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  • 1
    Zeitschrift/Serie
    Zeitschrift/Serie
    Chicago, IL : The University of Chicago Press | Washington, DC : The Association for the Study of African American Life and History | Silver Spring, Md. : The Association for the Study of African American Life and History ; 87.2002 -
    ISSN: 1548-1867 , 2153-5086
    Sprache: Englisch
    Erscheinungsverlauf: 87.2002 -
    Paralleltitel: Online-Ausg. The journal of African American history
    Vorheriger Titel: Vorg. Journal of negro history
    DDC: 960
    RVK:
    Schlagwort(e): Zeitschrift ; Schwarze ; Geschichte ; Zeitschrift ; USA ; Geschichte
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  • 2
    Zeitschrift/Serie
    Zeitschrift/Serie
    Chicago, IL : The University of Chicago Press | Washington, DC : The Association for the Study of African American Life and History | Silver Spring, Md. : The Association for the Study of African American Life and History ; 87.2002 -
    ISSN: 1548-1867 , ISSN 2153-5086
    Sprache: Englisch
    Erscheinungsverlauf: 87.2002 -
    Paralleltitel: Online-Ausg. The journal of African American history
    Vorheriger Titel: Vorg. Journal of negro history
    DDC: 960
    RVK:
    Schlagwort(e): Zeitschrift ; Schwarze ; Geschichte ; Zeitschrift ; USA ; Geschichte
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  • 3
    Zeitschrift/Serie
    Zeitschrift/Serie
    Chicago, IL : The University of Chicago Press | Silver Spring, Md. : The Association for the Study of African American Life and History | Washington, DC : The Association for the Study of African American Life and History ; 87.2002 -
    ISSN: 1548-1867 , 2153-5086
    Sprache: Englisch
    Erscheinungsverlauf: 87.2002 -
    Paralleltitel: Online-Ausg. The journal of African American history
    Vorheriger Titel: Vorg.: Journal of negro history
    DDC: 960
    RVK:
    Schlagwort(e): Schwarze ; Geschichte ; Zeitschrift ; Zeitschrift ; Schwarze ; Geschichte ; Zeitschrift
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  • 4
    Buch
    Buch
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781350297661 , 9781350297678
    Sprache: Englisch
    Seiten: xiii, 344 Seiten , Illustrationen , 24 cm
    Ausgabe: Second edition
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.3/620973
    RVK:
    Schlagwort(e): Geschichte ; African Americans Reparations ; Slavery History ; Entschädigung ; Sklavenhandel ; Sklaverei ; Schwarze ; USA ; African Americans / Reparations ; Slavery / United States / History ; Slavery ; United States ; History ; USA ; Schwarze ; Sklaverei ; Sklavenhandel ; Entschädigung ; Geschichte
    Anmerkung: Previous edition: 2017
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  • 5
    Buch
    Buch
    Rochester, NY : University of Rochester Press
    ISBN: 9781648250637
    Sprache: Englisch
    Seiten: xvi, 252 Seiten , Illustrationen , 23 cm
    Serie: Eastman/Rochester studies in ethnomusicology 13
    Serie: Eastman/Rochester studies in ethnomusicology
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 780.89
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    Schlagwort(e): Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Kurzfassung: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Beschreibung / Inhaltsverzeichnis: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 6
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780197577356 , 9780197577349
    Sprache: Englisch
    Seiten: xxxiv, 230 Seiten
    Ausgabe: Updated edition
    Paralleltitel: Erscheint auch als
    DDC: 305.8960730905
    RVK:
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    Schlagwort(e): Geschichte ; Geschichte 2013-2021 ; Politik ; Schwarze. USA ; Black lives matter movement ; African Americans Social conditions 21st century ; African Americans Politics and government 21st century ; Equality ; Racism ; Black Lives Matter ; Soziale Ungleichheit ; Schwarze ; Rassismus ; Entstehung ; Soziale Situation ; Protestbewegung ; USA ; United States Race relations ; USA ; USA ; Schwarze ; Soziale Situation ; Rassismus ; Geschichte ; USA ; Schwarze ; Rassismus ; Soziale Ungleichheit ; Protestbewegung ; Geschichte 2013-2021 ; Black Lives Matter ; Protestbewegung ; Entstehung ; Geschichte
    Kurzfassung: Started in the wake of George Zimmerman's 2013 acquittal in the death of Trayvon Martin, the #BlackLivesMatter movement has become a powerful and incendiary campaign demanding redress for the brutal and unjustified treatment of black bodies by law enforcement in the United States. The movement is only a few years old, but as Christopher J. Lebron argues in this book, the sentiment behind it is not; the plea and demand that 〈"Black Lives Matter〉" comes out of a much older and richer tradition arguing for the equal dignity-and not just equal rights-of black people. The Making of Black Lives Matter presents a condensed and accessible intellectual history that traces the genesis of the ideas that have built into the #BlackLivesMatter movement. Drawing on the work of revolutionary black public intellectuals, including Frederick Douglass, Ida B. Wells, Langston Hughes, Zora Neal Hurston, Anna Julia Cooper, Audre Lorde, James Baldwin, and Martin Luther King Jr., Lebron clarifies what it means to assert that 〈"Black Lives Matter〉" when faced with contemporary instances of anti-black law enforcement. He also illuminates the crucial difference between the problem signaled by the social media hashtag and how we think that we ought to address the problem. As Lebron states, police body cameras, or even the exhortation for civil rights mean nothing in the absence of equality and dignity. To upset dominant practices of abuse, oppression and disregard, we must reach instead for radical sensibility. Radical sensibility requires that we become cognizant of the history of black thought and activism in order to make sense of the emotions, demands, and argument of present-day activists and public thinkers. Only in this way can we truly embrace and pursue the idea of racial progress in America. Quelle: Klappentext.
    URL: Cover  (lizenzpflichtig)
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  • 7
    ISBN: 9780881468779 , 0881468770
    Sprache: Englisch
    Seiten: 248 Seiten , Illustrationen , 23 cm
    Serie: America's historically Black colleges and universities
    DDC: 323.1196/07307565
    RVK:
    Schlagwort(e): 1900-1999 ; African American college students Political activity 20th century ; History ; African American student movements History 20th century ; Civil rights demonstrations History 20th century ; Civil rights movements History 20th century ; Civil rights movements History 20th century ; African Americans History 20th century ; African Americans History 20th century ; Segregation History 20th century ; Segregation History 20th century ; Academic freedom History 20th century ; Academic freedom ; African American college students - Political activity ; African American student movements ; African Americans ; Civil rights demonstrations ; Civil rights movements ; Segregation ; History ; North Carolina ; North Carolina - Durham ; North Carolina - Raleigh ; Durham, NC ; Raleigh, NC ; Schwarze ; Bürgerrechtsbewegung ; Geschichte 1960-1963
    Kurzfassung: This book analyzes civil rights activism in North Carolina in the early 1960s, especially among students at Shaw University, Saint Augustine's College, and North Carolina College at Durham. Their significance in challenging segregation has been underrepresented in scholarly works. These students played a crucial role in bringing the end of legal segregation and in reducing hiring discrimination. While activists proceeded from campus to lunch counters for sit-ins, their actions also represented a counter to businesspersons and politicians seeking to preserve a segregationist view of Tar Heel hospitality. The book demonstrates how academic freedom ideas gave additional ideological force to the civil rights movement and garnered support from "Research Triangle" schools North Carolina State College, Duke University, and The University of North Carolina. Many students from the "Protest Triangle" (the author's term for activists at the three HBCUs) and the "Research Triangle" viewed efforts by politicians to thwart protest participation as restrictions of their academic freedom. Despite the rich historiography on the civil rights movement and scholarly works addressing academic freedom, their connections have gone mostly unexplored. Suttell utilized extensive archival research and conducted thirty-one interviews with activists and Raleigh and Durham community members, in addition to nationally recognized civil rights leaders like Andrew Young and Wyatt Tee Walker. --
    Beschreibung / Inhaltsverzeichnis: Machine generated contents note:
    Anmerkung: Includes bibliographical references (pages 227-236) and index
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  • 8
    ISBN: 9783955932626 , 3955932621
    Sprache: Englisch , Deutsch
    Seiten: 328 Seiten , Illustrationen , 23.8 cm x 15.8 cm, 400 g
    Ausgabe: Bilingual edition, 1. edition
    DDC: 780.92
    RVK:
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    Schlagwort(e): Geschichte 1960-2023 ; Diaspora ; Afroamerikanische Musik ; Neue Musik ; Komponist ; Schwarze ; Europa ; Afrodiaspora ; afrodiasporic musicians ; afrodiasporic composing ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afroamerikanische Musik ; Europa ; Schwarze ; Diaspora ; Komponist ; Neue Musik ; Geschichte 1960-2023
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  • 9
    Buch
    Buch
    Lausanne ; Berlin ; Bruxelles : Peter Lang
    ISBN: 9783631889633 , 3631889631
    Sprache: Englisch
    Seiten: 154 Seiten , 22 cm, 280 g
    Serie: United States studies: culture, politics, media volume 5
    Serie: United States studies: culture, politics, media
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.896073
    RVK:
    Schlagwort(e): Geschichte ; Rassismus ; Diskriminierung ; Schwarze ; USA ; USA ; Schwarze ; Diskriminierung ; Rassismus ; Geschichte
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 10
    Buch
    Buch
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674244269
    Sprache: Englisch
    Seiten: xvi, 303 Seiten , Illustrationen, 1 Karte , 25 cm
    Paralleltitel: Erscheint auch als Who’s black and why?
    DDC: 305.8009409/033
    RVK:
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    Schlagwort(e): Académie royale des sciences (France) ; Racism in anthropology History 18th century ; Scientific racism History 18th century ; Black race Color 18th century ; History ; Black race Color 18th century ; Public opinion ; History ; Europeans Attitudes 18th century ; History ; Racism ; Blackness Sources ; Reader ; Quelle ; Europa ; Schwarze ; Hautfarbe ; Rassentheorie ; Rassismus ; Geschichte 1739
    Kurzfassung: "In 1739 Bordeaux's Royal Academy of Sciences held an essay contest seeking answers to a pressing question: What was the cause of Africans' black skin? Published here for the first time and translated into English, these early documents of scientific racism lay bare the Enlightenment origins of the phantom of racial hierarchy"--
    Anmerkung: Zusammenstellung von Quellentexten , Literaturangaben in Endnoten , Mit Chronologie und Register
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  • 11
    ISBN: 9780520281844 , 9780520281837
    Sprache: Englisch
    Seiten: xvii, 287 Seiten
    Serie: Phono
    DDC: 780.8996073
    RVK:
    Schlagwort(e): Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Anmerkung: Includes bibliographical references and index
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  • 12
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501379291 , 9781501379338
    Sprache: Englisch
    Seiten: 140 Seiten
    Paralleltitel: Online version Campbell, Mark V. Afrosonic life
    RVK:
    Schlagwort(e): Ausdruck ; Musik ; Klang ; Schwarze ; Popular music / African influences ; Black people / Music / History and criticism ; Turntablism ; Remixes / History and criticism ; Musique populaire / Influence africaine ; Noirs / Musique / Histoire et critique ; Platinisme ; Remix / Histoire et critique ; Black people / Music ; Popular music / African influences ; Remixes ; Turntablism ; Criticism, interpretation, etc ; Schwarze ; Musik ; Klang ; Ausdruck
    Kurzfassung: "Explores the role sonic innovations in the African diaspora play in articulating methodologies for living the afterlife of slavery"--
    Beschreibung / Inhaltsverzeichnis: Soundman/Sound System (S.W. rmx) -- Turning the Tables -- Riddim Science : On Living Hip-Hop's Sonic Innovations -- Dubbing the Remix and Its Uses -- Conclusion. Come Rewind : We were the 1st Robots
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke
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  • 13
    Buch
    Buch
    New York : New York University Press
    ISBN: 9781479806904 , 9781479806881
    Sprache: Englisch
    Seiten: 225 Seiten
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Kurzfassung: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Beschreibung / Inhaltsverzeichnis: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 14
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478018872 , 9781478016236
    Sprache: Englisch
    Seiten: xiv, 218 Seiten
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Kurzfassung: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Beschreibung / Inhaltsverzeichnis: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
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  • 15
    ISBN: 9780674276130
    Sprache: Englisch
    Seiten: 1 Online-Ressource (321 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Who's black and why?
    DDC: 305.8009409/033
    RVK:
    Schlagwort(e): Académie royale des sciences (France) ; Racism in anthropology History 18th century ; Scientific racism History 18th century ; Black race Color 18th century ; History ; Black race Color 18th century ; Public opinion ; History ; Europeans Attitudes 18th century ; History ; Racism ; Electronic books ; Quelle ; Quelle ; Quelle ; Europa ; Schwarze ; Hautfarbe ; Rassentheorie ; Rassismus ; Geschichte 1739
    Kurzfassung: In 1739 Bordeaux's Royal Academy of Sciences held an essay contest seeking answers to a pressing question: What was the cause of Africans' black skin? Published here for the first time and translated into English, these early documents of scientific racism lay bare the Enlightenment origins of the phantom of racial hierarchy.
    Kurzfassung: Cover -- Title Page -- Copyright -- Dedication -- Contents -- Preface: Who's Black and Why? -- Note on the Translations -- Part I -- Introduction: The 1741 Contest on the "Degeneration" of Black Skin and Hair -- 1. Blackness through the Power of God -- 2. Blackness through the Soul of the Father -- 3. Blackness through the Maternal Imagination -- 4. Blackness as a Moral Defect -- 5. Blackness as a Result of the Torrid Zone -- 6. Blackness as a Result of Divine Providence -- 7. Blackness as a Result of Heat and Humidity -- 8. Blackness as a Reversible Accident -- 9. Blackness as a Result of Hot Air and Darkened Blood -- 10. Blackness as a Result of a Darkened Humor -- 11. Blackness as a Result of Blood Flow -- 12. Blackness as an Extension of Optical Theory -- 13. Blackness as a Result of an Original Sickness -- 14. Blackness Degenerated -- 15. Blackness Classified -- 16. Blackness Dissected -- Part II -- Introduction: The 1772 Contest on "Preserving" Negroes -- 1. A Slave Ship Surgeon on the Crossing -- 2. A Parisian Humanitarian on the Slave Trade -- 3. Louis Alphonse, Bordeaux Apothecary, on the Crossing -- Select Chronology of the Representation of Africans and Race -- Notes -- Acknowledgments -- Credits -- Index.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 16
    Buch
    Buch
    Berlin : De Gruyter Oldenbourg
    ISBN: 9783110729849 , 3110729849
    Sprache: Englisch
    Seiten: VI, 163 Seiten , Illustrationen , 23 cm x 15.5 cm
    Serie: Video Games and the Humanities volume 2
    Serie: Video games and the humanities
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Aguirre Quiroga, Stefan White Mythic Space
    DDC: 305.8
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    Schlagwort(e): Erster Weltkrieg ; Militär ; Schwarze ; Battlefield 1 ; Spieler ; Rassismus ; Internet ; Hassrede
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  • 17
    Buch
    Buch
    New York : Basic Books
    ISBN: 9781541672802
    Sprache: Englisch
    Seiten: 497 Seiten , Illustrationen
    Ausgabe: First edition
    DDC: 305.8
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    Schlagwort(e): Barbour County, Ala. ; Weiße ; Vorherrschaft ; Freiheit ; Indianer ; Schwarze ; Unterdrückung ; Geschichte 1832-1968
    Kurzfassung: American freedom is typically associated with the fight of the oppressed for a better world. But for centuries, whenever the federal government intervened on behalf of nonwhite people, many white Americans fought back in the name of freedom—their freedom to dominate others. In Freedom’s Dominion, historian Jefferson Cowie traces this complex saga by focusing on a quintessentially American place: Barbour County, Alabama, the ancestral home of political firebrand George Wallace. In a land shaped by settler colonialism and chattel slavery, white people weaponized freedom to seize Native lands, champion secession, overthrow Reconstruction, question the New Deal, and fight against the civil rights movement. A riveting history of the long-running clash between white people and federal authority, this book radically shifts our understanding of what freedom means in America.
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  • 18
    ISBN: 9781324021841
    Sprache: Englisch
    Seiten: xxv, 456 Seiten, 12 ungezählte Seiten Bildtafeln , Illustrationen
    Ausgabe: First published as a Norton paperback 2022
    RVK:
    Schlagwort(e): African Americans Civil rights 19th century ; History ; Civil rights movements History 19th century ; African Americans Politics and government 19th century ; African Americans Legal status, laws, etc 19th century ; History ; USA ; Schwarze ; Rassismus ; Widerstand ; Bürgerrecht ; Gleichheit ; Geschichte 1803-1866
    Kurzfassung: "On The Grounds Of Expediency And Good Policy" Free- State Antiblack Laws In The Early Republic -- "A Free Man Of Colour, And A Citizen Of This State" The Privileges And Immunities Of Citizenship In The 1820s -- "The Sacred Doctrine Of Equal Rights" Ohio Abolitionists In The 1830s -- "The Rights Of The Citizens Of Massachusetts" African American Sailors In Southern Ports In The 1830s -- "Self- Preservation Is The First Law Of Nature" State- To- State Conflict And The Limits Of Congress In The 1840s -- "That All Men Are Created Free And Equal" The Liberty Party And Repeal Of The Ohio Black Laws In The 1840s -- "Injustice And Oppression Incarnate" Illinois And A Nation Divided In The 1850s -- "Establishing One Law For The White And Colored People Alike" Republicans In Power During The Civil War, 1861- 1865 -- "To Restrain The Power Of The States" The Civil Rights Act And The Fourteenth Amendment.
    Anmerkung: Includes bibliographical references and index
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  • 19
    Buch
    Buch
    New York : New York University Press
    ISBN: 9781479885084
    Sprache: Englisch
    Seiten: xii, 333 Seiten , Illustrationen
    Serie: Black power series
    DDC: 995
    RVK:
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    Schlagwort(e): Geschichte ; Panafrikanismus ; Antikolonialismus ; Schwarze ; Pazifischer Raum ; Decolonization / Melanesia / History ; Black nationalism / Melanesia ; Black power / Melanesia ; Blacks / Melanesia / Social conditions ; African diaspora / History / 20th century ; Pan-Africanism ; Melanesia / Politics and government / 20th century ; Pazifischer Raum ; Schwarze ; Panafrikanismus ; Antikolonialismus ; Geschichte
    Kurzfassung: Garvey's Caveat : Pan-Africanism and the Pacific -- Negroids of the Pacific : West Papua, Senegal, and Negritude -- Oodgeroo Noonuccal : Black women's internationalism in Australia -- Black power in Papua New Guinea -- Melanesia's way : Papua New Guinea and the Black Pacific -- Black Pacific festivals : FESTAC, Nigeria, and Oceania -- POVAI : Fiji, Pacific women, and a nuclear free Pacific -- : Black liberation in Kanaky -- One single front against imperialism : Libya, New Caledonia, and Oceania -- Blacks must rule Vanua
    Kurzfassung: "Pasifika Black details how liberation struggles in Oceania engaged Black internationalism in their fights against French, British, Indonesia, and Australian colonialisms. It explores how these diverse and uneven efforts informed political movements across the Black Pacific, Indian, and Atlantic Ocean worlds, linking Black metropoles across Suva, Brisbane, Harlem (s), Paris, Lagos, Tripoli and Dakar. Its protagonists include playwrights, visual artists, environmental activists, martyrs, religious leaders, musicians, revolutionaries, students, and poets who globally carried the banners, books and bibles of Black Power, Negritude, the Nuclear Free and Independent Pacific, Black liberation theology, Pan-Africanism and the Pacific Women's Conference. Pasifika Black puts Aboriginal poet Oodgeroo Noonuccal's 1976 call for a Black Pacific into an extended conversation with Nigeria's Wole Soyinke, Samoa's Albert Wendt, Fiji's Amelia Rokotuivuna, the NAACP's Roy Wilkins, West Papua's, Negritude's Aimé Césaire, Kanak leader Dewe Gorodey and Polynesian Panther Will. Based on research conducted across Fiji, Australia, Vanuatu, New Caledonia, Papua New Guinea, Britain and the United States, the book's archival arsenal includes photographs, government surveillance, diaries, audio-visuals, revolutionary print media, artwork, novels, oral traditions, songs, and ephemera. It maps our conceptually gendered geographies of the women, men, and imaginations of Black internationalism into the universities, reservations, nakamals, plantations, villages, harbors, churches, concrete jungles and European imagined boundaries of Melanesia, Polynesia and Micronesia. In a world grappling with the global significance of Black Lives Matter and state sanctioned violence against Black and Brown bodies, Pasifika Black is a both triumphant history and tragic reminder of the ongoing quests for decolonization in Oceania, the African world and the Global South"--
    Anmerkung: Includes bibliographical references and index
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  • 20
    Online-Ressource
    Online-Ressource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    Schlagwort(e): Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Kurzfassung: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Anmerkung: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
    ISBN: 9780231189187 , 9780231189194
    Sprache: Englisch
    Seiten: xiii, 275 Seiten , Illustrationen
    Serie: Leonard Hastings Schoff memorial lectures
    Paralleltitel: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
    RVK:
    Schlagwort(e): Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Kurzfassung: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Kurzfassung: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Anmerkung: Includes index
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  • 22
    Online-Ressource
    Online-Ressource
    Cambridge ; New York, NY : Cambridge University Press
    ISBN: 9781108991254
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 209 Seiten)
    Paralleltitel: Erscheint auch als
    DDC: 305.800945/0904
    RVK:
    Schlagwort(e): Geschichte 1945- ; Racially mixed people / Italy / Social conditions / 20th century ; Blacks / Italy / Social conditions / 20th century ; Rassismus ; Interethnische Herkunft ; Ethnische Beziehungen ; Schwarze ; Italy / Race relations / History / 20th century ; Italy / History / 1945- ; Italien ; Italien ; Schwarze ; Interethnische Herkunft ; Ethnische Beziehungen ; Rassismus ; Geschichte 1945-
    Kurzfassung: Focusing on the experiences and representations of the 'brown babies' born at the end of World War Two from the encounters between Black Allied soldiers and Italian women, this book explores the persistence of racial thinking and racism in post-fascist and postcolonial Italy. Through the use of a large variety of historical sources, including personal testimonies and the cinema, Silvana Patriarca illustrates Italian - and also American - responses to what many considered a 'problem'. She sensitively analyses the perceptions of race/color among different actors, such as state and local authorities, Catholic clerics, filmmakers, geneticists, psychologists, and ordinary people, and her book is rich in detail about their impact on the lives of the children. Uncovering the pervasiveness of anti-Black prejudice in the early democratic republic, as well as the presence and limitations of anti-racist sensibilities, Race in Post-Fascist Italy allows us to better understand Italy's conflicted reaction to its growing diversity
    Anmerkung: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , "Undesirables" : foreigners and women in the postwar -- Little "aliens"? Representing the "mulattini" -- "Not only a question of humanity" : assisting the "mulattini" -- Growing up Black in postwar Italy -- On the American side of the Atlantic -- Under "expert" eyes -- Black Italians on screen : two films of the 1960s -- Interlude. A story from a Calabrian village -- Ancestries and identities
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 23
    Online-Ressource
    Online-Ressource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231548212
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Leonard Hastings Schoff Lectures
    DDC: 781.650973
    RVK:
    Schlagwort(e): Geschichte 1900-2000 ; Schwarze ; Musik ; Jazz ; Modern Jazz ; Kunst ; Literatur ; Collage ; Fiktion ; USA
    Kurzfassung: Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
    URL: Cover
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  • 24
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478023500
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Anmerkung: Bevorzugte Informationsquelle Ladingpage (Duke), da weder Titelblatt nocht Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 25
    Online-Ressource
    Online-Ressource
    Cambridge : Polity Press
    ISBN: 9781509552795
    Sprache: Englisch
    Seiten: 1 online resource (386 pages) , Illustrationen, Diagramme, Karten
    Paralleltitel: Erscheint auch als Patterson, Orlando, 1940 - The sociology of slavery
    DDC: 306.362097292
    RVK:
    Schlagwort(e): Electronic books ; Jamaika ; Schwarze ; Sklave ; Geschichte 1655-1838
    Kurzfassung: Cover -- Half Title -- Dedication -- Copyright -- Contents -- Introduction to the 2022 Edition: Life and Scholarship in the Shadow of Slavery -- Preface -- I The Masters: An Overall View of Slavery -- II The Slave Plantation: Its Socio-Economic Structure -- III The Treatment of the Slaves in Law and Custom -- IV An Analysis of the Slave Population of Jamaica -- V The Tribal Origins of the Jamaican Slaves -- VI The Socialization and Personality Structure of the Slave -- VII Social Institutions of the Slaves: 1 Witchcraft, Sorcery and Religion -- VIII Social Institutions of the Slaves: 2 Economy, Recreation and Control -- IX The Mechanisms of Resistance to Slavery 260 -- X The Cultural and Social Development of Jamaica: 1655-1865 -- Appendix 1: Stephen Fuller's Account of the Number of Negroes imported and exported at Jamaica each year, 1702-1775 -- Appendix 2: Exports from Jamaica, 1768 -- Appendix 3: General Return from the Island of Jamaica, for Fifty-Three Years, ending 31st December 1836, abstracted from the Journals of the House Assembly -- Appendix 4: Output, Income and Expenditure in 1832 -- Appendix 5: Manuscripts and Official Publications Consulted -- Appendix 6: Europeans in West Africa -- Seventeenth to Eighteenth Centuries -- Appendix 7: Africa as known to Europeans in the Mid- Eighteenth Century -- Plate Credits -- Index -- Plates -- End User License Agreement.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 26
    ISBN: 9780472038558
    Sprache: Englisch
    Seiten: XVII, 240 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Kurzfassung: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
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  • 27
    ISBN: 9781912685806
    Sprache: Englisch
    Seiten: 1 Online-Ressource (171 Seiten) , Illustrationen
    Serie: Sonics series
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 28
    Buch
    Buch
    Chapel Hill : University of North Carolina Press | Williamsburg, Virginia : Omohundro Institute of Early American History and Culture
    ISBN: 9781469664811
    Sprache: Englisch
    Seiten: 354 Seiten , Illustrationen, Karten
    Paralleltitel: Erscheint auch als
    DDC: 304.8097309033
    RVK:
    Schlagwort(e): Geschichte 1763-1819 ; Indianer ; Gründung ; Migration ; Schwarze ; Staat ; USA ; Forced migration / United States / History ; Migration, Internal / United States / History ; Indians of North America / Relocation / United States ; African Americans / Relocation ; United States / Race relations / History ; Hochschulschrift ; Hochschulschrift ; USA ; Staat ; Gründung ; Indianer ; Schwarze ; Migration ; Geschichte 1763-1819
    Kurzfassung: Removal and the British Empire -- "The Whole Debt of the Nation" : Removal in Indian Country -- "A Great Road Cut" : Pursing the Right to Remain in the Ohio Valley -- The Tools of "Civilization" : Restricting Migration in the West -- "A Good Citizen of the Whole World" : Colonization in the Era of Gradual Emancipation -- "Shut Every State against Him" : Restricting Migration between the States -- "To Sunder Every Tie" : Pursuing the Right to Remain in the Upper South -- The Age of Removal -- Conclusion: The Power of Figuring
    Kurzfassung: "This work explores the conflicts over migration at the center of the social, political, intellectual, and physical landscape of the early United States. Examining the voluntary and forced migrations of Indigenous, African American, and Anglo Americans in the decades immediately following the Revolution, Samantha Seeley argues that the United States took shape as a white republic through contentious negotiations over who could move and where, who could remain and how. Removal was not sweeping, top-down federal legislation. Instead, it was a battle fought on multiple fronts. It encompassed tribal leaders' attempts to expel white settlers from Native lands and African Americans' legal battles to remain within states that sought to drive them out. National in scope, the book is grounded in a close examination of Virginia, Maryland, Delaware, Pennsylvania, Kentucky, Ohio, Indiana, Illinois, and Missouri--states poised between the edges of slavery and freedom where removal was both warmly embraced and hotly contested"--
    Anmerkung: Includes bibliographical references and index
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  • 29
    ISBN: 9781912685790
    Sprache: Englisch
    Seiten: 171 Seiten , Illustrationen
    Serie: Sonics series
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
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  • 30
    Online-Ressource
    Online-Ressource
    New York : New York University Press
    ISBN: 9781479849697 , 9781479800360
    Sprache: Englisch
    Seiten: 1 Online-Ressource (247 Seiten)
    Paralleltitel: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Kurzfassung: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 31
    ISBN: 9781496832108 , 9781496832115
    Sprache: Englisch
    Seiten: x, 192 Seiten , Notenbeispiele , 23 cm
    Ausgabe: First printing
    DDC: 781.6508996073
    RVK:
    RVK:
    Schlagwort(e): Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; USA
    Kurzfassung: In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.
    Anmerkung: Literaturangaben
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  • 32
    ISBN: 9781526121677
    Sprache: Englisch
    Seiten: 214 Seiten
    Serie: Racism, resistance and social change
    DDC: 305.8009730904
    RVK:
    Schlagwort(e): Grenzgebiet ; Hispanos ; Schwarze ; Rassismus ; Ethnische Beziehungen ; USA ; Mexiko
    Anmerkung: Literaturverzeichnis Seite 196-210
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  • 33
    ISBN: 9783110748697 , 311074869X
    Sprache: Englisch
    Seiten: XIII, 311 Seiten , Illustrationen , 25 cm, 701 g
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Beyond Exceptionalism
    DDC: 305.8960430903
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1650-1850 ; Sklaverei ; Abolitionismus ; Schwarze ; Soziale Situation ; Deutschland ; Aufsatzsammlung
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  • 34
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478011446 , 9781478010418
    Sprache: Englisch
    Seiten: x, 137 Seiten , Illustrationen , 23 cm
    Paralleltitel: Erscheint auch als Freeburg, Christopher Counterlife
    Paralleltitel: Erscheint auch als Freeburg, Christopher, 1972 - Counterlife
    DDC: 306.3/620973
    RVK:
    RVK:
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    Schlagwort(e): Slavery History ; Slavery Sociological aspects ; Slavery in literature ; Schwarze ; Sklaverei ; Psychische Verarbeitung ; Kreativität
    Kurzfassung: Introduction: Slavery's Hereafter -- Sambo's Cloak -- Kaleidoscope Views -- Sounds of Blackness -- The Last Black Hero -- Coda: Chasing Ghosts
    Kurzfassung: "Counterlife demonstrates that scholarship on slavery in the Americas has its imaginative roots in the emergence of sociology/social theory in the 1950s as well as aesthetic movements (e.g., naturalism and modernism) that flourished in the early twentieth century. Debates between social scientists, artists, and politicians about mass culture, modern urban space, and socialization amplify slavery studies' preoccupation with political insurgency and resistance. This book analyzes the kinds of descriptions of social space, power, and personality type that became pivotal in the early sociology and psychology of slavery studies"--
    Anmerkung: Includes bibliographical references and index
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  • 35
    Buch
    Buch
    Chicago : University of Chicago Press
    ISBN: 9780226756363 , 9780226756226
    Sprache: Englisch
    Seiten: viii, 332 Seiten , Illustrationen
    DDC: 323.1196/073
    RVK:
    Schlagwort(e): United States ; Geschichte 1861-1918 ; Civil rights movements History ; African Americans Civil rights ; History ; Bürgerrechtsbewegung ; USA ; USA Congress ; Schwarze ; Bürgerrechtsbewegung ; Gesetzgebung ; Geschichte 1861-1918
    Kurzfassung: The Civil War Years, 1861-1865 -- The Early Reconstruction Era, 1865-1871 -- The Demise of Reconstruction, 1871-1877 -- The Redemption Era, 1877-1891 -- The Wilderness Years, 1891-1918.
    Kurzfassung: "This book tells the story of the rise and fall of the first civil rights era, viewed through the lens of action in the US Congress. The first civil rights era, as we define it, extends from 1861 through 1918, or from the Civil War through the First World War. During that time the formal status of African Americans shifted from slave to citizen and then to something in between. This distinctive path was largely determined by laws and, later, failed laws in Congress. Many books tell the story of African Americans during these years. Our book is explicitly about how the arc of civil rights was determined by Congress over these five decades and more. While there are some excellent accounts for particular periods, such as the Civil War or Reconstruction, we believe ours is the most systematic examination of congressional decision making on civil rights during this long and crucial period"--
    Anmerkung: Includes index
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  • 36
    ISBN: 9783110748697 , 311074869X
    Sprache: Englisch
    Seiten: XIII, 311 Seiten , Illustrationen , 24 cm x 17 cm
    Paralleltitel: Erscheint auch als Beyond exceptionalism
    Paralleltitel: Erscheint auch als
    DDC: 305.8960430903
    RVK:
    Schlagwort(e): Aufsatzsammlung ; Deutschland ; Sklaverei ; Abolitionismus ; Geschichte 1650-1850 ; Deutschland ; Schwarze ; Soziale Situation ; Geschichte 1650-1850
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  • 37
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496832092
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 192 pages) , Illustrations (black and white).
    Serie: Mississippi scholarship online
    DDC: 781.6508996073
    RVK:
    RVK:
    Schlagwort(e): Higgins, Billy Criticism and interpretation ; Blanchard, Terence Criticism and interpretation ; Carrington, Terri Lyne Criticism and interpretation ; Akinmusire, Ambrose Criticism and interpretation ; Hill, Andrew Criticism and interpretation ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; African American jazz musicians ; Jazz Political aspects ; USA
    Kurzfassung: This text provides an interpretive framework for understanding how African American creative improvisers think of musical space. Featuring a foreword by eminent scholar Robin D.G. Kelley, this is a critical improvisation studies book that uses Black geographies theory to examine the spatial values of musical expression in the improvisational and compositional practices of trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
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  • 38
    Online-Ressource
    Online-Ressource
    Manchester : Manchester University Press | Oxford : Oxford University Press
    ISBN: 9781526166685
    Sprache: Englisch
    Seiten: 1 Online-Ressourcece.
    Serie: Racism, resistance and social change
    Serie: Manchester scholarship online
    DDC: 305.8009730904
    RVK:
    Schlagwort(e): Grenzgebiet ; Hispanos ; Schwarze ; Rassismus ; Ethnische Beziehungen ; Racism History 20th century ; African Americans Social conditions 20th century ; Mexican Americans Social conditions 20th century ; USA ; Mexiko ; United States Race relations 20th century ; History
    Kurzfassung: This work examines key moments of violent social unrest in the twentieth century United States. Investigating the centrality of constructions of gender to American racism, it asks how African and Mexican American men, including those in uniform, responded to the violence of racism, and how their resistance, including their claims to manhood and nation, were understood by law enforcement, politicians, and press.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
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  • 39
    ISBN: 978-0-593-13404-7
    Sprache: Englisch
    Seiten: xvii, 504 pages ; , 25 cm.
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als
    DDC: 973/.0496073
    RVK:
    RVK:
    Schlagwort(e): United States / Race relations / History ; United States ; Geschichte 1619-2019 ; African Americans / History ; African Americans ; Race relations ; BIOGRAPHY & AUTOBIOGRAPHY / Cultural, Ethnic & Regional / African American & Black ; SOCIAL SCIENCE / Black Studies (Global) ; HISTORY / African American ; Schwarze. ; USA. ; Aufsatzsammlung ; History ; Aufsatzsammlung ; Schwarze ; Geschichte 1619-2019
    Kurzfassung: "A "choral history" of African Americans covering 400 years of history in the voices of 80 writers, edited by the bestselling, National Book Award-winning historian Ibram X. Kendi and Keisha N. Blain. Last year marked the four hundredth anniversary of the first African presence in the Americas--and also launched the Four Hundred Souls project, spearheaded by Ibram X. Kendi, director of the Antiracism Institute of American University, and Keisha Blain, editor of The North Star. They've gathered together eighty black writers from all disciplines -- historians and artists, journalists and novelists--each of whom has contributed an entry about one five-year period to create a dynamic multivoiced single-volume history of black people in America"--
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  • 40
    Buch
    Buch
    Urbana ; Chicago ; Springfield : University of Illinois Press
    ISBN: 9780252085703 , 9780252043727
    Sprache: Englisch
    Seiten: xiv, 222 Seiten , Illustrationen und Portraits , 23 cm
    Serie: Disability histories
    DDC: 306.3620973
    RVK:
    Schlagwort(e): Geschichte 1800-1861 ; Schwarze ; Sklave ; Alltag ; Behinderung ; USA ; Slaves / Abuse of / United States / History / 19th century ; African Americans with disabilities / History / 19th century ; People with disabilities / Abuse of / United States / History / 19th century ; People with disabilities / United States / Social conditions / History / 19th century ; Slaves / United States / Social conditions / 19th century ; United States / Race relations / History / 19th century ; African Americans with disabilities ; People with disabilities / Abuse of ; People with disabilities / Social conditions ; Race relations ; Slaves / Abuse of ; Slaves / Social conditions ; United States ; 1800-1899 ; History ; USA ; Schwarze ; Behinderung ; Sklave ; Alltag ; Geschichte 1800-1861
    Kurzfassung: "Time and again, antebellum Americans justified slavery and white supremacy by linking blackness to disability, defectiveness, and dependency. Jenifer L. Barclay examines the ubiquitous narratives that depicted black people with disabilities as pitiable, monstrous, or comical, narratives used not only to defend slavery but argue against it. As she shows, this relationship between ableism and racism impacted racial identities during the antebellum period and played an overlooked role in shaping American history afterward. Barclay also illuminates the everyday lives of the ten percent of enslaved people who lived with disabilities. Devalued by slaveholders as unsound and therefore worthless, these individuals nonetheless carved out an unusual autonomy. Their roles as caregivers, healers, and keepers of memory made them esteemed within their own communities and celebrated figures in song and folklore. Prescient in its analysis and rich in detail, 'The Mark of Slavery' is a powerful addition to the intertwined histories of disability, slavery, and race"--
    Beschreibung / Inhaltsverzeichnis: Disability, Embodiment, and Slavery in the Old South -- Reimagined Communities: Disability and the Making of Slave Families, Communities, and Culture -- A Dose of Law: The Dialogics of Race and Disability in Southern Slave Law and Medicine -- "Cannibals All!" The Politics of Slavery, Ableism, and White Supremacy -- One Hell of a Metaphor: Disability and Race on the Antebellum Stage
    Anmerkung: Includes bibliographical references and index
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  • 41
    Buch
    Buch
    New York : Columbia University Press
    ISBN: 9780231181860 , 9780231181877
    Sprache: Englisch
    Seiten: 339 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Hayes, Christopher, 1979 August 8- Harlem Uprising
    DDC: 323.1196/07307470904
    RVK:
    Schlagwort(e): Powell, James Death and burial ; Harlem Race Riot, New York, N.Y., 1964 ; African Americans Civil rights 20th century ; African Americans Social conditions 20th century ; History ; Civil rights movements History 20th century ; Police ; Harlem (New York, N.Y.) History 20th century ; Race discrimination ; New York (N.Y.) Race relations ; USA ; New York- Harlem ; Schwarze ; Rassendiskriminierung ; Unruhen ; Geschichte 1964
    Kurzfassung: Living -- Working -- Union work -- Learning -- The New York City Police Department -- A death and protests -- Daybreak : Sunday, July 19 -- Spreading anxiety : Monday, July 20 -- Day fear : Tuesday, July 21 -- Day five : Wednesday, July 22 -- Day Six : Thursday, July 23 -- After -- Reforming the Civilian Complaint Review Board -- A referendum.
    Kurzfassung: "In July 1964, after a white police officer shot and killed an African American teenage boy, unrest broke out in Harlem and then Bedford-Stuyvesant. Protests rose up to call for an end to police brutality and the unequal treatment of Black people in a city that viewed itself as liberal. A week of upheaval ensued, including looting and property damage as well as widespread police violence, in what would be the first of the 1960s urban uprisings. Christopher Hayes examines the causes and consequences of the uprisings, from the city's history of racial segregation in education, housing, and employment to the ways in which the police both neglected and exploited Black neighborhoods. While the national civil rights movement was securing substantial victories in the 1950s and 1960s, Black New Yorkers saw little or uneven progress. Faced with a lack of economic opportunities, pervasive discrimination, and worsening quality of life, they felt a growing sense of disenchantment with the promises of city leaders. Turning to the aftermath of the uprising, Hayes demonstrates that the city's power structure continued its refusal to address structural racism. In the most direct local outcome, a broad, interracial coalition of activists called for civilian review of complaints against the police. The NYPD's rank and file fought this demand bitterly, further inflaming racial tensions. The story of the uprisings and what happened next reveals the white backlash against civil rights in the north and crystallizes the limits of liberalism. Drawing on a range of archives, this book provides a vivid portrait of postwar New York City, a new perspective on the civil rights era, and a timely analysis of deeply entrenched racial inequalities"--
    Anmerkung: Includes bibliographical references and index
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  • 42
    Online-Ressource
    Online-Ressource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472902446 , 047290244X
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XVII, 240 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 782.4216213073
    RVK:
    Schlagwort(e): Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Kurzfassung: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 43
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197549599
    Sprache: Englisch
    Seiten: 1 Online-Ressource (320 Seiten) , Illustrationen
    Serie: Currents in Latin American & Iberian music
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 781.629608142
    RVK:
    Schlagwort(e): Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Afrikanischer Einwanderer ; Schwarze ; Musiksoziologie ; Identität ; Musik ; Bahia ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Kurzfassung: In 'Africanness in Action', author Juan Diego D iaz examines musicians' agency, constructions of blackness and Africanness, musical structure, performance practices, and rhetoric in Brazil, and provides a model for the study of African-derived music in other diasporic locales
    Anmerkung: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 44
    Buch
    Buch
    Chicago, Illinois : Haymarket Books
    ISBN: 9781642594553
    Sprache: Englisch
    Seiten: xv, 301 Seiten , 22 cm
    Ausgabe: Updated edition
    DDC: 305.896073
    RVK:
    RVK:
    Schlagwort(e): Black Lives Matter ; Rassismus ; Diskriminierung ; Schwarze ; USA ; Black lives matter movement ; Obama, Barack / Influence ; African Americans / Social conditions / 21st century ; Racism / United States / 21st century ; Racial profiling in law enforcement / United States ; Discrimination in criminal justice administration ; Social movements / United States / 21st century ; African Americans / Employment / History ; African Americans / Civil rights ; Police brutality / United States ; Police misconduct / United States ; Race discrimination / United States ; Post-racialism / United States ; USA ; Rassismus ; Schwarze ; Diskriminierung ; Black Lives Matter
    Kurzfassung: Activist and scholar Keeanga-Yamahtta Taylor surveys the historical and contemporary ravages of racism and persistence of structural inequality such as mass incarceration and Black unemployment. In this context, she argues that the new struggle against police violence holds the potential to reignite a broader push for Black liberation
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  • 45
    ISBN: 9781496832115 , 9781496832108
    Sprache: Englisch
    Seiten: x, 192 Seiten , Notenbeispiele, Porträt
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Kurzfassung: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Beschreibung / Inhaltsverzeichnis: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 46
    Buch
    Buch
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469661964 , 9781469661957
    Sprache: Englisch
    Seiten: xiii, 121 Seiten
    Paralleltitel: Erscheint auch als
    DDC: 782.4216490975
    RVK:
    Schlagwort(e): OutKast ; Hip-Hop ; Schwarze ; Ethnische Identität ; USA Südstaaten ; Rap (Music) / Social aspects / Southern States ; Rap (Music) / Southern States / History and criticism ; Hip-hop / Southern States ; African Americans / Race identity / Southern States ; OutKast (Musical group) ; OutKast (Musical group) ; African Americans / Race identity ; Hip-hop ; Rap (Music) ; Rap (Music) / Social aspects ; Southern States ; Criticism, interpretation, etc ; USA Südstaaten ; Schwarze ; Hip-Hop ; OutKast ; Ethnische Identität
    Kurzfassung: "Chronicling Stankonia situates hip hop as an intervention in constructing post-Civil Rights black identities and cultural discourse. For southern blacks, the past is often restricted to three recognizable historical moments - the Antebellum Era, Jim Crow, and the Civil Rights Movement. Aside from the deeply traumatic experience of these periods of history, they also serve as cornerstones of validating and recognizing southern blacks' experiences. However, the challenge for post-Civil Rights generations of southern blacks is speaking truth to power when their truths depart the trajectory of what was considered power in the past. Chronicling Stankonia updates the black South using hip hop as an agent to reflect multiple intersections of time, race, and southernness in the late twentieth and early twenty-first centuries. Part of southern hip hop culture's truth remains attached to the past but its power is grounded in the fact that younger southerners use hip hop to embrace the possibility of multiple Souths, multiple narratives, and multiple entry points into contemporary southern black identities"--
    Beschreibung / Inhaltsverzeichnis: The demo tape ain't nobody wanna hear -- Spelling out the work -- Re-imagining slavery in the hip hop imagination -- Still ain't forgave myself
    Anmerkung: Includes bibliographical references and index
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  • 47
    ISBN: 9781479806768 , 9781479871032
    Sprache: Englisch
    Seiten: 247 Seiten
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
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    Schlagwort(e): Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Schwarze ; Islam ; Jazz ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Kurzfassung: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
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  • 48
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780197549568 , 9780197549551
    Sprache: Englisch
    Seiten: XI, 304 Seiten , Illustrationen, Diagramme, Notenbeispiele (schwarz-weiß)
    Serie: Currents in Latin American & Iberian music
    Paralleltitel: Erscheint auch als
    DDC: 781.6296081/42
    RVK:
    Schlagwort(e): Afrikanischer Einwanderer ; Identität ; Musik ; Musiksoziologie ; Schwarze ; Bahia ; Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Blacks ; Music ; Music / African influences ; Brazil / Bahia (State) ; Criticism, interpretation, etc ; Music ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Kurzfassung: "This book discusses how musicians from Bahia, an emblematic African diasporic location in northeastern Brazil, think about, discuss, compose, rehearse, perform, and stage music inspired by what they perceive to be their own African ancestry. It argues that these musicians assert Afro-Brazilian identities and connect to the African continent and other diasporic places by creatively engaging essentialized notions about African music and culture: instead of mechanically reproducing these tropes, they emphasize them or downplay them. The book theorizes these preconceived notions about African music, culture, and performance as tropes of Africanness, emphasizing that they exist in two interrelated realms: as essentialist ideas in discourse and as concrete practices and sounds. Six commonly encountered tropes of African music are analyzed: the notions that its most important parameter is rhythm and that it is dominated by percussion; that it is meant to be danced to or deeply embodied rather than intellectualized; that it always touches on the sacred; that it is spontaneous and improvisatory; and that it reflects communalism rather than individualism. Through four case studies from Bahia (a jazz big band called Orkestra Rumpilezz, a symphony orchestra called the Orquestra Afrosinfônica, and two berimbau orchestras led by capoeira practitioners), the book demonstrates the nuances of musical creation in the African diaspora, acknowledging the genuine impact that essentialisms have on Bahian music while showing that they may not be an essential part of the musicians' African roots"--
    Beschreibung / Inhaltsverzeichnis: Bahia as an Epicenter of African Diasporic Culture -- Redeeming the Study of African Essentialism -- Orkestra Rumpilezz : A Big Band Playing Percussion -- Orkestra Rumpilezz : Complications of African Rhythm -- Orquestra Afrosinfônica : The Africanization of Erudite Music -- The Nzinga Berimbau Orchestra : Performances of Bantu Heritage -- The Tuned Berimbaus of OBADX : Melodic Performances of Africanness
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  • 49
    Buch
    Buch
    New York ; Bern ; Berlin : Peter Lang
    ISBN: 9781433174773
    Sprache: Englisch
    Seiten: xxxiii, 407 Seiten , Illustrationen, Karten
    Ausgabe: Third edition
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 973.0496073
    RVK:
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    Schlagwort(e): Geschichte ; Schwarze ; USA ; African Americans / History ; African Americans ; History ; USA ; Schwarze ; Geschichte
    Kurzfassung: "Every year more colleges and high schools are offering classes (and often making them required classes) in black history. Joanne Turner-Sadler provides a concise and probing treatment of 400 years of black history in America that can be used with age groups ranging from high school through college and beyond. Equally the book provides a digestible overview for anyone interested in African American history and the constructs of the culture. In African American History: An Introduction the author touches on key figures and events that have shaped African American culture beginning with a look at Africa and its various civilizations and the migration of the African people to America. Some essential topics covered in this updated edition: African Kingdoms --The roots of African education: Education vs Schooling -- African Americans in the New World -- The roots of slavery, separate but equal and the struggle for freedom -- Emancipation and the Quest for equality -- Civil Rights and the First Black President -- African American Culture and Institutions. This book is ... heavily illustrated (photos, maps, timelines) with useful end-of-the-chapter questions, summaries, and activities for further study. Additionally this book contains a handy bibliography of suggested readings"--
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  • 50
    Buch
    Buch
    Göttingen : V&R unipress
    ISBN: 9783847112839
    Sprache: Englisch
    Seiten: 124 Seiten
    Serie: Zeitgeschichte 48. Jahrgang, Heft 1 (2021)
    Serie: Zeitgeschichte
    DDC: 305.230899604
    RVK:
    Schlagwort(e): Geschichte 1945-1965 ; Geschichte 1948-1965 ; US-Soldat ; Schwarze ; Nichteheliches Kind ; Besatzungsmacht ; Interethnische Herkunft ; Österreich ; Deutschland ; Großbritannien ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Deutschland ; Österreich ; Großbritannien ; Nichteheliches Kind ; Interethnische Herkunft ; US-Soldat ; Schwarze ; Geschichte 1945-1965 ; Deutschland ; Besatzungsmacht ; Schwarze ; Nichteheliches Kind ; Interethnische Herkunft ; Österreich ; Geschichte 1948-1965
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  • 51
    Online-Ressource
    Online-Ressource
    Ithaca : Cornell University Press
    ISBN: 9781501759857
    Sprache: Englisch
    Seiten: 1 Online-Ressource (368 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.48428
    RVK:
    RVK:
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    Schlagwort(e): Geschichte 1870-1990 ; Musicians, Black Germany ; History ; 20th century ; Musicians, Black Austria ; History ; 20th century ; Musicians, Black Germany ; History ; 19th century ; Schwarze ; Musiker ; Österreich ; Deutschland ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
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  • 52
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9781108764971
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xii, 317 Seiten)
    Serie: Global and international history
    Paralleltitel: Erscheint auch als
    DDC: 305.896017/541
    RVK:
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    Schlagwort(e): Geschichte 1900-2000 ; Blacks / Civil rights / French-speaking countries / History / 20th century ; Blacks / Civil rights / United States / History / 20th century ; Bürgerrecht ; Schwarze ; Französisches Sprachgebiet ; USA ; Französisches Sprachgebiet ; USA ; Schwarze ; Bürgerrecht ; Geschichte 1900-2000
    Kurzfassung: Sarah C. Dunstan constructs a narrative of black struggles for rights and citizenship that spans most of the twentieth century, encompassing a wide range of people and movements from France and the United States, the French Caribbean and African colonies. She explores how black scholars and activists grappled with the connections between culture, race and citizenship and access to rights, mapping African American and Francophone black intellectual collaborations from the Paris Peace Conference in 1919 to the March on Washington in 1963. Connecting the independent archives of black activist organizations within America and France with those of international institutions such as the League of Nations, the United Nations and the Comintern, Dunstan situates key black intellectuals in a transnational framework. She reveals how questions of race and nation intersected across national and imperial borders and illuminates the ways in which black intellectuals simultaneously constituted and reconfigured notions of Western civilization
    Anmerkung: Title from publisher's bibliographic system (viewed on 08 Mar 2021)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 53
    Online-Ressource
    Online-Ressource
    Durham ; London : Duke University Press
    ISBN: 9781478012962 , 147801296X
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 137 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.3/620973
    RVK:
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    Schlagwort(e): LITERARY CRITICISM / American / General ; Slavery / History / United States ; Slavery / Sociological aspects / United States ; Slavery in literature ; Slavery History ; Slavery Sociological aspects ; Schwarze ; Sklaverei ; Kreativität ; Psychische Verarbeitung ; Schwarze ; Sklaverei ; Psychische Verarbeitung ; Kreativität
    Kurzfassung: In Counterlife Christopher Freeburg poses a question to contemporary studies of slavery and its aftereffects: what if freedom, agency, and domination weren't the overarching terms used for thinking about Black life? In pursuit of this question, Freeburg submits that current scholarship is too preoccupied with demonstrating enslaved Africans' acts of political resistance, and instead he considers Black social life beyond such concepts. He examines a rich array of cultural texts that depict slavery-from works by Frederick Douglass, Radcliffe Bailey, and Edward Jones to spirituals, the television cartoon The Boondocks, and Quentin Tarantino's Django Unchained-to show how enslaved Africans created meaning through artistic creativity, religious practice, and historical awareness both separate from and alongside concerns about freedom. By arguing for the impossibility of tracing slave subjects solely through their pursuits of freedom, Freeburg reminds readers of the arresting power and beauty that the enigmas of Black social life contain
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 54
    Online-Ressource
    Online-Ressource
    [Erscheinungsort nicht ermittelbar] : Resling | Berlin : Walter de Gruyter GmbH
    ISBN: 9783110723168
    Sprache: Englisch
    Seiten: 1 Online-Ressource (VI, 273 p.)
    Ausgabe: 2021
    RVK:
    Schlagwort(e): Geschichte 1880-1965 ; Juden ; Schwarze ; Unterhaltungsmusik ; Musikwirtschaft ; Amerikanische Musik ; Ethnizität ; Juden ; Musikindustrie ; HISTORY / General ; USA ; African-American ; American Music ; Civil Rights history ; Ethnicity ; Hegemony ; Jews ; Music industry ; New Left ; Old Left ; Semiotics ; WASP
    Kurzfassung: Stairway to Paradise reveals how American Jewish entrepreneurs, musicians, and performers influenced American popular music from the late nineteenth century till the mid-1960s. From blackface minstrelsy, ragtime, blues, jazz, and Broadway musicals, ending with folk and rock 'n' roll. The book follows the writers and artists' real and imaginative relationship with African-American culture's charisma. Stairway to Paradise discusses the artistic and occasionally ideological dialogue that these artists, writers, and entrepreneurs had with African-American artists and culture. Tracing Jewish immigration to the United States and the entry of Jews into the entertainment and cultural industry, the book allocates extensive space to the charged connection between music and politics as reflected in the Jewish-Black Alliance - both in the struggle for social justice and in the music field. It reveals Jewish success in the music industry and the unique and sometimes problematic relationships that characterized this process, as their dominance in this field became a source of blame for exploiting African-American artistic and human capital. Alongside this, the book shows how black-Jewish cooperation, and its fragile alliance, played a role in the hegemonic conflicts involving American culture during the 20th century. Unintentionally, it influenced the process of decline of the influence of the WASP elite during the 1960s. Stairway to Paradise fuses American history and musicology with cultural studies theories. This inter-disciplinary approach regarding race, class, and ethnicity offers an alternative view of more traditional notions regarding understanding American music's evolution.
    Anmerkung: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
    URL: Cover
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  • 55
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    Urbana ; Chicago ; Springfield : University of Illinois Press
    ISBN: 978-0-252-04385-7 , 978-0-252-08584-0
    Sprache: Englisch
    Seiten: 316 Seiten
    Serie: The new Black studies series
    Paralleltitel: Erscheint auch als
    DDC: 305.8960730904
    RVK:
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    Schlagwort(e): Geschichte 1900-2016 ; African Americans / Intellectual life / 20th century ; African American intellectuals / History / 20th century ; African Americans / Race identity / History / 20th century ; Blacks / Race identity / United States / History / 20th century ; Black nationalism / United States / History / 20th century ; African Americans / Social conditions / 20th century ; African American intellectuals ; African Americans / Intellectual life ; African Americans / Race identity ; African Americans / Social conditions ; Black nationalism ; Blacks / Race identity ; Race relations ; Rassismus ; Schwarze ; Geistesleben ; United States / Race relations / History / 20th century ; United States ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Geistesleben ; Rassismus ; Geschichte 1900-2016
    Kurzfassung: "From 1900 to the present, people of African descent living in the United States have drawn on homegrown and diasporic minds to create a Black intellectual tradition engaged with ideas on race, racial oppression, and the world. This volume presents essays on the diverse thought behind the fight for racial justice as developed by African American artists and intellectuals; performers and protest activists; institutions and organizations; and educators and religious leaders. By including both women's and men's perspectives from the U.S. and the Diaspora, the essays explore the full landscape of the Black intellectual tradition. Throughout, contributors engage with important ideas ranging from the consideration of gender within the tradition, to intellectual products generated outside the intelligentsia, to the ongoing relationship between thought and concrete effort in the quest for liberation"--
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  • 56
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    Ithaca : Cornell University Press
    ISBN: 9781501759840
    Sprache: Englisch
    Seiten: xiii, 351 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Thurman, Kira Singing like Germans
    Paralleltitel: Erscheint auch als Thurman, Kira Singing like Germans
    DDC: 306.4/8428
    RVK:
    Schlagwort(e): Musicians, Black History 20th century ; Musicians, Black History 20th century ; Musicians, Black History 19th century ; Musicians, Black History 19th century ; African American musicians History 20th century ; African American musicians History 20th century ; African American musicians History 19th century ; African American musicians History 19th century ; Music Social aspects ; History ; Music Social aspects ; History ; Music Political aspects ; History ; Music Political aspects ; History ; Music and race ; Deutschland ; Musiker ; Amerika ; Schwarze ; Geschichte 1870-1961 ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
    Kurzfassung: How Beethoven Came to Black America -- African American Intellectual and Musical Migration to Central Europe, 1870-1914 -- The Sonic Color Line Belts the World : Constructing Race and Music in Central Europe, 1870-1914 -- Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign -- Singing Lieder, Hearing Race : Debating Blackness, Whiteness, and German Music in Interwar Central Europe -- "A Negro Who Sings German Lieder Jeopardizes German Culture" : Black Musicians under the Shadow of Nazism -- "And I Thought They Were A Decadent Race" : Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life -- Breaking with the Past : Race, Gender, and Opera after 1945 -- Singing in the Promised Land : Black Musicians in the German Democratic Republic -- Conclusion : "What Should a Negro Do with Beethoven?!".
    Kurzfassung: "This book examines the history of Black musicians in Germany and Austria in the nineteenth and twentieth centuries"--
    Anmerkung: Includes bibliographical references and index
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  • 57
    Online-Ressource
    Online-Ressource
    Berlin/München/Boston : Walter de Gruyter GmbH | Ann Arbor, Michigan : ProQuest
    ISBN: 9783110748833
    Sprache: Englisch
    Seiten: 1 Online-Ressource (326 pages)
    DDC: 306.3/620943
    RVK:
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    Schlagwort(e): Geschichte 1650-1850 ; Sklaverei ; Abolitionismus ; Schwarze ; Soziale Situation ; Deutschland ; Aufsatzsammlung ; Electronic books ; Electronic books.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 58
    Online-Ressource
    Online-Ressource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252052750
    Sprache: Englisch
    Seiten: 1 Online-Ressourcece.
    Serie: The new Black studies series
    Serie: Illinois scholarship online
    DDC: 305.8960730904
    RVK:
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    Schlagwort(e): Geschichte 1900-2016 ; Schwarze ; Geistesleben ; Rassismus ; African Americans Intellectual life 20th century ; African American intellectuals History 20th century ; African Americans Race identity 20th century ; History ; Blacks Race identity 20th century ; History ; Black nationalism History 20th century ; African Americans Social conditions 20th century ; USA ; United States Race relations 20th century ; History ; Aufsatzsammlung
    Kurzfassung: From 1900 to the present, people of African descent living in the United States have drawn on homegrown and diasporic minds to create a Black intellectual tradition engaged with ideas on race, racial oppression, and the world. This volume presents essays on the diverse thought behind the fight for racial justice as developed by African American artists and intellectuals; performers and protest activists; institutions and organizations; and educators and religious leaders. By including both women's and men's perspectives from the U.S. and the Diaspora, the essays explore the full landscape of the Black intellectual tradition.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
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  • 59
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    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469655581 , 9781469655574
    Sprache: Englisch
    Seiten: 285 Seiten , Illustrationen
    Serie: Studies in United States culture
    DDC: 306.3/620973
    RVK:
    Schlagwort(e): Sklaverei ; Schwarze Menschen ; Illegaler Handel ; Wirtschaftsgeschichte ; Kapitalismus ; USA ; Freedmen Social conditions ; Freedmen Economic conditions ; Slavery Economic aspects ; Black market ; USA ; Sklaverei ; Schwarze ; Freigelassener ; Kapitalismus ; Schwarzmarkt ; Wirtschaft ; Kultur ; Geschichte 1865-1939
    Kurzfassung: "By 1860, the value of the slave population in the United States exceeded $3 billion--triple that of investments nationwide in factories, railroads, and banks combined, and worth more even than the South's lucrative farmland. The slave was not only a commodity to be traded but also a kind of currency and the basis for a range of credit relations. But the value associated with slavery was not destroyed in the Civil War. In Black Market, Aaron Carico reveals how the slave commodity survived emancipation, arguing that the enslaved person--understood here in legal, economic, social, and embodied contexts--still operated as an indispensable form of value in national culture. Carico explains how a radically incomplete--and fundamentally failed--abolition enabled the emergence of a modern nation-state, in which slavery still determined--and now goes on to determine--economic, political, and cultural life."
    Anmerkung: Includes bibliographical references and index
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  • 60
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    Manchester : Manchester University Press
    ISBN: 9781526131232 , 9781526131256
    Sprache: Englisch
    Seiten: xv, 271 Seiten, Seiten I-VIII , Illustrationen
    Serie: Music and society
    DDC: 781.64089960421
    RVK:
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    Schlagwort(e): Schwarze ; Musikleben ; Sozialer Wandel ; London
    Anmerkung: Literaturverzeichnis Seite 248-263
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  • 61
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    Detriot : Wayne State University Press
    ISBN: 9780814348314 , 0814348319 , 9780814345146 , 081434514X
    Sprache: Englisch
    Seiten: xiv, 178 Seiten , Illustrationen , 21 cm
    DDC: 305.896/073
    RVK:
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    Schlagwort(e): Schwarze ; Diskriminierung ; Soziale Situation ; Sklaverei ; Erbe ; USA ; Aufsatzsammlung
    Kurzfassung: This book is a plea to America to understand what life post-slavery remains like for many African Americans, who are descended from people whose unpaid labor built this land, but have had to spend the last century and a half carrying the dual burden of fighting racial injustice and rising above the lowered expectations and hateful bigotry that attempt to keep them shackled to that past
    Anmerkung: Foreword / Nikole Hannah-Jones -- Introduction -- The burden / Rochelle Riley -- The armor we still need / A'Lelia Bundles -- A military family, descended from slaves / Benét J. Wilson -- Remnants of survival: black women and legacies of defiance / Charlene A. Carruthers -- Quiet defiance / Aku Kadogo -- Living without a beginning / Patrice Gaines -- Forged by fire / Tim Reid -- Eternal bondage / Leonard Pitts Jr. -- Sports industries as plantations / Kevin B. Blackistone -- What slavery means to me / Betty DeRamus -- If America had believed that black girls were girls / Tamara Winfrey-Harris -- Kalief Browder: a life marked for death / Vann R. Newkirk II -- An abomination, but you got fed / Julianne Malveaux -- Object lessons: re-encountering slavery through Rose's gift / Mark Auslander -- Chasing my past on a different map / Paula Williams Madison -- Our internal war: embracing a greatness that should be normal / Aisha Hinds -- The footprint of America's racial struggle in Cuba / DeWayne Wickham -- Lemonade: the duality of a black woman's devotion in the shadow of slave culture / Tonya M. Matthews -- It's not just hair / T'Keyah Crystal Keymáh -- The weapon of narrative and the African American story / Michael Simanga -- Our new civil rights movement will begin in our schools / Torrance G. Latham -- The black press -- more needed than ever / Herb Boyd -- Big Mama's money: a lasting lesson from bondage: don't be a slave to debt / Michelle Singletary -- Catching hands: African Americans and everyday rebellions / Carolyn Edgar -- Notes -- Author biographies
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  • 62
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    Amherst : University of Massachusetts Press
    ISBN: 9781625345141 , 9781625345158
    Sprache: Englisch
    Seiten: xi, 227 Seiten , 24 cm
    Serie: African American intellectual history
    DDC: 780.8996073
    RVK:
    Schlagwort(e): Baraka, Amiri ; Geschichte 1960- ; Schwarze ; Afroamerikanische Musik ; Soziale Identität ; Black arts movement ; USA
    Kurzfassung: Amiri Baraka is unquestionably the most recognized leader of the Black Arts Movement of the 1960s and 1970s, and one of the key literary and cultural figures of the postwar United States. While Baraka's political and aesthetic stances changed considerably over the course of his career, Brick City Vanguard demonstrates the continuity in his thinking about the meaning of black music in the material, psychic, and ideological development of black people. Drawing on primary texts, paratexts (including album liner notes), audio and visual recordings, and archival sources, James Smethurst takes a new look at how Baraka's writing on and performance of music envisioned the creation of an African American people or nation, as well as the growth and consolidation of a black working class within that nation, that resonates to this day. This vision also provides a way of understanding the encounter of black people with what has been called the urban crisis" and a projection of a liberated black future beyond that crisis.
    Anmerkung: Literaturangaben
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  • 63
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    Durham : Duke University Press
    ISBN: 9781478011224 , 9781478010197 , 1478010193 , 147801122X
    Sprache: Englisch
    Seiten: xiv, 392 Seiten
    Serie: Refiguring american music
    Paralleltitel: Online version Mahon, Maureen Black diamond queens
    RVK:
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    Schlagwort(e): Schwarze ; Frau ; Rockmusik ; USA
    Kurzfassung: African American women have played a pivotal part in rock and roll-from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
    Anmerkung: Literaturverzeichnis: Seite [349]-373 , Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
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  • 64
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    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367136260
    Sprache: Englisch
    Seiten: xii, 120 Seiten , Illustrationen
    Serie: CMS cultural expressions in music series
    Serie: Routledge focus
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Schwarze ; Trommelspiel ; Migration ; Musiker ; Musikleben ; Amerika ; Amerika ; Musiker ; Schwarze ; Migration ; Trommelspiel ; Musikleben ; Geschichte
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  • 65
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    Buch
    New York : St Martin's Press
    ISBN: 9781250619631
    Sprache: Englisch
    Seiten: 390 Seiten
    DDC: 305.50973
    RVK:
    Schlagwort(e): Geschichte 1866-1896 ; Soziale Situation ; Schwarze ; Arbeiter ; Protestbewegung ; Gleichberechtigung ; Frau ; USA ; Equality / United States / History / 19th century ; Social movements / United States / History / 19th century ; United States / Social conditions / 19th century ; United States / History / 1865-1898 ; Equality ; Social conditions ; Social movements ; United States ; 1800-1899 ; History ; USA ; Schwarze ; Frau ; Arbeiter ; Soziale Situation ; Gleichberechtigung ; Protestbewegung ; Geschichte 1866-1896
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 66
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    Philadelphia : University of Pennsylvania Press
    ISBN: 9780812252507
    Sprache: Englisch
    Seiten: 253 Seiten , Illustrationen, Karten , 24 cm
    Serie: Early American studies
    DDC: 305.800973/0904
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    Schlagwort(e): American Colonization Society History 19th century ; American Colonization Society ; Colonization ; Free blacks History 19th century ; Slavery History 19th century ; African Americans Colonization ; History ; African Americans Colonization 19th century ; History ; Indians of North America Colonization 19th century ; History ; Imperialism ; African Americans ; Colonization ; Colonization ; Free blacks ; Imperialism ; Indians of North America ; Colonization ; Race relations ; Slavery ; History ; United States Race relations 19th century ; History ; United States History 1783-1865 ; Liberia Colonization ; America ; Central America ; Liberia ; United States ; USA ; Schwarze ; Liberia ; Kolonialismus ; Rassismus
    Kurzfassung: Introduction. The World Colonization Made -- A Republic Once Removed -- Colonization Doctrines -- Colonization Policies in an Age of Removal -- Settler Republics in Black and White -- The United States of Africa -- Reimagining Colonization in the Americas -- Epilogue. The Racial Geography of America's Imperial Future.
    Kurzfassung: "This book is about the colonization movement of the late eighteenth and nineteenth centuries in North America. The colonization movement was a movement and set of ideas to create independent democratic settlements of free African Americans outside the boundaries of the United States: imperialism by another name. Colonizationism was applied also to American Indians; this is how Indian removal began."--
    Anmerkung: Includes bibliographical references and index
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  • 67
    Online-Ressource
    Online-Ressource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226653174
    Sprache: Englisch
    Seiten: 1 Online-Ressource (272 pages) , Illustrations (black and white).
    Serie: Chicago scholarship online
    RVK:
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    Schlagwort(e): Soulmusiker ; Soul ; Schwarze ; Soul music History and criticism ; Soul music Social aspects ; Soul music Political aspects ; Soul musicians ; African Americans Music ; History and criticism ; Chicago, Ill.
    Kurzfassung: Chicago's place in the history of soul music is rock solid. But for Chicagoans, soul music in its heyday from the 1960s to the 1980s was more than just a series of hits: it was a marker and a source of black empowerment. In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Together, soul music and black-owned businesses thrived. Record producers and song-writers broadcast optimism for black America's future through their sophisticated, jazz-inspired productions for the Dells and many others. Curtis Mayfield boldly sang of uplift with unmistakable grooves like 'We're a Winner' and 'I Plan to Stay a Believer.' Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness.
    Anmerkung: Previously issued in print: 2019 , Includes bibliographical references and index
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  • 68
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    Philadelphia : University of Pennsylvania Press
    ISBN: 9780812251708 , 0812251709
    Sprache: Englisch
    Seiten: xi, 297 Seiten , Illustrationen
    Suppl.: Rezensiert in Lowe, Kevin M. [Rezension von: Byrd, Brandon R., The Black Republic: African Americans and the Fate of Haiti] 2020
    Serie: America in the nineteenth century
    Paralleltitel: Erscheint auch als Byrd, Brandon R. The Black republic
    DDC: 323.1196/07309034
    RVK:
    Schlagwort(e): African Americans Civil rights 19th century ; History ; African Americans Intellectual life 19th century ; Haiti History Revolution, 1791-1804 ; Influence ; Haiti Relations ; United States Relations ; Haiti Foreign relations ; United States Foreign relations ; Haiti ; Haitianische Revolution ; Rezeption ; USA ; Schwarze ; Geschichte 1863-1934 ; USA ; Schwarze ; Geistesleben ; Kulturbeziehungen ; Haiti ; Geschichte 1863-1934
    Anmerkung: Literaturangaben
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 69
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    New York : Atlantic Monthly Press
    ISBN: 9780802128386
    Sprache: Englisch
    Seiten: xxii, 426 Seiten, 12 Seiten Bildtafeln , Illustrationen, Karte , 23 cm
    Ausgabe: First Grove Atlantic hardcover edition
    Paralleltitel: Erscheint auch als
    DDC: 305.80097562709034
    RVK:
    Schlagwort(e): Geschichte 1898 ; Rassenunruhen ; Schwarze ; Wilmington, NC ; Wilmington Race Riot, Wilmington, N.C., 1898 ; White supremacy movements / North Carolina / Wilmington / History / 19th century ; African Americans / Civil rights / North Carolina / Wilmington / History / 19th century ; Wilmington (N.C.) / Race relations / History / 19th century ; Wilmington (N.C.) / Politics and government / 19th century ; HISTORY / United States / 19th Century ; HISTORY / United States / State & Local / South (AL, AR, FL, GA, KY, LA, MS, NC, SC, TN, VA, WV) ; Wilmington Race Riot (North Carolina : 1898) ; African Americans / Civil rights ; Politics and government ; Race relations ; White supremacy movements ; North Carolina / Wilmington ; 1800-1899 ; History ; Wilmington, NC ; Schwarze ; Rassenunruhen ; Geschichte 1898
    Kurzfassung: "By 1898 Wilmington, North Carolina, was a shining example of a mixed-race community-a bustling port city with a thriving African American middle class and a government made up of Republicans and Populists, including black alderman, police officers, and magistrates. But across the state-and the South-white supremacist Democrats were working to reverse the advances made by former slaves and their progeny. They were plotting to take back the state legislature in the November 8th election and then use a controversial editorial published by black newspaper editor Alexander Manly to trigger a "race riot" to overthrow the elected government in Wilmington. With a coordinated campaign of intimidation and violence, the Democrats sharply curtailed the black vote and stuffed ballot boxes to steal the 1898 mid-term election. Two days later, more than 2,000 heavily armed white nightriders known as Red Shirts swarmed through Wilmington, terrorizing women and children and shooting at least sixty black men dead in the streets. The rebels forced city officials and leading black citizens to flee at gun point while hundreds of local African Americans took refuge in nearby swamps and forests. This brutal insurrection is the only violent overthrow of an elected government in U.S. history. It halted gains made by blacks and restored racism as official government policy, cementing white rule for another seventy years. It was not a "race riot" as the events of November 1898 came to be known, but rather a racially-motivated rebellion launched by white supremacists. In Wilmington's Lie, David Zucchino uses contemporary newspaper reports, diaries, letters, and official communications to create a gripping narrative that weaves together individual stories of hate, fear, and brutality. This is a dramatic and definitive account of a remarkable but forgotten chapter of American history"--
    Beschreibung / Inhaltsverzeichnis: Book one: days of hope -- Cake and wine -- Good will of the white people -- Lying out -- Marching to the happy land -- Ye men of unmixed blood -- The avenger cometh -- Destiny of the negro -- A yaller dog -- Book two: reckoning -- The negro problem -- The incubus -- I say lynch -- A vile slander -- An excellent race -- A dark scheme -- The nation's mission -- Degenerate sons of the white race -- The great white man's rally and basket picnic -- White-capping -- Buckshot at close range -- A drunkard and a gambler -- Choke the Cape Fear with carcasses -- The shepherds will have nowhere to flee -- A pitiful condition -- Retribution in history -- The forbearance of all white men -- Book three: line of fire -- What have we done? -- Situation serious -- Strictly according to law -- Marching from death -- Not the sort of man we want here -- Justice is satisfied, vengeance is cruel -- Persons unknown -- Better get a gun -- The meanest animals -- Old scores -- The grandfather clause -- Leave it to the whites -- I cannot live in North Carolina and be treated like a man -- Epilogue
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  • 70
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    Jackson : University Press of Mississippi
    ISBN: 9781496827951 , 9781496827944
    Sprache: Englisch
    Seiten: xxxiii, 201 Seiten
    Serie: Race, rhetoric & media
    Paralleltitel: Erscheint auch als
    DDC: 323.1196/073
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    Schlagwort(e): African Americans Civil rights ; History ; Black power Psychological aspects ; Emotions Social aspects ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; USA ; Schwarze ; Bürgerrechtsbewegung ; Black power ; Gefühl ; Geschichte 1960-1970
    Kurzfassung: "In the 1969 issue of Negro Digest, a young Black Arts Movement poet then-named Ameer (Amiri) Baraka published "We Are Our Feeling: The Black Aesthetic." Baraka's emphasis on the importance of feelings in black selfhood expressed a touchstone for how the black liberation movement grappled with emotions in response to the politics and racial violence of the era. In her latest book, award-winning author Lisa M. Corrigan suggests that Black Power provided a significant repository for negative feelings, largely black pessimism, to resist the constant physical violence against black activists and the psychological strain of political disappointment. Corrigan asserts the emergence of Black Power as a discourse of black emotional invention in opposition to Kennedy-era white hope. As integration became the prevailing discourse of racial liberalism shaping mid-century discursive structures, so too, did racial feelings mold the biopolitical order of postmodern life in America. By examining the discourses produced by Martin Luther King, Malcolm X, Stokely Carmichael, Huey Newton, Eldridge Cleaver, and other Black Power icons who were marshaling black feelings in the service of black political action, Corrigan traces how black liberation activists mobilized new emotional repertoires"--
    Kurzfassung: "How the black liberation movement confronted ideologies of progress and equality through emotional discourse"--
    Anmerkung: Includes bibliographical references and index
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  • 71
    ISBN: 978-0-525-55955-9
    Sprache: Englisch
    Seiten: xxii, 296 Seiten : , Illustrationen, Porträts ; , 24 cm.
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): United States / Race relations / History / 19th century ; United States / Race relations / History / 20th century ; United States ; United States / Race relations ; 1800-1999 ; Geschichte 1860-1880 ; African Americans / Segregation / History ; Reconstruction (U.S. history, 1865-1877) ; African Americans / History / 1863-1877 ; African Americans / History / 1877-1964 ; White supremacy movements / United States / History ; Racism in popular culture / United States / History ; Visual communication / Social aspects / United States / History ; HISTORY / United States / Civil War Period (1850-1877) ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; HISTORY / African American ; African Americans ; African Americans / Segregation ; Race relations ; Racism in popular culture ; Visual communication / Social aspects ; White supremacy movements ; Reconstruction (1865-1876) ; White supremacy movements / United States ; Visual communication ; Schwarze. ; Rassendiskriminierung. ; Massenkultur. ; USA. ; History ; Schwarze ; Rassendiskriminierung ; Massenkultur ; Geschichte 1860-1880
    Kurzfassung: "A profound new rendering of the struggle by African Americans for equality after the Civil War and the violent counterrevolution that resubjugated them, as seen through the prism of the war of images and ideas that have left an enduring stain on the American mind. The story of the abolition of slavery in the aftermath of the Civil War is a familiar one, as is the civil rights revolution that transformed the nation after World War II. But the century in between remains a mystery: If emancipation came in Lincoln's America, why was it necessary to march in Martin Luther King, Jr.'s America? In a history that moves from Reconstruction to the Harlem Renaissance, Harvard scholar Henry Louis Gates, Jr., one of our leading chroniclers of the African American experience, brings a lifetime of wisdom to bear as a scholar, filmmaker, and public intellectual to answer that question.
    Kurzfassung: Interwoven with this history, Stony the Road examines America's first postwar clash of images utilizing modern mass media to divide, overwhelm--and resist. Enforcing a stark color line and ensuring the rollback of the rights of formerly enslaved people, racist images were reproduced on an unprecedented scale thanks to advances in technology such as chromolithography, which enabled their widespread dissemination in advertisements, on postcards, and on an astonishing array of everyday objects. Yet, during the same period when the Supreme Court stamped 'separate but equal' as the law of the land, African Americans advanced the concept of the 'New Negro' to renew the fight for Reconstruction's promise. Against the steepest of odds, they waged war by other means: countering depictions of black people as ignorant, debased, and inhuman with images of a vanguard of educated and upstanding black women and men who were talented, cosmopolitan, and urbane.
    Kurzfassung: The story Gates tells begins with Union victory in the Civil War and the liberation of nearly four million enslaved people. But the terror unleashed by white paramilitary groups in the former Confederacy, combined with deteriorating economic conditions and diminished Northern will, restored 'home rule' to the South. One of the most violent periods in our history followed the retreat from Reconstruction, with thousands of African Americans murdered or lynched and many more afflicted by the degrading impositions of Jim Crow segregation. An essential tour through one of America's fundamental historical tragedies, [this book] is also a story of heroic resistance, as figures from Frederick Douglass to W E.B. Du Bois created a counternarrative, and culture, inside the lion's mouth.
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  • 72
    Buch
    Buch
    London :Hurst & Company,
    ISBN: 978-1-78738-191-9
    Sprache: Englisch
    Seiten: x, 291 Seiten.
    Paralleltitel: Äquivalent
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    Schlagwort(e): Geschichte ; Schwarze. ; Europa. ; Schwarze ; Geschichte
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  • 73
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478012771 , 1478012773
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 392 pages) , illustrations
    Serie: Refiguring american music
    Paralleltitel: Erscheint auch als
    DDC: 782.421660820973
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    Schlagwort(e): Geschichte 1950-1990 ; African American women rock musicians / History / 20th century / United States ; Rock music / Social aspects ; Music and race ; Rockmusikerin ; Schwarze ; Ethnische Identität ; Geschlechterrolle ; USA ; USA ; Rockmusikerin ; Schwarze ; Geschlechterrolle ; Ethnische Identität ; Geschichte 1950-1990
    Kurzfassung: Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
    Anmerkung: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 74
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781108539654
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 246 pages)
    Serie: Cambridge studies in stratification economics : economics and social identity
    DDC: 306.85/0899607307620904
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    Schlagwort(e): Schwarze ; Familie ; Mittelstand ; Rassendiskriminierung ; Religiöse Erziehung ; Staat Mississippi
    Kurzfassung: Kings of Mississippi examines how a twentieth-century black middle-class family navigated life in rural Mississippi. The book introduces seven generations of a farming family and provides an organic examination of how the family experienced life and economic challenges as one of few middle-class black families living and working alongside the many struggling black and white sharecroppers and farmers in Gallman, Mississippi. Family narratives and census data across time and a socio-ecological lens help assess how race, religion, education, and key employment options influenced economic and non-economic outcomes. Family voices explain how intangible beliefs fueled socioeconomic outcomes despite racial, gender, and economic stratification. The book also examines the effects of stratification changes across time, including: post-migration; inter- and intra-racial conflicts and compromises; and, strategic decisions and outcomes. The book provides an unexpected glimpse at how a family's ethos can foster upward mobility into the middle-class.
    Anmerkung: Title from publisher's bibliographic system (viewed on 13 Mar 2019)
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  • 75
    ISBN: 9780810140325 , 9780810140332
    Sprache: Englisch
    Seiten: vii, 316 Seiten , Illustrationen , 23 cm
    Serie: Critical insurgencies
    DDC: 303.484
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    Schlagwort(e): Du Bois, W. E. B Political and social views ; Du Bois, W. E. B Criticism and interpretation ; Du Bois, W. E. B Influence ; African Americans Politics and government ; Philosophy ; African Americans Intellectual life 20th century ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Du Bois, William E. B. 1868-1963 ; USA ; Schwarze ; Geistesleben ; Geschichte 1900-1999
    Anmerkung: Includes bibliographical references and index , Enthält 11 Beiträge
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  • 76
    Buch
    Buch
    New York : Bloomsbury Academic
    ISBN: 9781501333323
    Sprache: Englisch
    Seiten: 148 Seiten
    Serie: 33 1/3
    DDC: 782.42162130092
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    Schlagwort(e): Odetta ; Geschichte 1963 ; Sängerin ; Schwarze ; Musikalbum ; Bürgerrechtsbewegung ; USA
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  • 77
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    Buch
    New Brunswick : Rutgers University Press
    ISBN: 9781978803596 , 9781978803589
    Sprache: Englisch
    Seiten: xiii, 246 Seiten , Illustrationen , 23 cm
    DDC: 306.484243
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    Schlagwort(e): Geschichte 1970- ; Schwarze ; Rhythm and Blues ; Identität ; Sexualität ; Neoliberalismus ; USA
    Kurzfassung: Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.
    Anmerkung: Literaturverzeichnis: Seite 225-236
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  • 78
    Buch
    Buch
    Berkeley :University of California Press,
    ISBN: 978-0-520-29945-0 , 978-0-520-37751-6
    Sprache: Englisch
    Seiten: xxiv, 296 Seiten.
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    Schlagwort(e): Geschichte ; Schwarze. ; Arbeiterklasse. ; USA. ; Schwarze ; Arbeiterklasse ; Geschichte
    Kurzfassung: Prologue : foregrounding the black worker -- Genesis of the black working class -- Building the early community -- Prelude to the modern age -- Rise of the industrial working class -- African American workers organize -- Demolition of the old Jim Crow order -- Demise of the industrial working class -- Epilogue : facing the new global capitalist economy -- Sources : interpreting the African American working class experience
    Kurzfassung: "From the ongoing issues of poverty, health, housing and employment to the recent upsurge of lethal police-community relations, the black working class stands at the center of perceptions of social and racial conflict today. Journalists and public policy analysts often discuss the black poor as "consumers" rather than "producers," as "takers" rather than "givers," and as "liabilities" instead of "assets." In his engrossing new history, Workers on Arrival, Joe William Trotter, Jr. refutes these perceptions by charting the black working class's vast contributions to the making of America. Covering the last four hundred years since Africans were first brought to Virginia in 1619, Trotter traces black workers' complicated journey from the transatlantic slave trade through the American Century to the demise of the industrial order in the 21st century. At the center of this compelling, fast-paced narrative are the actual experiences of these African American men and women. A dynamic and vital history of remarkable contributions despite repeated setbacks, Workers on Arrival expands our understanding of America's economic and industrial growth, its cities, ideas, and institutions, and the real challenges confronting black urban communities today" - Verlag
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  • 79
    Buch
    Buch
    Manchester :Manchester University Press,
    ISBN: 978-1-5261-2528-6
    Sprache: Englisch
    Seiten: xi, 256 Seiten ; , 24 cm.
    Serie: Racism, resistance and social change
    DDC: 940.5
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    Schlagwort(e): Great Britain / Race relations / 20th century ; Great Britain / Politics and government / 1979-1997 ; Great Britain ; 1900-1999 ; Geschichte 1980-1981 ; Blacks / Political activity / Great Britain / 20th century ; Riots / Great Britain / History / 20th century ; Political violence / Great Britain / History / 20th century ; Racism / Great Britain / History / 20th century ; Blacks / Political activity ; Political violence ; Politics and government ; Race relations ; Racism ; Riots ; Politics and Government ; Schwarze. ; Rassenunruhen. ; Politischer Protest. ; Ethnische Beziehungen. ; Großbritannien. ; History ; Schwarze ; Rassenunruhen ; Politischer Protest ; Ethnische Beziehungen ; Geschichte 1980-1981
    Kurzfassung: This powerful and original book locates the anti-police violence that spread across England in 1980-1 within a longer struggle against racism and disadvantage faced by black Britons, which had seen a growth in more militant forms of resistance since the Second World War. It explains these disturbances as 'collective bargaining by riot' - attempts to increase political inclusion by this marginalised group. Through case studies of Bristol, Brixton and Manchester the book explore the actions of community organisations in the aftermath of disorders. Highlighting the political activities of black Britons and the often-problematic reliance upon 'official' sources when forming historical narratives, it demonstrates the contested value awarded to public inquiries - contrastingly viewed by black Britons as either a method for increased political participation or simply a governmental diversionary tactic
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  • 80
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 9780199913930
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Currents in Latin American and Iberian mMusic
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    Schlagwort(e): Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Kurzfassung: Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation’s margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia’s majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. Rites, Rights & Rhythms: A Genealogy of Musical Meaning in Colombia’s Black Pacific is the first book-length academic study of currulao, inquiring into the numerous ways that it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to demonstrate national heritage, to generate economic development, and to provide social amelioration in a context of war. The author draws on both archival and ethnographic research to trace these and other opinions about how currulao has been understood, illuminating a history of struggles over its meanings that are also struggles over the meanings of blackness in Colombia. Moving from the eighteenth century to the present, this book asks how musical meaning is made, maintained, and sometimes abandoned across historical contexts as varied as colonial slavery, twentieth-century national populism, and neoliberal multiculturalism. What emerges is both a rich portrait of one of the hemisphere’s most important and understudied black cultures and a theory of history traced through the performative practice of currulao.
    Kurzfassung: Cover -- Series -- Rites, Rights & Rhythms -- Copyright -- Dedication -- Contents -- Acknowledgments -- About the Companion Website -- A Note on Images -- Introduction -- 1. The Sounded Poetics of the Black Southern Pacific -- 2. Music in the Mines: Black Cosmopolitans and Musical Practice in the Colonial Southern Pacific -- 3. Modernities and Nonmodernities in Black Pacific Music -- 4. Race, Region, Representativity, and the Folklore Paradigm -- 5. Between Legibility and Alterity: Black Music and Self-​Making in the Age of Ethnodiversity -- Conclusion -- References -- Index
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  • 81
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190903220
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen, Karte
    Serie: Currents in Latin American & Iberian music
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 781.6409861
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    Schlagwort(e): Folk music / Colombia / History and criticism ; Blacks / Colombia / Music / History and criticism ; Blacks / Colombia / Social conditions ; Soziale Situation ; Volksmusik ; Schwarze ; Kolumbien ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Kurzfassung: Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation's margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia's majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. 'Rites, Rights & Rhythms' is a book-length academic study of currulao, inquiring into the numerous ways that it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to demonstrate national heritage, to generate economic development, and to provide social amelioration in a context of war
    Anmerkung: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 82
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    Buch
    New York, NY : Amistad, an imprint of HarperCollins Publishers
    ISBN: 9780062890566 , 0062890565 , 9780062890573 , 0062890573
    Sprache: Englisch
    Seiten: xii, 285 Seiten , Illustrationen , 24 cm
    Paralleltitel: Online version Ford, Clyde W Think black
    DDC: 306.8742
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    Schlagwort(e): IBM Corporation ; Geschichte ; Mitarbeiter ; Schwarze ; Diskriminierung ; USA
    Kurzfassung: "The story of America's first Black engineer, his revolutionary son, and the corporation that destroyed their relationship
    Kurzfassung: "In 1946, John Stanley Ford was hired as the IBM's first black software engineer. But many of the company's white employees refused to accept a black colleague and did everything in their power to humiliate, subvert, and undermine Ford. Yet Ford would not quit, recognizing that he had an obligation to his race as a "first." Instead, he comported himself with dignity and professionalism, and relied on his community to succeed. While Ford remained at IBM, it came at great emotional cost to himself and his family, especially his son, Clyde. Overlooked for promotions he deserved, the embittered Ford began blaming his fate on his skin color, which painfully divided him and Clyde, who followed him to IBM two decades later. From his first day of work, Clyde made clear he was different. Only IBM hadn't changed. As he, too, experienced the same institutional racism, Clyde began to better understand the subtle yet daring ways his father had fought back. It is a story of how a son came to appreciate his father and the sacrifices he made."
    Anmerkung: First days -- A sacrificial pawn -- The bones of the machine -- The book of changes -- Voices of the dead -- To speak of rivers -- Honeypot traps -- Twice as hard -- The arrangement -- Doing small things in a great way -- Covert ops -- The king is dead -- Clandestine service -- A mass shooting at IBM -- The egg -- Leaving -- Long walks -- Epilogue: The words of a poet
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  • 83
    Buch
    Buch
    Abingdon, Oxon ; New York : Routledge
    ISBN: 9781138389472
    Sprache: Englisch
    Seiten: xiii, 254 Seiten
    Ausgabe: This editon first published
    Serie: African American literature Volume 2
    Serie: African American literature
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    Schlagwort(e): Musik ; Musik ; Prosa ; Schwarze ; USA ; USA ; Prosa ; Musik ; Schwarze ; USA ; Prosa ; Musik ; Schwarze
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  • 84
    ISBN: 9780807170625
    Sprache: Englisch
    Seiten: xvi, 321 Seiten , 24 cm
    DDC: 305.80097291
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    Schlagwort(e): Blacks Politics and government ; Blacks History ; Cuba Race relations ; Political aspects ; History ; Aufsatzsammlung ; Kuba ; Sklaverei ; Schwarze ; Ethnische Beziehungen ; Bürgerrechtsbewegung ; Geschichte 1760-1912
    Kurzfassung: "Commanders in the diaspora": West African warfare in colonial Cuba and the issue of leadership / Manuel Barcia -- In search of their rights: slaves and the law / Gloria García -- Unlocking the spatial code of plantation landscape: material processes and social space in Cuban slavery, 1760-1870 / Reynaldo Ortíz-Minaya -- José Antonio Aponte in the work of José Luciano Franco: a historiographical analysis on the occasion of the Bicentennial of 1812 / Barbara Danzie León -- Braggarts, charlatans, and curros: black Cuban masculinity and humor in the poetry of Gabriel de la Concepción Valdés / Matthew Pettway -- The repeating rebellion: slave resistance and political consciousness in nineteenth-century Cuba, 1812-1844 / Aisha Finch -- Formidable rebels: enslaved and free women of color in Cuba's conspiracy of La Escalera, 1843-1844 / Michele Reid-Vazquez -- Leopard men: manhood and power in mid-nineteenth-century Cuba / Jacqueline Grant -- Agency and its lack among liberated Africans: the case of Gavino the waterboy / Joseph C. Dorsey -- Resistance, "race," and place in Cuba during the transition of empires, 1878-1908 / Fannie Theresa Rushing -- The Cuban Race War of 1912 and the uses and transgressions of blackness / Melina Pappademos -- Gender and the role of women in the Partido Independiente de Color / Takkara Brunson -- The role of museums in the preservation of historical memory: the Museum of the Slave Route in Cuba / Isabel Hernández Campos
    Kurzfassung: "Breaking the Chains, Forging a Nation offers a new perspective on black political life in Cuba by analyzing the time between two hallmark Cuban events, the Aponte Rebellion of 1812 and the Race War of 1912. In so doing, it provides fresh insight into the ways in which black freedom and resistance were practiced and understood in Cuba, from the aftermath of the Haitian Revolution to the early years of the Cuban republic. Bringing together an impressive range of scholars from the field of Cuban Studies, the volume is the first to examine the continuities between disparate forms of political struggle and racial organizing during the early years of the nineteenth century and trace them into the early decades of the twentieth. Together, the authors in this collection rethink the ways in which African-descended Cubans battled racial violence, created pathways to citizenship and humanity, and exercised claims on the nation state"--
    Anmerkung: Includes bibliographical references and index
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  • 85
    ISBN: 9781350107830 , 9781784534950
    Sprache: Englisch
    Seiten: xiii, 290 Seiten , Illustrationen
    Serie: Library of classical studies
    DDC: 305.896073
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    Schlagwort(e): Geschichte ; Schwarze ; Soziale Situation ; Kultur ; Griechisch ; Latein ; Literatur ; Altertum ; USA
    Anmerkung: Bibliography Seite 252-276
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  • 86
    Buch
    Buch
    Lanham : Lexington Books
    ISBN: 9781498530989
    Sprache: Englisch
    Seiten: ix, 245 Seiten , 24 cm
    DDC: 781.629697290243
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    Schlagwort(e): Geschichte 1945-1965 ; Schwarze ; Rhythm and Blues ; Calypso ; Schallaufzeichnung ; USA
    Anmerkung: Literaturverzeichnis: Seite 209-217
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  • 87
    Online-Ressource
    Online-Ressource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226601038
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: Chicago scholarship online
    DDC: 305.800975667
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    Schlagwort(e): Schwarze ; Hispanos ; Ethnische Identität ; Ethnische Beziehungen ; Latin Americans ; African Americans ; Winston-Salem, NC ; Winston-Salem (N Race relations ; Winston-Salem (N Emigration and immigration
    Kurzfassung: Studies of immigration to the United States have traditionally focused on a few key states and urban centers, but recent shifts in nonwhite settlement mean that these studies no longer paint the whole picture. Many Latinx newcomers are flocking to places like the Southeast, where traditionally few such immigrants have settled, resulting in rapidly redrawn communities. In this historic moment, Jennifer Jones brings forth an ethnographic look at changing racial identities in one Southern city: Winston-Salem, North Carolina. This city turns out to be a natural experiment in race relations, having quickly shifted in the past few decades from a neatly black and white community to a triracial one.
    Anmerkung: Also issued in print: 2019 , Includes bibliographical references and index
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  • 88
    Online-Ressource
    Online-Ressource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469640877
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white), maps (black and white).
    Serie: North Carolina scholarship online
    DDC: 305.896073075723
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    Schlagwort(e): Clarke, Mable Owens ; Clark family ; Geschichte ; Schwarze ; Sklaverei ; Landwirtschaft ; Ethnische Beziehungen ; African Americans History ; Appalachians (People) ; South Carolina ; Appalachian Region, Southern Race relations ; Liberia (S History
    Kurzfassung: In 2007, while researching mountain culture in upstate South Carolina, anthropologist John M. Coggeshall stumbled upon the small community of Liberia in the Blue Ridge foothills. There he met Mable Owens Clarke and her family, the remaining members of a small African American community still living on land obtained immediately after the Civil War. This intimate history tells the story of five generations of the Owens family and their friends and neighbors, chronicling their struggles through slavery, Reconstruction, the Jim Crow era, and the desegregation of the state. Through hours of interviews with Mable and her relatives, as well as friends and neighboyrs, Coggeshall presents an ethnographic history that allows members of a largely ignored community to speak and record their own history for the first time.
    Anmerkung: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 89
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496812087
    Sprache: Englisch
    Seiten: 1 Online-Ressourcece.
    Serie: Mississippi scholarship online
    DDC: 305.800976209034
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    Schlagwort(e): Geschichte ; Sezessionskrieg ; Weiße ; Schwarze ; Ethnische Identität ; Ethnische Beziehungen ; Rassismus ; Group identity History 19th century ; Social change History 19th century ; Staat Mississippi ; Whites Race identity 19th century ; History ; African Americans Race identity 19th century ; History ; United States History Civil War, 1861-1865 ; Influence ; Mississippi Social conditions 19th century
    Kurzfassung: 'Your Heritage Will Still Remain' details how Mississippians constructed their social identity in the aftermath of the crises that transformed the state beginning with the sectional conflict, Civil War, and Reconstruction, and finally ending in the late nineteenth century. The social identity studied in this work focuses primarily on how Mississippians thought of their place within a national context, whether as Americans, Confederates, or both.
    Anmerkung: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 90
    Buch
    Buch
    Bloomington : Indiana University Press
    ISBN: 9780253041142 , 9780253041135
    Sprache: Englisch
    Seiten: xi, 241 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Wolf, Juan Eduardo, 1971- author Styling blackness in Chile
    DDC: 780.89/96083
    RVK:
    Schlagwort(e): Popular music History and criticism ; Blacks Music ; History and criticism ; Music and race Chile ; Musik ; Schwarze ; Tanz ; Chile ; Chile ; Schwarze ; Musik ; Tanz
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 91
    ISBN: 9780199913923 , 9780199913947
    Sprache: Englisch
    Seiten: xiii, 319 Seiten , Illustrationen, Karten
    Serie: Currents in Latin American and Iberian music
    Paralleltitel: Erscheint auch als Quintero, Michael Birenbaum, author Rites, rights and rhythms
    DDC: 781.6409861
    RVK:
    Schlagwort(e): Folk music History and criticism ; Blacks Music ; History and criticism ; Blacks Social conditions ; Schwarze ; Volksmusik ; Soziale Situation ; Kolumbien ; Einführung ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 92
    Buch
    Buch
    Singapore : Palgrave Macmillan
    ISBN: 9789811335129
    Sprache: Englisch
    Seiten: ix, 179 Seiten , Illustrationen
    RVK:
    Schlagwort(e): Ethnische Identität ; Homosexualität ; Rapmusiker ; Schwarze ; Männlichkeit ; Rap musicians ; Musicians, Black ; Gay musicians ; Music / Social aspects ; Rap (Music) ; Masculinity in music ; Gay musicians ; Masculinity in music ; Music / Social aspects ; Musicians, Black ; Rap (Music) ; Rap musicians ; Rapmusiker ; Schwarze ; Homosexualität ; Männlichkeit ; Ethnische Identität
    Beschreibung / Inhaltsverzeichnis: Introduction -- Black masculinity, homosexuality and hip-hop music -- The commoditisation of hip-hop music and queerness -- Revelations from Black gay men who rap -- Facing challenges -- Homosexual masculinity -- Conclusion
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  • 93
    ISBN: 9781479820337 , 9781479801312
    Sprache: Englisch
    Seiten: vi, 350 Seiten , Illustrationen , 23 cm
    DDC: 323.11960730904
    RVK:
    Schlagwort(e): Geschichte 1940-1980 ; African Americans Civil rights 20th century ; History ; Civil rights movements History 20th century ; African Americans Segregation 20th century ; History ; Racism History 20th century ; Segregation ; Schwarze ; Bürgerrecht ; United States Race relations 20th century ; History ; Northeastern States Race relations 20th century ; History ; Middle West Race relations 20th century ; History ; West (U.S.) Race relations 20th century ; History ; USA Nordstaaten ; 1900-1999 ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA Nordstaaten ; Schwarze ; Bürgerrecht ; Segregation ; Geschichte 1940-1980
    Kurzfassung: "The Strange Careers of the Jim Crow North explores the topics of racism and segregation"--
    Beschreibung / Inhaltsverzeichnis: Histories of racism and resistance, seen and unseen: how and why to think about the Jim Crow North / Brian Purnell and Jeanne Theoharis -- A murder in Central Park: racial violence and the crime wave in New York during the 1930s and 1940s / Shannon King -- "In the 'fabled land of make-believe'": Charlotta Bass and Jim Crow Los Angeles / John S. Portlock -- Black women as activist intellectuals: Ella Baker and Mae Mallory combat Northern Jim Crow in New York City's public schools during the 1950s / Kristopher Bryan Burrell -- Brown girl, red lines, and brownstones: Paule Marshall's Brown girl, brownstones, and the Jim Crow North / Balthazar Ishmael Beckett -- "Let those negroes have their whiskey": white backtalk and Jim Crow discourse in the era of black rebellion / Laura Warren Hill -- The fight for fair housing on Chicago's North Shore / Mary Barr -- "You are running a de facto segregated university": racial segregation and City University of New York, 1961-1968 / Tahir H. Butt -- A forgotten community, a forgotten history: San Francisco's 1966 urban uprising / Aliyah Dunn-Salahuddin -- "The shame of our whole judicial system": George Crockett, the "New Bethel incident" and the nation's Jim Crow judiciary / Say Burgin -- "We've been behind the scenes": Project Equality and fair employment in 1970s Milwaukee / Crystal Marie Moten -- The media and H. Rap Brown: friend or foe of Jim Crow? / Peter B. Levy -- Stalled in the movement: the Black Panther Party in Night catches us / Ayesha K. Hardison
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  • 94
    ISBN: 9780231189705 , 9780231189712
    Sprache: Englisch
    Seiten: xv, 335 Seiten , Illustrationen
    Serie: Columbia studies in the history of U.S. capitalism
    Paralleltitel: Erscheint auch als Herbin-Triant, Elizabeth A., author Threatening property
    DDC: 305.8009756/0904
    RVK:
    Schlagwort(e): African Americans Segregation 20th century ; History ; Discrimination in housing History 20th century ; Social classes History 20th century ; North Carolina Race relations 20th century ; History ; North Carolina ; Schwarze ; Segregation ; Wohnraumbewirtschaftung ; Diskriminierung ; Geschichte 1912-1917
    Anmerkung: Includes bibliographical references and index
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  • 95
    Online-Ressource
    Online-Ressource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469646510
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: North Carolina scholarship online
    RVK:
    Schlagwort(e): Broonzy, Big Bill ; Broonzy, Bill ; Schwarze ; Blues ; Ethnische Identität ; African American musicians Biography ; Blues musicians Biography ; Blues (Music) History and criticism ; Amerika ; Hochschulschrift
    Kurzfassung: Over the course of his long career, legendary bluesman William 'Big Bill' Broonzy (1893-1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the north, to its eventual international acclaim. Through Broonzy's life and times, Kevin D. Greene assesses major themes and events in African American history.
    Anmerkung: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 96
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780190466923 , 9780190466916
    Sprache: Englisch
    Seiten: xix, 293 Seiten , 24 cm
    Serie: Currents in Latin American & Iberian music
    Paralleltitel: Erscheint auch als
    DDC: 793.319468
    RVK:
    Schlagwort(e): Geschichte 1492-1933 ; Flamenco ; Flamenco / Social aspects ; Dance and race ; Sinti ; Schwarze ; Flamenco ; Person of Color ; Roma ; Rasse ; Tanz ; Spanien ; Spanien ; Flamenco ; Tanz ; Rasse ; Person of Color ; Schwarze ; Sinti ; Roma ; Geschichte 1492-1933
    Kurzfassung: How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? 'Sonidos Negros' traces how, between 1492-when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus's landing on Hispaniola - and 1933 - when Andalusian poet Federico Garc ia Lorca published his 'Theory and Play of the Duende' - the vanquished Moor became Black; and how the imagined Gitano (Gypsy, or Roma) embodies the warring images and sounds of this process
    Anmerkung: Includes bibliographical references and index
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  • 97
    Buch
    Buch
    Chicago : The University of Chicago Press
    ISBN: 9780226600840 , 9780226600987
    Sprache: Englisch
    Seiten: 300 Seiten
    DDC: 305.800975667
    RVK:
    RVK:
    Schlagwort(e): Schwarze ; Hispanos ; Ethnische Identität ; Ethnische Beziehungen ; Winston-Salem, NC
    Anmerkung: References Seite 269-292
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  • 98
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520293854 , 9780520293847
    Sprache: Englisch
    Seiten: xiv, 303 Seiten , Illustrationen
    Serie: Berkeley series in British studies 14
    Serie: The Berkeley series in British studies
    Paralleltitel: Erscheint auch als
    DDC: 305.896/04109045
    RVK:
    Schlagwort(e): Blacks History 20th century ; Radicalism History 20th century ; Blacks Politics and government 20th century ; Blacks History ; 20th century ; Great Britain ; Radicalism History ; 20th century ; Great Britain ; Blacks Politics and government ; 20th century ; Great Britain ; Great Britain Race relations 20th century ; History ; Great Britain Race relations ; History ; 20th century ; Großbritannien ; Schwarze ; Radikalismus ; Geschichte 1964-1985
    Kurzfassung: "It was a common charge among black radicals in the 1960s that Britons needed to start "thinking black." As state and society consolidated around a revived politics of whiteness, "thinking black," they felt, was necessary for all who sought to build a liberated future out of Britain's imperial past. In Thinking Black, Rob Waters reveals black radical Britain's wide cultural-political formation, tracing it across new institutions of black civil society and connecting it to decolonization and black liberation across the Atlantic world. He shows how, from the mid-1960s to the mid-1980s, black radicalism defined what it meant to be black and what it meant to be radical in Britain"--Provided by publisher
    Kurzfassung: "It was a common charge among black radicals in the 1960s that Britons needed to start "thinking black." As state and society consolidated around a revived politics of whiteness, "thinking black," they felt, was necessary for all who sought to build a liberated future out of Britain's imperial past. In Thinking Black, Rob Waters reveals black radical Britain's wide cultural-political formation, tracing it across new institutions of black civil society and connecting it to decolonization and black liberation across the Atlantic world. He shows how, from the mid-1960s to the mid-1980s, black radicalism defined what it meant to be black and what it meant to be radical in Britain"--Provided by publisher
    Anmerkung: Includes bibliographical references and index
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  • 99
    Online-Ressource
    Online-Ressource
    Philadelphia : University of Pennsylvania Press
    ISBN: 9780812296549
    Sprache: Englisch
    Seiten: 1 Online-Ressource (312 p) , 15 illus
    Ausgabe: [Online-Ausgabe]
    Suppl.: Rezensiert in Lowe, Kevin M. [Rezension von: Byrd, Brandon R., The Black Republic: African Americans and the Fate of Haiti] 2020
    Serie: America in the Nineteenth Century
    Paralleltitel: Erscheint auch als Byrd, Brandon R. The black republic
    RVK:
    Schlagwort(e): African Americans Intellectual life 19th century ; African Americans Civil rights 19th century ; History ; HISTORY / United States / 19th Century ; Haiti ; Haitianische Revolution ; Rezeption ; USA ; Schwarze ; Geschichte 1863-1934 ; USA ; Schwarze ; Geistesleben ; Kulturbeziehungen ; Haiti ; Geschichte 1863-1934
    Kurzfassung: Frontmatter -- CONTENTS -- Prologue -- Introduction. The Ideas of Haiti and Black Internationalism -- Chapter 1. Emancipation, Reconstruction, and the Quandary of Haiti -- Chapter 2. The Reinventions of Haiti After Reconstruction -- Chapter 3. The Vexing Inspiration of Haiti in the Age of Imperialism and Jim Crow -- Chapter 4. Haiti, the Negro Problem, and the Transnational Politics of Racial Uplift -- Chapter 5. W. E. B. Du Bois, the Occupation, and Radical Black Internationalism -- Epilogue -- Notes -- Index -- Acknowledgments
    Kurzfassung: In The Black Republic, Brandon R. Byrd explores the ambivalent attitudes that African American leaders in the post-Civil War era held toward Haiti, the first and only black republic in the Western Hemisphere. Following emancipation, African American leaders of all kinds-politicians, journalists, ministers, writers, educators, artists, and diplomats-identified new and urgent connections with Haiti, a nation long understood as an example of black self-determination. They celebrated not only its diplomatic recognition by the United States but also the renewed relevance of the Haitian Revolution.While a number of African American leaders defended the sovereignty of a black republic whose fate they saw as intertwined with their own, others expressed concern over Haiti's fitness as a model black republic, scrutinizing whether the nation truly reflected the "civilized" progress of the black race. Influenced by the imperialist rhetoric of their day, many African Americans across the political spectrum espoused a politics of racial uplift, taking responsibility for the "improvement" of Haitian education, politics, culture, and society. They considered Haiti an uncertain experiment in black self-governance: it might succeed and vindicate the capabilities of African Americans demanding their own right to self-determination or it might fail and condemn the black diasporic population to second-class status for the foreseeable future.When the United States military occupied Haiti in 1915, it created a crisis for W. E. B. Du Bois and other black activists and intellectuals who had long grappled with the meaning of Haitian independence. The resulting demand for and idea of a liberated Haiti became a cornerstone of the anticapitalist, anticolonial, and antiracist radical black internationalism that flourished between World War I and World War II. Spanning the Reconstruction, post-Reconstruction, and Jim Crow eras, The Black Republic recovers a crucial and overlooked chapter of African American internationalism and political thought
    Anmerkung: Mode of access: Internet via World Wide Web. , In English
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 100
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190935849
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white)
    Serie: Oxford scholarship online
    DDC: 306.362097509034
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1840-1865 ; Schwarze ; Sklave ; Soziale Situation ; Erzählung ; USA Südstaaten
    Kurzfassung: In this study of an entire generation of slave narrators, more than sixty mid-nineteenth-century narratives reveal how work, family, skills, and connections made for social and economic differences among the enslaved of the South.
    Anmerkung: Previously issued in print: 2019 , Includes bibliographical references and index
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