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  • New York [u.a.] : Oxford Univ. Press  (109)
  • New York : Routledge  (108)
  • Jackson : University Press of Mississippi
  • Musicology  (299)
Language
  • 1
    ISBN: 9781032276977 , 9781032258010
    Language: English
    Pages: xvii, 126 Seiten , Illustrationen
    Series Statement: Eye on education book
    DDC: 428.00712
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    Note: Includes bibliographical references.
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  • 2
    ISBN: 9781032412566
    Language: English
    Pages: xii, 768 Seiten , Illustrationen
    Edition: Third edition
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    Keywords: Rap (Music) History and criticism ; Rap (Music) Social aspects ; Hip-hop
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  • 3
    ISBN: 9780367488789 , 9780367488796
    Language: English
    Pages: xiii, 240 Seiten , Illustrationen
    Series Statement: Transnational Studies in Jazz
    Parallel Title: Erscheint auch als
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  • 4
    Online Resource
    Online Resource
    New York : Routledge | Ann Arbor, Michigan : ProQuest
    ISBN: 9781000784671
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Routledge music companions
    DDC: 780.89
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    Keywords: Musikethnologie ; Feldforschung ; Wissenschaftsethik ; Aufsatzsammlung ; Electronic books
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  • 5
    ISBN: 9781003043904 , 9780367490034 , 9780367630355
    Language: English
    Pages: XVII, 349 Seiten , Illustrationen
    Series Statement: Routledge music companions
    Parallel Title: Äquivalent
    DDC: 780.89
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    Keywords: Ethik ; Musikethnologie ; Forschung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Forschung ; Ethik
    Description / Table of Contents: Includes bibliograpical references and index
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  • 6
    ISBN: 9780367724832 , 9780367724849
    Language: English
    Pages: xv, 378 Seiten , 24 cm
    Series Statement: Routledge music bibliographies
    Parallel Title: Erscheint auch als Henry, Clarence Bernard Global jazz
    DDC: 016.78165
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    Keywords: Jazz Bibliography
    Abstract: North America : United States and Canada -- South America/Latin America and Caribbean -- Europe -- Africa and Middle East -- Asia -- Australia, New Zealand, Oceania.
    Abstract: "Global Jazz: A Research and Information Guide is an annotated bibliography that features a broad range of subjects, people, cultures, and geographic regions that focus on interdisciplinary research in jazz studies -- all of which present a body of diverse research of jazz from a global perspective. The selected entries provide a compendium of research on the global impact of Jazz, demonstrating vividly how jazz has expanded and centered in many parts of the world, as well as the ways in which jazz as an African American music tradition has evolved in different social, political, historical, musical, linguistic, and cultural landscapes, as people in other cultures have creatively merged jazz with their own musical traditions to create new and diverse artistic forms. This vast compilation provides evidence for the resourcefulness of adding a new Routledge music bibliography that features bodies of research on the histories, cultures, traditions of jazz beyond borders of the United States. It is comprised of more than 1850 annotated entries about jazz and jazz research from 144 countries, geographic regions and localities"--
    Note: Includes bibliographical references and indexes
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  • 7
    ISBN: 9781496839152
    Language: English
    Pages: xi, 321 Seiten , Illustrationen , 24 cm
    Series Statement: American made music series
    DDC: 780.266
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    Keywords: Rounder Records ; Musiker ; Musikproduktion ; USA Südstaaten
    Abstract: From the 1980s through the early 2000s, a golden era for southern roots music, producer and three-time Grammy winner Scott Billington recorded many of the period's most iconic artists. Working primarily in Louisiana for Boston-based Rounder Records, Billington produced such giants as Irma Thomas, Charlie Rich, Buckwheat Zydeco, Johnny Adams, Bobby Rush, Ruth Brown, Beau Jocque, and Solomon Burke. The loving and sometimes irreverent profiles in Making Tracks reveal the triumphs and frustrations of the recording process, and that obsessive quest to capture a transcendent performance. Billington's long working relationships with the artists give him perspective to present them in their complexity-foibles, failures, and fabled feats-while providing a vivid look at the environs in which their music thrived. He tells about Boozoo Chavis's early days as a musician, jockey, and bartender at his mother's quarter horse track, and Ruth Brown's reign as the most popular star in rhythm and blues, when the challenge of traveling on the "chitlin' circuit" proved the antithesis of the glamour she exuded on stage. In addition, Making Tracks provides a widely accessible study in the craft of recording. Details about the technology and psychology behind the sessions abound. Billington demonstrates varying ways of achieving the mutual goal of a great record. He also introduces the supporting cast of songwriters, musicians, and engineers crucial to the magic in each recording session. Making Tracks sings unforgettably like a "from the vault" discovery.
    Note: Diskographie Seite 281-298
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  • 8
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 1496836022 , 9781496836038 , 9781496836021
    Language: English
    Pages: VIII, 153 Seiten
    DDC: 820.99287096
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    Keywords: Schwarze Frau ; Jazz ; Literatur
    Note: Bibliography Seite 139-145
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  • 9
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496842435
    Language: English
    Pages: 1 Online-Ressource (x, 236 pages) , Illustrations (black and white), music.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 781.62410763
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    Keywords: Franzosen ; Kreolen ; Jazz ; Creoles Music ; History and criticism ; Jazz History and criticism ; Music ; Music ; Louisiana
    Abstract: This work describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 10
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496836076
    Language: English
    Pages: 1 Online-Ressource (viii, 153 pages).
    Series Statement: Mississippi scholarship online
    DDC: 820.99287096
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    Keywords: Schwarze Frau ; Jazz ; Literatur ; English literature Black authors ; History and criticism ; English literature Women authors ; History and criticism ; Jazz in literature ; Women, Black, in literature ; Music and literature
    Abstract: In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse - jilted by the musician and replaced by the drum. Further, the album's cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. This book challenges that image but also defines a counter-tradition within women's writing that involves the reinvention and reclamation of a modern jazz discourse.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 11
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496842428 , 9781496842404
    Language: English
    Pages: x, 236 Seiten , Illustrationen, Notenbeispiele
    Edition: First printing
    Series Statement: American made music series
    DDC: 781.62410763
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    Keywords: Franzosen ; Kreolen ; Jazz ; Louisiana
    Note: Literaturverzeichnis Seite 194-216, selected discography Seite 217-218 , Titelzusatz auf dem Umschlag: French Creole music & the birth of jazz
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  • 12
    ISBN: 9781003165927 , 1003165923 , 9781000555684 , 1000555682 , 9781000555653 , 1000555658
    Language: English
    Pages: 1 Online-Ressource (xiv, 212 Seiten) , Illustrationen
    Series Statement: Transnational studies in jazz
    Parallel Title: Erscheint auch als Tan-Tangbau, Stan BH Jazz in socialist Hà Nội
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    Keywords: Jazz History and criticism 20th century ; Jazz Political aspects ; Jazz musicians Interviews ; Communism and music ; Electronic books ; MUSIC / Genres & Styles / Jazz ; MUSIC / Ethnomusicology ; MUSIC / Genres & Styles / International
    Abstract: Between worlds -- A nascent discography -- Live jazz -- Jazz at the conservatoire -- Music, war and revolution -- Becoming a professional musician -- Vietnam, the Socialist Bloc and jazz -- Hà Nội's jazz scene -- Coda.
    Note: Includes bibliographical references and index
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  • 13
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781496839190
    Language: English
    Pages: 1 Online-Ressource (314 pages)
    Series Statement: American Made Music Ser.
    DDC: 780.266
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    Keywords: Rounder Records ; Musiker ; Musikproduktion ; USA Südstaaten ; Electronic books
    Abstract: A firsthand remembrance of the artists, engineers, crews, and settings that make roots music magical.
    Note: Description based on publisher supplied metadata and other sources
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  • 14
    ISBN: 9781496832108 , 9781496832115
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele , 23 cm
    Edition: First printing
    DDC: 781.6508996073
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    Keywords: Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; USA
    Abstract: In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.
    Note: Literaturangaben
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  • 15
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496831286 , 9781496831293
    Language: English
    Pages: xxiv, 412 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: American made music series
    DDC: 781.64097471
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    Keywords: Geschichte 1940-1990 ; Musikleben ; Latin Music ; New York, NY
    Abstract: New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. In this book, Benjamin Lapidus seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed. Based on archival research, oral histories, interviews, and musicological analysis, Lapidus examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music. Musicians specializing in Spanish Caribbean music in New York cultivated a sound that was grounded in tradition, including classical, jazz, and Spanish Caribbean folkloric music. For the first time, Lapidus studies this sound in detail and in its context. He offers a fresh understanding of how musicians made and formally transmitted Spanish Caribbean popular music in New York City from 1940 to 1990. Without diminishing the historical facts of segregation and racism the musicians experienced, Lapidus treats music as a unifying force. By giving recognition to those musicians who helped bridge the gap between cultural and musical backgrounds, he recognizes the impact of entire ethnic groups who helped change music in New York. The study of these individual musicians through interviews and musical transcriptions helps to characterize the specific and identifiable New York City Latin music aesthetic that has come to be emulated internationally.
    Note: Literaturverzeichnis Seite 383-403
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  • 16
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496837431 , 9781496832221
    Language: English
    Pages: xx, 289 Seiten, 10 ungezählte Seiten Tafeln , Illustrationen , 25 cm
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1950-2020 ; Jazzmusiker ; Jazz musicians / United States / Interviews ; MUSIC / Genres & Styles / Jazz ; MUSIC / History & Criticism ; Jazz musicians ; Amram, David / Interviews ; Blake, Ran / Interviews ; Cranshaw, Bob / Interviews ; Crow, Bill / 1927- / Interviews ; Davis, Charles / 1933-2016 / Interviews ; Hyman, Dick / 1927- / Interviews ; Jordan, Clifford / Interviews ; Kuhn, Steve / Interviews ; Lateef, Yusef / Interviews ; Owens, Jimmy / 1943- / Interviews ; Pizzarelli, Bucky / Interviews ; Ponomarev, Valery / Interviews ; Porcelli, Bob / Interviews ; Rollins, Sonny / Interviews ; Stewart, Sandy / 1937- / Interviews ; Sudhalter, Carol / Interviews ; Terry, Brad / Interviews ; Terry, Clark / Interviews ; Tucker, Mickey / Interviews ; Turre, Steve / Interviews ; Williams, Buster / Interviews ; Amram, David ; Blake, Ran ; Cranshaw, Bob ; Davis, Charles / 1933-2016 ; Hyman, Dick / 1927- ; Kuhn, Steve ; Lateef, Yusef ; Owens, Jimmy / 1943- ; Pizzarelli, Bucky ; Ponomarev, Valery ; Rollins, Sonny ; Terry, Clark ; Tucker, Mickey ; Turre, Steve ; Williams, Buster ; United States ; Interviews ; Interview
    Abstract: "The Jazz Masters: Setting the Record Straight features twenty-one conversations with musicians who have had at least fifty years of professional experience, and several as many as seventy-five. In all, these voices reflect some seventeen hundred years' worth of paying dues. Appealing to casual fans and jazz aficionados alike, these interviews have been carefully, but minimally edited by Peter Zimmerman for sense and clarity, without changing any of the musicians' actual words. Five of the interviewees-Dick Hyman, Jimmy Owens, Sonny Rollins, Clark Terry, and Yusef Lateef-have received the National Endowment for the Arts' prestigious Jazz Masters Fellowship, attesting to their importance and ability. While not official masters, the rest are veteran performers willing to share their experiences and knowledge. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. The musicians interviewed for the book range in age from their early seventies to mid-nineties. Older musicians started their careers during the segregation of the Jim Crow era, while the youngest came up during the struggle for civil rights. All grapple with issues of race, performance, and jazz's rich legacies. In addition to performing, touring, and recording, many have composed and arranged, and others have contributed as teachers, historians, studio musicians, session players, producers, musicians' advocates, authors, columnists, poets, and artists. The interviews in The Jazz Masters are invaluable primary material for scholars and will appeal to musicians inspired by these veterans' stories and their different approaches to music
    Note: Before words -- , A requiem for Cedar -- , Blowin' in from Chicago : Clifford Jordan, Charles Davis, and Bob Cranshaw -- , The big kahunas : Sonny Rollins and Clark Terry -- , Old school : Sandy Stewart, Dick Hyman, and Bucky Pizzarelli -- , On the scene : Bobby Porcelli and Valery Ponomarev -- , The philosophers : David Amram and Ran Blake , Local 802 : Jimmy Owens and Bill Crow -- , Shells and whistles : Brad Terry and Steve Turre -- , The mutual appreciation society : Mickey Tucker and Carol Sudhalter -- , Something more : Steve Kuhn and Buster Williams -- , The gentle giant : Yusef Lateef -- , RIP, 2012-2020
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  • 17
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 18
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496832092
    Language: English
    Pages: 1 Online-Ressource (x, 192 pages) , Illustrations (black and white).
    Series Statement: Mississippi scholarship online
    DDC: 781.6508996073
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    Keywords: Higgins, Billy Criticism and interpretation ; Blanchard, Terence Criticism and interpretation ; Carrington, Terri Lyne Criticism and interpretation ; Akinmusire, Ambrose Criticism and interpretation ; Hill, Andrew Criticism and interpretation ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; African American jazz musicians ; Jazz Political aspects ; USA
    Abstract: This text provides an interpretive framework for understanding how African American creative improvisers think of musical space. Featuring a foreword by eminent scholar Robin D.G. Kelley, this is a critical improvisation studies book that uses Black geographies theory to examine the spatial values of musical expression in the improvisational and compositional practices of trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 19
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496831262
    Language: English
    Pages: 1 Online-Ressource (352 pages) , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
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    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; Punk rock music History and criticism ; Music and race History 20th century ; USA ; United States Race relations 20th century ; History
    Abstract: This text offers a portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. The author provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era.
    Note: Previously issued in print: 2020 , Includes bibliographical references, discography, filmography and index
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  • 20
    ISBN: 9781496837288 , 9781496837271
    Language: English
    Pages: xvii, 232 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64
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    Keywords: Lyrics ; Englisch ; Popmusik ; Lyrik ; Blues ; Blues ; Popmusik ; Lyrics ; Englisch ; Lyrik
    Abstract: Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains.
    Abstract: Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock-biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies-to examine the development of a relatively new literary genre dubbed by the authors as "poetic song verse." They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry.Among the questions asked in Poetic Song Verse are: What, exactly,
    Abstract: is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to marc:recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre
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  • 21
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496825162 , 9781496825155
    Language: English
    Pages: xi, 506 Seiten , Illustrationen
    Series Statement: American made music series
    RVK:
    Keywords: Rollini, Adrian ; Geschichte 1903-1956 ; Jazzmusiker ; USA ; Biografie
    Abstract: "The first and definitive biography of the great bass saxophone jazz man"--
    Note: Bibliography Seite 473-474
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  • 22
    Book
    Book
    New York : Routledge
    ISBN: 1138585483 , 9781138585485 , 1138585491 , 9781138585492
    Language: English
    Pages: X, 257 Seiten , Illustrationen
    Series Statement: Transnational studies in jazz
    DDC: 781.65094
    RVK:
    Keywords: Geschichte 1995- ; Metropole ; Jazz ; Musikalischer Stil ; Identität ; Elektronische Musik ; Europa
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  • 23
    ISBN: 1138295477 , 9781138295476 , 113850386X , 9781138503861
    Language: English
    Pages: XVII, 158 Seiten , Illustrationen
    DDC: 792.025
    RVK:
    Keywords: Konzert ; Gestaltung ; Beleuchtungstechnik
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  • 24
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496825148
    Language: English
    Pages: 1 Online-Ressource (xi, 506 pages) , Illustrations.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    Keywords: Rollini, Adrian ; Rollini, Adrian ; Geschichte 1903-1956 ; Jazzmusiker ; Jazz musicians Biography ; Saxophonists Biography ; Vibraphonists Biography ; Pianists Biography ; USA ; Biografie
    Abstract: Adrian Rollini (1904-1956)was as a child prodigy, playing piano when he was four. This book describes how job opportunities came to him easily at first and that his versatility helped him when they became rare. At the age of 16 he became a professional musician and, in New York, recorded piano rolls. In 1922, at the start of the jazz age, he joined the California Ramblers. He moved to the bass saxophone and gave it its definite place in early jazz. At the top of his fame Rollini became leader of his own band, with a.o. Bix Beiderbecke, Frank Trumbauer, Eddie Lang, and Joe Venuti. It was star-studded but short-lived. In late 1927, he moved to London to join Fred Eizalde's progressive dance band. Back in the USA in 1930, Rollini joined Bert Lown's hotel band, but the bass saxophone was phasing out, so he moved to the vibraphone.
    Note: Previously issued in print: 2019 , Includes bibliographical references and index
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  • 25
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496830609 , 9781496830524
    Language: English
    Pages: 272 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Davis, Betty ; Scott-Heron, Gil ; Khan, Chaka ; Geschichte 1970-1979 ; Soul ; Funk ; Blues ; USA ; Funk (Music) / History and criticism ; Funk (Music) ; Criticism, interpretation, etc ; USA ; Funk ; Blues ; Soul ; Geschichte 1970-1979 ; Khan, Chaka 1953- ; Scott-Heron, Gil 1949-2011 ; Davis, Betty 1945-2022 ; Funk
    Abstract: "Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history"--
    Note: Intro , Groove theory: liner notes on funk aesthetics , Blue funk: the ugly beauty of stank , Sly Stone and the gospel of funk -- , Songbird: Chaka Khan as funk queen , Funky bluesology: Gil Scott-Heron as black organic intellectual , The kinkiness of turquoise: Betty Davis's liberated funk-rock
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  • 26
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496831224 , 9781496831217
    Language: English
    Pages: x, 351 Seiten , Illustrationen, Porträt
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; USA ; Punk rock music / United States / History and criticism ; Music and race / United States / History / 20th century ; Music and race ; Punk rock music ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History
    Note: Literaturverzeichnis Seite 305-321
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  • 27
    ISBN: 9780815353195 , 9780815353188
    Language: English
    Pages: vii, 168 Seiten , Illustrationen, graphische Darstellungen , 26 cm
    Series Statement: Perspectives on music production
    Parallel Title: Erscheint auch als Shelvock, Matthew T Cloud-based music production
    RVK:
    Keywords: Rockmusik ; Cloud Computing ; Musikproduktion ; Synthesizermusik ; Rap (Music) Production and direction ; Cloud computing ; Software synthesizers
    Abstract: Introduction. Cloud-based Music Production (CBMP) -- Understanding Samples, Synthesis, Editing, and Mixing -- Making Music Using CBMP Resources -- The Mix - Conditioning Musical Materials on Records -- Hearing for Your Audience - Beat Production as a Psychoacoustic Art -- Case Studies in CBMP
    Abstract: "Cloud-Based Music Production: Samples, Synthesis, and Hip-Hop presents a discussion on cloud-based music-making procedures and the musical competencies required to make hip-hop beats. By investigating how hip-hop producers make music using cloud-based music production libraries, this book reveals how those services impact music production en masse. Cloud-Based Music Production takes the reader through the creation of hip-hop beats from start to finish - from selecting samples and synthesizer presets to foundational mixing practices - and includes analysis and discussion of how various samples and synthesizers work together within an arrangement. Through case studies and online audio examples, Shelvock explains how music producers directly modify the sonic characteristics of hip-hop sounds to suit their tastes and elucidates the psychoacoustic and perceptual impact of these aesthetically nuanced music production tasks. Cloud-Based Music Production will be of interest to musicians, producers, mixers and engineers and also provides essential supplementary reading for music technology courses
    Note: Includes bibliographical references and index
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  • 28
    Book
    Book
    New York : Routledge
    ISBN: 9781138094505 , 1138094501 , 9781138094512 , 113809451X
    Language: English
    Pages: XX, 328 Seiten
    Series Statement: Focus on world music
    Parallel Title: Online version Hutchinson, Sydney Focus: music of the Caribbean
    DDC: 780.9729
    RVK:
    RVK:
    Keywords: Music / Caribbean Area / History and criticism ; Music / Social aspects / Caribbean Area / History ; Musical instruments / Caribbean Area
    Abstract: "Focus: Music of the Caribbean presents the most important issues of Caribbean musical history and current practice through a non-geographic approach, and discusses thought-provoking questions regarding that history and practice in a user-friendly fashion. It uses current ethnomusicological research on Caribbean music to tell the stories of Caribbean history - those of colonialism and neocolonialism, race and nationalism, marginalization and globalization - and to explore that history's continuing impact on the lives, cultures, musics and dance of modern-day people in the Caribbean and beyond. PART I: Layers of Caribbean musical culture lays the groundwork by setting forth a basic framework for thinking about Caribbean musical history and the roles of race and migration in that history. Part II. Dancing the Caribbean: Music and embodied culture considers how contrasting forms of dance music embody competing ideas about Caribbean identities, past and present. Part III. Focusing in: Musical instruments and meaning looks at one specific Caribbean music genre - merengue típico of the Dominican Cibao region - through a focus on its instruments. There are detailed listening guides to accompanying tracks on a playlist; call-out boxes exploring broader issues affecting contemporary society in classroom discussion and activities; plus additional tools for teachers. Including discussion questions, vocabulary lists, and links to web resources"--
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  • 29
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496819710 , 9781496819703
    Language: English
    Pages: xii, 467 Seiten , Illustrationen, Noten
    Series Statement: American made music series
    Parallel Title: Online version Greek music in America
    RVK:
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    Keywords: Geschichte 1850-2018 ; Einwanderer ; Musik ; Schallaufzeichnung ; USA ; Griechenland ; Aufsatzsammlung
    Abstract: "Despite a substantial artistic legacy, there has never been a book devoted to Greek music in America until now. Those seeking to learn about this vibrant and exciting music were forced to seek out individual essays, often published in obscure or ephemeral sources. This volume provides a singular platform for understanding the scope, practice, and development of Greek music in America through essays and profiles written by principal scholars in the field. Greece developed a rich variety of traditional, popular, and art music that diasporic Greeks brought with them to America. In Greek American communities, music was and continues to be an essential component of most social activities. Music links the past to the present, the distant to the near, and bonds the community with an embrace of memories and narrative. From 1896 to 1942, more than a thousand Greek recordings in many genres were made in the United States, and thousands more have appeared since then. These encompass not only Greek traditional music from all regions, but also emerging urban genres, stylistic changes, and new songs of social commentary. Greek Music in America includes essays on all of these topics as well as history and genre, places and venues, the recording business, and profiles of individual musicians. This book is required reading for anyone who cares about Greek music in America, whether scholar, fan, or performer." -- Provided by publisher
    Note: Literaturangaben und Index , Overview of Greek music in America / Tina Bucuvalas and Stavros K. Frangos -- Musical genre, style, and content -- Growth of liturgical music in the Iakovian Era / Frank Desby -- Greek café music / Roderick Conway Morris -- Amanes: the legacy of the oriental mother / Gail Holst-Warhaft -- Rebetika, the blues of Greece and Australia / Stathis Gauntlett -- George Katsaros: the last café-aman performer / Stavros K. Frangos -- Health to you, Marko, with your bouzouki!: the role of spoken interjection in Greek musicians' imagined performance world in historical recordings made in America and abroad -- Michael G. Kaloyanides -- Turkish music in the Greek American experience -- Joseph G. Graziosi -- Places -- Survival of Greek folk music in New York / Sotirios (Sam) Chianis -- Communities born in song / Anna Caraveli -- Musical practice and memory on the edge of two worlds: Kalymnian Tsambouna and song repertoire in the family of Nikitas Tsimouris / Anna Lomax Wood -- , Alternate resonances: Kalymnian traditions in Tarpon Springs, Florida / Panayotis League -- Delivering the music: recording companies and performance venues -- Greek record making in the early days, 1896-1937 / Dick Spottswood -- Greek music piano rolls in the United States / Meletios Pouliopoulos -- Encountering Greek American soundscapes / Anthony Shay -- Bouzoukis and belly dancers, drinkers and dreamers: a look at Greek nightlife at the crossroads / Nick Pappas -- Profiles -- Giorgos "Nisyrios" Makrigiannis (1875-1933) / Panayotis League -- Madame Koula (circa 1880-1954) / Stavros K. Frangos -- George Dimitrios Grachis (1882-1965) / Sotirios (Sam) Chianis -- Harilaos Piperakis (1888-1978) / Panayotis League -- Marika Papagika (1890-1943) / Stavros K. Frangos -- Theodotos "Tetos" Demetriades (1897-1971) / Stavros K. Frangos -- Amalia Baka (1897-1979) / David Soffa -- Ioannis Halikias, aka Jack Gregory (1898-1957) / Aydin Chaloupka -- , John K. Gianaros (1904-1998) / Stavros K. Frangos -- Pericles Halkias (1909-2005) / Jim Stoynoff -- Steve Zembillas (1923-2002) and the grecophon record company / Stavros K. Frangos -- Nicholas "Nicos" Tseperis (1923-2010) and Nina Records / Meletios Pouliopoulos -- Sotirios (Sam) Chianis (b. 1926) / Tina Bucuvalas -- Ilias Kementzides (1926-2006) / National Endowment for the Arts -- Giannis Tatasopoulos (1928-2001) / Tina Bucuvalas -- Gust J. (Dino) Pappas (1931-1999) / Stavros K. Frangos -- Harilaos Papapostolou (1932-1998) / National Endowment for the Arts -- Kay Skordilis (b. 1936) / Tina Bucuvalas -- Peter Stephen Kyvelos (1943-2017) / Michael G. Kaloyanides -- Trio Bel Canto and Takis Elenis (b. 1948) / Tina Bucuvalas -- George E. Soffos (1953-2013) / Tina Bucuvalas
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  • 30
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496810946
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.2540922
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    RVK:
    RVK:
    Keywords: Gaither, Gloria ; Gaither, Bill ; Gaither, Gloria ; Gaither, Bill ; Gaither Vocal Band ; Geschichte 1991- ; Gospelsong ; Musikpflege ; Gospel musicians Biography ; Gospel music History and criticism
    Abstract: This ethnography examines songwriters Bill and Gloria Gaithers' Homecoming video and concert series. The Homecomings re-present the 'southern gospel' subgenre of gospel music - a musical style popular among white evangelical Christians in the American South and Midwest. The text explores how the Gaithers negotiate the tension between preservation and modification of community norms as they seek simultaneously to maintain and expand their audience, and to initiate and respond to ideological shifts within their fan base's culture. Using data he collected from his immersion in the Homecoming catalogue, his attendance of numerous concerts and tapings, and his extensive conversations with Homecoming fans and the Gaithers themselves, Harper reveals the Homecomings to be a crucible of American religious, racial, sexual and regional identity formation.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 31
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496816061
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 781.65092
    RVK:
    Keywords: Wilson, Gerald ; Wilson, Gerald ; Jazz ; Composers Biography ; Jazz musicians Biography ; Band directors Biography
    Abstract: Jazz great Gerald Wilson (1918-2014), born in Shelby, Mississippi, left a global legacy of paramount significance through his progressive musical ideas and his orchestra's consistent influence on international jazz. Aided greatly by interviews that bring Wilson's voice to the story, this text presents a perspective on what the musician and composer called his 'jazz pilgrimage.'
    Note: Previously issued in print: 2018 , Includes bibliographical references, discography and index
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  • 32
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496813367
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.42164092
    RVK:
    Keywords: Dylan, Bob Criticism and interpretation ; Dylan, Bob ; Popular music History and criticism ; Aufsatzsammlung
    Abstract: This text participates in the creation of the postmillennial Bob Dylan by exploring three central records of the 21st century along with the 2003 film 'Masked and Anonymous', which Dylan helped write and in which he appears as an actor and musical performer. The work does justice to this difficult Bob Dylan by examining his method and effects through a disparate set of viewpoints. Readers will find a variety of critical contexts and cultural perspectives as well as a range of experiences as members of Dylan's audience.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 33
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496821898 , 9781496821881
    Language: English
    Pages: X, 384 Seiten , Notenbeispiele
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/12
    RVK:
    Keywords: Musikalische Analyse ; Jazz ; Musikästhetik ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jazz ; Musikästhetik ; Jazz ; Musikalische Analyse
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  • 34
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496805843
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.00973
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Countrymusic ; Klassische Musik ; Jodeln ; Yodeling History ; Popular music History and criticism ; USA
    Abstract: Considering yodeling as a musical device in American music, this text investigates in parallel two ways of understanding various meanings associated with yodeling: as the connotative functions of yodeling within specific musical texts and as the ideological implications of its use. It aims to provoke a reflection on the concept of singing and received cultural ideas associated with it. Starting with the premise that music is a discursive practice that is itself inseparable from a critical verbal discourse about music, the work interrogates the relationship between yodeling and predominating musical orthodoxy. Through a critical examination of that relationship, the book explores numerous examples of yodeling in American music, questioning why it achieved prominence and status in some genres and not in others and attempting to account for the relatively low prestige accorded to music featuring yodeling.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
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  • 35
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496819826
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    Keywords: Armstrong, Louis Criticism and interpretation ; Armstrong, Louis ; Jazz ; Singen ; Musikalischer Stil ; Jazz History and criticism ; Jazz musicians ; Jazz Analysis, appreciation 1921-1930
    Abstract: Throughout his life, Louis Armstrong tried to explain how singing on the streets of New Orleans with a barbershop quartet was foundational to his musicianship. However, up to now, there has been no in-depth inquiry into what he meant when he said 'I Figure Singing and Playing is the Same,' or 'Singing was more into my blood than the trumpet.' This text shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he meant these comments to be taken literally: he was singing through his horn. To describe the relationship between what Armstrong sang and played the work discusses elements of music theory.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 36
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496812544
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Edition: American edition.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    Keywords: Boom, J. Frank G. ; Gilbert, Will G ; Music journalists Biography ; Blues (Music) History and criticism ; Blues (Music) History and criticism
    Abstract: This work stands as both a remarkable biography of J. Frank G. Boom (1920-1953) and a recovery of his incredible contribution to blues scholarship originally titled 'The Blues'. The text tells how and when the Netherlands was introduced to African American blues music and describes the equally dramatic and peculiar friendship that existed between Boom and jazz critic and musicologist Will Gilbert, who worked for the Kultuurkamer during World War II and had been charged with the task of formulating the Nazi's Jazzverbod, the decree prohibiting the public performance of jazz.
    Note: Translated from the Dutch , This edition previously issued in print: 2017 , Includes bibliographical references, discography and index
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  • 37
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496819758
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    RVK:
    Keywords: Geschichte 1850-2018 ; Einwanderer ; Musik ; Schallaufzeichnung ; Greek Americans Music ; History and criticism ; Folk music History and criticism ; Folk music History and criticism ; Greek Americans Social life and customs ; USA ; Griechenland ; Aufsatzsammlung
    Abstract: 'Greek Music in America' provides a foundation for understanding the scope, practice, and development of Greek music in America through essays by the principal scholars in the field. This text offers a comprehensive view of the subject; despite the richness, diversity, and longevity of Greek music in America, there has been relatively little available on the topic. The volume includes several previously published essays, as well as recent work by contemporary specialists on the Greek diaspora.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 38
    ISBN: 1315408570 , 1315408554 , 1315408562 , 9781315408576 , 9781315408552 , 9781315408569
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Edition: Second edition
    Parallel Title: Erscheint auch als Theory for ethnomusicology
    RVK:
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    Keywords: Ethnomusicology ; Ethnomusicology ; Music Philosophy and aesthetics ; MUSIC / Ethnomusicology ; bisacsh ; Ethnomusicology ; fast ; (OCoLC)fst00916186 ; Electronic books ; Musikethnologie ; Musiksoziologie ; Musikphilosophie
    Abstract: Theory for Ethnomusicology: Histories, Conversations, Insights, Second Edition, is a foundational work for courses in ethnomusicological theory. The book examines key intellectual movements and topic areas in social and cultural theory, and explores the way they have been taken up in ethnomusicological research. New co-author Harris M. Berger and Ruth M. Stone investigate the discipline's past, present, and future, reflecting on contemporary concerns while cataloging significant developments since the publication of the first edition in 2008. A dozen contributors approach a broad range of theoretical topics alive in ethnomusicology. Each chapter examines ethnographic and historical works from within ethnomusicology, showcasing the unique contributions scholars in the field have made to wider, transdisciplinary dialogs, while illuminating the field's relevance and pointing the way toward new horizons of research. New to this edition: Every chapter in the book is completely new, with richer and more comprehensive discussions. New chapters have been added on gender and sexuality, sound and voice studies, performance and critical improvisation studies, and theories of participation. New text boxes and notes make connections among the chapters, emphasizing points of contact and conflict among intellectual movements
    Note: Includes bibliographical references and index
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  • 39
    ISBN: 1138222135 , 9781138222137 , 1138222143 , 9781138222144
    Language: English
    Pages: XI, 242 Seiten
    Edition: Second edition
    DDC: 780.89
    RVK:
    RVK:
    Keywords: Musikethnologie ; Theoriebildung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 40
    Language: English
    RVK:
    Keywords: Musikethnologie ; Aufsatzsammlung
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  • 41
    ISBN: 1496816021 , 9781496817389 , 9781496816023
    Language: English
    Pages: XVII, 189 Seiten , Noten
    Edition: First printing
    Series Statement: American made music series
    DDC: 781.65092
    RVK:
    Keywords: Wilson, Gerald ; Jazz
    Note: Literaturangaben Seite 175-178 und Index
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  • 42
    ISBN: 9781138217881 , 9781138217874
    Language: English
    Pages: xiii, 336 Seiten , Illustrationen, Diagramme, Karten, Notenbeispiele
    DDC: 780.89
    RVK:
    Keywords: Musikethnologie ; Aufsatzsammlung
    Note: Literaturangaben
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  • 43
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496819789 , 9781496819772
    Language: English
    Pages: xiv, 235 Seiten , Notenbeispiele
    Series Statement: American made music series
    Parallel Title: Erscheint auch als Hobson, Vic., author Creating the jazz solo
    RVK:
    Keywords: Armstrong, Louis ; Jazz ; Singen ; Musikalischer Stil
    Note: Bibliography Seite 216-229 , "Portions of Chapter 15 have appeared in a different form in Jazz Perspectives, 10, no. 1, 2017, 97?116.". - Includes bibliographical references and index
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  • 44
    Online Resource
    Online Resource
    New York : Routledge | London : Informa UK Limited
    Show associated volumes/articles
    ISBN: 9781315439167
    Language: English
    Pages: Illustrationen, Diagramme, Karten, Notenbeispiele
    RVK:
    Keywords: Musikethnologie ; Aufsatzsammlung
    Note: Literaturangaben
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  • 45
    ISBN: 1138652466 , 9781138652460
    Language: English
    Pages: x, 307 Seiten
    Edition: First edition
    Series Statement: Routledge music bibliographies
    RVK:
    RVK:
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  • 46
    ISBN: 9781138279889 , 9781138279872
    Language: English
    Pages: xvi, 235 Seiten , Illustrationen , 23 cm
    RVK:
    Keywords: Punk ; Erziehung ; Musik ; Education Philosophy ; Punk culture ; Autonomy (Psychology) ; Liberty ; Aufsatzsammlung
    Note: Literaturangaben
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  • 47
    Book
    Book
    New York : Routledge
    ISBN: 1138231142 , 1138231150 , 9781138231146 , 9781138231153
    Language: English
    Pages: XVI, 269 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Online version Berry, Michael (Musicologist) Listening to rap
    DDC: 782.421649/117
    RVK:
    Keywords: Rap ; Hip-Hop ; Lehrbuch ; Führer ; Führer
    Note: Listening to beats -- Listening to poetry -- Listening to voice -- Listening to influence -- Listening to history -- Listening to commercialization -- Listening to gender and sexuality -- Listening to religion -- Listening to race and ethnicity -- Listening to space -- Listening to regional styles -- Listening to politics
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  • 48
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496807571
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Caribbean studies series
    DDC: 780.820972983
    RVK:
    Keywords: Frau ; Afroamerikanische Musik ; Popular music History and criticism ; Women musicians ; Trinidad
    Abstract: Drawing on ethnographic fieldwork conducted by the author in Trinidad and Tobago, this work demonstrates how the increased access and agency of women through folk and popular musical expressions has improved inter-gender relations and representation of gender in this nation.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
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  • 49
    Book
    Book
    New York : Routledge
    ISBN: 9781138789289
    Language: English
    Pages: XX, 259 Seiten , illustrations , 26 cm
    Edition: First published
    Series Statement: Routledge lobal popular music series
    DDC: 781.6309561
    RVK:
    Keywords: Popular music History and criticism
    Note: Includes bibliographical references and index
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  • 50
    Image
    Image
    Jackson : University Press of Mississippi
    ISBN: 9781496837936 , 9781628462159
    Language: English
    Pages: 169 Seiten , Illustrationen , 29 cm
    Series Statement: American made music series
    Parallel Title: Erscheint auch als Cohen, Ronald D., 1940- author Selling folk music
    DDC: 781.62/13009
    RVK:
    RVK:
    Keywords: Folk music History and criticism ; Popular music History and criticism ; Music trade History ; Sheet music History ; Folk music Pictorial works ; Popular music Pictorial works ; Music trade Pictorial works ; Sheet music Pictorial works
    Abstract: "Selling Folk Music: An Illustrated History highlights commercial sources that reveal the process of how folk music has been packaged and sold to a broad, shifting audience in the United States. Folk music has a varied and complex scope and lineage, including the blues, minstrel tunes, Victorian parlor songs, spirituals and gospel tunes, country and western songs, sea shanties, labor and political songs, calypsos, pop folk, folk-rock, ethnic, bluegrass, and more. The genre is of major importance in the broader spectrum of American music, and it is easy to understand why folk music has been marketed as America's music. Selling Folk Music presents the public face of folk music in the United States through its commercial promotion and presentation through much of the twentieth century. Included are concert flyers; sheet music; book, songbook, magazine, and album covers; concert posters and flyers; and movie lobby cards and posters, all in their original colors. The 1964 hootenanny craze, for example, spawned such items as a candy bar, pinball machine, bath powder, paper dolls, Halloween costumes, and beach towels. The almost five hundred images in Selling Folk Music present a new way to catalog the history of folk music while highlighting the transformative nature of the genre. Following the detailed introduction on the history of folk music, illustrations from commercial products make up the bulk of the work, presenting a colorful, complex history of folk music."-- $c Provided by publisher
    Note: "This book is partially meant to be a visual companion to Ronald D. Cohen, Rainbow Quest: The Folk Music Revival and American Society, 1940-1970 (Amherst: University of Massachusetts Press, 2002) and his Folk Music: The Basics (New York: Routledge, 2006)"--Introduction
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  • 51
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781628462159
    Language: English
    Pages: 169 Seiten , Illustrationen
    Series Statement: American made music series
    DDC: 781.6213009
    RVK:
    Keywords: Folk music ; Musikmarkt ; USA
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  • 52
    Book
    Book
    Jackson : University Press of Mississippi
    Language: English
    Series Statement: American made music series
    RVK:
    Keywords: Jazz African influences
    Note: Includes bibliographical references and index
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  • 53
    ISBN: 9781496806086
    Language: English
    Pages: 285 Seiten , Illustrationen, Notenbeispiele
    Edition: First printing
    Series Statement: Jazz transatlantic / Gerhard Kubik Volume 2
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Bibliografie
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 54
    ISBN: 9781628462302
    Language: English
    Pages: xxii, 433 Seiten , Illustrationen , 25 cm
    Series Statement: American made music series
    Parallel Title: Erscheint auch als Kubik, Gerhard, 1934- author Jazz transatlantic
    Parallel Title: Erscheint auch als Kubik, Gerhard, 1934 - Jazz Transatlantic ; Volume I: The African Undercurrent in Twentieth-Century Jazz Culture
    Angaben zur Quelle: volume 1
    DDC: 781.6509
    RVK:
    Keywords: Jazz African influences ; Africans Music ; History and criticism ; Jazz musicains
    Abstract: Machine generated contents note: $t Jazz-The Word and Some Other Words -- $t Kikoongo in French-Speaking New Orleans (Early Nineteenth Century) -- $t Vodu-Vaudou-Voodoo-and Jazz's Spirituality -- $t Retention, Resilience, and Reinvention of African Instrumental Techniques in the United States -- $t Ragtime -- $t Jazz Legends, Facts and Fiction -- $t Hoodoo Affecting Jazz and Blues Musicians -- $t Swing -- $t The African Matrix in Jazz Harmonic Practices -- $t Summary and Conclusions -- $t Bibliography
    Note: Includes bibliographical references (pages 387-411) and index
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  • 55
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496810908
    Language: English
    Pages: xi, 315 Seiten
    Edition: First printing
    Series Statement: American made music series
    DDC: 782.2540922
    RVK:
    RVK:
    RVK:
    Keywords: Gaither, Gloria ; Gaither, Bill ; Geschichte 1991- ; Gospelsong ; Musikpflege
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  • 56
    ISBN: 9781496805119
    Language: English
    Pages: XVI, 301 Seiten
    Series Statement: American made music series
    Uniform Title: Boom's Blues : muziek, journalistiek en vriendschap in oorlogstijd
    RVK:
    Note: A recovery of the first book-length study of the blues and the story behind the extraordinary Dutchman who wrote in under Nazi occupation , Bibliography: Seite 288-290 , Song index and discography: Seite 291-301
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  • 57
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496815262
    Language: English
    Pages: X, 222 Seiten
    Edition: First printing 2017
    Series Statement: American made music series
    DDC: 781.640976335
    RVK:
    RVK:
    RVK:
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    Keywords: Geschichte 1990-2017 ; Jazz ; Musikleben ; New Orleans, La.
    Note: Literaturangaben: Seite 195-207
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  • 58
    ISBN: 9781138216228
    Language: English
    Pages: xvii, 412 Seiten , Illustrationen
    Edition: First paperback edition
    DDC: 781.641592
    RVK:
    Keywords: Volksmusik ; Protestsong ; Popmusik ; Protest ; Soziale Bewegung ; Aufsatzsammlung
    Note: Literaturangaben , First published 2013
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  • 59
    ISBN: 9781496813329
    Language: English
    Pages: 196 Seiten
    Series Statement: American made music series
    DDC: 782.42164092
    RVK:
    Keywords: Dylan, Bob ; Aufsatzsammlung
    Note: Literaturverzeichnis Seite 177-184
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  • 60
    ISBN: 9781138062597 , 9781138822382
    Language: English
    Pages: xv, 369 Seiten , Illustrationen, Diagramme
    Series Statement: Routledge studies in popular music 12
    DDC: 781.66
    RVK:
    Keywords: Geschichte ; Heavy Metal ; Musikleben ; Aufsatzsammlung
    Note: Literaturangaben , Originally published: 2016
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  • 61
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781628462302
    Language: English
    Pages: xxii, 433 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Jazz transatlantic / Gerhard Kubik Volume 1
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Bibliografie
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  • 62
    ISBN: 9780815365587
    Language: English
    Pages: XIV, 166 Seiten , Diagramme
    Series Statement: Routledge Studies in Popular Music 5
    DDC: 781.6608664
    RVK:
    Abstract: While the growing field of scholarship on heavy metal music and its subcultures has produced excellent work on the sounds, scenes, and histories of heavy metal around the world, few works have included a study of gender and sexuality. This cutting-edge volume focuses on queer fans, performers, and spaces within the heavy metal sphere, and demonstrates the importance, pervasiveness, and subcultural significance of queerness to the heavy metal ethos. Heavy metal scholarship has until recently focused almost solely on the roles of heterosexual hypermasculinity and hyperfemininity in fans and perf
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  • 63
    ISBN: 9781628462302
    Language: English
    Pages: XXII, 433 Seiten , Illustrationen, Notenbeispiele
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 1
    RVK:
    Keywords: Bibliografie ; Bibliografie ; Bibliografie
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  • 64
    ISBN: 9781496806086
    Language: English
    Pages: 285 Seiten , Illustrationen, Notenbeispiele
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 2
    RVK:
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  • 65
    Book
    Book
    New York : Routledge
    ISBN: 9781138195790 , 1138195790 , 9781138195783 , 1138195782
    Language: English
    Pages: xiii, 195 Seiten , Illustrationen , 24 cm
    Series Statement: Transnational studies in jazz
    DDC: 781.65089/924073
    RVK:
    RVK:
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    Keywords: Juden ; Jazzmusiker ; Ethnische Identität ; USA
    Note: Literaturverzeichnis Seite 173-186
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  • 66
    Book
    Book
    Jackson : University Press of Mississippi
    Show associated volumes/articles
    Language: English
    Series Statement: American made music series
    DDC: 781.6509
    RVK:
    Keywords: Geschichte 1900-2000 ; Jazz African influences ; Jazzmusiker ; Jazz ; Afroamerikanische Musik ; Kulturkontakt ; Afrika ; USA ; USA ; Afrika ; Jazz ; Jazzmusiker ; Afroamerikanische Musik ; Kulturkontakt ; Geschichte 1900-2000
    Note: Includes bibliographical references and index
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  • 67
    ISBN: 9781138224506 , 9781138224513
    Language: English
    Pages: xiii, 193 Seiten , Illustrationen , 23 cm
    Edition: Second edition
    Parallel Title: Erscheint auch als
    DDC: 306.4/842
    RVK:
    Keywords: Music Instruction and study ; Social aspects ; Music Social aspects ; Educational sociology ; Musikerziehung ; Soziologie ; Einführung ; Einführung ; Soziologie ; Musikerziehung
    Note: Includes bibliographical references and index
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  • 68
    ISBN: 9781138101463
    Language: English
    Pages: xxiii, 514 Seiten , Illustrationen, Karten, Notenbeispiele , 26 cm
    Parallel Title: Erscheint auch als Excursions in world music
    Parallel Title: CD-Set Excursions in world music
    DDC: 780.9
    RVK:
    RVK:
    Keywords: World music Analysis, appreciation
    Note: Diskografien und Literaturverzeichnisse jeweils am Ende der einzelnen Kapitel
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  • 69
    ISBN: 9780367229603 , 9781138125087
    Language: English
    Pages: xx, 293 pages
    Series Statement: Routledge research in music 14
    Parallel Title: Erscheint auch als
    DDC: 781.5/99
    RVK:
    Keywords: Kipling, Rudyard ; Kipling, Rudyard ; Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1948-2015 ; Geschichte 1824-1948 ; Musik ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music Burmese influences ; Orientalism in music ; Rezeption ; Vertonung ; Musik ; Musikleben ; Orientalismus ; Burma Songs and music ; History and criticism ; Birma ; Westliche Welt ; Bibliografie ; Bibliografie ; Bibliografie ; Westliche Welt ; Musik ; Rezeption ; Birma ; Orientalismus ; Geschichte 1824-1948 ; Birma ; Musikleben ; Geschichte 1948-2015 ; Kipling, Rudyard 1865-1936 Mandalay ; Vertonung
    Note: Includes bibliographical references and index
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  • 70
    ISBN: 9781496810021
    Language: English
    Pages: viii, 420 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64309/041
    RVK:
    Keywords: Geschichte 1899-1926 ; Blues (Music) History and criticism To 1931 ; Vaudeville History and criticism ; Vaudeville ; Blues ; Schwarze ; USA ; USA ; USA ; Schwarze ; Blues ; Vaudeville ; Geschichte 1899-1926
    Abstract: In this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music, authoritatively connecting the black vaudeville movement with the explosion of blues that followed. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America's favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Black vaudeville theaters provided a safe haven where coon songs could be rehabilitated. Dynamic interaction between the performers and their audience unleashed creative energies that accelerated the development of the blues. The first blues star of black vaudeville was Butler "String Beans" May, a blackface comedian, pianist, singer, and dancer from Montgomery, Alabama.
    Abstract: Before his senseless death in 1917, he was recognized as the "blues master piano player of the world." His legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the Race recording era. While male blues singers remained tethered to the role of blackface comedian, female "coon shouters" acquired a more digni ed aura in the emergent persona of the "blues queen." Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, including forgotten blues heroine Ora Criswell and her protégé Trixie Smith, recon gured the use of blackface for their own subversive purposes. In 1921 black vaudeville was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collusion with the emergent Race recording industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell.
    Abstract: While the 1920s was the most celebrated and remunerative period of vaudeville blues, the previous decade was arguably the most creative, having witnessed the emergence, popularization, and early development of the original blues in southern theaters--Publisher description
    Note: Includes bibliographical references and index
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  • 71
    Online Resource
    Online Resource
    New York : Routledge | London : Informa UK Limited
    Show associated volumes/articles
    Language: English
    RVK:
    Keywords: Musikethnologie ; Aufsatzsammlung
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  • 72
    Book
    Book
    New York : Routledge
    ISBN: 9781138666443 , 9781138688568 , 9781138666436 , 9781138101463
    Language: English
    Pages: xxiii, 514 pages , illustrations , 26 cm
    Edition: Seventh edition
    Additional Information: Ergänzung Excursions in world music New York : Routledge, 2017 978-1-138-68803-2
    Parallel Title: Erscheint auch als Excursions in world music
    DDC: 780.9
    RVK:
    Keywords: World music Analysis, appreciation ; Weltmusik ; Volksmusik ; Musikethnologie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik ; Musikethnologie ; Volksmusik
    Note: Includes bibliographical references, discography (page 490) and index
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  • 73
    ISBN: 9781138887824 , 9781138887817 , 1138887811 , 113888782X
    Language: English
    Pages: xviii, 364 Seiten , Illustrationen , 24 cm
    Series Statement: Transnational studies in jazz
    DDC: 781.6509
    RVK:
    Keywords: Jazz Political aspects 20th century ; History ; Totalitarianism and music ; Jazz History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Totalitarismus ; Internationaler Vergleich
    Abstract: Jazz and fascism : contradictions and ambivalences in the diffusion of jazz music under the Italian fascist dictatorship (1925-1935) / Marilisa Merolla -- Jazz in Moscow after Stalinism / Rüdiger Ritter -- Four spaces four meanings : narrating jazz in late-Stalinist Estonia / Heli Reimann -- Jazz in Poland : totalitarianism, Stalinism, socialist realism / Igor Pietraszewski -- Jazz in socialist Czechoslovakia during the 1950s and 1960s / Wolf-Georg Zaddach -- Trouble with the neighbours : jazz, geopolitics, and Finland's totalitarian shadow / Marcus O'Dair -- Performing the "anti-Spanish" body : jazz and biopolitics in the early Franco regime (1939-1957) / Iván Iglesias -- "The purest essence of jazz" : the appropriation of blues in Spain during Franco's dictatorship / Joseph Pedro -- Jazz and the Portuguese dictatorship before and after WWII : from moral panic to suspicious acceptance / Pedro Roxo -- A kind of "in-between" : jazz and politics in Portugal (1958-1974) / Pedro Cravinho -- A climbing vine through concrete : jazz in 1960s Apartheid South Africa / Jonathan -- "Fanfare for the warriors" : jazz, education, and state control in 1980s South Africa and after / Mark Duby -- From the 'Sultan' to the 'Persian side' : jazz in Iran and Iranian jazz since the 1920s / Gay Breyley -- On the marginality of contemporary jazz in China : the case of Beijing / Adiel Portugali -- Afterword : conclusions / Bruce Johnson
    Abstract: "Jazz and Totalitarianism" examines jazz in a range of regimes that in significant ways may be described as totalitarian, historically covering the period from the Franco regime in Spain beginning in the 1930s to present day Iran and China. The book presents an overview of the two central terms and their development since their contemporaneous appearance in cultural and historiographical discourses in the early twentieth century, comprising fifteen essays written by specialists on particular regimes situated in a wide variety of time periods and places. Interdisciplinary in nature, this compelling work will appeal to students from Music and Jazz Studies to Political Science, Sociology, and Cultural Theory
    Note: Includes bibliographical references (pages 353-354) and index
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  • 74
    ISBN: 9781138905023 , 113890502X
    Language: English
    Pages: X, 264 Seiten , 24 cm
    Series Statement: Routledge research in music 12
    DDC: 782.1
    RVK:
    RVK:
    Keywords: Oper ; Multikulturelle Gesellschaft ; Juden ; Aufsatzsammlung
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  • 75
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496823434 , 9781496807533
    Language: English
    Pages: ix, 219 Seiten , Illustrationen
    Series Statement: Caribbean studies series
    Parallel Title: Erscheint auch als
    DDC: 780.820972983
    RVK:
    Keywords: Frau ; Afroamerikanische Musik ; Trinidad
    Note: Literaturverzeichnis: Seite 203-215
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  • 76
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496807786 , 9781617039911
    Language: English
    Pages: x, 168 Seiten , Notenbeispiele
    DDC: 781.653
    RVK:
    RVK:
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    Keywords: Geschichte ; Blues ; Jazz ; Entstehung ; New Orleans, La.
    Note: Bibliography Seite 155-162 , First printing: 2014
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  • 77
    ISBN: 9781628462203 , 9781496803740
    Language: English
    Pages: VI, 425 Seiten , Illustrationen, Notenbeispiele
    Series Statement: American made music series
    DDC: 780.973
    RVK:
    Keywords: Multikulturelle Gesellschaft ; Musik ; Ethnische Identität ; USA ; Aufsatzsammlung
    Note: Literaturangaben
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  • 78
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496805805
    Language: English
    Pages: viii, 272 Seiten
    Edition: First printing
    Series Statement: American made music series
    Parallel Title: Online version Wise, Timothy E., author Yodeling and meaning in American music
    DDC: 782.00973
    RVK:
    Keywords: Popular music History and criticism ; United States ; Yodeling ; Country music History and criticism ; Mountain people in popular culture ; Cowboys in popular culture ; Humor in music ; Country music ; Cowboys in popular culture ; Humor in music ; Mountain people in popular culture ; Popular music ; Yodeling United States ; USA ; Jodeln ; Geschichte
    Abstract: Timothy E. Wise presents the first book to focus specifically on the musical content of yodeling in our culture. He shows that yodeling serves an aesthetic function in musical texts. A series of chronological chapters analyzes this musical tradition from its earliest appearances in Europe to its incorporation into a range of American genres and beyond. Wise posits the reasons for yodeling's changing status in our music. How and why was yodeling introduced into professional music making in the first place? What purposes has it served in musical texts? Why was it expunged from classical music? Why did it attach to some popular music genres and not others? Why does yodeling now appear principally at the margins of mainstream tastes?
    Note: Includes bibliographical references (pages 233-245) and index , 1.Classifying Yodeled Effects in Popular Music Yodel Species , 2.Yodel Sign and Yodel Idea in Nineteenth-Century Art Music , 3.Yodeling in Nineteenth-Century Vocal Music , 4.Americanizing the Yodel , 5.Jimmie Rodgers and the Hillbilly Yodel , 6.Cowboys and Yodeling , 7.The Vicissitudes of a Musical Sign How the Yodel Became a Joke
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  • 79
    ISBN: 9781317249245
    Language: English
    Pages: 1 Online-Ressource (XIII, 166 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Popular music History and criticism ; Love songs History and criticism ; Emotions in music ; Liebeslied ; Gefühlsempfindung ; Popmusik ; Popmusik ; Liebeslied ; Gefühlsempfindung
    Note: "First published 2011 by Paradigm Publishers.Published 2016 by Routledge"
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  • 80
    ISBN: 9781138821767
    Language: English
    Pages: viii, 300 Seiten
    Series Statement: Routledge studies in popular music 11
    DDC: 781.6609
    RVK:
    Keywords: Popmusik ; Aufsatzsammlung
    Note: Literaturangaben
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  • 81
    ISBN: 9781496804914 , 9781496805058
    Language: English
    Pages: xviii, 280 Seiten , Diagramme
    Series Statement: American made music series
    DDC: 781.642081
    RVK:
    Keywords: Country-Musiker ; Country-Musikerin ; Geschlechterrolle ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Selected bibliography Seite 255-266
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  • 82
    ISBN: 9781138822382
    Language: English
    Pages: xv, 369 Seiten , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Routledge studies in popular music 12
    Series Statement: Routledge studies in popular music
    DDC: 781.66
    RVK:
    Keywords: Heavy metal (Music) History and criticism ; Music Social aspects
    Abstract: Introduction : global metal music and culture and metal studies / Andy R. Brown, Karl Spracklen, Keith Kahn-Harris and Niall W.R. Scott -- Reflections on metal studies / Deena Weinstein -- Iron and steel : forging heavy metal's song structures or the impact of black sabbath and judas priest on metal's musical language / Dietmar Elflein -- 'It's like a Mach piece, really' : critiquing the neo-classical aesthetic of 80s heavy metal music / Gareth Heritage -- The distortion paradox : analysing contemporary metal production / Mark Mynett -- Voracious souls : race and place in the formation of the San Francisco Bay Area thrash scene / Kevin Fellezs -- The unforgiven : a reception study of Metallica fans and 'sell-out' accusations / Eric Smialek -- Use your mind? : embodiments of protest, transgression and grotesque realism in British grindcore / Gabby Riches -- The numbers of the beast : surveying Iron Maiden's global tribe / Jean-Philippe Ury-Petesch -- The social characteristics of the contemporary metalhead : the Hellfest survey / Christophe Guibert and Gérôme Guibert -- Un(su)stained class? Figuring out the identity-politics of heavy metal's class demographics / Andy R. Brown -- Tunes from the land of the thousand lakes : early years of internationalization in Finnish heavy metal / Toni-Matti Karjalainen and Eero Sipilä -- Death symbolism in metal jewellery : circuits of consumption from subculture to the high street / Claire Barratt -- 'Getting my soul back' : empowerment narratives and identities among women in extreme metal in North Carolina / Jamie E. Patterson -- Gender and power in the death metal scene : a social exchange perspective / Sonia Vasan -- Masculine pleasure? Women's encounters with hard rock and metal music / Rosemary Lucy Hill -- Retro rock and heavy history / Simon Poole -- Transforming detail into myth : indescribable experience and mystical discourse in drone metal / Owen Coggins -- The future of metal is bright and Hell Bent for genre destruction : a response to Keith Kahn-Harris / Tom O'Boyle and Niall Scott -- A reply to Scott and O'boyle / Keith Kahn-Harris
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  • 83
    ISBN: 9781138916494
    Language: English
    Pages: x, 300 Seiten , Illustrationen
    Series Statement: Routledge studies in popular music 13
    DDC: 781.6408352
    RVK:
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 84
    ISBN: 9781317587255 , 1317587251 , 9781315742816 , 1315742810 , 9781317587248 , 1317587243 , 9781317587231 , 1317587235 , 9781138062597 , 1138062596
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Routledge studies in popular music
    DDC: 781.66
    RVK:
    Keywords: Geschichte ; Heavy Metal ; Musikleben ; Heavy metal (Music) History and criticism ; Music Social aspects ; Aufsatzsammlung ; Electronic books ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philosophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom metal, Death metal, and Progressive metal. They interrogate production technologies, sound engineering, album artwork and band promotion, logos and merchandising, t-shirt and jewellery design, and fan communities that define the global metal music economy and subcultural scene. The volume explores how the new academic discipline of metal studies was formed, also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, and sociology, as well as those interested in metal communities around the world
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 85
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 1496805801 , 9781496805805
    Language: English
    Pages: VIII, 251 Seiten , Notenbeispiele , 24 cm
    Series Statement: American made music series
    Parallel Title: Online version Wise, Timothy E. Yodeling and meaning in American music.
    DDC: 782.00973
    RVK:
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    Keywords: Geschichte ; Unterhaltungsmusik ; Countrymusic ; Klassische Musik ; Jodeln ; USA
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  • 86
    Book
    Book
    New York : Routledge
    ISBN: 0415741920 , 9780415741927 , 0415741939 , 9780415741934
    Language: English
    Pages: xvi, 174 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Focus on World Music
    DDC: 781.62/9163
    RVK:
    Keywords: Volksmusik ; Schottland
    Note: Literaturverzeichnis Seite159-167
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  • 87
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496823434 , 9781496807533
    Language: English
    Pages: ix, 219 Seiten , Illustrationen
    Edition: First printing
    Series Statement: Caribbean studies series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Afroamerikanische Musik ; Frau ; Trinidad ; Women musicians / Trinidad and Tobago ; Popular music / History and criticism / Trinidad and Tobago ; Trinidad ; Frau ; Afroamerikanische Musik
    Abstract: Drawing on ethnographic fieldwork conducted by the author in Trinidad and Tobago, this work demonstrates how the increased access and agency of women through folk and popular musical expressions has improved inter-gender relations and representation of gender in this nation
    Description / Table of Contents: Cover -- Contents -- Acknowledgments -- Introduction -- 1 Woman Is Boss: Music and Gender in Trinidad's Cultural History -- 2 Woman Rising: Women Find Their Place in Calypso Music -- 3 From Calypso Queen to Calypso Monarch -- 4 Carnival Is Woman: Party Music and the Soca Diva -- 5 Pan Rising: Women and the Steelband Movement -- Conclusions -- Notes -- Glossary -- Bibliography -- Index
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  • 88
    ISBN: 9781496804914 , 9781496805058 , 9781496804921
    Language: English
    Pages: xviii, 280 Seiten , Diagramme, Notenbeispiele , 24 cm
    Edition: First printing
    Series Statement: American made music series
    Parallel Title: Online version Country boys and redneck women
    DDC: 781.642081
    RVK:
    Keywords: Country music History and criticism ; Country musicians United States ; Women country musicians United States ; Sex role in music ; Country music History and criticism ; Country musicians ; Women country musicians ; Sex role in music ; Country-Musiker ; Country-Musikerin ; Geschlechterrolle
    Abstract: Why "Ladies love country boys" : gender, class, and economics in contemporary country music / Jocelyn R. Neal -- "Hey! If I should grab ya" : "college country" and the ruralization of Urban Brazil / Alexander S. Dent -- Act naturally : Charley Pride, autobiography, and the "accidental career" / Matthew D. Sutton -- Holding on to country : musical moorings for desired masculinities in Aboriginal Australia / êAse Ottosson -- Taylor Swift's "pitch problem" and the place of adolescent girls in country music / Travis Stimeling -- Gender and the Nashville songwriter : three songs by Victoria Banks / Chris Wilson -- As if they were going places : class and gender portrayals through country music in the Texas State Prison, 1938-1944 / Caroline Gnagy -- Negotiating gender, race, and class in post-civil rights country music : how Linda Martell and Jeannie C. Riley stormed the plantation / Diane Pecknold -- Remarkable women and ordinary gals : performance of identity in songs by Loretta Lynn and Dolly Parton / Kate Heidemann -- "Backwoods Barbie" : Dolly Parton's gender performance / Leigh H. Edwards -- Kitty Wells, queen of denial / Georgia Christgau -- Gender deviance and class rebellion in "Redneck woman" / Nadine Hubbs
    Note: Includes bibliographical references and index
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  • 89
    ISBN: 9780203664544
    Language: English
    Pages: 1 Online-Ressource (XIII, 249 Seiten)
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als Made in Brazil
    DDC: 781.640981
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    Keywords: Popular music History and criticism
    URL: Cover
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  • 90
    ISBN: 9781628461459
    Language: English
    Pages: XI, 383 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    DDC: 781.62/410763
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    Keywords: Geschichte ; Alltag, Brauchtum ; Geschichte ; Gesellschaft ; Difference (Philosophy) in music ; Cajun music History and criticism ; Folk music History and criticism ; Zydeco music History and criticism ; Popular music Social aspects ; History ; Cajuns Social life and customs ; Musikleben ; Musiksoziologie ; Differenz ; Zydeco ; Cajun-Music ; Kreolen ; Louisiana ; Louisiana ; Kreolen ; Cajun-Music ; Zydeco ; Musikleben ; Differenz ; Musiksoziologie ; Geschichte
    Description / Table of Contents: Includes bibliographical references and index
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  • 91
    ISBN: 9781138780675 , 9781138780682
    Language: English
    Pages: 153 Seiten
    DDC: 781.64
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  • 92
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781628461947 , 9781628461954
    Language: English
    Pages: XIV, 202 Seiten , Illustrationen, Notenbeispiele
    Series Statement: American made music series
    DDC: 788.9/2165092
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    Keywords: Davis, Miles ; Davis, Miles ; Jazz History and criticism ; Jazz musicians ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1971-1980 ; USA ; Davis, Miles 1926-1991 Bitches Brew
    Note: Includes bibliographical references and index
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  • 93
    Book
    Book
    New York [u.a.] : Oxford Univ. Press
    ISBN: 9780199357574
    Language: English
    Pages: XIII, 315 S.
    DDC: 782.42
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    Keywords: Geschichte ; Love songs History and criticism ; Liebeslied ; Liebeslied ; Geschichte
    Note: Includes bibliographical references and index
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  • 94
    ISBN: 9781138936973 , 9780415506397
    Language: English
    Pages: vi, 233 Seiten
    Edition: First issued in paperback
    Series Statement: Routledge studies in popular music 1
    Series Statement: Routledge studies in popular music
    DDC: 781.64
    RVK:
    Keywords: Konferenzschrift 2010 ; Konferenzschrift 2010
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  • 95
    ISBN: 9781138780620 , 9781138780637
    Language: English
    Pages: XII, 250 Seiten , Illustrationen
    Edition: First published
    Series Statement: Transnational studies in jazz
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/8425
    RVK:
    Keywords: Gesellschaft ; Jazz / History and criticism ; Jazz / Social aspects
    Note: Includes bibliographical references and index
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  • 96
    ISBN: 1138787760 , 9781138787766
    Language: English
    Pages: IX, 128 Seiten , Illustrationen , 25 cm
    RVK:
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    Keywords: Gesellschaft ; Cultural policy ; Music and state ; Popular music / Social aspects ; Popular music / History and criticism ; Popular music ; Criticism, interpretation, etc
    Note: Eight articles explore the cultural values placed on popular music in various specific locales, and the role of popular music in the formation and debating of policy. With an introduction and index. A few plates
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  • 97
    Online Resource
    Online Resource
    New York : Routledge | [London] : Taylor & Francis
    ISBN: 9780203736319
    Language: English
    Pages: 1 Online-Ressource (xvi, 386 Seiten)
    Series Statement: Taylor & Francis eBooks
    DDC: 306.484
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    Keywords: Musiksoziologie ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 98
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781626745346
    Language: English
    Pages: 1 Online-Ressource (xic, 304 Seiten, 32 ungezählte Seiten) , Illustrationen (teilweise farbig), Notenbeispiele
    Edition: First printing
    Series Statement: American made music series
    DDC: 782.42162/96073
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    Keywords: Sklaverei ; Musik ; Songbook ; USA
    Abstract: The untold story behind the creation of the classic songbook Slave Songs of the United States.
    Note: Literaturverzeichnis: Seite 297-300 , Description based on publisher supplied metadata and other sources
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  • 99
    Book
    Book
    New York [u.a.] : Oxford Univ. Press
    ISBN: 9780199859115 , 9780199859122 , 9780199859139 , 9780199859146 , 9780199316694
    Language: English
    Pages: XX, 598 S , Ill
    Edition: Fourth edition
    DDC: 781.63
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    Keywords: Popular music History and criticism
    Abstract: Themes and streams of American popular music -- "After the ball" : popular music of the nineteenth and early twentieth centuries -- "Catching as the small-pox" : social dance and jazz, 1917-1935 -- "I got rhythm" : the golden age of Tin Pan Alley song, 1920s and 1930s -- "St. Louis blues" : race records and hillbilly music, 1920s and 1930s -- "In the mood" : the swing era, 1935-1945 -- "Choo choo ch' boogie" : the postwar era, 1946-1954 -- "Rock around the clock" : rock 'n' roll, 1954-1959 -- "Good vibrations" : American pop and the British invasion, 1960s -- "Blowin' in the wind" : country, soul, urban folk, and the rise of rock, 1960s -- The 1970s : rock music, disco, and the popular mainstream -- Outsiders' music : progressive country, reggae, salsa, punk, funk, and rap, 1970s -- The 1980s : digital technology, MTV, and the popular mainstream -- "Smells like teen spirit" : hip-hop, "alternative" music, and the entertainment business -- Conclusion
    Description / Table of Contents: Themes and streams of American popular music"After the ball" : popular music of the nineteenth and early twentieth centuries -- "Catching as the small-pox" : social dance and jazz, 1917-1935 -- "I got rhythm" : the golden age of Tin Pan Alley song, 1920s and 1930s -- "St. Louis blues" : race records and hillbilly music, 1920s and 1930s -- "In the mood" : the swing era, 1935-1945 -- "Choo choo ch' boogie" : the postwar era, 1946-1954 -- "Rock around the clock" : rock 'n' roll, 1954-1959 -- "Good vibrations" : American pop and the British invasion, 1960s -- "Blowin' in the wind" : country, soul, urban folk, and the rise of rock, 1960s -- The 1970s : rock music, disco, and the popular mainstream -- Outsiders' music : progressive country, reggae, salsa, punk, funk, and rap, 1970s -- The 1980s : digital technology, MTV, and the popular mainstream -- "Smells like teen spirit" : hip-hop, "alternative" music, and the entertainment business -- Conclusion.
    Description / Table of Contents: popular music of the nineteenth and early twentieth centuries -- "Catching as the small-pox" : social dance and jazz, 1917-1935 -- "I got rhythm" : the golden age of Tin Pan Alley song, 1920s and 1930s -- "St. Louis blues" : race records and hillbilly music, 1920s and 1930s -- "In the mood" : the swing era, 1935-1945 -- "Choo choo ch' boogie" : the postwar era, 1946-1954 -- "Rock around the clock" : rock 'n' roll, 1954-1959 -- "Good vibrations" : American pop and the British invasion, 1960s -- "Blowin' in the wind" : country, soul, urban folk, and the rise of rock, 1960s -- The 1970s : rock music, disco, and the popular mainstream -- Outsiders' music : progressive country, reggae, salsa, punk, funk, and rap, 1970s -- The 1980s : digital technology, MTV, and the popular mainstream -- "Smells like teen spirit" : hip-hop, "alternative" music, and the entertainment business -- Conclusion.
    Note: Frühere Copyrights: 2003, 2007, 2010
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  • 100
    ISBN: 9781315850573
    Language: English
    Pages: Online-Ressource (xiii, 223 p.) , ill.
    Series Statement: Routledge contemporary Russia and Eastern Europe series 55
    Parallel Title: Erscheint auch als Gololobov, Ivan Valerʹevič, 1975 - Punk in Russia
    DDC: 305.2350947
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    Keywords: Youth Russia (Federation) ; Subculture Russia (Federation) ; Punk culture Russia (Federation) ; Electronic books ; Youth ; Subculture ; Punk culture ; Aufsatzsammlung ; Aufsatzsammlung ; Russland ; Punk
    Abstract: 1. Punk, but not as we know it : rethinking punk from a post-socialist perspective / Hilary Pilkington -- 2. The evolution of punk in Russia / Ivan Gololobov and Yngvar B. Steinholt -- 3. St Petersburg : big city : small scenes / Yngvar B. Steinholt, Ivan Gololobov and Hilary Pilkington -- 4. Krasnodar : perpendicular culture in the biggest village on Earth / Ivan Gololobov -- 5. Vorkuta : a live scene in a 'rotting city' / Hilary Pilkington -- 6. Conclusion / Hilary Pilkington, Ivan Gololobov and Yngvar B. Steinholt
    Abstract: "Punk culture is currently having a revival worldwide, and is poised to grow even more as youth unemployment and youth alienation increase in many countries of the world. In Russia, its power to have an impact and to shock is well illustrated by the girl punk band Pussy Riot. This book, based on extensive original research, examines the nature of punk culture in contemporary Russia. It considers the music and lyrics of classic and new punk bands, explores social media underpinning punk scenes, and reports on interviews and extensive observation in three key Russian cities. It relates punk to wider contemporary culture, and uses the Russian example to discuss generally what constitutes punk subculture"--
    Abstract: "Punk culture is currently having a revival worldwide, and is poised to grow even more as youth unemployment and youth alienation increase in many countries. In Russia, its power to have an impact and to shock is well illustrated by the girl punk band Pussy Riot. This book, based on extensive original research, examines the nature of punk culture in contemporary Russia, considering the music and lyrics of classic and new punk bands, exploring social media, and reporting on interviews and extensive observation in three key Russian cities. It relates punk to wider contemporary culture, and uses the Russian example to discuss generally what constitutes punk subculture"--
    Note: Includes bibliographical references and index
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