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  • BSZ  (19)
  • München UB  (1)
  • 2020-2024  (20)
  • New York, NY : Oxford University Press  (17)
  • Cham : Springer International Publishing AG
  • Milton : Taylor & Francis Group
  • Praha : Mladá Fronta
  • Praha : Šimáček
  • Musikwissenschaft  (20)
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  • 1
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780197685914
    Sprache: Englisch
    Seiten: x, 222 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Paralleltitel: Erscheint auch als Hild, Elaine Stratton Music in medieval rituals for the end of life
    DDC: 781.5/880902
    RVK:
    RVK:
    Schlagwort(e): Gregorian chants History and criticism ; Death Religious aspects To 1500 ; Christianity ; History ; Death Social aspects To 1500 ; History ; Funeral rites and ceremonies, Medieval History ; Sterben ; Musik ; Liturgie ; Geschichte 600-1500 ; Requiem ; Geschichte 600-1500
    Kurzfassung: "Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": close readings of rituals from diverse communities, each as they appear in a single source. The rituals' chants are transcribed into modern notation and analyzed, both for their relationships between text and melody and for their functions within the rituals. Created for the powerful and the poor, the educated and the uneducated, women and men, monastics, clerics, and laity, these manuscripts offer a glimpse into the religious practices that distinguished communities from one another and bound them together within a single tradition. The book provides the first editions of the rituals' chants and considers the functions of the music. Why was music given such a prominent position within the deathbed liturgies? Why did communities gather and sing when a loved one was dying? The manuscripts reveal a lost art of comforting the dying and the grieving"--
    Beschreibung / Inhaltsverzeichnis: Introduction : Contemporary approaches to medieval rituals for the dying -- Religious elites : Rome, "old Roman" tradition -- Political and religious leaders : Sens, Cathedral of Saint Stephen -- With the laity : Orsières, Switzerland -- Among women : Abbey of Saint Mary the Virgin and Saint Francis without Aldgate (England) -- Analysis : variation and continuity within the liturgical tradition -- Final considerations : Why sing?
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780197549285
    Sprache: Englisch
    Seiten: xxvi, 210 Seiten , Illustrationen
    DDC: 781.650946
    RVK:
    Schlagwort(e): Montoliu, Tete Criticism and interpretation ; Jazz History and criticism ; Montoliu, Tete 1933-1997 ; Jazz ; Spanien
    Kurzfassung: "At the same time that this chapter continues to introduce readers to Tete Montoliu's life, musical work, and impact, it also challenges certain transnational assumptions regarding Spanish jazz. It is important to attend to ways in which the listening practices of mid-twentieth-century Anglophone audiences were shaped by the popular jazz market. In particular, it is by dispensing with misrepresentations of the connection between jazz and flamenco that readers can move beyond mere sketches of Spain and begin to appreciate the full complexity of Iberian jazz. This effort is further supported by Montoliu's own strong opinion that "Mezclar flamenco con el jazz es como mezclar las almejas con el chocolate. Es una mezcla imposible de digerir" [Mixing flamenco with jazz is like mixing clams with chocolate. It is a mixture that is impossible to digest"--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780197664070 , 9780197664063
    Sprache: Englisch
    Seiten: xvii, 210 Seiten , Notenbeispiele
    Paralleltitel: Erscheint auch als Agawu, Kofi On African music
    DDC: 780.96
    RVK:
    Schlagwort(e): Music History and criticism ; Music Social aspects ; Music African influences
    Kurzfassung: "Composed over a decade and a half and originally delivered to audiences in Europe, Africa and the US, these lectures celebrate African musical creativity by illuminating selected compositional techniques, key influences, and dominant scholarly themes. Chapters on minimalism, iconicity, tonality as a colonizing force, and African pianism are supplemented by a critique of ethnotheory, a capsule history of African rhythm studies. and an invitation to music theorists to consider whether greater encounter with African music might not enhance the work that they do. Framed as an exercise in postcolonial criticism, the work refers to a large body of recorded music from various parts of Africa, provides close readings of a handful of compositions to supplement the more general appreciative commentary, and engages recurring and controversial talking points in contemporary discourses on African music. Written in clear and accessible prose, these self-standing essays are designed to enhance admiration for the animating structures of African music"--
    Beschreibung / Inhaltsverzeichnis: Introduction -- The minimalist impulse -- Iconicity in musical thought and expression -- Tonality as a colonizing force -- African pianism and the challenge of art music -- Rethinking music theory, with African aid -- Against ethno-theory -- African rhythm studies : A sketch and a critique -- Epilogue.
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780199303533 , 9780199303526
    Sprache: Englisch
    Seiten: xii, 221 Seiten
    Serie: Oxford theory in ethnomusicology
    Paralleltitel: Erscheint auch als
    DDC: 780.89
    RVK:
    Schlagwort(e): Musiktheorie ; Musikethnologie ; Ethnomusicology ; Music theory ; Musikethnologie ; Musiktheorie
    Kurzfassung: "Music theory's presence in ethnomusicology comes from the socialization and theorizing of participants in the world's musical practices and of ethnomusicologists themselves. Results of processes of theorizing focused on musical activity differ greatly in scope, make-up, and uses. During the 1960s and 70s ethnomusicologists who formed relationships with music-makers and ritual specialists attempted to interpret their understandings of musical actions. Subsequently ethnomusicologists have studied roles of explicit and implicit theory in communication of musical knowledge, with attention to aural learning and relevant techniques of the body. They have observed the production of music theory in institutions of modern nation-states and have sought out groups and individuals whose theorizing is not constrained by projects of existing institutions. They are assessing the ways in which musical terminologies in diverse languages can be related to general concepts without imposing assumptions of one approach to music theory on all others. That exercise is increasingly recognized as a necessary effort of decolonization: the heritage of ethnomusicology encompasses all the world's music-theoretical practices, and no formulation of Western music theory should be used as a standard against which to judge other ways of theorizing and making use of the results. The best future for ethnomusicological engagement with music theory would expand the situations and media of communication along with the topics and viewpoints in play. This book reviews existing work on music theory by ethnomusicologists and others, highlighting potentially productive insights that could inspire and guide future work"
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783031219559 , 3031219554
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XXVI, 466 Seiten) , 69 illus.
    Ausgabe: 1st ed. 2023
    Paralleltitel: Erscheint auch als Global Hiphopography
    DDC: 306.44
    RVK:
    Schlagwort(e): Hip-Hop ; Musiksoziologie ; Internationaler Vergleich ; Forschung ; Sociolinguistics ; Anthropological linguistics ; Music History and criticism ; Civilization History ; Race ; Sociolinguistics ; Linguistic Anthropology ; Contemporary Music ; Cultural History ; Race and Ethnicity Studies ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Online-Ressource
    Online-Ressource
    Wiesbaden : Springer Fachmedien Wiesbaden | Cham : Springer International Publishing AG
    ISBN: 9783658421625 , 3658421622
    Sprache: Deutsch
    Seiten: 1 Online-Ressource (XXVI, 517 Seiten) , 175 Abb.
    Ausgabe: 1st ed. 2023
    Serie: Wissen, Kommunikation und Gesellschaft, Schriften zur Wissenssoziologie
    Paralleltitel: Erscheint auch als Vollmer, Theresa Gemeinsam Musizieren
    DDC: 306.42
    RVK:
    Schlagwort(e): Streicherensemble ; Musizieren ; Interaktionsanalyse ; Knowledge, Sociology of ; Ethnology ; Sociology of Knowledge and Discourse ; Ethnography ; Hochschulschrift
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783031164668 , 3031164660
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XI, 213 Seiten)
    Ausgabe: 1st ed. 2022
    Paralleltitel: Erscheint auch als Hirsch, Lily E Insulting Music
    DDC: 781.63
    RVK:
    Schlagwort(e): Popular music ; Music ; Popular Culture ; Popular Music ; Music ; Popular Culture ; Classical Music ; Pop and Rock
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780197517642
    Sprache: Englisch
    Paralleltitel: Erscheint auch als Transforming ethnomusicology Volume II
    Paralleltitel: Erscheint auch als Transforming ethnomusicology Volume I
    DDC: 780.89
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Ethnomusicology ; Applied ethnomusicology ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik ; Angewandte Wissenschaften ; Kulturpolitik ; Sozialer Wandel ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Kurzfassung: "Transforming Ethnomusicology aims to deepen and broaden the dialogue about social engagement within the discipline of ethnomusicology. It draws upon a very wide array of perspectives that stem from different ethnocultural contexts, philosophical histories, and cultural situations. Volume One begins with overviews of ethical praxis and collaboration in different countries and institutions. Some of the following studies reflect on the challenges that ethnomusicologists have faced and the strategies they have adopted when working in situations as diverse and challenging as the courtrooms of America, the refugee camps of Kenya, the post-earthquake urban context of Haiti, and war-torn South Sudan. Other studies reflect on community activism and the complexities of sustaining and reviving cultural traditions. The final chapter offers a new perspective on disciplinary practice and methodology by examining the power relations implicit in ethnography and the potential of shifting our position to "witnessing." Volume Two focuses on social and ecological issues and includes Indigenous perspectives from America, Australia, and South Africa. The volume as a whole recognizes the interlinking of colonial and environmental damage as institutions that failed to respect the land and its peoples. As in chapter one, the authors deal with the challenging circumstances of the present day where historical practices, and modern neoliberal institutions threaten the creation and sustaining of musical knowledge, the memory of the land (both urban and rural), and the dignity of human life. As in Volume One, the second volume ends with a model for change, a radical rethinking of the structure of knowledge already underway in Brazil"--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190855512
    Sprache: Englisch
    Seiten: 1 Online-Ressource (360 pages) , Illustrations (black and white, and colour).
    Serie: Oxford scholarship online
    DDC: 306.4842
    RVK:
    RVK:
    Schlagwort(e): Music Social aspects ; Music Political aspects ; Sampling (Sound)
    Kurzfassung: Sampling has become a predominantly digitalized practice. It was popularized with the rise of Rap and Hip-Hop, as well as ambient music scenes, but it has a history stretching back to the earliest days of sound recording and experimental music making around the world. Digital networks allow artists to sample music across national borders and cultural traditions with relative ease, prompting questions around not only fair use, copyright, and freedom of expression, but also cultural appropriation and 'copywrongs.' Based on archival research and musical analysis, alongside conversations with artists and their own public reflections, this book provides ways to listen more closely and hear (again) music making.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 10
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197531372
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 782.4216490941
    RVK:
    Schlagwort(e): Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) ; Political aspects ; Great Britain ; History ; 21st century ; Rap (Music) ; Great Britain ; History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Kurzfassung: 'Brithop' investigates rap music's politics in the 21st century United Kingdom. In it, the author argues that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially responding through rap to mainstream Britain's political discourses. The rappers in this volume critique the United Kingdom's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture.
    Anmerkung: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
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  • 11
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197517598
    Sprache: Englisch
    Seiten: 1 Online-Ressource (272 Seiten)
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 780.89
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Ethnomusicology ; Wissenschaftsethik ; Kolonialismus ; Musikethnologie ; Entwicklungsländer ; Westliche Welt ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
    Kurzfassung: For decades, ethnomusicologists across the world have considered how to affect positive change for the communities they work with. Through illuminating case studies and reflections by a diverse array of scholars and practitioners, 'Transforming Ethnomusicology' aims to both expand dialogues about social engagement within ethnomusicology and, at the same time, transform how we understand ethnomusicology as a discipline. This second volume takes as a point of departure the recognition that colonial and environmental damages are grounded in historical and institutional failures to respect the land and its peoples
    Anmerkung: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 12
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780190847579
    Sprache: Englisch
    Seiten: xix, 380 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Whitehead, Kevin Play the way you feel
    DDC: 791.436
    RVK:
    Schlagwort(e): Jazz films History and criticism ; Jazz musicians in motion pictures ; Jazz ; Jazzmusiker ; Film ; Geschichte 1927-2016
    Kurzfassung: "This book-both a narrative and a film directory-surveys and analyzes English-language feature films (and a few shorts and TV shows/movies) made between 1927 and 2016 that tell stories about jazz music, its musicians, its history and culture. Play the Way You Feel looks at jazz movies as a narrative tradition with recurring plot points and story tropes, whose roots and development are traced. It also demonstrates how jazz stories cut across diverse genres-biopic, romance, musical, comedy and science fiction, horror, crime and comeback stories, "race movies" and modernized Shakespeare-even as they constitute a genre of their own. The book is also a directory/checklist of such films, 66 of them with extensive credits, plus dozens more shorter/capsule discussions. Where jazz films are based on literary sources, they are examined, and the nature of their adaptation explored: what gets retained, removed, or invented? What do historical films get right and wrong? How does a film's music, and the style of the filmmaking itself, reinforce or undercut the story?--
    Anmerkung: Includes bibliographical references and index , Prologue: The "I got rhythm" of jazz movies 1927 & 1946 -- Duke's day & first features 1929-1940 -- Origin stories 1941-1947 -- Bands of brothers 1941-1948 -- Young men with horns : the jazz biopic's golden age 1950-1959 -- The jazz musician (and fan) as character 1951-1961 -- Independents in black and white 1961-1967 -- Spectacles 1972-1984 -- Suffering artists 1984-1989 -- Young lions & historical fictions 1990-2000 -- The jazz musician (and fan) as character 1959-2016 -- Movies within movies & New Orleans comes back 2008-2019 -- Postscript: Print the legend.
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  • 13
    ISBN: 9780190084080 , 9780190938284
    Sprache: Englisch
    Seiten: xiv, 321 Seiten , Illustrationen, Notenbeispiele
    Serie: The new cultural history of music series
    DDC: 306.4/8420943809048
    RVK:
    Schlagwort(e): Music Political aspects 20th century ; History
    Anmerkung: Includes bibliographical references and index
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  • 14
    ISBN: 9780190616922
    Sprache: Englisch
    Seiten: vii, 553 Seiten , Illustrationen, Notenbeispiele
    DDC: 306.484209034
    RVK:
    Anmerkung: Literaturangaben
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  • 15
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190908294
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 781.62914970561
    RVK:
    Schlagwort(e): Geschichte ; Romanies / Turkey / Music / History and criticism ; Music / Social aspects / Turkey ; Romanies / Turkey / Social life and customs ; Music / Turkey / History and criticism ; Identität ; Musikleben ; Roma ; Türkei ; Türkei West ; Roma ; Musikleben ; Identität ; Geschichte
    Kurzfassung: 'Sounding Roman' traces the role of music performance in maintaining, shaping, and challenging ascribed social identities of Roman ('Gypsy') groups, who constitute one of the most socially reviled and yet culturally romanticized minorities in Turkey
    Anmerkung: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 16
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190938314
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: The new cultural history of music
    Serie: Oxford scholarship online
    DDC: 306.48420943809048
    RVK:
    Schlagwort(e): NSZZ "Solidarność" ; Geschichte 1980-1990 ; Musik ; Politischer Protest ; Untergrund ; Music Political aspects 20th century ; History ; Polen ; Poland Politics and government 1980-1989
    Kurzfassung: A vibrant study of music and protest that focuses on the Solidarity movement in 1980s Poland, 'Musical Solidarities' explores how and why sound mattered to the opposition to state socialism. Unfurling the rich soundscapes of political action at demonstrations, church services, meetings, and in detention, it offers a nuanced portrait of this pivotal decade of European and global history.
    Anmerkung: Also issued in print: 2020 , Includes bibliographical references and index
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  • 17
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190933685
    Sprache: Englisch
    Seiten: 1 online resource , illustrations (black and white).
    Serie: American musicspheres
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 781.64209753
    RVK:
    Schlagwort(e): Bluegrass music History and criticism ; Old-time music History and criticism ; Washington, DC ; Bluegrass
    Kurzfassung: Documenting the history and development of bluegrass in and around the nation's capital since it emerged in the 1950s, 'Capital Bluegrass' is central to our understanding of bluegrass in the United States and its place in our nation's capital.
    Anmerkung: Previously issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 14, 2020)
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  • 18
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197504673
    Sprache: Englisch
    Seiten: 1 Online Ressource (xx, 459 Seiten) , Illustrationen, Notenbeispiele
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.8992405694
    RVK:
    Schlagwort(e): Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature ; Music ; Israel ; 20th century ; History and criticism ; Music by Jewish composers ; Israel ; 20th century ; History and criticism ; Jews ; Music ; History and criticism ; Zionism ; Zionism in literature ; Israel ; Kunstmusik ; Literatur ; Zionismus ; Juden ; Ethnische Identität ; Geschichte 1950-2000
    Kurzfassung: In this in-depth study of Israeli art music in the second half of the twentieth century, author Assaf Shelleg explores how art music and modern Hebrew literature engaged with Zionism and competing diasporic Jewish histories that are not grounded in notions of territory.
    Anmerkung: Also issued in print: 2021. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 9, 2020)
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  • 19
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190052249
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Serie: Oxford studies in music theory
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 782.42164143
    RVK:
    RVK:
    Schlagwort(e): Popular music / Analysis, appreciation ; Singing ; Singen ; Unterhaltungsmusik ; Gesang ; Popmusik ; Popmusik ; Gesang ; Singen ; Unterhaltungsmusik
    Kurzfassung: 'A Blaze of Light in Every Word' presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality
    Anmerkung: Also issued in print: 2020. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 20
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780190056117
    Sprache: Englisch
    Seiten: xvi, 232 Seiten , Illustrationen , 235x156mm
    Paralleltitel: Erscheint auch als Katz, Mark, 1970 - Build
    DDC: 306.4/84249
    RVK:
    Schlagwort(e): Rap (Music) Political aspects ; Music and diplomacy ; Cultural diplomacy ; Rap (Music) Religious aspects ; Islam ; USA ; Hip-Hop ; Kulturbeziehungen ; Kulturaustausch
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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