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  • Frankreich
  • Politik
  • Musicology  (389)
Language
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  • 1
    Journal/Serial
    Journal/Serial
    Paris : [Verlag nicht ermittelbar] ; N.S. T. 3=Année 6.1922 - 20=Année 23.1939 = Nr. 1-71/72; 22=Année [25.]1943 - 23=Année [26.]1944; 24=Année 27.1945 - 32=Année 35.1953 = Nr. 73/74-107/108; 36.1954 -
    ISSN: 0035-1601
    Language: French
    Dates of Publication: N.S. T. 3=Année 6.1922 - 20=Année 23.1939 = Nr. 1-71/72; 22=Année [25.]1943 - 23=Année [26.]1944; 24=Année 27.1945 - 32=Année 35.1953 = Nr. 73/74-107/108; 36.1954 -
    Additional Information: 21=Année [24.]1942 Société française de musicologie Société Française de Musicologie Paris : Fischbacher, 1942
    Parallel Title: Erscheint auch als Revue de musicologie
    Former Title: Vorg. Société française de musicologie Bulletin de la Société Française de Musicologie
    Former Title: Rapports et communications / Série speciale
    DDC: 780
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    Keywords: Zeitschrift ; Musikwissenschaft ; Frankreich ; Musik ; Geschichte ; Geschichte
    Note: Repr.: Nendeln, Liechtenstein : Kraus , Index 1967/81 in: 67.1981
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  • 2
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press
    ISBN: 9781580467230
    Language: English
    Pages: 1 Online-Ressource (xix, 260 Seiten) , Illustrationen
    Series Statement: Eastman studies in music
    Parallel Title: Erscheint auch als
    DDC: 306.4842094409034
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    Keywords: Geschichte 1870-1939 ; Music / Political aspects / France / History / 20th century ; Music / Political aspects / France / History / 19th century ; Nationalism in music ; Musik ; Nation ; Kultur ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation ; Geschichte 1870-1939
    Abstract: Here, essays from musicologists, historians, art historians and literary scholars reconsider the relationship of Debussy, Gaugin, Jolivet, Zola, and other great French creative artists to cultural and political trends (for example, the rise of the press, nationalism, etc.) during the Third Republic
    Note: Previously issued in print: 2008. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    ISBN: 9782271117830
    Language: French
    Pages: 284 Seiten , Illustrationen
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    Keywords: Rouget de Lisle, Claude Joseph ; Geschichte 1792-2023 ; Nationalhymne ; Aufführung ; Politisierung ; Internationale Politik ; Frankreich
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  • 4
    Book
    Book
    Ditzingen : Reclam
    ISBN: 9783150113240 , 3150113245
    Language: German
    Pages: 752 Seiten , Illustrationen , 21.5 cm x 13.5 cm
    Parallel Title: Erscheint auch als
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    Keywords: Rassismus ; Politik ; Jazz ; Musik ; Antirassismus ; Politisches Engagement ; Cool Jazz ; Hip hop ; Free Jazz ; Vinyl ; New Orleans ; Funk ; Musik ; Rassismus ; Black Lives Matter ; Rebellion ; Louis Armstrong ; Miles Davis ; Charlie Parker ; Jazz ; Rassismus ; Musik ; Politik ; Jazz ; Politisches Engagement ; Antirassismus
    Note: Untertitel auf dem Cover: Zur politischen Ästhetik des Jazz , Literaturverzeichnis S. 707-725
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  • 5
    Book
    Book
    Paris : Presses de la Fondation nationale des sciences politiques
    ISBN: 9782724638905 , 9782111410046
    Language: French
    Pages: 243 Seiten
    Series Statement: Questions de culture
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    Keywords: Geschichte 1970- ; Hip-Hop ; Frankreich ; Aufsatzsammlung
    Note: Literaturhinweise: Seite 213-230
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  • 6
    ISBN: 9781913231163
    Language: English
    Pages: XVIII, 318 Seiten
    DDC: 782.421640944
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    Keywords: Geschichte 1990- ; Musik ; Techno ; Tanzmusik ; Frankreich
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  • 7
    ISBN: 9791027803415
    Language: French
    Pages: 196 Seiten
    Series Statement: Castor Music
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    Keywords: Geschichte 1990-2000 ; Rap ; Frankreich
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  • 8
    ISBN: 9780197511510
    Language: English
    Pages: xvii, 313 Seiten , Illustrationen, Notenbeispiele
    DDC: 306.48420944
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    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Frankreich ; Hochschulschrift
    Note: Literaturverzeichnis Seite 277-295
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  • 9
    ISBN: 9780429284526
    Language: English
    Pages: 1 Online-Ressource (ix, 223 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Electronic books ; Aufsatzsammlung ; Popmusik ; Politik ; Geschichte 2000-
    Note: Description based on publisher supplied metadata and other sources
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  • 10
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197511541
    Language: English
    Pages: 1 Online-Ressource (xvii, 313 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 306.48420944
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    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Music Social aspects 18th century ; History ; Musicians Social conditions 18th century ; Musicians Economic conditions 18th century ; Frankreich ; France History First Republic, 1792-1804 ; Hochschulschrift
    Abstract: 'From Servant to Savant' exposes the fundamental role that the French Revolution played in the emergence of modern professional musicianship. Geoffroy-Schwinden demonstrates how the French Revolution set the stage for the emergence of so-called musical 'Romanticism' among the likes of Beethoven and the legacies that continue to haunt musical institutions and industries.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 11
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226810959
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
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    Keywords: Reinhardt, Django Influence ; Gypsy-Jazz ; Musikethnologie ; Jazz Social aspects ; Romanies Music ; Social aspects ; Romanies Music ; Political aspects ; Romanies Ethnic identity ; Music and race ; Musicians, Romani ; Jazz musicians ; Frankreich
    Abstract: 'Django Generations' shows how relationships between racial identities, jazz, and national belonging become entangled in France.
    Note: Previously issued in print: 2021 , Includes bibliographical references and index
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  • 12
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
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    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 13
    ISBN: 9780367248093 , 9780367248086
    Language: English
    Pages: ix, 223 Seiten , Notenbeispiele (schwarz-weiß)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2000-2020 ; Politik ; Popmusik ; Popular music / Political aspects ; Popular music / 2001-2010 / History and criticism ; Popular music / 2011-2020 / History and criticism ; Musique populaire / Aspect politique ; Musique populaire / 2001-2010 / Histoire et critique ; Musique populaire / 2011-2020 / Histoire et critique ; Popular music ; Popular music / Political aspects ; 2001-2020 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Popmusik ; Politik ; Geschichte 2000-2020
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  • 14
    ISBN: 9780367248093 , 9780367248086
    Language: English
    Pages: ix, 223 Seiten , Notenbeispiele (schwarz-weiß)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2000-2020 ; Politik ; Popmusik ; Popular music / Political aspects ; Popular music / 2001-2010 / History and criticism ; Popular music / 2011-2020 / History and criticism ; Musique populaire / Aspect politique ; Musique populaire / 2001-2010 / Histoire et critique ; Musique populaire / 2011-2020 / Histoire et critique ; Popular music ; Popular music / Political aspects ; 2001-2020 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Politik ; Geschichte 2000-2020
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  • 15
    ISBN: 9781032090030 , 9780367182984
    Language: English
    Pages: x, 198 Seiten
    Edition: issued in paperback
    Series Statement: Routledge advances in international relations and global politics 144
    DDC: 306.48425
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    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; USA
    Note: Originally published: 2020. , Literaturverzeichnis Seite 169-183
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  • 16
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253057549 , 9780253057532
    Language: English
    Pages: xi, 309 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musikwirtschaft ; Kultur ; Politik ; Musik ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
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  • 17
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520383739 , 9780520383746
    Language: English
    Pages: xiv, 258 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48422
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    Keywords: Folk music ; Politik ; USA
    Note: Literaturverzeichnis Seite 225-258
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  • 18
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253057525
    Language: English
    Pages: 1 Online-Ressource (323 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 780.953
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    Keywords: Geschichte ; Music Social aspects ; Politik ; Musik ; Kultur ; Musikwirtschaft ; Persian Gulf Region ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
    Note: Includes index
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  • 19
    ISBN: 978-3-8325-5249-7
    Language: German , French
    Pages: 156 Seiten : , Illustrationen ; , 21 cm x 14.5 cm.
    Edition: Erstausgabe Paris, 1863
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    Keywords: Viardot-García, Pauline ; Geschichte 1800-1900 ; Klassische Musik. ; Gesang. ; Musikalische Aufführungspraxis. ; Frankreich. ; Gesangsschule ; Oper ; Frankreich ; 19. Jahrhundert ; 22 ; 49 ; Klassische Musik ; Gesang ; Musikalische Aufführungspraxis ; Geschichte 1800-1900 ; 1821-1910 Viardot-García, Pauline
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  • 20
    Online Resource
    Online Resource
    Berlin : Humboldt-Universität zu Berlin, Universitätsbibliothek
    Language: German
    Pages: 1 Online-Ressource (126 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Die Musik Achtundzwanzigster und neunundzwanzigster Band
    Series Statement: Die Musik
    Parallel Title: Elektronische Reproduktion von Schneider, Louis Das französische Volkslied
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    Keywords: Musica Folclorica (Franca) ; Folk songs, French History and criticism ; Volkslied ; Frankreich ; Frankreich ; Volkslied
    Note: Lateinisch (Fraktur)
    URL: Volltext  (kostenfrei)
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  • 21
    ISBN: 9781350071216 , 9781350196247
    Language: English
    Pages: xxi, 185 Seiten
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University College London
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    Keywords: Geschichte 1945-1965 ; Volksmusik ; Politik ; Volkskultur ; Revival ; England ; Folk music / Great Britain / History and criticism ; Great Britain / Politics and government / 1945- ; Folk music ; Politics and government ; Great Britain ; Since 1945 ; Criticism, interpretation, etc ; Hochschulschrift ; England ; Politik ; Volkskultur ; Volksmusik ; Revival ; Geschichte 1945-1965
    Abstract: The English folk revival cannot be understood when divorced from the history of post-war England, yet the existing scholarship fails to fully engage with its role in the social and political fabric of the nation. Postwar Politics, Society and the Folk Revival in England is the first study to interweave the story of a gentrifying folk revival with the socio-political tensions inherent in England's postwar transition from austerity to affluence. Julia Mitchell skillfully situates the English folk revival in the context of the rise of the new left, the decline of heavy industry, the rise of local, regional and national identities, the 'Americanisation' of English culture and the development of mass culture. In doing so, she demonstrates that the success of the English folk revival derived from its sense of authenticity and its engagement with topical social and political issues, such as the conflicted legacy of the Welfare State, the fight for nuclear disarmament and the fallout of nationalization. In addition, she shrewdly compares the US and British revival to identify the links but also what was distinctive about the movement in Britain. Drawing on primary sources from folk archives, the BBC, the music press and interviews with participants, this is a theoretically engaged and sophisticated analysis of how postwar culture shaped the folk revival in England.
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  • 22
    Online Resource
    Online Resource
    Berlin : Humboldt-Universität zu Berlin, Universitätsbibliothek
    Language: German
    Pages: 1 Online-Ressource (VI, 237 Seiten)
    Parallel Title: Elektronische Reproduktion von Pasqué, Ernst Auf den Spuren des französischen Volkslieds
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    Keywords: Volkslied ; Frankreich ; Frankreich ; Volkslied
    URL: Volltext  (kostenfrei)
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  • 23
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226810812 , 9780226811000
    Language: English
    Pages: xiii, 260 Seiten
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.650944
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    Keywords: Reinhardt, Django Influence ; Gypsy-Jazz ; Musikethnologie ; Jazz Social aspects ; Romanies Music ; Social aspects ; Romanies Music ; Political aspects ; Romanies Ethnic identity ; Music and race ; Musicians, Romani ; Jazz musicians ; Frankreich
    Abstract: "The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In France, the cultural significance of the musical style--called jazz manouche in reference to his origins in the Manouche subgroup of Romanies (known pejoratively as "Gypsies")--is fraught both for the Manouche and for the white French men and women eager to claim Django as a native son. In Django Generations, ethnomusicologist Siv B. Lie explores the complicated ways in which Django's legacy and jazz manouche express competing notions of what it means to be French. Though jazz manouche is overwhelmingly popular in France, Manouche people are more often treated as outsiders. However, some Manouche people turn to their musical heritage to gain acceptance in mainstream French society. Considering all of the characteristics and roles attributed to Django--as a world-renowned jazz musician, as an artistic pioneer, as a representative of French heritage, and as a Manouche--jazz manouche becomes a potent means for performers and listeners to articulate their relationships with French society, actual or hoped-for. Weaving together a history of jazz manouche and ethnographic fieldwork undertaken in the bars, festivals, family events, and cultural organizations where jazz manouche is performed and celebrated, Lie offers insight into how a musical genre can channel arguments about national and ethnoracial belonging. She argues that an uncomfortable cohabitation of Manouche identity and French identity lies at the heart of jazz manouche, which is what makes it so successful and powerful
    Note: Literaturverzeichnis Seite 229-252
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  • 24
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226810959
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Karte
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Gypsy-Jazz ; Musikethnologie ; Frankreich ; Reinhardt, Django / 1910-1953 / Influence ; Jazz / Social aspects / France ; Romanies / Music / Social aspects / France ; Romanies / Music / Political aspects / France ; Romanies / France / Ethnic identity ; Music and race / France ; Musicians, Romani / France ; Jazz musicians / France ; Reinhardt, Django / 1910-1953 ; Influence (Literary, artistic, etc.) ; Jazz musicians ; Jazz / Social aspects ; Music and race ; Musicians, Romani ; Romanies / Ethnic identity ; France ; Frankreich ; Gypsy-Jazz ; Musikethnologie ; Geschichte
    Abstract: "The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In France, the cultural significance of the musical style--called jazz manouche in reference to his origins in the Manouche subgroup of Romanies (known pejoratively as "Gypsies")--is fraught both for the Manouche and for the white French men and women eager to claim Django as a native son. In Django Generations, ethnomusicologist Siv B. Lie explores the complicated ways in which Django's legacy and jazz manouche express competing notions of what it means to be French. Though jazz manouche is overwhelmingly popular in France, Manouche people are more often treated as outsiders. However, some Manouche people turn to their musical heritage to gain acceptance in mainstream French society. Considering all of the characteristics and roles attributed to Django--as a world-renowned jazz musician, as an artistic pioneer, as a representative of French heritage, and as a Manouche--jazz manouche becomes a potent means for performers and listeners to articulate their relationships with French society, actual or hoped-for. Weaving together a history of jazz manouche and ethnographic fieldwork undertaken in the bars, festivals, family events, and cultural organizations where jazz manouche is performed and celebrated, Lie offers insight into how a musical genre can channel arguments about national and ethnoracial belonging. She argues that an uncomfortable cohabitation of Manouche identity and French identity lies at the heart of jazz manouche, which is what makes it so successful and powerful"--
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 25
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    Rennes : Mass Productions | Éditions Goater
    ISBN: 9782954863696
    Language: French
    Pages: 494 Seiten , 32 cm
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    Keywords: Aktivismus ; Punk Rock ; Subkultur ; Frankreich ; Mass Prod ; Punk rock / France / Bretagne (France) / 1990-2020 ; Bildband ; Frankreich ; Punk Rock ; Subkultur ; Aktivismus
    Abstract: Ce livre retrace des aventures extraordinaires, donne accès à un foisonnement culturel et un bouillonnement musical. Il est une sorte de fanzine géant qui regroupe des centaines de contributions, portraits de groupe, souvenirs de concerts, chroniques de disques, nouvelles, le tout illustré de milliers de photos, dessins...
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  • 26
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    Paris : GM éditions
    ISBN: 9782377971282
    Language: French
    Pages: 144 Seiten, 16 ungezählte Seiten , Illustrationen
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    Keywords: Reggaemusiker ; Frankreich
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  • 27
    ISBN: 9783826071867
    Language: German
    Pages: 212 Seiten , Illustrationen , 23.5 cm x 15.5 cm
    Series Statement: Thurnauer Schriften zum Musiktheater Band 42
    Series Statement: Thurnauer Schriften zum Musiktheater
    DDC: 792.50943
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    Keywords: Konferenzschrift 2019 ; Deutschland ; Musiktheater ; Ästhetik ; Aufführung ; Gesellschaft ; Halle (Saale) ; Musiktheater ; Politisches Theater ; Oper ; Inszenierung ; Politik ; Politisches Theater ; Oper ; Inszenierung ; Gesellschaft
    Note: "Diese Fragen behandelte die diesem Band zugrundeliegende kooperative Tagung von Musitheaterwissenschaftler*innen und Theaterpraktiker*innen an einem Opernhaus, also umgeben von eben jener Kunstpraxis im Juli 2019. " - Seite 12
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  • 28
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis | The Hague : OAPEN FOUNDATION
    ISBN: 9780429060595
    Language: English
    Pages: 1 Online-Ressource (10 p.)
    Additional Information: Enthalten in The Global Politics of Jazz in the Twentieth Century
    DDC: 306.48425
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    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; Regional studies ; USA ; Arts ; Music ; Western Music Styles (Early & Classical) ; 20th Century Music ; Popular Music ; Jazz ; Humanities ; History ; Contemporary History 1945- ; The Cold War ; Media & Film Studies ; Popular Music ; History of Popular Music ; Politics & International Relations ; International Relations ; Foreign Policy ; International Relations Theory ; International Political Economy ; International Politics
    Abstract: From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context.
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  • 29
    ISBN: 9782234089341
    Language: French
    Pages: 321 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 22 cm
    DDC: 781
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    Keywords: IAM ; Geschichte 1988- ; Musikgruppe ; Rap ; Frankreich ; Autobiografie ; Autobiografie ; IAM ; Frankreich ; Musikgruppe ; Rap ; Geschichte 1988-
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  • 30
    Book
    Book
    Hofheim am Taunus : Wolke Verlag | Darmstadt : Jazzinstitut Darmstadt
    ISBN: 9783955930165
    Language: German
    Pages: 236 Seiten , Illustrationen , 23 cm x 15.8 cm, 340 g
    Edition: Originalausgabe
    Series Statement: Darmstädter Beiträge zur Jazzforschung Band 16
    Series Statement: Darmstädter Beiträge zur Jazzforschung
    DDC: 781.65092
    RVK:
    Keywords: Politik ; Jazz ; Jazzmusiker ; Politisches Engagement ; Musik und Politik ; Jazz und Politik ; politischer Jazz ; Konferenzschrift Jazzinstitut Darmstadt 03.10.2019-05.10.2019 ; Konferenzschrift 2019 ; Konferenzschrift Jazzinstitut Darmstadt 03.10.2019-05.10.2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift Jazzinstitut Darmstadt 03.10.2019-05.10.2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Jazz ; Politik ; Jazzmusiker ; Politisches Engagement
    Note: Genaue Kongressdaten ermittelt
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  • 31
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781108769426
    Language: English
    Pages: 1 Online-Ressource (xviii, 365 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 782.42166092/2
    RVK:
    Keywords: Beatles ; The Beatles ; Geschichte 1960-1970 ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Politik ; Soziokultur ; Großbritannien ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Abstract: Though the Beatles are nowadays considered national treasures, this book shows how and why they inspired phobia as well as mania in 1960s Britain. As symbols of modernity in the early sixties, they functioned as a stress test for British institutions and identities, at once displaying the possibilities and establishing the limits of change. Later in the decade, they developed forms of living, loving, thinking, looking, creating, worshipping and campaigning which became subjects of intense controversy. The ambivalent attitudes contemporaries displayed towards the Beatles are not captured in hackneyed ideas of the 'swinging sixties', the 'permissive society' and the all-conquering 'Fab Four'. Drawing upon a wealth of contemporary sources, The Beatles and Sixties Britain offers a new understanding of the band as existing in creative tension with postwar British society: their disruptive presence inciting a wholesale re-examination of social, political and cultural norms
    Note: Title from publisher's bibliographic system (viewed on 11 Mar 2020) , The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 32
    ISBN: 9789526938905 , 9526938909
    Language: English
    Pages: 32 [ungezählte] Seiten, 165 Seiten , 21 cm
    Edition: Second edition
    RVK:
    Keywords: Archie Shepp-Bill Dixon Quartet ; World Festival of Youth and Students for Peace and Friendship ; World Festival of Youth and Students for Peace and Friendship ; Jazz History and criticism 20th century ; Jazz Political aspects ; Jazz ; Criticism, interpretation, etc ; Aufsatzsammlung ; Free Jazz ; Weltfestspiele der Jugend und Studenten 8. Helsinki 1962 ; Musik ; Politik
    Abstract: Introduction /Sezgin Boynik, Taneli Viitahuhta --Ten days that shook the world /Pekka Saarnio --Archie Shepp and Bill Dixon in Helsinki, 1962 /Jeff Schwartz --Jazz wars in Finland 1962 /Erkki Pälli, Pertti Hynynen, Bertil Sundin, Dim. --Policed in the east /Taneli Viitahuhta --1962 testimonies /Ann Eccles, Donald Quinlan, Perry Robinson, Angela Davis, Johan von Bonsdorff --Black music survived not because but in spite of capitalism /interview with Archie Shepp --I will not let you misconstrue me /three texts by Archie Shepp --A lily in the swamp /Sezgin Boynik.
    Note: "This book is part of Rab-Rab Press' research and publishing project 'The forms of people's revolt' supported by Kone Foundation"--Colophon , Edition of 500 , Includes bibliographical references
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  • 33
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781108477246
    Language: English
    Pages: xviii, 365 Seiten , 10 Illustrationen , 26 cm
    Parallel Title: Online version Collins, Marcus, 1971- The Beatles and sixties Britain
    DDC: 782.42166092/2
    RVK:
    Keywords: The Beatles ; Geschichte 1960-1970 ; Politik ; Soziokultur ; Großbritannien ; Beatles ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Beatles ; Nineteen sixties ; Popular music ; Popular music / Social aspects ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Abstract: "This book seeks to understand what the Beatles meant to people in 1960s Britain. It argues that they were iconic, divisive, atypical and prefigurative: themes introduced and illustrated in the preface using contemporary cartoons. Their depiction as icons in the 1964 Daily Mail cartoon contrasted starkly with their first appearance in a Fleet Street cartoon twelve months previously, when theirs was one of a barrage of British records raining down on the Kremlin in a display of soft power. They received minor billing in February 1963 compared to Susan Maughan, Helen Shapiro, Cliff Richard, Adam Faith, Marty Wilde and the Tornados, as befitted a band whose second single (Please Please Me) was competing for the number one spot with Frank Ifield's The Wayward Wind (1963). Over the following year, they achieved what commentators agreed to be an unprecedented celebrity"--
    Description / Table of Contents: The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
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  • 34
    Online Resource
    Online Resource
    Woodbridge : The Boydell Press
    ISBN: 9781787449374
    Language: English
    Pages: 1 Online-Ressource (xvii, 265 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 306.48420944
    RVK:
    Keywords: Geschichte 1730-1789 ; Music / Political aspects / France / History / 18th century ; Pantomime / Political aspects / France / History / 18th century ; Aufklärung ; Freiheit ; Musik ; Pantomime ; Frankreich ; Frankreich ; Musik ; Pantomime ; Aufklärung ; Freiheit ; Geschichte 1730-1789
    Abstract: How did composers and performers use the lost art of pantomime to explore and promote the Enlightenment ideals of free expression?
    Note: Title from publisher's bibliographic system (viewed on 21 Sep 2020)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 35
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis | The Hague : OAPEN FOUNDATION
    ISBN: 9780429060595
    Language: English
    Pages: 1 Online-Ressource (208 p.)
    DDC: 306.48425
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; The arts ; Humanities ; Politics & government ; USA ; Arts ; humanities ; politics ; international relations
    Abstract: From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context.
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  • 36
    ISBN: 9781350114807
    Language: English
    Pages: viii, 203 Seiten , Illustrationen
    DDC: 306.4842094309042
    RVK:
    RVK:
    Keywords: Medien ; Kulturpolitik ; Klassische Musik ; Deutschland ; Deutschland ; Klassische Musik ; Medien ; Kulturpolitik ; Weimarer Republik ; Klassische Musik ; Politik ; Gesellschaft ; Geschichte 1918-1933
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  • 37
    ISBN: 9783839454763
    Language: German
    Pages: 1 Online-Ressource (232 Seiten)
    Series Statement: Kultur und soziale Praxis
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität zu Köln
    RVK:
    Keywords: Alevis ; Aleviten ; Cultural Anthropology ; Cultural Studies ; Kulturanthropologie ; Kurden ; Kurds ; Migration ; Music ; Musicology ; Musik ; Musikwissenschaft ; Politics ; Politik ; Protest Music ; Protestmusik ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; Protest ; Aleviten ; Kurden ; Musik ; Türken ; Protestbewegung ; Politischer Konflikt ; Deutschland ; Türkei ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Türkei ; Kurden ; Aleviten ; Protestbewegung ; Musik ; Deutschland ; Kurden ; Aleviten ; Türken ; Politischer Konflikt ; Musik ; Protest
    Abstract: In Deutschland leben zahlreiche Musiker*innen aus der Türkei, die in ihrem Herkunftsland aus politischen Gründen nicht uneingeschränkt leben und musizieren könnten. Sie verließen die Türkei aufgrund des Militärputsches von 1980, der Diskriminierung ihrer kurdischen und/oder alevitischen Identität oder des gescheiterten Gezi-Protests und erneuter Einschränkungen von Minderheitsgruppierungen im Musikleben. Kirsten Seidlitz untersucht, wie sie von Deutschland aus mit ihrem musikalischen Schaffen politisch kommentieren, inwiefern die deutsche Gesellschaft mit Musik erreicht, aufgeklärt und beeinflusst werden kann, und ob die in Deutschland produzierte Musik zurück in die Türkei gelangt
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
    URL: Cover
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  • 38
    Book
    Book
    London and New York : Routledge, Taylor & Francis Group
    ISBN: 9780367229474
    Language: English
    Series Statement: SOAS musicology series
    DDC: 781.62/610468
    RVK:
    Keywords: Geschichte ; Musik ; Politik ; Flamenco music History and criticism ; Folk music History and criticism ; Music Political aspects ; Regionalism in music ; Flamenco History ; Soziale Funktion ; Regionalismus ; Flamenco ; Spanien ; Andalusien ; Andalusien ; Flamenco ; Regionalismus ; Soziale Funktion
    Note: Includes bibliographical references and index
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  • 39
    ISBN: 9780367229238
    Language: English
    Pages: xiv, 237 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Popular music Influence ; Popular music Political aspects ; Popular music Social aspects ; Music and transnationalism ; Sänger ; Popmusik ; Musiksoziologie ; Songwriter ; Politik ; Europa ; Aufsatzsammlung ; Europa ; Popmusik ; Sänger ; Songwriter ; Politik ; Musiksoziologie
    Note: Includes bibliographical references and index , First issued in paperback 2019
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  • 40
    ISBN: 9780226922997 , 9780226923000
    Language: English
    Pages: 346 Seiten , Illustrationen
    RVK:
    RVK:
    Keywords: Geschichte ; Countrymusic ; Politik ; USA
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  • 41
    ISBN: 1350118990 , 9781350118997 , 9781350016446
    Language: English
    Pages: IX, 198 Seiten , Illustrationen
    Series Statement: Bloomsbury advances in critical discourse studies
    DDC: 781.6309561
    RVK:
    RVK:
    Keywords: Musik ; Politik ; Popmusik ; Popsong ; Türkei
    Note: Originally published: in ebook format 2018
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  • 42
    ISBN: 9781350016446
    Language: English
    Pages: ix, 198 pages , Illustrationen
    Edition: Paperback ed.
    Parallel Title: Erscheint auch als Way, Lyndon C. S. Popular music and multimodal critical discourse studies
    DDC: 781.6309561
    RVK:
    Keywords: Popular music Political aspects ; Türkei ; Unterhaltungsmusik ; Politik ; Geschichte 2002-2018
    Note: Includes bibliographical references and index
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  • 43
    Book
    Book
    London and New York : Routledge, Taylor & Francis Group
    ISBN: 9780367229474
    Language: English
    Series Statement: SOAS musicology series
    DDC: 781.62/610468
    RVK:
    Keywords: Geschichte ; Musik ; Politik ; Flamenco music History and criticism ; Folk music History and criticism ; Music Political aspects ; Regionalism in music ; Flamenco History ; Soziale Funktion ; Regionalismus ; Flamenco ; Spanien ; Andalusien ; Andalusien ; Flamenco ; Regionalismus ; Soziale Funktion
    Note: Includes bibliographical references and index
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  • 44
    ISBN: 9783840520136 , 3840520134
    Language: German
    Pages: 437 Seiten , Diagramme , 21 cm x 14.8 cm, 829 g
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe XVIII Band 11
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe XVIII
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Iron Maiden ; Krieg ; Text ; Song ; Politik ; Gesellschaft ; Musik ; Metal Studies ; Metal ; Lyrics ; Iron Maiden ; Geschichte ; Politik ; Interview ; Interview ; Iron Maiden ; Song ; Text ; Gesellschaft ; Politik ; Krieg
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  • 45
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781107032415 , 9781107681088
    Language: English
    Pages: xiv, 272 Seiten , Illustrationen, Diagramme
    DDC: 306.4842
    RVK:
    RVK:
    Keywords: Music Political aspects ; Music Social aspects ; Musik ; Politik ; Musik ; Politik
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  • 46
    ISBN: 9783838271736
    Language: English
    Pages: 1 Online-Ressource (250 p.)
    Edition: 1st, New ed.
    Series Statement: Soviet and Post-Soviet Politics and Society 203
    RVK:
    RVK:
    RVK:
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    Keywords: Geschichte 2013-2017 ; Euromaidan ; Politische Bewegung ; Popmusik ; Internationale Politik ; Music ; Politics ; Ukraine ; Russia ; Musik ; Politik ; Russland ; Russland ; Ukraine
    Abstract: This multi-authored monograph consists of the sections: “Pop Rock, Ethno-Chaos, Battle Drums, and a Requiem: The Sounds of the Ukrainian Revolution”, “The Euromaidan’s Aftermath and the Genre of Answer Song: A Musical Dialogue Between the Antagonists?”, “Exposing the Fault Lines beneath the Kremlin’s Restorative Geopolitics: Russian and Ukrainian Parodies of the Russian National Anthem”, “‘Lasha Tumbai’, or ‘Russia, Goodbye’? The Eurovision Song Contest as a Post-Soviet Geopolitical Battleground”, and “(Post-)Soviet Rock Soundtracks the Donbas Conflict”.
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  • 47
    ISBN: 9783958295261 , 3958295266
    Language: German
    Pages: 247 Seiten , Illustrationen , 24 cm x 16 cm
    Edition: Erste Auflage
    Series Statement: Perspektive Außenkulturpolitik Band 6
    Series Statement: Perspektive Außenkulturpolitik
    Parallel Title: Elektronische Reproduktion Musik öffnet Welten
    DDC: 780.0303482
    RVK:
    Keywords: Musik ; Kulturbeziehungen ; Musik ; Beitrag ; Kulturbeziehungen ; Auswärtige Kulturpolitik ; Kulturaustausch ; Kulturkontakt ; Potenzial ; Funktion ; Einflussgröße ; Politik ; Soziokultureller Faktor ; Psychologie ; Religion ; Konfliktlösung ; Beilegung ; Konflikt ; Beispiel ; Erde ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Kulturbeziehungen ; Globalisierung ; Weltmusik ; Musikethnologie ; Kulturbeziehungen ; Auswärtige Kulturpolitik ; Kulturaustausch ; Kulturkontakt ; Projekt ; Musik ; Bildungspolitik ; Kulturbeziehungen
    Abstract: Musik berührt den Geist, den Körper und die Seele gleichermassen. Sie ist in der Lage, dem Denken, Empfinden und Fühlen Ausdruck zu verleihen und Hörende unmittelbar in ihrem ganzen Dasein zu berühren. Musik ist identitätsstiftend und gemeinschaftsbildend. Doch liegt in diesen Eigenschaften auch eine Janusköpfigkeit: Musik kann Brücken bauen in Konfliktsituationen, wenn die Sprache versagt oder der Dialog an seine Grenzen stöt︣. Sie kann aber auch den Gruppenzusammenhalt im Krieg stärken, Feindbilder schaffen, Aggressionen wecken und Gewalt legitimieren. Auch ?böse Menschen haben Lieder? IBM doch sollte man ihnen nicht allein das Feld überlassen, wenn es darum geht, Menschen auf die Bewältigung der zahlreichen Herausforderungen der Gegenwart und Zukunft einzustimmen. Die in diesem Band versammelten Beiträge widmen sich dem konstruktiven Potenzial von Musik in den internationalen Beziehungen. Aus verschiedenen Blickwinkeln heraus diskutieren Wissenschaftler, Künstler, Politiker und Kulturakteure, wie Musik dazu beitragen kann, gesellschaftlichen Zusammenhalt zu fördern, Traumata zu bewältigen, kulturelle Vielfalt zu gestalten und den Friedens- und Demokratieprozess sowohl innerhalb der einzelnen Gesellschaften als auch in den internationalen Beziehungen voranzutreiben. Musik öffnet Welten ist der sechste Band der Reihe ?Perspektive Aussenkulturpolitik?, die aktuelle Themen der Auswärtigen Kultur- und Bildungspolitik beleuchtet
    Note: Serientitel und Zählung auf dem hinteren Umschlag , Literaturangaben
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  • 48
    ISBN: 9781350114838 , 9781350114821 , 9781350114814
    Language: English
    Pages: 1 Online-Ressource (viii, 208 pages) , illustrations
    Edition: First edition
    Edition: London Bloomsbury Publishing
    Parallel Title: Erscheint auch als Fay, Brendan Classical music in Weimar Germany
    Parallel Title: Erscheint auch als Fay, Brendan Classical music in Weimar Germany
    DDC: 306.4842094309042
    RVK:
    Keywords: National socialism and music History 20th century ; National socialism and music ; Musikleben ; Klassische Musik ; Musikästhetik ; Traditionalismus ; Fortschrittlichkeit ; Deutschland ; Deutschland ; Klassische Musik ; Konservativismus ; Politik ; Weimarer Republik ; Geschichte 1918-1933 ; Deutschland ; Kulturpolitik ; Medien ; Musiksoziologie ; Geschichte 1918-1933
    Abstract: "From Hitler's notorious fondness for Wagner's operas to classical music's role in fuelling German chauvinism in the era of the world wars, many observers have pointed to a distinct relationship between German culture and reactionary politics. In Classical Music in Weimar Germany, Brendan Fay challenges this paradigm by reassessing the relationship between conservative musical culture and German politics. Drawing upon a range of archival sources, concert reviews and satirical cartoons, Fay maps the complex path of classical music culture from Weimar to Nazi Germany-a trajectory that was more crooked, uneven, or broken than straight. Through an examination of topics as varied as radio and race to nationalism, this book demonstrates the diversity of competing aesthetic, philosophical and political ideals held by German music critics that were a hallmark of Weimar Germany. Rather than seeing the cultural conservatism of this period as a natural prelude for the violence and destruction later unleashed by Nazism, this fascinating book sheds new light on traditional culture and its relationship to the rise of Nazism in 20th-century Germany."--Bloomsbury Publishing
    Abstract: List of Figures Acknowledgements Introduction: German Music and the Nazi Past 1. (Re)Composing the Nation: Music, War, and the German Inflation, 1918-1924 2. Radios and Records: Image and Reality in Weimar Technology 3. Internationalism, Nationalism and the Case of Hans Joachim Moser 4. Wagner under Weimar 5. Judging Performance, Performing Judgments: Race and Performance in Weimar Germany Epilogue: Rethinking Tradition Bibliography Index.
    Note: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily , Includes bibliographical references (pages 184-197) and index
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  • 49
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226654775
    Language: English
    Pages: 1 online resource (208 pages) , 14 halftones, 2 line drawings
    Series Statement: Chicago Studies in Ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 306.4/842096652
    RVK:
    Keywords: MUSIC / General ; Music Political aspects ; Politik ; Musik ; Guinea ; Guinea ; Musik ; Politik
    Abstract: Music has long been an avenue for protest, seen as a way to promote freedom and equality, instill hope, and fight for change. Popular music, in particular, is considered to be an effective form of subversion and resistance under oppressive circumstances. But as Nomi Dave shows us in The Revolution's Echoes, the opposite is also true-music can often support, rather than challenge, the powers that be. Examining fifty years of history in Guinea, Dave introduces readers to the music supporting the authoritarian regime of former president Sékou Touré, and to the musicians who, even long after his death, have continued to praise dictators and avoid dissent. Dave shows that this isn't just the result of state manipulation-even in the absence of coercion, musicians and their audiences take real pleasure in musical praise of leaders. Time and again, whether in traditional music or in newer genres such as rap, Guinean musicians have celebrated state power and authority. With The Revolution's Echoes, Dave insists that we must grapple with the uncomfortable truth that some forms of music choose to support authoritarianism, generating new pleasures and new politics in the process
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020) , In English
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  • 50
    ISBN: 9783839446324
    Language: German
    Pages: 1 Online-Ressource (283 pages)
    Edition: 1st ed.
    Series Statement: Theater v.119
    DDC: 306
    RVK:
    RVK:
    Keywords: Musiktheater ; Kulturpolitik ; Kulturmanagement ; Deutschland ; Frankreich
    Note: Description based on publisher supplied metadata and other sources
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  • 51
    Book
    Book
    Cham, Switzerland : palgrave macmillan
    ISBN: 9783319770123 , 3319770128
    Language: English
    Pages: V, 158 Seiten , 21 cm x 14.8 cm, 352 g
    Parallel Title: Erscheint auch als Jimi Hendrix and the Cultural Politics of Popular Music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Hendrix, Jimi ; Pop-Kultur ; Politik ; USA
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  • 52
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783319770130 , 3319770136
    Language: English
    Pages: 1 Online-Ressource (V, 158 Seiten)
    Edition: 1st ed. 2018
    Parallel Title: Erscheint auch als Lefkovitz, Aaron Jimi Hendrix and the Cultural Politics of Popular Music
    DDC: 306
    RVK:
    RVK:
    Keywords: Hendrix, Jimi ; Pop-Kultur ; Politik ; Popular Culture ; Music ; Ethnology—America ; Culture ; Sex ; Race ; Popular Culture ; Music ; American Culture ; Gender Studies ; Race and Ethnicity Studies ; USA
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  • 53
    Online Resource
    Online Resource
    Cham : Palgrave Macmillan
    ISBN: 9783319770130
    Language: English
    Pages: 1 Online-Ressource (V, 158 p)
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Hendrix, Jimi ; Culture / Study and teaching ; United States / Study and teaching ; Music ; Ethnicity ; Cultural and Media Studies ; Popular Culture ; Music ; American Culture ; Culture and Gender ; Ethnicity Studies ; Politik ; Popkultur ; USA ; Hendrix, Jimi 1942-1970 ; USA ; Popkultur ; Politik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 54
    Online Resource
    Online Resource
    New York and London : Routledge, Taylor & Francis Group
    ISBN: 9781315761619 , 9781317645719
    Language: English
    Pages: 1 Online-Ressource (xxiv, 271 Seiten) , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.640944
    RVK:
    Keywords: Popmusik ; Frankreich ; Aufsatzsammlung ; Frankreich ; Popmusik
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 55
    ISBN: 9782503581187 , 2503581188
    Language: French
    Pages: 676 Seiten , Illustrationen, Karten, Notenbeispiele
    Series Statement: Histoire générale et anthropologie des musiques populires en France vol. 1
    Series Statement: Collection Épitome musical
    Series Statement: Histoire générale et anthropologie des musiques populires en France
    RVK:
    Keywords: Sozialgeschichte ; Musikleben ; Unterhaltungsmusik ; Musikethnologie ; Streicherensemble ; Zigeuner ; Kulturaustausch ; Europa ; Frankreich ; Europa ; Frankreich ; Zigeuner ; Streicherensemble ; Unterhaltungsmusik ; Musikleben ; Kulturaustausch ; Musikethnologie ; Sozialgeschichte
    Abstract: Histoire et anthropologie des ensembles populaires de violons en Europe.00Les fortes ressemblances entre anciens ensembles ménétriers de violons et actuelles bandes de violons ? tsiganes ? d?Europe centrale, autorisent l?hypothèse des transferts culturels.00Les Tsiganes étant présents en Europe depuis le xve siècle, les processus de mise en contact entre eux et les populations locales (Gadjé) sont multiples : circulations humaines de toutes sortes, cadre répressif et carcéral associé au vagabondage, fréquentation, par les Tsiganes, des nobles, des cours, de l?espace économique et performatif de la foire, des milieux du théâtre itinérant. Par ailleurs, au xviie siècle, les bandes de violons ? surtout françaises ? ont essaimé dans toute l?Europe, notamment centrale.
    Abstract: De ce fait, les actuelles bandes de violons européennes, témoignant de l?histoire migratoire tsigane, des échanges entre Tsiganes et Gadjé et entre Européens eux-mêmes, constituent une mémoire interculturelle de l?Europe.00Si l?itinérance, l?oralité, la périphérie sociale et culturelle, la dilution du ?Bohémien? dans le ?vagabond? complexifient le traitement d?une telle recherche en raison de la raréfaction des sources directes, l?un des objectifs de cet ouvrage est de révéler le dynamisme et le mouvement des sociétés européennes anciennes, l?extrême complexité de leur fonctionnement musical, l?enchevêtrement de leurs réalités sociales, économiques, politiques, culturelles.
    Abstract: Cette histoire des bandes de violons en Europe doit, certes, être appréhendée dans le cadre des cours, mais aussi d?une culture ménétrière urbaine, rurale, parfois foraine et marginale, itinérante et nomade.0L?autre ambition de cet ouvrage est de proposer une nouvelle approche de la technique et du jeu violonistiques des anciens ménétriers violonistes, à partir de l?étude des consorts populaires actuels de violons de certaines régions d?Europe occidentale (Italie), centrale et balkanique.0
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  • 56
    ISBN: 9781138793040
    Language: English
    Pages: xxiv, 271 Seiten , Illustrationen, Diagramme , 26 cm
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als Made in France
    DDC: 781.640944
    RVK:
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    Keywords: Popmusik ; Frankreich ; Popular music / France / History and criticism ; Popular music / Social aspects / France / History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Popmusik
    Abstract: Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. The book first presents a general description of the history and background of popular music in France, followed by essays that are organized into thematic sections: The Mutations of French Popular Music During the "Trente Glorieuses"; Politicising Popular Music; Assimilation, Appropriation, French Specificity; and From Digital Stakes to Cultural Heritage: French Contemporary Topics.
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  • 57
    ISBN: 0367869772 , 9780367869779
    Language: English
    Pages: 271 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Routledge global popular music series
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    Keywords: Popular music History and criticism ; Popular music Social aspects ; History ; Frankreich ; Popmusik
    Note: First published by Routledge
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  • 58
    Book
    Book
    Amherst : University of Massachusetts Press
    ISBN: 9781625343383 , 9781625343376
    Language: English
    Pages: vi, 308 Seiten
    Series Statement: American popular music
    Parallel Title: Erscheint auch als Honky tonk on the left
    DDC: 781.642/1599
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    Keywords: Geschichte ; Country music Political aspects ; Progressivism (United States politics) ; Country music History and criticism ; Einflussnahme ; Countrymusic ; Country-Musiker ; Politik ; Progressismus ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Country-Musiker ; Countrymusic ; Progressismus ; Politik ; Einflussnahme ; Geschichte
    Note: Includes bibliographical references and index
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  • 59
    Book
    Book
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780190872359 , 9780190872366
    Language: English
    Pages: ix, 218 Seiten
    Parallel Title: Erscheint auch als
    DDC: 781.6609/047
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    Keywords: Geschichte 1976-1989 ; Punk rock music History and criticism ; Punk rock music Political aspects ; Punk Rock ; Ost-West-Konflikt ; Politik ; Sozialer Wandel ; Punk Rock ; Ost-West-Konflikt ; Politik ; Sozialer Wandel ; Geschichte 1976-1989
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  • 60
    ISBN: 9782343149189
    Language: French
    Pages: 272 Seiten , Illustrationen, Diagramme
    Series Statement: Musiques et champ social
    Dissertation note: Masterarbeit Université d'Avignon 2018
    DDC: 781.646
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    Keywords: Reggae ; Soziale Bewegung ; Rock-Festival ; Frankreich ; Hochschulschrift ; Hochschulschrift ; Frankreich ; Reggae ; Rock-Festival ; Soziale Bewegung
    Note: Bibliographie et webliographie pages 251-257, filmographie page 257
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  • 61
    Book
    Book
    London : Routledge, Taylor & Francis Group
    ISBN: 9781138793040 , 9780367869779
    Language: English
    Pages: xxiv, 271 Seiten , Illustrationen, Diagramme , 26 cm
    Edition: First published
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als Made in France
    RVK:
    Keywords: Popmusik ; Popular music History and criticism ; Popular music Social aspects ; History ; Frankreich ; Aufsatzsammlung
    Note: Literaturangaben , First issued in paperback 2019
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  • 62
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190872397
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1976-1989 ; Punk rock music / History and criticism ; Punk rock music / Political aspects ; Sozialer Wandel ; Ost-West-Konflikt ; Politik ; Punk Rock ; Punk Rock ; Ost-West-Konflikt ; Politik ; Sozialer Wandel ; Geschichte 1976-1989
    Abstract: This work tells the story of punk rock as a global movement that spanned the boundaries of the Cold War world, focusing on examples in Poland and elsewhere in Eastern and Central Europe, the United States, the United Kingdom, and their connections with the Third World. Drawing on archival documents, 'zines, mainstream publications, and other sources, it closely examines the appeal of punk to its practitioners and the reactions of each society to the rise of punk. It argues that punk grew out of and contributed to the global transition from the late Cold War era to the era of neoliberal/neoconservative globalization
    Note: Previously issued in print: 2018. - Includes bibliographical references, discography, videography and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 63
    ISBN: 9783814223711
    Language: German
    Pages: 266 Seiten , Illustrationen
    DDC: 780
    RVK:
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    Keywords: Popmusik ; Grenzüberschreitung ; Medien ; Musikwissenschaft ; Gesellschaft ; Politik ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Popmusik ; Gesellschaft ; Politik ; Medien ; Musikwissenschaft ; Grenzüberschreitung
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  • 64
    ISBN: 2343123896 , 9782343123899
    Language: French
    Pages: 168 Seiten , 22 cm
    Series Statement: Sociologie des arts
    DDC: 306.4842
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    Keywords: Musiksoziologie ; Digitale Revolution ; Jugend ; Frankreich
    Note: Includes bibliographical references
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  • 65
    ISBN: 2907891928 , 9782907891929
    Language: French
    Pages: X, 166 Seiten , Illustrationen , 22 cm
    Series Statement: Jazz en France
    DDC: 781.65094409
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    Keywords: Panassié, Hugues ; Geschichte 1912-1974 ; Jazz ; Rezeption ; Musikzeitschrift ; Musikjournalist ; Frankreich
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  • 66
    ISBN: 9781107184800 , 9781316636145
    Language: English
    Pages: xviii, 305 Seiten , Illustrationen , 26 cm
    Series Statement: New perspectives in music history and criticism
    DDC: 941.081092
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    Keywords: Drew, Mary Gladstone ; Gladstone, W. E Family ; Drew, Mary Gladstone 1847-1927 ; Socialites Biography ; Musicians Biography ; Women Political activity 19th century ; History ; Salons History 19th century ; Music History and criticism 19th century ; Private secretaries Biography ; Music Political aspects ; History ; 19th century ; Great Britain ; Liberalism History ; 19th century ; Great Britain ; Salons History ; 19th century ; England ; London ; Great Britain Intellectual life ; 19th century ; Great Britain Politics and government ; 1837-1901 ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Musikleben ; Geistesleben ; Geschichte ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Kultur ; Politik ; Musik ; Geschichte ; Royal College of Music ; Geschichte
    Abstract: "The daughter of one of Britain's longest-serving prime ministers, Mary Gladstone was a notable musician, hostess of one of the most influential political salons in late Victorian London, and probably the first female prime ministerial private secretary in Britain. Pivoting around Mary's initiatives, this intellectual history draws on a trove of unpublished archival material that reveals for the first time the role of music in Victorian liberalism, explores its intersections with literature, recovers what the high Victorian salon was within a wider cultural history, and shows Mary's influence on her father's work. Paying close attention to literary and biographical details, the book also sheds new light on Tennyson's poetry, George Eliot's fiction, the founding of the Royal College of Music, the Gladstone family, and a broad plane of wider British culture, including political liberalism and women, sociability, social theology and aesthetic democracy"--
    Abstract: Machine generated contents note: Part I. Intellectual History: 1. Idealist philosophy, culture and the Gladstones; 2. The passion of liberalism; 3. The Victorian salon; 4. Music and the Gladstone salon; Part II. Musical and Literary Case Studies: 5. Mary Gladstone's diary and the Royal College of Music; 6. '... there ought to be some melody in poetry': Tennyson's salon readings; 7. '... musical, I see!': triangulated criticism and Daniel Deronda; 8. Conclusion
    Note: Literaturverzeichnis: Seite 273-294 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 67
    ISBN: 9783412509217 , 3412509213
    Language: German
    Pages: 303 Seiten , 22 cm
    DDC: 306.48420943
    RVK:
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    Keywords: Geschichte ; Musik ; Das Politische ; Lied ; Oper ; Instrumentalmusik ; Politik ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung
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  • 68
    Online Resource
    Online Resource
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9781315713915 , 9781317499435
    Language: English
    Pages: 1 Online-Ressource (xviii, 364 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Transnational studies in jazz
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1900-2000 ; Jazz / Political aspects / History / 20th century ; Totalitarianism and music ; Jazz / History and criticism ; Geschichte ; Politik ; Jazz ; Totalitarismus ; Internationaler Vergleich ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Totalitarismus ; Internationaler Vergleich
    Abstract: "Jazz and Totalitarianism" examines jazz in a range of regimes that in significant ways may be described as totalitarian, historically covering the period from the Franco regime in Spain beginning in the 1930s to present day Iran and China. The book presents an overview of the two central terms and their development since their contemporaneous appearance in cultural and historiographical discourses in the early twentieth century, comprising fifteen essays written by specialists on particular regimes situated in a wide variety of time periods and places. Interdisciplinary in nature, this compelling work will appeal to students from Music and Jazz Studies to Political Science, Sociology, and Cultural Theory.
    Description / Table of Contents: Jazz and fascism : contradictions and ambivalences in the diffusion of jazz music under the Italian fascist dictatorship (1925-1935) / Marilisa Merolla -- Jazz in Moscow after Stalinism / Rüdiger Ritter -- Four spaces four meanings : narrating jazz in late-Stalinist Estonia / Heli Reimann -- Jazz in Poland : totalitarianism, Stalinism, socialist realism / Igor Pietraszewski -- Jazz in socialist Czechoslovakia during the 1950s and 1960s / Wolf-Georg Zaddach -- Trouble with the neighbours : jazz, geopolitics, and Finland's totalitarian shadow / Marcus O'Dair -- Performing the "anti-Spanish" body : jazz and biopolitics in the early Franco regime (1939-1957) / Iván Iglesias -- "The purest essence of jazz" : the appropriation of blues in Spain during Franco's dictatorship / Joseph Pedro -- Jazz and the Portuguese dictatorship before and after WWII : from moral panic to suspicious acceptance / Pedro Roxo -- A kind of "in-between" : jazz and politics in Portugal (1958-1974) / Pedro Cravinho -- A climbing vine through concrete : jazz in 1960s Apartheid South Africa / Jonathan -- "Fanfare for the warriors" : jazz, education, and state control in 1980s South Africa and after / Mark Duby -- From the 'Sultan' to the 'Persian side' : jazz in Iran and Iranian jazz since the 1920s / Gay Breyley -- On the marginality of contemporary jazz in China : the case of Beijing / Adiel Portugali -- Afterword : conclusions / Bruce Johnson
    Note: Literaturangaben
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 69
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469628837
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 781.62/13009043
    RVK:
    RVK:
    Keywords: Geschichte ; Folk music ; Weltwirtschaftskrise ; Politik ; Folk music Political aspects 20th century ; History ; Folk music History and criticism ; Popular music History and criticism 1931-1940 ; Politics and culture History 20th century ; USA
    Abstract: While music lovers and music historians alike understand that folk music played an increasingly pivotal role in American labour and politics during the economic and social tumult of the Great Depression, how did this relationship come to be? Ronald D. Cohen sheds new light on the cultural history of folk music in America, detailing the musicians, government agencies, and record companies that had a lasting impact.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
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  • 70
    Book
    Book
    New York ; London : Routledge
    ISBN: 9781138887817 , 9781138887824
    Language: English
    Pages: XVIII, 364 Seiten , Illustrationen, Notenbeispiele
    Edition: First published
    Series Statement: Transnational studies in jazz
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1900-2000 ; Jazz / Political aspects / History / 20th century ; Totalitarianism and music ; Jazz / History and criticism ; Geschichte ; Politik ; Jazz ; Internationaler Vergleich ; Totalitarismus ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Totalitarismus ; Internationaler Vergleich
    Abstract: "Jazz and Totalitarianism" examines jazz in a range of regimes that in significant ways may be described as totalitarian, historically covering the period from the Franco regime in Spain beginning in the 1930s to present day Iran and China. The book presents an overview of the two central terms and their development since their contemporaneous appearance in cultural and historiographical discourses in the early twentieth century, comprising fifteen essays written by specialists on particular regimes situated in a wide variety of time periods and places. Interdisciplinary in nature, this compelling work will appeal to students from Music and Jazz Studies to Political Science, Sociology, and Cultural Theory.
    Description / Table of Contents: Jazz and fascism : contradictions and ambivalences in the diffusion of jazz music under the Italian fascist dictatorship (1925-1935) / Marilisa Merolla -- Jazz in Moscow after Stalinism / Rüdiger Ritter -- Four spaces four meanings : narrating jazz in late-Stalinist Estonia / Heli Reimann -- Jazz in Poland : totalitarianism, Stalinism, socialist realism / Igor Pietraszewski -- Jazz in socialist Czechoslovakia during the 1950s and 1960s / Wolf-Georg Zaddach -- Trouble with the neighbours : jazz, geopolitics, and Finland's totalitarian shadow / Marcus O'Dair -- Performing the "anti-Spanish" body : jazz and biopolitics in the early Franco regime (1939-1957) / Iván Iglesias -- "The purest essence of jazz" : the appropriation of blues in Spain during Franco's dictatorship / Joseph Pedro -- Jazz and the Portuguese dictatorship before and after WWII : from moral panic to suspicious acceptance / Pedro Roxo -- A kind of "in-between" : jazz and politics in Portugal (1958-1974) / Pedro Cravinho -- A climbing vine through concrete : jazz in 1960s Apartheid South Africa / Jonathan -- "Fanfare for the warriors" : jazz, education, and state control in 1980s South Africa and after / Mark Duby -- From the 'Sultan' to the 'Persian side' : jazz in Iran and Iranian jazz since the 1920s / Gay Breyley -- On the marginality of contemporary jazz in China : the case of Beijing / Adiel Portugali -- Afterword : conclusions / Bruce Johnson
    Note: Literaturangaben
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  • 71
    ISBN: 9783961380343 , 3961380341
    Language: French , German
    Pages: 447 Seiten , Illustrationen , 21 cm x 14.8 cm, 640 g
    Dissertation note: Dissertation Universität Tübingen 2017
    DDC: 900
    RVK:
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    Keywords: Krieg ; Chanson ; Kriegslied ; Deutschland ; Frankreich ; Fachhochschul-/Hochschulausbildung ; Deutsch-französischer Krieg ; Erster Weltkrieg ; Klischee ; Kriegslieder ; Nationale Gesänge ; Zeitgeist ; Zweiter Weltkrieg ; antideutsche Chansons ; antifranzösische Lieder ; militaristisches Liedgut ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Frankreich ; Kriegslied ; Chanson ; Krieg
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  • 72
    ISBN: 9781409461852 , 9781138248564
    Language: English
    Pages: xviii 225 Seiten
    Series Statement: An Ashgate book
    Uniform Title: Les mondes de l'harmonie
    DDC: 306.48420944
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    Keywords: Bläserensemble ; Frankreich
    Note: Translated from the French.
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  • 73
    ISBN: 9783839433874
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1945-1990 ; Politik ; Medien ; DDR ; Musik ; Popkultur ; BRD ; Alltagskultur ; Media ; Politics ; Music ; Deutsche Geschichte ; German History ; Popular Culture ; Musikgeschichte ; Musikwissenschaft ; Music History ; Musicology ; Popmusik ; Pop Music ; Gdr ; Daily Life ; Blues ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Blues ; Geschichte 1945-1990
    Abstract: Der Blues wird gern auf eine Handvoll Klischees und zwölf Takte reduziert. Doch tatsächlich verbergen sich hinter der scheinbar standardisierten Klangoberfläche mannigfaltige Formen des kulturellen Gebrauchs. Mittels umfangreicher Archivrecherchen illustriert Michael Rauhuts Vergleich der Entwicklung des Blues in Ost- und Westdeutschland, wie soziale und politische Verhältnisse den Sinn von Musik formen.Rauhut zeigt: Wenn auch die Sounds weltweit gültigen Mustern folgen und kaum Unterschiede erkennen lassen, sind doch die Bedeutungszusammenhänge, in denen sich der Blues realisiert, durchaus verschieden. Die Studie bietet nicht nur ein kultur- und musikgeschichtliches Resümee der Genese des Blues in Deutschland, sondern leistet auch einen Beitrag zur Globalisierungsdebatte
    Abstract: People like to reduce the blues to a handful of clichés and twelve bars. But in actual fact, behind the seemingly standardized surface of the sound, manifold forms of cultural use are concealed. Using extensive archival research, Michael Rauhut's comparison of the development of the blues in East and West Germany illustrates how social and political relations form the meaning of music. It shows that even if the sounds follow globally valid models and differences can barely be recognized, the contexts of meaning in which the blues is employed are thoroughly different. This study offers not just a historical summary of the blues, it also provides a contribution to the debate around globalization
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  • 74
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520963412
    Language: English
    Pages: 1 Online-Ressource (xvi, 261 Seiten) , Illustrationen
    Series Statement: Music of the african diaspora 18
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6508996073044361
    RVK:
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    Keywords: Geschichte 1900-2000 ; Geschichte 1945-1961 ; Jazz musicians 20th century ; African American musicians 20th century ; Jazz History and criticism ; African American authors 20th century ; Amerikanischer Einwanderer ; Schriftsteller ; Kulturkontakt ; Ethnische Identität ; Jazzmusiker ; Schwarze ; Frankreich ; Paris (France) Race relations 20th century ; Paris ; Paris ; Amerikanischer Einwanderer ; Jazzmusiker ; Schriftsteller ; Schwarze ; Ethnische Identität ; Kulturkontakt ; Geschichte 1945-1961
    Abstract: "At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians...and African American artists based in Europe like writer and social critic James Baldwin...adopted a variety of strategies to cope with the cultural and social assumptions that greeted them throughout their careers in Paris, particularly in light of the cultural struggles over race and identity that gripped France as colonial conflicts like the Algerian War escalated. Through case studies of prominent musicians and thoughtful analysis of personal interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this post-war musical migration. Examining a number of players in the jazz scene, including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke, Braggs identifies how they performed both as musicians and as African Americans. The collaborations that they and other African Americans created with French musicians and critics complicated racial and cultural understandings of who could play and represent "authentic" jazz. Their role in French society challenged their American identity and illusions of France as a racial safe haven. In this post-war era of collapsing nations and empires, African American jazz players and their French counterparts destabilized set notions of identity. Sliding in and out of black and white and American and French identities, they created collaborative spaces for mobile and mobilized musical identities, what Braggs terms 'jazz diasporas.'"...Provided by publisher
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 75
    ISBN: 9781442254442
    Language: English
    Pages: XV, 227 Seiten , Illustrationen
    DDC: 781.66
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    Keywords: Punk rock music Political aspects ; Punk rock music Social aspects ; Punk culture ; Punk Rock ; Politik ; Gesellschaft ; Aktivismus
    Note: Includes bibliographical references and index
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  • 76
    Language: French
    Pages: 254 Seiten , 30 cm
    Edition: 8ème édition
    RVK:
    Keywords: Bibliografie ; Rockmusik ; Bibliografie ; Frankreich ; Rockmusik ; Bibliografie
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  • 77
    ISBN: 9781498528764
    Language: English
    Pages: xxi, 267 Seiten
    Parallel Title: Online version McGregor, Elizabeth Vihlen Jazz and postwar French identity
    DDC: 781.650944/09045
    RVK:
    Keywords: Jazz Social aspects 20th century ; History ; French Ethnic identity ; France Social conditions 20th century ; Frankreich ; Jazz ; Kulturelle Identität ; Geschichte 1940-1970
    Abstract: "In the context of a shifting domestic and international status quo that was evolving in the decades following World War II, French audiences used jazz as a means of negotiating a wide range of issues that were pressing to them and to their fellow citizens. Despite the fact that jazz was fundamentally linked to the multicultural through its origins in the hands of African-American musicians, happenings within the French jazz public reflected much about France&#x;s postwar society. In the minds of many, jazz was connected to youth culture, but instead of challenging traditional gender expectations, the music tended to reinforce long-held stereotypes. French critics, musicians, and fans contended with the reality of American superpower strength and often strove to elevate their own country's stature in relation to the United States by finding fault with American consumer society and foreign policy aims. Jazz audiences used this music to condemn American racism and to support the American civil rights movement, expressing strong reservations about the American way of life. French musicians lobbied to create professional opportunities for themselves, and some went so far as to create a union that endorsed preferential treatment for French nationals. As France became more ethnically and religiously diverse due immigration from Africa, Asia, and the Caribbean, French jazz critics and fans noted the insidious appearance of racism in their own country and had to contend with how their own citizens would address the changing demographics of the nation, even if they continued to insist that racism was more prevalent in the United States. As independence movements brought an end to the French empire, jazz enthusiasts from both former colonies and France had to reenvision their relationship to jazz and to the music&#x;s international audiences. In these postwar decades, the French were working to preserve a distinct national identity in the face of weakened global authority, most forcefully represented by decolonization and American hegemony. Through this originally African American music, French listeners, commentators, and musicians participated in a process that both challenged and reinforced ideas about their own culture and nation"--Back cover
    Abstract: e Monde du jazz -- The gendered jazz public -- The question and politics of race -- More than an American music -- Red, white, and blue notes: French jazz -- And what of empire? -- Conclusion: improvising the nation
    Note: Includes bibliographical references and index
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  • 78
    Book
    Book
    London : Palgrave Macmillan
    ISBN: 9781137497796 , 9781137497802
    Language: English
    Pages: XI, 228 Seiten
    Series Statement: Palgrave studies in the history of subcultures and popular music
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    Keywords: Musik ; Postpunk ; Politik ; Kultur ; Großbritannien ; Großbritannien ; Postpunk ; Politik ; Großbritannien ; Kultur ; Musik ; Postpunk
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  • 79
    ISBN: 9781472468086 , 9781472468093 , 9781472468109
    Language: English
    Pages: xx, 180 Seiten
    Series Statement: An Ashgate book
    DDC: 303.48/24701713
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1938-1981 ; Geschichte ; Musik ; Politik ; Music and diplomacy ; Music Political aspects 20th century ; History ; Arts and diplomacy ; Cold War ; Musik ; Künste ; Ost-West-Konflikt ; Kulturaustausch ; Diplomatische Beziehungen ; Konferenzschrift 2012 ; Aufsatzsammlung ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Ost-West-Konflikt ; Musik ; Künste ; Kulturaustausch ; Diplomatische Beziehungen ; Geschichte 1938-1981
    Description / Table of Contents: Includes bibliographical references and index
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  • 80
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 1469628813 , 9781469628813 , 146963046X , 9781469628813
    Language: English
    Pages: 201 Seiten , Illustrationen , 22 cm
    DDC: 781.62/13009043
    RVK:
    RVK:
    Keywords: Geschichte ; Folk music ; Weltwirtschaftskrise ; Politik ; USA
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  • 81
    ISBN: 9780190467814 , 9780190467821
    Language: English
    Pages: xiv, 263 Seiten , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 781.64094965
    RVK:
    Keywords: Geschichte 1945-2010 ; Politik ; Popular music Political aspects ; Music and state ; Popular music History and criticism ; Entwicklung ; Soziologie ; Musikpolitik ; Gesellschaft ; Staat ; Popmusik ; Albanien ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Albanien ; Popmusik ; Staat ; Musikpolitik ; Gesellschaft ; Soziologie ; Entwicklung ; Geschichte 1945-2010
    Note: Includes bibliographical references and index ; revised dissertation
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  • 82
    ISBN: 9781472452108
    Language: English
    Pages: xiv, 237 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Ashgate popular and folk music series
    Series Statement: An Ashgate book
    DDC: 782.42164094
    RVK:
    Keywords: Popular music Influence ; Popular music Political aspects ; Popular music Social aspects ; Music and transnationalism ; Europa ; Popmusik ; Sänger ; Songwriter ; Politik ; Musiksoziologie
    Abstract: Paradigms. "The songs I'd write would be like that" : transnational influences between poets, composers, singer-songwriters / Franco Fabbri ; Politique des chant-auteurs : French auteur theory and Italian canzone d'autore compared / Jacopo Conti ; "Words take the place of meaning" : sound, sense and politics in the music of Robert Wyatt / Richard Elliott ; Thinking the canzone d'autore / Rachel Haworth ; Rediscovered sisters : women (and) singer-songwriters in Italy / Jacopo Tomatis -- Politics. "I write the songs. He's the eye candy" : the female singer-songwriter, the woman artist-producer and the British broadsheet press / Paula Wolfe ; In Germany after the war : broadening the discourse on the Liedermacher / Dietmar Elflein ; Judges, guitars, freedom and the mainstream : problematizing the early cantautor in Spain / Sílvia Martínez ; Starting over : singer-songwriters and the rhythm of historical time in post-revolutionary Portugal / Luís Trindade -- Place. The re-invention of the French singer-songwriter in the liberation years : Léo Ferré and the French poetic heritage in popular song / Peter Hawkins ; When Jake met Georges : the chanson across the channel / Mark Goodall ; Transitions of the cantautor : aesthetics, politics and authenticity in Spanish popular music from the late Franco dictatorship to the present day / Fernán del Val and Stuart Green ; A place for us? Building the sense of place in the "Genoese School" of cantautori / Alessandro Bratus and Giuseppa Vultaggio
    Description / Table of Contents: Paradigms. "The songs I'd write would be like that" : transnational influences between poets, composers, singer-songwriters / Franco Fabbri ; Politique des chant-auteurs : French auteur theory and Italian canzone d'autore compared / Jacopo Conti ; "Words take the place of meaning" : sound, sense and politics in the music of Robert Wyatt / Richard Elliott ; Thinking the canzone d'autore / Rachel Haworth ; Rediscovered sisters : women (and) singer-songwriters in Italy / Jacopo TomatisPolitics. "I write the songs. He's the eye candy" : the female singer-songwriter, the woman artist-producer and the British broadsheet press / Paula Wolfe ; In Germany after the war : broadening the discourse on the Liedermacher / Dietmar Elflein ; Judges, guitars, freedom and the mainstream : problematizing the early cantautor in Spain / Sílvia Martínez ; Starting over : singer-songwriters and the rhythm of historical time in post-revolutionary Portugal / Luís Trindade -- Place. The re-invention of the French singer-songwriter in the liberation years : Léo Ferré and the French poetic heritage in popular song / Peter Hawkins ; When Jake met Georges : the chanson across the channel / Mark Goodall ; Transitions of the cantautor : aesthetics, politics and authenticity in Spanish popular music from the late Franco dictatorship to the present day / Fernán del Val and Stuart Green ; A place for us? Building the sense of place in the "Genoese School" of cantautori / Alessandro Bratus and Giuseppa Vultaggio.
    Note: Literaturverzeichnis: Seiten 205-228
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  • 83
    Book
    Book
    Newcastle upon Tyne : Cambridge Scholars Publishing
    ISBN: 978-1-4438-8677-2 , 1-4438-8677-7
    Language: English
    Pages: xviii, 294 Seiten
    RVK:
    Keywords: Geschichte 2000-2013 ; Politik ; Identität ; Geschlechterrolle ; Interdisziplinarität ; Musik ; Simbabwe ; Aufsatzsammlung ; Aufsatzsammlung ; Simbabwe ; Musik ; Politik ; Identität ; Geschlechterrolle ; Interdisziplinarität ; Geschichte 2000-2013
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  • 84
    ISBN: 9781472452108
    Language: English
    Pages: xiv, 237 Seiten , Illustration, Notenbeispiel
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    DDC: 782.42164094
    RVK:
    Keywords: Popular music Influence ; Popular music Political aspects ; Popular music Social aspects ; Music and transnationalism ; Musiksoziologie ; Songwriter ; Politik ; Popmusik ; Sänger ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Popmusik ; Sänger ; Songwriter ; Politik ; Musiksoziologie
    Note: Includes bibliographical references and index
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  • 85
    ISBN: 9780994970503
    Language: English
    Pages: iii, 251 Seiten , Illustrationen , 23 cm
    Edition: First edition
    RVK:
    Keywords: Experimentelle Musik ; Kapitalismus ; Politik ; Kunst ; Geschlechterrolle ; Identität ; Elektronische Musik ; Südostasien ; Südostasien ; Elektronische Musik ; Südostasien ; Experimentelle Musik ; Südostasien ; Kunst ; Politik ; Identität ; Geschlechterrolle ; Kapitalismus
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  • 86
    ISBN: 9781138278431
    Language: English
    Pages: ix, 215 Seiten
    Edition: 1st published in paperback
    Series Statement: Ashgate popular and folk music series
    Series Statement: An Ashgate book
    DDC: 781.640981
    RVK:
    RVK:
    RVK:
    Keywords: Popular music History and criticism 20th century ; Music Political aspects ; Nationalism in music ; Brasilien ; Popmusik ; Politik ; Gesellschaft ; Nationalismus ; Geschichte 1900-2000
    Abstract: Musical nationalism and the cultural invasion debate -- Inventing the idea of MPB -- Television and popular music -- Cultural imperialism, globalisation, and the Brazilian record industry -- The state as cultural mediator the Política Nacional de Cultura, Funarte and the Projeto Pixinguinha -- Musical mapping : locating and defending the regional -- Reconsidering musical tradition : música do Brasil and Rumos Itaú Cultural Música
    Note: Literaturverzeichnis: Seite 187-204
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  • 87
    Online Resource
    Online Resource
    London : Routledge | London : Informa UK Limited
    ISBN: 9781315609973 , 9781409407119 , 9781317052418
    Language: English
    Pages: 1 Online-Ressource (xi, 266 Seiten)
    Edition: 1st edition
    Series Statement: Ashgate popular and folk music series
    RVK:
    RVK:
    Keywords: Geschichte 1991-1995 ; Politik ; Popmusik ; Jugoslawienkriege ; Kroatien
    Note: First published 2010 by Ashgate Publishing , Literaturverzeichnis: Seite [219]-250
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  • 88
    ISBN: 9781472452108
    Language: English
    Pages: XIV, 237 Seiten , Illustration
    Edition: First published
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    DDC: 782.42164094
    RVK:
    Keywords: Gesellschaft ; Politik ; Popular music Influence ; Popular music Political aspects ; Popular music Social aspects ; Music and transnationalism ; Politik ; Sänger ; Musiksoziologie ; Songwriter ; Popmusik ; Europa ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Popmusik ; Sänger ; Songwriter ; Politik ; Musiksoziologie
    Note: Includes bibliographical references and index
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  • 89
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226362403 , 9780226362540
    Language: English
    Pages: xx, 307 Seiten , Illustrationen, Notenbeispiele, Karte
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63096822/1
    RVK:
    RVK:
    Keywords: Geschichte 1994-2014 ; Gesellschaft ; Politik ; Kwaito (Music) Social aspects ; Kwaito (Music) Philosophy and aesthetics ; Kwaito (Music) Political aspects ; Musicians, Black ; Jugend ; Politischer Wandel ; Soziale Funktion ; Schwarze ; Kwaito ; Südafrika (Staat) ; South Africa Social conditions 1994- ; Südafrika ; Südafrika ; Kwaito ; Politischer Wandel ; Jugend ; Schwarze ; Soziale Funktion ; Geschichte 1994-2014
    Abstract: In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country s urban black youth developed "kwaito" a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today who face high unemployment, extreme inequality, and widespread crime Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa s crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that music is always political, Steingo elucidates a music that thrives on its its radically ambiguous relationship with politics, power, and the state. - Gavin Steingo is assistant professor of music at the University of Pittsburgh.
    Note: Includes bibliographical references and index
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  • 90
    Online Resource
    Online Resource
    London, [England] : Routledge
    ISBN: 9781317091752
    Language: English
    Pages: 1 Online-Ressource (xx, 180 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.48/24701713
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1938-1981 ; Geschichte ; Musik ; Politik ; Music and diplomacy ; Music / Political aspects / History / 20th century ; Arts and diplomacy ; Cold War ; Music and diplomacy ; Music Political aspects 20th century ; History ; Arts and diplomacy ; Cold War ; Ost-West-Konflikt ; Diplomatische Beziehungen ; Künste ; Musik ; Kulturaustausch ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Ost-West-Konflikt ; Musik ; Künste ; Kulturaustausch ; Diplomatische Beziehungen ; Geschichte 1938-1981
    Note: Includes bibliographical references and index
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  • 91
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226362687
    Language: English
    Pages: 1 Online-Ressource (xx, 307 Seiten) , Illustrationen, Notenbeispiele, Karte
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63096822/1
    RVK:
    RVK:
    Keywords: Geschichte 1994-2014 ; Gesellschaft ; Politik ; Kwaito (Music) Social aspects ; Kwaito (Music) Philosophy and aesthetics ; Kwaito (Music) Political aspects ; Musicians, Black ; Soziale Funktion ; Kwaito ; Jugend ; Politischer Wandel ; Schwarze ; Südafrika (Staat) ; South Africa Social conditions 1994- ; Südafrika ; Südafrika ; Kwaito ; Politischer Wandel ; Jugend ; Schwarze ; Soziale Funktion ; Geschichte 1994-2014
    Abstract: In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country s urban black youth developed "kwaito" a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today who face high unemployment, extreme inequality, and widespread crime Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa s crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that music is always political, Steingo elucidates a music that thrives on its its radically ambiguous relationship with politics, power, and the state. - Gavin Steingo is assistant professor of music at the University of Pittsburgh.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 92
    Online Resource
    Online Resource
    Frankfurt am Main, [Germany] : Peter Lang Edition
    ISBN: 9783653055177
    Language: English
    Pages: 1 online resource (230 pages)
    Series Statement: Jazz. Jazz under State Socialism Volume 4
    Parallel Title: Erscheint auch als Meanings of jazz in state socialism
    DDC: 781.650947/09045
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Politik ; Jazz Political aspects ; Jazz Political aspects ; Jazz Political aspects ; Jazz Political aspects ; Socialism and music ; Communism and music ; Jazz ; Ostblock ; Aufsatzsammlung ; Ostblock ; Jazz ; Geschichte
    Note: Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 93
    Online Resource
    Online Resource
    London : Routledge | [London] : Taylor & Francis
    ISBN: 9781315601212
    Language: English
    Pages: 1 Online-Ressource (xxv, 223 Seiten)
    Series Statement: Ashgate popular and folk music series
    Series Statement: Taylor & Francis eBooks
    DDC: 782.4'2166'0922
    RVK:
    RVK:
    RVK:
    Keywords: Rockmusik ; Politik ; Aufsatzsammlung
    Abstract: Political Rock is a comparative, cultural history of luminary figures in rock music who have played important roles in social movements. Individual chapters are devoted to The Clash and Fugazi, Billy Bragg, Bob Dylan, Rage Against the Machine, Pearl Jam, Sinead O'Connor, Peter Gabriel, Ani DiFranco, Bruce Cockburn, Steve Earle and Kim Gordon. These artists have been chosen for their status as rock musicians and connections to political moments, movements, and art.
    Note: Gedruckte Ausgabe 2016 erschienen , Description based upon print version of record
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  • 94
    Online Resource
    Online Resource
    London : Palgrave Macmillan
    ISBN: 9781137497802
    Language: English
    Pages: 1 Online-Ressource (XI, 228 Seiten)
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    DDC: 941
    RVK:
    RVK:
    Keywords: History ; Music ; Great Britain / History ; Civilization / History ; History of Britain and Ireland ; Cultural History ; Geschichte ; Musik ; Politik ; Musik ; Postpunk ; Kultur ; Großbritannien ; Großbritannien ; Electronic books ; Großbritannien ; Kultur ; Musik ; Postpunk ; Großbritannien ; Postpunk ; Politik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 95
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469628837
    Language: English
    Pages: 1 Online-Ressource (201 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6213009043
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte ; Geschichte ; Politik ; Folk music Political aspects ; Folk music History and criticism ; Popular music 1931-1940 x History and criticism ; Politics and culture History 20th century ; Folk music ; Politik ; Weltwirtschaftskrise ; USA ; USA ; USA ; Folk music ; Politik ; Weltwirtschaftskrise ; Geschichte
    Abstract: The role of folk music, broadly defined, during the trying years of the Great Depression in the United States, 1929–40, with a particular focus on the role of left-wing political groups and individuals. The government promoted a labor and cultural renaissance through the "alphabet stew" of federal programs, employing Charles Seeger, John and Alan Lomax, and numerous others in collecting folk music. Performers such as Woody Guthrie, Lead Belly, Pete Seeger, and many others connected vernacular music with commercial outlets such as concerts, record companies, and radio shows. Members of the Communist Party, in particular, used folk music to promote labor unions, civil rights, and a peace movement. Folk music remained a vital part of popular culture throughout the Depression years into World War II. There is a particular focus on the role that folk music played in the clash between capitalism and the emerging grassroots proletarian movements
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 96
    ISBN: 9782070197705 , 2070197700
    Language: French
    Pages: 390 Seiten , zahlreiche Illustrationen , 29 cm
    DDC: 791
    RVK:
    RVK:
    RVK:
    Keywords: Ausstellungskatalog Musée National du Château de Versailles et de Trianon 29.11.2016-26.03.2017 ; Ausstellungskatalog Musée National du Château de Versailles et de Trianon 29.11.2016-26.03.2017 ; Versailles ; Höfisches Fest ; Spiel ; Theater ; Höfische Kultur ; Unterhaltung ; Geschichte 1640-1800 ; Frankreich ; Adel ; Fest ; Kunst ; Geschichte 1640-1800
    Note: Rückseite Titelblatt: "Cet ouvrage est publié à l'occasion de l'exposition "Fêtes et divertissements à la cour" présentée au château de Versailles du 29 novembre 2016 au 26 mars 2017." , Literaturverzeichnis: Seite 376-385
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  • 97
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781107504318 , 9781107007321
    Language: English
    Pages: XIV, 327 S.
    Series Statement: Music since 1900
    DDC: 780.904
    RVK:
    RVK:
    Keywords: Geschichte 1968 ; Musik ; Politik ; Popmusik ; Rockmusik
    Note: Originally published: 2013. , Includes bibliographical references and index.
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  • 98
    ISBN: 9783868216141
    Language: German
    Pages: 165 Seiten , Illustrationen , 21 cm, 320 g
    DDC: 781.66
    RVK:
    Keywords: Heavy Metal ; Politik ; Aufsatzsammlung
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  • 99
    ISBN: 9780765680785 , 9781317471646 , 9781317471653 (Sekundärausgabe)
    Language: English
    Pages: XX, 592, I-52
    Edition: Online-Ausg. Ann Arbor, Michigan Proquest Online Ressource ISBN 9781317471653
    Edition: [Online-Ausg.]
    DDC: 973.91503
    RVK:
    Keywords: Geschichte 1918-1930 ; Jazz ; Kultur ; Politik ; Enzyklopädie ; Online-Publikation
    Note: Gedruckte Ausg. in 2 Bänden erschienen. , Literaturverz. S. 579 - 592 , Online-Ausg.:
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  • 100
    ISBN: 9782343062693
    Language: French
    Pages: 110 Seiten , 22 cm
    Series Statement: Harmattan Cameroun
    RVK:
    RVK:
    Keywords: Politisches Lied ; Protestsong ; Protest songs / Cameroon / History and criticism ; Folk songs / Cameroon / History and criticism ; Songs / Social aspects / Cameroon ; Songs / Political aspects / Cameroon ; Social control / Cameroon ; Music / Social aspects / Cameroon ; Music / Political aspects / Cameroon ; Gesellschaft ; Musik ; Politik ; Kamerun
    Abstract: Ce livre traite des problèmes contemporains tels que la permanence de la vulnérabilité sociale, la violence politique, le pouvoir de l'argent et la corruption notoire, à travers la chanson camerounaise. Il est question de montrer comment l'art musical permet de mettre à nu les logiques qui astreignent les élites gouvernantes à travailler contre le développement et la démocratie. Cette étude est un essai de décryptage de la violence consécutive à l'adversité politique à laquelle les pauvres font face dans les pays en développement
    Note: Literaturverzeichnis Seite [99] - 105
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