Anmerkung: Einzelne Bände zugleich Bände von: Zeitschrift für Kanada-Studien. Sonderband , Heftzählung ab Jg. 33.2013 durchgehend und schließt auch die Sonderbände mit ein (Sonderband 2018,1 = Heft 67) , Erscheint jährlich, früher zweimal jährlich; ab 34.2014 published on demand , Text dt., engl. franz. , Index 1/10.1981/90 in: 14.1994=Bd.25; 11/20=H.19/38.1991/2000 in: 21.2001,2=Bd.40; 21/30.2001/2010 in: 31.2011,1

Anmerkung: Zusatz wechselt , Ungezählte Beil.: Supplement; Sonderedition; 1989,1 - 1990,8: Ausstellungen; 1990,9 - 1992,7: Kulturkalender , Teils ohne Jg.-Zählung; Periodizität: 10x jährl. , Index 1941/91 in: Sonderh. zu 51.1991,601

Anmerkung: Zusatz wechselt , Ungezählte Beil.: Supplement; Sonderedition; 1989,1 - 1990,8: Ausstellungen; 1990,9 - 1992,7: Kulturkalender , Teils ohne Jg.-Zählung; Periodizität: 10x jährl. , Index 1941/91 in: Sonderh. zu 51.1991,601

Anmerkung: Includes bibliographical references and index , 2111

Anmerkung: Description based on publisher supplied metadata and other sources

Anmerkung: Literaturverzeichnis: Seite 199-218

Anmerkung: Literaturangaben

Anmerkung: Text englisch und deutsch

Anmerkung: Includes bibliographical references and index

Anmerkung: Index , Literaturangaben

Anmerkung: Description based on publisher supplied metadata and other sources

Anmerkung: Includes bibliographical references and index

Anmerkung: Includes bibliographical references and index , Introduction: contesting British Chinese culture , The cultura politics of in/visibility: contesting 'British Chineseness' in the arts , One step forward, two steps back: dancing in the margins/on the border of oblivion , "A history written by our bodies": artistic activism and the agonistic Chinese voice of Mad For Real's performances at the end of the twentieth century , Testing, contesting , Manchester's Chinese Arts Centre: a case study in strategic cultural intervention , From South China to South London: a journey in search of home through fine art practice , The artist-photographer and performances of identity: the camera as catalyst , British Chinese cinema and the struggle for recognition, even on the margins , Cinema of displaced identity , The arts Britain utterly ignored: or, Arts Council revenue funding and state intervention in British East Asian theatre in the late 1990s and early 2000s , FACE: autobiographical theatre and cross-cultural considerations , British Chinese performance in minor transnational perspective

Anmerkung: Konferenzdaten dem Vorwort entnommen

Anmerkung: Literaturverzeichnis: Seite 309-329

Anmerkung: Literaturangaben

Anmerkung: Maori-Kunst und Helme Heines Blick auf Neuseeland ist die Begleitpublikation zur gleichnamigen Ausstellung im Museum Fünf Kontinente in München, 12.10.2018-28.04.2019. - Literaturverzeichnis: Seiten 234-238

Anmerkung: Includes bibliographical references (pages 153-160) and index

Anmerkung: Includes bibliographical references and index , This edition previously issued in print: 2018 , Zielgruppe - Audience: Specialized

Anmerkung: Includes bibliographical references (pages [133]-139) and index

Anmerkung: "This book of essays on British social and cultural history, eclectic, yet connected by similar themes and approaches, is in honour of Michael Edward Rose, Professor Emeritus at the University of Manchester." - Seite [1]

Anmerkung: Includes bibliographical references and index

Anmerkung: Literaturverzeichnis: Seite 229-245 , Hier auch später erschienene, unveränderte Nachdrucke

Anmerkung: Literaturverzeichnis und Index

Anmerkung: Literaturverzeichnis: Seite [422]-450

Anmerkung: Revision and expansion of: Leksykon kultury amerykańskiej. 1996 , Literaturverzeichnis: Seiten 391-397

Anmerkung: "Grew out of the Thirty-Second Annual Nineteenth-Century Studies Association Conference in 2011" (Acknowledgments)

Anmerkung: Includes bibliographical references (pages 259-264) and index

Anmerkung: Literaturverz. S. [319] - 335

Anmerkung: Includes bibliographical references (p. [219]-236) and index

Anmerkung: Includes bibliographical references and index

Anmerkung: Includes bibliographical references (pages 197-216) and index

Anmerkung: Includes bibliographical references (pages 226-294) and index

Anmerkung: Literaturangaben

Anmerkung: Includes bibliographical references (page 255) , Introduction , The calculus of fashion: process and oeuvre , Inherent vice: challenges and conservation

Anmerkung: Includes bibliographical references and index , Evolution and Victorian fiction , Between specimen and imagination : photography in the age of evolution , Early cinema and evolution , Evolution and victorian art , "I'm evolving!" : varieties of evolution on the Victorian stage , Dance and evolutionary thought in late Victorian discourse , The "non-Darwinian" revolution and the great chain of musical being , Development and display : progressive evolution in British Victorian architecture and architectural theory , Dramas of development : exhibitions and evolution in Victorian Britain , The popularization of evolution and victorian culture

Anmerkung: Literaturverzeichnis: Seite [270]-283

Anmerkung: Includes bibliographical references and index

Anmerkung: Literaturverz. (S. [271] - 288)

Anmerkung: "The Israel Science Foundation and the Goldstein-Goren International Center for Jewish Thought at Ben-Gurion University of the Negev funded the International Symposium "Religious Culture in the Early Modern Period: Tradition, Authority, Heterodoxy" (2005), in which many of the contributors to the present volume participated" (Titelrückseite)

Anmerkung: Literaturangaben

Anmerkung: Literaturverz. S. [221] - 233

Anmerkung: Literaturverzeichnis ungezählte Seite 674 , Literaturangaben , Mit Register , pt. 1 Expansions : There are no visual media , pt. 1 Expansions :There are no visual media , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence : The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy : Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds : Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories : The mobilized and virtual gaze in modernity : fl(c)Øneur/fl(c)Øneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities : Orientalism and the exhibitionary order , from The colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations : U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence :The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy :Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds :Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories :The mobilized and virtual gaze in modernity : flâneur/flâneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities :Orientalism and the exhibitionary order , fromThe colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations :U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging

Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke

Anmerkung: Literaturverz. S. [285] - 302

Anmerkung: Literaturangaben und Index , Die amerikan. Originalausg. erschien erstmals 1978 unter dem Titel "Orientalism" im Verlag Pantheon Books, New York

Anmerkung: Includes bibliographical references and index , Machine generated contents note: Chronology; Introduction

Anmerkung: Includes bibliographical references and index , Online-Ausg.:

Anmerkung: Includes bibliographical references (S. 485 - 489) and index