| Enthält: | General introduction -- / Chapter 1. Queer in common: section introduction / Chapter 2. "Rude girls and dangerous women": lesbian comics from the 1990s / Chapter 3. Condoms not coffins: 1980s-1990s American AIDS comics as collective memory / Chapter 4. Of anthologies and activisim: building an LGBTQ+ comics community / Chapter 5. Desire without end: on the queer imagination of sequential art / Chapter 6. Global crossings and intersections: section introduction / Chapter 7. Queer visualities -- queer spaces: German-language LGBTQ+ comics / Chapter 8. XX,XY, and XXY: genderqueer bodies in Hagio Moto'science fiction manga / Chapter 9. An exploration of the birth of the slave through ero-pedagogy in Tagame Gengoroh's PRIDE / Chapter 10. Fanzines as contact zones: Dokkun's adventures with "Bara" manga in between Japan and France / Chapter 11: Resiliance: section introduction / Chapter 12: Critics and creators: the LGBTQ+ comics ecosytem / Chapter 13. Activism and solidarity in the comics of Howard Cruse / Chapter 14: Canadian LGBTQ+ comics: intersections of queerness, race, and spirituality / Chapter 15. BLK cartoons: Black lesbian identity in comics / Chapter 16. Goldie Vance: queer girl detective / Chapter 17. Reproduction of artwork / Chapter 18. Seen/scene: section introduction / Chapter 19. Reading comics queerly / Chapter 20. "Better a man than dead?": radical (trans)masculinities in comic-zines / Chapter 22. Conceiving the inconceivable: graphic medicine, queer motherhood, and A.K. Summers's Pregnant Butch: nine long months spent in drag / About the contributors -- / Index |
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| Fußnoten: | "The LGBTQ Comics Studies Reader explores the exemplary trove of LGBTQ comics that coalesced in the underground and alternative comix scenes of the mid-1960s and in the decades after. Through insightful essays and interviews with leading comics figures, volume contributors illuminate the critical opportunities, current interactions, and future directions of these comics. This heavily illustrated volume engages with the work of preeminent artists across the globe, such as Howard Cruse, Edie Fake, Justin Hall, Jennifer Camper, and Alison Bechdel, whose iconic artwork is reproduced within the volume. Further, it addresses and questions the possibilities of LGBTQ comics from various scholarly positions and multiple geographical vantages, covering a range of queer lived experience. Along the way, certain LGBTQ touchstones emerge organically and inevitably-pride, coming out, chosen families, sexual health, gender, risk, and liberation. Featuring comics figures across the gamut of the industry, from renowned scholars to emerging creators and webcomics artists, the reader explores a range of approaches to LGBTQ comics-queer history, gender and sexuality theory, memory studies, graphic medicine, genre studies, biography, and more-and speaks to the diversity of publishing forms and media that shape queer comics and their reading communities. Chapters trace the connections of LGBTQ comics from the panel, strip, comic book, graphic novel, anthology, and graphic memoir to their queer readership, the LGBTQ history they make visible, the often still quite fragile LGBTQ distribution networks, the coded queer intelligence they deploy, and the community-sustaining energy and optimism they conjure. Above all, The LGBTQ Comics Studies Reader highlights the efficacy of LGBTQ comics as a kind of common ground for creators and readers"-- |
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