Note: Erscheint elfmal jährlich

Note: In kyrill. Schr., russ

Note: Periodizität: unregelmäßig , Index 1/25.1963/81 in: 25.1981; 1/30.1963/88 in: 29/30.1988

Note: Erscheinungsjahr aus dem Vorwort ermittelt , UB Greifswald , Maschinenschrift

Note: Zählung ab 1963 von "Zeitschrift für Kunstwissenschaft" übernommen , Index 1/37.1934/83 in: 38.1984; 38/48.1984/94 in: 48.1994; 49/60.1995/2006 in: 59/60.2005/06; 1/61.1934/2007 in: 62.2008; 62/73 (2008/2019) in: Band 72/73 (2018/2019)

Note: Ab Heft 1 (2023) published on demand als Abonnement , Ersch. 4x jährl. , Index 1/20.1973/92 in: 22.1994 d. zwischenzeitl. Titels

Note: Ab 9.1995 als Schriftenreihe

Note: Teils im Verl. Soroush Press, Tehran [u.a.], erschienen

Note: Erschienen: 1 - 3

Note: Includes bibliographical references and index , Erschienen: 1 - 2

Note: Erschienen: 1 - 2 , Text dt. und poln.

Note: In Fraktur

Note: Erscheinungsjahr aus dem Vorwort ermittelt , Maschinenschrift

Note: Ersch. unregelmäßig , Index 1/109.1839/1984

Note: Aus dem Chines. übers

Note: Ab 9.1995 als Schriftenreihe

Note: Ersch. unregelmäßig , Mikrofilm-Ausg.: München : Bayerische Staatsbibliothek, 1997 , Index 1/109.1839/1984

Note: Ersch. 6x jährl.

Note: Herausgebendes Organ früher: Verband der Schweizerischen Altertumssammlung; Gesellschaft für Schweizerische Kunstgeschichte; bis Band 66 (2009): Schweizerisches Landesmuseum in Zürich , Ersch. vierteljährl. , Index 1/25.1939/68 in: 25.1967/68; 26/46.1969/89 in: 46.1989

Note: Hier auch später erschienene, unveränderte Nachdrucke , Includes bibliographical references and indexes , Erschienen: 1 - 2

Note: Erg. zu: Engelmann, Wilhelm: Daniel Chodowieckis sämmtliche Kupferstiche

Note: Ab 9.1995 als Schriftenreihe

Note: Darin: Chronik des Jahres , 2006 mit Jubiläumszählung 25 , Index 1982/2006 in: 2006

Note: Ausstellungskatalog

Note: Ersch. 6x jährl.

Note: Index 1853/2003 ersch. als Monographie u.d.T.: Anzeiger für Kunde der deutschen Vorzeit, Mitteilungen aus dem Germanischen Nationalmuseum, Anzeiger des Germanischen Nationalmuseums : Register 1853 - 2003 / bearb. von Barbara Rök, 2004

Note: Includes bibliographical references

Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English

Note: Includes bibliographical references and index. - Description based on print version record

Note: Previously issued in print: 2022 , Includes bibliographical references and index

Note: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /

Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Literaturangaben

Note: Rückseite Titelblatt: "The Jews, the Medici and the Ghetto of Florenze. History, identity, Culture, and Segregation', Florence, Uffizi Galleries, Palazzo Pitti October 24, 2023-January 28, 2024"

Note: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index

Note: Bibliographie (Seite 234 - 243)

Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references

Note: Impressum: "Diese Publikation erscheint anlässlich der Ausstellung 'Ernst Ludwig Kirchner - Stationen. Internationale Tage Ingelheim', Kunstforum Ingelheim - Altes Rathaus 30. April-9. Juli 2023"

Note: Frontmatter , Contents , Acknowledgements , Permissions Spider Web, Labyrinth, Tightrope Walk , 1 Introduction: The Network in US American Literature and Culture , 2 Project(ing an) Interconnected America: Nineteenth Century Visions of Material Networks, Transcendental Links, and Alternative Communities , 3 “A Movement Toward Expanded Connectedness” – Networks of Evolution in Pragmatist and Naturalist Literature , 4 Mapping Alternatives: Postwar Networks and the Forking Paths of Knowledge , 5 Recentering the Human: Contemporary Fiction and the Popularization of the Network , 6 Conclusion , Works Cited , Index , Issued also in print , In English

Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index

Note: 2024 fortgesetzt als Online-Ausgabe

Note: Includes bibliographical references and index. - Hier auch später erschienene, unveränderte Nachdrucke

Note: Literaturverzeichnis: Seite 220-223

Note: 2024 fortgesetzt als Online-Ausgabe

Note: Titelzusatz bis 4.1951: Nachrichten aus Kunstwissenschaft, Museumswesen und Denkmalpflege , 2024 fortgesetzt als Online-Ausgabe

Note: Enthält Literaturangaben

Note: Text teilweise englisch, teilweise spanisch , Erscheinungsjahr ermittelt

Note: Enthält Literaturangaben und Index

Note: Literaturverzeichnis Seite 407-421

Note: Literaturverzeichnis Seite 312-360

Note: Title from publisher's bibliographic system (viewed on 29 Jul 2022)