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  • 1
    Book
    Book
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780190932633 , 9780190932640
    Language: English
    Pages: xi, 285 Seiten , Illustrationen
    Series Statement: Critical conjunctures in music sound
    Parallel Title: Erscheint auch als Audible infrastructures
    Parallel Title: Erscheint auch als Audible infrastructures
    DDC: 780.28
    RVK:
    RVK:
    Keywords: Music Social aspects ; Music trade Social aspects ; Music Environmental aspects ; Music and technology ; Aufsatzsammlung ; Sound ; Musikproduktion ; Musikerlebnis ; Musiksoziologie
    Abstract: "Music is typically encountered as a cultural surface. Songs emanate instantaneously and almost magically from our computers and phones. Tools for playing and making music, such as recordings and guitars, wait for us in stores, ready for purchase with no assembly required. And when we're done with this stuff, we can kick it to the curb, where it disappears effortlessly and without a trace. Day-to-day musical enjoyment seems so simple, so easy, so automatic. But it isn't. This book digs beneath such surface-level encounters to reveal the infrastructural dimensions of music and listening. It takes nothing for granted about the manufacture, delivery, or disposal of music's material and human bases. These infrastructural phenomena encompass the interrelated material, organizational, and ideological systems that facilitate three main phases in the social life and social death of musical commodities: (1) resources and production, (2) circulation and transmission, (3) failure and waste. The book asks how these three phases influence and respond to aesthetic conventions, material-environmental realities, and political-economic conditions in both industrializing and industrialized parts of the world. Although sawmills, mineshafts, power grids, telecoms networks, transport systems, and junk piles may seem peripheral to musical culture, Audible Infrastructures shows that all these humble things and their ordinary people are actually pivotal to what music is, how it works, and why it matters. Undertaking a concerted archaeology of music's media infrastructures is thus a means of understanding society and of knowing ourselves-and it is a step toward the reorientation of our musical cultures"--
    Note: Includes bibliographical references and index , Inhaltsverzeichnis: Introductions and Orientations. Making Infrastructures Audible : An Introduction / Kyle Devine and Alexandrine Boudreault-Fournier ; Rivers, Gatherings, and Infrastructures / Will Straw ; Making Music, Building Roads : A Reflection on Sound, Materiality, and Social Transformation / Penny Harvey -- Resources and Production. Glittery : Unearthed Histories of Music, Mica, and Work / Alejandra Bronfman ; Timber to Timbre : Fiji Mahogany Plantations and Gibson Guitars / José E. Martínez-Reyes ; The Infrastructure and Environmental Consequences of Live Music / Matt Brennan -- Circulation and Transmission. Street Net and Electronic Music in Cuba / Alexandrine Boudreault-Fournier ; Sonopolis : Activist Infrastructures and Sonic Citizenship in Athens / Tom Western ; Shadows of Black and White : Materialities and Medialities in May Irwin's "Frog Song" / Leslie C. Gay Jr. -- Failure and Waste. Another Side of Shellac : Cultural and Natural Cycles of the Gramophone Disc / Elodie A. Roy ; The Sounds of Zombie Media : Waste and the Sustainable Afterlives of Repurposed Technologies / Lauren Flood ; Electronic Music and the Problem of Electricity / Gavin Steingo.
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York : Routledge | [London] : Taylor & Francis
    ISBN: 9780203736319
    Language: English
    Pages: 1 Online-Ressource (xvi, 386 Seiten)
    Series Statement: Taylor & Francis eBooks
    DDC: 306.484
    RVK:
    RVK:
    Keywords: Musiksoziologie ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Online Resource
    Online Resource
    Hoboken : Taylor and Francis
    ISBN: 9780415855464
    Language: English
    Pages: Online-Ressource (403 p)
    Parallel Title: Print version The Routledge Reader on the Sociology of Music
    DDC: 306.4/842
    Keywords: Electronic books
    Abstract: The Routledge Reader on the Sociology of Music offers the first collection of source readings and new essays on the latest thinking in the sociology of music. Interest in music sociology has increased dramatically over the past decade, yet there is no anthology of essential and introductory readings. The volume includes a comprehensive survey of the field's history, current state and future research directions. It offers six source readings, thirteen popular contemporary essays, and sixteen fresh, new contributions, along with an extended Introduction by the editors. The Routledge Reader on th
    Description / Table of Contents: Cover; Title Page; Copyright Page; Table of Contents; PREFACE; ACKNOWLEDGMENTS; Introduction: Music and the Sociological Imagination- Pasts and Prospects; Section I Source Readings: Forerunners and Founding Figures; Chapter 1 The Origin and Function of Music; Chapter 2 Psychological and Ethnological Studies on Music; Chapter 3 Rational and Social Foundations of Music; Chapter 4 Musical Taste and How it is Formed; Chapter 5 Making Music Together: A Study in Social Relationship; Chapter 6 Sociology of Music; Section II Approaches, Sites, and Debates; A The Music Itself
    Description / Table of Contents: Chapter 7 Music as Social MeaningChapter 8 Music, the Body, and Signifying Practice; Chapter 9 Music and the Sociological Gaze; B Creation; Chapter 10 Ethnography and Interaction; Chapter 11 Performance Perspectives; Chapter 12 Production Perspectives; C Consumption; Chapter 13 Identity: Music, Community, and Self; Chapter 14 Taste as Distinction; Chapter 15 Taste as Performance; Section III Politics, Social Issues, and Musical Cultures; Chapter 16 Resistance and Social Movements; Chapter 17 Gender and Sexuality; Chapter 18 Hip Hop and Race
    Description / Table of Contents: Chapter 19 Cultural Globalization: Pop-Rock and Musical CosmopolitanismChapter 20 Music Criticism and Taste Cultures; Chapter 21 Art Music and Social Class; Chapter 22 Cityscapes; Chapter 23 The Body and Dance; Section IV Industries and Institutions; Chapter 24 Recorded Music; Chapter 25 Live Music; Chapter 26 Cultural Policy and the Creative Industries; Chapter 27 Copyright; Section V Technology and Mediation; Chapter 28 Instruments and Innovation; Chapter 29 Radio; Chapter 30 Music and the Moving Image: A Case Study of Hans Zimmer; Chapter 31 Digitalization; Section VI New Directions
    Description / Table of Contents: Chapter 32 After AdornoChapter 33 Bourdieu and Beyond; Chapter 34 Mediation Theory; Chapter 35 From Signification to Affect; LIST OF CONTRIBUTORS; INDEX
    Note: Description based upon print version of record
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  • 4
    ISBN: 9780415855464 , 9781138856363
    Language: English
    Pages: xvi, 386 Seiten
    Parallel Title: Erscheint auch als
    DDC: 306.484
    RVK:
    Keywords: Musiksoziologie ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben
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