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  • 2015-2019  (75)
  • 2000-2004  (23)
  • History
  • Musicology  (98)
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Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    The northern soul scene (2019)
    Sheffield : Equinox Publishing
    Details
    ISBN: 9781781795583 , 9781781795576 , 9781781795583
    Language: English
    Pages: 353 Seiten
    Series Statement: Studies in popular music
    Parallel Title: Erscheint auch als
    DDC: 781.64409427
    RVK:
    LS 48060
    RVK:
    LQ 84307
    RVK:
    LS 48640
    Keywords: Geschichte 1970- ; Soul (Music) History and criticism ; Soul (Music) Social aspects ; History ; Musikleben ; Soul ; England ; Midlands ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; England Nord ; Midlands ; Soul ; Musikleben ; Geschichte 1970-
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HU Berlin
    München BSB
    KOBV
    BVB
  • 2
    Book
    Book
    Hearing the Crimean War : wartime sound and the unmaking of sense (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190916756 , 0190916753 , 9780190916749 , 0190916745
    Language: English
    Pages: li, 268 Seiten , Illustrationen , 24 cm
    DDC: 781.599
    RVK:
    LR 57725
    RVK:
    LC 87000
    Keywords: Crimean War, 1853-1856 Music and the war ; Music Political aspects ; History ; 19th century ; Sound Political aspects ; History ; 19th century ; Music and war ; Music Political aspects ; Aufsatzsammlung ; Krimkrieg ; Musik ; Geräusch ; Geschichte
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Ethn. Museum Berlin
  • 3
    Book
    Book
    Together forever : Run-DMC, Beastie Boys (2019)
    New York : Rizzoli
    Details
    ISBN: 9780847866472
    Language: English
    Pages: 224 Seiten
    DDC: 782.421649
    RVK:
    LS 48650
    Keywords: Run-D Pictorial works ; Beastie Boys Pictorial works ; Beastie Boys ; Run-D ; Rap musicians Pictorial works ; Rap (Music) Pictorial works ; Hip-hop History ; African American musicians Pictorial works ; Rappeurs Ouvrages illustrés ; Hip-hop Histoire ; Musiciens noirs américains Ouvrages illustrés ; African American musicians ; Hip-hop ; Rap (Music) ; Rap musicians ; Bildband ; History ; Pictorial works
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HeBIS
  • 4
    Book
    Book
    Jazz libre et la révolution québécoise : musique-action, 1967-1975 (2019)
    Saint-Joseph-du-Lac (Québec), Canada : M Éditeur
    Details
    ISBN: 9782924924068
    Language: French
    Pages: 197 Seiten , Illustrationen , 21 cm
    Series Statement: Collection Mouvements
    DDC: E
    RVK:
    LS 48270
    Keywords: Free jazz History ; Free jazz ; History ; Québec (Province) History 1960- ; Québec ; Free Jazz ; Provinz Quebec ; Québec
    Abstract: "Quelle est la place du free jazz dans les luttes menées contre le capitalisme et l'impérialisme anglo-saxon au lendemain de la Révolution tranquille? En quoi l'improvisation collective en musique est-elle le moteur d'une révolte politico-culturelle, voire le vecteur d'une utopie collective? Quel est le rôle des travailleur·euses culturel·les dans le militantisme politique du Québec des années 1960 et 1970? Cette histoire du groupe Jazz libre retrace le parcours emprunté par un collectif d'improvisateurs engagés dans la recherche de nouvelles formes de communication et d'organisation : de leurs débuts à « L'Atelier de jazz » au centre-ville jusqu'à l'Amorce dans le Vieux-Montréal, en pas­sant par l'Association espagnole, la Colonie artistique de Val-David et la commune socialiste « P'tit Québec libre ». La pratique musicale du groupe se veut rassembleuse, participative, démocratique et libératrice. Elle l'amène à participer aux expérimentations de Raôul Duguay et de Walter Boudreau dans l'Infonie, et celles de Robert Charlebois et de ses complices de l'Osstidcho. Elle est surtout une « musique-action », c'est-à-dire un outil de désaliénation avec lequel le Jazz libre invite les gens à communiquer ensemble pour ensuite prendre conscience de leur capacité d'agir et de se libérer - individuellement puis collectivement. Cette démarche lui permet d'établir des réseaux avec des membres de la revue Parti pris et du Front de libération du Québec ainsi que des militant·es étudiant·es et ouvrier·ères. Dès lors, sa destinée est fatalement liée à celle de la gauche indépendantiste ; une gauche bigarrée qui, à la fin des années 1960 et au début des années 1970, fait face aux champs des possibles."--Page 4 of cover
    Library Location Call Number Volume/Issue/Year Availability
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    BSZ
  • 5
    Book
    Book
    Henry Cow : the world is a problem (2019)
    Durham ; London : Duke University Press
    Details
    ISBN: 9781478004660 , 9781478004059
    Language: English
    Pages: xiii, 494 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LS 48040
    Keywords: Henry Cow ; Geschichte 1968-1978 ; Jazz ; Rockgruppe ; Experimentelle Musik ; Progressive Rock ; Großbritannien ; Henry Cow (Musical group) ; Avant-garde (Music) / England / 20th century / History and criticism ; Music / Political aspects / History / 20th century ; Music / 20th century / Philosophy and aesthetics ; Rock musicians / Interviews ; Avant-garde (Music) ; Music / Philosophy and aesthetics ; Music / Political aspects ; Rock musicians ; England ; 1900-1999 ; Criticism, interpretation, etc ; History ; Interviews ; Biografie ; Biografie ; Henry Cow ; Großbritannien ; Rockgruppe ; Progressive Rock ; Jazz ; Experimentelle Musik ; Geschichte 1968-1978
    Abstract: In its open improvisations, lapidary lyrics, errant melodies, and relentless pursuit of spontaneity, the British experimental band Henry Cow pushed rock music to its limits. The band's rotating personnel, sprung from rock, free jazz, and orchestral worlds, synthesized a distinct sound that troubled genre lines, and with this musical diversity came a mixed politics, including Maoism, communism, feminism, and Italian Marxism. In Henry Cow: The World is a Problem Benjamin Piekut tells the band's story-from its founding in Cambridge in 1968 and later affiliation with Virgin Records to its demise ten years later-and analyzes its varied efforts to link aesthetics with politics. Drawing on ninety interviews with Henry Cow musicians and crew, letters, notebooks, scores, journals, and meeting notes, Piekut traces the group's pursuit of a political and musical collectivism, offering up its history as but one example of the vernacular avant-garde that emerged in the decades after World War II. Henry Cow's story resonates far beyond its inimitable music; it speaks to the avant-garde's unpredictable potential to transform the world. -- Back cover
    Description / Table of Contents: You can't play this music at Cambridge (1968-73) -- Faust and the virgins (1973) -- Contentment is hopeless, unrest is progress (1974) -- Death to the individual : Slapp Happy (1974-75) -- Europa (1975- 76) -- The roads leading to Rome (1976-77) -- No joy anymore : London 1977 -- Henry Cow always had to be Henry Cow
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    München BSB
    Würzburg UB
    BVB
  • 6
    Book
    Book
    Billie Holiday : essays on the artistry and legacy (2019)
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    Details
    ISBN: 9781476674698
    Language: English
    Pages: viii, 169 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42165092
    RVK:
    LS 48040
    Keywords: Holiday, Billie ; Holiday, Billie / 1915-1959 ; Holiday, Billie / 1915-1959 / Influence ; Holiday, Billie / 1915-1959 / Criticism and interpretation ; Civil rights movements / United States / History / 20th century ; Civil rights movements / United States / History / 21st century ; African American women jazz singers / Biography ; Women jazz singers / Biography ; Jazz singers / United States / Biography ; Holiday, Billie / 1915-1959 ; African American women jazz singers ; Civil rights movements ; Influence (Literary, artistic, etc.) ; Jazz singers ; Women jazz singers ; United States ; 1900-2099 ; Biography ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Holiday, Billie 1915-1959
    Abstract: ""Eleanora "Lady Day" Fagan, better known as Billie Holiday, played a primary role in the development of American jazz culture and in African American history. Devoted to the enduring jazz icon, covering many aspects of her career, image and legacy, these essays range from musical and vocal analyses, to critical assessments of film depictions of the singer, to analysis of the social movements and protests addressed by her signature songs, including her impact on contemporary movements such as #BlackLivesMatter. More than a century after her birth, Billie Holiday's abiding relevance and impact is a testament to the power of musical protest. This collection pays tribute to her creativity, bravery and lasting legacy."--
    Description / Table of Contents: Introduction / Jessica McKee and Michael V. Perez -- In stereotragic hi-fidelity : performing Billie Holiday / Michael V. Perez -- Billie reverberates her blues : advertising Love for sale that costs More than you know / Tammie Jenkins -- Lady sings the blues? : tragedy, autobiography and reassessment / Anna Maria Barry -- Merging artists : the legacy of Motown's Lady sings the blues / Claudius Stemmler -- "Owning" Billie Holiday in several representative jazz poems / William Levine -- Brigitte loves Billie : channeling Holiday in Domino (1988) / Fernando Gabriel Pagnoni Berns -- Seeing is believing? : reading Billie Holiday through photography / Matthew Duffus -- Shouting back : cohering Lady Day through Kevin Young's jazz poem anthology / Taylor Joy Mitchell -- Reevaluating Lady sings the blues and What's love got to do with it : ambivalent representations of black female artistry / Jesse Schlotterbeck -- Easy to love : representations of Billie Holiday in contemporary American poetry / Tara Betts -- The fruit is on the ground : the impact of "Strange fruit" on Black Lives Matter / Devona Mallory
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    München BSB
    Regensburg UB
    BSZ
    BVB
  • 7
    Book
    Book
    Dreams of Germany : musical imaginaries from the concert hall to the dance floor (2019)
    New York : Berghahn
    Details
    ISBN: 9781789200324
    Language: English
    Pages: xii, 307 Seiten , Illustrationen
    Series Statement: Spektrum / publications of the German Studies Association volume 18
    Series Statement: Spektrum
    DDC: 780.9430904
    RVK:
    LS 80100
    Keywords: Music Social aspects ; History ; 20th century ; Germany ; Music History and criticism ; 20th century ; Germany ; National characteristics, German ; Music German influences ; Aufsatzsammlung ; Deutschland ; Musik ; Gesellschaft ; Nationalbewusstsein ; Geschichte 1900-2000 ; Deutsches Sprachgebiet ; Musik ; Musikleben ; Nationalbewusstsein ; Geschichte 1900- ; Deutsches Sprachgebiet ; Musiksoziologie ; Geschichte 1900-2019
    Abstract: "The German in the concert hall" : concert-going and belonging in the early twentieth century / Hansjakob Ziemer -- "Music made in Hamburg" : how one city's music scene helped make rock and roll the lingua franca of youth / Julia Sneeringer -- "With every inconceivable finesse, excess and good music" : sex, affect, and techno at Snax Club in Berlin / Luis-Manuel Garcia -- Bruckner, Munich, and the Longue Duree of musical listening between the imperial and post- war eras / Neil Gregor -- Female musicians and "Jewish" music in the Jewish Kulturbund in Bavaria, 1934-1938 / Dana Smith -- Pride of place : the 1963 rebuilding of the Munich Nationaltheater / Emily Richmond Pollock -- Was ist Japanisch? Wagnerism and dreams of nationhood in modern Japan / Brooke McCorkle -- Hubert Parry, Germany, and the "North" Thomas Irvine -- Between musicology and mythology at the Stunde Null : Austria's 950th "birthday" and the 50th anniversary of Bruckner's death / Lap-Kwan Kam -- Hearing the Nazi Past in the German Democratic Republic : antifascist fantasies, acoustic realities, and haunted memories in Georg Katzer's Aide-memoire (1983) / Martha Sprigge -- Sprockets + Autobahn : Kraftwerk parodies, German electronic music, and retro dreams in Amerika / Sean Nye.
    Abstract: Zusammenfassung: "For many centuries, Germany has enjoyed a reputation as the 'land of music'. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale"--(Provided by publisher.)
    Note: Literaturangaben
    URL: Inhaltsverzeichnis
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    MPI-MMG
  • 8
    Online Resource
    Online Resource
    Music is power : popular songs, social justice and the will to change (2019)
    New Brunswick : Rutgers University Press
    Details
    ISBN: 1978808151 , 9781978808157
    Language: English
    Pages: 1 Online-Ressource (vii, 236 pages) , illustrations
    Parallel Title: Erscheint auch als Schreiber, Brad Music is power
    DDC: 306.4/8424
    RVK:
    LS 48050
    Keywords: Popular music Social aspects ; History ; Popular music Political aspects ; History ; History ; Popular music ; Social aspects ; Popular music ; Political aspects ; MUSIC ; General ; Electronic books
    Abstract: Frontmatter -- Contents -- 1. Musical Workers of the World Unite: Joe Hill, Woody Guthrie, and Pete Seeger -- 2. There for More Than Fortune: Phil Ochs, Joan Baez, and Bob Dylan -- 3. Caged Artists: Lesley Gore, Janis Ian, and P.F. Sloan -- 4. Parody and Poetry: Tom Lehrer; Peter, Paul and Mary; and The Smothers Brothers -- 5. Psychedelicate Situations: Jimi Hendrix and Pink Floyd -- 6. Reason and Blues: Marvin Gaye and The Temptations -- 7. Say It Loud, We're Blocked but Proud: James Brown and Curtis Mayfield -- 8. Hard Rock Turns Metallic: The Who and Black Sabbath -- 9. More Than a Working-Class Hero: John Lennon and The Beatles -- 10. Out of Place and In Your Face: The Dead Kennedys and The Sex Pistols -- 11. Word: Gil Scott-Heron and Grandmaster Flash -- 12. Global Music Consciousness: Bob Marley and Peter Gabriel -- 13. Weird, Funny, Smart, Angry: Frank Zappa versus Everyone -- 14. Rap, Not Hip-Hop: NWA and Public Enemy -- 15. Weapons of Mass Deconstruction: Dixie Chicks and Green Day -- Bibliography -- Index -- About the Author
    Abstract: Popular music has long been a powerful force for social change. Protest songs have served as anthems regarding war, racism, sexism, ecological destruction and so many other crucial issues. Music Is Power takes us on a guided tour through the past 100 years of politically-conscious music, from Pete Seeger and Woody Guthrie to Green Day and NWA. Covering a wide variety of genres, including reggae, country, metal, psychedelia, rap, punk, folk and soul, Brad Schreiber demonstrates how musicians can take a variety of approaches-- angry rallying cries, mournful elegies to the victims of injustice, or even humorous mockeries of authority--to fight for a fairer world. While shining a spotlight on Phil Ochs, Gil Scott-Heron, The Dead Kennedys and other seminal, politicized artists, he also gives readers a new appreciation of classic acts such as Lesley Gore, James Brown, and Black Sabbath, who overcame limitations in their industry to create politically potent music Music Is Power tells fascinating stories about the origins and the impact of dozens of world-changing songs, while revealing political context and the personal challenges of legendary artists from Bob Dylan to Bob Marley
    Note: Includes bibliographical references and index
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: https://www.degruyter.com/isbn/9781978808157
    URL: Cover
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    Online Resource
    BSZ
    GBV
    KOBV
    HeBIS
  • 9
    Image
    Image
    Hit factories : a journey through the industrial cities of British pop (2019)
    London : Weidenfeld & Nicolson
    Details
    ISBN: 9781474607407
    Language: English
    Pages: 326 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    RVK:
    LQ 84007
    RVK:
    LQ 84400
    RVK:
    LS 48060
    Keywords: Popular music / Great Britain ; Cities and towns / Great Britain / History ; Musical landmarks / Great Britain ; Cities and towns ; Musical landmarks ; Popular music ; Great Britain ; History
    URL: Inhaltsverzeichnis
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    Image
    GBV
    KOBV
  • 10
    Image
    Image
    Lunch with the wild frontiers : a history of Britpop and excess in 131/2 chapters (2019)
    London, England : Jawbone Press
    Details
    ISBN: 9781911036494
    Language: English
    Pages: 270 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 22
    Edition: First edition
    RVK:
    LQ 84007
    RVK:
    LS 48635
    Keywords: Geschichte 1990-2000 ; Musikleben ; Britpop ; Großbritannien ; Savidge Phill ; Alternative rock music / Great Britain / History and criticism ; Popular music / 1991-2000 / History and criticism ; Alternative rock musicians / Great Britain ; Popular music / Great Britain / History and criticism ; Popular culture / Great Britain / History / 20th century ; Alternative rock music ; Alternative rock musicians ; Popular culture ; Popular music ; Great Britain ; 1900-2000 ; Criticism, interpretation, etc ; History ; Großbritannien ; Britpop ; Musikleben ; Geschichte 1990-2000
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Image
    KOBV
    BVB
  • 11
    Image
    Image
    Lunch with the wild frontiers : a history of Britpop and excess in 131/2 chapters (2019)
    London, England : Jawbone Press
    Details
    ISBN: 9781911036494
    Language: English
    Pages: 270 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 22
    Edition: First edition
    RVK:
    LQ 84007
    RVK:
    LS 48635
    Keywords: Geschichte 1990-2000 ; Britpop ; Musikleben ; Großbritannien ; Savidge Phill ; Alternative rock music / Great Britain / History and criticism ; Popular music / 1991-2000 / History and criticism ; Alternative rock musicians / Great Britain ; Popular music / Great Britain / History and criticism ; Popular culture / Great Britain / History / 20th century ; Alternative rock music ; Alternative rock musicians ; Popular culture ; Popular music ; Great Britain ; 1900-2000 ; Criticism, interpretation, etc ; History ; Großbritannien ; Britpop ; Musikleben ; Geschichte 1990-2000
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Image
    HU Berlin
    München BSB
  • 12
    Online Resource
    Online Resource
    Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives (2019)
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
    RVK:
    LS 48015
    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Cultural History ; Diplomacy ; History of the 20th Century ; History ; International Relations ; Music ; Musicology ; Politics ; Pop Music ; Popular Culture ; Unterhaltungsmusik ; Public Diplomacy ; MUSIC / History & Criticism ; Electronic books
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
    DOI: 10.1515/9783839443583
    URL: kostenfrei
    URL: Cover
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: De Gruyter, Cover
    URL: EBSCOhost
    URL: https://doi.org/10.14361/9783839443583
    URL: https://openresearchlibrary.org/content/422dabda-0d15-4fb7-847b-a0d3dd102bff
    URL: Biblioboard
    URL: Image
    URL: lizenzpflichtig
    URL: kostenfrei
    URL: kostenfrei
    URL: kostenfrei registrierungspflichtig
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    BSZ
    GBV
    KOBV
    HeBIS
  • 13
    Book
    Book
    Female highlife performers in Ghana : expression, resistance, and advocacy (2018)
    Lanham ; Boulder ; New York ; London : Lexington Books
    Details
    ISBN: 9781498564663
    Language: English
    Pages: xvii, 172 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63082/09667
    RVK:
    LS 46720
    Keywords: Highlife (Music) History and criticism ; Women musicians ; Popular music Political aspects ; History ; Musikerin ; Highlife ; Ghana ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Ghana ; Highlife ; Musikerin
    Abstract: This book offers a detailed analysis of the history of female musicians in the Highlife music tradition of the Republic of Ghana, particularly the challenges and constraints these women faced and overcame. Highlife – a form of West African music infusing Ghana’s traditional Akan dance rhythms and melodies with European instruments and harmonies – grew in popularity throughout the 20th century and hit its peak in the 1970s and 1980s. Although women played significant roles in the evolution and survival of the genre, few of their contributions have been thoroughly explored or documented. Despite being disregarded and ignored in many spheres, female Highlife musicians thrived and became trailblazers in the Ghanaian music industry, making particularly vibrant contributions to Highlife music in the 1970s. This book presents the voices of female Highlife artists and documents the ideological transformations expressed through their musical works, exploring the challenges they confronted throughout their musical careers and their contributions to music and culture in Ghana. - Nana Abena Amoah-Ramey is adjunct assistant professor in the Department of African American and African diaspora studies at Indiana University.
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    BVB
    Bayreuth UB
  • 14
    Book
    Book
    The relentless pursuit of tone : timbre in popular music (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780199985234
    Language: English
    Pages: xvii, 386 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LS 48000
    RVK:
    LS 48015
    Keywords: Klangfarbe ; Geschichte 1930- ; Musikproduktion ; Unterhaltungsmusik ; Schallaufzeichnung ; Popular music / History and criticism ; Popular music / Production and direction / History ; Tone color (Music) ; Popular music ; Tone color (Music) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Klangfarbe ; Schallaufzeichnung ; Musikproduktion ; Geschichte 1930-
    Description / Table of Contents: Introduction. Chasing the dragon : in search of tone in popular music / Robert Fink, Zachary Wallmark, and Melinda Latour -- Genre. Hearing timbre : perceptual learning among early Bay Area ravers / Cornelia Fales ; The twang factor in country music / Jocelyn R. Neal ; The sound of evil : timbre, body, and sacred violence in death metal / Zachary Wallmark ; Below 100 Hz : toward a musicology of subbass / Robert Fink -- Voice. Timbre and legal likeness : the case of Tom Waits / Mark C. Samples ; The triumph of Jimmy Scott : a voice beyond category / Nina Sun Eidsheim ; Auto-Tune, labor, and the pop music voice / Catherine Provenzano -- Instrument. Hearing luxe pop : Jay Z, Isaac Hayes, and the six degrees of symphonic soul / John Howland ; Santana and the metaphysics of tone : feedback loops, volume knobs and the quest for transcendence / Melinda Latour ; Synthesizers as social protest in early 1970s funk / Griffin Woodworth ; Crossing the electronic divide: guitars, synthesizers, and the shifting sound field of fusion / Steve Waksman -- Production. Clash of the timbres : recording authenticity in the California rock scene, 1966-68 / Jan Butler ; The death rattle of a laughing hyena : the sound of musical democracy / Albin J. Zak III ; The sound of nowhere : reverb and the construction of sonic space / Paul Théberge ; The spectromorphology of recorded popular music : the shaping of sonic cartoons through record production / Simon Zagorski-Thomas -- Afterword / Simon Frith
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    Würzburg UB
    HeBIS
    BVB
  • 15
    Book
    Book
    Made in France : studies in popular music (2018)
    London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781138793040 , 9780367869779
    Language: English
    Pages: xxiv, 271 Seiten , Illustrationen, Diagramme , 26 cm
    Edition: First published
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als Made in France
    RVK:
    LS 48015
    Keywords: Popmusik ; Popular music History and criticism ; Popular music Social aspects ; History ; Frankreich ; Aufsatzsammlung
    Note: Literaturangaben , First issued in paperback 2019
    URL: Inhaltsverzeichnis
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    HeBIS
  • 16
    Book
    Book
    Modzines : fanzine culture from the Mod revival (2018)
    London ; Berlin : Omnibus Press
    Details
    ISBN: 9781787601079
    Language: English
    Pages: 175 Seiten , 27 cm
    RVK:
    LS 48645
    Keywords: Mod culture (Subculture) / Great Britain ; Zines / Great Britain ; Fan magazines / Great Britain / History / 20th century ; Fan magazines ; Mod culture (Subculture) ; Zines ; Great Britain ; 1900-1999 ; History ; Bildband
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    GBV
    KOBV
  • 17
    Book
    Book
    Sounds in South Africa : School of Human and Social Sciences annual lectures, University of Venda, 2017 (2018)
    Cape Town : Centre for Advanced Studies of African Society (CASAS)
    Details
    ISBN: 9781920294229
    Language: English
    Pages: iv, 113 Seiten , Illustrationen, Notenbeispiel
    Series Statement: CASAS book series no. 127
    Series Statement: CASAS book series
    RVK:
    LS 47945
    RVK:
    LQ 92000
    Keywords: Geschichte ; Schwarze ; Unterhaltungsmusik ; Südafrika ; Music / South Africa / History ; Popular music / Political aspects ; Folk music / South Africa ; Musicians, Black / South Africa ; National songs / South Africa ; Folk music ; Music ; Musicians, Black ; National songs ; Popular music / Political aspects ; South Africa ; History ; Südafrika ; Schwarze ; Unterhaltungsmusik ; Geschichte
    Description / Table of Contents: 1. Life in the field : anthropologist as refugee -- 2. God rock Africa : thought on politics in popular black performance in South Africa -- 3. Sounds of the "third way" : identity and the African renaissance in contemporary South Africa popular traditional music -- 4. Nkosi Sikelel' iAfrika and the liberation of the spirit of South Africa
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    Bayreuth UB
  • 18
    Book
    Book
    John Blacking and contemporary African musicology : reflections, reviews, analyses and prospects (2018)
    Cape Town : Centre for Advanced Studies of African Society (CASAS)
    Details
    ISBN: 9781920294212
    Language: English
    Pages: xvi, 240 Seiten , Illustrationen, Notenbeispiele
    Series Statement: CASAS book series no. 126
    Series Statement: CASAS book series
    RVK:
    LS 46000
    Keywords: Blacking, John ; Musikethnologie ; Afrika ; Blacking, John ; Ethnomusicology / Africa / History ; Musicology / Africa / History ; National songs / Africa ; Musicology ; Africa ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Blacking, John 1928-1990 ; Afrika ; Musikethnologie
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  • 19
    Online Resource
    Online Resource
    The relentless pursuit of tone : timbre in popular music (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190908027
    Language: English
    Pages: 1 Online-Ressource (xviii, 386 Seiten)
    DDC: 781.641234
    RVK:
    LS 48000
    RVK:
    LS 48015
    Keywords: Popular music History and criticism ; Popular music Production and direction ; History ; Tone color (Music) ; Unterhaltungsmusik ; Klangfarbe ; Schallaufzeichnung ; Musikproduktion ; Geschichte 1930-
    Abstract: The Relentless Pursuit of Tone: Timbre in Popular Music assembles a wide spectrum of contemporary perspectives on how sound functions in an equally wide array of popular music. With subjects ranging from the twang of country banjos and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume attempts to bridge the gap between timbre, the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. The book’s chapters engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. The chapters in Part I, “Genre,” ask how sonic signatures define musical identities and publics; Part II, “Voice,” considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; Part III, “Instrument,” tells stories of the way some iconic pop music machines—guitars, strings, synthesizers—got (or lost) their distinctive sounds; and Part IV, “Production,” puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons, rockist authenticity, empty space?), and what it all might mean. The book includes a general theoretical introduction by the editors and an afterword by noted popular music scholar Simon Frith.
    DOI: 10.1093/oso/9780199985227.001.0001
    URL: Volltext
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  • 20
    Book
    Book
    Han'guk ŭmak changdan ŭi yŏksa : History of Korean rhythmic modes (Jangdan) (2018)
    Sŏul : Asia Ŭmak Hakhoe
    Details
    Title: 한국 음악 장단의 역사
    Author, Corporation: 전 인평
    Publisher: 서울 : 아시아음악 학회
    ISBN: 9788998671174 , 8998671174
    Language: Korean
    Pages: 646 Seiten , Illustrationen , 26 cm
    Edition: Sujŏng chŭngbop'an
    RVK:
    LS 42000
    Keywords: Music theory / Korea ; Musical meter and rhythm / History ; Music theory ; Musical meter and rhythm ; Korea ; History
    Note: Revised edition of Han'guk ŭmak changdan ŭi yŏksa wa nolli published by Chungang Taehakkyo Ch'ulp'anbu in 2005. - Aus dem Vorwort
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  • 21
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    Book
    Anti-music : jazz and racial blackness in German thought between the wars (2018)
    Albany, NY : SUNY Press
    Details
    ISBN: 9781438469874 , 9781438469867
    Language: English
    Pages: xxvi, 200 Seiten , Illustrationen , 23 cm
    Series Statement: SUNY series, philosophy and race
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073043
    RVK:
    LR 57727
    RVK:
    LS 48100
    RVK:
    LQ 80107
    Keywords: Geschichte 1918-1939 ; Philosophy, German 20th century ; Jazz History and criticism 20th century ; Blacks Race identity 20th century ; History ; Jazz ; Schwarze ; Nationalsozialismus ; Ethnische Identität ; Afroamerikanische Musik ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. - Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic. (Klappentext)
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 22
    Online Resource
    Online Resource
    The Oxford handbook of music listening in the 19th and 20th centuries (2018)
    New York : Oxford University Press
    Details
    ISBN: 9780190466992
    Language: English
    Pages: 1 online resource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music listening in the 19th and 20th centuries
    DDC: 781.1/709
    RVK:
    LR 56606
    Keywords: Listening ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Concerts History 19th century ; Concerts History 20th century ; Music ; Social aspects ; History ; 19th century ; Music ; Social aspects ; History ; 20th century ; Concerts ; History ; 19th century ; Concerts ; History ; 20th century ; Listening ; Aufsatzsammlung ; Konferenzschrift 2012 ; Musikhören ; Konzert ; Konzert ; Geschichte 1800-2000 ; Musiksoziologie
    Abstract: This handbook takes on the task of examining the history of music listening over the past two hundred years. It uses the "art of listening" as a leitmotif encompassing an entanglement of interdependent practices and discourses about a learnable mode of perception. The art of listening first emerged around 1800 and was adopted and adapted across the public realm to suit a wide range of collective listening situations from popular to serious art forms up to the present day. Because this is a relatively new subject in historical research, the volume combines case studies from several disciplines in order to investigate whether, how, and why practices of music listening changed. Focusing on a diverse set of locations and actors and using a range of historical sources, it attempts to historicize and reconstruct the evolution of listening styles to show the wealth of variants in listening.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 2, 2018)
    DOI: 10.1093/oxfordhb/9780190466961.001.0001
    URL: lizenzpflichtig
    URL: Volltext
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    MPI Ethno. Forsch.
  • 23
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    Book
    Made in France : studies in popular music (2019)
    London : Routledge, Taylor & Francis Ltd
    Details
    ISBN: 0367869772 , 9780367869779
    Language: English
    Pages: 271 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Routledge global popular music series
    RVK:
    LS 48015
    Keywords: Popular music History and criticism ; Popular music Social aspects ; History ; Frankreich ; Popmusik
    Note: First published by Routledge
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  • 24
    Online Resource
    Online Resource
    Middlebrow modernism : Britten's operas and the great divide (2018)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520970700 , 0520970705 , 9780520298651 , 0520970705 , 9780520298651 , 9780520970700
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Parallel Title: Erscheint auch als
    Parallel Title: Print version Chowrimootoo, Christopher, 1985- Middlebrow modernism
    RVK:
    LP 91536
    Keywords: Britten, Benjamin ; Britten, Benjamin ; Britten, Benjamin ; Music ; Opera ; Modernism (Music) ; Music Philosophy and esthetics 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Music Philosophy and esthetics 20th century ; Electronic books ; MUSIC / History & Criticism ; Modernism (Music) ; Opera ; Operas (Britten, Benjamin) ; History ; Electronic books ; Britten, Benjamin 1913-1976 ; Oper ; Soziale Situation ; Massenkultur ; Neue Musik
    Abstract: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Abstract: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 25
    Online Resource
    Online Resource
    Music wars : money, politics, and race in the construction of rock and roll culture, 1940-1960 (2018)
    Lanham : Lexington Books
    Details
    ISBN: 9781498575881
    Language: English
    Pages: 1 Online-Ressource (217 pages)
    Parallel Title: Erscheint auch als Hajduk, John C. Music wars : money, politics, and race in the construction of rock and roll culture, 1940-1960
    DDC: 306.4/84240973
    RVK:
    LS 48630
    Keywords: Popular music Social aspects 20th century ; History ; Music trade History 20th century ; Electronic books
    Note: Description based on print version record
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  • 26
    Online Resource
    Online Resource
    Popular music, stars and stardom (2018)
    Acton, ACT, Australia : Australian National University Press
    Details
    ISBN: 9781760462123 , 1760462136 , 1760462128 , 1760462136 , 9781760462123 , 9781760462130
    Language: English
    Pages: 1 Online-Ressource (x, 162 pages)
    Parallel Title: Print version Popular music, stars and stardom
    RVK:
    LR 57730
    RVK:
    MS 7850
    Keywords: Mercury, Freddie Criticism and interpretation ; Caballé, Montserrat Criticism and interpretation ; Jacques, Judy Criticism and interpretation ; Saddington, Wendy Criticism and interpretation ; Beyoncé Criticism and interpretation ; Mercury, Freddie ; Caballé, Montserrat ; Jacques, Judy ; Saddington, Wendy ; Beyoncé ; Rock music ; Popular music Political aspects ; Popular music Social aspects ; Popular music History and criticism ; Fame Political aspects ; Minstrel music History ; Women musicians ; Popular music ; Rock music ; Popular music ; Popular music ; Popular music ; Fame ; Minstrel music ; Women musicians ; Popular music ; Electronic books ; Beyoncé ; Caballé, Montserrat ; Mercury, Freddie ; Music ; Popular culture ; Media, information & communication industries ; Minstrel music ; Popular music ; Popular music ; Political aspects ; Popular music ; Social aspects ; Rock music ; Women musicians ; Australia ; Criticism, interpretation, etc ; History ; Electronic books ; Popmusik ; Popsänger ; Popsängerin ; Starkult
    Abstract: "A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music."
    Abstract: "A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music."
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 27
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    The Jazz war : radio, Nazism and the struggle for the airwaves in World War II (2018)
    London : Bloomsbury Academic
    Details
    ISBN: 9780755601974 , 9781784538583
    Language: English
    Pages: XVI, 240 Seiten , Illustrationen , 22 cm
    Series Statement: Library of World War II studies 1
    Series Statement: Library of World War II studies
    DDC: 940.5488
    RVK:
    LS 48100
    RVK:
    LS 48200
    RVK:
    AP 34150
    Keywords: World War, 1939-1945 Propaganda ; Radio in propaganda History 20th century ; Radio in propaganda History 20th century ; Jazz Social aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Radio broadcasting History 20th century ; Radio broadcasting History 20th century ; World War (1939-1945) ; Jazz ; Social aspects ; Propaganda ; Radio broadcasting ; Radio in propaganda ; Germany ; Great Britain ; History ; Jazz ; Jazz ; Propaganda ; Radio broadcasting ; Radio broadcasting ; Radio broadcasting ; Radio in propaganda ; Radio in propaganda ; World War, 1939-1945 ; Germany ; Great Britain ; World War (1939-1945) ; History ; 1900-1999 ; Deutschland ; Großbritannien ; USA ; Jazz ; Propaganda ; Soziale Situation ; Geschichte 1939-1945 ; Jazz ; Zweiter Weltkrieg ; Kultur ; Geschichte
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 28
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    Book
    Mary Gladstone and the Victorian salon : music, literature, liberalism (2017)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781107184800 , 9781316636145
    Language: English
    Pages: xviii, 305 Seiten , Illustrationen , 26 cm
    Series Statement: New perspectives in music history and criticism
    DDC: 941.081092
    RVK:
    LR 57715
    RVK:
    LR 57725
    Keywords: Drew, Mary Gladstone ; Gladstone, W. E Family ; Drew, Mary Gladstone 1847-1927 ; Socialites Biography ; Musicians Biography ; Women Political activity 19th century ; History ; Salons History 19th century ; Music History and criticism 19th century ; Private secretaries Biography ; Music Political aspects ; History ; 19th century ; Great Britain ; Liberalism History ; 19th century ; Great Britain ; Salons History ; 19th century ; England ; London ; Great Britain Intellectual life ; 19th century ; Great Britain Politics and government ; 1837-1901 ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Musikleben ; Geistesleben ; Geschichte ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Kultur ; Politik ; Musik ; Geschichte ; Royal College of Music ; Geschichte
    Abstract: "The daughter of one of Britain's longest-serving prime ministers, Mary Gladstone was a notable musician, hostess of one of the most influential political salons in late Victorian London, and probably the first female prime ministerial private secretary in Britain. Pivoting around Mary's initiatives, this intellectual history draws on a trove of unpublished archival material that reveals for the first time the role of music in Victorian liberalism, explores its intersections with literature, recovers what the high Victorian salon was within a wider cultural history, and shows Mary's influence on her father's work. Paying close attention to literary and biographical details, the book also sheds new light on Tennyson's poetry, George Eliot's fiction, the founding of the Royal College of Music, the Gladstone family, and a broad plane of wider British culture, including political liberalism and women, sociability, social theology and aesthetic democracy"--
    Abstract: Machine generated contents note: Part I. Intellectual History: 1. Idealist philosophy, culture and the Gladstones; 2. The passion of liberalism; 3. The Victorian salon; 4. Music and the Gladstone salon; Part II. Musical and Literary Case Studies: 5. Mary Gladstone's diary and the Royal College of Music; 6. '... there ought to be some melody in poetry': Tennyson's salon readings; 7. '... musical, I see!': triangulated criticism and Daniel Deronda; 8. Conclusion
    Note: Literaturverzeichnis: Seite 273-294 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 29
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    Book
    Plague and music in the Renaissance (2017)
    Cambridge : Cambridge University Press
    Details
    ISBN: 1107109256 , 9781107109254
    Language: English
    Pages: ix, 284 Seiten , Illustrationen, Notenbeispiele
    Edition: First published
    DDC: 306.4/842094
    RVK:
    LR 57803
    RVK:
    LR 57813
    RVK:
    LP 19503
    Keywords: Music Social aspects ; History ; Music therapy History ; Plague History ; Pest ; Musik ; Geschichte 1400-1600 ; Pest ; Geschichte 1400-1600
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  • 30
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    Book
    Loft jazz : improvising New York in the 1970s (2017)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520285415 , 9780520285408
    Language: English
    Pages: x, 257 Seiten , Illustrationen, Karten
    DDC: 781.6509747
    RVK:
    LQ 89507
    RVK:
    LS 48270
    Keywords: Geschichte 1900-2000 ; Sozialgeschichte 1970-1980 ; Geschichte ; Gesellschaft ; Jazz History and criticism 1971-1980 ; Jazz Social aspects 20th century ; History ; Loft ; Jazz ; Fabrikgebäude ; Lagerhalle ; Musikleben ; New York, NY ; New York, NY ; Jazz ; Fabrikgebäude ; Lagerhalle ; Loft ; Musikleben ; Sozialgeschichte 1970-1980
    Abstract: "The New York loft jazz scene of the 1970s was a pivotal period for uncompromising, artist-produced work. Faced with a flagging jazz economy, a group of young avant-garde improvisers chose to eschew the commercial sphere and develop alternative venues in the abandoned factories and warehouses of Lower Manhattan. Loft Jazz provides the first book-length study of this period, tracing its history amid a series of overlapping discourses surrounding collectivism, urban renewal, experimentalist aesthetics, underground archives, and the radical politics of self-determination"...Provided by publisher
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
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  • 31
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    Cultural histories of noise, sound and listening in Europe, 1300 - 1918 (2017)
    London [u.a.] : Routledge
    Details
    ISBN: 9781409444398
    Language: English
    Pages: XII, 279 S. , Ill., Kt., Notenbeisp. , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 306.4842094
    RVK:
    LR 57790
    RVK:
    LR 56660
    Keywords: Music Social aspects ; History ; Sound Social aspects ; History ; Noise Social aspects ; History ; Aufsatzsammlung
    Note: "Includes bibliographical references and index"
    URL: Inhaltsverzeichnis
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  • 32
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    Jazz and totalitarianism (2017)
    New York : Routledge
    Details
    ISBN: 9781138887824 , 9781138887817 , 1138887811 , 113888782X
    Language: English
    Pages: xviii, 364 Seiten , Illustrationen , 24 cm
    Series Statement: Transnational studies in jazz
    DDC: 781.6509
    RVK:
    LS 48100
    Keywords: Jazz Political aspects 20th century ; History ; Totalitarianism and music ; Jazz History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Totalitarismus ; Internationaler Vergleich
    Abstract: Jazz and fascism : contradictions and ambivalences in the diffusion of jazz music under the Italian fascist dictatorship (1925-1935) / Marilisa Merolla -- Jazz in Moscow after Stalinism / Rüdiger Ritter -- Four spaces four meanings : narrating jazz in late-Stalinist Estonia / Heli Reimann -- Jazz in Poland : totalitarianism, Stalinism, socialist realism / Igor Pietraszewski -- Jazz in socialist Czechoslovakia during the 1950s and 1960s / Wolf-Georg Zaddach -- Trouble with the neighbours : jazz, geopolitics, and Finland's totalitarian shadow / Marcus O'Dair -- Performing the "anti-Spanish" body : jazz and biopolitics in the early Franco regime (1939-1957) / Iván Iglesias -- "The purest essence of jazz" : the appropriation of blues in Spain during Franco's dictatorship / Joseph Pedro -- Jazz and the Portuguese dictatorship before and after WWII : from moral panic to suspicious acceptance / Pedro Roxo -- A kind of "in-between" : jazz and politics in Portugal (1958-1974) / Pedro Cravinho -- A climbing vine through concrete : jazz in 1960s Apartheid South Africa / Jonathan -- "Fanfare for the warriors" : jazz, education, and state control in 1980s South Africa and after / Mark Duby -- From the 'Sultan' to the 'Persian side' : jazz in Iran and Iranian jazz since the 1920s / Gay Breyley -- On the marginality of contemporary jazz in China : the case of Beijing / Adiel Portugali -- Afterword : conclusions / Bruce Johnson
    Abstract: "Jazz and Totalitarianism" examines jazz in a range of regimes that in significant ways may be described as totalitarian, historically covering the period from the Franco regime in Spain beginning in the 1930s to present day Iran and China. The book presents an overview of the two central terms and their development since their contemporaneous appearance in cultural and historiographical discourses in the early twentieth century, comprising fifteen essays written by specialists on particular regimes situated in a wide variety of time periods and places. Interdisciplinary in nature, this compelling work will appeal to students from Music and Jazz Studies to Political Science, Sociology, and Cultural Theory
    Note: Includes bibliographical references (pages 353-354) and index
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  • 33
    Online Resource
    Online Resource
    Depression folk : grassroots music and left-wing politics in 1930s America (2017)
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    Details
    ISBN: 9781469628837
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 781.62/13009043
    RVK:
    LS 48640
    RVK:
    LQ 89307
    Keywords: Geschichte ; Folk music ; Weltwirtschaftskrise ; Politik ; Folk music Political aspects 20th century ; History ; Folk music History and criticism ; Popular music History and criticism 1931-1940 ; Politics and culture History 20th century ; USA
    Abstract: While music lovers and music historians alike understand that folk music played an increasingly pivotal role in American labour and politics during the economic and social tumult of the Great Depression, how did this relationship come to be? Ronald D. Cohen sheds new light on the cultural history of folk music in America, detailing the musicians, government agencies, and record companies that had a lasting impact.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
    DOI: 10.5149/northcarolina/9781469628813.001.0001
    URL: http://dx.doi.org/10.5149/northcarolina/9781469628813.001.0001
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  • 34
    Online Resource
    Online Resource
    Between air and electricity : microphones and loudspeakers as musical instruments (2017)
    New York : Bloomsbury Academic
    Details
    ISBN: 9781501327612 , 9781501327629
    Language: English
    Pages: 1 Online-Ressource (xvi, 198 Seiten) , Illustrationen
    Edition: First published
    Series Statement: Music & sound studies
    Parallel Title: Erscheint auch als Eck, Cathy van, 1979 - Between air and electricity
    DDC: 781.49
    RVK:
    LR 57790
    Keywords: Sound Recording and reproducing ; History ; Electronic music History and criticism ; Microphone ; Loudspeakers ; Sound Recording and reproducing ; History ; Electronic music History and criticism ; Microphone ; Loudspeakers ; Audiotechnik ; Musikinstrument ; Mikrofon ; Lautsprecher ; Musikinstrument
    Abstract: Machine generated contents note: 1
    Note: Includes bibliographical references and index
    URL: kostenfrei
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    Online Resource
    MPI Ethno. Forsch.
  • 35
    Online Resource
    Online Resource
    Sweet air : modernism, regionalism, and American popular song (2017)
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    Details
    ISBN: 9780252094576
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
    RVK:
    LS 48015
    Keywords: Sozialgeschichte 1900-1970 ; Popmusik ; Musikgattung ; Regionalismus ; Verbreitung ; Technologie ; Popular music History and criticism ; Popular music Social aspects ; History ; USA
    Abstract: 'Sweet Air' rewrites the history of early twentieth-century pop music in modernist terms. Tracking the evolution of popular regional genres such as blues, country, folk, and rockabilly in relation to the growth of industry and consumer culture, Edward P. Comentale shows how this music became a vital means of exploring the new and often overwhelming feelings brought on by modern life.
    Note: Previously issued in print: 2013 , Includes bibliographical references and index
    DOI: 10.5406/illinois/9780252037399.001.0001
    URL: https://doi.org/10.5406/illinois/9780252037399.001.0001
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    HeBIS
  • 36
    Musical Score
    Musical Score
    Musical identities and European perspective : an interdisciplinary approach (2017)
    Frankfurt am Main : PL Academic Research
    Details
    ISBN: 9783631672310
    Language: English
    Pages: 296 Seiten , Illustrationen, Notenbeispiele , 22 cm
    Series Statement: Eastern European studies in musicology Volume 8
    Series Statement: Eastern European studies in musicology
    Parallel Title: Erscheint auch als Perković, Ivana, 1970 - Musical Identities and European Perspective
    DDC: 780.94
    RVK:
    LQ 80020
    RVK:
    LR 57730
    RVK:
    LR 57720
    Keywords: Music Social aspects ; History ; Nationalism in music ; Aufsatzsammlung ; Europa ; Musik ; Kulturelle Identität ; Europa ; Musik ; Kulturelle Identität ; Nationalbewusstsein
    Abstract: Music and Identity: defining "self" and "other." The Velvet Curtain : European identities and Lithuanian musical imagination in the post-Communist era / Râuta Stanveiéciåutçe. Karol Szymanowski and his concept of modern music culture / Ma±gorzata Janicka-S±ysz. From "good other" to "ideal self" : images of Russian otherness in France and the Iberian Peninsula at the turn of the 20th century / Paulo F. de Castro. Ambiguity, mimicry and war : zlla turca in Contredanse K 535 by Wolfgang Amadeus Mozart / Ivana Perkoviâc. Defining identity : in question of "Lithuanianness" in piano performance art / Lina Navickaitçe-Martinelli -- Unity in diversity. Influence, imitation, and the reshaping of identitites in European popular music / Franco Fabbri. Rock me Lane moje : European identifications of transitory Yugoslav/West Balkans' identities at the Eurovision song contest / Vesna Mikiéc. Memory, spectacle, and the image of songs . Saskia Jaszoltowski. The Estonian singing revolution : musematic insights / Kaire Maimets -- (Re)conceptualizing approaches to music and "Europness." Short correspondence between Edgard Varáese and John Cage : zround, about and above "organized sound" / Dragana Stojanoviâc-Noviéciâc. The facets of the decline of avant-garde exclusivity as the cause of specific stylistic connotations of the musical avant-garde today / Mirjana Veselinoviâc-Hofman. Types of transtextuality in selected works of Serbian musical postmodernism / Marija Masnikosa. The musical text and the ontology of the musical work / Tijana Popoviâc Mladjenoviâc
    Note: Includes bibliographical references
    URL: https://www.peterlang.com/view/product/25125?format=HC
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Musical Score
    MEK Berlin
  • 37
    Image
    Image
    The Republic of rock : music and citizenship in the sixties counterculture (2017)
    Oxford : Oxford University Press
    Details
    ISBN: 9780190610753 , 9780195384864
    Language: English
    Pages: xi, 292 Seiten , Illustrationen
    Edition: First issued as an Oxford University Press paperback
    DDC: 306.48426097309046
    RVK:
    LR 57727
    RVK:
    LB 42610
    RVK:
    LC 87610
    RVK:
    HD 475
    RVK:
    LC 87415
    Keywords: Geschichte 1900-2000 ; Sozialgeschichte 1960-1970 ; Geschichte ; Gesellschaft ; Rock music Social aspects 20th century ; History ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Rock music History and criticism 1961-1970 ; Rockmusik ; USA ; USA ; Vietnam ; Rock music / Social aspects / History / 20th century / United States ; Rock music / Social aspects / History / 20th century / Vietnam ; Rock music / History and criticism / 1961-1970 / United States ; Rock music / History and criticism / 1961-1970 / Vietnam ; USA ; Vietnam ; Rockmusik ; Sozialgeschichte 1960-1970
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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    Image
    München UB
    Bayreuth UB
  • 38
    Image
    Image
    The Republic of rock : music and citizenship in the sixties counterculture (2017)
    Oxford : Oxford University Press
    Details
    ISBN: 9780190610753 , 9780195384864
    Language: English
    Pages: xi, 292 Seiten , Illustrationen
    Edition: First issued as an Oxford University Press paperback
    DDC: 306.48426097309046
    RVK:
    LR 57727
    RVK:
    LB 42610
    RVK:
    LC 87610
    RVK:
    HD 475
    RVK:
    LC 87415
    Keywords: Geschichte 1900-2000 ; Sozialgeschichte 1960-1970 ; Geschichte ; Gesellschaft ; Rock music Social aspects 20th century ; History ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Rock music History and criticism 1961-1970 ; Rockmusik ; USA ; USA ; Vietnam ; Rock music / Social aspects / History / 20th century / United States ; Rock music / Social aspects / History / 20th century / Vietnam ; Rock music / History and criticism / 1961-1970 / United States ; Rock music / History and criticism / 1961-1970 / Vietnam ; USA ; Vietnam ; Rockmusik ; Sozialgeschichte 1960-1970
    Note: Includes bibliographical references and index
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    Image
    BVB
  • 39
    Book
    Book
    The jazz republic : music, race, and American culture in Weimar Germany (2017)
    Ann Arbor : University of Michigan Press
    Details
    ISBN: 9780472053407 , 9780472073405
    Language: English
    Pages: XI, 311 Seiten , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    Parallel Title: Erscheint auch als
    DDC: 306.4/8425094309042
    RVK:
    LS 48100
    Keywords: Geschichte 1900-2000 ; Geschichte 1918-1933 ; Geschichte 1921-1930 ; Geschichte ; Gesellschaft ; Jazz Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race ; Ethnische Identität ; Soziale Funktion ; Kulturleben ; Jazz ; Schwarze ; Deutschland ; Germany Civilization ; American influences ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Kulturleben ; Ethnische Identität ; Soziale Funktion ; Geschichte 1918-1933 ; Deutschland ; Jazz ; Geschichte 1921-1930
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: http://d-nb.info/1142821293/04
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    HU Berlin
    München BSB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 40
    Online Resource
    Online Resource
    The Jazz republic : music, race, and American culture in Weimar Germany (2017)
    Ann Arbor : University of Michigan Press | The Hague : OAPEN Foundation
    Details
    ISBN: 9780472122660
    Language: English
    Pages: 1 Online-Ressource (xi, 311 Seiten) , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    DDC: 306.4/8425094309042
    RVK:
    LS 48100
    RVK:
    LS 48200
    RVK:
    LS 48060
    RVK:
    NQ 1090
    Keywords: Kultur ; Jazz ; Modernität ; Ethnische Beziehungen ; Deutschland ; Electronic books ; Criticism, interpretation, etc ; History ; Electronic book ; Criticism, interpretation, etc. ; History ; Electronic book ; Electronic books.
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Volltext  (Kostenfrei)
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    URL: Inhaltsverzeichnis
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    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
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    URL: kostenfrei
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    URL: kostenfrei
    URL: Volltext
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    URL: Volltext
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Volltext
    URL: Volltext
    URL: Volltext
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: lizenzpflichtig
    URL: Biblioboard
    URL: EBSCOhost
    URL: JSTOR
    URL: MyiLibrary
    URL: OAPEN
    URL: OAPEN
    URL: Project MUSE
    URL: https://hdl.loc.gov/loc.gdc/gdcebookspublic.2020707233
    URL: http://VH7QX3XE2P.search.serialssolutions.com/?V=1.0&L=VH7QX3XE2P&S=AC_T_B&C=Jazz%20Republic:%20Music%2C%20Race%2C%20and%20American%20Culture%20in%20Weimar%20Germany&T=marc&tab=BOOKS
    URL: http://VH7QX3XE2P.search.serialssolutions.com/?V=1.0&L=VH7QX3XE2P&S=JCs&C=TC0001815519&T=marc&tab=BOOKS
    URL: Access to the Michigan Publishing online version
    URL: View this content on BiblioBoard.
    URL: Biblioboard
    URL: Image  (Thumbnail cover image)
    URL: Free eBook from the Internet Archive
    URL: Additional information and access via Open Library
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Volltext
    URL: Volltext
    URL: Volltext
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: FULL  ((Currently Only Available on Campus))
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    München BSB
    München UB
    Würzburg UB
    Regensburg UB
    BSZ
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    HeBIS
    BVB
    HBZ
    Bayreuth UB
    MPI Ethno. Forsch.
  • 41
    Book
    Book
    The Hill bow makers : 1880-1962 (2016)
    [England] : British Violin Making Association
    Details
    ISBN: 9780954970291 , 0954970292
    Language: English
    Pages: 112 Seiten , Illustrationen, Karten, Porträts , 31 cm
    Edition: Standard edition
    DDC: 787.219
    RVK:
    LS 27440
    Keywords: W.E. Hill & Sons History ; W.E. Hill & Sons ; Violin makers History ; Violin bows Construction ; History ; Violin makers ; History
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    BSZ
  • 42
    Book
    Book
    Spiel (mit) der Maschine : musikalische Medienpraxis in der Frühzeit von Phonographie, Selbstspielklavier, Film und Radio (2016)
    Bielefeld : transcript
    Details
    ISBN: 3837630366 , 9783837630367
    Language: German
    Pages: 416 Seiten , Illustrationen, Diagramme, Karten, Notenbeispiele , 225 mm x 148 mm
    Series Statement: Musik und Klangkultur
    Parallel Title: Erscheint auch als Spiel (mit) der Maschine (Veranstaltung : 2014 : Frankfurt am Main) Spiel (mit) der Maschine
    Parallel Title: Erscheint auch als Spiel (mit) der Maschine
    Parallel Title: Erscheint auch als Spiel (mit) der Maschine (Veranstaltung : 2014 : Frankfurt am Main) Spiel (mit) der Maschine
    RVK:
    LR 57255
    Keywords: Mechanical musical instrument music Congresses History and criticism ; Mass media and music Congresses ; Sound recordings Congresses History ; Phonograph Congresses History ; Sound Congresses Recording and reproducing ; History ; Sound Congresses Recording and reproducing ; Equipment and supplies ; History ; Schallaufzeichnung ; Mechanisches Musikinstrument ; Aufführung ; Instrumentalspiel ; Konferenzschrift 2014 ; Aufsatzsammlung ; Konferenzschrift ; Mechanisches Musikinstrument ; Schallaufzeichnung ; Instrumentalspiel ; Aufführung ; Geschichte ; Musik ; Medien
    Abstract: Beiträge der gleichnamigen Tagung, die im Sommer 2014 am Insititut für Musikwissenschaft der Goethe-Universität Frankfurt am Main stattgefunden hat
    Note: "Beiträge der gleichnamigen Tagung, die im Sommer 2014 am Insititut für Musikwissenschaft der Goethe-Universität Frankfurt am Main stattgefunden hat" (Vorwort) , Spiel (mit) der Maschine : Anmerkungen zur Historiographie musikalischer Medienpraxis in der Frühzeit der Reproduktions und Übertragungsmedien : eine Einführung , Medienchronologie , Musikalische Medienpraxis im Kontext : Naturwissenschaft : Ästhetik : Ökonomie ; Experimentalisierung des Hörens : Musik und Medien um 1900 , Absolute Klangbilder : Abstrakter Film und Radiohörspiel der 1920er als komplementäre Formen einer "Eigenkunst" der Medien , Die Ökonomisierung der Wahrnehmung : Anmerkungen zur Wirtschaftsgeschichte der Medien oder : vom Aufstieg und Niedergang des Selbstspielklaviers , Klingende Industriegescmchte : die Frankfurter Orchestrion- & Piano-Instrumenten-Fabrik J. D. Philipps , Musikalische Medienpraxis als Interaktio von Menschen und Maschinen ; "Grammophon-Konzerte" : Historische Medienkombinationen mit Schallplatte und der Wandel der Live-Ästhetik , Spielen und bedienen : das selbstspielende Klavier als virtuose Maschine , Das Reproduktionsklavier : Zwischen Musikinstrument und Medium , Zeitarbeit : das Zusammenspiel von Menschen, Maschinen und Musik in der Entwicklung von Tonfilmtechniken , Radio als Erlebnsraum , Leiblichkeit und das Körperspiel der Maschinen , Musikalische Medienpraxis in historischen Zeitschriften ; "Die Stimme seines Herrn" : Hauszeitschrift der Deutschen Grammophon AG von 1909 bis 1918 , Radio zum Blättern : Spotlights auf die Rundfunkzeitschrift "Die Funk-Stunde" (1924-1929) , Musikalische Medienpraxis im Horizont einer Ästhetik des Eigenwerts der Medien ; Immer Neues ans Licht bringen" : Paul Hindemith und die (neuen) Medien , Ausweitung der Machbarkeitszone : Ästhetisch-technische Modernitätskonzepte von Film und Partitur in Arnold Fancks und Paul Hindemiths "In Sturm und Eis" 1921) , Hindemiths Versuche "grammophonplatteneigener Stücke" im Kontext einer Ideengeschichte der Mechanischen Musik im 20. Jahrhundert , Das Grammophon als Instrument : László Moholy-Nagy, Oskar Messter und die Gestaltung einer gezeichneten Phonoschrift für Schallplatten , Gespielte Medien und die Anfänge 'phonographischer Arbeit' , Anhang ; Autoren ; Namensregister ; Sachregister.
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
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    Book
    Ethn. Museum Berlin
  • 43
    Book
    Book
    Music, art and diplomacy : East-West cultural interactions and the Cold War (2016)
    London ; New York : Routledge
    Associated volumes
    Details
    ISBN: 9781472468086 , 9781472468093 , 9781472468109
    Language: English
    Pages: xx, 180 Seiten
    Series Statement: An Ashgate book
    DDC: 303.48/24701713
    RVK:
    LR 57720
    Keywords: Geschichte 1900-2000 ; Geschichte 1938-1981 ; Geschichte ; Musik ; Politik ; Music and diplomacy ; Music Political aspects 20th century ; History ; Arts and diplomacy ; Cold War ; Musik ; Künste ; Ost-West-Konflikt ; Kulturaustausch ; Diplomatische Beziehungen ; Konferenzschrift 2012 ; Aufsatzsammlung ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Ost-West-Konflikt ; Musik ; Künste ; Kulturaustausch ; Diplomatische Beziehungen ; Geschichte 1938-1981
    Description / Table of Contents: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    HU Berlin
    München BSB
    BSZ
    KOBV
    BVB
  • 44
    Online Resource
    Online Resource
    Identity, intertextuality, and performance in early modern song culture (2016)
    Leiden, Netherlands ; : Brill
    Details
    ISBN: 9789004314986
    Language: English
    Pages: 1 online resource (397 pages) , illustrations, photographs.
    Series Statement: Intersections Volume 43
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Identities, Intertextuality and Performance in Song Culture (2012 : Amsterdam) Identity, intertextuality, and performance in early modern song culture
    DDC: 782.0094
    RVK:
    LS 21000
    RVK:
    LR 53970
    Keywords: Autograph albums History 16th century ; Music Social aspects 16th century ; History ; Music Social aspects 17th century ; History ; Music Social aspects 18th century ; History ; Music Social aspects 19th century ; History ; Vocal music History and criticism 16th century ; Vocal music History and criticism 17th century ; Vocal music History and criticism 18th century ; Vocal music History and criticism 19th century ; Vocal music ; Europe ; 16th century ; History and criticism ; Vocal music ; Europe ; 17th century ; History and criticism ; Vocal music ; Europe ; 18th century ; History and criticism ; Vocal music ; Europe ; 19th century ; History and criticism ; Music ; Social aspects ; Europe ; History ; 16th century ; Music ; Social aspects ; Europe ; History ; 17th century ; Music ; Social aspects ; Europe ; History ; 18th century ; Music ; Social aspects ; Europe ; History ; 19th century ; Autograph albums ; Netherlands ; History ; 16th century ; Electronic books ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Vokalmusik ; Volkslied ; Liederbuch ; Geschichte 1450-1850
    Abstract: Contents -- Acknowledgements -- Notes on the Editors -- Notes on the Contributors -- List of Illustrations -- Chapter 1 Introduction -- Chapter 2 Local and Religious Identity in Swedish Popular Hymn Singing during the Seventeenth and Eighteenth Centuries -- Chapter 3 Performing Pietism in the Peatlands: Songs in the Manuscript Miscellany of a Village Schoolmaster in the Dutch Republic between 1750 and 1800 -- Chapter 4 Guilielmus Bolognino's Den Gheestelijcken Leeuwercker: The Collected Songs of a Counter-Reformation Champion -- Chapter 5 Songs and Identities: Handwritten Secular Songbooks in German-Speaking Areas of the Fifteenth and Sixteenth Centuries -- Chapter 6 'Social Networking is in Our Dna': Women's Alba Amicorum as Places to Build and Affirm Group Identities -- Chapter 7 The Many Shades of Love: Possessors and Inscribers of Sixteenth-Century Women's Alba -- Chapter 8 Exploring Love's Options: Song and Youth Culture in the Sixteenth Century Netherlands -- Chapter 9 Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany -- Chapter 10 The Perils of Performance: From Political Songs to National Airs in Romantic-Era Wales (1790-1820) -- Chapter 11 Folksongs, Conflicts and Social Protest in Early Modern France -- chapter 12 "Fortune My Foe": The Circulation of an English Super-Tune -- Chapter 13 Samuel Pepys and the Making of Ballad Publics -- Chapter 14 Slave Orchestras and Rainbow Balls: Colonial Culture and Creolisation at the Cape of Good Hope, 1750-1838 -- Index Nominum
    Note: Includes bibliographical references at the end of each chapters and index. Description based on print version record
    URL: lizenzpflichtig
    URL: Volltext
    URL: lizenzpflichtig
    URL: Volltext
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  • 45
    Book
    Book
    Audible empire : music, global politics, critique (2016)
    Durham : Duke University Press
    Details
    ISBN: 9780822359869 , 9780822360124 , 9780822374947
    Language: English
    Pages: XI, 418 Seiten , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als Audible empire
    Parallel Title: Erscheint auch als Audible empire
    DDC: 780.9
    RVK:
    LR 57720
    RVK:
    LR 57728
    Keywords: World music Social aspects ; History ; Imperialism Social aspects ; History ; World music Political aspects ; History ; Musik ; Tanz ; Potenzial ; Akkulturation ; Kulturübertragung ; Instrument ; Kultur ; Überlegenheit ; Abhängigkeit ; Politische Bewegung ; Soziale Bewegung ; Protestbewegung ; Auswärtige Kulturpolitik ; Kulturindustrie ; Beispiel ; Erde ; Aufsatzsammlung ; USA ; Musik ; Auswärtige Kulturpolitik ; Imperialismus ; Antikolonialismus ; USA ; Globalisierung ; Musik ; Auswärtige Kulturpolitik ; Imperialismus ; Antikolonialismus ; Musikmarkt ; Sozialgeschichte
    Abstract: Decolonizing the ear : the transcolonial reverberations of vernacular phonograph music / Michael Denning -- Smoking hot : cigarettes, jazz, and the production of global imaginaries in interwar Shanghai / Nan Enstad -- Circuit listening : Grace Chang and the dawn of the Chinese 1960s / Andrew F. Jones -- The Aesthetics of Allá : listening like a sonidero / Josh Kun -- Sound legacy : Elsie Houston / Micol Seigel -- Imperial aurality : jazz, the archive, and U.S. empire / Jairo Moreno -- Where they came from : reracializing music in the empire of silence / Philip V. Bohlman -- Di eagle and di bear : who gets to tell the story of the Cold War? / Penny Von Eschen -- Currents of revolutionary confluence : a view from Cuba's hip hop festival / Marc Perry -- Tango as intangible cultural heritage : development, diversity, and the values of music in Buenos Aires / Morgan James Luker -- Musical economies of the elusive metropolis / Gavin Steingo -- The sound of anticolonialism / Brent Hayes Edwards -- Rap, race, revolution : post-9/11 Brown and a hip hop critique of empire / Nitasha Sharma -- Echo and anthem : representing sound, music, and difference in two colonial modern novels / Amanda Weidman -- Tonality as a colonizing force in Africa / Kofi Agawu
    Description / Table of Contents: Decolonizing the ear : the transcolonial reverberations of vernacular phonograph music / Michael DenningSmoking hot : cigarettes, jazz, and the production of global imaginaries in interwar Shanghai / Nan Enstad -- Circuit listening : Grace Chang and the dawn of the Chinese 1960s / Andrew F. Jones -- The Aesthetics of Allá : listening like a sonidero / Josh Kun -- Sound legacy : Elsie Houston / Micol Seigel -- Imperial aurality : jazz, the archive, and U.S. empire / Jairo Moreno -- Where they came from : reracializing music in the empire of silence / Philip V. Bohlman -- Di eagle and di bear : who gets to tell the story of the Cold War? / Penny Von Eschen -- Currents of revolutionary confluence : a view from Cuba's hip hop festival / Marc Perry -- Tango as intangible cultural heritage : development, diversity, and the values of music in Buenos Aires / Morgan James Luker -- Musical economies of the elusive metropolis / Gavin Steingo -- The sound of anticolonialism / Brent Hayes Edwards -- Rap, race, revolution : post-9/11 Brown and a hip hop critique of empire / Nitasha Sharma -- Echo and anthem : representing sound, music, and difference in two colonial modern novels / Amanda Weidman -- Tonality as a colonizing force in Africa / Kofi Agawu.
    Note: Includes discography (Seite 357-359), bibliography (Seite 361-390) and index
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    MPI-MMG
  • 46
    Online Resource
    Online Resource
    The product of our souls : ragtime, race, and the birth of the Manhattan musical marketplace (2016)
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    Details
    ISBN: 9781469622712
    Language: English
    Pages: 1 Online-Ressource , Illustrations, maps
    DDC: 780.89/9607307471
    RVK:
    LS 48050
    RVK:
    LS 48500
    RVK:
    LS 48210
    RVK:
    LS 48100
    Keywords: Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; African Americans Music ; History and criticism ; Ragtime music History and criticism ; Ragtime music Social aspects 20th century ; History ; Music and race History 20th century ; USA
    Abstract: This work explores how African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music'. David Gilbert shows how they used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging preconceived ideas about race, culture, and modernity.
    Note: Previously issued in print: 2015 , Includes bibliographical references and index
    DOI: 10.5149/northcarolina/9781469622699.001.0001
    URL: http://dx.doi.org/10.5149/northcarolina/9781469622699.001.0001
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    HeBIS
  • 47
    Online Resource
    Online Resource
    Loft jazz : improvising New York in the 1970s (2017)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520960893
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    RVK:
    LQ 89507
    RVK:
    LS 48270
    Keywords: Sozialgeschichte 1970-1980 ; Jazz History and criticism 1971-1980 ; Jazz Social aspects 20th century ; History ; Musikleben ; Jazz ; Loft ; Fabrikgebäude ; Lagerhalle ; New York, NY ; New York, NY ; Jazz ; Fabrikgebäude ; Lagerhalle ; Loft ; Musikleben ; Sozialgeschichte 1970-1980
    Abstract: The New York loft jazz scene of the 1970s was a pivotal period for uncompromising, artist-produced work. Faced with a flagging jazz economy, a group of young avant-garde improvisers chose to eschew the commercial sphere and develop alternative venues in the abandoned factories and warehouses of Lower Manhattan. This work provides a study of this period, tracing its history amid a series of overlapping discourses surrounding collectivism, urban renewal, experimentalist aesthetics, underground archives, and the radical politics of self-determination
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 48
    Online Resource
    Online Resource
    Music, art and diplomacy : East-West cultural interactions and the Cold War (2016)
    London, [England] : Routledge
    Details
    ISBN: 9781317091752
    Language: English
    Pages: 1 Online-Ressource (xx, 180 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.48/24701713
    RVK:
    LR 57720
    Keywords: Geschichte 1900-2000 ; Geschichte 1938-1981 ; Geschichte ; Musik ; Politik ; Music and diplomacy ; Music / Political aspects / History / 20th century ; Arts and diplomacy ; Cold War ; Music and diplomacy ; Music Political aspects 20th century ; History ; Arts and diplomacy ; Cold War ; Ost-West-Konflikt ; Diplomatische Beziehungen ; Künste ; Musik ; Kulturaustausch ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Ost-West-Konflikt ; Musik ; Künste ; Kulturaustausch ; Diplomatische Beziehungen ; Geschichte 1938-1981
    Note: Includes bibliographical references and index
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  • 49
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    Music in ancient Judaism and early Christianity (2016)
    London ; New York : Routledge
    Details
    ISBN: 9781138273931 , 9781409409076
    Language: English
    Pages: XXII, 271 Seiten
    Edition: First issued in paperback
    Parallel Title: Erscheint auch als
    DDC: 781.7/600901
    RVK:
    LS 33120
    Keywords: Geschichte Anfänge-70 ; Geschichte ; Christentum ; Geschichte ; Judentum ; Musik ; Religion ; Music Religious aspects To 500 ; Judaism ; History ; Music Religious aspects To 500 ; Christianity ; History ; Music in the Bible ; Judentum ; Musik ; Frühchristentum ; Frühchristentum ; Musik ; Geschichte ; Judentum ; Musik ; Geschichte Anfänge-70
    Description / Table of Contents: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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  • 50
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    Book
    Jazz and postwar French identity : improvising the nation (2016)
    Lanham : Lexington Books
    Details
    ISBN: 9781498528764
    Language: English
    Pages: xxi, 267 Seiten
    Parallel Title: Online version McGregor, Elizabeth Vihlen Jazz and postwar French identity
    DDC: 781.650944/09045
    RVK:
    LS 48100
    Keywords: Jazz Social aspects 20th century ; History ; French Ethnic identity ; France Social conditions 20th century ; Frankreich ; Jazz ; Kulturelle Identität ; Geschichte 1940-1970
    Abstract: "In the context of a shifting domestic and international status quo that was evolving in the decades following World War II, French audiences used jazz as a means of negotiating a wide range of issues that were pressing to them and to their fellow citizens. Despite the fact that jazz was fundamentally linked to the multicultural through its origins in the hands of African-American musicians, happenings within the French jazz public reflected much about France&#x;s postwar society. In the minds of many, jazz was connected to youth culture, but instead of challenging traditional gender expectations, the music tended to reinforce long-held stereotypes. French critics, musicians, and fans contended with the reality of American superpower strength and often strove to elevate their own country's stature in relation to the United States by finding fault with American consumer society and foreign policy aims. Jazz audiences used this music to condemn American racism and to support the American civil rights movement, expressing strong reservations about the American way of life. French musicians lobbied to create professional opportunities for themselves, and some went so far as to create a union that endorsed preferential treatment for French nationals. As France became more ethnically and religiously diverse due immigration from Africa, Asia, and the Caribbean, French jazz critics and fans noted the insidious appearance of racism in their own country and had to contend with how their own citizens would address the changing demographics of the nation, even if they continued to insist that racism was more prevalent in the United States. As independence movements brought an end to the French empire, jazz enthusiasts from both former colonies and France had to reenvision their relationship to jazz and to the music&#x;s international audiences. In these postwar decades, the French were working to preserve a distinct national identity in the face of weakened global authority, most forcefully represented by decolonization and American hegemony. Through this originally African American music, French listeners, commentators, and musicians participated in a process that both challenged and reinforced ideas about their own culture and nation"--Back cover
    Abstract: e Monde du jazz -- The gendered jazz public -- The question and politics of race -- More than an American music -- Red, white, and blue notes: French jazz -- And what of empire? -- Conclusion: improvising the nation
    Note: Includes bibliographical references and index
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    Music and performance culture in nineteenth-century Britain : essays in honour of Nicholas Temperley (2016)
    London : Routledge Taylor & Francis Group
    Details
    ISBN: 9781138253780 , 9781409439790
    Language: English
    Pages: xviii, 342 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Music in nineteenth-century Britain
    Series Statement: An Ashgate book
    Parallel Title: Erscheint auch als
    DDC: 306.4842094109034
    RVK:
    LQ 84005
    Keywords: 1800-1899 ; Music Social aspects 19th century ; History ; Performance practice (Music) History 19th century ; Musique - Aspect social - Grande-Bretagne - Histoire - 19e siècle ; Pratique de l'exécution (Musique) - Grande-Bretagne - Histoire - 19e siècle ; Music - Social aspects ; Performance practice (Music) ; History ; Great Britain
    Note: Originally published: Farnham: Ashgate, 2012
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  • 52
    Online Resource
    Online Resource
    Identity, intertextuality, and performance in early modern song culture (2016)
    Leiden : Brill
    Details
    ISBN: 9789004314986
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Intersections 43
    Series Statement: Intersections
    Parallel Title: Erscheint auch als Identities, Intertextuality and Performance in Song Culture (2012 : Amsterdam) Identity, intertextuality, and performance in early modern song culture
    RVK:
    LS 21000
    RVK:
    LR 53970
    Keywords: Vocal music History and criticism 16th century ; Vocal music History and criticism 17th century ; Vocal music History and criticism 18th century ; Vocal music History and criticism 19th century ; Music Social aspects 16th century ; History ; Music Social aspects 17th century ; History ; Music Social aspects 18th century ; History ; Music Social aspects 19th century ; History ; Autograph albums History 16th century ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Vokalmusik ; Volkslied ; Liederbuch ; Geschichte 1450-1850
    Abstract: Preliminary Material -- 1 Introduction /Louis Peter Grijp and Dieuwke van der Poel -- 2 Local and Religious Identity in Swedish Popular Hymn Singing during the Seventeenth and Eighteenth Centuries /Ingrid Åkesson -- 3 Performing Pietism in the Peatlands: Songs in the Manuscript Miscellany of a Village Schoolmaster in the Dutch Republic between 1750 and 1800 /Nelleke Moser -- 4 Guilielmus Bolognino’s Den Gheestelijcken Leeuwercker: The Collected Songs of a Counter-Reformation Champion /Hubert Meeus and Tine de Koninck -- 5 Songs and Identities: Handwritten Secular Songbooks in German-Speaking Areas of the Fifteenth and Sixteenth Centuries /Franz-Josef Holznagel -- 6 ‘Social Networking is in Our dna’: Women’s Alba Amicorum as Places to Build and Affirm Group Identities /Sophie Reinders -- 7 The Many Shades of Love: Possessors and Inscribers of Sixteenth-Century Women’s Alba /Clara Strijbosch -- 8 Exploring Love’s Options: Song and Youth Culture in the Sixteenth Century Netherlands /Dieuwke van der Poel -- 9 Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany /David Robb -- 10 The Perils of Performance: From Political Songs to National Airs in Romantic-Era Wales (1790–1820) /Mary-Ann Constantine -- 11 Folksongs, Conflicts and Social Protest in Early Modern France /Éva Guillorel -- 12 “Fortune My Foe”: The Circulation of an English Super-Tune /Christopher Marsh -- 13 Samuel Pepys and the Making of Ballad Publics /Patricia Fumerton -- 14 Slave Orchestras and Rainbow Balls: Colonial Culture and Creolisation at the Cape of Good Hope, 1750–1838 /Anne Marieke van der Wal -- Index Nominum.
    Abstract: Singing together is a tried and true method of establishing and maintaining a group’s identity. Identity, Intertextuality, and Performance in Early Modern Song Culture for the first time explores comparatively the dynamic process of group formation through the production and appropriation of songs in various European countries and regions. Drawing on oral, handwritten and printed sources, with examples ranging from 1450 to 1850, the authors investigate intertextual patterns, borrowing of melodies, and performance practices as these manifested themselves in a broad spectrum of genres including ballads, popular songs, hymns and political songs. The volume intends to be a point of departure for further comparative studies in European song culture. Contributors are: Ingrid Åkesson, Mary-Ann Constantine, Patricia Fumerton, Louis Peter Grijp, Éva Guillorel, Franz-Josef Holznagel, Tine de Koninck, Christopher Marsh, Hubert Meeus, Nelleke Moser, Dieuwke van der Poel, Sophie Reinders, David Robb, Clara Strijbosch, and Anne Marieke van der Wal
    Note: Includes bibliographical references and index
    DOI: 10.1163/9789004314986
    URL: DOI
    URL: DOI
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    Brass bands of the world : militarism, colonial legacies, and local music making (2016)
    London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781138251212
    Language: English
    Pages: xx, 246 Seiten , Illustrationen, Notenbeispiele
    Edition: 1. issued in paperback
    Series Statement: SOAS musicology series
    Series Statement: An Ashgate book
    DDC: 784.909
    RVK:
    LS 24100
    Keywords: Brass bands History ; Band music Social aspects ; Brass bands ; Brass bands ; History ; Blaskapelle ; Blas- und Bläsermusik
    Note: Literaturverzeichnis: Seite 217-234. - Diskografie: Seite 235
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  • 54
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    Post-punk, politics and pleasure in Britain (2016)
    London : Palgrave Macmillan
    Details
    ISBN: 9781137497802
    Language: English
    Pages: 1 Online-Ressource (XI, 228 Seiten)
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    DDC: 941
    RVK:
    LS 48645
    RVK:
    MG 42094
    Keywords: History ; Music ; Great Britain / History ; Civilization / History ; History of Britain and Ireland ; Cultural History ; Geschichte ; Musik ; Politik ; Musik ; Postpunk ; Kultur ; Großbritannien ; Großbritannien ; Electronic books ; Großbritannien ; Kultur ; Musik ; Postpunk ; Großbritannien ; Postpunk ; Politik
    DOI: 10.1057/978-1-137-49780-2
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
    URL: Volltext
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
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    MPI Ethno. Forsch.
  • 55
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    Krautrock transnational : Die Neuerfindung der Popmusik in der BRD, 1968-1978 (2016)
    Bielefeld : transcript-Verlag
    Details
    ISBN: 9783839434246
    Language: German
    Pages: 1 online resource
    Series Statement: Histoire 88
    DDC: 900
    RVK:
    LS 48060
    Keywords: 1960er Jahre ; 1960s ; 1968 ; 1970er Jahre ; 1970s ; Contemporary History ; Cultural History ; Deutsche Geschichte ; Deutschland ; Europa ; Europe ; German History ; Germany ; Geschichte des 20. Jahrhunderts ; Geschichtswissenschaft ; History of the 20th Century ; History ; Kulturgeschichte ; Music ; Musik ; Pop Music ; Popkultur ; Popmusik ; Populärkultur ; Transnational History ; Transnationale Geschichte ; USA. ; Usa ; Zeitgeschichte ; HISTORY / Europe / Germany ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Als experimentelle bundesdeutsche Popmusik im Laufe der 1970er Jahre zu transnationalem Ruhm kam, begann eine neue Ära der Popmusik. Zum ersten Mal in der Geschichte des Pop kamen neueste Innovationen nicht mehr aus den Vereinigten Staaten oder dem Vereinigten Königreich, sondern aus der Bundesrepublik. Für einige Jahre galten Bands wie Kraftwerk, Can, Tangerine Dream, Amon Düül, Popol Vuh oder Faust - neben vielen anderen - als Pop-Avantgarde: in Europa, Nordamerika und weit darüber hinaus.Alexander Simmeth erforscht die Wurzeln des sogenannten Krautrock im Umfeld der jugendlichen Revolte am Ende der 1960er Jahre, die Rezeption zu Hause und in den beiden Ursprungsländern des Pop, und die Gründe für den andauernden Einfluss des Phänomens. Er identifiziert Krautrock als zentrales Moment kultureller Transnationalisierung in der Bundesrepublik, indem er grenzübergreifende Erfahrungen ebenso in den Blick nimmt wie den Austausch von Konzepten und Ideen
    Abstract: When West-German experimental pop rose to transnational fame in the early 1970s, it marked nothing less than the beginning of a new era. For the first time in pop history, the latest innovations originated outside the United States and the United Kingdom; for several years, bands such as Kraftwerk, Can, Tangerine Dream, Amon Düül or Faust - among many others - were considered pop avant-garde, across Europe and the United States. In his book, Alexander Simmeth traces the roots of the so-called Krautrock in West Germany's late 1960s, its zealous reception at home and in the two motherlands of pop, and the reasons for its lasting impact in the decades to come. He identifies Krautrock as a key site of the transnational in West-German cultural history, focusing on the exchange of concepts and ideas, on shared experiences across borders, as well as on mutual key concepts such as authenticity and identity
    DOI: 10.14361/9783839434246
    URL: https://doi.org/10.14361/9783839434246
    URL: Cover
    URL: http://d-nb.info/1109541953/34
    URL: http://dx.doi.org/10.1515/9783839434246?locatt=mode:legacy
    URL: Cover
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839434246
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
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    Würzburg UB
    Regensburg UB
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  • 56
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    Sounds of the New Deal : the Federal Music Project in the west (2015)
    Urbana ; Chicago ; Springfield :University of Illinois Press,
    Details
    ISBN: 978-0-252-03904-1
    Language: English
    Pages: XVI, 259 Seiten, 7 ungezählte Seiten, 14 Seiten Bildtafeln : , Illustrationen.
    Series Statement: Music in American life
    Parallel Title: Erscheint auch als
    DDC: 780.7973
    RVK:
    LQ 89400
    RVK:
    LQ 89300
    Keywords: Federal Music Project (U.S.) ; Federal Music Project. ; Geschichte 1900-2000 ; Geschichte 1933-1939 ; Geschichte ; Gesellschaft ; Musik ; Government aid to music ; Music Social aspects 20th century ; History ; Music and state History 20th century ; New Deal, 1933-1939 ; New Deal. ; Wirtschaftspolitik. ; Musikförderung. ; USA ; USA. ; New Deal ; Geschichte 1933-1939 ; Wirtschaftspolitik ; Musikförderung ; Geschichte 1933-1939
    Note: Includes bibliographical references and index
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027915452&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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    HU Berlin
  • 57
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    〈〈The〉〉 sound of innovation : Stanford and the computer music revolution (2015)
    Cambridge, Mass. :MIT Press,
    Details
    ISBN: 978-0-262-02876-9
    Language: English
    Pages: IX, 236 Seiten : , Illustrationen ; , 24 cm.
    Series Statement: Inside technology
    DDC: 786.7/60979473
    RVK:
    LR 57790
    Keywords: Stanford University. ; Stanford University. ; Stanford University ; Geschichte ; Geschichte ; Musik ; Computer music History and criticism ; Music Computer programs ; History ; Music and technology History ; Computermusik. ; Softwareproduktion. ; Technologie. ; Programm. ; Computermusik ; Softwareproduktion ; Technologie ; Geschichte ; Center for Computer Research in Music and Acoustics ; Computermusik ; Softwareproduktion ; Technologie ; Programm ; Geschichte
    Note: Includes bibliographical references and index
    URL: Rezension
    URL: Inhaltsverzeichnis
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    HU Berlin
  • 58
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    Youth and rock in the Soviet bloc : "youth cultures, music, and the state in Russia and Eastern Europe" (2015)
    Lanham : Lexington Books
    Details
    ISBN: 9780739166932 , 9781498508759
    Language: English
    Pages: vi, 310 Seiten , 24 cm
    Parallel Title: Erscheint auch als Risch, William Jay Youth and Rock in the Soviet Bloc
    DDC: 306.4/84260947
    RVK:
    NQ 8273
    RVK:
    LS 48060
    Keywords: Popular music Political aspects 20th century ; History ; Popular music Social aspects 20th century ; History ; Popular music Political aspects ; Popular music Social aspects ; Music and state History 20th century ; Music and state ; Youth History 20th century ; Youth ; Cold War Music and the war ; Aufsatzsammlung ; Aufsatzsammlung ; Osteuropa ; Jugend ; Popmusik ; Rockmusik ; Kulturpolitik ; Jugendkultur ; Musiksoziologie ; Geschichte 1945-1989
    Abstract: Swinging between East and West: Yugoslav Communism and the Dilemmas of Popular Music
    Note: Includes bibliographical references, select bibliography (Seite 285-292) and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 59
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    Music and international history in the twentieth century (2015)
    New York : Berghahn
    Associated volumes
    Details
    ISBN: 9781782385004 , 1782385002
    Language: English
    Pages: xiii, 264 Seiten , Illustrationen
    Series Statement: Explorations in culture and international history volume 7
    Series Statement: Explorations in culture and international history
    Parallel Title: Online-Ausg. Music and international history in the twentieth century
    DDC: 7809/.04
    RVK:
    LR 57727
    Keywords: Music Political aspects 20th century ; History ; Music and diplomacy ; Music and state ; Kulturbeziehungen ; Bedeutung ; Rolle ; Musik ; Ost-West-Konflikt ; Auswärtige Kulturpolitik ; Erde ; Aufsatzsammlung ; Musik ; Politik ; Diplomatie ; Geschichte 1890-1990 ; Musik ; Politik ; Geschichte 1890-1990
    Abstract: Introduction: Sonic history, or, Why music matters in International history / Jessica C. E. Gienow-Hecht -- Part I: Music, international relations and the absence of the state. The wicked Barrisons / David Monod. The International Society for Contemporary Music and its political context (Prague 1935) / Anne C. Shreffler -- Part II: Music, international history, and the state. Music and international relations in occupied Germany, 1945-49 / Toby Thacker. Instruments of diplomacy : writing music into the history of Cold War international relations / Danielle Fosler-Lussier. "To reach... into the hearts and minds of our friends" : America's symphonic tours and the Cold War / Jonathan Rosenberg. Music diplomacy in an emergency: Eisenhower's "secret weapon," Iceland, 1954-59 / Emily Abrams Ansari. Intimate histories of the musical Cold War : Fred Prieberg and Igor Blazhkov's unofficial diplomacy / Peter J. Schmelz. "Where I cannot roam, my song will take wing": Polish cultural promotion in Belarus, 1988 / Andrea F. Bohlman
    Note: Literaturangaben , Introduction. Sonic history, or, why music matters in International history , I: Music, international relations and the absence of the state ; 1. The wicked Barrisons , 2.The International Society for Contemporary Music and its political context (Prague, 1935) , II: Music, international history, and the state ; 3. Music and international relations in occupied Germany, 1945-49 , 4. Instruments of diplomacy: writing music into the history of Cold War international relations , 5. "To reach... into the hearts and minds of our friends": America's symphonic tours and the Cold War , 6. Music diplomacy in an emergency: Eisenhower's "secret weapon," Iceland, 1954-59 , 7. Intimate histories of the musical Cold War Fred Prieberg and Igor Blazhkov's unofficial diplomacy , 8. "Where I cannot roam, my song will take wing": Polish cultural promotion in Belarus, 1988
    URL: http://www.h-net.org/reviews/showrev.php?id=45603
    URL: http://www.h-net.org/reviews/showrev.php?id=45604
    URL: Inhaltsverzeichnis
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    George Smart and nineteenth-century London concert life (2015)
    Woodbridge, Suffolk : The Boydell Press
    Details
    ISBN: 1783270640 , 9781783270644
    Language: English
    Pages: 329 Seiten , Illustrationen , 24 cm
    Edition: First published
    Series Statement: Music in Britain, 1600 - 2000
    DDC: 780.92
    RVK:
    LQ 84405
    RVK:
    LP 67100
    Keywords: Smart, George ; Smart, George ; Conductors (Music) Biography ; Composers Biography ; Concerts History 19th century ; Music Performance 19th century ; History ; Music History and criticism ; Smart, George Thomas 1776-1867
    Abstract: Sir George Thomas Smart (1776-1867) was a significant musical animateur of the early nineteenth century, who earned his living primarily as a conductor but was also significant as an organist, composer and recorder of events. Smart established successful and pioneering London concert series, was a prime mover in the setting up of the Philharmonic Society and the Royal Academy of Music, and taught many of the leading singers of the day, being well versed in the Handelian concert tradition. He also conducted the opera at the Covent Garden Theatre and introduced significant new works to the public - he was most notably an early champion of the music of Beethoven. His journeys to Europe, and his contacts with the leading European musical figures of the day (including Weber, Meyerbeer, Spohr, and Mendelssohn), were crucial to the direction music was to take in nineteenth-century Britain. This detailed account of Smart's life and career presents him within the context of the vibrant concert life of London and wider European musical culture. It is the first full length, critical study of this influential musical figure
    Abstract: Sir George Thomas Smart (1776-1867) was a significant musical animateur of the early nineteenth century, who earned his living primarily as a conductor but was also significant as an organist, composer and recorder of events. Smart established successful and pioneering London concert series, was a prime mover in the setting up of the Philharmonic Society and the Royal Academy of Music, and taught many of the leading singers of the day, being well versed in the Handelian concert tradition. He also conducted the opera at the Covent Garden Theatre and introduced significant new works to the public - he was most notably an early champion of the music of Beethoven. His journeys to Europe, and his contacts with the leading European musical figures of the day (including Weber, Meyerbeer, Spohr, and Mendelssohn), were crucial to the direction music was to take in nineteenth-century Britain. This detailed account of Smart's life and career presents him within the context of the vibrant concert life of London and wider European musical culture. It is the first full length, critical study of this influential musical figure
    Note: Literaturverzeichnis: Seiten 293-303
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  • 61
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    The revolution will not be televised : protest music after Fukushima (2015)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190454951
    Language: English
    Pages: 1 Online-Ressource (xvii, 433 Seiten) , Notenbeispiele, Illustrationen, Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.5/920952090512
    RVK:
    AR 14120
    RVK:
    LS 43600
    Keywords: Kernkraftwerk Fukushima ; Geschichte 2011-2015 ; Geschichte ; Politik ; Popular music Political aspects 21st century ; History ; Protest songs History and criticism 21st century ; Fukushima Nuclear Disaster, Japan, 2011 Songs and music ; Nuclear power plants Public opinion ; Protest movements History 21st century ; Kerntechnischer Unfall ; Musik ; Politischer Protest ; Japan ; Japan ; Kernkraftwerk Fukushima ; Kerntechnischer Unfall ; Musik ; Politischer Protest ; Geschichte 2011-2015
    Note: Published to Oxford Scholarship Online: October 2016
    DOI: 10.1093/acprof:oso/9780199334681.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 62
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    Rancid aphrodisiac : subjectivity, desire, and rock 'n' roll (2015)
    New York [u.a.] : Bloomsbury Acad.
    Details
    ISBN: 9781441183620 , 9781441149053 , 9781623560140
    Language: English
    Pages: 150 S. , Ill.
    Edition: 1. publ.
    DDC: 306.4/8426
    RVK:
    LS 48630
    Keywords: Lacan, Jacques ; Geschichte ; Gesellschaft ; Psychologie ; Rock music Psychological aspects ; Rock music Social aspects ; History ; Rock music History and criticism ; Popularität ; Affekt ; Rock 'n' Roll ; Psychoanalyse ; Rock 'n' Roll ; Popularität ; Affekt ; Lacan, Jacques 1901-1981 ; Psychoanalyse
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
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  • 63
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    Michael Costa, England's first conductor : the revolution in musical performance in England, 1830-1880 (2015)
    Farnham, Surrey [u.a.] : Ashgate
    Details
    ISBN: 9781472427175 , 9781472427182 , 9781472427199
    Language: English
    Pages: XII, 229 S , Ill.
    Series Statement: Music in nineteenth-century Britain
    DDC: 784.2092
    RVK:
    LP 63543-LP 63600
    RVK:
    LP 63543-LP 63600
    RVK:
    LR 56005
    Keywords: Costa, Michael ; Costa *1808-1884* ; Conductors (Music) Biography ; Music Performance 19th century ; History ; Music History and criticism 19th century ; Biografie ; Biografie ; Costa, Michele 1808-1884 ; Costa, Michele 1808-1884 ; Großbritannien ; Dirigent ; Geschichte 1808-1884 ; Großbritannien ; Konzert ; Musikproduktion ; Kulturwandel ; Geschichte 1800-1900
    Note: Includes bibliographical references and index
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    Michael Costa: England's first conductor : the revolution in musical performance in England, 1830-1880 (2019)
    London : Routledge, Taylor & Francis Group
    Details
    ISBN: 0367879395 , 9780367879396
    Language: English
    Pages: xii, 244 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Music in 19th-century Britain
    DDC: 306.09
    RVK:
    LR 56005
    RVK:
    LP 63543-LP 63600
    Keywords: Costa, Michael ; Costa *1808-1884* ; Conductors (Music) Biography ; Music Performance 19th century ; History ; Music History and criticism 19th century ; Costa, Michele 1808-1884 ; Großbritannien ; Dirigent ; Geschichte 1808-1884 ; Großbritannien ; Konzert ; Musikproduktion ; Kulturwandel ; Geschichte 1800-1900
    Note: First published 2015 by Ashgate Publishing
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  • 65
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    The product of our souls : ragtime, race, and the birth of the Manhattan musical marketplace (2015)
    Chapel Hill : The University of North Carolina Press
    Details
    ISBN: 9781469622699 , 1469622696
    Language: English
    Pages: xiv, 291 Seiten , illustrations, maps , 25 cm
    DDC: 780.89/9607307471
    RVK:
    LS 48210
    Keywords: African Americans Music ; History and criticism ; Ragtime music History and criticism ; Ragtime music Social aspects 20th century ; History ; Music and race 20th century ; African American musicians
    Description / Table of Contents: A new musical rhythm was given to the people : rhythm and representation in black ManhattanDo all we could to get what we felt belonged to us by the laws of nature : selling real Negro melodies and marketing authentic black rhythms -- Appreciate the noble and the beautiful within us : ragging uplift with rhythmic transgressions -- The piano man was it! The man in charge : black nightclubs and ragtime identities in New York's Tenderloin -- To promote greater efficiency among its members : ragtime in Times Square and the Clef Club Inc -- Rhythm is something that is born in the Negro : black musical value and the consolidation of "Negro music" -- A new type of Negro musician : social dance and black musical value in prewar America.
    Note: Includes bibliographical references (pages 261-280) and index
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  • 66
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    Book
    Protest music in the twentieth century (2015)
    Turnhout : Brepols Publishers
    Details
    ISBN: 9782503566283
    Language: English , Italian
    Pages: xiii, 418 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music, criticism & politics Volume 1
    Series Statement: Music, criticism & politics
    DDC: 306.4/842
    RVK:
    LR 57727
    Keywords: Protest songs Congresses History and criticism 20th century ; Music Congresses Political aspects 20th century ; History ; Konferenzschrift ; Musik ; Politischer Protest ; Protestsong ; Geschichte 1900-2000
    Abstract: This book focuses on protest music and "dissident" composers and musicians during the twentieth century, with a particular focus on the forms with which dissent may be expressed in music and the ways composers and performers have adopted stances on political and social dissent. Twenty-one articles by scholars of different nationalities explore not only the way in which protest music is articulated in artistic-cultural discourse and the political matter, but also the role it played in situations of mutual benefit. Moreover, the phenomenon of dissent is investigated within the contexts of musical historiography and criticism, approaching the topic from historical, sociological, and philosophical perspectives
    Abstract: part 1. Protest music and politics: Irish traditional music, nationalist politics and the struggle for recognition / Roger W.H. Savage -- Right-extremist protest music and the idea of metapolitical activism / James Garratt -- An evolution of protest : genre and extreme-right music / Joe Stroud -- "If this isn't love, it's red propaganda" / James O'Leary -- Exposing demagoguery : the use of mass-communication as anti-totalitarian protest in Mauricio Kagel's Der Tribun (1979) / Christine Dysers -- Kurt Weill's and Georg Kaiser's Der Silbersee : ein Wintermärchen : a tall tale of protest / Russ Manitt -- Jazz as rebellion : Jewish musical protest surrounding World War II / Kara Stewart Meredith -- The corruption of the homeland : Carl Orff's repudiation of Friedrich Hebbel in Die Bernauerin / Andrew S. Kohler -- Visionary lines, avant-garde sounds : Francisco de Goya as an aesthetic and ideological reference-point in Spanish contemporary music / Germán Gan Quesada
    Abstract: part 2. Social and protest songs: "You say you want a revolution?" : a new analysis of John Lennon's political music / David Thurmaier, John Cox -- Cercando la nostra musica : note sulla appropriazione della Nueva Canción Chilena nell'Italia degli anni '80 / Stefano Gavagnin -- Protest songs and record labels : political opposition and the music industry in Latin-America / Santiago Niño Morales -- Communities, territories and genres on the Uruguayan "Resistance Music", 1962-2011 / Marita Fornaro Bordolli -- Charly García: el 'Lewis Carroll" del rock and roll argentino / Maria Favoretto -- Niggaz Wit' Attitude (N.W.A.), Fuck the polics and the 1992 Los Angeles rebellion / Jessica Winterson -- 'People getting angry' : The Specials' Ghost Town (1981) as political discourse / Marie Bennett -- Morphology of the protest in the music of area / Giuseppe Sergi -- Taking which power back? Overpowerments of Rage Against the Machine / Henrik Marstal -- From romance to protest : the folklorisation of an Armenian song in Iran / Upa Mesbahian -- Antoonee in Armenian ethnic music / Tatevik Shakhkulyan
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  • 67
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    Music, travel, and imperial encounter in 19th-century France : musical apprehensions (2015)
    New York, NY [u.a.] : Routledge
    Details
    ISBN: 9781138777996
    Language: English
    Pages: XII, 222 S. , Ill.
    Series Statement: Routledge studies in ethnomusicology 5
    Series Statement: Routledge studies in ethnomusicology
    DDC: 780.944/09034
    RVK:
    LQ 82205
    RVK:
    LS 18600
    Keywords: Music History and criticism 19th century ; Music Social aspects 19th century ; History ; Music History and criticism 19th century ; Travelers' writings, French History and criticism 19th century ; France Foreign relations 19th century ; Frankreich ; Reise ; Musik ; Geschichte 1800-1900
    Description / Table of Contents: Literaturverz. S. [201] - 211
    Note: Includes bibliographical references and index
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  • 68
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    Book
    Pulse of the people : political rap music and black politics (2015)
    Philadelphia, Pa. : Univ. of Pennsylvania Press
    Details
    ISBN: 9780812246841
    Language: English
    Pages: 219 S. , graph. Darst.
    Series Statement: American governance
    DDC: 782.4216491599
    RVK:
    LS 48050
    Keywords: Rap (Music) Political aspects 20th century ; History ; Rap (Music) Political aspects 21st century ; History ; African Americans Politics and government 20th century ; African Americans Politics and government 21st century ; African Americans Political activity 20th century ; History ; African Americans Political activity 21st century ; History ; African Americans Attitudes 20th century ; History ; African Americans Attitudes 21st century ; History ; Politik ; Schwarze ; Hip-Hop ; USA ; USA ; Schwarze ; Hip-Hop ; Politik
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    Würzburg UB
    BSZ
    GBV
    KOBV
    BVB
    HBZ
  • 69
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    Negotiating difference in French Louisiana music : categories, stereotypes, and identifications (2015)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781628461459
    Language: English
    Pages: XI, 383 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    DDC: 781.62/410763
    RVK:
    LQ 89400
    RVK:
    LS 48220
    RVK:
    MS 3450
    Keywords: Geschichte ; Alltag, Brauchtum ; Geschichte ; Gesellschaft ; Difference (Philosophy) in music ; Cajun music History and criticism ; Folk music History and criticism ; Zydeco music History and criticism ; Popular music Social aspects ; History ; Cajuns Social life and customs ; Musikleben ; Musiksoziologie ; Differenz ; Zydeco ; Cajun-Music ; Kreolen ; Louisiana ; Louisiana ; Kreolen ; Cajun-Music ; Zydeco ; Musikleben ; Differenz ; Musiksoziologie ; Geschichte
    Description / Table of Contents: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    BVB
  • 70
    Online Resource
    Online Resource
    Negotiating difference in French Louisiana music : categories, stereotypes, and identifications (2015)
    Jackson, Mississippi : University Press of Mississippi
    Details
    ISBN: 9781626740785 , 9781628461466
    Language: English
    Pages: 1 Online-Ressource (XI, 383 Seiten)
    Series Statement: American Made Music Series
    Parallel Title: Erscheint auch als
    DDC: 781.62/410763
    RVK:
    LQ 89400
    RVK:
    LS 48220
    RVK:
    MS 3450
    Keywords: Geschichte ; Alltag, Brauchtum ; Geschichte ; Gesellschaft ; Difference (Philosophy) in music ; Cajun music History and criticism ; Folk music History and criticism ; Zydeco music History and criticism ; Popular music Social aspects ; History ; Cajuns Social life and customs ; Musikleben ; Musiksoziologie ; Differenz ; Zydeco ; Cajun-Music ; Kreolen ; Louisiana ; Louisiana ; Kreolen ; Cajun-Music ; Zydeco ; Musikleben ; Differenz ; Musiksoziologie ; Geschichte
    Abstract: This book explores the role of music in negotiating difference. It brings to light processes of differentiation and social stereotypes and hierarchies at at work in the evolving French Louisiana musical field. It also draws attention to the interactions between binary oppositions such as black and white, urban and rural, differentiation and creolization, traditional and modern, and local, national and global. The book argues for the importance of desegregating the understanding of French Louisiana music by situating it beyond ethnic or racial identifications, bringing to light the importance of regional identification. The musical genealogy and categories in use are legitimized through an omnipresent racial imaginary that frames African and European lineage as a foundational difference. Instead of seeing the discourses of origins and mixing as contradictory, the field and the way music is practiced show that they continually interact. French Louisiana musicians navigate between multiple identifications, music styles and legacies while market forces, outsider’s interest and geographical mobility also contribute to shape their career strategies and musical choices. This work also demonstrates the decisive role of non-natives' interest and mobility in the validation, evolution, and reconfiguration of French Louisiana music. Finally, the distinctiveness of South Louisiana with respect to the rest of the country appears both nurtured and endured, revealing the intricacies of political domination and regionalism
    DOI: 10.14325/mississippi/9781628461459.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    BVB
    Bayreuth UB
  • 71
    Online Resource
    Online Resource
    Modern moves : dancing race during the ragtime and jazz eras (2015)
    New York : Oxford University Press
    Details
    ISBN: 9780199379866
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Robinson, Danielle Modern moves
    DDC: 793.33097471
    RVK:
    AP 83983
    RVK:
    LS 48100
    Keywords: Ballroom dancing History 20th century ; Dance History 20th century ; Dance Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race History 20th century ; Immigrants History 20th century ; Racism History 20th century ; New York (N.Y.) Race relations 20th century ; History ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung
    Abstract: 'Modern Moves' examines the movement of American social dances between black and white cultural groups and immigrant and migrant communities during the early twentieth century. It is structured by five overlapping case studies drawn from the disparate and yet related dance scenes of Manhattan, a black Atlantic capital into which diverse people and dances flowed and intermingled, and out of which new dances were marketed globally.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 24, 2015)
    DOI: 10.1093/acprof:oso/9780199779215.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    Mongolian film music : tradition, revolution and propaganda (2015)
    Surrey : Ashgate
    Details
    ISBN: 9781472446237 , 9781472446244
    Language: English
    Pages: 192 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.5/42095173
    RVK:
    LR 53509
    Keywords: Motion picture music Political aspects 20th century ; History ; Motion picture music History and criticism 20th century ; Socialism and motion pictures ; Mongolei ; Filmmusik
    Abstract: In 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda to the largely nomadic population. The government sent promising young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On their return they utilised their traditional Mongolian musical backgrounds and the musical skills learned during their studies to compose scores to the 167 propaganda films produced by the state film studio between 1938 and 1990. Lucy M. Rees provides an overview of the rich mosaic of music genres that appeared in these film soundtracks, including symphonic music influenced by Western art music, modified forms of Mongolian traditional music, and a new genre known as 'professional music' that combined both symphonic and Mongolian traditional characteristics. Case studies of key composers and film scores are presented, demonstrating the influence of cultural policy on film music and showing how film scores complemented the ideological message of the films. There are discussions of films that celebrate the 1921 Revolution that led to Mongolia becoming a socialist nation, those that foreshadowed the 1990 Democratic Revolution that drew the socialist era to a close, and the diverse range of films and scores produced after 1990 in the aftermath of the socialist regime
    Abstract: In 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda to the largely nomadic population. The government sent promising young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On their return they utilised their traditional Mongolian musical backgrounds and the musical skills learned during their studies to compose scores to the 167 propaganda films produced by the state film studio between 1938 and 1990. Lucy M. Rees provides an overview of the rich mosaic of music genres that appeared in these film soundtracks, including symphonic music influenced by Western art music, modified forms of Mongolian traditional music, and a new genre known as 'professional music' that combined both symphonic and Mongolian traditional characteristics. Case studies of key composers and film scores are presented, demonstrating the influence of cultural policy on film music and showing how film scores complemented the ideological message of the films. There are discussions of films that celebrate the 1921 Revolution that led to Mongolia becoming a socialist nation, those that foreshadowed the 1990 Democratic Revolution that drew the socialist era to a close, and the diverse range of films and scores produced after 1990 in the aftermath of the socialist regime
    Description / Table of Contents: Tradition, politics and film musicTradition and transition in Mongolian music -- New beginnings : patriotism, propaganda and professional music -- Socialist cinema from conception to dissemination -- A standard of socialist cinema : the Clear River tamir (Tungalag tamir, 1970-1973) -- Perestroika, a wise queen and a delinquent rock star -- New directions : the democratic revolution and the aftermath of the socialist era -- Tradition, revolution, propaganda and consolidation : a brief conclusion.
    Note: Includes bibliographical references and index
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    MPI Ethno. Forsch.
  • 73
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    African music, power, and being in colonial Zimbabwe (2015)
    Bloomington ; Indianapolis : Indiana University Press
    Details
    ISBN: 9780253017680 , 9780253018038
    Language: English
    Pages: xiii, 346 pages , illustrations , 23 cm
    Series Statement: African expressive cultures
    Series Statement: Ethnomusicology multimedia
    DDC: 780.96891
    RVK:
    LS 47877
    Keywords: Zimbabwe ; Colonial influence ; Zimbabwe ; Social conditions ; 20th century ; Missions ; Zimbabwe ; Popular music ; Political aspects ; Zimbabwe ; History ; 20th century ; Popular music ; Social aspects ; Zimbabwe ; History ; 20th century ; Popular music / Social aspects / Zimbabwe / History / 20th century ; Popular music / Political aspects / Zimbabwe / History / 20th century ; Missions / Zimbabwe ; Zimbabwe / Social conditions / 20th century ; Zimbabwe / Colonial influence
    Description / Table of Contents: Introduction: cross-cultural encounters: song, power, and being -- Missionary witchcrafting African being: cultural disarmament -- Purging the "heathen" song, mis/grafting the missionary hymn -- "Too many don'ts": reinforcing, disrupting the criminalization of African musical cultures -- Architectures of control: African urban re/creation -- The "tribal dance" as a colonial alibi: ethnomusicology and the tribalization of African being -- Chimanjemanje: performing and contesting colonial modernity -- The many moods of "Skokiaan": criminalized leisure, underclass defiance, and self-narration -- Usable pasts: crafting Madzimbabwe through memory, tradition, song -- Cultures of resistance: genealogies of Chimurenga song -- Jane Lungile Ngwenya: a transgenerational conversation -- Epilogue: postcolonial legacies: song, power, and knowledge production..
    Note: Includes bibliographical references (pages 311-326), discography (pages 311-326) and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Bayreuth UB
  • 74
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    The Royal Opera House Muscat : = Dār al-Ūbirā as-Sulṭānīya Masqaṭ (2015)
    Hildesheim, Germany : Georg Olms AG
    Details
    ISBN: 9783487085616 , 3487085615 , 9789996905506 , 9996905500 , 9783487085609 , 3487085607 , 9789996905490 , 9996905497
    Language: English
    Pages: 320 Seiten , zahlreichen Abbildungen, durchgehend 4farbig , 33.6 cm x 42 cm, 7925 g
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 725.822095353022
    RVK:
    ZH 4969
    RVK:
    LS 34000
    RVK:
    LQ 94507
    RVK:
    ZH 6240
    RVK:
    ZH 6245
    RVK:
    LO 87769
    Keywords: Dār al-Ūbirā al-Sulṭānīyāh Masqaṭ ; Dār al-Ūbirā al-Sulṭānīyāh Masqaṭ History ; Opera History ; Theaters History ; Royal Opera House Muscat ; Dār al-Ūbirā al-Sulṭānīyāh Masqaṭ ; Opera ; Theaters ; Oman ; Muscat ; History ; Bildband ; Royal Opera House Muscat ; Oman ; Maskat ; Theaterbau ; Opernhaus ; Musiktheater ; Oper ; Geschichte ; Royal Opera House Muscat ; Ibn-az-Zubair, Muḥammad
    Note: Nebentitel in arabischer Schrift , Includes bibliographical references (page 312)
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltstext
    URL: http://www.olms.de/search/Detail.aspx?pr=2008859
    URL: http://www.olms.de/search/Detail.aspx?pr=2008798
    URL: http://www.olms.de/search/Detail.aspx?pr=2008798
    URL: http://www.olms.de/search/Detail.aspx?pr=2008859
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    Shake, rattle and roll : Yugoslav rock music and the poetics of social critique (2016)
    London : Routledge, Taylor & Francis Group
    Details
    ISBN: 113826699X , 9781138266995
    Language: English
    Pages: 247 Seiten
    Edition: First issued in paperback
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Nachdruck von Misina, Dalibor Shake, rattle and roll
    DDC: 781.6609497/09047
    RVK:
    LC 87280
    RVK:
    LS 48635
    Keywords: Rock music History and criticism ; Rock music Social aspects ; Rock music Political aspects ; Rock music History and criticism ; Yugoslavia ; Rock music Social aspects ; Yugoslavia ; Rock music Political aspects ; Yugoslavia ; Yugoslavia Cultrual policy ; History ; Yugoslavia Cultrual policy ; History ; Föderative Republik Jugoslawien ; Rockmusik
    Description / Table of Contents: SFR Yugoslavia : the culture of politics/the politics of cultureYugoslavia, culture, and popular culture : the discoveries of youth and rock'n'roll -- The substantive turn : a brief (socio-cultural) history of Yugoslav rock'n'roll -- The new wave : "In the rhythm of the compressor" -- The new primitives : "Anarchy all over Baščaršija" -- The new partisans : "Spit and sing, my Yugoslavia."
    Note: Literaturverzeichnis: Seite 231-242 , SFR Yugoslavia : the culture of politics/the politics of cultureYugoslavia, culture, and popular culture : the discoveries of youth and rock'n'roll , The substantive turn : a brief (socio-cultural) history of Yugoslav rock'n'roll , The new wave : "In the rhythm of the compressor" , The new primitives : "Anarchy all over Baščaršija" , The new partisans : "Spit and sing, my Yugoslavia
    Library Location Call Number Volume/Issue/Year Availability
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    MPI-MMG
  • 76
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    Off the planet : music, sound and science fiction cinema (2004)
    London [u.a.] : Libbey
    Details
    ISBN: 0861966449
    Language: English
    Pages: VII, 214 S , Notenbeisp , 24cm
    Series Statement: Perfect beat 2004.6,2/3
    Series Statement: Perfect beat
    Parallel Title: Reproduziert als Off the planet
    DDC: 781.542
    RVK:
    AP 51450
    RVK:
    LR 53509
    Keywords: Motion picture music History and criticism ; Motion pictures Sound effects ; History ; Science fiction films History and criticism ; Aufsatzsammlung ; Filmmusik ; Science-Fiction-Film ; Soundverarbeitung ; Science-Fiction-Literatur ; Filmmusik
    Description / Table of Contents: Literaturverz. S. 201 - 210
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    Ethn. Museum Berlin
  • 77
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    Music and the muses : the culture of "mousikē" in the classical Athenian city (2004)
    Oxford [u.a.] : Oxford Univ. Press
    Details
    ISBN: 0199242399
    Language: English
    Pages: XIII, 438 S , Ill , 22 cm
    Edition: 1. publ.
    Parallel Title: Online-Ausg. Music and the Muses
    DDC: 780.938
    RVK:
    FB 4161
    RVK:
    LP 19501
    RVK:
    LQ 88601
    RVK:
    NH 6880
    Keywords: Music, Greek and Roman Social aspects ; Performing arts Social aspects To 146 B.C ; History ; Greece Civilization To 146 B.C ; Konferenzschrift ; Konferenzschrift 1999 ; Konferenzschrift ; Konferenzschrift 1999 ; Griechenland ; Musik
    URL: Inhaltsverzeichnis
    URL: Rezension
    URL: Rezension
    URL: http://www.loc.gov/catdir/enhancements/fy0620/2004300274-t.html
    URL: http://www.loc.gov/catdir/enhancements/fy0726/2004300274-b.html
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Rezension
    URL: Rezension
    URL: http://www.loc.gov/catdir/enhancements/fy0620/2004300274-t.html
    URL: http://www.loc.gov/catdir/enhancements/fy0726/2004300274-b.html
    URL: Rezension
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  • 78
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    L'histoire de l'enregistrement sonore au Québec et dans le monde, 1878 - 1950 (2003)
    [Sainte-Foy, Québec] : Presses de l'Univ. Laval
    Details
    ISBN: 2763779336
    Language: French
    Pages: X, 233 S , Ill
    RVK:
    ID 1170
    RVK:
    ID 1265
    RVK:
    LQ 89000
    RVK:
    LS 17200
    Keywords: Sound recording industry History ; Québec (Province) ; Sound recording industry History ; Sound recordings Québec (Province) ; Sound Recording and reproducing ; History ; Québec (Province) ; Sound Recording and reproducing ; History ; Québec ; Schallaufzeichnung ; Geschichte 1878-1950
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    GBV
  • 79
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    Läden, Schuppen, Kaschemmen : eine Hamburger Popkulturgeschichte (2003)
    Hamburg : Edition Nautilus
    Details
    ISBN: 3894014253 , 9783894014254
    Language: German
    Pages: 253 Seiten , Illustrationen
    Edition: 1. Auflage
    RVK:
    LS 48000
    Keywords: Music and youth Germany ; Hamburg ; History ; 20th century ; Nightclubs Germany ; Hamburg ; History ; 20th century ; Popular culture Germany ; Hamburg ; History ; 20th century ; Popular music Social aspects ; Germany ; Hamburg ; History and criticism ; Popular music Germany ; Hamburg ; History and criticism ; Hamburg ; Pop-Kultur ; Geschichte ; Hamburg ; Pop-Kultur ; Geschichte
    Abstract: Die Popkultur in den Metropolen entsteht zwischen Tresen, Tanzfläche, Bühne und Plattentellern. Dieses Buch erzählt die Geschichte der Hamburger Popmusik der Siebziger, Achtziger und Neunziger als Geschichte der Konzertkneipen, Bars und Clubs. Heruntergewirtschaftete Kiezkaschemmen und leerstehende Hallen wurden zu Epizentren der musikalischen Entwicklung: vom Dixie-Rock-Bastard der "Hamburger Szene" um Udo Lindenberg bis zum Hamburger HipHop. Das Buch läßt Leute zu Wort kommen, die dabei waren, die aus den urbanen Brachen den popkulturellen Untergrund der Stadt gemacht haben: Musiker, Clubbetreiber, Gäste, DJs, Tresenkräfte und Besucher. Aus dem Inhalt: Onkel Pö und Fabrik: Die Hamburger Szene -- Marktstube, Krawall, Subito, Hafenstraße: Punk, New Wave, Hardcore -- Front bis Mojo: Von Acid House zu Dancefloor Jazz -- Pudel, Sorgenbrecher, Kir, Karmers: Die Hamburger Schule -- Rote Flora und Soundclash-Kultur: Hamburgs Reggae-Soundsystems -- Vom Knochenhaus nach Eimsbush: Hamburger HipHop.
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    HU Berlin
    München BSB
    GBV
    KOBV
    BVB
  • 80
    Book
    Book
    Kubamusika : images de la musique populaire cubaine (2003)
    Anglet : Altantica
    Details
    ISBN: 2843946204
    Language: French
    Pages: 247 S , zahlr. Ill
    RVK:
    LS 48700
    Keywords: Musicians Portraits ; Musicians Cuba ; 20th century ; Biography ; Photography, Artistic ; Popular music Cuba ; Pictorial works ; Popular music Cuba ; History ; Singers Cuba ; 20th century ; Biography
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    GBV
    KOBV
  • 81
    Book
    Book
    Peking-Oper (2003)
    Bei jing : China Intercontinental Press
    Details
    ISBN: 7508503406
    Language: German
    Pages: 137 Seiten , Illustrationen , 23 cm
    Edition: 1. Auflage
    Series Statement: Cultural China series
    Uniform Title: Zhongguo-jingju
    DDC: 780
    RVK:
    LS 41400
    Keywords: Opera China ; Beijing ; Opera China ; Beijing ; History ; Operas, Chinese ; Theater China ; Beijing ; Peking-Oper
    Note: Aus dem Chinesischen übersetzt
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    BSZ
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    GRASSI Mus. Leipzig
  • 82
    Online Resource
    Online Resource
    African Americans and US popular culture (2003)
    London : Routledge
    Details
    ISBN: 1299697909 , 9781299697904 , 9781136475276 , 1136475273
    Language: English
    Pages: Online Ressource (vii, 130 pages)
    Parallel Title: Print version African Americans and US popular culture
    DDC: 305.896/073
    RVK:
    LS 48050
    RVK:
    LB 48600
    RVK:
    NQ 5310
    RVK:
    NQ 8340
    Keywords: African Americans Race identity ; African Americans Intellectual life ; Racism in popular culture United States ; Popular culture History ; United States ; African Americans in popular culture ; African Americans Race identity ; African Americans Intellectual life ; Racism in popular culture ; Popular culture History ; African Americans in popular culture ; African Americans Race identity ; African Americans Intellectual life ; Racism in popular culture ; Popular culture History ; SOCIAL SCIENCE ; Ethnic Studies ; African American Studies ; African Americans in popular culture ; African Americans ; Intellectual life ; African Americans ; Race identity ; Civilization ; African American influences ; Popular culture ; Race relations ; Racism in popular culture ; Massenkultur ; Populaire cultuur ; History ; United States Race relations ; United States Civilization ; African American influences ; United States ; Schwarze ; USA ; United States Race relations ; United States Civilization ; African American influences ; United States Race relations ; United States Civilization ; African American influences ; United States ; Schwarze ; USA ; Electronic books History
    Abstract: "Rooted in African society and traditions, black slaves in America created a dynamic culture which lives on and keeps evolving. Present day hip hop and rap music are still shaped by the historical experience of slavery and the will to oppose oppression and racism. This volume is an authoritative introduction to the history of African Americans in U.S. popular culture, examining its development from the early nineteenth century to the present. Kevern Verney examines the role and significance of race in all major forms of popular culture, including sport, film, television, radio and music."--BOOK JACKET
    Note: Includes bibliographical references (pages 115-120) and index. - Print version record
    URL: lizenzpflichtig
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    BSZ
    BVB
  • 83
    Book
    Book
    Music education : source readings from Ancient Greece to today (2002)
    New York [u.a.] :Routledge,
    Details
    ISBN: 0-415-93679-9 , 0-415-93678-0
    Language: English
    Pages: XI, 324 S.
    Edition: 2. ed.
    DDC: 780/.71
    RVK:
    LR 56900
    Keywords: Geschichte ; Musique - Philosophie et esthétique ; Musique - Étude et enseignement - Histoire - Sources ; Geschichte ; Musik ; Music Sources Instruction and study ; History ; Music Philosophy and aesthetics ; Musikphilosophie. ; Musikästhetik. ; Musikerziehung. ; Quelle ; Musikphilosophie ; Musikästhetik ; Geschichte ; Musikerziehung ; Geschichte
    Note: Includes bibliographical references and index
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    HU Berlin
  • 84
    Book
    Book
    Fahnen brennen im Wind : Jugend und ihre Lieder im Nationalsozialismus (2002)
    Schnellbach : Bublies
    Details
    ISBN: 3926584815
    Language: German
    Pages: 317 S. , Ill., Notenbeisp. , 21 cm,
    DDC: 780
    RVK:
    LR 53977
    RVK:
    LR 57727
    RVK:
    LS 21530
    RVK:
    NQ 2260
    Keywords: Music and state Germany ; History ; 20th century ; Music and youth Germany ; National socialism and music Germany ; National socialism and youth Germany ; Songs, German 20th century ; History and criticism ; Erlebnisbericht ; Erlebnisbericht ; Deutschland ; Lied ; Alltag ; Geschichte 1933-1945 ; Drittes Reich ; Lied ; Alltag
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 85
    Book
    Book
    La république clandestine : (1840 - 1856) ; les chansons de Charles Gille = Das politische Lied im Untergrund (2002)
    Hildesheim : Olms
    Details
    ISBN: 3487116286
    Language: German , French
    Pages: 371 S , Ill. , 21 cm
    Edition: Éd. critique
    Series Statement: Musikwissenschaftliche Publikationen 16
    Series Statement: Musikwissenschaftliche Publikationen
    RVK:
    IG 9900
    RVK:
    LS 51520
    RVK:
    LS 21520
    Keywords: Gille, Charles ; Political ballads and songs Texts ; France ; Songs, French Texts ; France ; Working class Songs and music ; Texts ; France ; France Poetry ; History ; 1848-1870 ; France Songs and music ; Texts ; History ; 1848-1870 ; Quelle ; Quelle ; Frankreich ; Politisches Lied ; Geschichte 1840-1856 ; Frankreich ; Politisches Lied ; Geschichte 1840-1856 ; Gille, Charles 1820-1856
    Note: Text franz., Kommentar dt.
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 86
    Book
    Book
    The Crawdaddy! book : writings (and images) from the magazine of rock (2002)
    Milwaukee, Wis. : Hal Leonard
    Details
    ISBN: 0634029584
    Language: English
    Pages: 319 S. , Ill.
    Edition: 1. ed.
    DDC: 781.66/05
    RVK:
    LS 48635
    RVK:
    LR 57157
    RVK:
    LS 48000
    Keywords: Crawdaddy! (New York, N.Y.) ; Geschichte 1966-1979 ; Popular music History and criticism 1961-1970 ; Rock music Periodicals ; History ; Rockmusik ; Geschichte ; USA ; Crawdaddy 〈Zeitschrift〉 ; Crawdaddy 〈Zeitschrift〉 ; Crawdaddy 〈Zeitschrift〉 ; Crawdaddy 〈Zeitschrift〉 ; Crawdaddy 〈Zeitschrift〉 ; Geschichte ; USA ; Rockmusik ; Geschichte 1966-1979
    Library Location Call Number Volume/Issue/Year Availability
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    HU Berlin
    München BSB
    KOBV
    BVB
    HBZ
  • 87
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    Book
    Seems like murder here : Southern violence and the blues tradition (2002)
    Chicago : University of Chicago Press
    Details
    ISBN: 0226310973 , 0226310981
    Language: English
    Pages: 360 S.
    DDC: 781.6430975
    RVK:
    LS 48500
    Keywords: African Americans Southern States ; Intellectual life ; African Americans Southern States ; Social conditions ; Blues Music Southern States ; History ; Blues Music in literature ; Violence in literature ; Race relations in literature ; American literature African American authors ; History and criticism ; Violence Southern States ; History ; Southern States Intellectual life ; Southern States Race relations
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  • 88
    Book
    Book
    "Schade um all die Stimmen ..." : Erinnerungen an Musik im Alltagsleben (2001)
    Wien : Böhlau
    Details
    ISBN: 9783205991359 , 3205991354
    Language: German
    Pages: 415 S., 22 ungez. S. , Ill. , 21 cm
    Series Statement: Damit es nicht verlorengeht ... 46
    Series Statement: Damit es nicht verlorengeht
    DDC: 780.93
    RVK:
    LQ 80027
    RVK:
    LR 57187
    RVK:
    LC 87000
    RVK:
    LC 87160
    RVK:
    LR 57180
    Keywords: Music Social aspects ; History ; 20th century ; Austria ; Music Social aspects ; History ; 20th century ; Germany ; Austria Social life and customs ; 20th century ; Germany Social life and customs ; 20th century ; Aufsatzsammlung ; Österreich ; Musikpflege ; Geschichte 1902-1997 ; Deutschland ; Musikpflege ; Geschichte 1902-1997
    Abstract: Wie wurde Musik in Zeiten erlebt, in denen noch nicht in jedem Zimmer der Wohnung ein Radio, eine HIFI-Anlage oder ein Fernseher stand, als von "musikalischer Umweltverschmutzung" noch keine Rede war? 60 Autorinnen und Autoren aus Österreich und Deutschland, geboren zwischen 1902 und 1960, geben in ihren lebensgeschichtlichen Erzählungen einen lebendigen Eindruck in persönliche Musikerfahrungen und dokumentieren zugleich einen radikalen historischen Wandel im Umgang mit Musik. Bis zur ersten Begegnung mit Grammophon und Radio war Musik "handgemacht.
    URL: Inhaltsverzeichnis
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    MEK Berlin
  • 89
    Book
    Book
    Cats of any color : jazz black and white (2001)
    [New York] : Da Capo Press
    Details
    ISBN: 0306809508
    Language: English
    Pages: XVII, 246 S.
    Edition: 1. Da Capo Press ed.
    DDC: 781.6
    RVK:
    LS 48100
    Keywords: Geschichte ; Jazz musicians Biography ; Jazz History and criticism ; Jazzmusiker ; Rassenkonflikt ; USA ; United States Race relations ; History ; USA ; Biografie ; Biografie ; USA ; Jazzmusiker ; Rassenkonflikt
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    BVB
    Bayreuth UB
  • 90
    Book
    Book
    Double trouble : Bill Clinton and Elvis Presley in a land of no alternatives (2001)
    New York : Picador USA
    Details
    ISBN: 0312420412 , 9780312420413
    Language: English
    Pages: xxiv, 263 Seiten , Illustrationen
    Edition: First Picador USA paperback edition
    DDC: 973.929092
    RVK:
    LS 48000
    Keywords: Clinton, Bill 1946- ; Clinton, Bill 1946- Influence ; Presley, Elvis 1935-1977 Influence ; Clinton, Bill 1946- ; Presley, Elvis 1935-1977 ; 1900-2001 ; Politics and culture History ; 20th century ; United States ; Popular culture Political aspects ; History ; 20th century ; United States ; Influence (Literary, artistic, etc.) ; Politics and government ; Politics and culture ; Popular culture Political aspects ; United States Politics and government ; 1993-2001 ; United States
    Note: "A John Macrae Book.". - Includes bibliographical references (pages 255-248) and index
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    BSZ
  • 91
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    Book
    Moving history, dancing cultures : a dance history reader (2001)
    Middletown, Conn. : Wesleyan University Press
    Details
    ISBN: 0819564125 , 0819564133
    Language: English
    Pages: xviii, 494 Seiten , Illustrationen
    DDC: 792.8/09
    RVK:
    AP 81850
    RVK:
    AP 83000
    RVK:
    LR 54550
    Keywords: Dance History ; Dance ; History ; Aufsatzsammlung ; Tanz ; Geschichte ; Tanz ; Geschichte
    Note: Literaturangaben
    URL: Inhaltsverzeichnis
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    Ethn. Museum Berlin
  • 92
    Book
    Book
    Gret Palucca : Tanz und Zeiterfahrung in Deutschland im 20. Jahrhundert ; Weimarer Republik, Nationalsozialismus, Deutsche Demokratische Republik (2000)
    Hildesheim [u.a.] :Olms,
    Details
    ISBN: 3-487-11143-8
    Language: German
    Pages: 420 S. : , Ill.
    Dissertation note: Zugl.: Stuttgart, Univ., Diss., 1999
    RVK:
    LR 53186
    RVK:
    ZX 3850
    RVK:
    MS 3000
    RVK:
    ZY 5044
    Keywords: Palucca, Gret 〈1902-1993〉 ; Palucca, Gret ; Geschichte 1900-2000 ; Geschichte 1900-2000 ; Sozialgeschichte 1900-2000 ; Geschichte 1918 - 1933 ; Geschichte 1933 - 1945 ; Geschichte 1949 - 1990 ; Dans ; Geschichte ; Gesellschaft ; Dance History ; Dancers Biography ; Modern dance History 20th century ; Social interaction History ; Time perception Social aspects ; History ; Tanz. ; Zeitwahrnehmung. ; Weimarer Republik. ; Nationalsozialismus. ; Duitsland ; Deutschland ; Deutschland. ; Deutschland ; Biografie ; Hochschulschrift ; 1902-1993 Palucca, Gret ; Tanz ; Zeitwahrnehmung ; Geschichte 1900-2000 ; Tanz ; Sozialgeschichte 1900-2000 ; Weimarer Republik ; Tanz ; Geschichte 1918 - 1933 ; Nationalsozialismus ; Tanz ; Geschichte 1933 - 1945 ; Tanz ; Geschichte 1949 - 1990
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    HU Berlin
  • 93
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    Book
    A history of dance in American higher education : dance and the American university (2000)
    Lewiston [u.a.] : Mellen
    Details
    ISBN: 0773477993
    Language: English
    Pages: XII, 401 S. , Ill.
    Series Statement: Studies in dance 1
    Series Statement: Studies in dance
    DDC: 792.8/071/173
    RVK:
    AL 42100
    RVK:
    AP 83983
    RVK:
    LR 53185
    Keywords: Geschichte Anfänge-1998 ; Geschichte ; Dance Study and teaching (Higher) ; History ; Tanzerziehung ; USA ; USA ; USA ; Tanzerziehung ; Geschichte Anfänge-1998
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    HU Berlin
    KOBV
    BVB
    Bayreuth UB
  • 94
    Book
    Book
    Die deutscheste der Künste : Musikwissenschaft und Gesellschaft von der Weimarer Republik bis zum Ende des Dritten Reichs (2000)
    Stuttgart : Klett-Cotta
    Details
    ISBN: 3608919740
    Language: German
    Pages: 415 S. , 23 cm
    Uniform Title: Most German of the arts 〈dt.〉
    RVK:
    LR 57727
    RVK:
    NQ 2280
    RVK:
    LQ 80107
    RVK:
    LP 19507
    RVK:
    LR 56607
    RVK:
    LR 57040
    Keywords: Music Social aspects ; Germany ; Musicology Germany ; History ; 20th century ; National socialism and music ; Nationalism in music ; Nationalsozialismus ; Musikwissenschaft ; Weimarer Republik ; Deutschland ; Musikwissenschaft ; Gesellschaft ; Geschichte 1918-1945
    Note: Literaturverz. S. 395 - 408
    URL: Inhaltsverzeichnis
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    Ethn. Museum Berlin
  • 95
    Book
    Book
    Music of the Raj : a social and economic history of music in late eighteenth-century Anglo-Indian society (2000)
    Oxford [u.a.] : Oxford University Press
    Details
    ISBN: 0198164335
    Language: English
    Pages: XVI, 274 S , Ill., Kt., Notenbeisp , 24 cm
    DDC: 780.95409033
    RVK:
    LQ 90100
    RVK:
    LQ 94004
    Keywords: British Music ; History and criticism ; 18th century ; India ; Music History and criticism ; 18th century ; India ; Music History and criticism ; 18th century ; Great Britain ; Music Social aspects ; History ; 18th century ; India ; Music Social aspects ; History ; 18th century ; Great Britain ; Briten ; Indien ; Musik ; Musikleben ; Geschichte 1760-1800
    Note: Includes sources (p. [251]-256) and bibliographical references (p. [257]-261) and index
    URL: http://www.loc.gov/catdir/enhancements/fy0610/00037449-d.html
    URL: http://www.loc.gov/catdir/enhancements/fy0610/00037449-t.html
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    Ethn. Museum Berlin
  • 96
    Book
    Book
    Raising Cain : blackface performance from Jim Crow to hip hop (2000)
    Cambridge, Mass. : Harvard University Press
    Details
    ISBN: 0674001931
    Language: English
    Pages: 288p , ill , 23cm.
    DDC: 306.48408996073
    RVK:
    LQ 89300
    RVK:
    MS 3450
    RVK:
    HT 1784
    Keywords: African Americans in the performing arts Social aspects ; Afro-Americans in popular culture ; Afro-Americans in the performing arts ; Blackface entertainers ; Minstrel shows ; Minstrel shows United States ; History ; Blackface entertainers United States ; History ; Afro-Americans in popular culture ; Afro-Americans in the performing arts Social aspects
    Note: Originally published: 1998
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  • 97
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    Das Berliner Phonogramm-Archiv 1900 - 2000 : Sammlungen der traditionellen Musik der Welt = The Berlin Phonogramm Archiv 1900 - 2000 : collections of traditional music of the world (2000)
    Berlin : VWB, Verlag für Wissenschaft und Bildung
    Details
    ISBN: 3861356805
    Language: German , English
    Pages: 264 Seiten , Illustrationen , 25 cm
    DDC: 016.7816200266
    RVK:
    LR 55650
    RVK:
    LR 57240
    RVK:
    LP 10300
    Keywords: Folk music History and criticism ; Sound recordings Collectors and collecting ; Germany ; Berlin ; Berliner Phonogramm-Archiv ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Berliner Phonogramm-Archiv ; Geschichte ; Berliner Phonogramm-Archiv ; Geschichte
    Abstract: Inhaltsverzeichnis: György Ligety: Grußwort / Greeting address Artur Simon: Einleitung / Introduction Farbtafeln I-VIII / Color Plates I-VIII E.M. v. Hornbostel & A. Simon: Geschichte des Phonogramm-Archives (1900-2000) / History of the Phonogramm-Archiv (1900-2000) Artur Simon: Die musikalischen Traditionen der Menschheit im Berliner Phonogramm-Archiv 1900-2000. Sammeln, Bewahren, Forschen und Vermitteln / The Musical Traditions of Mankind in the Berlin Phonogramm-Archiv 1900-2000. Collecting, Preserving, Researching and Communicating Carl Stumpf: Das Berliner Phonogrammarchiv / The Berlin Phonogrammarchiv Erich M. v. Hornbostel: Über den gegenwä,rtigen Stand der vergleichenden Musikwissenschaft / On the Current State of Comparative Musicology Erich M. v. Hornbostel: Die Erhaltung ungeschriebener Musik / The Preservation of Unwritten Music Erich M. v. Hornbostel: Phonogramm-Archiv des Psychologischen Instituts der Universität, Berlin C.2, Schloss / Phonogramm-Archiv of the Psychological Institute of the University, Berlin C2, Schloß (Castle) Erich M. v. Hornbostel: Demonstrations-Sammlung / Demonstration Collection Carl Stumpf: Antrag an S. Excellenz den Minister für Wissenschaft, Kunst und Volksbildung / Applikation to the Minister of Science, Art and Popular Education Curt Sachs & Erich M. v. Hornbostel: Denkschrift über die Vereinigung der Sammlung alter Musikinstrumente mit dem Phonogrammarchiv beim Psychologischen Institut zu einem Staatlichen Museum der Tonkunst / Memorandum on the Amalgamation of the Collection of Old Musical Instruments with the Phonogrammarchiv at the Psychological Institute into a Staatliches Museum der Tonkunst Erich M. v. Hornbostel: Carl Stumpf und die Vergleichende Musikwissenschaft (Zum 21. April 1933) / Carl Stumpf and Comparative Musicology (On the 21st of April 1933) Jaap Kunst: Zum Tode Erich von Hornbostel's / On the Death of Erich von Hornbostel Marius Schneider: Das Phonogramm-Archiv des Museum für Völkerkunde Berlin.
    Note: Literaturverzeichnis: Seite 253-261 , Text deutsch und englisch
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    Weltkulturen Museum
    BSZ
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    Ethn. Museum Berlin
    MEK Berlin
    GRASSI Mus. Leipzig
  • 98
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    Jazz, rock, and rebels : cold war politics and American culture in a divided Germany (2000)
    Berkeley, Calif. [u.a.] : University of California Press [u.a.]
    Details
    ISBN: 0520211383 , 0520211391 , 9780520211391
    Language: English
    Pages: XIII, 333 S. , Ill. , 23 cm
    Series Statement: Studies on the history of society and culture 35
    Series Statement: Studies on the history of society and culture
    Parallel Title: Erscheint auch als Poiger, Uta G., 1965 - Jazz, rock, and rebels
    DDC: 943
    RVK:
    LR 57727
    RVK:
    MG 15070
    RVK:
    NQ 6090
    RVK:
    LC 87015
    RVK:
    NQ 5975
    RVK:
    NQ 6160
    RVK:
    LQ 80107
    Keywords: Popular culture ; Popular culture ; Subculture ; Subculture ; Art and state ; Art and state ; Youth Social conditions 20th century ; Deutschland ; Kulturgeschichte ; Populärkultur ; Subkultur ; Kultur ; Amerikanisierung ; Zivilisation ; Musik ; Kunst ; Judentum ; Geschichte, 20. Jh. ; Kalter Krieg ; Germany Race relations ; History ; Germany Civilization ; American influences ; Deutschland ; Deutschland ; Kulturpolitik ; Amerikanisierung ; Deutschland ; Geschichte 1949-1961 ; Jugendkultur ; Massenkultur ; Jazz ; Nachkriegszeit ; Geschichte 1949-1968
    Abstract: In the two decades after World War II, Germans on both sides of the iron curtain fought vehemently over American cultural imports. Uta G. Poiger traces how westerns, jeans, jazz, rock 'n' roll, and stars like Marlon Brando or Elvis Presley reached adolescents in both Germanies, who eagerly adopted the new styles. Poiger reveals that East and West German authorities deployed gender and racial norms to contain Americanized youth cultures in their own territories and to carry on the ideological Cold War battle with each other. Poiger's lively account is based on an impressive array of sources, ranging from films, newspapers, and contemporary sociological studies, to German and U.S. archival materials."Jazz, Rock, and Rebels" examines diverging responses to American culture in East and West Germany by linking these to changes in social science research, political cultures, state institutions, and international alliance systems. In the first two decades of the Cold War, consumer culture became a way to delineate the boundaries between East and West. This pathbreaking study, the first comparative cultural history of the two Germanies, sheds new light on the legacy of Weimar and National Socialism, on gender and race relations in Europe, and on Americanization and the Cold War.
    Note: Literaturverz. S. 273 - 312
    URL: Inhaltsverzeichnis
    URL: Autorenbiografie
    URL: Verlagsangaben
    URL: Rezension
    URL: http://www.loc.gov/catdir/bios/ucal052/99034558.html
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