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  • Jackson : University Press of Mississippi
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  • 1
    Buch
    Buch
    Jackson : University Press of Mississippi
    Dazugehörige Bände/Artikel
    Sprache: Englisch
    Schlagwort(e): Afrika ; Jazz
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  • 2
    Buch
    Buch
    Jackson : University Press of Mississippi
    Dazugehörige Bände/Artikel
    Sprache: Englisch
    Anmerkung: Volume 2 edited by Michael E. Lomax and Billy Hawkins
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  • 3
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781496850409
    Sprache: Englisch
    Seiten: 1 online resource (229 pages)
    Ausgabe: 1st ed.
    Serie: Race, Rhetoric, and Media Series
    Paralleltitel: Erscheint auch als
    Kurzfassung: How Muslim women activists have heroically raised physical and digital protest banners.
    Kurzfassung: Cover -- Title Page -- Copyright -- Contents -- Preface -- Introduction -- Chapter 1: Ms. Marvel's Resistance Icon -- Chapter 2: Online Sport Protest: Nike Wonder Women -- Chapter 3: Digital Revolts and Riveters -- Chapter 4: Grassroots Icons: Facebook Resistance -- Chapter 5: Solidarity Icons: A Virtual Revolution -- Conclusion: Digitalizing Wonder Women -- Notes -- Bibliography -- Index -- About the Author.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 4
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781496848130
    Sprache: Englisch
    Seiten: 1 online resource (299 pages)
    Ausgabe: 1st ed.
    Paralleltitel: Erscheint auch als
    Kurzfassung: An unflinching chronicle of one Mississippian's reckoning with history.
    Kurzfassung: Cover -- OUTLIVING THE WHITE LIE -- Title -- Copyright -- Contents -- Introduction. The Boy Emperor's New-Old Clothes -- Chapter 1. Race and Me and Mississippi -- Part 1. The Larger Implications of the Small Debates of the Moment -- Chapter 2. Our Distinguished Error Emeritus -- Chapter 3. Becoming Abraham Lincoln -- Remaining Robert E. Lee -- Chapter 4. The Riddle of the Confederate Sphinx -- Chapter 5. The Black Confederates Who Were, and Those Who Weren't -- Chapter 6. The Sins of the Fourth-Great-Grandfathers -- Chapter 7. Asset De-appreciation -- Part 2. The Importance of Slavery in the Antebellum South (and Beyond) -- Chapter 8. The "Peculiar" Case of the Antebellum South -- Chapter 9. Slavery's Capitalism -- Chapter 10. Slavery's Freedom -- Part 3. How Slavery Shackled the White South -- Chapter 11. The Two Souths of Tom and Lewis, Sam and Elijah -- Chapter 12. The One Percent -- Chapter 13. The Miseducation of the South -- Part 4. How the White South was Persuaded to Shackle Itself -- Chapter 14. The Invention of the White "Race" -- Chapter 15. "Racecraft" -- Chapter 16. The First Families of Racism -- Chapter 17. The Solidarity Myth -- Part 5. Constitutional Constructions, Reconstructions, and Deconstructions -- Chapter 18. Diogenes Finds His Honorably Honest Southern Man -- Chapter 19. Constitutional Construction and the Reconstruction of American Democracy -- Chapter 20. The Reconstruction and Deconstruction of American Democracy -- Chapter 21. When Jim Crow Was Chairman of the School Board -- Chapter 22. Mac and Black Annie -- Chapter 23. Affirmative Action for White People -- Chapter 24. The Second Reconstruction of American Democracy -- Part 6. The Second Deconstruction of American Democracy -- Chapter 25. The Great Migration of the Yellow Dogs -- Chapter 26. The Southern Strategy of the Republican Party.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 5
    ISBN: 9781496850652 , 9781496850645
    Sprache: Englisch
    Seiten: pages cm
    Paralleltitel: Erscheint auch als Swanson, Kemeshia Randle Maverick feminist
    DDC: 305.48/896073
    Schlagwort(e): Women, Black Social conditions ; African American women Social conditions ; Women, Black Sexual behavior ; African American women Sexual behavior ; African American feminists ; Feminism ; Feminism and racism
    Kurzfassung: "Beginning with their forced introduction to American soil, Black women have relied on maverick-like characteristics to survive. And yet, these liberating characteristics have been repeatedly disparaged by the masses in favor of an elitist politics of respectability. In Maverick Feminist: To Be Female and Black in a Country Founded upon Violence and Respectability, scholar Kemeshia Randle Swanson examines the extent to which the politics of respectability diminish joy and increase sorrow throughout the lifespan of Black women. By rejecting this damaging standard in society, Black women can wholly and attentively assist in the obliteration of racist, sexist, classist, and ableist oppression. But first, they must work towards becoming self-identified, self-actualized, and self-sexualized. Bridging the gap between women in both the streets and the academy, Maverick Feminist expands the traditional understandings of activism and enlarges discussions about Black female sexuality. Swanson emphasizes sexuality's significance to the literary and sociopolitical success of Black women of the past and in this contemporary climate. Through close readings and critical analyses of fiction, nonfiction, and popular culture, Swanson argues that #blackgirlmagic and racial progression require rejecting respectability politics and developing an intimate appreciation of self. Maverick Feminist examines texts by and about bold Black women, including Zora Neale Hurston's Their Eyes Were Watching God, Sister Souljah's The Coldest Winter Ever, Brittney Cooper's Eloquent Rage: A Black Feminist Discovers Her Superpower, Alice Walker's The Color Purple, Sapphire's PUSH, Roxane Gay's Hunger: A Memoir of (My) Body, Terry McMillan's Getting to Happy, and Michelle Obama's Becoming. Maverick Feminist offers hope concerning the growing divide between scholars and the communities about which they theorize. The book celebrates centuries of agency and control that Black women have mustered and maintained in a world that seems to want nothing more than to see them prone and powerless. Ultimately, maverick feminism provides a freer means of living out, evaluating, understanding, and improving the lives of Black women"--
    Anmerkung: Includes bibliographical references and index , Introduction: Reclaiming my everything: Black feminisms, popular culture, and pleasure , Chapter One: Dirty computer: girlhood and sexual desires , Chapter 2: Be careful with me: education, sexual violence, and pleasure , Chapter Three: Get in formation: sisterhood and the intergenerational dynamic , Conclusion , Acknowledgments , Notes , Works cited , Index.
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  • 6
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496844163
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Serie: Mississippi scholarship online
    DDC: 398.20973
    Schlagwort(e): Legend trips ; Urban folklore ; Legends ; Teenagers ; Supernatural ; Customs and Folklore ; Myth & legend told as fiction
    Kurzfassung: Tonight, across America, countless people will embark on an adventure. They will prowl among overgrown headstones in forgotten graveyards, stalk through darkened woods & wildlands, & creep down the crumbling corridors of abandoned buildings. They have set forth in search of a profound paranormal experience & may seem to achieve just that. They are part of the growing cultural phenomenon called legend tripping. In 'If You Should Go at Midnight', Jeffrey S. Debies-Carl guides readers through an exploration of legend tripping, drawing on years of scholarship, documentary accounts, & his own extensive fieldwork. Poring over old reports & legends, sleeping in haunted inns, & trekking through wilderness full of cannibal mutants & strange beasts, Debies-Carl provides an in-depth analysis of this practice that has long fascinated scholars yet remains a mystery to many observers.
    Anmerkung: Includes bibliographical references and index
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  • 7
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781496850690
    Sprache: Englisch
    Seiten: 1 online resource (173 pages)
    Ausgabe: 1st ed.
    Paralleltitel: Erscheint auch als
    DDC: 305.48/896073
    Schlagwort(e): Women, Black Social conditions ; African American women Social conditions ; Women, Black Sexual behavior ; African American women Sexual behavior ; African American feminists ; Feminism ; Feminism and racism
    Kurzfassung: A pressing call to an accessible, nonconformist feminism for Black women.
    Kurzfassung: Cover -- MAVERICK FEMINIST -- Title -- Copyright -- Dedication -- CONTENTS -- Introduction: Reclaiming My Everything: Black Feminisms, Popular Culture, and Pleasure -- Chapter One: Dirty Computer: Girlhood and Sexual Desires -- Chapter Two: Be Careful with Me: Education, Sexual Violence, and Pleasure -- Chapter Three: Get in Formation: Sisterhood and the Intergenerational Dynamic -- Conclusion -- Acknowledgments -- Notes -- Works Cited -- Index -- ABOUT THE AUTHOR.
    Kurzfassung: "Beginning with their forced introduction to American soil, Black women have relied on maverick-like characteristics to survive. And yet, these liberating characteristics have been repeatedly disparaged by the masses in favor of an elitist politics of respectability. In Maverick Feminist: To Be Female and Black in a Country Founded upon Violence and Respectability, scholar Kemeshia Randle Swanson examines the extent to which the politics of respectability diminish joy and increase sorrow throughout the lifespan of Black women. By rejecting this damaging standard in society, Black women can wholly and attentively assist in the obliteration of racist, sexist, classist, and ableist oppression. But first, they must work towards becoming self-identified, self-actualized, and self-sexualized. Bridging the gap between women in both the streets and the academy, Maverick Feminist expands the traditional understandings of activism and enlarges discussions about Black female sexuality. Swanson emphasizes sexuality's significance to the literary and sociopolitical success of Black women of the past and in this contemporary climate. Through close readings and critical analyses of fiction, nonfiction, and popular culture, Swanson argues that #blackgirlmagic and racial progression require rejecting respectability politics and developing an intimate appreciation of self. Maverick Feminist examines texts by and about bold Black women, including Zora Neale Hurston's Their Eyes Were Watching God, Sister Souljah's The Coldest Winter Ever, Brittney Cooper's Eloquent Rage: A Black Feminist Discovers Her Superpower, Alice Walker's The Color Purple, Sapphire's PUSH, Roxane Gay's Hunger: A Memoir of (My) Body, Terry McMillan's Getting to Happy, and Michelle Obama's Becoming. Maverick Feminist offers hope concerning the growing divide between scholars and the communities about which they theorize. The book celebrates centuries of agency and control that Black women have mustered and maintained in a world that seems to want nothing more than to see them prone and powerless. Ultimately, maverick feminism provides a freer means of living out, evaluating, understanding, and improving the lives of Black women"--
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 8
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781496849113
    Sprache: Englisch
    Seiten: 1 online resource (218 pages)
    Serie: America's third coast
    Paralleltitel: Erscheint auch als Regis, Helen A., - 1965- Bayou harvest
    DDC: 394.1/209763
    Schlagwort(e): Food Social aspects ; History ; Food habits History ; Identity (Psychology) Social aspects ; Louisiana Social life and customs
    Kurzfassung: An in-depth study of the power and pride of cooking, hunting, harvesting, foraging, and thriving in coastal Louisiana.
    Kurzfassung: Cover -- BAYOU HARVEST -- Title -- Copyright -- CONTENTS -- Oyster Spaghetti: A Preface -- 1. Framing Subsistence: "It's Just What We Do" -- 2. Portraits of Practice -- 3. Harvesting as History -- 4. Heritage, Identity, and Place -- 5. Family, Community, and Feasts -- 6. Camps, Leases, and Clubs -- 7. "Worth It" and Other Measures of Value -- 8. Self-Reliance, Care, and Mutual Aid -- 9. Conclusion -- Postscript: Hurricane Ida -- Acknowledgments -- Appendix A: Discussion Questions, Resources, and Project Ideas -- Appendix B: Eight Factors Used in Customary and Traditional Determinations in Alaska -- Notes -- References -- Index -- ABOUT THE AUTHORS.
    Kurzfassung: "To inhabitants of the Gulf Coast region of Louisiana, food is much more than nourishment. The acts of gathering, preparing, and sharing food are ways to raise children, bond with friends, and build community. In Bayou Harvest: Subsistence Practice in Coastal Louisiana, Helen A. Regis and Shana Walton examine how coastal residents deploy self-reliance and care for each other through harvesting and sharing food. Pulling from four years of fieldwork and study, Walton and Regis explore harvesting, hunting, and foraging by Native Americans, Cajuns, and other Bayou residents. This engagement with Indigenous thinkers and their neighbors yields a multifaceted view of subsistence in Louisiana. Readers will learn about coastal residents' love for the land and water, their deep connections to place, and how they identify with their food and game heritage. The book also delves into their worries about the future, particularly storms, pollution, and land loss in the coastal region. Using a set of narratives that documents the everyday food practices of these communities, the authors conclude that subsistence is not so much a specific task like peeling shrimp or harvesting sassafras, but is fundamentally about what these activities mean to the people of the coast. Drawn together with immersive writing, this book explores a way of life that is vibrant, built on deep historical roots, and profoundly threatened by the Gulf's shrinking coast"--
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 9
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496842596
    Sprache: Englisch
    Seiten: xxii, 237 Seiten , Illustrationen
    DDC: 394.2509761
    Schlagwort(e): Gay & Lesbian studies ; Geschichte allgemein und Weltgeschichte ; HISTORY / United States / State & Local / South (AL, AR, FL, GA, KY, LA, MS, NC, SC, TN, VA, WV) ; Kulturwissenschaft: Sitten und Gebräuche ; LGBTQ+ / Untersuchungen zu Homosexualität ; Regional & national history ; SOC064000 ; SOC070000 ; SOCIAL SCIENCE / Customs & Traditions ; Sociology: customs & traditions ; USA ; Karneval ; Kulturkontakt ; Person of Color ; LGBT ; Mobile, Ala. ; Geschichte
    Kurzfassung: Mobile is simultaneously a typical and unique city in the postwar United States. It was a quintessential boomtown during World War II. That prosperity was followed by a period of rapid urban decline and subsequent attempts at revitalizing (or gentrifying) its downtown area. As in many other US cities, urban renewal, integration, and other socioeconomic developments led to white flight, marginalized the African American population, and set the stage for the development of LGBTQ+ community building and subculture. Yet these usually segregated segments of society in Mobile converged once a year to create a common identity, that of a Carnival City. Carnival in Alabama looks not only at the people who participated in Mardi Gras organizations divided by race, gender, and/or sexual orientation, but also investigates the experience of "marked bodies" outside of these organizations, or people involved in Carnival through their labor or as audiences (or publics) of the spectacle. It also expands the definition of Mobile's Carnival "tradition" beyond the official pageantry by including street maskers and laborers and neighborhood cookouts. Using archival sources and oral history interviews to investigate and analyze the roles assigned, inaccessible to, or claimed and appropriated by straight-identified African American men and women and people who defied gender and sexuality normativity in the festivities (regardless of their racial identity), this book seeks to understand power dynamics through culture and ritual. By looking at Carnival as an "invented tradition" and as a semiotic system associated with discourses of power, it joins a transnational conversation about the phenomenon
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 10
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496842657 , 9781496842640
    Sprache: Englisch
    Seiten: xxxv, 152 Seiten
    Paralleltitel: Erscheint auch als Malcolm, Nigel I Rethinking racial uplift
    DDC: 305.896/073
    Schlagwort(e): African Americans Race identity ; Black people Race identity ; USA ; Schwarze ; Intellektueller ; Ethnische Identität ; Solidarität ; Geschichte 2009-2017
    Kurzfassung: "In 1903, W. E. B. Du Bois wrote about the Talented Tenth in an influential essay of the same name. The concept exalted college-educated Blacks who Du Bois believed could provide the race with the guidance it needed to surmount slavery, segregation, and oppression in America. Although Du Bois eventually reassessed this idea, the rhetoric of the Talented Tenth resonated, still holding sway over a hundred years later. In Rethinking Racial Uplift: Rhetorics of Black Unity and Disunity in the Obama Era, author Nigel I. Malcolm asserts that in the post-civil rights era, racial uplift has been redefined not as Black public intellectuals lifting the masses but as individuals securing advantage for themselves and their children. Malcolm examines six best-selling books published during Obama's presidency-including Randall Kennedy's Sellout, Bill Cosby's and Alvin Poussaint's Come on People, and Ta-Nehisi Coates's Between the World and Me-and critically analyzes their rhetorics on Black unity, disunity, and the so-called "postracial" era. Based on these writings and the work of political and social scientists, Malcolm shows that a large, often-ignored, percentage of Blacks no longer see their fate as connected with that of other African Americans. While many Black intellectuals and activists seek to provide a justification for Black solidarity, not all agree. In Rethinking Racial Uplift, Malcolm takes contemporary Black public intellectual discourse seriously and shows that disunity among Blacks, a previously ignored topic, is worth exploring"--
    Beschreibung / Inhaltsverzeichnis: Introduction -- Race, class, and fear in twenty-first-century America -- Slaves to the community: Blacks and the rhetoric of selling out -- Black man's burden: the rhetoric of racial uplift -- Identification, division, and the rhetoric of Black disunity -- Divided loyalty: race, class, and place in the affirmative action debate -- Blacks and the rhetoric of individualism -- Conclusion.
    Anmerkung: Includes bibliographical references and index
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  • 11
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496842633
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxii, 237 pages) , Illustrations (black and white, and colour).
    Serie: Mississippi scholarship online
    DDC: 394.2509761
    Schlagwort(e): Carnival ; Customs and Folklore ; Cultural studies: customs & traditions ; Mobile (Ala History ; Mobile (Ala Social life and customs
    Kurzfassung: Mobile was a quintessential boomtown during World War II. That prosperity was followed by a period of rapid urban decline and subsequent attempts at revitalising (or gentrifying) its downtown area. As in many other US cities, urban renewal, integration, and other socioeconomic developments led to white flight, marginalised the African American population, and set the stage for the development of LGBTQ+ community building and subculture. Yet these usually segregated segments of society in Mobile converged once a year to create a common identity, that of a Carnival City. This book looks not only at the people who participated in Mardi Gras organisations divided by race, gender, and/or sexual orientation, but also investigates the experience of 'marked bodies' outside of these organisations, or people involved in Carnival through their labour or as audiences (or publics) of the spectacle.
    Anmerkung: Includes bibliographical references and index
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  • 12
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496843487 , 9781496843494 , 1496843495
    Sprache: Englisch
    Seiten: XIII, 241 pages , Illustrationen , 24 cm
    Serie: Atlantic migrations and the African diaspora
    Paralleltitel: Erscheint auch als Falola, Toyin Memories of africa
    DDC: 304.8096
    Schlagwort(e): African diaspora ; Globalization ; Africans ; African Americans Intellectual life ; Pan-Africanism ; Transnationalism ; Autobiography Black authors ; African Americans - Intellectual life ; African diaspora ; Africans ; Emigration and immigration ; Globalization ; Pan-Africanism ; Transnationalism ; Africa Emigration and immigration ; Africa ; United States ; USA ; Schwarze ; Panafrikanismus
    Kurzfassung: "Memories of Africa: Home and Abroad in the United States suggests a "new lens" for viewing African diaspora studies, in this case, through the experiences of African memoirists who live in the United States. The book shows how African diaspora memoirs beautifully and grippingly depict the experiences of African migrants over time through political, social, and cultural spheres. In reading African diaspora memoirs from the transatlantic slave trade period to the present, a reader can understand the complexity of the African migrant legacy and evolution. Author Toyin Falola argues that memoirs are significant not only in their interpretation of events conveyed by the memoirists but also in demonstrating how interpersonal and human the stories told can be. Memoirs are powerful because they are emotionally captivating and because important themes and events circulate around a particular person (in this case, the memoirist). Undoubtedly, a memoir is significant because it can teach anyone about a part of the human experience, even if the "facts" are not described without bias. Through this sort of narrative, the reader cannot help but enter into the memoirist's mind and, therefore, feel more empathy for them. In doing so, the reader can "feel" what the memoirist feels and "see" what the memoirist sees as clearly as is humanly possible. In this way, the historical events and life lessons become tangible and poignantly real to the reader"--
    Anmerkung: Includes bibliographical references (pages 207-233) and index , Hier auch später erschienene, unveränderte Nachdrucke
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  • 13
    ISBN: 9781496845887 , 9781496845870
    Sprache: Englisch
    Seiten: vii, 99 Seiten , Illustrationen
    Serie: Margaret Walker Alexander Series in African American Studies
    Schlagwort(e): Hochschulschrift ; Hochschulschrift ; Lewis, Edmonia 1844-1909 ; Fuller, Meta Warrick 1877-1968 ; Plastik ; Schwarze ; Emanzipation
    Kurzfassung: A visual narrative of the Black emancipation experience, voiced through the sculptures of two nineteenth-century African American female artists.
    Kurzfassung: Cover -- Title Page -- Copyright -- Contents -- Dedication and Acknowledgments -- Introduction -- Chapter 1. Women Of Mark -- Chapter 2. ". . . Thenceforward, and Forever Free" -- Chapter 3. "Lifting as They Climb" -- Chapter 4. Never Forget -- Afterword -- Notes -- References -- Index -- About the Author.
    Anmerkung: Literaturverzeichnis: Seite 91-95
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  • 14
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496843449
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 241 pages) , Illustrations (black and white).
    Serie: Atlantic migrations and the African diaspora
    Serie: Mississippi scholarship online
    DDC: 304.8096
    Schlagwort(e): African diaspora ; Africans ; African Americans Intellectual life ; Autobiography Black authors ; Society ; Sociology & anthropology ; Africa Emigration and immigration
    Kurzfassung: Suggests a new lens for viewing African diaspora studies: the experiences of African memoirists who live in the United States. The book shows how African diaspora memoirs beautifully and grippingly depict the experiences of African migrants over time through political, social, and cultural spheres.
    Anmerkung: Includes bibliographical references and index
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  • 15
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496842695
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxxv, 152 pages).
    Serie: Mississippi scholarship online
    DDC: 305.896073
    Schlagwort(e): African Americans Race identity ; Black people Race identity ; Society ; Society & culture: general
    Kurzfassung: While many Black intellectuals and activists seek to provide a justification for Black solidarity, not all agree. In 'Rethinking Racial Uplift,' Nigel Malcolm takes contemporary Black public intellectual discourse seriously and shows that disunity among Blacks, a previously ignored topic, is worth exploring.
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 16
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781496844422
    Sprache: Englisch
    Seiten: 1 online resource (353 pages)
    Ausgabe: 1st ed.
    Serie: Race, Rhetoric, and Media Ser.
    Paralleltitel: Erscheint auch als Anderson, Devery S. A Slow, Calculated Lynching
    DDC: 323.092
    Schlagwort(e): Electronic books ; Biografie ; Biografie ; Staat Mississippi ; Bürgerrechtler ; Schwarze ; Rassendiskriminierung ; Geschichte 1955-1963
    Kurzfassung: The harrowing, yet pivotal, story of a brilliant integration advocate.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 17
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496845504 , 9781496845498
    Sprache: Englisch
    Seiten: x, 380 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.800973
    Schlagwort(e): Rassismus ; Film ; Massenmedien ; USA ; Mass media and race relations / United States ; Race in motion pictures ; Racism in motion pictures ; Motion pictures / United States ; Massenmedien ; Rassismus ; Film ; USA
    Kurzfassung: How media have bolstered and encouraged the figment of a threatened white populace
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  • 18
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781496843180
    Sprache: Englisch
    Seiten: 1 online resource (241 pages)
    Ausgabe: 1st ed.
    Serie: Atlantic migrations and the African diaspora
    Paralleltitel: Erscheint auch als Mitchell, Faith, - 1952- Emma's postcard album
    Schlagwort(e): Electronic books ; USA ; Schwarze Frau ; Alltag ; Ethnische Beziehungen ; Geschichte 1906-1910
    Kurzfassung: A microhistory of the African American experience in early twentieth-century America through the correspondence of one young woman.
    Kurzfassung: Cover -- Emma's Postcard Album -- Title -- Copyright -- Dedication -- Contents -- Introduction Emma Crawford's Postcard Collection -- Chapter One What Stories Can Postcards Tell? -- Chapter Two The Status of the Negro in This Country -- Chapter Three Fighting for Their Daily Bread -- Chapter Four Romance and Friendship -- Chapter Five On the Road with the Minstrel Show -- Chapter Six Struggling and Striving -- Epilogue -- Acknowledgments -- Notes -- Bibliography -- Index -- About the Author.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 19
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781496844163
    Sprache: Englisch
    Seiten: 1 online resource (313 pages)
    Ausgabe: 1st ed.
    Paralleltitel: Erscheint auch als Debies-Carl, Jeffrey S. If you should go at midnight
    DDC: 398.20973
    Schlagwort(e): Electronic books ; USA ; Das Übernatürliche ; Legende ; Reise
    Kurzfassung: A fun and thorough investigation of the captivating world of legend tripping.
    Kurzfassung: Cover -- IF YOU SHOULD GO AT MIDNIGHT -- Title -- Copyright -- CONTENTS -- Acknowledgments -- Part I: A Prelude to the Journey -- Introduction: Of Legends and Legend Trips -- Chapter 1: The Varieties of Ostensive Experience -- Part II: The Preliminal Stage -- Chapter 2: Legend Telling -- Chapter 3: Preparations and an Uncanny Journey -- Part III: The Liminal Stage -- Chapter 4: Rites and Rituals -- Chapter 5: Close Encounters of the Supernatural Kind -- Part IV: The Postliminal Stage -- Chapter 6: The Return -- Chapter 7: Telling the Tale -- Part V: At Journey's End -- Chapter 8: The Past and Future of Legend Tripping -- Appendix: Legendary Places Visited and Events Attended -- Notes -- References -- Index -- ABOUT THE AUTHOR.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 20
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496847522 , 9781496847515
    Sprache: Englisch
    Seiten: XIII, 380 Seiten , Illustrationen, Porträts , 24 cm
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    DDC: 305.48896073
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    Schlagwort(e): Geschichte ; Intellektualismus ; Schwarze Frau ; Öffentlichkeit ; Kultur ; USA ; African American intellectuals / History ; African American women / Intellectual life ; African Americans / Intellectual life ; African American women / Political activity / History ; African Americans / Politics and government ; African American intellectuals / Biography ; African American women / Biography ; Intellectuels noirs américains / Histoire ; Noires américaines / Vie intellectuelle ; Noirs américains / Vie intellectuelle ; Noires américaines / Activité politique / Histoire ; Noirs américains / Politique et gouvernement ; Intellectuels noirs américains / Biographies ; Noires américaines / Biographies ; African American intellectuals ; African American women ; African American women / Intellectual life ; African American women / Political activity ; African Americans / Intellectual life ; African Americans / Politics and government ; Biographies ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze Frau ; Intellektualismus ; Öffentlichkeit ; Kultur ; Geschichte
    Kurzfassung: "While Black women's intellectual history continues to grow as an important subfield in historical studies, there remains a gap in scholarship devoted to the topic. To date, major volumes on American intellectual history tend to exclude the words, ideas, and contributions of these influential individuals. A Seat at the Table: Black Women Public Intellectuals in US History and Culture seeks to fill this void, presenting essays on African American women within the larger context of American intellectual history. Divided into four parts, the volume considers women in politics, art, government, journalism, media, education, and the military. Essays feature prominent figures such as Shirley Chisholm, Oprah Winfrey, journalist Charlotta Bass, and anti-abortion activist Mildred Fay Jefferson, as well as lesser-known individuals. The anthology begins with a discussion of the founders in Black women's public intellectualism, providing a framework for understanding the elements, structure, and concerns central to their lives and work in the nineteenth century. The second section focuses on leaders in the Black Christian intellectual tradition, the civil rights era, and modern politics. Part three examines Black women in society and culture in the twentieth century, with essays on such topics as artists in the New Negro era; Joycelyn Elders, a public servant and former surgeon general; and America's foremost Black woman influencer, Oprah. Lastly, part four concerns Black women and their ideas about public service-particularly military service-with essays on service members during World War II and the post-WWII military. Taken as a whole, A Seat at the Table is an important anthology that helps to establish the validity and existence of heretofore neglected intellectual traditions in the public square"--
    Anmerkung: Includes bibliographical references and index
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  • 21
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781496844736
    Sprache: Englisch
    Seiten: 1 Online-Ressource (257 pages)
    Ausgabe: 1st ed.
    Serie: Willie Morris Books in Memoir and Biography Ser.
    DDC: 306.7662092
    Schlagwort(e): Electronic books
    Kurzfassung: A funny and fascinating chronicle of a privileged misfit from Louisiana and the journey for self that took him around the world.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 22
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496846174 , 9781496846167
    Sprache: Englisch
    Seiten: x, 262 Seiten , Illustrationen
    Serie: Margaret Walker Alexander series in African American studies
    Paralleltitel: Erscheint auch als
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    DDC: 305.896/0730092
    Schlagwort(e): Du Bois, William E. B. ; Du Bois, W. E. B / (William Edward Burghardt) / 1868-1963 / Criticism and interpretation ; Civil rights in literature ; Essays ; Literary criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Du Bois, William E. B. 1868-1963
    Kurzfassung: "Although the career of W. E. B. Du Bois was remarkable in its entirety, a large majority of scholarship focuses on the first five or six decades. Overlooked and understudied, the closing three decades of Du Bois's career reflect a generative period of his life in terms of teaching, travel, activism, and publications. Forging Freedom in W. E. B. Du Bois's Twilight Years: No Deed but Memory proposes to narrate the political, social, and cultural significance of Du Bois's career during the controversial closing three decades of his life. Du Bois's twilight years were tremendously controversial: his persistent criticism of the collusion between capitalism and racism and his choice to join the Communist Party in late 1961 raised the ire of many. At the time, Du Bois's strident advocacy of socialism and turn to communism during the Cold War oriented most scholars away from delving into his late career. While only a few scholars have engaged the productivity of Du Bois's later years, the fact is that an anticommunist, antiradical animus has followed Du Bois in the half century since his death. As a result, Du Bois scholarship remains impoverished to the extent that academics neglect his later years. The essays in Forging Freedom in W. E. B. Du Bois's Twilight Years detail selected aspects of Du Bois's later decades and their particular connection to American social, political, and cultural history between the 1930s and the 1960s. While international concerns and a global perspective also fundamentally defined Du Bois's latter years, chronicling his final decades in a US context presents fresh insight into his twilight years. Du Bois's commitment to freedom's flourishing during this period animated the Black freedom struggle's war against white supremacy. Ultimately, this book demonstrates that the durability of Du Bois's intellectual achievements remains relevant to the twenty-first century"--
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  • 23
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496847836 , 1496847830 , 9781496847843 , 1496847849
    Sprache: Englisch
    Seiten: xviii, 222 pages , 23 cm
    Paralleltitel: Erscheint auch als Afrocentricity in afrofuturism
    DDC: 305.896
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    Schlagwort(e): Afrocentrism. ; African Americans Race identity. ; Black people Race identity. ; African Americans Social conditions. ; African diaspora. ; African Americans Music. ; Afrocentrisme. ; Noirs américains - Identité ethnique. ; Personnes noires - Identité ethnique. ; Noirs américains - Conditions sociales. ; Africains - Pays étrangers. ; Noirs américains - Musique. ; African Americans ; African Americans - Race identity ; African Americans - Social conditions ; African diaspora ; Afrocentrism ; Black people - Race identity ; Music ; Aufsatzsammlung ; Music ; Musique
    Kurzfassung: "In the twenty-first century, Afrofuturism-a historical and philosophical concept of the future imagined through a Black cultural lens-has been interpreted through a myriad of writers, artists, scientists, and other visionary creatives. In Afrocentricity in Afrofuturism: Toward Afrocentric Futurism, editor Aaron X. Smith curates a collection of interdisciplinary essays that critiques existing scholarship on Black futurity. In contrast to much previous work, these essays ground their explorations in African agency, centering the African within historical and cultural reality. Situating Afrocentricity as the field's foundational root and springboard for an expansive future, contributors detail potential new modes of existence and expression for African people throughout the diaspora. Divided into two parts-Representations and Transformations-this book examines the tensions created by historical and cultural dislocation of African peoples and consciousness. Contributors cover varied topics such as the intersections of culture and design; techno culture; neuroscience; and the multiplicity of African cultural influences in aesthetics, oratory, visual art, hip hop, and more. Essays range from theoretical analyses to close readings of history and popular culture, from the Haitian Revolution to Sun Ra, Janelle Mona̹e's Dirty Computer, and Black Panther. Afrocentricity in Afrofuturism offers an expansive vision of Afrofuturism and its ranging significance to contemporary culture and discourse"--.
    Anmerkung: Includes bibliographical references and index , Foreword by Molefi Kete Asante -- . , Preface -- . , Acknowledgments -- . , Introduction: defining our future on our terms / , Hantu from the oral-aesthetic perspective: AfroFuturism transcending the matrix space-time warp / , Agency-producing intellectual systems in the digital age: resisting domination / , Afrocentricity's AfroFuturism and the significance of asserting African agency in the pursuit of African future / , Bury me in the ocean: Erik Killmonger and Black Nationalism / , Dirty computer: an Afrocentric analysis of Janelle Monáe's emotion picture / , Message for the People Party: hip-hop and the motherland in the age of AfroFuturism / , AfroFuturism and African philosophy of time: analyzing AfroFuturism utilizing African cosmological paradigms / , Afrocentricity's AfroFuturism and the count up to the future / , African diasporic consciousness: the historical and psychological impact of the Haitian Revolution / , Conclusion: From griots to ghettos to galaxies -- . , About the contributors -- . , About the editor -- . , Index.
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  • 24
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496844125 , 9781496844118
    Sprache: Englisch
    Seiten: VII, 302 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Debies-Carl, Jeffrey S. If You Should Go at Midnight
    DDC: 398.20973
    Schlagwort(e): Legend trips ; Urban folklore ; Legends ; Teenagers ; Supernatural ; USA ; Das Übernatürliche ; Legende ; Reise
    Kurzfassung: "Tonight, across America, countless people will embark on an adventure. They will prowl among overgrown headstones in forgotten graveyards, stalk through darkened woods and wildlands, and creep down the crumbling corridors of abandoned buildings. They have set forth in search of a profound paranormal experience and may seem to achieve just that. They are part of the growing cultural phenomenon called legend tripping. In If You Should Go at Midnight: Legends and Legend Tripping in America, author Jeffrey S. Debies-Carl guides readers through an exploration of legend tripping, drawing on years of scholarship, documentary accounts, and his own extensive fieldwork. Poring over old reports and legends, sleeping in haunted inns, and trekking through wilderness full of cannibal mutants and strange beasts, Debies-Carl provides an in-depth analysis of this practice that has long fascinated scholars yet remains a mystery to many observers. Debies-Carl argues that legend trips are important social practices. Unlike traditional rites of passage, they reflect the modern world, revealing both its problems and its virtues. In society as well as in legend tripping, there is ambiguity, conflict, crisis of meaning, and the substitution of debate for social consensus. Conversely, both emphasize individual agency and values, even in spiritual matters. While people still need meaningful and transformative experiences, authoritative, traditional institutions are less capable of providing them. Instead, legend trippers voluntarily search for individually meaningful experiences and actively participate in shaping and interpreting those experiences for themselves"--
    Anmerkung: Includes bibliographical references and index
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  • 25
    ISBN: 9781496838339 , 9781496838346
    Sprache: Englisch
    Seiten: ix, 286 Seiten , Illustrationen , 24 cm
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    DDC: 741.53529
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    Schlagwort(e): Geschichte 1930-2022 ; Superheld ; Weißsein ; Rassismus ; Comic ; USA ; Comic books, strips, etc / United States / History and criticism ; Comic books, strips, etc / Social aspects / United States ; Racism / United States / Comic books, strips, etc ; Racism and the arts / United States ; White people / Race identity / United States / Comic books, strips, etc ; Outlaws / Comic books, strips, etc ; Superheroes / Comic books, strips, etc ; Comic books, strips, etc ; Criticism, interpretation, etc ; USA ; Comic ; Superheld ; Rassismus ; Weißsein ; Geschichte 1930-2022
    Kurzfassung: "American comics from the start have reflected the white supremacist culture out of which they arose. Superheroes and comic books in general are products of whiteness, and both signal and hide its presence. Even when comics creators and publishers sought to advance an antiracist agenda, their attempts were often undermined by a lack of awareness of their own whiteness and the ideological baggage that goes along with it. Even the most celebrated figures of the industry, such as Jerry Siegel and Joe Shuster, Jack Jackson, William Gaines, Stan Lee, Robert Crumb, Will Eisner, and Frank Miller, have not been able to distance themselves from the problematic racism embedded in their narratives despite their intentions or explanations. Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels provides a sober assessment of these creators and their role in perpetuating racism throughout the history of comics. Josef Benson and Doug Singsen identify how whiteness has been defined, transformed, and occasionally undermined over the course of eighty years in comics and in many genres, including westerns, horror, crime, funny animal, underground comix, autobiography, literary fiction, and historical fiction. This exciting and groundbreaking book assesses industry giants, highlights some of the most important episodes in American comic book history, and demonstrates how they relate to one another and form a larger pattern, in unexpected and surprising ways"
    Beschreibung / Inhaltsverzeichnis: Introduction -- Chapter one: Race and racism in the birth of the superhero -- Chapter two: The Southern outlaw and the white Indian in Western comics -- Chapter three: Colonialism and primitivism in US Comics -- Chapter four: Civil rights and the limits of liberalism -- Chapter five: Robert Crumb's cathartic racism -- Chapter six: Jewish exceptionalism and assimilation in the 1970s and 1980s -- Chapter seven: Racial borderlands in alternative comics -- Chapter eight: The deconstruction of the white superhero in Watchmen -- Chapter nine: Frank Miller's hyper masculine whiteness and the defense of Western culture -- Chapter ten: Reskinning narratives: taking off the mask -- Conclusion -- Notes -- Bibliography -- Index
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  • 26
    ISBN: 9781496839152
    Sprache: Englisch
    Seiten: xi, 321 Seiten , Illustrationen , 24 cm
    Serie: American made music series
    DDC: 780.266
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    Schlagwort(e): Rounder Records ; Musiker ; Musikproduktion ; USA Südstaaten
    Kurzfassung: From the 1980s through the early 2000s, a golden era for southern roots music, producer and three-time Grammy winner Scott Billington recorded many of the period's most iconic artists. Working primarily in Louisiana for Boston-based Rounder Records, Billington produced such giants as Irma Thomas, Charlie Rich, Buckwheat Zydeco, Johnny Adams, Bobby Rush, Ruth Brown, Beau Jocque, and Solomon Burke. The loving and sometimes irreverent profiles in Making Tracks reveal the triumphs and frustrations of the recording process, and that obsessive quest to capture a transcendent performance. Billington's long working relationships with the artists give him perspective to present them in their complexity-foibles, failures, and fabled feats-while providing a vivid look at the environs in which their music thrived. He tells about Boozoo Chavis's early days as a musician, jockey, and bartender at his mother's quarter horse track, and Ruth Brown's reign as the most popular star in rhythm and blues, when the challenge of traveling on the "chitlin' circuit" proved the antithesis of the glamour she exuded on stage. In addition, Making Tracks provides a widely accessible study in the craft of recording. Details about the technology and psychology behind the sessions abound. Billington demonstrates varying ways of achieving the mutual goal of a great record. He also introduces the supporting cast of songwriters, musicians, and engineers crucial to the magic in each recording session. Making Tracks sings unforgettably like a "from the vault" discovery.
    Anmerkung: Diskographie Seite 281-298
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  • 27
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496839930 , 9781496839947
    Sprache: Englisch
    Seiten: XVIII, 237 Seiten , Illustrationen
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    Schlagwort(e): Ernährung ; Kulturelle Identität ; Auswahl ; Ernährung ; Auswahl ; Kulturelle Identität
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  • 28
    ISBN: 9781496841346 , 9781496841353
    Sprache: Englisch
    Seiten: vii, 355 Seiten , Illustrationen
    Ausgabe: First printing 2022
    DDC: 306.76
    Schlagwort(e): Aufsatzsammlung
    Anmerkung: Literaturangaben
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  • 29
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496839732 , 9781496839725
    Sprache: Englisch
    Seiten: x, 233 Seiten , Illustrationen , 24 cm
    Paralleltitel: Erscheint auch als Ashford, Evan Howard Mississippi Zion
    DDC: 976.264406
    Schlagwort(e): African Americans / History / 1863-1877 ; African Americans / History / 1877-1964 ; Attala County (Miss.) / History ; Noirs américains / Histoire / 1863-1877 ; Noirs américains / Histoire / 1877-1964 ; African Americans ; Mississippi / Attala County ; 1863-1964 ; History
    Kurzfassung: "From lesser-known state figures to the ancestors of Oprah Winfrey, Morgan Freeman, and James Meredith, Mississippi Zion: The Struggle for Liberation in Attala County, 1865-1915 brings the voices and experiences of everyday people to the forefront and reveals a history dictated by people rather than eras. Author Evan Howard Ashford, a native of the county, examines how African Americans in Attala County, after the Civil War, shaped economic, social, and political politics as a nonmajority racial group. At the same time, Ashford provides a broader view of Black life occurring throughout the state during the same period. By examining southern African American life mainly through Reconstruction and the civil rights movement, historians have long mischaracterized African Americans in Mississippi by linking their empowerment and progression solely to periods of federal assistance. This book shatters that model and reframes the postslavery era as a Liberation Era to examine how African Americans pursued land, labor, education, politics, community building, and progressive race relations to position themselves as societal equals. Ashford salvages Attala County from this historical misconception to give Mississippi a new history. He examines African Americans as autonomous citizens whose liberation agenda paralleled and intersected the vicious redemption agenda, and he shows the struggle between Black and white citizens for societal control. Mississippi Zion provides a fresh examination into the impact of Black politics on creating the anti-Black apparatuses that grounded the state's infamous Jim Crow society. The use of photographs provides an accurate aesthetic of rural African Americans and their connection to the historical moment. This in-depth perspective captures the spectrum of African American experiences that contradict and nuance how historians write, analyze, and interpret southern African American life in the postslavery era"--
    Beschreibung / Inhaltsverzeichnis: Introduction -- A new dawn: embarking on the liberation journey -- Pick yo' own damn cotton: building the foundations of Zion -- Taking flight: moving towards a liberated Zion -- United we stand: organizing in the decade of white supremacy -- There shall be blood: the price of liberation -- Unfinished business: liberation and Jim Crow -- Epilogue
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  • 30
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496837011 , 9781496837004
    Sprache: Englisch
    Seiten: xxxix, 181 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Guadeloupe, Francio Black man in the netherlands
    DDC: 301.092
    Schlagwort(e): Guadeloupe, Francio ; Anthropologists Biography ; Racism ; Blacks ; Ethnology ; Ethnicity ; Multiculturalism ; Anthropology ; Netherlands Race relations ; Netherlands Ethnic relations ; Niederlande ; Sint Maarten ; Rassismus ; Ethnizität ; Schwarze ; Autoethnografie ; Niederlande ; Karibik ; Rassismus ; Ethnizität ; Autoethnografie
    Kurzfassung: "Francio Guadeloupe has lived in both the Dutch Antilles and the Netherlands. An anthropologist by vocation, he is a keen observer by honed habit. In his new book, he wields both personal and anthropological observations. Simultaneously memoir and astute exploration, Black Man in the Netherlands charts Guadeloupe's coming of age and adulthood in a Dutch world and movingly makes a global contribution to the understanding of anti-Black racism. Guadeloupe identifies the intersections among urban popular culture, racism, and multiculturalism in youth culture in the Netherlands and the wider Dutch Kingdom. He probes the degrees to which traditional ethnic division collapses before a rising Dutch polyethnicity. What comes to light, given the ethnic multiplicity which Afro-Antilleans live, is their extraordinarily successful work in forging an anti-racist Dutch identity via urban popular culture. This alternative way of being Dutch welcomes the Black experience as global and increasingly local Black artists find fame and even idolization. Black Man in the Netherlands is a vivid extension of renowned critical race studies by Marxist theorists such as Achille Mbembe, Paul Gilroy, Stuart Hall, and C. L. R. James, and it bears a palpable connection to Black Atlantic artists such as Peter Tosh, Juan Luis Guerra, and KRS-One. Guadeloupe explores the complexities of Black life in the Netherlands and shows that within their means, Afro-Antilleans often effectively contest Dutch racism in civic and work life"--
    Anmerkung: Includes bibliographical references and index
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  • 31
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496839060
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxiv, 230 pages) , Illustrations (black and white), maps (black and white).
    Serie: Caribbean studies series
    Serie: Mississippi scholarship online
    DDC: 305.80097294
    Schlagwort(e): Social classes ; Society ; Society & culture: general ; Haiti Race relations ; Haiti History
    Kurzfassung: Recasts the world-historical significance of the Saint-Domingue Revolution to investigate the twinned significance of colour/race and class in the reproduction of privilege and inequality in contemporary Haiti. Through this ethnography, class emerges as the principal site of social organization among Haitians.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 32
    Online-Ressource
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    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496836076
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 153 pages).
    Serie: Mississippi scholarship online
    DDC: 820.99287096
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    Schlagwort(e): Schwarze Frau ; Jazz ; Literatur ; English literature Black authors ; History and criticism ; English literature Women authors ; History and criticism ; Jazz in literature ; Women, Black, in literature ; Music and literature
    Kurzfassung: In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse - jilted by the musician and replaced by the drum. Further, the album's cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. This book challenges that image but also defines a counter-tradition within women's writing that involves the reinvention and reclamation of a modern jazz discourse.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 33
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496841391
    Sprache: Englisch
    Seiten: 1 Online-Ressource (vii, 355 pages) , Illustrations (black and white).
    Serie: Mississippi scholarship online
    DDC: 306.76
    Schlagwort(e): Queer comic books, strips, etc ; Sexual minorities Comic books, strips, etc ; Sexual minority culture ; Sexual minority community Comic books, strips, etc ; Gays Comic books, strips, etc ; Lesbians Comic books, strips, etc ; Transgender people Comic books, strips, etc ; Family and Relationships ; LGBTQ+ Interest ; Society & culture: general ; Aufsatzsammlung
    Kurzfassung: This title explores the exemplary trove of LGBTQ+ comics that coalesced in the underground and alternative comix scenes of the mid-1960s and in the decades after. Through insightful essays and interviews with leading comics figures, contributors illuminate the critical opportunities, current interactions, and future directions of these comics.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 34
    Online-Ressource
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    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496843371
    Sprache: Englisch
    Seiten: 1 Online-Ressource (vii, 175 pages).
    Serie: Race, rhetoric, and media series
    Serie: Mississippi scholarship online
    DDC: 305.809073
    Schlagwort(e): Race in mass media ; White people Race identity ; Society ; Society & culture: general
    Kurzfassung: Explores the idea that popular media implicitly portrays whiteness as credible, trustworthy, familiar, and honest, and that this portrayal is normalized and ubiquitous. Whether on television, film, social media, or in the news, white people are constructed as believable and unrehearsed, from the way they talk to how they look and act.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 35
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496842398
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 236 pages) , Illustrations (black and white).
    Ausgabe: New edition.
    Serie: Mississippi scholarship online
    DDC: 305.896073076821
    Schlagwort(e): Civil rights ; Civil rights movements ; African Americans Interviews ; African Americans Suffrage ; Community organization ; Sharecropping History 20th century ; Society ; Society & culture: general ; Fayette County (Tenn Race relations
    Kurzfassung: 'Our Portion of Hell' offers an unrivalled account of how a rural Black community drew together to combat the immense forces aligned against them. Robert Hamburger first visited Fayette County as part of a student civil rights project in 1965 and, in 1971, set out to document the history of the grassroots movement there.
    Anmerkung: This edition also issued in print: 2022 , Includes bibliographical references and index
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  • 36
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    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496841629
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 343 pages) , Illustrations (black and white).
    Serie: American made music series
    Serie: Mississippi scholarship online
    DDC: 398.209411
    Schlagwort(e): Williamson, Duncan ; Scottish Travellers (Nomadic people) Folklore ; Storytellers ; Folklore ; Customs and Folklore ; Myth & legend told as fiction
    Kurzfassung: Born in 1928 in a tent on the shore of Loch Fyne, Argyll, Duncan Williamson (d. 2007) came to be recognised as one of the foremost storytellers in Scotland and the world. 'Webspinner' is based on more than a hundred hours of tape-recorded interviews undertaken with him in the 1980s.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 37
    Online-Ressource
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    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496839985 , 9781496839954 , 9781496839961 , 9781496839978
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xviii, 237 pages) , Illustrations (black and white).
    Serie: Mississippi scholarship online
    DDC: 394.12
    Schlagwort(e): Food habits Political aspects ; Food habits Health aspects ; Food habits Moral and ethical aspects ; Food habits Social aspects ; Food habits Religious aspects ; Food preferences ; Food consumption ; Vegetarianism ; Food and Drink ; Cultural studies: customs & traditions
    Kurzfassung: This resource tackles topics often overlooked in foodways. Michael Owen Jones explains how we communicate through what we eat, the connection between food choice and who we are or want to appear to be, the ways that many of us self-medicate moods with foods, and the nature of disgust.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 38
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781496839435
    Sprache: Englisch
    Seiten: 1 online resource (271 pages)
    Paralleltitel: Erscheint auch als Young, Simon The nail in the skull and other Victorian urban legends
    DDC: 398.20941
    Schlagwort(e): Electronic books
    Kurzfassung: A scarily skilled critical examination of Victorian-era urban legends.
    Kurzfassung: Cover -- The NAIL in the SKULL and Other VICTORIAN URBAN LEGENDS -- Title -- Copyright -- Contents -- Abbreviations -- Preface and Acknowledgments -- Introduction -- 1. The Baby Picnic -- 2. Beetle Eyes -- 3. The Bosom Serpent -- 4. Buried Alive -- 5. The Cautious Druggist -- 6. Child Pie -- 7. The Chimney Boy -- 8. Chloroformed! -- 9. Covert Catholics -- 10. Cycling Afflictions -- 11. Death Dice -- 12. Devil Take Me! -- 13. Do You Know Her? -- 14. Downie's Slaughter -- 15. Dressing the Workhouse Corpse -- 16. Drugged on a Train -- 17. The Eagle and the Baby -- 18. Egg Ring -- 19. Familiar Enemies -- 20. Fish Ring -- 21. The Galvanic Convict -- 22. The Ghost in Search of Help -- 23. Ghost Wager -- 24. Ghostly Donation -- 25. Hands in the Muff -- 26. Harem Prisoner -- 27. Hero Survives -- 28. Hollow Tree Death -- 29. Human Sausages -- 30. I Lost the Ring Here -- 31. I'm Jack the Ripper! -- 32. Immured Lovers -- 33. The Injured Garotter -- 34. Jolting the Coffin -- 35. The Judge and the Foreman -- 36. The Lady and the Ring -- 37. The Lawyer and the Poisoned Cakes -- 38. The Long Pack -- 39. Message in a Hat -- 40. A Million Postage Stamps -- 41. The Mistletoe Bride -- 42. A Modern Jonah! -- 43. Nail in the Coffin -- 44. The Nail in the Skull -- 45. The Omnibus Driver's Holiday -- 46. One Little Piggy -- 47. Paying for His Burial -- 48. The Pickpocket's Ring -- 49. Poison Duel -- 50. Prayers and the Thief -- 51. The Red Hand! -- 52. The Returned Watch -- 53. Selling Sovereigns -- 54. Sewer Monsters -- 55. She's My Daughter? -- 56. Shooting at a Ghost -- 57. The Shoplifter's Dilemma -- 58. The Skeletons That Eloped -- 59. The Spanish Prisoner -- 60. The Suicide Club -- 61. Swallowed Up -- 62. The Tell-Tale Eye -- 63. Tick Tock -- 64. There's Gold in Those Sewers -- 65. Tunnel Kissing -- 66. The Vanishing Lady -- 67. Watch the Clock -- 68. Wild Thing.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 39
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496840448 , 9781496840455
    Sprache: Englisch
    Seiten: X, 175 Seiten
    Serie: Margaret Walker Alexander series in African American studies
    Paralleltitel: Erscheint auch als Abdul-Ghani, Casarae Lavada Start a riot!
    DDC: 700.89/96073
    RVK:
    Schlagwort(e): Black Arts movement ; African American arts Political aspects 20th century ; History ; Arts Political aspects 20th century ; History ; Black nationalism History 20th century ; United States Race relations 20th century ; History ; Black arts movement ; Literatur ; Aufruhr
    Kurzfassung: Acknowledgments --Introduction: "I'm gonna start a riot!" --Chapter 1: The inability to compromise: examining Black rage and revolt in the revolutionary theatre of Amiri Baraka and Ben Caldwell --Chapter 2: "Blackblues": The BAM aesthetic and Black rage in Gwendolyn Brooks's "Riot" --Chapter 3: The crisis of Black revolutionary politics in Sonia Sanchez's "The Bronx Is next" (and "Sister Son/ji") --Chapter 4: Black politics and the neoliberal dilemma in Henry Dumas's "Riot or revolt?" --Epilogue --Notes --Bibliography --Index.
    Kurzfassung: "While the legacy of Black urban rebellions during the turbulent 1960s continues to permeate throughout US histories and discourses, scholars seldom explore within scholarship examining Black Cultural Production, artist-writers of the Black Arts Movement (BAM) that addressed civil unrest, specifically riots, in their artistic writings. Start a Riot! Civil Unrest in Black Arts Movement Drama, Fiction, and Poetry analyzes riot iconography and its usefulness as a political strategy of protestation. Through a mixed-methods approach of literary close-reading, historical, and sociological analysis, Casarae Lavada Abdul-Ghani considers how BAM artist-writers like Amiri Baraka (LeRoi Jones), Ben Caldwell, Gwendolyn Brooks, Sonia Sanchez, and Henry Dumas challenge misconceptions regarding Black protest through experimental explorations in their writings. Representations of riots became more pronounced in the 1960s as pivotal leaders shaping Black consciousness, such as Malcolm X and Martin Luther King Jr., were assassinated. BAM artist-writers sought to override the public's interpretation in their literary expose̹s that a riot's disjointed and disorderly methods led to more chaos than reparative justice. Start a Riot! uncovers how BAM artist-writers expose anti-Black racism and, by extension, the United States' inability to compromise with Black America on matters related to citizenship rights, housing (in)security, economic inequality, and education-tenets emphasized during the Black Power Movement. Abdul-Ghani argues that BAM artist-writers did not merely write literature that reflected a spirit of protest; in many cases, they understood their texts, themselves, as acts of protest"--
    Anmerkung: Includes bibliographical references and index , Hier auch später erschienene, unveränderte Nachdrucke
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  • 40
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496837004 , 9781496837011
    Sprache: Englisch
    Seiten: xxxix, 181 Seiten
    Ausgabe: First printing
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Autoethnografie ; Ethnizität ; Schwarze ; Rassismus ; Niederlande ; Sint Maarten ; Niederlande ; Sint Maarten ; Rassismus ; Ethnizität ; Schwarze ; Autoethnografie
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  • 41
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496843333 , 9781496843326
    Sprache: Englisch
    Seiten: VII, 175 pages
    Serie: Race, Rhetoric, and Media series
    Paralleltitel: Erscheint auch als Dubrofsky, Rachel E Authenticating Whiteness
    DDC: 305.809/073
    Schlagwort(e): Race in mass media ; White people Race identity ; Authentizität ; Weiße ; Rassismus ; Rassendiskriminierung ; Massenmedien
    Kurzfassung: "In Authenticating Whiteness: Karens, Selfies, and Pop Stars, Rachel E. Dubrofsky explores the idea that popular media implicitly portrays whiteness as credible, trustworthy, familiar, and honest, and that this portrayal is normalized and ubiquitous. Whether on television, film, social media, or in the news, white people are constructed as believable and unrehearsed, from the way they talk to how they look and act. Dubrofsky argues that this way of making white people appear authentic is a strategy of whiteness, requiring attentiveness to the context of white supremacy in which the presentations unfold. The volume details how ideas about what is natural, good, and wholesome are reified in media, showing how these values are implicitly racialized. Additionally, the project details how white women are presented as particularly authentic when they seem to lose agency by expressing affect through emotional and bodily displays. The chapters examine a range of popular media-newspaper articles about Donald J. Trump, a selfie taken at Auschwitz, music videos by Miley Cyrus, the television series UnREAL, the infamous video of Amy Cooper calling the police on an innocent Black man, and the documentary Miss Americana-pinpointing patterns that cut across media to explore the implications for the larger culture in which they exist. At its heart, the book asks: Who gets to be authentic? And what are the implications?"--
    Beschreibung / Inhaltsverzeichnis: Authentic emotion -- Authentic monstrosity -- Authentic redemption -- Authentic irony -- Authentic Whiteness -- Authentic antiracism?
    Anmerkung: Includes bibliographical references and index
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  • 42
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496840967
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 261 pages) , Illustrations (black and white).
    Serie: Mississippi scholarship online
    DDC: 302.231
    Schlagwort(e): Social media and television ; Social media Influence ; Mass media Social aspects ; Media Studies ; Sociology & anthropology
    Kurzfassung: On March 15, 2011, Donald Trump changed television forever. 'The Comedy Central Roast of Trump' was the first major live broadcast to place a hashtag in the corner of the screen to encourage real-time reactions on Twitter, generating more than 25,000 tweets and making the broadcast the most-watched Roast in Comedy Central history. The #trumproast initiative personified the media and tech industries' utopian vision for a multiscreen and communal live TV experience. In 'Social TV' Cory Barker reveals how the US television industry promised - but failed to deliver - a social media revolution in the 2010s to combat the imminent threat of on-demand streaming video. Barker examines the rise and fall of Social TV across press coverage, corporate documents, and an array of digital ephemera.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 43
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496842428 , 9781496842404
    Sprache: Englisch
    Seiten: x, 236 Seiten , Illustrationen, Notenbeispiele
    Ausgabe: First printing
    Serie: American made music series
    DDC: 781.62410763
    RVK:
    Schlagwort(e): Franzosen ; Kreolen ; Jazz ; Louisiana
    Anmerkung: Literaturverzeichnis Seite 194-216, selected discography Seite 217-218 , Titelzusatz auf dem Umschlag: French Creole music & the birth of jazz
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  • 44
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496840929 , 9781496840936
    Sprache: Englisch
    Seiten: 261 Seiten
    Paralleltitel: Erscheint auch als Barker, Cory, 1988 - Social TV
    DDC: 302.23/1
    Schlagwort(e): Social media and television ; Social media Influence ; Mass media Social aspects
    Kurzfassung: Introduction: best photo ever -- From TGIF to #TGIT: simulated liveness and flow in Shondaland -- Immerse yourself deeper: building AMC's multi-screen storyworld -- Rewarding viewing: check-ins and social productivity -- "Great shows, thanks to YOU": fansourcing and legitimization in Amazon's pilot season -- "It's what connects us": HBO and platform authenticity on Twitter -- Conclusion: everyday ephemeral content.
    Kurzfassung: "On March 15, 2011, Donald Trump changed television forever. The Comedy Central Roast of Trump was the first major live broadcast to place a hashtag in the corner of the screen to encourage real-time reactions on Twitter, generating more than 25,000 tweets and making the broadcast the most-watched Roast in Comedy Central history. The #trumproast initiative personified the media and tech industries' utopian vision for a multiscreen and communal live TV experience. In Social TV: Multiscreen Content and Ephemeral Culture, author Cory Barker reveals how the US television industry promised-but failed to deliver-a social media revolution in the 2010s to combat the imminent threat of on-demand streaming video. Barker examines the rise and fall of Social TV across press coverage, corporate documents, and an array of digital ephemera. He demonstrates that, despite the talk of disruption, the movement merely aimed to exploit social media to reinforce the value of live TV in the modern attention economy. Case studies from broadcast networks to tech start-ups uncover a persistent focus on community that aimed to monetize consumer behavior in a transitionary industry period. To trace these unfulfilled promises and flopped ideas, Barker draws upon a unique mix of personal Social TV experiences and curated archives of material that were intentionally marginalized amid pivots to the next big thing. Yet in placing this now-forgotten material in recent historical context, Social TV shows how the era altered how the industry pursues audiences. Multiscreen campaigns have shifted away from a focus on live TV and toward all-day "content" streams. The legacy of Social TV, then, is the further embedding of media and promotional material onto every screen and into every moment of life"--
    Anmerkung: Includes bibliographical references and index
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  • 45
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 1496836022 , 9781496836038 , 9781496836021
    Sprache: Englisch
    Seiten: VIII, 153 Seiten
    DDC: 820.99287096
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Schwarze Frau ; Jazz ; Literatur
    Anmerkung: Bibliography Seite 139-145
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  • 46
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496842435
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 236 pages) , Illustrations (black and white), music.
    Serie: American made music series
    Serie: Mississippi scholarship online
    DDC: 781.62410763
    RVK:
    Schlagwort(e): Franzosen ; Kreolen ; Jazz ; Creoles Music ; History and criticism ; Jazz History and criticism ; Music ; Music ; Louisiana
    Kurzfassung: This work describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 47
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496839466 , 9781496839473
    Sprache: Englisch
    Seiten: xl, 227 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Young, Simon The Nail in the Skull and Other Victorian Urban Legends
    DDC: 398.20941
    Schlagwort(e): Urban folklore ; Legends ; Tales ; Popular culture History 19th century
    Kurzfassung: "In the last fifty years, folklorists have amassed an extraordinary corpus of contemporary legends including "the Choking Doberman," "the Eaten Ticket," and "the Vanishing Hitchhiker." But what about the urban legends of the past? These legends and tales have rarely been collected, and when they occasionally appear, they do so as ancestors or precursors of the urban legends of today, rather than as stories in their own right. In The Nail in the Skull and Other Victorian Urban Legends, Simon Young fills this gap for British folklore (and for the wider English-speaking world) of the 1800s. Young introduces seventy Victorian urban legends ranging from "Beetle Eyes" to the "Shoplifter's Dilemma" and from "Hands in the Muff" to "the Suicide Club." While a handful of these stories are already known, the vast majority have never been identified, and they have certainly never received scholarly treatment. Young begins the volume with a lengthy introduction assessing nineteenth-century media, emphasizing the importance of the written word to the perpetuation and preservation of these myths. He draws on numerous nineteenth-century books, periodicals, and ephemera, including digitized newspaper archives-particularly the British Newspaper Archive, an exciting new hunting ground for folklorists. The Nail in the Skull and Other Victorian Urban Legends will appeal to an academic audience as well as to anyone who is interested in urban legends"--
    Anmerkung: Includes bibliographical references and index
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  • 48
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781496840110
    Sprache: Englisch
    Seiten: 1 online resource (257 pages)
    Paralleltitel: Erscheint auch als
    DDC: 305.24220975
    Schlagwort(e): Electronic books ; Electronic books
    Kurzfassung: A coming-of-age story of a young woman navigating a turbulent and changing South.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 49
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781496838568
    Sprache: Englisch
    Seiten: 1 online resource (281 pages)
    Paralleltitel: Erscheint auch als
    DDC: 306.8742
    Schlagwort(e): Electronic books ; Electronic books
    Kurzfassung: A current of love and creative exchange via photographs from David Rae Morris and letters by Willie Morris to his son.
    Kurzfassung: Cover -- LOVE, DADDY -- Title -- Copyright -- Dedication -- CONTENTS -- Foreword -- Acknowledgments -- Introduction -- Part One: Bridgehampton -- Part Two: Oxford -- Part Three: Jackson -- Epilogue -- Notes -- ABOUT THE AUTHORS.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 50
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781496841506
    Sprache: Englisch
    Seiten: 1 online resource (293 pages)
    Paralleltitel: Erscheint auch als Golin, Steve, - 1939- Women who invented the sixties
    DDC: 306.0973/0904
    Schlagwort(e): Electronic books ; Electronic books ; Baker, Ella 1903-1986 ; Jacobs, Jane 1916-2006 ; Carson, Rachel 1907-1964 ; Friedan, Betty 1921-2006 ; USA ; Studentenbewegung ; Geschichte 1960-1970
    Kurzfassung: A riveting new biography exploring four women's fundamental roles in creating the 1960s as we know them today and their lasting legacies.
    Kurzfassung: Cover -- Women Who Invented the Sixties -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction: Four Women -- Part 1: The Fifties -- 1 Ella Baker: Activists' Activist -- 2 Jane Jacobs: Playful Activist -- 3 Rachel Carson: Reluctant Activist -- 4 Betty Friedan: Discouraged Activist -- Part 2: The Interventions -- 5 Ella Baker and the Founding of SNCC, 1960 -- 6 The Death and Life of Great American Cities, 1961 -- 7 Silent Spring, 1962 -- 8 The Feminine Mystique, 1963 -- Part 3: The Sixties -- 9 Ella Baker, Bob Moses, and Mississippi -- 10 Jane Jacobs and the Neighborhood Movement -- 11 Rachel Carson and the Bullies -- 12 Baker, Friedan, and the Two Women's Movements -- 13 The Late Sixties: Jane Jacobs and Betty Friedan -- Epilogue: 1970 and Beyond -- Notes -- Bibliography -- About the Author.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 51
    ISBN: 9781496841346 , 9781496841353
    Sprache: Englisch
    Seiten: vii, 355 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Lgbtq comics studies reader
    DDC: 306.76
    RVK:
    RVK:
    Schlagwort(e): Queer comic books, strips, etc ; Sexual minorities Comic books, strips, etc ; Sexual minority culture ; Sexual minority community Comic books, strips, etc ; Gays Comic books, strips, etc ; Lesbians Comic books, strips, etc ; Transgender people Comic books, strips, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Kurzfassung: General introduction --Chapter 1. Queer in common: section introduction /Alison Halsall and Jonathan Warren --Chapter 2. "Rude girls and dangerous women": lesbian comics from the 1990s /Michelle Ann Abate --Chapter 3. Condoms not coffins: 1980s-1990s American AIDS comics as collective memory /Tesla Cariani --Chapter 4. Of anthologies and activisim: building an LGBTQ+ comics community /Margaret Galvan --Chapter 5. Desire without end: on the queer imagination of sequential art /Alison Halsall and Jonathan Warren in coversation with Ramzi Fawaz --Chapter 6. Global crossings and intersections: section introduction /Alison Halsall and Jonathan Warren --Chapter 7. Queer visualities - queer spaces: German-language LGBTQ+ comics /Susanne Hochreiter, Marina Rauchenbacher, and Katharina Serles --Chapter 8. XX,XY, and XXY: genderqueer bodies in Hagio Moto'science fiction manga /Keiko Miyajima --Chapter 9. An exploration of the birth of the slave through ero-pedagogy in Tagame Gengoroh's PRIDE /William S. Armour --Chapter 10. Fanzines as contact zones: Dokkun's adventures with "Bara" manga in between Japan and France /Edmond (Edo) Ernest Dit Alban --Chapter 11: Resiliance: section introduction /Alison Halsall and Jonathan Warren --Chapter 12: Critics and creators: the LGBTQ+ comics ecosytem /Hillary Chute in conversation with Justin Hall --Chapter 13. Activism and solidarity in the comics of Howard Cruse /Matthew Cheney --Chapter 14: Canadian LGBTQ+ comics: intersections of queerness, race, and spirituality /Alison Halsall --Chapter 15. BLK cartoons: Black lesbian identity in comics /Sheena C. Howard --Chapter 16. Goldie Vance: queer girl detective /Lara Hedberg and Rebecca Hutton --Chapter 17. Reproduction of artwork /Alison Bechdel --Chapter 18. Seen/scene: section introduction /Alison Halsall and Jonathan Warren --Chapter 19. Reading comics queerly /Jonathan Warren --Chapter 20. "Better a man than dead?": radical (trans)masculinities in comic-zines /Remus Jackson -- Chapter 21. Comics, community, and kickass women /Alison Halsall and Jonathan Warren in conversation with Jennifer Camper --Chapter 22. Conceiving the inconceivable: graphic medicine, queer motherhood, and A.K. Summers's Pregnant Butch: nine long months spent in drag /Sathyaraj Venkatesan and Chinmay Murali -- Chapter 23. Pixel fantasies and futures: narrative "do-othering" in queer webcomics /Lin Young --About the contributors --Index.
    Kurzfassung: "The LGBTQ Comics Studies Reader explores the exemplary trove of LGBTQ comics that coalesced in the underground and alternative comix scenes of the mid-1960s and in the decades after. Through insightful essays and interviews with leading comics figures, volume contributors illuminate the critical opportunities, current interactions, and future directions of these comics. This heavily illustrated volume engages with the work of preeminent artists across the globe, such as Howard Cruse, Edie Fake, Justin Hall, Jennifer Camper, and Alison Bechdel, whose iconic artwork is reproduced within the volume. Further, it addresses and questions the possibilities of LGBTQ comics from various scholarly positions and multiple geographical vantages, covering a range of queer lived experience. Along the way, certain LGBTQ touchstones emerge organically and inevitably-pride, coming out, chosen families, sexual health, gender, risk, and liberation. Featuring comics figures across the gamut of the industry, from renowned scholars to emerging creators and webcomics artists, the reader explores a range of approaches to LGBTQ comics-queer history, gender and sexuality theory, memory studies, graphic medicine, genre studies, biography, and more-and speaks to the diversity of publishing forms and media that shape queer comics and their reading communities. Chapters trace the connections of LGBTQ comics from the panel, strip, comic book, graphic novel, anthology, and graphic memoir to their queer readership, the LGBTQ history they make visible, the often still quite fragile LGBTQ distribution networks, the coded queer intelligence they deploy, and the community-sustaining energy and optimism they conjure. Above all, The LGBTQ Comics Studies Reader highlights the efficacy of LGBTQ comics as a kind of common ground for creators and readers"--
    Anmerkung: Includes bibliographical references and index
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  • 52
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781496841339
    Sprache: Englisch
    Seiten: 1 Online-Ressource (301 pages)
    Ausgabe: 1st ed.
    Serie: Willie Morris Books in Memoir and Biography Ser.
    DDC: 306.7662092
    Schlagwort(e): Electronic books
    Kurzfassung: A fascinating portrait of the forgotten life of a pioneer in Louisiana's LGBTQ+ culture and political history.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 53
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781496839190
    Sprache: Englisch
    Seiten: 1 Online-Ressource (314 pages)
    Serie: American Made Music Ser.
    DDC: 780.266
    RVK:
    RVK:
    Schlagwort(e): Rounder Records ; Musiker ; Musikproduktion ; USA Südstaaten ; Electronic books
    Kurzfassung: A firsthand remembrance of the artists, engineers, crews, and settings that make roots music magical.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 54
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496837288 , 9781496837271
    Sprache: Englisch
    Seiten: xvii, 232 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.64
    RVK:
    RVK:
    Schlagwort(e): Lyrics ; Englisch ; Popmusik ; Lyrik ; Blues ; Blues ; Popmusik ; Lyrics ; Englisch ; Lyrik
    Kurzfassung: Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains.
    Kurzfassung: Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock-biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies-to examine the development of a relatively new literary genre dubbed by the authors as "poetic song verse." They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry.Among the questions asked in Poetic Song Verse are: What, exactly,
    Kurzfassung: is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to marc:recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre
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  • 55
    ISBN: 9781496834379
    Sprache: Englisch
    Seiten: 1 online resource (213 pages)
    Paralleltitel: Erscheint auch als Woods, Naurice Frank Race and racism in nineteenth-century art
    DDC: 704.03/96073
    Schlagwort(e): Electronic books ; Duncanson, Robert S. 1821-1872 ; Bannister, Edward Mitchell 1828-1901 ; Lewis, Edmonia 1844-1909 ; USA ; Schwarze ; Künstler ; Kunst ; Rassismus ; Geschichte 1800-1900
    Kurzfassung: The extraordinary struggle, achievement, loss and reclamation of three brilliant African American artists of the 1800s.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 56
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496835734 , 9781496835741
    Sprache: Englisch
    Seiten: ix, 331 Seiten , Karten
    Serie: Cultures of childhood
    Paralleltitel: Erscheint auch als Soileau, Jeanne Pitre What the children said
    DDC: 398.209763/4
    Schlagwort(e): Folklore and children Research ; Folklore and children ; Children Folklore ; Children Folklore ; Counting-out rhymes ; Circle games ; Jump rope rhymes ; Hand games ; Rhyming games ; Wit and humor, Juvenile ; Children Juvenile humor ; Kind ; Abzählreim
    Kurzfassung: Preface --Introduction --Chapter 1: Counting outChapter 2: Ring games --Chapter 3: Jump rope --Chapter 4: Hand games --Chapter 5: Rhymes and songs --Chapter 6: Running and imagination games --Chapter 7: Teases --Chapter 8: Jokes --Chapter 9: Thank you notes --Notes --Works cited --Appendix: Annotated list of collection sites --Index.
    Kurzfassung: "Jeanne Pitre Soileau, winner of the 2018 Chicago Folklore Prize and the Opie Prize, vividly presents children's voices in What the Children Said: Child Lore of South Louisiana. Including over six hundred handclaps, chants, jokes, jump-rope rhymes, cheers, taunts, and teases, this book takes the reader through a fifty-year history of child speech as it has influenced children's lives. What the Children Said affirms that children's play in south Louisiana is acquired along a network of summer camps, schoolyards, church gatherings, and sleepovers with friends. When children travel, they obtain new games and rhymes, and bring them home. The volume also reveals, in the words of the children themselves, how young people deal with racism and sexism. The children argue and outshout one another, policing their own conversations, stating their own prejudices, and vying with one another for dominion. The first transcript in the book tracks a conversation among three related boys and shows that racism is part of the family interchange. Among second grade boys and girls at a Catholic school another transcript presents numerous examples in which boys use insults to dominate a conversation with girls, and girls use giggles and sly comebacks to counter this aggression. Though collected in the areas of New Orleans, Baton Rouge, and Lafayette, Louisiana, this volume shows how south Louisiana child lore is connected to other English-speaking places: England, Scotland, Ireland, Australia, New Zealand, as well as the rest of the United States"--
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Includes bibliographical references and index
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  • 57
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496832764 , 9781496832771
    Sprache: Englisch
    Seiten: xiii, 250 pages
    Serie: Race, rhetoric, and media series
    Paralleltitel: Erscheint auch als Anderson, Wendy K. Z Rebirthing a nation
    DDC: 322.4/20973
    Schlagwort(e): White nationalism ; Racism ; Racism in the press ; USA ; Rassismus ; Sexismus ; Weiße ; Vorherrschaft
    Kurzfassung: Section One: Collective voices of white nationalist women.Safety for white people only through nationalism: decoding rhetorical refinement of white supremacist values ;〈Freedom of speech〉 without responsibility: unmasking a privilege filter of color-blind racism as a white supremacist ideograph ;Classifying whiteness as "contained agency": decrypting white nationalist women's digital design through understanding intersectional analysis --Section two: Individual women's voices as institutional coding of white supremacy.White outsiderism as white identity politics: situating Tea Party rhetoric as uncivil testing grounds ;Reckoning with white fragility by alt-right shield maidens: disassembling "contained agency" of the alt-right ;Responsibility of a white "privilege filter": dismantling conservative white women as color-blind maiden shields --Epilogue: Amplifying intersectionality as an ethical response.
    Kurzfassung: "Although US history is marred by institutionalized racism and sexism, postracial and postfeminist attitudes drive our polarized politics. Violence against people of color, transgendered and gay people, and women soar upon the backdrop of Donald Trump, Tea Party affiliates, alt-right members like Richard Spencer, and right-wing political commentators like Milo Yiannopoulos who defend their racist and sexist commentary through legalistic claims of freedom of speech. While more institutions recognize the volatility of these white men's speech, few notice or have thoughtfully considered the role of white nationalist, alt-right, and conservative white women's messages that organizationally preserve white supremacy. In Rebirthing a Nation: White Women, Identity Politics, and the Internet, author Wendy K. Z. Anderson details how white nationalist and alt-right women refine racist rhetoric and web design as a means of protection and simultaneous instantiation of white supremacy, which conservative political actors including Sarah Palin, Donald Trump, Kellyanne Conway, Sarah Huckabee Sanders, and Ivanka Trump have amplified through transnational politics. By validating racial fears and political divisiveness through coded white identity politics, postfeminist and motherhood discourse functions as a colorblind, gilded cage. Rebirthing a Nation reveals how white nationalist women utilize colorblind racism within digital space, exposing how a postfeminist framework becomes fodder for conservative white women's political speech to preserve institutional white supremacy"--
    Anmerkung: Includes bibliographical references and index
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  • 58
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496832405
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 254 pages) , Illustrations (black and white).
    Serie: Mississippi scholarship online
    DDC: 780.9
    RVK:
    RVK:
    Schlagwort(e): Music Social aspects ; Music History and criticism ; Immigrants Music ; History and criticism ; Emigration and immigration Songs and music ; History and criticism
    Kurzfassung: This text brings together eleven chapters on the musics of migrant and diaspora populations around the globe. Their authors are engaged with and sensitive to the nuances of struggles over identities and representations through musical expression, and they give account of some of the ways in which musicians, fans, promoters, and others use music and other media (including social media) to negotiate, transcend, or create solidarities with different normativities and nationalisms.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
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  • 59
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496827937
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 288 pages) , Illustrations (black and white, and colour), maps (black and white, and colour).
    Serie: Mississippi scholarship online
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Bestattungsritus ; Cemeteries History ; Burial ; Segregation History ; Minorities Social conditions ; USA ; Aufsatzsammlung
    Kurzfassung: 'Till Death Do Us Part' explores the tendency among most Americans to separate their dead along communal lines rooted in race, faith, ethnicity, or social standing and asks what a deeper exploration of that phenomenon can tell us about American history more broadly.
    Anmerkung: Previously issued in print: 2020 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 60
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496832092
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 192 pages) , Illustrations (black and white).
    Serie: Mississippi scholarship online
    DDC: 781.6508996073
    RVK:
    RVK:
    Schlagwort(e): Higgins, Billy Criticism and interpretation ; Blanchard, Terence Criticism and interpretation ; Carrington, Terri Lyne Criticism and interpretation ; Akinmusire, Ambrose Criticism and interpretation ; Hill, Andrew Criticism and interpretation ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; African American jazz musicians ; Jazz Political aspects ; USA
    Kurzfassung: This text provides an interpretive framework for understanding how African American creative improvisers think of musical space. Featuring a foreword by eminent scholar Robin D.G. Kelley, this is a critical improvisation studies book that uses Black geographies theory to examine the spatial values of musical expression in the improvisational and compositional practices of trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
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  • 61
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496831262
    Sprache: Englisch
    Seiten: 1 Online-Ressource (352 pages) , Illustrations (black and white).
    Serie: American made music series
    Serie: Mississippi scholarship online
    RVK:
    Schlagwort(e): Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; Punk rock music History and criticism ; Music and race History 20th century ; USA ; United States Race relations 20th century ; History
    Kurzfassung: This text offers a portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. The author provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era.
    Anmerkung: Previously issued in print: 2020 , Includes bibliographical references, discography, filmography and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 62
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496831200
    Sprache: Englisch
    Seiten: 1 Online-Ressource (160 pages) , Illustrations (black and white).
    Serie: Mississippi scholarship online
    DDC: 305.891410747
    Schlagwort(e): Guyanese Americans Social life and customs ; Blacks Marriage customs and rites ; African diaspora
    Kurzfassung: This text examines how African-Guyanese in New York City participate in the Come to My Kwe-Kwe ritual to facilitate rediasporization, that is, the creation of a newer diaspora from an existing one.
    Anmerkung: Previously issued in print: 2020 , Includes bibliographical references and index
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  • 63
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496832825 , 9781496832832 , 1496832833 , 1496832825
    Sprache: Englisch
    Seiten: x, 236 Seiten , Illustrationen , 23 cm
    DDC: 323.1196/073
    Schlagwort(e): African Americans Political activity ; History ; Race Political aspects ; History ; Street theater History ; Street music History ; African Americans Music ; Street music ; African Americans ; Race ; Political aspects ; Race relations ; Street theater ; History ; Music ; Music ; Southern States Race relations ; History ; Southern States ; USA ; Schwarze ; Politische Beteiligung ; Veranstaltung ; Straßentheater ; Straßenmusik ; Ethnische Beziehungen ; Geschichte 1877-1932
    Kurzfassung: Introduction -- "Out in full force": Black participation in spectacular politics before disfranchisement, 1877-99 -- "A contest in music": Election-Day spectacles in the Central Georgia Temperance Campaigns, 1885-99 -- "A strictly social function": The contest of Black labor and Confederate memory at the 1903 UCV Reunion -- "Furious music": African Americans, political spectacles, and street theater in the post-disfranchisement South, 1909-32 -- "To do our bit for good government": W.C. Handy, E.H. Crump, and the 1909 Memphis mayoral election -- "I didn't really know how to show my opposition": Street theater in the twenty-first century.
    Kurzfassung: "Mark A. Johnson examines three notable cases of Black participation in the spectacles of politics: the 1885-1898 local-option prohibition contests of Atlanta and Macon, Georgia; the United Confederate Veterans conflict with the Musicians' Union prior to the 1903 UCV Reunion in New Orleans; and the 1909 Memphis mayoral election featuring Edward Hull Crump and W.C. Handy. Through these case studies, Johnson explains how white politicians and Black performers wielded and manipulated racist stereotypes and Lost Cause mythology to achieve their respective goals. Ultimately, Johnson portrays the vibrant, exuberant political culture of the New South and the roles played by both Black and white southerners."--Publisher's description
    Anmerkung: Includes bibliographical references and index
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  • 64
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496837431 , 9781496832221
    Sprache: Englisch
    Seiten: xx, 289 Seiten, 10 ungezählte Seiten Tafeln , Illustrationen , 25 cm
    Serie: American made music series
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1950-2020 ; Jazzmusiker ; Jazz musicians / United States / Interviews ; MUSIC / Genres & Styles / Jazz ; MUSIC / History & Criticism ; Jazz musicians ; Amram, David / Interviews ; Blake, Ran / Interviews ; Cranshaw, Bob / Interviews ; Crow, Bill / 1927- / Interviews ; Davis, Charles / 1933-2016 / Interviews ; Hyman, Dick / 1927- / Interviews ; Jordan, Clifford / Interviews ; Kuhn, Steve / Interviews ; Lateef, Yusef / Interviews ; Owens, Jimmy / 1943- / Interviews ; Pizzarelli, Bucky / Interviews ; Ponomarev, Valery / Interviews ; Porcelli, Bob / Interviews ; Rollins, Sonny / Interviews ; Stewart, Sandy / 1937- / Interviews ; Sudhalter, Carol / Interviews ; Terry, Brad / Interviews ; Terry, Clark / Interviews ; Tucker, Mickey / Interviews ; Turre, Steve / Interviews ; Williams, Buster / Interviews ; Amram, David ; Blake, Ran ; Cranshaw, Bob ; Davis, Charles / 1933-2016 ; Hyman, Dick / 1927- ; Kuhn, Steve ; Lateef, Yusef ; Owens, Jimmy / 1943- ; Pizzarelli, Bucky ; Ponomarev, Valery ; Rollins, Sonny ; Terry, Clark ; Tucker, Mickey ; Turre, Steve ; Williams, Buster ; United States ; Interviews ; Interview
    Kurzfassung: "The Jazz Masters: Setting the Record Straight features twenty-one conversations with musicians who have had at least fifty years of professional experience, and several as many as seventy-five. In all, these voices reflect some seventeen hundred years' worth of paying dues. Appealing to casual fans and jazz aficionados alike, these interviews have been carefully, but minimally edited by Peter Zimmerman for sense and clarity, without changing any of the musicians' actual words. Five of the interviewees-Dick Hyman, Jimmy Owens, Sonny Rollins, Clark Terry, and Yusef Lateef-have received the National Endowment for the Arts' prestigious Jazz Masters Fellowship, attesting to their importance and ability. While not official masters, the rest are veteran performers willing to share their experiences and knowledge. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. The musicians interviewed for the book range in age from their early seventies to mid-nineties. Older musicians started their careers during the segregation of the Jim Crow era, while the youngest came up during the struggle for civil rights. All grapple with issues of race, performance, and jazz's rich legacies. In addition to performing, touring, and recording, many have composed and arranged, and others have contributed as teachers, historians, studio musicians, session players, producers, musicians' advocates, authors, columnists, poets, and artists. The interviews in The Jazz Masters are invaluable primary material for scholars and will appeal to musicians inspired by these veterans' stories and their different approaches to music
    Anmerkung: Before words -- , A requiem for Cedar -- , Blowin' in from Chicago : Clifford Jordan, Charles Davis, and Bob Cranshaw -- , The big kahunas : Sonny Rollins and Clark Terry -- , Old school : Sandy Stewart, Dick Hyman, and Bucky Pizzarelli -- , On the scene : Bobby Porcelli and Valery Ponomarev -- , The philosophers : David Amram and Ran Blake , Local 802 : Jimmy Owens and Bill Crow -- , Shells and whistles : Brad Terry and Steve Turre -- , The mutual appreciation society : Mickey Tucker and Carol Sudhalter -- , Something more : Steve Kuhn and Buster Williams -- , The gentle giant : Yusef Lateef -- , RIP, 2012-2020
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  • 65
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496831286 , 9781496831293
    Sprache: Englisch
    Seiten: xxiv, 412 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Serie: American made music series
    DDC: 781.64097471
    RVK:
    Schlagwort(e): Geschichte 1940-1990 ; Musikleben ; Latin Music ; New York, NY
    Kurzfassung: New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. In this book, Benjamin Lapidus seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed. Based on archival research, oral histories, interviews, and musicological analysis, Lapidus examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music. Musicians specializing in Spanish Caribbean music in New York cultivated a sound that was grounded in tradition, including classical, jazz, and Spanish Caribbean folkloric music. For the first time, Lapidus studies this sound in detail and in its context. He offers a fresh understanding of how musicians made and formally transmitted Spanish Caribbean popular music in New York City from 1940 to 1990. Without diminishing the historical facts of segregation and racism the musicians experienced, Lapidus treats music as a unifying force. By giving recognition to those musicians who helped bridge the gap between cultural and musical backgrounds, he recognizes the impact of entire ethnic groups who helped change music in New York. The study of these individual musicians through interviews and musical transcriptions helps to characterize the specific and identifiable New York City Latin music aesthetic that has come to be emulated internationally.
    Anmerkung: Literaturverzeichnis Seite 383-403
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  • 66
    ISBN: 9781496832108 , 9781496832115
    Sprache: Englisch
    Seiten: x, 192 Seiten , Notenbeispiele , 23 cm
    Ausgabe: First printing
    DDC: 781.6508996073
    RVK:
    RVK:
    Schlagwort(e): Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; USA
    Kurzfassung: In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.
    Anmerkung: Literaturangaben
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 67
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496835437 , 1496835433 , 9781496835420 , 1496835425 , 9781496835451 , 149683545X , 9781496835444 , 1496835441 , 9781496835468 , 1496835468 , 9781496835475 , 1496835476
    Sprache: Englisch
    Seiten: x, 255 Seiten , Illustrationen, Karten , 24 cm
    DDC: 306.1097671
    Schlagwort(e): Counterculture History ; Popular culture History ; Counterculture ; Intellectual life ; Popular culture ; History ; Ozark Mountains Intellectual life ; Ozark Mountains History ; United States ; United States ; Ozark Mountains ; Ozark, Mo. Region ; Gegenkultur
    Kurzfassung: Chapter 1. The Ozarks -- Chapter 2. Exploring Regional Identity in Arkansas: The Salience of the Term "Ozark" -- Chapter 3. Li'l Abner the Trickster: Mythical Identity in the Ozarks -- Chapter 4. Eureka Springs, Where Misfits Fit -- Chapter 5. Close Encounters of the Ozark Kind -- Chapter 6. The Cults of Searcy County, Arkansas -- Chapter 7. The Group -- Chapter 8. When Electric Music Came to the Ozarks -- Chapter 9. The Hot Mulch Band and the Missouri Back-to-the-Land Experience -- Chapter 10. Back-to-Landers in the Arkansas Ozarks -- Chapter 11. Conclusions.
    Kurzfassung: In Where Misfits Fit: Counterculture and Influence in the Ozarks, Thomas Michael Kersen explores the people who made a home in the Ozarks and the ways they contributed to American popular culture. Drawing on a wide variety of sources, Kersen argues the area attracts and even nurtures people and groups on the margins of the mainstream. These include UFO enthusiasts, cults, musical troupes, and back-to-the-land groups. Kersen examines how the Ozarks became a haven for creative, innovative, even nutty people to express themselves—a place where community could be reimagined in a variety of ways. It is in these communities that communitas, or a deep social connection, emerges. Each of the nine chapters focuses on a facet of the Ozarks, and Kersen often compares two or more cases to generate new insights and questions. Chapters examine real and imagined identity and highlight how the area has contributed to popular culture through analysis of the Eureka Springs energy vortex, fictional characters like Li’l Abner, cultic activity, environmentally minded communes, and the development of rockabilly music and near-communal rock bands such as Black Oak Arkansas
    Anmerkung: Includes bibliographical references (pages 225-245) and index
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  • 68
    ISBN: 9781496832115 , 9781496832108
    Sprache: Englisch
    Seiten: x, 192 Seiten , Notenbeispiele, Porträt
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Kurzfassung: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Beschreibung / Inhaltsverzeichnis: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 69
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496832368 , 9781496832351
    Sprache: Englisch
    Seiten: XIV, 254 Seiten , Illustrationen
    DDC: 780.9
    RVK:
    RVK:
    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung
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  • 70
    ISBN: 9781496834348 , 9781496834355
    Sprache: Englisch
    Seiten: xi, 267 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Woods, Naurice Frank Race and Racism in Nineteenth-Century Art
    DDC: 704.03/96073
    Schlagwort(e): Duncanson, Robert S ; Bannister, Edward Mitchell ; Lewis, Edmonia ; Racism and the arts History 19th century ; African American artists Biography ; Duncanson, Robert S. 1821-1872 ; Bannister, Edward Mitchell 1828-1901 ; Lewis, Edmonia 1844-1909 ; USA ; Schwarze ; Künstler ; Kunst ; Rassismus ; Geschichte 1800-1900
    Kurzfassung: Foreword / Dr. George Dimock -- Introduction: the "artistic ancestors" of Henry O. Tanner -- Robert Seldon Duncanson (1821-1872) -- Edward Mitchell Bannister (1828-1901) -- Mary Edmonia Lewis (ca. 1844-1907) -- Epilogue: American masters reclaimed.
    Kurzfassung: "Painters Robert Duncanson (ca. 1821-1872) and Edward Bannister (1828-1901) and sculptor Mary Edmonia Lewis (ca. 1844-1907) each became accomplished African American artists. But as emerging art makers of color during the antebellum period, they experienced numerous incidents of racism that severely hampered their pursuits of a profession that many in the mainstream considered the highest form of social cultivation. Despite barriers imposed upon them due to their racial inheritance, these artists shared a common cause in demanding acceptance alongside their white contemporaries as capable painters and sculptors on local, regional, and international levels. Author Naurice Frank Woods Jr. provides an in-depth examination of the strategies deployed by Duncanson, Bannister, and Lewis that enabled them to not only overcome prevailing race and gender inequality, but also achieve a measure of success that eventually placed them in the top rank of nineteenth-century American art. Unfortunately, the racism that hampered these three artists throughout their careers ultimately denied them their rightful place as significant contributors to the development of American art. Dominant art historians and art critics excluded them in their accounts of the period. In this volume, Woods restores their artistic legacies and redeems their memories, introducing these significant artists to rightful, new audiences"--
    Anmerkung: Includes bibliographical references and index
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  • 71
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496825162 , 9781496825155
    Sprache: Englisch
    Seiten: xi, 506 Seiten , Illustrationen
    Serie: American made music series
    RVK:
    Schlagwort(e): Rollini, Adrian ; Geschichte 1903-1956 ; Jazzmusiker ; USA ; Biografie
    Kurzfassung: "The first and definitive biography of the great bass saxophone jazz man"--
    Anmerkung: Bibliography Seite 473-474
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  • 72
    ISBN: 9781496827890 , 9781496827883
    Sprache: Englisch
    Seiten: viii, 288 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Till death do us part
    DDC: 393.1
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Bestattungsritus ; Cemeteries History ; Burial ; Segregation History ; Minorities Social conditions ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Kurzfassung: "A comprehensive study of how burial customs highlight social status and class
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 73
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496830609 , 9781496830524
    Sprache: Englisch
    Seiten: 272 Seiten , Illustrationen
    Serie: American made music series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): Davis, Betty ; Scott-Heron, Gil ; Khan, Chaka ; Geschichte 1970-1979 ; Soul ; Funk ; Blues ; USA ; Funk (Music) / History and criticism ; Funk (Music) ; Criticism, interpretation, etc ; USA ; Funk ; Blues ; Soul ; Geschichte 1970-1979 ; Khan, Chaka 1953- ; Scott-Heron, Gil 1949-2011 ; Davis, Betty 1945-2022 ; Funk
    Kurzfassung: "Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history"--
    Anmerkung: Intro , Groove theory: liner notes on funk aesthetics , Blue funk: the ugly beauty of stank , Sly Stone and the gospel of funk -- , Songbird: Chaka Khan as funk queen , Funky bluesology: Gil Scott-Heron as black organic intellectual , The kinkiness of turquoise: Betty Davis's liberated funk-rock
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  • 74
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496831156 , 9781496831163
    Sprache: Englisch
    Seiten: xv, 208 Seiten , Illustrationen, Diagramme
    DDC: 305.8914/10747
    RVK:
    Schlagwort(e): Guyanese Americans Social life and customs ; Blacks Marriage customs and rites ; African diaspora ; New York, NY ; Einwanderer ; Guyana ; Ritual ; Kollektives Gedächtnis
    Kurzfassung: Acknowledgments -- Abstract -- Prologue: the processes of diasporization and rediasporization -- Introduction: "Who Karkalay?" from wedding-based kweh-kweh to cultural reenactment -- "Where's the cookup rice?" Extracting the "African" and reconstructing "home" through food -- Wipin', winin', and wukkin': constructing, contesting, and displaying gender values -- "Beat de drum and de spirit gon get up": music, dance, and autenticity in Rediasporization -- "Borrow a day from God": navigating the boundaries of race and religion in rediasporization -- Conclusion: wholly fractured, wholly whole: innovating "traditions" and reconstructing self in Come to My Kwe-Kwe rituals -- Epilogue: picking up the pieces.
    Kurzfassung: "Every year on the Friday before Labor Day, Guyanese from all over the world convene in Brooklyn, New York, to celebrate the accidental tradition of Come to My Kwe-Kwe and to connect or reconnect with other Guyanese. Since the fall of 2005, they have celebrated Come to My Kwe-Kwe (more recently, Kwe-Kwe Night), a reenactment of a uniquely African Guyanese prewedding ritual called kweh-kweh, also known as karkalay, mayan, kweh-keh, or pele. Come to My Kwe-Kwe has increasingly become a symbol of African Guyaneseness. In this volume, Rediasporization: African Guyanese Kwe-Kwe, Gillian Richards-Greaves examines the role of Come to My Kwe-Kwe in the construction of a secondary African Guyanese diaspora (a rediasporization) in New York City. She explores how African Guyanese in the United States draw on the ritual to articulate their tripartite cultural identities: African, Guyanese, and American. This work also investigates the factors that affect African Guyanese perceptions of their racial and gendered selves, and how these perceptions, in turn, impact their engagement with African-influenced cultural performances like Come to My Kwe-Kwe. This work demonstrates how the malleability of this celebration allows African Guyanese to negotiate, highlight, conceal, and even sometimes reject complex, shifting, overlapping, and contextual identities. Ultimately, this work explores how these performances in the United States facilitate African Guyanese transformation from an imagined community to a tangible community"--
    Anmerkung: Includes bibliographical references and index
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  • 75
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496825452 , 9781496825445
    Sprache: Englisch
    Seiten: VII, 201 pages cm , Illustrationen
    Serie: Caribbean studies series
    Paralleltitel: Erscheint auch als Carnival is woman
    DDC: 394.2509729
    Schlagwort(e): Carnival ; Women Social conditions ; Women History ; Feminism ; Aufsatzsammlung ; Aufsatzsammlung ; Trinidad und Tobago ; Karneval ; Frau ; Sexualisierung ; Feminismus
    Kurzfassung: Preface -- Introduction / Frances Henry and Dwaine Plaza -- Women and the De-Africanization of Trinidad Carnival: From the Jamette to Bikini, Beads, and Feathers / Dwaine Plaza and Jan DeCosmo -- Stories of Resistance and Oppression: Baby Doll and Dame Lorraine / Frances Henry and Jeff Henry -- Jamette!: Women and Canboulay in 1881 / Philip W. Scher -- Taking the Queen to the Streets: The Jaycees Carnival Queen Competition and the Pretty Mas' Aesthetic / Samantha Noel -- Practicing Jametteness: The Transmission of "Bad Behavior" as a Strategy of Survival / A. D. Jones -- "Thirty Gyal to One Man: Women's Prolific Presence in the Trinidad Carnival / Asha St. Bernard -- From Devi to Diva: Indo-Caribbean Women Rising in Trinidad's Chutney Soca / Darrell Gerohn Baksh -- Caribana in Toronto: From Male Dominance to Female Agency / Dwaine Plaza -- Glossary -- About the Contributors -- Index
    Kurzfassung: "Women are performing an ever-growing role in Caribbean Carnival. Through a feminist perspective, this volume examines the presence of women in contemporary Carnival by demonstrating not only their strength in numbers, but also the ways in which women participate in the event. While decried by traditionalists, the bikinis, beads, and feathers of "pretty mas" convey both a newly found empowerment as a gendered resistance to oppression from men. Although research on Carnivals is substantial, especially in the Americas, the subject of women in Carnival as a topic of inquiry remains fairly new. These essays address anthropological and historical facets of women and their practices in the Trinidad Carnival, including an analysis of how women's costuming and performance have changed over time. The modern costumes, which are well within the financial means of most mas players, demonstrate the new power of women who can now afford these outfits. In discussing the commodification and erotization of Carnival, the book emphasizes the unveiling of the female body and the hip-rolling sexual movements called winin or it. Through display of their bodies, contemporary women in Carnival express a form of female resistance. Intent on enjoying and expressing themselves, they seem invigorated by their place in the economy, as well as their sexuality, defying the moral controls imposed on them. Through an array of methods in qualitative research, including interviews, participant observation, and ethnography, this volume explains the new power of women in the evolution of Carnival mas in Trinidad amid the wider Caribbean diaspora"--
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Includes bibliographical references and index
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  • 76
    ISBN: 9781496828811 , 9781496828828
    Sprache: Englisch
    Seiten: xli, 209 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als DeBerry, Roy Voices from the Mississippi Hill Country
    DDC: 976.2/89
    Schlagwort(e): African Americans Interviews Civil rights ; History ; SOCIAL SCIENCE / Discrimination ; Interviews ; Benton County (Miss.) Interviews History ; Interview ; Interview ; Benton County, Miss. ; Schwarze ; Soziale Situation ; Bürgerrechtsbewegung ; Geschichte
    Kurzfassung: Beginnings -- Generations -- Siblings -- White reactions -- Observers -- Service -- Looking back, looking ahead.
    Kurzfassung: "Voices from the Mississippi Hill Country is a collection of interviews with residents of Benton County, Mississippi-an area with a long and fascinating civil rights history. The product of more than twenty-five years of work by the Hill Country Project, this volume examines a revolutionary period in American history through the voices of farmers, teachers, sharecroppers, and students. No other rural farming county in the American South has yet been afforded such a deep dive into its civil rights experiences and their legacies. These accumulated stories truly capture life before, during, and after the movement. The authors' approach places the region's history in context and reveals everyday struggles. African American residents of Benton County had been organizing since the 1930s. Citizens formed a local chapter of the NAACP in the 1940s and '50s. One of the first Mississippi counties to get a federal registrar under the 1965 Voting Rights Act, Benton achieved the highest per capita total of African American registered voters in Mississippi. Locals produced a regular, clandestinely distributed newsletter, the Benton County Freedom Train. In addition to documenting this previously unrecorded history, personal narratives capture pivotal moments of individual lives and lend insight into the human cost and the long-term effects of social movements. Benton County residents explain the events that shaped their lives and ultimately, in their own humble way, helped shape the trajectory of America. Through these first-person stories and with dozens of captivating photos covering more than a century's worth of history, the volume presents a vivid picture of a people and a region still striving for the prize of equality and justice"--
    Kurzfassung: "An in-depth oral and hyperlocal history of a rural county and its fight for civil rights"--
    Anmerkung: Includes bibliographical references and index
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  • 77
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496828026 , 9781496828019
    Sprache: Englisch
    Seiten: xxiii, 381 Seiten , Illustrationen , Breite 152 mm, Hoehe 229 mm
    Ausgabe: First printing
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 741.59
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Indigenes Volk ; Comic ; Aufsatzsammlung ; Aufsatzsammlung ; Comic ; Indigenes Volk
    Kurzfassung: Contributions by Joshua T. Anderson, Chad A. Barbour, Susan Bernardin, Mike Borkent, Jeremy M. Carnes, Philip Cass, Jordan Clapper, James J. Donahue, Dennin Ellis, Jessica Fontaine, Jonathan Ford, Lee Francis IV, Enrique Garcia, Javier Garcia Liendo, Brenna Clarke Gray, Brian Montes, Arij Ouweneel, Kevin Patrick, Candida Rifkind, Jessica Rutherford, and Jorge Santos Cultural works by and about Indigenous identities, histories, and experiences circulate far and wide. However, not all films, animation, television shows, and comic books lead to a nuanced understanding of Indigenous realities. Acclaimed comics scholar Frederick Luis Aldama shines light on how mainstream comics have clumsily distilled and reconstructed Indigenous identities and experiences. He and contributors emphasize how Indigenous comic artists are themselves clearing new visual-verbal narrative spaces for articulating more complex histories, cultures, experiences, and narratives of self. To that end, Aldama brings together scholarship that explores both the representation and misrepresentation of Indigenous subjects and experiences as well as research that analyzes and highlights the extraordinary work of Indigenous comic artists. Among others, the book examines Daniel Parada's Zotz, Puerto Rican comics Turey el Taino and La Borinquena, and Moonshot: The Indigenous Comics Collection. This volume's wide-armed embrace of comics by and about Indigenous peoples of the Americas and Australasia is a first step to understanding how the histories of colonial and imperial domination connect the violent wounds that still haunt across continents. Aldama and contributors resound this message: Indigeneity in comics is an important, powerful force within our visual-verbal narrative arts writ large
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  • 78
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496825148
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 506 pages) , Illustrations.
    Serie: American made music series
    Serie: Mississippi scholarship online
    RVK:
    Schlagwort(e): Rollini, Adrian ; Rollini, Adrian ; Geschichte 1903-1956 ; Jazzmusiker ; Jazz musicians Biography ; Saxophonists Biography ; Vibraphonists Biography ; Pianists Biography ; USA ; Biografie
    Kurzfassung: Adrian Rollini (1904-1956)was as a child prodigy, playing piano when he was four. This book describes how job opportunities came to him easily at first and that his versatility helped him when they became rare. At the age of 16 he became a professional musician and, in New York, recorded piano rolls. In 1922, at the start of the jazz age, he joined the California Ramblers. He moved to the bass saxophone and gave it its definite place in early jazz. At the top of his fame Rollini became leader of his own band, with a.o. Bix Beiderbecke, Frank Trumbauer, Eddie Lang, and Joe Venuti. It was star-studded but short-lived. In late 1927, he moved to London to join Fred Eizalde's progressive dance band. Back in the USA in 1930, Rollini joined Bert Lown's hotel band, but the bass saxophone was phasing out, so he moved to the vibraphone.
    Anmerkung: Previously issued in print: 2019 , Includes bibliographical references and index
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  • 79
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781496826237
    Sprache: Englisch
    Seiten: 1 online resource (261 pages)
    Paralleltitel: Erscheint auch als
    DDC: 305.40976335
    Schlagwort(e): Women-Louisiana-New Orleans ; Electronic books
    Kurzfassung: A photographic exploration of how New Orleans women have shaped the city.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 80
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496827203 , 9781496827197
    Sprache: Englisch
    Seiten: xxiii, 198 Seiten , Illustrationen, Karten , 23 cm
    Ausgabe: First printing
    Serie: Caribbean studies series
    DDC: 305.5122097
    RVK:
    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung
    Kurzfassung: Commonly, the word maroon refers to someone cast away on an island. One becomes marooned, usually, through a storm at sea or by a captain as a method of punishment. But the term originally denoted escaped slaves. Though being marooned came to be associated mostly with white European castaways, the etymology invites comparison between true maroons (escaped slaves establishing new lives in the wilderness) and people who were marooned (through maritime disaster). This volume brings together literary scholars with historians, encompassing both literal maroons such as in Brazil and South Carolina as well as metaphoric scenarios in time-travel novels and postapocalyptic narratives. Included are examples from The Tempest; Margaret Atwood's MaddAddam trilogy; A Connecticut Yankee in King Arthur's Court; and Octavia Butler's Kindred. Both runaways and castaways formed new societies in the wilderness. But true maroons, escaped slaves, were not cast away; they chose to fly towards the uncertainties of the wild in pursuit of freedom. In effect, this volume gives these maroons proper credit, at the very heart of American history.
    Kurzfassung: A provocative juxtaposition of escaped slaves and the shipwrecked across the Americas.
    Anmerkung: Literaturangaben
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  • 81
    ISBN: 9781496830463 , 9781496830470
    Sprache: Englisch
    Seiten: xxi, 209 Seiten
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.4/8
    Schlagwort(e): Literatur ; Fan ; Medien ; Film ; Moffat, Steven / 1961- ; James, E. L ; Rowling, J. K ; Smith, Kevin / 1970- ; Whedon, Joss / 1964- ; Snyder, Zack / 1966- ; Jenkins, Patty ; Coogler, Ryan / 1986- ; Waititi, Taika ; Fans (Persons) in mass media ; Motion picture producers and directors / Case studies ; Fan ; Film ; Literatur ; Medien
    Kurzfassung: "Increasingly over the past decade, fan credentials on the part of writers, directors, and producers have come to be seen as a guarantee of quality media-making-the "fanboy auteur." Figures like Joss Whedon are both one of "us" and one of "them." This is a strategy of marketing and branding-it is a claim from the auteur himself or industry PR machines that the presence of an auteur who is also a fan means the product is worth consuming. Such claims that fan credentials guarantee quality are often contested, with fans and critics alike rejecting various auteur figures as the true leader of their respective franchises. That split, between assertions of fan and auteur status and acceptance (or not) of that status, is key to unravelling the fan auteur. In A Portrait of the Auteur as Fanboy: The Construction of Authorship in Transmedia Franchises, authors Anastasia Salter and Mel Stanfill examine this phenomenon through a series of case studies featuring fanboys. The volume discusses both popular fanboys, such as J. J. Abrams, Kevin Smith, and Joss Whedon, as well as fangirls like J. K. Rowling, E. L. James, and Patty Jenkins, and dissects how the fanboy-fangirl auteur dichotomy is constructed and defended by popular media and fans in online spaces, and how this discourse has played in maintaining the exclusionary status quo of geek culture. This project is particularly timely given current discourse-including such incidents as the controversy surrounding Joss Whedon's so-called feminism, the publication of Harry Potter and the Cursed Child, and contestation over authorial voices in the DC cinematic universe, as well as broader conversations about toxic masculinity and sexual harassment in Hollywood-and the importance franchises play in providing aspirational narratives and identity models to generations of fans"--
    Anmerkung: Includes bibliographical references and index
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  • 82
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496825490
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: Caribbean studies series
    Serie: Mississippi scholarship online
    RVK:
    Schlagwort(e): Karneval ; Frau ; Sexualisierung ; Feminismus ; Beteiligung ; Rolle ; Carnival ; Women Social conditions ; Women History ; Feminism ; Trinidad und Tobago
    Kurzfassung: Women are performing an ever-growing role in Caribbean carnival. Through a feminist perspective, this volume examines the presence of women in contemporary carnival by demonstrating not only their strength in numbers, but also the ways in which women participate in the event.
    Anmerkung: Previously issued in print: 2019 , Includes bibliographical references and index
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  • 83
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781496825490 , 1496825497 , 9781496825469 , 1496825462 , 1496825470 , 9781496825483 , 1496825489 , 9781496825476
    Sprache: Englisch
    Seiten: 1 Online-Ressource (vii, 196 pages)
    Serie: Caribbean studies series
    Paralleltitel: Erscheint auch als Carnival is woman
    DDC: 394.2509729
    Schlagwort(e): Carnival ; Women Social conditions ; Women History ; Feminism ; HISTORY ; Caribbean & West Indies ; General ; Carnival ; Feminism ; Women ; Women ; Social conditions ; History ; Caribbean Area
    Kurzfassung: Preface -- Introduction / Frances Henry and Dwaine Plaza -- Women and the De-Africanization of Trinidad Carnival: From the Jamette to Bikini, Beads, and Feathers / Dwaine Plaza and Jan DeCosmo -- Stories of Resistance and Oppression: Baby Doll and Dame Lorraine / Frances Henry and Jeff Henry -- Jamette!: Women and Canboulay in 1881 / Philip W. Scher -- Taking the Queen to the Streets: The Jaycees Carnival Queen Competition and the Pretty Mas' Aesthetic / Samantha Noel -- Practicing Jametteness: The Transmission of "Bad Behavior" as a Strategy of Survival / A.D. Jones -- "Thirty Gyal to One Man: Women's Prolific Presence in the Trinidad Carnival / Asha St. Bernard -- From Devi to Diva: Indo-Caribbean Women Rising in Trinidad's Chutney Soca / Darrell Gerohn Baksh -- Caribana in Toronto: From Male Dominance to Female Agency / Dwaine Plaza -- Glossary -- About the Contributors -- Index
    Kurzfassung: "Women are performing an ever-growing role in Caribbean Carnival. Through a feminist perspective, this volume examines the presence of women in contemporary Carnival by demonstrating not only their strength in numbers, but also the ways in which women participate in the event. While decried by traditionalists, the bikinis, beads, and feathers of "pretty mas" convey both a newly found empowerment as a gendered resistance to oppression from men. Although research on Carnivals is substantial, especially in the Americas, the subject of women in Carnival as a topic of inquiry remains fairly new. These essays address anthropological and historical facets of women and their practices in the Trinidad Carnival, including an analysis of how women's costuming and performance have changed over time. The modern costumes, which are well within the financial means of most mas players, demonstrate the new power of women who can now afford these outfits. In discussing the commodification and erotization of Carnival, the book emphasizes the unveiling of the female body and the hip-rolling sexual movements called winin or it. Through display of their bodies, contemporary women in Carnival express a form of female resistance. Intent on enjoying and expressing themselves, they seem invigorated by their place in the economy, as well as their sexuality, defying the moral controls imposed on them. Through an array of methods in qualitative research, including interviews, participant observation, and ethnography, this volume explains the new power of women in the evolution of Carnival mas in Trinidad amid the wider Caribbean diaspora"--
    Anmerkung: Includes bibliographical references
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 84
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781496827937 , 9781496827906 , 1496827902 , 9781496827913 , 1496827910 , 9781496827920 , 1496827929
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 273 pages)
    Paralleltitel: Erscheint auch als Till death do us part
    Schlagwort(e): Cemeteries History ; Burial ; Segregation History ; Minorities Social conditions
    Beschreibung / Inhaltsverzeichnis: Introduction -- "A beautiful garden consecrated to the Lord": marriage, death, and local construction of citizenship in New York's nineteenth-century Jewish rural cemeteries / Allan Amanik -- "Death is not a wedding": the cemetery as a Polish American communal experience / James S. Pula -- An ocean apart: Chinese American segregated burials / Sue Fawn Chung -- Founding Baltimore's Mount Auburn cemetery and its importance to understanding African American burial rights / Kami Fletcher -- Till death keeps us apart: segregated cemeteries and social values in St. Louis, Missouri / Jeffrey E. Smith -- "For internment of white people only": cemetery superintendents' authority and the wealthy white protestant lawn-park cemetery, 1886-1920 / Kelly B. Arehart -- "In the grave we are all equal": Northern New Mexico burial grounds in the nineteenth century / Martina Will de Chaparro -- Arab American burial patterns / Rosina Hassoun -- List of contributors -- Index.
    Anmerkung: Includes bibliographical references
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 85
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781496829108
    Sprache: Englisch
    Seiten: 1 online resource (257 pages)
    Paralleltitel: Erscheint auch als
    DDC: 306.766
    Schlagwort(e): Gay couples-Mississippi ; Gays-Mississippi ; Electronic books
    Kurzfassung: An intimate portrait that shifts the narrative of what gay life looks like in the rural South.
    Kurzfassung: Cover -- COMING OUT OF THE MAGNOLIA CLOSET -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- PART ONE -- Chapter One. Community -- Chapter Two. Religion -- Chapter Three. Families -- PART TWO -- Chapter Four. Meeting -- Chapter Five. Marriage -- Conclusion. Why Stay in Mississippi? -- ABOUT THE AUTHOR.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 86
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781496829139
    Sprache: Englisch
    Seiten: 1 online resource (170 pages)
    DDC: 306.76600000000002
    Schlagwort(e): Gays ; Electronic books
    Kurzfassung: An intimate portrait that shifts the narrative of what gay life looks like in the rural South.
    Kurzfassung: Cover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- Part One -- Chapter One. Community -- Chapter Two. Religion -- Chapter Three. Families -- Part Two -- Chapter Four. Meeting -- Chapter Five. Marriage -- Conclusion. Why Stay in Mississippi? -- About the Author.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 87
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496831224 , 9781496831217
    Sprache: Englisch
    Seiten: x, 351 Seiten , Illustrationen, Porträt
    Serie: American made music series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; USA ; Punk rock music / United States / History and criticism ; Music and race / United States / History / 20th century ; Music and race ; Punk rock music ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History
    Anmerkung: Literaturverzeichnis Seite 305-321
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 88
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496827951 , 9781496827944
    Sprache: Englisch
    Seiten: xxxiii, 201 Seiten
    Serie: Race, rhetoric & media
    Paralleltitel: Erscheint auch als
    DDC: 323.1196/073
    RVK:
    Schlagwort(e): African Americans Civil rights ; History ; Black power Psychological aspects ; Emotions Social aspects ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; USA ; Schwarze ; Bürgerrechtsbewegung ; Black power ; Gefühl ; Geschichte 1960-1970
    Kurzfassung: "In the 1969 issue of Negro Digest, a young Black Arts Movement poet then-named Ameer (Amiri) Baraka published "We Are Our Feeling: The Black Aesthetic." Baraka's emphasis on the importance of feelings in black selfhood expressed a touchstone for how the black liberation movement grappled with emotions in response to the politics and racial violence of the era. In her latest book, award-winning author Lisa M. Corrigan suggests that Black Power provided a significant repository for negative feelings, largely black pessimism, to resist the constant physical violence against black activists and the psychological strain of political disappointment. Corrigan asserts the emergence of Black Power as a discourse of black emotional invention in opposition to Kennedy-era white hope. As integration became the prevailing discourse of racial liberalism shaping mid-century discursive structures, so too, did racial feelings mold the biopolitical order of postmodern life in America. By examining the discourses produced by Martin Luther King, Malcolm X, Stokely Carmichael, Huey Newton, Eldridge Cleaver, and other Black Power icons who were marshaling black feelings in the service of black political action, Corrigan traces how black liberation activists mobilized new emotional repertoires"--
    Kurzfassung: "How the black liberation movement confronted ideologies of progress and equality through emotional discourse"--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 89
    Bild
    Bild
    Jackson : University Press of Mississippi
    ISBN: 9781496825209
    Sprache: Englisch
    Seiten: xvii, 234 Seiten
    Paralleltitel: Erscheint auch als Gerber, Cheryl, author, photographer Cherchez la femme
    DDC: 305.409763/35
    RVK:
    Schlagwort(e): Women ; City and town life Pictorial works ; New Orleans (La.) Pictorial works Social life and customs ; New Orleans (La.) Pictorial works Social conditions ; New Orleans (La.) Pictorial works ; Bildband ; Gerber, Cheryl ; Fotografie ; Frau ; New Orleans ; Soziale Situation
    Kurzfassung: "Foreword-- Sisters by Anne Gisleson -- Acknowledgments -- Photographers notes: here come the girls by Cheryl Gerber -- Culinary -- Leah Chase: the Queen of Creole Cuisine by Helen Freund -- Musicians -- From sweet Emma to Cheeky Blakk: women shaping New Orleans's music scene by Alison Fensterstock -- Germaine Bazzle: New Orleans's first lady of jazz by Geraldine Wyckoff -- Business -- Careers built on dreams: entrepreneurs, businesswomen follow uniquely New Orleans paths by Kathy Finn -- Philanthropists and socialites -- Serving with purpose by Sue Strachan -- Spiritual -- Saints and sisters, psychics and priestesses by Constance Adler -- Activists -- The era of women: a sea change by Katy Reckdahl -- Mardi Gras indian queens -- Unmasked by Cherice Harrison-Nelson -- Mardi Gras krewes -- Goddesses, pussyfooters, and baby dolls: women and carnival in New Orleans by Karen Trahan Leathem -- Baby dolls -- A renaissance of community-based baby doll Mardi Gras masking by Kim Vaz-Deville -- Social aid and pleasure clubs -- African American femininity on display in the streets of New Orleans by Karen Celestan -- Burlesque -- The art of the tease by Melanie Warner Spencer -- Contributors -- Index.
    Kurzfassung: "Contributions by Constance Adler, Karen Celestan, Alison Fensterstock, Kathy Finn, Helen Freund, Cheryl Gerber, Anne Gisleson, Cherice Harrison-Nelson, Karen Trahan Leathem, Katy Reckdahl, Melanie Warner Spencer, Sue Strachan, Kim Vaz-Deville, and Geraldine Wyckoff. New Orleans native Cheryl Gerber captures the vibrancy and diversity of New Orleans women in Cherchez la Femme: New Orleans Women. Inspired by the 2017 Women's March in Washington, DC, Gerber's book includes over two hundred photographs of the city's most well-known women and the everyday women who make New Orleans so rich and diverse. Drawing from her own archives as well as new works, Gerber's selection of photographs in Cherchez la Femme highlights the contributions of women to the city, making it one of the only photographic histories of modern New Orleans women. Alongside Gerber's photographs are twelve essays written by female writers about such women as Leah Chase, Irma Thomas, Mignon Faget, and Trixie Minx. Also featured are prominent groups of women that have made their mark on the city, like the Mardi Gras Indians, Baby Dolls, and the Krewe of Muses, among others. The book is divided into eleven chapters, each celebrating the women who add to New Orleans's uniqueness, including entertainers, socialites, activists, musicians, chefs, entrepreneurs, spiritual leaders, and burlesque artists."--Provided by publisher
    Anmerkung: Includes bibliographical references and index
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  • 90
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781496831613
    Sprache: Englisch
    Seiten: 1 online resource (213 pages)
    Paralleltitel: Erscheint auch als
    Schlagwort(e): Electronic books
    Kurzfassung: A timely exploration of grassroots political protest in the age of Trump.
    Kurzfassung: Cover -- PUSSY HATS, POLITICS, AND PUBLIC PROTEST -- Title -- Copyright -- Dedication -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- PUSSIES GALORE! WOMEN, POWER, AND PROTEST AT THE 2017 MARCH -- THESE PUSSIES GRAB BACK: PROTESTING AT THE PORTLAND WOMEN'S MARCH -- PUSSY HATS: COMMON GROUND AT THE CHICAGO WOMEN'S MARCH -- POSTCARDS, PUSSY HATS, AND PROTEST PINS: DOCUMENTING THE FOLKLORE OF FEMINIST RESISTANCE AT MIO STUDIO IN LANCASTER -- PAID AND PROFESSIONAL PROTESTERS? GIVING VOICE TO TRUMP RESISTERS -- I CAN'T BELIEVE I STILL HAVE TO PROTEST THIS SHIT: GENERATIONAL VARIATION AND SOLIDARITY AMONG WOMEN'S MARCH PARTICIPANTS -- CONTRIBUTORS.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 91
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781496824998
    Sprache: Englisch
    Seiten: 1 online resource (330 pages)
    Serie: Caribbean Studies Ser.
    Paralleltitel: Erscheint auch als
    Schlagwort(e): Electronic books
    Kurzfassung: A fascinating discovery of the inception of both black Cuban literature and its Afro-Latino religious powers.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 92
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496819710 , 9781496819703
    Sprache: Englisch
    Seiten: xii, 467 Seiten , Illustrationen, Noten
    Serie: American made music series
    Paralleltitel: Online version Greek music in America
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1850-2018 ; Einwanderer ; Musik ; Schallaufzeichnung ; USA ; Griechenland ; Aufsatzsammlung
    Kurzfassung: "Despite a substantial artistic legacy, there has never been a book devoted to Greek music in America until now. Those seeking to learn about this vibrant and exciting music were forced to seek out individual essays, often published in obscure or ephemeral sources. This volume provides a singular platform for understanding the scope, practice, and development of Greek music in America through essays and profiles written by principal scholars in the field. Greece developed a rich variety of traditional, popular, and art music that diasporic Greeks brought with them to America. In Greek American communities, music was and continues to be an essential component of most social activities. Music links the past to the present, the distant to the near, and bonds the community with an embrace of memories and narrative. From 1896 to 1942, more than a thousand Greek recordings in many genres were made in the United States, and thousands more have appeared since then. These encompass not only Greek traditional music from all regions, but also emerging urban genres, stylistic changes, and new songs of social commentary. Greek Music in America includes essays on all of these topics as well as history and genre, places and venues, the recording business, and profiles of individual musicians. This book is required reading for anyone who cares about Greek music in America, whether scholar, fan, or performer." -- Provided by publisher
    Anmerkung: Literaturangaben und Index , Overview of Greek music in America / Tina Bucuvalas and Stavros K. Frangos -- Musical genre, style, and content -- Growth of liturgical music in the Iakovian Era / Frank Desby -- Greek café music / Roderick Conway Morris -- Amanes: the legacy of the oriental mother / Gail Holst-Warhaft -- Rebetika, the blues of Greece and Australia / Stathis Gauntlett -- George Katsaros: the last café-aman performer / Stavros K. Frangos -- Health to you, Marko, with your bouzouki!: the role of spoken interjection in Greek musicians' imagined performance world in historical recordings made in America and abroad -- Michael G. Kaloyanides -- Turkish music in the Greek American experience -- Joseph G. Graziosi -- Places -- Survival of Greek folk music in New York / Sotirios (Sam) Chianis -- Communities born in song / Anna Caraveli -- Musical practice and memory on the edge of two worlds: Kalymnian Tsambouna and song repertoire in the family of Nikitas Tsimouris / Anna Lomax Wood -- , Alternate resonances: Kalymnian traditions in Tarpon Springs, Florida / Panayotis League -- Delivering the music: recording companies and performance venues -- Greek record making in the early days, 1896-1937 / Dick Spottswood -- Greek music piano rolls in the United States / Meletios Pouliopoulos -- Encountering Greek American soundscapes / Anthony Shay -- Bouzoukis and belly dancers, drinkers and dreamers: a look at Greek nightlife at the crossroads / Nick Pappas -- Profiles -- Giorgos "Nisyrios" Makrigiannis (1875-1933) / Panayotis League -- Madame Koula (circa 1880-1954) / Stavros K. Frangos -- George Dimitrios Grachis (1882-1965) / Sotirios (Sam) Chianis -- Harilaos Piperakis (1888-1978) / Panayotis League -- Marika Papagika (1890-1943) / Stavros K. Frangos -- Theodotos "Tetos" Demetriades (1897-1971) / Stavros K. Frangos -- Amalia Baka (1897-1979) / David Soffa -- Ioannis Halikias, aka Jack Gregory (1898-1957) / Aydin Chaloupka -- , John K. Gianaros (1904-1998) / Stavros K. Frangos -- Pericles Halkias (1909-2005) / Jim Stoynoff -- Steve Zembillas (1923-2002) and the grecophon record company / Stavros K. Frangos -- Nicholas "Nicos" Tseperis (1923-2010) and Nina Records / Meletios Pouliopoulos -- Sotirios (Sam) Chianis (b. 1926) / Tina Bucuvalas -- Ilias Kementzides (1926-2006) / National Endowment for the Arts -- Giannis Tatasopoulos (1928-2001) / Tina Bucuvalas -- Gust J. (Dino) Pappas (1931-1999) / Stavros K. Frangos -- Harilaos Papapostolou (1932-1998) / National Endowment for the Arts -- Kay Skordilis (b. 1936) / Tina Bucuvalas -- Peter Stephen Kyvelos (1943-2017) / Michael G. Kaloyanides -- Trio Bel Canto and Takis Elenis (b. 1948) / Tina Bucuvalas -- George E. Soffos (1953-2013) / Tina Bucuvalas
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  • 93
    ISBN: 9781496823786 , 9781496823847
    Sprache: Englisch
    Seiten: ix, 246 Seiten , Illustrationen , 24 cm
    Ausgabe: First printing
    Paralleltitel: Online version Wade, Leslie A., author Downtown Mardi Gras
    Kurzfassung: After Hurricane Katrina devastated New Orleans and the surrounding region in 2005, the city debated whether to press on with Mardi Gras or cancel the parades. Ultimately, they decided to proceed. New Orleans's recovery certainly has resulted from a complex of factors, but the city's unique cultural life-perhaps its greatest capital-has been instrumental in bringing the city back from the brink of extinction. Voicing a civic fervor, local writer Chris Rose spoke for the importance of Carnival when he argued to carry on with the celebration of Mardi Gras following Katrina: "We are still New Orleans. We are the soul of America. We embody the triumph of the human spirit. Hell, we ARE Mardi Gras." Since 2006, a number of new Mardi Gras practices have gained prominence. The new parade organizations or krewes, as they are called, interpret and revise the city's Carnival traditions but bring innovative practices to Mardi Gras. The history of each parade reveals the convergence of race, class, age, and gender dynamics in these new Carnival organizations. Downtown Mardi Gras: New Carnival Practices in Post-Katrina New Orleans examines six unique, offbeat, Downtown celebrations. Using ethnography, folklore, cultural, and performance studies, the authors analyze new Mardi Gras's connection to traditional Mardi Gras. The narrative of each krewe's development is fascinating and unique, illustrating participants' shared desire to contribute to New Orleans's rich and vibrant culture.
    Anmerkung: Literaturangaben
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  • 94
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi
    ISBN: 9781496820945
    Sprache: Englisch
    Seiten: 1 Online-Ressource (145 pages)
    Paralleltitel: Print version Campbell, James T Mississippi Witness : The Photographs of Florence Mars
    DDC: 305.80097626850222
    Schlagwort(e): Mars, Florence,-1923-2006-Pictorial works ; Documentary photography-Mississippi-Philadelphia ; Philadelphia (Miss.)-Race relations ; Philadelphia (Miss.)-Social life and customs-20th century ; Mississippi-History-20th century ; Electronic books
    Kurzfassung: The singular vision of a courageous Mississippi activist
    Kurzfassung: Cover -- MISSISSIPPI WITNESS -- Title -- Copyright -- Dedication -- CONTENTS -- Acknowledgments -- Introduction -- Photographs -- Notes -- List of Photographs
    URL: Volltext  (lizenzpflichtig)
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  • 95
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496823571 , 9781496823564
    Sprache: Englisch
    Seiten: xi, 115 Seiten
    Suppl.: Rezensiert in Nyce, James M. [Sadhana Naithani: Folklore in Baltic history]
    DDC: 390.094790904
    RVK:
    RVK:
    Schlagwort(e): Volkskunde ; Identität ; Nationalbewusstsein ; Baltikum ; Estland ; Lettland ; Litauen
    Kurzfassung: "Folklore in the Baltic History: Resistance and Resurgence is about the role of folklore, folklore archives, and folklore studies in the contemporary history of Estonia, Latvia, and Lithuania--together called the Baltic countries. They were occupied by Russia, by Germany, and lastly by the USSR at the end of the Second World War. They regained freedom in 1991. The period under the rule of the USSR brought several changes to their societies and cultures. Individuals and institutions dealing with folklore--archives, university departments, and folklorists--came under special control, attack, and surveillance. Some of the pioneer folklorists escaped to other countries, but many others witnessed their institutions and the meaning of folklore studies transformed. The USSR did not stop folklore studies but led the field to new methods. In spite of all the pressure, folklore continued to be a matter of identity, and folksongs became the marching songs of crowds resisting Soviet control in the late 1980s. Since independence in 1991, folklore scholars and institutions revamped and reconstituted folkloristics. Today all three countries have many active scholars and institutions. Sadhana N
    URL: Rezension  (H-Soz-Kult)
    URL: Rezension  (H-Soz-Kult)
    URL: Rezension  (H-Soz-Kult)
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  • 96
    ISBN: 9781496823847 , 9781496823786
    Sprache: Englisch
    Seiten: 246 pages , Illustrationen
    DDC: 976.3/35
    Schlagwort(e): Carnival History ; Hurricane Katrina, 2005 Social aspects ; Community life History 21st century ; New Orleans (La.) Social life and customs 21st century ; New Orleans, La. ; Karneval ; Geschichte 2005-
    Kurzfassung: Introduction: downtown Mardi Gras -- The St. Joan Of Arc parade, gender, and pride of place -- Skeletons rising in Skinz n Bonez -- Size matters: 'tit Rex -- The Red Beans Krewe: an iconic dish and a new parade -- Chewbacchus and science-fiction carnival -- Reclaiming life and history: the Amazons Benevolent Society and the Black Storyville Baby Dolls -- Conclusion: exceptional performance, exceptional place.
    Kurzfassung: "After Hurricane Katrina devastated New Orleans and the surrounding region in 2005, the city debated whether to press on with Mardi Gras or cancel the parades. Ultimately, they decided to proceed. New Orleans's recovery certainly has resulted from a complex of factors, but the city's unique cultural life--perhaps its greatest capital--has been instrumental in bringing the city back from the brink of extinction. Voicing a civic fervor, local writer Chris Rose spoke for the importance of Carnival when he argued to carry on with the celebration of Mardi Gras following Katrina: "We are still New Orleans. We are the soul of America. We embody the triumph of the human spirit. Hell, we ARE Mardi Gras." Since 2006, a number of new Mardi Gras practices have gained prominence. The new parade organizations or krewes, as they are called, interpret and revise the city's Carnival traditions but bring innovative practices to Mardi Gras. The history of each parade reveals the convergence of race, class, age, and gender dynamics in these new Carnival organizations. Downtown Mardi Gras: New Carnival Practices in Post-Katrina New Orleans examines six unique, offbeat, Downtown celebrations. Using ethnography, folklore, cultural, and performance studies, the authors analyze new Mardi Gras's connection to traditional Mardi Gras. The narrative of each krewe's development is fascinating and unique, illustrating participants' shared desire to contribute to New Orleans's rich and vibrant culture." -- Provided by publisher
    Anmerkung: Includes bibliographical references and index
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  • 97
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496825094 , 9781496825087 , 149682508X , 1496825098
    Sprache: Englisch
    Seiten: xvi, 196 pages , 24 cm
    DDC: 398.245
    Schlagwort(e): Animals Folklore ; Humanism Folklore ; Artificial intelligence Folklore ; Animals ; Artificial intelligence ; Humanism ; Folklore ; Posthumanismus ; Volkskultur
    Kurzfassung: Can a monkey own a selfie? Can a chimp use habeas corpus to sue for freedom? Can androids be citizens? Increasingly, such difficult questions have moved from the realm of science fiction into the realm of everyday life, and scholars and laypeople alike are struggling to find ways to grasp new notions of personhood. Posthuman Folklore is the first work of its kind: both an overview of posthumanism as it applies to folklore studies and an investigation of "vernacular posthumanisms"--the ways in which people are increasingly performing the posthuman. Posthumanism calls for a close investigation of what is meant by the term "human" and a rethinking of this, our most basic ontological category. What, exactly, is human? What, exactly, am I? There are two main threads of posthumanism: the first dealing with the increasingly slippery slope between "human" and "animal," and the second dealing with artificial intelligences and the growing cyborg quality of human culture. This work deals with both these threads, seeking to understand the cultural roles of this shifting notion of "human" by centering its investigation into the performances of everyday life. From funerals for AIBOs, to furries, to ghost stories told by Alexa, people are increasingly engaging with the posthuman in myriad everyday practices, setting the stage for a wholesale rethinking of our humanity. In Posthuman Folklore, author Tok Thompson traces both the philosophies behind these shifts, and the ways in which people increasingly are enacting such ideas to better understand the posthuman experience of contemporary life
    Anmerkung: Includes bibliographical references (pages 169-188) and index
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  • 98
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496816399
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: Margaret Walker Alexander series in African American studies
    Serie: Mississippi scholarship online
    DDC: 305.8009
    RVK:
    Schlagwort(e): Schwarze ; Bürgerrechtsbewegung ; African Americans Civil rights 20th century ; History ; Civil rights movements History 20th century ; African Americans Suffrage 20th century ; History ; African Americans Politics and government 20th century ; Staat Mississippi ; Mississippi Race relations 20th century ; History
    Kurzfassung: Through speeches, photographs, media coverage, and campaign materials, William H. Lawson examines the rhetoric and methods of the Mississippi Freedom Vote. Lawson looks at the vote itself rather than the already much-studied events surrounding it, an emphasis new in scholarship.
    Anmerkung: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 99
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496817822
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: Race, rhetoric, and media series
    Serie: Mississippi scholarship online
    RVK:
    RVK:
    Schlagwort(e): Genealogie ; Medien ; Ethnizität ; Identität ; Genealogy Social aspects
    Kurzfassung: This work engages with genealogical texts and practices, such as the classic television miniseries Roots, DNA testing for genetic ancestry, Ancestry.com, and genealogy-related television series. Christine Scodari lays out how family historians can understand intersections and historical and ongoing relations of power related to the ethnicity, race, class, and/or gender of their ancestors.
    Anmerkung: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 100
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496812544
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Ausgabe: American edition.
    Serie: American made music series
    Serie: Mississippi scholarship online
    RVK:
    Schlagwort(e): Boom, J. Frank G. ; Gilbert, Will G ; Music journalists Biography ; Blues (Music) History and criticism ; Blues (Music) History and criticism
    Kurzfassung: This work stands as both a remarkable biography of J. Frank G. Boom (1920-1953) and a recovery of his incredible contribution to blues scholarship originally titled 'The Blues'. The text tells how and when the Netherlands was introduced to African American blues music and describes the equally dramatic and peculiar friendship that existed between Boom and jazz critic and musicologist Will Gilbert, who worked for the Kultuurkamer during World War II and had been charged with the task of formulating the Nazi's Jazzverbod, the decree prohibiting the public performance of jazz.
    Anmerkung: Translated from the Dutch , This edition previously issued in print: 2017 , Includes bibliographical references, discography and index
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