Anmerkung: Originally published: 2013.

Anmerkung: Description based upon print version of record , Online-Ausg.:

Anmerkung: Literaturangaben

Anmerkung: Description based on print version record

Anmerkung: Description based upon print version of record , Online-Ausg.:

Anmerkung: Print version record

Anmerkung: Originally published: 2012. , Literaturangaben

Anmerkung: Literaturangaben

Anmerkung: Includes bibliographical references and index

Anmerkung: Bevorzugte Informationsquelle: Landingpage (Bloomsbury Collections), da weder Titelblatt noch Impressum vorhanden

Anmerkung: "Spreadable Media maps fundamental changes taking place in our contemporary media environment, a space where corporations no longer tightly control media distribution and many of us are directly involved in the circulation of content. It contrasts "stickiness"--Aggregating attention in centralized places--with "spreadability"--dispersing content widely through both formal and informal networks, some approved, many unauthorized. Stickiness has been the measure of success in the broadcast era (and has been carried over to the online world), but "spreadability" describes the ways content travels through social media. , Following up on the hugely influential Convergence Culture: Where Old and New Media Collide, this book challenges some of the prevailing metaphors and frameworks used to describe contemporary media, from biological metaphors like "memes" and "viral" to the concept of "Web 2.0" and the popular notion of "influencers." Spreadable Media examines the nature of audience engagement, the environment of participation, the way appraisal creates value, and the transnational flows at the heart of these phenomena. It delineates the elements that make content more spreadable and highlights emerging media business models built for a world of participatory circulation. The book also explores the internal tensions companies face as they adapt to the new communication reality and argues for the need to shift from "hearing" to "listening" in corporate culture. , Drawing on examples from film, music, games, comics, television, transmedia storytelling, advertising, and public relations industries, among others--from both the U.S. and around the world--the authors illustrate the contours of our current media environment. They highlight the vexing questions content creators must tackle and the responsibilities we all face as citizens in a world where many of us regularly circulate media content. Written for any and all of us who actively create and share media content, Spreadable Media provides a clear understanding of how people are spreading ideas and the implications these activities have for business, politics, and everyday life."--Book description , Where Web 2.0 went wrong -- Reappraising the residual -- The value of media engagement -- What constitutes meaningful participation? -- Designing for spreadability -- Courting supporters for independent media -- Thinking transnationally , Includes bibliographical references and index

Anmerkung: Includes bibliographical references and index , Introduction / Viv GoldingPart I. Community matters? , Introduction / Viv Golding , Collaborative museums : curators, communities, collections / Viv Golding , The city, race, and the creation of a common history at the Virginia Historical Society / Eric Gable , Negotiating the power of art : Tyree Guyton and Detroit communities / Bradley L. Taylor , Learning to share knowledge : collaborative projects in Taiwan / Marzia Varutti , Community engagement, curatorial practice and museum ethos in Alberta, Canada / Bryony Onciul , Co-curating with teenagers at the Horniman Museum / Wayne Modest , Part II. Sharing authority? ; Museums, migrant communities and intercultural dialogue in Italy / Serena Iervolino , Community consultation and the redevelopment of Manchester Museum's ancient Egypt galleries / Karen Exell , "Shared authority" : collaboration, curatorial voice and exhibition design in Canberra, Australia / Mary Hutchison , One voice to many voices? : displaying polyvocality in an art gallery / Rhiannon Mason, Chris Whitehead and Helen Graham , A question of trust : addressing historical injustices with Romani-people / Åshild Andrea Brekke , Part III. Audiences and social justice? Audience experiences? ; Creolising the museum : humour, art and young audiences / Viv Golding , Museums and civic engagement : children making a difference / Elizabeth Wood , Community consultation in the museum : the 2007 bicentenary of Britain's abolition of the slave trade / Kalliopi Fouseki and Laurajane Smith , Interpreting the shared past within the world heritage site of Göreme, Cappadocia, Turkey / Elizabeth Carnegie and Hazel Tucker , Testimony, memory and art at the Jewish Holocaust Museum, Melbourne, Australia / Andrea Witcomb , Afterword: A view from the bridge : in conversation with Susan Pearce / Kirstin James, Petrina Foti and the editors. , Part I. Community matters? ; Collaborative museums : curators, communities, collections / Viv Golding , The city, race, and the creation of a common history at the Virginia Historical Society / Eric Gable , Negotiating the power of art : Tyree Guyton and Detroit communities / Bradley L. Taylor , Learning to share knowledge : collaborative projects in Taiwan / Marzia Varutti , Community engagement, curatorial practice and museum ethos in Alberta, Canada / Bryony Onciul , Co-curating with teenagers at the Horniman Museum / Wayne Modest , Part II. Sharing authority? ; Museums, migrant communities and intercultural dialogue in Italy / Serena Iervolino , Community consultation and the redevelopment of Manchester Museum's ancient Egypt galleries / Karen Exell , "Shared authority" : collaboration, curatorial voice and exhibition design in Canberra, Australia / Mary Hutchison , One voice to many voices? : displaying polyvocality in an art gallery / Rhiannon Mason, Chris Whitehead and Helen Graham , A question of trust : addressing historical injustices with Romani-people / Åshild Andrea Brekke , Part III. Audiences and social justice? Audience experiences? ; Creolising the museum : humour, art and young audiences / Viv Golding , Museums and civic engagement : children making a difference / Elizabeth Wood , Community consultation in the museum : the 2007 bicentenary of Britain's abolition of the slave trade / Kalliopi Fouseki and Laurajane Smith , Interpreting the shared past within the world heritage site of Göreme, Cappadocia, Turkey / Elizabeth Carnegie and Hazel Tucker , Testimony, memory and art at the Jewish Holocaust Museum, Melbourne, Australia / Andrea Witcomb , Afterword: A view from the bridge : in conversation with Susan Pearce / Kirstin James, Petrina Foti and the editors.

Anmerkung: Literaturangaben

Anmerkung: Includes bibliographical references and index

Anmerkung: Print version record

Anmerkung: Description based on publisher supplied metadata and other sources

Anmerkung: Print version record

Anmerkung: Includes bibliographical references and index

Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke

Anmerkung: Hardback

Anmerkung: Includes bibliographical references and index , Representation, presentation, presence: tracing the Homo pictor , Iconic power and performance: the role of the critic , Iconspicuous revolutions of 1989: culture and contingency in the making of political icons , The making of humanitarian visual icons: on the 1921-1923 Russian famine as foundational event , Seeing tragedy in the news images of September 11 , The emergence of iconic depth: secular icons in a comparative perspective , Shifting extremisms: on the political iconology in contemporary Serbia , The visualization of uncertainty: HIV statistics in public media , How to make an iconic commodity: the case of Penfolds' Grange wine , Becoming iconic: the cases of Woodstock and Bayreuth , Body and image , Iconic difference and seduction , Iconic rituals: towards a social theory of encountering images , Visible meanings

Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke

Anmerkung: Beiträge überwiegend deutsch, teilweise englisch

Anmerkung: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Narrative Landmines explores how rumors fit into and extend narrative systems and ideologies, particularly in the context of terrorism, counter-terrorism, and extremist insurgencies. Beyond face-to-face communication, this book also addresses the role of new and social media in the creation and spread of rumors. Its concern is to foster a more sophisticated understanding of how oral and digital cultures work alongside economic, diplomatic, and cultural factors that influence the struggles between states and non-state actors in the proverbial battle of hearts and minds. By providing fresh dat , Includes bibliographical references and index , Rumor theory: narrative systems and hegemonic struggles in contested populations -- Rumor transmediation: critical mash-ups and a Singapore prison break -- Rumor mosaics: counterinsurgency operations in Iraq's triangle of death -- Whisper campaigns: state-sponsored rumors and the post-mortem (de)construction of an Indonesian terrorist -- Coercion and consent: narrative countermeasures in the battle for "hearts and minds."

Anmerkung: Incl. bibliogr. references and index

Anmerkung: Literaturangaben

Anmerkung: Description based on publisher supplied metadata and other sources

Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke

Anmerkung: Includes index

Anmerkung: Description based on publisher supplied metadata and other sources

Anmerkung: Description based on publisher supplied metadata and other sources

Anmerkung: Includes bibliographical references and index

Anmerkung: Includes bibliographical references , Chapter 1. Defining participation: an interdisciplinary overview -- Chapter 2. Keyword--power -- Chapter 3. Keyword--identity -- Chapter 4. Keyword--organization --Chapter 5. Keyword--technology -- Chapter 6. Keyword--quality -- Chapter 7. A short conclusion , "Participation has become fashionable again, but at the same time it has always played a crucial role in our contemporary societies, and it has been omnipresent in a surprisingly large number of societal fields. In the case of the media sphere, the present-day media conjuncture is now considered to be the most participatory ever, but media participation has had a long and intense history. To deal with these paradoxes, this book looks at participation as a structurally unstable concept and as the object of a political-ideological struggle that makes it oscillate between minimalist and maximalist versions."--Page 4 of cover

Anmerkung: Literaturverz. S. 551 - 625

Anmerkung: Includes bibliographical references and index

Anmerkung: Description based on publisher supplied metadata and other sources

Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Includes bibliographical references and index

Anmerkung: Literaturangaben

Anmerkung: Includes bibliographical references (p. [147]-158) and index

Anmerkung: Description based on print version record

Anmerkung: Includes bibliographical references and index

Anmerkung: As cities have gentrified, educated urbanites have come to prize what they regard as "authentic" urban life: aging buildings, art galleries, small boutiques, upscale food markets, neighborhood old-timers, funky ethnic restaurants, and old, family-owned shops. These signify a place's authenticity, in contrast to the bland standardization of the suburbs and exurbs. But as Sharon Zukin shows in Naked City, the rapid and pervasive demand for authenticity--evident in escalating real estate prices, expensive stores, and closely monitored urban streetscapes--has helped drive out the very people who first lent a neighborhood its authentic aura: immigrants, the working class, and artists. Zukin traces this economic and social evolution in six archetypal New York areas--Williamsburg, Harlem, the East Village, Union Square, Red Hook, and the city's community gardens--and travels to both the city's first IKEA store and the World Trade Center site. She shows that for followers of Jane Jacobs, this transformation is a perversion of what was supposed to happen. Indeed, Naked City is a sobering update of Jacobs' legendary 1962 book, The Death and Life of Great American Cities

Anmerkung: Includes bibliographical references and index , This title provides an account of the sensations associated with being entangled with wireless technologies that draws on the philosophical techniques of William James's radical empiricism

Anmerkung: Includes bibliographical references (pages 167-188) and index , Media, democratization, and the end(s) of apartheid -- Structured absences and communicative spaces -- In the absence of television -- "They stayed 'til the flag streamed" -- Surfing into Zulu -- Living with the Huxtables in a state of emergency -- I may not be a freedom fighter, but I play one on TV -- Television and the afterlife of apartheid , During the worst years of apartheid, the most popular show on television in South Africa--among both Black and White South Africans--was The Cosby Show. Why did people living under a system built on the idea that Black people were inferior and threatening flock to a show that portrayed African Americans as comfortably mainstream? Starring Mandela and Cosby takes up this paradox, revealing the surprising impact of television on racial politics. The South African government maintained a ban on television until 1976, and according to Ron Krabill, they were right to be wary of its potential power. Th

Anmerkung: Includes bibliographical references and index , Islands, oceans, and beaches -- Secrets and secrecy -- Wallets and purses -- Cell phones and email -- Doorbells and windows -- Violations, fears, and beaches , Everyone worries about privacy these days. As corporations and governments devise increasingly sophisticated data gathering tools and joining Facebook verges on obligatory, concerns over the use and abuse of personal information are undeniable. But the way privacy functions on the virtual frontier of the Internet is only a subset of the fascinating ways we work to achieve it throughout our everyday lives. In Islands of Privacy, Christena Nippert-Eng pries open the blinds, giving us an intimate view into the full range of ordinary people's sometimes extraordinary efforts to preserve the border