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  • 1
    Book
    Book
    Würzburg : Königshausen & Neumann
    Language: German
    DDC: 304.82
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    Keywords: Konferenzschrift ; Exil
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  • 2
    Book
    Book
    Bonn : Bier
    Language: English
    Series Statement: JapanArchiv 5
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    Keywords: Konferenzschrift ; Japan ; Kunst ; Kunsthandwerk ; Sammlung ; Europa ; Museum
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  • 3
    ISBN: 9781478093718
    Language: English
    Pages: 1 Online-Ressource (568 p.)
    Parallel Title: Erscheint auch als Future/present
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    Keywords: Anti-racism History 21st century ; Arts and society History 21st century ; Arts Political aspects 21st century ; History ; ART / American / General ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity.Selected contributors. Dahlak Brathwaite, adrienne maree brown, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu
    Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English
    URL: Cover  (lizenzpflichtig)
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  • 4
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
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    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 5
    ISBN: 9781478027256 , 1478027258 , 9781478093718 , 1478093714
    Language: English
    Pages: 1 online resource (554 pages) , illustrations
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Future/present
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    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 6
    ISBN: 9780262377249 , 0262377241 , 9780262377256 , 026237725X
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: The MIT Press
    Parallel Title: Erscheint auch als An anthology of blackness
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
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  • 7
    ISBN: 9781479818259
    Language: English
    Pages: xxiii, 199 Seiten , 203 mm
    Edition: Fourth edition
    Series Statement: Critical America
    Parallel Title: Erscheint auch als
    Former Title: Vorangegangen ist
    DDC: 342.730873
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    Keywords: bicssc / Ethnic minorities & multicultural studies ; bicssc / Human rights & civil liberties law ; bisacsh / LAW / Civil Rights ; bisacsh / SOCIAL SCIENCE / Race & Ethnic Relations ; Race discrimination - Law and legislation - United States ; Critical legal studies - United States ; Critical race theory ; United States - Race relations - Philosophy ; Rassismus ; Rassentheorie ; Rassendiskriminierung ; Ethnische Beziehungen ; USA ; Einführung ; Einführung ; Einführung ; Einführung ; Einführung ; Rassentheorie ; Rassismus ; Ethnische Beziehungen ; USA ; Rassendiskriminierung
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  • 8
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    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen
    DDC: 700.89/96073
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    Keywords: African American art 20th century ; African American art 21st century ; Art and society History 20th century ; Art and society History 21st century ; USA ; Kunstsoziologie ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
    Note: Includes bibliographical references and index
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  • 9
    ISBN: 9783864898952
    Language: German
    Pages: 1 Online-Ressource (662 Seiten)
    Uniform Title: Manufacturing consent
    Parallel Title: Erscheint auch als Herman, Edward S., 1925 - 2017 Die Konsensfabrik
    DDC: 302.2/34
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    Keywords: 1975-1988 ; Mediensektor ; USA ; USA ; Politik ; Massenmedien ; Politische Berichterstattung ; Objektivität
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  • 10
    ISBN: 0691245452 , 9780691245454
    Language: English
    Pages: 175 Seiten , 26 cm
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    Keywords: 2000-2099 ; Indian art Exhibitions. 21st century ; Indigenous art Exhibitions. 21st century ; Art, American Exhibitions. 21st century ; Art, American ; Indian art ; Indigenous art ; Exhibition catalogs ; United States ; Bildband ; Ausstellungskatalog National Gallery of Art 22.09.2023-15.01.2024 ; Ausstellungskatalog New Britain Museum of American Art 18.04.2024-15.09.2024 ; USA ; Indianer ; Indigenes Volk ; Kunst ; Geschichte 2000-
    Abstract: A groundbreaking survey of contemporary Indigenous art and its enduring connections to the landThe Land Carries Our Ancestors: Contemporary Art by Native Americans brings together works by many of today s most boldly innovative Native American artists. Jaune Quick-to-See Smith, one of the leading artists and curators of her generation, has carefully chosen some fifty works across a diversity of practices-including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video-that share the common thread of the land.
    Note: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index
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  • 11
    ISBN: 9783864893919 , 3864893917
    Language: German
    Pages: 702 Seiten , 23 cm x 17 cm
    Uniform Title: Manufacturing consent
    Parallel Title: Erscheint auch als Herman, Edward S., 1925 - 2017 Die Konsensfabrik
    DDC: 302.2/34
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    Keywords: 1975-1988 ; Mediensektor ; USA ; Mass media Political aspects ; World politics 1975-1985 ; World politics 1985-1995 ; Public opinion ; Mass media Objectivity ; Massenmedien ; Realitätsbezug ; Propaganda ; USA ; Politik ; Massenmedien ; Politische Berichterstattung ; Objektivität
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 12
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
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    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 13
    ISBN: 9780262048668
    Language: English
    Pages: xvii, 243 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Anthology of Blackness
    Parallel Title: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Description / Table of Contents: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Note: Bibliographie (Seite 234 - 243)
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  • 14
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
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    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 15
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    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
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    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 16
    Book
    Book
    Washington : Academia Press
    ISBN: 9781680532661 , 9781680532678
    Language: English
    Pages: xxv Seiten, Seite 26-251 , Diagramme
    Parallel Title: Erscheint auch als Iconoclast
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    Keywords: Aufsatzsammlung ; Kulturkritik ; USA ; Identitätspolitik ; Political Correctness ; Konflikt ; Meinungsfreiheit ; USA ; Rassenkonflikt
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  • 17
    ISBN: 9780231205023 , 9780231205030
    Language: English
    Pages: xi, 287 Seiten , Illustrationen
    Series Statement: Literature now
    Parallel Title: Erscheint auch als Brooks, John, - 1989- The racial unfamiliar
    DDC: 810.9/896073
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    Keywords: American literature African American authors ; History and criticism ; African American art 21st century ; African Americans Race identity ; Race in literature ; Race in art ; African Americans in literature ; African Americans in art ; African Americans Intellectual life 21st century ; Literary criticism ; USA ; Literatur ; Kunst ; Schwarze ; Ästhetik ; Abstraktion
    Abstract: "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--
    Note: Includes bibliographical references and index
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  • 18
    Online Resource
    Online Resource
    Dresden : Staatliche Schlösser, Burgen und Gärten Sachsen gGmbH | Dresden : Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden
    Language: German , Czech
    Pages: 1 Online-Ressource
    DDC: 710
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    Keywords: Konferenzschrift ; Barockgarten Großsedlitz ; Konferenz ; Geschichte 2019 ; Französischer Garten ; Gartenkunst ; Geschichte
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  • 19
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781000627084
    Language: English
    Pages: 1 Online-Ressource (xiv, 152 Seiten) , Illustrationen
    Series Statement: Routledge research in art and race
    Parallel Title: Erscheint auch als Hamilton, Elizabeth Carmel Charting the Afrofuturist imaginary in African American art
    DDC: 700.89/96073
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    Keywords: Electronic books ; USA ; Kunst ; Künstlerin ; Afrofuturismus
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  • 20
    Online Resource
    Online Resource
    Washington, D.C : Academica Press
    ISBN: 9781680532685
    Language: English
    Pages: 1 Online-Ressource (230 p) , Diagramme
    Parallel Title: Erscheint auch als Halloran, Mark Iconoclast
    DDC: 301
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    Keywords: Sociology ; Sociology ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Kulturkritik ; USA ; Identitätspolitik ; Political Correctness ; Konflikt ; Meinungsfreiheit ; USA ; Rassenkonflikt
    Abstract: Iconoclast: Ideas That Have Shaped The Culture Wars -- Edited by Mark Halloran Ph.D. -- Iconoclast: Ideas That Have Shaped The Culture Wars -- Edited by Mark Halloran Ph.D. -- Academica PressWashington~London -- Library of Congress Cataloging-in-Publication Data -- Names: Halloran, Mark (author) -- Title: Iconoclast : ideas that have shaped the culture wars | Halloran, Mark. -- Description: Washington : Academica Press, 2022. | Includes references. -- Identifiers: LCCN 2022939776 | ISBN 9781680532661 (hardcover) | 9781680532678 (paperback) | 9781680532685 (e-book)
    Abstract: Copyright 2022 Mark Halloran -- Iconoclasm:A Very Brief History of the Culture Wars vii -- References xix -- Mark Halloran -- On COVID19 and Times of Plague 27 -- References 49 -- Based on an interview with Nicholas Christakis -- Postmodernism and the Failure of Moral Triage 55 -- References 73 -- Based on an interview with Peter Boghossian -- Me, She, He, They: Reality vs. Identity in the 21st Century 77 -- References 93 -- Heather Heying -- On Free Speech Absolutismand the Deontological Pursuit of Truth 97 -- References 119 -- Based on an interview with Gad Saad
    Abstract: Let Us Prey: On Islamic Immigrationin Europe and Women's Rights 125 -- References 141 -- Based on an interview with Ayaan Hirsi Ali -- On DarkHorse, Ivermectin and Vaccine Hesitancy 143 -- References 158 -- Based on an interview with Eric Topol -- Black Politicized Lives Matter 163 -- References 176 -- Heather Mac Donald -- Making Evolutionary Sense of Sex and Gender 179 -- References 195 -- Jennifer A. Marshall Graves -- Stories and Data: Reflections on Race, Riots, and Police 199 -- References 205 -- Coleman Hughes -- In Defense of Free Speech 209 -- References 226
    Abstract: Based on an interview with James Flynn -- Acknowledgments 229 -- Iconoclasm: A Very Brief History of the Culture Wars -- References -- 'Culture war' -- even the term itself has historically been contentious and divisive. In America, it originated and gained popular usage in the 1920s, to describe the conflict between urban and rural America
    Abstract: Between those who possessed liberal, progressive values and those who held to traditional, conservative beliefs.1 In the 1990s, the term was reintroduced into the cultural zeitgeist by University of Virginia sociologist James Davison Hunter, with the publication of Culture Wars: The Struggle -- ~ -- This book contains many of the ideas that have shaped the culture wars of the last two decades. Iconoclast, as a title, may seem somewhat hyperbolic. I know that the term had been used in reference to the New Atheist writer
    Note: Description based upon print version of record , the late Christopher Hitchens,5 but perhaps it is best reserved for historical figures of the magnitude of Galileo. Regardless, this is a book about ideas and the conflicts that come with expressing those ideas. It is also a very brief history. So let us now examine, fleetin
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  • 21
    ISBN: 9783753302386 , 9781846382635 , 3753302384
    Language: English
    Pages: 267 Seiten , Illustrationen
    Series Statement: Exhibition histories
    DDC: 704.039604109045
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; USA ; Großbritannien ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Geschichte ; Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; USA ; Großbritannien ; Schwarze ; Kunstausstellung ; Museum ; Kunstbetrieb ; Geschichte
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  • 22
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    Evanston, IL : Mary and Leigh Block Museum of Art | Princeton ; Oxford : Princeton University Press
    ISBN: 9780691209272
    Language: English
    Pages: 133 Seiten , 23 x 28 cm
    DDC: 709.73
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    Keywords: Gewalt ; Diskriminierung ; Schwarze ; Rassismus ; Unterdrückung ; USA ; Art, American ; Black people in art ; Black people / Violence against ; Violence in art ; Art américain ; Noirs dans l'art ; Noirs / Violence envers ; Violence dans l'art ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Rassismus ; Diskriminierung ; Unterdrückung ; Gewalt
    Note: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022
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  • 23
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    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
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    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 24
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469663036 , 9781469663043
    Language: English
    Pages: xii, 224 Seiten , Illustrationen
    Series Statement: The John Hope Franklin series in African American history and culture
    Parallel Title: Erscheint auch als Smethurst, James Behold the Land
    DDC: 810.9/896073
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    Keywords: Black Arts movement ; American literature African American authors ; History and criticism ; African Americans in literature ; Black nationalism in literature ; Black nationalism History 20th century ; African Americans Intellectual life 20th century ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; USA ; Black arts movement ; Geschichte 1960-1985
    Note: Includes bibliographical references and index
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  • 25
    Book
    Book
    New York : Routledge, Taylor & Francis Group
    ISBN: 9780367553647
    Language: English
    Pages: xxxiv, 487 Seiten , Illustrationen , 25 cm
    Edition: First issued in paperback
    Series Statement: Routledge companions
    Series Statement: Visual studies
    DDC: 700.8996073
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    Keywords: African American art ; Art, American Historiography ; Electronic books ; USA ; Schwarze ; Kunst ; Geschichte 1700-2020
    Note: First published 2020 by Routledge
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  • 26
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469663067
    Language: English
    Pages: 1 online resource (245 pages)
    Series Statement: The John Hope Franklin Series in African American History and Culture Ser.
    Parallel Title: Erscheint auch als Smethurst, James Edward Behold the land
    DDC: 810.9896073
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    Keywords: Black Arts movement--Southern States ; American literature--African American authors--History and criticism ; African Americans in literature ; Electronic books ; Geschichte 1960-1985 ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; Geschichte 1960-1985 ; USA ; Black arts movement
    Note: Description based on publisher supplied metadata and other sources
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  • 27
    Online Resource
    Online Resource
    Cambridge, Massachusetts : 〈〈The〉〉 MIT Press
    ISBN: 9780262363099
    Language: English
    Pages: 1 Online-Ressource (x, 269 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 304.20979
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    Keywords: Natur ; Begriff ; Landschaft ; USA ; Landscape assessment ; Landscape protection ; Landscape assessment / Southwest, New ; Environmental policy / Southwest, New ; Nature conservation / Southwest, New ; National parks and reserves / Southwest, New ; USA ; Natur ; Landschaft ; Begriff
    Note: Bevorzugte Informationsquelle: Landingpage (MIT Press), da weder Titelblatt noch Impressum vorhanden , Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 28
    Book
    Book
    Cambridge, Massachusetts ; London, England : The MIT Press
    ISBN: 9780262542081
    Language: English
    Pages: x, 269 Seiten , Illustrationen , 23 cm
    DDC: 304.20979
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    Keywords: Natur ; Begriff ; Landschaft ; USA ; Landscape assessment ; Landscape protection ; Landscape assessment / Southwest, New ; Environmental policy / Southwest, New ; Nature conservation / Southwest, New ; National parks and reserves / Southwest, New ; USA ; Natur ; Landschaft ; Begriff
    Abstract: "Traces six contradictory American ideologies of nature from their emergence in the late eighteenth century to the present to explore how inconsistent conceptions of nature lead to conflict"--
    Note: Literaturverzeichnis Seite [231]-256. - Index
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  • 29
    ISBN: 9781538136034 , 9781538174104
    Language: English
    Pages: ix, 199 Seiten
    Parallel Title: Erscheint auch als Zack, Naomi, 1944- Progressive anonymity
    DDC: 320.5
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    Keywords: Identity politics ; Political participation Social aspects ; Equality before the law ; USA ; Identitätspolitik ; Ethnische Beziehungen ; USA ; Realitätsbezug ; Sachlichkeit ; Effizienz ; Politisches Handeln ; Konflikt ; Identitätspolitik ; Partizipation ; Political Correctness ; Ideologiekritik
    Abstract: Introduction and chapter overview -- Political diagnoses post World War II and the need for identity politics -- From society to government : problems with identity politics -- Universalism or force : inclusion or domination -- White supremacy and status : the racism of race -- Evidence-based government -- Problems with evidence -- Conclusion.
    Abstract: "Continuing her visionary work in social-political philosophy, Zack critiques identity politics as perpetuating damaging essentialist perspectives and policies. The antidote to identity group egoism is anonymity based on relevant shared interests and a meritocracy led by experts chosen without preference for group affiliation or political charisma"--
    Note: Includes bibliographical references and index
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  • 30
    Book
    Book
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781793617576
    Language: English
    Pages: vii, 243 Seiten , 23 cm
    Series Statement: Political theory for today
    Parallel Title: Erscheint auch als
    DDC: 306.20973
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    Keywords: Locke, John ; Geschichte 2021 ; Politisches Denken ; Politische Kultur ; Einfluss ; USA ; Locke, John / 1632-1704 / Influence ; Political culture / United States ; Interpersonal conflict / United States ; United States / Politics and government / Philosophy ; Locke, John / 1632-1704 ; Influence (Literary, artistic, etc.) ; Interpersonal conflict ; Political culture ; Politics and government ; United States ; Locke, John 1632-1704 ; Politisches Denken ; USA ; Politische Kultur ; Einfluss ; Geschichte 2021
    Abstract: "This book analyzes the effect of John Locke's political thought on American political culture today. By analyzing nearly the entirety of Locke's political and philosophical writings, this book shows that Locke's thought has helped to cultivate the incivility seen in recent years in American politics"--
    Description / Table of Contents: The uncivilized society : John Locke's ironic place in America today -- Conflicting views of Locke in the secondary literature -- Locke's political thought and pneumopathology -- Locke's speculative view of history -- Locke's abstract definition of rebellion -- Locke's limited idea of reason -- Locke's limited idea of religion -- Locke's limited idea of education -- Islamic terrorism, Locke's theory of positive toleration and how the ideological dynamics of the war on terrorism advantaged the Islamic State -- The hole in the fence : shortcomings of Lockean theory and how to improve liberal justifications for resistance
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  • 31
    ISBN: 9780691208190
    Language: English
    Pages: vii, 254 Seiten , Illustrationen, Pläne
    DDC: 745.40973/0904
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    Keywords: Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Decorative arts Marketing ; Power (Social sciences) History 20th century ; USA ; Kunsthandwerk ; Industriedesign ; Künste ; Geschlecht ; Ethnische Gruppe ; Geschichte 1950-1960
    Note: Includes bibliographical references and index
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  • 32
    ISBN: 9783742506733
    Language: German
    Pages: 441 Seiten
    Edition: Sonderausgabe für die Bundeszentrale für Politische Bildung
    Additional Information: Kritik in Tretter, Max Radikal 2021
    Series Statement: Schriftenreihe / Bundeszentrale für Politische Bildung Band 10673
    Uniform Title: The tyranny of merit
    Parallel Title: Übersetzung von Sandel, Michael J., 1953 - The tyranny of merit
    Parallel Title: Erscheint auch als Sandel, Michael J., 1953 - Vom Ende des Gemeinwohls
    DDC: 306.0973
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    Keywords: Leistungsmotivation ; Leistungsbeurteilung ; Kritik ; Sozialethik ; Soziale Ungleichheit ; Populismus ; Gerechtigkeit ; Qualifikation ; Demokratie ; Gemeinwohl ; Welt ; Demokratie ; (DE-627)091354617 ; (DE-STW)16246-2 ; Gerechtigkeit, Soziale ; Soziologie ; USA ; Leistungsgesellschaft ; Soziale Ungleichheit ; Bedrohung ; Demokratie ; Gemeinwohl ; Demokratie ; Leistungsgesellschaft ; Gemeinwohl ; Gerechtigkeit
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  • 33
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469664668 , 9781469664651
    Language: English
    Pages: 1 Online-Ressource (xiii, 231 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 302.23082
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    Keywords: Künste ; Frau ; Sklaverei ; Gewalt ; Violence in literature ; Violence in motion pictures ; Violence on television ; Violence in women in literature ; Women in popular culture ; Women in popular culture ; Violence in women in popular culture ; Violence in women in popular culture ; Slavery History ; Literature ; Literature: history & criticism ; USA ; Karibik
    Abstract: This text examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Amy King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in US and Caribbean depictions of violence between women in the wake of slavery.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 34
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 35
    ISBN: 1934351199 , 9781934351192
    Language: English
    Pages: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
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    Keywords: African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Abstract: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Abstract: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Note: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 36
    ISBN: 9783837652789 , 3837652785
    Language: German , English
    Pages: 381 Seiten , Illustrationen, Diagramme
    Series Statement: Edition Moderne Postmoderne
    Parallel Title: Erscheint auch als
    DDC: 306.2
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    Keywords: Populismus ; Politische Kultur ; Politische Kommunikation ; Politische Theorie ; Gefühl ; Authentizität ; Politik ; Rationalität ; Populismus ; Affekt ; Gewalt ; Macht ; Migration ; Schuld ; Wahrheit ; Authentizität ; Diskurs ; Medien ; Philosophie ; Politische Philosophie ; Politische Theorie ; Politische Soziologie ; Sozialphilosophie ; Politics ; Rationality ; Populism ; Affect ; Violence ; Power ; Guilt ; Truth ; Authenticity ; Discourse ; Media ; Philosophy ; Political Philosophy ; Political Theory ; Political Sociology ; Social Philosophy ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Politische Theorie ; Politische Kultur ; Politische Kommunikation ; Gefühl ; Authentizität ; Populismus
    Note: Beiträge der Tagung "Die Emotionalisierung des Politischen" (2019, Jena) , Beiträge überwiegend deutsch, teilweise englisch
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  • 37
    ISBN: 9783515128964
    Language: German
    Pages: 1 Online-Ressource (282 Seiten) , Illustrationen
    Series Statement: Gothaer Forschungen zur Frühen Neuzeit Band 16
    Series Statement: Gothaer Forschungen zur frühen Neuzeit
    Parallel Title: Erscheint auch als De Homine - Anthropologien in der Frühen Neuzeit (Veranstaltung : 2016 : Gotha) De homine
    DDC: 301.01
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    Keywords: Electronic books ; Konferenzschrift ; Konferenzschrift ; Anthropologie ; Geschichte 1500-1900
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  • 38
    Online Resource
    Online Resource
    Bielefeld : transcript
    ISBN: 9783839452943
    Language: English
    Pages: 1 Online-Ressource (215 Seiten) , Illustrationen
    Series Statement: Image volume 180
    Series Statement: Image
    Parallel Title: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 700.411
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    Keywords: Art, Black ; Blacks in art ; Blacks--Race identity ; Electronic books ; Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Abstract: Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
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  • 39
    Book
    Book
    University Park, Pennsylvania : The Pennsylvania State University Press
    ISBN: 9780271086040
    Language: English
    Pages: 241 Seiten , Illustrationen
    DDC: 759.13
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    Keywords: Jones, Lois Mailou Criticism and interpretation ; African diaspora in art ; Jones, Loi͏̈s Mailou 1905-1998 ; USA ; Schwarze ; Kunst
    Abstract: Introduction : claiming middle ground -- Seeking success : school, society, and career aspirations -- Routes to roots : from Black Washington to Black Paris -- Diasporic directions : Haiti, collage, and composite aesthetics -- In and out : Africa and the academy -- Conclusion : composite naming practices and art histories.
    Abstract: "A critical analysis of the art and career of African American painter Loïs Mailou Jones (1905-1998). Examines Jones's engagement with African and Afrodiasporic themes as well as the challenges she faced as a black woman artist"--
    Note: Includes bibliographical references and index
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  • 40
    Language: German , English
    Pages: 1 Online-Ressource (373 Seiten) , Illustrationen
    Series Statement: Aufklärung Band 32 (Jg. 2020)
    Series Statement: Aufklärung
    Parallel Title: Erscheint auch als Die feministische Aufklärung in Europa (Veranstaltung : 2018 : Würzburg) Thema: Feministische Aufklärung
    DDC: 305.4209409033
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    Keywords: Konferenzschrift ; Europa ; Aufklärung ; Feminismus ; Geistesgeschichte 1600-1860 ; Europa ; Aufklärung ; Feminismus
    Note: Beiträge teilweise deutsch, teilweise englisch
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  • 41
    ISBN: 9783476055156 , 3476055159
    Language: German
    Pages: XIII, 249 Seiten , Illustrationen , 23.5 cm x 15.5 cm
    Series Statement: Cultural animal studies Band 9
    Series Statement: Cultural animal studies
    Parallel Title: Erscheint auch als Tagung "Brauchen die Kulturwissenschaften einen Animal Turn? Theoretische Grundlagen und konzeptionelle Probleme der Human-Animal-Studies" (2018 : Essen) Menschen und Tiere
    Parallel Title: Erscheint auch als Tagung "Brauchen die Kulturwissenschaften einen Animal Turn? Theoretische Grundlagen und konzeptionelle Probleme der Human-Animal-Studies" (2018 : Essen) Menschen und Tiere
    Parallel Title: Erscheint auch als Menschen und Tiere
    DDC: 179.3
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    Keywords: Konferenzschrift ; Anthrozoologie ; Mensch ; Tiere ; Tierrecht ; Tierethik ; Anthrozoologie ; Mensch ; Tiere
    Note: Der vorliegende Band geht auf eine Tagung zurück, die im März 2018 am Kulturwissenschaftlichen Institut in Essen unter dem Titel "Brauchen die Kulturwissenschaften einen Animal Turn? Theoretische Grundlagen und konzeptionelle Probleme der Human-Animal-Studies" stattgefunden hat. - (Vorwort) , Literaturangaben
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  • 42
    Book
    Book
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781138504615 , 9781138504608 , 1138504602 , 1138504610
    Language: English
    Pages: xi, 170 Seiten , 23 cm
    DDC: 306.7308420973
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    Keywords: College students Sexual behavior ; Universities and colleges Social aspects ; USA ; Student ; Promiskuität ; Sexualethik
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  • 43
    Book
    Book
    Charlottesville : University of Virginia Press
    ISBN: 9780813943749
    Language: English
    Pages: xviii, 194 Seiten , Illustrationen
    Series Statement: Midcentury: architecture, landscape, urbanism, and design
    Parallel Title: Erscheint auch als Grubiak, Margaret M Monumental jesus
    DDC: 306.6/773
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    Keywords: Christianity and culture ; Cultural landscapes ; Popular culture Religious aspects ; Christianity ; United States Religion ; USA ; Religiöse Kunst ; Architektur ; Monumentalplastik
    Abstract: Touchdown Jesus! -- Dorothy, The Wizard of Oz, and the Mormon Temple -- Adventures in the evangelical theme park -- Charles Darwin's Night at the Creation Museum -- Gumby Jesus.
    Abstract: "This book explores how religious doubt is made manifest in the built environment by taking seriously the humorous, satirical, blasphemous, and popular culture responses to religious architecture and image in modern America. It challenges how audiences typically consider religious architecture by shifting the focus from believers to doubters and from architectural producers to architectural consumers. Its chapters explore landscapes of doubt created by "Touchdown Jesus" at the University of Notre Dame in Indiana; the Mormon temple outside Washington, D.C., recast as something from The Wizard of Oz; Jerry Falwell's waterslide plunge photograph and The Simpson's "Praiseland" episode satirizing Jim and Tammy Faye Bakker's Heritage USA evangelical theme park in South Carolina; the doctored photograph making fun of Oral Roberts's claim of seeing a 900-foot Jesus at Oral Roberts University in Tulsa, Oklahoma; MAD magazine's "Charles Darwin's Night at the Creation Museum" parody of the Creation Museum in Kentucky; and the "Gumby Jesus" renaming of the Christ of the Ozarks statue in Eureka Springs, Arkansas. These expressions of doubt activate the religious built environment in ways unanticipated but illuminating, asking Americans to consider and clarify what it is they believe"--
    Note: Includes bibliographical references and index
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  • 44
    ISBN: 9783848764174 , 3848764172
    Language: German
    Pages: 168 Seiten , Illustrationen , 22.7 cm x 15.3 cm
    Edition: 1. Auflage
    Series Statement: Bioethik in Wissenschaft und Gesellschaft Band 8
    Series Statement: Bioethik in Wissenschaft und Gesellschaft
    Parallel Title: Erscheint auch als Interdisziplinäres Dialogforum Mensch und Endlichkeit (3. : 2019 : Goldegg) Altersbilder und Sorgestrukturen
    DDC: 305.26
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    Keywords: Konferenzschrift ; Konferenzschrift ; Altenbild ; Altern ; Sterben ; Altenpflege ; Stadtviertel ; Betreutes Wohnen ; Alter ; Sorge ; Interdisziplinäre Forschung
    Note: Literaturangaben
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  • 45
    ISBN: 9781788738613
    Language: English
    Pages: XXI, 168 Seiten
    Edition: Paperback edition
    DDC: 303.625
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    Keywords: Geschichte 2001-2004 ; Internationaler Terrorismus ; Politik ; Gewalt ; Nationalismus ; Antisemitismus ; Terrorismus ; Bekämpfung ; Auslandsbeziehungen ; USA ; Aufsatzsammlung
    Note: Originally published: 2004. , Includes bibliographical references and index.
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  • 46
    Image
    Image
    London : Phaidon Press Limited | New York, NY : New Museum
    ISBN: 9781838661298 , 1838661298
    Language: English
    Pages: 263 Seiten , 29 x 25 cm
    DDC: 704.9491524
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    Keywords: Ausstellungskatalog New Museum of Contemporary Art, New York, NY 2020-2021 ; Bildband ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 1964-2020 ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 2016-2020
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Impressum: "In association with New Museum New York, on the occasion of the exhibition "Grief and Grievance: Art and Mourning in America" October 20, 2020-January 24, 2021"
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  • 47
    ISBN: 9781538131619 , 9781538131626
    Language: English
    Pages: xv, 330 Seiten
    DDC: 305.8
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    Keywords: Rassismus ; USA ; Essay ; Interview
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  • 48
    ISBN: 9783476049742
    Language: German
    Pages: 1 Online-Ressource (X, 265 Seiten)
    Series Statement: Springer eBook Collection
    Parallel Title: Erscheint auch als Transdisziplinäre Dialoge zum Flüchtlingsbegriff (Veranstaltung : 2017 : Jena) Der Begriff des Flüchtlings
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    Keywords: Political philosophy. ; Ethics. ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift ; Aufsatzsammlung ; Flüchtling ; Politische Philosophie ; Rechtsphilosophie ; Flüchtling ; Begriff ; Rechtsphilosophie ; Politische Auseinandersetzung
    Abstract: Einleitung -- I. Erfahrungsperspektiven -- II. Well-founded fear – Der Flüchtlingsbegriff als Rechtsbegriff -- III. Refugees Welcome – Moralische Implikationen und die Ambivalenzen der Willkommenskultur -- IV. Freedom of movement is everybodies right – Geflüchtete als politische Akteure -- V. Zusammenfassung und Ausblick.
    Abstract: Seit Jahren wird wieder aufgeregt über Flüchtlinge diskutiert – über offene und geschlossene Grenzen, berechtigte und unberechtigte Asylansprüche, über Aufnahme und Abschiebung. Welche Rechte Geflüchtete haben und welche Pflichten ihnen gegenüber bestehen, ist umkämpft. Der Band analysiert zentrale Probleme dieser moralischen, rechtlichen und politischen Debatten und der sozialen Praktiken des Umgangs mit Geflüchteten. Zugleich führt er in Grundbegriffe der aktuellen Flucht- und Flüchtlingsforschung ein und stellt dafür den Begriff des Flüchtlings selbst in den Fokus der interdisziplinären Untersuchung.
    Note: "Das gleiche Ziel motivierte uns Herausgeber, eine Tagung zum Thema zu veranstalten, die vom 21.-24.Juni 2017 in Jena stattfand." - Vorwort Seite V , Literaturangaben
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  • 49
    Image
    Image
    New Haven : Yale University Press in association with the Hutchins Center For African & African American Research, Harvard Univeristy
    ISBN: 9780300245745 , 0300245742
    Language: English
    Pages: xii, 228 Seiten , Illustrationen , 26 cm
    DDC: 704.0396073
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    Keywords: Harrington, Oliver W ; Colescott, Robert ; African American art ; African American artists ; African Americans in art ; Satire, American History and criticism ; USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; USA ; Schwarze ; Kunst ; Provokation ; Antirassismus ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009
    Abstract: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic.
    Abstract: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Note: "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso
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  • 50
    ISBN: 9783476056252
    Language: German
    Pages: 1 Online-Ressource (XIII, 249 Seiten)
    Series Statement: Cultural animal studies Band 9
    Series Statement: Springer eBook Collection
    Series Statement: Cultural animal studies
    Parallel Title: Erscheint auch als Tagung "Brauchen die Kulturwissenschaften einen Animal Turn? Theoretische Grundlagen und konzeptionelle Probleme der Human-Animal-Studies" (2018 : Essen) Menschen und Tiere
    DDC: 179.3
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    Keywords: Culture—Study and teaching. ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Anthrozoologie ; Mensch ; Tiere ; Tierrecht ; Tierethik ; Anthrozoologie ; Mensch ; Tiere
    Abstract: Friedrich Jaeger: Theoretische Grundlagen und konzeptionelle Herausforderungen der Human-Animal Studies -- Wolfgang Welsch: Homo Mundanus – Mensch und Natur jenseits des anthropischen Denkens -- Roland Borgards: Reflektierter Anthropozentrismus als Grundlage der Human-Animal Studies -- Markus Wild: Der Geist der Tiere und die Konzepte der anthropologischen Differenz -- Kristian Köchy: Forschungsprogramme und Forschungsfelder der Human-Animal Studies -- Mieke Roscher: Methodische Grundlagen und Forschungsverfahren der Human-Animal Studies -- Rainer Wiedenmann: Handlungs- und Sozialtheorie der Mensch-Tier-Interaktion -- Hans-Werner Ingensiep: Biophilosophie – Menschen und Tiere in der kulturellen Evolution -- Gary Steiner: Traditionen der Tierethik und ihre aktuelle Bedeutung für die Human-Animal Studies -- Margot Michel: Tiere im Recht -- Bernd Ladwig: Tiere und Tierrechte in der politischen Theorie -- Heike Baranzke: Menschenwürde und Tierwürde -- Thomas Macho: Zur Geschichte der kulturellen Darstellung und Repräsentation von Tieren.
    Abstract: Die Beiträge dieses aus einer interdisziplinären Tagung hervorgegangenen Bandes widmen sich aktuellen Fragen, die sich in den kulturwissenschaftlichen Debatten um die Human-Animal Studies derzeit stellen. Sie berühren nicht allein die philosophischen, ethischen, rechtlichen, politischen und sozialen Aspekte der Beziehungen zwischen Menschen und Tieren, sondern auch die methodischen Herausforderungen und theoretischen Grundlagen ihrer Erforschung. Im Zentrum steht dabei die Frage, ob und inwieweit sich die anthropozentrisch geprägte Denkstruktur der Kulturwissenschaften um Perspektiven und Forschungsansätze erweitern lässt, die Tieren sowie ihren Rechten, Bedürfnissen und Interessen stärker gerecht werden. Indem die Human-Animal Studies den Blick für die enge Verflochtenheit menschlicher und tierlicher Existenzweisen öffnen, schaffen sie wichtige Voraussetzungen dafür, unser bisheriges Verhältnis zu ihnen grundsätzlich zu überdenken und zugleich praktisch zu verändern.
    Note: Literaturangaben
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 51
    ISBN: 9789490153328 , 949015332X
    Language: English
    Pages: 184 Seiten , Illustrationen
    Series Statement: KA series 32
    Parallel Title: Parallele Sprachausgabe
    DDC: 700.411
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    Keywords: 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Abstract: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Note: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 52
    ISBN: 9781538101452
    Language: English
    Pages: xxvii, 382 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Mitchell, Verner D., 1957- author Encyclopedia of the Black Arts Movement
    DDC: 700.89/96073
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    Keywords: Black Arts movement Encyclopedias ; Wörterbuch ; Enzyklopädie ; Wörterbuch ; Black arts movement ; USA ; Schwarze ; Künste ; Black power
    Abstract: "The Black Arts Movement (BAM) was the name given to a group of black poets, artists, dramatists, musicians, and writers who emerged in the wake of the Black Power Movement. The entries in this volume include key contributors to the Black Arts Movement, their major works produced during the period, significant publications, and influential groups and organizations"--
    Note: Includes bibliographical references and index
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  • 53
    Book
    Book
    New Haven : Yale University Press in association with the Hutchins Center for African & African American Research, Harvard University
    ISBN: 9780300230383
    Language: English
    Pages: xiii, 134 Seiten , Illustrationen
    Series Statement: Richard D. Cohen lectures in African and African American Art
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    Keywords: Kunst ; Moderne ; Rassismus ; Kunst ; Moderne ; Rassismus ; Leonard, Zoe 1961- ; Marshall, Kerry James 1955- ; Pope.L, William 1955- ; USA ; Kunst ; Moderne ; Rassismus ; Geschichte 1950-2016
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  • 54
    ISBN: 9781501172496 , 9781501172519
    Language: English
    Pages: xviii, 249 Seiten
    Edition: First Simon & Schuster trade paperback edition
    DDC: 306.20973
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    Keywords: Geschichte 2016-2018 ; Politische Kultur ; Polarisierung ; Bedrohung ; Angst ; Politikverdrossenheit ; Populismus ; Vergeltung ; USA ; Europa
    Abstract: Fear, early and powerful -- Anger, child of fear -- Fear-driven disgust : the politics of exclusion -- Envy's empire -- A toxic brew : sexism and misogyny -- Hope, love, vision
    Note: Includes bibliographical references and index , Hier auch später erschienene, unveränderte Nachdrucke
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  • 55
    Book
    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476669496
    Language: English
    Pages: x, 274 Seiten, 8 Seiten , Illustrationen
    DDC: 303.482730969
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    Keywords: Einfluss ; Massenkultur ; USA ; Hawaii
    Note: Bibliography Seite 256-264
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  • 56
    Language: Italian
    Pages: 323 Seiten , Illustrationen
    Series Statement: Inedita 4
    Series Statement: Inedita
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    Keywords: Konferenzschrift ; Konferenzschrift 26.-27.05.2017 ; Konferenzschrift
    Note: Konferenzdaten auf S. 320
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  • 57
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press
    ISBN: 9780226626611
    Language: English
    Pages: 1 Online-Ressource (x, 269 Seiten) , Illustrationen, Karte
    Parallel Title: Erscheint auch als Koopman, Colin How we became our data
    DDC: 303.48/33
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    Keywords: USA ; Personenbezogene Daten ; Informationsgesellschaft ; Informationspolitik ; Informationstechnik ; Datenspeicherung ; Datenschutz ; Datenerhebung ; Geschichte 1913-1937
    Abstract: We are now acutely aware, as if all of the sudden, that data matters enormously to how we live. How did information come to be so integral to what we can do? How did we become people who effortlessly present our lives in social media profiles and who are meticulously recorded in state surveillance dossiers and online marketing databases? What is the story behind data coming to matter so much to who we are? In How We Became Our Data, Colin Koopman excavates early moments of our rapidly accelerating data-tracking technologies and their consequences for how we think of and express our selfhood today. Koopman explores the emergence of mass-scale record keeping systems like birth certificates and social security numbers, as well as new data techniques for categorizing personality traits, measuring intelligence, and even racializing subjects. This all culminates in what Koopman calls the “informational person” and the “informational power” we are now subject to. The recent explosion of digital technologies that are turning us into a series of algorithmic data points is shown to have a deeper and more turbulent past than we commonly think. Blending philosophy, history, political theory, and media theory in conversation with thinkers like Michel Foucault, Jürgen Habermas, and Friedrich Kittler, Koopman presents an illuminating perspective on how we have come to think of our personhood—and how we can resist its erosion.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Cover
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  • 58
    ISBN: 9781138605923
    Language: English
    Pages: XX, 211 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
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    Keywords: USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
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  • 59
    ISBN: 0892075481 , 9780892075485
    Language: English
    Pages: 153 Seiten , 25 cm
    DDC: 759.13
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    Keywords: Basquiat, Jean-Michel Exhibitions ; Basquiat, Jean-Michel Political and social views ; Police brutality Art ; Racism Art ; Basquiat, Jean-Michel ; Basquiat, Jean Michel ; Exhibition catalogs ; Exhibition catalogs ; Ausstellungskatalog Solomon R. Guggenheim Museum 2019 ; Basquiat, Jean Michel 1960-1988 ; USA ; Politische Kunst ; Antirassismus
    Abstract: Defacement: moment, history, and memory / Chaédria LaBouvier -- The man nobody killed / Nancy Spector -- The art of Basquiat belongs to the people / J. Faith Almiron -- Black like B. / Greg Tate -- Recollections / compiled by Chaédria LaBouvier.
    Abstract: Jean-Michel Basquiat painted 'Defacement' (The Death of Michael Stewart) in 1983 to commemorate the death of a young, black artist who died from injuries sustained while in police custody after being arrested for allegedly tagging a New York City subway station. Published to accompany a focused exhibition of Basquiat's response to anti-black racism and police brutality, this catalogue explores a chapter in the artist's career through both the lens of his identity and the Lower East Side as a nexus of activism in the early 1980s
    Note: Includes bibliographical references
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  • 60
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226626611
    Language: English
    Pages: 1 online resource (281 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Koopman, Colin How we became our data
    DDC: 303.48/33
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    Keywords: Information science-Social aspects-United States ; Information technology-Social aspects-United States ; Information society-United States-Psychological aspects ; Information society ; United States ; Psychological aspects ; Information technology ; Social aspects ; United States ; Information science ; Social aspects ; United States ; Electronic books ; USA ; Personenbezogene Daten ; Informationsgesellschaft ; Informationspolitik ; Informationstechnik ; Datenspeicherung ; Datenschutz ; Datenerhebung ; Geschichte 1913-1937
    Abstract: Introduction: initialization -- Informational persons and our information politics -- Histories of information -- Inputs. "Human bookkeeping": the informatics of documentary identity, 1913-1937 -- Processes. Algorithmic personality: the informatics of psychological traits, 1917-1937 -- Outputs. Segregating data: the informatics of racialized credit, 1923-1937 -- Powers of formatting -- Diagnostics. Toward a political theory for informational persons -- Redesign. Data's turbulent pasts and future paths.
    Note: Description based on publisher supplied metadata and other sources
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  • 61
    ISBN: 9780429467851 , 9780429885877 , 9780429885884 , 9780429885860 , 9780429467851
    Language: English
    Pages: 1 online resource (232 pages) , 86 illustrations, text file, PDF.
    Edition: First edition.
    Series Statement: Routledge Research in Art and Race
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts movement and the Black Panther Party in American visual culture
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    Keywords: Black Panther Party History ; Arts and society History 20th century ; Black Arts movement ; Black Arts movement Case studies ; Arts Political aspects ; African Americans Race identity ; African Americans Intellectual life 20th century ; African American arts 20th century ; Black Arts movement ; African American arts ; 20th century ; African Americans ; Race identity ; African Americans ; Intellectual life ; 20th century ; Arts ; Political aspects ; United States ; History ; 20th century ; Electronic books ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; ART / Art & Politics ; AfriCOBRA ; African American art ; African American history ; African American studies ; American art ; Angela Davis ; art history ; Berkeley ; Black Panthers ; black power ; California ; civil rights ; desegregation ; Eldridge Cleaver ; Emory Douglas ; Huey P. Newton ; identity ; Kathleen Cleaver ; Malcolm X ; newspaper ; Oakland ; Oakland Museum ; paintings ; photography ; politics ; posters ; prints ; visual culture ; Electronic books ; Electronic books ; USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
    Abstract: Part I. Black arts we make : aesthetics, collaboration, and social identity in the visual art of Black Power -- Introduction to Part I -- Pedigree of the Black arts movement : the march on Washington, death of Malcolm X, and free jazz -- Organization of Black American culture : a show of respect -- African commune of bad relevant artists : forging a Black aesthetic -- New perspectives in Black art : an Oakland class of '68 Says Black Lives Matter. -- Part II. The Black Panther Party in photography and print ephemera. Introduction to Part II -- Huey P. Newton enthroned : iconic image of Black Power -- Eldridge Cleaver's visual acumen and the coalition of Black Power with White resistance -- Emory Douglas : revolutionary artist and visual theorist -- Picturing the female revolutionary.
    Note: Includes bibliographical references and index
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  • 62
    Book
    Book
    Cambridge, UK : Polity
    ISBN: 9781509523566 , 9781509523559
    Language: English
    Pages: v, 168 Seiten
    Parallel Title: Erscheint auch als Ferguson, Roderick A., author One-dimensional queer
    DDC: 323.3/264
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    Keywords: Gay rights ; Gay liberation movement ; Social change ; Gay rights ; Gay liberation movement ; Social change ; USA ; Homosexuellenbewegung ; Sozialer Wandel ; Geschichte
    Abstract: Machine generated contents note: Contents Introduction Chapter 1. The Multidimensional Beginnings of Gay Liberation Chapter 2. Gay Emancipation Goes to Market Chapter 3. Queerness and the One-Dimensional City Chapter 4. The Multidimensional Character of Violence Conclusion: The Historical Assumptions of Multidimensional Queer Politics Bibliography
    Abstract: "The story of gay rights has long been told as one of single-minded focus on the fight for sexual freedom. Yet the origins of modern queer liberation are much more complicated and dynamic than this single-issue interpretation would have us believe. As Roderick Ferguson argues in this revisionist reassertion, to ignore gay liberation's multi-dimensional beginnings is to drastically underestimate its radical potential for social change. Ferguson shows how gay liberation emerged out of various insurgent struggles crossing the politics of race, gender, class, and sexuality, and deeply connected to issues of colonization, incarceration, and capitalism. Tracing the rise and fall of this intersectional politics, he argues that the one-dimensional mainstreaming of queerness placed critiques of racism, political economy, and the state outside the remit of gay liberation, thereby supporting the notion that social and political freedom would come through capitalism. As recent intersectional queer activism is increasingly making clear, this one-dimensional legacy has promoted forms of racial, gender, and class exclusion that marginalize people of color, the poor, transgender individuals, and queers of color. This forceful book joins the call to reimagine and reconnect the fight for social justice in all its varied forms"--
    Abstract: "The story of gay rights has long been told as one of single-minded focus on the fight for sexual freedom. Yet the origins of modern queer liberation are much more complicated and dynamic than this single-issue interpretation would have us believe. As Roderick Ferguson argues in this revisionist reassertion, to ignore gay liberation's multi-dimensional beginnings is to drastically underestimate its radical potential for social change. Ferguson shows how gay liberation emerged out of various insurgent struggles crossing the politics of race, gender, class, and sexuality, and deeply connected to issues of colonization, incarceration, and capitalism. Tracing the rise and fall of this intersectional politics, he argues that the one-dimensional mainstreaming of queerness placed critiques of racism, political economy, and the state outside the remit of gay liberation, thereby supporting the notion that social and political freedom would come through capitalism. As recent intersectional queer activism is increasingly making clear, this one-dimensional legacy has promoted forms of racial, gender, and class exclusion that marginalize people of color, the poor, transgender individuals, and queers of color. This forceful book joins the call to reimagine and reconnect the fight for social justice in all its varied forms"--
    Note: Includes bibliographical references and index , Ressource lag 2018 vor. - Includes bibliographical references and index
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 63
    ISBN: 9781943263141 , 9781943263141
    Language: English
    Pages: 149 Seiten , Illustrationen , 23 cm
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    Keywords: Art and race History ; Freedom and art 20th century ; United States ; Art and race History ; Freedom and art 20th century ; United States ; Art and race ; Freedom and art ; Nonfiction ; Rassismus ; Kunst ; USA ; Geschichte 1969-2017 ; Rassismus ; Kunst ; USA
    Abstract: In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York's Artists Space entitled Nigger Drawings. In 1969, the Metropolitan Museum of Art's exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. 'Whitewalling: Art, Race, & Protest in 3 Acts' reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world - no less than the country at large - has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship. 'Whitewalling' takes a critical and intimate look at these three "acts" in the history of the American art scene and asks: when we speak of artistic freedom and the freedom of speech, who, exactly, is free to speak?
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Setting the stage , Act 1: Open casket, Whitney Biennial, 2017 , Act 2: The nigger drawings, Artists Space, 1979 , Act 3: Harlem on my mind, Metropolitan Museum of Art, 1969
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  • 64
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520286535
    Language: English
    Pages: xx, 318 Seiten , Illustrationen , 28 cm
    Series Statement: Ahmanson Murphy Fine Arts imprint
    DDC: 709.2/396073
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    Keywords: African American artists 20th century ; African American artists 21st century ; Artists, Black 20th century ; Artists, Black 21st century ; Großbritannien ; USA ; Kunst ; Künstler ; Künstlerin ; Person of Color ; Geschichte 1965-2015 ; Großbritannien ; USA ; Schwarze ; Kunst ; Geschichte 1965-2015
    Note: Includes bibliographical references and index
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  • 65
    ISBN: 1138080551 , 9781138080553
    Language: English
    Pages: xiii, 172 Seiten , Illustrationen , 25 cm
    Series Statement: The histories of material culture and collecting, 1700-1950
    DDC: 709.511560744
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    Keywords: Art, Chinese Appreciation ; Europe ; Art, Chinese Appreciation ; Europe ; Art, Chinese ; Yuan Ming Yuan (Beijing, China) ; Yuan Ming Yuan (Beijing, China) History ; 19th century ; Yuan Ming Yuan (Beijing, China) History ; 19th century ; Konferenzschrift ; Konferenzschrift 2013 ; Konferenzschrift ; Konferenzschrift 2013 ; Konferenzschrift ; Konferenzschrift 2013 ; Europa ; Yuanmingyuan ; Landschaftsarchitektur ; Rezeption
    Note: "This volume emerged from papers presented at a conference at the University of Manchester in July 2013 - The Yuanmingyuan in Britain and Franece: Representations of the "Summer Palace" in the West." - Acknowledgments
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  • 66
    ISBN: 9783837642537 , 3837642534
    Language: German
    Pages: 375 Seiten , Illustrationen
    Series Statement: Edition Medienwissenschaften Band 51
    Series Statement: Edition Medienwissenschaft
    Parallel Title: Erscheint auch als Miggelbrink, Monique Fernsehen und Wohnkultur
    Dissertation note: Dissertation Universität Paderborn 2017
    DDC: 302.2345094309046
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    Keywords: Wohnkultur ; Fernsehempfänger ; Design ; Deutschland ; USA ; Hochschulschrift ; Hochschulschrift ; Deutschland ; USA ; Fernsehempfänger ; Design ; Wohnkultur ; Geschichte 1953-1970 ; Fernsehen ; Möbel ; Fernsehen ; Wohnkultur ; Fernsehempfänger ; Möbel
    Note: Quellen- und Literaturverzeichnis: Seite 349-375
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  • 67
    Book
    Book
    Madrid : Iberoamericana | Frankfurt am Main : Vervuert
    ISBN: 9788416922291 , 9783954876211
    Language: Spanish
    Pages: 348 Seiten , Illustrationen
    Series Statement: La casa de la riqueza 41
    Series Statement: La casa de la riqueza
    DDC: 306
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    Keywords: García Lorca, Federico ; Buñuel, Luis ; Dalí, Salvador ; Amerikabild ; USA ; Konferenzschrift 15.10.2015-17.10.2015 ; Aufsatzsammlung ; Aufsatzsammlung ; García Lorca, Federico 1898-1936 ; Buñuel, Luis 1900-1983 ; Dalí, Salvador 1904-1989 ; USA ; Amerikabild
    URL: Cover
    URL: Cover
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  • 68
    Image
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    New York : Hunter College Art Galleries
    ISBN: 9781732009929 , 1732009929
    Language: English
    Pages: 103 Seiten , Illustrationen , 23 cm
    DDC: 700.411
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    Keywords: Black Emergency Cultural Coalition ; Black Emergency Cultural Coalition ; Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal (Exhibition) ; African American art Exhibitions 20th century ; African American art Exhibitions 20th century ; African American artists History 20th century ; Exhibitions ; African American artists Exhibitions History 20th century ; Race awareness in art Exhibitions ; Art, American Exhibitions 20th century ; African American art ; African American artists ; Art, American ; Race awareness in art ; History ; Exhibition catalogs ; New York (State) ; New York ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; USA ; Künstler ; Person of Color ; Geschichte 1971 ; New York, NY ; Kunstbetrieb ; Schwarze ; Kunst ; Ausstellung ; Protest ; Geschichte 1971
    Abstract: This exhibition revisits the 1971 exhibition "Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal", which was organized by members of the Black Emergency Cultural Coalition at Acts of Art, a small, artist-run gallery in Greenwich Village. The original exhibition was mounted in response to the Whitney Museum?s refusal to appoint a Black curator for their survey 'Contemporary Black Artists in America'. The exhibition at Hunter presents ten of the 47 artists from the original Rebuttal show, including Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood "Bill" Rivers, and Frank Wimberley. It is a selection intended to represent the stylistic diversity of the original exhibition, with works ranging from sardonic social satire and biting figurative expressionism to Yoruban-inspired symbolism and lyrical abstraction. Through these artists, the exhibition also traces a network of organizations and groups that supported the aspirations of Black artists and the community in the 1960s and early 1970s. Through its survey of the history of the short-lived Acts of Art gallery and the events leading up to the Rebuttalshow, the exhibition and its accompanying catalogue explore the intersections between Black cultural communities and cultural politics in Greenwich Village, the Lower East Side, and Harlem in the late 1960s and early 1970s.00Exhibition: Leubsdorf Gallery, New York, USA (04.10.-25.11.2018)
    Note: "Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood Bill Rivers, Frank Wimberley"--Back cover , Catalog of an exhibition at the Hunter College Art Galleries' Bertha and Karl Leubsdorf Gallery in the fall of 2018 , "Edition of 400"--Colophon , Includes bibliographical references
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  • 69
    ISBN: 9780872731844 , 0872731847
    Language: English
    Pages: 152 Seiten , Illustrationen , 27 cm
    DDC: 305.48/896073
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    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism and the arts Exhibitions History 20th century ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism and the arts Exhibitions ; History ; 20th century ; United States ; African American feminists ; African American radicals ; African American women authors ; African American women Political activity ; Feminism and the arts ; Feminist literature United States ; African American feminists ; African American feminists ; African American radicals ; African American radicals ; African American women ; African American women ; African American women authors ; African American women authors ; Feminism and the arts ; Feminism and the arts ; Feminist literature ; Feminist literature ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California Afro-American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art 26.06.2018-30.09.2018 ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Schwarze ; Frauenkunst ; Geschichte 1965-1985
    Abstract: Illustrated volume to accompany an exhibition at the Brooklyn Museum opening April 2017, including an introduction by the exhibition co-curators; three scholarly critical essays; remarks from a symposium held in conjunction with the exhibition on April 21, 2017, consisting of personal reminiscences of the theater group Rodeo Caldonia; exhibition installation photographs with texts of the section introductions; an exhibition checklist; and a bibliography. An epigraph of two poems by Alice Walker will appear after the half-title page
    Note: Includes bibliographical references , Impressum: "Published on the occasion of the exhibition We Wanted a Revolution: Black Radical Women, 1965-85, organized by the Brooklyn Museum. Itinerary Brooklyn Museum, April 21-September 17, 2017, California African American Museum, Los Angeles, October 13, 2017-January 14, 2018, Albright-Knox Art Gallery, Buffalo, February 17-May 27, 2018, The Institute of Contemporary Art/Boston, June 26-September 30, 2018."
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  • 70
    ISBN: 9781509516414 , 9781509516421
    Language: English
    Pages: ix, 122 Seiten
    Series Statement: Political theory today
    DDC: 306.362
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    Keywords: Sklaverei ; Reparationen ; Wiedergutmachung ; Schwarze ; Frankreich ; Haiti ; Großbritannien ; Afrika ; USA
    Note: Literaturverzeichnis: Seite 118-122
    URL: Cover
    URL: Cover
    URL: Cover
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  • 71
    Book
    Book
    Berlin : Reimer
    ISBN: 9783496015963 , 3496015969
    Language: German
    Pages: 211 Seiten , Illustrationen, Karten , 24 cm x 17 cm
    Series Statement: Schriftenreihe der Isa Lohmann-Siems Stiftung Bd. 11
    Series Statement: Schriftenreihe der Isa Lohmann-Siems Stiftung
    DDC: 000
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    Keywords: Weg ; Weg ; Wege ; Google Maps ; Google Street View ; Hohlwege ; Archäologie des Mittelmeerraums ; Vorderasiatische Archäologie ; Empirische Kulturwissenschaft ; Kulturanthropologie ; Straßenwesen ; Museumsarchitektur ; Logistik ; Transportwege ; Humangeografie ; Wegeforschung ; Konferenzschrift 10.02.2017 - 11.02.2017 ; Aufsatzsammlung ; Konferenzschrift 2017 ; Konferenzschrift 10.02.2017 - 11.02.2017 ; Aufsatzsammlung ; Konferenzschrift 2017 ; Konferenzschrift ; Konferenzschrift 2017 ; Weg ; Weg
    Note: Daten und Titel der Konferenz ermittelt: "unterwegs. Zu Gestalt, Funktion und Materialität von Wegen"
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  • 72
    ISBN: 9781501172519 , 9781501172496
    Language: English
    Pages: xviii, 249 Seiten , 21 cm
    Edition: First Simon & Schuster hardcover edition
    Parallel Title: Erscheint auch als Nussbaum, Martha Craven, 1947- author Monarchy of fear
    DDC: 306.20973
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    Keywords: Political culture ; Political psychology ; Polarization (Social sciences) Political aspects ; Fear Political aspects ; Political culture United States ; Political psychology United States ; Polarization (Social sciences) Political aspects ; United States ; Fear Political aspects ; United States ; Fear ; Polarization (Social sciences) ; Political culture ; Political psychology ; United States ; United States Politics and government ; Psychological aspects ; United States Politics and government 2017- ; United States Politics and government ; Psychological aspects ; United States Politics and government ; 2017- ; USA ; Europa ; Politische Kultur ; Polarisierung ; Bedrohung ; Angst ; Politikverdrossenheit ; Populismus ; Vergeltung ; Geschichte 2016-2018
    Abstract: Fear, early and powerful -- Anger, child of fear -- Fear-driven disgust : the politics of exclusion -- Envy's empire -- A toxic brew : sexism and misogyny -- Hope, love, vision
    Note: Includes bibliographical references and index , Hier auch später erschienene, unveränderte Nachdrucke
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  • 73
    Book
    Book
    New York : New York University Press
    ISBN: 9781479832774 , 9781479890170
    Language: English
    Pages: xxii, 299 Seiten , Illustrationen
    Series Statement: Sexual cultures
    Parallel Title: Erscheint auch als
    DDC: 306.7601
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    Keywords: Ishioka, Eiko ; González-Torres, Félix ; Bustamante, Nao ; Tseng, Kwong Chi ; Simone, Nina ; Danh Vo ; Queer theory ; Performance art ; Minorities Social conditions ; Performance ; Kleinkunst ; Identität ; Soziale Situation ; Darstellender Künstler ; Queer-Theorie ; USA ; USA ; Kleinkunst ; Performance ; Darstellender Künstler ; Soziale Situation ; Identität ; Queer-Theorie ; Bustamante, Nao 1963- ; Simone, Nina 1933-2003 ; Danh Vo 1975- ; Ishioka, Eiko 1939-2012 ; Tseng, Kwong Chi 1950-1990 ; González-Torres, Félix 1957-1996
    Note: Includes bibliographical references and index
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  • 74
    ISBN: 9781487504489
    Language: English
    Pages: x, 218 Seiten , Illustrationen
    Series Statement: Cultural spaces
    DDC: 418.02
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    Keywords: Translating and interpreting Political aspects ; Translating and interpreting Philosophy ; USA ; Bürgerrechtsbewegung ; Politisches Denken ; Derrida, Jacques 1930-2004 ; Deleuze, Gilles 1925-1995 ; Guattari, Félix 1930-1992 ; Foucault, Michel 1926-1984 ; Geschichte 1968
    Abstract: Introduction: margins, rhizomes, relays, and conversation -- Translating margins: Paris-Derrida-New York, 1968 -- Translating movement: going underground with Deleuze and Guattari -- Prison liberation by association: Michel Foucault and the George Jackson Atlantic -- In search of common ground: on semiotext(e) and Schizo-Culture -- Disseminating foreign principles
    Abstract: "Working from the premise that May '68 is a shorthand that delimits an intensive decade of global revolt, Jason Demers documents the cross-pollination of French philosophy, international activist movements, and American countercultures. From the assassinations of Martin Luther King, Jr. and George Jackson to the revolt at Columbia University, the 1968 Democratic National Convention, Woodstock, and the Weather Underground, Demers writes French theory into a constellation of American events and icons uncontained by national borders. More than a compelling new take on the history of theory, The American Politics of French Theory develops concepts gleaned from the work of Derrida, Deleuze, Guattari, and Foucault, providing new tools for thinking about translation, theory, and politics. By recontextualizing "French theory" within a complex fabric of mass communication and global revolt, Demers demonstrates why it is politically potent and methodologically necessary to think of translation associatively."--
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  • 75
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780815346609
    Language: English
    Pages: xvii, 254 Seiten , Illustrationen
    Edition: First issued in paperback
    Parallel Title: Äquivalent
    DDC: 069
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    Keywords: Gesellschaft ; Museums / Social aspects ; Postcolonialism / Social aspects ; Collective memory / Social aspects ; Museums and community ; Postkolonialismus ; Geschichtsbewusstsein ; Museum ; Konferenzschrift 2013 ; Konferenzschrift ; Museum ; Postkolonialismus ; Geschichtsbewusstsein
    Note: Includes bibliographical references and index , Aus dem Vorwort: "The essays published in this volume emerge from the international conference The Postcolonial Museum: The Pressures of Memory, the Bodies of History held at the University of Naples 'L'Orientale' on 7-8 February 2013
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  • 76
    ISBN: 9783837636987 , 3837636984
    Language: German , English
    Pages: 268 Seiten , Illustrationen , 23 cm, 393 g
    Series Statement: Edition Kulturwissenschaft Band 120
    Series Statement: Edition Kulturwissenschaft
    Parallel Title: Erscheint auch als Wissenskulturen im Dialog
    DDC: 001.2
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    Keywords: Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Wissenschaft ; Künste ; Interdisziplinarität ; Transdisziplinarität ; Kunst ; Dialog ; Kunsterziehung
    Note: Literaturangaben , Beiträge überwiegend deutsch, teilweise englisch
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  • 77
    Image
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    New Haven and London : Yale University Press | New Haven : Yale University Press
    ISBN: 9780876332726 , 9780300225891
    Language: English
    Pages: 496 Seiten , Illustrationen
    DDC: 750
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    Keywords: Watercolor painting Exhibitions 20th century ; Watercolor painting, American Exhibitions 19th century ; Watercolor painting, American Exhibitions 20th century ; Watercolor painting Exhibitions 19th century ; Watercolor painting ; Watercolor painting ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; USA ; Aquarell ; Geschichte 1800-1930 ; USA ; Aquarell ; Geschichte 1800-1930
    Abstract: The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture
    Abstract: The American watercolor movement -- American watercolor before 1866: separate worlds -- Ruskin, Turner, and the English tradition, 1855-1865 -- The formation of the American Watercolor Society -- "Strenuous and persistent efforts": the watercolor movement, 1873-1877 -- Landscape in the 1870s -- The illustrators: from "black and white" to color, 1873-1882 -- Figure painting in the 1870s: Homer and Eakins -- Art for a Decorative Age -- Impressionism from Munich and Rome -- High-water mark: figure painters in the 1880s -- Landscape painting after 1880: tonalism -- Illustration and decoration in the Gilded Age -- Impressionism and post-impressionism: Prendergast, Homer, and Sargent -- The "American medium" and the moderns -- Flash in the pan: a history of manufacturing watercolor paint in America / Rebecca Pollak
    Note: Rückseite der Titelseite: "Published on the occasion of the exhibition American Watercolor in the Age of Homer and Sargent, March 1-May 14, 2017."
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  • 78
    ISBN: 9789811054815
    Language: English
    Pages: 1 Online-Ressource (XXII, 394 p. 190 illus)
    Parallel Title: Erscheint auch als
    DDC: 306.095
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    Keywords: Culture / Study and teaching ; Ethnology / Asia ; Cultural heritage ; Tourism ; Management ; Landscape architecture ; Urban planning ; City planning ; Sustainable development ; Cultural and Media Studies ; Asian Culture ; Cultural Heritage ; Tourism Management ; Landscape Architecture ; Urbanism ; Sustainable Development ; Nachhaltigkeit ; Stadtplanung ; Asien ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 79
    ISBN: 9783944425061
    Language: German
    Pages: 148 Seiten , 79 Illustrationen (darunter 1 Karte und 1 Plan) , 30 cm
    Additional Information: Rezensiert in Landes, Josepha, 1988 - Raster Beton 2018
    Additional Information: Rezensiert in Rubin, Eli, 1975 - [Rezension von: Juliane Richter / Tanja Scheffler / Hannah Sieben (Hrsg.), Raster Beton. Vom Leben in Großwohnsiedlungen zwischen Kunst und Platte] 2018
    DDC: 728.31409432122
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    Keywords: Konferenzschrift ; Aufsatzsammlung ; Bildband ; Konferenzschrift ; Aufsatzsammlung ; Bildband ; Leipzig-Grünau ; Wohnungsbau ; Großtafelbau ; Stadtentwicklung ; Geschichte 1970-1990 ; Städtebau ; Großtafelbau ; Geschichte ; Leipzig ; Stadtviertel ; Wohngebiet ; Wohnungsbau ; Geschichte
    Note: "Die Publikation baut auf das Festival für Kunst und Architektur RASTER:BETON in Leipzig-Grünau auf, das im Jahr 2016 stattfand." - Seite 148
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  • 80
    ISBN: 3170309552 , 9783170309555
    Language: German
    Pages: 153 Seiten , Illustrationen , 24 cm
    Edition: 1. Auflage
    Series Statement: Globale Solidarität - Schritte zu einer neuen Weltkultur Band 26
    Series Statement: Globale Solidarität - Schritte zu einer neuen Weltkultur
    Parallel Title: Erscheint auch als Finkelde, Dominik, 1970 - Katastrophen - Perspektiven
    Parallel Title: Erscheint auch als Filipović, Alexander, 1975 - Katastrophen - Perspektiven.
    DDC: 303.485
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    Keywords: Disasters Congresses ; Natural disasters Congresses ; Risk assesment Congresses ; Security Congresses ; Aufsatzsammlung ; Konferenzschrift ; Katastrophe ; Philosophie ; Katastrophe
    Note: Der vorliegende Band dokumentiert die Ergebnisse des Rottendorf-Symposiums, das 2015 an der Hochschule für Philosophie in München stattfand
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  • 81
    ISBN: 9780872731837
    Language: English
    Pages: 319 Seiten , Illustrationen
    DDC: 305.48/896073
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    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism Sources ; Exhibitions ; History ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Black arts movement ; Schwarze Frau ; Frauenkunst ; Engagierte Kunst ; Geschichte 1965-1994
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 82
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226483863 , 9780226484051
    Language: English
    Pages: 440 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 302/.1
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    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1820-1950 ; Geschichte ; Medizin ; Sozialwissenschaften ; Norm (Philosophy) History ; Social sciences History 20th century ; Social sciences History 19th century ; Social sciences History 20th century ; Social sciences History 19th century ; Medicine History 19th century ; Psychologie ; Normalität ; Anthropologie ; Medizin ; Frankreich ; USA ; Normalität ; Medizin ; Psychologie ; Anthropologie ; Geschichte 1820-1950
    Note: Includes bibliographical references and index
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  • 83
    ISBN: 9781472409539
    Language: English
    Pages: ix, 251 Seiten
    DDC: 305.409409/033
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    Keywords: Women History 18th century ; Women intellectuals History 18th century ; Europe Intellectual life 18th century ; Enlightenment ; Political science Philosophy 18th century ; History ; Women and literature History 18th century ; Konferenzschrift ; Europa ; Frau ; Weibliche Intellektuelle ; Politisches Denken
    Note: Literaturverz. S. [217] - 241 , Emilie du Châtelet's views on the pillars of French society : king, church, and family , Royalist and radical : Octavie Belot on Rousseau and the social order , Performing citizenship : Marie-Madeleine Jodin enacting Diderot's and Rousseau's dramatic and ethical theories , Etta Palm D'aelders and Louise Keralio-Robert : feminist controversy during the French Revolution , Marie-Armande Gacon-Dufour, a radical intellectual at the turn of the nineteenth century , Legality and morality in the political thought of Elise Reimarus and Immanuel Kant , Italian women intellectuals and their cultural networks : the making of a European life of the mind , Women's intellectual agency in the history of eighteenth- and nineteenth-century French salons , The right to resist : women's citizenship in Catharine Trotter Cockburn's Revolution of Sweden , Catharine Macaulay and Laetitia Barbauld : two eighteenth-century republicans , The manly virtues : Macaulay's influence, Wollstonecraft's legacy , Between Enlightenment, feminism, and abolitionism : Mary Wollstonecraft's thoughts on women and slavery , Doing an acceptable service to my country : political thought in Charlotte Brooke's Reliques of Irish poetry
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  • 84
    ISBN: 9781941332146
    Language: English
    Pages: 272 Seiten , Illustrationen, Karten
    DDC: 711/.409174927#23
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    Keywords: Architecture and society Congresses ; Identity (Psychology) in architecture Congresses ; Nationalism and architecture Congresses ; Architecture and society Arab countries ; Congresses ; Identity (Psychology) in architecture Arab countries ; Congresses ; Nationalism and architecture Arab countries ; Congresses ; Konferenzschrift ; Arabische Staaten ; Stadt ; Architektur ; Gesellschaft
    Note: "The symposium 'Architecture and Representation: the Arab City' was held at Columbia University's Graduate School of Architecture, Planning and Preserveration (GSAPP) in November 2014" - Vorwort (Seite 7) , Literaturangaben
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  • 85
    ISBN: 9780761866800
    Language: English
    Pages: IX, 266 Seiten
    DDC: 191.089/96073
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    Keywords: African American philosophy ; USA ; Sozialphilosophie ; Diskriminierung ; Schwarze
    Abstract: Introduction -- Philosophy for us by us: philosophy FUBU -- The value of academic philosophy for Black folks -- Diseases of the imagination -- The politics of Black utopia -- Prolegomena to any future moral philosophy -- Horrorism in the theater of cruelty -- The technology of immortality, the soul, and human identity -- Racial authenticity -- Postmodern revolutions
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  • 86
    Language: German
    Pages: 1 Online-Ressource (388 Seiten)
    Parallel Title: Erscheint auch als Kongress Kritik und Versöhnung (2015 : Oldenburg (Oldenburg)) Kritik und Versöhnung
    DDC: 301.01
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    Keywords: Konferenzschrift ; Kritische Theorie
    Abstract: "Während das Denken dem, woran es seine Synthesen übt, Gewalt antut, folgt es zugleich einem Potential, das in seinem Gegenüber wartet, und gehorcht bewußtlos der Idee, an den Stücken wieder gutzumachen, was es selber verübte; der Philosophie wird dies Bewußtlose bewußt. Unversöhnlichem Denken ist die Hoffnung auf Versöhnung gesellt, weil der Widerstand des Denkens gegen das bloß Seiende, die gebieterische Freiheit des Subjekts, auch das am Objekt intendiert, was durch dessen Zurüstung zum Objekt diesem verloren ging." Getreu dieser Passage aus Adornos Negative Dialektik ließ der Kongress Kritik und Versöhnung an der Carl von Ossietzky Universität Oldenburg im Januar 2015 Studierende und Promovierende aus mehreren Universitäten zu Wort kommen, die auf je eigene Weise im genuinen Sinne der Kritischen Theorie intervenieren möchten. Der vorliegende Band dokumentiert damit sehr unterschiedliche Versuche, sich innerhalb der Maschen des durchfunktionalisierten akademischen Betriebs sowie darüber hinaus die Besinnung zu wahren und eine unversöhnliche Kritik gesellschaftlicher Verhältnisse zu üben. 〈dt.〉
    URL: Volltext  (kostenfrei)
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  • 87
    Book
    Book
    Albany : State University of New York Press
    ISBN: 9781438459776
    Language: English
    Pages: xiii, 281 Seiten
    Series Statement: SUNY series, philosophy and race
    DDC: 305.48/868073
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    Keywords: Hispanic American women ; Feminists ; USA ; Latina ; Feministische Philosophie
    Abstract: Acknowledgements -- Introduction -- The new mestiza and la nepantlera -- Being-between-worlds, being-in-worlds -- The phenomenology of world-traveling -- World- traveling, double-consciousness, and resistance -- Multiplicitous becomings : on identity, horizons, and coalitions -- Social location, identity, knowledge, and multiplicity -- Hometactics -- Afterword -- Notes -- Bibliography -- Index
    Description / Table of Contents: AcknowledgementsIntroduction -- The new mestiza and la nepantlera -- Being-between-worlds, being-in-worlds -- The phenomenology of world-traveling -- World- traveling, double-consciousness, and resistance -- Multiplicitous becomings : on identity, horizons, and coalitions -- Social location, identity, knowledge, and multiplicity -- Hometactics -- Afterword -- Notes -- Bibliography -- Index.
    Note: Includes bibliographical references and index
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  • 88
    Online Resource
    Online Resource
    Oxford, United Kingdom : Oxford University Press
    ISBN: 9780191664311
    Language: English
    Pages: 1 Online-Ressource (x, 299 pages)
    Edition: First edition
    Parallel Title: Erscheint auch als Migration in political theory
    DDC: 325.01
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    Keywords: Emigration and immigration law Political aspects ; Emigration and immigration Moral and ethical aspects ; Emigration and immigration ; Moral and ethical aspects ; Emigration and immigration ; Political aspects ; Migration ; Politische Theorie ; Electronic books ; Konferenzschrift ; Aufsatzsammlung ; Electronic books ; Konferenzschrift ; Aufsatzsammlung ; Migration ; Ethik ; Politische Theorie
    Abstract: The ethics of movement and membership: an introduction / Sarah Fine and Lea Ypi -- Is there a human right to immigrate? / David Miller -- Immigration as a human right / Kieran Oberman -- Is there an unqualified right to leave? / Anna Stilz -- Freedom of movement and the rights to enter and exit / Christopher Heath Wellman -- The special-obligations challenge to more open borders / Arash Abizadeh -- Immigration and discrimination / Sarah Fine -- Taking workers as a class: the moral dilemmas of guestworker programs / Lea Ypi -- Selecting by merit: the brave new world of stratified mobility / Ayelet Shachar -- In defense of birthright citizenship / Joseph H. Carens -- The significance of territorial presence and the rights of immigrants / Sarah Song -- Are refugees special? / Chandran Kukathas -- In loco civitatis: on the normative basis of the institution of refugeehood and responsibilities for refugees / David Owen.
    Abstract: This volume presents the latest work on the ethics of movement and membership by a team of leading international scholars whose writings have contributed to shaping this field.
    Note: Includes bibliographical references and index
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  • 89
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822371458 , 9780822358978
    Language: English
    Pages: XVI, 344 Seiten , Illustrationen, Porträts , 27 cm
    Series Statement: Art history publication initiative
    Parallel Title: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03/9607300747471
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    Keywords: Geschichte 1960-1990 ; African American art Exhibitions 20th century ; History ; Racism in museum exhibits History 20th century ; Museum exhibits Social aspects 20th century ; History ; Museum exhibits Political aspects 20th century ; History ; Künstler ; Kunst ; Schwarze ; Kunstmuseum ; Kunstausstellung ; Kunstpolitik ; Rassismus ; USA ; Aufsatzsammlung ; New York ; Kunst ; Schwarze ; New York ; Ausstellung ; Museum ; Rassismus ; Geschichte 1900-2000
    Description / Table of Contents: Electronic refractions II at the Studio Museum in HarlemHarlem on my mind at the Metropolitan Museum of Art -- Contemporary Black artists in America at the Whitney Museum of American Art -- Romare Bearden : the prevalence of ritual and the sculpture of Richard Hunt at the Museum of Modern Art.
    Note: Includes bibliographical references (pages 319-333) and index
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  • 90
    ISBN: 9783837631227 , 3837631222
    Language: German
    Pages: 177 Seiten , Illustrationen, Diagramme , 23 cm x 15 cm, 393 g
    Series Statement: KörperKulturen
    Parallel Title: Erscheint auch als Neuroenhancement
    Parallel Title: Erscheint auch als Neuroenhancement
    DDC: 612.801
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    Keywords: Brain ; Bioethics ; Medicine Philosophy ; Technology Sociological aspects ; Cognitive neuroscience ; Biomedical enhancement ; Bioethics ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 2014 ; Neurowissenschaften ; Enhancement ; Kontroverse ; Neurowissenschaften ; Techniksoziologie ; Bioethik ; Medizinsoziologie
    Note: Literaturangaben , "Das vorliegende Buch ist im Anschluss an den Experten-Workshop "Enhancement durch neurotechnologische Verfahren? - Chancen, Risiken, Visionen" entstanden, der am 6. und 7. Oktober 2014 an der Johannes Gutenberg-Universität Mainz stattfand" (Seite 19)
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  • 91
    ISBN: 9780822362906 , 0822362791 , 9780822362791 , 0822362902
    Language: English
    Pages: x, 336 Seiten , Illustrationen
    DDC: 305.4201
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    Keywords: Feminismus ; Verwundbarkeit ; Macht ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 2013 ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 2013 ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 2013
    Note: Literaturverzeichnis: Seite 303-324
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  • 92
    ISBN: 9783865819925
    Language: German
    Pages: 1 Online-Ressource (178 Seiten) , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als Die Welt im Anthropozän
    DDC: 333.7
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    Keywords: Nature Effect of human beings on ; Global environmental change ; Climatic changes Effect of human beings on ; Electronic books ; Konferenzschrift ; Anthropozän ; Ökologie ; Humanität
    Abstract: Die Welt im Anthropozän -- Inhaltsverzeichnis -- Das Anthropozän im Spannungsfeld zwischen Ökologie und Humanität. Einführung - Wolfgang Haber, Martin Held und Markus Vogt -- 1 Das Menschenzeitalter als anthropologische Frage -- 2 Vom Holozän zum Anthropozän - eine lange Geschichte kurz erzählt -- 3 Anthropozän - Implikationen und Herausforderungen -- 4 Zum Spannungsverhältnis von Ökologie und Humanität im Anthropozän -- Literatur -- Teil 1: Ökologisch-evolutionäre Perspektiven -- Anthropozän - Folgen für das Verhältnis von Humanität und Ökologie - Wolfgang Haber -- 1 Einleitung -- 2 Anthropozän ökologisch begründet -- 2.1 Ökologische Modelle: Umweltkreis -- 2.2 Ökologische Modelle: Stammbaum (Evolution) des Lebens -- 2.3 Ökologische Modelle: Ökosystem -- 2.4 Natur ohne Zentrum -- 3 Das Sonderlebewesen Mensch -- 3.1 Das Doppelwesen Mensch: Ergänzung des biologischen durch den humanitären Umweltkreis -- 3.2 Die Transformation von Natur in Kultur -- 4 Die städtische Zentralität und ihre Problematik -- 4.1 Vorherrschaft des westlichen Kulturkreises -- 4.2 Von der Industrie- zur Konsumgesellschaft - Folgen für die Umwelt -- 4.3 Welternährung zwischen humanitärer Pflicht und Naturbelastung -- 4.4 Erhaltung von Biodiversität - Dauerkonflikt mit Landwirtschaft -- 4.5 Differenzierung menschlichen Handelns als Ausweg? -- 5 Ausblick und Fazit -- Literatur -- Der Verlust der (bio-)kulturellen Diversität im Anthropozän - Franz Mauelshagen -- 1 Haeckel und das anthropozoische Zeitalter -- 2 Globaler Wandel im Anthropozän -- 2.1 Erste Globalisierung (Homo sapiens) -- 2.2 Zweite Globalisierung (Landwirtschaft) -- 2.3 Dritte Globalisierung (human web) -- 3 Transformation und Funktion kultureller Vielfalt -- Literatur -- Der Mensch und das Anthropozän - Hat das sechste Massenaussterben bereits begonnen? - Ulrich Kutschera -- 1 Einleitung.
    Note: Description based on publisher supplied metadata and other sources , "Die Beiträge unseres Anthropozän-Buches gehen, von zwei Ausnahmen abgesehen, auf Vorträge der Tagung zum Thema zurück, die vom 18. bis 20. September 2015 als Teil des Projekts in der Evangelischen Akademie Tutzing stattfand." (Dank, am Schluß des Buches)
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  • 93
    ISBN: 3826059042 , 9783826059049
    Language: German
    Pages: 414 Seiten , Illustrationen , 24 cm
    DDC: 306
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    Keywords: Gesellschaft ; Naturwissenschaften ; Künste ; Vielfalt ; Begriff ; Konferenzschrift 2013 ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift 10.2013 ; Konferenzschrift ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift 10.2013 ; Aufsatzsammlung ; Konferenzschrift 10.2013
    Note: Literaturangaben , "Zehn der AutorInnen ... und die vier HerausgeberInnen dieses Buchs trafen sich im September 2013 zu einer geschlossenen Tagung mit dem Titel 'Diversität: Geschichte und Aktualität eines Konzepts'..." - Vorwort
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  • 94
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Press
    ISBN: 978-1-62040-375-4 , 1-62040-375-7 , 9781620403761
    Language: English
    Pages: x, 333 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen , 25 cm
    DDC: 306.09
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    Keywords: Wright, Frank Lloyd / 1867-1959 / Friends and associates ; Wright, Frank Lloyd / 1867-1959 / Criticism and interpretation ; Johnson, Philip / 1906-2005 / Friends and associates ; Johnson, Philip / 1906-2005 / Criticism and interpretation ; Johnson, Philip / 1906-2005 ; Wright, Frank Lloyd / 1867-1959 ; Wright, Frank Lloyd ; Johnson, Philip ; Geschichte 1900-2000 ; Geschichte 1900-2000 ; Architecture / United States / History / 20th century ; ARCHITECTURE / History / General ; HISTORY / Americas (North, Central, South, West Indies) ; BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers ; ARCHITECTURE / History / Modern (late 19th Century to 1945) ; ARCHITECTURE / History / Contemporary (1945- ) ; Architecture ; Friendship ; Architektur ; Geschichte ; Architektur ; United States ; USA ; USA ; Wright, Frank Lloyd 1867-1959 ; Johnson, Philip 1906-2005 ; USA ; Architektur ; Geschichte 1900-2000
    Abstract: "In architectural terms, the twentieth century can be largely summed up with two names: Frank Lloyd Wright and Philip Johnson. Wright (1867-1959) began it with his romantic prairie style; Johnson (1906-2005) brought down the curtain with his spare postmodernist experiments. Between them, they built some of the most admired and discussed buildings in American history. Differing radically in their views on architecture, Wright and Johnson shared a restless creativity, enormous charisma, and an outspokenness that made each man irresistible to the media. Often publicly at odds, they were the twentieth century's flint and steel; their repeated encounters consistently set off sparks. Yet as acclaimed historian Hugh Howard shows, their rivalry was also a fruitful artistic conversation, one that yielded new directions for both men. It was not despite but rather because of their contentious--and not always admiring--relationship that they were able so powerfully to influence history. In Architecture's Odd Couple, Howard deftly traces the historical threads connecting the two men and offers readers a distinct perspective on the era they so enlivened with their designs. Featuring many of the structures that defined modern space--from Fallingwater to the Guggenheim, from the Glass House to the Seagram Building--this book presents an arresting portrait of modern architecture's odd couple and how they shaped the American landscape by shaping each other"--
    Description / Table of Contents: Prologue: The master and the maestro -- Part I: a meeting of minds -- Two conversations -- Plotting a comeback -- European travels -- Part II: The MOMA moment -- The new museum -- An invitation issued -- Wright vs. Johnson -- The show must go on -- Part III: Acting out their antagonism -- The banks of Bear Run -- Politics and art -- Wright's Manhattan project -- Philip comes out classical -- The whiskey bottle and the teapot -- Epilogue: A friendly wrangle
    Note: Includes bibliographical references (pages 285-320) and index
    URL: Cover
    URL: Cover
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  • 95
    ISBN: 9780300214680
    Language: English
    Pages: viii, 281 Seiten , Illustrationen
    Series Statement: Studies in the history of art 81
    Series Statement: Center for Advanced Study in the Visual Arts 58
    Series Statement: Studies in the history of art
    DDC: 704.9/499737
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    Keywords: Art and war Congresses ; Art and history Congresses ; Collective memory Congresses ; United States Art and the war History Civil War, 1861-1865 ; Congresses ; Konferenzschrift 08.11.2013-09.11.2013 ; Konferenzschrift 2013 ; Konferenzschrift 08.11.2013-09.11.2013 ; Konferenzschrift 2013 ; Sezessionskrieg ; Kollektives Gedächtnis ; Kunst ; Geschichte 1861-2000 ; USA ; Sezessionskrieg ; Schwarze ; Rassenkonflikt ; Kollektives Gedächtnis ; Kunst ; Gedenkstätte ; Kriegerdenkmal
    Note: Includes index , Rückseite Titelblatt: "Proceedings of the symposium "The Civil War in Art and Memory," organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art, and sponsored by the Arthur Vining Davis Foundations. The symposium was held November 8-9, 2013, in Washington" , Konferenzschrift zum Symposium Civil War in Art and Memory
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  • 96
    ISBN: 3837634027 , 9783837634020
    Language: German
    Pages: 340 Seiten , Diagramme, Karten, Illustrationen , 23 cm x 14.8 cm, 468 g
    Series Statement: Science Studies
    Parallel Title: Erscheint auch als Sozialwissenschaften und Gesellschaft
    Parallel Title: Erscheint auch als Sozialwissenschaften und Gesellschaft
    Parallel Title: Erscheint auch als Sozialwissenschaften und Gesellschaft
    Parallel Title: Erscheint auch als Zwischen den Welten: Sozial- und Raumwissenschaften auf dem Weg zu einem neuen Transferverständnis (Veranstaltung : 2013 : Berlin) Sozialwissenschaften und Gesellschaft
    DDC: 306.42
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    Keywords: Knowledge, Sociology of Congresses ; Technology transfer Congresses ; Sozialwissenschaften ; Gesellschaft ; Politik ; Wissenschaft ; Wissenschaftstransfer ; Wissensvermittlung ; Wissenssoziologie ; Wissenschaftssoziologie ; Praxis ; Konferenzschrift ; Konferenzschrift ; Sozialwissenschaften ; Gesellschaft ; Wissenschaftstransfer
    Note: "Der Sammelband basiert auf einer Konferenz, die im Rahmen des Forschungsprojektes "Unbekanntes Terrain? Wissenstransfer in den Sozial- und Raumwissenschaften" im Dezember 2013 stattgefunden hat" - Rückseite des Titelblatts , Die Abschlusskonferenz zum Projekt Unbekanntes Terrain? Wissenstransfer in den Sozial- und Raumwissenschaften fand vom 5. bis 6. Dezember 2013 am Wissenschaftszentrum Berlin für Sozialforschung (WZB) statt unter dem Titel Zwischen den Welten: Sozial- und Raumwissenschaften auf dem Weg zu einem neuen Transferverständnis , Enthält 10 Beiträge , S. 4: "Der Sammelband basiert auf einer Konferenz, die im Rahmen des Forschungsprojektes "Unbekanntes Terrain? Wissentransfer in den Sozial- und Raumwissenschaften" im Dezember 2013 stattgefunden hat. Das Projekt wurde von 2012 bis 2014 gemeinsam vom Wissenschaftszentrum Berlin für Sozialforschung und dem Leibniz-Institut für Länderkunde in Leipzig durchgeführt ..."
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  • 97
    ISBN: 9780191756122
    Language: English
    Pages: Online-Ressource (x, 299 Seiten)
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 325.2
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    Keywords: Emigration and immigration Moral and ethical aspects ; Emigration and immigration law Political aspects ; Konferenzschrift ; Konferenzschrift ; Migration ; Politische Theorie ; Migration ; Ethik ; Politische Theorie
    Abstract: This volume presents the latest work on the ethics of movement and membership by a team of leading international scholars whose writings have contributed to shaping this field
    Note: Literaturangaben nach jedem Kapitel
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 98
    ISBN: 9781851778911 , 9781851778928 , 1851778918
    Language: English
    Pages: 320 Seiten , Illustrationen, Diagramme , 24 x 3.2 x 31 cm
    Edition: First published
    DDC: 781.6609
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    Keywords: Rock music Exhibitions 1961-1970 ; Nineteen sixties Exhibitions ; Counterculture Exhibitions History 20th century ; Protest movements Exhibitions History 20th century ; Bildband ; Ausstellungskatalog Victoria and Albert Museum 10.09.2016-26.02.2017 ; USA ; Großbritannien ; Pop-Kultur ; Gegenkultur ; Protestbewegung ; Musik ; Gebrauchsgrafik ; Mode ; Geschichte 1966-1970
    Abstract: The late 1960s were a period of great turbulence and rapid social and political change. You Say You Want a Revolution? examines that moment when youth culture drove an optimistic idealism, motivating people to come together and question established power structures across every area of society. It shows how many of the issues that dominate contemporary discourse environmentalism, globalization, individualism or mass-communication - have roots that can be traced back to the 1960s.1960s design culture culminated in an orgy of colour and form: a sensorial overload of Barbarella-style inflatables, plush Verner Panton playrooms and high-tech 2001: Space Odyssey furniture systems. Here, essays on music, politics, the counter-culture, social living, mind-altering experiences, festivals and more chart revolutions across media and culture, illustrated throughout with some of the most iconic images of the time - including the records that provided both the soundtrack and the key means of identification.The idealism of the period informed such disparate phenomena as the high-tech innovations of Silicon Valley and the environmental movement.Half a century later, we can reassess the genesis of these movements and explore whether the revolutions they started can be considered complete, ongoing or interrupted
    Abstract: The late 1960s were a period of great turbulence and rapid social and political change. You Say You Want a Revolution? examines that moment when youth culture drove an optimistic idealism, motivating people to come together and question established power structures across every area of society. It shows how many of the issues that dominate contemporary discourse - environmentalism, globalization, individualism or mass-communication - have roots that can be traced back to the 1960s.〈br〉1960s design culture culminated in an orgy of colour and form: a sensorial overload of Barbarella-style inflatables, plush Verner Panton playrooms and high-tech 2001: Space Odyssey furniture systems. Here, essays on music, politics, the counter-culture, social living, mind-altering experiences, festivals and more chart revolutions across media and culture, illustrated throughout with some of the most iconic images of the time - including the records that provided both the soundtrack and the key means of identification.〈br〉The idealism of the period informed such disparate phenomena as the high-tech innovations of Silicon Valley and the environmental movement. Half a century later, we can reassess the genesis of these movements and explore whether the revolutions they started can be considered complete, ongoing or interrupted
    Note: Aus dem Internet: Exhibition,Victoria & Albert Museum, London,10 September 2016- 26 February 2017 , "In the exhibition and book You Say You Want a Revolution? Records and Rebels 1966-1970, we explore key subject areas and locations where these revolutions took place" -Vorwort, Seite 12 , A tale of two cities : London, San Francisco and the transatlantic bridge , Revolution now : the traumas and legacies of US politics in the late 1960s , The counter-culture , All together now? , The Fillmore, the Grande and the Sunset Strip : the evolution of a musical revolution , You say you want a revolution? : looking at the Beatles , British fashion 1966-70 : 'A state of anarchy' , The chrome-plated marshmallow : the 1960s consumer revolution and its discontents , 'We are as gods...' : computers and America's new communalism, 1965-75 , Epilogue. Michael Sandel on where we go from here. , Englisch
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  • 99
    ISBN: 9783706555227 , 3706555220
    Language: German , English
    Pages: 149 Seiten , Illustrationen , 24 cm x 17 cm
    Series Statement: Disputationes
    DDC: 181.4
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    Keywords: Konferenzschrift 2015 ; Konferenzschrift ; Konferenzschrift 2015 ; Konferenzschrift ; Indische Philosophie ; Rezeption ; Europa ; Hinduismus ; Spiritualität ; Mystik ; Ästhetik ; Indien ; Kultur ; Rezeption ; Europa ; Literatur ; Künste
    Note: "Dieser Sammelband umfasst die Vorträge, die während der Disputationes im Rahmen der Ouverture spirituelle der Salzburger Festspiele 2015 gehalten wurden" (Rückseite Umschlag) , Beiträge überwiegend deutsch, teilweise englisch
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  • 100
    ISBN: 3161547365 , 9783161547362
    Language: English
    Pages: IX, 383 Seiten
    Edition: 1. Auflage
    Parallel Title: Erscheint auch als Embodiment in evolution and culture
    DDC: 128.6
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    Keywords: Human body Congresses Social aspects ; Human body Congresses Symbolic aspects ; Ethnology Congresses ; Mind and body Congresses ; Cognition Congresses ; Anthropology Congresses ; Philosophical anthropology Congresses ; Konferenzschrift 2014 ; Aufsatzsammlung ; Konferenzschrift ; Embodiment ; Evolution ; Kultur ; Anthropologie ; Philosophie ; Leiblichkeit ; Evolutionsbiologie ; Philosophische Anthropologie ; Theologische Anthropologie
    Note: Kongressdaten dem "Acknowledgements" entnommen
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