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  • Jazz  (1,911)
  • Rockmusik  (1,121)
  • Musicology  (2,940)
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  • 1
    Book
    Book
    New York, NY : Grove's Dictionaries Inc. | London : Macmillan
    ISBN: 033369189X , 1561592846
    Language: English
    Pages: 29 cm
    Edition: 2. ed.
    DDC: 781.6503
    RVK:
    Keywords: Jazz Encyclopedias ; Jazz Bio-bibliography ; Jazz ; Wörterbuch ; Jazz
    Note: Contents: v. 1 A-fuzz - v. 2 Gabler-Niewood - v. 3 Nightclubs-Zwingenberger , Includes bibliographical references and discography , Previous ed.: published in 2 v. London : Macmillan, 1988 , Erschienen: Vol. 1-3
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  • 2
    ISBN: 3922542301
    Language: German
    Edition: Orig.-Ausg.
    DDC: 016.78166/026/6
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    Keywords: Wörterbuch ; Verzeichnis ; Biografie ; Rockmusiker ; Rockmusik ; Langspielplatte ; Rockmusiker
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  • 3
    Book
    Book
    Frankfurt am Main : Fischer-Taschenbuch-Verl.
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    Language: German
    Series Statement: Fischer-Taschenbuch ...
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    Keywords: Rockmusik ; Lexikon
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  • 4
    Journal/Serial
    Journal/Serial
    Graz [u.a.] : Universal-Ed. | Graz : Akad. Dr.- u. Verl.-Anst. | Wien : Hollitzer ; 1.1969(1970) -
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    ISSN: 0075-3572
    Language: German , English
    Pages: 24 cm
    Dates of Publication: 1.1969(1970) -
    Additional Information: 12=4 von Internationale Jazzwissenschaftliche Tagung Bericht
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    Keywords: Jazz ; Jazz ; Zeitschrift ; Zeitschrift ; Schriftenreihe
    Note: Ersch. jährl. , 1. beteil. Körp. bis 29.1997: Institut für Jazzforschung an der Hochschule für Musik und Darstellende Kunst in Graz , Index 1/19.1969/87 in: 20.1988
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  • 5
    Book
    Book
    New York, NY : Grove's Dictionaries Inc. | London : Macmillan
    ISBN: 033369189X , 1561592846
    Language: English
    Pages: 29 cm
    Edition: 2. ed.
    DDC: 781.6503
    RVK:
    Keywords: Jazz Encyclopedias ; Jazz Bio-bibliography ; Jazz ; Wörterbuch ; Jazz
    Note: Contents: v. 1 A-fuzz - v. 2 Gabler-Niewood - v. 3 Nightclubs-Zwingenberger , Includes bibliographical references and discography , Previous ed.: published in 2 v. London : Macmillan, 1988 , Erschienen: Vol. 1-3
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  • 6
    Book
    Book
    Reinbek : Rowohlt
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    Language: German
    Edition: Orig.-Ausg.
    Series Statement: rororo ...
    Series Statement: rororo-Handbuch
    RVK:
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    Keywords: Jazz ; Wörterbuch ; Jazzmusiker ; Jazzband ; Wörterbuch ; Jazzmusiker ; Biografie
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  • 7
    Journal/Serial
    Journal/Serial
    Wien : Hollitzer | Graz [u.a.] : Universal-Ed. | Graz : Akad. Dr.- u. Verl.-Anst. ; 1.1969(1970) -
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    ISSN: 0075-3572
    Language: German , English
    Pages: 24 cm
    Dates of Publication: 1.1969(1970) -
    Additional Information: 12=4 von Internationale Jazzwissenschaftliche Tagung (ZDB) Bericht / Internationale Jazzwissenschaftliche Tagung Graz : Akadem. Druck- u. Verl.-Anst., 1980
    DDC: 780
    RVK:
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    Keywords: Jazz ; Zeitschrift ; Jazz ; Jazz
    Note: 1. beteil. Körp. bis 29.1997: Institut für Jazzforschung an der Hochschule für Musik und Darstellende Kunst in Graz , Ersch. jährl. , Index 1/19.1969/87 in: 20.1988
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  • 8
    Journal/Serial
    Journal/Serial
    Wien : Hollitzer | Graz [u.a.] : Universal-Ed. | Graz : Akad. Dr.- u. Verl.-Anst. ; 1.1969(1970) -
    ISSN: 0075-3572
    Language: German , English
    Pages: 24 cm
    Dates of Publication: 1.1969(1970) -
    Additional Information: 12=4 von Internationale Jazzwissenschaftliche Tagung (ZDB) Bericht / Internationale Jazzwissenschaftliche Tagung Graz : Akadem. Druck- u. Verl.-Anst., 1980
    DDC: 780
    RVK:
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    Keywords: Jazz ; Zeitschrift ; Jazz ; Jazz
    Note: 1. beteil. Körp. bis 29.1997: Institut für Jazzforschung an der Hochschule für Musik und Darstellende Kunst in Graz , Ersch. jährl. , Index 1/19.1969/87 in: 20.1988
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  • 9
    Journal/Serial
    Journal/Serial
    Wien : Hollitzer | Graz [u.a.] : Universal-Ed. | Graz : Akad. Dr.- u. Verl.-Anst. ; 1.1969(1970) -
    Show associated volumes/articles
    ISSN: 0075-3572
    Language: German , English
    Pages: 24 cm
    Dates of Publication: 1.1969(1970) -
    Additional Information: 12=4 von Internationale Jazzwissenschaftliche Tagung (ZDB) Bericht / Internationale Jazzwissenschaftliche Tagung Graz : Akadem. Druck- u. Verl.-Anst., 1980
    DDC: 780
    RVK:
    RVK:
    Keywords: Jazz ; Zeitschrift ; Jazz ; Jazz
    Note: 1. beteil. Körp. bis 29.1997: Institut für Jazzforschung an der Hochschule für Musik und Darstellende Kunst in Graz , Ersch. jährl. , Index 1/19.1969/87 in: 20.1988
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  • 10
    Language: German
    Dates of Publication: 2.1992 -
    Former Title: Vorg. Beiträge zur Jazzforschung
    DDC: 780
    RVK:
    Keywords: Monografische Reihe ; Jazz
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  • 11
    Language: German
    Dates of Publication: 2.1992 -
    Former Title: Vorg. Beiträge zur Jazzforschung
    DDC: 780
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    Keywords: Monografische Reihe ; Jazz
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  • 12
    Book
    Book
    New York and London : Routledge, Taylor & Francis Group
    ISBN: 9781032231051 , 103223105X , 9781032231044 , 1032231041
    Language: English
    Pages: xxx, 389 Seiten , Illustrationen, Notenbeispiele
    Edition: Third edition
    Parallel Title: Online version Lawn, Richard Experiencing jazz
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    Keywords: Jazz / History and criticism ; Jazz / Analysis, appreciation ; Jazz ; Jazz / Analysis, appreciation ; Criticism, interpretation, etc
    Abstract: "Experiencing Jazz, Third Edition is an integrated textbook, website, and audio anthology for jazz appreciation and history courses. Through readings, illustrations, timelines, listening guides, and a playlist of tracks and performances, Experiencing Jazz journeys through the history of jazz and places the music within larger cultural and historical contexts. Designed for the jazz novice, this textbook introduces the reader to prominent artists, covers the evolution of styles, and makes stylistic comparisons to current trends and developments. New to the third edition: Richard J. Lawn is joined by new co-author Justin G. Binek Expanded coverage of artists, particularly important vocalists and prominent women in jazz, including Bobby McFerrin, Kurt Elling, The Manhattan Transfer, and Terri Lyne Carrington A dynamic, web-exclusive bonus chapter-Chapter 14.5: The Story Continues, exploring contemporary jazz artists who push the boundaries of jazz by creating new stylistic fusions, and who utilize new media to create, collaborate, and share their artistry Re-worked companion website, featuring new recordings, a more comprehensive audio anthology, and a major revision of The Elements of Jazz section Condensed musician biographies and updated content reflecting jazz's global impact Revised listening guides for spotlighted recordings highlighting key moments worthy of closer listening and analysis Comprehensive and immersive, the third edition of Experiencing Jazz provides a foundational understanding of the history of the genre"--
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  • 13
    ISBN: 9783828850569
    Language: German
    Pages: 1 Online-Ressource (IX, 189 Seiten) , Notenbeispiele
    Series Statement: Systematische Musikwissenschaft und Musikkulturen der Gegenwart Band 9
    Series Statement: Systematische Musikwissenschaft und Musikkulturen der Gegenwart
    Parallel Title: Erscheint auch als Bugert, Thomas Das Jahr der Innovationen im Jazz
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    Keywords: Geschichte ; Analyse ; Improvisation ; Musik ; Rezeptionsgeschichte ; 50er Jahre ; History ; music ; analysis ; Musikgeschichte ; Music History ; reception history ; Jazz ; 1950s ; origins ; Ursprünge ; 1959 ; albums ; Alben ; harmonic concepts ; Bill Evans ; Dave Brubeck ; Giant Steps ; jazz albums ; harmonisch-melodische Konzepte ; melodic concepts ; Jazzalben ; Jazz-Alben ; precursors ; John Coltrane ; records ; Kind of Blue ; Miles Davis ; Ornette Coleman ; Portrait in Jazz ; Schallplatten ; The Shape of Jazz to Come ; Time Out ; Vorläufer
    Abstract: 1959 entstanden mit Dave Brubecks "Time Out", John Coltranes "Giant Steps", Miles Davis' "Kind of Blue", Bill Evans' "Portrait in Jazz" und Ornette Colemans "The Shape of Jazz to Come" stilprägende Alben, die für die weitere Entwicklung des Jazz wegweisend waren. In ihnen finden sich metrische und harmonisch-melodische Konzepte sowie grundlegende Neuerungen in der Organisation des Zusammenspiels und im Umgang mit improvisierter Musik, die heute fester Bestandteil des Jazz sind. Der Autor geht den Ursprüngen und Vorläufern dieser Konzepte nach, untersucht die biografischen Bezüge der Protagonisten zu den Konzepten und zum Zeitgeist und betrachtet die Rezeptionsgeschichte der Alben.
    Abstract: The year 1959 saw the release of Dave Brubeck's "Time Out", John Coltrane's "Giant Steps", Miles Davis' "Kind of Blue", Bill Evans' "Portrait in Jazz" and Ornette Coleman's "The Shape of Jazz to Come", all style-defining albums that were groundbreaking in the development of jazz. They contain metrical and harmonic-melodic concepts as well as fundamental innovations in the organisation of ensemble playing and the handling of improvised music, which are an integral part of jazz today. The author traces the origins and antecedents of these concepts, examines the protagonists' biographical references to the concepts and the zeitgeist, and looks at the reception history of the albums.
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  • 14
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    DDC: 781.650973
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 15
    Book
    Book
    Hofheim am Taunus : Wolke Verlag | Darmstadt : Jazzinstitut Darmstadt
    ISBN: 9783955930189 , 3955930181
    Language: English , German
    Pages: 264 Seiten , Illustrationen , 21.5 cm x 15 cm, 600 g
    Edition: Originalausgabe
    Series Statement: Darmstädter Beiträge zur Jazzforschung 18
    Series Statement: Darmstädter Beiträge zur Jazzforschung 18
    Series Statement: Darmstädter Beiträge zur Jazzforschung
    DDC: 780
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    Keywords: Jazz ; Jazzgeschichte ; Zukunft des Jazz ; Konferenzschrift 28.09.2021-30.09.2023 ; Konferenzschrift ; Konferenzschrift
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  • 16
    Online Resource
    Online Resource
    München : edition text + kritik
    ISBN: 9783967079166
    Language: German
    Pages: 1 Online-Ressource (442 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1945-1970 ; Jazz ; Deutschland ; Jazz ; Geschichte des Jazz ; Musikgeschichte ; Gegenkultur ; American Cool ; Kulturgeschichte ; Deutschland ; Jazz ; Geschichte 1945-1970
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 17
    ISBN: 9783967079159 , 3967079155
    Language: German
    Pages: 442 Seiten , Illustrationen , 23 cm x 15 cm
    Parallel Title: Erscheint auch als Braese, Stephan, 1961 - Cool.
    DDC: 780
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    Keywords: Deutschland ; Deutschland ; Jazz ; Geschichte 1945-1969
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  • 18
    Book
    Book
    London : Louder Than War Books
    ISBN: 9781526173201
    Language: English
    Pages: viii, 539 Seiten , Illustrationen
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    Keywords: Sozialgeschichte ; Rockmusik ; Subkultur ; Gothic Rock ; Gothic rock music ; Goth culture (Subculture) ; Goth culture (Subculture) ; Gothic rock music ; Rockmusik ; Gothic Rock ; Subkultur ; Sozialgeschichte
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  • 19
    ISBN: 9783948486761 , 394848676X
    Language: German
    Pages: 300 Seiten , Illustrationen , 22 cm, 378 g
    Edition: 1. Auflage
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Parallel Title: Erscheint auch als
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    Keywords: Girgsdies, Kornelia ; Musikleben ; Rockmusik ; Musikbranche ; Wacken ; U2 ; David Gilmour ; Udo Lindenberg ; Herbert Grönemeyer ; Extrabreit ; Grobschnitt ; Iron Maiden ; Coldplay ; Motörhead ; Gary Morre ; Die Toten Hosen ; Deep Purple ; Lady Gaga ; Phil Collins ; Rolling Stones ; Bob Dylan ; W:O:A ; Musik ; Else Somebodys ; Bands ; Erlebnisse ; Dublin ; London ; Autobiografie ; Autobiographie ; Trauer ; Tod ; Verlust ; Anker ; Wacken;U2;David Gilmour;Udo Lindenberg;Herbert Grönemeyer;Extrabreit;Grobschnitt;Iron Maiden;Coldplay;Motörhead;Gary Morre;Die Toten Hosen;Deep Purple;Lady Gaga;Phil Collins;Rolling Stones;Bob Dylan;W:O:A;Musik;Else Somebodys;Bands;Erlebnisse;Dublin;London;Autobiografie;Autobiographie;Trauer;Tod;Verlust;Anker ; Erlebnisbericht ; Autobiografie ; Erlebnisbericht ; Autobiografie ; Girgsdies, Kornelia 1960- ; Rockmusik ; Musikbranche ; Musikleben
    Note: Auf dem Umschlag: Autobiografie
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  • 20
    Language: Spanish
    Pages: viii, 342 Seiten , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Katholische Universität Eichstätt-Ingolstadt 2023
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    Keywords: Geschichte 1968-2015 ; Rockmusik ; Spanisch ; Textanalyse ; Korpus ; Popmusik ; Hochschulschrift ; Hochschulschrift ; Spanisch ; Popmusik ; Rockmusik ; Korpus ; Textanalyse ; Geschichte 1968-2015
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 21
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501383427
    Language: English
    Pages: x, 180 Seiten , 19,8 cm
    Series Statement: Genre, a 33 1/3 series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.630968
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    Keywords: Rockmusik ; Geschichte ; Kultur ; Popmusik ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
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  • 22
    ISBN: 978-3-8376-6487-4
    Language: German
    Pages: 154 Seiten : , Diagramme, Notenbeispiele ; , 22.5 cm x 14.8 cm, 243 g.
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
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    Keywords: Musikerziehung. ; Erwachsenenbildung. ; Jazz. ; Unterhaltungsmusik. ; Komposition ; Improvisation. ; Musik ; Erwachsenenbildung ; Musikpädagogik ; Jazz ; Popularmusik ; Improvisation ; Didaktik ; Komposition ; Action Research ; Musikschule ; Bildung ; Popmusik ; Kulturelle Bildung ; Musikwissenschaft ; Kunstpädagogik ; Music ; Adult Education ; Music Education ; Popular Music ; Didactics ; Composition ; Music School ; Education ; Pop Music ; Cultural Education ; Musicology ; Art Education ; Musikerziehung ; Erwachsenenbildung ; Jazz ; Unterhaltungsmusik ; Komposition ; Improvisation
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  • 23
    Book
    Book
    Wien : Hollitzer Verlag
    ISBN: 9783990129807 , 3990129805
    Language: English
    Pages: X, 242 Seiten , 24 cm x 17 cm
    Series Statement: Beiträge zur Jazzforschung 16
    Series Statement: Studies in Jazz Research
    Series Statement: Beiträge zur Jazzforschung
    Parallel Title: Erscheint auch als
    DDC: 780
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    Keywords: Jazz
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  • 24
    ISBN: 9780197549285
    Language: English
    Pages: xxvi, 210 Seiten , Illustrationen
    DDC: 781.650946
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    Keywords: Montoliu, Tete Criticism and interpretation ; Jazz History and criticism ; Montoliu, Tete 1933-1997 ; Jazz ; Spanien
    Abstract: "At the same time that this chapter continues to introduce readers to Tete Montoliu's life, musical work, and impact, it also challenges certain transnational assumptions regarding Spanish jazz. It is important to attend to ways in which the listening practices of mid-twentieth-century Anglophone audiences were shaped by the popular jazz market. In particular, it is by dispensing with misrepresentations of the connection between jazz and flamenco that readers can move beyond mere sketches of Spain and begin to appreciate the full complexity of Iberian jazz. This effort is further supported by Montoliu's own strong opinion that "Mezclar flamenco con el jazz es como mezclar las almejas con el chocolate. Es una mezcla imposible de digerir" [Mixing flamenco with jazz is like mixing clams with chocolate. It is a mixture that is impossible to digest"--
    Note: Includes bibliographical references and index
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  • 25
    ISBN: 9783990129807
    Language: English
    Pages: X, 242 Seiten , 24 cm x 17 cm
    Series Statement: Beiträge zur Jazzforschung 16
    Series Statement: Beiträge zur Jazzforschung
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1880-1930 ; Jazz ; Jazz ; United States ; Mississippi ; jazz history ; Maximilian Hendler ; Beiträge zur Jazzforschung ; Studies in Jazz Research ; Jazz ; Geschichte 1880-1930
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  • 26
    Online Resource
    Online Resource
    Lisboa : Imprensa de História Contemporânea
    ISBN: 9789898956491 , 9789898956477 , 9789898956484
    Language: Portuguese
    Pages: 1 Online-Ressource
    Edition: 1.a edição
    Series Statement: Contemporânea
    Parallel Title: Erscheint auch als
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    Keywords: Rockmusik ; Portugal ; Popular culture ; Portugal ; Rockmusik
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 27
    ISBN: 9783631890936 , 3631890931
    Language: German
    Pages: 587 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Jazz Vol. 9
    Series Statement: Jazz
    Uniform Title: Zwischentöne. Jazzklubs und Jazzmusiker in Thüringen 1959-1989. Eigensinn, Aneignung und die Praktiken sozialistischer Kulturpolitik
    Parallel Title: Erscheint auch als Breternitz, Martin, 1987 - Jazzklubs und Jazzmusiker in Thüringen 1959–1989
    Dissertation note: Dissertation Hochschule für Musik Franz Liszt Weimar 2022
    DDC: 781.650943220904
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    Keywords: Hochschulschrift ; Thüringen ; Jazz ; Musikleben ; Sozialismus ; Kulturpolitik ; Geschichte 1959-1989 ; Thüringen ; Jazz ; Geschichte 1959-1989
    Abstract: Jazz in der DDR war vielfältig, subversiv und oft nonkonform. Besonders in Jazzklubs, die überall im Land verstärkt ab den 1970er Jahren ins Leben gerufen worden, manifestierten sich beständige Reibungspunkte zwischen Staat und jungen Jazzbegeisterten, die eigensinnig ihre Musik hören, aufführen und veranstalten wollten. Jazz galt für seine Anhängerinnen und Anhänger dabei als eine Art Lebensentwurf neben statt gegen den SED-Staat. Anhand einer breiten Regionalstudie der Jazzszenen im damaligen Thüringer Raum untersucht das Buch mittels Zugängen aus Biografieforschung, Kulturtransfer und Alltagsgeschichte soziale Kontexte, musikalische Aneignungsformen sowie kulturbehördliche Kontrollstrukturen und das vielfältige Vorgehen der Staatssicherheit gegen Jazzmusik und Akteure zur Zeit der DDR.
    Note: Bibliografie: Seite 561-581 , Tag der Verteidigung: 12.07.2022
    URL: Cover
    URL: Unbekannt  (lizenzpflichtig)
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  • 28
    Book
    Book
    Ditzingen : Reclam
    ISBN: 9783150113240 , 3150113245
    Language: German
    Pages: 752 Seiten , Illustrationen , 21.5 cm x 13.5 cm
    Parallel Title: Erscheint auch als
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    Keywords: Rassismus ; Politik ; Jazz ; Musik ; Antirassismus ; Politisches Engagement ; Cool Jazz ; Hip hop ; Free Jazz ; Vinyl ; New Orleans ; Funk ; Musik ; Rassismus ; Black Lives Matter ; Rebellion ; Louis Armstrong ; Miles Davis ; Charlie Parker ; Jazz ; Rassismus ; Musik ; Politik ; Jazz ; Politisches Engagement ; Antirassismus
    Note: Untertitel auf dem Cover: Zur politischen Ästhetik des Jazz , Literaturverzeichnis S. 707-725
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  • 29
    ISBN: 9783830943525 , 3830943520
    Language: German
    Pages: 230 Seiten , 23.5 cm x 16.5 cm
    Series Statement: Populäre Kultur und Musik Band 38
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Kassel 2019
    DDC: 781.65094315509042
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    Keywords: Geschichte 1924-1929 ; Musikleben ; Jazz ; Geschichte ; Berlin ; Jazz ; Musik ; Zwanziger Jahre ; Goldene Zwanziger ; Zwanzigstes Jahrhundert ; Stadt ; Raum ; Großstadt ; Modernität ; Urbanität ; Berlin ; Globalisierung ; Identität ; Image ; Fremde ; Paul Whiteman ; Sam Wooding ; Musikalische Volkskulturen/Populäre Musikkulturen ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Berlin ; Jazz ; Geschichte ; Berlin ; Jazz ; Musikleben ; Geschichte 1924-1929
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 30
    ISBN: 9783830993520
    Language: German
    Pages: 1 Online-Ressource (230 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Rohlf, Johanna-Marie Jazz and the City
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    Keywords: Jazz ; Musik ; Zwanziger Jahre ; Goldene Zwanziger ; Zwanzigstes Jahrhundert ; Stadt ; Raum ; Großstadt ; Modernität ; Urbanität ; Berlin ; Globalisierung ; Identität ; Image ; Fremde ; Paul Whiteman ; Sam Wooding ; Musikalische Volkskulturen/Populäre Musikkulturen ; Hochschulschrift ; Hochschulschrift ; Berlin ; Jazz ; Musikleben ; Geschichte 1924-1929 ; Berlin ; Jazz ; Geschichte 1924-1929
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  • 31
    ISBN: 9783170434356 , 3170434357
    Language: German
    Pages: 193 Seiten , Illustrationen
    Edition: 1. Auflage
    Additional Information: Rezensiert in Hergenröder, Curt Wolfgang, 1955 - [Rezension von: Scheller, Jörg; Neuffer, Jochen, Make metal small again] 2023
    Additional Information: Rezensiert in Clostermeyer, Claus-Peter [Rezension von: Scheller, Jörg, Make metal small again], in: Schwäbische Heimat 75. Jahrgang (2024), 1, Seite 83-84
    Series Statement: Metalbook Vol. 2
    Series Statement: Metalbook
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    Keywords: Geschichte 2000-2020 ; Geschichte 2020-2040 ; 21. Jahrhundert (2000 bis 2100 n. Chr.) ; 21st century ; 21. Jahrhundert 2000-2020 ; 21. Jahrhundert 2020-2040 ; Rockmusik ; Musikgruppe ; 21st century history: from c 2000 - ; General & world history ; Geschichte allgemein und Weltgeschichte ; HISTORY / Modern / 21st Century ; Stuttgart
    Abstract: Metalbands stehen auf gewaltigen Bühnen, vor Verstärkertürmen und Tausenden wilder Fans. Sie trinken kübelweise Bier, rauschen in Tourbussen durch die Nacht und besingen Sex, Drogen und den Tod. Ihr größtes Ziel: Wacken. Alle Metalbands? Nein! Eine kleine Metalband tingelt seit zwei Jahrzehnten über Dorffeste, Vereinsfeiern, Hochzeiten, Vernissagen und durch Geburtstagspartys. Sie hat keine Verstärker, keine Plattenfirma. Sie liefert annähernd CO2-neutralen Metal wie Pizza auf Bestellung und hätte einmal beinahe Angela Merkel beschallt. Sie singt nur übers Wetter und spielt im Sitzen, gediegen gekleidet und teetrinkend. Sie richtet sich gleichermaßen an Bildungsbürger, Mutbürger, Spießbürger. Ihr Name: Malmzeit. Ihr Genre: Kammermetal. Ihr Motto: Make Metal Small Again! Tauchen Sie ein in die völlig irre Bandbiographie der kleinsten Metalband der Welt, verfasst von den Musikern selbst. Ein Buch voller bizarrer Ereignisse, das komplett erfunden sein könnte, wäre nicht jedes Wort wahr!
    Abstract: Musikgruppe aus Stuttgart
    URL: Cover  (lizenzpflichtig)
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  • 32
    ISBN: 9783948935474 , 3948935475
    Language: German
    Pages: 96 Seiten , 21 cm x 14.5 cm
    Edition: 1. Auflage
    DDC: 786.9092
    RVK:
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    Keywords: Bildband ; Aufsatzsammlung ; Sommer, Günter 1943- ; Musikleben ; Sommer, Günter 1943- ; Jazzmusiker ; Jazz ; Musikleben ; Geschichte
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 33
    Online Resource
    Online Resource
    Stuttgart : Verlag W. Kohlhammer
    ISBN: 9783170426498 , 9783170426504
    Language: German
    Pages: 1 Online-Ressource (187 Seiten) , Illustrationen
    Edition: 1. Auflage
    Series Statement: Metalbook 1
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Rosa, Hartmut, 1965 - When monsters roar and angels sing
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    Keywords: Metaler ; Metaller ; Metalszene ; Musik ; Musikgeschichte ; soziokulturelle Kontexte ; Soziologie ; Subkulturen ; Heavy Metal ; Soziologie ; Musiksoziologie ; Heavy Metal ; Musiksoziologie ; Heavy Metal ; Musikpsychologie ; Soziologie ; Rockmusik ; Leben ; Musikhören ; Hard Rock ; Konzert ; Wacken Open Air ; Black Sabbath ; Eric Clapton ; Deep Purple ; Dream Theater ; Iron Maiden ; Metallica ; Pink Floyd ; Schenker, Michael 1955- ; The Who ; Within Temptation ; Yes ; Gesang ; Resonanz ; Religion ; Lebensfreude ; Heavy Metal ; Romantik
    Abstract: Ehemals Musik junger Abgehängter und Outlaws, ist Heavy Metal heute mehr und mehr in der Mitte der Gesellschaft angekommen: Wohl mehr als 10 Millionen Deutsche hören Heavy Metal. Aber warum tun sie das? Was suchen und was finden sie in dieser Musik, die von Außenstehenden oft als purer Lärm empfunden wird? Warum wimmelt es im Heavy Metal nur so von Monstern und Teufeln - und wieso schweigen auch die Götter und die Engel nicht? Was erleben Metalfans, wenn sie ihre Musik hören - und welche Erfahrung treibt sie immer wieder ins Konzert? Wieso lesen sie ständig Musikzeitschriften und hören nicht auf, CDs zu kaufen? Wie ist es zu erklären, dass 40 Prozent der Metalfans behaupten, die Musik habe ihr Leben gerettet? Und warum ist Heavy Metal stärker als die Musikindustrie? Worum geht es im Heavy Metal wirklich? Diese Fragen und mehr beantwortet Hartmut Rosa in dieser kleinen Soziologie des Heavy Metal.
    URL: Cover
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  • 34
    Book
    Book
    München : Claudius
    ISBN: 9783532628898 , 3532628899
    Language: German
    Pages: 167 Seiten , 18.7 cm x 12.5 cm
    Series Statement: essay
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    Keywords: Spiritualität ; Jazz ; Populäre Musik ; Kirchenmusik ; Spiritual Jazz
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  • 35
    Online Resource
    Online Resource
    Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften
    ISBN: 9783631896785 , 9783631896792
    Language: German
    Pages: 1 Online-Ressource (587 Seiten) , Illustrationen, Notenbeispiele
    Edition: 1st, New ed.
    Series Statement: Jazz under State Socialism vol. 9
    Parallel Title: Erscheint auch als Breternitz, Martin, 1987 - Jazzklubs und Jazzmusiker in Thüringen 1959-1989
    Dissertation note: Dissertation Hochschule für Musik Franz Liszt Weimar 2022
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    Keywords: Hochschulschrift ; Hochschulschrift ; Thüringen ; Jazz ; Musikleben ; Sozialismus ; Kulturpolitik ; Geschichte 1959-1989 ; Thüringen ; Jazz ; Geschichte 1959-1989
    Abstract: Jazz in der DDR war vielfältig, subversiv und oft nonkonform. Besonders in Jazzklubs, die überall im Land verstärkt ab den 1970er Jahren ins Leben gerufen worden, manifestierten sich beständige Reibungspunkte zwischen Staat und jungen Jazzbegeisterten, die eigensinnig ihre Musik hören, aufführen und veranstalten wollten. Jazz galt für seine Anhängerinnen und Anhänger dabei als eine Art Lebensentwurf neben statt gegen den SED-Staat.Anhand einer breiten Regionalstudie der Jazzszenen im damaligen Thüringer Raum untersucht das Buch mittels Zugängen aus Biografieforschung, Kulturtransfer und Alltagsgeschichte soziale Kontexte, musikalische Aneignungsformen sowie kulturbehördliche Kontrollstrukturen und das vielfältige Vorgehen der Staatssicherheit gegen Jazzmusik und Akteure zur Zeit der DDR.
    Description / Table of Contents: Danksagung – Einleitung - Kapitel I: Jazzklubs im Raum Thüringen – Individuell im Kollektiv - Kapitel II: „Die Stasi swingt nicht" – Die Staatssicherheit und die Jazzszenen im Thüringer Raum - Kapitel III: Aneignungsformen und Praktiken von Jazz im Thüringer Raum – Reale Vielfalt im „real existierenden Sozialismus" - Zusammenfassung und Schlussbetrachtungen
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  • 36
    ISBN: 9783111245157 , 3111245152
    Language: German
    Pages: VI, 666 Seiten , Illustrationen , 23 cm x 15.5 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Potsdam 2022
    DDC: 781.640943
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    Keywords: Ideal ; Einstürzende Neubauten ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Geschichte 1978-2023 ; Geschichte 1978-1983 ; Kälte ; Rockmusik ; Rezeption ; Neue deutsche Welle ; Kälte ; Popmusik ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Popmusik ; Kälte ; Rezeption ; Geschichte 1978-1983 ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Ideal ; Einstürzende Neubauten ; Rockmusik ; Kälte ; Deutschland ; Popmusik ; Kälte ; Neue deutsche Welle ; Rezeption ; Geschichte 1978-2023
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Unbekannt  (lizenzpflichtig)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Unbekannt  (lizenzpflichtig)
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  • 37
    Book
    Book
    New York ; London : Routledge
    ISBN: 9780367534141 , 9780367630324
    Language: English
    Pages: xv, 498 Seiten , Illustrationen, Diagramme
    Series Statement: Routledge music companions
    Parallel Title: Erscheint auch als
    DDC: 781.6509
    RVK:
    Keywords: Geschlechtsidentität ; Jazz ; Jazz / History and criticism ; Jazz / Social aspects / History ; Jazz / Historiography ; Jazz / Instruction and study / History ; Gender identity in music ; Women jazz musicians ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Geschlechtsidentität
    Abstract: Part I. Historical Perspectives. "The Frivolous, Scantily Clad 'Jazzing Flapper,' Irresponsible and Undisciplined" : Jazz as a Feminine Domain / Bruce Johnson ; "I've Got the Haitian Blues" : Mamie Desdunes and the Gendered Inflections of the Common Wind / Ben Barson ; Lil Hardin Armstrong and Helen Joyner : The Forgotten Patrons of Jazz / Jeremy Brown ; Queer Aesthetics and the Performing Subject in Jazz in the 1920s / Magdalena Fürnkranz ; Black Against the Stave : Black Modern Girls in British Interwar Jazz / Jessica Chow ; Trumpet Men : Performances of Masculinity in Jazz / Aaron J. Johnson ; Hard Bop Cool Pose : Bebop, the Blues, and Masculinity in the Music of Lee Morgan / Keith Karns ; Toward a Feminist Understanding of Jazz Curatorship / Kara Attrep ; The Girl in the Other Room : Generating New Open Knowledge for the Women of Jazz / M. Cristina Pattuelli and Karen Li-Lun Hwang ; The Rise of Queermisia in Jazz : Medicalization, Legislation, and Its Effects / Chloe Resler ; Constructing a Diverse and Inclusive Jazz Tradition : A Uchronic Narrative / Michael Kahr --
    Abstract: Part II. Identity and Culture. Playing the Part : A Social-Psychological Perspective on Being a Girl in Jazz / Erin L. Wehr ; Gender, Sexuality, and Jazz Saxophone Performance / Yoko Suzuki ; A Clash of Identities : How Aspects of Gender and Identity in Jazz Influence Both the Music and Its Perception / Wolfram Knauer ; "I'm Just One of Them" : Gender in Jazz Competitions / Matthias Heyman ; Gendered Interventions in European Jazz Festival Programming : Keychanges, Stars, and Alternative Networks / Kristin McGee ; Resurrecting Masculinity : Gender, Jazz Timbre, and the Afterlife of Dennis Irwin's Bass / Ken Tianyuan Ge ; Jazz Dance, Gender, and the Commodification of the Moving Body : Examining Patriarchal and White Supremacist Structures in Social and Commercial Jazz Dance Forms / Brandi Coleman ; Women's Access to Professional Jazz : From Limiting Processes to Levers for Transgression / Marie Buscatto ; "It Ain't Who You Are" : Authenticity, Sexuality, and Masculinity in Jazz / Ann Cotterell --
    Abstract: Part III. Society and Education. Oppression and Hope : Students' Perceptions of Gender and Stereotypes in Jazz Appreciation and History / James Reddan ; Picturing Women in Jazz : An Analysis of Three Jazz History Textbooks / Ramsey Castaneda and Amanda Quinlan ; Degendering Jazz Guitar : Reimagining the Past - Realigning the Future / Tom Williams ; "Music Saved My Live" : Jennifer Leitham on Life, Music, and Gender ; Joshua Palkki, Carl Oser, and Jennifer Leitham ; Can E-Flat Be Sexist? Canonical Keys as Marginalizing Practice in Jazz / Wendy Hargreaves and Melissa Forbes ; Inclusive Jazz History Pedagogy / Sonya R. Lawson ; Negotiating Hegemonic Masculinity in Australian Tertiary Jazz Education / Robert Burke and Clare Hall ; Jazzwomen in Higher Education : Experiences, Attitudes, and Personality Traits / Natalie Boeyink ; The Gender Imperative in Jazz : The Role of Intercultural Maturity in Jazz Curricula / Lenora Helm Hammonds ; In Her Own Words : Documenting the Current Realities of Women-in-Jazz / Kiernan Steiner and Alexandra Manfredo ; Call and (Her) Response : Improvisation and the Myth of Absence / Dana Reason --
    Note: Includes bibliographical references and index
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  • 38
    Book
    Book
    New York, NY : Routledge Taylor & Francis Group
    ISBN: 9780367421687 , 9781032189338 , 1032189339
    Language: English
    Pages: xiv, 203 Seiten , Illustrationen, Diagramme
    Series Statement: Transnational studies in jazz
    Parallel Title: Erscheint auch als
    DDC: 781.6509485
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    Keywords: Geschichte 1947-1963 ; Jazz ; Rezeption ; USA ; Schweden
    Note: Literaturangaben
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  • 39
    ISBN: 9783492071246
    Language: German
    Pages: 316 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen , 22 cm x 13.8 cm
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    Keywords: Doldinger, Klaus ; Klaus Doldinger ; Passport ; Jazz ; Musik ; Jazzmusik ; Tatort ; Das Boot ; Liebling Kreuzberg ; Ein Fall für Zwei ; Weatherreport ; Die unendliche Geschichte ; Filmmusik ; Motherhood ; Autobiografie ; Autobiografie ; Autobiografie ; Autobiografie ; Doldinger, Klaus 1936-
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Mit exklusivem Bonustrack zum Download
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  • 40
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496842435
    Language: English
    Pages: 1 Online-Ressource (x, 236 pages) , Illustrations (black and white), music.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 781.62410763
    RVK:
    Keywords: Franzosen ; Kreolen ; Jazz ; Creoles Music ; History and criticism ; Jazz History and criticism ; Music ; Music ; Louisiana
    Abstract: This work describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 41
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496836076
    Language: English
    Pages: 1 Online-Ressource (viii, 153 pages).
    Series Statement: Mississippi scholarship online
    DDC: 820.99287096
    RVK:
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    Keywords: Schwarze Frau ; Jazz ; Literatur ; English literature Black authors ; History and criticism ; English literature Women authors ; History and criticism ; Jazz in literature ; Women, Black, in literature ; Music and literature
    Abstract: In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse - jilted by the musician and replaced by the drum. Further, the album's cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. This book challenges that image but also defines a counter-tradition within women's writing that involves the reinvention and reclamation of a modern jazz discourse.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 42
    Article
    Article
    Show associated volumes/articles
    In:  Erlebte Geschichte und Geschichten (2022), Seite 68-72 | year:2022 | pages:68-72
    ISBN: 9783941072275
    Language: German
    Pages: Illustrationen
    Titel der Quelle: Erlebte Geschichte und Geschichten
    Publ. der Quelle: Wiesbaden : Edition 6065, 2023
    Angaben zur Quelle: (2022), Seite 68-72
    Angaben zur Quelle: year:2022
    Angaben zur Quelle: pages:68-72
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    Keywords: Jazz ; Schlagzeuger ; Wiesbaden ; Interview
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  • 43
    Book
    Book
    Würzburg : Königshausen & Neumann
    ISBN: 9783826072055
    Language: English
    Pages: 197 Seiten , Illustrationen, Karten, Notenbeispiele
    DDC: 781.65
    RVK:
    Keywords: Jazz ; Jazz ; Globalisation ; Communities ; Pop-Kultur ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz
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  • 44
    ISBN: 9783982210025 , 398221002X
    Language: German
    Pages: 529 Seiten , Illustrationen , 23.5 cm x 15.9 cm, 912 g
    Edition: 1. Auflage
    Uniform Title: Times & sounds
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
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    Keywords: Rockmusik ; Krautrock ; Schlager ; Unterhaltungsmusik ; Jazz ; Deutschland ; Deutschland ; Unterhaltungsmusik ; Rockmusik ; Jazz ; Krautrock ; Schlager
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 45
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367677794 , 9780367677824
    Language: English
    Pages: viii, 186 Seiten , Illustration
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Diaspora ; Jazz ; Kultursoziologie ; Ungarn ; Jazz / Hungary / History and criticism ; Jazz ; Hungary ; Criticism, interpretation, etc ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Ungarn ; Jazz ; Diaspora ; Kultursoziologie
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  • 46
    ISBN: 9783837653236 , 3837653234
    Language: German
    Pages: 236 Seiten , Illustrationen
    Series Statement: Transdisziplinäre Popkulturstudien Band 1
    Series Statement: Transdisziplinäre Popkulturstudien
    Parallel Title: Erscheint auch als Druckwellen
    DDC: 302.24
    RVK:
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Massenkultur ; Populismus ; Provokation ; Eskalation ; Hassrede ; Rockmusik ; Popmusik ; Popkultur ; Provokation ; Tabuverletzung
    Abstract: Von der Weltpolitik eines Trump, Orban und Erdogan über Popmusik von Rammstein und Frei.Wild bis hin zu Hate Speech in sozialen Medien – das Provozieren, das Brechen von Tabus, das Relativieren von bislang gültigen Werten sowie erhitzte öffentliche Debatten prägen längst unseren medialen Alltag. Pop(musik)kulturelle Phänomene und mittlerweile auch medialisierte Politik(er*innen) bewegen sich dabei zwischen bewusstem Tabubruch, dosierter Provokation und medienwirksamen Spielen mit Grenzüberschreitungen und -verschiebungen – mal progressiv, mal regressiv, mal schwer einzuordnen. Die Herausgeber*innen und Autor*innen des Bandes möchten einen Beitrag zu gelassener Analyse und Reflexion leisten.
    Note: Enthält Literaturangaben
    URL: Cover
    URL: Cover
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  • 47
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 1496836022 , 9781496836038 , 9781496836021
    Language: English
    Pages: VIII, 153 Seiten
    DDC: 820.99287096
    RVK:
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    Keywords: Schwarze Frau ; Jazz ; Literatur
    Note: Bibliography Seite 139-145
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  • 48
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496842428 , 9781496842404
    Language: English
    Pages: x, 236 Seiten , Illustrationen, Notenbeispiele
    Edition: First printing
    Series Statement: American made music series
    DDC: 781.62410763
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    Keywords: Franzosen ; Kreolen ; Jazz ; Louisiana
    Note: Literaturverzeichnis Seite 194-216, selected discography Seite 217-218 , Titelzusatz auf dem Umschlag: French Creole music & the birth of jazz
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  • 49
    ISBN: 9783955930172 , 3955930173
    Language: German , English
    Pages: 303 Seiten , Illustrationen , 21 cm x 14.8 cm, 400 g
    Edition: Originalausgabe
    Series Statement: Darmstädter Beiträge zur Jazzforschung Band 17
    Series Statement: Eine Veröffentlichung des Jazzinstituts Darmstadt
    DDC: 781.65
    RVK:
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    Keywords: Jazz ; Vielfalt ; Konferenzschrift 2021 ; Konferenzschrift 30.09.2021-02.10.2021 ; Konferenzschrift 30.09.2021-02.10.2021 ; Konferenzschrift 30.09.2021-02.10.2021
    Note: Texte teilweise deutsch, teilweise englisch , Literaturangaben
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  • 50
    ISBN: 9783949602085 , 3949602089
    Language: German
    Pages: 50 Seiten , Illustrationen , 29.7 cm x 21 cm, 260 g
    Edition: 1. Auflage
    DDC: 781.650609432125
    RVK:
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    Keywords: Bildband ; Fotografie ; Comic ; Wurzen ; Jazzklub ; Geschichte 1978-1985 ; Wurzen ; Musikleben ; Subkultur ; Jazz ; Geschichte
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  • 51
    Book
    Book
    Hofheim : Wolke | Darmstadt : Jazzinstitut Darmstadt
    ISBN: 9783955930172 , 3955930173
    Language: German , English
    Pages: 303 Seiten , Illustrationen , 21 cm x 14.8 cm, 400 g7
    Edition: Originalausgabe
    Series Statement: Darmstädter Beiträge zur Jazzforschung Band 17
    Series Statement: Darmstädter Beiträge zur Jazzforschung
    DDC: 781.65
    RVK:
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    Keywords: Konferenzschrift 2021 ; Konferenzschrift 2021 ; Jazz ; Vielfalt ; Jazz ; Vielfalt ; Verschiedenheit
    Note: Beiträge teilweise deutsch, teilweise englisch
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  • 52
    ISBN: 9780231189187 , 9780231189194
    Language: English
    Pages: xiii, 275 Seiten , Illustrationen
    Series Statement: Leonard Hastings Schoff memorial lectures
    Parallel Title: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
    RVK:
    Keywords: Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Abstract: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Abstract: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Note: Includes index
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  • 53
    Book
    Book
    Baltimore, [Maryland] : Johns Hopkins University Press
    ISBN: 9781421444987
    Language: English
    Pages: 400 Seiten , Illustrationen
    DDC: 781.66097309046
    RVK:
    Keywords: Geschichte 1960-1968 ; Rock 'n' Roll ; Rockmusik ; USA
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  • 54
    Online Resource
    Online Resource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231548212
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Leonard Hastings Schoff Lectures
    DDC: 781.650973
    RVK:
    Keywords: Geschichte 1900-2000 ; Schwarze ; Musik ; Jazz ; Modern Jazz ; Kunst ; Literatur ; Collage ; Fiktion ; USA
    Abstract: Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
    URL: Cover
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  • 55
    ISBN: 9781789384215 , 1789384214
    Language: English
    Pages: xxv, 446 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als Ainsworth, Alan John Sight Readings
    DDC: 781.650973
    RVK:
    RVK:
    RVK:
    Keywords: Jazz in art ; Photography History 20th century ; Jazz History and criticism ; Jazz ; Jazz in art ; Photography ; Criticism, interpretation, etc ; History ; USA ; Fotografie ; Jazz ; Jazzmusiker ; Geschichte 1900-1960
    Note: Includes bibliographical references (pages 366-424) and index
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  • 56
    ISBN: 9783982437101 , 3982437105
    Language: English , German
    Pages: 3 Bände , 22 cm
    DDC: 741.6609045
    RVK:
    Keywords: Geschichte 1945-1960 ; Cover ; Schallplatte ; Jazz
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  • 57
    Book
    Book
    Mainz : Ventil
    ISBN: 9783955751692 , 3955751694
    Language: German
    Pages: 301 Seiten , Illustrationen , 23 cm x 15.5 cm
    Edition: 1. Auflage
    RVK:
    RVK:
    Keywords: Geschichte 1920-2020 ; Musik ; Frau ; Musikerin ; Moe Tucker ; Mainstream ; Musikerinnen ; Joan Jett ; Billie Eilish ; Stevie Nicks ; Mercedes Sosa ; Frauenbewegung ; Independent ; Little Simz ; Gianna Nannini ; Gudrun Gut ; Amy Winehouse ; Vashti Bunyan ; Alternative ; Popkultur ; Rockmusik ; Role Model ; Britney Spears ; Feminismus ; Künstlerinnen ; Underground ; Sibylle Baier ; Sängerinnen ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Geschichte 1920-2020 ; Musik ; Frau ; Musikerin
    URL: Cover
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  • 58
    ISBN: 3406792847 , 9783406792847
    Language: German
    Pages: 346 Seiten , Illustrationen , 23.2 cm x 18.7 cm
    Uniform Title: The philosophy of modern song
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1924-2004 ; Folk music ; Rockmusik ; Song ; Interpretation ; Popmusik ; Popmusik ; Rockmusik ; Folk music ; Song ; Interpretation ; Geschichte 1924-2004
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  • 59
    Book
    Book
    Lanham, Maryland ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781538162613 , 9781538162620
    Language: English
    Pages: xii, 193 Seiten , Illustrationen
    Series Statement: Living existentialism
    Parallel Title: Erscheint auch als
    DDC: 781.65
    RVK:
    Keywords: Musikhören ; Jazz ; Weiße ; Jazz / Social aspects ; Listening (Philosophy) ; Music and race ; Black people / Social conditions ; White people / Race identity ; Écoute (Philosophie) ; Musique et race ; Black people / Social conditions ; Jazz / Social aspects ; Listening (Philosophy) ; Music and race ; White people / Race identity ; Jazz ; Weiße ; Musikhören
    Abstract: "This book argues that whiteness is not only a visual orientation; it is a way of hearing. Inspired by formulations of race and whiteness in the existential writings of Frantz Fanon, Simone de Beauvoir, Jean-Paul Sartre, W.E.B. Du Bois, Richard Wright, Lewis Gordon, Angela Davis, bell hooks and Sara Ahmed, this book introduces students to the notion of the white sonic gaze"--
    Description / Table of Contents: Preface. A Note on Jazz Pedagogy -- Aural Orientations -- The Jazz Problem : Patterns of White Bad Faith Listening -- Listening Exercises for Chapter Two, The Jazz Problem -- Listening to Difference : Creole Critiques of White Listening -- Listening Exercises for Chapter Three, Listening to Difference -- The Ears of a Guilty People : Africana Critiques of White Listening -- Listening Exercises for Chapter Four, The Ears of a Guilty People -- Afterword. Say Their Names : Breonna Taylor, George Floyd
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  • 60
    ISBN: 9783957556707
    Language: German
    Pages: 228 Seiten , Illustrationen
    DDC: 781.6509046
    RVK:
    Keywords: Aufsatzsammlung ; Jazz ; Geschichte 1960-1970
    Abstract: Fast alles, was im Jazz heute als gut und vermittelbar gilt, wurde in den Sechzigerjahren des 20. Jahrhunderts entwickelt und ausgeformt. Miles Davis begann modal zu improvisieren. Coltrane, Coleman, Brötzmann & Co ergänzten ihre Tonalität durch die Kakophonie der Geräusche. Rhythmusgruppen verabschiedeten sich vom durchlaufenden, swingenden Beat, doch die Swing-Bigbands waren durchaus noch nicht abgemeldet. Hard Bop und die American Folk Blues Festivals eröffneten der Black Music neue Spielräume: Funk und Soul. Jazzmusiker integrierten Rock, Rockmusiker adaptierten Jazz. Die Sixties waren für den Jazz ein Jahrzehnt der Umbrüche und Widersprüche, aber auch eine Zeit des florierenden Diskurses. Im »jazz-echo«, der achtseitigen Jazz-Beilage des GONDEL-Magazins, beschrieben und bewerteten sechs fachkundige Publizisten aus drei Generationen begeistert, skeptisch oder polemisch die rasanten künstlerischen Entwicklungen. Redakteur und Hauptautor des »jazz-echo« war in den 1960er Jahren Siegfried Schmidt-Joos. Auch seine Entwicklung vom ausschließlichen Jazz-Experten zum weiträumigen Pop-Journalisten und Rock-Chronisten spiegelt dieses Buch, das mit kritisch-kulinarischen Kostbarkeiten die Zeit des florierenden Diskurses in der Musik wie in der Musikberichterstattung in Erinnerung ruft.
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  • 61
    ISBN: 1725272261 , 9781725272262 , 1725272253 , 9781725272255
    Language: English
    Pages: xvii, 215 Seiten , 24 cm
    RVK:
    Keywords: Sting ; Rockmusik ; Spiritualität ; Katholizismus
    Note: Literaturverzeichnis Seite 201-207
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  • 62
    ISBN: 3990128949 , 9783990128947
    Language: English
    Pages: IX, 391 Seiten , Illustrationen , 24 cm x 17 cm
    Series Statement: Jazzforschung = Jazz research 48
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Technische Universität Dortmund 2014
    RVK:
    Keywords: Geschichte 1917-1959 ; Jazz ; Geschichtsschreibung ; Jazz ; Hochschulschrift
    Note: Literaturverzeichnis: Seite 361-391
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  • 63
    ISBN: 9783982210001
    Language: English
    Pages: 531 Seiten , Illustrationen
    Edition: 2nd edition
    DDC: 781.66094309047
    RVK:
    Keywords: Krautrock ; Geschichte ; Jazz ; Geschichte
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  • 64
    ISBN: 9781032090030 , 9780367182984
    Language: English
    Pages: x, 198 Seiten
    Edition: issued in paperback
    Series Statement: Routledge advances in international relations and global politics 144
    DDC: 306.48425
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; USA
    Note: Originally published: 2020. , Literaturverzeichnis Seite 169-183
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  • 65
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496832092
    Language: English
    Pages: 1 Online-Ressource (x, 192 pages) , Illustrations (black and white).
    Series Statement: Mississippi scholarship online
    DDC: 781.6508996073
    RVK:
    RVK:
    Keywords: Higgins, Billy Criticism and interpretation ; Blanchard, Terence Criticism and interpretation ; Carrington, Terri Lyne Criticism and interpretation ; Akinmusire, Ambrose Criticism and interpretation ; Hill, Andrew Criticism and interpretation ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; African American jazz musicians ; Jazz Political aspects ; USA
    Abstract: This text provides an interpretive framework for understanding how African American creative improvisers think of musical space. Featuring a foreword by eminent scholar Robin D.G. Kelley, this is a critical improvisation studies book that uses Black geographies theory to examine the spatial values of musical expression in the improvisational and compositional practices of trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 66
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197548813
    Language: English
    Pages: 203 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte ; Arbeiterklasse ; Unterhaltungsmusik ; Rockmusik ; Rock 'n' Roll ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Rock music / Social aspects ; Working class / Attitudes ; 1900-1999 ; History ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: "We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they only wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world"--
    Description / Table of Contents: Introduction. Dream On -- Salt of the Earth -- Wrote A Song For Everyone -- Free For All -- Workin' Man Blues -- Swamp Music -- British Steel -- For Those About to Rock -- Youngstown -- One In a Million -- Conclusion. Subdivisions
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  • 67
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 68
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190087227
    Language: English
    Pages: 1 Online-Ressource (608 pages) , Illustrations (black and white).
    Edition: Third edition.
    Series Statement: Oxford scholarship online
    DDC: 781.6509
    RVK:
    Keywords: Geschichte ; Jazz ; Jazz History and criticism ; Jazz musicians
    Abstract: In this new edition of his classic 'History of Jazz', author Ted Gioia brings the story to the present day with expanded treatment of women's contributions to the genre, jazz in the digital age, the increasing dialogue between jazz and popular music, and the music's new rise across the globe.
    Note: This edition also issued in print: 2021 , Includes bibliographical references, discography and index
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  • 69
    ISBN: 9781250195753
    Language: English
    Pages: XIX, 535 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1980-1990 ; Musikleben ; Rockmusiker ; Rockmusik ; Rock music / 1981-1990 / Anecdotes ; Heavy metal (Music) / Anecdotes ; Glam metal (Music) / Anecdotes ; Rock musicians / Anecdotes ; Rock musicians / Interviews ; MUSIC / History & Criticism ; Glam metal (Music) ; Heavy metal (Music) ; Rock music ; Rock musicians ; 1981-1990 ; Anecdotes ; Interviews ; Gespräch ; Gespräch ; Rockmusiker ; Rockmusik ; Musikleben ; Geschichte 1980-1990
    Abstract: "The definitive, no-holds-barred oral history of 1980s hard rock and hair metal. 1980s hard rock was a hedonistic and often intensely creative wellspring of escapism that perfectly encapsulated--and maybe even helped to define--a spectacularly over-the-top decade. Indeed, fist-pumping hits like Twisted Sister's 'We're Not Gonna Take It,' Mötley Crüe's 'Girls, Girls, Girls,' and Guns N' Roses' 'Welcome to the Jungle' are as inextricably linked to the era as Reaganomics, Pac-Man, and E.T. From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Tom Beaujour and Richard Bienstock's Nothin' But a Good Time captures the energy and excess of the hair metal years in the words of the musicians, managers, producers, engineers, label executives, publicists, stylists, costume designers, photographers, journalists, magazine publishers, video directors, club bookers, roadies, groupies, and hangers-on who lived it. Featuring an impassioned foreword by Slipknot and Stone Sour vocalist and avowed glam metal fanatic Corey Taylor, and drawn from over 200 new interviews with members of Van Halen, Mötley Crüe, Poison, Guns N' Roses, Skid Row, Bon Jovi, Ratt, Twisted Sister, Winger, Warrant, Cinderella, Quiet Riot and others, as well as Ozzy Osbourne, Lita Ford and many more, this is the ultimate, uncensored, and often unhinged chronicle of a time where excess and success walked hand in hand, told by the men and women who created a sound and style that came to define a musical era--one in which the bands and their fans went looking for nothin' but a good time...and found it"--
    Abstract: 1980s hard rock was a hedonistic and often intensely creative wellspring of escapism that perfectly encapsulated-- and maybe even helped to define-- a spectacularly over-the-top decade. From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Beaujour and Bienstock capture the energy and excess of the hair metal years in the words of the musicians, managers, producers, engineers, label executives, publicists, stylists, costume designers, photographers, journalists, magazine publishers, video directors, club bookers, roadies, groupies, and hangers-on who lived it. -- adapted from publisher
    Description / Table of Contents: Foreword / by Corey Taylor -- Cast of characters -- Introduction -- Everybody wants some!! -- Feel the noize -- Knock 'em dead, kid -- Youth gone wild -- The last mile -- Shut up, Beavis -- Epilogue
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  • 70
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197548844
    Language: English
    Pages: 1 Online-Ressource (216 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6608623
    RVK:
    RVK:
    Keywords: Geschichte ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Unterhaltungsmusik ; Rock 'n' Roll ; Arbeiterklasse ; Rockmusik ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 71
    ISBN: 9781496832108 , 9781496832115
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele , 23 cm
    Edition: First printing
    DDC: 781.6508996073
    RVK:
    RVK:
    Keywords: Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; USA
    Abstract: In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.
    Note: Literaturangaben
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  • 72
    Book
    Book
    Oakland : University of California Press
    ISBN: 9780520303713 , 9780520303706
    Language: English
    Pages: viii, 208 Seiten
    DDC: 781.650973
    RVK:
    RVK:
    Keywords: Jazzklub ; Jazz ; Konzertsaal ; USA
    Note: Includes bibliographical references and index.
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  • 73
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
    RVK:
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 74
    Book
    Book
    Köln : Verlag Kiepenheuer & Witsch
    ISBN: 9783462001204 , 3462001205
    Language: German
    Pages: 226 Seiten , Illustration, Karte , 17 cm, 230 g
    Edition: 1. Auflage
    Series Statement: KiWi Musikbibliothek
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Dylan, Bob ; Verdamp' lang her ; Musikreihe ; Chronicles ; Bob Dylans Amerika ; Musikbibliothek ; BAP ; Lieblingsband ; Pop-Musik ; Rockmusik ; Folk ; Dylan, Bob 1941-
    Library Location Call Number Volume/Issue/Year Availability
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  • 75
    ISBN: 9783795718824
    Language: German
    Pages: XVI, 590 Seiten , Illustrationen, Notenbeispiele
    Edition: 10. überarbeitete Auflage
    Series Statement: Schott Pro Line
    DDC: 781.65125
    RVK:
    RVK:
    Keywords: Lehrbuch ; Lehrbuch ; Jazz ; Harmonik ; Jazz ; Harmonielehre ; Jazz ; Musiklehre
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  • 76
    ISBN: 9783795718824
    Language: German
    Pages: XVI, 590 Seiten , Illustrationen, Notenbeispiele
    Edition: 10. überarbeitete Auflage
    Series Statement: SPL 1032D
    Series Statement: SPL
    RVK:
    Keywords: Musiklehre ; Improvisation ; Jazz ; Harmonik ; Paperback / softback ; Jazz-Musiker, Musiklehrer, Studenten ; Harmonielehre ; Jazz ; Musik ; Musiklehre ; Musiktheorie ; 1964: Hardcover, Softcover / Sachbücher/Musik, Film, Theater/Jazz, Blues ; Jazz ; Harmonik ; Improvisation ; Musiklehre
    Note: Online Material: Audio, Extra Documents
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  • 77
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190087210
    Language: English
    Pages: 597 Seiten , Illustrationen
    Edition: Third edition
    DDC: 781.6509
    RVK:
    Keywords: Geschichte ; Jazz
    Note: Previous edition: 2011. , Includes bibliographical references and index.
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  • 78
    ISBN: 9781479849697 , 9781479800360
    Language: English
    Pages: 1 Online-Ressource (247 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    RVK:
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 79
    Book
    Book
    Toulouse : Presses universitaires du Midi
    ISBN: 9782810706457
    Language: French
    Pages: 392 Seiten , Illustrationen , 24 cm
    Series Statement: Amphi 7
    DDC: 781
    RVK:
    Keywords: Lyrics ; Soziolinguistik ; Jazz ; Jazz ; Lyrics ; Soziolinguistik
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  • 80
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226768359
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago scholarship online
    RVK:
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Black power ; Weiße ; Aktivismus ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Black power History 20th century ; Music and race History 20th century ; USA ; Großbritannien
    Abstract: 'Tear Down the Walls' sheds light on a significant but overlooked facet of 1960s rock and the Black Power era-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. It focuses on 1968 and 1969, years when the New Left in the US and UK began to combine cultural radicalism and political radicalism.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 81
    ISBN: 9781479806768 , 9781479871032
    Language: English
    Pages: 247 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    RVK:
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Schwarze ; Islam ; Jazz ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
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  • 82
    ISBN: 9783828844414 , 3828844413
    Language: German
    Pages: 152 Seiten , Illustrationen , 21 cm x 14.8 cm
    Series Statement: Dresdner Schriften zur Musik Band 12
    Series Statement: Dresdner Schriften zur Musik
    Parallel Title: Erscheint auch als Jazz/Rock/Pop - Das Dresdner Modell
    DDC: 781.630711432142
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Hochschule für Musik Carl Maria von Weber Dresden ; Musikstudium ; Unterhaltungsmusik ; Geschichte ; Musikhochschule ; Dresden ; Jazz ; Rockmusik ; Popmusik ; Ehemaliger Schüler ; Biografie
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  • 83
    ISBN: 9783355019026 , 335501902X
    Language: German
    Pages: 314 Seiten , Illustrationen, Porträts , 21 cm x 15 cm
    Edition: 1. Auflage
    DDC: 781.660943109
    RVK:
    RVK:
    Keywords: Interview ; Deutschland ; Rockmusik ; Geschichte ; Deutschland ; Deutschland ; Rockmusik ; Geschichte
    Abstract: 16 Musiker mit Wurzeln in der DDR erzählen von ihren Anfängen, ersten Erfolgen und Krisen, von der Zeit vor und nach der Wende
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  • 84
    ISBN: 9781913172305
    Language: English
    Pages: 288 Seiten , Illustrationen, Portraits (teilweise farbig) , 31 cm
    RVK:
    Keywords: Geschichte 1977-1986 ; Popmusik ; Rockmusik ; Musikjournalismus ; Großbritannien ; Popular music / 1971-1980 / History and criticism ; Popular music / 1981-1990 / History and criticism ; Rock music / 1971-1980 / History and criticism ; Rock music / 1981-1990 / History and criticism ; Fan magazines / Great Britain ; Jamming! ; Quelle ; Quelle ; Großbritannien ; Rockmusik ; Popmusik ; Musikjournalismus ; Geschichte 1977-1986
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  • 85
    ISBN: 9783990128947
    Language: English
    Pages: IX, 391 Seiten , Illustrationen , 24 cm
    Series Statement: Jazzforschung 48 (2016)
    Series Statement: Jazzforschung
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    Keywords: Jazz ; Geschichte ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jazz ; Geschichte
    Note: Erweiterte Fassung der Dissertation "The stories of jazz: performing America through its musical history", Dortmund 2014. - Literaturverzeichnis: Seiten 361-391
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  • 86
    ISBN: 9781913172305
    Language: English
    Pages: 288 Seiten , Illustrationen, Portraits (teilweise farbig) , 31 cm
    RVK:
    Keywords: Geschichte 1977-1986 ; Popmusik ; Rockmusik ; Musikjournalismus ; Großbritannien ; Popular music / 1971-1980 / History and criticism ; Popular music / 1981-1990 / History and criticism ; Rock music / 1971-1980 / History and criticism ; Rock music / 1981-1990 / History and criticism ; Fan magazines / Great Britain ; Jamming! ; Quelle ; Großbritannien ; Rockmusik ; Popmusik ; Musikjournalismus ; Geschichte 1977-1986
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  • 87
    ISBN: 9783830992745
    Language: German
    Pages: 1 Online-Ressource (577 Seiten) , Illustrationen
    Series Statement: Musik und Diktatur Band 4
    Series Statement: Musik und Diktatur
    Parallel Title: Erscheint auch als Lipp, Florian, 1980 - Punk und New Wave im letzten Jahrzehnt der DDR
    Dissertation note: Dissertation Universität Hamburg 2019
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: 19./20. Jahrhundert ; 1980-1990 ; 20. Jahrhundert ; Bundesrepublik Deutschland/DDR ; DDR ; Deutschland ; Germany (East) ; Jugendkultur ; Neue Deutsche Welle ; New Wave ; Punk ; Rockmusik ; Subkultur ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Punk ; New wave ; Subkultur ; Jugendpolitik ; Kulturpolitik ; Geschichte 1976-1989 ; Deutschland ; Punk Rock ; New wave ; Geschichte 1976-1989
    Abstract: Auch in der DDR formierte sich zu Beginn der 1980er-Jahre eine Punkszene, die zwar klein, jedoch weder zu übersehen noch zu überhören war. Exponierte Vertreter und Bands dieser Szene wurden von der Mehrheitsgesellschaft abgelehnt, aus dem staatlich organisierten Kulturbetrieb ausgegrenzt und durch den Sicherheitsapparat kriminalisiert. Doch im Gegensatz zu diesen Repressionen gegen die Punkkultur in der ersten Hälfte der 1980er-Jahre vermittelt die zweite Hälfte der Dekade ein anderes Bild: Ehemals verfemte Musiker waren nun im Staatsfunk zu hören, wurden von der Freien Deutschen Jugend (FDJ) gefördert und unter dem Rubrum ›die anderen Bands‹ auf Schallplatte gehandelt. Die Analyse dieses Wandels im zeithistorischen Kontext ist Gegenstand dieses Buches.
    Note: Online resource; title from title screen (viewed May 11, 2021)
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  • 88
    ISBN: 9783955424053
    Language: German
    Pages: 237 Seiten , Illustrationen , 24.4 cm x 21.7 cm
    DDC: 781.650943
    RVK:
    Keywords: Jazz History and criticism ; Aufsatzsammlung ; Deutschland ; Jazz
    Abstract: Die Geschichte des traditionellen Jazz von New Orleans bis Swing und ihre Entstehung in den USA ist in vielen Büchern nachzulesen, aber über die Entwicklung in Deutschland wurde bisher wenig publiziert. R. von Essen und seine Co-Autoren füllen mit "Talkin Hot" diese Lücke. Geografisch werden von Nord nach Süd, von Hamburg über Berlin, Leipzig, Frankfurt bis München Bands, Musiker und Clubs vorgestellt. Die Beiträge bieten ausführliche Informationen über die Aktivitäten von bekannten und unbekannten Bands und Musikern. Dazu kommen ein paar zusätzliche Texte zum traditionellen Jazz im Allgemeinen. Durchgängig finden sich Schwarz-Weiss- und Farbfotos. Keine Diskografie, aber im Text finden sich Hinweise auf Alben und CDs. Im Anhang gibt es ein 30-seitiges Register. Als Ergänzung zu W. Knauer: "Play yourself, man!: Die Geschichte des Jazz in Deutschland", in dem der traditionelle Jazz allerdings nur eine untergeordnete Rolle spielt, empfohlen
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  • 89
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780190087180 , 0190087188 , 9780190087197 , 0190087196
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 016.78165
    RVK:
    Keywords: Jazz Bibliography ; Jazz Discography ; Jazz Analysis, appreciation ; African Americans Music Influence ; Führer ; Wörterbuch ; Jazz
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  • 90
    Online Resource
    Online Resource
    Wien : Hollitzer
    ISBN: 9783990128954
    Language: English
    Pages: 1 Online-Ressource (406 Seiten)
    Series Statement: Jazzforschung 48 (2016)
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Electronic books ; Jazz ; Geschichte
    Note: Description based on publisher supplied metadata and other sources
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  • 91
    ISBN: 9783487160542 , 3487160544
    Language: German
    Pages: 464 Seiten , Illustrationen , 775 g
    Series Statement: Mannheimer Manieren - Musik + Musikforschung - Schriften der Staatlichen Hochschule für Musik und Darstellende Kunst Mannheim Band 10
    RVK:
    Keywords: Valente, Caterina ; Lauth, Wolfgang ; Geschichte 1950-1960 ; Jazz ; Biografie ; Biografie
    Note: Quellen- und Literaturverzeichnis Seite [423]-450
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  • 92
    ISBN: 9781478011224 , 9781478010197 , 1478010193 , 147801122X
    Language: English
    Pages: xiv, 392 Seiten
    Series Statement: Refiguring american music
    Parallel Title: Online version Mahon, Maureen Black diamond queens
    RVK:
    RVK:
    Keywords: Schwarze ; Frau ; Rockmusik ; USA
    Abstract: African American women have played a pivotal part in rock and roll-from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
    Note: Literaturverzeichnis: Seite [349]-373 , Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
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  • 93
    ISBN: 9788862669818
    Language: Italian
    Pages: 221 Seiten , Illustrationen , 21 cm
    DDC: 781
    RVK:
    Keywords: Jazz ; Festival ; Italien
    Note: Includes bibliographical references (page 212)
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  • 94
    ISBN: 9788879756907
    Language: Italian
    Pages: 366 Seiten , Illustrationen , 21 cm
    Series Statement: Antropologia del patrimonio
    DDC: 780
    RVK:
    Keywords: Time in Jazz ; Identität ; Tourismus ; Sardinien ; Jazz ; Tourismus
    Note: Includes bibliographical references (pages 355-366)
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  • 95
    ISBN: 9780813574660
    Language: English
    Pages: vii, 179 Seiten , Illustrationen , 24 cm
    DDC: 330.09
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Jazz ; Musikleben ; Musikproduktion ; New Jersey
    Note: Literaturangaben
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  • 96
    ISBN: 9781350139534 , 9781350034389
    Language: English
    Pages: XI, 289 Seiten
    Edition: Paperback edition
    DDC: 781.660943515
    RVK:
    RVK:
    Keywords: Geschichte 1956-1969 ; Rockmusik ; Rock 'n' Roll ; Deutschland ; Sankt Pauli
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  • 97
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190923389
    Language: English
    Pages: xxvii, 338 Seiten , Illustrationen, Notenbeispiele
    DDC: 788.73165092
    RVK:
    Keywords: Parker, Charlie ; Jazz ; Komposition
    Note: Bibliography Seite 317-323 , Discography Seite 324
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  • 98
    ISBN: 9788862319720
    Language: Italian
    Pages: 335 Seiten , 21 cm
    Edition: I edizione
    DDC: 782
    RVK:
    Keywords: Jazz
    Note: G. Michelone, professor at the Università cattolica of Milan , Includes bibliographical references (pages 329-333) -- Discography: pages 323-328
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  • 99
    ISBN: 9780190847579
    Language: English
    Pages: xix, 380 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Whitehead, Kevin Play the way you feel
    DDC: 791.436
    RVK:
    Keywords: Jazz films History and criticism ; Jazz musicians in motion pictures ; Jazz ; Jazzmusiker ; Film ; Geschichte 1927-2016
    Abstract: "This book-both a narrative and a film directory-surveys and analyzes English-language feature films (and a few shorts and TV shows/movies) made between 1927 and 2016 that tell stories about jazz music, its musicians, its history and culture. Play the Way You Feel looks at jazz movies as a narrative tradition with recurring plot points and story tropes, whose roots and development are traced. It also demonstrates how jazz stories cut across diverse genres-biopic, romance, musical, comedy and science fiction, horror, crime and comeback stories, "race movies" and modernized Shakespeare-even as they constitute a genre of their own. The book is also a directory/checklist of such films, 66 of them with extensive credits, plus dozens more shorter/capsule discussions. Where jazz films are based on literary sources, they are examined, and the nature of their adaptation explored: what gets retained, removed, or invented? What do historical films get right and wrong? How does a film's music, and the style of the filmmaking itself, reinforce or undercut the story?--
    Note: Includes bibliographical references and index , Prologue: The "I got rhythm" of jazz movies 1927 & 1946 -- Duke's day & first features 1929-1940 -- Origin stories 1941-1947 -- Bands of brothers 1941-1948 -- Young men with horns : the jazz biopic's golden age 1950-1959 -- The jazz musician (and fan) as character 1951-1961 -- Independents in black and white 1961-1967 -- Spectacles 1972-1984 -- Suffering artists 1984-1989 -- Young lions & historical fictions 1990-2000 -- The jazz musician (and fan) as character 1959-2016 -- Movies within movies & New Orleans comes back 2008-2019 -- Postscript: Print the legend.
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  • 100
    ISBN: 9781138334748
    Language: English
    Pages: VI, 185 Seiten
    Series Statement: Routledge studies in popular music
    DDC: 782.421660922
    RVK:
    Keywords: Radiohead ; Rockmusik ; Musikalischer Stil
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