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  • MPI Ethno. Forsch.  (54)
  • Würzburg UB  (2)
  • DNB
  • Kalliope (Nachlässe)
  • Amsterdam : Amsterdam University Press  (55)
  • Film, TV and radio  (31)
  • Electronic books.
Datasource
Material
Language
Years
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Gender and Animals in History : Yearbook of Women's History 42 (2023) (2024)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9048565294 , 9789048565290
    Language: English
    Pages: 1 online resource (312 pages).
    Series Statement: Yearbook of Women's History
    Series Statement: Jaarboek voor vrouwengeschiedenis.
    Parallel Title: Print version:
    DDC: 305.409
    Keywords: Women History. ; Women and animals. ; Animals and history. ; Femmes Histoire. ; Femmes et animaux. ; Animaux et histoire. ; Gender studies, gender groups. ; HISTORY / Women * ; Animals and society. ; Gender studies, gender groups. ; History, Art History, and Archaeology ; HIS ; Cultural Studies ; CULTURAL ; Gender and Sexuality Studies ; GEND & SEXU ; AUP Wetenschappelijk ; AUP WETENSCH ; Multispecies, Intersectionality, human/non-human, relationships 4. Pets ; Electronic books. ; Electronic books.
    Abstract: The category of species has remained largely understudied in mainstream gender scholarship. This edition of the 〈cite〉Yearbook of Women's History〈/cite〉 attempts to show how gender history can be enriched through the study of animals. It highlights that the inclusion of nonhuman animals in historical work has the potential to revolutionize the ways we think about gender history. This volume is expansive in more than one way. First, it is global and transhistorical in its outlook, bringing together perspectives from the Global North and the Global South, and moving from the Middle Ages to the contemporary world. Even more importantly for its purposes, a range of animals appear in the contributions: from the smallest insects to great apes, and from 'cute' kittens to riot dogs and lions. The articles collected here reflect the variety of the animal kingdom and of the creative approaches enabled by animal history.
    Note: "Amsterdam University Press"
    URL: JSTOR
    URL: Image
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    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 2
    Online Resource
    Online Resource
    Religiously Exclusive, Socially Inclusive? : A Religious Response (2023)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789463723480
    Language: Undetermined
    Pages: 1 Online-Ressource (317 p.)
    DDC: 306.6
    Keywords: Islamic life & practice ; Christian Churches & denominations ; Electronic books.
    Abstract: Is it possible to be religiously exclusive and socially inclusive? How do we deal with those outside of our own religious community who have completely different and sometimes conflicting views on what should be considered true and right behaviour? What if a religious tradition orders the expulsion or killing of those who leave the faith community and adopt another worldview? This book focuses on biblical texts concerning exclusivity and apostasy, studying different interpretations of such texts. It starts with the Jewish and Christian tradition of the Hebrew Bible, continues with texts from the New Testament, and explores diverse social studies to find ways of understanding the relationship between exclusion and inclusion today. Part of this exploration is the interaction with Jewish and Islamic voices. The collection ends with a systematic and missiological reflection on the issues Christian churches and other religious communities must address today
    Note: English
    URL: kostenfrei
    URL: kostenfrei
    URL: JSTOR
    URL: Image
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  • 3
    Online Resource
    Online Resource
    Inconvenient heritage : colonial collections and restitution in the Netherlands and Belgium (2022)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048557110
    Language: English
    Pages: 1 Online-Ressource
    Uniform Title: Ongemakkelijk Erfgoed (Koloniale collecties en teruggave in de Lage Landen, 2021)
    Parallel Title: Erscheint auch als
    DDC: 305.80074
    Keywords: Kolonialismus ; Sammlung ; Restitution ; Entkolonialisierung ; Niederlande ; Belgien ; Anthropological museums and collections / Moral and ethical aspects / Netherlands ; Anthropological museums and collections / Moral and ethical aspects / Belgium ; Museums / Acquisitions / Moral and ethical aspects / Netherlands ; Museums / Acquisitions / Moral and ethical aspects / Belgium ; Cultural property / Repatriation / Netherlands ; Cultural property / Repatriation / Belgium ; Electronic books. ; Electronic books. ; Niederlande ; Belgien ; Sammlung ; Kolonialismus ; Entkolonialisierung ; Restitution
    Note: Erscheint als Open Access bei De Gruyter
    DOI: 10.5117/9789463720595
    DOI: 10.1515/9789048557110
    DOI: 10.2307/j.ctv2pnjvmx
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: JSTOR
    URL: https://doi.org/10.1515/9789048557110?locatt=mode:legacy
    URL: Open Access
    URL: Cover
    URL: View this content on Open Research Library.
    URL: Image
    URL: Click here to view book
    URL: kostenfrei
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  • 4
    Online Resource
    Online Resource
    Flows and frictions in Trans-Himalayan spaces : histories of networking and border crossing (2022)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048555581
    Language: English
    Pages: 1 Online-Ressource (285 Seiten) , Illustrationen, Karten
    Series Statement: Asian borderlands [15]
    Series Statement: Asian borderlands
    Parallel Title: Erscheint auch als
    DDC: 950
    RVK:
    LB 56390
    RVK:
    LB 74390
    Keywords: Grenzgebiet ; Grenzüberschreitung ; Mobilität ; Himalaja ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books. ; Electronic books. ; Himalaja ; Grenzgebiet ; Mobilität ; Grenzüberschreitung
    Abstract: Flows and Frictions in Trans-Himalayan Spaces traces movements and connections in a region known for its formidable obstacles to mobility. Eight original essays and a conceptual introduction engage with questions of networks and interconnection between people across a bordered landscape. Mobility among the extremely varied ecologies of south-western China, Myanmar and north-eastern India, with their rugged terrain, high mountains, monsoon-fed rivers and marshy lowlands, is certainly subject to friction. But today, harsh political realities have created hard borders and fractured this trans-Himalayan terrain. However, the closely researched chapters in this book demonstrate that these borders have not prevented an abundance of movements, connections and flows. Mobility has always coexisted with friction here, but this coexistence has been unsettled, giving this space its historical shape and its contemporary dynamism. Introducing the concept of the ‘corridor’ as an analytical framework, this collection investigates mobility and flows in this unique socio-political landscape.
    Note: Erscheint als Open Access bei De Gruyter
    DOI: 10.5117/9789463724371
    DOI: 10.1515/9789048555581
    DOI: 10.2307/j.ctv2jsh08c
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
    URL: OAPEN
    URL: https://www.degruyter.com/isbn/9789048555581
    URL: Cover
    URL: JSTOR
    URL: View this content on Open Research Library.
    URL: Image
    URL: Click here to view book
    URL: kostenfrei
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  • 5
    Online Resource
    Online Resource
    Media and mapping practices in the Middle East and North Africa : producing space (2021)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048541508 , 9048541506
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Cities and cultures 2405-9730
    DDC: 302.231
    Keywords: Social media Political aspects ; Technology Social aspects ; Cartography ; Cartography ; Politics and government ; Social media ; Political aspects ; Technology ; Social aspects ; Middle East Politics and government 1979- ; Africa, North Politics and government ; Middle East ; North Africa ; Electronic books. ; Electronic books.
    Abstract: A few months into the popular uprisings in the Middle East and North Africa (2009-2010), the promises of social media, including its ability to influence a participatory governance model, grassroots civic engagement, new social dynamics, inclusive societies and new opportunities for businesses and entrepreneurs, became more evident than ever. Simultaneously, cartography received new considerable interest as it merged with social media platforms. In an attempt to rearticulate the relationship between media and mapping practices, whilst also addressing new and social media, this interdisciplinary book abides by one relatively clear point: space is a media product. The overall focus of this book is accordingly not so much on the role of new technologies and social networks as it is on how media and mapping practices expand the very notion of cultural engagement, political activism, popular protest and social participation. Bron: Flaptekst, uitgeversinformatie
    Note: Includes bibliographical references and index
    URL: kostenfrei
    URL: kostenfrei
    URL: De Gruyter
    URL: De Gruyter
    URL: JSTOR
    URL: View this content on Open Research Library.
    URL: Biblioboard
    URL: De Gruyter, Cover
    URL: Image
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  • 6
    Online Resource
    Online Resource
    The post-screen through virtual reality, holograms and light projections : where screen boundaries lie (2021)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048552566 , 9789463723541
    Language: English
    Pages: 1 Online-Ressource (281 pages)
    Series Statement: MediaMatters
    DDC: 302.2
    RVK:
    ST 323
    Keywords: Electronic books. ; Electronic books. ; e-books. ; Livres numériques.
    URL: kostenfrei
    URL: kostenfrei
    URL: kostenfrei
    URL: kostenfrei
    URL: kostenfrei
    URL: Biblioboard
    URL: Cambridge University Press
    URL: EBSCOhost
    URL: JSTOR
    URL: ProQuest Ebook Central
    URL: Project MUSE
    URL: VLeBooks
    URL: View this content on Open Research Library.
    URL: lizenzpflichtig
    URL: kostenfrei
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  • 7
    Online Resource
    Online Resource
    Media Infrastructures and the Politics of Digital Time. Essays on Hardwired Temporalities (2021)
    Marburg : Philipps-Universität Marburg | Amsterdam : Amsterdam University Press
    Details
    Language: English
    Pages: 1 Online-Ressource
    DDC: 302.23
    RVK:
    MS 7965
    Keywords: Electronic books. ; Electronic books. ; Aufsatzsammlung
    Note: In: Amsterdam: Amsterdam University Press 2021 (Recursions. Theories of Media, Materiality, and Cultural Techniques)
    DOI: 10.5117/9789463727426
    URN: urn:nbn:de:101:1-2022020514241901116721
    URL: https://doi.org/10.5117/9789463727426
    URL: https://nbn-resolving.org/urn:nbn:de:101:1-2022020514241901116721
    URL: https://d-nb.info/1251158730/34
    URL: kostenfrei
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    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: De Gruyter
    URL: De Gruyter
    URL: JSTOR
    URL: View this content on Open Research Library.
    URL: Biblioboard
    URL: De Gruyter, Cover
    URL: Image
    URL: Click here to view book
    URL: kostenfrei
    URL: lizenzpflichtig
    URL: Open Access
    URL: kostenfrei
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  • 8
    Online Resource
    Online Resource
    Migrant protest : interactive dynamics in precarious mobilizations (2021)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048550197 , 904855019X
    Language: English
    Pages: 1 Online-Ressource (1 volume) , illustrations
    Series Statement: Protest and social movements
    Parallel Title: Erscheint auch als STEINHILPER, ELIAS MIGRANT PROTEST
    DDC: 303.484
    RVK:
    MS 3600
    RVK:
    MD 8440
    RVK:
    MD 4720
    Keywords: Immigrants Political activity ; Protest movements History 21st century ; Emigration and immigration Political aspects 21st century ; History ; Emigration and immigration ; Political aspects ; Immigrants ; Political activity ; Protest movements ; SOCIAL SCIENCE / Emigration & Immigration ; History ; Electronic books. ; History.
    Abstract: Migrant protest has proliferated worldwide in the last two decades, explicitly posing questions of identity, rights, and equality in a globalized world. Nonetheless, such mobilizations are considered anomalies in social movement studies, and political sociology more broadly, due to 'weak interests' and a particularly disadvantageous position of 'outsiders' to claim rights connected to citizenship. In an attempt to address this seeming paradox, this book explores the interactions and spaces shaping the emergence, trajectory, and fragmentation of migrant protest in unfavourable contexts of marginalization. Such a perspective unveils both the odds of precarious mobilizations, and the ways they can be temporarily overcome. While adopting the encompassing terminology of 'migrant', the book focusses on precarious migrants, including both asylum seekers and 'illegalized' migrants
    Note: Includes bibliographical references and index
    URL: kostenfrei
    URL: kostenfrei
    URL: Open Access
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: JSTOR
    URL: View this content on Open Research Library.
    URL: Biblioboard
    URL: Click here to view book
    URL: kostenfrei
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  • 9
    Online Resource
    Online Resource
    Digital Media Practices in Households : Kinship through Data (2020)
    Amsterdam : Amsterdam University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9789048542062
    Language: English
    Pages: 1 Online-Ressource (186 p.)
    Series Statement: MediaMatters
    DDC: 302.231
    Keywords: Medienkonsum ; Haushalt ; Electronic books ; Electronic books ; Electronic books. ; Electronic books.
    Abstract: How are intergenerational relationships playing out in the digital rhythms of the household? Through extensive fieldwork in Tokyo, Shanghai and Melbourne, this book ethnographically explores how households are being understood, articulated and defined by digital media practices. It explores the rise of self-tracking, quantified self and informal practices of care at distance as part of contemporary household dynamics.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Feb 2021)
    DOI: 10.1515/9789048542062
    URL: kostenfrei
    URL: kostenfrei
    URL: Cover
    URL: kostenfrei
    URL: kostenfrei
    URL: De Gruyter
    URL: JSTOR
    URL: View this content on Open Research Library.
    URL: Image  (Thumbnail cover image)
    URL: Image
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  • 10
    Online Resource
    Online Resource
    Violence and Trolling on Social Media : History, Affect, and Effects of Online Vitriol (2020)
    Amsterdam : Amsterdam University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9789048542048
    Language: English
    Pages: 1 Online-Ressource (267 pages)
    Edition: 1st ed.
    Series Statement: MediaMatters Ser.
    DDC: 302.231
    RVK:
    AP 16800
    RVK:
    AP 16850
    RVK:
    MS 7850
    Keywords: Electronic books ; Aufsatzsammlung ; Konferenzschrift 2017 ; Electronic books. ; Essay ; essays. ; e-books. ; Essays. ; Essays. ; Livres numériques. ; Essais. ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Description based on publisher supplied metadata and other sources
    URL: kostenfrei
    URL: lizenzpflichtig
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
    URL: Biblioboard
    URL: De Gruyter
    URL: De Gruyter
    URL: JSTOR
    URL: OAPEN
    URL: OAPEN
    URL: Project MUSE
    URL: View this content on Open Research Library.
    URL: Biblioboard
    URL: De Gruyter, Cover
    URL: Image  (Thumbnail cover image)
    URL: Click here to view book
    URL: kostenfrei
    URL: Open Access
    URL: Open Access
    URL: kostenfrei
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 11
    Online Resource
    Online Resource
    Screen Genealogies : From Optical Device to Environmental Medium (2019)
    Amsterdam : Amsterdam University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9789048543953
    Language: English
    Pages: 1 Online-Ressource (320 p.)
    Series Statement: MediaMatters
    DDC: 302.23
    Keywords: Aufsatzsammlung ; Electronic books.
    Abstract: Against the grain of the growing literature on screens, *Screen Genealogies* argues that the present excess of screens cannot be understood as an expansion and multiplication of the movie screen nor of the video display. Rather, screens continually exceed the optical histories in which they are most commonly inscribed. As contemporary screens become increasingly decomposed into a distributed field of technologically interconnected surfaces and interfaces, we more readily recognize the deeper spatial and environmental interventions that have long been a property of screens. For most of its history, a screen was a filter, a divide, a shelter, or a camouflage. A genealogy stressing transformation and descent rather than origins and roots emphasizes a deeper set of intersecting and competing definitions of the screen, enabling new thinking about what the screen might yet become.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)
    DOI: 10.1515/9789048543953
    URL: https://doi.org/10.1515/9789048543953
    URL: https://www.degruyter.com/isbn/9789048543953
    URL: kostenfrei
    URL: Cover
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    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: De Gruyter
    URL: De Gruyter
    URL: JSTOR
    URL: View this content on BiblioBoard.
    URL: Biblioboard
    URL: De Gruyter, Cover
    URL: Image  (Thumbnail cover image)
    URL: http://eu.alma.exlibrisgroup.com/view/uresolver/44WHELF_SWA/openurl?u.ignore_date_coverage=true&rft.mms_id=998432493402417
    URL: Click here to view book
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  • 12
    Online Resource
    Online Resource
    The governance of international migration : irregular migrants' access to right to stay in Turkey and Morocco (2018)
    Amsterdam : Amsterdam University Press | New York : JSTOR
    Details
    ISBN: 9789048532803 , 9048532809
    Language: English
    Pages: 1 Online-Ressource (248 Seiten) , Illustrations
    DDC: 304.8/2
    Keywords: SOCIAL SCIENCE Emigration & Immigration ; SOCIAL SCIENCE General ; Emigration and immigration Government policy ; Emigration and immigration Social aspects ; Turkey Emigration and immigration ; Government policy ; Morocco Emigration and immigration ; Government policy ; Turkey Emigration and immigration ; Social aspects ; Morocco Emigration and immigration ; Social aspects ; Electronic books.
    Abstract: As concern about immigration has grown within Europe in recent years, the European Union has brought pressure to bear on countries that are allegedly not sufficiently governing irregular migration with and within their borders. This book looks at that issue in Turkey and Morocco, showing how it affects migrants in these territories, and how migrant illegality has been produced by law, practiced and negotiated by the state, other civil society actors, and by migrants themselves. Aysen Üstübici focuses on a number of different aspects of migrant illegality, such as experiences of deportation, participation in economic life, and access to health care and education, in order to reveal migrants' strategies and the various ways they seek to legitimise their stay.
    Note: Includes bibliographical references and index
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    URL: OAPEN
    URL: Project MUSE
    URL: VLeBooks
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  • 13
    Online Resource
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    Gendered temporalities in the early modern world (2018)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048535262
    Language: English
    Pages: 1 Online-Ressource (285 Seiten) , Illustrationen
    Series Statement: Gendering the late medieval and early modern world
    Parallel Title: Erscheint auch als Gendered temporalities in the early modern world
    DDC: 305.309
    Keywords: History ; 1500-1699 ; Aufsatzsammlung ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books. ; Electronic books. ; History. ; Aufsatzsammlung ; Aufsatzsammlung ; Geschlechterrolle ; Zeitbewusstsein ; Geschichte 1500-1700
    URL: kostenfrei
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    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Cambridge University Press
    URL: De Gruyter
    URL: De Gruyter, Cover
    URL: EBSCOhost
    URL: JSTOR
    URL: ProQuest Ebook Central
    URL: Project MUSE
    URL: VLeBooks
    URL: View this content on Open Research Library.
    URL: Biblioboard
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    URL: Open Access
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    URL: https://www.cambridge.org/core/product/identifier/9789048535262/type/BOOK
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  • 14
    Online Resource
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    Chinese Heritage in the Making (2018)
    Amsterdam : Amsterdam University Press | Baltimore, Md. : Project MUSE
    Details
    ISBN: 9048534062 , 9789462983694 , 9462983690 , 9789048534067
    Language: English
    Pages: 1 Online-Ressource (1 online resource 298 pages) , Illustrationen
    Series Statement: Asian heritages [3]
    Series Statement: IIAS publications series
    DDC: 301
    Keywords: Cultural property ; SOCIAL SCIENCE Sociology ; General ; SOCIAL SCIENCE Regional Studies ; SOCIAL SCIENCE Anthropology ; General ; Cultural property ; Cultural policy ; Civilization ; Reference, information and interdisciplinary subjects ; Museology and heritage studies Mod Museology and heritage studies ; China Civilization ; China Cultural policy ; China ; History ; Electronic books ; Electronic books ; Electronic books ; Electronic books ; Electronic books.
    Abstract: The language of cultural heritage is pervasive in China today. In official rhetoric and policy it is linked to political and economic goals, and serves as a resource for political legitimacy, soft power, and economic development. But the heritage discourse has also opened up space for and legitimized many cultural practices as well as encouraged new actors to appropriate the new discourse to protect their own traditions. Individual citizens, local communities, and heritage experts, are thus today debating, performing and consuming a diverse cultural heritage. The book pays particular attention to individual citizens, local communities, religious associations, and heritage experts and focuses on their possibilities for voice and agency, how the heritage-isation process affects different groups of people, as well as the interplay between top-down and bottom-up processes in the heritage field.
    Note: Includes bibliographical references and index
    URL: kostenfrei
    URL: kostenfrei
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    URL: De Gruyter
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  • 15
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    List cultures : knowledge and poetics from Mesopotamia to Buzzfeed (2017)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048530670
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Recursions
    Parallel Title: Erscheint auch als
    DDC: 306.4/2
    RVK:
    AP 13550
    RVK:
    NK 4930
    RVK:
    NK 4940
    Keywords: Geschichte ; Knowledge, Sociology of ; Wissenssoziologie ; Liste ; Electronic books. ; Electronic books. ; Liste ; Wissenssoziologie ; Geschichte
    Abstract: We live in an age of lists, from magazine features to online clickbait. This book situates the list in a long tradition, asking key questions about the list as a cultural and communicative form. What, Liam Cole Young asks, can this seemingly innocuous form tell us about historical and contemporary media environments and logistical networks? Connecting German theories of cultural techniques to Anglo-American approaches that address similar issues, List Cultures makes a major contribution to debates about New Materialism and the post-human turn
    DOI: 10.2307/j.ctv5jxm7n
    DOI: 10.1515/9789048530670
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  • 16
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    World of Difference : A Moral Perspective on Social Inequality (2017)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789462984028
    Language: English
    Pages: 1 Online-Ressource (120 p.)
    DDC: 305
    RVK:
    LB 45000
    Keywords: Ethics & moral philosophy ; Konferenzschrift 2016 ; Electronic books.
    Abstract: Public debates tend to see social inequality as resulting from individual decisions people make, for instance with respect to their education or lifestyle. Solutions are often sought in supporting individuals to make better choices. This neglects the importance of social groups and communities in determining individual outcomes. A moral perspective on social inequality questions the fairness of insisting on individual responsibilities, when members of some groups systematically receive fewer opportunities than others. The essays in this book have been prepared by experts from different disciplines, ranging from philosophy to engineering, and from economics to epidemiology. On the basis of recent scientific insights, World of Difference examines how group memberships impact on individual outcomes in four key domains: health, education and work, migration, and the environment. This offers a new moral perspective on social inequality, which policy makers tend to neglect
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  • 17
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    Early film theories in Italy, 1896-1922 (2017)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048527106 , 9048527104 , 9789089648556 , 9089648550
    Language: English
    Pages: 1 Online-Ressource (516 pages)
    Series Statement: Film theory in media history
    RVK:
    AP 45100
    Keywords: Motion pictures Philosophy ; Motion pictures Aesthetics ; Motion pictures Social aspects ; Motion pictures and the arts ; Motion pictures History ; Film, TV and radio ; Films, cinema ; The arts ; PERFORMING ARTS ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Intellectual life ; Motion pictures ; Motion pictures ; Aesthetics ; Motion pictures and the arts ; Motion pictures ; Philosophy ; Motion pictures ; Social aspects ; Italy ; Film theory and criticism ; History ; Italy Intellectual life 20th century ; Aufsatzsammlung
    Abstract: This collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a 'scandalous' new technology that appeared poised to thoroughly change everyday life
    Abstract: The Throb of the Cinematograph /Francesco Casetti --Section 1 --Cinema and Modern Life /Francesco Casetti --Cinematography /Edipi --The Philosophy of Cinematograph /Giovanni Papini --Summertime Spectacles: The Cinema /Gaio --Why I Love the Cinema /Maffio Maffii --The Movie Theatre Audience /Giovanni Fosse --The Art of Celluloid /Crainquebille --The Triumph of the Cinema /Ricciotto Canudo --The Death of the Word /Fausto Maria Martini --Section 2 --Film in Transition /Francesco Casetti --The Museum of the Fleeting Moment /Lucio d'Ambra --The Woman and the Cinema /Haydee --Darkness and Intelligence /Emanuele Toddi --A Spectatrix is Speaking to You /Matilde Serao --Motion Pictures in Provincial Towns /Emilio Scaglione --Cinematic Psychology /Edoardo Coli --The Cinematograph Doesn't Exist /Silvio d'Amico --The Cinema: School of the Will and of Energy /Giovanni Bertinetti --The Close-up /Alberto Orsi --The Soul of Titles /Ernesto Quadrone --Section 3 --Cinema at War /Luca Mazzei --The War, from Up Close /Nino Salvaneschi --That Poor Cinema /Renato Giovannetti --Families of Soldiers /Luigi Lucatelli --War for the Profit of Industry /Renato Giovannetti --The War and Cinematograph /g.pr. --Max Linder Dies in The War /Lucio d'Ambra --Cinema of War /Saverio Procida --Section 4 --Politics, Morality, Education /Silvio Alovisio --The Motion Pictures and Education /Domenico Orano --The Intuitive Method in Religious Education /Romano Costetti --The Cinema and Its Influence on the Education of the People /Giovanni Battista Avellone --The Cinematograph in the Schools /Francesco Orestano --Speech at the People's Theatre /Vittorio Emanuele Orlando --Cinema for the Cultivation of the Intellect /Angelina Buracci --Educational Cinema /Ettore Fabietti --Section 5 --Film, Body, Mind /Silvio Alovisio --Collective Psychology /Pasquale Rossi --About Some Psychological Observations Made During Film Screenings /Mario Ponzo --Concerning the Effects of Film Viewing on Neurotic Individuals /Giuseppe d'Abundo --The Ongoing Battle between Gesture and Word /Mariano Luigi Patrizi --The Cinematograph in the Field of Mental Illness and Criminality: Notes /Giuseppe Vidoni --Cinema and Juvenile Delinquency /Mario Ponzo --Section 6 --The Aesthetic Side /Luca Mazzei --Problems of Art: Expression and Movement in Sculpture /Corrado Ricci --Scenic Impressionism /Sebastiano Arturo Luciani --The Aesthetics of Cinema /Goffredo Bellonci --The Poetics of Cinema /Sebastiano Arturo Luciani --Manifesto for a Cinematic Revolution /Goffredo Bellonci --Theatre and the Cinema /Antonio Gramsci --The Futurist Cinematography /Remo Chiti --In the Beginning Was Sex /Antonio Gramsci --Rectangle-Film (25 x 19) /Emanuele Toddi --The Proscenium Arch of My Cinema /Anton Giulio Bragaglia --My Views on the Cinematograph /Lucio d'Ambra --Meditations in the Dark /Michele Biancale --Section 7 --Theory in a Narrative Form /Luca Mazzei --Colour Film /Roberto Tanfani --At the Cinema /Luigia Cortesi --A Phantom Pursued /Alberto Lumbroso --Miopetti's Duel /Aldo Borelli --Pamela-Films /Guido Gozzano --Feature Film /Pio Vanzi --Me, Riri, and Love in Slippers /Luciano Doria --A Cinematic Performance /Federigo Tozzi --Life, a Glass Theatre /Pier Maria Rosso di San Secondo --The Shears' Reflection /Guido Gozzano.
    Note: Includes bibliographical references (pages 490-504) and indexes , Undetermined
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  • 18
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    Animal rights activism : a moral-sociological perspective on social movements (2016)
    Amsterdam : Amsterdam University Press | New York : JSTOR
    Details
    ISBN: 9789048525485 , 9048525489
    Language: English
    Pages: 1 Online-Ressource (144 Seiten) , Illustrations
    Series Statement: Protest and Social Movements
    DDC: 303.48/4
    Keywords: Animal rights movement ; Social movements ; SOCIAL SCIENCE Essays ; SOCIAL SCIENCE Reference ; SOCIAL SCIENCE General ; Animal rights movement ; Social movements ; Electronic books.
    Abstract: This book develops a novel moral-sociological perspective on social movements. For the first time, Durkheim's sociology of morality is used for social movement theorizing. Nevertheless, Durkheim's approach is used as a basis for further theorization, including developing a deviance perspective on social movements. The moral-sociological framework is also useful for theorizing the role of moral reflexivity and emotion work among activists. 0This book fills a gap in existing approaches to social movements by seeing social movements as essentially moral phenomena and by conceiving of morality as a social fact, which both enables and constrains the action that activists can pursue. By doing so, it complements existing more structural, cultural or strategic action-inspired approaches to social movements. In addition, the book richly illustrates how classical sociological theory can be used in new ways to understand contemporary societies.
    Note: Includes bibliographical references and index
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  • 19
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    Humour and irony in Dutch post-war fiction film (2016)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9048528372 , 9089649433 , 9789089649430 , 9789048528370
    Language: English
    Pages: 1 Online-Ressource (410 pages)
    Edition: [S.l.] HathiTrust Digital Library 2011 Electronic reproduction
    Series Statement: Framing film
    Parallel Title: Erscheint auch als
    Parallel Title: Print version
    Keywords: Motion pictures Netherlands ; History, 20th century. ; Wit and humor in motion pictures ; Wit and humor in motion pictures. ; Motion pictures History 20th century ; Wit and humor in motion pictures ; Motion pictures ; Electronic books ; Bibel ; Film theory and criticism ; Film, TV and radio ; Films, cinema ; The arts ; PERFORMING ARTS ; Reference ; ART ; General ; Motion pictures ; Wit and humor in motion pictures ; Film ; Music, Dance, Drama & Film ; Netherlands ; History ; Electronic book
    Abstract: If Dutch cinema is examined in academic studies, the focus is usually on pre-war films or on documentaries, but the post-war fiction film has been sporadically addressed. Many popular box-office successes have been steeped in jokes on parochial conflicts, vulgar behavior and/or on sexual display, towards which Dutch people have often felt ambivalent. At the same time, something like a 'Hollandse school', a term first coined in the 1980s, has manifested itself more firmly, with the work of Alex van Warmerdam, pervaded in deadpan irony as its biggest eye-catcher. Using seminal theories of humor and irony as an angle, this study scrutinizes a great number of Dutch films on the basis of categories such as low-class comedies; neurotic romances; deliberate camp; cosmic irony, or grotesque satire. Hence, Humour and Irony in Dutch Post-war Fiction Film makes surprising connections between films from various decades: Flodder and New Kids Turbo; Spetters and Simon; Rent a Friend and Ober; De verloedering van de Swieps and Borgman; Black Out and Plan C
    Abstract: If Dutch cinema is examined in academic studies, the focus is usually on pre-war films or on documentaries, but the post-war fiction film has been sporadically addressed. Many popular box-office successes have been steeped in jokes on parochial conflicts, vulgar behavior and/or on sexual display, towards which Dutch people have often felt ambivalent. At the same time, something like a 'Hollandse school', a term first coined in the 1980s, has manifested itself more firmly, with the work of Alex van Warmerdam, pervaded in deadpan irony as its biggest eye-catcher. Using seminal theories of humor and irony as an angle, this study scrutinizes a great number of Dutch films on the basis of categories such as low-class comedies; neurotic romances; deliberate camp; cosmic irony, or grotesque satire. Hence, Humour and Irony in Dutch Post-war Fiction Film makes surprising connections between films from various decades: Flodder and New Kids Turbo; Spetters and Simon; Rent a Friend and Ober; De verloedering van de Swieps and Borgman; Black Out and Plan C
    Note: Includes bibliographical references and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
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  • 20
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    Screens : from materiality to spectatorship : a historical and theoretical reassessment (2016)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789462981904 , 9462981906 , 9789048531691 , 9048531691
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: The key debates [6]
    Series Statement: mutations an appropriations in European film studies
    Parallel Title: Erscheint auch als
    Keywords: Cinematography Philosophy ; Electronic books ; Film theory and criticism ; Film, TV and radio ; Films, cinema ; The arts ; ART ; General ; Cinematography ; Philosophy ; Electronic book
    Abstract: Introduction : Screen, a concept in progress / Dominique Chateau and José Moure -- Rectangle-film [25x19] (1918) / Emmanuele Toddi [Pietro Silvio Rivetta] -- Intersections between showing and concealment in the history of the concept of screen / Giorgio Avezzù -- Archaic paradigms of the screen and its images / José Moure -- Thematizing the "arche-screen" through its variations / Mauro Carbone -- The stuff of screens / Ian Christie -- Scaling down : Cinerama on Blu-ray / Ariel Rogers -- The disappearance of the surface / Simon Lefebvre -- GoPro : augmented bodies, somatic images / Richard Bégin -- The four practices? Challenge for an archaeology of the screen / Erkki Huhtamo -- Screens in the city / Nanna Verhoeff -- The screenic image : between verticality and horizontality, viewing and touching, displaying and playing / Wanda Strauven -- From screen-scape to screen-sphere : a meditation in Medias Res / Vivian Sobchack -- The concept of the mental screen : the internalized screen, the dream screen, and the constructed screen / Roger Odin -- Between fascination and denial : the power of the screen / Dominique Chateau -- Screens after Dos Passos's U.S.A. trilogy : current answers for the eyeminded public / Salvador Rubio Marco -- El Lissitzky's screening rooms / Olivia Crough -- But who actually watched Mark Lewis's films at the Louvre? / Raymond Bellour -- Gulliver goes to the movies : screen size, scale, and experiential impact : a dialogue / Martine Beugnet and Annie van den Oever -- The skin and the screen : a dialogue / Laura U. Marks, Dominique Chateau, and José Moure -- The screen and the concept of dispositif : a dialogue / Frank Kessler, Dominique Chateau, and José Moure.
    Abstract: We live in an era of screens. No longer just the place where we view movies, or watch TV at night, screens are now ubiquitous, the source of the majority of information we consume daily, and a crucial component of our basic interactions with colleagues, friends, and family. This transformation has happened almost without us realizing it-and certainly without the full theoretical and intellectual analysis it deserves. Screens brings together scholars from a variety of disciplines to analyse the growing presence and place of screens in our lives today. They tackle such topics as the archaeology of screens, film and media theories about our interactions with them, their use in contemporary art, and the new avenues they open up for showing films and other media in non-traditional venues
    Note: Includes bibliographical references (pages 273-343) and indexes , English
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  • 21
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    Unpopular Culture (2016)
    Amsterdam : Amsterdam University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9789048528707
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Televisual culture
    DDC: 303.484
    RVK:
    MR 7100
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Electronic books. ; Aufsatzsammlung
    Abstract: This volume introduces a new concept that boldly breaks through the traditional dichotomy of high and low culture while offering a fresh approach to both: unpopular culture. From the works of David Foster Wallace and Ernest Hemingway to fanfiction and The Simpsons, from natural disasters to 9/11 and beyond, the essays find the unpopular across media and genres, analysing the politics and aesthetics of a side to culture that has been overlooked by previous theories and methods in cultural studies.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Okt 2018)
    DOI: 10.1515/9789048528707
    URL: https://www.degruyter.com/doi/book/10.1515/9789048528707
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  • 22
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    Feminisms : diversity, difference and multiplicity in contemporary film cultures (2015)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 904852363X , 9789048523634 , 9789089646767 , 9089646760
    Language: English
    Pages: 1 Online-Ressource (275 pages)
    Series Statement: The key debates. Mutations and appropriations in European film studies 5
    Parallel Title: Erscheint auch als
    Keywords: Feminist film criticism ; Feminism and motion pictures ; Women in motion pictures ; Women on television ; ART ; General ; PERFORMING ARTS ; Reference ; Film theory and criticism ; Film, TV and radio ; Films, cinema ; The arts ; Feminism and motion pictures ; Feminist film criticism ; Women in motion pictures ; Women on television ; Film ; Frau ; Frauenfilm ; Feministischer Film ; Feministische Filmtheorie ; Film ; feministisk teori ; Kropp ; Identitet ; Feminism ; Pornografi ; Queerteori ; Tidskrifter ; Film ; feminist theory ; Body ; identity ; Feminism ; Pornography ; Queer theory ; Periodicals ; Könsroller på film ; Filmhistoria ; Feminism ; Filmestetik ; Kvinnokroppen ; Feministisk teori ; Film ; historia ; Film ; Music, Dance, Drama & Film ; Film ; feminist theory ; Body ; identity ; Feminism ; Pornography ; Queer theory ; Periodicals
    Abstract: New perspectives : images and the female body -- Theory in contemporary contexts -- History and practice -- Contextualizing history : new frontiers in feminist journals -- Discussions : dialoguing difference and extremity in contemporary cinemas.
    Abstract: This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering such topics as new experimental film, the digital image, consumerism, activism, and pornography, 'Feminisms' will be essential reading for scholars of both film and feminism
    Note: Includes bibliographical references and indexes , English
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  • 23
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    Farocki/Godard : film as theory (2015)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9048527554 , 9789048527557 , 9789089648914 , 9089648917 , 9089648917
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Film culture in transition
    Series Statement: IKKM books volume 25
    Uniform Title: Film als Theorie
    Keywords: Farocki, Harun ; Godard, Jean-Luc ; Motion picture producers and directors ; Farocki, Harun ; Godard, Jean-Luc ; Farocki, Harun ; Godard, Jean-Luc ; Bibel ; ART ; General ; PERFORMING ARTS ; Reference ; Film theory and criticism ; Film, TV and radio ; Films, cinema ; The arts ; Motion picture producers and directors ; Filmästhetik ; Electronic book
    Abstract: ""What an Editing Room is: Interface""""Montage, toujours: JLG/JLG""; ""5. Taking pictures-Photography and Film""; ""Displacing: The Carabineers""; ""Rendering: Before Your Eyes Vietnam""; ""Surveying: Images of the World and the Inscription of War""; ""6. Two or Three Ways of Speaking with the Hands""; ""Asking Oneself: La Chinoise / Vent d'est""; ""Offering Oneself: Nouvelle vague""; ""Expressing Oneself: Georg K. Glaser / The Expression of Hands""; "" Conclusion""; "" Bibliography""; "" Acknowledgments""; "" Illustration Credits""; "" Index of Film Titles""; "" Index of Names""
    Abstract: ""Cover""; ""Contents""; "" Preface to the English Edition""; "" Introduction""; ""Two Image Researchers""; ""1. Le film qui pense""; ""Image, Theory, Practice""; ""Film as a "Concrete Medium"""; ""Film Theories / Film as Theory""; ""Difference and Theory""; ""Montage and Cinematic Thinking""; ""2. The Camera as Brush-Film and Painting""; ""Narrating with Images: Breathless""; ""Exploding the Museum: Pierrot le fou""; ""Arranging Things: Still Life""; ""Processing Images: Passion""; ""3. Deviation as Norm-Notes on the Essay Film""; ""4. Cut-Interlude in the Editing Room""
    Abstract: "This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki-to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create 'film as theory'"--Back cover
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  • 24
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    Plessner's philosophical anthropology : perspectives and prospects (2014)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048522989
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 301
    RVK:
    CI 3957
    Keywords: Plessner, Helmuth ; Helmuth Plessner (1892-1985) ; Philosophical antropology ; Philosophische Anthropologie ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift IVth International Plessner Conference ; Electronic books. ; Conference papers and proceedings. ; Plessner, Helmuth 1892-1985 ; Philosophische Anthropologie ; Plessner, Helmuth 1892-1985
    Note: Erscheint als Open Access bei De Gruyter
    DOI: 10.26530/OAPEN_626454
    DOI: 10.1515/9789048522989
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    Exhibiting cinema in contemporary art (2013)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1306207878 , 9089644717 , 904851777X , 9048517761 , 9781306207874 , 9789089644718 , 9789048517770 , 9789048517763
    Language: English
    Pages: 1 Online-Ressource (256 pages) , illustrations
    Edition: Online-Ausg.
    Series Statement: Film culture in transition
    Parallel Title: Print version Balsom, Erika Exhibiting cinema in contemporary art
    Keywords: Motion picture industry Technological innovations ; Motion pictures and the arts ; Art and motion pictures ; Art in motion pictures ; Art and motion pictures ; Art in motion pictures ; Motion pictures and the arts ; Motion picture industry Technological innovations ; Film theory and criticism ; Film, TV and radio ; Films, cinema ; The arts ; ART ; History ; General ; PERFORMING ARTS ; Film & Video ; General ; Art and motion pictures ; Art in motion pictures ; Motion picture industry ; Technological innovations ; Motion pictures and the arts ; Electronic books
    Abstract: Explores the emergence of cinema as a primary medium of artistic production, offering an in-depth inquiry into its genesis, its defining features, and its ramifications. Erika Balsom also tackles cinema studies' great disciplinary obsession--namely, what cinema was, is, and will become in a digital future. Rich in theoretical reflections and critical analyses, Exhibiting Cinema in Contemporary Art offers insights into the whole history of cinema from the vantage point of today's art
    Note: Includes bibliographical references (pages 227-239) and index
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  • 26
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    Preserving and exhibiting media art : challenges and perspectives (2013)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9089642919 , 9048513839 , 9789089642912 , 9789048513833
    Language: English
    Pages: 1 Online-Ressource (428 pages, [16] pages of plates) , illustrations (some color)
    Edition: Online-Ausg.
    Series Statement: Framing film
    Parallel Title: Print version Preserving and exhibiting media art
    Keywords: Art Exhibition techniques ; New media art Preservation ; Computer art Preservation ; Motion picture film Preservation ; Multimedia (Art) Preservation ; Multimedia (Art) Preservation ; New media art Preservation ; Computer art Preservation ; Motion picture film Preservation ; Art Exhibition techniques ; Film, TV and radio ; Films, cinema ; The arts ; PERFORMING ARTS ; Reference ; ART ; Conservation & Preservation ; Art ; Exhibition techniques ; Motion picture film ; Preservation ; Mediakunst ; Tentoonstellingen ; Conservatie ; Film production: technical and background skills ; Electronic books
    Abstract: Artists have always experimented with the potentials film, video and digital technology. 'Preserving and Exhibiting Media Art' highlights the challenges these new multimedia works pose to the traditional ways of collecting, preserving and exhibiting art. In addition, it outlines several case studies through the contours of the training and education of professionals in this field. The book offers a historical and theoretical overview and makes an important contribution to the literature on archival theory and practice and is a reference point for anyone concerned with the preservation and presentation of media art
    Note: Includes bibliographical references and index , Acknowledgements ; Introduction , Part I. History, Archaeology, Aesthetics, Archive: Theoretical Paths ; Introduction , 1. Between Art History and Media History: A Brief Introduction to Media Art , 2. Media Archaeology: Where Film History, Media Art, and New Media (Can) Meet , 3. Media Aesthetics , 4. Media Art and the Digital Archive , Part II. Analysis, Documentation, Archiving ; Introduction , 5. The Analysis of the Artwork , 6. Methodologies of Multimedial Documentation and Archiving ; 6.1. Enjoying the Gap: Comparing Contemporary Documentation Strategies , 6.2. Case Study: No Ghost Just a Shell by Pierre Huyghe, Philippe Parreno, and Many Others , 6.3. The Artist's Interview as a Tool for Documenting and Recreating a Complex Installation: The Example of Mbube, an Audio-Installation by Roberto Cuoghi in the Museo Del Novecento, Milan , 6.4. MAXXI Pilot Tests Regarding the Documentation of Installation Art , Part III. Technological Platforms, Preservation, and Restoration ; Introduction , 7. Technological Platforms ; Introduction , 7.1. The History and Technological Characteristics of Cinematographic Production and Reception Devices , 7.2. The History and Technological Characteristics of Video Production and Reception Devices , 7.3. Computers and Digital Reception Devices: History and Technological Characteristics , 74. Obsolete Equipment: Ethics and Practices of Media Art Conservation , 8. Theories, Techniques, Decision-making Models: The European Context ; 8.1. Operational Practices for a Film and Video Preservation and Restoration Protocol , 8.2. Operational Practices for a Digital Preservation and Restoration Protocol , 8.3. Case Study: The Conservation of Media Art at Tate: An Interview with Pip Laurenson (Head of Time-Based Media Conservation at Tate) , Part IV. Access, Reuse, and Exhibition ; Introduction , 9. Exhibition Strategies ; Introduction , 9.1. From Cinema to the Museum: A State of Affairs ; 9.1.1. A "Cinema Effect" in Contemporary Art , 9.2. Exhibiting Images in Movement ; 9.2.1. Exhibiting/Editing: Dominique Pa̐ni and Programming at the Ciňmatḧque fraṅaise at the Turn of the Centenary , 9.2.2. The Expanded Archive: The MindFrames exhibition , 9.2.3. Exhibiting Film and Reinventing the Painting , 9.3. The Image Traveling across Territories: Cinema, Video, TV, Museum, the Web, and beyond ; 9.3.1. On Passages Between Art and Cinema , 9.3.2. Across the Territories: Exhibiting Music Video , 9.3.3. Developing, Presenting, and Documenting Unstable Media at V2_ , 9.4. New Dispositifs, New Modes of Reception ; 9.4.1. Video Installations as Experiences in Montage , 9.4.2. From the Film to the Map: Patrick Keiller and The City of the Future , 9.4.3. Site-specific Exhibition and Reexhibition Strategies: Max Neuhaus's Times Square , 9.4.4. From Archival Model to Exhibition Platform? Video Art As a Web Resource and the imai Online Catalogue , 10. On Curating New Media Art , Epilogue , List of contributors ; Index. , English
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  • 27
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    Fabricating the absolute fake : America in contemporary pop culture (2013)
    Amsterdam : Amsterdam University Press | New York : JSTOR
    Details
    ISBN: 9048519551 , 9789048519552 , 9789048519569 , 904851956X
    Language: English
    Pages: 1 Online-Ressource (231 Seiten)
    Edition: Revised and extended edition.
    DDC: 306.1
    Keywords: Popular culture ; Popular culture ; Civilization American influences ; POLITICAL SCIENCE Public Policy ; Cultural Policy ; SOCIAL SCIENCE Anthropology ; Cultural ; SOCIAL SCIENCE Popular Culture ; SOCIAL SCIENCE General ; Civilization American influences ; Popular culture ; Netherlands Civilization ; American influences ; Electronic books. ; Electronic books.
    Abstract: In Fabricating the Absolute Fake, Jaap Kooijman explores the ways people around the world interpret and attempt to reproduce "Americanness." Tracing the ways America has been appropriated by pop culture produced outside the United States, he examines such icons as the Elvis-inspired performer Lee Towers and the Moroccan-Dutch rapper Ali B. This revised edition features a new chapter on Barack Obama's global celebrity and an afterword on teaching American pop culture. Like the first edition, it will prove an illuminating resource for scholars of American culture and popular cultures the world o.
    Note: Includes bibliographical references and index
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    URL: View this book online, both on- and off-campus
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    Figuring the past : period film and the mannerist aesthetic (2012)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1283698242 , 9089642811 , 9048513537 , 9781283698245 , 9789089642813 , 9789048513536
    Language: English
    Pages: 1 Online-Ressource (256 pages) , illustrations
    Edition: Online-Ausg.
    Series Statement: Film culture in transition
    Parallel Title: Erscheint auch als
    Keywords: Motion pictures and history ; Renaissance in motion pictures ; Historical films History and criticism ; Historical films History and criticism ; Motion pictures and history ; Renaissance in motion pictures ; PERFORMING ARTS ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Film, TV and radio ; The arts ; Historical films ; Motion pictures and history ; Renaissance in motion pictures ; Criticism, interpretation, etc
    Abstract: "This definitive work offers a new approach to the period film at the turn of the twenty-first century, examining the ways in which contemporary cinema recreates the historical past. This book explores the relation between visual motifs and cultural representation in a range of key films by James Ivory, Martin Scorsese and Jane Campion, among others. Looking at the mannerist taste for citation, detail and stylisation, the author argues for an aesthetic of fragments and figures central to the period film as an international genre. Three key figures - the house, the tableau and the letter - structure a critical journey through a selection of detailed case studies, in relation to changing notions of visual style, melodrama, and gender. This seeks to place this popular but often undervalued genre in a new light and to rethink its significance in the context of key debates in film studies."--Publisher's website
    Description / Table of Contents: Introduction: period film and the mannerist moment -- A poetics of figuration -- Present in the past: The house -- Time and the image: the tableau -- The scene of writing: the letter -- Conclusion-Second sight: reviewing the past, figuring the present.
    Note: Includes bibliographical references and index , English
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  • 29
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    Tantalisingly close : an archaeology of communication desires in discourses of mobile wireless media (2012)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048514915 , 9048514916 , 9089643540 , 9789089643544
    Language: English
    Pages: 1 Online-Ressource (214 Seiten)
    Series Statement: MediaMatters series
    DDC: 302.231
    Keywords: Mass media ; Mobile communication systems ; Wireless communication systems ; Society and social sciences ; Society and culture: general ; Media studies ; COMPUTERS General ; PSYCHOLOGY Social Psychology ; Mass media ; Mobile communication systems ; Wireless communication systems ; Electronic books ; Electronic books. ; Electronic books. ; Electronic books
    Abstract: A number of recent studies of mobile wireless communication devices focus on use values, social implications, changing norms and ethics, conversation strategies and culture-dependent domestication. De Vries proposes to venture into a more historical and comparative direction to shed light on our preoccupation with them in the first place. He constructs an expanded archaeological view of the development, marketing, and reception of communication technologies over the past 200 years, providing a comprehensive account of how persistent paradoxical desires for sublime communication have come to gi.
    Note: Includes bibliographical references and index
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    URL: ebrary
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    URL: JSTOR
    URL: OAPEN
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    URL: ProQuest Ebook Central
    URL: http://www.tantalisinglyclose.com/data/Vries,%20Imar%20de%20-%20Tantalisingly%20Close%20(2012).pdf
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    URL: http://www.library.yorku.ca/e/resolver/id/2826425
    URL: De Gruyter, Cover
    URL: https://ebookcentral.proquest.com/lib/uvic/detail.action?docID=870638
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    Audiences : defining and researching screen entertainment reception (2012)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048515059 , 904851505X
    Language: English
    Pages: 1 Online-Ressource (332 Seiten) , Illustrations
    Series Statement: The key debates ; 3
    DDC: 302.2343
    RVK:
    AP 17000
    Keywords: Motion picture audiences ; PSYCHOLOGY Social Psychology ; PERFORMING ARTS Film & Video ; General ; The arts ; Film, TV and radio ; Films, cinema ; Film theory and criticism ; Motion picture audiences ; Motion pictures ; Film
    Abstract: "This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.
    Note: Includes bibliographical references (pages 279-298) and indexes
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    Alexander Kluge : Raw Materials for the Imagination (2011)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1280118210 , 9089642722 , 9089642730 , 9048513391 , 9781280118210 , 9789089642721 , 9789089642738 , 9789048513390
    Language: English
    Pages: 1 Online-Ressource (439 pages)
    Edition: Online-Ausg.
    Series Statement: Film Culture in Transition
    Parallel Title: Print version Forrest, Tara Alexander Kluge : Raw Materials for the Imagination
    Keywords: Motion pictures ; Science (General) ; Motion pictures ; Science (General) ; Kluge, Alexander ; Bibel ; The arts ; Film, TV and radio ; Films, cinema ; Individual film directors, film-makers ; Mathematics and science ; Science: general issues ; PERFORMING ARTS ; Film & Video ; General ; PERFORMING ARTS ; Reference ; Motion pictures
    Abstract: Alexander Kluge is best known as a founding member of the New German Cinema. His work, however, spans a diverse range of fields and, over the last fifty years, he has been active as a filmmaker, writer and television producer. This book - the first of its kind in Englishlish - comprises a wide selection of texts, including articles and stories by Kluge, television transcripts, critical essays by renowned international scholars, and interviews with Kluge himself. It will be a valuable resource for students and scholars in the fields of film, television, and literary studies, as well as those in
    Abstract: 'All Things Are Enchanted Human Beings': Remarks on Alexander Kluge's News from Ideological AntiquitySelected Bibliography of English-Language Texts; Acknowledgments; Notes on Contributors; Index of Names; Index ofWorks
    Abstract: Alexander Kluge; Table of Contents; Introduction; Editor's Introduction; The Stubborn Persistence of Alexander Kluge; Film, Politics and the Public Sphere; On Film and the Public Sphere; Cooperative Auteur Cinema and Oppositional Public Sphere: Alexander Kluge's Contribution to Germany in Autumn; 'What is Different is Good': Women and Femininity in the Films of Alexander Kluge; Rethinking History; In Search of Germany: Alexander Kluge's The Patriot; Alexander Kluge and German History: 'The Air Raid on Halberstadt on 8.4.1945'; The Air Raid on Halberstadt, 8 April 1945(extract)
    Abstract: Realism as ProtestConstruction Site Film: Kluge's Idea of Realism and His Short Films; The Sharpest Ideology: That Reality Appeals to its Realistic Character; Debate on the Documentary Film: Conversation with Klaus Eder, 1980; Opera as a 'Power Plant of Emotion'; Undoing Act 5: History, Bodies and Operatic Remains in The Power of Emotion; 'Feelings Can Move Mountains ... ': AnInterview with Alexander Kluge on the Film The Power of Feelings; Alexander Kluge's Phantom of the Opera; Storytelling and Politics; An Analytic Storyteller in the Course of Time
    Abstract: The Political as Intensity of Everyday FeelingsAt the 2003 International Security Conference; Television and Counter-Public Spheres; Raw Materials for the Imagination: Kluge'sWork for Television; Television and Obstinacy; Reframing Islam in Television: Alexander Kluge's Interviews on Islamand Terrorism since 9/11; In the Real Time of Feelings: Interview with Alexander Kluge; Television Interviews; Character Armour and MobileWarfare; Jeff Mills: Godfather of Techno; Tsunami of Emotion: On Puccini's Tosca; Early Cinema/RecentWork; Reinventing the Nickelodeon: Notes on Kluge and Early Cinema
    Note: Includes bibliographical references and index , English
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    Jean Desmet and the early Dutch film trade (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 0585496412 , 9053565701 , 9053564632 , 9048505097 , 9780585496412 , 9789053565704 , 9789053564639 , 9789048505098
    Language: English
    Pages: 1 Online-Ressource (472 pages) , illustrations (some color)
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Uniform Title: Pionierswerk
    Parallel Title: Print version Blom, Ivo Leopold Jean Desmet and the early Dutch film trade
    Dissertation note: A Revision of the author's thesis (doctoral)
    Keywords: Desmet, Jean ; Desmet, Jean ; Motion pictures History ; Motion pictures Distribution ; Motion pictures History ; Motion pictures Distribution ; Desmet, Jean ; Desmet, Jean ; PERFORMING ARTS ; Film & Video ; Reference ; HISTORY ; General ; The arts ; Film, TV and radio ; Films, cinema ; Individual film directors, film-makers ; Society and social sciences ; Society and culture: general ; Humanities ; History ; Motion pictures ; Motion pictures ; Distribution ; Bioscopen ; Filmindustrie ; Filmmarkt ; Filmverleih ; Filmwirtschaft ; Netherlands ; Niederlande ; Academic theses ; History ; Academic theses ; Hochschulschrift
    Abstract: The career of Jean Desmet as a means of exploring the history of cinema
    Abstract: Table of Contents; Preface; Abbreviations, Unidentified Films and Historical Currencies; Introduction; I. La Comte Belge: Jean Desmet's Travelling Cinema, The Imperial Bio (1907-1910); II. In The Beginning ... : Film Distribution in the Netherlands; III. Gold Rush: In the Throes of Cinema Mania (1909-1914); IV. Film Market Europe: Buying Films Abroad (1910-1914); V. White Slave Girls and German Kultur: Film Rental and Distribution Strategies in the; VI. Onsime et Son Collgue: Competition (1910-1914); VII. Das Ende vom Lied: The Impact of the First World War (1914-1916)
    Note: Includes bibliographical references (pages 437-451) and indexes , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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    Camera obscura, camera lucida : essays in honor of Annette Michelson (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 0585495319 , 1280919485 , 9053564942 , 9048505062 , 9780585495316 , 9781280919480 , 9789053564943 , 9789048505067
    Language: English
    Pages: 1 Online-Ressource (294 pages) , illustrations
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Camera obscura, camera lucida
    Keywords: Modernism (Art) ; Motion pictures ; Art and motion pictures ; Motion pictures ; Art and motion pictures ; Modernism (Art) ; PERFORMING ARTS ; Film & Video ; Reference ; The arts ; Film, TV and radio ; PERFORMING ARTS ; Film & Video ; General ; Art and motion pictures ; Modernism (Art) ; Motion pictures ; Filmgeschiedenis (wetenschap) ; Filmtheorie ; Electronic book
    Abstract: In honor of Michelson's unique legacy
    Abstract: Contents; Acknowledgements; Preface; Introduction; The Logic of an Illusion: Notes on the Genealogy of Intellectual Cinema; Narcissistic Machines and Erotic Prostheses; Loïe Fuller and the Art of Motion: Body, Light, Electricity, and the Origins of Cinema; Visitings of Awful Promise: The Cinema Seen from Etna; Transfiguring the Urban Gray: László Moholy-Nagy's Film Scenario 'Dynamic of the Metropolis'; Eisenstein's Philosophy of Film; Knight's Moves; Hitchcock and Narrative Suspense: Theory and Practice; From the Air: A Genealogy of Antonioni's Modernism
    Note: Includes bibliographical references (pages 275-282) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
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    Malaysian cinema, Asian film : border crossings and national cultures (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 0585498156 , 9053565809 , 9053565191 , 9048505127 , 9780585498157 , 9789053565803 , 9789053565193 , 9789048505128
    Language: English
    Pages: 1 Online-Ressource (301 pages) , illustrations
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Van der Heide, William Malaysian cinema, Asian film
    Keywords: Motion pictures Cross-cultural studies ; Motion picture industry ; Motion pictures Cross-cultural studies ; Motion picture industry ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Film, TV and radio ; Films, cinema ; The arts ; Motion picture industry ; Motion pictures ; Filmkunst ; Multikulturelle Gesellschaft ; Film ; Asien ; Malaysia ; Malaysia ; Cross-cultural studies
    Abstract: A study of the heterogeneity and cultural complexities of the Malaysian cinema
    Description / Table of Contents: Introduction. Panggung Wayang; Malaysian Cinema, Asian Film -- The Realities of Film Viewing -- The Scope of this Study -- Chapter 1: Border Crossings. Introduction -- National Cinema and Genre -- Cross-cultural Analysis -- Transtextuality -- The Hamburger Western -- The Samurai Film and the Noodle Western -- The Samurai Film and the Hamburger Western -- The Sword Film and the Spaghetti Western -- The Spaghetti Western -- The Martial Arts Film and the Chop Suey Western -- The Stunt Film and the Curry Western -- Conclusion -- Chapter 2: Malaysian Society and Culture. Introduction -- Identity -- National Identity and National Culture -- Malaysian Identity -- Pre-colonial Malaysia -- Foundational Narratives -- Colonial Malaysia -- Parsee Theatre and Bangsawan -- Postcolonial Malaysia -- The National Cultural Policy and its Consequences -- Conclusion -- Chapter 3: Film in Malaysia. Introduction -- National Cinema -- National Cinema Texts -- The Film Industry and Film Culture in Malaysia -- Early Film-going in Malaya -- The British in Malaya -- Origins -- Laila Majnun, India and Indonesia -- Shaw Brothers -- The Golden Age -- The Indian Connection -- The Studio System -- P. Ramlee -- Indian Cinema -- Hong Kong Cinema -- Indonesian Cinema -- The Decline -- The Revival -- Government Assistance and Controls -- Hong Kong Cinema -- Indian Cinema -- Conclusion -- Chapter 4: Malaysian Cinema. Introduction -- The Indian Cinema of the 1950's -- Hujan Panas -- Penarik Beca -- Hang Tuah -- Semerah Padi -- Hang Jebat -- Ibu Mertua-ku -- Matinya Seorang Patriot -- Fenomena -- Selubung -- Perempuan, Isteri & ... -- Sembilu -- Conclusion.
    Note: Includes bibliographical references (pages 271-292) ; filmography (p. 265-270) ; and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
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    Herr Lubitsch goes to Hollywood : German and American film after World War I (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1417583436 , 9053567089 , 9053567097 , 9048505364 , 9781417583430 , 9789053567081 , 9789053567098 , 9789048505364
    Language: English
    Pages: 1 Online-Ressource
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Thompson, Kristin, 1950- Herr Lubitsch goes to Hollywood
    Keywords: Lubitsch, Ernst Criticism and interpretation ; Lubitsch, Ernst Criticism and interpretation ; Motion picture producers and directors ; Motion pictures ; Motion pictures ; Motion picture producers and directors ; Motion pictures ; Motion pictures ; Lubitsch, Ernst ; Lubitsch, Ernst ; PERFORMING ARTS ; Film & Video ; Direction & Production ; The arts ; Film, TV and radio ; Films, cinema ; PERFORMING ARTS ; Film & Video ; General ; Motion picture producers and directors ; Motion pictures ; Filmkunst ; Stomme films ; Film ; United States ; Germany ; USA ; Deutschland ; Criticism, interpretation, etc
    Abstract: The first study by an acclaimed American scholar of the artistic interdependencies between the German and the Hollywood cinema in the 1920s
    Description / Table of Contents: Lubitsch's career -- Making the light come from the story : lighting -- Subduing the cluttered background : set design -- Guiding the viewer's attention : editing -- Peeking at the players : acting -- Mutual influences -- Epilogue: The Lubitsch touch.
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  • 36
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    Film architecture and the transnational imagination : set design in 1930s European cinema (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9053569804 , 9053569847 , 9048501792 , 904850175X , 9789053569801 , 9789053569849 , 9789048501793 , 9789048501755
    Language: English
    Pages: 1 Online-Ressource (316 pages) , illustrations
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Bergfelder, Tim Film architecture and the transnational imagination
    Keywords: Motion pictures History 20th century ; Group work in art ; Motion pictures Setting and scenery ; Transnationalism ; Group work in art ; Transnationalism ; Motion pictures Setting and scenery ; Motion pictures History 20th century ; Film, TV and radio ; Society and social sciences ; Society and culture: general ; Group work in art ; Motion pictures ; Motion pictures ; Setting and scenery ; Transnationalism ; Filmarchitektur ; ART ; Film & Video ; Europa ; Europe ; PERFORMING ARTS ; Film & Video ; Reference ; History ; The arts ; Electronic book
    Abstract: Presents for the first time a comparative study of European film set design in the late 1920s and 1930
    Description / Table of Contents: Introduction: understanding and interpreting set design in cinema -- European set design in the 1920s and 1930s: cultural contexts and professional practices -- Imagining space in late Weimar Cinema -- French cinema in the 1930s: space, place and national identity -- Set design, style, and genre in 1930s British Cinema.
    Note: Includes bibliographical references (pages 297-304) and indexes , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , En
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  • 37
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    Ostrannenie : on "strangeness" and the moving image : the history, reception, and relevance of a concept (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9089640797 , 9048507952 , 9789089640796 , 9789048507955
    Language: English
    Pages: 1 Online-Ressource (278 pages)
    Edition: Online-Ausg.
    Series Statement: The key debates 1
    Parallel Title: Print version Ostrannenie
    Keywords: Motion pictures History ; Motion pictures History ; The arts ; Film, TV and radio ; Films, cinema ; Film theory and criticism ; Motion pictures ; History ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Electronic books
    Abstract: Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the Soviet literary critic Victor Shklovskii in 1917, ostrannenie has come to resonate deeply in film studies, where it entered into dialogue with the French philosopher Derrida's concept of differance, bordering on 'differing' and 'deferring'. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry
    Abstract: pt. 1. Theory formation : Ostranenie, the avant-garde and the cinema of attractions -- pt. 2. Mutations and appropriations : alienation theories and terminologies -- pt. 3. Cognitive and evolutionary-cognitive approaches to Ostranenie : perception, cognitive gaps and cognitive schemes -- pt. 4. Discussions on Ostranenie, différance, and the uncanny
    Note: Includes bibliographical references (pages 241-254) and indexes
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  • 38
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    Cinephilia : movies, love and memory (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1423709640 , 9781423709640 , 9048505445 , 9789048505449
    Language: English
    Pages: Online Ressource
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Online-Ausg. [S.l.] : HathiTrust Digital Library
    Series Statement: Film culture in transition
    Parallel Title: Erscheint auch als Cinephilia
    DDC: 302.2343
    Keywords: Motion pictures Social aspects ; Motion pictures History ; Motion picture audiences USA ; New York 〈NY, 2002〉 ; Motion pictures Social aspects ; Motion pictures History ; Motion picture audiences ; Motion picture audiences USA ; New York 〈NY, 2002〉 ; Motion pictures History ; Motion pictures Social aspects ; SOCIAL SCIENCE ; Media Studies ; The arts ; Film, TV and radio ; Films, cinema ; PERFORMING ARTS ; Film & Video ; General ; Motion picture audiences ; Motion pictures ; Filmkunst ; Filmliefhebbers ; Sociale aspecten ; Konzeption ; Kulturwandel ; Film ; History ; Motion pictures ; Motion pictures ; New York 〈NY, 2002〉 ; USA ; Electronic books History
    Abstract: Documents the latest generation of cinephiles and their use of new technologies
    Note: Includes bibliographical references and indexes , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Online-Ausg. [S.l.] : HathiTrust Digital Library , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 39
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    The West in early cinema : after the beginning (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1280958278 , 1423785282 , 142945461X , 9053568328 , 9048509742 , 905356831X , 9781280958274 , 9781423785286 , 9781429454612 , 9789053568323 , 9789048509744 , 9789053568316
    Language: English
    Pages: 1 Online-Ressource (459 pages) , illustrations
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Verhoeff, Nanna West in early cinema
    Keywords: Motion pictures History ; Western films History and criticism ; Motion pictures History ; Western films History and criticism ; PERFORMING ARTS ; Film & Video ; Reference ; The arts ; Film, TV and radio ; Films, cinema ; Motion pictures ; Western films ; Films ; Wild-westfilms ; Motieven (kunst) ; Westernfilm ; Kultur ; Wilder Westen ; USA ; Criticism, interpretation, etc ; History
    Abstract: In The West in Early Cinema gaat Nanna Verhoeff op zoek naar de nog onbekende beginjaren van het westerngenre tijdens de eerste twee decennia van het medium film 1895-1915). Aan de hand van onbekende en vergeten films uit internationale filmarchieven traceert zij de relaties tussen films over het Westen, omringende filmgenres uit deze periode, en andere populaire media als fotografie, schilderkunst, (pulp)literatuur, Wild West Shows en populaire etnografie. Deze sporen van het genre tonen een grote actualiteit en variatie, die laat zien op welke manier de film als nieuw medium een vorm vond binnen de toenmalige visuele cultuur
    Abstract: Verhoeff investigates the emergence of the western genre, made in the first two decades of cinema (1895-1915). By analyzing many unknown and forgotten films from international archives she traces the relationships between films about the American West, their surrounding films, and other popular media such as photography, painting, (pulp) literature, Wild West Shows and popular ethnography. Through this exploration of archival material she raises new questions of historiography and provides a model for historical analysis. These first traces of the Western film reveal a preoccupation with presence and actuality that informs us about the way in which film, as new medium, took shape within the context of its contemporary visual culture
    Description / Table of Contents: 1. After-effects. Bits & Pieces -- City Limits -- Deconstructing the Other -- Easterns -- Facts and Fictions -- Genre -- 2. Coincidences. History Lessons -- Instant Nostalgia -- Jeopardy -- KaleidoscopicWorlds -- Landscapes -- Modernities -- 3. Strategies. Narrativity -- Old Timers -- Picture Postcards -- Questioning Categories -- Riding theWilderness -- Spectacle -- Time Travel -- 4. Practices. Universal Ambition -- Virtual Museums -- WildWest Show -- X-Rated -- YoungWildWomen -- Zooming In, Zapping, Zooming Out.
    Note: Includes bibliographical references and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 40
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    The cinema of attractions reloaded (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1280958448 , 1429454644 , 9053569456 , 9053569448 , 9048505534 , 9781280958441 , 9781429454643 , 9789053569450 , 9789053569443 , 9789048505531
    Language: English
    Pages: 1 Online-Ressource (460 pages) , illustrations
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Cinema of attractions reloaded
    Keywords: Motion pictures History ; Motion pictures History 20th century ; Motion pictures History 20th century ; Motion pictures History ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; The arts ; Film, TV and radio ; Motion pictures ; Filmkunst ; Filmtheorie ; History
    Abstract: Twenty years ago, noted film scholars Tom Gunning and Andre; Gaudreault introduced the phrase "cinema of attractions" to describe the essential qualities of films made in the medium's earliest days, those produced between 1895 and 1906. Now, The Cinema of Attractions Reloaded critically examines the term and its subsequent wide-ranging use in film studies. The collection opens with a history of the term, tracing the collaboration between Gaudreault and Gunning, the genesis of the term in their attempts to explain the spectacular effects of motion that lay at the heart of early cinema, and the pair's debts to Sergei Eisenstein and others. This reconstruction is followed by a look at applications of the term to more recent film productions, from the works of the Wachowski brothers to virtual reality and video games. With essays by an impressive collection of international film scholars - and featuring contributions by Gunning and Gaudreault as well - The Cinema of Attractions Reloaded will be necessary reading for all scholars of early film and its continuing influence
    Abstract: Introduction to an Attractive Concept / Wanda Strauven -- Theory Formation ["The Cinema of Attractions"]. Attractions: How They Came into the World / Tom Gunning -- A Rational Reconstruction of "The Cinema of Attractions" / Warren Buckland -- The Cinema of Attractions as Dispositif / Frank Kessler -- Spectacle, Attractions and Visual Pleasure / Scott Bukatman -- Attraction Theories and Terminologies ["Early Film"]. From "Primitive Cinema" to "Kine-Attractography" / André Gaudreault -- From "Primitive Cinema" to "Marvelous" / Wanda Strauven -- The Attraction of the Intelligent Eye: Obsessions with the Vision Machine in Early Film Theories / Viva Paci -- Rhythmic Bodies/Movies: Dance as Attraction in Early Film Culture / Laurent Guido -- Audiences and Attractions ["Its Spectator"]. A Cinema of Contemplation, A Cinema of Discernment: Spectatorship, Intertextuality and Attractions in the 1890s / Charles Musser -- The Lecturer and the Attraction / Germain Lacasse -- Integrated Attractions: Style and Spectatorship in Transitional Cinema / Charlie Keil -- Discipline through Diegesis: The Rube Film between "Attractions" and "Narrative Integration" / Thomas Elsaesser -- Attraction Practices through History ["The Avant-Garde": section 1]. Circularity and Repetition at the Heart of the Attraction: Optical Toys and the Emergence of a New Cultural Series / Nicolas Dulac and André Gaudreault
    Abstract: Lumiére, the Train and the Avant-Garde / Christa Blümlinger -- Programming Attractions: Avant-Garde Exhibition Practice in the 1920s and 1930s / Malte Hagener -- The Associational Attractions of the Musical / Pierre-Emmanuel Jaques -- Digital Media and (Un)Tamed Attractions ["The Avant-Garde": section 2]. Chez le Photographe c'est chez moi: Relationship of Actor and Filmed Subject to Camera in Early Film and Virtual Reality Spaces / Alison McMahan -- The Hollywood Cobweb: New Laws of Attraction / Dick Tomasovic -- Figures of Sensation: Between Still and Moving Images / Eivind Røssaak -- "Cutting to the Quick": Techne, Physis, and Poiesis and the Attractions of Slow Motion / Vivian Sobchack -- Dossier. Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy / Donald Crafton -- Early Cinema as a Challenge to Film History / André Gaudreault and Tom Gunning -- The Cinema of Attraction[s]: Early Film, Its Spectator and the Avant-Garde / Tom Gunning -- Rethinking Early Cinema: Cinema of Attractions and Narrativity / Charles Musser
    Note: Includes bibliographical references (pages 421-433) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 41
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    Film remakes as ritual and disguise : from Carmen to Ripley (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1281972681 , 1429454636 , 9053567844 , 9053567852 , 904850970X , 9781281972682 , 9781429454636 , 9789053567845 , 9789053567852 , 9789048509706
    Language: English
    Pages: 1 Online-Ressource (158 pages, [8] pages of plates) , illustrations (some color)
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Zanger, Anat Film remakes as ritual and disguise
    Keywords: Film remakes History and criticism ; Film remakes History and criticism ; PERFORMING ARTS ; Film & Video ; Reference ; The arts ; Film, TV and radio ; Humanities ; History ; Society and social sciences ; Society and culture: general ; Film remakes ; Remake ; Film ; Criticism, interpretation, etc ; Electronic book
    Abstract: The first book-length account of the symbolic chains that link remakes such as Psycho and Carmen and explain their disguises
    Description / Table of Contents: Psycho : inside and outside the frame -- First variation : Carmen -- The game begins -- Muted voices -- Masks -- Second variation : Joan -- The game again -- Hearing voices -- Discguises -- Repetitions as hidden streams.
    Note: Includes bibliographical references (pages 131-152) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 42
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    Shooting the family : transnational media and intercultural values (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 141758341X , 9781417583416 , 9789048505401 , 9048505402
    Language: English
    Pages: Online Ressource
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Online-Ausg. [S.l.] : HathiTrust Digital Library
    Parallel Title: Erscheint auch als Shooting the family
    DDC: 306.85
    Keywords: Médias et famille ; Famille ; Mass media and families ; Families ; Family ; Electronic books ; Famille ; Médias et famille ; Families ; Mass media and families ; The arts ; Film, TV and radio ; PERFORMING ARTS ; Film & Video ; General ; FAMILY & RELATIONSHIPS ; Alternative Family ; FAMILY & RELATIONSHIPS ; Reference ; Films ; Televisie ; Familierelaties ; Interculturele vergelijking ; Fernsehfilm ; Audiovisuelle Medien ; Familie ; Familie ; Multikulturelle Gesellschaft ; Film ; Electronic books ; Electronic books
    Abstract: This collection of essays explores ever-changing representations of family life on a global scale
    Note: Title from e-book title screen (viewed Mar. 18, 2005). - Includes bibliographical references and index , Includes bibliographical references and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Online-Ausg. [S.l.] : HathiTrust Digital Library , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 43
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    City of darkness, city of light : émigré filmmakers in Paris 1929-1939 (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 0585498180 , 9048505259 , 9053566333 , 9053566341 , 9780585498188 , 9789048505258 , 9789053566336 , 9789053566343
    Language: English
    Pages: 1 Online-Ressource (253 pages) , illustrations, portraits
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Phillips, Alastair City of darkness, city of light
    Keywords: Germans ; Motion picture producers and directors ; Motion picture producers and directors ; Germans ; PERFORMING ARTS ; Film & Video ; Reference ; The arts ; Film, TV and radio ; Germans ; Motion picture producers and directors ; Emigranten ; Filmregisseurs ; Filmschaffender ; Exil ; Film ; France ; Paris ; Paris 〈Motiv〉 ; Deutsche ; Paris ; Biographies ; History ; Electronic book
    Abstract: A ground-breaking study of the cinematic representation of Paris in the films of migr filmmakers who made it their first refuge from Hitler's Germany
    Description / Table of Contents: 1. Introduction. Diversity and Exchange -- Rethinking the National in European Cinema -- Cinema and the City -- Paris and the 1930s -- Paris and French Cinema of the 1930s -- France and the Émigrés -- City of Darkness, City of Light -- 2. The City in Context. An Historical Ambivalence -- Modernity and the City -- National Boundaries and Early European Sound Cinema -- Paris as Staging Ground for the Early Sound Wars -- Berlin as Prestige Model and Place of Work for French Film Industry Professionals -- Patterns of Exile and Emigration in the Pre-Nazi Era: The Russians and their Relationships to Paris and Berlin -- Trade and Economic Emigration from Berlin to Paris before 1933 -- Case Study One: Anatole Litvak -- Case Study Two: Kurt Courant -- The Rise of the Nazis in Berlin and the Politics of Departure -- The Place of Jews in Paris -- Reception: The Émigrés' Arrival in Paris -- Reception: The French Film Industry -- Case Study Three: Erich Pommer -- Case Study Four: Robert Siodmak -- 3. City of Light. Paris as Spectacle -- Paris and the Spectacle of Entertainment -- Parisian Journeys Across Time and Space -- 4. City of Darkness. The Camera Goes Down the Streets: 'The Hidden Spirit Under the Familiar Façade' -- Framing the Urban Decor -- The Émigrés and Poetic Realism -- Spaces of Crime and Pleasure in the City of Darkness -- Parisian Journeys Between the Past and the Present -- 5. Divided City. The Divided City in Context -- Divided Characters, Divided City -- Journeys Across the Divided City -- 6. Conclusion -- Appendices. Tobis In Paris Filmography 1929-1939 -- Osso Filmography 1930-1939 -- Anatole Litvak Filmography 1930-1936 -- Kurt Courant Filmography 1929-1939 -- Erich Pommer French-Language Filmography 1930-1934 -- Robert Siodmak French-Language Filmography 1931-1939 -- Nero Films Filmography 1930-1939 -- La Crise est finie -- La Vie Parisienne -- Mauvaise graine -- Coeur de lilas -- Dans les rues -- Carrefour -- Pièges -- Liliom.
    Note: Includes bibliographical references (pages 221-241) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 44
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    European cinema : face to face with Hollywood (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1280958863 , 1423746252 , 9053565949 , 9053566023 , 9048505178 , 9781280958861 , 9781423746256 , 9789053565940 , 9789053566022 , 9789048505173
    Language: English
    Pages: 1 Online-Ressource (563 pages) , illustrations
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Elsaesser, Thomas, 1943- European cinema
    Keywords: Motion picture industry ; Motion pictures ; Motion picture industry ; Motion pictures ; BUSINESS & ECONOMICS ; Industries ; Media & Communications ; TECHNOLOGY & ENGINEERING ; Telecommunications ; Society and social sciences ; Society and culture: general ; The arts ; Film, TV and radio ; Humanities ; History ; HISTORY ; General ; Motion picture industry ; Motion pictures ; Filmkunst ; Filmindustrie ; Film ; Film ; Music, Dance, Drama & Film ; Europe ; Europa ; Electronic books
    Abstract: Annotation, Has European cinema, in the age of globalization, lost contact not only with the world at large, but with its own audiences? Between the thriving festival circuit and the obligatory late-night television slot, is there still a public or a public sphere for European films? Can the cinema be the appropriate medium for a multicultural Europe and its migrating multitudes? Is there a division of representational labor, with Hollywood providing stars and spectacle, the Asian countries exotic color and choreographed action, and Europe a sense of history, place and memory? This collection of essays by an acclaimed film scholar examines how independent filmmaking in Europe has been reinventing itself since the 1990s, faced by renewed competition from Hollywood and the challenges posed to national cinemas by the fall of the Wall in 1989. Elsaesser reassesses the debates and presents a broader framework for understanding the forces at work since the 1960s. These include the interface of "world nbsp;cinema" and the rise of Asian cinemas, the importance of the international film festival circuit, the role of television, and the changing aesthetics of auteur cinema. New audiences have different allegiances, and new technologies enable networks to reshape identities, but European cinema still has an important function in setting critical and creative agendas, even as its economic and institutional bases are in transition
    Description / Table of Contents: Introduction -- European Cinema: Conditions of Impossibility? [2005] -- National Cinema: Re-Definitions and New Directions -- European Culture, National Cinema, the Auteur and Hollywood [1994] -- ImpersoNations: National Cinema, Historical Imaginaries [2005] -- Film Festival Networks: the New Topographies of Cinema in Europe [2005] -- Double Occupancy and Small Adjustments: Space, Place and Policy in the New European Cinema since the 1990s [2005] -- Auteurs and Art Cinemas: Modernism and Self-Reference -- Ingmar Berman -- Person and Persona: The Mountain of Modern Cinema on the Road to Morocco [1994] -- Late Losey: Time Lost and Time Found [1985] -- Around Painting and the "End of Cinema": A Propos Jacques Rivette's La Belle Noiseuse [1992] -- Spellbound by Peter Greenaway: In the Dark ... and Into the Light [1996] -- The Body as Perceptual Surface: The Films of Johan van der Keuken [2004] Television and the Author's Cinema: ZDF's Das Kleine Fernsehspiel [1992] -- Touching Base: Some German Women Directors in the 1980s [1987] -- Europe-Hollywood-Europe -- Two Decades in Another Country: Hollywood and the Cinephiles [1975] -- Raoul Ruiz's Hypothese du Tableau Vole [1984] -- Images for Sale: The "New" British Cinema [1984] -- "If You Want a Life": The Marathon Man [2003] -- British Television in the 1980s Through The Looking Glass [1990] -- German Cinema Face to Face with Hollywood: Looking into a Two-Way Mirror [2003] -- Central Europe Looking West -- Of Rats and Revolution: Dusan Makavejev's The Switchboard Operator [1968] -- Defining DEFA's Historical Imaginary: The Films of Konrad Wolf [2001] -- Under Western Eyes: Who Does Zizek Want? [1995] -- Our Balkanist Gaze: About Memory's No Man's Land [2003] -- Europe Haunted by History and Empire -- Is History an Old Movie? [1986] -- Edgar Reitz' Heimat: Memory, Home and Hollywood [1985] -- Discourse and History: One Man's War -- An Interview with Edgardo Cozarinsky [1984] -- Rendezvous with the French Revolution: Ettore Scola's That Night in Varennes [1989] -- Joseph Losey's The Go-Between [1972] -- Games of Love and Death: Peter Greenaway and Other Englishmen [1988] -- Border-Crossings: Filmmaking without a Passport -- Peter Wollen's Friendship's Death [1987] -- Andy Engel's Melancholia [1989] -- On the High Seas: Edgardo Cozarinsky's Dutch Adventure [1983] -- Third Cinema/World Cinema: An Interview with Ruy Guerra [1972] -- Ruy Guerra's Erendira [1986] -- Hyper-, Retro- or Counter-: European Cinema as Third Cinema Between Hollywood and Art Cinema [1992].
    Note: Includes bibliographical references and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
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  • 45
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    Fassbinder's Germany : history, identity, subject (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9053560599 , 9048503507 , 9053561846 , 9789053560594 , 9789048503506 , 9789053561843
    Language: English
    Pages: 1 Online-Ressource (396 pages)
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Elsaesser, Thomas, 1943- Fassbinder's Germany
    Keywords: Fassbinder, Rainer Werner Criticism and interpretation ; Fassbinder, Rainer Werner Criticism and interpretation ; Motion pictures History ; Motion pictures History ; Fassbinder, Rainer Werner ; Fassbinder, Rainer Werner ; Fassbinder, Rainer Werner ; PERFORMING ARTS ; Film & Video ; Direction & Production ; Society and social sciences ; Society and culture: general ; The arts ; Film, TV and radio ; Humanities ; History ; HISTORY ; General ; Motion pictures ; Films ; Deutschlandbild ; Geschichtsbild ; Deutschlandbild ; Germany ; Criticism, interpretation, etc ; History
    Abstract: Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his films as textual entities. Approaching the work from different thematic and analytical perspectives, Elsaesser offers both an overview and a number of detailed readings of crucial films, while also providing a European context for Fassbinder's own coming to terms with fascism
    Note: Includes bibliographical references (pages 319-339) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 46
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    Avoiding the subject : media, culture and the object (2010)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1417581921 , 9781417581924 , 9789048505883 , 9048505887
    Language: English
    Pages: Online Ressource (216 p.) , ill.
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Online-Ausg. [S.l.] : HathiTrust Digital Library
    Parallel Title: Erscheint auch als Clemens, Justin Avoiding the subject
    DDC: 302.23
    Keywords: Mass media Social aspects ; Médias et culture ; Médias Aspect social ; Mass media and culture ; Mass media Social aspects ; Mass media ; Médias Aspect social ; Médias et culture ; Mass media Social aspects ; Mass media and culture ; Film, TV and radio ; PERFORMING ARTS ; Film & Video ; General ; The arts ; SOCIAL SCIENCE ; Media Studies ; Massamedia ; Informatiemaatschappij ; Object (filosofie) ; Massenmedien ; Wirkung ; Methode ; Electronic book ; Electronic books ; Electronic book
    Abstract: A lively and erudite analysis on visual culture, critical theory, film theory, and new media
    Note: Includes bibliographical references (p. 185-211) and index. - Description based on print version record , Description based on print version record , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Online-Ausg. [S.l.] : HathiTrust Digital Library , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 47
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    Films that work : industrial film and the productivity of media (2009)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9089640126 , 9089640134 , 9048502268 , 9789089640123 , 9789089640130 , 9789048502264
    Language: English
    Pages: 1 Online-Ressource (491 pages) , illustrations
    Edition: Online-Ausg.
    Series Statement: Film culture in transition
    Parallel Title: Print version Films that work
    Keywords: Industrial films History and criticism ; Industrial films History and criticism ; The arts ; Film, TV and radio ; Industrial films ; Films ; Ondernemingen ; Documentaires ; Criticism, interpretation, etc ; Documentary films ; Documentary films ; LANGUAGE ARTS & DISCIPLINES ; Journalism ; PERFORMING ARTS ; Film & Video ; General ; Electronic book
    Abstract: Industriële films worden gezien als een apart filmgenre van de twintigste eeuw. Ze werden geproduceerd en gesponsord door de overheid en grote bedrijven en moesten vooral aan de wensen van de sponsors voldoen, en niet zo zeer aan die van de filmmakers. In de hoogtijdagen werkten er duizenden mensen aan deze industriële films. Zo zijn er vakbladen en filmfestivals ontstaan door samenwerking met grote bedrijven als Shell en AT & T. Daarnaast hebben belangrijke regisseurs, zoals Buster Keaton, John Grierson en Alain Resnais, aan deze films meegewerkt. Toch lijkt de industriële film geen spoor te hebben achtergelaten in het filmische culturele discours. Films that Work is het eerste boek waarin de industriële film en zijn opmerkelijke geschiedenis worden onderzocht
    Abstract: The history of industrial films - an orphan genre of twentieth-century cinema composed of government-produced and industrially sponsored movies that sought to achieve the goals of their sponsors, rather than the creative artists involved - seems to have left no trace in filmic cultural discourse. At its height the industrial film industry employed thousands, produced several trade journals and festival circuits, engaged with giants of twentieth-century industry like Shell and AT & T, and featured the talents of iconic actors and directors such as Buster Keaton, John Grierson and Alain Resnais. This is the first full-length book, anthology, and annotated bibliography to analyse the industrial film and its remarkable history. Exploring the potential of the industrial film to uncover renewed and unexplored areas of media studies, this remarkable volume brings together renowned scholars such as Rick Prelinger and Thomas Elsaesser in a discussion of the radical potential and new possibilities in considering the history of this unexplored corporate medium
    Note: Includes bibliographical references and indexes , Machine generated contents note: I. Navigating the Archive ; Archives and Archaeologies: The Place of Non-Fiction Film in Contemporary Media , Record, Rhetoric, Rationalization: Industrial Organization and Film , Vernacular Archiving: An Interview with Rick Prelinger , II. Visuality and Efficiency ; Early Industrial Moving Pictures in Germany , Layers of Cheese: Generic Overlap in Early Non-Fiction Films on Production Processes , Images of Efficiency: The Films of Frank B. Gilbreth , "What Hollywood Is to America, the Corporate Film Is to Switzerland": Remarks on Industrial Film as Utility Film , Poussieres: Writing the Real vs. the Documentary Real , Thermodynamic Kitsch: Computing in German Industrial Films, 1928/1963 , III. Films and Factories ; Touring as a Cultural Technique: Visitor Films and Autostadt Wolfsburg , Corporate Films of Industrial Work: Renault (1916-1939) , Filming Work on Behalf of the Automobile Firm: The Case of Renault (1950-2002) , Eccentricity, Education and the Evolution of Corporate Speech: Jam Handy and His Organization , Centron, an Industrial/Educational Film Studio, 1947-1981: A Microhistory , Films from Beyond the Well: A Historical Overview of Shell Films 243 , IV. See, Learn, Control ; Personnel Is Political: Voice and Citizenship in Affirmative-Action Videos in the Bell System, 1970-1984 , Behaviorism, Animation, and Effective Cinema: The McGraw-Hill INDUSTRIAL MANAGEMENT Film Series and the Visual Culture of Management
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  • 48
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    Digital material : tracing new media in everyday life and technology (2009)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9089640681 , 9048506662 , 9789089640680 , 9789048506668
    Language: English
    Pages: 1 Online-Ressource (303 pages) , illustrations
    Edition: Online-Ausg.
    Series Statement: MediaMatters
    Parallel Title: Print version Digital material
    RVK:
    AP 18000
    Keywords: Digital media Social aspects ; Mass media Technological innovations ; Mass media and culture ; Mass media and culture ; Digital media Social aspects ; Mass media Technological innovations ; LANGUAGE ARTS & DISCIPLINES ; Journalism ; PHILOSOPHY ; General ; The arts ; Film, TV and radio ; Society and social sciences ; Society and culture: general ; Humanities ; Philosophy ; Digital media ; Social aspects ; Mass media and culture ; Mass media ; Technological innovations ; Electronic book
    Abstract: This is a compelling study of the often controversial role and meaning of the new media and digital cultures in contemporary society. Three decades of societal and cultural alignment of new media yielded to a host of innovations, trials, and problems, accompanied by versatile popular and academic discourse. "New Media Studies" crystallized internationally into an established academic discipline, which begs the question: where do we stand now; which new issues have emerged now that new media are taken for granted, and which riddles remain unsolved; and, is contemporary digital culture indeed all about 'you', or do we still not really understand the digital machinery and how it constitutes us as 'you'. From desktop metaphors to Web 2.0 ecosystems, from touch screens to bloggging to e-learning, from role-playing games to Cybergoth music to wireless dreams, this timely volume offers a showcase of the most up-to-date research in the field from what may be called a 'digital-materialist' perspective
    Abstract: Serious games from an apparatus perspective / Joost Raessens -- Empower yourself, defend freedom! Playing games during times of war / David B. Nieborg -- Formatted spaces of participation : interactive television and the changing relationship between production and consumption / Eggo Müller -- Digital objects in e-learning environments : the case of WebCT / Erna Kotkamp -- The vanishing points of mobile communication / Imar de Vries -- The work of art in the age of digital recombination / Jos de Mul -- The design of world citizenship : a historical comparison between world exhibitions and the web / Berteke Waaldiijk -- 'And machine created music' : cybergothic music and the phantom voices of the technological uncanny / Isabella van Elferen -- Moving beyond the artefact : lessons from participatory culture / William Uricchio -- Participation inside? User activities between design and appropriation / Mirko Tobias Schäfer -- Challenging the magic circle : how online role-playing games are negotiated by everyday life / Marinka Copier -- Renaissance now! The gamers' perspective / Douglas Rushkoff -- What you get is what you see : digital images and the claim on the real / Frank Kessler -- The pervasive interface : tracing the magic circle / Eva Nieuwdorp -- Grasping the screen : towards a conceptualization of touch, mobility and multiplicity / Nanna Verhoeff -- Terra incognita : computer games, cartography and spatial stories / Sybille Lammes -- Conceptualizing forums and blogs as public sphere / Thomas Poell -- Interfacing by material metaphors : how your mailbox may fool you / Marianne van den Boomen -- Hidden practice : artists' working spaces, tools, and materials in the digital domain / Ann-Sophie Lehmann
    Note: Includes bibliographical references and index , English
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  • 49
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    Transfigurations : violence, death and masculinity in American cinema (2008)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1282171410 , 9089640304 , 908964010X , 9048508509 , 9781282171411 , 9789089640307 , 9789089640109 , 9789048508501
    Language: English
    Pages: 1 Online-Ressource (274 pages) , illustrations
    Edition: Online-Ausg.
    Series Statement: Film culture in transition
    Parallel Title: Print version Grønstad, Asbjørn Transfigurations
    Keywords: Violence in motion pictures ; Death in motion pictures ; Masculinity in motion pictures ; Motion pictures, American ; Violence in motion pictures ; Death in motion pictures ; Masculinity in motion pictures ; Motion pictures, American ; PERFORMING ARTS ; Film & Video ; Reference ; The arts ; Film, TV and radio ; Films, cinema ; Film theory and criticism ; Society and social sciences ; Society and culture: general ; PERFORMING ARTS ; Film & Video ; General ; Death in motion pictures ; Masculinity in motion pictures ; Motion pictures, American ; Violence in motion pictures ; Gewalt ; Tod ; Männlichkeit ; Film ; Film ; Music, Dance, Drama & Film ; USA ; Electronic book
    Abstract: "Transfigurations: Violence, Death and Masculinity in American Cinema suggests a fundamental rethinking of the notion of violence in Hollywood cinema, and discloses the methodological and theoretical inadequacies of a series of common approaches to screen violence. More specifically, the book challenges the traditional understanding of the concept of memesis with regard to film fiction in general and film violence in particular. Transfigurations deconstructs the idea that the film image is a transparent entity, and proposes instead that filmicity is always opaque. In turn, this argument leads to the conclusion that all film fiction is amimetic, and that it entails processes of transfiguration rather representation, aesthetic theorization rather than mimetic reflection. By considering film violence not as a mirror but as a trope, this book shows how the violence in films may be interpreted as a discourse on death and masculinity."--Jacket
    Abstract: In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs
    Description / Table of Contents: Introduction: film violence as figurality -- Screen violence: five fallacies. Empiricism ; Aristotelianism ; Aestheticism ; Mythologicism ; Mimeticism -- Filming death. The transfigured image -- Narrating violence, or, allegories of dying -- Male subjectivities at the margins. Mean streets: death and disfiguration in Hawks's Scarface -- Kubrick's The killing and the emplotment of death -- Blood of a poet: Peckinpah's The wild bunch -- As I lay dying: violence and subjectivity in Tarantino's Reservoir dogs -- One-dimensional men: Fincher's Fight club and the end of masculinity.
    Note: Includes bibliographical references (pages 221-260) and indexes
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  • 50
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    Early Netherlandish paintings : rediscovery, reception and research (2005)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048505227 , 1417582774 , 9789053566145 , 128095891X , 9781280958915 , 9053566147 , 9781417582778
    Language: English
    Pages: Online-Ressource
    Additional Information: Rezensiert in Buskirk, Jessica [Rezension von: Ridderbos, Bernhard, Early Netherlandish Paintings: Rediscovery, Reception, and Research] 2007
    Series Statement: EBSCOhost eBook Collection
    Uniform Title: Om iets te weten van de oude meesters 〈engl.〉
    Keywords: Panel painting, Flemish 15th century ; Panel painting, Flemish Expertising ; Panel painting, Flemish 15th century ; Panel painting, Flemish Expertising ; Panel painting, Flemish Expertising ; Panel painting, Flemish 15th century ; Panel painting, Flemish 15th century. ; Panel painting, Flemish Expertising. ; Panel painting, Flemish ; Expertising ; ART ; History ; General ; Panel painting, Flemish ; Geschichte ; Malerei ; Niederlande ; Electronic books. ; Electronic books ; Aufsatzsammlung ; Niederlande ; Malerei ; Geschichte ; Niederlande ; Malerei ; Geschichte 1400-1600
    Abstract: An illustrated scholarly analysis of the art and the cultural interpretations of the Flemish Primitives; 1400 - 1499
    Abstract: Objects and Questions (Bernhard Ridderbos) -- Collecting Early Netherlandish Paintings in Europe and the United States (Till-Holger Borchert) -- From Waagen to Friedländer (Bernhard Ridderbos) -- Realism, Renaissance and Nationalism (Wessel Krul) -- Technical Examination (Jeltje Dijkstra) -- The Corpus of Fifteenth-Century Painting in the Southern Netherlands and the Principality of Liège (Henri Pauwels) -- Patronage (Maximiliaan P.J. Martens) -- Iconography and Iconology (Craig Harbison)
    Description / Table of Contents: Objects and Questions (Bernhard Ridderbos)Collecting Early Netherlandish Paintings in Europe and the United States (Till-Holger Borchert) -- From Waagen to Friedländer (Bernhard Ridderbos) -- Realism, Renaissance and Nationalism (Wessel Krul) -- Technical Examination (Jeltje Dijkstra) -- The Corpus of Fifteenth-Century Painting in the Southern Netherlands and the Principality of Liège (Henri Pauwels) -- Patronage (Maximiliaan P.J. Martens) -- Iconography and Iconology (Craig Harbison)
    Note: Includes bibliographical references and index , Mode of access: World Wide Web.
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  • 51
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    The last great American picture show : New Hollywood cinema in the 1970s (2004)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1417521724 , 9053566317 , 9053564934 , 904850368X , 9781417521722 , 9789053566312 , 9789053564936 , 9789048503681
    Language: English
    Pages: 1 Online-Ressource (1 volume)
    Edition: [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Last great American picture show
    Parallel Title: Erscheint auch als The last great American picture show
    RVK:
    AP 44981
    RVK:
    AP 44983
    Keywords: Motion pictures History ; Motion pictures History ; Electronic books ; The arts ; Film, TV and radio ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Motion pictures ; Filmkunst ; Films ; Filmindustrie ; Cinéma ; États-Unis ; 1960-1990 ; Histoire et critique ; United States ; History ; Aufsatzsammlung ; Los Angeles- Hollywood ; Film ; Geschichte 1967-1976 ; USA ; Geschichte 1970-1980 ; Film
    Abstract: Annotation, The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude--these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are increasingly recognized as a crucial turning point in American filmmaking, and many films from the era have resurfaced from oblivion to become a reference for new directorial talents. The Last Great American Picture Show explores this pivotal era in American film history with a collection of essays by scholars and writers that firmly situates the decade as the time of the emergence of "New Hollywood." Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashy, Robert Altman, and James Tobac: these legendary directors developed innovative techniques, gritty aesthetics, and a modern sensibility in American film. Here, contributors compellingly argue that the cinema of today's major directors--Steven Spielberg, James Cameron, Quentin Tarantino, Ridley Scott, Robert Zemeckis--could not have come into existence without the groundbreaking works produced by the directors of the 1970s. A wholly engaging and long-overdue investigation of this important era in American film, The Last Great American Picture Show reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide
    Abstract: The impure cinema : new Hollywood 1967-1976 / Alexander Horwath -- "The last good time we ever had" : remembering the new Hollywood cinema / Noel King -- American auteur cinema : the last -- or first -- great picture show / Thomas Elsaesser -- The decade when movies mattered / David Thomson -- A walking contradiction (partly truth and partly fiction) / Alexander Horwath -- The exploitation generation, or how marginal movies came in from the cold / Maitland McDonagh -- New Hollywood and the sixties melting pot / Jonathan Rosenbaum -- Dinosaurs in the age of the cinemobile / Richard T. Jameson -- "The cylinders were whispering my name" : the films of Monte Hellman / Kent Jones -- Nashville contra Jaws, or "The imagination of disaster" revisited / J. Hoberman -- For Wanda / Bérénice Reynaud -- Everybody knows this is nowhere : the uneasy ride of Hollywood and rock / Howard Hampton -- Auteurism and war-teurism : Terrence Malick's war movie / Dana Polan -- The pathos of failure : American films in the 1970s : notes on the unmotivated hero / Thomas Elsaesser -- Trapped in the affection image : Hollywood's post-traumatic cycle (1970-1976) / Christian Keathley --Grim fascination : Fingers, James Toback and 1970s American cinema / Adrian Martin -- Allegories of post-Fordism in 1970s new Hollywood : countercultural combat films and conspiracy thrillers as genre recycling / Drehli Robnik
    Note: Includes bibliographical references (pages 359-370) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
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  • 52
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    Rembrandt, reputation, and the practice of connoisseurship (2004)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1417583371 , 9781417583379 , 9789048503674 , 9048503671
    Language: English
    Pages: 416 p , ill , 24 cm
    Edition: Boulder, Colo NetLibrary 2005 Online-Ressource E-Books von NetLibrary
    Additional Information: Rezensiert in Dickey, Stephanie S. [Rezension von: Scallen, Catherine B., Rembrandt, Reputation, and the Practice of Connoisseurship] 2006
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Erscheint auch als Scallen, Catherine B Rembrandt, reputation, and the practice of connoisseurship
    Keywords: Rembrandt Harmenszoon van Rijn, Criticism and interpretation. ; Rembrandt Harmenszoon van Rijn 1606-1669 Criticism and interpretation ; Rembrandt (Harmensz van Rijn) ; Rembrandt 1606-1669 Critique et interprétation ; Rembrandt Harmenszoon van Rijn Criticism and interpretation ; Rembrandt Harmenszoon van Rijn, Criticism and interpretation. ; Rembrandt Harmenszoon van Rijn 1606-1669 ; Rembrandt Harmenszoon van Rijn ; Rembrandt (Harmensz van Rijn) ; Rembrandt ; Painting, Dutch Attribution. ; Painting, Dutch Historiography. ; Painting, Dutch Attribution ; Painting, Dutch Historiography ; Peinture hollandaise Attribution ; Peinture hollandaise Historiographie ; Painting, Dutch Attribution ; Painting, Dutch Historiography ; Painting, Dutch Attribution. ; Painting, Dutch Historiography. ; ART ; History ; General ; Painting, Dutch ; Attribution ; Painting, Dutch ; Historiography ; Kunstgeschiedenis (wetenschap) ; Oeuvrecatalogi ; Criticism, interpretation, etc ; Rezeption ; Geschichte ; Electronic books. ; Electronic books. ; Electronic books ; Rembrandt Harmensz van Rijn 1606-1669 ; Rezeption ; Geschichte ; Rembrandt Harmensz van Rijn 1606-1669 ; Rezeption ; Geschichte 1870-1935
    Abstract: The rise of a new art historian: Wilhelm Bode and the beginnings of modern Rembrandt connoisseurship -- Wilhelm Bode's and Giovanni Morelli's debates about connoisseurship -- Who is Rembrandt? Bode and his protégés in Rembrandt studies -- The Rembrandt decade -- Rembrandt in America -- The contest for authority -- Rembrandt, rediscovered paintings and the debate over method -- Van Dyke and Rembrandt -- The end of an era
    Abstract: Analyses the scholarly formation of the corpus of Rembrandt paintings in the late 19th-Century
    Description / Table of Contents: The rise of a new art historian: Wilhelm Bode and the beginnings of modern Rembrandt connoisseurship --Wilhelm Bode's and Giovanni Morelli's debates about connoisseurship --Who is Rembrandt? Bode and his protégés in Rembrandt studies --The Rembrandt decade --Rembrandt in America --The contest for authority --Rembrandt, rediscovered paintings and the debate over method --Van Dyke and Rembrandt --The end of an era.
    Note: Includes bibliographical references (p. 381-405) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2005
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  • 53
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    City of darkness, city of light : émigré filmmakers in Paris 1929-1939 (2004)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 0585498180
    Language: English
    Pages: 253 S. , Ill. , 24 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2004 E-Books von NetLibrary
    Series Statement: Film culture in transition
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Druckausg. u.d.T. Phillips, Alastair, 1963 - City of darkness, city of light
    DDC: 791.43/0944361
    RVK:
    AP 44911
    Keywords: Motion picture producers and directors ; Germans ; Motion picture producers and directors ; Germans ; Motion picture producers and directors France ; Paris ; Germans France ; Paris ; Deutsche ; Exil ; Filmregisseur ; Filmschaffender ; Paris ; Electronic books ; Electronic books. ; Electronic books. ; Aufsatzsammlung ; Paris ; Deutsche ; Filmschaffender ; Filmregisseur ; Exil ; Geschichte 1929-1939 ; Frankreich ; Film
    Note: Includes bibliographical references (p. [221]-241) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
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  • 54
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    Cinema, trance and cybernetics (2017)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789089646682 , 9048523486 , 908964668X , 9789048523481
    Language: English
    Pages: 1 Online-Ressource (326 pages)
    Series Statement: Recursions: theories of media, materiality, and cultural techniques
    Uniform Title: Kino, Trance & Kybernetik
    Parallel Title: Print version Holl, Ute Cinema, trance and cybernetics
    Keywords: Motion pictures Aesthetics ; Motion pictures Psychological aspects ; Motion pictures ; Motion pictures ; Electronic books ; PERFORMING ARTS ; Film & Video ; History & Criticism ; The arts ; Film, TV and radio ; Films, cinema ; Film theory and criticism ; Motion pictures ; Aesthetics ; Motion pictures ; Psychological aspects ; Electronic books
    Abstract: We've all had the experience of watching a film and feeling like we've been in a trance. This book takes that experience seriously, explaining cinema as a cultural technique of trance, one that unconsciously transforms our perceptions. Ute Holl moves from anthropological and experimental cinema through nineteenth-century psychological laboratories, which she shows developed techniques for testing, measuring, and classifying the mind that can be seen as a prehistory of cinema, one that allows us to see the links among cinema, anthropology, psychology, and cybernetics
    Description / Table of Contents: Machine generated contents note: Part I -- 1. Cinema -- 2. Cybernetics -- 3. Knots -- 4. To Whom it May Concern -- Part II -- 1. Discretions -- 2. Depersonalizations -- 3. Deviations -- 4. Compressions -- Part III -- 1. Mental Apparatuses -- 2. Psycho-Motor Activity -- 3. Psycho-Drama -- 4. Psycho-Technology -- 5. Psycho-Reflexology -- Part IV -- 1. The Truth Won by Means of Film -- Part V -- 1. After All: Return to Receiver.
    Note: Includes bibliographical references (pages 309-320) and index , Translated from the German , Translated from the German
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    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
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  • 55
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    Living dangerously : a biography of Joris Ivens (2000)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1281972312 , 9053564330 , 9053563881 , 9048503590 , 9781281972316 , 9789053564332 , 9789053563885 , 9789048503599
    Language: English
    Pages: 1 Online-Ressource (443 pages) , illustrations
    Edition: Online-Ausg.
    Series Statement: Film Culture in Transition
    Uniform Title: Gevaarlijk leven: een biografie van Joris Ivens
    Parallel Title: Print version Schoots, Hans, 1950- Living dangerously
    Keywords: Ivens, Joris ; Ivens, Joris ; Motion picture producers and directors Biography ; Motion picture producers and directors Biography ; Ivens, Joris ; PERFORMING ARTS ; Film & Video ; Direction & Production ; BIOGRAPHY & AUTOBIOGRAPHY ; Entertainment & Performing Arts ; The arts ; Film, TV and radio ; PERFORMING ARTS ; Film & Video ; General ; Motion picture producers and directors ; Filmkunst ; Films ; Netherlands ; Biographies
    Abstract: Highly prized biography of one of the Netherlands' most famous and controversial filmmakers
    Abstract: 16. The Uncle Behind the Iron Curtain (1947-1950)17. The Blue Book (1950-1956); 18. Breathing Space (1957-1960); 19. Cowboy Boots and Guerrilla Cap (1960-1964); 20. A Socialist Scoop (1964-1968); 21. Sixty-Nine in Sixty-Eight (1968-1971); 22. The Old Steed Gallops a Thousand Li (1971-1978); 23. An Arduous De-Stalinization (1978-1985); 24. Unfavorable Winds (1985-1989); Acknowledgements; Archives and Document Collections; People Interviewed; Notes; Bib
    Abstract: Contents; Introduction; 1. The Boss's Son (1898-1921); 2. Ragmop (1921-1927); 3. A Time of Daily Discoveries (1927-1929); 4. Exactly How We See It Too, Sir (1929); 5. You hear me, Father, Mother, World, Charnel House (1930-1931); 6. The Magnetic Mountain (1932); 7. Socialist Realism (1933); 8. Sidetracked (1934-1936); 9. Land of Opportunity (1936); 10. The Spanish Labyrinth (1937); 11. Chinese Poker (1938); 12. Ivens's Interbellum (1939-1941); 13. Glamour Boy of the Revolution (1941-1944); 14. War Under the Palm Trees (1944-1945); 15. Indonesia Merdeka (1945-1946)
    Note: Includes bibliographical references ([418]-429) and index
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