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  • 1
    Online-Ressource
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031426414
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 293 p. 8 illus., 4 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Animals and Literature
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    Schlagwort(e): European literature ; Ecocriticism. ; Poetry. ; Europe ; Animal welfare
    Kurzfassung: Chapter 1. Introduction : Edmund Spenser and Animal Studies -- Chapter 2. Did Edmund Dream of Shorthaired Sheep? -- Chapter 3. Spenser, Marine Life, and the Metaphysics of Extinction: Overfishing and the True Monsters of the Deep -- Chapter 4. The Politics of Hunting: An Aristotelian Reading of Edmund Spenser’s Amoretti 67 -- Chapter 5. Errour’s Repercussions: Dragons, Race, and Animality in The Faerie Queene -- Chapter 6. Spenser’s ‘apish crue’: Aping in Prosopopoia or Mother Hubberds Tale -- Chapter 7. Scorned Little Creatures?: Insects and Genre in Complaints (1591) -- Chapter 8. Spenser’s Parenthetical Butterflies -- Chapter 9. Good to think [with]’: Spenser’s Animals Against Materiality -- Chapter 10. A Fruitful-Headed Beast?: Rhyme in The Faerie Queene -- Chapter 11. Coursers and Courses in The Faerie Queene -- Chapter 12. Spenser’s Wings -- Chapter 13. Coda.
    Kurzfassung: This book is the first extended critical study of the early modern poet Edmund Spenser from the perspective of animal studies. With an introduction situating Spenser in current discussions of animal life and literary form, and early modern animal studies, the book proceeds in four sections: “Animals and Cultural Practices”; “Animals, Slavery, and Race”; “Animals in Complaints”; “Readers and Poetics in The Faerie Queene”. Contributors discuss a broad range of Spenser’s work, putting it into dialogue with a number of early modern discourses, including politics, poetics, and natural history.
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  • 2
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031495403
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XII, 195 p. 1 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature, Modern ; Poetry. ; Literature. ; Culture
    Kurzfassung: Chapter 1: ‘While Yet a Boy I Sought for Ghosts’: Contexts -- Chapter 2: ‘Rending the Veil of Mortal Frailty’: Queen Mab (1813) -- Chapter 3: ‘Who Lifteth the Veil of What is to Come?’: Alastor (1816) -- Chapter 4: ‘And is This Death?’: ‘Seeing’ the Unseen, and Visionary Experimentation (1816-20) -- Chapter 5: ‘Where the Eternal Are’: Adonais (1821) -- Chapter 6: Shadows and Dreams: Conclusions.
    Kurzfassung: “Andrew Lacey’s original approach to Shelley’s poetic practice and thought offers a timely reconsideration of the poet’s conceptualisation and treatment of death. This focus on death in Shelley’s artistic vision reveals fresh connections between those familiar and lesser-known poetic works. Lacey’s persuasive readings remain alert throughout to telling philosophical, scientific, textual, and biographical details.” — Professor Mark Sandy, Durham University, UK This book provides the first modern, in-depth analysis of Percy Bysshe Shelley’s engagement with the phenomenon of death. It argues that, for Shelley, this most nebulous of realities represents, first and foremost, possibility: Shelley’s poetic writings on death are both numerous and varied, presenting his reader, with differing degrees of confidence over the course of his brief but brilliant career, with several key visions of what death might be or actually is. Shelley’s Visions of Death stresses the seldom-appreciated fact that death was one of Shelley’s most enduring preoccupations, and also demonstrates the poet’s power to imagine, with startling variety, that which lies beyond the boundaries of experience. Andrew Lacey is a scholar of the literature and culture of the Romantic period. In the last decade, he has worked as Senior Research Associate, on the Davy Notebooks Project and the Davy Letters Project, in the Department of English Literature and Creative Writing at Lancaster University, UK. He assisted in the preparation of The Collected Letters of Sir Humphry Davy (4 volumes, 2020) and Volume Four of The Poems of Shelley in the Longman Annotated English Poets series (2014). He is Co-Editor of Nineteenth-Century Contexts: An Interdisciplinary Journal, and a former winner of the Keats-Shelley Memorial Association Keats-Shelley Prize.
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  • 3
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031520341
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXXVIII, 194 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Critical Approaches to Children's Literature
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    Schlagwort(e): Children's literature. ; Interpretation, Literary. ; People with disabilities
    Kurzfassung: Introduction: Worlds of Difference -- Chapter 1 -Goblin-ology: Eugenics and hysterisation in George MacDonald's The Princess and the Goblin (1872) -- Chapter 2 -"Lonely, tender, passionate heart": Melancholy and Isolation in Dinah Mulock Craik's The Little Lame Prince and his Traveling Cloak (1875) -- Chapter 3 -Building Beasties: Disability, Imperialism and Violence in William Golding's Lord of the Flies (1954) -- Chapter 4 -On the Fringes: John Wyndham's The Chrysalids (1955) and Technologies of the Self -- Chapter 5 -"A Perversion of Nature? How Exciting!": Tim Burton's Edward Scissorhands (1990), the Freak, the Monster and the Limits of Inclusion -- Chapter 6 -"Blind. Deaf. Disabled. Wheelchair": Community, History and Resistance in Jane Stemp's Waterbound (1995) -- Chapter 7 -"This Magic Keeps Me Alive, but it's Making Me Crazy!": Amputation, Madness and Control in Adventure Time (2009-2018) -- Chapter 8 -"Loss is Loss is Loss": Embodying the Family-as-Trauma in Julianna Baggott's Pure (2012).
    Kurzfassung: This book takes up the task of mapping discursive shifts in the representation of disability in dystopian youth texts across four historical periods where major social, cultural and political shifts were occurring in the lives of many disabled people. By focusing on dystopian texts, which the author argues act as sites for challenging or reinforcing dominant belief systems and ways of being, this study explores the potential of literature, film and television to act as a catalyst of change in the representation of disability. In addition, this work discusses the texts and technologies that continue to perpetuate questionable and often competing discourses on the subject.
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  • 4
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031400339
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XII, 213 p. 31 illus., 18 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Close Readings in Film and Television
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    Schlagwort(e): Motion pictures. ; Motion pictures ; Gender identity in mass media.
    Kurzfassung: Introduction -- Chapter 1 – Découpage: Building the House -- Chapter 2 – Mise-en-scène: Visualising the Rooms -- Chapter 3 – Sound: Creating Invisible Rooms -- Chapter 4 – Editing: Reconstructing the House -- Conclusion.
    Kurzfassung: This book explores visions of home in cinema and the ways in which women inhabit the onscreen realm. Looking closely at a range of films made between 1936 and 2013, it examines how filmmakers reconfigure studio sets and real locations through the filmmaking process into mutable onscreen domains imbued with depth, metaphor, and expressivity. The book studies the films through the lens of four filmmaking processes in particular: découpage, mise-en-scène, sound and editing. Close analysis reveals how filmmakers use these cinematic ‘building blocks’ to shape onscreen worlds charged with emotion and animated by the warp and weft of psychic life. Images of home abound in the cinema, and women frequently find themselves at the core of both structures. Drawing on recent spatial and feminist enquiry, the book reviews the idea of home as a fixed and stable location and illustrates how the art of cinema is well equipped to explore home as an imaginary as well as a material realm. With its emphasis on film practice as a route into critical reflection, this book will be of interest to filmmakers, film theorists and those who simply want to understand more about how films work. Louise Radinger Field is a filmmaker and writer living in London. She has a PhD in film from the University of Reading.
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  • 5
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031478314
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVI, 313 p. 23 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Literature, Culture and Human Rights
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    Schlagwort(e): Motion picture plays, European. ; Culture ; Emigration and immigration. ; Literature. ; Europe
    Kurzfassung: 1. Introduction -- Part I Art and Activism by and with Refugees -- 2. The Trojans Project: Therapeutic Drama from Syria to Scotland -- 3. Channelling and Challenging the ‘imperative to tell’: Reflections on Negotiating Representations of Refugeeness from Practice-Based Performance Research -- 4. ‘To live well is to story well’: Co-writing and Polyphonic Writing with Denmark’s Asylum Community -- 5. Life in Detention: Journey and Border -- 6. Carceral Witnessing and the Spatial Imagination -- Part II Challenging Representations of Refugees -- 7. ‘She is the meteor and I, her space’: Co-Becoming and Biopolitical Trauma in Chris Abani’s Becoming Abigail -- 8. Unsettled: Narrative Strategies in Exhibitions About the ‘Refugee Crisis’ -- 9. Archaeologies of Nonentity in Aki Kaurismäki’s The Other Side of Hope -- 10. Beyond Objectifying the Humane: Memory in Media and Political Genres -- 11. Wolves in the Sanctuary: Ecopolitics and Forced Migration in the Literature of the Anthropocene -- 12. Remapping the Borderlands of Britain: The Calais “Jungle” and the Enduring Legacy of Imperial Frontier Policing -- .
    Kurzfassung: This book engages with current debates around refugeedom by examining cultural production that represents and interrogates the construction of refugees and the refugee experience on the borders of contemporary Europe. The refugee subject is produced by discursive regimes and border practices inherited from colonial projects that construct the diametrically opposed concepts of citizen and refugee, and their attendant administrative sub-categories. In the early twenty-first century these categories have been strengthened by the politicisation of forced migration and the hardening of ‘Fortress Europe’. While the predominant response to the increasing numbers of refugees seeking asylum in Europe has been to harden the borders (regime), on the one hand, or to stress the common humanity of those displaced (refuge), on the other, this volume argues that both approaches result in refugees becoming objectified, othered, and abstracted as vectors of exile. It explores what recent cultural production can achieve in engaging with and representing issues of dispossession, detention and resettlement, and probes the limits of artistic potential to mediate the refugee experience. It examines transnational approaches to cultural production that both occupy and exceed the borders of Europe, with a focus on borderscapes, spaces of detention, and (neo-)colonialism. Bringing together original contributions from an international range of scholars, it analyses contemporary textual and visual representations of forced migration to argue that other forms of solidarity and hospitality towards refugees in Europe and beyond must be possible. Dr Fiona Barclay is Senior Lecturer in French Studies at the University of Stirling, UK. She has published widely on memories of colonial and postcolonial migration, including Writing Postcolonial France: Haunting, Literature, and the Maghreb (Lanham, MD: Lexington Books, 2011), and France's Colonial Legacies: Memory, Identity and Narrative (Cardiff: University of Wales Press, 2013). Dr Beatrice Ivey is a Learning Designer at the University of Leeds, UK. As a researcher in French and Francophone Studies her work explores the transcultural memory of French colonialism across literatures from France and North Africa.
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  • 6
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031522840
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XII, 188 p. 1 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Bernard Shaw and His Contemporaries
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    Schlagwort(e): Theater ; Literature, Modern ; Drama.
    Kurzfassung: Chapter 1: Introduction -- Chapter 2: Love and Marriage -- Chapter 3: Morals and Manners -- Chapter 4: Comedies of Realism and Romance -- Chapter 5: The Theatre of War -- Chapter 6: Deeper Waters -- Chapter 7: Drama and Contemporary Society -- Chapter 8: Post-War Drama and Fiction -- Chapter 9: Last Plays -- Chapter 10: The Entertainer.
    Kurzfassung: Discussions of Coward’s achievement in the theatre between 1920 and 1966 have tended to stay with the colourful biography. The more analytical literary approach adopted here places Coward’s success in its wider theatrical context, making the connections with the work of other dramatists. He developed his technique according to what worked with theatre audiences. Taking up the well-made play, he brought in a more colloquial dialogue, explored, for instance, the morality and psychology of marriage and free love, and frequently exploited the dramatic possibilities of characters grouped into two camps. The book considers both the ‘pleasant’ and ‘unpleasant’ plays (to use the Shavian terms), and the episodic patriotic plays. It Includes Coward’s ambivalent approach to the ‘theatre of war’ in the 20th century. (123) Roger Kojecky: After an Oxford University English Faculty D. Phil. he held teaching positions in Tokyo and London University (lecturing on drama). He has been Secretary of the Christian Literary Studies Group, Oxford, and edits The Glass, covering a range of academic literature with articles and reviews. .
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  • 7
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031472114
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 353 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Italian and Italian American Studies
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    Schlagwort(e): Motion pictures, American.
    Kurzfassung: Chapter 1/Introduction Daniele Fioretti and Fulvio Orsitto -- PART I -THE IMMIGRANT EXPERIENCE :Silent Films -- Chapter 2 Races to the Rescue in an Ethnic Urban Milieu: D.W. Griffith and the Biograph Italian Dramas Irene Lottini -- Chapter 3The Italian (1915) and the Representation of Italian Immigrants in Silent American Cinema Bernard Kuhn Revising Gender and Ethnic Perspectives -- Chapter 4: Italianness and Foundational Masculinity in Edward Dmytryk’s Rendition of Pietro Di Donato’s Christ in Concrete Gloria Pastorino -- Chapter 5 A Sting from the Past: Femininity and Ethnic Roots in Helen De Michiel’s Tarantella (1995) Daniele Fioretti -- Chapter 6: The Celluloid Closet: Sex, Power, and Coming Out Repression of the Italian American Closet in Nunzio’s Second Cousin (1994), Kiss Me, Guido (1997), and Mambo Italiano (2003) Ryan Calabretta-Sajder -- Chapter 7From True Love (1989) to Union Square (2011): Recovering the Exploded Family in Nancy Savoca’s Films Gloria Pastorino -- Chapter 8: A Realistic Tale of Improbable Friendship. Notes on Matthew Bonifacio’s Amexicano (2007) Claudia Peralta and Fulvio Orsitto -- PART II - ITALIAN AMERICANS IN OTHER MEDIA -- Chapter 9: Italian American Gangsters Taking on a New Line of Work in Luc Besson’s The Family (2013) Rosetta Caponetto Giuliani -- Chapter 10: The Transnational Puppet: From Italy and Back Federico Pacchioni -- Chapter 11: Comfortable and Uncomfortable Fictions: Italian Americans in the First Decades of Television Fulvio Orsitto -- Chapter 12: Looking Back, Moving Forward: Italian Americans on Television from the 1970s to the1990s Fulvio Orsitto -- Chapter 13: Italian Americans on Television in the New Millennium: From Small to Smaller Screen(s) Fulvio Orsitto -- Chapter 14: The Goddess and the Huntress: Diana and DC’sHelena Bertinelli Felice Italo Beneduce -- Chapter 15: CNN’s Searching for Italy: Stanley Tucci as Foodways Icon Alan J. Gravano -- Chapter 16: Chef/Cook, Influencer, Mixologist, Travel Host: Stanley Tucci as Everyman Alan J. Gravano -- Chapter 17: An Unlimited Memeiosis of The Godfather: Diachronic and Synchronic Observations of a Pervasive and Ubiquitous Meme Anthony Dion Mitzel -- PART III - INTERVIEWS -- Chapter 18: Interview with Helen De Michiel Daniele Fioretti -- Chapter 19: Interview with Tony Vitale Daniele Fioretti -- Chapter 20: Interview with Michela Musolino Daniele Fioretti -- Chapter 21: Interview with Anthony Julian Tamburri Ryan Calabretta-Sajder.
    Kurzfassung: Italian Americans in Film and Other Media examines the representation of the Italian immigrant experience from D.W. Griffith’s Biograph Italian Dramas (1908-1913) to the present day. Building on the editors’ previous volume Italian Americans in Film, this collection broadens their scope to address marginalized aspects of Italian Americanness, including the work of women directors and depictions of same-sex relationships. The book consists of three parts. Part I, “The Immigrant Experience”, focuses on feature films and is divided into two sections: “Silent Films” (which analyses some of Griffith’s early films and Barker’s The Italian, 1915), and “Revising Gender Perspectives”, which includes chapters focusing on single films – such as Dmytryk’s Christ in Concrete (1949), De Michiel’s Tarantella (1995), and Bonifacio’s Amexicano (2007) – and survey essays that discuss the Italian American ‘celluloid closet’ and some of Savoca’s films. Part II, “Italian Americans in Other Media”, offers a wide range of essays informed by different approaches that investigate the immigrant experience in terms of transmediality and transnationality. The types of media examined in this section include television and graphic novels as well as puppetry, Instagram, and Internet memes. Part III contains interviews with Italian American scholars, movie directors, and performers. Together, the contributions to this collection demonstrate the vitality, mutation, and persistence of Italian Americanness in visual media. Daniele Fioretti is Associate Teaching Professor of Italian at Miami University, USA. He is the author of Utopia and Dystopia in Postwar Italian Literature (2017) and Carte di fabbrica. La narrativa industriale in Italia 1934-1989 (2013). He co-edited the book Italian Americans in Film: Establishing and Challenging Italian American Identities (2022). Fulvio Orsitto is Director of the Georgetown University campus in Fiesole, Italy. He has published more than thirty essays and book chapters on Italian and Italian American literature and cinema, and has edited and co-edited ten volumes, including Pasolini: American Perspectives (2015), TOTalitarian ARTs: The Visual Arts, Fascism(s) and Mass-society (2017), and Italian Americans in Film: Establishing and Challenging Italian American Identities (2022).
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  • 8
    ISBN: 9783031493867
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIX, 373 p. 3 illus., 1 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature ; Literature ; Knowledge, Theory of.
    Kurzfassung: 1: Introduction (Davor Beganović, Zrinka Božić, Andrea Milanko, and Ivana Perica) -- PART I: SYNECDOCHIC PROCEDURES -- 2: Analytical vs Synthetic Theories in 1920s Russia (Aage A. Hansen-Löve) -- 3: The Leopard in the Temple: Svetozar Petrović and the Zagreb School (Predrag Brebanović) -- 4: An Analysis of Cultural Icons: A Synecdochic Procedure (Dagmar Burkhart) -- 5: The Points of No Return: The Avant-Garde and the Institutional Crisis (Marina Protrka Štimec) -- PART II: PROCEDURES OF ACCOUNTABILITY -- 6: Inter-esse: Narrative, Theory, and the Stakes of Literature (Tomislav Brlek) -- 7: Studying Literary Multilingualism, Revisiting National Philology: Post-Imperial East-Central European Literature as a Testing Ground (Stijn Vervaet) -- 8: The Rhetoric of the Unsayable (Renate Lachmann) -- 9: Reading the Cultural Trauma: Újvidék Raid (Nevena Daković) -- PART III: PROCEDURES OF MATERIALISM 172 -- 10: The Economies of Theory and Resistance (Stipe Grgas) -- 11: Procedures of Synthesis: Mannheim’s and Lukács’s Third Ways (Ivana Perica) -- 12: On the Heuristic Validity of Aesthetics: Economy, Media and Power in Arkadij and Boris Strugatskijs’ Monday Begins on Saturday (1965) (Jurij Murašov) -- 13: Justice and Guilt: Death and the Dervish by Meša Selimović (Davor Beganović) -- PART IV: MASTERING PROCEDURE -- 14: Is Literary Theory Possible? Interpreting Crisis, Mastering Procedures (Zrinka Božić) -- 15: Literature’s Theories (Svend Erik Larsen) -- 16: Literary Theory and the Return of the Lyric (Andrea Milanko) -- PART V: RESISTING PROCEDURES -- 17: On Halt! (Vivian Liska) -- 18: Writing the Theoria: Genre occidental, Jean-Luc Nancy and Pascal Quignard, a Footnote to Plato’s Seventh Letter, 344c (Nenad Ivić) -- 19: The Stereoscopic Effects of Theory: Procedures of Contingency or Contingencies of Procedure? Notes on the Relationship Between Speculative Realism and Aleatory Materialism (Aleksandar Mijatović).
    Kurzfassung: This volume explores the state of literary theory today, decades after the repeatedly proclaimed end of theory. It builds on the idea that theory is historically constituted as it is “always becoming something else” as Leslie Fiedler claimed in the 1950s, arguing that the historical constitution of theory relies on theory’s procedural nature. In order to assess theory’s procedural challenge to the fundamental notions that all the disciplines within an episteme have brought to the fore, it addresses these questions: What are the procedures theory has relied on? Are they a secret to its resistance, or is resistance its primary procedure? And if so, a resistance to what? Secondly, if resistance were theory’s principal vehicle, at which point does resistance, conceptualized only procedurally (as resisting something, questioning anything, criticizing whatever), display hallmarks of a disciplinary closure that must call for new resistances, and perhaps for a fundamentally another kind? The book turns to what theory does in order to avoid a partial answer to what theory is. Davor Beganović is Lecturer in the Slavic Department of the University of Tübingen and a Research Fellow at the Slavic Department of the University of Münster, Germany. He is the author of Pripovijedanje bez kraja: "Hrvatska pripovjedačka Bosna" od Ive Andrića do Nebojše Lujanovića (2022). Zrinka Božić is an Associate Professor of Literary Theory and History in the Faculty of Humanities and Social Sciences at the University of Zagreb, Croatia. She is the author of The Community in Avant-Garde Literature and Politics (2022). Andrea Milanko is an Assistant Professor of Literary Theory and History in the Faculty of Humanities and Social Sciences at the University of Zagreb, Croatia. She is the author of Pripovjedna proza Slobodana Novaka (forthcoming). Ivana Perica is Postdoctoral Researcher at the Leibniz Center for Literary and Cultural Research (ZfL), Berlin, Germany, and author of Die privat-öffentliche Achse des Politischen: Das Unvernehmen zwischen Hannah Arendt und Jacques Rancière (2016).
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  • 9
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031541322
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 156 p. 10 illus., 9 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Macmillan Memory Studies
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    Schlagwort(e): Collective memory. ; Ethnology ; Culture.
    Kurzfassung: Chapter 1: Introduction -- Chapter 2: Memory and scales: culture, institutions, and interaction -- Chapter 3: Shifting memory narratives: the macro-meso link -- Chapter 4: Meso-processes: outsourcing the administration of European memory -- Chapter 5: Micro-level implementation: the politics of situations -- Chapter 6: Epistemic authority in the micro-details of pedagogical memory discourse -- Chapter 7: Conclusion.
    Kurzfassung: This book investigates the entanglement of memory and morality in an extended case study of the memory policy of the European Commission between 2014 and 2020. The main empirical aim is to provide an understanding of how the European Commission, various non-governmental intermediary institutions (including the Memory Studies Association and Euroclio) and, in the end, participants in policy projects, attribute meaning to the past and connect that past with specific norms and values. The book queries how the European Commission turns more general cultural memories into concrete moral discourses in its memory policy; how these policies are institutionally operationalised; what draws these institutions to the European Commission’s memory policy; and what happens when individual citizens are exposed to the outcomes of those policy projects. Theoretically, Outsourcing the European Past integrates theories from cultural sociology, political science, cultural studies and sociolinguistics in an innovative theory of memory. Thomas Van de Putte, PhD, is Postdoctoral Researcher at King’s College London. His first book, Contemporary Auschwitz/Oswiecim: a synchronic, interactional approach to collective memory was published in 2021. He works on questions of cultural and collective Holocaust memory, combining perspectives from sociology, linguistics and cultural studies.
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  • 10
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031459368
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 229 p. 4 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature, Modern ; Literature, Modern ; Comparative literature. ; European literature. ; America ; Literature.
    Kurzfassung: 1. WAYS OF BELONGING -- 2. NAOMI FONTAINE’S INDIGENOUS WRTING: SELF, COMMUNITY, SOCIETY -- 3. ABLA FARHOUD: MONTREAL MIGRATIONS AND THE GHOST OF LEBANON -- 4. ANITA ALOISIO AND AKOS VERBOCZY: CHILDREN OF LA LOI 101 -- 5 CONCLUSION: INSCRIBING HOME IN QUÉBEC.
    Kurzfassung: This book focuses on modes of cultural belonging in Québec. It looks at recent literary memoir, autobiographical fiction, and documentary testimony. Through four in-depth case studies of cultural creators, one Indigenous and three non-Indigenous, Dervila Cooke discusses multicultural and ethnically diverse society in Québec, examining current tensions, challenges, and opportunities. Works studied range from Abla Farhoud’s first novel in 1998 to Anita Aloisio’s 2022 documentary film Calliari QC. Topics include the desire for freedom to self-ascribe and enact cultural identity, self-reinvention through fiction, expressions of Indigeneity in Naomi Fontaine, the term “Québécois”, especially after Bill 21, and the thorny question of integration of immigrants, discussed in relation to Akos Verboczy’s Rhapsodie québécoise. As with the companion volume on France, societal factors are discussed, here relating to the cultural renaissance of Indigenous writing, Farhoud’s Libano-Québécois context, and language laws in Québec, including the foundational Bill 101 and the more recent Bill 96. Dervila Cooke teaches in the School of Applied Language and Intercultural Studies at Dublin City University, Ireland. She is the author of Present Pasts: Patrick Modiano's (Auto) Biographical Fictions (2005) and editor of New Work on Immigration and Identity in Contemporary France, Québec and Ireland (2016), and of Modiano et l’image (2012).
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  • 11
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031404948
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXV, 802 p. 6 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature, Modern ; Women ; Sex. ; Latin American literature. ; European literature.
    Kurzfassung: 1. Transnational Flows: Women Writing in the Long Nineteenth Century Clorinda Donato and Claire Emilie Martin -- 2. Women across Boundaries: Transnational Exchanges in Nineteenth-Century Europe; Rewriting Women’s History from a Transnational Perspective -- 3. Transatlantic Networks against Cultural Periphery: The Baroness of Wilson’s Canon and the Spanish and Latin American Women of Letters in the Nineteenth Century -- 4. Transnational Identities and Translated Agencies: From Madame de Staël’s Corinne, oul’Italie (1807) to Kim Ragusa’s The Skin between Us: A Memoir of Race, Beauty, and Belonging (2006) -- 5. The Confessions of the Countess Merlin and Jean-Jacques Rousseau: Writing as the Essential Adventure of Their Lives -- 6. “Tutto il sesso femminino per mia bocca v’intima Guerra” (Through My Mouth, the Entire Female Sex Declares War on You), Signed: A European Woman -- 7. Angelica Palli and Alessio: Love and Patriotism in the Early Italian Historical Novel -- 8. The Transatlantic Experience in the Construction of Flora Tristan’s Authorial Posture: From Pariah to Female Messiah -- 9. El baúl de Miss Florence: (Re)imagining the Past; Women’s Travel Literature and the Sweet Tyranny of the Sugar Haciendas in Puerto Rico -- 10. Romantic Cartographies: La Condesa de Merlin’s Colonial Havana and the View from the Harbor -- 11. Matilde Serao, Flânerie and Women in Urban Spaces -- 12. The Fourth Estate in Petticoats -- 13. The Twenty-Year Journey: Flavia Steno’s La Chiosa and the French Daily Newspaper La Fronde -- 14. Women Readers in Nineteenth-Century Mexico: A Study of the Periodicals Las Hijas del Anáhuac, El Álbum de la Mujer, and Violetas del Anáhuac -- 15. Clorinda Matto de Turner’s Tradiciones cuzqueñas: A Writer’s Perspective -- 16. Luck of the Draw: Gambling, Marriage, and the Labor Economy in Clorinda Matto de Turner’s Herencia -- 17. Clorinda’s Cosmopolis: Crisis, Reinvention, and the Birth of Búcaro Americano -- 18. Adapting Economic Strategies to a Changing World in María del Pilar Sinués’s La dama elegante (1880) -- 19. Hiding in Plain Sight: Feminism and Geopolitical Commentary in Fernán Caballero’s La corruptora y la buena maestra (1868) -- 20. Epistolary and Commodity Exchanges in Nineteenth-Century Argentina, or Mariquita Sánchez de Mendeville’s Agency -- 21. Solitary Confinement in Rachilde’s La Tour d’amour: Dehumanization and Madness of the Buried Alive -- 22. Towards New Models of Femininity in the Works of Virginia Elena Ortea -- 23. In Defense of Women’s Progress and Freethinking: Amalia Domingo Soler, Eugenia Estopa and Dolores Navas -- 24. Writing about the Unspeakable: Gendered Violence in the Nineteenth Century -- 25. Women Worthies? Ascriptions of Masculinity to Exceptional Women Writers in Early Nineteenth-Century Italy -- 26. “Doña María Dolores López, Vecina of Tehuacán” or the Case of a Too-Soon Forgotten Nineteenth-Century Mexican Woman Writer -- 27. Annie Vivanti’s Multicultural Identity and the Shaping of the Artist’s Body -- 28. The “Alpine Sybil”: Her Verses and Prose Between Arcadia and Romanticism (the Italian Way) -- 29. Gender Fluidity, the Crisis of Care, and Ecocriticism in George Sand’s François le champi -- 30. What Have You Done Philately? Stamps and the Death of the Liberal Dream in Carmen de Burgos’ Don Manolito (1916) -- 31. Transnational Emancipationism: Fanny Salazar Zampini's Commitment to Women's Liberation -- 32. Adaptation to or of the Environment? Examining the Works of French Women Writers of the First Republic and First Empire through an Ecocritical Lens -- 33. The Archive as Legitimizing Artifact in Ccora Campillana: Romance histórico del tiempo de la conquista (1873) by Carolina Freyre de Jaimes -- 34. “One of the First, If Not the Very First Woman of Her Age”: Germaine de Staël and Her Literary Posterity -- 35. The Making of Il Giorno: Matilde Serao’s Letters to Luigi Luzzatti -- 36. Celebrity by Way of Autobiography: The Case of Angela Veronese -- 37. Alliance and Sorellanza in Matilde Serao’s Romanzo della fanciulla -- 38. Superstition and Orientalism in Il ventre di Napoli by Matilde Serao -- 39. Concepción Gimeno de Flaquer and Her Transatlantic Journey (1873–1890): Victorina o el heroísmo del corazón -- 40. Liturgization and the Satire of Politics in Emilia Pardo Bazán’s La tribuna (1883) -- 41. Between Conformity and Transgression: Approaches to Writing in the Albums of Emilia Pardo Bazán -- 42. Victoria Ocampo’s Transnational Networks: A Sociocultural and Data-Driven Approach.
    Kurzfassung: This handbook explores the rich and as yet understudied field of women’s writing during the nation-building years that characterized the global politics of the long nineteenth century. In the wake of the American and French Revolutions, the waning of the Spanish Empire, subsequent Latin American uprisings, and the Italian Risorgimento, nineteenth-century women writers cracked wide open the myths of gender, race, and class that had sustained the ancien régime. This volume shows that the transnational networks of women writing about politics, sexuality, economics, and the forging of the modern nation were much broader and more inclusive at a global level than has previously been understood. The handbook uniquely foregrounds French, Italian, Latin American, and Spanish women writers, focusing on the transnational nature of their relationships and cultural production within a growing body of research that casts an ever-wider net in the effort to document women’s voices. Claire Emilie Martin is Professor Emerita of Spanish at California State University, Long Beach, USA. She holds a doctorate from Yale University in Spanish American Literature. Her research focuses on nineteenth-century cultural and literary studies with a special emphasis on gender issues, domesticity, education, politics, and travel. She has published numerous articles and edited and co-edited several volumes on nineteenth-century Latin American women writers. Clorinda Donato is Professor of French and Italian at California State University, Long Beach, USA, and director of the Clorinda Donato Center for Global Romance Languages and Translation Studies. She is an eighteenth- and nineteenth-century scholar of French and Italian literature. Her most recent publication is Translation and Transfer of Knowledge in Encyclopedic Compilations, 1680–1830 co-edited with Hans-Jürgen Lüsebrink (2021). .
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  • 12
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031420306
    Sprache: Englisch
    Seiten: 1 Online-Ressource(IX, 193 p. 1 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: New Interpretations of Beckett in the Twenty-First Century
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    Schlagwort(e): Literature, Modern ; Critical theory. ; Literature ; Continental Philosophy.
    Kurzfassung: Chapter 1: “Beckett. On.” David Lloyd (University of California, Riverside) -- Chapter 2: “‘Where you are worth nothing’: Beckett, Geulincx, and an Ethics of the Miracle,” Gabriel Quigley (New York University) -- Chapter 3: “Philosophy in the Flesh: Feeling, Folly, and Animals in Beckett’s Molloy,” William Broadway (University of Wisconsin-Madison) -- Chapter 4: “GGREY! (Beckett/dialectic),” Rebecca Comay (University of Toronto) -- Chapter 5: “Reading Beckett’s Bilingualism with Jean-François Lyotard and Jacques Rancière,” Nadia Louar (University of Wisconsin-Oshkosh) -- Chapter 6: “Rêve de transfert collective: Beckett’s Resurgent Unanimism,” Jean-Michel Rabaté (University of Pennsylvania) -- Chapter 7: “‘The Golden Moment’: Violence, Escape, and Broken Immanence” Michael Krimper (New York University) -- Chapter 8: “Respirer sans cesse: Proust and Beckett’s Intermissions,” Stefanie Heine (University of Toronto) -- Chapter 9: “The Grammar of Absurdity and Affective Crisis: Reading Anna Burns’ Milkman through Beckett’s Philosophic Comedy,” John Waters (New York University).
    Kurzfassung: “You must go on. I can’t go on. I’ll go on.” These are some of the most quoted lines written by Samuel Beckett, which speak to the impulse of persevering in times of crisis and impossibility. Yet few readers of Beckett agree about what this paradoxical formula could mean, let alone what mode of engagement it would seem to indicate, be it committed, autonomous, or something else entirely. This volume of essays explores what that mode of engagement could be, all the while elucidating the ethical and political stakes of the “ongoing” in both Beckett’s life and work. Across multiple disciplines in the humanities, the authors delve into questions of political subjectivity and representation, the ethics of powerlessness and refusal, the aesthetics of syncopation and destitution, multimedia experiments between genre, as well as Beckett’s wider impact on transnational itineraries of modernism and philosophy up to the contemporary. Michael Krimper teaches in the French and English departments at New York University, USA, where he received his PhD in Comparative Literature. His forthcoming book, Out of Work: The Refusal of Literature from Melville to Blanchot, examines the crystallization of an antiwork aesthetics and politics in late modernist writing and theory. He is also the editor of a recent special issue for the Journal of Beckett Studies that published Beckett’s lost translations on the Marquis de Sade. His articles, reviews, and translations have appeared in New Literary History, diacritics, SubStance, parallax, October, the Journal of Italian Philosophy, and the Los Angeles Review of Books, among other venues. Gabriel Quigley is a doctoral candidate in the Department of Comparative Literature at New York University, USA. Combining comparative modernisms, continental philosophy, and postcolonial theory, his work focuses on retrieving concealed paradigms of possibility and freedom. His articles and translations have been published or are forthcoming in Samuel Beckett Today/Aujourd'hui, French Studies Bulletin, Derrida Today, Critical Inquiry, Journal of Modern Literature, and Interventions: International Journal of Postcolonial Studies.
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  • 13
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031475719
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XII, 227 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Journalism. ; Communication in economic development. ; Diplomacy.
    Kurzfassung: Chapter 1 Australia’s voice in the Indo-Pacific: why transnational broadcasts are vital -- Chapter 2 The Indo Pacific's broadcast landscape, its strategic, military value -- Chapter 3 Distribution via Shortwave, Satellites and Social Media -- Chapter 4 Broadcast Voices in the Indo-Pacific -- Chapter 5 The rise of China’s international broadcasting services -- Chapter 6 Diplomacy, propaganda, and journalism in the digital landscape -- Chapter 7 Social and mobile media in times of disaster -- Chapter 8 Fact-checking and Verification: The changing role of professional journalists -- Chapter 9 A case study of media tensions in the Solomon Islands, China and Australia -- Chapter 10 The Future and Funding of Transnational Broadcasting and Soft Diplomacy in the Indo-Pacific.
    Kurzfassung: “This book makes a significant contribution to knowledge about media in the Indo-Pacific, a region where trustworthy information is fundamental to securing peace inside and beyond the boundary. Wake and her fellow authors examine how the many different news ecosystems are facing the challenges brought about by social media, propaganda, misinformation, and disinformation.” —Prof Colleen Murrell, Dublin City University, Dublin, Ireland “Almost every Australian knows about the ABC, and has an opinion about it. Far fewer know much about the ABC’s role to broadcast into countries in the Indo-Pacific region. Wake is an expert in this field who is able to draw on her experience working at the ABC and buttress it with reflection and scholarship. She has brought together a team of leading contributors to explore the urgent need to adequately fund international broadcasting.” —Prof Matthew Ricketson, Deakin University, Melbourne, Australia Transnational Broadcasting in the Indo-Pacific brings together research spanning journalism, broadcast and political science to interrogate the issues arising from a rapidly changing global political and broadcast environment. This book asks: Why is there increasing interest in the provision of English-language media in the Indo-Pacific from countries like China? What are the implications for the traditional providers of foreign-produced news such as the Australia Broadcasting Corporation and the British Broadcasting Corporation? What now is the role of social media in the creation of broadcast journalism, and why is there panic in diplomatic circles about some of the journalism that originates from broadcasters in China and Russia? The result is a book that offers an insight into a rapidly transforming media landscape, the changing state of international relations, and the rise of new powers. Alexandra Wake is an Associate Professor in Journalism in the School of Media and Communication at RMIT University, Australia. She is the elected President of the Journalism Education and Research Association of Australia. Before becoming an academic, she worked as a senior journalist and editor with the Australian Broadcasting Corporation.
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  • 14
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031472954
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 218 p. 1 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature, Modern ; Literature, Modern ; Literature, Modern ; Children's literature. ; Fiction. ; Youth
    Kurzfassung: Chapter 1. Neo-Victorian Young Adult Narratives -- Chapter 2. Re/Articulated Monstrosity: Mary and her Creature -- Chapter 3. Mash(ed) Up: Maidens, Monsters, and Mad Scientists -- Chapter 4. Illustrative Genii: The Brontës’ Genius -- Chapter 5. The Odd(est) Brontë: Portrait(s) of Emily as a Young Author -- Chapter 6. Irregulars: Sherlockian Youth as Outsiders -- Chapter 7. The Mis(s) Education of Young Women -- Chapter 8. Deviant Young Womanhood: Liminal Queerness, Mad Femininity, and Spectral Subjectivity -- Chapter 9. Things Yet Undone: Encountering the Past through the Present.
    Kurzfassung: Neo-Victorian Young Adult Narratives examines the neo-Victorian themes and motifs currently appearing in young adult fiction—specifically addressing the themes of authorship, sexuality, and criminality in the context of the Victorian age in British and American cultures. This book explicates the complicated relationship between the Victorian past and the turn to Victorian modes of thought on literature, history, and morality. Additionally, Sarah E. Maier aims to determine if the appeal of neo-Victorian young adult fiction rests in or resists nostalgia, parody, and revision. Given the overwhelming prevalence of the Victorian in the young adult genres of biofiction, juvenile writings, gothic, sensation, mystery, and crime fiction, there is much to investigate in terms of the friction between the past and the present. Sarah E. Maier is Professor of English & Comparative Literature at the University of New Brunswick. Her recent publications include work on Ann Lister, the Brontës, neo-Victorian vampires, neo-Victorian Alienists, Maleficent, neo-Gothicism, and Queer Mash-ups. Maier has written A Vindication of the Redhead (2021 Palgrave) with Brenda Ayres, and they have co-edited The Palgrave Handbook of Neo-Victorianism (2023 Palgrave), Neo-Victorian Things (2022 Palgrave), Neo-Disneyism (2022 Lang), The Routledge Handbook of Victorian Scandals in Literature and Culture (2022 Routledge), The Theological Dickens (2022 Routledge), Neo-Victorian Madness (2020 Palgrave), Neo-Gothic Narratives: (2020 Anthem), Animals and Their Children in Victorian Culture (2019 Routledge), and Reinventing Marie Corelli (2019 Anthem). .
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  • 15
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031522093
    Sprache: Englisch
    Seiten: 1 Online-Ressource(IX, 90 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Performing arts. ; Theater. ; Theater ; Theater ; European literature
    Kurzfassung: “This insightful book tells a neglected story: the history of RSC’s Restoration productions. It combines a loving history of RSC past performance, from the 1960s to the present day, with a bold manifesto for the future. Highly recommended!”– Professor Tiffany Stern, The Shakespeare Institute, University of Birmingham, UK Since its 1967 production of Vanbrugh’s The Relapse, the Royal Shakespeare Company has been the world’s leading producer of Restoration Comedies. This book is the first to document and critique the company’s history of engagement with that repertoire. It reviews the spaces in which productions have been performed, design principles, casting, voicing, textual adaptation, musical direction, actor perspectives, and the problems of how to confront, adopt or depart from received notions of Restoration style. It goes on to posit that, for all the RSC’s explorations of Restoration Comedy, the company has maintained the repertoire as a fringe interest played out in niche spaces, while recycling many of the assumptions it claims to challenge, and that what is needed is the writer-led intervention seen in RSC and National Theatre adaptations of French drama from the same period. Only then can Restoration Comedy begin to engage wider audiences in new sites of political, historical and cultural meaning. David Roberts is Professor of English at Birmingham City University, UK. He has published numerous books and articles about Restoration and earlier seventeenth-century theatre, including the monographs The Ladies: Female Patronage of Restoration Drama (1989), Thomas Betterton (2010), Restoration Plays and Players (2014) and George Farquhar: A Migrant Life Reversed (2018), and editions, including Pinacotheca Bettertonaeana: the Library of a Seventeenth-Century Actor (2013), Congreve’s The Way of the World (2020) and An Apology for the Life of Mr Colley Cibber (2022). David has published articles in, among others, Shakespeare Quarterly, ELH, The Cambridge Quarterly, New Theatre Quarterly, The Review of English Studies and The Times Literary Supplement. Recent commissioned chapters include essays for The Oxford Handbook of Shakespeare and Music (2022), The Oxford Handbook of Restoration Literature (2024) and The Palgrave Handbook of Theatre Censorship (2024). .
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  • 16
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031523151
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIV, 259 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature. ; Comparative literature. ; Communication in science.
    Kurzfassung: Chapter 1. Pierre Boulle’s Planet of the Apes (1963) From Novel to Screenplay, Bernard Montoneri, Independent Researcher, Taiwan; Murielle El Hajj, Lusail University, Qatar -- Chapter 2. Travelling through Time and Space in the Works of Russian Speaking Science Fiction Writers, Iryna B. Morozova, Odesa Mechnikov National University, Ukraine -- Chapter 3. El anacronópete (1884, 1887), the First Journey in a Time Machine in Hispanic literature, Fernando Darío González Grueso, Tamkang University, Taipei Rachid Lamarti, Tamkang University, Taipei -- Chapter 4. The Ice People (1968), a story of humankind’s auto-destruction, Murielle El Hajj, Lusail University, Qatar -- Chapter 5. ‘I’m just a traveller’: Doctor Who and the Wibbly Wobbly Histories of Time and Space, Alyson Miller and Eleanore Gardner, Deakin University, Australia -- Chapter 6. Time Travel in M. Bugakov's Master and Margarita, Anna Toom, Touro College & University System, New York, USA -- Chapter 7. Chronotopes, Afrotropes, and Restorative Aesthetics in Pauline Elizabeth Hopkins’s Of One Blood: Or, The Hidden Self, Michaela Keck, Carl von Ossietzky University of Oldenburg, Germany -- Chapter 8. Femi Osofisan’s One Legend, Many Seasons, Oyewumi Olatoye, Agunbiade & Enongene Mirabeau, Sone, Walter Sisulu University, South Africa -- Chapter 9. Time Travel in Japan and The Girl who Leapt through Time, Akiyoshi Suzuki, Nagasaki University, Japan -- Chapter 10. The Concept of Time Travel in Vedic Literature- A Perspective, Beena Giridharan, Curtin University, Malaysia.
    Kurzfassung: Time travel is an important theme in literature and other arts. This excellent collection introduces readers to some of the most innovative and influential works and offers insightful discussions of works from different literary traditions and in different forms, both famous classics and new discoveries. For anyone interested in this theme and its various manifestations, reading this collection will be remarkably rewarding. Professor Zhang Longxi, Hunan Normal University, China The book consists of fascinating chapters that explore in depth various themes related to time travel. Each chapter focuses on a different literary work or medium and explores how time travel has influenced different cultures, literature, and philosophies. It is a highly engaging resource for exploring this interesting topic from the perspectives of different literary works and cultures. Professor Yoriko Ishida, National Institute of Technology, Oshima College, Japan. In this wonderful collection, time travel is read under the temporal gaze of capitalism and imperialism, history and modernity, and across the undulating sheets of time. It is an essential edition to the field of time travel studies and a form of revelatory chrononautics. One enters the book and moves across the great and small histories of time and space. Professor Sean Redmond, Deakin University, Australia. Time Travel in World Literature and Cinema discusses various literary works, movies, and TV series with a special focus on time travel. Each chapter is written by professors and scholars from various countries, including the US, Japan, Germany, France, Spain, Taiwan, South Africa, Qatar, Russia, Ukraine and Australia. The book addresses themes of racism, sexism, feminism, and social injustice as well as dystopian futures. This will appeal to students and scholars studying science fiction, dystopian literature, world literature, and world cinema. Bernard Montoneri was an Associate Professor in the Department of European Languages and Cultures at the National Chengchi University, Taipei, Taiwan until January 2020. He is now an independent researcher. He has around 60 publications and was the co-founder and editor-in-chief of the IAFOR Journal of Education until 2017. He is the editor of the IAFOR Journal of Literature and Librarianship since 2019.
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  • 17
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031470738
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXII, 137 p. 45 illus., 41 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave BioArt
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    Schlagwort(e): Arts. ; Biotechnology. ; Culture ; Medicine and the humanities. ; Biomaterials. ; Art, Modern
    Kurzfassung: 1. Introduction -- 2. Making Difference -- 3. BLOOD, COMPARING: Relative Velocity Inscription Device -- 4. PATTERN, IDENTIFYING: Latent Figure Protocol -- 5. EVIDENCE, PERFORMING: Suspect Inversion Center and Deep Woods PCR -- 6. SPIT, ANONYMIZING: America Project -- 7. MATTER, MAPPING: Ocular Revision -- 8. SWEAT, (RE)MATERIALIZING: Labor.
    Kurzfassung: Preface by Jens Hauser “A truly remarkable book by a pioneering bioartist that challenges us to critically reevaluate our notions of genetic and biological identities.” - Gunalan Nadarajan, Dean Emeritus and Professor, Penny W. Stamps School of Art and Design, University of Michigan, USA This book chronicles over two decades of critical, artistic investigations by Paul Vanouse. His bio-media artwork utilizes the tools of the life sciences reflexively, to challenge tropes and cultural politics surrounding DNA, biotechnology, and life itself. DNA has been called a “Truth Machine”, “God’s Blueprint”, the “Code of Codes” and the “Book of Life”. Vanouse’s work explores questions at the heart of such evocative metaphor and hyperbole: how does DNA link us together, how does it differentiate us and how are the grand metaphors, which grant DNA complete centrality, misconstruing the complexity of life. Furthermore, how do technologies of genetic typing and identification fit within a broader cultural and political history of difference making, particularly the construction of race. Melding critical theory, artist’s manifesto, participatory observation and histories of the sciences, this book offers insight into both an artistic practice and the bio-techno-sciences it interrogates. Paul Vanouse is an artist, SUNY Distinguished Professor and founding director of the Coalesce Center for Biological Art at the University at Buffalo, USA. A pioneer of bio-media art, his artwork employs molecular biology techniques to challenge entrenched notions of individual, racial, and national identity, and the cultural authority of DNA. His projects have been exhibited in 30 countries and widely across the US. Venues have included Albright-Knox Art Gallery (Buffalo), New Museum (New York), Andy Warhol Museum (Pittsburgh), Walker Art Center (Minneapolis), Henry Art Gallery (Seattle), Museo Nacional de Bellas Artes (Buenos Aires), Louvre (Paris), Haus Der Kulturen Der Welt and Schering Stiftung (Berlin), ZKM (Karlsruhe), and TePapa Museum (Wellington). His recent, multi-sensory, bio-media artwork, "Labor", received a Golden Nica at Prix Ars Electronica.
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  • 18
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031531002
    Sprache: Englisch
    Seiten: 1 Online-Ressource(VIII, 243 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Literature, Science and Medicine
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    Schlagwort(e): Literature, Modern ; Literature, Modern ; Ecocriticism. ; Science ; Communication in medicine.
    Kurzfassung: 1. Introduction: Books of Life in the Long Century of the Gene -- 2. Simon Mawer’s Book of Life: Mendel’s Dwarf as Fictional Genetic Life Writing -- 3. There is grandeur in this view of life...or is there? Ian McEwan’s Poetics of Chance and the Unreliable Structures of Genetic Determinism -- 4. Genetics’ Perilous Analogies: Metaphors of Life in A. S. Byatt’s Quartet -- 5. Ecologies of Life: Genetics in Margaret Atwood’s MaddAddam Trilogy -- 6. Conclusion: Levels of Life.
    Kurzfassung: Genetics and the Novel: Reimagining Life Through Fiction argues that literary fiction has reimagined life in the age of genetics. The new genetic paradigm has proposed to rewrite core assumptions about such fundamental aspects of life as the nature of kinship and biological connection, human-environmental relations, or the link between biology and art. Investigating major texts of genetic fiction by A. S. Byatt, Ian McEwan, Simon Mawer and Margaret Atwood, this monograph offers the first systematic study of how these assumptions about life itself have been renegotiated through the contemporary novel’s engagement with genetic science. This book identifies a significant new phase in the novel’s aesthetic exploration of life and demonstrates that the novel emerges as the cultural form uniquely positioned to engage both the imaginative and concrete challenges raised by genetic science for the lifeworlds of the new millennium. Paul Hamann-Rose is Assistant Professor of English Literature and Culture at the University of Passau, Germany.
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  • 19
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031511608
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXIII, 122 p. 2 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Journalism. ; Neurosciences. ; Emotions.
    Kurzfassung: Chapter 1-Neurosciences of communication: a multidisciplinary approach -- Chapter 2- Methodology and procedures -- Chapter 3- What our data tells -- Chapter 4- Discussion: the psychophysiological impact of journalism -- Chapter 5- Conclusion.
    Kurzfassung: This book explores the impact of news and literary journalism on human cognition and emotion. Providing an innovative analysis of psycho-physiological measures, including emotional response, perception of pain, and changes in heartbeat, Nery seeks to understand how readers react to journalistic texts. There is a growing enthusiasm in the search for understanding the processing of information, with some already arguing for the establishment of the neuroscience of communication as a new discipline. By combing neuroscience methods with communication research studies, specifically journalistic research and theory, Nery offers us a unique way of exploring and thinking about news, literary journalism, and the brain. Isabel Nery is an award-winning journalist and researcher, with a PhD in Communication Studies. Her previous works include: ‘Sophia de Mello Breyner Andresen’, biography, ‘The 5 Men Who Changed Portugal Forever’, crossed biographies, ‘The Prisoners’, reportage, and ‘Assault to Parliament', about the Portuguese political transition to democracy.
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  • 20
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031415463
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVII, 232 p. 13 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Journalism. ; Digital media. ; Mass media ; Science
    Kurzfassung: Chapter 1. Journalism and the Smart City -- Chapter 2. Configuring the Case of the Quayside Project -- Chapter 3. Chronicle of a Mediatized Controversy -- Chapter 4. The Quayside Project: Some Reassembly Required./.
    Kurzfassung: “Bob Hanke’s “Smarter Toronto” is an important study of a key event in the recent history of urban planning, technological innovataion and urban journalism. The book masterfully weaves together complex theoretical ideas while remaining readable and deeply engaged with the events it describes. Hanke’s account of Google’s failed Sidewalk project in Toronto should interest anyone concerned with media, urban democracy and the future of cities.” —Will Straw, James McGill Professor of Urban Media Studies, McGill University This book bridges media, technocultural, urban, and journalism studies to examine the role of journalism in relation to a smart city project on Toronto’s waterfront. From the announcement of the public-private partnership called Sidewalk Toronto to the project’s termination, a mediatized controversy unfolded. Through an assemblage approach to this project and a case study of The Globe and Mail and the Toronto Star, it follows the actors and chronicles the Quayside project story as a conversation about the promise and perils of a future “smart” neighbourhood. In the news of Waterfront Toronto, Sidewalk Labs, other actors, events, and developments, there were multiple voices and views, interpretations and arguments, that manifested conflicting interests and values. As a locally situated actor, journalism produced a porous discourse that expressed a proposeand- public pushback movement. This work of articulating mediation conditioned the project’s alteration and dissolution within asymmetrical relations of power. In addition to a wave of opposition that inflected the project’s enactment, a time lag between project time and governmental policymaking made the controversy over this future urban space intractable. With their residual symbolic power, quality journalism contributed to dialogical urban learning. Bob Hanke, a former a faculty member in the Department of Communication & Media Studies, York University, Canada, is currently an independent scholar living in Toronto.
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  • 21
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031400513
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIX, 179 p. 13 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature ; Feminism and literature. ; Continental Philosophy. ; Sex.
    Kurzfassung: 1: Introduction: Digging, Unburying and Going to Writing School -- 2: Writing Myself Back Together -- 3: The School of the Dead and My Mother: A Story of Hunger -- 4: Finding a Language of My Own: Journeying to the School of the Dead with Cixous -- 5: The Narcissist Never Leaves, Only Dies: An Autoethno-graphic Account inspired by Cixous -- 6: Your Dreambody Must be Heard—Writing Trauma in the School of Dreams -- 7: The Fatal Blow: “Who are I­­­?” A Feminist Autoethnographer’s Encounter with Cixous -- 8: This Writing Chatters, Just Like a Dream: The Ragged Vitality of Teeth and Memory Loss -- 9: Learning Cixous’ Écriture Feminine Through the Flow of Words and Blood -- 10: Metis and Cixous—Cunning Resistance, Bodily Intelligence and Allies -- 11: Denying the Penis: Bringing Women to Writing [With/in and] Through Doc-toral Supervision -- 12: Writing Australian Gardens to Cross Borders Between the Online and Offline Worlds -- Inter-View. .
    Kurzfassung: The project offers a collection of new interdisciplinary critical autoethnographic engagements with Hélène Cixous écriture feminine and work Three steps on the ladder of writing. Critical autoethnography shares a reciprocal, and inter-animating relationship with Hélène Cixous’ écriture feminine (“feminine writing”), and in this collection authors explore that inter-animation by explicitly engaging with Three steps on the ladder of writing. Three steps is a poetic, insightful, and ultimately moving reflection on the writing process and explores three distinct areas essential for writing: The School of the Dead—the notion that something or someone must die in order for good writing to be born; The School of Dreams—the crucial role dreams play in literary inspiration and output; and The School of Roots—the importance of depth in the 'nether realms' in all aspects of writing. Topics covered include: ways Cixous’ work can address the need for loss and reparation in writing critical autoethnography, how Cixous’ writing “makes our body speak” through concepts of birth and the body in, through and of critical autoethnography, whether writing in this way recast and reform prevailing orders of domination and oppression, and how Cixous’ writing around the ethics of loving and giving translates into response-able and non-violent forms of critical autoethnography in relation to otherness and difference. In this collection, we invite you to “Let us go to the school of [critical autoethnographic] writing” (Cixous, 1993, p. 3) with the work of Hélène Cixous, and speak in a different way and through a different medium of academic language, in an approach that reveals the tensions, the paradoxes, the pains and the pleasures of writing with critical autoethnography in the contemporary university.
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  • 22
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031450655
    Sprache: Englisch
    Seiten: 1 Online-Ressource(VIII, 227 p.)
    Ausgabe: 1st ed. 2024.
    Serie: The New Middle Ages
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    Schlagwort(e): Literature, Medieval. ; Europe ; Religion ; Islam ; Philosophy, Medieval.
    Kurzfassung: Chapter 1. Introduction. Friendly Chivalrous Enemies: Contradiction, Stereotypes, and Colonialism in the Representations of Muslims by Medieval Christians -- Chapter 2. Indispensable Enemies, Subjects, and Friends: The Political Instrumentalization of Muslims in the Cantar de mio Cid -- Chapter 3. The Learned Conquerors and Their Muslims: Intercultural Conflict and Collaboration in the Cantigas de Santa Maria and the Llibre dels fets -- Chapter 4. From Great Muslim Heroes to Good Christian Subjects: Converting the Legend of the Seven Infantes of Lara -- Chapter 5. Across the Mediterranean and Beyond: Fighting Islam by Embracing Muslims in Tirant lo Blanch -- Chapter 6. An Empire of Faith and Its Infidels: Portuguese Colonialism and Muslims, According to Os Lusíadas and Its Sources -- Chapter 7. Conclusion. Christian Supremacy and Contradictory Non-Christians Beyond Muslims and Iberia.
    Kurzfassung: This book argues that literary and historiographical works written by Iberian Christians between the twelfth and sixteenth centuries promoted contradictory representations of Muslims in order to advocate for their colonization through the affirmation of Christian supremacy. Ambivalent depictions of cultural difference are essential for colonizers to promote their own superiority, as explained by postcolonial critics and observed in medieval and early modern texts in Castilian, Catalan, and Portuguese, such as the Cantar de mio Cid, Cantigas de Santa Maria, Llibre dels fets, Estoria de España, Crónica geral de 1344, Tirant lo Blanch, and Os Lusíadas. In all these works, the contradictions of Muslim enemies, allies, and subjects allow Christian leaders to prevail and profit through their opposition and collaboration with them. Such colonial dynamics of simultaneous belligerence and assimilation determined the ways in which Portugal, Spain, and later European powers interacted with non-Christians in Africa, Asia, and even the Americas.
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  • 23
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031419393
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIV, 203 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Journalism. ; Digital media.
    Kurzfassung: Part I -- Chapter 1 Hybrid Investigative Journalism During Times of Crisis, Maria Konow-Lund, Michelle Park and Saba Bebawi -- Part II -- Chapter 2 Making Investigative Journalism in a Hybrid Manner, Maria Konow-Lund and Michelle Park -- Chapter 3 Bristol Cable – A Local Hybrid Organisation, Maria Konow-Lund -- Chapter 4 The Bureau Local – A Hybrid Network for Local Collaborative Investigative Journalism, Michelle Park and Maria Konow-Lund -- Chapter 5 The Korea Center for Investigative Journalism – A Hybrid Nonprofit Funding Model, Michelle Park and Maria Konow-Lund -- Chapter 6 A Hybrid Investigative Ecology, Maria Konow-Lund and Michelle Park -- Part III -- Chapter 7 Global Investigative Collaboration, Maria Konow-Lund and Saba Bebawi -- Chapter 8 How a COVID-19 Live Tracker Led to Innovation in Investigative Journalism, Maria Konow-Lund and Jenny Wiik -- Chapter 9 How COVID-19 Affected the Practice of Investigative Journalism in Norway and China, Maria Konow-Lund, Lin Pan and Eva-Karin Olsson Gardell -- Chapter 10 Toward a Hybrid Future for Investigative Journalism, Maria Konow-Lund, Michelle Park, Saba Bebawi.
    Kurzfassung: “[…]essential reading for anyone who believes in the importance of investigative journalism in holding the powerful to account.” —Richard Sambrook, Emeritus Professor, Cardiff University, UK and Co-Chair of The Bureau of Investigative Journalism, UK “A fantastic, timely and comprehensive look at the current state and challenges of investigative journalism.” —Henrik Örnebring, Professor of Media and Communication, Karlstad University, Sweden and winner of the 2023 AEJMC James A. Tankard Book Award This open access book is a rare example of the ethnographic study of investigative journalism. This book explores entrepreneurial attempts to combine traditional investigative journalism with alternative ways of organising this work. It transcends watershed investigative projects in favour of the ways in which new actors (citizens, technologists, bloggers and local reporters, among others) join experienced investigative journalists in experiments with the practices of watchdog journalism in the digital era. Cases include Bristol Cable, Bureau Local and the Korea Center for Investigative Journalism, as well as Forbidden Stories. The book also includes two chapters on the impact of COVID-19 upon the development of cross-disciplinary work in a traditional newsroom and in the larger media ecosystems of both Norway and China. This is a timely book for journalism students, scholars and investigative reporters, who share a passion for this form of journalism. Maria Konow-Lund is a professor at Oslo Metropolitan University. She was Marie Skłodowska-Curie fellow at Cardiff University (2017-2019). Her recent work focuses on investigative journalism, terror coverage, practice during COVID-19, and changing roles. Michelle Park and was recently awarded her PhD degree by the School of Journalism, Media and Culture at Cardiff University, UK, after working as a newspaper reporter in the USA. Saba Bebawi is Head of the Journalism and Writing discipline in the School of Communication at the University of Technology Sydney (UTS). .
    Anmerkung: Open Access
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  • 24
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031349027
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 282 p. 15 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: The New Antiquity
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    Schlagwort(e): Poetry. ; Classical literature. ; Literature, Ancient. ; Literature, Modern ; European literature. ; History, Ancient.
    Kurzfassung: 1 Introduction -- Part I: Cavafy Reads a Coin -- 2 A golden coin? -- 3 How to read a coin portrait in the early 1900s -- 4 What is a ‘poet-historian’? -- Part II: Cavafy Reads Inscriptions -- 5 ‘Caesarion’ as palimpsest -- 6 ‘In the month of Athyr’: Leucius and his friends -- Part III: Looking at Antiquity from Inside the Empire -- 7 Imperial desires -- 8 A Hellenistic Empire -- 9 How to read Cavafy inside the British Empire.
    Kurzfassung: "Cavafy’s Hellenistic Antiquities is a fascinating and meticulous study of how the Greek poet breathes life into artefacts and textual fragments from the classical past. Kayalis delves deeply into the poems in order to lay bare the extraordinary complexity that hides beneath the surface. His book shows that modern poetry, modern homosexuality and even British imperialism were shaped by encounters with Hellenistic culture." – Stefano Evangelista, Professor of English, University of Oxford "Cavafy’s Hellenistic Antiquities offers an original critique of the poet as a belated antiquarian by redefining his archaeological poetics and aligning them with his Anglophilia and colonial positionality. Kayalis’s revisionist appraisal of Cavafy’s historicism presents compelling new readings of signature poems and forges new connections to overlooked homoerotic and popular sources. A brilliant contribution to Cavafy studies." – Peter Jeffreys, Associate Professor of English, Suffolk University This book reinterprets C. P. Cavafy’s historical and archaeological poetics by correlating his work to major cultural, political and sexualized receptions of antiquity that marked the turn of the 20th century. Focusing on selected poems which stage readings of Hellenistic and late ancient texts and material objects, this study probes the poet's personal library and archive to trace his scholarly sources and scrutinize their contribution to his creative practice. A new understanding of Cavafy's historicism emerges by comparing his poetics to a broad array of discourses and intellectual pursuits of his time; these range from antiquarianism, physiognomy and Egyptomania to cultural appropriations of the classics which sought to legitimate British colonial rule as well as homoerotic desire. As this volume demonstrates, Cavafy embraced antiquarianism as an empathetic and passionate way of relating to the past and shaped it into a method that allowed his poetry to render modern meanings to Hellenistic antiquities. Takis Kayalis is Professor of Modern Greek Literature at the Hellenic Open University, Greece. He has published extensively on nineteenth-century prose and modernist poetry and co-edited Teaching Literature at a Distance: Open, Online and Blended Learning (2010) and Cavafy as World Literature (forthcoming). In 2019 he co-curated the Cavafy Archive’s Digital Collection (Onassis Foundation).
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  • 25
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031409349
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVIII, 281 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Fiction. ; Poetry. ; Literature, Modern ; Literature, Modern ; Literature. ; Art, Modern
    Kurzfassung: I. Introduction. Rewriting the Soul: the Persistence of a Concept 2 -- II. Writing the Soul 23 -- 1. Egyptian Souls in Victorian Minds: The Transmigration of the “Ka” in Egyptianising Fiction -- 2. E. S. Dallas’s Literary Theory: The “Hidden Soul” and the Workings of the Imagination -- 3. “You haven’t let me call my soul my own”: Soul, psyche and the thrill of nothingness in May Sinclair’s fiction -- 4. Spectrality and Narrative Form in George Saunders’s Lincoln in the Bardo -- 5. Forging in the smithy of David Foster Wallace’s postmodern soul -- III. The Aesthetics of the Soul -- 6. Transmutations of the Soul: Anima and her Heart in Christopher Harvey’s School of the Heart (1647) -- 7. Let us go Forward: The Soul, Spiritualism and the Funerary Commemoration of Richard Cosway, Dante Gabriel Rossetti, and Evelyn de Morgan -- 8. “Dancing the American Soul: Secular and Sacred Motifs in the Choreographic American Renaissance.”- 9. Casting the Soul: Antony Gormley’s sculptures -- Sweet Soul Music -- IV. The Ethics and Politics of the Soul -- 11. Colliding Circles: Ralph Waldo Emerson’s Concept of the Soul Between Spiritual Self-Realization and Materialistic Expansion -- 12. “Souls on Board”: A Counter-History of Modern Mobility -- 13. African American Women’s Literary Renaissance: A Template for Spiritual Fiction in the 21st Century?- 14. “Persisting souls in a persisting myth: appropriation and transmigration in Ahmed Saadawi’s Frankenstein in Baghdad (2013).”.
    Kurzfassung: This book analyses the evolution of literary and artistic representations of the soul, exploring its development through different time periods. The volume combines literary, aesthetic, ethical, and political considerations of the soul in texts and works of art from the seventeenth to the twenty-first centuries, spanning cultures and schools of thought. Drawing on philosophical, religious and psychological theories of the soul, it emphasizes the far-reaching and enduring epistemological function of the concept in literature, art and politics. The authors argue that the concept of the soul has shaped the understanding of human life and persistently irrigated cultural productions. They show how the concept of soul was explored and redefined by writers and artists, remaining relevant even as it became removed from its ancient or Christian origins. Estelle Murail is a Senior Lecturer in English Literature and Culture at the Catholic University of Paris and Associate Researcher and Lecturer at the University of Paris, France. She has published several articles on the flâneur and cities, and co-edited Dickens and the Virtual City (Palgrave, 2017). Her current research focuses on urban spaces, the environment, crossings and networks, and the notion of persistence. Delphine Louis-Dimitrov is a Senior Lecturer in American Literature and Vice-Dean of the Faculty of Humanities at the Catholic University of Paris, France. Her research mostly focuses on the interplay of individuality with history and politics in fiction and autobiographical writings. Spirituality is central to her reflection on literary representations of individual and collective identities. .
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  • 26
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031449239
    Sprache: Englisch
    Seiten: 1 Online-Ressource(IX, 219 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Bernard Shaw and His Contemporaries
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    Schlagwort(e): Theater ; Religion ; Literature
    Kurzfassung: Chapter 1: Dialectics -- Chapter 2: The Wisdom-Power Dialectic -- Chapter 3: The Ethics-Morality Dialectic -- Chapter 4: The Ideology Utopa Dialectic -- Chapter 5: The Theism-Atheism Dialectic -- Chapter 6: Summation and Closing Thoughts.
    Kurzfassung: This book explores a heretofore unremarked linkage between Bernard Shaw, the twentieth-century French thinker Paul Ricoeur, and Jesus of Nazareth. The ties that bind them are a foundational interest in the social teachings of the Nazarene and their use of a shared dialectics with respect to living the kind of compassionate life that holds out the promise in our contemporary world of achieving something approximating universal wellness on a healthy planet at peace with itself. This work argues that the three principal subjects of the study—independently of one another—used the same dialectical method to reach the same dialectically derived conclusion about how humans can live redemptively in a fractured world. Howard Ira Einsohn was a part-time instructor at Middlesex Community College and Wesleyan University’s Institute of Lifelong Learning for a combined total of 15 years (2004-2019), most of which were spent at the former institution. During this period, he taught courses in writing, advanced writing, technical writing, literature surveys, drama and the short story, as well as courses on Ibsen, Flannery O’Connor, and Tim O’Brien.
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  • 27
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031249983
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 317 p. 2 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature, Modern ; Literature, Modern ; Literature ; Comparative literature. ; Collective memory.
    Kurzfassung: Introduction (Takayuki Shonaka, Takahiro Mimura and Shinya Morikawa) -- Part I Early Japanese Influences -- 1 Blithe Spirit: Young Ishiguro’s Contact with Japanese Children’s Culture through Shogakukan’s Graded Educational Magazines (Motoko Sugano) -- 2 Osamu Tezuka’s Astro Boy and Kazuo Ishiguro’s Klara and the Sun (Ria Taketomi) -- Part II Ghosts and Stereotypes -- 3 Constructing Japan with Stereotypes: An Analysis of Kazuo Ishiguro’s ‘A Family Supper’ (Yoshiki Tajiri) -- 4 Envisioned ‘Ghosts Project’: Kazuo Ishiguro’s Imaginary Nagasaki (Megumi Kato) -- 5 The Hidden Ghost Story: Ishiguro, Ugetsu, and Troubled English Belief (Anni Shen) -- Part III War and Responsibilities -- 6 ‘The Shame of Being on the Wrong Side of History’: Defeat and the Failures of Masculinities in An Artist of the Floating World and The Remains of the Day (Kunio Shin) -- 7 Between the A-bombing and Responsibilities for World War II: Changes in the Themes of Ishiguro’s Early Novels (Masako Matsuda) -- 8 The Representation of the Sino-Japanese War and Cosmopolitanism in Empire of the Sun, When We Were Orphans, and My Shanghai, 1942-1946 (Erica Aso) -- Part IV Creative Development -- 9 Tracing the Origin of Kazuo Ishiguro through His Early Song Lyrics (Takayuki Shonaka) -- 10 ‘The Remains’ of Charlotte Brontë in the Early Novels of Kazuo Ishiguro (Hiromi Nagara) -- 11 The Evolution of Stevens towards The Remains of the Day (Shinya Morikawa) -- Part V Past and Future -- 12 Monumental Moments: Narrative Complicity in the Novels of Kazuo Ishiguro (Takahiro Mimura) -- 13 Nonhuman/Posthuman Aspects in Kazuo Ishiguro’s New Millennium Novels (Hiroshi Ikezono). .
    Kurzfassung: This collection of essays offers new perspectives from Japan on Nobel Prize–winning author Kazuo Ishiguro. It analyses the Japanese-born British author from the vantage point of his birthplace, showing how Ishiguro remains greatly indebted to Japanese culture and sensibilities. The influence of Japanese literature and film is evident in Ishiguro’s early novels as he deals with the problem of the atomic bomb and Japan’s war responsibility, yet his later works also engage with folk tales and the modern popular culture of Japan. The chapters consider a range of Japanese influences on Ishiguro and adaptations of Ishiguro’s work, including literary, cinematic and animated representations. The book makes use of newly archived drafts of Ishiguro’s manuscripts at the Harry Ransom Center at the University of Texas to explore the origins of his oeuvre. It also offers sharp, new examinations of Ishiguro’s work in relation to memory studies, especially in relation to Japan. Takayuki Shonaka is Professor in English Literature at Kyoto Women’s University, Japan. His research and teaching expertise are in British and American Culture, Language, and Literature. He is the author of Kazuo Ishiguro: ‘Nihon’ to ‘Igirisu’ no Hazama kara [Kazuo Ishiguro: From Between ‘Japan’ and ‘England’] (2011). Takahiro Mimura is Professor in English at Chiba Institute of Technology, Japan. He studies contemporary English novels especially from the perspective of memory. He is the author of Kazuo Ishiguro Wo Yomu [Reading Kazuo Ishiguro] (2022) and Kioku To Zinbungaku [Memory and the Humanities] (2021). Shinya Morikawa is Professor in English Literature at Hokkai-Gakuen University, Japan. His research interests include contemporary British fiction, international migration novels, and literary stylistics. He is a co-editor of Kazuo Ishiguro No Shisen: Kioku, Souzou, Kyoushu [Kazuo Ishiguro’s Gaze: Memory, Imagination, Nostalgia] (2018). .
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  • 28
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031219634
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 232 p. 5 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Journalism.
    Kurzfassung: 1. Introduction -- 2. Why study news? The democratic role of news -- 3. Understanding influences on the production of news -- 4. Routines and practices: studying the making of news -- 5. Journalism norms, values, and role perceptions -- 6. Journalism ethics -- 7. The news organisation -- 8. News audiences -- 9. News sources -- 10. Conclusion.
    Kurzfassung: This book provides readers with the understanding required to analyse the range of key factors that shape the production of news, and to assess their implications for the role of news and journalism in democracy. It brings existing research together under the umbrella of a central organising framework to explore how news and its production is shaped by a multiplicity of factors including the norms, values, role perceptions and ethics associated with journalism as a profession, the role of news sources, the changing character and significance of news audiences, the aims and objectives of news organisations, and the political, economic and social contexts within which news is produced. Exploring these factors in depth, using examples, and considering the changing conditions of news production, the chapters chart significant changes, challenges, and responses to provide the essential background for understanding the consequences of current transformations for the democratic qualities of news. Julie Firmstone is Professor of Journalism and Political Communication at the School of Media and Communication, University of Leeds, UK. Her teaching and research explore a range of issues in the intersection between journalism, the news media, politics, and democratic engagement. She has published widely on the role of news and journalism in local democracy; journalism standards, press ethics and regulation; editorial journalism at newspapers; and communication about the European Union. .
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  • 29
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031398964
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 214 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Literature, Science and Medicine
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    Schlagwort(e): Literature, Modern ; Literature ; Feminism and literature. ; Medicine and the humanities.
    Kurzfassung: Introduction -- 1. The Problem of the Self-Governed Subject in Jane Austen’s Sense and Sensibility -- 2. Embodied Knowing and the Hysteric in Dickens’s Bleak House -- 3. George Eliot’s Middlemarch and the Question of Marriage as Catalyst or Cure -- 4. Hysterical Degeneration and The New Woman in Thomas Hardy’s The Woodlanders -- Epilogue.
    Kurzfassung: Narratives of Women’s Health and Hysteria in the Nineteenth-Century Novel looks extensively at hysteria discourse through medical and sociological texts and examines how this body of work intersects with important cultural debates to define women’s social, physical, and mental health. The book sketches out prominent shifts in cultural reactions to the idea of diffused agency and the prized model of the interiorized, individual person capable of self will and governance. Melissa Rampelli takes up the work of Jane Austen, Charles Dickens, George Eliot, and Thomas Hardy, showing how the authors play with and manipulate stock literary figures to contribute to this dialogue about the causes and cures of women’s hysterical distress.
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  • 30
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031391866
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 208 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Creative nonfiction. ; Creative writing. ; Language and languages ; Rhetoric. ; Literature ; Poststructuralism.
    Kurzfassung: Chapter 1: Introduction -- Chapter 2: Making Truth Claims -- Chapter 3: Critiquing Habit, Habitus, and Modernity -- Chapter 4: Fighting Narration -- Chapter 5: Shifting Roles, Mimesis, Sustaining Community -- Chapter 6: Critiquing and Claiming Memory -- Chapter 7: Making Confessions -- Chapter 8: Reflecting on Self as Other -- Chapter 9: Situating Scenes -- Chapter 10: Conclusion.
    Kurzfassung: This book explores issues of identity, ethics and epistemology that arise around the writing and reception of creative nonfiction. It examines a range of different nonfiction forms – including the personal essay and memoir – and ethical questions that arise in relation to them, such as truth claims, the confessional mode, counter-narratives. Drawing on the ideas of Bakhtin, Nietzsche and Foucault; examples from creative non-fiction writers such as Strayed and Knausgaard; and the founding principles of the originators of the genre, Seneca, Augustine and Montaigne, Jensen argues that a limited conception of nonfiction leads to a limited view of its ethics. Writing about the truth in an authentic way is more important than ever before – and essential to this is the creation of the ethical subject. George H. Jensen is Professor Emeritus with the Department of Rhetoric and Writing at the University of Arkansas at Little Rock, USA. His recent books include Some of the Words Are Theirs: A Memoir of an Alcoholic Family (2000), Storytelling in Alcoholics Anonymous: A Rhetorical Analysis (2000), and Identities Across Texts (2002).
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  • 31
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031451980
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 287 p. 1 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Theater ; Performing arts. ; Theater. ; Motion pictures. ; Television broadcasting. ; Motion picture acting. ; Cultural policy. ; Popular Culture.
    Kurzfassung: Introduction:Anglophone Drama in a Post-Democratic, Post-Truth World -- Chapter 1. Western Theatre as Sociopolitical Forum—A Short History -- Chapter 2. Progressive Western Cinema -- Chapter 3. Case-study Films and Plays from the First Decade -- Chapter 4. Case-study Films and Plays from the First Decade -- Chapter 5. Case-study Films and Plays from the Second Decade.-Chapter 6. Case-study Films and Plays from the Second Decade -- Conclusion: Progressive Drama and its Potentialities .
    Kurzfassung: Anglo-American Stage and Screen Drama analyses and discusses the contemporary role of stage and screen drama as a critical forum for progressive thinking in an increasingly polarised geopolitical world. The book addresses the cultural politics of socially engaged 21st century stage plays and films, and makes the case for drama as a sociopolitical forum, in which the complex and contentious issues that confront society can be explored and debated. It conceives of Anglophone political drama as a significant intervention in today’s culture wars, representing the latter as a convenient distraction from the ongoing depredations of neoliberalism. In the main part of the book selected case-study plays and films from each of the first two decades illustrate drama’s capacity to influence critical debate on social justice issues. All of the case-study texts under discussion express a powerful aesthetics of resistance to right-wing ideology, and promote inclusive and enlightened values. This broader orientation underlines drama’s role as a channel for critical agency in today’s putative post-socialist, post-democratic climate. Mike Ingham is Adjunct Professor of English Studies in the English Department at The Chinese University of Hong Kong and a dedicated tertiary teacher and former teacher-trainer. His research interests include stage and screen drama, Shakespeare studies, Hong Kong literature in English, and drama in education. Mike is also a founder member of Theatre Action, a Hong Kong-based drama group specialising in action research on literary dramatic texts. Previous monograph publications include Staging Fictions - The Prose Fiction Stage Adaptation as Social Allegory (2004), Hong Kong - A Cultural and Literary History (2007), Stage-play and Screen-play: The Intermediality of Theatre and Cinema (2017) and The Intertextuality and Intermediality of the Anglophone Popular Song (2022). He has also produced journal articles and book chapters on adaptation for stage and screen, early modern drama, documentary and feature film in Asian and Western contexts, and drama pedagogy.
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  • 32
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031451430
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 175 p. 8 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Political Campaigning and Communication
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    Schlagwort(e): Communication in politics. ; Middle East ; International relations.
    Kurzfassung: Chapter 1. Introduction -- Chapter 2. The Media and US Foreign Policy in the MENA area: From the war on terror to the Arab Spring -- Chapter 3. The US Public Opinion: A Marginal Impact on US Foreign Policy -- Chapter 4. Interest Groups : An imperfect Impact -- Chapter 5. Think Tanks: A Circuitous Impact on US Foreign Policy -- Summary and conclusion.
    Kurzfassung: “This is an innovative application of a brand personality model to political marketing. It is also an in-depth examination of the impact that such a model has in a unique national polity. All in all, this is a well-designed, well-executed study that is well worth reading.” —Ken Cosgrove, Professor of Political Science, Suffolk University, MA, Boston, USA “ How do American presidents justify their foreign policy in the Middle East in an era of hegemonic dominance? In this fascinating book, Touzani shows the answer is far more complicated than assumed. This work is impressive in its encyclopaedic scope. It is a welcome addition to any library on US foreign policy in the Middle East.” —Sean Yom, Associate Professor of Political Science, Temple University, USA “ After establishing the theoretical foundation for his study and drawing heavily throughout on a very impressive array of secondary and other sources, Touzani effectively traces the interaction between communications media and the main issues of US foreign policy across American administrations going back to that of US President Ronald Reagan.” —Mark Tessler, Samuel Eldersveld Collegiate Professor of Political Science, University of Michigan, USA The book examines how US media, public opinion, interest groups and think tanks respond to US Presidents’ attempts to market their foreign policies in the MENA Region. The scope of the analysis extends from the war on terror to the so-called Arab Spring. It focuses on some case studies including the Arab-Israeli conflict and the Iran nuclear deal. The book fills a gap in the literature pertaining to analyzing US foreign policy in the MENA area from a political communication perspective rather than from IR or a political-theory angle, which remains the dominant literature. In so saying, the book will appeal to students, researchers as well as thinks tanks and policy makers. Fouad Touzani is currently the founder and director of Ibn Ghazi Arabic Institute in Morocco. He has presented many research papers in many international conferences. His research interests include foreign policy, international security and political communication.
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  • 33
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031498886
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 200 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Literature, Science and Medicine
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    Schlagwort(e): Poetry. ; Literature, Modern ; Literature, Modern ; Medicine and the humanities. ; Medical Ethics. ; Science
    Kurzfassung: 1. “Poems are Bodies that Remind Us We Have Bodies”—Poetry, Medical Posthumanism, and Ethical Practice -- 2. Entangled Species / Entangled Health: The Inclusive Poetics of Juliana Spahr -- 3. Health Inequity, Structural Racism, and The Trans-Corporeal Ethics of Claudia Rankine’s Investigative Poetics -- 4. Shared Suffering and Chronic Vulnerability in the Poetry of Brian Teare -- 5. Global Health Equity, Community Building, and the Innovative Poetics of Hong and Perez -- 6. Conclusion: Affirmative Medicine: Queer Figurations and Porous Boundaries.
    Kurzfassung: Advancing Medical Posthumanism Through Twenty-First Century American Poetry places contemporary poetics in dialogue with posthumanism and biomedicine in order to create a framework for advancing a posthuman-affirmative ethics within the culture of medical practice. This book makes a case for a posthumanist understanding of the body—one that sees health and illness not as properties possessed by individual bodies, but as processes that connect bodies to their social and natural environment, shaping their capacity to act, think, and feel. Tana Jean Welch demonstrates how contemporary American poetry is specifically poised to develop a pathway toward a posthuman intervention in biomedicine, the field of medical humanities, medical discourse, and the value systems that guide U.S. healthcare in general. Tana Jean Welch is a poet and scholar of medical humanities and contemporary American poetry. She is Associate Professor of Medical Humanities at the Florida State University College of Medicine where she teaches courses in literature, writing, and humanities and serves as Director of the Chapman Humanities and Arts in Medicine Program. Her critical work has been published in MELUS, The Journal of Ecocriticism, Literature and Medicine, and Academic Medicine. She is also the author of the poetry collections In Parachutes Descending (2024) and Latest Volcano (2016). .
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  • 34
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031526732
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 208 p. 1 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature, Modern ; Literature ; Feminism and literature. ; Fiction. ; Women
    Kurzfassung: 1. Introduction: Walking into the Future -- 2 From Campaigner to Novelist: The Lives of Constance Antonina Boyle -- 3 Out of the Frying Pan -- 4 What Became of Mr Desmond -- 5 Nor All Thy Tears -- 6 Anna's -- 7 The Stranger Within the Gates -- 8 Conclusion: Deeds and Words.
    Kurzfassung: This book offers the first comprehensive treatment of the fiction of Constance Antonina (Nina) Boyle: a suffragette described in one obituary as 'second only to Mrs Pankhurst'. Boyle was a well-known campaigner and was the first woman to stand for selection as a candidate in an election in the UK. However, her novels have been all but forgotten. This study explores Boyle's early fiction and focuses on her first five novels - each of which represents a retelling of established narratives. It explores how Boyle used her fiction to voice her radical gender politics within a culture that was becoming increasingly hostile to even discussing women's rights outside of the extension of the franchise. This book will be of interest to scholars of women's suffrage as well as anyone interested in popular fiction of the 1920s. Nicola Allen is Senior Lecturer in English Literature and Co-Course Leader for MA English at the University of Wolverhampton, UK. She is author of Marginality in the Contemporary British Novel (2008).
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  • 35
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031406164
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XII, 202 p. 6 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Arab Cinema
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    Schlagwort(e): Motion pictures ; Motion pictures. ; Culture. ; Sex. ; Motion pictures ; Ethnology
    Kurzfassung: Chapter 1: Tangier and Paris – Multiculturalism and Feminism -- Chapter 2: Tangier and (Re)Turn to Fes: A Door to the Sky (1988) -- Chapter 3: Farida’s great halqa throughout Morocco & beyond -- Chapter 4: Tangier and the world: Juanita Narboni (2005) -- Chapter 5: The Sahara, the Atlas, and Tangier.
    Kurzfassung: 'A marvelous and timely book on Morocco’s national treasure Farida Benlyazid. An elegant and playful spiral structure accommodates Martin’s deep understanding of Benlyazid's many contexts, from the socioeconomic to the spiritual.' ----Laura Marks, Simon Fraser University, Canada 'Florence Martin has achieved an into-depth exploration of a unique and unequalled Moroccan female cineaste-biography. Well-written, nuanced and historically informed.' ---Viola Shafik, Independent scholar and filmmaker, Berlin, Germany and Cairo, Egypt This book project unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film. A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco’s rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the “years of lead” under the reign of Hassan II; and finally Mohamed VI’s current reign since 1999. As a result, she has a long view of Morocco’s politics of self-representation as well as of the representation of Moroccan women on screen Florence Martin is Dean John Blackford Van Meter Professor of French Transnational Studies at Goucher College, USA. She is the author of Screens and Veils: Maghrebi Women’s Cinema (2011) and the co-author (with Will Higbee and Jamal Bahmad) of Moroccan Cinema Uncut: Decentred Voices, Transnational Perspectives (2020).
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  • 36
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031449956
    Sprache: Englisch
    Seiten: 1 Online-Ressource(IX, 235 p. 1 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature, Modern ; Literature, Modern ; Fiction. ; Economics. ; Culture.
    Kurzfassung: 1. Introduction: Cosmopolitanism’s New Orientations -- 2. New Intersections in Fiction: Cosmopolitanism, Culture and Economics -- 3. Narrative Glocality and The Cosmoflâneur in Ian McEwan’s Saturday.-4. Vernacular Cosmopolitanism, Cosmopolitan Culture and Economics in Zadie Smith’s NW.-5. Cosmopolitan Identity and Narration in Salman Rushdie’s The Golden House: The Move Towards Vernacular Cosmopolitanism.-6. Posthuman Cosmopolitanism and Post-Covid-19 Sensitivities In Kazuo Ishiguro’s Klara And The Sun.-7. Conclusion: The Genre of The Contemporary -- References.-Index.
    Kurzfassung: “A nuanced, carefully articulated and insightful piece of scholarship. Paying attention to urgent political and social developments, including Brexit and Covid-19, Elif Toprak Sakız deepens our understanding of the dynamic interplay between culture and economics in the twenty-first century.” - Kristian Shaw, Associate Professor of English Literature, University of Lincoln, U.K “Through an engaging assessment of exemplary works of contemporary British fiction, Toprak-Sakiz provides a rich, thoughtful and critical reflection on the multiple meanings and dimensions of cosmopolitanism. This is an extremely timely and vital discussion on a key topic for our turbulent times.” - Steven Vertovec, Director of the Department of Socio-Cultural Diversity, Max Planck Institute for the Study of Religious and Ethnic Diversity, Germany This book investigates how culture and economics define novel forms of cosmopolitanism and cosmopolitan fiction. Tracing cosmopolitanism’s transition from universalism to vernacularism, the book opens up new avenues for reading cosmopolitan fiction by offering a precise and convenient set of terminology. The figure of the cosmoflâneur identifies a contemporary cosmopolitan character’s urban mobility and wandering consciousness in interaction with the global and the local. Posthuman cosmopolitanism also extends the meaning of cosmopolitan which comes to embrace the nonhuman alongside the human element. Defining narrative glocality, political hyper-awareness, and narrative immediacy, the book thoroughly explores how cosmopolitan narration forges direct responses to the contemporary world in postmillennial cosmopolitan novels. All of these concepts are elaborated in Ian McEwan’s Saturday (2005), Zadie Smith’s NW (2012), Salman Rushdie’s The Golden House (2017), and Kazuo Ishiguro’s Klara and the Sun (2021), to which world-engagement is central. Elif Toprak Sakız holds a PhD in English Literature from Middle East Technical University, Ankara, Türkiye. Her areas of interest include cultural studies, twenty-first-century fiction, narrative theory and posthumanism. She is a lecturer of Foreign Languages and Comparative Literature at Dokuz Eylul University, where she has been teaching since 2010. She has published several articles in the fields of contemporary fiction, postcolonialism, gender studies and comparative literature.
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  • 37
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031369032
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVIII, 278 p. 45 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Experimental Film and Artists’ Moving Image
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    Schlagwort(e): Experimental films. ; Arts. ; Photography.
    Kurzfassung: Chapter 1 Social Consideration, Communication, Observation: From Sculpture to Film and Photography -- Chapter 2 Ethnographic, Structuralist and Real-Time Filmmaking -- Chapter 3 Images of People at Work -- Chapter 4 Education, Participation, and the Making of the Subject -- Chapter 5 Social Activism.
    Kurzfassung: The Videography of Darcy Lange is a critical monograph of a pivotal figure in early analogue video. Trained as a sculptor at the Royal College of Art, Lange developed a socially engaged video practice with remarkable studies of people at work in industrial, farming, and teaching contexts that drew from conceptual art, social documentary and structuralist filmmaking. Lange saw in portable video a democratic tool for communication and social transformation, continuing the legacy of the revolutionary avant-garde projects that merged art with social life and turned audiences into producers. This book follows Lange's trajectory from his early observational studies to the crisis of representation and socially engaged video and activism, as it is shaped by, and resists, the artistic, cultural and political preoccupations of the 1970s and 1980s. It strikes a balance between being a monographic account providing a close analysis of Lange's oeuvre and drawing from unpublished archival materials—a sort of catalogue raisonné—whilst maintaining a breadth with theoretical discourses around the themes of labour and class, education, and indigenous struggles central to his work. The book's frameworks of Conceptual Art, structuralist and ethnographic film theory, social documentary and the critique of representation, video as social practice and the notion of 'feedback', participatory socially engaged art and postcolonial and indigenous theory,—expand our understanding of video outside the predominant structuralist tendencies. Lange's transnational and nomadic career introduces notions of alterity and challenges nationalistic accounts that excluded him in the past. Mercedes Vicente is a curator, writer, and researcher. She is Associate Lecturer in Critical and Contextual Studies at the London Metropolitan University and was a lecturer at Royal College of Art, UK. She has held museum positions as interim Director of Education and Public Programmes at Whitechapel Gallery in London, Curator of Contemporary Art and Darcy Lange Curator-at Large at Govett-Brewster Art Gallery in New Zealand, and Research Curatorial Assistant at the Whitney Museum of American Art in New York.
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  • 38
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031418082
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 262 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave European Film and Media Studies
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    Schlagwort(e): Motion picture plays, European. ; Motion pictures
    Kurzfassung: 1.European Scenes of Crime: Peripheries at the Centre -- 2.The Double Marginality of Peripheral Locations -- 3.Nordic Noir and Arctic Peripherality in Northern Europe -- 4.Mediterranean Noir and Nordic Peripheries in Southern Europe -- 5.Country Noir and Rural Peripheries in Western Europe -- 6.Eastern Noir and the Borderscapes of Eastern Europe -- 7.Brit Noir and the Hinterlands of the British Isles -- 8.Conclusion: Negotiating European Peripheries in TV Crime Series.
    Kurzfassung: This book is a comprehensive study of peripheral locations in contemporary European TV crime series. Ambitiously, it covers the complete geography of Europe, and offers a nuanced image of a changing, dynamic, and unfinished continent. The chapters include analyses of the practical, creative approach to producing crime series in European peripheries and rural areas, evaluating a continent marked by an internal crisis between urban and rural Europe. The study includes readings of crime series such as Shetland, Bitter Daisies, Trom, Pagan Peak, and The Border, but presents such representative cases within broader tendencies on the European TV market, including challenges from streaming services, the influence of Nordic Noir, and changes within the cognitive geography of Europe. The authors position peripheral European crime series in a complex relationship between universal appeal and local recognisability and offer a comprehensive theoretical approach to the aesthetics of peripherality. Grounded in desktop production studies, the book presents an original scholarly approach to analysing European crime series from a continental point of view. Despite local differences, the spatio-generic orientations scrutinized in the book – Nordic Noir, Mediterranean Noir, Country Noir, Eastern Noir, and Brit Noir – show remarkable aesthetic similarities in series from territories otherwise normally unconnected in television production. Consequently, television crime series reveal a common tongue and voice for dialogue on a continent in a deepening crisis. Kim Toft Hansen is Associate Professor of Scandinavian Media Studies at Aalborg University, Denmark. He is the co-author of Locating Nordic Noir: From Beck to The Bridge (2017), the co-editor of European Television Crime Drama and Beyond (2018) and has written extensively on Nordic and European television crime series. Valentina Re is Full Professor of Film and Media Studies at Link Campus University, Italy. She is the editor of Streaming media. Distribuzione, circolazione, accesso (2017) and the PI of the research project The Atlas of Italian “Giallo”: Media History and Popular Culture (1954-2020), funded by the Italian Ministry of University and Research (2022-25). .
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  • 39
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031401572
    Sprache: Englisch
    Seiten: 1 Online-Ressource(X, 261 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Shakespeare Studies
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    Schlagwort(e): European literature ; Drama. ; Literature
    Kurzfassung: 1 Introduction -- 2 The Majesty of Kingship: Spectacular and Sacred Sovereign Power -- 3 “The Bloody Proclamation to Escape”: Edgar and Romantic Outlawry -- 4 Dividing Between Daughters -- 5 Lear’s Redemption -- 6 Conclusion: Lear’s Shadow, Office Today -- Index.
    Kurzfassung: This book advances five original readings of Shakespeare's King Lear, influenced by Giorgio Agamben, but tempered by primary research into Jacobean literature, law, religion, and philosophy. To grasp Lear’s encounter between politics and identity, the play demands a wider understanding of the religious influence on political thought. As Lear himself realises, sovereignty is an extreme, glamorous example of a deeper category: sacred office. Lear also shows duty intersecting with a hierarchy of bastards, outlaws, women, waifs, and monks. This book introduces concepts like petit treason, civil death, and waivery into political theological studies, complicating Agamben’s models. Goneril’s treason shows the sovereign’s consort and children are consecrated lives too. Lear’s crisis of "self-knowing" stages a landmark critique of office. The promise of his poignant speech before the prison is foreclosed by Shakespeare's invention: an officer dutifully murdering Cordelia. This book’s conclusion, through Hannah Arendt, reconsiders Lear’s persistent association with the Holocaust. Dr Alexander Thom is a Leverhulme Early Career Fellow in the School of English, University of Leeds, UK. His postdoctoral research focuses on the displaced in English Renaissance drama. This book is based on his Midlands3Cities AHRC doctorate, which was awarded in 2020 by the Shakespeare Institute, University of Birmingham, UK.
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  • 40
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031449628
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVII, 240 p. 29 illus., 28 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Dance. ; Performing arts. ; Theater. ; Theater ; Actors.
    Kurzfassung: 1.Introduction -- 2 The analysis model -- 3. Case Study 1: Melancholy Spirals in Russell Maliphant’s Afterlight (Part One) (2009): Emergence, Expressiveness, and Emotional Import -- 4. Case Study 2: The poignant tensions of Crystal Pite’s Dark Matters (2009): Embodiment, Enaction and Emotion -- 5. Case Study 3: the despair of Petrichor (2016): Choreographer, analyst, audience, dancer -- 6. Conclusion.
    Kurzfassung: This book offers an approach which unites choreographic and spectatorial perspectives, and argues for dance itself—its materials, its structures—as a medium of emotional communication. Contemporary dance often seems to contend with issues of understanding, regularly being “read” in “languages” which alienate it. Even if emotion seems a significant part of people’s engagement with dance, its workings are often surrounded by an air of mysticism. Engaging with these issues, this study investigates the experience of emotion in Euro-American contemporary dance theatre. It questions its dependence on the artist’s personal emotions, and the assumption that it is mediated by representational meaning. Instead, this book proposes that the emotional import of dance emerges from an interplay between perceptual properties and symbolic elements in an embodied affective cognitive experience. This experience includes the background of the spectator as well as the context of work, choreographer, performer(s) and other creative agents. Lucía Piquero Álvarez is a researcher and choreographer - she has produced and been commissioned to create choreographic work internationally. Lucía completed her PhD at the University of Roehampton, UK, in 2019, and was a lecturer in dance at the University of Malta between 2012–2022 and head of the dance department between 2019–2022. Lucía is currently a lecturer in performance psychology at Trinity Laban, UK, and senior lecturer at Dance City Newcastle, UK.
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  • 41
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031427985
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIV, 330 p. 18 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Literary Urban Studies
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    Schlagwort(e): Literature, Modern ; Literature, Modern ; Space. ; Culture. ; Art, Modern ; Performing arts. ; Theater. ; Cities and towns
    Kurzfassung: “(Im)mobility, Peripherality, and the City: Theoretical Orientations and Concepts”, Patricia García; Anna-Leena Toivanen (University of Alcalá; University of Eastern Finland) -- “Cihuateteo Wandering: navigating the Mexican Urban Space as a Woman”, Orly Cortés (UAM-Xochimilco) -- “Urban Ambivalence: Work and Home at Delhi’s margins”, Anubhav Pradhan (Indian Institute of Technology Bhilai) -- “The Nomadic Subject in Teju Cole’s Open City”, Aristi Trendel (Le Mans University) -- “Space, Mobility, and Belonging: Finding One’s Way through Pre-Apartheid Johannesburg”, Sophie U. Kriegel (Leipzig University) -- “Moving Upward in the City: Modes of Transport and Social Mobility in New York, My Village: A Novel and Behold the Dreamers", Lena Englund (University of Eastern Finland) -- “Delhi on the Move: a Literary Account on Urban Mobility”, Valentina Barnabei (Ca’ Foscari University of Venice and Heidelberg University) -- “Abject Urban-Rural Mobilities by Public Transport in Ousmane Sembène's "Niiwam" and Yvonne Vera's Without a Name”, Anna-Leena Toivanen (University of Eastern Finland) -- “'We take boundaries very seriously here at Positron!’: Transitions and Liminal Space in Margaret Atwood’s The Heart Goes Last”, Olga Springer (Dublin City University) -- “Space, Borders and Cognition in Urban Diasporic Fiction”, Johan Schimanski (University of Oslo) -- “What Lurks in the Peripheries: The Unusual in Liminal Suburban Territories in Recent Short Story Collections”, Rosa-María Cobo (Universidad de Burgos) -- “Moving on the Fringes of Literary Barcelona: Contemporary Novels from the Catalan Peripheries”, Patricia García (Universidad de Alcalá) -- “Once upon a Queer: Sexual Monstrosity, Sexual Misery and the Metropolis”, Jean-Philippe Imbert (Dublin City University) -- “From the Cartographic Fringes: Map Mobilizations and the Urban”, Tania Rossetto (University of Padova) -- “Narratives of Border Crossing in Kati Horna’s Photographic Tales”, Karla Segura Pantoja (CY Cergy Paris Université) -- “Urban//Rural: An Art Perspective”, Federica Mirra (Birmingham City University) -- “The (Political) Power of Not Moving”, Inga Iwasiów and Maciej Kowalewski (University of Szczecin).
    Kurzfassung: Urban Mobilities in Literature and Art Activism explores the entwinement of mobility and immobility in urban spaces by focusing on their representation in literary narratives but also in visual and performing arts. Across a range of geographical contexts, this volume builds on the new mobilities paradigm developed by literary scholars, sociologists and human geographers. The different chapters employ a cohesive framework that is sensitive to the intersecting dimensions of power and discrimination that shape urban kinetic features. The contributions are divided into three sections, each of which places the focus on a different aspect of urban mobility: Itinerant Subjects, Modes of Transport and Places of Transit, and Urban Liminalities. Patricia García is a senior researcher in Literary Theory and Comparative Literature at the Universidad de Alcalá (Spain), where she currently leads a Ramón y Cajal project on urban peripheries in contemporary literature (2020-2025, Ministerio de Universidades, ES and European Social Fund) . Her research focuses on literary urban spaces, which she analyzes at their intersections with peripherality, gender and with representations of the supernatural. She is the author of The Urban Fantastic in Nineteenth-Century European Literature (Palgrave, 2021) and Space and the Postmodern Fantastic in Contemporary Literature (Routledge, 2015). She has held fellowships and research grants from the Netherlands Institute for Advanced Study, the Helsinki Collegium for Advanced Studies and the British Academy. She directs the network Fringe Urban Narratives (urbanfringes.com). She is the Vice-President of ALUS: Association for Literary Urban Studies, a member of the Executive Committees of the European Society of Comparative Literature and part of the editorial board of BRUMAL: Research Journal on the Fantastic. She is co-editor of the Palgrave series Literary Urban Studies. Anna-Leena Toivanen is Academy Research Fellow at the School of Humanities at the University of Eastern Finland. Her current research project, funded by the Academy of Finland (2021-2025), focuses on the poetics of mobility in Francophone African literatures. She has held a Marie Skłodowska-Curie Individual Fellowship at the University of Liège (2017-2019). Her monograph Mobilities and Cosmopolitanisms in African and Afrodiasporic Literatures was published by Brill in 2021, and she is currently working on her second book entitled Afroeuropean Mobilities in Francophone African Literatures (Palgrave Macmillan) She acts as the literary studies subject editor of the Nordic Journal of African Studies and has previously acted as the editor-in-chief of the Finnish literary studies journal Avain (2018-2019). She is in the editorial board of Mobility Humanities. She has co-edited a special issue entitled “European Peripheries” for the Journal of Postcolonial Writing (2021) and is currently guest-editing a special issue on public transport in African literatures for English Studies in Africa (forthcoming in 2024).
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  • 42
    ISBN: 9783031427718
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVII, 187 p. 20 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Communication in politics. ; Social media. ; Africa ; Identity politics.
    Kurzfassung: Chapter 1. (Introduction) Election discourse in Africa: Some critical considerations -- Chapter 2. Digital rhetoric of pandemic elections: Toward multilingual multimodal information design -- Chapter 3. Metaphors and metonymies in Akosua cartoons in the Daily Guide on Ghana’s electoral politics: A cognitive linguistic approach -- Chapter 4. An examination of the communicative functions of Nana Addo Dankwa Akufo-Addo’s inaugural addresses -- Chapter 5. Political economy of vigilantism in Ghana’s 2020 general election -- Chapter 6. Social media, and electoral disagreements in Ghana’s election 2020 -- Chapter 7. Dialogic communication on digital platforms as public relations technique: A case of two political parties in Ghana -- Chapter 8. Direct address and ethical performance of political discourse: An analysis of Naana Jane Opoku-Agyemang’s inauguration speech -- Chapter 9. (Afterword) Democracy, education, and public scholarship.
    Kurzfassung: This book explores issues at the intersection of communication and African electoral politics, taking Ghana’s 2020 general election as a focus of investigation. This interdisciplinary volume redresses gaps in the literature by highlighting the relevance of language and communication to electoral politics in Sub-Saharan Africa in the period of a global pandemic. The collection accounts for local influences on election discourse and illustrates how the specific context within which such discourse is enacted informs the linguistic, multimodal and technological choices of sociopolitical actors. The non-Western perspective it adopts extends work on political communication in a context underexplored in the literature and contributes to ongoing critical conversations on the decolonial and postcolonial aspects of communication studies. Drawing on a variety of data, including political speeches, political cartoons, election campaigns and social media posts, the volume not only addresses the dearth of scholarly work on African political communication, but also demonstrates the complexity of such scholarship and its importance to a comprehensive understanding of contemporary research on language and politics. This book enriches academic and public discussions on the future of democracy across the globe from a linguistic or communication perspective, expands scholarly work on African rhetoric and underscores the importance of engaging with diverse knowledge systems, especially non-Western epistemologies. Eliasu Mumuni (Ph.D.) is a Senior Lecturer and the Head of the Department for Communication, Innovation and Technology at the University for Development Studies, Ghana. He is also a Fulbright Scholar at the Appalachian State University. Mark Nartey (Ph.D.) is Lecturer in English Language and Linguistics at the University of the West of England. Ruby Pappoe (Ph.D.) is a Teaching Assistant Professor in Technical Writing at the University of North Carolina, Chapel Hill. Nancy Henaku (Ph.D.) is a Lecturer at the Department of English, University of Ghana. G. Edzordzi Agbozo (Ph.D.) is an Assistant Professor of English at the University of North Carolina Wilmington.
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  • 43
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031411847
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVI, 351 p. 15 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Literatures, Cultures, and the Environment
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    Schlagwort(e): Ecocriticism. ; Oriental literature. ; Human ecology ; Communication in the environmental sciences.
    Kurzfassung: 1. Introduction -- Part 1: Theoretical Foundations -- 2. Christian CULAS: Protected Area Narratives in Vietnam: An Anthropological and Mesological Approach -- Part 2: Indigenous and Spiritual Narratives of the Environment -- 3. NGUYEN Thi Kim Ngan: Legends of Forest Spirits in the Central Vietnamese Highlands -- 4. Achariya CHOOWONGLERT: Tai Narrative, Ritual, and Discourses of the Environment in North Central Vietnam -- 5. THACH Mai Hoang: Animal Mercy Release, Environmental Conservation, and the Media in Vietnam -- Part 3: War Narratives and the Environment -- 6. HOANG Cam-Giang: Narratives of the Natural World in Vietnamese Postwar Movies (1986-2020) -- 7. Montira RATO: Ecopedagogy, War Memories, and Sensory Experiences of Nature in Contemporary Vietnamese Children’s Literature -- 8. Conor LAUESEN: Dinh Q. Lê's The Pure Land and Ecological Phantoms: Levitating Sarcophagi, Submerged Spirits -- Part 4: Communism, Global Markets, and the Environment -- 9. Ben TRAN: Civil War, Socialism’s Underworld, and the Environment -- 10. Sarah GRANT: Ecologies of Coffee Sustainability in the Central Highlands -- Part 5: Environmental Literature in Vietnam -- 11. NGUYEN Phuong Ngoc: Environmental Travel Narratives in the Magazine Nam Phong -- 12. CAO Lan: Gender and Environment in Nguyễn Ngoc Tu’s Narratives -- 13. TRẦN Tịnh Vy: When the City Speaks Up: Nature, City, and Identity in Lê Minh Hà's Phố vẫn gió -- 14. PHAM P. Chi: Political Dimensions in Vietnamese Ecofiction.
    Kurzfassung: Environment and Narrative in Vietnam brings together essays about Vietnam’s natural environments and environmental crises from the perspective of culture, with particular attention to narrative templates that have shaped perceptions and interactions with nature on the part of different communities. The essays in this volume explore theoretical problems in the assessment of ecological stewardship and attitudes toward nature across cultures. They focus on both majority (Kinh) and ethnic minority narratives about nature and seek to outline how different ideas of modernization, from the French colonial project to the Marxist understanding of nature on the part of the Communist government, have shaped perceptions, policies, and activism regarding the environment. The essays also highlight the tensions and confluences between nationalist nation-building projects and economic integration into global markets for environmental thinking over the last half-century, and they analyze how texts from literary fiction to contemporary news media represent different environmental cultures in Vietnam. Taken together, the essays in Environment and Narrative in Vietnam begin to fill a significant gap in the understanding of environmental cultures in Asia and in the Environmental Humanities. This is an open access book. Ursula K. Heise is holds the Marcia H. Howard Term Chair in Literary Studies. She is co-founder and Director of the Lab for Environmental Narrative Strategies (LENS) at UCLA's Institute of the Environment and Sustainability. Her research and teaching focus on contemporary literature and the environmental humanities; environmental literature, arts, and cultures in the Americas, Germany, Japan, and Spain; literature and science; science fiction; and narrative theory. She is co-editor of Literatures, Cultures and the Environment series for Palgrave Macmillan. Chi P. Pham is a Tenured Researcher at the Institute of Literature, Vietnam Academy of Social Sciences, Hanoi. She received her first Ph.D. degree in Literary Theory in Vietnam and her second Ph.D. degree in Comparative Literature at the University of California, Riverside (USA). She is the secretary of the Association for the Study of Literature and Ecology in ASEAN (ASLE-ASEAN).
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  • 44
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031345975
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XX, 332 p. 32 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Macmillan Memory Studies
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    Schlagwort(e): Collective memory. ; Digital media.
    Kurzfassung: Chapter 1. Introduction: Unlocking Memory Studies: Understanding Collective Remembrance During and of Covid-19 -- Part I Can We Speak of a Covid Memory Boom? -- Chapter 2. “It seemed right to keep some sort of history”: Performances of Digital Memory Work by Young Women in London During Covid-19 -- Chapter 3. Picturing Lockdown in the UK: Memorializing an Ongoing Crisis -- Chapter 4. #Mémoriascovid19: Reimagining and Narrating Trauma in the Core of the Covid-19 Pandemic in Brazil -- Chapter 5. The Danger of a Single Story: Epic-Pandemic Narratologies and Memorials of COVID-19 in Nigeria -- Chapter 6. Pandemic from the Margins: How United-States-Based College Students Think the Pandemic Should Be Remembered -- Part II Commemorative Events Between Memory Politics and Protests: What Has Changed During the Lockdowns? -- Chapter 7. “No quarantine to workers’ rights”: Recontextualizing Labour Day Commemoration in the Semiotic Landscape of a Pandemic Demonstration -- Chapter 8. The Struggle to Remember Tiananmen Under COVID-19 and the National Security Law in Hong Kong -- Chapter 9. “Memory Does Not Quarantine”: COVID-19, Remembering the Coup, and the Struggle for Democracy in Bolsonaro’s Brazil -- Chapter 10. Human Rights Day: Grassroots Commemoration of the 60th Anniversary of the Sharpeville Massacre Amidst the COVID-19 Pandemic Restrictions in South Africa -- Part III Memorial Museums and National Days: Did Digital Practices Transform Commemoration in Times of the Pandemic? -- Chapter 11. “Le goût d’un jour de fête”? Commemorating the End of the Second World War on Twitter During the Lockdown: A Comparison Between France and Italy -- Chapter 12. #Hashtag Commemoration: A Comparison of Public Engagement with Commemoration Events for Neuengamme, Srebrenica, and Beau Bassin During Covid-19 Lockdowns -- Chapter 13. #DigitalMemorial(s): How COVID-19 Reinforced Holocaust Memorials and Museums’ Shift Toward Social Media Memory -- Chapter 14. Holocaust Remembrance on Facebook During the Lockdown: A Turning Point or a Token Gesture? -- Chapter 15. Epilogue: Did the Pandemic Change the Future of Memory?./.
    Kurzfassung: "This jewel of a book sets a new persuasive agenda for memory studies by an international group of scholars. Exploring individual and collective mnemonic practices that took place during Covid-19 and of Covid-19, this book offers indispensable contributions to timely questions: Has the pandemic transformed mnemonic practices? Will Covid-19 become part of collective memory?" —Vered Vinitzky-Seroussi, The Hebrew University of Jerusalem "How the Covid-19 pandemic unlocked memory. A truly international cast of authors throw light on archiving, mobilization, and the digitalization of memory – from Athens to Brazil, from Nigeria to Hong Kong. Essential reading for everyone interested in Corona and collective memory." —Astrid Erll, Goethe University Frankfurt "This innovative volume documents a profound transformation in digital memory practices triggered by the covid-19 pandemic. Empirically rich contributions interrogate mnemonic activism as a response to trauma, a form of protest and an homage to legacies of violence. It is an essential reference for the study of memory." —Denisa Kostovicova, London School of Economics and Political Science This book offers a platform for the analysis of commemorative and archiving practices as they were shaped and developed during the Covid-19 lockdown periods in 2020 and the years that followed. By offering an extensive global view the book enters a dialogue with what has emerged as an initial response to the pandemic and the ways in which it has affected memory and commemoration. It aims to critically and empirically engage with this abundance of memory tracing both memorialization of the pandemic and commemoration during the pandemic. Orli Fridman is an associate professor at the Belgrade Faculty of Media and Communications (FMK) and the academic director of the SIT learning center in Serbia. She is the author of Memory Activism and Digital Practices after Conflict: Unwanted Memories (2022). Sarah Gensburger is a professor at CNRS-Sciences Po Paris. Her most recent books are Beyond Memory. Can we really learn from the past? (Palgrave, 2020, with S. Lefranc) and Memory on my doorstep. Chronicles of the Bataclan Neighborhood (2019). .
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  • 45
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031406546
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XII, 329 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Literature, Culture and Economics
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    Schlagwort(e): Literature, Modern ; Literature, Modern ; Motion pictures ; Economic history.
    Kurzfassung: 1. Introduction -- 2. The Financial Gaze -- 3. Film and Financial Ethics -- 4. Film and Financial Time -- 5. Film and 6. Financial Space -- 7. Film and Financial Performance -- 8. Conclusion.
    Kurzfassung: The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life. Alasdair King is Reader in Film in the School of Languages, Linguistics, and Film at Queen Mary University of London, UK. He is the author of Hans Magnus Enzensberger: Writing, Media, Democracy (2007).
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  • 46
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031416446
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 266 p. 17 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Music and Literature
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    Schlagwort(e): Comparative literature. ; Literature. ; Music ; Culture. ; Civilization ; World politics.
    Kurzfassung: 1. Introduction -- Section I: General Perspectives -- “National Anthems in the Nineteenth-Century: Honor Anthems vs. Revolutionary Anthems” -- 2. “What to Sing? Anthems and the Problems of National Building” -- 3. “A Connected History of Republican Anthems: Independence, Decolonization and Nationalism” -- 4. “The Voices of the Nation. The Form and Content of National Anthems” -- 5. “Resounding Nations: Anthems in Europe at War (1936-1945)” -- 6. “Songs of Redemption: A Comparison of the Anthems of European Substate Nationalisms in the Long Twentieth Century” -- Section II Case Studies -- “The National Anthem’s Moment” -- 7. “Globalization of the National Anthem: The Case of Japan and the Japanese Empire in Asia -- 8. “Displaced national anthems: An Example from Iran” -- 9. “Anthems in Schools: Negotiating National and Youth Identities in a Bilingual Florida Elementary School”. .
    Kurzfassung: Music, Words and Nationalism: National Anthems and Songs in the Modern Era considers the concept of nationalism from 1780 to 2020 through anthems and national songs as symbolic and representative elements of the national identity of individuals, peoples, or collectivities. The volume shows that both the words and music of these works reveal a great deal about the defining features of a nation, its political and cultural history, and its self-perception. The book takes an interdisciplinary approach that provides a better understanding of the role of national anthems and songs in the expression of national identities and nationalistic goals. From this perspective, the relationship between hymns and political contexts, their own symbolic content (both literary and musical) and the role of specific hymns in the construction of national sentiments are surveyed. Javier Moreno-Luzón is Professor of Political History at the Complutense University of Madrid, Spain. He is a specialist in the political life of Modern Spain. He has published several books in English including: Modernizing the Nation: Spain during the Reign of Alfonso XIII, 1902-1931 (2012); Metaphors of Spain: Representations of Spanish National Identity in the 20th Century (with Xosé M. Núñez Seixas, eds., 2017); and The Politics of Representation: Elections and Parliamentarism in Portugal and Spain, 1875–1926 (with Pedro Tavares de Almeida, eds., 2017). María Nagore-Ferrer is Associate Professor in Musicology at the Complutense University of Madrid, Spain. Her main area of research is Spanish music in the nineteenth and twentieth centuries. She is the author of several books, including La revolución coral (2001) and Sarasate, el violín de Europa (2013), as well as numerous articles published in national and international journals.
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  • 47
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031439650
    Sprache: Englisch
    Seiten: 1 Online-Ressource(IX, 164 p. 1 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Pop Music, Culture and Identity
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    Schlagwort(e): Popular music. ; Service industries. ; Communication and traffic.
    Kurzfassung: 1. Introduction: How Digital Platforms are Changing Music -- 2. Streaming: Where it Comes From -- 3. Platforms: Why Music Depends on Them -- 4. Algorithms: Who Selects Music for Us -- 5. Listeners: How They Shape Music Consumption Practices -- 6. Artificial Intelligence: Where the Music of the Future is Heading -- 7. Conclusions: What is the Value of Music. .
    Kurzfassung: "Magaudda and Bonini present a look into digital platforms that will change the conversation about how platforms operate. Instead of assuming that platforms are neutral, Magaudda and Bonini show that platforms are embedded in networks of people. As a result, they show how platforms have become the new gatekeepers for cultural content. This book will change the way we think about platforms for years to come." —David Arditi, Associate Professor of Sociology at the University of Texas at Arlington, USA "Magaudda and Bonini are two of the most prolific and thoughtful scholars on the topic of music and technology. In this book they provide insight into how streaming platforms are shaping music production and consumption cultures. This book will help us better grasp how we can intervene in creating a music ecosystem that benefits everyone.” —Robert Prey, Assistant Professor at the Center for Media and Journalism Studies, University of Groningen, Netherlands Grounded in more than a decade of field research, this book uses empirical examples, quantitative data, and qualitative interviews with young music consumers as well as music industry professionals to understand how the platforms behind music production, distribution and listening work in our digital society. Bringing together the perspectives from science and technology studies, media studies, and the political economy of digital platforms, the book outlines the process of mutual construction between music digital platforms and the cultural value of music in today’s society, and also reflects on the complicated relationship between the power of platforms and the agency of listeners. Tiziano Bonini is Associate Professor in Sociology of Culture and Communication at the University of Siena. He has co-edited the book Radio Audiences and Participation in the age of network society (with B. Monclus, Routledge, 2015) and co-authored the book Algorithms of Resistance (with E. Treré, MIT Press, 2024). Paolo Magaudda is Associate Professor in Sociology of Culture and Communication at the University of Padova. He is author of History of Digital Media (with G. Balbi, Routledge, 2018) and Youth People and The Smartphone (with M. Drusian and C.M. Scarcelli, Palgrave 2022). .
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  • 48
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031355462
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXI, 200 p. 3 illus., 2 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature. ; Literature, Modern ; Comparative literature.
    Kurzfassung: Introduction -- Part 1. Modernism and Peripherality: Theoretical Considerations.-1.1.Benita Parry – ‘Stylistic Irrealism in Peripheral Literatures as Symptom, Mediation and Critique of Modernity’.-1.2.Irene Ramalho Santos – ‘What is Peripheral about Peripheral Modernisms?’ -- Part 2. Liminality in the ‘Semi-peripheries’ -- 2.1. Katia Pizzi – ‘Trieste and the Untranslatable Modernism’ -- 2.2. Roberta Gefter – ‘“From the Periphery of the Metropolis”: on Joyce’s Modern Irish Peripherealities’ -- 2.3. Marilena Parlati – ‘Australian Modernisms Strike Back, or still Harping on “Margins”’ -- Part 3. Metropolis, Technology, Cultural Transfer -- 3.1. Andreas Kramer – ‘Geographies of Peripheral Modernism: The Case of the Russian Avant-Garde (Khlebnikov, Eisenstein, Tret’iakov)’ -- 3.2. Patricia Silva – ‘Transcultural Reception in the Postcolonial Periphery: Brazilian Modernism and the European Avant-Garde’ -- 3.3. Ali Mozaffari & Nigel Westbrook – ‘In Search of the Authentic Modern: The Rhetoric of Architecture in Late 20th Century Iran’.
    Kurzfassung: This collection of essays reappraises the contributions made by modernist movements from regions generally regarded as peripheral or semi-peripheral to a global aesthetic of Modernism. It particularly focuses on European semi-peripheries, combining theoretical chapters and individual case studies to examine the cultural and aesthetic complexities of so-called peripheral modernisms. Contributing to research on the ‘transnational turn’ in New Modernist Studies, the volume takes recent scholarship on postcolonial modernisms one step further by exploring a broader geopolitical expanse than the (formerly) colonised regions under global capitalism. It highlights the local and translocal specificities of modernist movements from regions such as Eastern and Central Europe and the Mediterranean to offer new insights into the concept of global modernism.
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  • 49
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031393891
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 389 p. 14 illus., 10 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Literatures, Cultures, and the Environment
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    Schlagwort(e): Ecocriticism. ; Poetry. ; Communication in the environmental sciences. ; Human ecology
    Kurzfassung: 1. Introduction -- 2. Anthropocene Poetry -- 3. ‘The World in a Glance’: Ted Hughes, Anthropocene Scales and Environmental Cosmopolitanism -- 4. Seamus Heaney’s Environmental Poetry: Conservation Causes, Deep Time, Shifting Scales and Climate Change -- 5. Alice Oswald: Voyaging in Anthropocene Waters -- 6. Pascale Petit: Entanglement, Animals and the ‘Anthropocene Extinction’ -- 7. Kei Miller: Ecopoetics of Relation, Resistance and Grief -- 8. Seasonal Disturbances: Environment, Migration, Science and an Anthropocene Poetics of Relation in Karen McCarthy Woolf’s Work -- 9. Coda: Everyday poems from the anthropocene and the Anthropocene Issue.
    Kurzfassung: Anthropocene Poetry: Place, Environment and Planet argues that the idea of the Anthropocene is inspiring new possibilities for poetry. It can also change the way we read and interpret poems. If environmental poetry was once viewed as linked to place, this book shows how poets are now grappling with environmental issues from the local to the planetary: climate change and the extinction crisis, nuclear weapons and waste, plastic pollution and the petroleum industry. This book intervenes in debates about culture and science, traditional poetic form and experimental ecopoetics, to show how poets are collaborating with environmental scientists and joining environmental activist movements to respond to this time of crisis. From the canonical work of Ted Hughes and Seamus Heaney, to award-winning poets Alice Oswald, Pascale Petit, Kei Miller, and Karen McCarthy Woolf, this book explores major figures from the past alongside acclaimed contemporary voices. It reveals Seamus Heaney’s support for conservation causes and Ted Hughes’s astonishingly forward-thinking research on climate change; it discusses how Pascale Petit has given poetry to Extinction Rebellion and how Karen McCarthy Woolf set sail with scientists to write about plastic pollution. This book deploys research on five poetry archives in the UK, USA and Ireland, and the author’s insider insights into the commissioning processes and collaborative methods that shaped important contemporary poetry publications. Anthropocene Poetry finds that environmental poetry is flourishing in the face of ecological devastation. Such poetry speaks of the anxieties and dilemmas of our age, and searches for paths towards resilience and resistance.
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  • 50
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031396465
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIX, 402 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature ; Creative nonfiction. ; Literature, Modern
    Kurzfassung: 1 Introduction -- 2 Early years, the 1920s; and William Blake -- 3 The 1930s; and John Bunyan -- 4 The 1940s; and Charles Dickens -- 5 The 1950s; and George Meredith -- 6 The 1960s – mid 1970s; and William Morris -- 7 The late 1970s – 1990; and William Blake, revisited -- 8 Conclusion.
    Kurzfassung: “In what is undoubtedly a landmark work, Cranny-Francis has found a cogent and immensely satisfying line through Lindsay’s life and writing. It provides welcome access to Lindsay-fications of five great writers, which will provoke and inspire readers to reassess those writers’ works. I can think of no one better placed to tell Lindsay's story, and Lindsay's story is an important one to tell.” — Henry Stead, University of St Andrews, UK This book offers an in-depth analysis of the work of prolific writer, activist and publisher, Jack Lindsay (1900-1990). It maps the development of his ideas across the twentieth century by reference to the five British writers about whom he published major studies: William Blake, John Bunyan, Charles Dickens, George Meredith and William Morris. At the same time it maps the formation through the twentieth-century of Left cultural politics, which Lindsay repeatedly anticipated in areas such as the fundamental interconnectedness of human beings and the natural world, the formative role of culture in both social and individual being, the crucial role of the senses in embodied being and the rejection of mind/body dualism. Through his analysis Lindsay foretold both the social alienation and the environmental degradation that characterise the beginning of the twenty-first century, while his interdisciplinary research and transdisciplinary analysis provide models for how we might address these critical concerns. Anne Cranny-Francis is Adjunct Professor in the Faculty of Arts and Social Sciences, University of Technology Sydney, Australia. She is known for her work in feminist and gender studies, cultural literacy, popular culture studies, and studies of embodiment, the senses (particularly touch) and human-technology engagement.
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  • 51
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031307843
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXX, 656 p. 28 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature ; Literature, Modern ; Literature. ; Emigration and immigration. ; World history.
    Kurzfassung: Chapter 1: Introduction -- Chapter 2: Narrating Migration in the Settler Colonies: Recent Climate Fiction in Australia and New Zealand -- Chapter 3: Invasion and Replacement Fantasies: Jean Raspail’s The Camp of the Saints and the French Far Right -- Chapter 4: Between History and the Discord of Time: The Figure of the Migrant in A Seventh Man and Transit -- Chapter 5: A Border Poetics of Migration: Five Mappings of Migration Literature in Norwegian and Swedish -- Chapter 6: "A Strangely Familiar Place”: Cinematic (Re)framings of the EU’s Easternmost Border. Chapter 7: Migration, Romani Writers, and the Question of National Literatures. Chapter 8: Introduction -- Chapter 9: Setting the Stage of Contemporary Migration in the Italian Hostile Environment. Chapter 10: The Dystopian Imaginary, Climate Migration, and “Lifeboat-Nationalism”. Chapter 11: Black Parisians in Merry Colors: Queerness and Creolisation in the Popular Comedies of Lucien Jean-Baptiste -- Chapter 12: Classification and the Secrets of Kinship: Migration, Scientific Naturalism, and the Racialization of Blood in the Eighteenth Century -- Chapter 13: “There’s ways to survive these times… and I think one way is the shape the telling takes”: Hostile Environments and Hospitable Connections in Ali Smith’s Seasonal Quartet -- Chapter 14: Introduction -- Chapter 15: Migration, Forced Displacement, and Aesthetic Agency: Sharon Dodua Otoo’s Adas Raum. Chapter 16: Comparing Migrations? Russian German Jewish Writers on the “Refugee Crisis”. Chapter 17: Literary Archives and Alternative Futures. Memories of Labor Migration in Contemporary Turkish German Fiction. Chapter 18: On the Afterlife of Lucrecia Pérez: Literature and Migrant Memory against Nationalist Myth-Making in Democratic Spain. Chapter 19: On the Afterlife of Lucrecia Pérez: Literature and Migrant Memory against Nationalist Myth-Making in Democratic Spain. Chapter 20: Muslim Interpellation: Hijabs, Beards, and the Post-9/11 Border Regime. Chapter 21: Another Home. Chapter 22: Introduction -- Chapter 23: “Struggles with Identity Don’t Care about Latitude”: Saša Stanišić’s Herkunft (Where You Come From) as “Born Translated” Text -- Chapter 24: Verstummung”: Carmine Abate’s Dislocative Voices -- Chapter 25: Going for Nothing: Migration and Translation in Christina Rivera Garza -- Chapter 26: “Life Goes on, Defying Common Sense”: On Translating Russian Émigré Poetry -- Chapter 27: "It is hard to choose": An Italian Author on Migration, Diaspora, African Literature, and the Limits of Labels -- Chapter 28: Poetry as Love and Resistance -- Chapter 29: Introduction -- Chapter 30: Sound in Place: Italian Migrant Street Music in the Nineteenth-Century English Novel -- Chapter 31: Restorying the Greco-Turkish Population Exchange and the Partition of India and Palestine through Graphic Narrative: Hand-drawn Lines, Embroidered Histories, Portable Homelands -- Chapter 32: “Resonance is Contact Ripple”: Media and Contemporary Poems of Mediterranean Migration. Chapter 33: Ways of Seeing: Ethics of Looking in Refugee Films after 2015 -- Chapter 34: Curating Hospitality: Towards a More Sensitive Perception of Vulnerability -- Chapter 35: Introduction -- Chapter 36: Reading the Politics of Exile: Matei Vișniec’s Mr. K Released -- Chapter 37: Hassan Blasim’s God 99: Staying with Fragments, Designing Other Worlds -- Chapter 38: Melancholia of Migration in the Transnational Italian Imaginary -- Chapter 39: “not safe any where anymore”: Biopolitical Poetics and Irish Migration Poetry -- Chapter 40: “a historian of the soft tissue”: An Interview with Bhanu Kapil. .
    Kurzfassung: The Palgrave Handbook of European Migration in Literature and Culture engages with migration to, within, and from Europe, foregrounding migration through the lenses of historical migratory movement and flows associated with colonialism and postcolonialism. With essays on literature, film, drama, graphic novels, and more, the book addresses migration and media, hostile environments, migration and language, migration and literary experiment, migration as palimpsest, and figurations of the migrant. Each section is introduced by one of the handbook’s contributing editors and interviews with writers and film directors are integrated throughout the volume. The essays collected in the volume move beyond the discourse of the “refugee crisis” to trace the historical roots of the current migration situation through colonialism and decolonization. .
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  • 52
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031430671
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVI, 233 p. 12 illus., 11 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Theater ; Actors. ; Classical literature. ; Literature, Ancient. ; Adaptation (Literary, artistic, etc.).
    Kurzfassung: Chapter 1: Introducing The Burnt City and beyond -- Chapter 2: Punchdrunk on the Classics: A History -- Chapter 3: The Burnt City in Development: Rehearsal as Mythopoiesis -- Chapter 4: The Burnt City in Development: Abstracting Ancient Literature -- Chapter 5: The Burnt City in Performance: Place, Space, and Experience -- Chapter 6: The Burnt City’s Legacy: Immersivity, Mimesis, and Enargeia -- Chapter 7: Conclusion.
    Kurzfassung: Punchdrunk on the Classics: Experiencing Immersion in The Burnt City and Beyond draws attention to Punchdrunk’s use of ancient Greek literature in their creation of immersive theatre. The book documents and analyses the effects of utilising Greek tragedy within both Punchdrunk’s creative development windows, and the company’s final staged productions. It features material stretching from The House of Oedipus (2000) right through to The Burnt City (2022-23), on which the author worked as dramaturg. Chapters include rehearsal studies, explorations of how Greek literature can shape an audience’s experience in immersive theatre, and considerations of how The Burnt City might change our understanding of the poetics of immersion in antiquity. Overall, Punchdrunk on the Classics provides an unparalleled depth of insight into an individual Punchdrunk production, and highlights the until-now overlooked significance of antiquity within Punchdrunk’s practice. Emma Cole is Senior Lecturer in Drama at the University of Queensland, Australia; previously, she was Senior Lecturer in Liberal Arts and Classics at the University of Bristol. She is a classicist and a theatre historian and is an expert on Greek tragedy in contemporary theatre. Her previous book, Postdramatic Tragedies, was published in 2019.
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  • 53
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031335136
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIV, 227 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Studies in Revolution and Literature
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    Schlagwort(e): Latin American literature. ; Poetry. ; Social sciences ; Political science
    Kurzfassung: 1. Introduction -- 2. A Poet of the "Ethics of the Real" -- 3.A Poet of the Language Crisis -- 4. A Poet of the "Part With No Part” -- 5. A Poet Who Announces the Event -- 6. A Poet of the Communist Event -- 7. A Poet of "Lost Causes” -- 8. Vallejo and Political: Art Beyond Death (Conclusions).
    Kurzfassung: “This book reveals that the political reading of Vallejo's poetry demands that we radically rethink politics itself. The singular ethical force of this poetry resides there. We have to think reality from the excess, that is, from what does not fit in ideological schematisms, nor in the concepts themselves. With a great pedagogical spirit, through lucid theoretical expositions and precise commentaries on the texts, this book shows us that Vallejo wrote a poetry that is absolutely alive for our times: a poetry that demands that we live in a different way.” —William Rowe, Birkbeck College, University of London, UK “From this careful study, César Vallejo emerges as a poet-witness of the event, ready to assume the constitutive flaw of the human being but capable of affirming the radical possibility of a communist politics of equality. By following the philosophy of Alain Badiou, as well as the clues of other thinkers (from Marx to Mariátegui, from Butler to Žižek), Víctor Vich has succeeded in producing an original, new, and other Vallejo.” —Bruno Bosteels, Columbia University, USA This book argues that the poetry of César Vallejo announces the event, as a moment of irruption of a truth that destabilises the usual state of reality. It studies the emergence of a subject who affirms a truth that exceeds the law, interrupts hegemonic repetition, asserts universal solidarity, and defends "lost causes" despite political failure. The author reconfigures the traditional reading of Vallejo only as a poet of pain and human suffering, and offers new ways of understanding the relationship between poetry and politics. Víctor Vich is Professor at the Pontificia Universidad Católica del Perú in Lima. He has been a visiting Professor at several universities in the United States and has published various books about Peruvian poetry. He won the Guggenheim grant in 2010.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031418549
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVII, 350 p. 4 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Popular music. ; Ethnology ; Culture. ; Popular Culture.
    Kurzfassung: 1: Introduction and Background -- 2: Zimdancehall's Pre-History and Roots -- 3: Zimdancehall and Youth Culture -- 4: The Zimdancehall Underground and Youth Resistance from the Margins -- 5: Zimdancehall Music and the Voices of Zimbabwean Youth -- 6: Say Their Name: Zimdancehall Chanters & the Politics of Representation -- 7: Zimdancehall and The State -- 8: Zimdancehall and Everyday Urbanism -- 9. Zimdancehall's Elite Capture -- 10: Soul Jah Love's Necropolitianism -- 11: Soul Jah Love and Representations of Orphanhood and Motherhood in Zimdancehall -- 12: Soul Jah Love and the Ambivalent Representation of Women in Zimdancehall -- 13: Feminist Zimdancehall's Subversion of Women's Objectification -- 14: Religion and Spirituality in Zimdancehall -- 15: Zimdancehall and Afrofuturism -- 16: Zimdancehall's Future.
    Kurzfassung: Zimdancehall is a musical movement in Zimbabwe that has grown significantly since 2010. The Zimdancehall Revolution brings together critical essays on various aspects of Zimdancehall culture by scholars from diverse disciplines. Traditionally, music critics and senior academics have not taken Zimdancehall seriously, regarding it as vulgar, transient, bubble gum, lacking depth, and in short, a fad. There were also allegations that the lyrics influenced factionalism, incited violence and glorified drug use and unbridled promiscuity among the youth. This book affords this movement the protracted intellectual engagement that it deserves and argues that Zimdancehall is more than just a musical genre but an everyday culture, a way of life. The genre’s close association with the ghetto is telling and enables critics to look at it as a social movement, a revolution, or a raw, petulant and raging disturbance of peace by those who live their lives on the margins. It is, thus, a violent irruption onto the public space by marginalised young people whose presence as artistes creating art from the margins, simultaneously as victims and agents, circulating in a geography that escapes the limits of nationalist ideological and physical territory, in a way subverts communitarian prescriptions and allows young people entry into the world, albeit in a painful, tumultuous and violent way. The essays range from the mapping of the genre’s historical development to theoretical interventions in understanding the genre and its relationship with various aspects of the Zimbabwean society like politics, gender, religion, language, dance, cultural values and other genres.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031395703
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIV, 230 p. 3 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Animals and Literature
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    Schlagwort(e): Literature, Modern ; Ecocriticism. ; Literature ; Animal welfare ; Science
    Kurzfassung: Chapter 1. Introduction: honey, wax, pollination Alexis Harley, La Trobe University, Christopher Harrington, La Trobe University -- Chapter 2. “Science and the Sacred Honeybee in the Nineteenth Century” Diane M. Rodgers, Northern Illinois University -- Chapter 3. “Housewives and Old Wives: sex and superstition in English Beekeeping” Adam Ebert, Mount Mercy University -- Chapter 4. “Unsettling Homes”: Honeybees, Georgiana Molloy and Colonial Beekeeping in Australia Jessica White, University of Adelaide -- Chapter 5. “The Social Insect and the Fashionable Newspaper”: Bee Poetry in the Oracle and World Claire Knowles, La Trobe University -- Chapter 6. “A Nineteenth-Century Beeography: Lucy Peacock’s The Life of a Bee Related by Herself (1800)” Samantha George, University of Hertfordshire -- Chapter 7. “Keats’s Honeybees: Sound, Passion, and Natural Prophecy” Hermione de Almeida, University of Tulsa.-Chapter 8. “Bumblebees and Emily Dickinson” Camilla Chen, Oxford University -- Chapter 9. A Hive Turned Upside Down: Drone Bees and the Chartist Imaginary Christopher Harrington, La Trobe University -- Chapter 10. “Through the Agency of Bees”: Charles Darwin, John Lubbock, and the Secret Lives of Plants and People” Jonathan Smith, University of Michigan -- Chapter 11. “Queens and Drones in Thomas Hardy’s Wessex” Alexis Harley, La Trobe University -- Chapter 12. “The Experimental Eminence of Darwin’s Bees” John Clark, St Andrews University.
    Kurzfassung: "For centuries, humans have invested enormous weight in the symbol of the honey bee. The authors of the meticulously-researched Bees, Science, Sex and Literature in the Long Nineteenth Century show how the symbol changes radically in the literature and culture of the nineteenth-century, as emerging technologies and new biological discoveries clash with long-held agrarian and poetic traditions." —Tammy Horn Potter, author of Bees and America: How the Honey Bee Shaped a Nation The long nineteenth century (1789-1914) has been described as an axial age in the history of both bees and literature. It was the period in which the ecological and agronomic values that are still attributed to bees by modern industrial society were first established, and it was the period in which one bee species (the European honeybee) completed its dispersal to every habitable continent on Earth. At the same time, literature – which would enable, represent and in some cases repress or disavow this radical transformation of bees’ fortunes ­– was undergoing its own set of transformations. Bees, Science, and Sex in the Literature of the Long Nineteenth Century navigates the various developments that occurred in the scientific study of bees and in beekeeping during this period of remarkable change, focusing on the bees themselves, those with whom they lived, and how old and new ideas about bees found expression in an ever-diversifying range of literary media. Ranging across literary forms and genres, the studies in this volume show the ubiquity of bees in nineteenth-century culture, demonstrate the queer specificity of writing about and with bees, and foreground new avenues for research into an animal profoundly implicated in the political, economic, ecological, emotional and aesthetic conditions of the modern world. Alexis Harley lectures in literary studies at La Trobe University, Australia. She is the author of Autobiologies: Charles Darwin and the Natural History of the Self. She has kept honeybees since 2012. Christopher Harrington teaches literary studies at Victoria University in Melbourne. He has published numerous articles on the representation of bees and insects in literature.
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  • 56
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031474606
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXIII, 229 p. 35 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Communication in organizations. ; User interfaces (Computer systems). ; Human-computer interaction.
    Kurzfassung: Introduction to Integral Communication -- The Power of Integral Networking -- Integral Communication Framework: Mapping, Tagging and Digital Identity -- Perspective of Integral Communication: The IoT Ecosystem.
    Kurzfassung: This book explains how taxonomy can be used to describe and connect social actors in an integral way. Integral communication refers to a specific way of open information exchange which uses all qualities and preferences of subjects in conversation and allows anonymous feedback exchange, which enhances trust, learning and development. The role of integral communication is to promote perceptiveness, collaboration, personal development, and organizational learning among all the actors involved. In this book, the authors propose a new original way of digital communication that uses tags and their metadata to describe qualities and preferences of a particular node in the network. Although most social networks, sharing platforms and e-government frameworks are already applying taxonomies and social tagging to define user identity, none of them is focused on tags exclusively, while within an integral communication framework they represent the basic element of user definition and networking. In addition, other social platforms rarely allow anonymous feedback exchange, and they are usually not focused on the personal development of their end-users. Aside from helping actors present their attributes and preferences, integral communication promotes teamwork, sustainability, trust, organisational learning, and personalized communication with AI machines. After reading this book, readers will learn how to harness the power of integral networking and understand why anonymous feedback is a critical element for learning and development. Ozren Rafajac is an assistant professor at the University of Rijeka, Croatia, where he teaches e-business and cloud computing and a professor at the Polytechnic of Rijeka, Croatia, where he teaches sales management, HR management, business communications and digital marketing. He has worked on several EU-funded projects. His research interests focus on HR management, organisational intelligence, e-collaboration, communication, tourism, organisational development and leadership. Alen Jakupović is a professor at the Polytechnic of Rijeka, Croatia, where he teaches several courses in programming and project design. His scientific and professional interests include metrics and methods for information systems development, artificial intelligence, intelligent systems development, information and business systems dependability and ICT in education.
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  • 57
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031443008
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 173 p.)
    Ausgabe: 1st ed. 2024.
    Serie: American Literature Readings in the 21st Century
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    Schlagwort(e): America ; Literature, Modern ; Cities and towns
    Kurzfassung: Introduction -- 1 Post-Civil War Stories -- 2 Art, Music, and Language -- 3 Postbellum Transitions -- 4 The “Protomodern” City -- 5 New Orleans and Chopin’s Novels -- Conclusion.
    Kurzfassung: This book examines selected short stories and novels by Kate Chopin through the lens of the city of New Orleans. Chopin’s depictions of and references to New Orleans celebrate the vibrancy of this unique American city, but also illustrate the complex, interdependent relationships defined within its coded system of racial, gendered, and class designations. These stories feature canny depictions of the complexity of human struggles for freedom as well as love within this nineteenth-century southern city. While Chopin has been highly regarded as a local color writer and especially as a feminist literary icon, this book shows how the author’s “city” stories also point to her sophistication as an author who perceived the shifting literary landscape, and it identifies the ways many of these stories’ protomodernist elements anticipate the advent of the Modern era.
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  • 58
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031407918
    Sprache: Englisch
    Seiten: 1 Online-Ressource(IX, 245 p. 4 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: New Directions in Irish and Irish American Literature
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    Schlagwort(e): Literature, Modern ; European literature. ; America ; Emigration and immigration. ; Women ; Literature
    Kurzfassung: Section I: Irish American Women’s Activism (1880-1920) -- 1. Fanny Parnell: The Songstress of the Land League -- 2. Mother Jones, Elizabeth Gurley Flynn, and Famine Memory -- 3. Kate Kennedy, Irish Famine Refugee, American Feminist -- Section II: Famine Memory and Irish American Women’s Writing -- 4. From Regional Remembrance to Transatlantic Heritage: the Transportability of Famine memory in Fiction by Mary Anne Sadlier, Anna Dorsey and Alice Nolan -- 5. Margaret Dixon McDougall’s The Days of a Life (1883); an Irish-Canadian Perspective of the Repetitive Nature of Irish History -- Section III: The Global Famine Diaspora: Mary Anne Sadlier and Her Contemporary Female Authors -- 6. Irish Catholic and Irish Protestant Women Writers’ Perceptions of the Famine Migration and Resettlement in British North America -- 7. Sentimentally Irish, Racially White: The Balancing Act of Irish-American Identity in the Novels of Sadlier and Meany.
    Kurzfassung: The Famine Diaspora and Irish-American Women’s Writing considers the works of eleven North-American female authors who wrote for or descended from the Irish Famine generation: Anna Dorsey, Christine Faber, Elizabeth Gurley Flynn, Mother Jones, Kate Kennedy, Margaret Dixon McDougall, Mary Meaney, Alice Nolan, Fanny Parnell, Mary Anne Sadlier, and Elizabeth Hely Walshe. This collection examines the ways the writings of these women contributed significantly to the construction of Irish North-American identities, and played a crucial role in the dissemination of Famine memories transgenerationally as well as transnationally. The included annotated excerpts from these women writers’ works and the accompanying essays by prominent international scholars offer insights on the sociopolitical position of the Irish in North America, their connections with the homeland, women’s activities in transnational (often Catholic) publishing networks and women writers’ mediation of Ireland’s cultural heritage. Furthermore, the volume illustrates the generic variety of Irish-American women’s writing of the Famine generation, which comprises political treatises, novels, short stories and poetry, and bears witness to these female authors’ profound engagement with political and social issues, such as the conditions of the poor and woman’s vote. Marguérite Corporaal is Full Professor of Irish Literature in Transnational Contexts at Radboud University, the Netherlands. She was PI of Relocated Remembrance: The Great Famine in Irish (Diaspora) Fiction, 1847–1921), is a NWO-VICI grant recipient for her project Redefining the Region (2019-24), and PI of Heritages of Hunger, a Dutch research council-funded NWO-NWA project (2019-24). She is the author of Relocated Memories of the Great Famine in Irish and Diaspora Fiction, 1847–70 (2017). Dr. Jason King is Academic Coordinator of the Irish Heritage Trust and National Famine Museum, Strokestown Park, and a member of the Government of Ireland National Famine Commemoration Committee. His recent publications with Christine Kinealy and Gerard Moran include More Heroes of Ireland’s Great Hunger Heroes of Ireland’s Great Hunger (2022, 2021) and Irish Famine Migration Narratives: Eyewitness Testimonies, vol II, The History of the Irish Famine (2019). Peter D. O’Neill is Associate Professor in Comparative Literature and Intercultural Studies at the University of Georgia, USA. With David Lloyd, he co-edited an essay collection, The Black and Green Atlantic: Crosscurrents of the African and Irish Diasporas, (Palgrave Macmillan; 2009). His award-winning book, Famine Irish and the American Racial State, was published in paperback in 2019. .
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  • 59
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031128639
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 192 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Literatures of the Americas
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    Schlagwort(e): America ; Comparative literature. ; Literature ; Feminism and literature. ; Ethnology ; Culture. ; Psychic trauma.
    Kurzfassung: Chapter 1– Introduction: Cicatrix Poetics: Chicana Literary Trauma Studies -- Chapter 2 – La Malogra and Liberating La Mujer Sufrida in Ana Castillo’s So Far from God -- Chapter 3 – La Chingada and “The Silent Lloronas” in Lucha Corpi’s Black Widow’s Wardrobe -- Chapter 4 – Coyolxauhqui and Coming of Age in Sandra Cisneros’s The House on Mango Street -- Chapter 5– Survival Scars and Solidarity in Emma Pérez’s Forgetting the Alamo, Or, Blood Memory -- Chapter 6 – Conclusion: Beyond Survival.
    Kurzfassung: This book explores how Chicana literature often represents gender violence while simultaneously presenting strategies of survival in response. Adrianna M. Santos aims to contribute to a broader conversation concerning the intersections between Chicana literature and decolonial trauma theory, one which questions the colonial matrix of power and the universality of Western knowledge. Santos argues that Chicana survival narratives arise out of colonial wounds and form scars that both mark and protect the violated body. Cicatrix Poetics, Trauma and Healing in the Literary Borderlands proposes a “cicatrix poetics” that makes bold gestures toward healing and narrative/storytelling as survival. The book contends that the cicatrix fashioned through artistic expression is a necessary component for Chicana communities—not just to survive, but to thrive. The books presents several case studies that examine transformative narrativity and by theorizing the texts as survival narratives, social protest works that bring attention to violence and erasure, the chapters explore how literature can be an effective catalyst for both social change and personal transformation, an orientation towards freedom, liberation through love. Adrianna M. Santos is Associate Professor of English at Texas A&M University–San Antonio, USA, and advisor of the Mexican American Student Association. She has published in Aztlán, Chicana/Latina Studies, Shakespeare Bulletin and Latina Critical Feminism and is co-editor of The Bard in the Borderlands, and El Mundo Zurdo 8. .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031420689
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 258 p.)
    Ausgabe: 1st ed. 2024.
    Serie: New Directions in Irish and Irish American Literature
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    Schlagwort(e): Literature ; Drama. ; Queer theory. ; Theater ; Sex.
    Kurzfassung: 1 Introduction -- 2 Family, Normativity, and the Will to Escape -- 3 Moral Prudery, Respectability, and Broken Intimacies -- 4 Sadomasochistic Attachments: Reverse Power and Erotic Stimulations -- 5 Defiant Dykes: New Women against Patriarchy -- 6 Conclusions.
    Kurzfassung: Queering W. B. Yeats and Gabriele D’Annunzio is an important new study that is revelatory not only for what it reveals about these two important playwrights, but also for its innovative approach to methodology. As modernist playwrights, Yeats and D’Annunzio adopted a variety of approaches – both overlapping and contrasting – to their dramaturgy and stagecraft, and this book sheds new light on the political and aesthetic consequences of their work. Of even greater value, however, is Balázs’s extraordinarily deft and original application of queer theory to these writers’ dramas and legacies. The overall impact is to open up new approaches to research in modernism, theatre studies, queer theory – and beyond. -Prof. Patrick Lonergan, University of Galway, Ireland Queering W. B. Yeats and Gabriele D’Annunzio offers a fresh, creative, and highly illuminating approach to the work of two essential yet perplexing modern European playwrights. Reading Yeats through the lens of queer theory unlocks some of the contradictions of his treatment of gender and sexuality, demonstrating that they remain profoundly anti-normative and anti-authoritarian even when citing heteronormative or misogynistic tropes. In addition to provocative and generative readings of some of Yeats's and D’Annunzio’s most difficult plays, Balázs’s book offers a treasure trove of information about modernist theatrical production and the performers who brought these dramas to life. The questions raised in this book about the arts and authority could not possibly be more timely. This book will be essential reading for anyone drawn to the fascinating world of modern European drama. -Prof. Susan Cannon Harris, University of Notre Dame This monograph provides the first fully theorised queer and comparative reading of Yeats’s and D’Annunzio’s drama in light of the playwrights’ rich queer and feminist networks. It uncovers a subversive and often coded social commentary in eight key dramatic texts by each playwright through meticulous and highly topical dramaturgical readings which carry relevant implications for the contemporary moment. Zsuzsanna Balázs is Assistant Professor at Óbuda University in Budapest, Hungary.
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  • 61
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031454141
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 226 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): European literature ; Theater. ; Drama.
    Kurzfassung: 1 Introduction: The Praxis and Scope of Applied Shakespeare.-Part I The Challenges of Applied Shakespeare as a Transformative Encounter.-2 Shakespeare as the Ultimate Form of Cultural Success,Individual Healing, and Personal Development.-3 Shakespeare and Cultural Exclusion.-4 Shakespeare and Universalisation.-5 Subverting a Universally and Culturally Biased Shakespeare.-Part II Prison Shakespeare.-6 The History of Prison Theatre.-7 The History of Shakespeare in Prison -- 8 Shakespeare’s Prison, Prison Shakespeare: A Renaissance Reading of Shakespeare’s Prisons in Measure for Measure.-9 Shakespeare’s Criminals, Criminal Shakespeare: A Renaissance Reading of Shakespeare and the Criminal Mind in Macbeth.-10 ESC: A Case Study .-Part III Disabled Shakespeare .-11 The History of Disability Theatre.-12 The History of Shakespeare and Disability Theatre.-13 Shakespeare’s Disabled, Disabled Shakespeare: A Renaissance Reading of Shakespeare and Disability in Henry VI Part Two and Three and Richard III .-14 Blue Apple Theatre Company: A Case Study.-Part IV Therapeutic Shakespeare.-15 The History of Theatre and Therapy.-16 The History of Shakespeare and Therapy .-17 Shakespeare’s Therapy, Therapeutic Shakespeare: A Renaissance Reading of Shakespeare and Therapy in Hamlet.-18 The Combat Veteran Players: A Case Study -- Part V Conclusion.-19 Suggestions for Further Research.-20 Concluding Statement.
    Kurzfassung: This book speaks to those interested in where and why Shakespeare’s work is used to capture the transformative intentions of different areas of Applied Theatre practice (Prison, Disability, Therapy), representing a foundational study which considers subsequent histories and potential challenges when engaging with Shakespeare’s work. This is grounded in a case study analysis of three salient British Theatre Companies: The Education Shakespeare Company (prison), the Blue Apple Theatre Company (Disability), and the Combat Veteran Players (therapy). Adelle Hulsmeier is a Senior Lecturer and Programme Leader at the University of Sunderland, UK, where she has taught since 2011. She manages an award winning (CATE) collaborative relationship with Northumbria Police and leads an academic partnership with Live Theatre, Newcastle. She continues to embed the notion of social change as an integral part of teaching and learning.
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  • 62
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031364419
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 286 p. 3 illus., 2 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Journalism. ; Communication in politics. ; Ethnology ; Culture.
    Kurzfassung: 1. Introduction. Not Authoritarian, but Not Yet Democratic: the Mexican authoritarian legacies in media and politics. Volume editors -- Part 1. Media Systems, Regulation and Historical Antecedents: Explaining Continuities -- 2. Media Systems in Unconsolidated Democracies: the case of Mexico. Manuel Alejandro Guerrero -- 3. Challenges in Protecting Freedom of Expression in Mexico: 20 years of progress with poor results. Salvador de Leon Vazquez. -- 4. The Salinas Years, 1988-1994: Watershed in the opening of Mexico's print media?. Andrew Paxman -- Part 2. The Burden of Being a Journalist in Mexico: Risk, Security and Censorship -- 5. Surviving Mexico's Peripheries: limits and constraints among journalists in the Twenty-First Century. Celeste Gonzalez de Bustamente & Jeannine Relly -- 6. Still Dreaming of Democracy: How professional norms from the political opening shape risk and resilience today. Sallie Hughes -- 7. Defective Democracy, Erosion of Freedom of Press, and the Perils of Being a Journalist in Mexico Two Decades After the Democratic Transition. Ruben Arnoldo Gonzalez, Osiris S. Gonzales-Galvan -- 8. AMLO and Freedom of the Press: The struggle between conflicting visions of communicative strategies in Mexico. Stuart Davis & Melissa Santillana -- Part 3. Post-Authoritarian Media Performance: Actors and Representations in Dispute -- 9. Mediatization in post-authoritarian democracies: 20 years of media logic in Mexican press. Martin Echeverria -- 10. Press and Civil Society: Alliance and mistrust in Mexican transition to democracy. Grisel Salazar -- 11. Television Political Satire and the Mexican Democratic Transition. Frida V. Rodelo.
    Kurzfassung: This volume presents an analytical and empirical overview of the array of issues that the Mexican media faces in the post-authoritarian age, which jointly explains how a partially accomplished democracy, its authoritarian inertias, and its unintended consequences hinder the democratic performance of the media. This is analyzed from three points of view: the stalemate Mexican media system and ineffective regulations, the conditions of risk and insecurity of the journalists on the field, and the limits of freedom of expression, political substance, and inclusiveness of media content. A binational effort, with research from US and Mexican authors, a wide analytic perspective is provided on the macro, meso, and micro levels, allowing for a deep conceptual richness and a comprehensive understanding of the Mexican case. With leading researchers in the field, the volume revolves around the problems of the media in post-authoritarian democracies. By answering the questions of how and why the Mexican media has not fully democratized, the works encompassed here can resonate with and are relevant to other post-authoritarian countries and academic disciplines. Martin Echeverria is Full-Professor at the Centre for Studies in Political Communication, Institute of Government Sciences and Strategic Development, Benemerita Universidad Autonoma de Puebla, Mexico. Ruben Arnoldo Gonzalez is Full-Professor at the Centre for Studies in Political Communication, Institute of Government Sciences and Strategic Development, Benemerita Universidad Autonoma de Puebla, Mexico.
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  • 63
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031239229
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXVII, 423 p. 100 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Music ; Feminism. ; Feminist theory. ; Communication and traffic. ; Philosophy. ; Postcolonialism.
    Kurzfassung: 1. Introduction: The 'Post-Feminist' Moment in Contemporary Classical Music; Lina Kouvaras -- Part 1: Activist Musical Projects and Intersectional C ollaborations -- 2. Borrowing from the Bard: Ruler of the Hive; Melody Eotvos -- 3. Letters to Clara: A Contemporary Composer's Homage to a Women Pioneer; Natalie Williams -- 4. Carnivals of Voice, Musical Playgrounds: Music from Text in Works of Andree Greenwell; Andree Greenwell -- 5. Holding, Handling, Moulding and Setting the Inner Thoughts of Another in Hidden Thoughts; Katy Abbott -- 6. Walking the Line: Emancipating the Complex Female Voice in Recent Operas; Missy Mazzoli -- 7. Democracy and Collective Composition; Cathy Milliken -- 8.Harmonia Mundi: Creating a New Work of Music Theatre to speak to the Current World Chaos; Judith Clingan -- 9. Blocking Out Noise: Metamorphosis and Identity in the Recent Chamber Music of Vivian Fung; Vivian Fung -- 10. An overview of My Compositional Practice and Collaborations into China; Rachel Walker -- 11. Luck, Grief, Hospitality: Re-Routing Power Relationships in Music; Liza Lim -- 12. In Search of the Artistic Moment: Interdisciplinary Collaboration and 'The Space Between' from an Australian Screen -- Composer's Perspective; Yantra De Vilder -- Part 2: Philosophical and Phenomenological Dimensions of Time -- 13. Finding Time, Finding Space: An Autoethnography of Compositional Praxis; Christine mcCombe -- 14. A Compositional Life in Time: The Recent Operas of Elena Kats-Chernin; Elena Kats-Chernin -- 15. Einstein's Dream: At the Threshold between Science and Art; Cindy McTee -- 16. The Pendulum Process: Point of Balance; Mary Finsterer -- 17. Gravity and Gravitas: Time, Passion, and Inevitability in the Music of Shulamit Ran; Shulamit Ran -- 18. Low Frequency as Concept in the Music of Cat Hope; Cat Hope -- 19. A Drone Opera Recast: Threat, Allure, Promise; Susan Frykberg -- Part 3: Music Awakenings: Reflecting Back, Projecting Forward -- 20: Composing the Rolls-Royce: A Composer's Adventures in Orchestral Composition; Maria Grenfell -- 21.Finding a Reason: A Composer's Pathway Forged through Social Justice Advocacy; Kathleen McGuire -- 22.'I'm A Type Triple-A Composer!' Augusta Read Thomas -- 23. How My Music is Made: 'Tantot Libre, Tantot Recherche'; Nicola LeFanu -- 25. The Mirror: A Novel in Reflections; Lera Auerbach -- 26.Sometimes Dreams do Come True: Thea Musgrave's Exploration of Dramatic-Abstract Forms in her Instrumental Music; -- 27. My Awakening as a Composer: No Adjective; Judith Lang, Zaimont -- 28. Epilogue.
    Kurzfassung: This edited volume presents 27 original essays by living composers from all around the globe, reflecting on the creation of their music. Coterminous to the recent worldwide resurgence in feminist focus, the distinctive feature of this collection is the “snapshots” of creative processes and conceptualizing on the part of women who write music, writing in the present day, from prominent early-career composers to major figures, from a range of ethnic backgrounds in the contemporary music field. The chapters step into the juncture point at which feminism finds itself: as binary conceptions of gender are being dissolved, with critiques of the attendant gender-based historical generalizations of composers, and with the growing awareness of the rightful place of First Nations' cultural voices, the contributors explore what, actually, is being composed by women, and what they think about their world. The needs that this book serves are acutely felt: despite recent social gains, and sector initiatives and programs encouraging and presenting the work of women who compose music, their works are yet to receive commensurate exposure with that of their male counterparts. In its multi-pronged, direct response to this dire situation, this vibrant volume highlights established as well as emerging women composers on the international stage; reveals myriad issues around feminism, as broadly conceived; and gives insights, from the composers' own voices, on the inner workings of their composition process. The volume thus presents a contemporary moment in time across the generations and within developments in musical composition. With its unique insights, this book is essential for academics and practitioners interested in the illuminations of the current working landscape for creative women. Linda Kouvaras is a professor at the Melbourne Conservatorium of Music, the University of Melbourne, Australia. Natalie Williams’ most recent academic posting was as Interim Dean at the School of Music, Art and Theatre, North Park University, Chicago, United States of America. Maria Grenfell is an associate professor at the School of Creative Arts and Media at the University of Tasmania, Australia.
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  • 64
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031157981
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 280 p. 4 illus., 3 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Performing arts. ; Theater. ; Motion picture acting. ; Actors. ; Popular Culture.
    Kurzfassung: 1. Introduction -- 2. The Social Body and Its Transformations -- 3. The Romance of Talent -- 4. Character as a Zombie Concept -- 5. Acting and Technology -- 6. The Search for Work -- 7. The Vicissitudes of Persona -- 8. The Star as a Digital Beneficiary. 9. Conclusion: The Condition of Para-Stardom.
    Kurzfassung: This book examines how the persistent and deepening casualization and precarity of acting work, coupled with market pressures, has affected the ways in which actors are trained in the US and UK. It reviews the existing state of training, looking at various theories of what the actor does, debates about casting, and the impact of reality television and social media. In the increasing effort to find ways to overcome the precarious labour market for actors and other performers, the traditional emphasis on theatrical character has been replaced by the celebration of the persona – a public image of the performer as a personal brand. As a result, a physiocratic elite, that literally incorporates the collective labour of cultural workers into the star or celebrity body, has formed. This book explores how the star or celebrity’s appearance and comportment are positioned as the rule of nature, formed and abiding outside capitalism as a mode of production. This book will be of interest to those studying theatre studies and performance, contemporary stardom and celebrity and the impact of technology on the formation of identity. Barry King is Professor of Communications at Auckland University of Technology, New Zealand. He is the author (with Sean Cubitt, Harriet Margolies and Thierry Jutel) of Studying the Event Film: The Lord of the Rings (Manchester University Press, 2008) and Taking Fame to market: Essays on the prehistory and post-history of Hollywood stardom ( Palgrave, 2014). He is on the editorial board of Celebrity Studies and Palgrave Communications and is a project reviewer for the Australian Research Council. King has published a substantial number of articles that explore the relationships been popular culture, celebrity and stardom and digital media. His other publications focus on creative labour, semiotic determinism, the sociology of acting and performance and the New Zealand Cultural industries.
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  • 65
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031445958
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XX, 268 p. 8 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave European Film and Media Studies
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    Schlagwort(e): Motion picture plays, European. ; Ethnology ; Culture. ; Motion picture industry. ; Television broadcasting.
    Kurzfassung: 1. Introduction: European film consumption, representation, and identity -- 2. The transnational viewership of European film: markets, audiences, and policies -- 3. Euro-million mainstream films: large audiences, limited diversity or insights -- 4. Euro-million arthouse films: diverse and insightful stories, niche audiences -- 5. Euro-million middlebrow films: insightful stories, varied audiences, limited diversity. 6. The transnational impact of European film: perceptions, identity, and other effects -- 7. Conclusion: limited unity and diversity -- Index.
    Kurzfassung: “This study, based on a wealth of original research, analyses the production, circulation and reception of European films since 2005, considering their impact on broader cultural and social issues, notably the vexed question of what constitutes a European identity. Throughout, the author tests various theorisations and conceptual frameworks against the empirical evidence he has unearthed. His carefully considered interpretation will be widely welcomed as an important contribution to understanding European cinema.” - Andrew Spicer, Professor of Cultural Production, University of the West of England Bristol, UK This book explores how audiences in contemporary Europe engage with films from other European countries. It draws on admissions data, surveys, and focus group discussions to explain why viewers are attracted to particular European films and genres, including action-adventures, family films, biopics, period dramas, thrillers, comedies, and romances. It also examines how these films are produced and distributed, how they represent Europe, and how they affect audiences. Case-studies range from mainstream movies like Skyfall, Taken, and Asterix & Obelix: God Save Britannia, to more middlebrow and arthouse titles, such as The Lives of Others, Volver, Coco Before Chanel, Love Is All You Need, Intouchables, The Angels’ Share, Ida, The Hunt, and Blue Is the Warmest Colour. The study shows that watching European films can contribute to people’s understandings of other countries and make them feel more European. However, this is limited by the strong preference for Anglo-American action-adventures that offer few insights into the realities of European life. The book discusses what these findings mean for the European film industry, cultural policy, and scholarship on transnational and European cinema. It also considers how surveys, focus groups, databases and other methods that go beyond traditional textual analysis can offer new insights into our understanding of film. Huw D. Jones is a Lecturer in Film Studies at the University of Southampton, UK. He previously worked on ‘Mediating Cultural Encounters through European Screens’ (MeCETES), a collaborative project on European film and television drama, funded by Humanities in the European Research Area (HERA). .
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  • 66
    ISBN: 9783031362798
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVIII, 301 p. 20 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Music. ; Ethnology ; Culture. ; Emigration and immigration ; Diplomacy.
    Kurzfassung: Chapter 1. Introduction: Music and Cultural Diplomacy in the Middle East—Geopolitical Reconfigurations for the Twenty-First Century -- Part I Music as Cultural Diplomacy: History and Historiographic Perspectives -- Chapter 2. From the Ottoman Twilight to the Roaring Twenties: The Early Career of Sharif Muhiuddin Haidar -- Chapter 3. Strike an Elizabethan Pose: Early Music Diplomacy—Queen Elizabeth I’s Clockwork Organ Gift to the Ottoman Court -- Part II Musical Diplomacy: Migration, Diaspora, and Deterritorialised Power -- Chapter 4. Melodies Heard and Unheard: The Promise and Limits of Cultural Diplomacy Through Music -- Chapter 5. Cultural Diplomacy Despite the State: Mobility and Agency of State and Amateur Musicians in Turkish Classical Music Choirs -- Chapter 6. Shahnameh in the Classroom: Iranian Music and DIY Cultural Diplomacy in the UK -- Part III Soft Power in State, Statecraft and Music-Making -- Chapter 7. Umm Kulthum and Cultural Diplomacy in Egypt -- Chapter 8. Performing Soviet Cultural Diplomacy: “Western Art Music” and Musicians in Cairo 1955–1970 -- Chapter 9. Musical Diplomacy in Mandate Palestine from 1936 to 1948 -- Part IV Affective and Sensorial Diplomacy in Transnational Spaces -- Chapter 10. Music as Cultural Diplomacy: Analyzing the Role of Musical Flows from the Arab Levant to New Cultural Poles in the Arab Gulf in the Twenty-First Century -- Chapter 11. Arabian Violence: Censorship in Morocco’s Techno Underground -- Chapter 12. Musical Delineations of a PostNational Space for National Struggle: Hazara, Kurdish, and Baloch Cases -- Chapter 13. Epilogue: Cultural Diplomacy, Some Discontents./.
    Kurzfassung: This edited volume offers innovative perspectives on the study of music as cultural diplomacy in the Middle East and North Africa (MENA), a region often overlooked in such discussions. It offers an innovative contribution to the field of ethnomusicology, as well as political science and international relations, by highlighting the agency of non-state actors (local voices, communities, and grassroots organizations), thereby contributing towards de-centering the state, hitherto conceived as the chief player in cultural diplomacy. This volume is divided into four main parts organized along the following themes: 1. History and Historiography, 2. Migration, Diaspora, and Ethics, 3. Statecraft and Music Making, and 4. Affective and Sensorial Diplomacy. The perspectives offered in this volume offer a deeper exploration of bottom-up initiatives of cultural diplomacy through music, instead of the more usual analyses of top-down, state-directed programmes. Overall, the aim is to reconceptualize Middle Eastern, North African and Arab Gulf musical practices in their relationship to power and cultural diplomacy in order build a broader and pluri-dimensional account of these contentious relationships. Maria M. Rijo Lopes da Cunha has been a Danish Institute in Damascus Postdoctoral Research Fellow in Ethnomusicology at the Department for Arts and Cultural Studies of the University of Copenhagen (2019 - 2021 and 2022). Jonathan Shannon is Professor of Anthropology at Hunter College and the Graduate Center, The City University of New York. Søren Møller Sørensen is Associate Professor Emeritus at Department for Arts and Cultural Studies, University of Copenhagen. Virginia Danielson retired as Director of Libraries, New York University Abu Dhabi and is currently an Associate of the Music Department at Harvard University.
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  • 67
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031401107
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XII, 154 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Fiction. ; Literature, Modern ; European literature. ; Poetry.
    Kurzfassung: 1. ‘The Bride-Night Fire’: Hardy & the Voice of the Folk -- 2. A Pair of Blue Eyes: The Cliff-Scene and the Literary Sublime -- 3. Moments of (Technological) Vision -- 4. ‘The Withered Arm’ and History -- 5. (Un)Binding the Sheaves: Selfhood and Labour in Tess of the d’Urbervilles -- 6. ‘The Open’: Hardy and Jefferies -- 7. The d’Urberville Family Portraits: Faciality and Identity -- 8. Tess of the d’Urbervilles and the Fin de Siècle -- 9. Wayfaring -- 10. Hardy’s Lyric Voice: ‘Beeny Cliff’ -- 11. ‘The Face at the Casement’: Window Patterns in Hardy’s Poetry.
    Kurzfassung: This book examines Thomas Hardy’s writing in both prose and poetry, focusing on issues of perception, ‘being’, class and environment. It illustrates the ways in which Hardy represents a social world which serves as a ‘horizon’ for the individual and explores the dialectic between the perceptible world and human consciousness. Ebbatson demonstrates how, in Hardy’s oeuvre, modern life becomes alienated from its roots in rural life – individual freedom is achieved in works like Tess of the d'Urbervilles, Jude the Obscure or The Woodlanders at the cost of personal insecurity and a deepening sense of homelessness. However, this development occurs against the marginalisation of dialect forms of speech. This book also explores how Hardy’s impressionist vision serves to undermine the prevailing conventions of plot structure. Roger Ebbatson is Visiting Professor at Lancaster University and Emeritus Professor at University of Worcester, UK. He is the author of numerous books, including Literature and Landscape (2013) and Landscapes of Eternal Return (2016).
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  • 68
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031383519
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 253 p. 2 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Literary Cultures and Childhoods
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    Schlagwort(e): Children's literature. ; Comparative literature. ; Literature, Modern ; Social history.
    Kurzfassung: Literary Cultures and Nineteenth-Century Childhoods explores the construction of the child and the development of texts for children in the nineteenth century through the application of fresh theoretical approaches and attention to aspects of literary childhoods that have only recently begun to be illuminated. This scope enables examination of the child in canonical nineteenth-century novels by Charles Dickens, Elizabeth Gaskell, Charlotte Brontë, and Thomas Hardy alongside well-known fiction intended for young readers by George MacDonald, Christabel Coleridge, and Kate Greenaway. The century was also distinctive for the rise of the children’s magazine, and this book broadens the definition of literary cultures to include magazines produced both by, and for, young people. The volume examines how the child and family are conceptualised, how children are positioned as readers in genres including the domestic novel, school story, Robinsonade, and fantasy fiction, how literary childhoods are written and politicised, and how childhood intersects with perceptions of animals and the natural environment. The range of chapters in this collection and the texts they consider demonstrate the variability and fluidity of literary cultures and nineteenth-century childhoods. Kristine Moruzi is an Associate Professor in the School of Communication and Creative Arts at Deakin University, Australia. She has written two monographs, Constructing Girlhood through the Periodical Press, 1850-1915 (2012) and From Colonial to Modern: Transnational Girlhood in Canadian, Australian, and New Zealand Children’s Literature, 1840-1940 (with Michelle J. Smith and Clare Bradford, 2018). She is co-editor (with Nell Musgrove and Carla Pascoe Leahy) of Children’s Voices from the Past: New Historical and Interdisciplinary Perspectives (2019). Michelle J. Smith is an Associate Professor in Literary Studies at Monash University, Australia. Her most recent monograph is Consuming Female Beauty: British Literature and Periodicals, 1840-1914 (2022). Her other authored books are From Colonial to Modern: Transnational Girlhood in Canadian, Australian, and New Zealand Children’s Literature, 1840-1940 (2018, with Clare Bradford and Kristine Moruzi) and Empire in British Girls’ Literature and Culture: Imperial Girls, 1880–1915 (2011). .
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  • 69
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031366369
    Sprache: Englisch
    Seiten: 1 Online-Ressource(VII, 215 p.)
    Ausgabe: 1st ed. 2024.
    Serie: African Histories and Modernities
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    Schlagwort(e): Creative nonfiction. ; African literature. ; Literature.
    Kurzfassung: Chapter 1- Introduction -- Chapter 2 - Place and Privilege in Helene Cooper’s The House at Sugar Beach: In Search of a Lost African Childhood -- Chapter 3. Exiled Place in Sisonke Msimang’s Always Another Country: A Memoir of Exile and Home -- Chapter 4 - Family History and Place in Leila Ahmed’s A Border Passage: From Cairo to America – A Woman’s Journey -- Chapter 5- Redemptive Place in Elamin Abdelmahmoud’s Son of Elsewhere: A Memoir in Pieces -- Chapter 6- Disillusioned Place in Noo Saro-Wiwa’s Looking for Transwonderland: Travels in Nigeria -- Chapter 7- Place and Politics in Douglas Rogers’s The Last Resort: A Memoir of Zimbabwe -- Chapter 8 - Place and Trauma in The Girl Who Smiled Beads: A Story of War and What Comes After by Clemantine Wamariya and Elizabeth Weil -- Chapter 9 - From Place to Place in Aminatta Forna’s Autobiographical Writing -- Chapter 10- Home and Nation in Autobiographical Writing.
    Kurzfassung: This book looks at contemporary autobiographical works by writers with African backgrounds in relation to the idea of ‘place’. It examines eight authors’ works – Helen Cooper’s The House at Sugar Beach, Sisonke Msimang’s Always Another Country, Leila Ahmed’s A Border Passage, Noo Saro-Wiwa’s Looking for Transwonderland, Douglas Rogers’s The Last Resort, Elamin Abdelmahmoud’s Son of Elsewhere, Clemantine Wamariya and Elizabeth Weil’s The Girl Who Smiled Beads and Aminatta Forna’s autobiographical writing – to argue that place is particularly central to personal narrative in texts whose authors have migrated multiple times. Spanning Liberia, Nigeria, Sierra Leone, Egypt, Rwanda, Zambia, and Zimbabwe, this book interrogates the label ‘African’ writing which has been criticized for ignoring local contexts. It demonstrates how in their works these writers seek to reconnect with a bygone ‘Africa’, often after complex experiences of political upheavals and personal loss. The chapters also provide in-depth analyses of key concepts related to place and autobiography: place and privilege, place and trauma, and the relationship between place and nation. Lena Englund currently works as senior researcher at the School of Humanities, University of Eastern Finland. She is the author of South African Autobiography as Subjective History: Making Concessions to the Past (Palgrave, 2021).
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  • 70
    ISBN: 9783031414015
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIX, 287 p. 22 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Communication in organizations. ; Sustainability. ; Political science.
    Kurzfassung: Chapter 1: Introduction -- Part 1: Theoretical and Empirical Approaches to Communication for Development and Sustainable Social Change in Africa -- Chapter 2: Anchoring Participatory Communication in South Africa’s Municipal Citizen Participation During Integrated Development Planning (IDP) Processes -- Chapter 3: Participatory communication for sustainable development: A study of the Access project in Ghana -- Chapter 4: A theoretical framework towards mutual sustainability communication -- Part 2: Strategic Communication in Governance, Planning and Policy Reforms -- Chapter 5: Exploration of the accentuated value of Strategic Communication Management for Inclusive Citizenry Engagement through governance and sustainability -- Chapter 6: Network Governance as a Catalyst for Sustainable Development on the African Continent -- Chapter 7: Communication Strategies for Community Development: A Study of World Bank SEEFOR-CDDS projects in Ukwa East communities, Abia State, Nigeria -- Part 3: Communication for Social Change, Bottom-up Development and Social Movements in Africa -- Chapter 8: The role of the Sudanese Professionals Association in the Revolution of 2019 towards development and social change -- Chapter 9: Invited and Invented Spaces of Public Participation in South African Local Government: The study of community engagement practices and service delivery protests -- Chapter 10: Movement communication practices of students & the poor: The political economy of communication -- Part 4: Cases Studies in applied Strategic Communication, Development, Social Change and Electoral Reform -- Chapter 11: Public health Communication and Growth -- Chapter 12: Using Digital Technologies in Community Radio to Promote Social Change in Kenya -- Chapter 13: Dwindling Voters’ Turnout and Citizenship Participation: A Political Market Orientation Analysis of Nigeria’s 2015 and 2019 Presidential Elections -- Chapter 14: The Arena Model as a basis for communication strategy formulation for the National Development Plan -- Chapter 15: Concluding Remarks.
    Kurzfassung: This book is the first of its kind within the African region to combine scholarly perspectives from the fields of Strategic Communication Management and Communication for Development and Social Change. It draws insights from scholars across the African continent by unravelling the complementary nature of scholarship between the two fields, through the lens of prevailing governance and sustainability challenges facing African countries, today. This edited volume covers issues that have adversely affected the achievement of goals related to humanitarian upliftment, development and social change for all African nations. Consequently, citizen participation, which lies at the heart of these challenges when considering the question of sustainable governance and policy development for social change in an African context is addressed. To this end, a reflection is also made on various case studies that exist where local citizens do not inform sustainable development programmes, while the promotion of bottom-up development and social change is largely replaced by top-down instrumental action approaches and hemispheric communication instead of strategic communication. Themes explored include: ● Communication for social change, bottom-up development and social movements in the local government sphere ● Strategic communication in governance, planning and policy reforms ● The role of multi-stakeholder partnerships in achieving development of objectives geared towards good governance in Africa ● Public participation, protests, and resistance from 'below' ● Public sector health communications and development ● Media relations, accountability and contested development narratives with the Fourth Estate ● Social media and eParticipation in government development programs. Tsietsi Mmutle is Senior Lecturer at the University of Pretoria in the department of Business Management, he teaches Strategic Communication Management modules at honours and Masters level in the Communication Management unit. Tshepang B. Molale is Senior Lecturer at the University of the Witwatersrand, specializing in communication for development and social change. Olanrewaju Olugbenga Akinola lectures in the Mass Communication department of the Olabisi Onbanjo University, Ago-Iwoye, Nigera. Olebogeng Selebi completed her PhD in Communication Management from the University of Pretoria. She was the host of the first Nobel Prize Dialogue event ever to take place on African soil.
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  • 71
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031444821
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 189 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Literary Disability Studies
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    Schlagwort(e): Literature, Modern ; Literature, Modern ; Performing arts. ; Theater. ; Games. ; People with disabilities
    Kurzfassung: 1. Introduction Other Worlds, Other Selves: Moving Beyond Escapism -- 2. ‘Everyone’s a Composite’: Rethinking Three of Cyberpunk’s Overlooked Women Writers as Posthumanists -- 3. The Performing Wiggin Siblings: Reading Ender’s Game through Disability Theory -- 4. The Threat of Silence in Mark Alpert’s Dystopian Simulation -- From Memes to Comics: Virtual Embodiment in Visual Rhetoric -- 5. The Player and the Avatar: Performing as Other -- 6. Learning Through Play: An Inclusive Pedagogy for the 21st Century -- 7. Conclusion The Augmented Self: Rethinking Virtual Simulation and Disability.
    Kurzfassung: Disability Identity in Simulation Narratives considers the relationship between disability identity and simulation activities (ranging from traditional gameplay to more revolutionary technology) in contemporary science fiction. Anelise Haukaas applies posthumanist theory to an examination of disability identity in a variety of science fiction texts: adult novels, young adult literature and comics, as well as ethnographic research with gamers. Haukaas argues that instead of being a means of escapism, simulated experiences are a valuable tool for cultivating self-acceptance and promoting empathy. Through increasingly accessible technology and innovative gameplay, traditional hierarchies are dismantled, and different ways of being are both explored and validated. Ultimately, the book aims to expand our understandings of disability, performance, and self-creation in significant ways by exploring the boundless selves that the simulated environments in these texts allow. Anelise Haukaas is an Assistant Professor of English at the College of Coastal Georgia, USA, as well as the faculty advisor of Seaswells, the art and literary magazine. Her research interests include genre fiction, disability studies, folklore and mythology, popular culture, and new media.
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  • 72
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031463457
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 203 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Life Writing
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    Schlagwort(e): Literature. ; Prose literature. ; Literature, Modern ; Literature, Modern ; Comparative literature.
    Kurzfassung: 1 Introduction: Mourning as a Resistance Trope: Trauma, History and Memory in Indian Ocean Life Writing - Esther Pujolràs-Noguer & Felicity Hand -- Part I: Mourning Memoirs -- 2 The Ectopic Insider: Exploring the Interstices of Travel Writing, Memory and History in M.G. Vassanji’s And Home Was Kariakoo - Esther Pujolràs-Noguer -- 3 Of Father and Son: The Configuration of the Trauma of Return in Michael Ondaatje’s Running in the Family - Esther Pujolràs-Noguer -- Part II: Female Resilience -- 4 Rhizomatic Perennials: Resilience and Survival in Kenyan Asian Memoirs - Felicity Hand -- 5 ‘Learning to wear a sari is a rite of passage’: Shailja Patel’s Inventory of the Migrant Body in Migritude - Esther Pujolràs-Noguer -- Part III: Indian Ocean Crossing -- 6 Transoceanic Connections, Past and Present. Lindsey Collen’s The Indian Ocean as a Unifying Force: A Memoir - Felicity Hand -- 7 Banyans Behind Bars: Three South African Indian Memoirs - Felicity Hand.
    Kurzfassung: This volume examines a selection of life writing in English by authors from the South West Indian Ocean, namely South Africa, East Africa, Mauritius and Sri Lanka. The two motifs that run through the chapters – mourning and resilience – are theoretical frameworks that have so far not been brought into conversation in this way. The combination of trauma studies and autobiographical analysis sharpens the focus of the discussions on Indian Ocean life writing, privileging an Indian Ocean imaginary that is transnational and cross-oceanic in its orientation and pointing to networks of connections that transcend the nation state, which is often the origin of trauma in the first place. Filling a gap in Indian Ocean studies in its close readings of trauma and resilience, the book also broadens perspectives on postcolonial life writing since little attention has been paid so far to Indian Ocean autobiographical literary products. By the same token, the volume also enriches the field of Indian Ocean literary studies by incorporating life writing as an aesthetic strategy which helps to configure Indian Ocean subjectivities. Esther Pujolràs-Noguer is a Serra-Húnter Fellow in the Department of Foreign Languages and Literatures of the University of Lleida, Spain. She teaches postcolonial literature and culture, gender studies and poetry in English. She is a poet and uses creative writing as a therapeutic tool to help people overcome traumas related to gender violence and forced displacements. She is the co-director with Felicity Hand of the research group Ratnakara, which explores the literatures and cultures of the South West Indian Ocean. Felicity Hand is Honorary Professor in the English Department of the Autonomous University of Barcelona, Spain.
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  • 73
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031412370
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXXIII, 501 p. 35 illus., 31 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Communication in medicine. ; Communication in science. ; Journalism. ; Digital media. ; Communication in politics.
    Kurzfassung: Chapter 1: Introduction. Monique Lewis, Eliza Govender, Kate Holland. Section 1: Public Interest Journalism, News, and Community Media. - Chapter 2: Community Radio in the Covid-19 Crisis: Lessons from global dialogues. Vinod Pavarala -- Chapter 3: Answering Questions: Explanatory journalism and podcast 'liveness' during COVID. Mia Lindgren and Dylan Bird -- Chapter 4: 'We're Losing Our Bread and Butter Like Never Before': Journalism in the face of Covid-19 pandemic. Shaharior Rahman Razu -- Chapter 5: The Covid-19 Pandemic in Portuguese Journalism. Rita Araujo et al -- Chapter 6: Impact of Covid-19 on Journalistic Practices in Emerging Democracies. Sayyed Fawad Ali Shah and Faizullah Jah -- Chapter 7: COVID and the Future of Journalism. David Nolan et al -- Chapter 8: Media Depictions of Remote General Practice Care in a Protracted Pandemic. Gilly Mroz and Trish Greenhalgh -- Section 2: Risk Communication and Community Engagement -- Chapter 9: Perceptions of Risk and Self-Efficacy About COVID messaging in South African Townships. Mpume Gumede and Eliza Govender -- Chapter 10. Rethinking Community Engagement For Research in Pandemic Times: Lessons from the future. Theresa Rossouw et al -- Chapter 11: Application of the Extended Paralax Process Model in Cote D'Ivoire. Danielle Naugle -- Chapter 12: 'What's Up, Fellow Deadly Diseases?': Creative arts and communicating Covid-19 in Ghana. Ama de-Graft Aikins -- Chapter 13: Much Ado about Covid-19 Vaccines: Understanding perceptions and experiences of vaccines among health care workers and its influence on patient COVID-19 communication in Eswatini hospitals. Nqobile Ndinzisa and Eliza Govender -- Section 3: Vaccine Communication and Digital Technologies -- Chapter 14: COVID-19 and Aboriginal and Torres Strait Islander People in Australia: Can rhetoric equal action?. Kalinda Griffiths -- Chapter 15: Far-right Political Extremism and the Radicalization of the Anti-vaccine Movement in Canada. Sibo Chen -- Chapter 16: Harnessing Interpersonal Communication and Trusted Leadership to Increase COVID-19 Vaccination Uptake in Hard-to-Reach Wildlife Communities in Uganda. Barbara Natifu -- Chapter 17: Function Creep of Covid-19 of Big-Data Surveillance in China. Ausma Bernot and Susan Trevaskes -- Chapter 18: Identifying Novel COVID-19 Rumors Through a Multi-Channel Approach. Natalie Tibbels -- Chapter 19: Creating Demand for COVID-19 Vaccines Through a Coordinated Social Media Campaign: Religious leaders and health experts. Stella Babalola -- Section 4: Theoretical and Philosophical Concepts for Understanding Covid Communication -- Chapter 20: Values, Worldviews, Ideology and Reactance: Communication in a pandemic. Claire Hooker and Mat Marques -- Chapter 21: Communicating Ableism in a Pandemic: Compassion, vulnerability and the violence of care. Michael Orsini -- Chapter 22: Critical Health Literacy and Scientific Literacy as a Basis for Individual Appraisals of Health Information During Public Health Emergencies. Sarah Rubinelli et al -- Chapter 23: TBC. Mark Davis -- Chapter 24: Conclusion.
    Kurzfassung: "Lessons from the COVID-19 global pandemic are vitally important to learn so as to maintain trust in public health institutions. With great timeliness and an admirable global reach, this edited collection brings forward the critical role played by communications to the task of trust-building in times of crisis". -Terry Flew, Professor of Digital Communication and Culture, The University of Sydney. This edited collection, follows on from 'Communicating COVID-19: Interdisciplinary Perspectives' (2021) and brings together different scholars from around the world to explore and critique the ongoing advances of communicating COVID, two years into the pandemic. Pandemic life has become familiar to us, with all its disruptions and uncertainties. In the second year of COVID, many societies emerged well attuned to new waves of infections, while others, having initially demonstrated 'gold standard' responses, regressed, either through a premature end to public health restrictions or challenges around vaccine rollouts. In many countries, bitter social divisions have arisen over mask-wearing, lockdowns, quarantine and vaccination. To better understand the ever evolving communicative landscape of COVID-19, this collection shares updated perspectives from the disciplines of media and communication, journalism, public health and primary care, sociology, and political and behavioural science, addressing the major issues that have confronted communicators, including vaccine hesitancy, misinformation, and the mobilisation of community driven communication responses as restrictions eased in various parts of the world. Monique Lewis is a communications scholar, sociologist, and lecturer in media and communication at Griffith University, Australia. Eliza Govender is Associate Professor and Head of Department of the Centre for Communication, Media and Society (CCMS), University of KwaZulu-Natal, South Africa. Kate Holland is Senior Research Fellow in the News & Media Research Centre at the University of Canberra, Australia. Chapters 13, 18, and 19 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
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  • 74
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031492266
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 141 p. 30 illus., 22 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Bernard Shaw and His Contemporaries
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    Schlagwort(e): Playwriting. ; Dramatists. ; Theater ; Artificial intelligence. ; Technology
    Kurzfassung: Chapter One: Bernard Shaw, Automata, Robots and Artificial Intelligence -- Chapter Two: Shaw and Automata -- Chapter Three: Shaw and Robots -- Chapter Four: Shaw and Artificial Intelligence -- Chapter Five: Artificial Intelligence as a Partner in Shaw Studies -- Chapter Six: The Way Forward: Shaw and Artificial Intelligence.
    Kurzfassung: This project is the first to explore how Bernard Shaw intersects constructively with automata, robots and artificial intelligence (AI). Shaw was born in the golden age of the automaton. His Bible on the Life Force and Creative Evolution, Back to Methuselah, was written when Karel and Josef Čapek coined the word “robot.” Shaw’s life ran in parallel with the rise of AI, and the big names in AI were his contemporaries. Moreover, empirical analyses of Shavian texts and images using AI uncovers possibilities for new interpretations, demonstrating how future renditions of his works may make use of these advanced technologies to broaden Shaw’s audience, readership and scholarship. Kay Li is an established Shaw scholar and Adjunct Professor in the Department of English at University of Toronto, Canada. She is one of the founding members of the International Shaw Society, is the Project Leader of the SAGITTARIUS–ORION Digitizing Project on Bernard Shaw funded by the Social Sciences and Humanities Research Council of Canada, and the Arts and Artificial Intelligence project funded by Canadian Heritage. Her books include Bernard Shaw and China: Cross-Cultural Encounters (2007) and Bernard Shaw’s Bridges to Chinese Culture (Palgrave Macmillan, 2016). Kay has also published many articles in peer-reviewed journals, especially in SHAW: The Journal of Bernard Shaw Studies. .
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  • 75
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031429101
    Sprache: Englisch
    Seiten: 1 Online-Ressource(X, 343 p. 12 illus., 10 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Early Modern Literature in History
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    Schlagwort(e): European literature ; Literature ; Europe
    Kurzfassung: Introduction: Dutch Industry and English Identity -- Chapter One: Rescuing the Widow Belge: Chivalry in the Construction of Elizabethan Englishness -- Chapter Two: Wooing in English: Staging the Dutch in English Comedy -- Chapter Three: These Factions and Schisms: Countering Absolutist Thought in Church and State -- Chapter Four: England’s Thirst for News: Dutch News and the English Public Sphere -- Chapter Five: Rome and Carthage: Figuring the Anglo-Dutch Wars -- Chapter Six: The New Black Legend: England’s Violent Colonial Competition with the Dutch -- Conclusion.
    Kurzfassung: This book makes newly visible the sustained engagement of the English and the Dutch throughout a critical century in their cultural and national development. It reads a broad selection of early modern literary texts, some never before treated in Anglophone scholarship, in which the Dutch and the English wrote about each other and themselves. This interdisciplinary study brings to light the key affinities of these two nations: their embrace of liberty, turn toward Protestantism, and pursuit of commerce. It shows that as Catholic, colonial powers worked to prevent the rise of early modern Europe’s two great Protestant states, those similarities—as well as a combination of English admiration, envy, and distrust of the Dutch—produced an emulous rivalry that remade the two nations and their literature. Andrew Fleck is Associate Professor of English at the University of Texas in El Paso, USA, where he specializes in Early Modern and Eighteenth-Century British literature and culture. Andrew has published a variety of articles on the literary prose of this period, from Mandeville’s Travels to Defoe’s Robinson Crusoe. Publications on the early modern English and Dutch include an essay on performing foreign tongues on the English stage (in MaRDiE), syphilis in The Dutch Courtesan (in Early Theatre), the 1603 plague epidemic (forthcoming in JMMLA), Thomas Scott and the English community in the Low Countries (in Studies in Medieval and Renaissance History), and several shorter notes (in Notes and Queries and ANQ).
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  • 76
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031400674
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXII, 264 p. 206 illus., 202 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Popular music. ; Service industries.
    Kurzfassung: Section One: Record -- 1. An Introduction to How Sound Works -- 2. Speakers -- 3. Digital Audio Workstation (DAW) -- 4. Digital -- 5. Hardware -- 6. Gain Staging -- 7. Microphones -- 8. Phase -- 9. Room Acoustics -- 10. Recording Tips -- Section Two: Mix -- 11. Equalisers (Eq) -- 12. Dynamics -- 13. Effects -- 14. Subgroups -- 15. Monitoring in Mono -- 16. Mid-Side Processing -- 17. Transients -- 18. Panning -- 19. Plosives -- 20. Zero Crossing and Crossfades -- 21. Mixing Tips -- Section Three: Master -- 22. What is Mastering -- 23. Prepare Your Track for Mastering -- 24. Mastering Tools -- 25. Dither -- 26. Metering -- 27. Mastering Your Song – Things to Consider.
    Kurzfassung: This textbook is a practical guide to achieving professional-level audio productions using digital audio workstations. It contains 27 chapters divided into three sections, with specially devised diagrams and audio examples throughout. Aimed at students of all levels of experience and written in an easy-to-understand way, this book simplifies complex jargon, widening its appeal to non-academic creatives and is designed to accelerate the learning of professional audio processes and tools (software and hardware).The reader can work through the book from beginning to end or dip into a relevant section whenever required, enabling it to serve as both a step by step guide and an ongoing reference manual. The book is also a useful aid for lecturers and teachers of audio production, recording, mixing and mastering engineering. Simon Duggal is an award-winning producer/composer who has been producing, writing, recording, editing and mixing music for more than 30 years. He has made records for many top international artists including: Shania Twain, Maxi Priest, Erasure, Apache Indian, Janet Kaye, Errol Reid (China Black), Nusrat Fateh Ali Khan, The Beat, Luciano, Desmond Dekker, Dillinger and many more. Duggal has composed music for adverts for companies including: Pepsi, Intel, Toshiba, Etisalat, Etihad and composed title and incidental music for a BAFTA winning UK TV drama. He is also an MA specialist mentor at the British and Irish Modern Music University in Birmingham, UK. Paul Rogers is the Course Leader for Postgraduate Studies at the British and Irish modern Music University in Birmingham, UK, and a seasoned music industry veteran. He holds a PhD in music composition from Goldsmiths (UK).
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  • 77
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031393181
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVII, 279 p. 19 illus., 2 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Theater. ; Theater ; World politics. ; World War, 1939-1945.
    Kurzfassung: Chapter-1: Introduction -- Part One: Dramaturgical Contexts: Institutionalised Ideologies -- Chapter 2 - Institutional Dramaturgy at Deutsches Theater Berlin - Ann-Christine Simke -- Chapter 3 - National Dramaturg Rainer Schlösser and German Theatre after 1933 - Gerwin Strobl -- Chapter 4 - Implementing Germanic Repertoires – Institutional Dramaturgy during WWII - Anselm Heinrich -- Chapter 5 - Brecht’s Performance Theories in Post- war Germany - Ramona Mosse -- Chapter 6 - Cold War Dramaturgies: Institution and Ideology in 1950s German Theatre - Michael Bachmann -- Part Two: Institutional Infrastructures: Theatres of Oppression -- Chapter 7 - Theatre Poznań/Posen (Poland) - Alexander Weigel -- Chapter 8 - Theatre Maribor/Marburg (Slovenia) - Matjaz Birk -- Chapter 9 - Theatre in Prague - Volker Mohn -- Chapter 10 - Theatre in Oslo - Anselm Heinrich -- Part Three: Performance Practice: Dramaturgy and the Aesthetics of War- Chapter 11 - In the Open Air: Shell Shock Theatre - Evelyn Annuss -- Chapter 12 - Berlin – Amsterdam – Westerbork: Revue and the Aesthetics of War: Veronika Zangl -- Chapter 13 - Theatre under the NS regime in Austria: Theatrical activities in Crisis Situations - Brigitte Dalinger -- Chapter 14 - Spanish classical theatre during Third Reich - John London. .
    Kurzfassung: This book examines the institutional contexts of dramaturgical practices in the changing political landscape of 20th century Germany. Through wide-ranging case studies, it discusses the way in which operationalised modes of action, legal frameworks and an established profession have shaped dramaturgical practice and thus links to current debates around the “institutional turn” in theatre and performance studies. German theatre represents a rich and well-chosen field as it is here where the role of the dramaturg was first created and where dramaturgy played a significantly politicised role in the changing political systems of the 20th century. The volume represents an important addition to a growing field of work on dramaturgy by contributing to a historical contextualisation of current practice. In doing so, it understands dramaturgy not only as a process which occurs in rehearsal rooms and writers’ studies, but one that has far wider institutional and political implications. Anselm Heinrich is a Professor of Theatre Studies at the University of Glasgow. His books include Entertainment, Education, Propaganda (2007), Theater in der Region (2012), Theatre in Europe Under German Occupation (2017), and a volume on Ruskin, The Theatre, and Victorian Visual Culture (2009). He is currently under contract for a monograph on theatre in Britain during WWII. He has held research fellowships at Harvard, Oxford and Marburg. Ann-Christine Simke is a Lecturer in Performance at the University of the West of Scotland. She recently published the article “Forensic Architecture in the Theatre and the Gallery: A Reflection on Counter hegemonic Potentials and Pitfalls of Art Institutions” (with Anika Marschall, 2022) and is currently under contract for a co-authored (with Anika Marschall) book on intersectional theatre practices.
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  • 78
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031404238
    Sprache: Englisch
    Seiten: 1 Online-Ressource(VIII, 112 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Fiction. ; Poetry. ; Literature, Modern ; Narration (Rhetoric). ; European literature.
    Kurzfassung: Chapter 1- Sacrifice, Consciousness, and Narrative Pronoun Shifts -- Chapter 2- May Sinclair and Two Sides of Sacrifice -- Chapter 3 - From Ritual to Narrative in Mary Butts -- Chapter 4 - Mending a Broken Duality in H. D. (Hilda Doolittle).
    Kurzfassung: This book explores sacrifice as a narrative theme and a stylistic strategy in works by May Sinclair, Mary Butts and H. D. It argues that the modernist experiment with pronoun use informs the treatment of acts of sacrifice in the texts, understood both as acts of self-renunciation and as ritual performance. It also suggests that sacrifice, if the conditions are right, can serve as the structure upon which a cohesive community might be built. The book offers in-depth analyses of the three authors and their works, deftly dissecting the modernist narrative experiment to show that it was by no means limited — it was a means by which to approach a wide range of stories and materials. Sanna Melin Schyllert is Visiting Lecturer at Université Sorbonne Nouvelle - Paris 3, France, having previously held posts at Lund University, the University of Westminster, and University College London. Her publications include ‘Sacrifice, Pronoun Shifts and the Creation of Self in H. D.’s Prose Works’ in The Space Between Journal (2019) and ‘Sacrifice, Community and Narrative Power in Mary Butts’s Taverner Novels’ in The Journal of Religious History, Literature and Culture (2016).
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  • 79
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031146633
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 283 p.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in British Musical Theatre
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    Schlagwort(e): Theater ; Musical theater. ; Cultural industries. ; Theater. ; Theater
    Kurzfassung: 1. Introduction -- 2. Chapter 1: Cosmopolitan musical theatre styles at the Lane (1918-1934) -- 3. Chapter 2: The Drury Lane Musical Theatre Spectacle (1931-1939): “Hearts Splintering in Waltz Time” -- 4. Chapter 3: The Lane and ENSA (Entertainment National Services Association) headquarters (1939) -- 5. Chapter 5: Rodger’s and Hammerstein’s Oklahoma! Carousel and South Pacific: Imported Americana -- 6. Chapter 6: Ruritanian Imperialism in The King and I (1953) -- 7. Chapter 7: Fading Empire and British imitation: Lerner and Loewe -- 8. Chapter 8: Hello Dolly and the resurgence of the British musical the nostalgia of Lost Empire Word -- 9. Epilogue.
    Kurzfassung: This monograph centres on the history of musical theatre in a space of cultural significance for British identity, namely the Theatre Royal, Drury Lane, which housed many prominent American productions from 1920-1970. It argues that during this period Drury Lane was the site of cultural exchanges between Britain and the United States that were a direct result of global engagement in two world wars and the evolution of both countries as imperial powers. The critical and public response to works of musical theatre during this period, particularly the American musical, demonstrates the shifting response by the public to global conflict, the rise of an American Empire in the eyes of the British government, and the ongoing cultural debates about the role of Americans in British public life. By considering the status of Drury Lane as a key site of cultural and political exchanges between the United States and Britain, this study allows us to gain a more complete portrait of the musical’s cultural significance in Britain. Dr. Arianne Johnson Quinn is an archivist, librarian, and scholar. She is currently the Music Special Collections Librarian at the Warren D. Allen Music Library, Florida State University, USA. She holds a Ph.D. in Musicology from Princeton University, and has worked as Digital Archivist and Research Associate for the Noël Coward Archive Trust. Arianne has been on the faculty of the Florida State Honors Program, South Georgia State College and Tallahassee Community College. Her research focuses on the intersections between the American and British musical in London’s West End from 1920-1970, particularly the works of Noël Coward, Kurt Weill, Lerner and Loewe, Irving Berlin, Cole Porter and Rodgers and Hammerstein. .
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    ISBN: 9783031187247
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XII, 408 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature, Modern ; European literature. ; Russia ; Europe, Eastern ; Soviet Union
    Kurzfassung: Chapter 1. Introduction -- Part I Literary Historiography in Russia After 1990: From a Liberal Search for New Openings Back to the Idea of Russia -- Chapter 2. Historical Introduction -- Chapter 3. Academy of Sciences: Definitive Literary History -- Chapter 4. Post-Soviet University Literary Histories: Defining Russianness -- Chapter 5. Literary History and the Literary Canon in School Education: An Orthodox Upbringing -- Part II Latvian Literature as an Ideologically and Politically Contested Terrain: Literary Historiography Between Foreign Rule, Nationalism, and Comparative Perspectives -- Chapter 6. Introduction: An Outline of the Political and Cultural Development of Latvia -- Chapter 7. Latvian Literary Histories from 1812 to 1940: Popular Enlightenment, Romantic Nationalism, and Political Independence -- Chapter 8. Soviet Latvia and Exile: Political Changes in the Aftermath of WWII and Their Impact on Latvian Literary Histories -- Chapter 9. Literary Histories in the Period of Independence: The 1990s and Early Twenty-First Century -- Part III Politics of Literary History in the Czech Lands -- Chapter 10. 10 Introduction: History, Politics, Culture and the Origins of Literary Historiography in the Czech Lands till 1918 -- Chapter 11. The First Czechoslovak Republic: Literary Historiography 1918–1939 -- Chapter 12. Literary Historiography in the 1950s and Early 1960s -- Chapter 13. Politics and Policies in Literary Historiography During the Periods of “Disobedience” (1963–1969) and “Normalization” (1969–1989) -- Chapter 14. Literary History Since 1989: Directions, Attempts at Synthesis, Challenges -- Chapter 15. Textbooks in Literary History -- Part IV Finland: From Nation-building in Two Languages Towards a European Identity -- Chapter 16. Literary Histories from Mid-Nineteenth to Mid-Twentieth Century: The Viewpoint of Nationalism -- Chapter 17. The Literary History of a Welfare State: Kuusi’s Literary History -- Chapter 18. Celebrating Finland: Laitinen’s Literary History -- Chapter 19. Opening Windows Toward Europe: The Varpio Literary History -- Chapter 20. In Defense of Poesy: Hallila’s Survey of Contemporary Finnish Literature -- Chapter 21. Swedish-Language Literature in Finland: From a National to a Minority Literature -- Chapter 22. Literary History in the Schools: From Nationalism to Cultural Varieties./.
    Kurzfassung: This book looks at literary historiography in Russia, Latvia, the Czech Republic and Finland, focusing on how seismic shifts in state politics and ideology after 1990 changed the writing of national literary histories in these countries. While Russia saw a return to a more nationalist way of thinking about literature and a new emphasis on Orthodox religion after the fall of the Soviet Union, the opposite is true for Latvia, the Czech Republic and Finland. In these countries, literary historiography fosters connections between Western scholarship and literatures written in the national language and engages with questions such as transnationalism, minorities, culture and power, and the cultural construction of identities. This book scrutinizes the different ways in which the construction of national, cultural and European identities has occurred in and through the literary historiography of North-Eastern Europe in the last few decades. Liisa Steinby is Professor Emerita of Comparative Literature at the University of Turku, Finland. Her publications include Myth in the Modern Novel: Imagining the Absolute (2023), co-edited volumes Narrative Concepts in the Study of Eighteenth-Century Literature (2017), and Herder and the Nineteenth Century (2020). Benedikts Kalnačs is Senior Researcher at the Institute of Literature, Folklore and Art, University of Latvia, and Professor of Comparative Literature at the University of Liepāja, Latvia. His publications include A New History of Latvian Literature: The Long Nineteenth Century (ed., with Pauls Daija, 2022). Mikhail Oshukov is Assistant Professor at Petrozavodsk State University, Russia. His publications include the articles "Ezra Pound’s Dramatic Works: Vorticist Noh Theater" (2019), "E.E. Cummings: geometry and grammar of revolution" (2017), and "Familiar Otherness: Peculiarities of dialogue in Ezra Pound’s poetics of inclusion" (2013). Viola Parente-Čapková is Professor of Finnish Literature at the University of Turku, Finland. Her publications include co-edited volumes Women Writing Intimate Spaces: The Long 19th Century at the Fringes of Europe (2023), and Nordic literature of Decadence (2020). .
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  • 81
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031392597
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 263 p. 12 illus., 4 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Studies in Mobilities, Literature, and Culture
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    Schlagwort(e): Literature ; European literature. ; Oriental literature. ; World history. ; Culture. ; Emigration and immigration.
    Kurzfassung: Introduction: “Cultural Mobilities and Interactions Between Modern China and Italy” Valentina Pedone, University of Florence and Gaoheng Zhang, University of British Columbia -- Chapter 1: “Chinese Mobility, Routes and Traces: Early-20th Century Discovery of Italian Culture” Alessandra Brezzi, Sapienza University of Rome -- Chapter 2: “Dragomans, Interpreters and Diplomats: Chinese Language Knowledge by Italians in Early 20th Century” Federico Masini, Sapienza University of Rome -- Chapter 3: “Mobility, Architecture, Chronotope: Tianjin’s Italian Concession, the 1930s” Gaoheng Zhang, University of British Columbia -- Chapter 4: “Representations of Socialist Mobility in Post-WWII China-Italy Cultural Exchange” Yang Wang, University of Colorado Boulder and Martina Tanga, Museum of Fine Arts, Boston -- Chapter 5: “Maoist China through the Lens of Italian Visitors (1950s-1970s)” Xin Liu, Penn State University -- Chapter 6: “The Journey and the Memory: 20th-century Travel Notes on Italy” Miriam Castorina, University of Florence -- Chapter 7: “Becoming Chinese-Italian: The Formation of a New Italian Ethnic Minority” Daniele Cologna, Insubria University -- Chapter 8: “Chased by Chineseness: Distance and Proximity in Chinese Italian Creative Expression” Valentina Pedone, University of Florence -- Chapter 9: “‘Ne vedrai delle belle in questo paese!’ Literary Representations of the Italian Community in China” Chiara Giuliani, University College Cork.
    Kurzfassung: This book offers a critical analysis of global mobilities across China and Italy in history. In three periods in the twentieth century, new patterns of physical mobilities and cultural contact were established between the two countries which were either novel at the time of their emergence or impactful on subsequent periods. The first two chapters provide overviews of writings by Italians in China and by Chinese in Italy in the twentieth century. The remaining chapters cover: Republican China’s relationships with Italy and Italian Fascist colonialism in China during the 1920s–1930s; Italian travelers to China during the Cold War from the 1950s to the 1970s; migrations between China and Italy during the 2000s–2010s. In analyzing these cultural mobilities, this book opens a new line of inquiry in Chinese-Italian Cultural Studies, which has been dominated by historical study, and contributes a significant case study to the scholarship on global cultural mobilities.
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  • 82
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031402166
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 228 p. 4 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: American Literature Readings in the 21st Century
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    Schlagwort(e): Fiction. ; Creative nonfiction. ; Literature, Modern ; America ; Literature ; Ethics.
    Kurzfassung: Chapter 1 Introduction: Contesting Equilibria: Nussbaum versus Rawls -- Chapter 2 Kantian Dignity -- Chapter 3 Philosophical Literature -- Chapter 4 Trolley Problems -- Chapter 5 Lifeboats -- Chapter 6 Richard Wright’s Travails of Mann -- Chapter 7 Conclusion: Be Reasonable.
    Kurzfassung: This book examines the literature of African-American author Richard Wright and the philosophy of Immanuel Kant, arguing that Wright was not only the foremost proponent of minoritarian protest literature, but also a groundbreaking minoritarian exponent of philosophical literature. In presenting this argument, the volume defends trolley problems from the criticism that some philosophers level against them by promoting their use as an interpretive tool for literary scholars. Starting with Martha C. Nussbaum’s interventions in literary theory concerning Henry James and perceptive equilibrium, this book draws on the philosophical thoughts of her contemporaries—Philippa Foot, John Rawls, Judith Jarvis Thomson, and Derek Parfit—to analyze Uncle Tom’s Children, especially “Down by the Riverside,” alongside other works by Wright. This approach emphasizes Wright’s recognition of the importance and integrity of Kant’s concept of dignity. Michael Wainwright is Honorary Research Associate at the University of London, UK. He is the author of numerous books, including most recently Faulkner’s Ethics: An Intense Struggle (2021), The Rational Shakespeare: Peter Ramus, Edward de Vere, and the Question of Authorship (2018), and Game Theory and Postwar American Literature (2016), all published by Palgrave.
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  • 83
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031301797
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVII, 264 p.)
    Ausgabe: 1st ed. 2024.
    Serie: American Literature Readings in the 21st Century
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    Schlagwort(e): America ; Ethnology ; Culture. ; Race. ; Globalization. ; Emigration and immigration.
    Kurzfassung: Introduction: Beyond Borders. Inclusion and Exclusion in American Culture -- Isamu: Becoming Nisei -- Part I. Perpetuating Otherness. Relocation to the Outside Within -- “Don’t Fence Me In”: Interiorized Outsides and Japanese American Concentration Camps -- The Resonance of the Hostage Crisis in Funny in Farsi: A Memoir of Growing up Iranian in America (2004) and the Limits of Hospitality -- Cartographies of Inclusion/Exclusion and Contested Belongings in Raquel Cepeda’s Bird of Paradise: How I Became a Latina -- Part II. Beyond Sovereign Frames: Contesting Imaginaries and National Myths -- Foreigners in their Own Land: Nathaniel Hawthorne and the Creation of Tolerated Strangers -- E Pluribus Unum?: Disintegrating the Melting Pot Myth in American Science Fiction Narratives of National Fragmentation -- Inhospitable Homelands: Practices of Inclusion and Exclusion in African American War Narratives -- Monsters or Men?: Guillermo del Toro’s Allegories of American Othering in The Shape of Water -- Part III. Welcoming the Stranger Inside?: Exclusive Inclusion in the Age of Neoliberalism -- Strangers in the Homeland: Dystopic (in)Hospitality in McCarthy’s The Road -- Riding the Beast: Of Borders, Aliens, and Hospitality in Valeria Luiselli’s Lost Children Archive (2019) and Tell Me How It Ends (2017) -- Grief, Hospitality, and the Frontier in Chloé Zhao’s Nomadland (2020) -- Nonsecular Thirdspaces in Ayad Akhtar’s American Dervish and Homeland Elegies -- The Ugly Guy (Novel Excerpt).
    Kurzfassung: American Borders: Inclusion and Exclusion in US Culture provides an overview of American culture produced in a range of contexts, from the founding of the nation to the age of globalization and neoliberalism, in order to understand the diverse literary landscapes of the United States from a twenty-first century perspective. The authors confront American exceptionalism, discourses on freedom and democracy, and US foundational narratives by reassessing the literary canon and exploring ethnic literature, culture, and film with a focus on identity and exclusion. Their contributions envision different manifestations of conviviality and estrangement and deconstruct neoliberal slogans, analyzing hospitable inclusion in relation to national history and ideologies. By looking at representations of foreignness and conditional belonging in literature and film from different ethnic traditions, the volume fleshes out a new border dialectic that conveys the heterogeneity of American boundaries beyond the opposition inside/outside. Paula Barba Guerrero is Assistant Professor of American Literature and Culture at Universidad de Salamanca, Spain. Her research interests include African American literature, space studies, memory, nostalgia, and speculative fiction. Mónica Fernández Jiménez holds a PhD in English from the University of Valladolid, Spain, and currently works as a translator in England. Her research interests include Caribbean literature, Postcolonial Studies, American imperialism, and ecocriticism.
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  • 84
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031492860
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 123 p. 2 illus., 1 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Gothic
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    Schlagwort(e): Fiction. ; Goth culture (Subculture). ; Audiences. ; Literature, Modern ; Literature, Modern ; America
    Kurzfassung: 1. Introduction: Reading Austen-Vampire Mashups -- 2. To Kiss or Kill? Austen’s Vampire-Slaying Heroines -- 3. Trouble in Paradise: Pride and Prejudice as Vampire Romance -- 4. Eternally Yours: Jane Austen as Vampire -- 5. Conclusion: An Unlikely Confluence.
    Kurzfassung: Jane Austen and Vampires is the first book to investigate the literary convergence of Jane Austen and vampires in Austen fanfic after the success of Stephenie Meyer’s Twilight (2005) and Seth Grahame-Smith’s Pride and Prejudice and Zombies (2009). It asks how the shifting cultural values of Austen and the vampire have aligned, and what their connection might mean for their respective contemporary legacies. It also makes a case for reading “low brow” Austen fanfic attentively, as a way to gain meaningful insight directly from Austen fans into the tensions and anxieties surrounding contemporary notions of love, sex, femininity, and Austen’s modern currency. Offering close readings of Austen’s vampire-slaying heroines, vampiric retellings of Pride and Prejudice, and the transformation of Austen herself into a vampire, this book reveals Austen-vampire mashups as messy, complex entanglements that creatively and self-reflexively interrogate modern fantasies of vampire romance. By its unique intersection of Jane Austen with the vampire, the Gothic, fan culture and popular romance, Jane Austen and Vampires adds a new chapter to the history of Austen’s reception, for fans, students and scholars alike.
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  • 85
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031403453
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIX, 227 p. 3 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: New Directions in Irish and Irish American Literature
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    Schlagwort(e): Literature, Modern ; Literature, Modern ; Literature, Modern ; Medicine and the humanities. ; Great Britain
    Kurzfassung: 1 The Story of Tuberculosis in Ireland: An Overview.-2 The Nameless Scourge: Tuberculosis in Ireland, 1800–the Present.-3 The Unspoken Menace -- 4 Dracula, Ireland’s Vampiric Vector -- 5 The Lingering and “The Dead”: Illusion and Irony in Early Twentieth-Century Irish Fiction -- 6 Contagion and Community in Irish Fiction 1900–1942 -- 7 Naming the Scourge and the “Sanatorium of the Imagination”.
    Kurzfassung: This book focuses on Ireland’s lived experience of tuberculosis as represented in the nation’s fiction; not surprisingly, the disease both manifests and conceals itself with devastating frequency in literature as it did in life. It seeks to place the history of tuberculosis in Ireland, from 1800 until after its virtual eradication in the mid-Twentieth Century, in conversation with fictional representations or repressions of a condition so fearsome that until very recently it was usually referred to by code words and euphemisms rather than by its name. Rachael Sealy Lynch, Associate Professor Emerita of English at the University of Connecticut, USA, works primarily in the field of recent and contemporary Irish women writers, and, more recently, in the medical humanities. She has published widely, with a focus on sex, stigma, and shame, on writers including Anne Enright, Jennifer Johnston, Molly Keane, Edna O’Brien, Emma Donoghue, Mary Lavin, and Liam O’Flaherty.
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  • 86
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031389023
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 256 p. 6 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: New Directions in Book History
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    Schlagwort(e): Economics and literature. ; Printing. ; Publishers and publishing. ; Books ; Literature, Modern
    Kurzfassung: Chapter 1 Introduction -- Chapter 2 Coffee-table Books: Seriously? -- Chapter 3 What’s in a Name? -- Chapter 4 A New Book-buying Market -- Chapter 5 More Than Meets the Eye -- Chapter 6 David Brower: An American Environmental Publisher -- Chapter 7 Paul Hamlyn: Britain’s Publishing Mould Breaker -- Chapter 8 Lloyd O’Neil: Australia in Colour -- Chapter 9 Conclusion.
    Kurzfassung: The Coffee-Table Book in the Post-War Anglophone World argues that coffee-table books appeared and became popular in the post-war era at the convergence of three important developments: advances in full colour printing technology, social change, and publishing entrepreneurism and innovation. Examining the coffee-table book through a book history lens acknowledges their significant contribution to post-war visual culture and illustrated publishing. Focussing on post-war America, Great Britain, and Australia during the “golden age” era of the 1950s, 1960s, and 1970s, this history of the coffee-table book takes an interdisciplinary approach to put the coffee-table book in context in regards to materiality, format, printing, status, and genre.
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  • 87
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031283222
    Sprache: Englisch
    Seiten: 1 Online-Ressource(92 illus., 64 illus. in color. eReference.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Intermediality. ; Digital media. ; Motion pictures. ; Television broadcasting. ; Mass media and history.
    Kurzfassung: Introduction to The Palgrave Handbook of Intermediality -- Intermediality: Introducing terminology and approaches in the field -- An Updated Survey of Early Interart and Intermediality Roots: Claus Clüver -- Ekphrasis – Intermedial and Anglophone Perspectives -- Intermediality and Medium Specificity -- Intermedialities, Societies, and Power Histories -- Montreal School of Intermediality: Beyond Media Studies -- Case Studies as a Heuristic of Intermediality -- Linnaeus University Center for Intermedial and Multimodal Studies and the legacy of Lars Elleström -- Intermediality in Brazil: a diachronic survey -- An Overview of Intermedial Studies in China -- Intermediality, Semiotics and Media theory -- Intermediality and/in Translation -- Visual Citation in Intermedial Relations -- Reformulating the Theory of Literary Intermediality: A Genealogy from Ut pictura poesis to Poststructuralist In-betweenness -- Transmedial Narratology and Transmedia Storytelling -- The Narrator: A Transmedial Device -- Intermediality, Teaching and Literacy -- Intermedia, Multimedia and Media -- Citational Aesthetics: for Intermediality as Interrelation -- Traditional Chinese Painting: An Intermedial Play of Sister Arts Since the Eleventh Century -- The Anchor and the Dolphin: A History of Emblems -- The Age of Wonder and Entertainment: An Introduction to Intermedial Networks in Baroque Culture -- Intermediality in Seventeenth-Century Baroque Celebrations in Hispanic America: Commissions, Poetry, and Ephemeral Architecture -- Cabinets of Curiosities as a Transhistorical and Intermedial Phenomenon -- Crossing Media Borders: From Intermedial Shakespeares to Shakespearean Intermediality -- Metareference in the Nineteenth-Century Pictorial Press and Beyond -- Picturing Music in the 19th Century -- Prototype models of intermedial praxis (Wagner, Kandinsky, Brecht) and their resonances in contemporary performance -- Intermediality and Liveness at the Turn of the Twentieth Century -- The Sonification of Modernist Fiction: A Critical Review -- Adaptation and Sound -- Music Transformation in Literature -- Collage as a Creative Act: Emergence, Displacement and Re-signification -- Anthropophagic Appropriation and Intermediality -- Late Twentieth-Century Intermedia Poetry in the Americas -- Photo-Journalism and Beyond -- Media borders in a post-media age: the historical and conceptual co-evolution of cinema, television, video and computer screens -- The Qualified Medium of Computer Games: Form and Matter, Technology, and Use -- The Ecological Crisis and Intermedial Studies -- Simulated Climate in Ecological Games: Mediating Climate Change to Endow Players with Transformative Agency -- Intermediality in Theme Parks -- Interactive and Participatory Sound -- Intermediality and Computer Simulation -- Intermediality and Digital Fiction -- Intermediality and Metamediality: From Analog Representations to Digital Resources -- The Recommended Experience: Engaging Networked Media Platforms with Intermediality -- Posthuman Intermedial Semiotics and Distributed Agency for Sustainable Development.
    Kurzfassung: This handbook provides an extensive overview of traditional and emerging research areas within the field of intermediality studies, understood broadly as the study of interrelations among all forms of communicative media types, including transmedial phenomena. Section I offers accounts of the development of the field of intermediality - its histories, theories and methods. Section II, III and IV then explore intermedial facets of communication from ancient times until the 21st century, with discussion on a wide range of cultural and geographical settings, media types, and topics, by contributors from a diverse set of disciplines. It concludes with an emphasis on urgent societal issues that an intermedial perspective might help understand.
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  • 88
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031321344
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIX, 277 p. 46 illus., 36 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Adaptation and Visual Culture
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    Schlagwort(e): Adaptation (Literary, artistic, etc.). ; Arts. ; Culture
    Kurzfassung: INTRODUCTION.-PART 1: INTERACTIONS AND EXPANDED FIELDS -- CHAPTER 1 Dave McKean: “One plus one equals three” -- CHAPTER 2 Kate Newell: “Illustration and Adaptation in the Balbussos’ Pride and Prejudice (2013) and The Handmaid’s Tale (2012)” -- CHAPTER 3 Kamilla Elliott, “Ad-app-tive illustration: Alice for the iPad”.-PART 2: AFTERLIVES -- CHAPTER 4 Nathalie Collé, “‘[T]o mix colours for painters’ and illustrate and adapt Gulliver’s Travels worldwide: street murals, adaptability and transmediality” -- CHAPTER 5Ann Lewis, “Adapting Novel Illustration for the Almanac: Text/Image Relations in Chodowiecki’s Illustrations for Rousseau’s Julie” -- CHAPTER 6 Chris Louttit, “‘Alternative Dickens’: The Graphic Adaptation of the Inimitable in The New Yorker”.-PART 3: BEYOND ILLUSTRATION -- CHAPTER 7David Pinho Barros, “Drawing from Ozu: An intermedial consideration on clear line illustrations based on clear line film frames” -- CHAPTER 8 Julie LeBlanc, “Ekphrasis, illustration and adaptation: Annie Ernaux’s intermedial autobiographic and photographic production” -- CHAPTER 9Hélène Martinelli, “The ‘Great Image-Maker’ or the animation of illustrations in Karel Zeman’s Deadly Invention”.-PART 4: ILLUSTRATION AND TRANSCULTURAL ADAPTATION -- CHAPTER 10 Carol Adlam, “The Bobrov Affair: Creating a Graphic Novel Adaptation of a ‘Lost’ Russian-Empire Crime Novel” -- CHAPTER 11 Xavier Giudicelli, “Adapting, Translating, Illustrating: French Ballads of Reading Gaol in Word and Image” -- CHAPTER 12 Miriam Vieira, “What if the Grimms had been born in Brazil? The case of (illustrated) adaptations” -- CHAPTER 13 Camila Augusta Pires de Figueiredo: “The transcultural adaptation of The Little Prince to Brazilian cordel literature”.
    Kurzfassung: This collection examines the relationship between illustration and adaptation from an intermedial and transcultural perspective. It aims to foster a dialogue between two fields that co-exist without necessarily acknowledging advances in each other’s domains, providing an argument for defining illustration as a form of adaptation, as well as an intermedial practice that redefines what we mean by adaptation. The volume embraces both a specific and an extended definition of illustration that accounts for its inclusion among the web of adaptive practices that developed with the rise of new media and intermediality. The contributors explore how crossovers may contribute to reappraise their objects, and rely on a transmedial and interdisciplinary corpus exploring the boundaries between illustration and other media such as texts, graphic novels, comics, theatre, film and mobile applications. Arguably adaptation, like intermediality, is an umbrella term that covers a variety of practices and products, and both of them have been shaped by intense debates over their boundaries and internal definitions. Illustration belongs to each of these areas, and this volume proposes insight into how illustration not only relates to adaptation and intermediality but how each field is redefined, enriched and also challenged by such interactions. Shannon Wells-Lassagne has worked extensively on film and television adaptation. She is the author of Television and Serial Adaptation, and the editor of Adapting Margaret Atwood (Palgrave), Adapting Endings, as well as of special issues of The Journal of Screenwriting, Interfaces, and TV/Series, Screen and Series. Sophie Aymes works on intermediality, modernist book history and illustration in 20th-century Britain. She has co-edited several word-and-image journal issues (inInterfaces and Image [&] Narrative), volumes on illustration (series Book Practices and Textual Itineraries), and a collection on Art and Science in Word and Image.
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  • 89
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031414442
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXV, 339 p. 61 illus., 45 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Photography. ; Art, Modern
    Kurzfassung: 1. Introduction - Photography as Collaboration: changing the paradigm on old and new practices in photographic creation and circulation -- Part One. The politics of voice, visibility and identity -- 2. ‘A photography of becoming. Re-imagining the promise of participatory photography through the image of young photographers from refugee and diaspora communities in the UK’ -- 3. ‘” Untitled”: collaborative creation of a photographic record of a psychiatric home’ -- 4. ‘Urban change, politics and photography in post-war Britain’ -- 5. ‘Le ciel par-dessus le toit : Photographing in prison’ -- Part Two. Public display and the distribution of collective projects -- 6. ‘Commercially Unavailable: The Distribution of Participatory Projects’ -- 7. ‘The dominance of single-artist exhibitions in French institutions: is the photographic scene running counter to trend ?’ -- 8. Reflexive Portfolio -- Part Three. Archiving and curating collective practices -- 9. ‘The Jo Spence Memorial Archive’ .-10. “Re-activating the archive: how and for whom?” -- 11. Reflexive Portfolio -- Part Four. Common spaces, collective expressions -- 12. “Mapping local territories through participatory projects .-13. ‘Charged with Collaboration’.-14. Reflexive Portfolio: David Kendall -- Part Five. Towards an ethics of collaboration -- 15. ‘Participatory creation -- 16. ‘Photographic education and the collaboration of resource sharing’ -- 17. Reflexive Portfolio.
    Kurzfassung: This book explores a spectrum of contemporary photographic practices across the fields of image-making, curating, archiving, teaching, community development and activism that have envisioned photography as ontologically and ethically collaborative. By looking specifically into the contexts where collaborative projects are produced and shown, and into the dialogical relation to the people they engage with –in hospitals, in prisons, in working-class neighbourhoods, with indigenous people, refugees, women, persons experiencing homelessness, young people– the contributions from practitioners, scholars, and curators show participatory practices to create the conditions for building new subjectivities, or making visible a multiplicity of identities, thus opening up a new politics of visibility. Therefore, this book specifically addresses the political, counter-cultural dimension of collaborative projects, but also their subversiveness in relation to dominant practices within the field of photography: this includes a reinvention of the position of the photographer –in turns facilitator or project leader– of curating and exhibition models, of archiving methodologies, of photographic education and of market practices. Mathilde Bertrand is Senior Lecturer in the Department of English Studies at Université Bordeaux-Montaigne, France. Her research focuses on the history of independent British photography in the post-war period, particularly on the role of photography collectives, photographic magazines and the community photography movement in fostering a discussion around the politics of representation from the 1970s onwards. She has published in the journals Photography and Culture, LISA e-journal, Revue Française de Civilisation Britannique, and co-edited Ici notre défaite a commencé, on The Miners' Strike, 1984-5 (Syllepses, 2016). Karine Chambefort-Kay is Senior Lecturer in English studies and Visual Culture at Université Paris Est Créteil, France. Her research interests include the cultural, social, and political uses of images in British contemporary society, as well as exhibition and archive policies, and the issues of identity formation, memory and nationalism. She has published on various photographic practices and projects in the UK. She has published in the journals Image and Narrative, InMedia, Revue Française de Civilisation Britannique, and Archivo Papers Journal.
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  • 90
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031499111
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 228 p. 10 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: American Literature Readings in the 21st Century
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    Schlagwort(e): America ; Fiction. ; Literature, Modern ; Literature, Modern ; Education, Higher.
    Kurzfassung: Chapter 1: Introductions to the American Campus Novel -- Chapter 2: Campus Characters: Exemption and Utopia on Campus -- Chapter 3: Anti-intellectualism, “Theory,” and the Reactionary Impulses of the Campus Novel -- Chapter 4: Unauthorized Sex?: Sex, Power, and Privilege in the Campus Novel -- Chapter 5: Subordinations of Academic Freedom: “Speech” as Campus Keyword and Codeword -- Chapter 6: Identity and Culture War on Campus -- Chapter 7: Hardly Workin; or, the Valences of Productivism in Campus Novels -- Chapter 8: On Teaching the University -- Chapter 9: Appendix I: Further Data -- Chapter 10: Appendix II: the Directory of the American Campus Novel.
    Kurzfassung: Campus Fictions argues that the academic novel balances utopian and regressive tendencies, reinforcing the crises we face in higher learning while simultaneously signposting hope for a worn institution. Whether a bestseller such as Erich Segal ’s romance Love Story (1970) or wonkier fare such as Don DeLillo’s White Noise (1985), the academic novel mystifies the academy not only to a wide public but also—worse—to readers who might describe themselves as sympathetic to higher learning. The book takes an eclectic approach to the academic novel with chapters discussing, for example, the genre’s rampant anti-intellectualism and its work refusals, studying novels such as Ishmael Reed’s Japanese by Spring (1993) and Julie Schumacher’s Dear Committee Members (2014). The book is also accompanied by the “Directory of the American Campus Novel ” file, which tracks the genre by year, by setting, and by other datapoints that readers might make use of. Responding directly to Jeffrey Williams, the renowned scholar of critical university studies who implores faculty to “teach the university,” the book ’s conclusion describes strategies for putting these novels into circulation in the classroom. Through this breadth, Campus Fictions establishes the importance of maintaining hope in the field of critical university studies, which tends toward apocalypticism and perhaps therefore toward disengagement. Wesley Beal serves as W.C. Brown, Jr. Professor of English at Lyon College in the United States. He published his first monograph, Networks of Modernism, in 2015.
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  • 91
    ISBN: 9783031398926
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVII, 303 p. 4 illus.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Macmillan Memory Studies
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    Schlagwort(e): Collective memory. ; Cultural property. ; Ethnology. ; Culture. ; Peace.
    Kurzfassung: CHAPTER 1: Introduction. Mass atrocities, memory and cultural representations in the Global South - Lungile A. Tshuma, Mphathisi Ndlovu and Shepherd Mpofu -- CHAPTER 2: Decolonizing memory studies - Lungile Augustine Tshuma -- CHAPTER 3: The Cold War politics and the dynamics of conflicts in the Global South - Mphathisi Ndlovu and Lungile A. Tshuma -- CHAPTER 4: Resisting oblivion and memory: The destruction of Gukurahundi memorial plaques in Zimbabwe - Shepherd Mpofu and Siphosami Malunga, Executive Director of the Open Society Initiative for Southern Africa (OSISA) and a human rights lawyer -- CHAPTER 5: A Country of Mass Graves: Topography of Death and the Spectrality of Disappearances in Contemporary Mexico - Pedro J Gonzalez Corona, PhD, Assistant Professor - Holocaust Studies, University of Texas at Dallas, USA -- CHAPTER 6: Memories of Nigeria-Biafra War, 1967-1970: A Case of Nsukka Igbo - Ngozika Anthonia Obi-Ani, Senior Lecturer in the Department of History and International Studies, University of Nigeria, Nsukka -- CHAPTER 7: Memoricide, Apologias, and Representation: Centring Rwanda’s ‘Double Genocide’ Discourse in the Present Tense - Nick Mdika Tembo, PhD, Associate Professor and Head of the English Department at the University of Malawi -- CHAPTER 8: Fiction literary texts as sites of alternative memory and archive making. By Gibson Ncube, PhD, Lecturer at Stellenbosch University and Yemurai Gwatirisa, PhD, Senior Lecturer at the University of Zimbabwe -- CHAPTER 9: “Carving their place in history”: Reconstructing Public Memories of Colonial Struggle through Women’s Writing. By Asante Lucy Mtenje, PhD, Associate Professor at University of Malawi -- CHAPTER 10: Genocide, memory work and the falsehood of human rights in postapartheid South Africa - Khanyile Mlotshwa, PhD, Rosa Luxemburg Stiftung (RLS) Global Scholarly Dialogue Programme research fellow -- CHAPTER 11: ‘Witnessing’ and ‘postmemories’ in Gukurahundi Documentary Films: A case study of The Children of the Genocide (2021) - Mphathisi Ndlovu -- CHAPTER 12: Exploring the representation of genocidal rape in Hotel Rwanda (2004) and The Greatest Silence: Rape in the Congo (2007): A gendered perspective - Blessed Ngwenya, PhD, Research Associate at the University of South Africa, and Mcebisi Ngwenya, Independent Researcher -- CHAPTER 13: The constructions of the Homoine massacre in Mozambican mainstream newspapers - Isaias Carlos Fuel, PhD candidate at Universidade Federal do Rio Grande do Sul, Brazil, Alexandre Dinis Zavala, PhD, Lecturer at Escola Superior de Journalismo, Mozambique and Carlos Vitannisso, lecturer at Escola Superior de Journalismo, Mozambique -- CHAPTER 14: On memory-making: Truth telling, reconciliation and peacebuilding in Zimbabwe - Darlington Tshuma, policy analyst and governance specialist/2021 Africa Policy Fellow of the School of Transnational Governance (STG) at the European University Institute in Florence, Italy and Talent Moyo, Lecturer at the Midlands State University, Zimbabwe.
    Kurzfassung: This book explores how popular cultural artifacts, literary texts, commemorative practices and other forms of remembrances are used to convey, transmit and contest memories of mass atrocities in the Global South. Some of these historical atrocities took place during the Cold war. As such, this book unpacks the influence or role of the global powers in conflict in the Global South. Contributors are grappling with a number of issues such as the politics of memorialization, memory conflicts, exhumations, reburials, historical dialogue, peacebuilding and social healing, memory activism, visual representation, transgenerational transmission of memories, and identity politics. Mphathisi Ndlovu is a research fellow at Stellenbosch University (South Africa). Mphathisi is also an Associate Professor of Journalism and Media Studies at the National University of Science and Technology (Zimbabwe). He is also an alumnus of the Alliance for Historical Dialogue and Accountability (AHDA) fellowship at Columbia University's Institute for the Study of Human Rights. Mphathisi holds a PhD in Journalism from Stellenbosch University. His research interests are in collective memory, identity politics and digital cultures. Mphathisi’s works have been published as book chapters, and peer reviewed articles in journals such as Digital Journalism, African Cultural Studies, Journal of Genocide Research, and Nations and Nationalism. Mphathisi is also co-editor of a book titled The Idea of Matabeleland in Digital Spaces: Genealogies, Discourses and EpistemicStruggles (2022). Lungile Augustine Tshuma holds a PhD in Journalism from the University of Johannesburg, South Africa. He is a Senior PostDoctoral Fellow in the Department of Communication and Media at the University of Johannesburg in South Africa. Lungile is also an Associate Professor in the department of Journalism and Media Studies at the National University of Science and Technology (Zimbabwe). His research interests are in journalism, photography and memory. He has published in local and international peer reviewed journals and among them are: African Journalism Studies, Nations and Nationalism, Media Culture and Society, and Journal of Communication Inquiry. Shepherd Mpofu is Associate Professor of Media and Communication at the University of South Africa. He has published several articles on communication, media and journalism in Africa. His body of work covers social media and politics; social media and identity; social media and protests. He is the co-editor of New Journalism Ecologies in East and Southern Africa: Innovations, Participatory and Newsmaking Cultures (Palgrave 2023); Decolonising Media and Communication Studies Education in Sub-Saharan Africa (Routledge 2023) and Mediating Xenophobia In Africa (Palgrave 2020). He is editor of The Politics Of Laughter In The Social Media Age: Perspectives From The Global South (Palgrave Macmillan 2021) and Digital Humour In The COVID-19 Pandemic: Perspectives From The Global South (Palgrave Macmillan 2021).
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  • 92
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031436154
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XVI, 248 p. 31 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Cultural property. ; Medicine and the humanities.
    Kurzfassung: Chapter 1: I Introduction -- Chapter 2: Storytelling -- Chapter 3: Inclusivity & Environment -- Chapter 4: Gamification -- Chapter 5: Immersive Technologies -- Chapter 6: Conclusion: Future Directions for Neuro-Inclusivity in Museums and Heritage Sites.
    Kurzfassung: James Hutson is Professor and Department Head of Art History and Visual Culture, and Lead XR Disruptor, at Lindenwood University, USA. Piper Hutson is a Corporate Art Curator and Adjunct Professor at Lindenwood University, USA. This book delves into the significant and timely intersection of cultural heritage, neurodiversity, and smart museums, exploring how various immersive techniques can create more inclusive and engaging heritage experiences for neurodiverse audiences. By focusing on these three aspects, the book aims to contribute significantly to the fields of cultural heritage, neuro-inclusivity, and smart museums, offering practical solutions and examples for heritage professionals and researchers. The book highlights the importance of preserving and enhancing cultural heritage by incorporating immersive technologies and inclusive practices that cater to the needs of neurodiverse audiences. It emphasizes the need for museums and heritage sites to be more inclusive and accessible for neurodivergent individuals, showcasing best practices and innovative techniques to engage this audience effectively. .
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  • 93
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031395987
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXIII, 378 p. 52 illus., 46 illus. in color.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Motion pictures. ; Art ; Art, Modern ; Art
    Kurzfassung: Introduction. Chapter 1. Retrospection and Revision in Modern and Contemporary Art, Literature, and Music -- Part I. Retrospection and Memory. Chapter 2. Stepping in the Same River Twice: Péter Forgács and the Revisiting of The Danube Exodus -- Chapter 3. Uwe Timm and the Ghosts of the Past: a Writer’s Ethical Impact on the Agenda of Collective Memory -- Chapter 4. Australia and Morocco Revisited: The Materialized Travel Memories of Dutch Visual Artist Theo Kuijpers -- Part II. Revision, Politics, and Ideology. Chapter 5. The Fall and Rise of Exile’s Return: Malcolm Cowley and the Cultural Politics of Revision -- Chapter 6. Revision, Change, and the Native American Oral Tradition in Louise Erdrich’s Love Medicine(s) -- Chapter 7. An Old Man Looking from the Window: Camille Pissarro, the Tuileries Garden Paintings and Turning Points in his Career -- Part III. Revisiting and Control: the Artist’s Legacy. Chapter 8. Retrospective Anticipation: Georgia O’Keeffe’s Efforts at Controlling her Legacy -- Chapter 9. Replaying the Past: Belgian Pop Band dEUS’s Return to Early Work -- Chapter 10. Confessin’ the Blues: The Rolling Stones’ Revisit of their Musical Roots -- Chapter 11. Artists’ Haunts: Late Artists Revisiting their Work Beyond their Time -- Part IV.Transformation and Change in Late Work. Chapter 12. Space, Time, and Change in Claude Monet’s Late Paintings -- Chapter 13. Winter is Coming: The Voice of Spring by Lawrence Alma-Tadema (1910).
    Kurzfassung: “What drives creative artists to turn back later in their careers to the subject matter of their earlier years and reimagine it, reclaim it, or rewrite it? This rich and timely collection asks what prompts this “backward look,” resisting standard reductive formations such as ‘late style’ in order to assert the sheer diversity of reasons for artistic return, in the process reaching far beyond the usual suspects in the canon of late-life creativity – and indeed, in one memorable case, beyond the grave.” —Gordon McMullan, Professor of English at King's College London and Director of the London Shakespeare Centre, UK. This interdisciplinary book investigates the various ways in which North American and European modern and contemporary artists, authors, and musicians have returned to earlier works of their own, engaging in inventive revivals and transformations of the past in the present. The book is distinctive in its focus on such revisits, as well as in the diversity of art forms under review: in addition to visual art, the book explores fiction, poetry, literary criticism, film, rock music, and philosophy. This scope, together with the time-span covered in the book, from the 1850s to the twenty-first century, allows for a broad view on retrospection and revision. The case studies presented here offer a multifaceted exploration of the widely different goals to which practitioners of the arts have made retrospection and revision functional against the background of cultural, social, political, and personal forces. Mette Gieskes is Assistant Professor of Modern and Contemporary Art at Radboud University, The Netherlands. Her publications include articles on Philip Guston, Sol LeWitt, Francis Alÿs, Tamara Muller, and Otobong Nkanga. Gieskes is co-editor of Humor in Global Contemporary Art (Bloomsbury 2024, with Gregory Williams). Mathilde Roza is Associate Professor of North American Literature and North American Studies at Radboud University, the Netherlands. She has published on American modernism and the international avant-garde, American Modernist author Robert Myron Coates, The New Yorker magazine, Native North American visual art and literature, indigenous soldiers in WWII, cultural diversity, and cultural diplomacy.
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  • 94
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031417375
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XLIV, 253 p. 15 illus.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Communication in politics. ; Social media.
    Kurzfassung: Chapter 1-Introduction: European Public Sphere, Populism and Twitter -- Chapter2- Data and Methodology in the Twitter EP2019 Analysis. -PART I Democratic Corporatist Countries. Chapter 3- The Netherlands: Populism from Margins to the Mainstream -- Chapter 4- Germany: Transnationalisation of Populist Radical Right -- Chapter 5- Finland: Populist Polarisation of Finnish Political Communication -- PART II Polarised Pluralist Countries. Chapter 6- Italy: Mixed Populism and Agenda-Setting in Election Campaign -- Chapter 7- Spain: Rising Right-Wing Populism -- PART III Liberal Countries. Chapter 8- Ireland: Emerging Right-Wing Populism -- Chapter 9- The UK: Brexit and Competing Populism -- Chapter 10- Comparison and Conclusions: What Twitter Campaigns Tell Us about Populism and Europeanisation of National Public Spheres?.
    Kurzfassung: This volume approaches the relationship between European public sphere and political communication in the framework of establishing populism and social media. The empirical analysis focuses on the comparison between different EU countries during the 2019 EP elections campaign. The data for the analysis was collected real time from Twitter in the Netherlands, Germany, Finland, Italy, Spain, Ireland and the UK. during a month period and are analyzed with both computerized quantitative and manual qualitative methods. The book introduces a new perspective in conceptualizing populism in comparative analysis, in which populism is understood rather as an antagonist logic of political identity formation than pre-defined political ideologies, movements or party cleavages. We approach implications of populist construction of ‘us’ and ‘not us’ in national contexts of 2019 EP election campaigns to find out the relationality between different political actors and parties. A special attention is paid to national/transnational and European/Eurosceptic tendencies in campaign rhetoric. By using a unique idea of ‘hashtag publics’ we approach the common Twitter discussions around the elections and ask: what particular topics and themes did different political actors distribute over Twitter during the 2019 EP elections, how were various topics and actors linked to each other, and how were campaign agendas and actors linked to populism? Juha Herkman is an Associate Professor of Media and Communication Studies at the University of Helsinki, Finland. Emilia Palonen works as a Senior University Lecturer in Political Science at the University of Helsinki. Chapter-No.1,Chapter-No.4 and Chapter-No. 8 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
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  • 95
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031527128
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 103 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Literature. ; Philosophy. ; Creative writing.
    Kurzfassung: 1. Cause and Effect in Fiction: An Introduction -- 2. Causation and Causation in Fiction -- 3. Cause and Effect in Plot -- 4. Cause and Effect in Character -- 5. Cause and Effect in Setting -- 6. Cause and Effect in Dialogue -- 7. Cause and Effect in Theme -- 8. Cause and Effect, Counterfactuals, and the Role of Fiction in our Psychic Lives -- 9. Objections and Replies.
    Kurzfassung: This book explores and defends George Saunders’ causal thesis that successful stories are those that establish causation well. The book includes an in-depth discussion of causation’s role in several different key craft elements of fiction writing and examines different theories of causation and their implications for causation in fiction. Other discussions include the role of causation in building suspense, character and causation, causation in dialogue and connections between fiction and counterfactuals (or hypotheticals). The book also considers a number of objections to the causal thesis and offers a reply. Frances Howard-Snyder is a Philosophy Professor at Western Washington University and has co-authored a logic textbook. She has also published numerous articles on ethics and philosophy of religion. She has an MFA from the Rainier Writing Workshop, and has published stories in The Magnolia Review, Silver Pen, Halfway Down the Stairs, as well as other publications. For more information, see franceshowardsnyder.com.
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  • 96
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031532788
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 224 p.)
    Ausgabe: 1st ed. 2024.
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    Schlagwort(e): Film genres. ; Gender identity in mass media. ; Motion pictures, American.
    Kurzfassung: Part I: Female Bodies/Disposable Bodies -- 1. “Woke Gal Gone Bad: Gender Trouble and Populism in Ready or Not (2019) and Wrong Turn (2021)” Eduardo Valls Oyarzun -- 2 “Moral Waste in the Key of Horror: The Perfection (2018) and the #MeToo Movement Onscreen "Noelia Gregorio-Fernández -- 3. “Rape Culture, Horror, Genre Hybridization and Feminist Reception in Jennifer’s Body (2009) and Promising Young Woman (2020)” Asier Gil Vázquez -- 4. “The Culture that Can’t Anymore: Ari Aster’s Midsommar (2019) as Pilgrimage of a Traumatized Society”Marta Brkljačić -- 5. “Universal Darkness: A Transnational Perspective on Social Horror”Elena Furlanetto._Part II: Female as Creation Force Revisited -- 6. “Mother! Nature: Creation, Apocalypse, Climate Skepticism, and Darren Aronofsky’s Mother! (2017)” Zachary Ingle -- 7. “Monsters, Women, and Magic: Intersecting Hierarchies of Gender and Religion in The Witch (2015)” Cristina Casado Presa -- 8. “Nature and Horror: An Ecocritical Reading of Take Shelter (2011)” Nisa Harika Güzel Köşker._Part III: Gender(ed) Anxieties -- 9. “The Masculinities of Neo-Confederate Cultural Warfare in Antebellum (2020)” Juan José Arroyo-Paniagua and Steven McClain -- 10. “Gaslighting, Entrapping, and Trauma: Notes on #MeToo Horror Films” Todd K._Platts -- 11. “Aging as a Trope in American Horror Movies: From The Children of the Corn (1984) to The Visit (2015)” Marta Miquel-Baldellou.-12. “Searching for ‘The Final Girl’: We Are What We Are (2013), Missing Testimonials, and Media Invisibility of Missing and Murdered Mexican Indigenous Women” Mayra Ramales.
    Kurzfassung: “The interweaving of gender and horror serves as an unsettling lens through which current socio-cultural and political upheavals can be read. The present publication offers a kaleidoscopic analysis of our contemporary moment through an array of films, with each one shedding light on the transgressions, fears, and traumas still inscribed on the gendered body. This is a must-read volume that turns its attention to film-captured corporeal violence that marks the 21st century.” Tatiani G. Rapatzikou- Associate Professor, Department of American Literature and Culture (Aristotle University of Thessaloniki, Greece). EAAS Secretary General 2014-2022. “Culture Wars and Horror Movies is an excellent survey of contemporary horror cinema within its various political and cultural contexts. Uniformly insightful, the essays gathered here illuminate much of what horror since the millennium is about. Highly recommended.” Barry Keith Grant- Professor Emeritus of Film Studies and Popular Culture (Brock University). Author of The Dread of Difference: Gender and the Horror Film. Navigating a polarized society in their representation of social values, twenty-first-century horror films critically frame conflicting and divisive ideological issues. Culture Wars and Horror Movies: Gender Debates in post-2010 US Horror Cinema analyses the ways in which these “culture wars” make their way into gender, focusing on the post-2010 US context and its fundamental political divisions. Approaching these topics from feminist and postfeminist theories to ecocritical views, this volume explores how contemporary horror movies engage with the current context of “culture wars.” Noelia Gregorio-Fernández is an Associate Professor of American Studies at the International University of La Rioja, Spain. She was a visiting scholar at the CSER at Columbia University, New York (USA), and is the author of The Rebel of Chicano Cinema: Robert Rodriguez in the Transnational Era (2020). Carmen M. Méndez-García is an Associate Professor of American Literature at the Department of English Studies, Universidad Complutense de Madrid (Spain). Current research and teaching interests include twentieth and twenty-first-century U.S. literature, postmodernism and contemporary fiction, the Countercultures in the U.S., Spatial studies, Gender studies, and Medical Humanities.
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  • 97
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031412226
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 273 p. 21 illus.)
    Ausgabe: 1st ed. 2024
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    Schlagwort(e): Television broadcasting. ; Motion pictures ; Comedy.
    Kurzfassung: Chapter 1 – Introduction -- Chapter 2 – Precursors and Pioneers: 1940-1960 -- Chapter 3 - The ‘Golden Age’: 1969-1980. Part 1: Racists, Romans and Randy Busmen -- Chapter 4 - The ‘Golden Age’: 1969-1980. Part 2: Soldiers, Shopping and Sexual Frustration -- Chapter 5 – Revival and Revisionism: 1986-2007. Part 1: Global Destruction and Domination -- Chapter 6 – Revival and Revisionism: 2007-2021. Part 2: Schools, Legacies and Mockumentaries -- Chapter 7 – Conclusion.
    Kurzfassung: Stephen Glynn has produced a terrific book on British TV sitcom spinoff films. He writes clearly and concisely and with a demonstrable passion for the subject. He pulls off the difficult trick of bringing an impressive breadth of knowledge to this material while also communicating it in helpful and often amusing ways. -Paul Newland, University of Worcester This book constitutes the first full volume dedicated to an academic analysis of theatrically-released spinoff films derived from British radio and television sitcoms. Regularly maligned as the nadir of British film production and marginalised as a last resort for the financially-bereft industry during the 1970s, this study demonstrates that the sitcom spinoff film has instead been a persistent and important presence in British cinema from the 1940s to the present day, and includes works with distinct artistic merit. Alongside an investigation of the economic imperative underpinning these productions, i.e. the exploitation of a proven product with a ready-made audience, it is argued that, with a longevity stretching from Arthur Askey and his wartime Band Waggon (1940) to the crew of Kurupt FM and their recent People Just Do Nothing: Big in Japan (2021), the British sitcom spinoff can be interpreted as following a full generic ‘life cycle’. Starting with the ‘formative’ stage where works from Hi Gang! (1941) to I Only Arsked! (1958) establish the genre’s characteristics, the spinoff genre moves to its ‘classic’ stage where, secure for form and content, it enjoys considerable popular success with films like Till Death Us Do Part (1969), On the Buses (1971), The Likely Lads (1976) and Rising Damp (1980); the genre’s revival since the late-1990s reveals a more ‘parodic’ final stage, with films like The League of Gentlemen’s Apocalypse (2005) adopting a consciously self-reflective mode. It is also posited that the sitcom spinoff film is a viable source for social history, with the often-stereotypical re-presentations of characters and events an ideological metonym for the concerns of wider British society, notably in issues of class, race, gender and sexuality. Stephen Glynn lectures in Film and Television at De Montfort University, UK. He has published widely on British cinema and genre and previous volumes for Palgrave include The British Pop Music Film (2013), The British School Film (2016) and The British Football Film (2018).
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  • 98
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031397875
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXIX, 293 p. 41 illus., 39 illus. in color.)
    Ausgabe: 1st ed. 2024.
    Serie: Palgrave Studies in Media and Environmental Communication
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    Schlagwort(e): Art, Modern ; Communication in the environmental sciences. ; Popular Culture.
    Kurzfassung: PART 1: Staging Ice and Ice Stages in Science, Science Communication and Aesthetic Experience -- 1. Communicating Loss: Ice Research, Popular Art and Aesthetics: Introduction -- 2. Ice Stages and Staging Ice -- 3. Movies on Ice: An ArtSci Perspective on Communicating Antarctic Ice in the Climate Emergency -- 4. Here Be Science Show Dragons: Ice, Icons and Metaphoric Approaches to Climate Change Communication -- PART 2 :Ice Exploration: Heroism, Art and Imaginaries -- 5. Ethnography as Racialised Womanhood in the Arctic Writings of Josephine Diebitsch-Peary -- 6. Materiality of Time: Polar Ice as a Medium for Ecological Art for the Tempered Zones -- 7. Sensing Polar Ice Bodies -- 8. Antarctic Science on the Musical Stage -- 9. Icy Love: Performing Affect and Emotion Feeling About Climate Change -- PART 3: Pop Cultural Meanings of Ice in Visual Fiction and Film -- 10. Frozen Balloons: Aeronautic Heroism and Scientific Knowledge Production -- 11. Hard Ice, Soft Snow? Transnationalism, Spectatorship and the Arctic Sublime in Chasing Ice (2011) and Silent Snow (2011) -- 12. Frozen-Ground Cartoons—Revealing the Invisible Ice -- 13. On the Visual Narratives of Ice in Popular Culture: Comics on Ice, Icy Villains and Ice Science -- 14. Melt for Me: Communicating Ice Empathy Through the Plasticity of Disney -- 15. On the Aesthetic Facets of Ice Urgency: Some Final Reflections.-.
    Kurzfassung: "The authors of Communicating Ice tell the stories and stages of ice, showing how its manifold bodies communicate from beyond the schemas of the Western tradition." -Amanda Boetzkes, University of Guelph, Canada "With its well-written analyses, new insights and, not least, uplifting visions of new approaches, collaborations and opportunities, this book is a joy to read." -Kirsten Thisted, University of Copenhagen, Denmark "This book makes a compelling attempt to understand ice not as an object but as an agent with which we must interact differently. Ultimately, the highly recommended volume points to the extreme urgency of political action to curb global warming" -Evi Zemanek, University of Freiburg, Germany "This collection brilliantly illustrates how storytelling and aesthetic presentation are crucial aids to understanding and communicating about objects of scientific inquiry. A timely and vital contribution to the environmental humanities, posthumanism and science communication." - Chris Danta, School of Cybernetics, Australian National University, Australia This edited collection is the first of its kind to explore the influences and interconnections between artistic and scientific understandings of, and communication around (the melting of) ice. This book investigates and clarifies the ecological and cultural implications of losing ice in the face of climate change – from glaciers to permafrost valleys, from scientific excursions into ice to its representation in (popular) art and culture. Bringing together diverse perspectives from research and practice across disciplines and media, this volume pioneers research into the cultural power of ice. Dr Anne Hemkendreis is a Lecturer (Senior Researcher) in the (SFB 948) Heroes – Heroizations - Heroism research group at the University of Freiburg (Germany) and a member of the German Young Academy. Dr Anna-Sophie Jürgens is a Lecturer in Popular Entertainment Studies at the Australian National Centre for the Public Awareness of Science at the Australian National University (ANU) and the Head of Popsicule, ANU's Science in Pop Culture and Entertainment Hub.
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  • 99
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031330261
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 330 p.)
    Ausgabe: 1st ed. 2024.
    Serie: History of Analytic Philosophy
    Paralleltitel: Erscheint auch als Bertrand Russell, feminism, and women philosophers in his circle
    Schlagwort(e): Analysis (Philosophy). ; Logic. ; Mathematics ; Feminism. ; Feminist theory. ; Aufsatzsammlung ; Russell, Bertrand 1872-1970
    Kurzfassung: 1. Editors’ Introduction -- 2. A Moral and Intellectual Evaluation of Russell’s Romantic/Sexual Practices -- 3. Bertrand and Dora Russell on sex, marriage and the rule of fathers -- 4. Sex, Suffrage, and Marriage: Russell and Feminism -- 5. Alice Ambrose and women’s work in the foundations debate at the University of Cambridge, 1932-1937 -- 6. Alice Ambrose and Margaret MacDonald: Two Women Who Challenged Bertrand Russell on Ordinary Language -- 7. Susan Stebbing and Russell’s Logical Atomism -- 8. Grandmothers and Founding Mothers of Analytic Philosophy: Constance Jones, Bertrand Russell, and Susan Stebbing on Complete and Incomplete Symbols -- 9. Dorothy Wrinch and the Man of the Century -- 10. “I like her very much—she has very good brains.”: Dorothy Wrinch’s influence on Bertrand Russell -- 11. Patricia Russell and Her Influence on Bertrand Russell.
    Kurzfassung: This book examines Bertrand Russell’s complicated relationships to the women around him, and to feminism more generally. The essays in this volume offer scholarly reassessments of these relationships and their import for the history of feminism and of analytic philosophy. Russell is a founder of analytic philosophy. He has also been called a feminist due to his public, decades-long advocacy for women’s rights and equality of the sexes. But his private behavior towards wives and sexual partners, and his apparently dismissive (occasionally public) responses to some women philosophers, raises the question of what sort of feminist (or chauvinist) Russell actually was. Focusing on women in Russell’s circle of acquaintance, including feminist activists and his philosophical interlocutors, this book casts new light on a timeless thinker’s feminism and the women who played critical roles in the making of analytic philosophy.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 100
    Online-Ressource
    Online-Ressource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031538360
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 231 p.)
    Ausgabe: 1st ed. 2024.
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Schlagwort(e): Film genres. ; Motion pictures, American.
    Kurzfassung: Part I: White Anxieties: Current Challenges -- 1. “Black Bodies/White Spaces: The Horrors of White Supremacy in Get Out (2017)” Hervé Mayer -- 2. “Postmodern Reality and the Post-Truth Era in It Comes at Night (2017), The Invitation (2015), and The Gift (2015)” Fernando Gabriel Pagnoni Berns -- 3. “‘I Can’t (Don’t) Breathe’: White Veterans and Twenty-First-Century Culture Wars "James Deutsch -- 4. “Midsommar (2019) and the Unbearable Whiteness of Horror "Donald L. Anderson. Part II: Economic Exploitation and Neoliberalism -- 5. “Preying on the Other: Culture War Narratives in Horror Hunting Films”Melenia Arouh and Daniel McCormac -- 6. “Hunting Humans: Allegories of Socioeconomic Dispossession across National Boundaries”Pablo Gómez-Muñoz -- 7. “‘We’re Americans’: Objective Violence and the Wounds of Neoliberalism in Jordan Peele’s Us(2019)”Fabián Orán Llarena -- 8. “Obliteration of the Unfit: Disposable other Bodies and Economic Privilege in the The Purge film series”Gamze Katı Gümüş -- 9. “Zombie Movie Ideology: A Panoramic Perspective”Peter Dendle -- Part III: Race Matters -- 10. “‘Tell Everyone’: Abjection and Social Justice in Candyman (2021)”Victoria Santamaría Ibor -- 11. “‘Say His Name’: Candyman (2021) as a Critique of Black Trauma Porn”William Chavez -- 12. “‘We Have Met the Enemy…’: Identity, Otherness, and the Return of the Oppressed in Jordan Peele’s Us (2019)” Thomas B. Byers.
    Kurzfassung: “In a time marked by cultural division and the rise of numerous social fears, Culture Wars and Horror Movies: Social Fears and Ideology in post-2010 Horror Cinema is an indispensable resource for readers who, through a thought-provoking analysis, want to understand how horror films reflect our deepest societal concerns.” Julio Cañero Serrano, Associate Professor of American Culture and Deputy Vice-Chancellor at the University of Alcalá, Spain’ for Serrano. “Bringing together contributions from an international group of scholars, this outstanding collection of essays investigates the sociopolitical dimensions of contemporary horror films. With clear-sightedness and elegance, the volume taps into the current debates on the American culture wars in order to advance the conversation about the significance of cinema in the twenty-first century. Readers are bound to find it fascinating.” Ludmila Martanovschi, Associate Professor of American Studies, Ovidius University, Romania’ for Martanovschi. Secretary of the Society for Multi-Ethnic Studies: Europe and the Americas (MESEA) In this volume, contributors explore the deep ideological polarization in US society as portrayed in horror narratives and tropes. By navigating this polarized society in their representation of social values, twenty[1]first-century horror films critically frame and engage conflicting and divisive ideological issues. Culture Wars and Horror Movies: Social Fears and Ideology in Post-2010 Horror Cinema analyses the ways in which these “culture wars” make their way into and through contemporary horror films, focusing on the post-2010 US context and its fundamental political divisions. Noelia Gregorio-Fernández is an Associate Professor of American Studies at the International University of La Rioja, Spain. She was a visiting scholar at the Center for the Study of Ethnicity and Race at Columbia University, New York (USA), and is the author of The Rebel of Chicano Cinema: Robert Rodriguez in the Transnational Era (2020). Carmen M. Méndez-García is an Associate Professor of American Literature at the Department of English Studies, Universidad Complutense de Madrid Spain. Current research and teaching interests include twentieth and twenty-first-century U.S. literature, postmodernism and contemporary fiction, the Countercultures in the U.S., Spatial studies, Gender studies, and Medical Humanities.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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