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  • GBV  (966)
  • München BSB  (954)
  • Biografie  (1,161)
  • History  (461)
  • Musicology  (1,258)
  • Romance Studies  (364)
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Material
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Subjects(RVK)
  • 1
    Book
    Book
    Bremen : Jaskiewitz | Berlin : Westkreuz-Verl.
    Language: German
    DDC: 325/.243/098
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    Keywords: Agricultural colonies Sources History 20th century ; Germans Sources History 20th century ; Germans Sources History 20th century ; Germans Sources History 20th century ; Brazil Sources Emigration and immigration 20th century ; History ; Paraguay Sources Emigration and immigration 20th century ; History ; Germany Sources Emigration and immigration 20th century ; History ; Quelle ; Paraguay ; Deutsche ; Brasilien Süd ; Deutsche
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  • 2
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 3
    Online Resource
    Online Resource
    Toronto : University of Toronto Press
    ISBN: 9781487538088
    Language: English
    Pages: 1 Online-Ressource (242 pages) , 21 b&w illustrations
    DDC: 305.4094409/045
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    Keywords: HISTORY / Europe / France ; Commodification History 20th century ; Feminine beauty (Aesthetics) Economic aspects 20th century ; History ; Femininity Economic aspects 20th century ; History ; National characteristics, French History 20th century ; Tourism History 20th century ; Women History 20th century
    Abstract: In the aftermath of the Second World War, the French government cultivated images of sensual and sophisticated white French women in an attempt to reestablish its global image as a great nation. They promoted the beauty, sexual appeal, and general allure of French women, all while shrinking the boundaries of what was considered beautiful. Charm Offensive explores how this elevation of French femininity created problems on both sides of the equation: the pressure on French women to conform to an exacting physical standard was immense, while the inability of anyone else to access that standard resulted in a sense of failure. Drawing on cultural figures like Air France hostesses, tourism workers, and celebrities such as Brigitte Bardot, Charm Offensive offers an innovative understanding of a tumultuous time of decolonization
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) , In English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 4
    ISBN: 9781032413846 , 9781032413853
    Language: English
    Pages: XIII, 282 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1700-1900 ; Maqām ; Sammlung ; Lied ; Quelle ; Reform ; Notenschrift ; Osmanisches Reich ; Istanbul ; Türkei ; Euterpe / (1830) ; Songs, Turkish / Turkey / Istanbul / 19th century / History and criticism ; Songs, Greek / Turkey / Istanbul / 19th century / History and criticism ; Songs, Turkish / Turkey / Analysis, appreciation ; Songs, Greek / Turkey / Analysis, appreciation ; Maqām / Turkey / 19th century / History and criticism ; Musical notation / Turkey / History / 19th century ; Music / Turkey / Western influences ; Turkey / History / Ottoman Empire, 1288-1918 ; Songs, Turkish / Turkey / Istanbul ; Songs, Greek / Turkey / Istanbul ; Euterpe (Foggia, Italy) ; Maqām ; Music / Western influences ; Musical notation ; Songs, Greek ; Songs, Turkish ; Turkey ; Turkey / Istanbul ; 1288-1918 ; Criticism, interpretation, etc ; History ; Scores ; Songs ; Songs ; Scores ; Quelle ; Kommentar ; Quelle ; Kommentar ; Türkei ; Istanbul ; Osmanisches Reich ; Maqām ; Lied ; Sammlung ; Quelle ; Notenschrift ; Reform ; Geschichte 1700-1900
    Abstract: "Reform, Notation and Ottoman music in Early 19th Century Istanbul presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by classical Turkish music and is accompanied by a substantial examination of the related historical, theoretical and musical topics. Through a series of Ottoman/Turkish classical vocal music compositions that can be dated to 18th and 19th centuries, Euterpe and related sources reinforce a much broader picture of musical practice and transmission in which we clearly see that the Greek and Turkish traditions are linked. Reform, Notation and Ottoman music in Early 19th Century Istanbul is presented in two parts: historical discussion and musical analysis, and complete transcription and edition of Euterpe. This book will appeal to music scholars and university students interested in minorities, cosmopolitanism in the Middle East and Balkans, the relationship between music and national identity, musical notation, classical Ottoman/Turkish music, Byzantine music, and, most significantly, ethnomusicology"--
    Description / Table of Contents: Part I. Historical Discussion and Musical Analysis. Euterpe in an Ottoman context ; Makam, Usul, Repertoire and Style in Euterpe -- Part II. Transcription and Edition of Euterpe. Methodology ; Edition
    Note: Critical report in English; songs with words in Turkish or Greek
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  • 5
    Book
    Book
    Lanham ; Boulder ; New York ; London :Rowman & Littlefield,
    ISBN: 978-1-5381-7172-1
    Language: English
    Pages: xviii, 357 Seiten : , Illustrationen, Porträts ; , 24 cm.
    Parallel Title: Erscheint auch als
    DDC: 306.48426
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    Keywords: Geschichte 1970-2022 ; Punk rock music / Political aspects / History ; Punk rock musicians / Interviews ; Punk rock musicians ; Punk Rock. ; Rockmusiker. ; Rockmusikerin. ; Politischer Protest. ; Aktivismus. ; Soziale Bewegung. ; Interview ; History ; Interviews ; Oral histories ; Interview ; Interview ; Interview ; Punk Rock ; Rockmusiker ; Rockmusikerin ; Politischer Protest ; Aktivismus ; Soziale Bewegung ; Geschichte 1970-2022
    Abstract: "This is the most wide-ranging and provocative look at punk rock as a social change movement over the past forty-five years, told through first-hand accounts of roughly 250 musicians and activists. John Malkin brings together punk's most famous figures as well as underground voices, creating a new and insightful history of punk throughout the ages"--
    Description / Table of Contents: Introduction. What You Think Changes How You Act -- Acknowledgments & Gratitude -- Mixing Punk & Politics : Common Ground For The Revolution -- Do It Yourself : DIY Together -- We Are All Pussy Riot : Punk On The Frontlines, Russia To Myanmar, China To Mexico -- East Berlin Punk : Clandestine Concerts Behind The Berlin Wall -- Music Is That Powerful Tool : Blackfire Navajo Punks -- Tijuana No! : Latin Punk Rock From Peru To Mexico To East L.A. -- Pansy Division : Out Of The Closet Into The Slampit -- Positive Force : Mark Andersen And Fugazi In Washington D.C. -- Fight War Not Wars : Punk Rock, Militarism, And War -- Just Another Gulf War : Punk, U.S. Wars In Iraq And Afghanistan, And 9/ -- America! Fuck Yeah! : Punks Perform For U.S. Soldiers -- Nazi Trumps Fuck Off! : Punk In The Trump Era -- I Am An Anarchist : Anti-Authoritarian Soundtrack -- To Hell With Poverty : Capitalism And Class In Punk Rock -- White Riot : Race And Anti-Racism In Punk -- Equal But Different : Gender & Feminism In Punk -- The Revolution Is Personal : Politics With A Small "P" -- The Revolution Will Be Commodified -- Burn Punk London : Joe Corre' And Extinction Rebellion -- How Revolutionary Has Punk Rock Been? -- Where Is The Revolution Now?
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  • 6
    Book
    Book
    Ditzingen : Reclam
    ISBN: 9783150206782
    Language: German
    Pages: 100 Seiten , Illustrationen , 17 cm x 11.4 cm
    Series Statement: Reclam 100 Seiten 20678
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    Keywords: Metallica ; Paperback / softback ; James Hetfield ; Lars Ulrich ; Kirk Hammet ; Robert Trujillo ; Ron McGovney ; Cliff Burton ; Jason Newsted ; Lloyd Grant ; Dave Mustaine ; Jeff Warner ; Thrash metal ; Metal ; Nothing else matters ; Biografie ; Metallica
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  • 7
    ISBN: 9783910335837 , 3910335837
    Language: German
    Pages: 299 Seiten , Illustrationen , 21.5 cm x 14 cm, 600 g
    Edition: 1. Auflage
    DDC: 780
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    Keywords: Biografie
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 8
    Book
    Book
    Ditzingen : Reclam
    ISBN: 9783150206713
    Language: German
    Pages: 100 Seiten , Illustrationen , 17 cm x 11.4 cm
    Series Statement: Reclam 100 Seiten 20671
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    Keywords: Jürgens, Udo ; Paperback / softback ; grand prix ; Aber bitte mit Sahne ; Siebzehn Jahr ; Griechischer Wein ; Merci Chérie ; Schlager ; Biografie ; Jürgens, Udo 1934-2014
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  • 9
    ISBN: 9783955931377 , 3955931374
    Language: German
    Pages: 224 Seiten , Illustrationen , 21.5 cm x 14.4 cm, 350 g
    Edition: Erstausgabe
    DDC: 780
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    Keywords: Hipp, Jutta ; Jazzpianistin ; Hipp, Jutta ; Pianistin ; Biografie ; Biografie ; Biografie ; Biografie ; Hipp, Jutta 1925-2003
    Note: Hier auch später erschienene, unveränderte Auflagen
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 10
    Book
    Book
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108837057 , 9781108940030
    Language: English
    Pages: xv, 295 Seiten
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
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  • 11
    ISBN: 9781793620392
    Language: English
    Pages: IX, 139 Seiten , Illustrationen, Porträts
    Series Statement: Critical perspectives on music and society
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1980-2022 ; Subkultur ; Techno ; Rave ; Musikwirtschaft ; Electronic dance music / Social aspects / History ; Rave culture ; Rave culture ; History ; Rave ; Techno ; Subkultur ; Musikwirtschaft ; Geschichte 1980-2022
    Abstract: "This text explores how the Electronic Dance Music subculture transitioned from a marginalized deviant subculture to a billion-dollar culture industry, looking at how the culture's success has undermined in-group solidarity and marginalized those who helped pioneer it"--
    Description / Table of Contents: Introduction -- Phase I : Beginnings (1980s-1995) Phase II : The Rise of the Rave Outlaw (1995-2009) -- Phase III : EDM as Culture Industry (2010-2022) -- Conclusion -- Appendix. The Rave Act
    Note: Noch nicht erschienen (Stand: 12.05.2023)
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  • 12
    Book
    Book
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781538165300
    Language: English
    Pages: xi, 187 Seiten
    Series Statement: Popular musics matter: Social, political and cultural interventions
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1977-1980 ; Elektronische Musik ; Synthesizer ; Popmusik ; Großbritannien ; Electronica (Music) / Great Britain / History and criticism ; Popular music / Great Britain / 1971-1980 / History and criticism ; Synthesizer (Musical instrument) / Great Britain / History ; Electronica (Music) ; Popular music ; Synthesizer (Musical instrument) ; Great Britain ; 1971-1980 ; Criticism, interpretation, etc ; History ; Großbritannien ; Popmusik ; Synthesizer ; Elektronische Musik ; Geschichte 1977-1980
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  • 13
    ISBN: 9783863343743 , 3863343743
    Language: German
    Pages: 222 Seiten , Illustrationen , 21.5 cm x 13.5 cm, 386 g
    Edition: 1. Auflage
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    Keywords: Cash, Johnny ; Gottvertrauen ; Glaube ; Man in Black ; Country-Musiker ; Musiklegende ; Gefängnis ; Teeniestar ; Sünde ; Erlösung ; Glaube ; Bekenntnis ; June Carter ; Memphis ; Crusades ; Armee ; Rock 'n' Roll ; Gospel ; Biografie ; Biografie ; Cash, Johnny 1932-2003 ; Cash, Johnny 1932-2003 ; Glaube ; Gottvertrauen
    Note: Hier auch später erschienene, unveränderte Auflagen
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  • 14
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501387050 , 9781501387067
    Language: English
    Pages: xi, 354 Seiten , Illustrationen
    Edition: Revised edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: The Beatles ; Beatles ; Rock music / Analysis, appreciation ; Rock musicians / England ; Beatles ; Rock musicians ; England ; Biografie ; Biografie ; Biografie ; The Beatles
    Abstract: "A follow-up to the successful 2007 edition, which, despite numerous Beatles-related books published in the intervening years, still stands alone for its chronological, album-by-album analysis of the band's work"--
    Description / Table of Contents: Prologue : The End -- The Beginning -- A Cellarful of Noise -- And the Band Begins to Play -- Rock and Roll Music -- The Biggest Showbiz Town Ever -- War-Weary -- Yesterday and Today -- Plastic Soul -- The End of the Road -- The Act You've Known for All These Years -- Roll Up for the Mystery Tour -- Whiter Shades of Pale -- Getting Back -- The Dream Is Over -- Epilogue : Long Live the Dream
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  • 15
    ISBN: 9781032111209 , 9781032111230 , 9781032431147
    Language: English
    Pages: xvi, 218 Seiten
    Series Statement: SOAS studies in music
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1980- ; Gedenken ; Lied ; Katastrophe ; Kanada ; Maritime Provinzen ; Disasters / Atlantic Provinces / Songs and music / History and criticism ; Memorialization / Atlantic Provinces / History ; Canada ; Disasters / Songs and music ; Memorialization ; Canada / Atlantic Provinces ; Criticism, interpretation, etc ; History ; Kanada ; Maritime Provinzen ; Lied ; Katastrophe ; Gedenken ; Geschichte 1980-
    Abstract: "Disaster Songs as Intangible Memorials in Atlantic Canada draws on a collection of over 500 Atlantic Canadian songs relating to disasters from 1891 up until the present, and describes the characteristics that define them as intangible memorials. The book demonstrates the relationship between vernacular memorials - informal memorials collectively and spontaneously created from objects and notes by the general public - and disaster songs. Author identifies the features that define vernacular memorials, and applies them to disaster songs: spontaneity; ephemerality; importance of place; motivations and meaning-making; content, as well as the role of media in inspiring and disseminating memorials and songs"--
    Description / Table of Contents: Preface. Come All Ye -- Introduction -- Formal Memorials, Vernacular Memorials, and Disaster Songs -- Going Down in History : The Story of Disaster Songs -- Locating Meaning : The Place of Disasters in Songs -- Spontaneity & Ephemerality : The Timing of Memorialization -- Social Significance : The Motivation to Create Disaster Songs -- Personal Motivations : Relationships & Grief -- News & Social Media : Inspiring, Informing, and Disseminating Disaster Songs -- Conclusion
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  • 16
    Book
    Book
    Manchester : Manchester University Press
    ISBN: 9781526168450
    Language: English
    Pages: viii, 365 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 942.733085
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    Keywords: Geschichte 1979-2023 ; Stadtentwicklung ; Popkultur ; Sport ; Popmusik ; Manchester ; Popular culture / England / Manchester ; Popular music / England / Manchester ; Property / England / Manchester ; Soccer / England / Manchester ; Manchester (England) / History / 20th century ; Manchester (England) / History / 21st century ; Popular culture ; Popular music ; Property ; Soccer ; England / Manchester ; 1900-2099 ; History ; Manchester ; Popmusik ; Popkultur ; Sport ; Stadtentwicklung ; Geschichte 1979-2023
    Abstract: At the end of the 1970s, Manchester seemed to be sliding into the dustbin of history. Today the city is an international destination for culture and sport, and one of the fastest-growing urban regions in Europe. This book gives a first-hand account of what happened in between
    Note: Maps on lining paper
    URL: Cover  (lizenzpflichtig)
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  • 17
    Book
    Book
    New York ; London ; Toronto ; Sydney ; New delhi : Scribner
    ISBN: 9781982195861
    Language: English
    Pages: xxii, 487 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen, Porträts (teilweise farbig) , 24 cm
    Edition: First Scribner hardcover edition
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    Keywords: Harrison, George ; Rock musicians / England / Biography ; Musiciens rock / Angleterre / Biographies ; MUSIC / Genres & Styles / Rock ; Harrison, George / 1943-2001 ; Beatles ; Rock musicians ; England ; Rock musicians / Biography ; Guitarists / Biography ; Biographies ; Biografie ; Harrison, George 1943-2001
    Abstract: "Despite being hailed as one of the best guitarists of his era, George Harrison, particularly in his early decades, battled feelings of inferiority. He was often the butt of jokes from his bandmates owing to his lower-class background and, typically, was allowed to contribute only one or two songs per Beatles album out of the dozens he wrote. Now, acclaimed Beatles biographer Philip Norman examines Harrison through the lens of his numerous self-contradictions. Compared to songwriting luminaries John Lennon and Paul McCartney he was considered a minor talent, yet he composed such masterpieces as "While My Guitar Gently Weeps" and "Here Comes the Sun," and his solo debut album "All Things Must Pass" achieved enormous success, appearing on many lists of the 100 best rock albums ever. Modern music critics place him in the pantheon of sixties guitar gods alongside Eric Clapton, Jimi Hendrix, Keith Richards, and Jimmy Page. Harrison railed against the material world yet wrote the first pop song complaining about income tax. He spent years lovingly restoring his Friar Park estate as a spiritual journey, but quickly mortgaged the property to help rescue a film project that would be widely banned as sacrilegious, Monty Python's Life of Brian. Harrison could be fiercely jealous, but not only did he stay friends with Eric Clapton when Clapton fell in love with Harrison's wife, Pattie Boyd, the two men grew even closer after Clapton walked away with her. Unprecedented in scope and filled with numerous color photos, this rich biography captures George Harrison at his most multi-faceted: devoted friend, loyal son, master guitar player, brilliant songwriter, cocaine addict, serial philanderer, global philanthropist, student of Indian mysticism, self-deprecating comedian, and, ultimately, iconic artist and man beloved by millions"--
    Description / Table of Contents: Prologue: an unextinguishable last laugh -- Part one. "Take care of him because he's going to be special" -- "He was so much in the background he was like the invisible man" -- Playing just chords was better than not playing at all" -- "From then on, nine-to-five never came back into my thinking" -- "We were like orphans" -- "My first shag was... with Paul and John and Pete Best all watching" -- "The first rock 'n' dole group" -- "It was the best buzz of all time" -- Part two. "I was always rather beastly to George" -- "I had to learn to think like a spy, leaving no trace" -- "The only Beatle glare ever caught on camera" -- "Well, that's it. I'm not a Beatle anymore" -- "The meditation buzz" -- "Please don't think I've gone off my rocket" -- "Don't upset the Hell's Angels" -- "He wanted so much to be a spiritual being" -- "That was minxy of George. He could be very minxy" -- "Beatle George's new pad--turrets and all" -- Part three. "Garbo speaks--Harrison is free" -- "I suppose he is still a person of considerable means" -- "I have to tell you, man, I'm in love with your wife" -- "By the grace of Krishna, you are one of the great men" -- "If people want their money back, they can have it" -- "Introducing George Harrison" -- "Maybe he thought God would just sort of let him off" -- "He was looking at potential debts of around €32 million" -- "Do you want to go on a yacht to the South Pacific and run away for ever?" -- "I'm being murdered in my own house" -- Epilogue: Plaudit from a prince
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  • 18
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    Boston : Academic Studies Press
    ISBN: 1644698943 , 9781644698945
    Language: English
    Pages: vi, 355 , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Studies in the history and sociology of music
    DDC: 306.484209479
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    Keywords: Since 1991 ; Music Social aspects ; History ; Music Political aspects ; History ; Communism and music ; Communism and music ; Manners and customs ; Music - Political aspects ; Music - Social aspects ; History ; Baltic States Social life and customs ; Baltic States History 1991- ; Baltic States ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics – Lithuania, Latvia, Poland, and Russia – at the end of the Cold War and in the early post-Communist period. Throughout the book, the contributors explore and conceptualize transnational musical collaboration and the diffusion of information, people, and ideas focusing on musical activity which shaped the moral and artistic outlook of several generations. The volume sheds light on the transformative power of politically and socially engaged music and offers a deeper understanding of the artistic potential of societies and its impact on social and political change.
    Note: Enthält Literaturangaben und ein Namenregister
    URL: Cover
    URL: Cover
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  • 19
    Language: German , English
    Pages: iii, 513 Seiten
    Additional Material: 1 CD-ROM
    Dissertation note: Dissertation Universität Rostock 2022
    DDC: 780
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    Keywords: Hochschulschrift ; Nordamerika ; Musikzeitschrift ; Biografie ; Musiker ; Weiblicher Fan ; Geschichte 1960-2017
    Abstract: Wie wird die geschlechtsspezifische Figur des Musik-Groupies in audiovisuellen Medien in Nordamerika erzählt und welche (Selbst-)Deutungen widersprechen ihrer dominanzkulturellen Erzählung? Welche Effekte hatte die Deutung als Groupie speziell für professionelle Akteurinnen der Rockmusik seit den 1960er-Jahren und wie gehen diese damit um? Ausgerichtet zwischen Kultur-, Medien- und Musikforschung wertet die Dissertation mit interpretativ-erzählanalytischen Verfahren und einem medienbiografischen Ansatz Filme, Autobiografien sowie Interviews mit Akteurinnen der Rockmusik aus.〈ger〉
    Note: GutachterInnen: Prof. Dr. Gesa Mackenthun (Universität Rostock, Institut für Anglistik/Amerikanistik), Prof. Dr. Elizabeth Prommer (Universität Rostock, Institut für Medienforschung), Apl. Prof. Dr. Rolf Großmann (Universität Lüneburg, Institut für Kultur und Ästhetik Digitaler Medien)
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  • 20
    ISBN: 9780374139940
    Language: English
    Pages: XVI, 458 Seiten , Illustrationen, Karten
    Edition: First edition
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    Keywords: J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Abstract: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Abstract: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Description / Table of Contents: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
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  • 21
    Book
    Book
    New York, NY : Abrams Press
    ISBN: 9781419747946
    Language: English
    Pages: X, 502 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Michael, George ; Michael, George / 1963-2016 ; Singers / Great Britain / Biography ; Gay men / Great Britain / Biography ; Rock musicians / Great Britain / Biography ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / LGBTQ+ ; Michael, George / 1963-2016 ; Gay men ; Rock musicians ; Singers ; Great Britain ; Singers / Biography ; Gay men / Biography ; Rock musicians / Biography ; Biography ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Michael, George 1963-2016
    Abstract: "The definitive biography of George Michael, offering an expansive look at the troubled life of the legendary singer, songwriter, and pop superstar" --
    Abstract: George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image--that of a hypermacho sex god--loomed large in the pop culture of his day. It also hid--for a time--the secret he fought against revealing: Michael was gay. Soon his obsession with fame would start to backfire. As one of the industry's most privileged yet tortured men began to self-destruct, the press showed little sympathy. George Michael: A Life explores the compelling story of a superstar whose struggles, as well as his songs, continue to touch fans all over the world. Acclaimed music biographer James Gavin traces Michael's metamorphosis from the shy and awkward Georgios Kyriacos Panayiotou into the swaggering, dominant half of the leading British pop duo of the 1980s Wham!; he then details Michael's sensational solo career and its subsequent unraveling. With deep analysis of the creative process behind Michael's albums, tours, and music videos, as well as interviews with hundreds of his friends and colleagues, George Michael: A Life is a probing, definitive portrait of a pop legend
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  • 22
    ISBN: 9781469667249 , 9781469667232
    Language: English
    Pages: 228 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Kooperation ; Musik ; Urheberrecht ; Jamaika ; Popular music / Jamaica / History and criticism ; Popular music / Social aspects / Jamaica / History ; Music trade / Jamaica ; Copyright / Music / Jamaica ; Music and race / Jamaica ; Musique populaire / Jamaïque / Histoire et critique ; Musique populaire / Aspect social / Jamaïque / Histoire ; Musique / Industrie / Jamaïque ; Droit d'auteur / Musique / Jamaïque ; Musique et race / Jamaïque ; Copyright / Music ; Music trade ; Popular music ; Popular music / Social aspects ; Jamaica ; Criticism, interpretation, etc ; History ; Jamaika ; Musik ; Kooperation ; Urheberrecht
    Abstract: "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--
    Description / Table of Contents: Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons
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  • 23
    ISBN: 9781419749698
    Language: English
    Pages: XII, 306 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42164092
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    Keywords: Houston, Whitney ; Houston, Whitney / https://isni.org/isni/000000011478617X ; African American women singers / United States / Biography ; African American singers / United States / Biography ; Singers / United States / Biography ; Chanteuses noires américaines / États-Unis / Biographies ; Chanteurs noirs américains / États-Unis / Biographies ; Chanteurs / États-Unis / Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts ; Houston, Whitney ; African American singers ; African American women singers ; United States ; African American women singers / Biography ; African American singers / Biography ; Biography ; Biography ; Biographies ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Houston, Whitney 1963-2012
    Abstract: "A candid exploration of the genius, shame, and celebrity of Whitney Houston a decade after her passing. On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn't We Almost Have It All is author Gerrick Kennedy's exploration of the duality of Whitney's life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney's life, her whole life, told with both grace and honesty. Long before that fateful day in 2012, Whitney split the world wide open with her voice. Hers was a once-in-a-generation talent forged in Newark, NJ, and blessed with the grace of the church and the wisdom of a long lineage of famous gospel singers.
    Abstract: She redefined 'The Star-Spangled Banner.' She became a box-office powerhouse, a queen of the pop charts, and an international superstar. But all the while, she was forced to rein in who she was amid constant accusations that her music wasn't Black enough, original enough, honest enough. Kennedy deftly peels back the layers of Whitney's complex story to get to the truth at the core of what drove her, what inspired her, and what haunted her. He pulls the narrative apart into the key elements that informed her life--growing up in the famed Drinkard family; the two romantic relationships that shaped the entirety of her adult life, with Robyn Crawford and Bobby Brown; her fraught relationship to her own Blackness and the ways in which she was judged by the Black community; her drug and alcohol addiction; and, finally, the shame that she carried in her heart, which informed every facet of her life.
    Abstract: Drawing on hundreds of sources, Kennedy takes readers back to a world in which someone like Whitney simply could not be, and explains in excruciating detail the ways in which her fame did not and could not protect her. In the time since her passing, the world and the way we view celebrity have changed dramatically. A sweeping look at Whitney's life, Didn't We Almost Have It All contextualizes her struggles against the backdrop of tabloid culture, audience consumption, mental health stigmas, and racial divisions in America. It explores exactly how and why we lost a beloved icon far too soon" --
    Description / Table of Contents: Didn't We Almost Have It All?: A Meditation on Loss and Memory -- Under His Eye, Blessed Be The Sound: Faith, Gospel, and the Almighty Power of Cissy Houston -- Home: Newark and the Black American Dreams That Birthed Whitney Houston -- Stuff That You Want, Thing That You Need: The Brilliance and Influence of Whitney's Voice -- My Lonely Heart Calls: On Sex, Desire, and Sexuality -- Miss America, The Beautiful: The Burden of the National Anthem and the Politics of Whitney's Blackness -- Bolder, Blacker, Badder: The Sisters with Voices That Transformed Whitney -- Tell The Truth And Shame The Devil: How Trauma, Shame, and Tabloid Culture Broke Whitney -- The Undoing Of Whitney Houston: Virtue, Vice, and a Requiem for Redemption -- Won't They Always Love You?: Reflections on Meaning and Legacy
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  • 24
    Book
    Book
    London ; New York ; Paris ; Sydney ; Copenhagen ; Berlin ; Madrid ; Tokyo : Omnibus Press
    ISBN: 9781913172664
    Language: English
    Pages: 259 Seiten, 16 Seiten ungezählte Bildtafeln , Illustrationen
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    Keywords: McGeoch, John ; Geschichte 1955-2004 ; Postpunk ; Gitarrist ; Rockmusiker ; Großbritannien ; McGeoch, John / 1955-2004 ; Guitarists / Great Britain / Biography ; Punk rock musicians / Great Britain / Biography ; Biographies ; Biografie ; Biografie ; McGeoch, John 1955-2004 ; Großbritannien ; Rockmusiker ; Gitarrist ; Postpunk ; Geschichte 1955-2004
    Abstract: "John McGeoch was the unsung hero of the post-punk era. Blazing a trail with some of Britain's biggest bands and most revered artists--Magazine, Siouxsie and the Banshees, The Armory Show and Public Image Ltd--John left an undeniable and indelible mark on music. The Light Pours Out of Me examines John's life and legacy, drawing on original interviews with the likes of Siouxsie Sioux, Howard Devoto, Johnny Marr, Billy Idol, John Frusciante, Keith Levene, Jonny Greenwood, Nick Launay, Ed O'Brien, Peter 'Hooky' Hook and many others. Illustrated with unseen photographs, this moving biography--authorised by the family--celebrates the remarkable guitarists who helped provide the soundtrack to a generation"--Dust jacket
    Description / Table of Contents: Forewords / Emily McGeoch, Malcolm Garrett, Dave Formula, Paul Morley, Johnny Marr -- Introduction / John McGeoch, taken from the fan information sheet, 'Secondhand daylight' -- Ian : childhood in Scotland and relocating to England -- Friends of mine : moving to Manchester to study fine art, and the first meeting with Howard Devoto -- Secondhand insight : the formation, rise and fall of Magazine -- Strange days : a brief flirtation with the emerging New Romantic movement courtesy of Visage -- Happy house : John leaves Magazine and joins up with Siouxsie and the Banshees -- Waiting for the floods : after his dismissal from the Banshees, John travels to Sweden before forming the post-punk 'supergroup', The Armoury Show -- Brave new world : John joins John Lyndon in Public Image Ltd -- Diamond : John as the family man, and starting up his own group, Pacific -- Heavens inside : John's later years and untimely death -- The anti-hero : tributes to John McGeoch from friends, family, contemporaries and admirers -- Afterword
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  • 25
    ISBN: 9783492071482 , 3492071481
    Language: German
    Pages: 462 Seiten , Illustrationen , 22 cm, 590 g
    Uniform Title: The stone age
    Parallel Title: Erscheint auch als Jones, Lesley-Ann The Stone Age
    DDC: 782.421660922
    RVK:
    Keywords: The Rolling Stones ; Biografie
    Note: Hier auch später erschienene, unveränderte Nachdrucke/Auflagen , Literaturverzeichnis: Seite [420]-422
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 26
    Language: Portuguese
    Series Statement: Uma história da escravidão no Brasil
    RVK:
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    Keywords: Geschichte ; Slavery History ; Slave trade History ; Antislavery movements History ; Slaves Emancipation ; History ; Afrikaner ; Sklaverei ; Sklavenhandel ; Brasilien ; Brasilien ; Sklaverei ; Geschichte
    Note: Alberto da Costa e Silva nur an Band 1 beteiligt , Includes bibliographical references and index
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  • 27
    ISBN: 9783867892100 , 3867892105
    Language: German
    Pages: 304 Seiten , Illustrationen , 22 cm x 17 cm
    DDC: 782.421660922
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    Keywords: City (Musical group : Germany) ; Rock musicians Biography ; Biografie ; Bildband ; Diskografie ; City ; Geschichte 1972-2022
    Abstract: ?Casablanca?, ?Der King vom Prenzlauer Berg?, ?Unter der Haut?, ?Glastraum?, ?Wand an Wand?, ?Amerika?, ?Flieg ich durch die Welt?, ?Tamara? und nicht zuletzt ?Am Fenster? IBM die Songs dieser Band lesen sich wie deutsche Rockgeschichte. Sie werden als Institution, Rocklegende und Kultband gehandelt. Die Rede ist von CITY, die 2022 ihren 50. Geburtstag feiern. 50 Jahre CITY IBMdas sind nicht nur über 15 Millionen verkaufte Tonträger und etwa 2500 Konzerte: CITY. Das Buch erzählt detailliert und sehr unterhaltsam die komplette Bandgeschichte IBMvon den Anfängen mit einem bulgarischen Sänger, der nach Schweden flüchtet, und dem Jahrhunderthit ?Am Fenster? über einen Rockpalast-Auftritt vor dem Mauerfall sowie Goldene Schallplatten in der BRD und Griechenland bis hin zum Kultalbum Casablanca und zu den Highlights der letzten Jahre. Toni Krahl, Fritz Puppel, Georgi Gogow und Manfred Hennig, die am 30. Dezember 2022 ihr allerletztes Konzert als CITY spielen, lassen fünf Rock-?n?-Roll-Dekaden Revue passieren und geben so manches Geheimnis preis. Zudem erinnern sie an den im Mai 2020 verstorbenen CITY-Schlagzeuger Klaus Selmke. Einmal wissen, dieses bleibt für immer ist Rockgeschichte pur IBM ein Muss nicht nur für CITY-Fans!
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 28
    ISBN: 9781526148988
    Language: English
    Pages: xiii, 295 Seiten , Illustrationen
    RVK:
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    Keywords: Strummer, Joe ; The Clash ; Soziale Funktion ; Punk Rock ; Politischer Protest ; Strummer, Joe / Criticism and interpretation ; Clash (Musical group) ; Punk rock music / Political aspects / Great Britain ; Punk rock music / History and criticism ; Biografie ; Biografie ; Biografie ; Strummer, Joe 1952-2002 ; The Clash ; Punk Rock ; Politischer Protest ; Soziale Funktion
    Abstract: "Joe Strummer was one of the twentieth century's iconic rock 'n' roll rebels. As frontperson, spokesperson and chief lyricist for The Clash, he played a major role in politicising a generation through some of the most powerful protest songs of the era, songs like 'White Riot', 'English Civil War' and 'London Calling'. At the heart of this protest was the struggle for social justice and equality. The punk rock politics of Joe Strummer examines Strummer's beliefs on a range of issues - including socialism, alienation, exploitation, multiculturalism and humanism - analysing their credibility, influence and impact, and asking where they came from and how they developed over time. Drawing on Strummer's lyrics, various interviews and bootleg recordings, as well as interviews with those he inspired, The punk rock politics of Joe Strummer takes the reader on a journey through the political influences and motivations that defined one of the UK's greatest punk icons." --
    Description / Table of Contents: Studying Strummer : issues and approach -- Perceptions of Strummer's politics -- Strummer's politics and philosophical perspectives -- Rebel rock and its ramifications -- Rocking against the rich -- Advocate not activist -- Straying from socialism -- Strummer's influence : secondary sources -- Follower testimony
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  • 29
    Online Resource
    Online Resource
    Wien : Hollitzer Wissenschaftsverlag
    ISBN: 9783990128114
    Language: German , English , Hebrew , Japanese
    Pages: 1 Online-Ressource (181 Seiten) , Illustrationen, Porträts, Notenbeispiele
    Parallel Title: Erscheint auch als Schwab, Andrea, 1958 - Jüdische Komponistinnen
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    Keywords: Electronic books ; Biografie ; Biografie ; Jüdin ; Komponistin ; Geschichte 1832-1992 ; Deutschland ; Österreich ; Komponistin ; Jüdin ; Geschichte 1832-1992
    Abstract: frontcover -- PRINT_Jüdische Komponistinnen LAYOUT.pdf -- backcover.
    Note: Vorwort auf englisch und deutsch , Text auf deutsch, Zusammenfassungen auf englisch, hebräisch und japanisch
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  • 30
    Online Resource
    Online Resource
    Oxford : Archaeopress publishing Ltd
    ISBN: 9781803271071
    Language: English
    Pages: 1 Online-Ressource (xvii, 144 Seiten) , Illustrationen, Karten
    Series Statement: Archaeopress Archaeology
    Parallel Title: Erscheint auch als Zeeuw, Hans de The Ottoman Tanbûr
    DDC: 787.8209
    RVK:
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    Keywords: Ṭanbūr History ; Ṭanbūr Construction ; History ; Folk music History and criticism ; Tanbur
    Abstract: Tanbūrs are long-necked lute-like instruments played in the art, Sufi, and folk musical traditions along the Silk Road and beyond. This book provides a detailed study of the history of the tanbūr, its role in Ottoman music, construction and playing technique
    Note: Also issued in print: 2022 , Includes bibliographical references, discography and index , Zielgruppe: Specialized
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  • 31
    ISBN: 9783990128107 , 3990128108
    Language: German , English , Hebrew , Japanese
    Pages: 181 Seiten , Illustrationen , 21.7 cm x 13.8 cm
    Parallel Title: Erscheint auch als
    DDC: 900
    RVK:
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    Keywords: Biografie ; Biografie ; Biografie
    Note: Literaturverzeichnis Seite 165-172 , Vorwort englisch und deutsch; Haupttexte deutsch mit englischer, hebräischer und japanischer Zusammenfassung
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  • 32
    Book
    Book
    New Haven, CT : Yale University Press
    ISBN: 9780300255317
    Language: English
    Pages: 273 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    DDC: 782.42164
    RVK:
    Keywords: Dylan, Bob ; Folksong ; USA ; Dylan, Bob / 1941- / Songs and music ; Folk music / United States / History and criticism ; MUSIC / Genres & Styles / Folk & Traditional ; Biografie ; Biografie ; Biografie ; Dylan, Bob 1941- ; USA ; Folksong
    Abstract: Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen.0 In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to "see myself in others." Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan's continuing presence and relevance through his empathy-his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan, but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own
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  • 33
    Book
    Book
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781666900880
    Language: English
    Pages: xx, 241 Seiten , Illustrationen, Karten, Notenbeispiele
    Series Statement: The Lexington series in historical ethnomusicology: deep soundings
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Rezeption ; Islam ; Ensemble ; Einflussnahme ; Hofmusik ; Malaysia ; Islamische Staaten ; Nobat ; Music / Southeast Asia / History and criticism ; Music / Political aspects / Southeast Asia / History ; Courts and courtiers / History ; Islam / Southeast Asia / History ; Courts and courtiers ; Islam ; Music ; Music / Political aspects ; Southeast Asia ; Criticism, interpretation, etc ; History ; Malaysia ; Islam ; Hofmusik ; Ensemble ; Einflussnahme ; Rezeption ; Islamische Staaten ; Geschichte
    Abstract: "The Malay Nobat: A History of Power, Acculturation, and Sovereignty explores the history and meaning of the nobat, its spread throughout the Muslim empire, and its emergence as a symbol of power and sovereignty, ultimately showing how existing nobat ensembles in Malaysia and Brunei are the last living legacy of the Mulism world"--
    Description / Table of Contents: Introduction -- Early Histories -- The Malay Nobat -- The Nobat in Early Malay Literature : A Lesson from Patani -- The Adat Aceh and 17th Century European Encounter -- From British Colonialism to Independence -- Conclusion
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  • 34
    Book
    Book
    New York, NY : Pegasus Books
    ISBN: 9781639362073
    Language: English
    Pages: 388 Seiten, 16 ungezählte Blätter Tafeln , Illustrationen, Porträts
    Edition: First Pegasus Books cloth edition
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: The Rolling Stones ; Geschichte 1962-2022 ; Rolling Stones ; Rolling Stones / History ; Rock musicians / England / Biography ; Rolling Stones ; Rock musicians ; England ; Biographies ; History ; Biographies ; Biografie ; Biografie ; The Rolling Stones ; Geschichte 1962-2022
    Abstract: "An acclaimed rock and roll journalist evokes the legacy of The Rolling Stones--iconic, granitic, commercially unstoppable as a collective; and fascinating, contradictory, and occasionally disturbing as individuals. As Lesley-Ann Jones writes, the Rolling Stones are 'still roaming the globe like rusty tanks without a war to go to. Jumping, jacking, flashing, posturing, these septuagenarian caricatures with faces that might have been microwaved but coming on like eternal thirty-year-olds.' On 12th July 1962, the Rollin' Stones performed their first-ever gig at London's Marquee jazz club. Down the line, a 'g' was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex, and drugs. Denounced as 'corruptors of youth' and 'messengers of the devil,' they created some of the most thrilling music ever recorded. Now their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones's new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock's ongoing reckoning...where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad, and often ugly, here are the Rolling Stones as never seen before"--
    Description / Table of Contents: Karma -- Joner -- Mick'n'keef -- Drum'n'bass -- Hustlers -- Heyday -- Reaction -- Marianne -- Anita -- Redlands -- Mouche -- Christopher Robin -- Altamont -- Exile -- Crisis -- Juggernaut -- Mandy -- Cliodhna -- Resonance -- So long -- Roots -- Out of timeline -- Stones women -- Chapter notes -- Quote, unquote -- Select bibliography -- Acknowledgements -- Index
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  • 35
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478018872 , 9781478016236
    Language: English
    Pages: xiv, 218 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Abstract: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Description / Table of Contents: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
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  • 36
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
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    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Cover
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  • 37
    Book
    Book
    Jefferson, North Carolina : McFarland & Company
    ISBN: 9781476687063
    Language: English
    Pages: ix, 257 Seiten
    DDC: 306.4/8420973
    RVK:
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    Keywords: Popular music Social aspects ; History ; Slurs History ; Music and language History ; Music and race History ; African Americans in popular culture ; African American comedians ; MUSIC / History & Criticism ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
    Abstract: The N-Word's Musical Contours -- Out of Music : The N-Word's Material, Environmental, and Social Contours -- John Lennon's N-Word Moment -- Interlude. Diverse Opinions -- Philosorock : John Lennon, Bob Dylan, and Other White Musicians Who Sing the N-Word -- Black Demystification, White Bewilderment : Transformation and Numbing in Black Comedy and Black Music -- Muhammad Ali, Rap, and That Word -- A Hip-Hop Icon -- A Sensible Rule : A Case Study -- Inviting Destruction Beyond the Music -- Conclusion. Welcome to the Conversation, Country Music.
    Abstract: "The minstrelsy play, song, and dance "Jump, Jim Crow" did more than enable blackface performers to spread racist stereotypes about Black Americans. This widespread antebellum-era cultural phenomenon was instrumental in normalizing the N-word across several aspects of American life. Material culture, sporting culture, consumer products, house-pets, carnival games and even geographic landmarks obtained the racial slur as a formal and informal appellation. Music, it is argued, was the catalyst for normalizing and disseminating those two ugly syllables throughout society, well beyond the environs of plantation and urban slavery. This weighty and engaging look at the English language's most explosive slur, described by scholars as the "atomic bomb" of bigoted words, traces the N-word's journey through various music genres and across generations. The author uses private letters, newspaper accounts, exclusive interviews and, most importantly, music lyrics from artists in the fields of minstrelsy, folk, country, ragtime, blues, jazz, rock 'n' roll and hip hop. The result is a reflective account of how the music industry has channeled linguistic and cultural movements across eras, resulting in changes to the slur's meaning and spelling"--
    Note: Includes bibliographical references and index
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  • 38
    ISBN: 9783957577788 , 3957577780
    Language: German
    Pages: 967 Seiten , Illustrationen, Karten
    Edition: Durchgesehene und erweiterte Neuausgabe, erste Auflage
    Uniform Title: L' Afrique fantôme
    DDC: 305.80072067
    RVK:
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    Keywords: Leiris, Michel ; Leiris, Michel ; Geschichte 1931-1933 ; Expedition ; Ethnologie ; Subsaharisches Afrika ; Afrika ; Hardback ; )Sewn ; )With dust jacket ; Reisen ; Ethnologie ; Afrika ; Kolonialismus ; Primitive Kunst ; 1117: Hardcover, Softcover / Belletristik/Briefe, Tagebücher ; Biografie ; Reisebericht ; Reisebericht 1931-1933 ; Biografie ; Reisebericht ; Reisebericht 1931-1933 ; Reisebericht 1931-1933 ; Leiris, Michel 1901-1990 ; Afrika ; Expedition ; Geschichte 1931-1933 ; Leiris, Michel 1901-1990 L' Afrique fantôme ; Subsaharisches Afrika ; Ethnologie ; Expedition
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  • 39
    Online Resource
    Online Resource
    Ithaca : Cornell University Press
    ISBN: 9781501759857
    Language: English
    Pages: 1 Online-Ressource (368 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.48428
    RVK:
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    Keywords: Geschichte 1870-1990 ; Musicians, Black Germany ; History ; 20th century ; Musicians, Black Austria ; History ; 20th century ; Musicians, Black Germany ; History ; 19th century ; Schwarze ; Musiker ; Österreich ; Deutschland ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
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  • 40
    ISBN: 9783861356554
    Language: German , Turkish
    Pages: 216 Seiten , Illustrationen
    Additional Material: 1 CD
    Additional Information: Beilage Baumann, Max Peter, 1944 - Feldforschungsaufnahmen der Reinhards (1955, 1956)
    Series Statement: Intercultural music studies 25
    Series Statement: Intercultural music studies
    DDC: 780.720922
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    Keywords: Bibliografie ; Biografie ; Bibliografie ; Biografie ; Bibliografie ; Biografie ; Reinhard, Kurt 1914-1979 ; Reinhard, Ursula 1915-2006 ; Türkei ; Musik ; Musikwissenschaftler
    Abstract: Kurt Reinhard ist einer der bedeutendsten Musikwissenschaftler und Ethnomusikologen, der die Notwendigkeit der transkulturellen Kommunikation frühzeitig erkannte und sich zusammen mit seiner Frau Ursula Reinhard tatkräftig für deren Verwirklichung einsetzte. Beide Leben belegen eindrucksvoll diesen Einsatz. Musikologische Feldforschungen in der Türkei (1955-1993) bildeten die Grundlage einer umfangreichen Sammlung von Quellenmaterialien zur Türkei. Darauf aufbauend entstanden einschlägige systematische und ethnomusikologische Studien, unter anderem zu Musikinstrumenten, zu âşık-Liedern, zur Roma-Musik, zur Geschichte der türkischen Volks- und Kunstmusik. Neben den Grundlagenforschungen und einschlägigen Studien war das Forscher-Ehepaar zugleich bestrebt, den deutsch-türkischen Kulturdialog zu fördern und die transkulturelle Verständigung zu verbessern. Der vorliegende Band bezweckt, das ethnomusikologische Wirken, die Lebensläufe und Bibliographien des Ehepaares Reinhard möglichst umfassend zu dokumentieren und die Verdienste um eine über fünfzigjährige Wirkungs- und Entwicklungsgeschichte, nach dem Zweiten Weltkrieg bis zur Jahrhundertwende, im Kontext der Vergleichenden Musikwissenschaft zu würdigen.
    Note: CD enthält: Feldforschungsaufnahmen der Reinhards aus den Jahren 1955 und 1956
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  • 41
    ISBN: 9781501759840
    Language: English
    Pages: xiii, 351 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Thurman, Kira Singing like Germans
    Parallel Title: Erscheint auch als Thurman, Kira Singing like Germans
    DDC: 306.4/8428
    RVK:
    Keywords: Musicians, Black History 20th century ; Musicians, Black History 20th century ; Musicians, Black History 19th century ; Musicians, Black History 19th century ; African American musicians History 20th century ; African American musicians History 20th century ; African American musicians History 19th century ; African American musicians History 19th century ; Music Social aspects ; History ; Music Social aspects ; History ; Music Political aspects ; History ; Music Political aspects ; History ; Music and race ; Deutschland ; Musiker ; Amerika ; Schwarze ; Geschichte 1870-1961 ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
    Abstract: How Beethoven Came to Black America -- African American Intellectual and Musical Migration to Central Europe, 1870-1914 -- The Sonic Color Line Belts the World : Constructing Race and Music in Central Europe, 1870-1914 -- Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign -- Singing Lieder, Hearing Race : Debating Blackness, Whiteness, and German Music in Interwar Central Europe -- "A Negro Who Sings German Lieder Jeopardizes German Culture" : Black Musicians under the Shadow of Nazism -- "And I Thought They Were A Decadent Race" : Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life -- Breaking with the Past : Race, Gender, and Opera after 1945 -- Singing in the Promised Land : Black Musicians in the German Democratic Republic -- Conclusion : "What Should a Negro Do with Beethoven?!".
    Abstract: "This book examines the history of Black musicians in Germany and Austria in the nineteenth and twentieth centuries"--
    Note: Includes bibliographical references and index
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  • 42
    ISBN: 9781479849697 , 9781479800360
    Language: English
    Pages: 1 Online-Ressource (247 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
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    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 43
    Online Resource
    Online Resource
    Hamburg : rowohlt e-Book
    ISBN: 9783644012493
    Language: German
    Pages: 1 Online-Ressource (209 ungezählte Seiten)
    Series Statement: rowohlts monographien
    Parallel Title: Erscheint auch als Posener, Alan, 1949 - Elvis Presley
    DDC: 782.42166/092
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    Keywords: Amerika Nord-Amerika ; USA ; Populäre Musik ; Biografie ; Presley, Elvis 1935-1977
    Note: "Das Bildmaterial der Printausgabe ist in diesem E-Book nicht enthalten."
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  • 44
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780815391784 , 9780815391777
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    Abstract: "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"--
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  • 45
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
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    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 46
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197531372
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.4216490941
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    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) ; Political aspects ; Great Britain ; History ; 21st century ; Rap (Music) ; Great Britain ; History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: 'Brithop' investigates rap music's politics in the 21st century United Kingdom. In it, the author argues that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially responding through rap to mainstream Britain's political discourses. The rappers in this volume critique the United Kingdom's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
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  • 47
    Online Resource
    Online Resource
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris | London : Bloomsbury Publishing
    ISBN: 9780755617913 , 9780755617906 , 9780755617890
    Language: English
    Pages: 1 Online-Ressource (284 Seiten)
    Edition: First edition
    Series Statement: Early and Medieval Islamic World
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9
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    Keywords: Geschichte 800-1400 ; Music Islamic countries ; History ; Musicians Islamic countries ; History ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."
    Note: Section I. Musical culture in the early Islamic courts. Chapter 1. Music and musicians ; Chapter 2. Musicianship and performance ; Chapter 3. Patronage -- Section II. Representations of musicianship and identity. Chapter 4. Literary performance of music and reading musical identity ; Chapter 5.Slavery and gender ; Chapter 6. Ethnos and gens -- Section III. Diversions of pleasure Chapter 7. Discomfort and censure ; Chapter 8. "Sama" and practice ; Chapter 9. The politics of listening
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 48
    ISBN: 9781541699571
    Language: English
    Pages: ix, 355 Seiten , Illustrationen
    Edition: First edition
    RVK:
    Keywords: Cash, Johnny Criticism and interpretation ; Cash, Johnny Political activity ; Cash, Johnny Political and social views ; Cash, Johnny ; Politisches Denken ; Country music Political aspects 20th century ; History
    Abstract: "Johnny Cash was an American icon, known for his level bass-baritone voice and somber demeanor, for huge hits like "Ring of Fire" and "I Walk the Line." He's one of the best-selling musicians of all time, and his crossover appeal earned him inductions into the Country Music, Gospel Music, and Rock and Roll Halls of Fame. But he was also the most prominent political artist in the United States, even if he wasn't recognized for it in his own lifetime, or since his death in 2003. Then and now, people have misread Cash's politics, usually accepting the idea of him as a "walking contradiction." Cash didn't fit into easy political categories-liberal or conservative, Red state or Blue state, hawk or dove. Like most people, Cash's politics were remarkably consistent in that they were based not on ideology or scripts-but on emotion, instinct, and identification. He supported Richard Nixon in his Vietnam War policies, while also seeming to stand up both for those asked to fight the war and for those who protested against it. Instead of choosing sides, Cash channeled an emotional discontent that bridged America's youth and the "silent majority." Foley traces the political evolution of the Man in Black as a prominent public citizen. Drawing on untapped archives and new research on social movements and grassroots activism, Citizen Cash offers a major reassessment of a legendary figure
    Note: Literaturangaben
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  • 49
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
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    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 50
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 51
    ISBN: 9783829609340 , 3829609345
    Language: German
    Pages: 278 Seiten , 54 Illustrationen , 24 cm x 16.5 cm
    Edition: Überarbeitete und erweiterte Ausgabe
    Uniform Title: The lizard king
    DDC: 782.42166092
    RVK:
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    Keywords: Morrison, Jim ; Biografie ; Biografie ; Morrison, Jim 1943-1971
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  • 52
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197548813
    Language: English
    Pages: 203 Seiten
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Arbeiterklasse ; Unterhaltungsmusik ; Rockmusik ; Rock 'n' Roll ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Rock music / Social aspects ; Working class / Attitudes ; 1900-1999 ; History ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: "We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they only wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world"--
    Description / Table of Contents: Introduction. Dream On -- Salt of the Earth -- Wrote A Song For Everyone -- Free For All -- Workin' Man Blues -- Swamp Music -- British Steel -- For Those About to Rock -- Youngstown -- One In a Million -- Conclusion. Subdivisions
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  • 53
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xv, 212 Seiten , Illustrationen , 24 cm (pbk.)
    Parallel Title: Erscheint auch als Williams, Justin A Brithop
    DDC: 782.42164909/41
    RVK:
    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"--
    Note: Includes bibliographical references and index
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  • 54
    ISBN: 9781479806768 , 9781479871032
    Language: English
    Pages: 247 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
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    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Schwarze ; Islam ; Jazz ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
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  • 55
    ISBN: 9783667121882 , 3667121881
    Language: German
    Pages: 520 Seiten , Illustrationen , 27 cm x 21 cm, 1 g
    Edition: 1. Auflage
    Uniform Title: Queen - La Totale
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    Keywords: Queen ; Geschichte ; Song ; freddie mercury ; bohemian rhapsody ; we are the champions ; queen songs ; hits der 80er ; queen alben ; hits der 70er ; queen album covers ; rockballaden ; queen bilder ; die besten hits aller zeiten ; kult band ; berühmte songs ; diskografie queen ; bildband musik ; band queen ; benoit clerc ; Biografie ; Verzeichnis ; Biografie ; Verzeichnis ; Biografie ; Verzeichnis ; Queen ; Song ; Geschichte ; Queen ; Song
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  • 56
    Image
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    Hamburg : Hamburger Edition
    ISBN: 9783868543520
    Language: German
    Pages: 227 Seiten
    Edition: 1. Auflage
    DDC: 320
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    Keywords: Fanon, Frantz ; Psychiater ; Dekolonisation ; Antikolonialismus ; Befreiung ; weiße Masken ; Verdammten dieser Erde ; Algerien ; Existentialismus ; Kolonialismus ; Gewalt ; de Beauvoir ; Rassismus ; Sartre ; Lanzmann ; Schwarze Haut ; Comic, Cartoon, Humor, Satire ; Biografie ; Comic ; Comic ; Comic ; Biografie ; Comic ; Comic ; Fanon, Frantz 1925-1961
    Abstract: Die von der französischen Kritik begeistert aufgenommene Graphic Novel bietet eine intellektuelle und politische Biografie Frantz Fanons. Sie ist ein so kluges wie originelles Buch über Rassismus, Kolonialismus, Gewalt, Gegengewalt und Befreiung.Rom, im August 1961: Simone de Beauvoir, Claude Lanzmann und Jean-Paul Sartre treffen sich zum ersten Mal mit Frantz Fanon. Während der folgenden drei Tage entwickeln sich in Restaurants, Cafés und auf Spaziergängen Gespräche zwischen vier der bedeutendsten intellektuellen Köpfe dieser Zeit.Frantz Fanon, Schriftsteller, Psychiater und Vordenker der Dekolonisation, erzählt aus seinem Leben und von seiner Arbeit: 1925 auf der Insel Martinique, einer französischen Kolonie, geboren, kämpfte er freiwillig im Zweiten Weltkrieg gegen das nationalsozialistische Deutschland, studierte in Lyon, arbeitete als Arzt und war schließlich für die Nationale Befreiungsfront in Algerien tätig. Zu seinem wichtigsten Buch, Die Verdammten dieser Erde, Analyse des Kolonialismus und Kampfschrift zugleich, verfasst Sartre im Jahr ihres Treffens das Vorwort.
    URL: Cover
    URL: Cover
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  • 57
    ISBN: 9780190917869 , 9780190917852
    Language: English
    Pages: xii, 283 Seiten , Illustrationen
    DDC: 306.090905
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    Keywords: The Beatles ; Geschichte 1960-2020 ; Fan ; Popular music / 1961-1970 / History and criticism ; Popular music / Social aspects / Great Britain / History / 20th century ; Influence (Literary, artistic, etc ; Music fans ; Popular music ; Popular music / Social aspects ; Beatles / Influence ; Beatles ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben
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  • 58
    ISBN: 9781498576208 , 9781498576222
    Language: English
    Pages: xiii, 283 Seiten , 24 x 16 cm
    Parallel Title: Erscheint auch als
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    Keywords: Musik ; Künstler ; Widerstand ; Literatur ; Provinz Ostkap ; Music / Social aspects / South Africa / Eastern Cape / History ; Oral tradition / Social aspects / South Africa / Eastern Cape / History ; Government, Resistance to / South Africa / Eastern Cape / History ; Xhosa (African people) / South Africa / Eastern Cape / Social conditions ; Eastern Cape (South Africa) / Social conditions / History ; Eastern Cape (South Africa) / Race relations / History ; Government, Resistance to ; Music / Social aspects ; Oral tradition / Social aspects ; Race relations ; Social conditions ; Xhosa (African people) / Social conditions ; South Africa / Eastern Cape ; History ; Provinz Ostkap ; Künstler ; Widerstand ; Musik ; Literatur
    Abstract: "Explores Eastern Cape performance artists, activists, and organizations that used inventive and historical means to protest and resist oppressive authorities and systems while exhibiting their unique culture. Michie analyzes music and oral poetry to study the region's role in the history of South African protest politics and creativity"--
    Description / Table of Contents: "We Create Our Own Language" -- "Unite Like a Ball of Scrapings": Early History to the 1850s -- "Turn Phalo's Land on Its Head": Late Nineteenth and Early Twentieth Centuries -- "You Sent Us the Light, We Sit in the Dark": 1920s-1940s -- "A Spirit That Could Not Be Broken": 1950s-1960s -- "A Land in Calamity's Shadow": 1970s-1980s -- "Our Bull Has Escaped from the Pound": 1990s to the Present
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  • 59
    ISBN: 9783487160542
    Language: German
    Pages: 464 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Mannheimer Manieren - musik + musikforschung Band 10
    Series Statement: Mannheimer Manieren - musik + musikforschung
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    Keywords: Valente, Caterina ; Lauth, Wolfgang ; Geschichte 1952-1960 ; Jazz ; Schlager ; Biografie ; Biografie ; Valente, Caterina 1931- ; Lauth, Wolfgang 1931-2011 ; Schlager ; Jazz ; Geschichte 1952-1960
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  • 60
    ISBN: 9783968691800
    Language: Spanish
    Pages: 1 Online-Ressource (292 Seiten) , Illustrationen
    Series Statement: Tiempo emulado 81
    Series Statement: Tiempo emulado. Historia de América y España 81
    Series Statement: Tiempo emulado
    Parallel Title: Erscheint auch als En compañía de salvajes
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    Keywords: Anthropology ; Assimilation (Sociology) ; Indigenous peoples Colonization ; History ; HISTORY / Latin America / General ; Spanien ; Geschichtsschreibung ; Kolonialismus
    Abstract: Frontmatter -- Índice -- Introducción -- Cuerpos mutilados y la otredad en la América indígena -- Indios principales, nobles hijosdalgo: traducción cultural y jerarquización social en la América colonial hispana -- El pasado prehispánico en el devenir de la identidad criolla novohispana: de Sigüenza y Góngora a Ordóñez y Aguiar (siglos xvii-xix) -- La estirpe de Cam Imagen e integración del indio en la fiesta virreinal -- El otro que ocultan los biombos mexicanos -- “Los otros” en los bandos de buen gobierno de ciudades de la América hispana durante la segunda mitad del siglo XVIII -- Ser mestizo en el Perú antes y después de la gran rebelión de Túpac Amaru II -- “No digáis que esta gente está dotada de entendimiento, porque no os lo he de creer”. La triple visión del otro en el DIÁLOGO DE LAS GRANDEZAS DE BRASIL de 1618 -- “¡Tetuán, Tetuán por España!” La visión literaria de la Guerra de África -- Sobre los autores
    Abstract: El libro presenta once trabajos sobre un debate historiográfico, el estudio de cómo se construyeron y asimilaron las diferencias humanas y culturales. Aunque concede una atención especial a América hasta el siglo XIX, integra otros espacios relacionados con la España colonial como Filipinas o Marruecos. La percepción del otro, comenzando por quién designa y es designado como otro, no es un tema nuevo en la historiografía, pero sigue vigente por su capacidad de integrar las visiones de dominadores y dominados, por su metodología interdisciplinar (representada en el libro por la colaboración de historiadores, historiadores del arte o antropólogos) y por la naturaleza universal de algunas de sus conclusiones, las cuales permiten relacionarlo con el presente. En resumen, una propuesta amplia e integradora que interroga al pasado sobre un tema definitorio del ser humano y que, por eso, nunca deja de ser actual. Quizás, si comprendemos los fenómenos de identidad y alteridad como construcciones culturales, podamos favorecer la formación de sociedades más respetuosas y pacíficas
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 61
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190917890
    Language: English
    Pages: 1 Online-Ressource (296 pages) , Illustrations (colour).
    Series Statement: Oxford scholarship online
    DDC: 782.421660922
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    Keywords: Beatles ; Beatles Influence ; The Beatles ; Geschichte 1960-2020 ; Fan ; Popular music History and criticism 1961-1970 ; Popular music Social aspects 20th century ; History ; Music fans ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This title offers an insightful look into the band's enduring appeal through fan responses, exploring how the Beatles have inspired such loyalty and multigenerational popularity.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 62
    ISBN: 9783150113233 , 3150113237
    Language: German
    Pages: 256 Seiten , Illustrationen , 21.5 cm x 13.5 cm
    Parallel Title: Erscheint auch als Black and Blue
    DDC: 780
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    Keywords: Biografie ; Biografie ; Biografie ; Armstrong, Louis 1901-1971 ; Jazzmusiker
    Note: Literaturverzeichnis: Seite 220-224 , Playlist: Seite 227-250
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  • 63
    ISBN: 9783828844414 , 3828844413
    Language: German
    Pages: 152 Seiten , Illustrationen , 21 cm x 14.8 cm
    Series Statement: Dresdner Schriften zur Musik Band 12
    Series Statement: Dresdner Schriften zur Musik
    Parallel Title: Erscheint auch als Jazz/Rock/Pop - Das Dresdner Modell
    DDC: 781.630711432142
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Hochschule für Musik Carl Maria von Weber Dresden ; Musikstudium ; Unterhaltungsmusik ; Geschichte ; Musikhochschule ; Dresden ; Jazz ; Rockmusik ; Popmusik ; Ehemaliger Schüler ; Biografie
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  • 64
    Book
    Book
    Berlin-Brandenburg : edition q im be.bra verlag
    ISBN: 9783861247449 , 3861247445
    Language: German
    Pages: 270 Seiten , Illustrationen , 19.5 cm x 13 cm
    DDC: 782.42092
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    Keywords: Biografie ; Biografie ; Autobiografie ; Maurenbrecher, Manfred 1950- ; Liedermacher ; Komponist ; Geschichte 1980-1990
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  • 65
    ISBN: 9780472038558
    Language: English
    Pages: XVII, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
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  • 66
    ISBN: 9783412523930 , 3412523933
    Language: German
    Pages: 468 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Fornoff-Petrowski, Christine, 1984 - Künstler-Ehe
    Parallel Title: Erscheint auch als Fornoff-Petrowski, Christine Künstler-Ehe
    Dissertation note: Dissertation Carl von Ossietzky Universität Oldenburg 2020
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    Keywords: Kinkel, Gottfried ; Schumann, Clara ; Music Social aspects 19th century ; History ; Musicians Public opinion ; Musicians' spouses Public opinion ; Artist couples Public opinion ; Bildnis ; Hochschulschrift ; Biografie ; Musiker ; Musikerin ; Ehepaar ; Bürgerliche Gesellschaft ; Geschlechterverhältnis ; Geschichte 1800-1899 ; Musiker ; Musikerin ; Ehepaar ; Geschichte 1800-1899 ; Künstler ; Ehepaar ; Geschichte 1800-1899
    Abstract: Auch zu Clara Schumann und Gottfried Kinkel
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  • 67
    ISBN: 9780571252497
    Language: English
    Pages: x, 604 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen, Karte, Porträts
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    Keywords: Wilson, Anthony H. ; Hacienda ; Factory Records ; Geschichte 1950-2007 ; Musikproduzent ; Moderator ; Musikjournalist ; Unternehmer ; Großbritannien ; Wilson, Tony / 1950-2007 ; Factory Records (Firm) / History ; Haçienda (Nightclub) / History ; Sound recording executives and producers / Great Britain / Biography ; Producteurs d'enregistrements sonores / Grande-Bretagne / Biographies ; Factory Records (Firm) ; Haçienda (Nightclub) ; Sound recording executives and producers ; Great Britain ; Biography ; History ; Biografie ; Biografie ; Biografie ; Wilson, Anthony H. 1950-2007 ; Großbritannien ; Musikproduzent ; Unternehmer ; Moderator ; Musikjournalist ; Factory Records ; Hacienda ; Geschichte 1950-2007
    Abstract: Tony Wilson is one of the most legendary music industry figures of his generation. Nicknamed Mr Manchester, he transformed the Northern music scene as founder of Factory Records and the Haçienda nightclub after earning a cult following as a television presenter. Working with legendary bands such as Joy Division, New Order, and the Happy Mondays, Wilson was at the very heart of the Manchester music phenomenon and regenerated the culture of an entire city. Celebrated music journalist Paul Morley knew Wilson personally, and is uniquely placed to tell the fascinating and intimate story of his life. He explores Wilson's existence through the eyes of those closest to him, and offers a rare insight into his own personal papers and diaries
    Description / Table of Contents: Before -- It happens -- After
    Note: "Written in 51 sections that prove how all dramatic truth contains fiction. , Includes index
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  • 68
    ISBN: 3964569534 , 9783964569530
    Language: Spanish
    Pages: 1 Online-Ressource (264 pages)
    Series Statement: La casa de la riqueza. Estudios de la cultura de España 53
    Parallel Title: Erscheint auch als Con el franquismo en el retrovisor
    DDC: 306
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    Keywords: Francoism History ; Democratization History ; Political culture History ; Francoism ; Political culture ; History ; Democratization ; Spain ; Aufsatzsammlung
    Abstract: Este libro examina el franquismo desde el retrovisor, estudiando la representación de la dictadura en las producciones culturales realizadas a partir de la transición democrática. El franquismo instauró profundas transformaciones políticas que definieron los modos de vida de los españoles durante este período. Las obras estudiadas en este volumen reflexionan sobre el impacto que la herencia del franquismo ha dejado en la sociedad española y se cuestionan sobre qué parte de este legado ha sido revertido por la democracia y qué parte permanece aún
    Note: Collected essays , Includes bibliographical references
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  • 69
    ISBN: 9781433169007
    Language: Spanish
    Pages: x, 290 Seiten
    Series Statement: Latin America vol. 36
    Series Statement: Latin America
    Parallel Title: Erscheint auch als Torres, Alexander, 1975 - Bastardos de la modernidad
    Dissertation note: Dissertation University of Florida 2017
    DDC: 863.64093557
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    Keywords: Rock music Social aspects 20th century ; History ; Bildungsromans, Spanish American History and criticism ; Music and literature ; Hochschulschrift ; Mexiko ; Kolumbien ; Argentinien ; Bildungsroman ; Rockmusik ; Geschichte 1966-2008
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  • 70
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367370237
    Language: English
    Pages: ix, 190 Seiten , Illustrationen
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Mridanga ; Mridanga / History ; Music / Religious aspects / Hinduism ; Music / India / Religious aspects ; Carnatic music / History and criticism ; Music and mythology / India ; Carnatic music ; Mridanga ; Music and mythology ; Music / Religious aspects ; Music / Religious aspects / Hinduism ; India ; Criticism, interpretation, etc ; History ; Mridanga ; Geschichte
    Abstract: "The book studies the evolution of the ancient drum mṛdaṅga into the pakhāvaj crossing more than two thousand years of history. While focusing on the Nathdwara school of pakhāvaj, the author, joins ethnographic, historical, religious and iconographic perspectives, to argue a multifaceted interpretation of the role and function of the pakhāvaj in royal courts, temples and contemporary stages; furthermore he offers the first analysis of the visual and narrative contents of its repertoire"--
    Description / Table of Contents: Introduction -- A drum between courts and temples -- The pakhāvaj in contemporary India -- Auspicious Drumming -- The drum of the King-God -- From mṛdaṅga to pakhāvaj -- The Nathdwara gharānā: playing the pakhāvaj for Nāthjī -- The repertoire -- The solo pakhāvaj recital
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  • 71
    ISBN: 9783492059879 , 9783492318433
    Language: German
    Pages: 425 Seiten , 20 Illustrationen
    Uniform Title: Wild thing
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    Keywords: Hendrix, Jimi ; Biografie ; Biografie ; Hendrix, Jimi 1942-1970
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  • 72
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226732244
    Language: English
    Pages: 1 Online-Ressource (vii, 313 Seiten) , Illustrationen, Karten
    Series Statement: Historical studies of urban America
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Sun Ra ; Geschichte 1946-1961 ; Afrofuturismus ; Chicago, Ill. ; Sun Ra ; African American musicians / Biography ; Afrofuturism ; Jazz / Illinois / Chicago / History and criticism ; South Side (Chicago, Ill.) / History / 20th century ; MUSIC / History & Criticism ; Sun Ra ; African American musicians ; Afrofuturism ; Jazz ; Illinois / Chicago ; 1900-1999 ; Biographies ; Criticism, interpretation, etc ; History ; Biografie ; Biografie ; Sun Ra Jazzmusiker 1914-1993 ; Chicago, Ill. ; Afrofuturismus ; Geschichte 1946-1961
    Abstract: "William T. Sites details the life of visionary musician Sun Ra in Chicago, from 1946 until 1961. Sun Ra's South Side was a site of unorthodox religious and cultural activism where Afrocentric philosophies flourished, storefront prophets sold "dream-book bibles," and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where styles circulated and mashed together in clubs and community dancehalls. Sun Ra drew from a vast array of intellectual sources (radical nationalism, antinomian Christianity, black mythology, and science fiction) and from multiple musical traditions (swing, jazz, blues, Latin dance music, "space-age pop," and other exotica) to promulgate visions of the city that did not conform to the orthodoxies of metropolitan elites, black or white"--
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 73
    ISBN: 9780190084080 , 9780190938284
    Language: English
    Pages: xiv, 321 Seiten , Illustrationen, Notenbeispiele
    Series Statement: The new cultural history of music series
    DDC: 306.4/8420943809048
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    Keywords: Music Political aspects 20th century ; History
    Note: Includes bibliographical references and index
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  • 74
    ISBN: 9791094926055
    Language: French
    Pages: 369 Seiten , Illustrationen
    Series Statement: Hors cadres. Memoires
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    Keywords: Key, Manu ; Rap ; Val-de-Marne ; Mafia K'1 Fry ; Rappeurs / France / Val-de-Marne (France) ; Jugendbuch ; Autobiografie ; Biografie ; Jugendbuch ; Autobiografie ; Biografie ; Key, Manu 1971- ; Val-de-Marne ; Rap
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  • 75
    Book
    Book
    Oetwil am See, Zürich : Edition Olms
    ISBN: 9783283012953
    Language: German
    Pages: 240 Seiten , Illustrationen , 23 cm x 15.5 cm
    DDC: 781.66092
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    Keywords: Biografie ; Starr, Ringo 1940-
    Abstract: Die definitive Biographie über die Rocklegende Ringo Starr: Ringo gilt vielen Rockfans als der gröt︢e Drummer der Rockgeschichte. Mit seinem Timing und einzigartigen Fills gab er den Beatles den Beat, sein Takt trieb John, Paul und George an. In Songs wie Don?t Pass me by, What Goes On, Octopus?s Garden oder With a Little Help from My Friends begeisterte er mit seiner unverkennbaren Stimme ein Weltpublikum. Mit seiner All-Starr-Band bringt Ringo Starr auch heute noch Konzertsäle auf allen Kontinenten zum Kochen. Und doch ist Ringos Leben das mit Abstand unbekannteste der Fab Four. Nicola Bardola porträtiert neu und facettenreich den Mann auch vor und nach seiner Zeit bei der berühmtesten Rock?n?Roll Band der Welt, der zudem nicht nur am Schlagzeug, sondern auch vor und hinter der Kamera Millionen von Fans bis heute begeistert. Diese Biografie berichtet über Hintergründe zu vielen Anekdoten in Ringos Leben, die kaum bekannt sind. Dazu zählen das dramatische Intermezzo 1964 mit Jimmie Nicol oder die rasche Entscheidung Ringos, mit Bob Dylan Dope zu rauchen und natürlich Ringos Privatbar ?The Flying Cow?. Ebenso die Hochzeit mit Mary (?Mo?) Cox und Ringos Verhältnis zu seinen Kindern. Es gab zeitweise Morddrohungen gegen Ringo, weshalb er bei Konzerten die Becken in senkrechter Position zum Selbstschutz anordnete. Ringos Solos in den ?Starr Times? und selbstverständlich seine Leidenschaft für Fingerringe - daher sein Künstlername. Ringos Karriere vor und nach den Beatles findet hier ebenso viel Beachtung wie seine Zeit als Schlagzeuger der berühmtesten Rockband der Welt. ?Peace and love? sind seine wohl meist ausgesprochenen Worte in diesem Jahrtausend, dazu die Finger zum Friedenszeichen gespreizt. Aber was verbirgt sich hinter Ringos entspanntem Grinsen? Und woher kommt seine beharrliche Friedenssehnsucht? Dies ist die weltweit erste umfassende Biografie über Ringo Starr, inklusive Diskographie und Filmographie. Die Gesamtschau zum achtzigsten Geburtstag am 7. Juli 2020 des lustigsten, aber unbekanntesten Beatle und achtfachen Grossvaters
    Note: Diskographie: Seite 232-235. - Literaturverzeichnis: Seite 237-238
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  • 76
    ISBN: 9781786607379
    Language: English
    Pages: viii, 212 Seiten
    Series Statement: Popular musics matter: social, political and cultural interventions
    Parallel Title: Erscheint auch als Bottà, Giacomo, 1974 - Deindustrialisation and Popular Music
    DDC: 781.66
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    Keywords: Popular music Social aspects ; History ; Punk rock music Social aspects ; History ; Post-punk music Social aspects ; History ; Deindustrialization ; Punk ; Postpunk ; Musikleben ; Manchester ; Düsseldorf ; Turin ; Tampere ; Europa ; Unterhaltungsmusik ; Deindustrialisierung
    Abstract: Introduction. Metal on Metal -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst : Music, Space and Place.
    Abstract: "The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods"--
    Note: Literaturverzeichnis: Seite 197-207
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  • 77
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190938314
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: The new cultural history of music
    Series Statement: Oxford scholarship online
    DDC: 306.48420943809048
    RVK:
    Keywords: NSZZ "Solidarność" ; Geschichte 1980-1990 ; Musik ; Politischer Protest ; Untergrund ; Music Political aspects 20th century ; History ; Polen ; Poland Politics and government 1980-1989
    Abstract: A vibrant study of music and protest that focuses on the Solidarity movement in 1980s Poland, 'Musical Solidarities' explores how and why sound mattered to the opposition to state socialism. Unfurling the rich soundscapes of political action at demonstrations, church services, meetings, and in detention, it offers a nuanced portrait of this pivotal decade of European and global history.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 78
    Book
    Book
    London : Reaktion Books
    ISBN: 9781789142303
    Language: English
    Pages: 248 Seiten , Illustrationen
    Series Statement: Reverb
    RVK:
    Keywords: The Kinks ; Geschichte 1965-1973 ; Biografie ; Biografie ; Biografie ; The Kinks ; Geschichte 1965-1973
    Note: Hier auch spätere, unveränderte Nachdrucke
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  • 79
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226732107 , 022673210X , 9780226732077 , 022673207X
    Language: English
    Pages: 313 Seiten , Illustrationen, Notenbeispiele, Karten , 23 cm
    Series Statement: Historical studies of urban America
    DDC: 781.65092
    RVK:
    Keywords: Sun Ra ; Sun Ra ; Geschichte 1946-1961 ; Afrofuturismus ; African American musicians Biography ; Afrofuturism ; Jazz History and criticism ; Chicago, Ill. ; South Side (Chicago, Ill History 20th century ; Biografie ; Biografie ; Biografie ; Biografie
    Abstract: Urban routes, utopian pathways -- Birmingham. Downtown sounds ; Industrial school to territory band -- Leadership dreams -- Chicago. South Side music scene ; "Sound so loud it will wake up the dead" ; Utopian Chicago ; African space ; Wonder Inn, 1960 -- Lineages/legacies
    Abstract: "William T. Sites details the life of visionary musician Sun Ra in Chicago, from 1946 until 1961. Sun Ra's South Side was a site of unorthodox religious and cultural activism where Afrocentric philosophies flourished, storefront prophets sold "dream-book bibles," and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where styles circulated and mashed together in clubs and community dancehalls. Sun Ra drew from a vast array of intellectual sources (radical nationalism, antinomian Christianity, black mythology, and science fiction) and from multiple musical traditions (swing, jazz, blues, Latin dance music, "space-age pop," and other exotica) to promulgate visions of the city that did not conform to the orthodoxies of metropolitan elites, black or white
    Note: Literaturangaben
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  • 80
    Book
    Book
    New York, NY : Harper Design, an imprint of Harper Collins Publishers
    ISBN: 9780062914705
    Language: English
    Pages: 256 Seiten
    RVK:
    Keywords: Geschichte 1940-1960 ; Musiklokal ; Musikleben ; Jazz ; USA ; Jazz / United States / 1931-1940 ; Jazz / United States / 1941-1950 ; Nightclubs / United States / History / 20th century ; Jazz musicians / Interviews ; Jazz / Social aspects ; Jazz ; Jazz musicians ; Jazz / Social aspects ; Nightclubs ; United States ; 1900-1999 ; History ; Interviews ; Bildband ; Bildband ; Bildband ; USA ; Jazz ; Musiklokal ; Musikleben ; Geschichte 1940-1960
    Abstract: "Sittin' in brings to public view for the first time a rare collection of more than two hundred souvenir photographs and memorabilia from the most renowned jazz nightclubs in America in the 1940s and 1950s. In an era of segregation and Jim Crow laws, jazz nightclubs across the country were among the first places where Black and white people mixed in audiences and onstage. These remarkable images, detailed histories of each club, and first-person testimonies from those who performed and visited these seminal venues are your ticket inside an extraordinary world that gave root to change and greater personal expression, both musically and socially."--Back cover
    Description / Table of Contents: The East Coast. New York City ; Atlantic City ; Washington D.C. ; Boston -- The Midwest. Cleveland ; Detroit ; Chicago ; Kansas City ; St. Louis -- The West Coast. Los Angeles ; San Francisco
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  • 81
    ISBN: 9781787602311
    Language: English
    Pages: 348 Seiten , 16 ungezählte Seiten Tafeln , Illustrationen, Portraits
    RVK:
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    Keywords: Geschichte 1955-1970 ; Unterhaltungsmusiker ; Homosexualität ; LGBT ; Musikbranche ; Großbritannien ; lesbian/gay/bisexual,transgender/transsexual plus studies ; History of music & musical styles ; Musical criticism & theory ; Gay musicians / Great Britain ; Rock music / Great Britain / History / 20th century ; Popular music / Social aspects / Great Britain ; Nineteen sixties ; Great Britain / Social conditions / 1945- ; Gay musicians ; Nineteen sixties ; Popular music / Social aspects ; Rock music ; Social conditions ; Great Britain ; Since 1900 ; History ; Großbritannien ; Unterhaltungsmusiker ; Musikbranche ; LGBT ; Homosexualität ; Geschichte 1955-1970
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  • 82
    Book
    Book
    Lanham, Maryland ; Boulder ; New York : London : Rowman & Littlefield Publishing Group
    ISBN: 9781538116326
    Language: English
    Pages: XXV, 233 Seiten
    Parallel Title: Online version Hip hop en français
    RVK:
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    Keywords: Geschichte 1990-2020 ; Musikleben ; Hip-Hop ; Soziale Identität ; Rap ; Französisches Sprachgebiet ; Rap (Music) / France / History and criticism ; Rap (Music) / French-speaking countries / History and criticism ; Hip-hop / France / History ; Hip-hop / French-speaking countries / History ; Hip-hop ; Rap (Music) ; France ; French-speaking countries ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Criticism, interpretation, etc ; History ; Französisches Sprachgebiet ; Hip-Hop ; Rap ; Musikleben ; Soziale Identität ; Geschichte 1990-2020
    Abstract: "This edited volume presents an overview of the emergence and development of hip-hop culture in France, French Caribbean, Canada, and Francophone Africa from its origins until today. Contributors discuss the artists' interactions with media arts, social media, literature, race, political landscapes, as well as hip-hop based education"--
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  • 83
    Book
    Book
    London : Routledge, Taylor and Francis Group
    ISBN: 9780367322052
    Language: English
    Pages: VI, 126 Seiten , Illustrationen, Faksimile , 22 cm
    Series Statement: Royal Musical Association monographs 35
    Parallel Title: Erscheint auch als
    DDC: 306.48420942109034
    RVK:
    Keywords: Giardini, Felice ; Music Social aspects 18th century ; History ; Music Economic aspects 18th century ; History ; Music publishing History 18th century ; Musicians History 18th century ; Giardini, Felice 1716-1796 ; Musikleben ; Musikverlag ; Musikwirtschaft ; London ; Geschichte 1750-1760
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  • 84
    ISBN: 9782368020135
    Language: French
    Pages: 115 Seiten , Illustrationen , 21 cm
    Series Statement: Le puzzle français
    DDC: 305
    RVK:
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    Keywords: Geschichte 1800-2020 ; Berühmte Persönlichkeit ; Einwanderer ; Rumänen ; Frankreich ; Moldawien ; Biografie ; Biografie ; Biografie ; Biografie ; Wörterbuch
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  • 85
    ISBN: 9780253050267 , 9780253050250
    Language: English
    Pages: xii, 303 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Music in world war II
    DDC: 780.9/04
    RVK:
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    Keywords: World War, 1939-1945 Music and the war ; Music History and criticism 20th century ; Music History and criticism 20th century ; Popular music History and criticism 1941-1950 ; Popular music History and criticism 1931-1940 ; Music Political aspects 20th century ; History ; Zweiter Weltkrieg ; Musik ; Unterhaltungsmusik ; Europa ; USA ; Aufgabensammlung ; Europa ; USA ; Zweiter Weltkrieg ; Musikleben ; Musikpolitik ; Musikpolitik ; Weltgesellschaft ; Zweiter Weltkrieg ; Kulturelle Einrichtung ; Sound ; Musik ; Geschichte
    Abstract: "How can music withstand the death and destruction brought on by war? Global conflicts of the 20th century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. Music in World War II explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war's musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of "war music" in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, examining how music in these environments played a crucial role in maintaining ties to an idealized "home" and constructing politicized notions of national and ethnic identity. This fascinating and well-constructed volume of essays builds understanding of the role and importance of music during periods of conflict and highlights the unique aspects of music during World War II"--
    Note: Literaturverzeichnis: Seiten 275-287
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  • 86
    Book
    Book
    Ditzingen : Reclam
    ISBN: 9783150112144 , 3150112141
    Language: German
    Pages: 272 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 22 cm
    Edition: 2., durchgesehene Auflage
    Parallel Title: Erscheint auch als
    DDC: 782.42166092
    RVK:
    Keywords: Clapton, Eric ; Slowhand ; Alter ; Altersweisheit ; Blues ; Birmingham ; The Yardbirds ; John Mayall and The Bluesbreakers ; Crossroads ; Cream ; MTV unplugged ; Tears in Heaven ; Layla ; Blind Faith ; Stratocaster ; Guitarhero ; Biografie ; Clapton, Eric 1945-
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  • 87
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781108776233
    Language: English
    Pages: 1 Online-Ressource (346 Seiten)
    Edition: First published
    Series Statement: New Studies in European History
    Parallel Title: Erscheint auch als
    DDC: 781.650943/1
    RVK:
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    Keywords: Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Electronic books ; Electronic books ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik
    Abstract: Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.
    Note: Description based on publisher supplied metadata and other sources
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  • 88
    ISBN: 9781472121097 , 9781472121080
    Language: English
    Pages: xxiii, 855 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen, Portraits
    RVK:
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    Keywords: McLaren, Malcolm ; Geschichte 1946-2010 ; Musikmanager ; Musiker ; Künstler ; Großbritannien ; McLaren, Malcolm / 1946-2010 ; Sound recording executives and producers / Great Britain / Biography ; Musicians / Great Britain / Biography ; Biographies ; Biografie ; Biografie ; Biografie ; McLaren, Malcolm 1946-2010 ; Großbritannien ; Musiker ; Künstler ; Musikmanager ; Geschichte 1946-2010
    Abstract: Malcolm McLaren was one of the most culturally significant but misunderstood figures of the modern era. Ten years after his life was cruelly cut short by cancer, The Life & Times of Malcolm McLaren sheds fascinating new light on the public achievements and private life of this cultural iconoclast and architect of punk, whose championing of street culture movements including hip-hop and Voguing reverberates to this day. With exclusive contributions from friends and intimates and access to private papers and family documents, this biography uncovers the true story behind this complicated figure. McLaren first achieved public prominence as a rebellious art student by making the news in 1966 after being arrested for burning the US flag in front of the American Embassy in London. He maintained this incendiary reputation by fast-tracking vanguard and left-field ideas to the centre of the media glare, via his creation and stewardship of the Sex Pistols and work with Adam Ant, Boy George and Bow Wow Wow. Meanwhile McLaren's ground-breaking design partnership with Vivienne Westwood and his creation of their visionary series of boutiques in the 1970s and early '80s sent shockwaves through the fashion industry. The Life & Times of Malcolm McLaren also essays McLaren's exasperating Hollywood years when he broke bread with the likes of Steven Spielberg though his slate of projects, which included the controversial Surf Nazis Must Die and Wilde West, in which Oscar Wilde introduced rock'n'roll to the American mid-west in the 1880s, proved too rich for the play-it-safe film business. With a preface by Alan Moore, who collaborated with McLaren on the unrealised film project Fashion Beast, and an essay by Lou Stoppard casting a twenty-first-century perspective over his achievements, The Life & Times Of Malcolm McLaren is the explosive and definitive account of the man dubbed by Melvyn Bragg 'the Diaghilev of punk'
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  • 89
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781108477246
    Language: English
    Pages: xviii, 365 Seiten , 10 Illustrationen , 26 cm
    Parallel Title: Online version Collins, Marcus, 1971- The Beatles and sixties Britain
    DDC: 782.42166092/2
    RVK:
    Keywords: The Beatles ; Geschichte 1960-1970 ; Politik ; Soziokultur ; Großbritannien ; Beatles ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Beatles ; Nineteen sixties ; Popular music ; Popular music / Social aspects ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Abstract: "This book seeks to understand what the Beatles meant to people in 1960s Britain. It argues that they were iconic, divisive, atypical and prefigurative: themes introduced and illustrated in the preface using contemporary cartoons. Their depiction as icons in the 1964 Daily Mail cartoon contrasted starkly with their first appearance in a Fleet Street cartoon twelve months previously, when theirs was one of a barrage of British records raining down on the Kremlin in a display of soft power. They received minor billing in February 1963 compared to Susan Maughan, Helen Shapiro, Cliff Richard, Adam Faith, Marty Wilde and the Tornados, as befitted a band whose second single (Please Please Me) was competing for the number one spot with Frank Ifield's The Wayward Wind (1963). Over the following year, they achieved what commentators agreed to be an unprecedented celebrity"--
    Description / Table of Contents: The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
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  • 90
    Book
    Book
    Regensburg : ConBrio Verlagsgesellschaft
    ISBN: 9783940768872
    Language: German
    Pages: 254 Seiten , Illustrationen
    Series Statement: Neue Wege - nové cesty Band 17
    Series Statement: Neue Wege - nové cesty
    Dissertation note: Dissertation Martin-Luther-Universität Halle-Wittenberg 2018
    RVK:
    Keywords: Brosch, Albert ; Sammlung ; Volkslied ; Sudetenland ; Franken ; Altbayern ; Biografie ; Hochschulschrift ; Biografie ; Hochschulschrift ; Biografie ; Hochschulschrift ; Biografie ; Hochschulschrift ; Biografie ; Hochschulschrift ; Brosch, Albert 1886-1970 ; Franken ; Altbayern ; Sudetenland ; Volkslied ; Sammlung
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  • 91
    Image
    Image
    Sheffield, South Yorkshire ; Bristol, CT : Equinox Publishing
    ISBN: 9781781796450 , 9781781796443
    Language: English
    Pages: XVI, 339 Seiten , Illustrationen , 24 cm
    Series Statement: Transcultural music studies
    Parallel Title: Online version Paor-Evans, Adam de, author Provincial headz
    RVK:
    Keywords: Geschichte ; Hip-Hop ; Regionalismus ; Rap ; Großbritannien ; Rap (Music) / Great Britain / History and criticism ; Hip-hop / Great Britain / History / 20th century ; Hip-hop ; Rap (Music) ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; Hip-Hop ; Rap ; Regionalismus ; Geschichte
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  • 92
    ISBN: 978-3-8376-5285-7
    Language: German
    Pages: 427 Seiten : , Illustrationen, Notenbeispiele ; , 24 cm x 15.5 cm, 741 g.
    Series Statement: Histoire Band 180
    Series Statement: Histoire
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Max-Planck-Institut für Bildungsforschung Berlin
    DDC: 303.3209431
    RVK:
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    Keywords: Geschichte 1945-1973 ; Jugend. ; Musikleben. ; Gefühl. ; Sozialistische Lebensweise. ; Politische Sozialisation. ; Jugendpolitik. ; Deutschland ; Zukunftsforschung ; Lieder ; Singen ; Fühlen ; Gefühl ; Jugend ; Musik ; Emotion ; Freie Deutsche Jugend ; Sowjetische Besatzungszone ; Bundesrepublik Deutschland ; Jugenderziehung ; Jugendpolitik ; Gefühlserziehung ; Herrschaft ; Macht ; Regime ; Kulturgeschichte ; Bildung ; Biopolitik ; Deutsche Geschichte ; Emotionsgeschichte ; Zeitgeschichte ; Geschichte des 20. Jahrhunderts ; Geschichtswissenschaft ; German History After 1945 ; Foresight ; Songs ; Singing ; Feel ; Youth ; Music ; Free German Youth ; Federal Republic of Germany ; Youth Education ; Youth Policy ; Power Relations ; Power ; Regimes ; Cultural History ; Education ; Biopolitics ; German History ; History of Emotions ; Contemporary History ; History of the 20th Century ; History ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jugend ; Musikleben ; Gefühl ; Sozialistische Lebensweise ; Politische Sozialisation ; Jugendpolitik ; Geschichte 1945-1973
    URL: Cover
    URL: Cover
    URL: Cover
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  • 93
    Book
    Book
    Fürth : starfruit | Wien : VfmK Verlag für moderne Kunst GmbH
    ISBN: 9783922895404 , 3922895409
    Language: German , English
    Pages: 381 Seiten , Illustrationen , 22 cm
    RVK:
    RVK:
    Keywords: Coyne, Kevin Exhibitions ; Exhibition catalogs ; Biografie ; Ausstellungskatalog Kunsthaus im KunstKulturQuartier 26.09.2020-22.11.2020 ; Coyne, Kevin 1944-2004 ; Acrylmalerei ; Zeichnung ; Geschichte
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  • 94
    ISBN: 9781478007906 , 9781478008361
    Language: English
    Pages: xiv, 245 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Parallel Title: Erscheint auch als Hemmasi, Farzaneh, 1975- Tehrangeles dreaming
    DDC: 781.63089915507949
    RVK:
    Keywords: Popmusik ; Iranier ; Iranischer Einwanderer ; Los Angeles, Calif. ; Iranians / California / Los Angeles / Music ; Popular music / California / Los Angeles / History and criticism ; Iranians / California / Los Angeles / Ethnic identity ; Iranian diaspora ; Popular music / Iran / History and criticism ; Music / Political aspects / Iran / History / 20th century ; Iranian diaspora ; Iranians / Ethnic identity ; Music / Political aspects ; Popular music ; California / Los Angeles ; Iran ; 1900-1999 ; Criticism, interpretation, etc ; History ; Los Angeles, Calif. ; Iranischer Einwanderer ; Iranier ; Popmusik
    Abstract: "Tehrangeles, a name that combines Tehran and Los Angeles, is the home of an extensive Iranian expatriate culture industry. The music and popular culture created in Tehrangeles is broadcast by satellite television around the globe and has been immensely popular in Iran and throughout the Iranian diaspora. In TEHRANGELES DREAMING, Farzaneh Hemmasi traces the sources of the music's popularity, showing the ways it is unquestionably Iranian yet able to express ideas and affects not possible within the country itself. The attachment to homeland comes through the Iranian rhythms, but the music frequently features female solo singers or dancers, which are forbidden within the Iranian state. At the same time the music is associated with stereotypes of rich emigres and Southern California, and thus dismissed by others. The music is unabashedly pop and generally apolitical, which Hemmasi shows to be the source of its politics.
    Abstract: The introduction sets up the argument and tells the story of the growth of the industry and the Los Angeles Iranian community in the context of post-revolutionary Iran. Chapter 2 describes the origins of Tehrangeles dance pop and its use of the six/eight time signature, a traditional Iranian dance rhythm long-associated with intimacy. Hemmasi argues that the practices and attitudes around six/eight time establish a sense of common sociality among cultural insiders but are also a sometime source of embarrassment. Chapter 3 focuses on expatriate narratives of Iranian popular music history. Hemmasi provides three views on the history of Iranian popular music prior to the revolution from four men involved with the music business since the 1950s and 1960s. Chapter 4 is about homeland, and the desire to return to the homeland of Iran through music and the reinvention of culture.
    Abstract: Cultural producers in Tehrangeles operate within multiple moral, legal, and transnational regimes that they often only partially predict or comprehend. Chapters 5 and 6 focus on two expatriate musical celebrities who have claimed to reach and represent the nation from afar: Googoosh, who is a popular female singer; and Dariush Eghbali, who is an activist whose music and media exist in the space between political and personal transformation. The book concludes with a chapter on the changes that have occurred in Iran since the Iranian Revolution and the establishment of expatriate industries in Southern California, affirming the dreaming space of music, creation, and negotiation of both expatriates and people living in Iran. This book will be of interest to scholars in ethnomusicology, transnational media studies, Middle Eastern studies, and cultural studies"--
    Description / Table of Contents: Introduction -- The Capital of 6/8 -- Iranian popular music and history: Views from Tehrangeles -- Expatriate erotics, homeland moralities -- Iran as a singing woman -- A nation in recovery -- Conclusion: Forty years
    Note: Includes bibliographical references and index
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  • 95
    Online Resource
    Online Resource
    New York : Cambridge University Press
    ISBN: 9781108645638 , 9781108486187 , 9781108731928
    Language: English
    Pages: 1 online resource (xxviii, 315 pages) , digital, PDF file(s).
    Series Statement: New studies in European history
    Parallel Title: Erscheint auch als Kaldewey, Helma, 1962 - A people's music
    DDC: 781.650943/1
    RVK:
    RVK:
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    Keywords: Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Jazz ; Germany ; 20th century ; History and criticism ; Music and state ; Germany ; History ; 20th century ; Jazz ; Political aspects ; Germany ; History ; 20th century ; Jazz ; Social aspects ; Germany ; History ; 20th century ; Jazz ; Germany (East) ; History and criticism ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1945-1990
    Abstract: A People's Music presents the first full history of jazz in East Germany, drawing on new and previously unexamined sources and vivid eyewitness accounts. Helma Kaldewey chronicles the experiences of jazz musicians, fans, and advocates, and charts the numerous policies state socialism issued to manage this dynamic art form. Offering a radical revision of scholarly views of jazz as a musical genre of dissent, this vivid and authoritative study marks developments in the production, performance, and reception of jazz decade by decade, from the GDR's beginning in the 1940s to its end in 1990, examining how members of the jazz scene were engaged with (and were sometimes complicit with) state officials and agencies throughout the Cold War. From postwar rebuilding, to Stalinism and partition, to détente, Ostpolitik, and glasnost, and finally to its acceptance as a national art form, Kaldewey reveals just how many lives jazz has lived.
    Note: Title from publisher's bibliographic system (viewed on 18 Dec 2019)
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  • 96
    ISBN: 9783222150463 , 322215046X
    Language: German
    Pages: 253 Seiten , Illustrationen , 22.5 cm x 15.5 cm
    DDC: 792.8028092
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    Keywords: Baker, Josephine ; Bühnenstars der Geschichte ; historische Stars ; Tanz-Ikonen ; afro-amerikansche Celebrities ; Superstar-Ikonen ; Biografie ; Biografie ; Biografie ; Biografie ; Biografie ; Biografie ; Baker, Josephine 1906-1975
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  • 97
    ISBN: 9783854456773 , 3854456778
    Language: German
    Pages: 223 Seiten , Illustrationen , 27.6 cm x 23.5 cm
    Edition: Deutsche Erstausgabe
    Uniform Title: Hendrix
    DDC: 782.42166092
    RVK:
    Keywords: Hendrix, Jimi ; Biografie ; Hendrix, Jimi 1942-1970
    Abstract: Die Musikjournalistin G. Gaar (u.a. "Bruce Springsteen") bietet in diesem ausgezeichneten Text-Bild-Band einen Überblick über Leben und Werk des "besten Gitarristen aller Zeiten". Nur ungefähr vier Jahre stand J. Hendrix im Scheinwerferlicht, aber auch 50 Jahre später beeinflusst er unzählige Musiker. In sieben Kapitel beschreibt die Autorin die schwierige Kindheit, seine ersten musikalischen Gehversuche als Begleitmusiker, seinen kometenhaften Aufstieg mit der "Jimi Hendrix Experience" bis zu seinem frühen Tod im Jahre 1970. Natürlich werden seine Drogenprobleme und Frauengeschichten dokumentiert, aber im Mittelpunkt stehen die musikalische Entwicklung, die legendären Konzerte und die Entstehungsgeschichte der einzelnen Alben. Im Anhang finden sich eine Liste der Liveauftritte und eine ausgewählte Diskografie. Hervorzuheben sind die wunderbaren Fotos und Abbildungen. Klar vor C. Jucha: "Der ultimative Jimi Hendrix Guide" empfohlen. Noch mehr über Hendrix Musik findet man bei P. Margotin: "Jimi Hendrix - Alle Songs"
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  • 98
    Online Resource
    Online Resource
    New York : Bloomsbury Academic | London : Bloomsbury Publishing
    ISBN: 9781501330209 , 9781501330193
    Language: English
    Pages: 1 Online-Ressource (xv, 178 pages) , illustrations
    Series Statement: 33 1/3 Japan
    Parallel Title: Erscheint auch als Roberts, Martin Cornelius's Fantasma
    DDC: 781.63
    RVK:
    Keywords: Cornelius ; Popular music History and criticism 1991-2000 ; Electronic books ; Biografie ; Biografie ; Electronic books ; Biografie ; Japan ; Popmusiker ; Musikalbum ; Geschichte 1997 ; Volkstümliche Musik ; Unterhaltungsmusik ; Geschichte 1997 ; Cornelius 1969-
    Abstract: "In Tokyo in the early 1990s, an indie band called Flipper's Guitar was at the forefront of a new wave in Japanese popular music known as Shibuya-kei. The band's founder, Keigo Oyamada, would go on to produce, under the name Cornelius, a series of albums that are among the most innovative in Japanese popular music of the past two decades. Oyamada's third album under his Cornelius alter-ego, Fantasma (1997), played a key role in putting J-pop on the world map for Western music fans, and Oyamada himself is today one of the most respected figures in the Japanese music industry. This book tells the story of Fantasma's emergence from the Shibuya-kei scene and considers the wider impact of Oyamada's work both internationally and on Japanese popular music today. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more"--Bloomsbury Collections
    Abstract: Dedication -- Epigraph -- Note on Transliterations and Japanese Names -- Preface: White Rabbit -- Chapter 1. From Nakameguro to Everywhere -- Chapter 2. Magic Kingdom -- Chapter 3. Ape Shall Not Kill Ape -- Chapter 4. Mutations -- Chapter 5. Pet Sounds -- Chapter 6. Merrie Melodies -- Chapter 7. Three-Dimensional Music -- Chapter 8. Analog Afterlives -- Chapter 9. Double Fantasy -- Notes -- Bibliography -- Permissions -- Index.
    Note: Includes bibliographical references and index
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  • 99
    ISBN: 9781474607407
    Language: English
    Pages: 326 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Popular music / Great Britain ; Cities and towns / Great Britain / History ; Musical landmarks / Great Britain ; Cities and towns ; Musical landmarks ; Popular music ; Great Britain ; History
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  • 100
    ISBN: 9783841907011
    Language: German
    Pages: 221 Seiten , Illustrationen , 24.5 cm x 20.5 cm
    DDC: 780
    RVK:
    Keywords: Biografie ; Quelle ; Lindenberg, Udo 1946-
    Abstract: Jeder fängt mal klein auch, auch ein Udo Lindenberg. Zum Kinofilm "Lindenberg! Mach dein Ding" (Kinostart am 16.01.2020), ein Biopic über das Leben des jungen, noch unbekannten Udo Lindenberg, erscheint dieser Text-Bild-Band. Setfotos aus dem Film sowie zahlreiche Aufnahmen aus Lindenbergs Privatarchiv illustrieren den Werdegang des Wegbereiters der deutschen Rockmusik von der Kindheit bis zu seinem musikalischen Durchbruch im Jahr 1973. Die Texte verschweigen auch die schwierigen Phasen nicht, lassen aber immer durchblicken, dass Lindenberg immer davon überzeugt war, eines Tages gross rauszukommen. (2)
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