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  • English  (828)
  • Großbritannien
  • General works  (546)
  • Musicology  (288)
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  • 1
    Journal/Serial
    Journal/Serial
    London : HMSO ; 1.1833 - 4222.1869; C. 1.1870 - 9550.1899; Cd. 1.1900 - 9238.1918; Cmd. 1.1919 - 9889.1956; Cmnd. 1.1956 - 9927.1986; Cm. 1.1986 -
    Language: English
    Dates of Publication: 1.1833 - 4222.1869; C. 1.1870 - 9550.1899; Cd. 1.1900 - 9238.1918; Cmd. 1.1919 - 9889.1956; Cmnd. 1.1956 - 9927.1986; Cm. 1.1986 -
    DDC: 320
    RVK:
    Keywords: Monografische Reihe ; Amtliche Publikation ; Kriminalität ; Strafrecht ; Recht ; Medizin ; Großbritannien Parliament ; Verwaltung ; Großbritannien
    Note: Einzelne Bände zugleich Bände von: Coal mining industry , Einzelne Bände zugleich Bände von: Prices of exported coal , Repr. für 1922: [Boston, Mass.] : Elibron Classics, 2007
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  • 2
    Book
    Book
    Oxford : Basil Blackwell
    Language: English
    DDC: 302.23440941
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    Keywords: Großbritannien ; Rundfunk ; Geschichte
    Note: Mit Bd. 1 abgeschlossen
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  • 3
    ISBN: 9781913620752 , 1913620751
    Language: English
    Pages: 444 Seiten , 26 cm
    Edition: First edition
    DDC: 770.92396042
    RVK:
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    Keywords: 1900-1999 ; Women photographers ; Photographers, Black ; Photography, Artistic ; Photographie artistique ; Femmes photographes - Grande-Bretagne ; Photographes noirs - Grande-Bretagne ; art photography ; Photography, Artistic ; Social conditions ; Pictorial works ; Great Britain Pictorial works Social conditions 20th century ; Grande-Bretagne - Conditions sociales - 20e siècle - Ouvrages illustrés ; Great Britain ; Bildband ; Bildband ; Großbritannien ; Fotografin ; Weibliche Person of Color ; Fotografie ; Geschichte 1980-2000 ; Großbritannien ; Schwarze ; Fotografin ; Geschichte 1980-2000
    Note: Includes bibliographical references and index
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  • 4
    Book
    Book
    London : Bloomsbury Visual Arts
    ISBN: 9781350059580 , 9781350214385
    Language: English
    Pages: xv, 303 Seiten , Illustrationen
    Edition: [Paperback edition]
    Uniform Title: The 'woman-child' in fashion photography, 1990-2015
    Dissertation note: Dissertation University of the Arts London 2016
    DDC: 391
    RVK:
    Keywords: Fashion Social aspects ; Clothing and dress Social aspects ; Fashion photography Social aspects ; Body image in women ; Feminism ; Infantilism ; Hochschulschrift ; Mode ; Modefotografie ; Soziale Rolle ; Feminismus ; Infantilismus ; Großbritannien ; Modezeitschrift ; Kindfrau ; Frauenbild ; Geschichte 1990-2015
    Abstract: Fashion Photography and Gender -- Childlike Femininity: A History of Feminist Critique -- Between Image and Spectator: Reception Studies as Visual Methodology -- The Romantic Woman-child, Lost from Home -- Fashion's 'Femme-enfant-fatale': Surrealism, Curiosity and Alice in Wonderland -- Rewriting Lolita in Fashion Photography -- Kinderwhore: From Catwalk to Slutwalk.
    Abstract: "Picturing the Woman-Child examines the representation of women as childlike in western fashion media, and asks why this figure continues to hold appeal to women"--
    Note: Revision of the author's thesis (Ph.D.)--University of the Arts London, 2016, under the title: The 'woman-child' in fashion photography, 1990-2015 : childlike femininities, performativity, and reception studies , Includes bibliographical references and index
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  • 5
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031093531
    Language: English
    Pages: 1 Online-Ressource(XVII, 436 p. 40 illus., 39 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Language, Gender and Sexuality
    Parallel Title: Erscheint auch als Tranchese, Alessia From Fritzl to #metoo
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Linguistics. ; Communication. ; Sex. ; Race. ; Rape in mass media ; Victims of crimes in mass media ; Violence in mass media ; Women in mass media ; Women - Press coverage ; Great Britain ; Großbritannien ; Presse ; Berichterstattung ; Gewalt ; Frau ; Geschichte 2008-2020 ; Amstetten ; Fritzl, Josef 1935- ; MeToo
    Abstract: Part 1: Introduction and context -- Chapter 1: Rape: beyond definitions, misconceptions and myths -- Chapter 2: Incidence of rape in the UK -- Chapter 3: British quality press -- Chapter 4: From Fritzl to Weinstein -- Part 2: Theory and Method -- Chapter 5: Theoretical background -- Chapter 6: Corpus building and analysis -- Part 3: The Discourse of Rape -- Chapter 7: Rape and other crimes -- Chapter 8: Rape and ideology in newspapers -- Chapter 9: Who is the rapist? -- Part 4: From Fritzl to Weinstein: Shifting Discourses -- Chapter 10: Consistencies and inconsistencies -- Chapter 11: Rape trials -- Part 5: Conclusion -- Chapter 12: Reflecting upon methodology -- Chapter 13: Concluding remarks.
    Abstract: “An important, rigorous and very readable book which will be an essential point of reference for future studies of sexual violence in the news. Tranchese demonstrates which myths about rape have persisted, as well as highlighting how they have adapted to the digital news environment. Her analysis is clear and persuasive and provides activists with new tools and evidence to push for change. This is feminist media studies at its best. I cannot recommend this book highly enough.” —Karen Boyle, Author #MeToo, Weinstein and Feminism, University of Strathclyde “This book is essential reading for anyone who really wants to understand how the myths and stereotypes around rape are moulded and sustained by the British media, distracting from the profound structural changes required to dismantle misogyny and deliver real justice for women, too often denied by the courts.” —Yvonne Roberts, journalist and campaigner This is the first longitudinal study of the language used by the British press to talk about rape. Through a diachronic analysis informed by corpus linguistics and feminist theory, Tranchese examines how rape discourse has (or has not) changed over the past decade. With its detailed investigation of media representations, the book explores how age-old myths about sexual violence re-emerge in different forms within news narratives. Against the backdrop of twelve years of newspaper coverage of rape, including many high-profile cases, this study also traces the rise of “celebrity culture”, the emergence of #metoo, and the development of the backlash against it. The author places these historical events and recent trends within broader debates on feminism and the role played by (social) media in shaping contemporary rape discourse. This book provides a much-needed linguistic analysis which will be of particular interest to scholars and students of feminist studies, language and gender, corpus-assisted discourse studies, and gendered crime. Alessia Tranchese is Senior Lecturer in Communication and Applied Linguistics at the University of Portsmouth, UK. Her research interests include the representation of violence against women in the media, online misogyny, and corpus-assisted critical discourse analysis. .
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  • 6
    ISBN: 9781509554232 , 9781509554225
    Language: English
    Pages: 200 Seiten
    DDC: 303.6
    RVK:
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    Keywords: Rassismus ; Entkolonialisierung ; Hochschule ; USA ; Großbritannien ; Decolonization ; Culture conflict / History / 21st century ; Universities and colleges / Social aspects ; USA ; Großbritannien ; Hochschule ; Entkolonialisierung ; Rassismus
    URL: Cover
    URL: Cover
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  • 7
    Book
    Book
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781538165300
    Language: English
    Pages: xi, 187 Seiten
    Series Statement: Popular musics matter: Social, political and cultural interventions
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1977-1980 ; Elektronische Musik ; Synthesizer ; Popmusik ; Großbritannien ; Electronica (Music) / Great Britain / History and criticism ; Popular music / Great Britain / 1971-1980 / History and criticism ; Synthesizer (Musical instrument) / Great Britain / History ; Electronica (Music) ; Popular music ; Synthesizer (Musical instrument) ; Great Britain ; 1971-1980 ; Criticism, interpretation, etc ; History ; Großbritannien ; Popmusik ; Synthesizer ; Elektronische Musik ; Geschichte 1977-1980
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  • 8
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501389153
    Language: English
    Pages: 176 Seiten , 17 cm
    Series Statement: 33 1/3 173
    Series Statement: 33 1/3
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: British Broadcasting Corporation ; Geschichte 1958- ; Elektronische Musik ; Großbritannien ; BBC Radiophonic Workshop / BBC Radiophonic Workshop -- a retrospective ; Television music / Great Britain / History and criticism ; Radio music / Great Britain / History and criticism ; Radio music ; Television music ; Great Britain ; Criticism, interpretation, etc ; Großbritannien ; British Broadcasting Corporation ; Elektronische Musik ; Geschichte 1958-
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  • 9
    ISBN: 9781526157829
    Language: English
    Pages: xxiv, 276 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 302.2343
    RVK:
    Keywords: Film ; Zuschauer ; Großbritannien ; Motion picture audiences ; Motion picture audiences ; Großbritannien ; Film ; Zuschauer
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  • 10
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780192585189 , 9780191881336
    Language: English
    Pages: 1 Online-Ressource (xxii, 739 Seiten)
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of the history of the book in early modern England
    DDC: 002.09420903
    RVK:
    Keywords: British & Irish history ; Europäische Geschichte ; HISTORY / Europe / Great Britain ; HISTORY / Social History ; LIT019000 ; Literary studies: c 1500 to c 1800 ; Literaturwissenschaft, allgemein ; Social & cultural history ; Sozial- und Kulturgeschichte ; Aufsatzsammlung ; Buch ; Großbritannien ; Geschichte 〈1500-1800〉 ; Sozialgeschichte
    Abstract: "How were books in early modern England made, circulated, sold, stored, read, marked, altered, preserved, and destroyed? The Oxford Handbook to the History of the Book in Early Modern England provides a stimulating account of the very newest work in the field, and an exploration of how new thinking might develop. Written by scholars working at the cutting-edge of the subject, from the UK and North America, the volume combines lucidity, scholarly expertise, intellectual precision, and an imaginative structure that will enable contributors to show why the history of the book matters. This volume analyses in a lively manner the nature and role of the book in early modern England, and also considers critically how we can talk about the history of book"--
    Abstract: The Oxford Handbook of the History of the Book in Early Modern England provides a rich, imaginative and also accessible guide to the latest research in one of the most exciting areas of early modern studies
    Description / Table of Contents: 1: Adam Smyth: An Introduction: Thinking about the history of the book2: Claire M.L. Bourne: The Handmaids' Tale: Book History, Shakespeare, and Women's Textual Labour3: Megan Heffernan: Cataloguing the Past: Periodisation and the Historiography of Print4: Jeffrey Todd Knight: The Scale of Book History: Data, Distance, Description5: Brandi K. Adams: 'Inlaid with inkie spots of jet': Early modern book history and premodern critical race studies6: Brian Cummings: Religion and the history of the book7: Alexandra Franklin and Richard Lawrence: Printing and book history: Insights from practice8: Jason Scott-Warren: Monuments and trifles: which books do we use to tell the history of the book?9: Paul Nash: What was a print shop, and what happened there?10: Tamara Atkin: Scribes, Compositors, Correctors11: Stephen B. Dobranski: Authors12: Kirk Melnikoff: Publishing Virginia (1608-15): Specialization, Commissioning, Networks13: Rachel Stenner: Regional book and print trades14: Katherine Hunt: Representing the labour of printing in image and text15: Jason Peacey: Printing and the Universities16: Michael Hunter: Illustrated books17: James Misson: Typography18: Harriet Philips: Beyond the book: non-codex texts19: Adrian Johns: Science and the book in early modern England20: Anna Reynolds: Waste, offcuts, remains, reuse21: Ben Higgins: 'The Book-sellars Shop': Browsing, Reading, and Buying in Early Modern England22: Hanna de Lange and Andrew Pettegree: Internationalism and the English book trade23: Tara L. Lyons: 'A Gifte of good Moment': A New History of the Stationers' Benevolence to the Bodleian Library, 1610 to 161624: A.E.B. Coldiron: Multi-lingual print25: Michelle O'Callaghan: Contexts for Circulation: Households, University, Inns of Court, and Professional Circles26: H.R. Woudhuysen: From Duck Lane to Lazarus Seaman: Buying and Selling Old Books in England during the Sixteenth and Seventeenth Centuries27: Sujata Iyengar: Conversations about Time and Space: Early Modern Books and Contemporary Artists' Books28: Jeff Dolven: The Early Modern Book as Metaphor29: Caroline Duroselle-Melish: Past, Present, and Future: Early Modern Collections and the Work of a Curator30: Emma Smith: Self-reading books: marginalia, prosopopoeia and book history31: Georgina Wilson: Book modification32: Bruce R. Smith: Early Modern Books and Phonography33: Alexandra Hill: Transience and loss
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 11
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781350211308
    Language: English
    Pages: 210 Seiten
    Edition: Paperback edition
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.76/8
    RVK:
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    Keywords: Berichterstattung ; Geschlechtsidentität ; Transsexualität ; Presse ; Diskursanalyse ; Kanada ; Großbritannien ; Transgender people / Identity ; Gender identity ; Communication ; Großbritannien ; Kanada ; Presse ; Berichterstattung ; Transsexualität ; Geschlechtsidentität ; Diskursanalyse
    Abstract: "Analysing a corpus of articles collected from English-language newspapers in the UK and Canada, this book critically explores the linguistic cues and patterns used by the print media in their representation of trans people. Zottola focuses on the semantic categories of representation associated with transgender identities, using Critical Discourse Analysis to investigate how the way the press represents this topic influences readers and their understanding of the major debates. Using a mixture of quantitative and qualitative methods, the book casts light on the complex picture of press language during a period of social change and increasing awareness"--
    Note: Contents -- List of tables -- Acknowledgements -- 1 Introduction -- 2 Transgender identities and the press -- 3 A matter of choices: Identity labels in English -- 4 Semantic prosodies in the press -- 5 Differences and similarities in the representation of trans identities -- 6 Conclusion -- Notes -- References -- Index
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  • 12
    Online Resource
    Online Resource
    Woodbridge, Suffolk ; Rochester, NY : The Boydell Press
    ISBN: 9781800104518
    Language: English
    Pages: 1 Online-Ressource (xiii, 246 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 306.4/842094109034
    RVK:
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    Keywords: Geschichte 1870-1900 ; Music / Social aspects / Great Britain / History / 19th century ; Exhibitions / Great Britain / History / 19th century ; Musicology / Great Britain / History / 19th century ; Musik ; Internationale Ausstellung ; Großbritannien ; Großbritannien ; Internationale Ausstellung ; Musik ; Geschichte 1870-1900
    Note: Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into debates about music's role in society. International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, tracing these through the networks of communication that existed within the British Empire at the time
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 13
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783030921033
    Language: English
    Pages: 1 Online-Ressource(XI, 232 p. 58 illus., 11 illus. in color.)
    Edition: 1st ed. 2022.
    Series Statement: Postdisciplinary Studies in Discourse
    Parallel Title: Erscheint auch als Cyberhate in the context of migrations
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Applied linguistics. ; Linguistics—Methodology. ; Communication in politics. ; Emigration and immigration—Social aspects. ; Journalism. ; Computer crimes. ; Finnland ; Frankreich ; Deutschland ; Italien ; Polen ; Großbritannien ; Internet ; Computerkriminalität ; Hassrede ; Migrationshintergrund
    Abstract: Chapter 1: Anti-migrant hate speech as a symptom of a representation crisis (Angeliki Monnier, Axel Boursier and Annabelle Seoane) -- Part I: Language strategies and patterns -- Chapter 2: Online hate speech in the UK and Poland: social media reactions to the murder of Arkadiusz Jóźwik (Katerina Strani and Anna Szczepaniak-Kozak) -- Chapter 3: The anti-immigration ideology: hate speech, ethos and the enemy’s figure (Nolwenn Lorenzi Bailly and Lotta Lehti) -- Chapter 4: "Reality", "truth" and "lies" regarding the immigration phenomenon in comment sections on French media (Nadia Makouar) -- Chapter 5: The computer-mediated expression of hate: a corpus analysis of French and Italian user-generated contents (Laura Ascone) -- Part II: Actors and interactions -- Chapter 6: The joint construction of hate speech in online discussions (Emmi Lahti) -- Chapter 7: Social network conversations with young authors of online hate speech against migrants (Stefano Pasta) -- Chapter 8: Hate speech, freedom of expression and the controversies on the regulation of online content (Romain Bedouard) -- Chapter 9: How does online hate speech influence the process of intercultural mediation in the context of migration? (Cecilia Brassier-Rodrigues).
    Abstract: This edited book takes an interdisciplinary approach to shed light on the complex dynamics involved in the incidence of online hate speech against migrants in user-generated contexts. The authors draw on case studies from Finland, France, Germany, Italy, Poland and the UK, bringing together qualitative and quantitative analyses on user-generated online comments. The authors argue that online hate speech against migrants must be understood as a symptom of a representation crisis on migration, which can only be fully perceived through the study of the complex linguistic, interactional and connective processes within which it emerges. They focus on representations and shared meanings, community building and otherness, and delve into the role of network ecosystems in the process of the construction of public problems. This book will be of interest to undergraduate and post-graduate students as well as academics working on hate speech and migration studies in a variety of fields, and can also contribute to improving research protocols for automated analyses and detections of online hate speech. Angeliki Monnier is Professor in Information and Communication Sciences at Université de Lorraine, Metz, France, and director of the Centre for Research on Mediations (CREM). Axel Boursier is Associate Professor in Information and Communication Sciences at CY Cergy Paris Université, France, and a member of the “Lexicons, Texts, Discourses and Dictionaries” (LT2D) laboratory. Annabelle Seoane is Associate Professor in Linguistics and Language Teaching at Université de Lorraine, Metz, France, and a member of the Centre for Research on Mediations (CREM).
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  • 14
    ISBN: 9783955933234
    Language: English
    Pages: 58 Seiten , Illustrationen , 21 cm, 80 g
    Series Statement: Caprices 23
    Series Statement: Caprices
    DDC: 782.420942
    RVK:
    Keywords: Geschichte 1850-1918 ; Song ; Music hall ; Großbritannien ; English Music Hall ; English Music Hall Songs ; Music Hall ; Großbritannien ; Music hall ; Song ; Geschichte 1850-1918
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  • 15
    Book
    Book
    Cambridge, United Kingdom ; New York, NY, USA : Cambridge University Press
    ISBN: 9781108708463
    Language: English
    Pages: xviii, 365 Seiten , Illustrationen
    Edition: First paperback edition
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
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    Keywords: The Beatles ; Geschichte 1960-1970 ; Soziokultur ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; The Beatles ; Soziokultur ; Geschichte 1960-1970
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  • 16
    Book
    Book
    London ; New York ; Paris ; Sydney ; Copenhagen ; Berlin ; Madrid ; Tokyo : Omnibus Press
    ISBN: 9781913172664
    Language: English
    Pages: 259 Seiten, 16 Seiten ungezählte Bildtafeln , Illustrationen
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    Keywords: McGeoch, John ; Geschichte 1955-2004 ; Postpunk ; Gitarrist ; Rockmusiker ; Großbritannien ; McGeoch, John / 1955-2004 ; Guitarists / Great Britain / Biography ; Punk rock musicians / Great Britain / Biography ; Biographies ; Biografie ; Biografie ; McGeoch, John 1955-2004 ; Großbritannien ; Rockmusiker ; Gitarrist ; Postpunk ; Geschichte 1955-2004
    Abstract: "John McGeoch was the unsung hero of the post-punk era. Blazing a trail with some of Britain's biggest bands and most revered artists--Magazine, Siouxsie and the Banshees, The Armory Show and Public Image Ltd--John left an undeniable and indelible mark on music. The Light Pours Out of Me examines John's life and legacy, drawing on original interviews with the likes of Siouxsie Sioux, Howard Devoto, Johnny Marr, Billy Idol, John Frusciante, Keith Levene, Jonny Greenwood, Nick Launay, Ed O'Brien, Peter 'Hooky' Hook and many others. Illustrated with unseen photographs, this moving biography--authorised by the family--celebrates the remarkable guitarists who helped provide the soundtrack to a generation"--Dust jacket
    Description / Table of Contents: Forewords / Emily McGeoch, Malcolm Garrett, Dave Formula, Paul Morley, Johnny Marr -- Introduction / John McGeoch, taken from the fan information sheet, 'Secondhand daylight' -- Ian : childhood in Scotland and relocating to England -- Friends of mine : moving to Manchester to study fine art, and the first meeting with Howard Devoto -- Secondhand insight : the formation, rise and fall of Magazine -- Strange days : a brief flirtation with the emerging New Romantic movement courtesy of Visage -- Happy house : John leaves Magazine and joins up with Siouxsie and the Banshees -- Waiting for the floods : after his dismissal from the Banshees, John travels to Sweden before forming the post-punk 'supergroup', The Armoury Show -- Brave new world : John joins John Lyndon in Public Image Ltd -- Diamond : John as the family man, and starting up his own group, Pacific -- Heavens inside : John's later years and untimely death -- The anti-hero : tributes to John McGeoch from friends, family, contemporaries and admirers -- Afterword
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  • 17
    ISBN: 9782848679334
    Language: English
    Pages: 268 Seiten , 21 cm
    Series Statement: Presses universitaires de Franche-Comté no 1581
    Series Statement: Annales littéraires no 1035
    Series Statement: Recherches interdisciplinaires et transculturelles no 96
    Series Statement: Collection Annales littéraires Série: Recherches interdisciplinaires et transculturelles
    DDC: 305
    RVK:
    Keywords: Großbritannien ; Frau ; Leseverhalten ; Selbsterziehung ; Geschichte 1770-1830 ; Englisch ; Frauenliteratur ; Geschichte 1770-1830
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  • 18
    ISBN: 9783031062018
    Language: English
    Pages: 1 Online-Ressource(XIII, 233 p.)
    Edition: 1st ed. 2022.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Literature, Modern—19th century. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Motion pictures. ; Aufsatzsammlung ; Englisch ; Roman ; Sachkultur ; Geschichte 1837-1901 ; Rezeption ; Fernsehspiel ; Großbritannien ; Neuseeland ; Film ; USA ; Geschichte 1980-2022
    Abstract: 1. Introduction: Stuff and Things: Introducing Neo-Victorian Materialities -- 2. Objects and Memorabilia in Deborah Lutz’s The Brontë Cabinet: Three Lives in Nine Objects -- 3. “Around the Mizzenpole”: Charles Johnson’s Middle Passage and African Americanizing the Neo-Victorian-at-sea -- 4. Touching, Writing, Collecting: Opium Paraphernalia and Neo-Victorian Material Culture -- 5. An Instrumental Thing: Pianos Extending and Becoming Postcolonial Bodies in Jane Campion’s The Piano and Daniel Mason’s The Piano Tuner -- 6. “Wilful Phantoms”: Haunted Dress, Memory, and Agentic Materiality in Colm Tóibín’s The Master -- 7. The Thing About Haunted Houses: In The Turn of the Screw, The Innocents and The Haunting of Hill House -- 8. There’s Something in the Tea: Murder and Materiality in Dark Angel -- 9. Criminal Things: Sherlock Holmes’ Details of Detection and Their Neo-Victorian Revisions -- 10. The Sleight of Hand: Appearance and Disappearance of Things in Neo-Victorian Magic.
    Abstract: Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film is the first volume to focus solely on the replication, reconstruction, and re-presentation of Victorian things. It investigates the role of materiality in contemporary returns to the past as a means of assessing the function of things in remembering, revisioning, and/or reimagining the nineteenth century. Examining iterations of material culture in literature, film and popular television series, this volume offers a reconsideration of nineteenth-century things and the neo-Victorian cultural forms that they have inspired, animated, and even haunted. By turning to new and relatively underexplored strands of neo-Victorian materiality—including opium paraphernalia, slave ships, clothing, and biographical objects—and interrogating the critical role such objects play in reconstructing the past, this volume offers ways of thinking about how mis/apprehensions of material culture in the nineteenth century continue to shape our present understanding of things.
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  • 19
    Book
    Book
    New York, NY, United States of America : Oxford University Press | 2022
    ISBN: 9780190908867 , 9780190908850
    Language: English
    Pages: x, 261 Seiten
    Parallel Title: Erscheint auch als
    DDC: 303.48/3
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    Keywords: Nachricht ; Journalismus ; Zeitungsverlag ; Internet ; Rezeption ; Großbritannien ; USA ; Frankreich ; Deutschland ; Technology / Sociological aspects ; Social media and society ; Information technology / Psychological aspects ; Information technology / Social aspects ; Technologie / Aspect sociologique ; Médias sociaux et société ; Technologie de l'information / Aspect psychologique ; Technologie de l'information / Aspect social ; Information technology / Psychological aspects ; Information technology / Social aspects ; Social media and society ; Technology / Sociological aspects ; Frankreich ; Deutschland ; Großbritannien ; USA ; Journalismus ; Zeitungsverlag ; Nachricht ; Rezeption ; Internet
    Abstract: "This chapter focuses on how the rise of platforms is changing our media environment, where publishers still control the production of news content, but platform companies increasingly control the channels through which people access it. It identifies the new, distinct, generative and relational forms of power that platforms including Facebook, Google, and Twitter exercise and examines how news publishers have responded. It argues that previously powerful and relatively independent institutions like the news media are increasingly in a position akin to that of ordinary users-they are simultaneously increasingly empowered by and dependent upon a small number of powerful platforms"--
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  • 20
    ISBN: 9781780769769
    Language: English
    Pages: xi, 288 Seiten
    Series Statement: Library of gender and popular culture
    DDC: 302.2345081
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    Keywords: Television Social aspects ; Television Technological innovations ; Social aspects ; Television and women ; Television viewers Effect of technological innovations on ; Fernsehen ; Rundfunk ; Weibliche Fernsehschaffende ; Filmwirtschaft ; Frauenberuf ; Großbritannien ; USA
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  • 21
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226768359
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago scholarship online
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    Keywords: Geschichte 1968-1969 ; Rockmusik ; Black power ; Weiße ; Aktivismus ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Black power History 20th century ; Music and race History 20th century ; USA ; Großbritannien
    Abstract: 'Tear Down the Walls' sheds light on a significant but overlooked facet of 1960s rock and the Black Power era-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. It focuses on 1968 and 1969, years when the New Left in the US and UK began to combine cultural radicalism and political radicalism.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 22
    Online Resource
    Online Resource
    London : Bloomsbury Visual Arts | [London, England] : Bloomsbury Publishing
    ISBN: 9781350059627
    Language: English
    Pages: 1 Online-Ressource (303 Seiten)
    Edition: First edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 391
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    Keywords: Geschichte 1990-2015 ; History of fashion / bicssc ; Fashion Social aspects ; Clothing and dress Social aspects ; Fashion photography Social aspects ; Body image in women ; Feminism ; Infantilism ; Mode ; Modefotografie ; Geschlecht ; Modezeitschrift ; Kindfrau ; Feminismus ; Großbritannien ; Electronic books ; Hochschulschrift ; Großbritannien ; Modezeitschrift ; Modefotografie ; Mode ; Kindfrau ; Feminismus ; Geschichte 1990-2015 ; Modefotografie ; Geschlecht ; Geschichte 1990-2015
    Abstract: "Picturing the Woman-Child examines the representation of women as childlike in western fashion media, and asks why this figure continues to hold appeal to women"--
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  • 23
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783030551612
    Language: English
    Pages: 1 Online-Ressource (XVII, 320 Seiten) , Illustrationen
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 941
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    Keywords: Geschichte ; Great Britain-History ; History, Modern ; Civilization-History ; Social history ; Music ; Musikleben ; Reggae ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Reggae ; Musikleben ; Geschichte
    Abstract: This book explores the history of reggae in modern Britain from the time it emerged as a cultural force in the 1970s. As basslines from Jamaica reverberated across the Atlantic, so they were received and transmitted by the UK's Afro-Caribbean community. From roots to lovers' rock, from deejays harnessing the dancehall crowd to dub poets reporting back from the socio-economic front line, British reggae soundtracked the inner-city experience of black youth. In time, reggae's influence permeated the wider culture, informing the sounds and the language of popular music whilst also retaining a connection to the street-level sound systems, clubs and centres that provided space to create, protest and innovate. This book is therefore a testament to struggle and ingenuity, a collection of essays tracing reggae's importance to both the culture and the politics of late twentieth and early twenty-first century Britain
    Note: 1. Introduction: Narratives from the Bassline- William 'Lez' Henry & Matthew Worley -- 2. Vexed history: time and the waning of heart-I-cal philosophy- Paul Gilroy -- 3. Reggae culture as local knowledge: Mapping the beats on south east London streets- William 'Lez' Henry & Les Back -- 4. A Who Seh? Reflections of a lost and found dub poet- Martin Glynn -- 5. 'What a devilment a Englan!' Dub poets and ranters- Tim Wells -- 6. Smiley Culture: A hybrid voice for the Commonwealth- Lucy Robinson -- 7. The Story of Nzinga Soundz and the Women's Voice in Sound System Culture- Lynda Rosenior-Patten and June Reid -- 8. Sound-tapes & Soundscapes: Lo-Fi cassette recordings as vectors of cultural Transmission- Kenny Monrose -- 9. 'Dem a call us pirates, dem a call us illegal broadcasters!': 'Pirates' Anthem', PCRL and the struggle for black free radio in Birmingham- Lisa Palmer -- 10. Rebel Music in the Rebel City: The Performance Geography of the Nottingham 'Blues Party', 1957-1987- Tom Kew -- 11. 'Curious roots & crafts': Record shops and record labels amid the British reggae diaspora- Peter Hughes Jachimiak -- 12. From Sound Systems to Disc Jockeys, From Local Bands to Major Success: On Bristol's Crucial Role in Integrating Reggae and Jamaican Music in British Culture- Melissa Chemam -- 13. Growing up under the influence: A sonic genealogy of grime- Joy White -- 14. Sound Systems and the Christian deviation- Carl Tracey -- 15. Handsworth Revolution: Reggae theomusicology, gospel borderlands and delinking Black British Contemporary Gospel Music from Colonial Christianity- Robert Beckford
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 24
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xv, 212 Seiten , Illustrationen , 24 cm (pbk.)
    Parallel Title: Erscheint auch als Williams, Justin A Brithop
    DDC: 782.42164909/41
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    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"--
    Note: Includes bibliographical references and index
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  • 25
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190882006
    Language: English
    Pages: 1 Online-Ressource (276 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    DDC: 782.4216213
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    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Popular music History and criticism ; Großbritannien ; USA
    Abstract: 'Sweet Thing' offers readers a comprehensive new perspective on a musical scheme shared by broadside ballads and experimental rock songs alike.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 26
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9781800342224
    Language: English
    Pages: 1 Online-Ressource (224 pages).
    Series Statement: Liverpool scholarship online
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    Keywords: Geschichte 1920-2015 ; Horrorfilm ; Fernsehfilm ; Mixed media ; Gespenst ; Landleben ; Okkultismus ; Horror ; Traditionale Kultur ; Volkskunde ; Horror films ; Horror television programs ; Folklore in motion pictures ; Folklore on television ; Großbritannien
    Abstract: Interest in the ancient, the occult, and the 'wyrd' is on the rise. The furrows of Robin Hardy, Piers Haggard, and Michael Reeves have arisen again, most notably in the films of Ben Wheatley, as has the 'Spirit of Dark of Lonely Water', 'Juganets', cursed Saxon crowns, spaceships hidden under ancient barrows, owls and flowers, time-warping stone circles, wicker men, the goat of Mendes, and malicious stone tapes. This book charts the summoning of these esoteric arts n the latter half of the twentieth century and beyond, using theories of psychogeography, hauntology, and topography to delve into the genre's output in film, television, and multimedia as its 'sacred demon of ungovernableness' rises yet again in the twenty-first century.
    Note: Previously issued in print: Leighton Buzzard: Auteur, 2017 , Includes bibliographical references and index
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  • 27
    Book
    Book
    London : Bloomsbury Visual Arts
    ISBN: 9781350059580 , 9781350214385
    Language: English
    Pages: xv, 303 Seiten , Illustrationen
    Uniform Title: The 'woman-child' in fashion photography, 1990-2015
    Parallel Title: Erscheint auch als Laing, Morna Picturing the Woman-Child
    Parallel Title: Erscheint auch als Laing, Morna Picturing the woman-child
    Dissertation note: Dissertation University of the Arts London 2016
    DDC: 391
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    Keywords: Fashion Social aspects ; Clothing and dress Social aspects ; Fashion photography Social aspects ; Body image in women ; Feminism ; Infantilism ; Hochschulschrift ; Mode ; Modefotografie ; Soziale Rolle ; Feminismus ; Infantilismus ; Großbritannien ; Modezeitschrift ; Kindfrau ; Frauenbild ; Geschichte 1990-2015
    Abstract: Fashion Photography and Gender -- Childlike Femininity: A History of Feminist Critique -- Between Image and Spectator: Reception Studies as Visual Methodology -- The Romantic Woman-child, Lost from Home -- Fashion's 'Femme-enfant-fatale': Surrealism, Curiosity and Alice in Wonderland -- Rewriting Lolita in Fashion Photography -- Kinderwhore: From Catwalk to Slutwalk.
    Abstract: "Picturing the Woman-Child examines the representation of women as childlike in western fashion media, and asks why this figure continues to hold appeal to women"--
    Note: Revision of the author's thesis (Ph.D.)--University of the Arts London, 2016, under the title: The 'woman-child' in fashion photography, 1990-2015 : childlike femininities, performativity, and reception studies , Includes bibliographical references and index
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  • 28
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030551605
    Language: English
    Pages: xvii, 320 Seiten , Illustrationen
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musikleben ; Reggae ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Reggae ; Musikleben ; Geschichte
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  • 29
    Musical Score
    Musical Score
    London : British Library
    ISBN: 9780712353700
    Language: English
    Pages: 160 Seiten , Illustrationen, Notenbeispiele
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    Keywords: Seeschifffahrt ; Seefahrer ; Volkslied ; Shanty ; Musikleben ; Gesellschaft ; Großbritannien ; Sea songs / Texts ; Sea songs / History and criticism ; Sea songs / Terminology ; Sailors / Social life and customs ; Shanty ; Gesellschaft ; Großbritannien ; Seeschifffahrt ; Musikleben ; Großbritannien ; Seefahrer ; Volkslied
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  • 30
    ISBN: 9780190881979
    Language: English
    Pages: 266 Seiten , Illustrationen, Notenbeispiele , 27 cm
    Series Statement: Oxford studies in music theory
    DDC: 782.4216213
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    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Großbritannien ; USA
    Abstract: As children, many of us learn to sing, 'If you're happy and you know it, clap your hands.' But despite the familiarity of this tune, few of us realize that what we're singing is actually part of a pervasive - and centuries-old - musical scheme. This particular scheme, dubbed the 'Sweet Thing,' has generated a large group of songs spanning a broad range of topics, genres, and time periods, but all related through a specific stanzaic form. Early twentieth-century blues songs 'My Babe' and 'Motherless Children,' country songs 'Peg and Awl' and 'Crawdad Song,' and gospel songs 'Pure Religion' and 'This Train' use this form, along with popular songs like Ray Charles's 'I Got a Woman,' The Beatles's 'One After 909,' and the Velvet Underground's 'I'm Waiting for the Man.' Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form studies one of the most productive and enduring shared musical resources in North American vernacular music. Author Nicholas Stoia offers the most comprehensive examination to date of the 'Sweet Thing's' long history, exploring how it made its way from sixteenth-century Scotland to eighteenth-century British broadside ballads to nineteenth-century American ragtime. Stoia also examines the form in various contexts, including early blues and country music, and moving forward to rhythm and blues, soul, and rock music, connecting these modern forms to their ancient roots. Through this close look at a ubiquitous musical from, Sweet Thing shows us how it has linked listeners and musicians alike across the boundaries of genre, race, and even time.
    Note: Literaturverzeichnis: Seite [249]-255
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  • 31
    ISBN: 9781350097544 , 9781350211308
    Language: English
    Pages: 210 Seiten , 24 cm
    Parallel Title: Erscheint auch als Zottola, Angela Transgender identities in the press
    Parallel Title: Erscheint auch als Zottola, Angela Transgender identities in the press
    DDC: 306.76/8
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    Keywords: Transgender people Identity ; Gender identity ; Communication ; Großbritannien ; Transgender ; Repräsentation ; Identität ; Medien
    Abstract: "Analysing a corpus of articles collected from English-language newspapers in the UK and Canada, this book critically explores the linguistic cues and patterns used by the print media in their representation of trans people. Zottola focuses on the semantic categories of representation associated with transgender identities, using Critical Discourse Analysis to investigate how the way the press represents this topic influences readers and their understanding of the major debates. Using a mixture of quantitative and qualitative methods, the book casts light on the complex picture of press language during a period of social change and increasing awareness"--
    Note: Literaturverzeichnis: Seite 186-202 und Index
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  • 32
    ISBN: 9783030555733 , 9783030555702 , 3030555704
    Language: English
    Pages: ix, 252 Seiten , 21 cm
    Series Statement: Rhetoric, politics and society
    Parallel Title: Erscheint auch als Rowinski, Paul Post-Truth, Post-Press, Post-Europe
    DDC: 302.230941
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    Keywords: European Union Press coverage ; European Union Public opinion ; Press and politics ; Mass media and public opinion ; Mass media Political aspects ; Italien ; Großbritannien ; Euroskeptizismus ; Populismus ; Presse ; Massenkommunikation ; Politische Kommunikation ; Öffentliche Meinung ; Geschichte 2014-2019
    Note: Literaturangaben, Literaturverzeichnis: Seite 231-244
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  • 33
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197531372
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.4216490941
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    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) ; Political aspects ; Great Britain ; History ; 21st century ; Rap (Music) ; Great Britain ; History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: 'Brithop' investigates rap music's politics in the 21st century United Kingdom. In it, the author argues that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially responding through rap to mainstream Britain's political discourses. The rappers in this volume critique the United Kingdom's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
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  • 34
    Online Resource
    Online Resource
    Woodbridge, Suffolk, UK : The Boydell Press
    ISBN: 9781782046981
    Language: English
    Pages: 1 Online-Ressource (xvi, 408 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 393.0941
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    Keywords: Geschichte 1603-2013 ; Funeral rites and ceremonies / Great Britain / History ; Funeral music / Great Britain / History and criticism ; Nobility / Great Britain / Death and burial ; Trauermusik ; Zeremonie ; Staatsbegräbnis ; Great Britain / Kings and rulers / Death and burial ; Großbritannien ; Großbritannien ; Staatsbegräbnis ; Trauermusik ; Zeremonie ; Geschichte 1603-2013
    Abstract: British royal and state funerals are among the most elaborate and solemn occasions in European history. This book is the first in-depth study of the ceremonial and the music performed at these eventsover the past 400 years, from the funeral of Elizabeth I in 1603. Covering funerals of both royalty and non-royalty, including Nelson, Wellington and Churchill, this study goes up to the funerals of Queen Elizabeth The Queen Mother in 2002 and the ceremonial funeral of Baroness Thatcher in 2013. While some of these funerals have received a good deal of attention - especially the 1997 funeral of Diana, Princess of Wales - these extraordinary events have largely not been discussed in their longer historical context.〈BR〉 The book examines the liturgical changes in the Anglican funeral rite sincethe Reformation and also the change from the so-called 'public' to 'private' funerals.
    Abstract: It includes many new findings on the development of the ceremonial and its intricate peculiarities, as well as new insights into the music and its performance. 〈I〉British Royal and State Funerals〈/I〉 shows that, despite a strong emphasis on continuity in the choice of music, the ceremonial itself has shown an astonishing flexibility over the last four centuries. Overall, the book also contributes to the debate on the monarchy's changing public image over time by paying particular attention to topics such astradition and propaganda. Drawing on substantial research in principal libraries and archives, including those of Westminster Abbey, the College of Arms, Lambeth Palace and the British Library, thisbook is an exhaustive resource for musicologists, musicians and historians alike, providing an unprecedented insight into this most sombre of royal and state occasions.〈BR〉〈BR〉 MATTHIAS RANGE is author of 〈I〉Music and Ceremonial at British Coronations〈/I〉 (2012).
    Abstract: He is a post-doctoral researcher for the Digital Image Archive of Medieval Music and its partner AHRC-funded Tudor Partbooks projectat the Faculty of Music, University of Oxford
    Note: Title from publisher's bibliographic system (viewed on 17 May 2021)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 35
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030775766
    Language: English
    Pages: 1 Online-Ressource (XI, 202 p)
    Edition: 1st ed. 2021
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23
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    Keywords: Geschichte 1979-2021 ; Media and Communication ; Political Communication ; Communication ; Political communication ; Spin ; Politische Kommunikation ; Großbritannien ; Großbritannien ; Politische Kommunikation ; Spin ; Geschichte 1979-2021
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 36
    Online Resource
    Online Resource
    Toronto : University of Toronto Press
    ISBN: 9781487534745 , 9781487534752
    Language: English
    Pages: 1 online resource (xii, 229 pages)
    Series Statement: Studies in book and print culture
    Parallel Title: Erscheint auch als Hedley, Alison Making pictorial print
    DDC: 302.23240941
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    Keywords: Electronic books ; Großbritannien ; Illustrierte ; Medienkonsum ; Massenkultur ; Geschichte 1885-1918
    Abstract: Applying media theory to late-Victorian print, Making Pictorial Print shows how popular illustrated magazines developed a new design interface that encouraged dynamic engagement and media literacy in the British public.
    Note: Description based on publisher supplied metadata and other sources
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  • 37
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
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    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 38
    ISBN: 9783830943969 , 3830943962
    Language: English
    Pages: 190 Seiten , 23.5 cm x 16.5 cm
    Series Statement: Freiburger Studien zur Kulturanthropologie Band 4
    Parallel Title: Erscheint auch als
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    Keywords: Islam ; Jugendkultur ; Identität ; Musik ; Muslim ; Unterhaltungsmusik ; Religiöse Identität ; Pop-Kultur ; Massenkultur ; Jugend ; Deutschland ; Indonesien ; Großbritannien ; Ägypten ; Marokko
    Note: Literaturangaben
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  • 39
    Online Resource
    Online Resource
    Münster : Waxmann | Stuttgart : UTB GmbH
    ISBN: 9783830993964
    Language: English
    Pages: 1 Online-Ressource (190 p.)
    Edition: 1st, New ed.
    Series Statement: Freiburger Studien zur Kulturanthropologie 4
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    Keywords: Islam ; Jugendkultur ; Identität ; Musik ; Muslim ; Unterhaltungsmusik ; Religiöse Identität ; Pop-Kultur ; Massenkultur ; Jugend ; Young Muslims ; Popular Music ; Sabyan Gambus ; Indonesia ; 2019 Indonesian Presidential Elections ; Female Performance ; Egyptian Music ; Mahraganāt ; Asylum House ; Hip Hop ; Morocco ; German Rap ; Metal ; Tunisia ; Political Islam ; Hijab ; Spiritualität und Religion ; Volksmusik und populäre Musikkulturen ; Deutschland ; Indonesien ; Großbritannien ; Ägypten ; Marokko
    Abstract: Music has the universal power to move individuals, peoples and societies. Music is one of the most important signifiers of cultural change. It is also most significant for youth movements and youth cultures. While Islam has a historically and traditionally rich culture of music, religious controversy on the topic of music is still ongoing. However, young Muslims in today’s globalised world seek pop cultural tools such as music, and particularly hip hop music, as way of exploring and expressing their manifold identities, whilst challenging Islamophobia, stigma and racism on the one hand and traditional and religious challenges on the other hand. In this volume, following an international conference with the same title, scholars and young academics from a variety of disciplines seek to explore and highlight the phenomena surrounding the two, somewhat artificially separated, realms of music and religion. The contributions not only look into different genres of music, from Tunisian metal over German female hip hop to Egyptian folk, but take the reader on a journey from continent to countries to cities and rural areas and thus give space and time to a widely neglected area of research: that of Muslim popular culture and young Muslims.
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  • 40
    ISBN: 9781913172305
    Language: English
    Pages: 288 Seiten , Illustrationen, Portraits (teilweise farbig) , 31 cm
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    Keywords: Geschichte 1977-1986 ; Popmusik ; Rockmusik ; Musikjournalismus ; Großbritannien ; Popular music / 1971-1980 / History and criticism ; Popular music / 1981-1990 / History and criticism ; Rock music / 1971-1980 / History and criticism ; Rock music / 1981-1990 / History and criticism ; Fan magazines / Great Britain ; Jamming! ; Quelle ; Quelle ; Großbritannien ; Rockmusik ; Popmusik ; Musikjournalismus ; Geschichte 1977-1986
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  • 41
    ISBN: 9780571252497
    Language: English
    Pages: x, 604 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen, Karte, Porträts
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    Keywords: Wilson, Anthony H. ; Factory Records ; Hacienda ; Geschichte 1950-2007 ; Musikproduzent ; Moderator ; Musikjournalist ; Unternehmer ; Großbritannien ; Wilson, Tony / 1950-2007 ; Factory Records (Firm) / History ; Haçienda (Nightclub) / History ; Sound recording executives and producers / Great Britain / Biography ; Producteurs d'enregistrements sonores / Grande-Bretagne / Biographies ; Factory Records (Firm) ; Haçienda (Nightclub) ; Sound recording executives and producers ; Great Britain ; Biography ; History ; Biografie ; Wilson, Anthony H. 1950-2007 ; Großbritannien ; Musikproduzent ; Unternehmer ; Moderator ; Musikjournalist ; Factory Records ; Hacienda ; Geschichte 1950-2007
    Abstract: Tony Wilson is one of the most legendary music industry figures of his generation. Nicknamed Mr Manchester, he transformed the Northern music scene as founder of Factory Records and the Haçienda nightclub after earning a cult following as a television presenter. Working with legendary bands such as Joy Division, New Order, and the Happy Mondays, Wilson was at the very heart of the Manchester music phenomenon and regenerated the culture of an entire city. Celebrated music journalist Paul Morley knew Wilson personally, and is uniquely placed to tell the fascinating and intimate story of his life. He explores Wilson's existence through the eyes of those closest to him, and offers a rare insight into his own personal papers and diaries
    Description / Table of Contents: Before -- It happens -- After
    Note: "Written in 51 sections that prove how all dramatic truth contains fiction. , Includes index
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  • 42
    ISBN: 9781913172305
    Language: English
    Pages: 288 Seiten , Illustrationen, Portraits (teilweise farbig) , 31 cm
    RVK:
    Keywords: Geschichte 1977-1986 ; Popmusik ; Rockmusik ; Musikjournalismus ; Großbritannien ; Popular music / 1971-1980 / History and criticism ; Popular music / 1981-1990 / History and criticism ; Rock music / 1971-1980 / History and criticism ; Rock music / 1981-1990 / History and criticism ; Fan magazines / Great Britain ; Jamming! ; Quelle ; Großbritannien ; Rockmusik ; Popmusik ; Musikjournalismus ; Geschichte 1977-1986
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  • 43
    ISBN: 9780571252497
    Language: English
    Pages: x, 604 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen, Karte, Porträts
    RVK:
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    Keywords: Wilson, Anthony H. ; Hacienda ; Factory Records ; Geschichte 1950-2007 ; Musikproduzent ; Moderator ; Musikjournalist ; Unternehmer ; Großbritannien ; Wilson, Tony / 1950-2007 ; Factory Records (Firm) / History ; Haçienda (Nightclub) / History ; Sound recording executives and producers / Great Britain / Biography ; Producteurs d'enregistrements sonores / Grande-Bretagne / Biographies ; Factory Records (Firm) ; Haçienda (Nightclub) ; Sound recording executives and producers ; Great Britain ; Biography ; History ; Biografie ; Biografie ; Wilson, Anthony H. 1950-2007 ; Großbritannien ; Musikproduzent ; Unternehmer ; Moderator ; Musikjournalist ; Factory Records ; Hacienda ; Geschichte 1950-2007
    Abstract: Tony Wilson is one of the most legendary music industry figures of his generation. Nicknamed Mr Manchester, he transformed the Northern music scene as founder of Factory Records and the Haçienda nightclub after earning a cult following as a television presenter. Working with legendary bands such as Joy Division, New Order, and the Happy Mondays, Wilson was at the very heart of the Manchester music phenomenon and regenerated the culture of an entire city. Celebrated music journalist Paul Morley knew Wilson personally, and is uniquely placed to tell the fascinating and intimate story of his life. He explores Wilson's existence through the eyes of those closest to him, and offers a rare insight into his own personal papers and diaries
    Description / Table of Contents: Before -- It happens -- After
    Note: "Written in 51 sections that prove how all dramatic truth contains fiction. , Includes index
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  • 44
    Online Resource
    Online Resource
    London : Bloomsbury Publishing Plc | Ann Arbor, Michigan : ProQuest
    ISBN: 9781786736161
    Language: English
    Pages: 1 Online-Ressource (305 pages)
    Series Statement: Library of Gender and Popular Culture Ser.
    DDC: 302.2345081
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    Keywords: Geschichte 1850-1950 ; Fernsehen ; Frau ; USA ; Großbritannien ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 45
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501349560
    Language: English
    Pages: xii, 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63/16480941
    RVK:
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    Keywords: Tanzmusik ; Rezeption ; Elektronische Musik ; Interkulturalität ; Großbritannien ; Südasien ; Electronic dance music / Great Britain / History and criticism ; Music / Great Britain / Asian influences ; South Asians / Great Britain / Music / History and criticism ; Electronic dance music ; Music / Asian influences ; Great Britain ; Criticism, interpretation, etc ; Südasien ; Elektronische Musik ; Tanzmusik ; Rezeption ; Großbritannien ; Interkulturalität
    Abstract: "Presents a new conception of sound practices through analysis of South Asian cultural and sonic influences on dance music in the UK"--
    Description / Table of Contents: Part One. Toward a Cultural Analysis of Sound Practices. Renegotiating Culture in the Age of South Asian Dance Music ; The Concept of Trancultural Sound Practices -- Part Two. Listening to South Asian Dance Music. Re-Fusing and Reclaiming UK Bhangra : Apache Indian, No Reservations (1993) ; Demystifying Asianness : Asian Dub Foundation, Community Music (2000) ; Sonic Fictions, Global Noise : M.I.A., Arular (2005) and Kala (2007) ; The Sonic Politics of Place : Dusk + Blackdown's Margins Music ; Performativity, Technology and the Body : Nathan 'Flutebox' Lee, Flutebox (2010) -- Part Three. Thinking Sound as Cultural Transformation. Conclusion : Transcultural Sound Practices in South Asian Dance Music ; Further Elaborations on Sound as Cultural Transformation
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  • 46
    ISBN: 9783868218695 , 3868218696
    Language: English
    Pages: 341 Seiten , 22.5 cm x 15.5 cm, 638 g
    Series Statement: Studies in English literary and cultural history (ELCH) Band 79
    Series Statement: ELCH
    Dissertation note: Dissertation Justus-Liebig-Universität Gießen 2019
    DDC: 302.23086210941
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    Keywords: Hochschulschrift ; Großbritannien ; Monarchie ; Königsfamilie ; Hochzeit ; Massenmedien ; Berichterstattung ; Geschichte 2005-2011
    Note: Literaturverzeichnis: Seiten 315-341
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  • 47
    ISBN: 9781003135647
    Language: English
    Pages: 1 Online Ressource (xiv, 171 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.7/0942
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    Keywords: Geschichte 1832-1902 ; PSYCHOLOGY / Human Sexuality (see also SOCIAL SCIENCE / Human Sexuality) ; Photography of women History 19th century ; Photography, Erotic ; Sex in art ; Sex role History 19th century ; Sex History 19th century ; Sexualität ; Fotografie ; Großbritannien ; Großbritannien ; Fotografie ; Sexualität ; Geschichte 1832-1902
    Abstract: An intimate look into three Victorian photo-settings, Pleasures Taken considers questions of loss and sexuality as they are raised by some of the most compelling and often misrepresented photographs of the era: Lewis Carroll's photographs of young girls; Julia Margaret Cameron's photographs of Madonnas; and the photographs of Hannah Cullwick, a "maid of all work," who had herself pictured in a range of masquerades, from a blackened chimney sweep to a bare-chested Magdalene. Reading these settings performatively, Carol Mavor shifts the focus toward the subjectivity of these girls and women, and toward herself as a writer.Mavor's original approach to these photographs emphatically sees sexuality where it has been previously rendered invisible. She insists that the sexuality of the girls in Carroll's pictures is not only present, but deserves recognition, respect, and scrutiny. Similarly, she sees in Cameron's photographs of sensual Madonnas surprising visions of motherhood that outstrip both Victorian and contemporary understandings of the maternal as untouchable and inviolate, without sexuality. Finally she shows how Hannah Cullwick, posing in various masquerades for her secret paramour, emerges as a subject with desires rather than simply a victim of her upper-class partner. Even when confronting the darker areas of these photographs, Mavor perseveres in her insistence on the pleasures taken-by the viewer, the photographer, and often by the model herself-in the act of imagining these sexualities. Inspired by Roland Barthes, and drawing on other theorists such as Julia Kristeva and Luce Irigaray, Mavor creates a text that is at once interdisciplinary, personal, and profoundly pleasurable
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) , In English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 48
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781108477246
    Language: English
    Pages: xviii, 365 Seiten , 10 Illustrationen , 26 cm
    Parallel Title: Online version Collins, Marcus, 1971- The Beatles and sixties Britain
    DDC: 782.42166092/2
    RVK:
    Keywords: The Beatles ; Geschichte 1960-1970 ; Politik ; Soziokultur ; Großbritannien ; Beatles ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Beatles ; Nineteen sixties ; Popular music ; Popular music / Social aspects ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Abstract: "This book seeks to understand what the Beatles meant to people in 1960s Britain. It argues that they were iconic, divisive, atypical and prefigurative: themes introduced and illustrated in the preface using contemporary cartoons. Their depiction as icons in the 1964 Daily Mail cartoon contrasted starkly with their first appearance in a Fleet Street cartoon twelve months previously, when theirs was one of a barrage of British records raining down on the Kremlin in a display of soft power. They received minor billing in February 1963 compared to Susan Maughan, Helen Shapiro, Cliff Richard, Adam Faith, Marty Wilde and the Tornados, as befitted a band whose second single (Please Please Me) was competing for the number one spot with Frank Ifield's The Wayward Wind (1963). Over the following year, they achieved what commentators agreed to be an unprecedented celebrity"--
    Description / Table of Contents: The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
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  • 49
    ISBN: 1783274980 , 9781783274987
    Language: English
    Pages: xi, 458 Seiten , Illustrationen, Notenbeispiele
    Edition: First published
    RVK:
    Keywords: Anderson, Julian ; Musik ; Komponist ; Großbritannien ; Interview
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  • 50
    ISBN: 9780367605063
    Language: English
    Pages: xviii, 235 Seiten
    DDC: 378.1
    RVK:
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    Keywords: Education, Higher ; Hoger onderwijs ; Organisatieontwikkeling ; Skills training ; Vaardigheden ; Vergelijkende onderwijskunde ; Education, Higher Aims and objectives ; Education, Higher Curricula ; Hochschulunterricht ; Kernkompetenz ; Großbritannien ; Aufsatzsammlung ; Kernkompetenz ; Hochschulunterricht
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  • 51
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    ISBN: 9781350126329
    Language: English
    Pages: xii, 210 Seiten , 15 Illustrationen
    Series Statement: Dress cultures
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1980-2018 ; Punk ; Indie-Pop ; Subkultur ; Mode ; USA ; Großbritannien ; 21st century history: from c 2000 - ; Punk, New Wave & Indie ; Fashion & beauty industries ; Popular culture ; SOCIAL SCIENCE / Popular Culture ; SOCIAL SCIENCE / Gender Studies ; BUSINESS & ECONOMICS / Industries / Fashion & Textile Industry ; Fashion - Social aspects - History - 21st century ; Indie culture ; Popular culture - History - 21st century ; Großbritannien ; USA ; Indie-Pop ; Punk ; Mode ; Subkultur ; Geschichte 1980-2018
    Description / Table of Contents: List of Illustrations; Introduction; Chapter 1: From subculture to hot look: The evolution of indie; Chapter 2: Skinny boys and Parisian runways: The commodification of indie authenticity; Chapter 3: Wellies, fringe and individual style: The commercial rise of festival fashion; Chapter 4: Prints, paints and crop tops: The emergence of Afro-diasporic festival fashion ; Chapter 5: Beyond Retro and the pop ragtrade; Conclusion; Notes; Bibliography; Index
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  • 52
    ISBN: 9780745341767
    Language: English
    Pages: xvii, 345 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Hicks, Dan, 1972 - The Brutish Museums
    Parallel Title: Erscheint auch als Hicks, Dan, 1972 - The Brutish Museums
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    Keywords: Großbritannien ; Kolonialismus ; Kunstraub ; Bronzeplastik ; Bronzerelief ; Höfische Kunst ; Benin ; British Museum ; Benin ; Bronzeplastik ; Bronzerelief ; Restitution
    Note: Literaturverzeichnis: Seiten 280-298
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  • 53
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501336638
    Language: English
    Pages: 162 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.660941/09047
    RVK:
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    Keywords: Geschichte 1970-1980 ; Fortschrittlichkeit ; Popmusik ; Großbritannien ; Popular music / Great Britain / 1971-1980 / History and criticism ; Großbritannien ; Popmusik ; Fortschrittlichkeit ; Geschichte 1970-1980
    Abstract: "Considers the often overlooked significance of early 1970s British pop-rock as a period during which the boundaries between pop and rock uniquely overlapped"--
    Note: Includes bibliographical references and index
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  • 54
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781108769426
    Language: English
    Pages: 1 Online-Ressource (xviii, 365 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 782.42166092/2
    RVK:
    Keywords: Beatles ; The Beatles ; Geschichte 1960-1970 ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Politik ; Soziokultur ; Großbritannien ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Abstract: Though the Beatles are nowadays considered national treasures, this book shows how and why they inspired phobia as well as mania in 1960s Britain. As symbols of modernity in the early sixties, they functioned as a stress test for British institutions and identities, at once displaying the possibilities and establishing the limits of change. Later in the decade, they developed forms of living, loving, thinking, looking, creating, worshipping and campaigning which became subjects of intense controversy. The ambivalent attitudes contemporaries displayed towards the Beatles are not captured in hackneyed ideas of the 'swinging sixties', the 'permissive society' and the all-conquering 'Fab Four'. Drawing upon a wealth of contemporary sources, The Beatles and Sixties Britain offers a new understanding of the band as existing in creative tension with postwar British society: their disruptive presence inciting a wholesale re-examination of social, political and cultural norms
    Note: Title from publisher's bibliographic system (viewed on 11 Mar 2020) , The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 55
    Online Resource
    Online Resource
    London : Bloomsbury Academic
    ISBN: 9781350097575 , 9781350097551
    Language: English
    Pages: 1 Online-Ressource (viii, 216 Seiten) , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als
    DDC: 306.76/8
    RVK:
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    Keywords: Berichterstattung ; Geschlechtsidentität ; Transsexualität ; Presse ; Diskursanalyse ; Kanada ; Großbritannien ; Electronic books ; Electronic books ; Großbritannien ; Kanada ; Presse ; Berichterstattung ; Transsexualität ; Geschlechtsidentität ; Diskursanalyse
    Abstract: Cover -- Contents -- List of tables -- Acknowledgements -- 1 Introduction -- 2 Transgender identities and the press -- 3 A matter of choices: Identity labels in English -- 4 Semantic prosodies in the press -- 5 Differences and similarities in the representation of trans identities -- 6 Conclusion -- Notes -- References -- Index
    Note: Winner of the PROSE Award (2022) for Language&Linguistics , Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 56
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030357689
    Language: English
    Pages: 1 Online-Ressource (XI, 112 p)
    Edition: 1st ed. 2020
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
    Keywords: Media and Communication ; British Culture ; Journalism ; Sociology of Family, Youth and Aging ; Communication ; Ethnology—Europe ; Journalism ; Social groups ; Family ; Presse ; Beziehung ; Berichterstattung ; Erfahrung ; Pflegeheim ; Pflegehilfe ; Gesellschaft ; Großbritannien ; Großbritannien ; Pflegeheim ; Pflegehilfe ; Presse ; Berichterstattung ; Großbritannien ; Pflegeheim ; Pflegehilfe ; Erfahrung ; Großbritannien ; Pflegeheim ; Pflegehilfe ; Beziehung ; Gesellschaft
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 57
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Pivot
    ISBN: 9783030570460
    Language: English
    Pages: 1 Online-Ressource (X, 139 p. 23 illus., 18 illus. in color)
    Edition: 1st ed. 2020
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306
    RVK:
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    Keywords: Geschichte 1942-2020 ; Popular Culture ; Screen Studies ; Popular Culture ; Motion pictures and television ; Werbesendung ; Insel ; Fernsehsendung ; Wüste ; Film ; Hörfunksendung ; USA ; Großbritannien ; Großbritannien ; USA ; Hörfunksendung ; Film ; Fernsehsendung ; Werbesendung ; Insel ; Wüste ; Geschichte 1942-2020
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 58
    ISBN: 9781787602311
    Language: English
    Pages: 348 Seiten , 16 ungezählte Seiten Tafeln , Illustrationen, Portraits
    RVK:
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    Keywords: Geschichte 1955-1970 ; Unterhaltungsmusiker ; Homosexualität ; LGBT ; Musikbranche ; Großbritannien ; lesbian/gay/bisexual,transgender/transsexual plus studies ; History of music & musical styles ; Musical criticism & theory ; Gay musicians / Great Britain ; Rock music / Great Britain / History / 20th century ; Popular music / Social aspects / Great Britain ; Nineteen sixties ; Great Britain / Social conditions / 1945- ; Gay musicians ; Nineteen sixties ; Popular music / Social aspects ; Rock music ; Social conditions ; Great Britain ; Since 1900 ; History ; Großbritannien ; Unterhaltungsmusiker ; Musikbranche ; LGBT ; Homosexualität ; Geschichte 1955-1970
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  • 59
    ISBN: 9781780389202 , 1780389205
    Language: English
    Pages: vii, 616 Seiten, 24 ungezählte Seiten , Illustrationen , 24 cm
    DDC: 781.66
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    Keywords: Geschichte 1968-1977 ; Progressive Rock ; Großbritannien
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  • 60
    Online Resource
    Online Resource
    Cham : Springer International Publishing AG
    ISBN: 9783030371999
    Language: English
    Pages: 1 online resource (307 pages)
    Series Statement: Leisure Studies in a Global Era Ser.
    Parallel Title: Erscheint auch als Martin, Tenley Transnational Flamenco
    DDC: 793.31941
    RVK:
    Keywords: Group identity ; Flamenco music History and criticism ; Electronic books ; Großbritannien ; Flamenco ; Spanien
    Abstract: Intro -- Preface -- Contents -- List of Figures -- 1: Introduction -- 1.1 A Distinctly British Flamenco Evening -- 1.2 What Is Flamenco? -- 1.3 Making Sense of the Flamenco Journey -- Varying 'Roles' of Human Hubs -- Flamenco in the Global Flow -- Conflicts in Cultural Identity and Cultural Ownership -- 1.4 Approach -- The Art Complex in Transit -- The Transcultural Individual in Cultural Creation and Maintenance -- Case Studies -- Sevilla -- Madrid -- UK -- 1.5 Chapter Summary -- References -- 2: An Introduction to Flamenco and Globalisation -- 2.1 What Is Flamenco? A Clarification of Components and Materials -- Palos -- 2.2 Where Is Flamenco? Geography and Performance Situations -- Performance Locations and Instances -- 2.3 Who Does Flamenco? -- 2.4 Flamenco and Globalisation -- 2.5 The Recording Industry -- 2.6 Tourism -- References -- 3: Sevilla: Local Scenes and Ex-Pat Communities -- 3.1 Introduction -- 3.2 The Big Picture of a Local Scene -- 3.3 Peña del Niño de Alfalfa: A Place for Transnational Exchange -- Juerga: Crossing the Boundaries Between Performer and Audience -- The Sevilla Experience -- 3.4 The Andalucían Side of Flamenco -- Local Flamenco Occasions and Norms: An Ethnography -- Performance Locations -- Tablaos and Cultural Controversy -- 3.5 The Difficulties for Sevillano Flamencos -- Flamenco Perception -- Impacts of Economic Crisis on Access -- 3.6 Sevillano Ex-Pat Flamenco Culture: A Construction -- The Life of an Ex-Pat Student -- The Life of an Ex-Pat Flamenco Professional -- Performance Culture and Venue Options -- Difficulties for Ex-Pats -- Cultural Hierarchy: The Importance of Ethnicity and Appearance -- Ex-Pat Cultural In-Roads -- 3.7 External Influences on Sevillano Flamenco -- Flamenco Conflicts with Tourism -- Flamenco Politico -- Revised Andalucían Statute of 2007 -- UNESCO Intangible Heritage.
    Note: Description based on publisher supplied metadata and other sources
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  • 61
    Image
    Image
    Sheffield, South Yorkshire ; Bristol, CT : Equinox Publishing
    ISBN: 9781781796450 , 9781781796443
    Language: English
    Pages: XVI, 339 Seiten , Illustrationen , 24 cm
    Series Statement: Transcultural music studies
    Parallel Title: Online version Paor-Evans, Adam de, author Provincial headz
    RVK:
    Keywords: Geschichte ; Hip-Hop ; Regionalismus ; Rap ; Großbritannien ; Rap (Music) / Great Britain / History and criticism ; Hip-hop / Great Britain / History / 20th century ; Hip-hop ; Rap (Music) ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; Hip-Hop ; Rap ; Regionalismus ; Geschichte
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  • 62
    ISBN: 9781472121097 , 9781472121080
    Language: English
    Pages: xxiii, 855 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen, Portraits
    RVK:
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    Keywords: McLaren, Malcolm ; Geschichte 1946-2010 ; Musikmanager ; Musiker ; Künstler ; Großbritannien ; McLaren, Malcolm / 1946-2010 ; Sound recording executives and producers / Great Britain / Biography ; Musicians / Great Britain / Biography ; Biographies ; Biografie ; Biografie ; McLaren, Malcolm 1946-2010 ; Großbritannien ; Musiker ; Künstler ; Musikmanager ; Geschichte 1946-2010
    Abstract: Malcolm McLaren was one of the most culturally significant but misunderstood figures of the modern era. Ten years after his life was cruelly cut short by cancer, The Life & Times of Malcolm McLaren sheds fascinating new light on the public achievements and private life of this cultural iconoclast and architect of punk, whose championing of street culture movements including hip-hop and Voguing reverberates to this day. With exclusive contributions from friends and intimates and access to private papers and family documents, this biography uncovers the true story behind this complicated figure. McLaren first achieved public prominence as a rebellious art student by making the news in 1966 after being arrested for burning the US flag in front of the American Embassy in London. He maintained this incendiary reputation by fast-tracking vanguard and left-field ideas to the centre of the media glare, via his creation and stewardship of the Sex Pistols and work with Adam Ant, Boy George and Bow Wow Wow. Meanwhile McLaren's ground-breaking design partnership with Vivienne Westwood and his creation of their visionary series of boutiques in the 1970s and early '80s sent shockwaves through the fashion industry. The Life & Times of Malcolm McLaren also essays McLaren's exasperating Hollywood years when he broke bread with the likes of Steven Spielberg though his slate of projects, which included the controversial Surf Nazis Must Die and Wilde West, in which Oscar Wilde introduced rock'n'roll to the American mid-west in the 1880s, proved too rich for the play-it-safe film business. With a preface by Alan Moore, who collaborated with McLaren on the unrealised film project Fashion Beast, and an essay by Lou Stoppard casting a twenty-first-century perspective over his achievements, The Life & Times Of Malcolm McLaren is the explosive and definitive account of the man dubbed by Melvyn Bragg 'the Diaghilev of punk'
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  • 63
    ISBN: 9780755601974
    Language: English
    Pages: XVI, 240 Seiten , Illustrationen
    Edition: Paperback edition
    Series Statement: Library of World War II studies 1
    Series Statement: Library of World War II studies
    DDC: 940.5488
    RVK:
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    Keywords: World War, 1939-1945 Propaganda ; Radio in propaganda History 20th century ; Radio in propaganda History 20th century ; Jazz Social aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Radio broadcasting History 20th century ; Radio broadcasting History 20th century ; World War (1939-1945) ; Jazz ; Social aspects ; Propaganda ; Radio broadcasting ; Radio in propaganda ; Germany ; Great Britain ; History ; Deutschland ; Großbritannien ; USA ; Jazz ; Propaganda ; Soziale Situation ; Geschichte 1939-1945
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  • 64
    ISBN: 9781472121097 , 9781472121080
    Language: English
    Pages: xxiii, 855 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen, Portraits
    RVK:
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    Keywords: McLaren, Malcolm ; Geschichte 1946-2010 ; Musikmanager ; Musiker ; Künstler ; Großbritannien ; McLaren, Malcolm / 1946-2010 ; Sound recording executives and producers / Great Britain / Biography ; Musicians / Great Britain / Biography ; Biographies ; Biografie ; McLaren, Malcolm 1946-2010 ; Großbritannien ; Musiker ; Künstler ; Musikmanager ; Geschichte 1946-2010
    Abstract: Malcolm McLaren was one of the most culturally significant but misunderstood figures of the modern era. Ten years after his life was cruelly cut short by cancer, The Life & Times of Malcolm McLaren sheds fascinating new light on the public achievements and private life of this cultural iconoclast and architect of punk, whose championing of street culture movements including hip-hop and Voguing reverberates to this day. With exclusive contributions from friends and intimates and access to private papers and family documents, this biography uncovers the true story behind this complicated figure. McLaren first achieved public prominence as a rebellious art student by making the news in 1966 after being arrested for burning the US flag in front of the American Embassy in London. He maintained this incendiary reputation by fast-tracking vanguard and left-field ideas to the centre of the media glare, via his creation and stewardship of the Sex Pistols and work with Adam Ant, Boy George and Bow Wow Wow. Meanwhile McLaren's ground-breaking design partnership with Vivienne Westwood and his creation of their visionary series of boutiques in the 1970s and early '80s sent shockwaves through the fashion industry. The Life & Times of Malcolm McLaren also essays McLaren's exasperating Hollywood years when he broke bread with the likes of Steven Spielberg though his slate of projects, which included the controversial Surf Nazis Must Die and Wilde West, in which Oscar Wilde introduced rock'n'roll to the American mid-west in the 1880s, proved too rich for the play-it-safe film business. With a preface by Alan Moore, who collaborated with McLaren on the unrealised film project Fashion Beast, and an essay by Lou Stoppard casting a twenty-first-century perspective over his achievements, The Life & Times Of Malcolm McLaren is the explosive and definitive account of the man dubbed by Melvyn Bragg 'the Diaghilev of punk'
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  • 65
    Image
    Image
    Sheffield, South Yorkshire ; Bristol, CT : Equinox Publishing
    ISBN: 9781781796450 , 9781781796443
    Language: English
    Pages: XVI, 339 Seiten , Illustrationen , 24 cm
    Series Statement: Transcultural music studies
    Parallel Title: Online version Paor-Evans, Adam de, author Provincial headz
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    Keywords: Geschichte ; Hip-Hop ; Regionalismus ; Rap ; Großbritannien ; Rap (Music) / Great Britain / History and criticism ; Hip-hop / Great Britain / History / 20th century ; Hip-hop ; Rap (Music) ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; Hip-Hop ; Rap ; Regionalismus ; Geschichte
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  • 66
    ISBN: 9781786806833 , 9781786806857 , 9781786806840
    Language: English
    Pages: 1 Online-Ressource (xvii, 345 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Hicks, Dan, 1972 - The Brutish Museums
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    Keywords: Electronic books ; Großbritannien ; Kolonialismus ; Kunstraub ; Bronzeplastik ; Bronzerelief ; Höfische Kunst ; Benin ; Geschichte ; British Museum ; Benin ; Bronzeplastik ; Bronzerelief ; Restitution
    Abstract: A call for western museums to wash their hands of colonial blood.
    Note: Description based on publisher supplied metadata and other sources
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  • 67
    ISBN: 9781526142627 , 9781784994334
    Language: English
    Pages: xv, 287 Seiten , Illustrationen , 25 cm
    Series Statement: Studies in popular culture
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    Keywords: Geschichte 1900-2000 ; Geschichte 1918-1950 ; Geschichte ; Tanz ; Großbritannien ; Großbritannien ; Dance / Great Britain / History / 20th century ; Großbritannien ; Tanz ; Geschichte 1918-1950
    Abstract: Dancing in the English style explores the development, experience, and cultural representation of popular dance in Britain from the end of the First World War to the early 1950s. It describes the rise of modern ballroom dancing as Britain's predominant popular style, as well as the opening of hundreds of affordable dancing schools and purpose-built dance halls. It focuses in particular on the relationship between the dance profession and dance hall industry and the consumers who formed the dancing public. Together these groups negotiated the creation of a 'national' dancing style, which constructed, circulated, and commodified ideas about national identity. At the same time, the book emphasizes the global, exploring the impact of international cultural products on national identity construction, the complexities of Americanisation, and Britain's place in a transnational system of production and consumption that forged the dances of the Jazz Age
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  • 68
    ISBN: 9780472054244 , 9780472074242
    Language: English
    Pages: 151 Seiten
    DDC: 306.2
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    Keywords: Trump, Donald ; European Union ; Presidents Election 2016 ; Political culture ; Politics on television ; USA ; Großbritannien ; Fernsehserie ; Politik ; Politische Kultur ; Geschichte 1980-2018
    Abstract: Imagining politics -- Persuasion? : The West Wing -- Ambition? : House of cards -- Character? : Scandal -- Compromise? : Borgen -- Bureaucracy? : Yes, minister -- Farce? : The thick of it, Veep -- Populism? : Black mirror, the Apprentice.
    Note: Includes bibliographical references and index
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  • 69
    Book
    Book
    Durham ; London : Duke University Press
    ISBN: 9781478004660 , 9781478004059
    Language: English
    Pages: xiii, 494 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Henry Cow ; Geschichte 1968-1978 ; Jazz ; Rockgruppe ; Experimentelle Musik ; Progressive Rock ; Großbritannien ; Henry Cow (Musical group) ; Avant-garde (Music) / England / 20th century / History and criticism ; Music / Political aspects / History / 20th century ; Music / 20th century / Philosophy and aesthetics ; Rock musicians / Interviews ; Avant-garde (Music) ; Music / Philosophy and aesthetics ; Music / Political aspects ; Rock musicians ; England ; 1900-1999 ; Criticism, interpretation, etc ; History ; Interviews ; Biografie ; Biografie ; Henry Cow ; Großbritannien ; Rockgruppe ; Progressive Rock ; Jazz ; Experimentelle Musik ; Geschichte 1968-1978
    Abstract: In its open improvisations, lapidary lyrics, errant melodies, and relentless pursuit of spontaneity, the British experimental band Henry Cow pushed rock music to its limits. The band's rotating personnel, sprung from rock, free jazz, and orchestral worlds, synthesized a distinct sound that troubled genre lines, and with this musical diversity came a mixed politics, including Maoism, communism, feminism, and Italian Marxism. In Henry Cow: The World is a Problem Benjamin Piekut tells the band's story-from its founding in Cambridge in 1968 and later affiliation with Virgin Records to its demise ten years later-and analyzes its varied efforts to link aesthetics with politics. Drawing on ninety interviews with Henry Cow musicians and crew, letters, notebooks, scores, journals, and meeting notes, Piekut traces the group's pursuit of a political and musical collectivism, offering up its history as but one example of the vernacular avant-garde that emerged in the decades after World War II. Henry Cow's story resonates far beyond its inimitable music; it speaks to the avant-garde's unpredictable potential to transform the world. -- Back cover
    Description / Table of Contents: You can't play this music at Cambridge (1968-73) -- Faust and the virgins (1973) -- Contentment is hopeless, unrest is progress (1974) -- Death to the individual : Slapp Happy (1974-75) -- Europa (1975- 76) -- The roads leading to Rome (1976-77) -- No joy anymore : London 1977 -- Henry Cow always had to be Henry Cow
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  • 70
    Book
    Book
    Manchester : Manchester University Press
    ISBN: 9781526143617
    Language: English
    Pages: xvi, 267 Seiten , Illustrationen
    Parallel Title: Äquivalent
    DDC: 302.23450941
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    Keywords: British Broadcasting Corporation ; Soziale Situation ; Rundfunkprogramm ; Einwanderer ; Großbritannien ; British Broadcasting Corporation ; Rundfunkprogramm ; Einwanderer ; Großbritannien ; Einwanderer ; Soziale Situation
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  • 71
    ISBN: 9781138986756 , 9780415172608
    Language: English
    Pages: xii, 330 Seiten , 24 cm
    Series Statement: Routledge progress in psychology 3
    Series Statement: Routledge progress in psychology
    DDC: 303.6/0941
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    Keywords: Violence on television ; Television programs ; Fernsehsendung ; Fernsehen ; Gewalt ; Gewaltdarstellung ; Großbritannien ; Großbritannien ; Fernsehen ; Gewalt ; Großbritannien ; Gewaltdarstellung ; Fernsehsendung
    Note: Includes bibliographical references (p. [304]-316) and indexes
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  • 72
    Book
    Book
    New Brunswick ; Camden ; Newark ; London : Rutgers University Press
    ISBN: 9781978800311 , 9781978800328
    Language: English
    Pages: x, 216 Seiten , Illustrationen , 24 cm
    DDC: 305.420941/09047
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    Keywords: Geschichte 1970-1990 ; Feminismus ; Gegenkultur ; Frauenbewegung ; Fotografie ; Großbritannien ; Feminism / Great Britain / History / 20th century ; Feminism and art / Great Britain / History / 20th century ; Women photographers / Great Britain / History / 20th century ; Great Britain / Economic conditions / 20th century ; PHOTOGRAPHY / History ; SOCIAL SCIENCE / Feminism & Feminist Theory ; ART / History / Contemporary (1945- ) ; SOCIAL SCIENCE / Women's Studies ; ART / Art & Politics ; Economic history ; Feminism ; Feminism and art ; Women photographers ; Great Britain ; 1900-1999 ; History ; Großbritannien ; Frauenbewegung ; Feminismus ; Fotografie ; Gegenkultur ; Geschichte 1970-1990
    Abstract: "The Visual is Political examines the growth of feminist photography as it unfolded in Britain during the 1970s and 1980s. This period in Britain was marked by instability following the collapse of the welfare state, massive unemployment, race riots, and workers' strikes. However, this was also a time in which various forms of social activism emerged or solidified, including the Women's Movement, whose members increasingly turned to photography as a tool for their political activism. Rather than focusing on the aesthetic quality of the images produced, Klorman-Eraqi looks at the application of feminist theory, photojournalism, advertising, photo montage, punk subculture and aesthetics, and politicized street activity to emphasize the statement and challenge that the photographic language of these works posed. She shows both the utilitarian uses of photography in activism, but also how these same photographers went on to be accepted (or co-opted) into the mainstream art spaces little by little, sometimes with great controversy. The Visual is Political highlights the relevance and impact of an earlier contentious, creative, and politicized moment of feminism and photography as art and activism"--
    Abstract: "This book examines the phenomenon of feminist photography as it unfolded in Britain during the 1970s and 1980s. Klorman-Eraqi offers a unique analysis of the intersection between feminism and photography and the period's social conflicts and theoretical debates, and adds to the understanding of feminist countercultural practices produced in this moment and of their continuing relevance"--
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  • 73
    ISBN: 9780198836377
    Language: English
    Pages: xxvi, 256 Seiten , Illustrationen, Portraits
    Edition: First edition
    DDC: 381.450020973
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    Keywords: Geschichte 1731-1814 ; Book industries and trade / History ; Slave trade / America / History ; Book industries and trade / United States / History ; Public libraries / United States / Finance / History ; Slavery / Economic aspects / United States / History ; English literature / Social aspects / United States ; Literatur ; Buchhandel ; Bibliothek ; Sklaverei ; USA ; Britisch-Nordamerika ; Großbritannien ; Großbritannien ; Literatur ; Buchhandel ; Britisch-Nordamerika ; USA ; Sklaverei ; Bibliothek ; Geschichte 1731-1814
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  • 74
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501340604
    Language: English
    Pages: xiv, 242 Seiten, 6 Seiten Tafeln
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 384
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    Keywords: Mute (Record label) ; Mute ; Geschichte 1978- ; Electronica (Music) History and criticism ; Noise music History and criticism ; Alternative rock music History and criticism ; Alternative Rock ; Label ; Noise ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Mute ; Alternative Rock ; Noise ; Großbritannien ; Label ; Alternative Rock ; Noise ; Geschichte 1978-
    Note: Includes bibliographical references and index
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  • 75
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK | London : Palgrave Macmillan
    ISBN: 9781137526465
    Language: English
    Pages: 1 Online-Ressource (xi, 195 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23
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    Keywords: Geschichte 1948-2018 ; Media Studies ; Peace Studies ; British Culture ; Political Communication ; Journalism ; Communication ; Peace ; Ethnology—Europe ; Political communication ; Journalism ; Nahostkonflikt ; Presse ; Berichterstattung ; Großbritannien ; Großbritannien ; Presse ; Berichterstattung ; Nahostkonflikt ; Geschichte 1948-2018
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 76
    ISBN: 9780191873621
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Portraits
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 381.450020973
    RVK:
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    Keywords: Geschichte 1731-1814 ; Book industries and trade / History ; Slave trade / America / History ; Book industries and trade / United States / History ; Public libraries / United States / Finance / History ; Slavery / Economic aspects / United States / History ; English literature / Social aspects / United States ; Bibliothek ; Buchhandel ; Sklaverei ; Literatur ; Britisch-Nordamerika ; Großbritannien ; USA ; Großbritannien ; Literatur ; Buchhandel ; Britisch-Nordamerika ; USA ; Sklaverei ; Bibliothek ; Geschichte 1731-1814
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 77
    Book
    Book
    University Park, Pennsylvania : The Pennsylvania State University Press
    ISBN: 9780271081281 , 9780271081274
    Language: English
    Pages: xvii, 226 Seiten , Illustrationen
    DDC: 770.941
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    Keywords: Great Britain ; Citizenship Colonies 20th century ; History ; Photography in education Colonies 20th century ; History ; Photography Political aspects 20th century ; Colonies ; History ; Commonwealth ; Fotografie ; Staatsangehörigkeit ; Großbritannien ; Kolonialismus ; Fotografie
    Abstract: "Examines the relationship between photography and citizenship, through a comprehensive account of the Colonial Office Visual Instruction Committee's lantern slide lecture scheme: a project initiated by the British government at the beginning of the twentieth century that aimed to photograph the entirety of the empire"--Provided by publisher
    Abstract: Introduction : citizenship in and out of sight -- The spectator : projecting imperial citizens in England and India -- The photographer : looking along the archival grain in Canada -- The subject : developing the image of the indentured laborer -- The archive : residues of noncitizens in the COVIC archive -- Conclusion : from imperial to global citizens, picturing citizenship in the present
    Note: Literaturverzeichnis: Seite 205-212 , Mit Index , Im Impressum: "A different version of chapter 1 was published as 'Photographing Imperial Citizenship: The Colonial Office Visual Instruction Committee's Lanternslide Lectures 1900-1945,' Journal of Visual Culture 16.2 (2017): 190-224. A different version of chapter 3 was published as 'Developing Historical Negatives: The Colonial Photographic Archive as Optical Unconscious,' in Photography and the Optical Unconscious ... (Durham: Duke University Press, 2017), 229-63."
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  • 78
    Book
    Book
    Oxford : Bodleian Library, University of Oxford | New Castle : Oak Knoll Press
    ISBN: 9781851245109 , 9781584563648
    Language: English
    Pages: xi, 436 Seiten , Illustrationen , 24 cm
    Edition: New and revised edition
    DDC: 002.0941
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    Keywords: Books Owners' marks ; History ; Catalogs, Book Great Britain ; History ; Bibliography Great Britain ; History ; Bibliothek ; Provenienzforschung ; Großbritannien ; Buch ; Herkunft ; Forschung
    Note: Literaturangaben , Mit Register , Frühere Ausgabe: "First published in 1994 by The British Library" (ungezählte Seite iv)
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  • 79
    Book
    Book
    London ; New York ; Paris ; Sydney ; Copenhagen; Berlin ; Madid ; Tokyo : Omnibus Press
    ISBN: 9781785586163 , 9781787602168
    Language: English
    Pages: 208 Seiten , Illustrationen
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    Keywords: Styrene, Poly ; Geschichte 1957-2011 ; Rockmusikerin ; Punk Rock ; Großbritannien ; Biografie ; Biografie ; Biografie ; Styrene, Poly 1957-2011 ; Großbritannien ; Rockmusikerin ; Punk Rock ; Geschichte 1957-2011
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  • 80
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9781472436207
    Language: English
    Pages: xii, 197 Seiten , Diagramme
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Rock-Festival ; Sozialer Wandel ; Kommerzialisierung ; Großbritannien ; Music festivals / Great Britain ; Großbritannien ; Rock-Festival ; Kommerzialisierung ; Sozialer Wandel ; Geschichte
    Abstract: "Music Festivals in the UK is the first extended investigation into the commercialised rock and pop festival sector, and examines events of all sizes: from mega-events such as Glastonbury Festival, V Festival and the Reading and Leeds Festivals to 'boutique' events with maximum attendances as small as 250. In the past, research into festivals has typically focused either on their carnivalesque heritage or on developing managerial tools for the field of events management. Anderton moves beyond such perspectives to propose new ways of understanding and theorising the cultural, social and geographic importance of outdoor music festivals. He argues that changes in the sector since the mid-1990s, such as professionalisation, corporatisation, mediatisation, regulatory control, and sponsorship/branding, should not necessarily be regarded as a process of transgressive 'alternative culture' being co-opted by commercial concerns; instead, such changes represent a reconfiguration of the sector in line with changes in society, and a broadening of the forms and meanings that may be associated with outdoor music events."--Publisher's description
    Description / Table of Contents: Contextualising outdoor music festivals in the UK -- The proliferation, professionalisation and mainstreaming of outdoor music festivals -- Branded landscapes: sponsorship, marketing and mediation -- Always the same, yet always different: music festivals as cyclic places -- The social life of music festivals: audiences and atmosphere
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  • 81
    Book
    Book
    London ; Berlin : Omnibus Press
    ISBN: 9781785585821
    Language: English
    Pages: xiv, 366 Seiten , 1 Diagramm
    DDC: 338.7617802660941
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    Keywords: EMI Group ; Geschichte 2007-2011 ; Label ; Musikwirtschaft ; Großbritannien ; EMI Records Ltd / History ; Record labels / Great Britain / History ; Sound recording industry / Great Britain / History ; Popular music / History and criticism ; EMI Group ; Geschichte 2007-2011 ; Großbritannien ; Musikwirtschaft ; Label ; Geschichte 2007-2011
    Abstract: "The Beatles. The Beach Boys. Blur, Bowie, Kylie Minogue, Kate Bush and Coldplay. EMI was one of the big four record companies, with some of the biggest names in the history of recorded music on its roster. Dominating the music industry for over 100 years, by 2010 EMI Group had reported massive pre-tax losses. The group was divided up and sold in 2011. How could one of the greatest recording companies of the 20th century have ended like this? With interviews from insiders and music industry experts, Eamonn Forde pieces together the tragic end to a financial juggernaut and a cultural institution in forensic detail. The Final Days of EMI: Selling the Pig is the story of the British recording industry, laid bare in all its hubris and glory."--Amazon.com: https://www.amazon.co.uk/Final-Days-EMI-Selling-Pig/dp/1785585827
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  • 82
    ISBN: 9781911036494
    Language: English
    Pages: 270 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 22
    Edition: First edition
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    Keywords: Geschichte 1990-2000 ; Britpop ; Musikleben ; Großbritannien ; Savidge Phill ; Alternative rock music / Great Britain / History and criticism ; Popular music / 1991-2000 / History and criticism ; Alternative rock musicians / Great Britain ; Popular music / Great Britain / History and criticism ; Popular culture / Great Britain / History / 20th century ; Alternative rock music ; Alternative rock musicians ; Popular culture ; Popular music ; Great Britain ; 1900-2000 ; Criticism, interpretation, etc ; History ; Großbritannien ; Britpop ; Musikleben ; Geschichte 1990-2000
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  • 83
    ISBN: 9781911036494
    Language: English
    Pages: 270 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 22
    Edition: First edition
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    Keywords: Geschichte 1990-2000 ; Musikleben ; Britpop ; Großbritannien ; Savidge Phill ; Alternative rock music / Great Britain / History and criticism ; Popular music / 1991-2000 / History and criticism ; Alternative rock musicians / Great Britain ; Popular music / Great Britain / History and criticism ; Popular culture / Great Britain / History / 20th century ; Alternative rock music ; Alternative rock musicians ; Popular culture ; Popular music ; Great Britain ; 1900-2000 ; Criticism, interpretation, etc ; History ; Großbritannien ; Britpop ; Musikleben ; Geschichte 1990-2000
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  • 84
    ISBN: 9781137375100 , 1137375108
    Language: English
    Pages: xi, 245 Seiten , 5 Illustrationen , 21 cm x 14.8 cm
    DDC: 792
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    Keywords: Club ; Geschichte 1990- ; Junge ; Modetanz ; Drum and bass ; Identität ; Subkultur ; Großbritannien ; ASD ; culture ; identity ; performance ; drum'n'bass ; clubbing culture ; popular dance ; electronic music ; affective transmission ; ethnographic research ; ASD ; Großbritannien ; Drum and bass ; Junge ; Modetanz ; Subkultur ; Club ; Identität ; Geschichte 1990-
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  • 85
    Online Resource
    Online Resource
    Cham : Palgrave Macmillan
    ISBN: 9783319711591
    Language: English
    Pages: 1 Online-Ressource (XVII, 273 p. 27 illus)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.0941
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    Keywords: Geschichte 1981-2017 ; British Culture ; Cultural Policy and Politics ; Asian Culture ; Sociology of Culture ; Cultural Theory ; Ethnology-Europe ; Cultural policy ; Ethnology-Asia ; Culture-Study and teaching ; Kultur ; Einwanderer ; Film ; Großbritannien ; Chinesen ; Performance ; Theater ; Fotografie ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Film ; Fotografie ; Theater ; Performance ; Großbritannien ; Chinesen ; Einwanderer ; Kultur ; Geschichte 1981-2017
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 86
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 0198792352 , 9780198792352
    Language: English
    Pages: xii, 195 Seiten , Illustrationen , 22 cm
    Edition: First edition
    Series Statement: Clarendon lectures in English
    Parallel Title: Electronic version Karlin, Daniel, 1953- Street songs
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    Keywords: Geschichte 1800-1925 ; Lyrik ; Straßenmusik ; Großbritannien ; Fiction / 19th century / History and criticism ; Fiction / 20th century / History and criticism ; Poetry / 19th century / History and criticism ; Poetry / 20th century / History and criticism ; Street music ; Street musicians ; Cries in literature ; Music and literature ; Cries in literature ; Fiction ; Music and literature ; Poetry ; 1800-1999 ; Criticism, interpretation, etc ; Großbritannien ; Straßenmusik ; Lyrik ; Geschichte 1800-1925
    Abstract: This book, based on the Clarendon Lectures for 2016, is about the use made by poets and novelists of street songs and cries. Karlin begins with the London street-vendor's cry of 'Cherry-ripe!', as it occurs in poems from the sixteenth to the twentieth century: the 'Cries of London' (and Paris) exemplify the fascination of this urban art to writers of every period. Focusing on nineteenth and early twentieth century writers, the book traces the theme in works by William Wordsworth, Elizabeth Barrett Browning, Robert Browning, Walt Whitman, George Gissing, James Joyce, Virginia Woolf, and Marcel Proust. As well as street-cries, these writers incorporate ballads, folk songs, religious and political songs, and songs of their own invention into crucial scenes, and the0singers themselves range from a one-legged beggar in Dublin to a famous painter in fifteenth-century Florence. The book concludes with the beautiful and unlikely 'song' of a knife-grinder's wheel. 0Throughout the book Karlin emphasizes the rich complexity of his subject. The street singer may be figured as an urban Orpheus, enchanting the crowd and possessed of magical powers of healing and redemption; but the barbaric din of the modern city is never far away, and the poet who identifies with Orpheus may also dread his fate. And the fugitive, transient nature of song offers writers a challenge to their more structured art. Overheard in fragments, teasing, ungraspable, the street song may be 'captured' by a literary work but is never, finally, tamed
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  • 87
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780815395485
    Language: English
    Pages: xvii, 610 Seiten
    Edition: First published in paperback
    Series Statement: Routledge companions
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    DDC: 302.230941
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte ; Geschichte ; Massenmedien ; Mass media History 20th century ; Mass media History 21st century ; Massenmedien ; Großbritannien ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Massenmedien ; Geschichte
    Note: Includes bibliographical references and index
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  • 88
    ISBN: 9780415710428 , 9780415706421
    Language: English
    Pages: xii, 572 Seiten
    Edition: Eighth edition
    DDC: 302.230941
    RVK:
    RVK:
    Keywords: Massenmedien ; Großbritannien
    Note: Literaturverzeichnis Seite 510-546
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  • 89
    Book
    Book
    Manchester : Manchester University Press
    ISBN: 9781526120595
    Language: English
    Pages: xv, 325 Seiten , Illustrationen
    RVK:
    Keywords: Geschichte 1976 ; Fanzine ; Punk ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Punk ; Fanzine ; Geschichte 1976
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  • 90
    Book
    Book
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781442271470
    Language: English
    Pages: xli, 193 Seiten
    Series Statement: Tempo: a Rowman & Littlefield music series on rock, pop, and culture
    Parallel Title: Erscheint auch als Philo, Simon, 1966- author Glam rock
    DDC: 781.66
    RVK:
    Keywords: Geschichte 1970- ; Glam rock History and criticism ; Popkultur ; Glitter Rock ; USA ; Großbritannien ; Großbritannien ; USA ; Glitter Rock ; Popkultur ; Geschichte 1970-
    Note: Includes bibliographical references and index
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  • 91
    ISBN: 9781137375117
    Language: English
    Pages: 1 Online-Ressource (XI, 245 p. 5 illus)
    Parallel Title: Erscheint auch als
    DDC: 792.8
    RVK:
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    RVK:
    Keywords: Club ; Geschichte 1990- ; Culture / Study and teaching ; Dance ; Cultural and Media Studies ; Dance ; Modetanz ; Drum and bass ; Subkultur ; Identität ; Junge ; Großbritannien ; Großbritannien ; Drum and bass ; Junge ; Modetanz ; Subkultur ; Club ; Identität ; Geschichte 1990-
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 92
    ISBN: 9781138777361 , 9781138547872
    Language: English
    Pages: X, 168 Seiten
    Edition: First issued in paperback
    Series Statement: Routledge interdisciplinary perspectives on literature 32
    Series Statement: Routledge interdisciplinary perspectives on literature
    DDC: 820.9/954
    RVK:
    RVK:
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    Keywords: South Asian fiction (English) / History and criticism ; Music in literature ; Identity (Philosophical concept) in literature ; Postcolonialism in literature ; LITERARY CRITICISM / Asian / Indic ; MUSIC / Ethnomusicology ; LITERARY CRITICISM / Books & Reading ; Musik ; Postkoloniale Literatur ; Großbritannien ; Südasien ; Musik ; Großbritannien ; Südasien ; Postkoloniale Literatur
    Abstract: "This book examines the role of music in British-South Asian postcolonial literature, asking how music relates to the construction of postcolonial identity. It focuses on novels that explore the postcolonial condition in India, Pakistan, and the United Kingdom: Vikram Seth's A Suitable Boy, Amit Chaudhuri's Afternoon Raag, Suhayl Saadi's Psychoraag, Hanif Kureishi's The Buddha of Suburbia and The Black Album, and Salman Rushdie's The Ground Beneath Her Feet, with reference to other texts, such as E.M. Forster's A Passage to India and Vikram Seth's An Equal Music. The analyzed novels feature different kinds of music, from Indian classical to non-classical traditions, and from Western classical music to pop music and rock 'n' roll. Music is depicted as a cultural artifact and as a purely aestheticized art form at the same time. As a cultural artifact, music derives meaning from its socio-cultural context of production and serves as a frame of reference to explore postcolonial identities on their own terms. As purely aesthetic art, music escapes its contextual meaning. The transgressive qualities of music render it capable of expressing identities irrespective of origin and politics of location. Thereby, music in the novels marks a very productive space to imagine the postcolonial nation and to rewrite imperial history, to express the cultural hybridity of characters in-between nations, to analyze the state of the nation and life in the multicultural diaspora of contemporary Great Britain, and to explore the ramifications of cultural globalization versus cultural imperialism. It will be a useful research and teaching tool for those interested in postcolonial literature, music studies, cultural studies, contemporary literature and South-Asian literature"--
    Note: First published 2015 by Routledge , Includes bibliographical references and index
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  • 93
    ISBN: 9781973595151
    Language: English
    Pages: 127 Seiten , Illustrationen
    RVK:
    Keywords: Geschichte 1980-1990 ; Reggae ; Großbritannien ; Großbritannien ; Reggae ; Geschichte 1980-1990
    Note: Literaturverzeichnis Seite 126
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  • 94
    ISBN: 9780198820659 , 9780199676187
    Language: English
    Pages: 263 Seiten
    Edition: First published in paperback
    DDC: 302.230941
    RVK:
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    Keywords: Geschichte 1650- ; Journalismus ; Medien ; Medienwirtschaft ; Medienpolitik ; Großbritannien ; USA
    Note: Literaturverzeichnis Seite 245-250
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  • 95
    ISBN: 978-3-8309-3722-7 , 3-8309-3722-9
    Language: German , English
    Pages: 221 Seiten : , Illustrationen, Diagramme ; , 21 cm x 14.8 cm.
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Musiktherapie. ; Pädagogik. ; Musiktherapie ; Deutschland ; Schweiz ; Österreich ; Norwegen ; Großbritannien ; Schule ; Kindergarten ; Therapie ; Musikschule ; psychische Gesundheit ; Gewaltprävention ; Musik ; Trommeln ; Flüchtlinge ; Migration ; Sonderschule ; Inklusion ; Soziale Arbeit ; Schulpädagogik ; Bildung und Erziehung ; Pädagogik ; Aufsatzsammlung ; Musiktherapie ; Pädagogik
    Abstract: Musiktherapie in pädagogische Settings zu integrieren ist kein neues, aber aufgrund der gesundheits-und bildungspolitischen Lage ein hochaktuelles Thema. Zeit also, den gegenwärtigen Stand der Praxis, Theorie und Forschung näher zu beleuchten. Das vorliegende Buch bietet einen interdisziplinären und internationalen Einblick in die Themenfelder rund um Musiktherapie in Schule, Musikschule und Kindergarten. Quelle: Klappentext.
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  • 96
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783319711584 , 331971158X
    Language: English
    Pages: xvii, 273 Seiten , Illustrationen , 21 cm
    Parallel Title: Erscheint auch als
    DDC: 305.8951041
    RVK:
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    Keywords: Chinese Cultural assimilation ; Chinese Ethnic identity ; Chinese Race identity ; Transnationalism ; Chinese diaspora ; Großbritannien ; Kultur ; Chinesen ; Ethnische Gruppe ; Ethnische Identität ; Gesellschaft ; Kunst ; Entwicklung ; Sozialgeschichte 1985-2018
    Abstract: "This is the first text to address British Chinese culture. It explores British Chinese cultural politics in terms of national and international debates on the Chinese diaspora, race, multiculture, identity and belonging, and transnational 'Chineseness'. Collectively, the essays look at how notions of 'British Chinese culture' have been constructed and challenged in the visual arts, theatre and performance, and film, since the mid-1980s. They contest British Chinese invisibility, showing how practice is not only heterogeneous, but is forged through shifting historical and political contexts; continued racialization, the currency of Orientalist stereotypes and the possibility of their subversion; the policies of institutions and their funding strategies; and dynamic relationships with transnationalisms. The book brings a fresh perspective that makes both an empirical and theoretical contribution to the study of race and cultural production, whilst critically interrogating the very notion of British Chineseness"--Back cover
    Note: Includes bibliographical references and index , Introduction: contesting British Chinese culture , The cultura politics of in/visibility: contesting 'British Chineseness' in the arts , One step forward, two steps back: dancing in the margins/on the border of oblivion , "A history written by our bodies": artistic activism and the agonistic Chinese voice of Mad For Real's performances at the end of the twentieth century , Testing, contesting , Manchester's Chinese Arts Centre: a case study in strategic cultural intervention , From South China to South London: a journey in search of home through fine art practice , The artist-photographer and performances of identity: the camera as catalyst , British Chinese cinema and the struggle for recognition, even on the margins , Cinema of displaced identity , The arts Britain utterly ignored: or, Arts Council revenue funding and state intervention in British East Asian theatre in the late 1990s and early 2000s , FACE: autobiographical theatre and cross-cultural considerations , British Chinese performance in minor transnational perspective
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  • 97
    Book
    Book
    London : Routledge, Taylor & Francis Group
    ISBN: 9781138649828
    Language: English
    Pages: 225 Seiten , 24 cm
    Series Statement: Routledge studies in environmental communication and media
    DDC: 302.23/068
    RVK:
    Keywords: Mass media Management ; Environmental management ; Mass media Economic aspects ; Großbritannien ; Skandinavien ; Massenmedien ; Umwelt ; Medienpädagogik ; Medienpolitik
    Abstract: The material implications of media -- The network -- Media policy in actor networks -- Material rhetoric -- The sustainability rhetoric of film and television organizations -- Regulatory infrastructure -- The media in the Nordic countries : broadcasting -- The publishing industry in the Nordic countries -- Film and television -- Conclusions : balancing between the footprint and the brainprint
    Note: Includes bibliographical references and index
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  • 98
    ISBN: 9780755601974 , 9781784538583
    Language: English
    Pages: XVI, 240 Seiten , Illustrationen , 22 cm
    Series Statement: Library of World War II studies 1
    Series Statement: Library of World War II studies
    DDC: 940.5488
    RVK:
    RVK:
    RVK:
    Keywords: World War, 1939-1945 Propaganda ; Radio in propaganda History 20th century ; Radio in propaganda History 20th century ; Jazz Social aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Radio broadcasting History 20th century ; Radio broadcasting History 20th century ; World War (1939-1945) ; Jazz ; Social aspects ; Propaganda ; Radio broadcasting ; Radio in propaganda ; Germany ; Great Britain ; History ; Jazz ; Jazz ; Propaganda ; Radio broadcasting ; Radio broadcasting ; Radio broadcasting ; Radio in propaganda ; Radio in propaganda ; World War, 1939-1945 ; Germany ; Great Britain ; World War (1939-1945) ; History ; 1900-1999 ; Deutschland ; Großbritannien ; USA ; Jazz ; Propaganda ; Soziale Situation ; Geschichte 1939-1945 ; Jazz ; Zweiter Weltkrieg ; Kultur ; Geschichte
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 99
    Microfilm
    Microfilm
    London : The Guardian Weekly ; 99.1968,8(22.Aug.)-vol. 199, no. 18 (5 october 2018)
    ISSN: 0958-9996
    Language: English
    Edition: Mikrofilm-Ausg
    Dates of Publication: 99.1968,8(22.Aug.)-vol. 199, no. 18 (5 october 2018)
    Parallel Title: Parallele Sprachausgabe The Guardian weekly / Southern African edition
    Parallel Title: Parallele Sprachausgabe Weekly mail & guardian
    Parallel Title: Parallele Sprachausgabe Mail & guardian
    Former Title: Vorg. Manchester guardian weekly
    Subsequent Title: Fortgesetzt durch The Guardian weekly
    DDC: 050
    RVK:
    Keywords: Internationale Politik ; Kollektive Sicherheit ; Innenpolitik ; Wirtschaft ; Sport ; Vereinigtes Königreich Internationale Politik ; Internationale Sicherheit ; Innenpolitik ; Wirtschaft ; Sport ; Großbritannien ; Zeitung
    Note: Periodizität: wöchentl. , Mikrofilm-Ausg.
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  • 100
    Image
    Image
    London : Cherry Red Books
    ISBN: 1909454672 , 9781909454675
    Language: English
    Pages: 711 Seiten , Illustrationen (schwarz-weiß) , 24 cm
    DDC: 781.660941/09049
    RVK:
    Keywords: Thrash metal (Music) History and criticism ; Thrash metal (Music) History 20th century ; Rock musicians ; Rock groups ; Großbritannien ; Thrash Metal ; Geschichte
    Abstract: "For decades, UK thrash metal has been the most underrated and overlooked member of the metal family. Criminally ignored, and considered secondary to its American, German and Brazilian equivalents, the genre has nevertheless continued to survive and thrive, rising from the ashes on more than one occasion. There can be no denying that the UK's thrash scene has generated a wealth of amazing music, often in the face of adversity and apathy, and Contract In Blood tells the whole story - warts 'n' all."--
    Note: Includes discographies
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