagwort(e): Geschichte ; Popmusik ; Taiwan ; Popular music / Taiwan / History and criticism ; Popular music ; Taiwan ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Taiwan ; Popmusik ; Geschichte
    Kurzfassung: "Made in Taiwan: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary Taiwanese popular music. Each essay, written by a leading scholar of Taiwanese music, covers the major figures, styles, and social contexts of pop music in Taiwan and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Taiwan, followed by essays organized into thematic sections: Trajectories, Identities, Issues, and Interactions"--
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  • 62
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501330452
    Sprache: Englisch
    Seiten: xvii, 636 Seiten , Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.66072
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    Schlagwort(e): Rockmusik ; Forschung ; Rock music / History and criticism ; Rock music / Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Rockmusik ; Forschung
    Kurzfassung: "The Bloomsbury Handbook of Rock is the first comprehensive academic survey of the field of rock music as it stands today. More than 50 years into its life and we still ask - what is rock music, why is it studied, and how does it work, both as music and as cultural activity? This volume draws together 37 of the leading academics working on rock to provide answers to these questions and many more. The text is divided into four major sections: practice of rock (analysis, performance, and recording); theories; business of rock; and social and culture issues. Each chapter combines two approaches, providing a summary of current knowledge of the area concerned as well as the consequences of that research and suggesting profitable subsequent directions to take. This text investigates and presents the field at a level of depth worthy of something which has had such a pervasive influence on the lives of millions"--
    Anmerkung: Includes bibliographical references and index
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  • 63
    Buch
    Buch
    Amherst ; Boston : University of Massachusetts Press
    ISBN: 9781625345301 , 9781625345295
    Sprache: Englisch
    Seiten: xii, 220 Seiten
    Serie: American popular music
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Gellert, Lawrence ; Geschichte ; Protestbewegung ; Folk music ; Afroamerikanische Musik ; African Americans / Music / History and criticism ; Folk music / United States / History and criticism ; Protest songs / United States / History and criticism ; Gellert, Lawrence / 1898-1979 ; Music / Historiography ; African Americans / Historiography ; Music / Political aspects / United States / History / 20th century ; Gellert, Lawrence / 1898-1979 ; African Americans / Historiography ; African Americans / Music ; Folk music ; Music / Historiography ; Music / Political aspects ; Protest songs ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Gellert, Lawrence 1898-1979 ; Afroamerikanische Musik ; Folk music ; Protestbewegung ; Geschichte
    Kurzfassung: "Lawrence Gellert has long been a mysterious figure in American folk and blues studies, gaining prominence in the left-wing folk revival of the 1930s for his fieldwork in the U.S. South. A "lean, straggly-haired New Yorker," as Time magazine called him, Gellert was an independent music collector, without formal training, credentials, or affiliation. At a time of institutionalized suppression, he worked to introduce white audiences to a tradition of black musical protest that had been denied and overlooked by prior white collectors. By the folk and blues revival of the 1960s, however, when his work would again seem apt in the context of the civil rights movement, Gellert and his collection of Negro Songs of Protest were a conspicuous absence. A few leading figures in the revival defamed Gellert as a fraud, dismissing his archive of black vernacular protest as a fabrication-an example of left-wing propaganda and white interference. A Sound History is the story of an individual life, an excavation of African American musical resistance and dominant white historiography, and a cultural history of radical possibility and reversal in the defining middle decades of the U.S. twentieth century"--
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  • 64
    Buch
    Buch
    New York ; London : Routledge,Taylor & Francis Group
    ISBN: 9781138577558 , 9781138577541
    Sprache: Englisch
    Seiten: viii, 208 Seiten , Illustrationen
    Serie: Transnational studies in jazz
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Jazz ; Globalisierung ; Jazz / History and criticism ; Music and globalization ; Jazz ; Music and globalization ; Criticism, interpretation, etc ; Jazz ; Globalisierung ; Geschichte
    Kurzfassung: "Jazz Diaspora: New Approaches to Music and Globalisation is about the international diaspora of jazz, well underway within a year of the first jazz recordings in 1917. This book studies the processes of the global jazz diaspora and its implications for jazz historiography in general, arguing for its relevance to the fields of sonic studies and cognitive theory. Until the late twentieth century, the historiography and analysis of jazz were centred on the US to the almost complete exclusion of any other region. The driving premise of this book is that jazz was not 'invented' and then exported: it was invented in the process of being disseminated. Jazz Diaspora is a sustained argument for an alternative historiography, based on a shift from a US-centric to a diasporic perspective on the music. The rationale is double-edged. It appears that most of the world's jazz is experienced (performed and consumed) in diasporic sites--that is, outside its agreed geographical point of origin--and to ignore diasporic jazz is thus to ignore most jazz activity. It is also widely felt that the balance has shifted, as jazz in its homeland has become increasingly conservative. There has been an assumption that only the 'authentic' version of the music--as represented in its country of origin--was of aesthetic and historical interest in the jazz narrative; that the forms that emerged in other countries were simply rather pallid and enervated echoes of the 'real thing.' This has been accompanied by challenges to the criterion of place- and race-based authenticity as a way of assessing the value of popular music forms in general. As the prototype for the globalisation of popular music, diasporic jazz provides a richly instructive template for the study of the history of modernity as played out musically"--
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  • 65
    ISBN: 9781472463999
    Sprache: Englisch
    Seiten: xxxviii, 272 Seiten, [16] Blatt , Illustrationen
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    Schlagwort(e): Herkunft ; Sozialanthropologie ; Musikinstrumentenkunde ; Musikinstrument ; Archäologie ; Geschichte ; Ethnologie ; Musikinstrument ; Musikinstrumentenkunde ; Geschichte ; Herkunft ; Archäologie ; Ethnologie ; Sozialanthropologie
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  • 66
    Buch
    Buch
    Gainesville (und neun weitere] : University Press of Florida
    ISBN: 9780813066622
    Sprache: Englisch
    Seiten: xv, 217 Seiten , Illustrationen, Karten , 24 cm
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Sachkultur ; Frau ; Wikinger ; Textilherstellung ; Nordische Staaten ; Textile fabrics, Viking / Scandinavia / History ; Women weavers / Scandinavia / History ; Textile fabrics / Scandinavia / History ; Vikings / Clothing / Scandinavia ; Women, Viking / History ; Textile fabrics / North Atlantic Region / History ; Textile fabrics ; Textile fabrics, Viking ; Women, Viking ; Women weavers ; North Atlantic Region ; Scandinavia ; History ; Nordische Staaten ; Wikinger ; Frau ; Textilherstellung ; Sachkultur ; Geschichte
    Kurzfassung: "Michèle Hayeur Smith uses Viking textiles as evidence for the little-known work of women in the Norse colonies that expanded from Scandinavia across the North Atlantic in the 9th century AD"--
    Beschreibung / Inhaltsverzeichnis: "Cold are the Counsels of Women": Bloodied Warps and Gilded Wefts -- the Engendered Economy of Cloth in the North Atlantic -- Weaving in the Viking Age: Iceland and the North Atlantic Expansion -- Textiles, Weaving, and Currency in Iceland during the Middle Ages -- Textiles in Greenland During the Medieval Period -- Cloth, Currency, Climate Change and Subsistence in Greenland -- Textiles and Trade in the North Atlantic during the Late Middle Ages and Early Modern Period -- The Danish Trade Monopoly in the North Atlantic and the Transformation of Women's Roles in Textile Production
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  • 67
    Online-Ressource
    Online-Ressource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226738680
    Sprache: Englisch
    Seiten: 1 Online-Ressource (347 Seiten) , Illustrationen
    Serie: Big issues in music
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 780.78
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    Schlagwort(e): Live-Auftritt ; Festival ; Sozialer Wandel ; Rockmusik ; Konzert ; Rock music / Social aspects / United States ; Rock music / Social aspects / Europe ; Music festivals / Social aspects / United States ; Music festivals / Social aspects / Europe ; Rockmusik ; Festival ; Konzert ; Live-Auftritt ; Sozialer Wandel
    Kurzfassung: Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : Music Festivals in the Summer Season -- A Worldview History of Music Festivals -- The Evolution of Anglophone Global Culture -- Three Industry Evolutions That Changed Festival Culture -- New Media, New Festival Worlds
    Kurzfassung: "In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives"
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 68
    Buch
    Buch
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030288785 , 9783030288778
    Sprache: Englisch
    Seiten: XXI, 210 Seiten
    Serie: Palgrave studies in the history of subcultures and popular music
    Paralleltitel: Erscheint auch als
    DDC: 306.09
    RVK:
    Schlagwort(e): Zines, Leslie ; Geschichte ; Cultural History ; Social History ; Global/International Culture ; Civilization—History ; Social history ; Culture ; Punk ; Zines, Leslie 1930-2014 ; Punk ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 69
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030431006
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XV, 442 p)
    Ausgabe: 1st ed. 2020
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 780.1
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Adorno, Theodor W. ; Manic Street Preachers ; Philosophy of Music ; Music ; Music—Philosophy and aesthetics ; Music ; Rockmusik ; Kulturkritik ; Musikphilosophie ; Manic Street Preachers ; Rockmusik ; Adorno, Theodor W. 1903-1969 ; Musikphilosophie ; Kulturkritik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 70
    Buch
    Buch
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030430993
    Sprache: Englisch
    Seiten: xv, 442 Seiten
    Paralleltitel: Erscheint auch als
    DDC: 780.1
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Adorno, Theodor W. ; Manic Street Preachers ; Philosophy of Music ; Music ; Music—Philosophy and aesthetics ; Music ; Rockmusik ; Kulturkritik ; Musikphilosophie ; Manic Street Preachers ; Rockmusik ; Adorno, Theodor W. 1903-1969 ; Musikphilosophie ; Kulturkritik
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 71
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190687410 , 9780190687403
    Sprache: Englisch
    Seiten: xi, 260 Seiten , Illustrationen
    Serie: Currents in Latin American & Iberian music
    Paralleltitel: Erscheint auch als
    DDC: 780.98
    RVK:
    Schlagwort(e): Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Kurzfassung: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Anmerkung: Includes bibliographical references and index
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  • 72
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030288761
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XXI, 210 Seiten)
    Serie: Palgrave studies in the history of subcultures and popular music
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.09
    RVK:
    Schlagwort(e): Zines, Leslie ; Geschichte ; Cultural History ; Social History ; Global/International Culture ; Civilization—History ; Social history ; Culture ; Punk ; Zines, Leslie 1930-2014 ; Punk ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 73
    Bild
    Bild
    Sheffield, South Yorkshire ; Bristol, CT : Equinox Publishing
    ISBN: 9781781796450 , 9781781796443
    Sprache: Englisch
    Seiten: XVI, 339 Seiten , Illustrationen , 24 cm
    Serie: Transcultural music studies
    Paralleltitel: Online version Paor-Evans, Adam de, author Provincial headz
    RVK:
    Schlagwort(e): Geschichte ; Hip-Hop ; Regionalismus ; Rap ; Großbritannien ; Rap (Music) / Great Britain / History and criticism ; Hip-hop / Great Britain / History / 20th century ; Hip-hop ; Rap (Music) ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; Hip-Hop ; Rap ; Regionalismus ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 74
    Buch
    Buch
    Lanham ; Bouldre ; New York ; London : Rowman & Littlefield
    ISBN: 9781538127179
    Sprache: Englisch
    Seiten: xv, 207 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1960-1970 ; Musikleben ; Rockmusik ; London ; Rock music / England / London / 1961-1970 / History and criticism ; Rock musicians / England ; Rock music ; Rock musicians ; England ; England / London ; 1961-1970 ; Criticism, interpretation, etc ; London ; Rockmusik ; Musikleben ; Geschichte 1960-1970
    Kurzfassung: "London, Reign Over Me captures all of the excitement, freedom of expression, love, wild abandon, and the moment of cultural transformation that gave us classic rock. Stephen Tow draws from an array of sources, including influential London music newspapers as well as original interviews with key participants in the scene"--
    Beschreibung / Inhaltsverzeichnis: Out of the gray and into the blues -- R&B boom! -- It was just bloody Wednesday -- Discovering prog rock -- You can all join in (progressive rock) -- Blues revisited
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  • 75
    Online-Ressource
    Online-Ressource
    London : Bloomsbury Academic
    ISBN: 9781350075368 , 9781350075375
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xii, 260 Seiten) , Illustrationen, Karten
    Serie: Imagines : classical receptions in the visual performing arts
    Paralleltitel: Erscheint auch als Classical antiquity in heavy metal music
    DDC: 781.66
    RVK:
    Schlagwort(e): Heavy metal (Music) History and criticism ; Classical antiquities in music ; Heavy metal (Music) ; Criticism, interpretation, etc ; Classical antiquities in music ; Heavy metal (Music)-History and criticism.. ; Electronic books ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Rockmusik ; Heavy Metal ; Rezeption ; Antike
    Kurzfassung: Vergil's Aeneid and nationalism in Italian metal / K.F.B. Fletcher -- Eternal defiance: Celtic identity and the classical past in heavy metal / Matthew Taylor -- Screaming ancient Greek hymns: the case of Kawir and the Greek black metal scene / Christodoulos Apergis -- Cassandra's plight: gender, genre, and historical concepts of femininity in gothic and power metal / Linnea Åshede and Anna Foka -- Heavy metal Dido: Heimdall's "Ballad of the Queen" / Lissa Crofton-Sleigh -- A metal Monstrum: Ex Deo's Caligula / Iker Magro-Martínez -- Occult and pulp visions of Greece and Rome in heavy metal / Jared Secord -- "When the land was milk and honey and magic was so strong and true": Edward Said, ancient Egypt, and heavy metal / Leire Olabarria -- Coda: some trends in metal's use of classical antiquity / Osman Umurhan
    Kurzfassung: This book demonstrates the rich and varied ways in which heavy metal music draws on the ancient Greek and Roman world. Contributors examine bands from across the globe, including: Blind Guardian (Germany), Therion (Sweden), Celtic Frost, Eluveitie (Switzerland), Ex Deo (Canada/Italy), Heimdall, Stormlord, Ade (Italy), Kawir (Greece), Theatre of Tragedy (Norway), Iron Maiden, Bal-Sagoth (UK), and Nile (US). These and other bands are shown to draw inspiration from Classical literature and mythology such as the Homeric Hymns, Vergil's Aeneid, and Caesar's Gallic Wars, historical figures from Rome and ancient Egypt, and even pagan and occult aspects of antiquity. These bands' engagements with Classical antiquity also speak to contemporary issues of nationalism, identity, sexuality, gender, and globalization. The contributors show how the genre of heavy metal brings its own perspectives to Classical reception, and demonstrate that this music-often dismissed as lowbrow-engages in sophisticated dialogue with ancient texts, myths, and historical figures. The authors reveal aspects of Classics' continued appeal while also arguing that the engagement with myth and history is a defining characteristic of heavy metal music, especially in countries that were once part of the Roman Empire
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 76
    ISBN: 9789490153328 , 949015332X
    Sprache: Englisch
    Seiten: 184 Seiten , Illustrationen
    Serie: KA series 32
    Paralleltitel: Parallele Sprachausgabe
    DDC: 700.411
    RVK:
    RVK:
    Schlagwort(e): 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Kurzfassung: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Anmerkung: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 77
    ISBN: 9789493148413 , 9493148416
    Sprache: Englisch
    Seiten: 381 Seiten , Illustrationen
    Serie: Onomatopee 196
    DDC: 700.411
    RVK:
    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung ; Kunst ; Niederlande ; Deutschland ; COVID-19 ; Geschichte ; COVID-19 ; Pandemie ; Gesellschaft ; Kultur ; Zukunft ; Utopie
    Kurzfassung: Sixteen culture makers who are "Zeitzeugen" (contemporary witnesses) of the COVID-19 pandemic sketch how things can be different in the future. Their visions for the future came about as a reaction to the disruption of their plans for 2020, and have one thing in common: the ambition to change and to widen the limits of our imagination.00The visions and recipes of these writers, academics, philosophers, singers, visual artists, theatre makers and designers working in the Netherlands and Germany, paint a heterogeneous picture. They develop through themes such as real utopias, sustainability, the new domesticity, and the role of cultural institutions in our society,00This collection is flavoured with the food recipes that every maker has contributed. The menu ranges from eating earth to corona ice cream, from French toast to Mushrooms at the end of the world, and tastes like more
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  • 78
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    Bild
    New Haven : Yale University Press in association with the Hutchins Center For African & African American Research, Harvard Univeristy
    ISBN: 9780300245745 , 0300245742
    Sprache: Englisch
    Seiten: xii, 228 Seiten , Illustrationen , 26 cm
    DDC: 704.0396073
    RVK:
    RVK:
    Schlagwort(e): Harrington, Oliver W ; Colescott, Robert ; African American art ; African American artists ; African Americans in art ; Satire, American History and criticism ; USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; USA ; Schwarze ; Kunst ; Provokation ; Antirassismus ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009
    Kurzfassung: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic.
    Kurzfassung: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Anmerkung: "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso
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  • 79
    ISBN: 9780190083946 , 9780190083953
    Sprache: Englisch
    Seiten: viii, 254 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Whitmore, Aleysia World music and the Black Atlantic
    DDC: 782.4216/3097291
    RVK:
    RVK:
    Schlagwort(e): AfroCubism ; Orchestra Baobab ; Geschichte ; Weltmusik ; Globalisierung ; Afrokubanische Musik ; Orchestra Baobab ; AfroCubism (Musical group) ; Music and globalization ; World music / History and criticism ; Popular music / Africa / Cuban influences ; AfroCubism ; Orchestra Baobab ; Afrokubanische Musik ; Weltmusik ; Globalisierung ; Geschichte
    Kurzfassung: ""In the mid-20th century, African musicians took up Cuban music as their own. They claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and '70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African-Latin American collaborations expressly for this market niche. This book follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them-from musicians' homes in West Africa, to performances in Europe and North America, to record label offices in London. This book examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. This book offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange. ""--
    Anmerkung: Includes bibliographical references and index
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  • 80
    Buch
    Buch
    Chicago : The University of Chicago Press
    ISBN: 9780226738543 , 9780226738406
    Sprache: Englisch
    Seiten: 347 Seiten , Illustrationen
    Serie: Big issues in music
    Paralleltitel: Erscheint auch als
    DDC: 780.78
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Konzert ; Festival ; Rockmusik ; Sozialer Wandel ; Live-Auftritt ; Rock music / Social aspects / United States ; Rock music / Social aspects / Europe ; Music festivals / Social aspects / United States ; Music festivals / Social aspects / Europe ; Rockmusik ; Festival ; Konzert ; Live-Auftritt ; Sozialer Wandel
    Kurzfassung: Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : Music Festivals in the Summer Season -- A Worldview History of Music Festivals -- The Evolution of Anglophone Global Culture -- Three Industry Evolutions That Changed Festival Culture -- New Media, New Festival Worlds
    Kurzfassung: "In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives"
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 81
    Buch
    Buch
    London : Bloomsbury Academic
    ISBN: 9781350075351
    Sprache: Englisch
    Seiten: xi, 260 Seiten , Illustrationen
    DDC: 781.66
    RVK:
    Schlagwort(e): Rockmusik ; Heavy Metal ; Rezeption ; Antike ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Anmerkung: Literaturverzeichnis Seite [217]-245
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  • 82
    ISBN: 9783038601883 , 3038601888
    Sprache: Englisch , Deutsch
    Seiten: 216 Seiten , Illustrationen , 29.7 cm x 13.5 cm
    DDC: 709.43155090512
    RVK:
    RVK:
    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung ; Modellprojekt Haus der Statistik ; Stadtentwicklung ; Sozialer Wandel ; Kunst ; Öffentlicher Raum ; Geschichte 2015-2020 ; Deutschland ; Staatskunst ; Architektur ; Modellprojekt Haus der Statistik ; Stadtentwicklung ; Sozialer Wandel ; Kunst ; Öffentlicher Raum ; Geschichte 2015-2020
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  • 83
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190908294
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 781.62914970561
    RVK:
    Schlagwort(e): Geschichte ; Romanies / Turkey / Music / History and criticism ; Music / Social aspects / Turkey ; Romanies / Turkey / Social life and customs ; Music / Turkey / History and criticism ; Identität ; Musikleben ; Roma ; Türkei ; Türkei West ; Roma ; Musikleben ; Identität ; Geschichte
    Kurzfassung: 'Sounding Roman' traces the role of music performance in maintaining, shaping, and challenging ascribed social identities of Roman ('Gypsy') groups, who constitute one of the most socially reviled and yet culturally romanticized minorities in Turkey
    Anmerkung: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 84
    ISBN: 9780773442818
    Sprache: Englisch
    Seiten: V, 431 S. , Notenbeisp.
    DDC: 788.7/1650922
    RVK:
    Schlagwort(e): Coltrane, John / 1926-1967 / Influence ; Bergonzi, Jerry / Criticism and interpretation ; Liebman, Dave / Criticism and interpretation ; Kaper, Bronislaw / 1902-1983 / On Green Dolphin Street ; Coltrane, John / 1926-1967 ; Bergonzi, Jerry / 1947- ; Liebman, Dave / 1946- ; Coltrane, John ; Bergonzi, Jerry ; Liebman, Dave ; Improvisation / History ; Jazz / History and criticism ; Rezeption ; Jazzmusiker ; Saxophonist ; Saxophon ; Improvisation ; Jazz ; Geschichte ; Rezeption ; Saxofon ; Jazz ; Improvisation ; Coltrane, John 1926-1967 ; Saxofon ; Jazz ; Improvisation ; Rezeption ; Bergonzi, Jerry 1947- ; Liebman, Dave 1946-
    Anmerkung: Includes bibliographical references and index
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  • 85
    Buch
    Buch
    London : Faber & Faber
    ISBN: 978-0-571-30545-2 , 0-571-30545-8
    Sprache: Englisch
    Seiten: XXII, 426, [8] S.
    Ausgabe: 1. publ.
    RVK:
    Schlagwort(e): Geschichte ; Folk music / Great Britain / History and criticism ; Folk musicians / Great Britain / History ; Folk music / Great Britain / Societies, etc / History ; Geschichte ; Musiker ; Folk music ; Musikleben ; Großbritannien ; Großbritannien ; Biografie ; Biografie ; Biografie ; Großbritannien ; Folk music ; Musiker ; Musikleben ; Geschichte ; Großbritannien ; Folk music ; Musiker
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  • 86
    Buch
    Buch
    New Haven [u.a.] : Yale Univ. Press
    ISBN: 9780300187373 , 9780300216929
    Sprache: Englisch
    Seiten: 307 S.
    DDC: 782.4216609
    RVK:
    Schlagwort(e): Geschichte ; Rock 'n' Roll ; Beispielsammlung ; Beispielsammlung ; Rock 'n' Roll ; Geschichte
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  • 87
    Buch
    Buch
    Trenton, NJ [u.a.] : Africa World Press
    ISBN: 9781592219346 , 9781592219353
    Sprache: Englisch
    Seiten: XI, 303 S. , Ill.
    Serie: The Harriet Tubman series on the African diaspora
    DDC: 786.9096
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Gesellschaft ; Drum Performance ; Drum Social aspects ; Drummers (Musicians) ; Trommel ; Musikethnologie ; Trommelspiel ; Afrika ; Afrika ; Afrika ; Trommel ; Trommelspiel ; Musikethnologie ; Geschichte
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  • 88
    Buch
    Buch
    Boston, Mass. [u.a.] : Pearson
    ISBN: 978-0-205-95680-7
    Sprache: Englisch
    Seiten: XIV, 538 S. , Ill.
    Ausgabe: 6., rev. ed.
    RVK:
    Schlagwort(e): Geschichte ; Popmusik ; Geschichte ; Rockmusik ; USA ; USA ; Rockmusik ; Popmusik ; Geschichte ; USA ; Rockmusik ; Geschichte ; USA ; Popmusik ; Geschichte
    Anmerkung: Literaturverz. S. 491 - 505
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  • 89
    Buch
    Buch
    London : Faber & Faber
    ISBN: 9780571322404
    Sprache: Englisch
    Seiten: xxiv, 776 Seiten , Illustrationen
    RVK:
    Schlagwort(e): Geschichte ; Rockmusik ; Popmusik ; Popmusik ; Rockmusik ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 90
    Buch
    Buch
    New York [u.a.] : Oxford Univ. Press
    ISBN: 9780199859115 , 0199859116 , 9780199859122 , 0199859124 , 9780199859139 , 0199859132 , 9780199859146 , 0199859140 , 9780199316694 , 0199316694
    Sprache: Englisch
    Seiten: XX, 598 S. , Ill.
    Zusätzliches Material: Downloadable audio access code
    Ausgabe: 4. ed.
    RVK:
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    Schlagwort(e): Geschichte ; Popular music / United States / History and criticism ; Unterhaltungsmusik ; Popmusik ; Geschichte ; Jazz ; USA ; USA ; USA ; Unterhaltungsmusik ; Geschichte ; USA ; Jazz ; Geschichte ; USA ; Popmusik ; Geschichte ; USA ; Unterhaltungsmusik ; Geschichte ; USA ; Popmusik ; Geschichte
    Anmerkung: Themes and streams of American popular music -- "After the ball" : popular music of the nineteenth and early twentieth centuries -- "Catching as the small-pox" : social dance and jazz, 1917-1935 -- "I got rhythm" : the golden age of Tin Pan Alley song, 1920s and 1930s -- "St. Louis blues" : race records and hillbilly music, 1920s and 1930s -- "In the mood" : the swing era, 1935-1945 -- "Choo choo ch' boogie" : the postwar era, 1946-1954 -- "Rock around the clock" : rock 'n' roll, 1954-1959 -- "Good vibrations" : American pop and the British invasion, 1960s -- "Blowin' in the wind" : country, soul, urban folk, and the rise of rock, 1960s -- The 1970s : rock music, disco, and the popular mainstream -- Outsiders' music : progressive country, reggae, salsa, punk, funk, and rap, 1970s -- The 1980s : digital technology, MTV, and the popular mainstream -- "Smells like teen spirit" : hip-hop, "alternative" music, and the entertainment business -- Conclusion
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  • 91
    ISBN: 9780935573558 , 0935573550
    Sprache: Englisch
    Seiten: 232 S. , zahlr. Ill.
    DDC: 704.94978210951
    RVK:
    Schlagwort(e): Geschichte ; Opera in art / Exhibitions ; Art, Chinese / Exhibitions ; Operas, Chinese / Exhibitions ; Art and society / China / Exhibitions ; ART / Asian ; Chinesische Oper ; Kunst ; China ; Ausstellungskatalog 2014 ; Ausstellungskatalog 2014 ; Ausstellungskatalog 2014 ; China ; Kunst ; Chinesische Oper ; Geschichte
    Kurzfassung: "Writing in the early nineteenth century, the French traveler and cleric Abbe Huc exclaimed: "There is, perhaps, not a people in the world who carry so far their taste and passion for theatrical entertainments as the Chinese." Although the spectacle of this theater is well known, with its colorful costumes, props, and face painting, the extent to which opera was favored in Chinese pictorial and decorative motifs across the full spectrum of visual media-from courtly scroll paintings, popular New Year prints, illustrated woodblock books, and painted fans to carved utensils, ceramics, textiles, and dioramas-will surprise many. As the first comprehensive publication in English on the subject, Performing Images is not only a major interdisciplinary contribution to existing scholarship-featuring eight new essays by experts in the fields of traditional and modern Chinese literature, art, material culture, and history-but also a visual spectacle in its own right. A companion volume to the exhibition of the same name at the Smart Museum of Art, Performing Images contains more than one hundred color reproductions and over eighty illustrated catalogue entries. Together, text and image offer new insight into traditional Chinese culture, visual arts, and theater, and reveal how Chinese visual and performing traditions were aesthetically, ritually, and commercially intertwined"--
    Anmerkung: "Published on the occasion of the exhibition Performing Images: Opera in Chinese Visual Culture, co-curated by Judith T. Zeitlin and Yuhang Li and organized by the Smart Museum of Art, University of Chicago." , Includes bibliographical references , Introduction: Toward a Visual Culture of Chinese Opera / Judith T. Zeitlin -- World-Making in Performance and Painting: An Intertwined History / Jonathan Hay -- Opera Imagery in the Village / David G. Johnson -- Images of Opera Characters Related to the Qing Court / Mei Mei Rado -- Representing Theatricality on Textiles / Yuhang Li -- Operatic Images in Popular New Year Prints / Bo Songnian -- The Iconographic Variations of Two Scenes from Romance of the Western Chamber / Ni Yibin -- Inspired by the Opera: Reimagining Traditional Opera in Contemporary Chinese Photography and Video / Wu Hung
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  • 92
    ISBN: 978-1-4597-2194-4 , 1-4597-2194-2
    Sprache: Englisch
    Seiten: 262, [28] Seiten , Ill. , 23 cm
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    Schlagwort(e): Music express ; Geschichte 1976-1992 ; Music express (Willowdale, Ont.) ; Music / Periodicals / History ; Musical criticism / Canada / History ; Geschichte ; Musik ; Musikzeitschrift ; Unterhaltungsmusik ; Kanada ; Kanada ; Music express ; Geschichte 1976-1992 ; Kanada ; Musikzeitschrift ; Unterhaltungsmusik ; Geschichte 1976-1992
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  • 93
    Buch
    Buch
    Chicago ; London : University of Chicago Press
    ISBN: 9780226896182 , 9780226896168
    Sprache: Englisch
    Seiten: 329 S. , Ill.
    Paralleltitel: Erscheint auch als Weisbard, Eric Top 40 democracy
    DDC: 780
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    Schlagwort(e): Geschichte ; Unterhaltungsmusik ; Zielgruppenprogramm ; Hörfunksender ; Mainstream ; USA ; USA ; Hörfunksender ; Unterhaltungsmusik ; Mainstream ; Zielgruppenprogramm ; Geschichte
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  • 94
    Buch
    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199367481
    Sprache: Englisch
    Seiten: XVII, 302 S. , Ill.
    DDC: 780.89924043
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    Schlagwort(e): Geschichte ; Juden ; Musikleben ; Nachkriegszeit ; Judentum ; Musik ; Kultur ; Kollektives Gedächtnis ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 95
    Buch
    Buch
    Minneapolis, Minnesota : 〈〈The〉〉 Minneapolis Institute of Arts
    ISBN: 9780989371865
    Sprache: Englisch
    Seiten: 240 S. , Ill., Kt.
    DDC: 709.51
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    Schlagwort(e): Qin shi huang / Emperor of China / 259 B.C.-210 B.C. / Tomb / Congresses ; Qin Shihuangdi / China, Kaiser / v259-v210 ; Qin shi huang / Emperor of China / 259 B.C.-210 B.C. ; Geschichte 221 v.Chr.-206 v.Chr. ; Art, Chinese / Congresses ; Cosmology, Chinese / History / Congresses ; City planning / China / Xianyang Shi / History / Congresses ; Chinese literature / History / Congresses ; Cinnabar / China / History / Congresses ; Mercury industry and trade / China / History / Congresses ; Bronzes, Chinese / History / Congresses ; Art / China / Foreign influences / History / Congresses ; Excavations (Archaeology) / China / Congresses ; Art, Chinese / Qin-Han dynasties, 221 B.C.-220 A.D. ; Qindynastie ; Kulturaustausch ; Kosmologie ; Bestattungsritus ; Antiquities ; Art, Chinese ; Art / Foreign influences ; Bronzes, Chinese ; Chinese literature ; Cinnabar ; City planning ; Civilization ; Cosmology, Chinese ; Excavations (Archaeology) ; Mercury industry and trade ; Tombs ; Funde ; Geschichte ; Kunst ; Stadtplanung ; Kulturkontakt ; Kunst ; Qindynastie ; China / Civilization / History / Congresses ; China / History / Qin dynasty, 221-207 B.C. / Congresses ; China / Antiquities / Congresses ; Grabwächterarmee Lintong ; China ; China ; China / Xianyang Shi ; China ; Konferenzschrift 2012 ; Konferenzschrift ; Konferenzschrift 2012 ; Konferenzschrift ; Konferenzschrift 2012 ; China ; Qindynastie ; Kunst ; Kulturkontakt ; Geschichte 221 v.Chr.-206 v.Chr.
    Anmerkung: Proceedings from a symposium organized by and held at the Minneapolis Institute of Arts, October 27-28, 2012. An associated exhibition entitled "China's Terracotta Warriors: The First Emperor's Legacy" was held October 28, 2012-January 27, 2013 at the Minneapolis Institute of Arts, and February 22-May 27, 2013 at the Asian Art Museum in San Francisco , Includes bibliographical references
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  • 96
    ISBN: 9780810884618
    Sprache: Englisch
    Seiten: XXIII, 286 S. , Notenbeisp.
    Paralleltitel: Erscheint auch als
    DDC: 782.109519
    RVK:
    Schlagwort(e): Geschichte ; Pʿansori History and criticism ; P'ansori ; Epik ; Trommel ; Gesang ; Korea ; Korea ; P'ansori ; Geschichte ; Korea ; Epik ; Gesang ; Trommel ; Geschichte
    Anmerkung: Includes bibliographical references and index
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  • 97
    Buch
    Buch
    New Haven : Yale University Press
    ISBN: 9780300198447
    Sprache: Englisch
    Seiten: xiii, 284 Seiten , Illustrationen, Karten, Pläne , 29 cm
    DDC: 720.954
    RVK:
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    Schlagwort(e): Hindu architecture ; Hindu monasteries ; Architecture, Medieval ; Architecture and society ; Indien ; Hinduismus ; Kloster ; Architektur ; Geschichte
    Kurzfassung: In search of Drunken Peacocks : mapping monastic histories from forest to state -- Inscribing asceticism : epigraphic practices and the materiality of text -- From hermit's hut to guru's mansion : ascetic practice and monastic life at Kadwaha and Ranod -- Expanding arenas of devotion : temple icons and living sages at Terahi and Surwaya -- Constructing the guru : religious networks in the kingdom of the Kalachuris -- Epilogue and aftermath : the legacy of the Drunken Peacocks
    Beschreibung / Inhaltsverzeichnis: In search of Drunken Peacocks : mapping monastic histories from forest to stateInscribing asceticism : epigraphic practices and the materiality of text -- From hermit's hut to guru's mansion : ascetic practice and monastic life at Kadwaha and Ranod -- Expanding arenas of devotion : temple icons and living sages at Terahi and Surwaya -- Constructing the guru : religious networks in the kingdom of the Kalachuris -- Epilogue and aftermath : the legacy of the Drunken Peacocks.
    Anmerkung: Includes bibliographical references and index
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  • 98
    Buch
    Buch
    Lanham [u.a.] : Lexington Books
    ISBN: 9780739168264
    Sprache: Englisch
    Seiten: XVIII, 411 S. , Ill., Notenbeisp.
    DDC: 780.89
    RVK:
    Schlagwort(e): Geschichte ; Musik ; Historical ethnomusicology ; Music Historiography ; Methodologie ; Musikethnologie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Methodologie ; Geschichte
    Anmerkung: Includes bibliographical references and index
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  • 99
    Buch
    Buch
    Aldershot : Ashgate
    ISBN: 1409449505 , 9781409449508
    Sprache: Englisch
    Seiten: X, 159 S. , Ill., Kt.
    Serie: SOAS musicological series
    DDC: 793.3/1954
    RVK:
    Schlagwort(e): Geschichte ; Kathak ; Indien ; Britisch-Indien ; Indien ; Kathak ; Geschichte ; Britisch-Indien ; Kathak ; Geschichte
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  • 100
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    Bild
    New York : Thames & Hudson
    ISBN: 0500239215 , 9780500239216
    Sprache: Englisch
    Seiten: 175 S , zahlr. Ill
    DDC: 709.747/1
    RVK:
    Schlagwort(e): Graffiti ; Graffiti artists Interviews ; Subways Decoration ; Subways ; Bildband ; Bildband ; MTA New York City Subway ; Graffito ; Künstler ; Geschichte
    Kurzfassung: In the late 1970s, New York City was bankrupt, dirty and dangerous. Born on these grimy streets, graffiti rapidly made its mark. Here, twelve legendary graffiti writers the original subway artists whose creative genius fuelled the earliest flowering of the movement give first-person accounts of their experiences. Individually interviewed for this book by Sacha Jenkins, they reveal an authentic, unparalleled insight into the golden age of graffiti. Illustrated with Henry Chalfants original photographs, this book captures all the raw, explosive creativity of that era.--
    Kurzfassung: Preface / by Henry Chalfant -- Of kings and blue-collar writers / by Sacha Jenkins -- Interviews: Bil Rock. Breezer. Daze. Jon One. Kel. KR. Lady Pink. Sak. Sharp. Skem. Spin. Team
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