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  • BSZ  (69)
  • MPI Ethno. Forsch.  (14)
  • English  (81)
  • New York, NY : Oxford University Press  (81)
  • Musicology  (81)
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  • English  (81)
  • 1
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197685914
    Language: English
    Pages: x, 222 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Parallel Title: Erscheint auch als Hild, Elaine Stratton Music in medieval rituals for the end of life
    DDC: 781.5/880902
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    Keywords: Gregorian chants History and criticism ; Death Religious aspects To 1500 ; Christianity ; History ; Death Social aspects To 1500 ; History ; Funeral rites and ceremonies, Medieval History
    Abstract: "Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": close readings of rituals from diverse communities, each as they appear in a single source. The rituals' chants are transcribed into modern notation and analyzed, both for their relationships between text and melody and for their functions within the rituals. Created for the powerful and the poor, the educated and the uneducated, women and men, monastics, clerics, and laity, these manuscripts offer a glimpse into the religious practices that distinguished communities from one another and bound them together within a single tradition. The book provides the first editions of the rituals' chants and considers the functions of the music. Why was music given such a prominent position within the deathbed liturgies? Why did communities gather and sing when a loved one was dying? The manuscripts reveal a lost art of comforting the dying and the grieving"--
    Description / Table of Contents: Introduction : Contemporary approaches to medieval rituals for the dying -- Religious elites : Rome, "old Roman" tradition -- Political and religious leaders : Sens, Cathedral of Saint Stephen -- With the laity : Orsières, Switzerland -- Among women : Abbey of Saint Mary the Virgin and Saint Francis without Aldgate (England) -- Analysis : variation and continuity within the liturgical tradition -- Final considerations : Why sing?
    Note: Includes bibliographical references and index
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  • 2
    ISBN: 9780197549285
    Language: English
    Pages: xxvi, 210 Seiten , Illustrationen
    DDC: 781.650946
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    Keywords: Montoliu, Tete Criticism and interpretation ; Jazz History and criticism ; Montoliu, Tete 1933-1997 ; Jazz ; Spanien
    Abstract: "At the same time that this chapter continues to introduce readers to Tete Montoliu's life, musical work, and impact, it also challenges certain transnational assumptions regarding Spanish jazz. It is important to attend to ways in which the listening practices of mid-twentieth-century Anglophone audiences were shaped by the popular jazz market. In particular, it is by dispensing with misrepresentations of the connection between jazz and flamenco that readers can move beyond mere sketches of Spain and begin to appreciate the full complexity of Iberian jazz. This effort is further supported by Montoliu's own strong opinion that "Mezclar flamenco con el jazz es como mezclar las almejas con el chocolate. Es una mezcla imposible de digerir" [Mixing flamenco with jazz is like mixing clams with chocolate. It is a mixture that is impossible to digest"--
    Note: Includes bibliographical references and index
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  • 3
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197664070 , 9780197664063
    Language: English
    Pages: xvii, 210 Seiten , Notenbeispiele
    Parallel Title: Erscheint auch als Agawu, Kofi On African music
    DDC: 780.96
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    Keywords: Music History and criticism ; Music Social aspects ; Music African influences
    Abstract: "Composed over a decade and a half and originally delivered to audiences in Europe, Africa and the US, these lectures celebrate African musical creativity by illuminating selected compositional techniques, key influences, and dominant scholarly themes. Chapters on minimalism, iconicity, tonality as a colonizing force, and African pianism are supplemented by a critique of ethnotheory, a capsule history of African rhythm studies. and an invitation to music theorists to consider whether greater encounter with African music might not enhance the work that they do. Framed as an exercise in postcolonial criticism, the work refers to a large body of recorded music from various parts of Africa, provides close readings of a handful of compositions to supplement the more general appreciative commentary, and engages recurring and controversial talking points in contemporary discourses on African music. Written in clear and accessible prose, these self-standing essays are designed to enhance admiration for the animating structures of African music"--
    Description / Table of Contents: Introduction -- The minimalist impulse -- Iconicity in musical thought and expression -- Tonality as a colonizing force -- African pianism and the challenge of art music -- Rethinking music theory, with African aid -- Against ethno-theory -- African rhythm studies : A sketch and a critique -- Epilogue.
    Note: Includes bibliographical references and index
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  • 4
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197611685 , 9780197611678
    Language: English
    Pages: 1 Online-Ressource (xlii, 608 Seiten) , Illustrationen
    Series Statement: Oxford handbooks series
    Parallel Title: Erscheint auch als The Oxford handbook of care in music education
    DDC: 780.71
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    Keywords: Music Instruction and study ; Social aspects ; Music Instruction and study ; Psychological aspects ; Music Instruction and study ; Political aspects ; Music Instruction and study ; Philosophy ; Music ; Music ; Musikerziehung
    Abstract: This handbook addresses multiple conceptualizations of caring relationships in music education. Principal themes of the handbook include philosophical perspectives on care and music education; co-creating caring relationships; caring for wellbeing and human flourishing; and care, social activism, and critical consciousness. The essays highlight the essence of authentic relationships and shared experiences between teachers and learners, extending previous conceptions of care to meet the needs of contemporary music learners and the teachers who care for, about, and with them.
    Note: Also issued in print: 2023. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on August 22, 2023)
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  • 5
    ISBN: 9780190947309
    Language: English
    Pages: 1 Online-Ressource (xii, 601 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of time in music
    DDC: 781.22
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    Keywords: Time in music ; Musical meter and rhythm ; Music Psychological aspects ; Musik ; Zeit ; Metrik ; Takt ; Rhythmik
    Abstract: As the art that calls most attention to temporality, music provides us with profound insight into the nature of time, and time equally offers us one of the richest lenses through which to interrogate musical practice and thought. In this volume, musical time, arrayed across a spectrum of genres and performance/compositional contexts is explored from a multiplicity of perspectives. The contributions to the volume all register the centrality of time to our understanding of music and music-making and offer perspectives on time in music, particularly though not exclusively attending to contemporary forms of musical work. In sharing insights drawn from philosophy, music theory, ethnomusicology, psychology of performance and cultural studies, the book articulates a range of understandings on the metrics, politics and socialities woven into musical time.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 6, 2021)
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  • 6
    ISBN: 9780197517598
    Language: English
    Pages: 1 Online-Ressource (272 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Ethnomusicology ; Wissenschaftsethik ; Kolonialismus ; Musikethnologie ; Entwicklungsländer ; Westliche Welt ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
    Abstract: For decades, ethnomusicologists across the world have considered how to affect positive change for the communities they work with. Through illuminating case studies and reflections by a diverse array of scholars and practitioners, 'Transforming Ethnomusicology' aims to both expand dialogues about social engagement within ethnomusicology and, at the same time, transform how we understand ethnomusicology as a discipline. This second volume takes as a point of departure the recognition that colonial and environmental damages are grounded in historical and institutional failures to respect the land and its peoples
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 7
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197531372
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.4216490941
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    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) ; Political aspects ; Great Britain ; History ; 21st century ; Rap (Music) ; Great Britain ; History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: 'Brithop' investigates rap music's politics in the 21st century United Kingdom. In it, the author argues that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially responding through rap to mainstream Britain's political discourses. The rappers in this volume critique the United Kingdom's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
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  • 8
    ISBN: 9780197517642
    Language: English
    Parallel Title: Erscheint auch als Transforming ethnomusicology Volume II
    Parallel Title: Erscheint auch als Transforming ethnomusicology Volume I
    DDC: 780.89
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    Keywords: Ethnomusicology ; Applied ethnomusicology ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik ; Angewandte Wissenschaften ; Kulturpolitik ; Sozialer Wandel ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Abstract: "Transforming Ethnomusicology aims to deepen and broaden the dialogue about social engagement within the discipline of ethnomusicology. It draws upon a very wide array of perspectives that stem from different ethnocultural contexts, philosophical histories, and cultural situations. Volume One begins with overviews of ethical praxis and collaboration in different countries and institutions. Some of the following studies reflect on the challenges that ethnomusicologists have faced and the strategies they have adopted when working in situations as diverse and challenging as the courtrooms of America, the refugee camps of Kenya, the post-earthquake urban context of Haiti, and war-torn South Sudan. Other studies reflect on community activism and the complexities of sustaining and reviving cultural traditions. The final chapter offers a new perspective on disciplinary practice and methodology by examining the power relations implicit in ethnography and the potential of shifting our position to "witnessing." Volume Two focuses on social and ecological issues and includes Indigenous perspectives from America, Australia, and South Africa. The volume as a whole recognizes the interlinking of colonial and environmental damage as institutions that failed to respect the land and its peoples. As in chapter one, the authors deal with the challenging circumstances of the present day where historical practices, and modern neoliberal institutions threaten the creation and sustaining of musical knowledge, the memory of the land (both urban and rural), and the dignity of human life. As in Volume One, the second volume ends with a model for change, a radical rethinking of the structure of knowledge already underway in Brazil"--
    Note: Includes bibliographical references and index
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  • 9
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190855512
    Language: English
    Pages: 1 Online-Ressource (360 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 306.4842
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    Keywords: Music Social aspects ; Music Political aspects ; Sampling (Sound)
    Abstract: Sampling has become a predominantly digitalized practice. It was popularized with the rise of Rap and Hip-Hop, as well as ambient music scenes, but it has a history stretching back to the earliest days of sound recording and experimental music making around the world. Digital networks allow artists to sample music across national borders and cultural traditions with relative ease, prompting questions around not only fair use, copyright, and freedom of expression, but also cultural appropriation and 'copywrongs.' Based on archival research and musical analysis, alongside conversations with artists and their own public reflections, this book provides ways to listen more closely and hear (again) music making.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 10
    ISBN: 9780190084080 , 9780190938284
    Language: English
    Pages: xiv, 321 Seiten , Illustrationen, Notenbeispiele
    Series Statement: The new cultural history of music series
    DDC: 306.4/8420943809048
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    Keywords: Music Political aspects 20th century ; History
    Note: Includes bibliographical references and index
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  • 11
    ISBN: 9780190847579
    Language: English
    Pages: xix, 380 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Whitehead, Kevin Play the way you feel
    DDC: 791.436
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    Keywords: Jazz films History and criticism ; Jazz musicians in motion pictures ; Jazz ; Jazzmusiker ; Film ; Geschichte 1927-2016
    Abstract: "This book-both a narrative and a film directory-surveys and analyzes English-language feature films (and a few shorts and TV shows/movies) made between 1927 and 2016 that tell stories about jazz music, its musicians, its history and culture. Play the Way You Feel looks at jazz movies as a narrative tradition with recurring plot points and story tropes, whose roots and development are traced. It also demonstrates how jazz stories cut across diverse genres-biopic, romance, musical, comedy and science fiction, horror, crime and comeback stories, "race movies" and modernized Shakespeare-even as they constitute a genre of their own. The book is also a directory/checklist of such films, 66 of them with extensive credits, plus dozens more shorter/capsule discussions. Where jazz films are based on literary sources, they are examined, and the nature of their adaptation explored: what gets retained, removed, or invented? What do historical films get right and wrong? How does a film's music, and the style of the filmmaking itself, reinforce or undercut the story?--
    Note: Includes bibliographical references and index , Prologue: The "I got rhythm" of jazz movies 1927 & 1946 -- Duke's day & first features 1929-1940 -- Origin stories 1941-1947 -- Bands of brothers 1941-1948 -- Young men with horns : the jazz biopic's golden age 1950-1959 -- The jazz musician (and fan) as character 1951-1961 -- Independents in black and white 1961-1967 -- Spectacles 1972-1984 -- Suffering artists 1984-1989 -- Young lions & historical fictions 1990-2000 -- The jazz musician (and fan) as character 1959-2016 -- Movies within movies & New Orleans comes back 2008-2019 -- Postscript: Print the legend.
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  • 12
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190052249
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.42164143
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    Keywords: Popular music / Analysis, appreciation ; Singing ; Singen ; Unterhaltungsmusik ; Gesang ; Popmusik ; Popmusik ; Gesang ; Singen ; Unterhaltungsmusik
    Abstract: 'A Blaze of Light in Every Word' presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality
    Note: Also issued in print: 2020. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 13
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190933685
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: American musicspheres
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.64209753
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    Keywords: Bluegrass music History and criticism ; Old-time music History and criticism ; Washington, DC ; Bluegrass
    Abstract: Documenting the history and development of bluegrass in and around the nation's capital since it emerged in the 1950s, 'Capital Bluegrass' is central to our understanding of bluegrass in the United States and its place in our nation's capital.
    Note: Previously issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 14, 2020)
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  • 14
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197504673
    Language: English
    Pages: 1 Online Ressource (xx, 459 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.8992405694
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    Keywords: Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature ; Music ; Israel ; 20th century ; History and criticism ; Music by Jewish composers ; Israel ; 20th century ; History and criticism ; Jews ; Music ; History and criticism ; Zionism ; Zionism in literature ; Israel ; Kunstmusik ; Literatur ; Zionismus ; Juden ; Ethnische Identität ; Geschichte 1950-2000
    Abstract: In this in-depth study of Israeli art music in the second half of the twentieth century, author Assaf Shelleg explores how art music and modern Hebrew literature engaged with Zionism and competing diasporic Jewish histories that are not grounded in notions of territory.
    Note: Also issued in print: 2021. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 9, 2020)
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  • 15
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190938314
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: The new cultural history of music
    Series Statement: Oxford scholarship online
    DDC: 306.48420943809048
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    Keywords: NSZZ "Solidarność" ; Geschichte 1980-1990 ; Musik ; Politischer Protest ; Untergrund ; Music Political aspects 20th century ; History ; Polen ; Poland Politics and government 1980-1989
    Abstract: A vibrant study of music and protest that focuses on the Solidarity movement in 1980s Poland, 'Musical Solidarities' explores how and why sound mattered to the opposition to state socialism. Unfurling the rich soundscapes of political action at demonstrations, church services, meetings, and in detention, it offers a nuanced portrait of this pivotal decade of European and global history.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 16
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190908294
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.62914970561
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    Keywords: Geschichte ; Romanies / Turkey / Music / History and criticism ; Music / Social aspects / Turkey ; Romanies / Turkey / Social life and customs ; Music / Turkey / History and criticism ; Identität ; Musikleben ; Roma ; Türkei ; Türkei West ; Roma ; Musikleben ; Identität ; Geschichte
    Abstract: 'Sounding Roman' traces the role of music performance in maintaining, shaping, and challenging ascribed social identities of Roman ('Gypsy') groups, who constitute one of the most socially reviled and yet culturally romanticized minorities in Turkey
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 17
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190670412
    Language: English
    Pages: xl, 248 Seiten , Diagramme, Notenbeispiele
    Series Statement: Oxford studies in music theory
    DDC: 782.4216491224
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    Keywords: Rap (Music) / Analysis, appreciation ; Rap ; Flow-Erlebnis ; Sprechgesang ; Rhythmus ; Musikalische Analyse ; Rap ; Sprechgesang ; Rhythmus ; Flow-Erlebnis ; Musikalische Analyse
    Note: Includes index
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  • 18
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190698454
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    DDC: 781.6480977311
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    Keywords: House music History and criticism ; Illinois ; Chicago ; Homosexuality and popular music Illinois ; Chicago ; African American gays Illinois ; Chicago ; Popmusik ; Chicago, Ill. ; House ; Geschichte 1975-2019
    Abstract: This interdisciplinary study historicizes house music, the rhythmically focused electronic dance sound born in the post-industrial maroon spaces of Chicago’s queer, black, and Latino social dancers. Working from oral history interviews, archival research, and performance ethnography, it argues that the remediation and adaptation of house by multiple and overlapping crossover communities in its first decade shaped the ways that contemporary Chicago house music producers, DJs, dancers, and promoters re-remember and re-animate house as an archive indexing experiences of queer of color congregation. Engaging with and extending the fields of African American studies, urban studies, gender and sexuality studies, dance studies, performance studies, popular music studies, ethnomusicology, and media studies, Do You Remember House? considers house music culture’s liberatory potential in relation to its flexible repertoire in motion, an ever-expanding archive of danceable sounds.
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  • 19
    ISBN: 9780190213176 , 9780190949877
    Language: English
    Pages: xxi, 296 Seiten , Illustrationen
    DDC: 782.42166092/2
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    Note: Bibliographie: Seite 269-280 , Literaturangaben
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  • 20
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199365197 , 9780190874438
    Language: English
    Pages: 1 Online-Ressource (xiv, 264 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.11
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    Keywords: Musical ability / Cross-cultural studies ; Musiker ; Kreativität ; Kulturvergleich ; Europa ; Nordamerika ; Afrika ; Europa ; Nordamerika ; Afrika ; Musiker ; Kreativität ; Kulturvergleich
    Abstract: How are an individual's ability and motivation to be creative shaped by the world around her? Why does creativity seem to flourish in some environments, while in others it is stifled? Many societies value creativity as an abstract concept and many, perhaps even most, individuals feel an internal drive to be creative; however, tremendous social pressures restrict development of creative skill sets, engagement in creative activities, and willingness to take creative risks. Becoming Creative explores how social and cultural factors enable or inhibit creativity in music. The text integrates perspectives from ethnomusicology, education, sociology, psychology, and performance studies, prioritizing the voices of practicing musicians and music educators
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190056148
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 306.484249
    RVK:
    Abstract: Hip hop and diplomacy are unlikely partners. And yet, since 2001 the US Department of State has been sending hip hop artists to perform and teach around the world. The government has good reason to be interested in hip hop: it is known and loved across the globe, readily acknowledged as a product of American culture. Moreover, hip hop has long been a means of fostering community through creative collaboration-what hip hop artists call building-and can thus facilitate mutual respect and cooperation among people of different nations, a key objective of diplomacy. At heart, 'Build' is about the intersection of art and power. It reveals the power of art to bridge cultural divides, facilitate understanding, and express and heal trauma.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
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  • 22
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190670443
    Language: English
    Pages: 1 Online-Ressource (xl, 248 Seiten) , Diagramme, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
    DDC: 782.4216491224
    RVK:
    Keywords: Rap (Music) / Analysis, appreciation ; Flow-Erlebnis ; Sprechgesang ; Rhythmus ; Musikalische Analyse ; Rap ; Rap ; Sprechgesang ; Rhythmus ; Flow-Erlebnis ; Musikalische Analyse
    Note: Includes index
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  • 23
    ISBN: 9780190462611
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.65071
    RVK:
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    Keywords: Jazz Instruction and study ; USA ; Schule ; Musikerziehung ; Jazz
    Abstract: 'Teaching School Jazz' is an edited collection of suggested practices in school jazz education authored by a seasoned and diverse lineup of jazz educators with supporting research-based case studies woven into the narrative. It provides not only a wealth of school jazz teaching strategies but also, and perhaps as important, the jazz perspectives and principles from which they are derived.
    Note: Also issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 11, 2019)
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  • 24
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190656881
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American musicspheres
    Series Statement: Oxford scholarship online
    DDC: 781.629697298307471
    RVK:
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    Keywords: Calypso ; Soca ; Steelband ; Karneval ; New York, NY
    Abstract: 'Jump Up!' provides a comprehensive history of Trinidadian calypso and steelband music in the diaspora. Carnival, transplanted from Trinidad to Harlem in the 1930s and to Brooklyn in the late 1960s, provides the cultural context for the study. Blending urban studies, oral history, archival research, and ethnography, the work examines how members of New York's diverse Anglophile-Caribbean communities forged transnational identities through the self-conscious embrace, transformation, and hybridization of select Carnival music styles and performances. The text fills a significant void in our understanding of how Caribbean Carnival music-specifically calypso, soca (soul/calypso), and steelband-evolved in the second half of the twentieth century as it flowed between its island homeland and its burgeoning New York migrant community.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
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  • 25
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190847524 , 9780190847531
    Language: English
    Pages: xii, 208 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.609593
    RVK:
    RVK:
    Keywords: Geschichte 2010-2011 ; Protest movements History ; Demonstrations History ; Sounds Social aspects ; Music Social aspects ; Musik ; Politischer Protest ; Geräuschkulisse ; Thailand Politics and government 1988- ; Bangkok ; Bangkok ; Politischer Protest ; Geräuschkulisse ; Musik ; Geschichte 2010-2011
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  • 26
    ISBN: 9780190908027
    Language: English
    Pages: 1 Online-Ressource (xviii, 386 Seiten)
    DDC: 781.641234
    RVK:
    RVK:
    Keywords: Popular music History and criticism ; Popular music Production and direction ; History ; Tone color (Music) ; Unterhaltungsmusik ; Klangfarbe ; Schallaufzeichnung ; Musikproduktion ; Geschichte 1930-
    Abstract: The Relentless Pursuit of Tone: Timbre in Popular Music assembles a wide spectrum of contemporary perspectives on how sound functions in an equally wide array of popular music. With subjects ranging from the twang of country banjos and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume attempts to bridge the gap between timbre, the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. The book’s chapters engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. The chapters in Part I, “Genre,” ask how sonic signatures define musical identities and publics; Part II, “Voice,” considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; Part III, “Instrument,” tells stories of the way some iconic pop music machines—guitars, strings, synthesizers—got (or lost) their distinctive sounds; and Part IV, “Production,” puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons, rockist authenticity, empty space?), and what it all might mean. The book includes a general theoretical introduction by the editors and an afterword by noted popular music scholar Simon Frith.
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  • 27
    ISBN: 9780190499679
    Language: English
    Pages: 1 Online-Ressource (xiv, 253 Seiten)
    Additional Information: Rezensiert in Koch, Anne, 1971 - Singing the Congregation 2020
    Parallel Title: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264.2
    RVK:
    Keywords: Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; United States ; USA ; Evangelikale Bewegung ; Anbetung ; Musik
    Abstract: Singing the Congregation examines how contemporary worship music shapes the way evangelical Christians understand worship and argues that participatory worship-music performances have brought into being new religious social constellations (“modes of congregating”). Through ethnographic investigation of five of these modes—concert, conference, church, public, and networked congregations—this book seeks to reinvigorate the analytic categories of “congregation” and “congregational music.” Drawing from theoretical models in ethnomusicology, congregational studies, and ecclesiology, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice—in this case, the musically structured participatory activity known as “worship.” By extension, “congregational music-making” is recast as a participatory religious musical practice capable of weaving together a religious community inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a potent way to identify with far-flung individuals, institutions, and networks that this global religious community comprises. The unique congregations examined in each chapter include but extend far beyond local churches, revealing widespread conflicts over religious authority and far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
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  • 28
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190466954 , 0190466952
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Series Statement: Currents in Latin American & Iberian music
    DDC: 793.319468
    RVK:
    Keywords: Flamenco ; Flamenco Social aspects ; Dance and race ; Spanien ; Flamenco ; Tanz ; Rasse ; Person of Color ; Schwarze ; Sinti ; Roma ; Geschichte 1492-1933
    Abstract: How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, between 1492—when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus’s landing on Hispaniola—and 1933—when Andalusian poet Federico García Lorca published his “Theory and Play of the Duende”—the vanquished Moor became Black; and how the imagined Gitano (“Gypsy,” or Roma) embodies the warring images and sounds of this process. By the nineteenth-century nadir of its colonial reach, Spanish identity was paradoxically enacted in terms of a minstrelized Gitano, a hybrid of Spanish and American representations of Blackness. Flamenco’s imagined Gypsy, teetering between ostentatious ignorance and the humility of epiphany, references an earlier trope: the pastor bobo (foolish shepherd), who, seeing an angelic apparition, must decide whether to accept the light of Christ—or remain in darkness. Spain’s symbolic linkage of this religious peril with the Blackness of abjection scripts the evangelical narrative which defeated the Moors and enslaved the Americas. The bobo’s confusion, appealingly comic but holding the pathos of the ultimate stakes of his decision—heaven or hell, safety or extermination—bares a teeming view of the embodied politics of colonial exploitation and creole identity formation. Flamenco’s Sonidos Negros live in this precarious balance, amid the purposeful ruckus cloaking danced resistance, the lament for what has been lost, and the values and aspirations of those rendered imperceptible by slavery and colonization.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 29
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190653804
    Language: English
    Pages: 1 Online-Ressource
    DDC: 781.66117
    RVK:
    Keywords: Einführung ; Einführung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 30
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190296643
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.49
    RVK:
    Keywords: Geschichte ; Sound recordings / Production and direction ; Popular music / Production and direction ; Tonstudio ; Musiker ; Unterhaltungsmusik ; Musikproduktion ; Unterhaltungsmusik ; Musiker ; Tonstudio ; Musikproduktion ; Geschichte
    Abstract: 'Dawn of the DAW' examines DIY recording studio practices past and present, with a focus on the concept of 'the studio as musical instrument' the evolving role of the producer, and the implications of these practices for the field of music education
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 31
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199374052
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 786.908995073
    RVK:
    Keywords: Taiko (Drum ensemble) ; Music Social aspects ; Asian American musicians ; USA ; Taiko ; Musik ; Asien ; Einfluss ; Asiaten ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik
    Abstract: With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, more than four hundred groups now exist across the United States and Canada, and these groups are comprised of people from a variety of racial and ethnic identities. Using ethnographic and historical approaches combined with performance description and analysis, this text explores the connections between taiko and Asian American cultural politics at the intersections of race, gender, and sexuality.
    Note: Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on April 18, 2018)
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  • 32
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190634933
    Language: English
    Pages: 1 Online-Ressource (xvi, 472 Seiten)
    DDC: 782.254092
    RVK:
    RVK:
    Keywords: Jackson, Mahalia 1911-1972 ; African American gospel singers Biography ; United States ; Gospel singers Biography ; United States ; African Americans Music ; History and criticism ; Gospel music History and criticism ; Jackson, Mahalia 1911-1972 ; Afroamerikanische Musik ; Gospelsong ; USA
    Abstract: Drawing on and piecing together a trove of previously unexamined sources, this book is the first critical study of the renowned African American gospel singer Mahalia Jackson (1911–1972). Beginning with the history of Jackson’s family on a remote cotton plantation in the Central Louisiana parish of Pointe Coupée, the book follows their relocation to New Orleans, where Jackson was born, and Jackson’s own migration to Chicago during the Great Depression. The principal focus is her career in the decade following World War II, during which Jackson, building upon the groundwork of seminal Chicago gospel pioneers and the influential National Baptist Convention, earned a reputation as a dynamic church singer. Eventually, Jackson achieved unprecedented mass-mediated celebrity, breaking through in the late 1940s as an internationally recognized recording artist for Apollo and Columbia Records who also starred in her own radio and television programs. But the book is also a study of the black gospel field of which Jackson was a part. Over the course of the 1940s and 1950s, black gospel singing, both as musical worship and as pop-cultural spectacle, grew exponentially, with expanded visibility, commercial clout, and forms of prestige. Methodologically informed by a Bourdiean field analysis approach that develops a more granular, dynamic, and encompassing picture of post-war black gospel, the book persistently considers Jackson, however exceptional she may have been, in relation to her fellow gospel artists, raising fresh questions about Jackson, gospel music, and the reception of black vernacular culture.
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  • 33
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190227012
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of algorithmic music
    DDC: 781.3/4
    RVK:
    Keywords: Computer composition (Music) ; Computer composition ; Computer composition ; Algorithmische Komposition ; Computermusik ; Algorithmus ; Algorithmische Komposition ; Computermusik ; Algorithmus
    Abstract: Algorithmic music appears to be at a turning point in its history, with many new systems and communities of practice developing together, as vibrant musical culture. This handbook brings together dozens of leading researchers and practitioners in the field, blending technical, artistic, cultural and scientific viewpoints into a whole that considers the making of algorithmic music as a rich, and essentially human activity. Featuring chapters by emerging and established scholars as well as by leading practitioners in the field, this handbook both describes the state of algorithmic composition and also set the agenda for critical research on and analysis of algorithmic music.
    Note: Includes bibliographical references and index
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  • 34
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190636241
    Language: English
    Pages: 1 Online-ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music and the body
    DDC: 781.1
    RVK:
    RVK:
    Keywords: Music Psychological aspects ; Music Physiological aspects ; Music Performance ; Psychological aspects ; Music Performance ; Physiological aspects ; Human body in music ; Human body in music ; Music ; Psychological aspects ; Music ; Physiological aspects ; Musik ; Körper
    Abstract: Contextualizing music and the body : an introduction / Youn Kim and Sander Gilman -- The moving and performing body. Musicalities and the moving body in Western concert dance / Byron Suber ; Music and movement : expectations, aesthetics and representation / Jay Schulkin ; The science of voice and the body / Marina Gilman ; The body as musical instrument / Atau Tanaka and Marco Donnarumma -- The musical brain, psyche, and beyond. Music changes the brain / Paul Lennard ; Music and psychoanalysis / Sander Gilman ; Music sociology meets neuroscience / Mia Nakamura -- Embodied mind, embodied rhythm. Sound-motion bonding in body and mind / Rolf Inge Godøy ; Music, Bacchus, and freedom / Hedy Law ; Entrainment and embodiment in musical performance / Eugene Montague ; Rhythm and the performer's body / Daniel B. Stevens ; Embodied rhythm and musical impact of corporal punishment in twentieth-century opera / Shersten R. Johnson -- Music and the disabled and sexual body. Music and the embodiment of disability / Michael B. Bakan ; Musical remediation of disability / Blake Howe ; Virtuosities of deafness and blindness: musical performance and the prized body / Stefan Sunandan Honisch ; Embodied representation in staged opera / Linda Hutcheon and Michael Hutcheon ; Sexuality, dis/ability, and sublimity in grand opera / Hanne Blank ; Is there disabled music? music and the body from Dame Evelyn Glennie's perspective / Evelyn Glennie, Sander Gilman, and Youn Kim -- Music as medicine. Music and the body in the history of medicine / James Kennaway ; Music in body and imagination / H. Martyn Evans -- Music and the multimodal body. Spatial representations common to music and bodily experience / Xuejing Lu and William Forde Thompson ; Multimodal music in infancy and early childhood / Sandra E. Trehub ; Opera as film : multimodal narrative and embodiment / Yayoi U. Everett ; Listening to the musicking body : a cross-disciplinary and historical perspective / Youn Kim
    Note: Includes bibliographical references and index
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  • 35
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199984169
    Language: English
    Pages: 1 Online-Ressource (xiii, 676 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music and queerness
    DDC: 780.8664
    RVK:
    RVK:
    Keywords: Gender identity in music ; Sex in music ; Homosexuality and music ; Gender identity in music ; Sex in music ; Homosexuality and music ; Musik ; Homosexualität ; Geschlechterforschung ; Musizieren ; Sexuelle Orientierung ; Queer-Theorie
    Abstract: This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.
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  • 36
    ISBN: 9780190499631 , 9780190499648
    Language: English
    Pages: xiii, 253 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264/.2
    RVK:
    Keywords: Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; USA ; Evangelikale Bewegung ; Anbetung ; Musik ; USA ; Evangelikale Bewegung ; Anbetung ; Musik ; Gotteslob ; Neues geistliches Lied ; Gottesdienst ; Evangelikale Bewegung
    Note: Includes bibliographical references and index
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  • 37
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190666552
    Language: English
    Pages: xix, 250 Seiten
    Parallel Title: Erscheint auch als
    DDC: 781.643/122
    RVK:
    Keywords: Geschichte ; Blues ; Blues (Music) / History and criticism ; Blues (Music) / Analysis, appreciation ; Time in music ; Diskografie ; Blues ; Geschichte
    Abstract: Spontaneity, immediacy and feeling characterize the blues as a genre. Whether it's the movement of call and response, the expressive bends and wails of voice and instruments or the synergistic relationship between audience and performers, the blues embody a kind of "living in the moment" aesthetic. At the same time, the blues genre has always responded in a unique way to its historical moment, its formal characteristics, figures, and devices constantly emerging from-and speaking to-the social relations emanating from Jim Crow segregation, sharecropping, racist violence, and migration. Time in the Blues presents an interdisciplinary analysis of the specific forms of temporality produced by and reflected in the blues. Examining time as it is represented, enacted, and experienced through the blues, interdisciplinary scholar Julia Simon addresses how the material conditions in the early twentieth century shaped a musical genre. The technical aspects of the blues-ostinato patterns, cyclical changes, improvisation, call and response-emerge from and speak to the Jim Crow era's economic, social, and political relations. Through this temporal analysis, Simon addresses how the moment-to-moment aspect of time in blues performance relates to the genre's location within historical time, with careful examinations of the historical performance and reception of blues music from the 1920s to the present day. Simon examines the structuring of time, and analyzes temporality to open the broader questions of desire, agency, self-definition, faith, and forms of resistance as they are articulated in this music. Ultimately, Time in the Blues, argues for the relevance, significance, and importance of time in the blues for shared values of community and a vision of social justice.
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  • 38
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190248178
    Language: English
    Pages: xii, 575 Seiten , Illustrationen
    DDC: 781.64209
    RVK:
    Keywords: Countrymusic ; Musikbranche ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 39
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190235468 , 9780190235475 , 9780190235482 , 9780190235499
    Language: English
    Pages: 1 Online-Ressource (xv, 155 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.421649
    RVK:
    Keywords: Geschichte 2000-2016 ; Rap (Music) History and criticism ; Rap (Music) Social aspects ; Posthumanismus ; Rap ; Kulturkritik ; USA ; Hochschulschrift ; Hochschulschrift ; USA ; Rap ; Posthumanismus ; Kulturkritik ; Geschichte 2000-2016
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 40
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190235451 , 9780190235468
    Language: English
    Pages: xv, 155 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 782.421649
    RVK:
    Keywords: Geschichte 2000-2016 ; Rap (Music) History and criticism ; Rap (Music) Social aspects ; Posthumanismus ; Rap ; Kulturkritik ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Rap ; Posthumanismus ; Kulturkritik ; Geschichte 2000-2016
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  • 41
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199359516 , 9780190688660
    Language: English
    Pages: xxvii, 363 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.66081
    RVK:
    RVK:
    RVK:
    Keywords: Gesellschaft ; Rock music Social aspects ; Sex role in music ; Geschlechterrolle ; Rockmusik ; Rockmusik ; Geschlechterrolle
    Note: Includes index
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  • 42
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190666583
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 781.643122
    RVK:
    Keywords: Geschichte ; Blues ; Blues (Music) / History and criticism ; Blues (Music) / Analysis, appreciation ; Time in music ; Diskografie ; Diskografie ; Blues ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 43
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190495039
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.6909561
    RVK:
    Keywords: Musik ; Music History and criticism ; Melancholy in music ; Affekt ; Islam ; Heilung ; Musiker ; Klassische Musik ; Melancholie ; Türkei ; Türkei ; Hochschulschrift ; Hochschulschrift ; Türkei ; Islam ; Klassische Musik ; Musiker ; Melancholie ; Affekt ; Heilung
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 44
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199372164
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als
    DDC: 780.71
    RVK:
    RVK:
    RVK:
    Keywords: Music Instruction and study ; Technological innovations ; Music Instruction and study ; Technological innovations ; Music ; Instruction and study ; Technological innovations ; Aufsatzsammlung ; Musikerziehung ; Technische Innovation ; Musikerziehung ; Medien ; Technologie ; Musiklehrer ; Ausbildung ; Weiterbildung ; Medien ; Technologie
    Abstract: "Few aspects of daily existence are untouched by technology. Learning and teaching music are no exceptions and arguably have been impacted as much or more than other areas of life. Digital technologies have come to affect music learning and teaching in profound ways, influencing how we create, listen, share, consume, and interact with music--and conceptualize musical practices and the musical experience. For a discipline as entrenched in tradition as music education, this has brought forth myriad views on what does and should constitute music learning and teaching. To tease out and elucidate some of the salient problems, interests, and issues, The Oxford Handbook of Technology and Music Education critically situates technology in relation to music education from a variety of perspectives--historical, philosophical, socio-cultural, pedagogical, musical, economic, policy--organized around four broad themes: Emergence and Evolution; Locations and Contexts: Social and Cultural Issues; Experiencing, Expressing, Learning and Teaching; and Competence, Credentialing, and Professional Development. Chapters from a highly diverse group of junior and senior scholars provide analyses of technology and music education through intersections of gender, theoretical perspective, geographical distribution, and relationship to the field. The Oxford Handbook of Technology and Music Education's dedication to diversity and forward-facing discussion promotes contrasting perspectives and conversational voices rather than reinforce traditional narratives and prevailing discourses."-- $c Book jacket
    Note: Literaturangaben
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  • 45
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
    RVK:
    RVK:
    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 46
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190495008 , 9780190495015
    Language: English
    Pages: xxvi, 256 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.6909561
    RVK:
    Keywords: Musik ; Music History and criticism ; Melancholy in music ; Islam ; Heilung ; Affekt ; Klassische Musik ; Melancholie ; Musiker ; Türkei ; Türkei ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Türkei ; Islam ; Klassische Musik ; Musiker ; Melancholie ; Affekt ; Heilung
    Note: Includes bibliographical references and index
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  • 47
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190696979
    Language: English
    Pages: 1 Online-Ressource , Diagramme, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Ethnomusicology ; Musikethnologie ; Musikethnologie
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 48
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 019061689X , 9780190616892 , 0190616881 , 9780190616885
    Language: English
    Pages: 259 Seiten , Illustrationen
    DDC: 780.89
    RVK:
    RVK:
    RVK:
    Keywords: Musikethnologie
    Note: References
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  • 49
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190631987 , 9780190631970
    Language: English
    Pages: xx, 288 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 306.4/842291495
    RVK:
    Keywords: Music Social aspects ; Volksmusik ; Nepali ; Nepal Social life and customs ; Nepal ; Nepal ; Nepali ; Volksmusik
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 50
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199347629
    Language: English
    Pages: xv, 218 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Eliot, Karen, 1957 - Albion's dance
    Parallel Title: Online version Eliot, Karen, 1957- author Albion's dance
    DDC: 792.8/0941
    RVK:
    Keywords: Ballet History 20th century ; Dance History 20th century ; World War, 1939-1945 ; Großbritannien ; Ballett ; Zweiter Weltkrieg
    Note: Includes bibliographical references and index
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  • 51
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199387809
    Language: English
    Pages: 1 Online-Ressource (xxii, 260 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64089680747
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    Keywords: Geschichte 1930-1970 ; Salsa (Music) / New York (State) / New York / 1961-1970 / History and criticism ; Salsa (Music) / New York (State) / New York / 1971-1980 / History and criticism ; Salsa (Music) ; Musikleben ; Salsa ; New York (State) / New York ; New York, NY ; New York, NY ; Salsa ; Musikleben ; Geschichte 1930-1970
    Description / Table of Contents: Includes bibliographical references and index
    Description / Table of Contents: Introduction. Guaracha to mambo : style shifts of the earlier generations (1930-60) -- Pachanga alegre -- La perfectafit -- Boogaloo soul -- Revolt in típico -- Fania's Latin thing -- Salsoul challenges
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 52
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190497071
    Language: English
    Pages: 1 Online-Ressource (293 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.3/6
    RVK:
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    Keywords: Juden ; Judentum ; Musik ; Jews Music ; History and criticism ; Judaism Liturgy ; Kirchengesang ; Judentum ; Neue Medien ; Moderne ; Geistliche Musik ; Liturgie ; Judentum ; Geistliche Musik ; Kirchengesang ; Liturgie ; Neue Medien ; Moderne
    Abstract: Singing God's Words is the first in-depth study of the experience and meaning of chanting or "reading" Torah among contemporary American Jews. This experience has been transformed dramatically in recent years by the impact of digital technology, feminism, the empowerment of lay people and a search for self-fulfillment through involvement with community. At a time when worshippers seek deeper spiritual experience, many Jews have found new meaning in the experience of reading Torah, an act that is broadly accessible to Jewish adults even as it requires intensive immersion with the text of the Bible in Hebrew. This book examines why and how growing numbers of American Jews in all denominations see the public chanting of Biblical texts during the synagogue service as one of the most authentic and personal expressions of their religious identity. Drawing on hundreds of interviews with men and women, both professionals and congregants, Jeffrey A. Summit describes how the reading of Torah embodies their understanding of historical religious practice, even as it is shaped by contemporary views of spiritual experience. Through this act, holiness becomes manifest at the intersection of Biblical chant, sacred text, the individual, and the community. - Jeffrey A. Summit is Research Professor in the Department of Music and Judaic Studies at Tufts University, where he also serves as rabbi and Neubauer Executive Director of Tufts Hillel. He is the author of The Lord's Song in a Strange Land: Music and Identity in Contemporary Jewish Worship (OUP). His CD Abayudaya: Music from the Jewish People of Uganda was nominated for a Grammy Award.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 53
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190245221
    Language: English
    Pages: 1 Online-Ressource (434 Seiten)
    Edition: 2. edition
    Parallel Title: Erscheint auch als Berlin, Edward A., 1936 - King of ragtime
    DDC: 781.645092
    RVK:
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    Keywords: Joplin, Scott ; Joplin, Scott, 1868-1917 ; Composers Biography ; Ragtime music History and criticism ; Joplin, Scott ; 1868-1917 ; Composers ; United States ; Biography ; Ragtime music ; History and criticism ; Joplin, Scott 1868-1917 ; Composers United States ; Biography ; Ragtime music History and criticism ; Joplin, Scott 1868-1917
    Abstract: This volume tells the story of the life and works of Scott Joplin. In its expanded second edition, the book goes far beyond the original publication in uncovering details of the composer's life and insights into his music.
    Note: This edition previously issued in print: 2016. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on April 25, 2016)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 54
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199368242
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Gidal, Marc Meistrich, 1972 - Spirit song
    DDC: 781.7968981
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    Keywords: Batuque music History and criticism ; Quimbanda music History and criticism ; Umbanda music History and criticism ; Batuque (Cult) ; Quimbanda (Cult) ; Umbanda (Cult) ; Porto Alegre (Rio Grande do Sul, Brazil) Religious life and customs ; Pôrto Alegre ; Umbanda ; Makumba ; Batuque ; Spiritualität ; Batuque
    Abstract: This volume explains how a multi-faith community in Brazil uses music both to combine and segregate three Afro-Brazilian religions: Batuque, Umbanda, and Quimbanda. It is a book-length study in English about music in Afro-Brazilian religions, which have synthesized African religions, folk Catholicism, Amerindian traditions, and in some cases European Spiritism.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 27, 2016)
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  • 55
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190263232
    Language: English
    Pages: 1 online resource.
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.967
    RVK:
    Keywords: Music History and criticism ; Music and globalization ; Afrika ; Musik ; Ethnologie ; Globalisierung
    Abstract: The African Imagination in Music offers a fresh introduction to the vast and complex world of Sub-Saharan African music. Through close readings of traditional music and references to popular music, Agawu considers topics including the place of music in society, musical instruments, language and music, and appropriations of African music.
    Note: Includes bibliographical references, discography, filmography and index. - Description based on online resource; title from home page (viewed on February 10, 2016)
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  • 56
    ISBN: 9780199347650 , 9780199347667
    Language: English
    Pages: XIII, 289 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 791.43/6578
    RVK:
    Keywords: Jazz in motion pictures ; Musicians in motion pictures ; Jazz on television ; Musicians on television ; Jazz ; Film ; Jazzmusiker ; Fernsehsendung ; Rezeption ; Konferenzschrift 2011 ; Konferenzschrift 2011 ; Film ; Fernsehsendung ; Rezeption ; Jazzmusiker ; Jazz
    Note: Includes bibliographical references and index
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  • 57
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190263201 , 9780190263218
    Language: English
    Pages: x, 372 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.967
    RVK:
    Keywords: Musik ; Ethnologie ; Globalisierung ; Musikethnologie ; Afrika
    Note: Dscography Seite 335-342 , Videography Seite 343-344 , Bibliography Seite 345-363
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  • 58
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190467845
    Language: English
    Pages: 1 Online-Ressource (xiv, 263 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 781.64094965
    RVK:
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    Keywords: Geschichte 1945-2010 ; Popular music / Political aspects / Albania ; Music and state ; Popular music / Albania / History and criticism ; Musikpolitik ; Entwicklung ; Gesellschaft ; Soziologie ; Staat ; Popmusik ; Albanien ; Hochschulschrift ; Hochschulschrift ; Albanien ; Popmusik ; Staat ; Musikpolitik ; Gesellschaft ; Soziologie ; Entwicklung ; Geschichte 1945-2010
    Abstract: In 'Audible States', Nicholas Tochka traces an aural history of Albania's government through a close examination of the development and reception of light music as it has long been broadcast at an annual song competition, Radio-Television Albania's Festival of Song. Drawing on a wide range of archival resources and over 40 interviews with composers, lyricists, singers, and bureaucrats, Tochka describes how popular music became integral to governmental projects to improve society and a major concern for both state-socialist and post-socialist regimes between 1945 and the present
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 59
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190244545
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 781.62924
    RVK:
    Keywords: Sozialgeschichte ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Musikleben ; Klezmer ; Aschkenasim ; Musik ; Musikalischer Stil ; Tanz ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 60
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199351725
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: Oxford handbooks online
    DDC: 780.89
    RVK:
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    Keywords: Musikethnologie ; Aufsatzsammlung
    Abstract: Twenty-four ethnomusicologists from eleven countries (Australia, Austria, Canada, China, Finland, Malaysia, Slovenia, Sweden, Switzerland, United Kingdom, and United States), balanced in age and gender, have contributed to our Handbook. The chapters, all newly written for this volume, theorize applied ethnomusicology, offer histories, and detail practical examples, with the goal of stimulating further development in the field. Some authors present contrasting case studies that encompass two or more mutually distant places. Some discuss circumstances within their own geopolitical (state) unit, while others base their arguments on their research in faraway countries.
    Note: Previously issued in print: 2015 , Includes bibliographical references and index
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  • 61
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190629267
    Language: English
    Pages: 1 Online-Ressource (xxvi, 220 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42166092
    RVK:
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    Keywords: Radiohead (Musical group) ; Radiohead ; Geschichte 1989- ; Rock music / England / History and criticism ; Rockmusik ; Musikalische Analyse ; Rockgruppe ; Großbritannien ; Radiohead ; Rockmusik ; Musikalische Analyse ; Großbritannien ; Rockgruppe ; Geschichte 1989-
    Abstract: 'Everything in its Right Place' identifies the secret to Radiohead's immense commercial and critical success in the band's ability to navigate a sweet spot between expectation and surprise. The author uses tools from musical perception, semiotics, and music theory to demonstrate this reconciliation of extremes, and analyzes musical meaning with lyrics, biographical details, and intertextual relationships
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 62
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199347698 , 9780199347674 , 9780199347681 , 9780190456825
    Language: English
    Pages: 1 Online-Ressource (xiii, 289 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 791.43/6578
    RVK:
    Keywords: Jazz in motion pictures ; Musicians in motion pictures ; Jazz on television ; Musicians on television ; Rezeption ; Jazz ; Fernsehsendung ; Jazzmusiker ; Film ; Konferenzschrift 2011 ; Konferenzschrift 2011 ; Film ; Fernsehsendung ; Rezeption ; Jazzmusiker ; Jazz
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 63
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190215750
    Language: English
    Pages: 1 online resource , illustrations (black and white), map (black and white)
    Parallel Title: Erscheint auch als
    DDC: 781.490949618
    RVK:
    Keywords: Music Social aspects ; Sound recording industry ; Istanbul ; Volksmusik ; Arrangement ; Tonstudio ; Schallaufzeichnung ; Digitaltechnik ; Soziale Funktion
    Abstract: In one of the first ethnographies of contemporary studio music production, author Eliot Bates investigates the emergence of a transnational market for Anatolian minority popular musics in the Turkish music industry. With its unique interdisciplinary approach, 'Digital Tradition' sets a new standard for the study of recorded music.
    Note: Previously issued in print: 2016. - Includes bibliographical references, discography and index. - Description based on online resource; title from home page (viewed on July 19, 2016)
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  • 64
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190454951
    Language: English
    Pages: 1 online resource
    Parallel Title: Erscheint auch als Manabe, Noriko, 1960 - The revolution will not be televised
    Parallel Title: Print version
    DDC: 781.5920952090512
    RVK:
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    Keywords: Nuclear power plants / Japan / Public opinion ; Protest movements / Japan / History / 21st century ; Fukushima Nuclear Disaster, Japan, 2011 / Songs and music ; Popular music / Political aspects / Japan / History / 21st century ; Protest songs / Japan / 21st century / History and criticism ; Popular music / Political aspects / Japan / History / 21st century ; Protest songs / Japan / 21st century / History and criticism ; Fukushima Nuclear Disaster, Japan, 2 / 11 / Songs and music ; Nuclear power plants / Japan / Public opinion ; Protest movements / Japan / History / 21st century ; Popular music ; Political aspects ; Japan ; History ; 21st century ; Protest songs ; Japan ; 21st century ; History and criticism ; Fukushima Nuclear Disaster, Japan, 2011 ; Songs and music ; Nuclear power plants ; Japan ; Public opinion ; Protest movements ; Japan ; History ; 21st century
    Abstract: Since the Fukushima nuclear power plant disaster, antinuclear activism has swelled into one of the most popular and passionate movements in Japan. 'The Revolution Will Not Be Televised' shows that music played a central role in expressing antinuclear sentiments and mobilizing Japanese political resistance.
    Note: Previously issued in print: 2016. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 5, 2016). - Previously issued in print: 2016. - Zielgruppe - Audience: Specialized
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  • 65
    ISBN: 9780199393756 , 9780199393749
    Language: English
    Pages: xxi, 588 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Artistic citizenship
    DDC: 701/.03
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    Keywords: Arts and morals ; Arts and society ; Aufsatzsammlung ; Musiker ; Künstler ; Soziale Verantwortung ; Soziologie
    Abstract: Foundational Considerations -- Dance/Movement-based Arts -- Media & Technology -- Music -- Poetry/Storytelling -- Theater -- Visual Arts
    Note: Literaturangaben
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  • 66
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190244514
    Language: English
    Pages: xxiv, 412 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.62/924
    RVK:
    Keywords: Sozialgeschichte ; Juden ; Musik ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Klezmer ; Musikalischer Stil ; Aschkenasim ; Tanz ; Musik ; Musikleben ; Osteuropa ; Bibliografie ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major sources principally in Russian, Yiddish, Hebrew, and Romanian from the 16th to the 20th centuries, including interviews with authoritative European-born klezmorim conducted over a period of more than thirty years in America, Eastern Europe, and Israel. In its musical analysis, this book draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. - Walter Zev Feldman is a leading researcher in both Ottoman Turkish and Jewish music. During the 1970s he spearheaded the revival of klezmer music. His book, Music of the Ottoman Court (Berlin, 1996) is taught as a basic text world wide. He is also an authority on East European Jewish dance, forming part of his current research on the role of gesture in the performing arts.
    Note: Includes bibliographical references and index
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  • 67
    ISBN: 9780190259082 , 9780190259075
    Language: English
    Pages: xix, 370 Seiten , Illustrationen, Karten
    Edition: First edition
    DDC: 781.6
    RVK:
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    Keywords: Weltmusik ; Musikleben ; Tradition ; Nachhaltigkeit ; Musikethnologie ; Kulturvergleich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Includes bibliographical references and index
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  • 68
    ISBN: 9780199737642 , 9780199737659
    Language: English
    Pages: xvi, 280 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Resounding transcendence
    DDC: 781.7
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    Keywords: Music Religious aspects ; Music Social aspects ; Music Religious aspects ; Music Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik ; Religion ; Säkularismus ; Transzendenz ; Technologie ; Massenmedien
    Abstract: pt. 1. Liturgy, performance healing. Ensnare the thief in the house of the wind : negotiating musical routes of baul-ness / Bertie Kibreah ; Transcending boundaries: Javanese Wayang Kulit without the shadows / Sarah Weiss ; Variations for new themes : recent liturgical developments of the major Buddhist festivals in Taiwan / Pi-yen Chen ; Voicing the between in Tunisian S'ambeli / Richard C. Jankowsky -- pt. 2. Culture, identity, soceity. Sounds transcendent : gospel music and the negotiation of proximity in Trinidad / Timothy Rommen ; New Christian music in Indonesia : inculturation in transition / Marzanna Poplawska ; Transforming Christian music, transforming social identity in South India / Zoe C. Sherinian -- pt. 3. Media and technology, transmission and transformation. Technology and the transmission of oral tradition in the contemporary Jewish community / Jeffrey A. Summit ; Music, media, message : transitions in contemporary American Evangelical music / Stephen A. Marini -- pt. 4. Europe, secularity, revival. Sacred poetics and musical politics in post-secular Europe / Philip V. Bohlman ; Arvo Pärt and the idea of a Christian Europe : the musical effects and affects of post-ideological religion / Jeffers Engelhardt ; Byzantine blossom : the monastic revival of Orthodox chant at Mount Athos / Tore Tvarnø Lind
    Description / Table of Contents: pt. 1. Liturgy, performance healing. Ensnare the thief in the house of the wind : negotiating musical routes of baul-ness / Bertie Kibreah ; Transcending boundaries: Javanese Wayang Kulit without the shadows / Sarah Weiss ; Variations for new themes : recent liturgical developments of the major Buddhist festivals in Taiwan / Pi-yen Chen ; Voicing the between in Tunisian S'ambeli / Richard C. Jankowsky -- pt. 2. Culture, identity, soceity. Sounds transcendent : gospel music and the negotiation of proximity in Trinidad / Timothy Rommen ; New Christian music in Indonesia : inculturation in transition / Marzanna Poplawska ; Transforming Christian music, transforming social identity in South India / Zoe C. Sherinian -- pt. 3. Media and technology, transmission and transformation. Technology and the transmission of oral tradition in the contemporary Jewish community / Jeffrey A. Summit ; Music, media, message : transitions in contemporary American Evangelical music / Stephen A. Marini -- pt. 4. Europe, secularity, revival. Sacred poetics and musical politics in post-secular Europe / Philip V. Bohlman ; Arvo Pärt and the idea of a Christian Europe : the musical effects and affects of post-ideological religion / Jeffers Engelhardt ; Byzantine blossom : the monastic revival of Orthodox chant at Mount Athos / Tore Tvarnø Lind.
    Note: Includes bibliographical references and index
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  • 69
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199389223
    Language: English
    Pages: 1 Online-Ressource (241 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 782.14
    RVK:
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    Keywords: Kern, Jerome, ; Kern, Jerome ; Geschichte 1900-2000 ; Geschichte ; Geschichte ; Music and race History 20th century ; Sänger ; Aufführung ; Ethnische Identität ; USA ; Kern, Jerome 1885-1945 Show boat ; Sänger ; Aufführung ; Ethnische Identität ; Geschichte
    Abstract: "Who should sing Ol' man river? : the lives of an American song tells the almost eighty-year performance history of a great popular song. Examining over two hundred recorded and filmed versions of Jerome Kern and Oscar Hammerstein II's classic song, the book reveals the power of performers to remake one popular song into many different guises"...Provided by publisher
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 70
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199389186
    Language: English
    Pages: 241 Seiten , Illustrationen
    DDC: 782.14
    RVK:
    RVK:
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    Keywords: Kern, Jerome, ; Kern, Jerome ; Geschichte 1900-2000 ; Geschichte ; Geschichte ; Music and race History 20th century ; Sänger ; Aufführung ; Ethnische Identität ; USA ; Kern, Jerome 1885-1945 Show boat ; Sänger ; Aufführung ; Ethnische Identität ; Geschichte
    Abstract: "Who should sing Ol' man river? : the lives of an American song tells the almost eighty-year performance history of a great popular song. Examining over two hundred recorded and filmed versions of Jerome Kern and Oscar Hammerstein II's classic song, the book reveals the power of performers to remake one popular song into many different guises"...Provided by publisher
    Description / Table of Contents: Includes bibliographical references, discography, and index
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  • 71
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199984183
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: Oxford handbooks online
    DDC: 303.376
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    Keywords: Musik ; Zensur ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This volume is a collection of thirty in-depth studies of music censorship from the eighth century to the present and covers music ranging from Gregorian chant to eighteenth-century opera to contemporary pop music. It includes studies from every continent and consists of six sections: Censorship and Religion; Censorship During the Enlightenment; Censorship in Transitional Governments; Censorship in Totalitarian States; Censorship in Democracies; and Censoring Race, Gender, and Sexual Orientation.
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 72
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199334681 , 9780199334698
    Language: English
    Pages: xvii, 433 Seiten , Illustrationen
    DDC: 781.5/920952090512
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    Keywords: Kernkraftwerk Fukushima ; Geschichte 2011-2015 ; Antikernkraftbewegung ; Protestsong ; Popmusik ; Kerntechnischer Unfall ; Musik ; Politischer Protest ; Japan
    Note: Literaturverzeichnis: Seite 403-417
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  • 73
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 0199794588 , 0199397546 , 9780199794584 , 9780199397549
    Language: English
    Pages: 1 Online-Ressource (xvi, 151 Seiten)
    Series Statement: Very short introductions
    Parallel Title: Erscheint auch als Rice, Timothy, 1945 - Ethnomusicology
    DDC: 780.89
    RVK:
    RVK:
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    Keywords: Ethnomusicology ; MUSIC ; Genres & Styles ; Classical ; MUSIC ; Reference ; Ethnomusicology ; Electronic books ; Einführung ; Musikethnologie
    Abstract: Defining ethnomusicology -- A bit of history -- Conducting research -- The nature of music -- Music and culture -- Individual musicians -- Writing music history -- Ethnomusicology in the modern world -- Ethnomusicologists at work
    Note: Includes bibliographical references and index
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  • 74
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199984701
    Language: English
    Pages: 1 Online-Ressource (xxiii, 481 Seiten)
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of Sondheim studies
    DDC: 780
    RVK:
    Keywords: Sondheim, Stephen Criticism and interpretation ; Sondheim, Stephen ; Sondheim, Stephen ; Criticism and interpretation ; Aufsatzsammlung ; Sondheim, Stephen 1930-2021 ; USA ; Komponist ; Musical
    Abstract: This handbook examines the scope and ambition of Stephen Sondheim's musicals by drawing on the perspectives of musicological and dramaturgical scholars, literary and film critics, and musical theatre practitioners. Consisting of twenty-seven essays, it analyses Sondheim's radical re-invention of the artistic form of the Broadway musical in response to various traditions of artistic innovation and popular entertainment and how his work with several collaborators has radically transformed the history of American musical theatre.
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  • 75
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199984619
    Language: English
    Pages: 1 Online-Ressource (xii, 701 Seiten)
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of music revival
    DDC: 780.9
    RVK:
    Keywords: Music History and criticism ; Music ; History and criticism ; Aufsatzsammlung ; Musik ; Tradition ; Erneuerung ; Kulturvergleich ; Geschichte
    Abstract: Why is music from the past significant today and how has it been transformed to suit new values and agendas? This volume examines the globally recurrent cultural processes of revival, resurgence, restoration, and renewal.
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  • 76
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199367504
    Language: English
    Pages: 1 Online-Ressource (XVII, 302 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/924043
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1945-2014 ; Juden ; Musik ; Jews Music History and criticism ; Music History and criticism 20th century ; National socialism and music ; Judentum ; Kollektives Gedächtnis ; Musik ; Deutschland ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Judentum ; Musik ; Kollektives Gedächtnis ; Geschichte 1945-2014
    Abstract: This title draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. Jewish music - a highly debated topic - encompasses a multiplicity of musics and cultures, reflecting an inherent and evolving hybridity and transnationalism. German culture refers to an equally diverse concept that, in this volume, includes the various cultures of prewar Germany, occupied Germany, the divided and reunified Germany, and even 'German (Jewish) memory,' which is not necessarily physically bound to Germany.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 77
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190268305
    Language: English
    Pages: 1 Online-Ressource (XIV, 361 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64809
    RVK:
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    Keywords: Geschichte ; Industrial music History and criticism ; Industrial Rock ; Electronic books ; Electronic books ; Industrial Rock ; Geschichte
    Abstract: Noisy, confrontational, and controversial, industrial music first emerged in the mid-1970s around bands and performance groups who combined avant-garde electronic music with the provocative attitude and style of punk rock. In its early days, bands such as Throbbing Gristle and Cabaret Voltaire produced a genuinely radical form of music bent on recontextualizing the signs and methods of cultural authority in an attempt to liberate listeners from the trappings of modernity. But, as industrial music took on more and more elements of popular music over the course of the 1980s it slowly abandoned its mission. By the mid-1990s, it was seen as simply another style of pop music, and had ironically fallen into the trappings it sought by its very existence to destroy. In "Assimilate", S. Alexander Reed provides the first ever critical history of this fascinating and enigmatic genre tracing industrial music's trajectory from Throbbing Gristle's founding of the record label Industrial Music in 1976, to its peak in popularity on the back of the band Nine Inch Nails in the mid-1990s, and through its decline to the present day. Through a series of revealing explorations of works spanning the entirety of industrial music's past, and drawing on extensive interviews with musicians, record label owners, DJs, and concert promoters, Reed paints a thorough historical picture that includes not only the bands, but the structures that supported them, and the scenes they created. In so doing, he reveals an engaging story of an ideological disintegration and its aftermath. The definitive text on the genre, "Assimilate" is essential reading for fans of industrial music, and scholars and students of popular music alike.
    Note: Published to Oxford Scholarship Online: May 2015
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 78
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199983667
    Language: English
    Pages: 1 Online-Ressource (xii, 683 Seiten) , Illustrationen
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of film music studies
    Parallel Title: Erscheint auch als The Oxford handbook of film music studies
    DDC: 781.5/42
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    Keywords: Motion picture music History and criticism ; Motion picture music ; History and criticism ; Aufsatzsammlung ; Filmmusik
    Abstract: This title gathers two dozen original essays that chart the history and current state of interdisciplinary scholarship on music in audiovisual media, focusing on four areas: history genre and medium, analysis and criticism, and interpretation.
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  • 79
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199984923
    Language: English
    Pages: 1 Online-Ressource (XV, 683 Seiten)
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of topic theory
    DDC: 780.9/033
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    Keywords: Music History and criticism 19th century ; Music ; 19th century ; History and criticism ; Aufsatzsammlung ; Musikalische Form ; Thema ; Geschichte 1700-1800
    Abstract: 'The Oxford Handbook of Topic Theory' grounds the concept of topics in eighteenth-century music theory, aesthetics, and criticism; documents historical reality of individual topics on the basis of eighteenth-century sources, traces the origins of topical mixtures to transformations of eighteenth-century musical life, and relates topical analysis to other kinds of music analysis conducted from the perspectives of composers, performers, and listeners. It lays the foundation under further investigation of musical topics in the nineteenth, twentieth, and twenty-first centuries.
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  • 80
    ISBN: 9780199940714
    Language: English
    Pages: 1 Online-Ressource (ix, 470 Seiten)
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of the American musical
    DDC: 782.140973
    RVK:
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    Keywords: Musicals History and criticism ; Musicals ; United States ; History and criticism ; Aufsatzsammlung ; USA ; Musical ; Geschichte
    Abstract: This text presents keywords and critical terms that deepen analysis and interpretation of the musical. Taking into account issues of composition, performance, and reception, the book's contributors bring a range of practical and theoretical perspectives to bear on their considerations of American musicals.
    URL: Volltext  (lizenzpflichtig)
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  • 81
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 0195146662 , 0195146670 , 9780195146677
    Language: English
    Pages: xviii, 123 Seiten , Illustrationen
    Additional Material: 1 CD
    Series Statement: Global music series
    DDC: 780.973
    RVK:
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    Keywords: Music History and criticism ; United States ; United States Social life and customs
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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