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  • 1
    Article
    Article
    Associated volumes
    In:  Ethnic and racial studies : ERS Vol. 37, No. 10 (2014), p. 1897-1900
    ISSN: 0141-9870
    Language: Undetermined
    Titel der Quelle: Ethnic and racial studies : ERS
    Publ. der Quelle: London [u.a.] : Routledge
    Angaben zur Quelle: Vol. 37, No. 10 (2014), p. 1897-1900
    DDC: 390
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  • 2
    ISBN: 9781003087304
    Language: English
    Pages: 1 Online-Ressource (XXIII, 203 Seiten)
    Parallel Title: Erscheint auch als Bartmanski, Dominik, 1978 - Vinyl
    DDC: 306.4842
    RVK:
    RVK:
    Keywords: Sound recordings Social aspects ; Music Social aspects ; Schallplatte ; Revival ; Musikbranche ; Musiksoziologie ; Geschichte 2000-2014
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 3
    ISBN: 0230340059 , 9780230340053
    Language: English
    Pages: vi, 262 p. , Ill. , 25 cm
    Series Statement: Cultural sociology
    DDC: 306.4
    RVK:
    RVK:
    RVK:
    Keywords: Visual perception ; Visualization ; Branding (Marketing) Social aspects ; Culture ; Markenpolitik ; Visuelle Wahrnehmung ; Visualisierung ; Gesellschaft ; Kultursoziologie ; Aufsatzsammlung ; Visuelle Wahrnehmung ; Markenpolitik ; Visualisierung ; Kultursoziologie
    Note: Includes bibliographical references and index , Representation, presentation, presence: tracing the Homo pictor , Iconic power and performance: the role of the critic , Iconspicuous revolutions of 1989: culture and contingency in the making of political icons , The making of humanitarian visual icons: on the 1921-1923 Russian famine as foundational event , Seeing tragedy in the news images of September 11 , The emergence of iconic depth: secular icons in a comparative perspective , Shifting extremisms: on the political iconology in contemporary Serbia , The visualization of uncertainty: HIV statistics in public media , How to make an iconic commodity: the case of Penfolds' Grange wine , Becoming iconic: the cases of Woodstock and Bayreuth , Body and image , Iconic difference and seduction , Iconic rituals: towards a social theory of encountering images , Visible meanings
    URL: Cover
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  • 4
    Online Resource
    Online Resource
    Abingdon, Oxon : Routledge | London : Taylor & Francis Group
    ISBN: 9781003147244 , 1003147240 , 9781000550580 , 1000550583 , 9781000550573 , 1000550575
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: The refiguration of space
    DDC: 306.0943/155
    Keywords: Post-communism Social aspects ; Post-communism Social aspects ; Monuments Political aspects ; Monuments Political aspects ; Cultural landscapes ; Cultural landscapes ; SOCIAL SCIENCE / Sociology / Urban ; HISTORY / Europe / Former Soviet Republics
    Abstract: "Symbols matter, and especially those present in public spaces, but how do they exert influence and maintain a hold over us? Why do such materialities count even in the intensely digitalized culture? This book considers the importance of urban symbols to political revolutions, examining manifold reasons for which social movements necessitate the affirmation or destruction of various material icons and public monuments. What explains variability of life cycles of certain classes of symbols? Why do some of them seem more potent than others? Why do people exhibit nostalgic attachments to some symbols of the controversial past and vehemently oppose others? What nourishes and threatens the social life of icons? Through comparative analyses of major iconic processes following the epochal revolution of 1989 in Berlin and Warsaw, the book argues that revolutionary action needs objects and sites which concretise the transformative redrawing of the symbolic boundaries between the 'sacred' and 'profane', good and evil, before and after, 'progressive' and 'reactionary' - the symbolic shifts that every revolution implies in theory and formalizes in practice. Public symbols ensconced within actual urban spaces provide indispensable visibility to human values and social changes. As affective topographies that externalise collective feelings, their very presence and durability is meaningful, and so are the revolutionary rituals of preservation and destruction directed at those spaces. Far from being mere gestures or token signifiers, they have their own gravity with profound cultural ramifications. This volume will appeal to sociologists, anthropologists, geographers and social theorists with interests in urban studies, public heritage, material culture, political revolution and social movements"--...
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  • 5
    ISBN: 9780367706203 , 9780367705732
    Language: English
    Pages: xv, 207 Seiten , Illustrationen
    Series Statement: The refiguration of space
    Parallel Title: Erscheint auch als Bartmanski, Dominik, 1978- Matters of revolution
    DDC: 306.0943/155
    RVK:
    Keywords: Geschichte 1989-2022 ; Post-communism Social aspects ; Post-communism Social aspects ; Monuments Political aspects ; Monuments Political aspects ; Cultural landscapes ; Cultural landscapes ; Urbanität ; Politik ; Symbol ; Berlin ; Warschau ; Urbanität ; Politik ; Symbol ; Berlin ; Warschau ; Geschichte 1989-2022
    Abstract: Introduction: Considering the Iconic Wall -- Point of View -- Iconicity, or What Makes Social Performances S/tick -- The Revolution That Did Get Televised -- Post-revolutionary Nostalgia -- The Death and Life of Great Communist Palaces -- Epilogue: Writing Material Culture.
    Abstract: "Symbols matter, and especially those present in public spaces, but how do they exert influence and maintain a hold over us? Why do such materialities count even in the intensely digitalized culture? This book considers the importance of urban symbols to political revolutions, examining manifold reasons for which social movements necessitate the affirmation or destruction of various material icons and public monuments. What explains variability of life cycles of certain classes of symbols? Why do some of them seem more potent than others? Why do people exhibit nostalgic attachments to some symbols of the controversial past and vehemently oppose others? What nourishes and threatens the social life of icons? Through comparative analyses of major iconic processes following the epochal revolution of 1989 in Berlin and Warsaw, the book argues that revolutionary action needs objects and sites which concretise the transformative redrawing of the symbolic boundaries between the 'sacred' and 'profane', good and evil, before and after, 'progressive' and 'reactionary' - the symbolic shifts that every revolution implies in theory and formalizes in practice. Public symbols ensconced within actual urban spaces provide indispensable visibility to human values and social changes. As affective topographies that externalise collective feelings, their very presence and durability is meaningful, and so are the revolutionary rituals of preservation and destruction directed at those spaces. Far from being mere gestures or token signifiers, they have their own gravity with profound cultural ramifications. This volume will appeal to sociologists, anthropologists, geographers and social theorists with interests in urban studies, public heritage, material culture, political revolution and social movements"--
    Note: Quellen- und Literaturverzeichnis: Seite 185-201. - Register
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  • 6
    Online Resource
    Online Resource
    Berlin : Humboldt-Universität zu Berlin
    In:  60,4, Seiten 673-695
    ISSN: 0042-0980 , 0042-0980
    Language: English
    Pages: 1 Online-Ressource (23 Seiten)
    Publ. der Quelle: London : Sage Publications Ltd.
    Angaben zur Quelle: 60,4, Seiten 673-695
    DDC: 300
    Keywords: control ; everyday life ; smart city ; social distinction ; space ; surveillance ; symbolic boundaries ; South Korea ; Sozialwissenschaften
    Abstract: Constructed from scratch on land reclaimed from the sea, Songdo was planned to embody new ‘smart city’ life. In reality, it has come to exemplify enclave urbanism that commodifies securitised living for upwardly mobile middle classes. While the political economy of this urban project is by now well studied, the sociological ethnography of the resultant space and its experiential correlates remains less developed and imperfectly contextualised. One needs to connect the dots of power and space. The present paper aims to do that and thematises the ‘design of everyday life’ which rests on (1) the intensification of privatised digital surveillance of mass housing compounds which in turn occasions (2) the remaking of spatial markers and symbolic boundaries between private/public, inclusive/exclusive, inside/outside. As such it is a combination of two different registers of visibility that gets jointly orchestrated by the public–private partnership of Korean state and corporate actors. In order to recognise these regimes as strategic visions of controlled social life we extend James Scott’s notion of ‘seeing like a state’ to include the corresponding regime that we call ‘seeing like a corporation’. This allows us to show that they are mutually elaborative in Songdo through a hybridised fabrication of its lived environment, particularly in the case of one branded housing typology located in the city’s centre called International Business District. This elucidates not only the local entrepreneurial urbanism that gave rise to the controlled environment of Songdo but also more general logics of the ‘compressed modernisation’ in the region which sets a global mode for production of space and re-territorialisation of power.
    Abstract: Peer Reviewed
    URL: Volltext  (kostenfrei)
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  • 7
    Online Resource
    Online Resource
    [London, England] : Bloomsbury Publishing
    ISBN: 1474280463 , 1474280455 , 9781474280495 , 9781474280464 , 9781474280457 , 9781474280488
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Edition: Also published in print
    Parallel Title: Erscheint auch als Bartmanski, Dominik, 1978 - Labels
    DDC: 301
    Keywords: Musikwirtschaft ; Musikproduktion ; Electronic music Economic aspects ; Music trade ; Music ; Electronic books ; Electronic books
    Abstract: Labels reveals the complexity of the current independent record label landscape in an industry that is bigger than ever but more fragmented, and dominated by just a few major corporate labels. As music genres multiply rapidly, and with unprecedented numbers of people engaging in music production and distribution, what significance do traditional record labels still have? Dominik Bartmanski and Ian Woodward show how, in a digitally (over)saturated market, labels act as specialised filters, taste-makers and identity markers - making their curatorial and scene-making roles more pronounced than ever. Concentrating on labels within independent electronic music, the authors reconstruct the aesthetics and ethics of various styles, drawing on over 40 interviews with key players from cutting-edge music scenes in Europe, Australia, Latin America, and the USA. They focus both on established and new imprints, showing how they are embedded in local urban communities as well as trans-national networks, for example Ninja Tune in London, Ostgut Ton in Berlin, Argot in Chicago, 100% Silk in Los Angeles, or Goma Gringa in Sao Paulo. Written by the authors of Vinyl, this book is essential reading for music lovers, music professionals and researchers and students with an interest in contemporary recording industry, independent music, material culture, anthropology, sociology, media and cultural studies
    Note: Includes bibliographical references and index , Also published in print. , Mode of access: World Wide Web.
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  • 8
    ISBN: 9781000550573
    Language: English
    Pages: 1 online resource (224 pages)
    Series Statement: The Refiguration of Space Ser.
    Parallel Title: Erscheint auch als
    DDC: 306.0943/155
    Keywords: Monuments-Political aspects-Poland-Warsaw ; Monuments-Political aspects-Germany-Berlin ; Cultural landscapes-Poland-Warsaw ; Cultural landscapes-Germany-Berlin ; Electronic books
    Abstract: Cover -- Endorsements -- Half Title -- Series Page -- Title Page -- Copyright Page -- CONTENTS -- List of Illustrations -- Acknowledgments -- Preface -- Introduction: Considering the Wall -- 1. Point of View -- 2. Iconicity, or What Makes Social Performances S/tick? -- 3. The Revolution That Did Get Televised -- 4. Post-Revolutionary Nostalgia -- 5. The Death and Life of Great Communist Palaces -- Epilogue: Writing Material Culture -- References -- Index.
    Note: Description based on publisher supplied metadata and other sources
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  • 9
    ISBN: 0857856189 , 9780857856180 , 0857856618 , 9780857856616
    Language: English
    Pages: XXIII, 203 Seiten , Illustrationen
    DDC: 306.4842
    RVK:
    Keywords: Geschichte 2000-2014 ; Schallplatte ; Revival ; Musikbranche ; Musiksoziologie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Hier auch später erschienene Nachdrucke , Bibliography Seite [191] - 197
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  • 10
    ISBN: 9781003361152 , 9781032420882 , 9781032420899
    Language: Undetermined
    Pages: 1 Online-Ressource (299 p.)
    Keywords: Sociology ; Social theory ; Human geography ; Urban communities
    Abstract: Considering Space demonstrates what has changed in the perception of space within the social sciences and how useful – indeed indispensable – this category is today. While the seemingly deterritorializing effects of digitalization might suggest that space is a secondary consideration, this book proves such a presumption wrong, with territories, borders, distances, proximity, geographical ecologies, land use, physical infrastructures – as well as concepts of space – all being shown still to matter, perhaps more than ever before. Seeking to show how society can and should be perceived as spatial, it will appeal to scholars of sociology, geography, architecture and urban studies. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. Funded by the DeutscheForschungsgemeinschaft (DFG, German Research Foundation) – Projektnummer 290045248 – SFB 1265
    Note: English
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