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  • Musicology  (139)
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  • 1
    Book
    Book
    New York : Dover Publications
    Language: English
    Pages: 25 cm
    Edition: 2. rev. ed
    DDC: 016.398
    RVK:
    Keywords: Folklore Bibliography ; United States ; African Americans Folklore ; Bibliography ; Indians of North America Folklore ; Bibliography ; Folk songs Bibliography ; United States ; Folk songs Bibliography ; History and criticism ; United States ; Afro-Americans Music ; Bibliography ; Afro-Americans Music ; Bibliography ; History and criticism ; Indians of North America Music ; Bibliography ; Indians of North America Music ; Bibliography ; History and criticism ; Bibliografie ; Nordamerika ; Folksong ; Nordamerika ; Volkskultur ; Nordamerika ; Indianer ; Eskimo ; Folksong ; Volkskultur
    Note: The first ed. of this work appeared in one vol
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  • 2
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    DDC: 781.650973
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 3
    ISBN: 9783990129807
    Language: English
    Pages: X, 242 Seiten , 24 cm x 17 cm
    Series Statement: Beiträge zur Jazzforschung 16
    Series Statement: Beiträge zur Jazzforschung
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1880-1930 ; Jazz ; Jazz ; United States ; Mississippi ; jazz history ; Maximilian Hendler ; Beiträge zur Jazzforschung ; Studies in Jazz Research ; Jazz ; Geschichte 1880-1930
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  • 4
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 5
    ISBN: 9781800109537 , 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Parallel Title: Erscheint auch als Intimate entanglements in the ethnography of performance
    DDC: 780.89
    RVK:
    Keywords: Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; African Americans ; Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Criticism, interpretation, etc ; Africa ; United States
    Abstract: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk.
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Note: Includes bibliographical references and index
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  • 6
    ISBN: 9781800109537 , 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Parallel Title: Erscheint auch als Intimate entanglements in the ethnography of performance
    DDC: 780.89
    RVK:
    Keywords: Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; African Americans ; Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Criticism, interpretation, etc ; Africa ; United States
    Abstract: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk.
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Note: Includes bibliographical references and index
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  • 7
    Book
    Book
    New York : New York University Press
    ISBN: 1479820512 , 9781479820511
    Language: English
    Pages: xii, 259 Seiten , Illustrationen , 23 cm
    Edition: Paperback edition
    Series Statement: North American religions series
    DDC: 305.800973
    RVK:
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    Keywords: Jews Identity ; Jews Cultural assimilation ; Homesickness ; Nostalgia ; Judaism ; Homesickness ; Jews - Cultural assimilation ; Jews - Identity ; Judaism ; Nostalgia ; Eastern Europe ; United States
    Note: Includes bibliographical references and index
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  • 8
    ISBN: 9780197543313
    Language: English
    Pages: xxvi, 660 Seiten , Illustrationen, Porträts (teilweise farbig)
    Edition: Sixth edition
    Parallel Title: Online version Starr, Larry American popular music
    RVK:
    Keywords: Geschichte 1760-2022 ; Popmusik ; Nordamerika ; USA ; Popular music / United States / History and criticism ; Popular music ; United States ; Criticism, interpretation, etc ; Nordamerika ; USA ; Popmusik ; Geschichte 1760-2022
    Abstract: "This is an introductory text for undergraduates taking courses in the history of American popular music"--
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  • 9
    ISBN: 9781419749698
    Language: English
    Pages: XII, 306 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42164092
    RVK:
    Keywords: Houston, Whitney ; Houston, Whitney / https://isni.org/isni/000000011478617X ; African American women singers / United States / Biography ; African American singers / United States / Biography ; Singers / United States / Biography ; Chanteuses noires américaines / États-Unis / Biographies ; Chanteurs noirs américains / États-Unis / Biographies ; Chanteurs / États-Unis / Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts ; Houston, Whitney ; African American singers ; African American women singers ; United States ; African American women singers / Biography ; African American singers / Biography ; Biography ; Biography ; Biographies ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Houston, Whitney 1963-2012
    Abstract: "A candid exploration of the genius, shame, and celebrity of Whitney Houston a decade after her passing. On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn't We Almost Have It All is author Gerrick Kennedy's exploration of the duality of Whitney's life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney's life, her whole life, told with both grace and honesty. Long before that fateful day in 2012, Whitney split the world wide open with her voice. Hers was a once-in-a-generation talent forged in Newark, NJ, and blessed with the grace of the church and the wisdom of a long lineage of famous gospel singers.
    Abstract: She redefined 'The Star-Spangled Banner.' She became a box-office powerhouse, a queen of the pop charts, and an international superstar. But all the while, she was forced to rein in who she was amid constant accusations that her music wasn't Black enough, original enough, honest enough. Kennedy deftly peels back the layers of Whitney's complex story to get to the truth at the core of what drove her, what inspired her, and what haunted her. He pulls the narrative apart into the key elements that informed her life--growing up in the famed Drinkard family; the two romantic relationships that shaped the entirety of her adult life, with Robyn Crawford and Bobby Brown; her fraught relationship to her own Blackness and the ways in which she was judged by the Black community; her drug and alcohol addiction; and, finally, the shame that she carried in her heart, which informed every facet of her life.
    Abstract: Drawing on hundreds of sources, Kennedy takes readers back to a world in which someone like Whitney simply could not be, and explains in excruciating detail the ways in which her fame did not and could not protect her. In the time since her passing, the world and the way we view celebrity have changed dramatically. A sweeping look at Whitney's life, Didn't We Almost Have It All contextualizes her struggles against the backdrop of tabloid culture, audience consumption, mental health stigmas, and racial divisions in America. It explores exactly how and why we lost a beloved icon far too soon" --
    Description / Table of Contents: Didn't We Almost Have It All?: A Meditation on Loss and Memory -- Under His Eye, Blessed Be The Sound: Faith, Gospel, and the Almighty Power of Cissy Houston -- Home: Newark and the Black American Dreams That Birthed Whitney Houston -- Stuff That You Want, Thing That You Need: The Brilliance and Influence of Whitney's Voice -- My Lonely Heart Calls: On Sex, Desire, and Sexuality -- Miss America, The Beautiful: The Burden of the National Anthem and the Politics of Whitney's Blackness -- Bolder, Blacker, Badder: The Sisters with Voices That Transformed Whitney -- Tell The Truth And Shame The Devil: How Trauma, Shame, and Tabloid Culture Broke Whitney -- The Undoing Of Whitney Houston: Virtue, Vice, and a Requiem for Redemption -- Won't They Always Love You?: Reflections on Meaning and Legacy
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  • 10
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 11
    ISBN: 9780374139940
    Language: English
    Pages: XVI, 458 Seiten , Illustrationen, Karten
    Edition: First edition
    RVK:
    Keywords: J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Abstract: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Abstract: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Description / Table of Contents: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
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  • 12
    Book
    Book
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Edition: First edition
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Abstract: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Description / Table of Contents: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 13
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197587447
    Language: English
    Pages: ix, 257 Seiten , Diagramme , 22 cm
    Parallel Title: Erscheint auch als
    DDC: 306.630973
    RVK:
    Keywords: Nicht-Kirche-Bewegung ; Atheismus ; Areligiosität ; USA ; United States / Religion ; Ex-church members / United States ; Non-church-affiliated people / United States ; Atheists / United States ; RELIGION / Religion, Politics & State ; Atheism ; Atheists ; Irreligion ; United States ; Interviews ; Atheismus ; USA ; Nicht-Kirche-Bewegung ; Areligiosität
    Abstract: "The United States is in the midst of a religious revolution. Or, perhaps it is better to say a non-religious revolution. Around a quarter of US adults now say they have no religion. The great majority of these religious "nones" also say that they used to belong to a religion but no longer do. These are the nonverts: think "converts," but from having religion to having none. Even on the most conservative of estimates, there are currently about 59 million of them in the United States. Nonverts explores who they are, and why they joined the rising tide of the ex-religious. It draws on dozens of interviews, original analysis of high-quality survey data, and a wealth of cutting-edge studies, to present an entertaining and insightful exploration of America's ex-religious landscape. While American religion is not going to die out any time soon, ex-Christian America is a growing presence in national life. America's religious revolution is not just a religious revolution : it is catalyzing a profound social, cultural, moral, and political impact"--
    Description / Table of Contents: None the up and up -- When the saints go marching out -- None specifics -- Flatline Protestants -- Nothings come from nothing? -- Evangelicals -- The ex effect -- Recovering Catholics -- Nonvert nation
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  • 14
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781316514337
    Language: English
    Pages: xvii, 511 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48420973
    RVK:
    RVK:
    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; Music / Social aspects / United States ; Songs / Social aspects / United States ; Music / Political aspects / United States ; Songs / Political aspects / United States ; Music ; Political aspects ; Music ; Social aspects ; United States ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492- ; USA ; Protestsong ; Geschichte 1492-1942
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  • 15
    Book
    Book
    Chicago ; London : University of Chicago Press
    ISBN: 9780226819167 , 9780226819143
    Language: English
    Pages: 248 Seiten , Illustrationen (schwarz-weiß)
    Parallel Title: Erscheint auch als
    DDC: 782.421649
    RVK:
    Keywords: Hip-Hop ; Rap ; Religion ; Rap (Music) / Religious aspects ; Rap (Music) / History and criticism ; Hip-hop / United States / Religious aspects ; Popular music / Latin America / History and criticism ; Musique populaire / Amérique latine / Histoire et critique ; Hip-hop / Religious aspects ; Popular music ; Rap (Music) ; Latin America ; United States ; Criticism, interpretation, etc ; Hip-Hop ; Rap ; Religion
    Abstract: "The world of hip-hop is saturated with religion, but often this element is glossed over as secondary to hip-hop's other dimensions. In Street Scriptures, Alejandro Nava focuses our attention on this relationship in a fresh way, combining his profound love of hip-hop, his passion for racial and social justice, and his deep theological knowledge. The result is a journey through hip-hop's deep entanglement with the sacred. Street Scriptures examines the reasons behind the rise of a religious heartbeat in hip-hop, looking at the crosscurrents of the sacred and profane in rap, reggaeton, and Latinx hip-hop today. Ranging from Nas, Kendrick Lamar, Chance the Rapper, Lauryn Hill, and Cardi B to St. Augustine and William James, Nava examines the ethical-political, aesthetic-spiritual, and prophetic in hip-hop, probing the pure sonic and aesthetic signatures of music, while also diving deep into the voices that invoke the spirit of protest"--
    Description / Table of Contents: A street theology: between God and hip-hop -- A brief sonic history of hip-hop -- Prophets and emcees: righteous rappers -- The return of God in hip-hop: Kendrick Lamar's street theology -- The dirty Latin South: breaking, reggaeton, and the rise of the global South -- Native tongues
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  • 16
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
    RVK:
    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
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  • 17
    ISBN: 9780802127129 , 0802127126 , 9780802159854 , 0802159850
    Language: English
    Pages: xviii, 364 Seiten, 16 ungezählte Seiten , Illustrationen , 24 cm
    Edition: First edition
    RVK:
    Keywords: Jones, Rickie Lee ; Jones, Rickie Lee ; Jones, Rickie Lee ; Women rock musicians Biography ; Women singers Biography ; Rock musicians Biography ; Singers Biography ; Musiciennes rock Biographies ; Chanteuses Biographies ; Musiciens rock Biographies ; Chanteurs Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; MUSIC / Genres & Styles / Jazz ; Rock musicians ; Singers ; Women rock musicians ; Women singers ; United States ; Biografie ; collective biographies ; Autobiographies ; Biographies
    Abstract: "A tender and intimate memoir by one of the most remarkable, trailblazing, and tenacious women in music, the two-time Grammy Award-winning "premiere song-stylist and songwriter of her generation" (New Yorker), Rickie Lee Jones. Have you met Ms. Jones? One weekend night on primetime television, a then-unknown singer and vital part of the burgeoning Los Angeles jazz pop scene skyrocketed to fame overnight after a now- iconic performance on Saturday Night Live. The year was 1979, the song "Chuck E's in Love," and the singer, donning her trademark red beret, was the soon-to-be-pronounced "Duchess of Coolsville" (Time), Rickie Lee Jones. Last Chance Texaco is the first-ever no-holds-barred account of the life of one of rock's hardest working women, in her own words. With candor and lyricism Rickie Lee Jones takes us on the journey of her exceptional life: from her nomadic childhood as the granddaughter of vaudevillian performers, to her father's abandonment of the family and her years as a teenage runaway, her beginnings at LA's Troubadour club, to her tumultuous relationship with Tom Waits, her battle with drugs, and longevity as a woman in rock and roll. These are never-before-told stories of the girl in "the raspberry beret," a songwriter who has inspired American culture for decades
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Includes discography (pages 361-364)
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  • 18
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496837431 , 9781496832221
    Language: English
    Pages: xx, 289 Seiten, 10 ungezählte Seiten Tafeln , Illustrationen , 25 cm
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1950-2020 ; Jazzmusiker ; Jazz musicians / United States / Interviews ; MUSIC / Genres & Styles / Jazz ; MUSIC / History & Criticism ; Jazz musicians ; Amram, David / Interviews ; Blake, Ran / Interviews ; Cranshaw, Bob / Interviews ; Crow, Bill / 1927- / Interviews ; Davis, Charles / 1933-2016 / Interviews ; Hyman, Dick / 1927- / Interviews ; Jordan, Clifford / Interviews ; Kuhn, Steve / Interviews ; Lateef, Yusef / Interviews ; Owens, Jimmy / 1943- / Interviews ; Pizzarelli, Bucky / Interviews ; Ponomarev, Valery / Interviews ; Porcelli, Bob / Interviews ; Rollins, Sonny / Interviews ; Stewart, Sandy / 1937- / Interviews ; Sudhalter, Carol / Interviews ; Terry, Brad / Interviews ; Terry, Clark / Interviews ; Tucker, Mickey / Interviews ; Turre, Steve / Interviews ; Williams, Buster / Interviews ; Amram, David ; Blake, Ran ; Cranshaw, Bob ; Davis, Charles / 1933-2016 ; Hyman, Dick / 1927- ; Kuhn, Steve ; Lateef, Yusef ; Owens, Jimmy / 1943- ; Pizzarelli, Bucky ; Ponomarev, Valery ; Rollins, Sonny ; Terry, Clark ; Tucker, Mickey ; Turre, Steve ; Williams, Buster ; United States ; Interviews ; Interview
    Abstract: "The Jazz Masters: Setting the Record Straight features twenty-one conversations with musicians who have had at least fifty years of professional experience, and several as many as seventy-five. In all, these voices reflect some seventeen hundred years' worth of paying dues. Appealing to casual fans and jazz aficionados alike, these interviews have been carefully, but minimally edited by Peter Zimmerman for sense and clarity, without changing any of the musicians' actual words. Five of the interviewees-Dick Hyman, Jimmy Owens, Sonny Rollins, Clark Terry, and Yusef Lateef-have received the National Endowment for the Arts' prestigious Jazz Masters Fellowship, attesting to their importance and ability. While not official masters, the rest are veteran performers willing to share their experiences and knowledge. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. The musicians interviewed for the book range in age from their early seventies to mid-nineties. Older musicians started their careers during the segregation of the Jim Crow era, while the youngest came up during the struggle for civil rights. All grapple with issues of race, performance, and jazz's rich legacies. In addition to performing, touring, and recording, many have composed and arranged, and others have contributed as teachers, historians, studio musicians, session players, producers, musicians' advocates, authors, columnists, poets, and artists. The interviews in The Jazz Masters are invaluable primary material for scholars and will appeal to musicians inspired by these veterans' stories and their different approaches to music
    Note: Before words -- , A requiem for Cedar -- , Blowin' in from Chicago : Clifford Jordan, Charles Davis, and Bob Cranshaw -- , The big kahunas : Sonny Rollins and Clark Terry -- , Old school : Sandy Stewart, Dick Hyman, and Bucky Pizzarelli -- , On the scene : Bobby Porcelli and Valery Ponomarev -- , The philosophers : David Amram and Ran Blake , Local 802 : Jimmy Owens and Bill Crow -- , Shells and whistles : Brad Terry and Steve Turre -- , The mutual appreciation society : Mickey Tucker and Carol Sudhalter -- , Something more : Steve Kuhn and Buster Williams -- , The gentle giant : Yusef Lateef -- , RIP, 2012-2020
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  • 19
    ISBN: 9780231191234
    Language: English
    Pages: viii, 149 Seiten , Illustrationen , 22 cm
    Series Statement: Short cuts : introductions to film studies
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; USA ; Musical films / United States / History and criticism ; Popular music / Social aspects / United States / History ; Motion pictures and music ; Musical films ; Popular music / Social aspects ; United States ; Criticism, interpretation, etc ; History
    Note: Bibliography Seite 137-142
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  • 20
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
    RVK:
    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 21
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 22
    Book
    Book
    Princeton, New Jersey : Princeton University Press
    ISBN: 9780691210643
    Language: English
    Pages: xxiii, 246 Seiten , Illustrationen , 22 cm
    Parallel Title: Erscheint auch als Dawdy, Shannon Lee, 1967- American afterlives
    DDC: 393.
    RVK:
    Keywords: Funeral rites and ceremonies / United States ; Death / Economic aspects / United States ; Death / Social aspects / United States ; Death / Economic aspects ; Death / Social aspects ; Funeral rites and ceremonies ; United States
    Abstract: "Here is the book summary: What do you think happens to you when you die? And what do you want done with your body? For three years Shannon Lee Dawdy travelled the U.S., from Vermont to California, Illinois to Alabama, posing such questions to a wide range of people from all walks of life. Many of her interlocutors recently lost loved ones. She also spoke to people who have made death their business: funeral directors, death care entrepreneurs, designers, cemetery owners, and death doulas about the changes they were seeing, and in many cases promoting, in how the bodies of recently-deceased persons are being treated, and how the memory of the deceased are being memorialized, in the U.S. Her ethnographic research resulted in this book, a wide-ranging investigation into rapidly-changing death practices in the twenty-first century United States. The author is also working on a documentary film project on this topic with cinematographer Daniel Zox. Still photos from the film work will appear in this book"--
    Abstract: "A mesmerizing trip across America to investigate the changing face of death in contemporary lifeDeath in the United States is undergoing a quiet revolution. You can have your body frozen, dissected, composted, dissolved, or tanned. Your family can incorporate your remains into jewelry, shotgun shells, paperweights, and artwork. Cremations have more than doubled, and DIY home funerals and green burials are on the rise. American Afterlives is Shannon Lee Dawdy's lyrical and compassionate account of changing death practices in America as people face their own mortality and search for a different kind of afterlife.As an anthropologist and archaeologist, Dawdy knows that how a society treats its dead yields powerful clues about its beliefs and values. As someone who has experienced loss herself, she knows there is no way to tell this story without also reexamining her own views about death and dying. In this meditative and gently humorous book, Dawdy embarks on a transformative journey across the United States, talking to funeral directors, death-care entrepreneurs, designers, cemetery owners, death doulas, and ordinary people from all walks of life. What she discovers is that, by reinventing death, Americans are reworking their ideas about personhood, ritual, and connection across generations. She also confronts the seeming contradiction that American death is becoming at the same time more materialistic and more spiritual.Written in conjunction with a documentary film project, American Afterlives features images by cinematographer Daniel Zox that provide their own testament to our rapidly changing attitudes toward death and the afterlife"--
    Description / Table of Contents: The Hole -- Flesh -- Bones -- Dirt -- Spirit -- Epilogue
    Note: Includes bibliographical references and index
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  • 23
    ISBN: 9780472038558
    Language: English
    Pages: XVII, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
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  • 24
    ISBN: 9781469660783 , 9781469660776
    Language: English
    Pages: xi, 222 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Fahey, John ; Fahey, John / 1939-2001 / Criticism and interpretation ; Guitarists / United States ; Musicologists / United States ; Music / Social aspects / United States ; Music / Political aspects / United States ; Fahey, John / 1939-2001 ; Guitarists ; Music / Political aspects ; Music / Social aspects ; Musicologists ; United States ; Criticism, interpretation, etc ; Fahey, John 1939-2001
    Abstract: "For over sixty years, American guitarist John Fahey (1939-2001) has been a storied figure, first within the folk and blues revival of the long 1960s, later for fans of alternative music. Mythologizing himself as Blind Joe Death, Fahey crudely parodied white middle-class fascination with African American blues, including his own. In this book, George Henderson mines Fahey's parallel careers as essayist, notorious liner note stylist, musicologist, and fabulist for the first time. These vocations, inspired originally by Cold War educators' injunction to creatively express rather than suppress feelings, took utterly idiosyncratic and prescient turns"--
    Description / Table of Contents: Manufacturing discontent -- The puberty of political economy, or communism -- The politics of the songster -- The great liner note breakdown -- Performance as war -- Some music. Some dancing. Some unusual intermingling
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  • 25
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
    RVK:
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 26
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496831224 , 9781496831217
    Language: English
    Pages: x, 351 Seiten , Illustrationen, Porträt
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; USA ; Punk rock music / United States / History and criticism ; Music and race / United States / History / 20th century ; Music and race ; Punk rock music ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History
    Note: Literaturverzeichnis Seite 305-321
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  • 27
    Book
    Book
    [Los Angeles] : Michael Stradford
    ISBN: 9781647865573 , 1647865573
    Language: English
    Pages: xii, 200 Seiten , Illustrationen , 23 cm
    Edition: First edition
    RVK:
    Keywords: Davis, Miles ; Davis, Miles Clothing ; Davis, Miles ; Jazz musicians Biography ; Clothing and dress ; Jazz musicians ; Biographies ; Biographies ; United States ; Davis, Miles 1926-1991
    Abstract: "...examines the fashion of Miles Davis, one of the best dressed men of the 20th century (GQ & Esquire) through biography, photos and exclusive interviews with friends, bandmates, designers, photographers ex-wives and fashionistas like Quincy Jones, Lenny Kravitz, Bryan Ferry, Ron Carter and many more."--
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  • 28
    Book
    Book
    Amherst ; Boston : University of Massachusetts Press
    ISBN: 9781625345301 , 9781625345295
    Language: English
    Pages: xii, 220 Seiten
    Series Statement: American popular music
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Gellert, Lawrence ; Geschichte ; Protestbewegung ; Folk music ; Afroamerikanische Musik ; African Americans / Music / History and criticism ; Folk music / United States / History and criticism ; Protest songs / United States / History and criticism ; Gellert, Lawrence / 1898-1979 ; Music / Historiography ; African Americans / Historiography ; Music / Political aspects / United States / History / 20th century ; Gellert, Lawrence / 1898-1979 ; African Americans / Historiography ; African Americans / Music ; Folk music ; Music / Historiography ; Music / Political aspects ; Protest songs ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Gellert, Lawrence 1898-1979 ; Afroamerikanische Musik ; Folk music ; Protestbewegung ; Geschichte
    Abstract: "Lawrence Gellert has long been a mysterious figure in American folk and blues studies, gaining prominence in the left-wing folk revival of the 1930s for his fieldwork in the U.S. South. A "lean, straggly-haired New Yorker," as Time magazine called him, Gellert was an independent music collector, without formal training, credentials, or affiliation. At a time of institutionalized suppression, he worked to introduce white audiences to a tradition of black musical protest that had been denied and overlooked by prior white collectors. By the folk and blues revival of the 1960s, however, when his work would again seem apt in the context of the civil rights movement, Gellert and his collection of Negro Songs of Protest were a conspicuous absence. A few leading figures in the revival defamed Gellert as a fraud, dismissing his archive of black vernacular protest as a fabrication-an example of left-wing propaganda and white interference. A Sound History is the story of an individual life, an excavation of African American musical resistance and dominant white historiography, and a cultural history of radical possibility and reversal in the defining middle decades of the U.S. twentieth century"--
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  • 29
    Book
    Book
    New York, NY : Harper Design, an imprint of Harper Collins Publishers
    ISBN: 9780062914705
    Language: English
    Pages: 256 Seiten
    RVK:
    Keywords: Geschichte 1940-1960 ; Musiklokal ; Musikleben ; Jazz ; USA ; Jazz / United States / 1931-1940 ; Jazz / United States / 1941-1950 ; Nightclubs / United States / History / 20th century ; Jazz musicians / Interviews ; Jazz / Social aspects ; Jazz ; Jazz musicians ; Jazz / Social aspects ; Nightclubs ; United States ; 1900-1999 ; History ; Interviews ; Bildband ; Bildband ; Bildband ; USA ; Jazz ; Musiklokal ; Musikleben ; Geschichte 1940-1960
    Abstract: "Sittin' in brings to public view for the first time a rare collection of more than two hundred souvenir photographs and memorabilia from the most renowned jazz nightclubs in America in the 1940s and 1950s. In an era of segregation and Jim Crow laws, jazz nightclubs across the country were among the first places where Black and white people mixed in audiences and onstage. These remarkable images, detailed histories of each club, and first-person testimonies from those who performed and visited these seminal venues are your ticket inside an extraordinary world that gave root to change and greater personal expression, both musically and socially."--Back cover
    Description / Table of Contents: The East Coast. New York City ; Atlantic City ; Washington D.C. ; Boston -- The Midwest. Cleveland ; Detroit ; Chicago ; Kansas City ; St. Louis -- The West Coast. Los Angeles ; San Francisco
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  • 30
    Book
    Book
    Lanham, Maryland ; London : Rowman & Littlefield
    ISBN: 9781538155479
    Language: English
    Pages: iii, 163 Seiten , 24 cm
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Terrorismus ; Fundamentalismus ; Islamische Staaten ; Islamic fundamentalism ; Terrorism / Prevention / Government policy / United States ; Radicalism / Religious aspects / Islam ; United States / Foreign relations / Islamic countries ; Islamic countries / Foreign relations / United States ; Diplomatic relations ; Islamic fundamentalism ; Radicalism / Religious aspects / Islam ; Terrorism / Prevention / Government policy ; Islamic countries ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; Islamische Staaten ; Fundamentalismus ; Terrorismus
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  • 31
    Book
    Book
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517910037 , 9781517910044
    Language: English
    Pages: 192 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1960-2020 ; Afroamerikanische Musik ; Kulturkontakt ; Musik ; USA ; Südasien ; African Americans / Music / History and criticism ; Popular music / United States / South Asian influences ; Popular music / United States / History and criticism ; African Americans / Music ; Popular music ; United States ; Criticism, interpretation, etc ; USA ; Afroamerikanische Musik ; Südasien ; Musik ; Kulturkontakt ; Geschichte 1960-2020
    Abstract: "A sixty-year history of Afro-South Asian musical collaborations"--
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 32
    Book
    Book
    [Erscheinungsort nicht ermittelbar] : Jazz Internationale
    ISBN: 9781527278059 , 1527278050
    Language: English
    Pages: xxv, 345 Seiten , Illustrationen , 25 cm
    Edition: [Revised edition]
    RVK:
    Keywords: Russell, George ; Russell, George, - 1923-2009 ; Jazz musicians Biography. ; Composers Biography. ; Jazzmusiker ; Composers ; Jazz musicians ; Biographies ; United States ; Biografie
    Note: Previous edition: ©2010 , Includes bibliographical references and index
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 33
    ISBN: 978-1-47980867-0 , 978-1-47980874-8
    Language: English
    Pages: vi, 338 Seiten : , Diagramme.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: United States / Religion ; United States ; Race ; Race / Religious aspects ; Religion ; Religion. ; Rassismus. ; Sozialstruktur. ; Rassenkonflikt. ; USA. ; Religion ; Rassismus ; Sozialstruktur ; Rassenkonflikt
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  • 34
    ISBN: 9781419742132 , 1419742132
    Language: English
    Pages: xiv, 380 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Gruen, Bob Right Place, Right Time
    DDC: 770.92
    RVK:
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    Keywords: Gruen, Bob ; Gruen, Bob ; Photographers Biography ; Rock musicians Anecdotes ; Photographers ; Rock musicians ; Anecdotes ; Autobiographies ; Biographies ; Autobiographies ; Anecdotes ; United States ; Autobiografie ; Autobiografie ; Gruen, Bob 1945- ; Fotografie ; Rockmusik ; Rockmusiker
    Abstract: Introduction -- Where it all began -- Growing up -- The Emerald City -- Where there's smoke -- The rise and fall of Glitterhouse -- The Ike and Tina express -- 1971: it's all happening -- Elephant's memory -- Coast to coast -- Some time in New York City -- In the thick of it -- Surreal days -- New York to LA and back again -- Airborne! -- New York clubs -- Central Park to Byblos -- Whatever gets you through the night -- Right place, right time -- Money honey -- Trouble in Japan -- The club scene -- London calling -- Everything will be alright -- Anarchy in the UK -- Anarchy in the USA -- All-access pass -- Full moon rising -- The record plant -- Now he is everywhere -- The view from here -- See you in Jamaica -- Stars in my eyes -- Happy birthday to me -- Epilogue.
    Abstract: The veteran rock-and-roll photographer shares memories from nearly half a century in the industry, from his cross-country trip with the Ike and Tina Turner band to his backstage encounters with KISS
    Abstract: For more than fifty years Gruen has documented the music scene in pictures that have captured the world's attention. Here he tells of his winding, adventure-filled journey in a series of wildly entertaining stories. Gruen offers a unique window into the evolution of American music culture over the last five decades. -- adapted from jacket
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  • 35
    ISBN: 9781419748547
    Language: English
    Pages: 236 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Grecco, Michael ; Geschichte 1978-1991 ; Rockmusiker ; Rockgruppe ; Musikleben ; Porträtfotografie ; Fotografie ; Rockmusiker ; Punk Rock ; USA ; Punk rock musicians / United States / History / 20th century / Pictorial works ; Punk rock music / United States / History / 20th century / Pictorial works ; Punk rock music ; Punk rock musicians ; United States ; 1900-1999 ; Illustrated works ; Bildband ; USA ; Rockmusiker ; Rockgruppe ; Punk Rock ; Musikleben ; Porträtfotografie ; Geschichte 1978-1991 ; Grecco, Michael 1958- ; USA ; Fotografie ; Punk Rock ; Rockmusiker ; Geschichte 1978-1991
    Abstract: "Photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York as punk rock morphed into the post-punk and new wave movements that dominated from the late '70s to the early '90s. From the Cramps to Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others, Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. In addition to concert photography, he shot album covers and promotional pieces that round out his impressively extensive photo collection. Presented here for the first time are images of the clubs and bands as they evolve into the icons that they have become today."--Back cover
    Note: Includes index
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  • 36
    ISBN: 9781419748547
    Language: English
    Pages: 236 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Grecco, Michael ; Geschichte 1978-1991 ; Rockmusiker ; Rockgruppe ; Musikleben ; Porträtfotografie ; Fotografie ; Rockmusiker ; Punk Rock ; USA ; Punk rock musicians / United States / History / 20th century / Pictorial works ; Punk rock music / United States / History / 20th century / Pictorial works ; Punk rock music ; Punk rock musicians ; United States ; 1900-1999 ; Illustrated works ; Bildband ; Bildband ; USA ; Rockmusiker ; Rockgruppe ; Punk Rock ; Musikleben ; Porträtfotografie ; Geschichte 1978-1991 ; Grecco, Michael 1958- ; USA ; Fotografie ; Punk Rock ; Rockmusiker ; Geschichte 1978-1991
    Abstract: "Photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York as punk rock morphed into the post-punk and new wave movements that dominated from the late '70s to the early '90s. From the Cramps to Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others, Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. In addition to concert photography, he shot album covers and promotional pieces that round out his impressively extensive photo collection. Presented here for the first time are images of the clubs and bands as they evolve into the icons that they have become today."--Back cover
    Note: Includes index
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  • 37
    ISBN: 9780847868384
    Language: English
    Pages: 256 Seiten
    DDC: 782.42164/092/2
    RVK:
    Keywords: Beastie Boys Pictorial works ; Beastie Boys ; Beastie Boys ; Rap musicians Pictorial works ; Rap musicians ; United States ; Bildband ; Pictorial works
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  • 38
    Book
    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476674698
    Language: English
    Pages: viii, 169 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42165092
    RVK:
    Keywords: Holiday, Billie ; Holiday, Billie / 1915-1959 ; Holiday, Billie / 1915-1959 / Influence ; Holiday, Billie / 1915-1959 / Criticism and interpretation ; Civil rights movements / United States / History / 20th century ; Civil rights movements / United States / History / 21st century ; African American women jazz singers / Biography ; Women jazz singers / Biography ; Jazz singers / United States / Biography ; Holiday, Billie / 1915-1959 ; African American women jazz singers ; Civil rights movements ; Influence (Literary, artistic, etc.) ; Jazz singers ; Women jazz singers ; United States ; 1900-2099 ; Biography ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Holiday, Billie 1915-1959
    Abstract: ""Eleanora "Lady Day" Fagan, better known as Billie Holiday, played a primary role in the development of American jazz culture and in African American history. Devoted to the enduring jazz icon, covering many aspects of her career, image and legacy, these essays range from musical and vocal analyses, to critical assessments of film depictions of the singer, to analysis of the social movements and protests addressed by her signature songs, including her impact on contemporary movements such as #BlackLivesMatter. More than a century after her birth, Billie Holiday's abiding relevance and impact is a testament to the power of musical protest. This collection pays tribute to her creativity, bravery and lasting legacy."--
    Description / Table of Contents: Introduction / Jessica McKee and Michael V. Perez -- In stereotragic hi-fidelity : performing Billie Holiday / Michael V. Perez -- Billie reverberates her blues : advertising Love for sale that costs More than you know / Tammie Jenkins -- Lady sings the blues? : tragedy, autobiography and reassessment / Anna Maria Barry -- Merging artists : the legacy of Motown's Lady sings the blues / Claudius Stemmler -- "Owning" Billie Holiday in several representative jazz poems / William Levine -- Brigitte loves Billie : channeling Holiday in Domino (1988) / Fernando Gabriel Pagnoni Berns -- Seeing is believing? : reading Billie Holiday through photography / Matthew Duffus -- Shouting back : cohering Lady Day through Kevin Young's jazz poem anthology / Taylor Joy Mitchell -- Reevaluating Lady sings the blues and What's love got to do with it : ambivalent representations of black female artistry / Jesse Schlotterbeck -- Easy to love : representations of Billie Holiday in contemporary American poetry / Tara Betts -- The fruit is on the ground : the impact of "Strange fruit" on Black Lives Matter / Devona Mallory
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  • 39
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520297791 , 9780520305533
    Language: English
    Pages: xii, 245 Seiten , 2 Illustrationen , 22 cm
    Edition: First paperback printing
    Parallel Title: Online version Beydoun, Khaled A., 1978- American Islamophobia
    DDC: 305.6970973
    RVK:
    Keywords: Islamfeindlichkeit ; USA ; Islamophobia / United States ; Islam and politics / United States ; Islam and politics ; Islamophobia ; United States ; SOCIAL SCIENCE / Ethnic Studies / General ; SOCIAL SCIENCE / Discrimination & Race Relations ; SOCIAL SCIENCE / Islamic Studies ; USA ; Islamfeindlichkeit
    Abstract: "The term "Islamophobia" may be fairly new, but irrational fear and hatred of Islam and Muslims is anything but. Though many speak of Islamophobia's roots in racism, have we considered how anti-Muslim rhetoric is rooted in our legal system? Using his unique lens as a critical race theorist and law professor, Khaled A. Beydoun captures the many ways in which law, policy, and official state rhetoric have fueled the frightening resurgence of Islamophobia in the United States. Beydoun charts its long and terrible history, from the plight of enslaved African Muslims in the antebellum South and the laws prohibiting Muslim immigrants from becoming citizens to the ways the war on terror assigns blame for any terrorist act to Islam and the myriad trials Muslim Americans face in the Trump era. He passionately argues that by failing to frame Islamophobia as a system of bigotry endorsed and emboldened by law and carried out by government actors, U.S. society ignores the injury it inflicts on both Muslims and non-Muslims. Through the stories of Muslim Americans who have experienced Islamophobia across various racial, ethnic, and socioeconomic lines, Beydoun shares how U.S. laws shatter lives, whether directly or inadvertently. And with an eye toward benefiting society as a whole, he recommends ways for Muslim Americans and their allies to build coalitions with other groups. Like no book before it, American Islamophobia offers a robust and genuine portrait of Muslim America then and now"--Provided by publisher
    Description / Table of Contents: Introduction : crossroads and intersections -- What is Islamophobia? -- The roots of modern Islamophobia -- A reoriented "clash of civilizations" -- War on terror, war on Muslims -- A "radical" or imagined threat? -- Between anti-black racism and Islamophobia -- The fire next time -- Epilogue : homecomings and goings
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  • 40
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253040244
    Language: English
    Pages: 1 Online-Ressource (xiii, 309 Seiten) , Illustrationen, Noten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1800-1900 ; Juden ; Kirchenmusikpflege ; Synagoge ; USA ; Jews / United States / Music / History and criticism ; Synagogue music / United States / 19th century / History and criticism ; Jews / Music ; Synagogue music ; United States ; 1800-1899 ; Criticism, interpretation, etc ; USA ; Juden ; Synagoge ; Kirchenmusikpflege ; Geschichte 1800-1900
    Description / Table of Contents: Early strata : of choirs and reform through the mid-nineteenth century -- The sound of German Jewry : hymnals and singing societies in Wilhelm Fischer's zemirot -- Yisrael -- Bildungsmusik : G.M. Cohen, B'nai B'rith, and the voices of American Jewish cultivation -- Musical populists : G.S. Ensel, Simon Hecht, and the quest for the singing congregation -- The 1866 Sulzerfeier : the Viennese model and the grandeur of the urban worship -- A new cantor, a new repertoire : zimrath yah -- The path to the union hymnal -- Conclusion : restoring the soundtrack of Jewish life in nineteenth-century America
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  • 41
    ISBN: 9788797078013 , 8797078018
    Language: English
    Pages: 176 Seiten , Illustrationen , 28 cm
    Series Statement: Unseen Nordic archives
    RVK:
    Keywords: Hendrix, Jimi Pictorial works ; Hendrix, Jimi ; Rock musicians Biography ; Rock musicians ; Biographies ; Illustrated works ; Pictorial works ; Biographies ; Illustrated works ; United States
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  • 42
    ISBN: 1538137666 , 9781538137666
    Language: English
    Pages: xi, 218 Seiten , Illustrationen , 23 cm
    DDC: 781.49092
    RVK:
    Keywords: Schmitt, Al ; Sound recording executives and producers Biography ; Sound recording executives and producers ; Autobiographies ; Biographies ; Autobiographies ; Autobiographies ; United States ; Autobiography
    Note: Includes bibliographical references (pages 205-210) and index
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  • 43
    ISBN: 9780486832623
    Language: English
    Pages: 1 Online-Ressource (467 Seiten)
    Parallel Title: Erscheint auch als Lock, Graham Forces in Motion : Anthony Braxton and the Meta-reality of Creative Music: Interviews and Tour Notes, England 1985
    DDC: 781.65092
    RVK:
    Keywords: Braxton, Anthony ; Braxton, Anthony ; Jazz musicians Biography ; Composers Biography ; Jazz musicians ; MUSIC ; Instruction & Study ; Theory ; Biographies ; Composers ; United States ; Braxton, Anthony 1945- ; Geschichte 1985
    Abstract: Based on interviews from a 1985 tour, this book profiles one of jazz's most important figures. Anthony Braxton discusses the expression of his musical visions and related ethical, political, and spiritual beliefs. ""Absolutely essential reading.""--The Wire
    Note: Includes bibliographical references (pages 411-415) and index
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  • 44
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190634933
    Language: English
    Pages: 1 Online-Ressource (xvi, 472 Seiten)
    DDC: 782.254092
    RVK:
    RVK:
    Keywords: Jackson, Mahalia 1911-1972 ; African American gospel singers Biography ; United States ; Gospel singers Biography ; United States ; African Americans Music ; History and criticism ; Gospel music History and criticism ; Jackson, Mahalia 1911-1972 ; Afroamerikanische Musik ; Gospelsong ; USA
    Abstract: Drawing on and piecing together a trove of previously unexamined sources, this book is the first critical study of the renowned African American gospel singer Mahalia Jackson (1911–1972). Beginning with the history of Jackson’s family on a remote cotton plantation in the Central Louisiana parish of Pointe Coupée, the book follows their relocation to New Orleans, where Jackson was born, and Jackson’s own migration to Chicago during the Great Depression. The principal focus is her career in the decade following World War II, during which Jackson, building upon the groundwork of seminal Chicago gospel pioneers and the influential National Baptist Convention, earned a reputation as a dynamic church singer. Eventually, Jackson achieved unprecedented mass-mediated celebrity, breaking through in the late 1940s as an internationally recognized recording artist for Apollo and Columbia Records who also starred in her own radio and television programs. But the book is also a study of the black gospel field of which Jackson was a part. Over the course of the 1940s and 1950s, black gospel singing, both as musical worship and as pop-cultural spectacle, grew exponentially, with expanded visibility, commercial clout, and forms of prestige. Methodologically informed by a Bourdiean field analysis approach that develops a more granular, dynamic, and encompassing picture of post-war black gospel, the book persistently considers Jackson, however exceptional she may have been, in relation to her fellow gospel artists, raising fresh questions about Jackson, gospel music, and the reception of black vernacular culture.
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  • 45
    ISBN: 9780190499679
    Language: English
    Pages: 1 Online-Ressource (xiv, 253 Seiten)
    Additional Information: Rezensiert in Koch, Anne, 1971 - Singing the Congregation 2020
    Parallel Title: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264.2
    RVK:
    Keywords: Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; United States ; USA ; Evangelikale Bewegung ; Anbetung ; Musik
    Abstract: Singing the Congregation examines how contemporary worship music shapes the way evangelical Christians understand worship and argues that participatory worship-music performances have brought into being new religious social constellations (“modes of congregating”). Through ethnographic investigation of five of these modes—concert, conference, church, public, and networked congregations—this book seeks to reinvigorate the analytic categories of “congregation” and “congregational music.” Drawing from theoretical models in ethnomusicology, congregational studies, and ecclesiology, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice—in this case, the musically structured participatory activity known as “worship.” By extension, “congregational music-making” is recast as a participatory religious musical practice capable of weaving together a religious community inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a potent way to identify with far-flung individuals, institutions, and networks that this global religious community comprises. The unique congregations examined in each chapter include but extend far beyond local churches, revealing widespread conflicts over religious authority and far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
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  • 46
    ISBN: 9780830851812 , 083085181X
    Language: English
    Pages: xv, 286 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Hodge, Daniel White, 1974- Homeland insecurity
    RVK:
    Keywords: Christianity and culture ; Hip-hop Religious aspects ; Christianity ; African Americans Religion ; Missions ; Hip-hop Aspect religieux ; Christianisme ; Noirs américains Religion ; Hip-hop Religious aspects ; Christianity ; African Americans Religion ; Christianity and culture ; Missions ; United States
    Abstract: "Homeland Insecurity is Hodge's finest book to date, a must-read for anyone - especially white Christians of any political persiasion - who find themselves working in and with black and brown communities." -- Back cover
    Abstract: North American domestic missions are now situated in a complex landscape of changing faith, ethnic diversity, and racial unrest. But most missiological approaches continue under colonialist assumptions and lack the cultural competency to navigate new realities. Missiologist Daniel White Hodge explores the contours of post-civil rights contexts and focuses on Hip Hop theology as a framework for radical engagement of emerging adult populations. He critiques the impaired missiology of imperialist and white supremacist approaches to modern urban and short-term missions. With keen cultural exegesis of the wild, he explores the contours of a more contextualized Hip Hop Jesus. Reexamining the importance of race and ethnicity in mission, Hodge offers theological space for protest and social disruption and suggests conceptual models for domestic missions within a growing multiethnic demographic. Grounded in Hip Hop studies and youth ministry, Hodge constructs a hybridity of lived missiology where dissent and disruption open new possibilities for Christian faith in the twenty-first century. -- ‡c From publisher's description
    Note: Bibliographie: Seite 269-286
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  • 47
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822372646 , 0822372649
    Language: English
    Pages: 1 Online-Ressource (xiv, 268 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.2/308996073
    RVK:
    Keywords: Anderson, Marian 1897-1993 ; Holiday, Billie 1915-1959 ; Scott, Jimmy 1925-2014 ; Vocaloid (Computer file) ; African Americans Music ; Social aspects ; Music and race United States ; Voice culture Social aspects ; United States ; Tone color (Music) Social aspects ; United States ; Music Social aspects ; United States ; Singing Social aspects ; United States ; Zuhören ; Afroamerikanische Musik ; Klang ; Electronic books ; Afroamerikanische Musik ; Klang ; Zuhören
    Note: Includes bibliographical references and index , Formal and informal pedagogies : believing in race, teaching race, hearing race -- Phantom genealogy : sonic Blackness and the American operatic timbre -- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity -- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed -- Bifurcated listening : the inimitable, imitated Billie Holiday -- Widening rings of being : the singer as stylist and technician
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 48
    ISBN: 0745337171 , 9780745337173 , 0745337163 , 9780745337166
    Language: English
    Pages: xxiii, 304 pages , 21 cm
    Edition: Second edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Online version Lean, Nathan Chapman The islamophobia industry : how the right manufactures hatred of Muslims
    DDC: 305.697
    RVK:
    Keywords: Islamfeindlichkeit ; Westliche Welt ; Islamophobia / United States ; Islamophobia / Europe ; Ethnic conflict ; Islam / Public opinion ; Muslims / Public opinion ; Islam and politics / United States ; Muslims / Non-Islamic countries ; Islamic civilization ; Civilization, Western ; Intercultural communication ; East and West ; Islamic countries / Relations / Western countries ; Western countries / Relations / Islamic countries ; Civilization, Western ; East and West ; Ethnic conflict ; Intercultural communication ; International relations ; Islam and politics ; Islam / Public opinion ; Islamic civilization ; Islamophobia ; Muslims ; Muslims / Public opinion ; Europe ; Islamic countries ; Non-Islamic countries ; United States ; Western countries ; Westliche Welt ; Islamfeindlichkeit
    Abstract: Provides an account of the campaign to promote fear and hatred of Muslims in the United States and Europe, from the 'War on Terror' to Trump's travel ban. Lean takes us through a world of conservative bloggers, right-wing talk show hosts, evangelical religious leaders and politicians, united in their efforts to demonize Muslims as the new enemy of Western civilization. Lean uncovers their scare tactics, traces their sources of funding and exposes the ideologies that drive their lucrative propaganda machine. This second edition includes new material on the Trump campaign and presidency, tracking the rise to power of some of the Islamophobia Industry's most extreme figures. Writers from Breitbart, liberal anti-Muslim campaigners such as Bill Maher, and Trump-influencers such as Steve Bannon, Newt Gingrich and John Bolton are all put in the spotlight. --From publisher description
    Description / Table of Contents: Introduction: Islamophobia from the War on Terror to the Age of Trump -- A history of American monster making -- Hate on the internet -- Inside the mainstream media echo chamber -- The Christian right's battle for Muslim souls -- The influence of the pro-Israel right -- The rise of liberal Islamophobia -- Politicizing and legislating fear of Muslims -- Islam as the enemy of European populism
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  • 49
    ISBN: 022644869X , 9780226448558 , 9780226448695
    Language: English
    Pages: xii, 179 Seiten , 23 cm
    Parallel Title: Erscheint auch als Gebhardt, Nicholas Vaudeville melodies
    DDC: 792.70973
    RVK:
    RVK:
    Keywords: Vaudeville ; Revues ; Music-halls (Variety-theaters, cabarets, etc.) ; Popular music ; Music-halls (Variety-theaters, cabarets, etc.) ; Popular music ; Revues ; Vaudeville ; United States ; USA ; Vaudeville ; Varieté ; Kleinkunst ; Geschichte 1870-1929 ; USA ; Vaudeville ; Varieté ; Kleinkunst ; Geschichte 1870-1929
    Abstract: That's entertainment -- There's no business like show business -- Rites of passage -- Elementary structures -- Show me the money -- On with the show -- In search of an audience -- Vaudeville melodies -- Nothing succeeds like success -- Applause
    Note: Mit Bibliographie (Seiten 163-172) und Register
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  • 50
    Book
    Book
    Bloomington : Indiana University Press
    ISBN: 9780253026064 , 9780253026217 , 0253026067 , 0253026210
    Language: English
    Pages: vii, 300 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Imhoff, Sarah, author Masculinity and the making of American Judaism
    DDC: 296.0811/0973
    RVK:
    RVK:
    Keywords: Masculinity Religuous aspects ; Judaism ; Masculinity ; Jewish men Religious life ; Masculinity Religious aspects ; Judaism ; Masculinity United States ; Jewish men Religious life ; United States ; RELIGION History ; RELIGION Judaism ; History ; USA ; Judentum ; Virilismus
    Abstract: "How did American Jewish men experience manhood, and how did they present their masculinity to others? In this distinctive book, Sarah Imhoff shows that the project of shaping American Jewish manhood was not just one of assimilation or exclusion. Jewish manhood was neither a mirror of normative American manhood nor its negative, effeminate opposite. Imhoff demonstrates how early twentieth-century Jews constructed a gentler, less aggressive manhood, drawn partly from the American pioneer spirit and immigration experience, but also from Hollywood and the YMCA, which required intense cultivation of a muscled male physique. She contends that these models helped Jews articulate the value of an acculturated American Judaism. Tapping into a rich historical literature to reveal how Jews looked at masculinity differently than Protestants of other religious groups, Imhoff illuminates the particular experience of American Jewish men"--
    Note: Includes bibliographical references (pages 277-290) and index
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  • 51
    Book
    Book
    Lanham : Rowman & Littlefield
    ISBN: 9780810895041
    Language: English
    Pages: XXXII, 171 Seiten , 24 cm
    DDC: 781.6609410973
    RVK:
    RVK:
    Keywords: Geschichte 1960-1970 ; Rock music / United States / 1961-1970 / History and criticism ; Rock music / Great Britain / 1961-1970 / History and criticism ; Rock music ; Rezeption ; Popmusik ; Great Britain ; United States ; Großbritannien ; USA ; USA ; Großbritannien ; Großbritannien ; Popmusik ; Rezeption ; USA ; Geschichte 1960-1970
    Note: Includes bibliographical references and index. - First published in hardback 2015
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  • 52
    ISBN: 1439131333 , 1439131341 , 9781439131343 , 9781439131336
    Language: English
    Pages: 740 Seiten , Illustrationen
    Edition: First Simon & Schuster hardcover edition
    Additional Information: Kritik in Williams, Daniel K. American Evangelical Politics before the Christian Right 2018
    Parallel Title: Erscheint auch als FitzGerald, Frances, 1940- author Evangelicals
    DDC: 277.308
    RVK:
    RVK:
    Keywords: Evangelicalism History ; United States ; Fundamentalism History ; United States ; Christianity and politics History ; United States ; Christianity and politics ; Evangelicalism ; Fundamentalism ; Evangelicalism History ; Fundamentalism History ; Christianity and politics History ; United States Church history ; United States ; Church history ; History ; United States Church history ; Evangelikale Bewegung ; Fundamentalismus ; Geschichte ; Staat ; USA ; USA ; Evangelikale Bewegung ; Staat ; Geschichte
    Abstract: The great awakenings and the Evangelical empire -- Liberals and conservatives in the Post-Civil War North -- The fundamentalist-modernist conflict -- The separatists -- Billy Graham and modern evangelicalism -- Pentecostals and Southern Baptists -- Evangelicals in the sixties -- The fundamentalist uprising in the South -- Jerry Falwell and he moral majority -- Reagan and the South turns Republican -- The Evangelical thinkers -- Pat Robertson : politics and charismatic prophecies -- The Christian coalition and the Republican Party -- The Christian right and George W. Bush -- New Evangelicals -- The transformation of the Christian right
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Includes bibliographical references and index
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  • 53
    ISBN: 9780198798071 , 0198798075
    Language: English
    Pages: xiv, 407 Seiten , Illustrationen , 24 cm
    Edition: First edition
    Additional Information: Rezensiert in Pasture, Patrick, 1961 - Questioning Secularization and Religious Innovation in the North Atlantic World. A Review Essay 2020
    Parallel Title: Erscheint auch als Secularization and religious innovation in the North Atlantic world
    DDC: 200.973
    RVK:
    Keywords: Religions Congresses ; Secularization Congresses ; Secularization Congresses ; Religions Congresses ; Secularization Congresses ; United States ; Secularization Congresses ; Europe ; Religion ; Religions ; Secularization ; United States Congresses Religion ; Europe Congresses Religion ; United States Congresses ; Religion ; Europe Congresses ; Religion ; Europe ; United States ; Konferenzschrift ; Europa ; Christentum ; Säkularisierung ; USA ; Geschichte 1800-2000
    Abstract: In the early twenty-first century it had become a cliche that there was a 'God Gap' between a more religious United States and a more secular Europe. The apparent religious differences between the United States and western Europe continue to be a focus of intense and sometimes bitter debate between three of the main schools in the sociology of religion. According to the influential 'Secularization Thesis', secularization has been an integral part of the processes of modernisation in the Western world since around 1800. For proponents of this thesis, the United States appears as an anomaly and they accordingly give considerable attention to explaining why it is different. For other sociologists, however, the apparently high level of religiosity in the USA provides a major argument in their attempts to refute the Thesis. Secularization and Religious Innovation in the Atlantic World provides a systematic comparison between the religious histories of the United States and western European countries from the eighteenth to the late twentieth century, noting parallels as well as divergences, examining their causes and especially highlighting change over time. This is achieved by a series of themes which seem especially relevant to this agenda, and in each case the theme is considered by two scholars. The volume examines whether American Christians have been more innovative, and if so how far is this explains the apparent 'God Gap'. It goes beyond the simple American/European binary to ask what is 'American' or 'European' in the Christianity of the nineteenth and twentieth centuries, and in what ways national or regional differences outweigh these commonalities
    Abstract: In the early twenty-first century it had become a cliche that there was a 'God Gap' between a more religious United States and a more secular Europe. The apparent religious differences between the United States and western Europe continue to be a focus of intense and sometimes bitter debate between three of the main schools in the sociology of religion. According to the influential 'Secularization Thesis', secularization has been an integral part of the processes of modernisation in the Western world since around 1800. For proponents of this thesis, the United States appears as an anomaly and they accordingly give considerable attention to explaining why it is different. For other sociologists, however, the apparently high level of religiosity in the USA provides a major argument in their attempts to refute the Thesis. Secularization and Religious Innovation in the Atlantic World provides a systematic comparison between the religious histories of the United States and western European countries from the eighteenth to the late twentieth century, noting parallels as well as divergences, examining their causes and especially highlighting change over time. 0This is achieved by a series of themes which seem especially relevant to this agenda, and in each case the theme is considered by two scholars. The volume examines whether American Christians have been more innovative, and if so how far is this explains the apparent 'God Gap'. It goes beyond the simple American/European binary to ask what is 'American' or 'European' in the Christianity of the nineteenth and twentieth centuries, and in what ways national or regional differences outweigh these commonalities
    Library Location Call Number Volume/Issue/Year Availability
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  • 54
    Book
    Book
    Cambridge, Massachusetts : Harvard University Press
    ISBN: 9780674971431
    Language: English
    Pages: x, 266 Seiten
    Additional Information: Rezensiert in Watt, David Harrington, 1957 - Whose Freedoms? Which Religions? 2018
    Additional Information: Rezensiert in McBride, James A Questionable Faith in the Power of Reason 2018
    Additional Information: Rezensiert in Laborde, Cécile, 1971 - Religious Freedom, US Law, and Liberal Political Theory 2018
    Additional Information: Rezensiert in Equality of Religious Freedom 2018
    Additional Information: Rezensiert in Gordon, Sarah Barringer, 1955 - Rational Debate About Religion? That's Yuge! 2018
    Additional Information: Rezensiert in Blancarte, Roberto, 1957 - Let's Be Reasonable! 2018
    Additional Information: Rezensiert in Baumgartner, Christoph, 1969 - But There Is No Conceptual Level Playing Field! Challenges to Nelson Tebbe's Social Cohesion Approach to Religious Diversity 2018
    Additional Information: Rezensiert in Amesbury, Richard, 1972 - Does Jurisprudence Require a Method to Be Rational? 2018
    Additional Information: Rezensiert in Goldenberg, Naomi R., 1941 - An Appraisal of Religious Freedom in an Egalitarian Age by Nelson Tebbe 2018
    Parallel Title: Erscheint auch als Tebbe, Nelson, 1969 - Religious freedom in an egalitarian age
    DDC: 342.7308/52
    RVK:
    Keywords: Freedom of religion ; Equality before the law ; Discrimination Law and legislation ; Discrimination Religious aspects ; Civil rights ; Civil rights Religious aspects ; Sexual minorities Civil rights ; Religious aspects ; Law Methodology ; Freedom of religion United States ; Equality before the law United States ; Discrimination Law and legislation ; United States ; Discrimination Religious aspects ; Civil rights United States ; Civil rights Religious aspects ; Sexual minorities Civil rights ; Religious aspects ; Law Methodology ; USA ; Religionsfreiheit ; Gleichheit ; USA ; Religionsfreiheit ; Gleichheit
    Abstract: Americans today are struggling with conflicts between religious freedom and equality law. Although such tensions are not new, they are newly vibrant and visible, partly because of egalitarian advances on issues such as LGBT rights and women's reproductive freedom. Those advances have run up against claims by religious traditionalists such as Kim Davis, the county clerk who refused to issue marriage licenses to same-sex couples and Hobby Lobby, the business corporation that won the right to deny contraception coverage to its employees. Religious Freedom in an Egalitarian Age argues that such conflicts can be resolved without irrationality or arbitrariness. The book provides a method for thinking through problems of religion and equality in a reasoned way and recommends solutions in the areas of employment, public accommodations, government officials, and public funding.--
    Abstract: Americans today are struggling with conflicts between religious freedom and equality law. Although such tensions are not new, they are newly vibrant and visible, partly because of egalitarian advances on issues such as LGBT rights and women's reproductive freedom. Those advances have run up against claims by religious traditionalists such as Kim Davis, the county clerk who refused to issue marriage licenses to same-sex couples and Hobby Lobby, the business corporation that won the right to deny contraception coverage to its employees. Religious Freedom in an Egalitarian Age argues that such conflicts can be resolved without irrationality or arbitrariness. The book provides a method for thinking through problems of religion and equality in a reasoned way and recommends solutions in the areas of employment, public accommodations, government officials, and public funding.--
    Note: Includes bibliographical references and index
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  • 55
    Book
    Book
    Boston, MA : Da Capo Press
    ISBN: 9780306817991
    Language: English
    Pages: xiv, 658 Seiten
    Edition: First Da Capo Press edition
    DDC: 782.42/13
    RVK:
    Keywords: Composers Interviews ; Lyricists Interviews ; Popular music History and criticism ; AVS ; MUS038000 ; Individual composers & musicians, specific bands & groups ; United States ; Popular music ; Interviews ; Popular music - United States - History and criticism ; Composers ; Composers - United States ; Lyricists - United States ; Lyricists ; Criticism, interpretation, etc ; Songwriting ; Geschichte
    Abstract: Marjorie Guthrie. On Woody Guthrie -- Jerry Leiber and Mike Stoller. A bridge built on the blues -- Richard Sherman. Writing songs for Disney -- Jeff Barry. River deep mountain high -- Paul Anka. From "Diana" to "My way" -- Kenny Gamble. Inventing the Philly sound -- Norman Whitfield. Through the grapevine -- Loretta Lynn. Songs from Butcher Holler -- Sheldon Harnick. Of Fiddlers on the roof -- Peter, Paul and Mary. The power of song -- Herbie Hancock. On a journey of jazz -- John Stewart. Daydream believing -- John Sebastian. A Loving Spoonful -- Gene Clark. Still the Byrds -- Stephen Stills. The one you're with -- Paul Simon. Love and hard times -- Ringo Starr. The Beatles and beyond -- Brian Wilson. Beyond the Beach Boys -- Kris Kristofferson. Another word for freedom -- Bernie Taupin. Writing with Elton -- Paul Williams. Only just begun -- Maurice White. Inside Earth, Wind & Fire -- Bryan Ferry. Of Roxy Music -- Elvis Costello. A man out of time -- Joe Jackson. Night and day -- Rickie Lee Jones. Flying with the cowboys -- Daryl Hall. Of Sacred songs -- Patti Smith. Still Dancing barefoot -- Chrissie Hynde. On the chain gang -- John Prine. Mailman of miracles -- Michael Smith. Tulips beneath the snow -- Dave Stewart. Eurythmics and beyond -- Joan Armatrading. Walking under ladders -- Chris Difford and Glenn Tilbrook. Being Squeeze -- Aimee Mann. On memory lane -- James Taylor. The secret o' songwriting -- Randy Newman. The world isn't fair -- Alice Cooper. Inventing Alice -- Donald Fagen. Being Steely Dan -- Jorge Calderon. On writing with Zevon -- Don McLean. American pie and beyond -- Richard Thompson. Inside the beeswing -- Rob Zombie. Doing the impossible -- Jo Henry. With Blood from stars -- Sia. On a Chandelier -- Matisyahu. Darkness into light
    Note: Includes bibliographical references and index
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  • 56
    Book
    Book
    Austin : University of Texas Press
    ISBN: 9780292759435
    Language: English
    Pages: viii, 198 Seiten , Illustrationen, Porträts , 23 cm
    Edition: First edition
    Series Statement: American music series
    DDC: 782.421643092
    RVK:
    Keywords: Blige, Mary J. ; Blige, Mary J. ; Blige, Mary J. ; African American women singers / United States / Biography ; Soul musicians / United States / Biography ; Sound recording executives and producers / United States / Biography ; Rap musicians / United States / Biography ; Rhythm and blues musicians / United States / Biography ; Gospel musicians / United States / Biography ; African American actresses / United States / Biography ; African American actresses ; African American women singers ; Gospel musicians ; Rap musicians ; Rhythm and blues musicians ; Soul musicians ; Sound recording executives and producers ; United States ; USA ; Biografie ; Biografie ; Biografie ; Blige, Mary J. 1971-
    Abstract: Mary J. Blige is an icon who represents the political consciousness of hip hop and the historical promise of soul. She is an everywoman, celebrated by Oprah Winfrey and beloved by pop music fans of all ages and races. Blige has sold over fifty million albums, won numerous Grammys, and even played at multiple White House events, as well as the 2013 Nobel Peace Prize ceremony. Displaying astonishing range and versatility, she has recorded everything from Broadway standards to Led Zeppelin anthems and worked with some of popular music's greatest artists-Aretha Franklin, Eric Clapton, Elton John, Whitney Houston, Sting, U2, and Beyonce, among them. Real Love, No Drama: The Music of Mary J. Blige tells the story of one of the most important artists in pop music history. Danny Alexander follows the whole arc of Blige's career, from her first album, which heralded the birth of "hip hop soul," to her critically praised 2014 album, The London Sessions. He highlights the fact that Blige was part of the historically unprecedented movement of black women onto pop radio and explores how she and other women took control of their careers and used their music to give voice to women's (and men's) everyday struggles and dreams. This book adds immensely to the story of both black women artists and artists rooted in hip hop and pays tribute to a musician who, by expanding her reach and asking tough questions about how music can and should evolve, has proven herself an artistic visionary. - Beginning his career about the same time Mary J. Blige signed her first record deal, music journalist Danny Alexander has worked as an associate editor for Dave Marsh's music newsletter Rock & Rap Confidential and covered rock, hip hop, and soul for various publications. He is the author of "Liner Notes: Soul Asylum". He lives in Overland Park, Kansas
    Description / Table of Contents: 〈〈The〉〉 artist of a generation -- The slow bomb -- Ladies, ladies, it is our turn -- Uptown -- What's the 411? -- Changes I've been going through -- Hip hop a go-go -- My life -- Natural woman -- Share my world -- On the road with MJB : Alyson Williams -- The tour -- Sisters in the studio : Channette and Channoah Higgens -- Mary, the album -- No more drama -- Love & life -- Live from Los Angeles -- Message in our music -- The breakthrough -- Growing pains -- Stronger with each tear -- Hard times come again no more -- My life II : the journey continues (act 1) -- A Mary Christmas -- Think like a man too -- The London sessions -- Being with you
    Note: Includes bibliographical references and discography
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  • 57
    ISBN: 9780415518246 , 9780415518239
    Language: English
    Pages: XI, 170 Seiten
    Series Statement: Routledge series on identity politics
    DDC: 322.10973
    RVK:
    Keywords: Religion and politics United States ; Identification (Religion) Political aspects ; United States ; Political culture United States ; Religion and politics ; Identification (Religion) Political aspects ; Political culture ; USA ; Religionspolitik ; Religionsfreiheit ; Denomination ; Atheismus ; Neue Religion ; Soziokultureller Wandel ; USA ; Religionspolitik ; Religionsfreiheit ; Konfessionalität ; Soziokultureller Wandel ; Atheismus
    Description / Table of Contents: The Present Moment : Religious and Political Identities in the Contemporary United StatesThe "Ground Zero Mosque" : Sacred Space and the Boundaries of "American" Religion -- A Nation of Maximalists? : The Orthodox Alliance's Identity of Resistance -- Neoliberalization Theology and the Great Recession -- None of the Above : Religious Independents and Identity in the United States -- Political Religion and Religious Politics : Navigating Twenty-First Century Identities.
    Note: Literaturverz. S. [147] - 163 und Index
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  • 58
    ISBN: 9781138278240
    Language: English
    Pages: 222 Seiten
    Edition: First issued in paperback
    Series Statement: Ashgate popular and folk music series
    Series Statement: An Ashgate book
    DDC: 781.621009045
    RVK:
    Keywords: Folk songs, English History and criticism ; United States ; Folk songs, English History and criticism ; Canada ; Folk songs, English History and criticism ; United States ; Folk songs, English History and criticism ; Canada ; USA ; Kanada ; Folk music ; Revival ; Geschichte 1945-1980
    Abstract: Defining the people's songs : national identity and the origins of the North American folk revival to 1958 -- Visions of diversity : cultural pluralism and the great boom of the folk revival, 1958-1965 -- Folk music and community in the village : Greenwich Village and Yorkville in the sixties -- The post-revival folk : Canadian dreams and American nightmares in the late 1960s and 1970s -- Folk since the seventies : diversity and insularity
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Literaturverzeichnis: Seite 187-207. - Diskografie: Seite 209-210
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  • 59
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 022630339X , 9780226303390
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Parallel Title: Erscheint auch als Gluck, Bob Miles Davis Lost Quintet
    DDC: 785/.32195165
    RVK:
    Keywords: Davis, Miles ; Davis, Miles ; Jazz History and criticism 1971-1980 ; Jazz musicians Biography ; Jazz History and criticism 1961-1970 ; MUSIC ; Genres & Styles ; Chamber ; Jazz ; Jazz musicians ; Avantgarde ; Quintett ; Elektronische Musik ; Rock-Jazz ; Biographies ; Criticism, interpretation, etc ; United States ; Biografie ; Biografie
    Abstract: Miles Davis's 'Bitches Brew' is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. Here, jazz historian and musician Bob Gluck explores the performances of this revolutionary group, to illuminate the thinking of one of our rarest geniuses and, by extension, the extraordinary transition in American music that he and his fellow players ushered in
    Abstract: Miles goes electric -- "Bitches brew," in the studio and on the road -- Anthony Braxton : Leroy Jenkins, Musica Elettronica Viva, and the "Peace Church" concert -- Interlude : musical rumblings in Chelsea -- Miles Davis's increasingly electric 1970, and a reflection on his 1971-75 bands -- Circle -- The Revolutionary Ensemble -- Ornette Coleman's children : comparisons and contrasts inside and outside the jazz economy.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 60
    ISBN: 9781137594129
    Language: English
    Pages: xi, 139 Seiten , 21 cm
    Series Statement: Asian christianity in the diaspora
    Series Statement: Anthropology, change and development
    Series Statement: Palgrave pivot
    DDC: 201.7089957073
    RVK:
    Keywords: Korean Americans Religious life ; Children of immigrants Social conditions ; United States ; Gender identity Religious aspects ; Gender identity United States ; Korean Americans Religion ; Korean Americans Social conditions ; Korean American men Religious life ; Children of immigrants Religious life ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Koreanischer Einwanderer ; Generation 2 ; Religiöse Erfahrung ; Protestantismus ; Männlichkeit ; USA ; Koreanischer Einwanderer ; Generation 2 ; Religiöse Erfahrung ; Protestantismus ; Männlichkeit
    Abstract: Introduction -- 1. Situating Korean Men in Asian America -- 2. Listening to Korean American Men Tell Their Lives -- 3. Sports and Korean American Men -- 4. Korean American Spirituality -- 5. Forming Korean American Men: What Can We Do?
    Note: Includes bibliographical references
    URL: Cover
    URL: Cover
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  • 61
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496805805
    Language: English
    Pages: viii, 272 Seiten
    Edition: First printing
    Series Statement: American made music series
    Parallel Title: Online version Wise, Timothy E., author Yodeling and meaning in American music
    DDC: 782.00973
    RVK:
    Keywords: Popular music History and criticism ; United States ; Yodeling ; Country music History and criticism ; Mountain people in popular culture ; Cowboys in popular culture ; Humor in music ; Country music ; Cowboys in popular culture ; Humor in music ; Mountain people in popular culture ; Popular music ; Yodeling United States ; USA ; Jodeln ; Geschichte
    Abstract: Timothy E. Wise presents the first book to focus specifically on the musical content of yodeling in our culture. He shows that yodeling serves an aesthetic function in musical texts. A series of chronological chapters analyzes this musical tradition from its earliest appearances in Europe to its incorporation into a range of American genres and beyond. Wise posits the reasons for yodeling's changing status in our music. How and why was yodeling introduced into professional music making in the first place? What purposes has it served in musical texts? Why was it expunged from classical music? Why did it attach to some popular music genres and not others? Why does yodeling now appear principally at the margins of mainstream tastes?
    Note: Includes bibliographical references (pages 233-245) and index , 1.Classifying Yodeled Effects in Popular Music Yodel Species , 2.Yodel Sign and Yodel Idea in Nineteenth-Century Art Music , 3.Yodeling in Nineteenth-Century Vocal Music , 4.Americanizing the Yodel , 5.Jimmie Rodgers and the Hillbilly Yodel , 6.Cowboys and Yodeling , 7.The Vicissitudes of a Musical Sign How the Yodel Became a Joke
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  • 62
    Book
    Book
    London : Routledge
    ISBN: 9781409423768 , 140942376X
    Language: English
    Pages: 179 Seiten , Illustrationen , 24 cm
    Series Statement: An Ashgate book
    Series Statement: Ashgate popular and folk music series
    DDC: 781.66
    RVK:
    Keywords: Grunge music ; Social aspects ; United States
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  • 63
    Book
    Book
    London : Simon & Schuster
    ISBN: 9781471157790
    Language: English
    Pages: 510 Seiten , Illustrationen
    Edition: First published
    RVK:
    RVK:
    Keywords: Springsteen, Bruce ; Rock musicians Biography ; United States
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  • 64
    ISBN: 9789385485015 , 9385485016
    Language: English
    Pages: xiii, 426 Seiten , Illustrationen , 22 cm
    DDC: 294.50973
    RVK:
    Keywords: Doniger, Wendy ; Doniger, Wendy ; Doniger, Wendy ; Hinduism Study and teaching ; Hinduism Study and teaching ; United States ; Hinduism ; India ; India Study and teaching ; India Study and teaching ; Doniger, Wendy 1940- ; Religionspsychologie ; Kritik ; Doniger, Wendy 1940- ; Hinduismus ; Indologie ; Kritik ; USA ; Hinduismus ; Forschung ; Hochschule ; Forschung ; Lehre ; Kritik
    Note: Includes bibliographical references
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  • 65
    Book
    Book
    Cambridge, Massachusetts : Harvard University Press
    ISBN: 9780674659681 , 0674659686
    Language: English
    Pages: viii, 307 Seiten , 22 cm
    Additional Information: Rezensiert in Zink, Jesse The Deified Market 2019
    DDC: 174/.4
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Marktwirtschaft ; Wirtschaftsordnung ; Wirtschaftsethik ; Kritik ; Religion ; Money market Moral and ethical aspects ; Financial institutions Moral and ethical aspects ; Economics Moral and ethical aspects ; Economics Religious aspects ; Money market Moral and ethical aspects ; Financial institutions Moral and ethical aspects ; United States ; Economics Moral and ethical aspects ; Economics Religious aspects ; Marktwirtschaft ; Marktmechanismus ; Religion ; Marktwirtschaft ; Bank ; Ethik ; Religion
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 66
    Book
    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9780786474462
    Language: English
    Pages: X, 234 Seiten , Illustrationen , 26 cm
    RVK:
    Keywords: Rhythm and blues musicians / United States / Biography ; Rockabilly musicians / United States / Biography ; Country musicians / United States / Biography ; Rock musicians / United States / Biography ; Musicians / United States / Interviews ; Country musicians ; Musicians ; Rhythm and blues musicians ; Rock musicians ; Rockabilly musicians ; United States ; USA ; Biografie ; Biografie
    Abstract: "Disc jockey Alan Freed coined the term "rock and roll" in the 1950s. Rock and roll's originators and revivalists continue to entertain crowds at roots music festivals worldwide. This book presents stories about performers' lives on the road and in the studio, along with the stories behind popular songs. Informative biographical profiles are provided"--
    Description / Table of Contents: Includes bibliographical references and index
    Description / Table of Contents: Rhythm and blues and Doo-wop legends -- Rockabilly pioneers -- Sun stars -- Country hit makers -- Pop sensations -- Roots revivalists -- International rockabilly performers
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  • 67
    ISBN: 978-0-87140-873-0
    Language: English
    Pages: XXIX, 365 S., [4] Bl. , Ill.
    Edition: 1. ed.
    RVK:
    Keywords: Redding, Otis / 1941-1967 ; Redding, Otis / 1941-1967 ; Soul musicians / United States / Biography ; Soul music / History and criticism ; Soul music ; Soul musicians ; United States ; USA ; Biografie
    Abstract: "A soul icon and the southern music he helped popularize come to life in this moving requiem,"--Amazon.com
    Note: Includes bibliographical references (pages 315-337) and index , Introduction : The Big O -- Prologue : "It was music" -- Son of a preacher man -- Heebie jeebies -- Rockin' Redding -- "It's something called soul" -- "A lousy singer" -- "Wait, we got time for another kid" -- Chops like a wolf -- Turning the knife -- The King of Soul -- Just one more day -- Crossing over -- The whole damn body -- Making the white feel black -- "The only son-of-a-gun this side of the sun" -- London calling -- Peace, love, and Otis Redding -- Hard to handle -- "So I guess I'll remain the same" -- Amen -- Epilogue : "Wouldn't that have been somethin'?"
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  • 68
    Book
    Book
    New York : Bloomsbury Academic
    ISBN: 162892943X , 9781628929430
    Language: English
    Pages: xvii, 129 Seiten , 17 cm
    Series Statement: 33 1/3 110
    Series Statement: 33 1/3
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Davis, Miles / Bitches brew ; Davis, Miles / Criticism and interpretation ; Davis, Miles ; Bitches brew (Davis, Miles) ; Jazz musicians / United States / Biography ; Jazz / History and criticism ; Jazz ; Jazz musicians ; United States ; USA ; Biografie
    Abstract: It was 1969, and Miles Davis, prince of cool, was on the edge of being left behind by a dynamic generation of young musicians, an important handful of whom had been in his band. Rock music was flying off in every direction, just as America itself seemed about to split at its seams. Following the circumscribed grooves and ambiance of In A Silent Way; coming off a tour with a burning new quintet-called 'The Lost Band'-with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette; he went into the studio with musicians like frighteningly talented guitarist John McLaughlin, and soulful Austrian keyboardist Joe Zawinul. Working with his essential producer, Teo Macero, Miles set a cauldron of ideas loose while the tapes rolled. At the end, there was the newly minted Prince of Darkness, a completely new way forward for jazz and rock, and the endless brilliance and depth of Bitches Brew. --Publisher's description
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 69
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 0520283988 , 0520283996 , 9780520283985 , 9780520283992
    Language: English
    Pages: xi, 205 Seiten , Illustrationen , 23 cm
    Edition: First edition
    DDC: 782.421649
    RVK:
    Keywords: Rap (Music) Social aspects ; Music and race ; Race awareness ; Racism in popular culture ; Rap (Music) Social aspects ; United States ; Music and race ; Race awareness United States ; Racism in popular culture United States ; USA ; Rap ; Hip-Hop ; Ethnische Identität
    Abstract: "As one of the most influential and popular genres of the last three decades, rap has cultivated a mainstream audience and become a multimillion-dollar industry by promoting highly visible and often controversial representations of blackness. Sounding Race in Rap Songs argues that rap music allows us not only to see but also to hear how mass-mediated culture engenders new understandings of race. The book traces the changing sounds of race across some of the best-known rap songs of the past thirty-five years, combining song-level analysis with historical contextualization to show how these representations of identity depend on specific artistic decisions, such as those related to how producers make beats. Each chapter explores the process behind the production of hit songs by musicians including Grandmaster Flash and the Furious Five, The Sugarhill Gang, Run-D.M.C., Public Enemy, N.W.A., Dr. Dre, and Eminem. This series of case studies highlights stylistic differences in sound, lyrics, and imagery, with musical examples and illustrations that help answer the core question: can we hear race in rap songs? Integrating theory from interdisciplinary areas, this book will resonate with students and scholars of popular music, race relations, urban culture, ethnomusicology, sound studies, and beyond"--Provided by publisher
    Description / Table of Contents: "Rapper's delight" : from genre-less to new genre"Rebel without a pause" : public enemy revolutionizes the break -- "Let me ride" : gangsta rap's drive into the popular mainstream -- "My name is" : signifying whiteness, rearticulating race -- Conclusion : sounding race in the twenty-first century.
    Note: Includes bibliographical references (pages 183-191), discography (pages 179-180), filmography (page 181), and index
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  • 70
    ISBN: 9780859654401 , 0859654400
    Language: English
    Pages: 299 Seiten , Illustrationen , 23 cm
    Edition: Revised and updated
    DDC: 782.42166092
    RVK:
    Keywords: Morrison, Jim Interviews ; Morrison, Jim - 1943-1971 ; Doors (Musical group) ; Doors (Musical group) ; Rock musicians Biography ; Rock musicians Death ; Musiciens rock - États-Unis - Biographies ; Musiciens rock - États-Unis - Mort ; Rock musicians ; Rock musicians - Death ; Biographies ; Interviews ; United States
    Description / Table of Contents: The biography. The child ; The scholar ; The poet ; The rock star ; The drunk ; The exile ; Weird scenes ; Inside goldmine -- The Interviews. Los Angeles Free Press, John Carpenter, Summer 1968 ; WNET-TV Critique, Richard Goldstein, Spring 1969 ; Rolling Stone, Jerry Hopkins, Spring 1969 ; Zigzag, John Tobler, Autumn 1970 ; Circus, Salli Stevenson, Winter 1970 ; Los Angeles Free Press, Bob Chorush, Spring 1971 ; Rolling Stone, Ben Fong-Torres, Spring 1971 ; Creem, Lizze James, Autumn 1969 ; The Village Voice, Howard Smith, Winter 1970 -- Last words.
    Note: Previous edition: 2010, 2006
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  • 71
    Image
    Image
    Durham : Duke University Press
    ISBN: 9780822359173 , 9780822359364
    Language: English
    Pages: xiv, 429 Seiten , Illustrationen , 24 cm
    Series Statement: Refiguring American music
    DDC: 782.421640811
    RVK:
    RVK:
    RVK:
    Keywords: Crooning ; Male singers United States ; Popular music History and criticism ; 1921-1930 ; United States ; Popular music History and criticism ; 1931-1940 ; United States ; Crooning ; Male singers ; Popular music History and criticism 1921-1930 ; Popular music History and criticism 1931-1940
    Abstract: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920 -- Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond)
    Description / Table of Contents: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond).
    Note: Formerly CIP. - Includes bibliographical references and index
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  • 72
    Book
    Book
    Edinburgh : Edinburgh Univ. Press
    ISBN: 9780748669936 , 9780748695867
    Language: English
    Pages: XII, 229 S. , Ill. , 24 cm
    Edition: Paperback ed.
    Parallel Title: Online-Ausg. Kabir, Nahid Afrose Young American Muslims
    DDC: 305.6970973
    RVK:
    RVK:
    Keywords: Muslims Ethnic identity ; Muslim youth Ethnic identity ; Muslims Attitudes ; Muslim youth Attitudes ; Muslims ; United States ; Ethnic identity ; Muslim youth ; United States ; Ethnic identity ; Muslims ; United States ; Attitudes ; Muslim youth ; United States ; Attitudes ; USA ; Muslim ; Jugend ; Identität
    Abstract: "This book presents a journey into the ideas, outlooks and identity of young Muslims in America today. Based on around 400 in-depth interviews with young Muslims from Florida, Maryland, Massachusetts, Michigan, New York and Virginia, all the richness and nuance of these minority voices can be heard. Many young Americans cherish an American dream, 'that all men are created equal'. And the election of America's first black President in 2008 has shown that America has moved forward. Yet since 9/11 Muslim Americans have faced renewed challenges, with their loyalty and sense of belonging being questioned."--Publisher's website
    Abstract: Introduction : my journey and the 'Muslim question'Identity matters -- The culture debate -- What does it take to be an American? -- Reflections on the American media -- Barack Hussein Obama and young Muslims' political awareness -- The Palestinian question -- From here to where?
    Note: Bibliogr. S. 221-224, Index S. 225-229 , Includes bibliographical references and index
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  • 73
    Book
    Book
    [London] : Rogan House
    ISBN: 9780952954088 , 0952954087
    Language: English
    Pages: 1200 Seiten , Illustrationen , 24 cm
    Series Statement: Byrds Volume 1
    Series Statement: Rogan, Johnny Byrds.
    DDC: 782.421660922
    RVK:
    Keywords: Byrds (Musical group) ; Rock groups ; United States ; Biography ; Rock musicians ; United States ; Biography
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  • 74
    ISBN: 9780786459735
    Language: English
    Pages: x, 230 Seiten , Illustrationen , 23 cm
    DDC: 294.55
    RVK:
    Keywords: Vallabhachars History ; India ; Vallabhachars History ; United States ; Bhakti ; Vallabhachars History ; Vallabhachars History ; Bhakti ; Indien ; Wallabha-Sekte ; Geschichte ; USA ; Wallabha-Sekte ; Indien ; USA ; Wallabha-Sekte
    Abstract: "The Hindu sect the Vallabha Sampradaya was founded in India in the 15th century by a devotional saint, Vallabhacharya. Following U.S. immigration reforms members of the sect established spiritual headquarters for the faith and began to construct temples in a number of states. The growth has continued as this 500 year old faith becomes an American religion"--
    Note: Includes bibliographical references and index
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  • 75
    Image
    Image
    Kuala Lumpur : Islamic Arts Museum Malaysia
    ISBN: 9832591074 , 9789832591078
    Language: English
    Pages: 79 ungezählte Seiten , Illustrationen , 30 cm
    Series Statement: Mosques of the United States of America
    RVK:
    RVK:
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    Keywords: Dar al Islam Mosque (Abiquiu, N.M.) Exhibitions ; Dar al Islam Mosque (Abiquiu, N.M.) ; Mosques Exhibitions ; United States ; Islamic architecture Exhibitions ; United States ; Mosques ; Mosques ; Islamic architecture ; USA ; Moschee
    Note: "This catalogue is published in conjunction with the handing over of the Dar al Islam Mosque model by the U.S. Embassy Kuala Lumpur to The Islamic Arts Museum Malaysia" -- Title page verso. - Includes bibliographical references. - In English
    Library Location Call Number Volume/Issue/Year Availability
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  • 76
    ISBN: 9781906615581
    Language: English
    Pages: 349 pages , 22 cm
    Edition: [Revised and updated edition]
    RVK:
    Keywords: Dream Theater (Musical group) ; Dream Theater (Musical group) ; Dream Theater ; Geschichte ; Rock groups / United States / Biography ; Rock groups ; United States ; USA ; Biografie ; Dream Theater ; Geschichte
    Note: This book covers the band's history from the mid-1980s to today. This updated edition includes the departure of founding drummer Mike Portner and the search for his replacement
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  • 77
    ISBN: 9780195374490 , 0195374495 , 9780190231231
    Language: English
    Pages: 278 S. , Ill. , 24 cm
    Parallel Title: Online-Ausg. Hedstrom, Matthew S. The rise of liberal religion
    DDC: 200.973/0904
    RVK:
    RVK:
    Keywords: Liberalism (Religion) History 20th century ; Religious literature, American Publishing 20th century ; History ; United States Religion 20th century ; Liberalism (Religion) ; United States ; History ; 20th century ; Religious literature, American ; Publishing ; History ; 20th century ; United States ; Religion ; 1901-1945 ; United States ; Religion ; 1945- ; USA ; Religion ; Liberalismus ; Lesekultur ; Geschichte 1900-1945
    Abstract: Enlarging the faith: books and the marketing of liberal religion in a consumer culture -- Religious book club: middlebrow culture and liberal Protestant seeker spirituality -- Publishing for seekers:Eugene Exman and the religious bestsellers of Harper & Brothers -- Religious reading mobilized: the book programs of World War II -- Inventing interfaith: the wartime reading campaign of the National Conference Of Christians And Jews -- Religious reading in the wake of war: American spirituality in the 1940s
    Description / Table of Contents: Enlarging the faith: books and the marketing of liberal religion in a consumer culture -- Religious book club: middlebrow culture and liberal Protestant seeker spirituality -- Publishing for seekers:Eugene Exman and the religious bestsellers of Harper & Brothers -- Religious reading mobilized: the book programs of World War II -- Inventing interfaith: the wartime reading campaign of the National Conference Of Christians And Jews -- Religious reading in the wake of war: American spirituality in the 1940s.
    Note: Includes bibliographical references (p. 231-262) and index
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  • 78
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press | Berlin : Knowledge Unlatched
    ISBN: 9780748669943
    Language: English
    Pages: 1 Online-Ressource (xii, 229 Seiten)
    Parallel Title: Erscheint auch als Kabir, Nahid Afrose Young American Muslims
    DDC: 305.6970973
    RVK:
    RVK:
    Keywords: Muslims Ethnic identity ; Muslim youth Ethnic identity ; Muslims Attitudes ; Muslim youth Attitudes ; Muslims ; United States ; Ethnic identity ; Muslim youth ; United States ; Ethnic identity ; Muslims ; United States ; Attitudes ; Muslim youth ; United States ; Attitudes ; USA ; Muslim ; Jugend ; Identität
    Abstract: "This book presents a journey into the ideas, outlooks and identity of young Muslims in America today. Based on around 400 in-depth interviews with young Muslims from Florida, Maryland, Massachusetts, Michigan, New York and Virginia, all the richness and nuance of these minority voices can be heard. Many young Americans cherish an American dream, 'that all men are created equal'. And the election of America's first black President in 2008 has shown that America has moved forward. Yet since 9/11 Muslim Americans have faced renewed challenges, with their loyalty and sense of belonging being questioned."--Publisher's website
    Abstract: Introduction : my journey and the 'Muslim question'Identity matters -- The culture debate -- What does it take to be an American? -- Reflections on the American media -- Barack Hussein Obama and young Muslims' political awareness -- The Palestinian question -- From here to where?
    Note: Bibliografie: Seite 221-224, Index: Seite 225-229
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 79
    ISBN: 9783643902542 , 3643902549
    Language: English
    Pages: 102 S. , Notenbeisp. , 21 cm
    Series Statement: MasteRResearch Bd. 4
    Series Statement: MasteRResearch
    DDC: 782.421592
    RVK:
    Keywords: Mingus, Charles Criticism and interpretation ; Civil rights movements Songs and music ; History and criticism ; Protest songs History and criticism 20th century ; Music Social aspects 20th century ; History ; Civil rights movements ; Mingus, Charles, 1922-1979 ; Criticism and interpretation ; Civil rights movements ; United States ; Songs and music ; Protest songs ; United States ; 20th century ; History and criticism ; Music ; Social aspects ; United States ; History ; 20th century ; Civil rights movements ; United States ; Mingus, Charles 1922-1979 ; Jazz ; USA ; Bürgerrechtsbewegung ; Protestsong ; Geschichte 1950-1970
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  • 80
    Book
    Book
    Ann Arbor, MI : University of Michigan Press
    ISBN: 0472071807 , 0472051806 , 9780472071807 , 9780472051809
    Language: English
    Pages: VIII, 349 S. , Ill. , 24 cm
    Series Statement: Jazz perspectives
    Dissertation note: Zugl.: Göttingen, Univ., Diss., 2012
    DDC: 781.65092
    RVK:
    RVK:
    Keywords: Armstrong, Louis ; Jazz musicians Biography ; Jazz History and criticism ; Autobiography ; Armstrong, Louis, 1901-1971 ; Jazz musicians ; United States ; Biography ; Jazz ; History and criticism ; Autobiography ; Autobiografie ; Hochschulschrift ; Armstrong, Louis 1901-1971
    Description / Table of Contents: "Music is my life and I love to play": Louis Armstrong's jazz autobiographics -- "I have always been a great observer" : New Orleans musicking -- " I done forgot the words": versioning autobiography -- "Diddat come outa mee?" writing scat and typing swing -- "A happy go lucky sort of type of fellow": the productive ambiguities of minstrel sounding -- "He didn't need black face to be funny": the double resonance of postcolonial performance -- "My mission is music": Armstrong's cultural politics -- "What do you know about that?": final thoughts on 'Laughin' Louie.
    Note: Includes discography (p. 325-326), bibliographical references (p. 327-333) and index
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  • 81
    Book
    Book
    Oxford [u.a.] : Oxford University Press
    ISBN: 9780195395068 , 0195395069
    Language: English
    Pages: XVIII, 613 S. , 26 cm
    Series Statement: Oxford handbooks
    Parallel Title: Online-Ausg. The Oxford handbook of religion and the American news media
    DDC: 070.4/49200973
    RVK:
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    Keywords: Mass media in religion ; Mass media Religious aspects ; Mass media ; Religion and the press ; Journalism, Religious ; Digital media Religious aspects ; Digital media ; Mass media in religion ; United States ; Mass media ; Religious aspects ; Mass media ; United States ; Religion and the press ; United States ; Journalism, Religious ; United States ; Digital media ; Religious aspects ; Digital media ; United States ; Aufsatzsammlung ; USA ; Religion ; Massenmedien
    Note: Formerly CIP Uk. - Includes bibliographical references and index
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  • 82
    Online Resource
    Online Resource
    Oxford [u.a.] : Oxford University Press
    ISBN: 9780199971176
    Language: English
    Pages: 1 Online-Ressource (XVIII, 613 Seiten)
    Edition: Online-Ausg. Online-Ressource Oxford handbooks online. Religion
    Edition: Oxford handbooks
    Parallel Title: Druckausg. The Oxford handbook of religion and the American news media
    DDC: 070.4/49200973
    RVK:
    RVK:
    RVK:
    Keywords: Mass media in religion ; Mass media Religious aspects ; Mass media ; Religion and the press ; Journalism, Religious ; Digital media Religious aspects ; Digital media ; Mass media in religion ; United States ; Mass media ; Religious aspects ; Mass media ; United States ; Religion and the press ; United States ; Journalism, Religious ; United States ; Digital media ; Religious aspects ; Digital media ; United States ; Aufsatzsammlung ; USA ; Massenmedien ; Religion
    Abstract: Every journalist needs a basic knowledge of religion to cover everything from presidential elections to the war in Iraq to the ethical issues raised by latest developments in media research. This handbook examines the history of mass media and the role religion has played in its growth. It also explores how the major media formats deal with religion.
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  • 83
    ISBN: 9780307264794 , 0307264793
    Language: English
    Pages: XXV, 434 S. , 25 cm
    Edition: 1. ed.
    Additional Information: Rezension McNamara, B. M. D. A theology of wisdom as the imago Dei 2015
    Additional Information: Rezension Francis, Philip An exquisite awareness of doubt 2013
    Additional Information: Rezensiert in Martin, Bernice Review Essay 2014
    DDC: 277.3/083
    RVK:
    Keywords: Vineyard Christian Fellowship Case studies ; Vineyard Christian Fellowship Case studies ; Evangelicalism Case studies Psychology ; Psychology, Religious Case studies ; Evangelicalism Case studies ; Psychology ; Psychology, Religious Case studies ; United States ; Evangelikale Bewegung
    Abstract: The invitation -- Is that you, God? -- Let's pretend -- Developing your heart -- Learning from the experts -- Lord, teach us to pray -- The skill of prayer -- But are they crazy? -- Darkness -- Bridging the gap
    Abstract: Psychological anthropologist Luhrmann offers an extended case study examining how believers come to have faith in an active, present God despite secular pressures in contemporary America. Drawing on extensive interviews and personal experience among Vineyard Movement members, Luhrmann focuses on the use of prayer among charismatic evangelical Christians. Her work combines personal narratives and excerpts from bestselling evangelical how-to guides with theories and data from psychology
    Description / Table of Contents: The invitation -- Is that you, God? -- Let's pretend -- Developing your heart -- Learning from the experts -- Lord, teach us to pray -- The skill of prayer -- But are they crazy? -- Darkness -- Bridging the gap.
    Note: Includes bibliographical references (p. 389 - 415) and index
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  • 84
    ISBN: 0823241351 , 082324136X , 9780823241354 , 9780823241361
    Language: English
    Pages: XII, 321 S. , 23 cm
    Edition: 1st ed
    Series Statement: Transdisciplinary theological colloquia
    DDC: 230.089/68073
    RVK:
    Keywords: Hispanic American theology Congresses ; Social epistemology Congresses ; Hispanic American theology ; Congresses ; Social epistemology ; United States ; Congresses ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Hispanos ; Philosophie ; Theologie
    Abstract: Introduction: Freeing subjugated knowledge / Ada María Isasi-Díaz and Eduardo Mendieta -- Knowing reality. Decolonizing Western epistemology : building decolonial epistemologies / Walter Mignolo -- Mujerista discourse : a platform for Latinas' subjugated knowledge / Ada María Isasi-Díaz -- Methodological notes toward a decolonial feminism / María Lugones -- An(other) invitation to epistemological humility : notes toward a self-critical approach to counter-knowledges / Otto Maduro -- Latina/o locus historicus. Anti-Latino racism / Linda Martín Alcoff -- The act of remembering : the reconstruction of U.S. Latina/o identities by U.S. Latina/o Muslims / Hjamil A. Martínez-Vázquez -- If it is not Catholic, is it popular Catholicism? : evil eye, espiritismo, and Santería : Latina/o religion within Latina/o theology / Michelle A. González -- "Racism is not intellectual" : interracial friendship, multicultural literature, and decolonizing epistemologies / Paula M.L. Moya -- Mapping Latina/o futures. Epistemology, ethics, and the time/space of decolonization : perspectives from the Caribbean and the Latina/o Americas / Nelson Maldonado-Torres -- Thinking bodies : the spirit of a Latina incarnational imagination / Mayra Rivera Rivera -- Decolonizing religion : pragmatism and Latina/o religious experience / Christopher Tirres -- The ethics of (not) knowing : take care of ethics and knowledge will come of its own accord / Eduardo Mendieta
    Note: Includes bibliographical references (p. [265]-309) and index , Proceedings of a colloquium, the 8th in a series of colloquia, held in 2008 at the Theological School of Drew University , Introduction: Freeing subjugated knowledge , Knowing reality. Decolonizing Western epistemology : building decolonial epistemologies , Mujerista discourse : a platform for Latinas' subjugated knowledge , Methodological notes toward a decolonial feminism , An(other) invitation to epistemological humility : notes toward a self-critical approach to counter-knowledges , Latina/o locus historicus. Anti-Latino racism , The act of remembering : the reconstruction of U.S. Latina/o identities by U.S. Latina/o Muslims , If it is not Catholic, is it popular Catholicism? : evil eye, espiritismo, and Santería : Latina/o religion within Latina/o theology , "Racism is not intellectual" : interracial friendship, multicultural literature, and decolonizing epistemologies , Mapping Latina/o futures. Epistemology, ethics, and the time/space of decolonization : perspectives from the Caribbean and the Latina/o Americas , Thinking bodies : the spirit of a Latina incarnational imagination , Decolonizing religion : pragmatism and Latina/o religious experience , The ethics of (not) knowing : take care of ethics and knowledge will come of its own accord
    URL: Cover
    URL: Cover
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  • 85
    ISBN: 9004212396 , 9789004212398
    Language: English
    Pages: XI, 362 S. , Ill. , 25 cm
    Series Statement: Religion in Chinese societies vol. 3
    Series Statement: Religion in Chinese societies
    Parallel Title: Erscheint auch als Confucianism and spiritual traditions in modern China and beyond
    Parallel Title: Erscheint auch als Confucianism and spiritual traditions in modern China and beyond
    DDC: 181/.112
    RVK:
    Keywords: Philosophy, Confucian ; Confucianism ; Confucianism Relations ; Confucianism ; China Religion ; Confucianism ; China ; Confucianism ; United States ; Aufsatzsammlung ; China ; Konfuzianismus ; Taoismus ; Islam ; Christentum
    Note: Literaturangaben
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  • 86
    ISBN: 9789004219380 , 9004219382
    Language: English
    Pages: XVI, 346 S
    Additional Information: Rezensiert in Del Nevo, Matthew The Underground Church: Nonviolent Resistance to the Vatican Empire 2013
    Series Statement: Studies in critical social sciences 40
    Series Statement: Studies in critical research on religion 2
    Series Statement: Studies in critical research on religion 2
    Series Statement: Studies in critical social sciences
    Series Statement: Studies in critical social sciences / Studies in critical research on religion
    DDC: 282/.7309045
    RVK:
    Keywords: Voice of the Faithful (Organization) ; Catholic Church History 21st century ; Vatican Council ; Church renewal Catholic Church ; Laity History 21st century ; Laity Catholic Church 21st century ; History ; Liberalism (Religion) Catholic Church ; Catholic Church ; United States ; Liberalism ; Religious aspects ; Catholic Church ; USA ; Katholische Kirche ; Reformbewegung
    Note: Literaturverz. S. [317] - 334
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  • 87
    ISBN: 9781283297479 , 9781315602134
    Language: English
    Pages: 1 Online-Ressource (xii, 195 Seiten)
    Parallel Title: Erscheint auch als Hawkins, Stan Prince
    DDC: 781.66092
    RVK:
    Keywords: Prince ; Criticism and interpretation ; Rock music ; United States ; History and criticism ; Verzeichnis ; Prince Musiker 1958-2016
    Note: Description based on print version record
    URL: Volltext  (lizenzpflichtig)
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  • 88
    Online Resource
    Online Resource
    Farnham, Surrey, England ;Burlington, VT : Ashgate Pub
    ISBN: 9781283318891 , 1409427854 , 128331889X , 9781409427858
    Language: English
    Pages: Online-Ressource (1 online resource (xix, 211 p.)) , ill.
    Edition: Online-Ausg.
    Edition: 2013 Electronic reproduction; Available via World Wide Web
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Druckausg. The politics of post-9/11 music
    Parallel Title: Print version The Politics of Post-9/11 Music : Sound, Trauma, and the Music Industry in the Time of Terror
    DDC: 781.64097309051
    RVK:
    RVK:
    Keywords: Popular music Political aspects ; United States ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Electronic books ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Popular music History and criticism 2001-2010 ; September 11 Terrorist Attacks, 2001 Influence ; Popular music Social aspects ; Popular music Political aspects ; USA ; Attentat ; Elfter September ; Rezeption ; Musikwissenschaften ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Attentat ; Elfter September ; Rezeption ; Popmusik ; Musikwirtschaft
    Abstract: Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks - U2, Toby Keith, The Dixie Chicks, Bruce Springsteen - this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors articulate the role that lesser-known contemporary musicians have played - or have refused to play - in constructing a politics of protest in direct response to the trauma inflicted that day. The Politics of Post- 9/11 Music encourages new conceptualizations of what constitutes "political music&quot
    Description / Table of Contents: Cover; Contents; General Editor's Preface; Notes on Contributors; Foreword; Acknowledgments; Introduction; Part I Electric Dreams: The Medium and the Message; 1 Rock, Enroll: Music and Militarization since 9/11; 2 Music, Terrorism, Response: The Conditioning Logic of Code and Networks; 3 Technostalgia and the Resurgence of Cassette Culture; Part II Hail to the Thief: Post-9/11 Experimental Music; 4 Why Protest Albums Can't Teach Dissent: The Emergent Complexity of Post-9/11 Protest; 7 Nine Inch Nails' Year Zero and the Biopolitics of Media Convergence
    Description / Table of Contents: 8 Casualties of War: Hip-Hop and the Old Racial Politics of the Post-9/11 Era9 That Was Now, This Is Then: Recycling Sixties Style in Post-9/11 Music; 10 A New Morning in Amerika: Conservative Politics and Punk Rock in the 2000s; 11 "Agony & Irony": Indie Culture's Sardonic Response to America's Post-9/11 Devolution; Part IV Idle American, American Idol: Mainstream Media and Ideology; 12 Post-Dixie Chicks Country: Carrie Underwood and the Negotiation of Feminist Country Identity; 13 Walking the Great Line: Underoath and Christian Fundamentalism in Punk Rock after 9/11
    Description / Table of Contents: 14 War Is Heavy Metal: Soundtracking the US War in IraqIndex;
    Note: Series information from general editor's preface. - Includes bibliographical references and index. - Description based on print version record , Series from dust jacket , Electronic reproduction; Available via World Wide Web
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  • 89
    Book
    Book
    Durham, N.C. [u.a.] : Duke University Press
    ISBN: 9780822348641 , 9780822348757 , 0822348640 , 0822348756
    Language: English
    Pages: IX, 325 S , 23 cm
    DDC: 346.7304/82
    RVK:
    Keywords: Copyright Music ; Sampler (Musical instrument) ; Plagiarism in music ; Copyright ; Music ; United States ; Sampler (Musical instrument) ; Plagiarism in music ; Sampling ; Urheberrecht
    Description / Table of Contents: The golden age of sampling -- A legal and cultural history of sound collage -- The competing interests in sample licensing -- Sampling lawsuits : hip-hop goes to court -- The sample clearance system : how it works (and how it breaks down) -- Consequences for creativity : an assessment of the sample clearance system -- Proposals for reform.
    Note: Formerly CIP Uk. - Includes bibliographical references (p. [303]-311) and index. - The golden age of sampling -- A legal and cultural history of sound collage -- The competing interests in sample licensing -- Sampling lawsuits : hip-hop goes to court -- The sample clearance system : how it works (and how it breaks down) -- Consequences for creativity : an assessment of the sample clearance system -- Proposals for reform
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  • 90
    ISBN: 9781409436652 , 9781409400516
    Language: English
    Pages: xiv, 266 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Edition: First published ind paperback
    Series Statement: Ashgate popular and folk music series
    DDC: 781.64082/09046
    RVK:
    RVK:
    RVK:
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    Keywords: Popular music History and criticism 1961-1970 ; Popular music History and criticism 1961-1970 ; Women singers ; Women singers ; Sex role in music ; Femininity in music ; Girl groups (Musical groups) ; Popular music ; United States ; 1961-1970 ; History and criticism ; Popular music ; Great Britain ; 1961-1970 ; History and criticism ; Women singers ; United States ; Women singers ; Great Britain ; Sex role in music ; Femininity in music ; Girl groups (Musical groups) ; Aufsatzsammlung ; USA ; Großbritannien ; Popmusik ; Sängerin ; Geschichte 1960-1970 ; USA ; Großbritannien ; Popmusik ; Weiblichkeit ; Geschlechterrolle ; Geschichte 1960-1970
    Note: Formerly CIP Uk. - Includes bibliographical references (p. [239]-249) and index
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  • 91
    ISBN: 3902719974 , 9783902719973
    Language: English
    Pages: 259 S. , Ill. , 22 cm
    Edition: 1. ed.
    Series Statement: Edited volume series
    RVK:
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    Keywords: Intercultural communication Congresses ; Intercultural communication Congresses ; Orientalism Congresses ; Middle East Congresses Foreign public opinion, Western ; Stereotypes (Social psychology) Congresses ; Wahrnehmung ; Kultur ; Einflussgröße ; Stereotyp ; Rundfunkprogramm ; Berichterstattung ; Reisebericht ; Inhaltsanalyse ; Westliche Welt Naher und Mittlerer Osten und Nordafrika ; Perzeption ; Kulturelle Faktoren ; Stereotype ; Programme von Massenmedien ; Berichterstattung ; Reisebericht ; Inhaltsanalyse ; Länderbezogene Beiträge ; Western World Near and Middle East and North Africa ; Perceptions ; Cultural factors ; Stereotypes ; Mass media programmes ; Reporting ; Travel reports ; Content analysis ; Country related contents ; Interkulturelle Beziehungen Historische Faktoren ; Orientalismus ; Said, Edward W ; Islam ; Türkei ; Außenpolitische Strategie ; Pamuk, Orhan ; Freud, Sigmund ; Psychologische Faktoren ; Interkultureller Konflikt ; Vereinigte Arabische Emirate ; Interethnische Beziehungen ; Ausländische Arbeitnehmer ; Niederlande ; Vereinigte Staaten ; Vereinigte Staaten von Amerika ; Deutschland ; Intercultural relations Historical factors ; orientalism ; Turkey ; Foreign policy strategies ; Psychological factors ; Intercultural conflicts ; United Arab Emirates ; Interethnic relations ; Foreign workers ; Netherlands ; United States ; United States of America ; Germany ; Westliche Welt ; Naher Osten ; Mittlerer Osten ; Nordafrika ; Konferenzschrift 2010 ; Konferenzschrift ; Konferenzschrift 2010 ; Konferenzschrift ; Orient ; Kulturkontakt ; Europa ; Stereotypisierung
    Note: Papers presented at the conference "Breaking the Stereotype. From Orient and Occident to a Mutual Understanding of Images," held at the Istanbul 2010 Arts Production Centre in Istanbul on 22 Oct. 2010 , Includes bibliographical references , Texts in English with abstracts in German
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  • 92
    ISBN: 9781409407928 , 1409407926
    Language: English
    Pages: XIX, 197 S. , 24 cm
    DDC: 342.08/52
    RVK:
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    Keywords: Church and state ; Church and state ; Church and state ; Freedom of religion ; Freedom of religion ; Freedom of religion ; Religion and state ; Great Britain ; Religion and state ; United States ; Religion and state ; Germany ; Freedom of religion ; Great Britain ; Freedom of religion ; United States ; Freedom of religion ; Germany ; Deutschland ; Großbritannien ; USA ; Religionsfreiheit ; Staat ; Kirche ; Internationaler Vergleich
    Description / Table of Contents: History -- Basic constitutional text and structure -- Personal religious freedom in the United Kingdom -- Personal religious freedom in Germany -- Personal religious freedom in the United States -- Church-state relations in the United Kingdom -- Church-state relations in Germany -- Church-state realtions in the United States -- Comparative observations.
    Note: Includes bibliographical references and index
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  • 93
    Book
    Book
    London [u.a.] : Routledge
    ISBN: 9780415481243 , 0415481244
    Language: English
    Pages: 24 cm
    Series Statement: Critical concepts in Islamic studies
    DDC: 297.091713
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    Keywords: Islam ; United States ; Islam ; Europe ; East and West ; Aufsatzsammlung ; Islam ; Islamwissenschaft ; Westliche Welt ; Moderne
    Note: Includes bibliographical references and index
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  • 94
    Book
    Book
    Cambridge, UK [u.a.] : Cambridge Univ. Press
    ISBN: 9780521881487 , 052188148X , 9780521707718 , 0521707714
    Language: English
    Pages: IX, 257 S. , 23 cm
    Series Statement: Introduction to religion
    Parallel Title: Online-Ausg. Greenwood, Andrea, 1961 - An introduction to the Unitarian and Universalist traditions
    DDC: 289.173
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    Keywords: Unitarian Universalist Association Doctrines ; Unitarian Universalist churches ; United States ; USA ; Unitarier ; Geschichte ; Unitarian Universalist Association ; Geschichte
    Abstract: "How is a free faith expressed, organised and governed? How are diverse spiritualities and theologies made compatible? What might a religion based in reason and democracy offer today's world? This book will help the reader to understand the contemporary liberal religion of Unitarian Universalism in a historical and global context. Andrea Greenwood and Mark W. Harris challenge the view that the Unitarianism of New England is indigenous and the point from which the religion spread. Relationships between Polish radicals and the English Dissenters existed and the English radicals profoundly influenced the Unitarianism of the nascent United States. Greenwood and Harris also explore the US identity as Unitarian Universalist since a 1961 merger and its current relationship to international congregations, particularly in the context of twentieth-century expansion into Asia"--
    Description / Table of Contents: Machine generated contents note: 1. Liberal religion and the foundations of the Unitarian and Universalist faiths; 2. The European background; 3. Great Britain; 4. Early America; 5. Unitarians and Universalists in the Republic; 6. A religion for one world; 7. Polity; 8. Theology; 9. Worship; 10. Science and ecology; 11. Architecture, music and the arts; 12. Education, welfare and human rights; 13. Unitarian Universalism in the 21st century.
    Note: Formerly CIP Uk
    URL: Cover
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  • 95
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 0195388763 , 9780195388763
    Language: English
    Pages: VIII, 356 S. , 24 cm
    Additional Information: Rezensiert in Beneke, Chris The Myth of American Religious Freedom 2011
    DDC: 261.7/20973
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    Keywords: Freedom of religion History ; Christian ethics History ; United States Church history ; Freedom of religion ; United States ; History ; Church and state ; United States ; History ; USA ; Religionsfreiheit
    Abstract: Introduction : The myth of American religious freedom -- Contested liberties -- A godless establishment? -- The moral establishment -- The moral purpose of slavery and abolition -- Moral reproduction and the family -- Morals, citizenship, and segregation -- Women's rights, woman's individuality, and the Bible -- Religion, morals, and law -- A conflict of authorities -- Liberal and conservative moral visions -- The liberal moment -- A moral majority? -- Conclusion : Moral maximalism and religious control
    Note: Includes bibliographical references and index
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  • 96
    ISBN: 0226533239 , 9780226533230 , 9780226325132
    Language: English
    Pages: XXXIV, 313 S. , Ill. , 24 cm
    Series Statement: Religion and postmodernism
    DDC: 211/.6097309034
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    Keywords: Secularism History 19th century ; Protestantism History 19th century ; United States Religion 19th century ; Secularism ; United States ; History ; 19th century ; Protestantism ; United States ; History ; 19th century ; United States ; Religion ; History ; 19th century ; USA ; Protestantismus ; Säkularismus ; Säkularisierung ; Geschichte 1800-1861
    Abstract: The metaphysics of secularism -- Evangelical secularism and the measure of Leviathan -- Toward a genealogy of spirituality -- A short biography of Lewis Henry Morgan with curious -- Asides on the effects of spirituality and the emergence of anthropological comprehension -- The touch of secularism -- What do I love when I love my machine?
    Description / Table of Contents: The metaphysics of secularism -- Evangelical secularism and the measure of Leviathan -- Toward a genealogy of spirituality -- A short biography of Lewis Henry Morgan with curious -- Asides on the effects of spirituality and the emergence of anthropological comprehension -- The touch of secularism -- What do I love when I love my machine?
    Note: Includes bibliographical references and index
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  • 97
    ISBN: 9780300181432 , 0300170955 , 9780300170955
    Language: English
    Pages: VIII, 352 S. , 25 cm
    DDC: 297.5/76
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    Keywords: Hijab (Islamic clothing) ; Hijab (Islamic clothing) ; Veils ; Veils ; Muslim women Clothing ; Muslim women Clothing ; Hijab (Islamic clothing) ; Middle East ; Hijab (Islamic clothing) ; United States ; Muslim women ; Clothing ; Middle East ; Muslim women ; Clothing ; United States ; Islamic fundamentalism ; History ; 21st century ; Bibliografie ; USA ; Mittlerer Osten ; Muslimin ; Kleidung ; Kopftuch ; Schleier ; Islam ; Schleier ; Islamische Staaten
    Abstract: The islamic resurgence and the veil: from emergence to migration. Unveiling -- The veil's vanishing past -- The 1970s: seeds of the resurgence -- The new veil: converging influences -- The 1980s: exploring women's motivations -- Islamist connections -- Migrations -- The 1990s: a changing climate in America -- After 9/11: new pathways in America. Prologue -- Backlash: the veil, the burkah, and the clamor of war -- Isna and the women of isna -- American Muslim women's activism in the twenty-first century
    Description / Table of Contents: The islamic resurgence and the veil: from emergence to migration. Unveiling -- The veil's vanishing past -- The 1970s: seeds of the resurgence -- The new veil: converging influences -- The 1980s: exploring women's motivations -- Islamist connections -- Migrations -- The 1990s: a changing climate in America -- After 9/11: new pathways in America. Prologue -- Backlash: the veil, the burkah, and the clamor of war -- Isna and the women of isna -- American Muslim women's activism in the twenty-first century.
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  • 98
    ISBN: 9780195393460
    Language: English
    Pages: XI, 273 S. , Ill. , 25 cm
    DDC: 973.921
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    Keywords: World politics 1945-1989 ; Cold War ; Communism and Christianity ; United States Foreign relations 1945-1989 ; World politics ; 1945-1989 ; Cold War ; Communism and Christianity ; United States ; Foreign relations ; 1945-1989 ; USA ; Ost-West-Konflikt ; Antikommunismus ; Religion
    Abstract: Preface -- Introduction -- A colossus of straw -- Enemy -- Political institutions -- Security institutions -- Societal institutions -- The renewal, the critics, and the unraveling -- The remains -- Epilogue
    Description / Table of Contents: Preface -- Introduction -- A colossus of straw -- Enemy -- Political institutions -- Security institutions -- Societal institutions -- The renewal, the critics, and the unraveling -- The remains -- Epilogue.
    Note: Formerly CIP Uk. - Includes bibliographical references and index. - Preface -- Introduction -- A colossus of straw -- Enemy -- Political institutions -- Security institutions -- Societal institutions -- The renewal, the critics, and the unraveling -- The remains -- Epilogue
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  • 99
    Book
    Book
    Princeton, NJ [u.a.] : Princeton Univ. Press
    ISBN: 9780691146850 , 0691146853
    Language: English
    Pages: XIII, 139 S. , zahlr. graph. Darst. , 22 cm
    Additional Information: Rezensiert in Heinegg, Peter Mark ChavesAmerican Religion: Contemporary Trends (review) 2013
    Additional Information: Rezensiert in Chang, Perry Mark Chaves: American Religion: Contemporary Trends 2012
    DDC: 200.973/09045
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    Keywords: United States Religion 1960- ; United States ; Religion ; 1960- ; USA ; Religion
    Abstract: Diversity -- Belief -- Involvement -- Congregations -- Leaders -- Liberal Protestant decline -- Polarization
    Description / Table of Contents: Diversity -- Belief -- Involvement -- Congregations -- Leaders -- Liberal Protestant decline -- Polarization.
    Note: Includes bibliographical references and index
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  • 100
    ISBN: 9780292722040 , 9780292722873 , 0292722044 , 0292722877
    Language: English
    Pages: XIII, 376 S. , Ill. , 24 cm
    Series Statement: Louann Atkins Temple women & culture series
    DDC: 808.5/4
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    Keywords: Austin Project ; Creative writing Handbooks, manuals, etc ; Performance art Texts ; Performance poetry ; American poetry Women authors ; Music and literature ; African American aesthetics ; Performance art Social aspects ; Art and social action ; Performance poetry Handbooks, manuals, etc Authorship ; Austin Project ; Performance poetry ; Authorship ; Handbooks, manuals, etc ; Creative writing ; Handbooks, manuals, etc ; Performance art ; Texts ; Performance poetry ; American poetry ; Women authors ; Music and literature ; United States ; African American aesthetics ; Performance art ; Social aspects ; United States ; Art and social action ; United States
    Abstract: Framing the work. Making space: producing the Austin Project -- Finding voice: anchoring the Austin Project's artistic process -- Working the work: an anthology of Austin Project writings. Polyphony: writings by ensemble members -- Call and response: performance pieces by Austin Project guest artists -- Affirming connection: pre-show artists' performance texts -- Spoken word orchestra: a full script from the Austin Project jam session, December 2005 -- The work of transformation. Transforming practice: artists, activists, and academics working across boundaries -- Work of the spirit: a conversation with an Austin Project elder -- Narrating the Austin Project: the first five years
    Description / Table of Contents: Framing the work. Making space: producing the Austin Project -- Finding voice: anchoring the Austin Project's artistic process -- Working the work: an anthology of Austin Project writings. Polyphony: writings by ensemble members -- Call and response: performance pieces by Austin Project guest artists -- Affirming connection: pre-show artists' performance texts -- Spoken word orchestra: a full script from the Austin Project jam session, December 2005 -- The work of transformation. Transforming practice: artists, activists, and academics working across boundaries -- Work of the spirit: a conversation with an Austin Project elder -- Narrating the Austin Project: the first five years.
    Note: Includes bibliographical references and index , Formerly CIP Uk. - This book is both an anthology of writing by participants of the Austin Project and a sourcebook for those who would like to use creative writing and performance to energize their artistic, scholarly, and activist practices. - Includes bibliographical references and index. - Framing the work. Making space: producing the Austin Project -- Finding voice: anchoring the Austin Project's artistic process -- Working the work: an anthology of Austin Project writings. Polyphony: writings by ensemble members -- Call and response: performance pieces by Austin Project guest artists -- Affirming connection: pre-show artists' performance texts -- Spoken word orchestra: a full script from the Austin Project jam session, December 2005 -- The work of transformation. Transforming practice: artists, activists, and academics working across boundaries -- Work of the spirit: a conversation with an Austin Project elder -- Narrating the Austin Project: the first five years
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