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  • Durham : Duke University Press  (307)
  • USA  (201)
  • Schwarze  (81)
  • SOCIAL SCIENCE / Anthropology / Cultural & Social  (58)
  • Geschichte 1945-2015
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  • 1
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 2
    ISBN: 9781478093718
    Language: English
    Pages: 1 Online-Ressource (568 p.)
    Parallel Title: Erscheint auch als Future/present
    RVK:
    Keywords: Anti-racism History 21st century ; Arts and society History 21st century ; Arts Political aspects 21st century ; History ; ART / American / General ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity.Selected contributors. Dahlak Brathwaite, adrienne maree brown, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu
    Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English
    URL: Cover  (lizenzpflichtig)
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  • 3
    ISBN: 9781478027256
    Language: English
    Pages: 1 online resource (569 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als Future/present
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: ART / American / General ; ART / American / Asian American & Pacific Islander ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: Building on five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism in the art world, FUTURE/PRESENT includes a range of poetry, essays and criticism, visual and performance art, artist manifestos, interviews, and reflections on community practice.
    Abstract: Cover -- Contents -- Introduction / Roberta Uno -- The Call / Jeff Chang -- vestibular mantra (or radical virtuosities for a brave new dance) / taisha paggett -- Part 1 / Cultural Presence: Placekeeping and Belonging -- Introduction / Daniela Alvarez -- Aqui Estoy / Jose Ramirez -- Beauty, Justice, and the Ritual of Performance / Patricia Berne and Nomy Lamm -- An Accumulation of Things That Refuse to Be Discarded / Kiyan Williams -- Counting Coup on the Compartmentalization of Indigenous-Made Rap Music / Talon Bazille Ducheneaux -- Cultural Resiliency in the Face of Crisis: Learning from New Orleans / Carol Bebelle and Carol Zou -- Collectively Directing the Current / Halima Afi Cassells -- The New Eagle Creek Saloon / Sadie Barnette -- Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012-2016 / Guillermo Gómez-Peña -- Building Temples for Tomorrow": Cultural Workers as Construction Crews / Alesia Montgomery -- Invasive Species / Aaron McIntosh -- Sunny and 150 Years of Placekeeping in Little Tokyo / Scott Oshima -- Local Fruit Still Life / Daniel Andres Alcazar -- Stage One: Establishing Community / Garrett McQueen -- Red 40 / Jazmín Urrea -- More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next / Devin Kenny -- Part 2 / Dismantling Borders, Building Bridges: Migration and Diasporas -- Introduction / Sarah Sophia Yanni -- Mano Poderosa / Rosalie López -- A Cosmos of Dis/Joints / Vinhay Keo -- Cross-Border Citizens / Teddy Cruz and Fonna Forman -- Indian Alley, Where Art Is Healing / Pamela J. Peters -- Vessels: A Conversation / Chanice Holmes, Mykia Jovan, Rebecca Mwase, and Mahalia Abéo Tibbs -- Fence / Belise Nishimwe -- A Touch of Otherness / Hayv Kahraman -- Harmattan Haze / Njideka Akunyili Crosby -- Who Is the #EmergingUS? / Jose Antonio Vargas.
    Note: Description based on publisher supplied metadata and other sources
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  • 4
    ISBN: 9781478030027 , 9781478024842
    Language: English
    Pages: 209 Seiten , Illustrationen
    Series Statement: Sign, storage, transmission
    Parallel Title: Erscheint auch als
    DDC: 940.54/7243
    RVK:
    Keywords: HISTORY / Africa / General ; Africans History 20th century ; Archival resources ; Prisoners of war History 20th century ; Archival resources ; Prisoners' songs ; Sound recordings in ethnology ; World War, 1914-1918 Prisoners and prisons, German ; Quelle ; Sprache ; Erster Weltkrieg ; Schallaufzeichnung ; Kriegsgefangenenlager ; Schwarze ; Deutschland ; Deutschland ; Erster Weltkrieg ; Kriegsgefangenenlager ; Schwarze ; Sprache ; Schallaufzeichnung ; Quelle
    Abstract: During World War I, thousands of young African men conscripted to fight for France and Britain were captured and held as prisoners of war in Germany, where their stories and songs were recorded and archived by German linguists. In Knowing by Ear, Anette Hoffmann demonstrates that listening to these acoustic recordings as historical sources, rather than linguistic samples, opens up possibilities for new historical perspectives and the formation of alternate archival practices and knowledge production. She foregrounds the archival presence of individual speakers and positions their recorded voices as responses to their experiences of colonialism, war, and the journey from Africa to Europe. By engaging with the recordings alongside written sources, photographs, and artworks depicting the speakers, Hoffmann personalizes speakers from present-day Senegal, Somalia, Togo, and Congo. Knowing by Ear includes transcriptions of numerous recordings of spoken and sung texts, revealing acoustic archives as significant yet under-researched sources for recovering the historical speaking positions of colonized subjects and listen to the acoustic echo of colonial knowledge production
    Note: Literaturverzeichnis Seite [183]-200
    URL: Cover  (lizenzpflichtig)
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  • 5
    ISBN: 9781478019633 , 9781478016991
    Language: English
    Pages: xi, 186 Seiten , Illustrationen
    Additional Information: Rezensiert in Moreira de Andrade, Thaís [Rezension von: Castañeda, Michelle, 1987-, Disappearing rooms] 2024
    Series Statement: Dissident acts
    Parallel Title: Erscheint auch als Castañeda, Michelle, 1987- Disappearing rooms
    Parallel Title: Erscheint auch als Castañeda, Michelle, - 1987- Disappearing rooms
    Keywords: Emigration and immigration law ; Hispanic Americans Legal status, laws, etc ; Discrimination in justice administration ; Performative (Philosophy) ; SOCIAL SCIENCE / Ethnic Studies / American / Hispanic American Studies ; SOCIAL SCIENCE / Sociology / General ; USA ; Einwanderung ; Zuwanderungsrecht ; Abschiebungshaft ; Kriminalisierung ; Rassismus
    Abstract: "In Disappearing Rooms Michelle Castañeda lays bare the criminalization of race enacted every day in U.S. immigration courts and detention centers. She uses a performance studies perspective to show how the theatrical concept of mise-en-scéne offers new insights about immigration law and the absurdist dynamics of carceral space. Castañeda draws upon her experiences in immigration trials as an interpreter and courtroom companion to analyze the scenography-lighting, staging, framing, gesture, speech, and choreography-of specific rooms within the immigration enforcement system. Castañeda's ethnographies of proceedings in a "removal" office in New York City, a detention center courtroom in Texas, and an asylum office in the Northeast reveal the depersonalizing violence enacted in immigration law through its embodied, ritualistic, and affective components. She shows how the creative practices of detained and disappeared peoples living under acute duress imagine the abolition of detention and borders. Featuring original illustrations by artist-journalist, Molly Crabapple, Disappearing Rooms shines a light into otherwise hidden spaces of law within the contemporary deportation regime. Duke University of Press Scholars of Color First Book Award Recipient"--
    Description / Table of Contents: Removal room : disappearance and the practice of accompaniment -- The prison-courtroom : no-show justice in family detention -- Bring me the room : tragic recognition and the right not to tell your story.
    Note: Includes bibliographical references (159-176) and index
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  • 6
    ISBN: 9781478018735 , 9781478016090
    Language: English
    Pages: lxxxiii, 589 Seiten , Illustrationen
    Series Statement: Latin America in translation/en traducción/em tradução
    Uniform Title: Monte
    Parallel Title: Erscheint auch als Cabrera, Lydia Monte
    Parallel Title: Erscheint auch als Cabrera, Lydia, 1899 - 1991 El monte
    Keywords: Black people Religion ; Santeria ; Black people Folklore ; Traditional medicine ; Magic ; Folklore ; African diaspora ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; HISTORY / Caribbean & West Indies / Cuba ; Cuba Religion ; Kuba ; Schwarze ; Kreolen ; Religion ; Volkskultur
    Abstract: "First published in Cuba in 1954 and appearing here in English for the first time, Lydia Cabrera's El Monte is a foundational and iconic study of Afro-Cuban religious and cultural traditions. Drawing on conversations with elderly Afro-Cuban priests who were one or two generations away from the transatlantic slave trade, Cabrera combines ethnography, history, folklore, literature, and botany to provide a panoramic account of the multifaceted influence of Afro-Atlantic cultures in Cuba. Cabrera details the natural and spiritual landscape of the Cuban monte (forest, wilderness) and discusses hundreds of herbs and the constellations of deities, sacred rights, and knowledge that envelop them. The result is a complex spiritual and medicinal architecture of Afro-Cuban cultures. This new edition of what is often referred to as "the Santería bible" includes a new foreword, introduction, and translator notes. As a seminal work in the study of the African diaspora that has profoundly impacted numerous fields, Cabrera's magnum opus is essential for scholars, activists, and religious devotees of Afro-Cuban traditions alike"--
    Description / Table of Contents: Foreword: The forest as moral document / John F. Szwed and Robert F. Thompson -- Introduction / Isabel Castellanos -- Translator's notes / David Font-Navarrete -- El Monte -- Bilongo -- Oluwa Ewe -- Tribute to the owner of El Monte -- How to prepare a Nganga -- The magical and medicinal treasure of Tata Nfindo -- The Ceiba -- Ukano Bekonsi -- The Royal Palm -- Ukano Mambre -- Botanical encyclopedia (Aba-Zarzaparrilla).
    Note: Includes bibliographical references and index
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  • 7
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478024033
    Language: English
    Pages: 1 Online-Ressource (ix, 174 Seiten)
    Series Statement: Critical Global Health: Evidence, Efficacy, Ethnography
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/61
    Keywords: SOCIAL SCIENCE / Anthropology / Cultural & Social ; Agricultural chemicals Social aspects ; Glyphosate Toxicology ; Herbicides Toxicology ; Medical anthropology ; Medical policy
    Abstract: In Glyphosate and the Swirl Vincanne Adams explores the chemical glyphosate-the active ingredient in Roundup and a pervasive agricultural herbicide-as a predicament of contested science and chemically saturated life. Adams traces the history of glyphosate's invention and its multiple uses as activists, regulators, scientists, clinicians, consumers, and sick people try to determine its safety and harm. Scientific and political debates over glyphosate's toxicity are agitated into a swirl-a condition in which certainty is continually contested, divided, and multiplied. This movement replicates the chemical's movement in soils, foods, bodies, archives, labs, and legislative bodies, settling in some places here and in other places there, its potencies changing and altering what it touches with different scales and kinds of impact. The swirl is both an artifact of academic capitalism, activist tactics, and contested scientific facts and a way to capture the complexity of contemporary life with chemicals
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    ISBN: 9781478024378
    Language: English
    Pages: 1 Online-Ressource (407 p.)
    Series Statement: Critical Global Health: Evidence, Efficacy, Ethnography
    Series Statement: 47
    Keywords: Discrimination in medical care ; Medical anthropology ; Public health Anthropological aspects ; Social medicine ; Medical anthropology ; Social medicine ; Discrimination in medical care ; Public health Anthropological aspects ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; MEDICAL / Public Health
    Abstract: "The radically humanistic essays of Arc of Interference refigure our sense of the real, the ethical, and the political in the face of mounting social and planetary upheavals. Creatively assembled around Arthur Kleinman's medical anthropological arc and eschewing hegemonic modes of intervention, they advance the notion of a care-ful ethnographic praxis of interference. To interfere is to dislodge ideals of naturalness, blast enduring binaries (human-nonhuman, self-other, us-them), and redirect technocratic agendas while summoning relational knowledge and the will to create community. The book's multiple ethnographic arcs of interference provide a vital conceptual toolkit for today's world and a badly needed moral perch to peer toward just horizons. Contributors. Vincanne Adams, João Biehl, Davíd Carrasco, Lawrence Cohen, Jean Comaroff, Robert Desjarlais, Paul Farmer, Marcia Inhorn, Janis H. Jenkins, David S. Jones, Salmaan Keshavjee, Arthur Kleinman, Margaret Lock, Adriana Petryna"--
    Note: Frontmatter , CONTENTS , FOREWORD , INTRODUCTION , PART I Traversing Imperiled Worlds and Envisaging Human Futures , Introduction , 1 Death by Fire: The Problem of Moral Certainty in China’s Tibet , 2 Bringing Up the Bodies: Erasing and Caring for Mexicans in the Mexico-US Borderlands , 3 In the Vast Abrupt: Horizon Work in an Age of Runaway Climate Change , PART II The Category Fallacy and Care amid the Experts , Introduction , 4 Justifying a Lower Standard of Health Care for the World’s Poor: A Call for Decolonizing Global Health , 5 The Moral Economies of Heart Disease and Cardiac Care in India , 6 Intimate and Social Spheres of Mental Illness , PART III Worlds of Biotechnological Promise and the Plasticity of Self and Power , Introduction , 7 A Good Death: The Promise and Threat of Biometric Inclusion for Transgender Women in India , 8 Medical Cosmopolitanism in Moral Worlds: Aspirations and Stratifications in Global Quests for Conception , 9 Environments and Mutable Selves , PART IV Tracing Arts of Living (Or, Anthropologies after Hope Has Departed) , Introduction , 10 Anthropology in a Mode of Dying , 11 Ethnographic Open , 12 Thinking on Borrowed Time . . . About Privileging the Human , AFTERWORD Lessons Learned from the Ethnography of Care , IN MEMORIAM , ACKNOWLEDGMENTS , BIBLIOGRAPHY , CONTRIBUTORS , INDEX , In English
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    URL: Cover  (lizenzpflichtig)
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  • 9
    Image
    Image
    Durham : Duke University Press
    ISBN: 9781478025382 , 9781478020615
    Language: English
    Pages: xii, 267 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive time
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive Time
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive Time
    RVK:
    RVK:
    Keywords: Aesthetics, Black ; Time in literature ; Time and art ; Aesthetics in literature ; Literature Black authors ; Artists, Black ; Authors, Black ; Utopias in literature ; SOCIAL SCIENCE / Black Studies (Global) ; LITERARY CRITICISM / Semiotics & Theory ; Schwarze ; Person of Color ; Kunst ; Zeit
    Abstract: "In Fugitive Time, Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. "Fugitive time" names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release, but instead sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective's Twilight City to Sun Ra's transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression"--
    Description / Table of Contents: Black Beyondness -- Toni Morrison's Anachronic Ease -- Aimé Césaire, Wifredo Lam, and the Aesthetics of Surging Life -- Black Audio's Archival Flight -- Sun Ra, Issa Samb, and the Drapetomaniacal Avant-Garde -- Yvonne Vera, NoViolet Bulawayo, and the Imminence of Dreaming Air -- Fugitive Ether.
    Note: Includes bibliographical references and index
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  • 10
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478027249
    Language: English
    Pages: 1 Online-Ressource (352 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 305.8960071
    RVK:
    Keywords: SOCIAL SCIENCE / Black Studies (Global) ; African diaspora ; Black people Race identity ; Black people Study and teaching ; Human geography ; Ethnologie ; Schwarze ; Schwarze ; Ethnologie
    Abstract: The contributors to The Black Geographic explore the theoretical innovations of Black Geographies scholarship and how it approaches Blackness as historically and spatially situated. In studies that span from Oakland to the Alabama Black Belt to Senegal to Brazil, the contributors draw on ethnography, archival records, digital humanities, literary criticism, and art to show how understanding the spatial dimensions of Black life contributes to a broader understanding of race and space. They examine key sites of inquiry: Black spatial imaginaries, resistance to racial violence, the geographies of racial capitalism, and struggles over urban space. Throughout, the contributors demonstrate that Blackness is itself a situating and place-making force, even as it is shaped by spatial processes and diasporic routes. Whether discussing eighteenth- and nineteenth-century abolitionist print records or migration and surveillance in Niger, this volume demonstrates that Black Geographies is a mode of analyzing Blackness that fundamentally challenges the very foundations of the field of geography and its historical entwinement with colonialism, enslavement, and imperialism. In short, it marks a new step in the evolution of the field.Contributors. Anna Livia Brand, C.N.E. Corbin, Lindsey Dillon, Chiyuma Elliott, Ampson Hagan, Camilla Hawthorne, Matthew Jordan-Miller Kenyatta, Jovan Scott Lewis, Judith Madera, Jordanna Matlon, Solange Muñoz, Diana Negrín, Danielle Purifoy, Sharita Towne
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478027157
    Language: English
    Pages: 1 Online-Ressource (216 pages)
    DDC: 306.76/6308996081
    Keywords: SOCIAL SCIENCE / Anthropology / Cultural & Social ; Gender identity ; Gynecology Psychological aspects ; Gynecology ; Lesbians, Black Medical care ; Sexual minorities, Black Social conditions
    Abstract: In Unseen Flesh Nessette Falu explores how Black lesbians in Brazil define and sustain their well-being and self-worth against persistent racial, sexual, class, and gender-based prejudice. Focusing on the trauma caused by interactions with gynecologists, Falu draws on in-depth ethnographic work among the Black lesbian community to reveal their profoundly negative affective experiences within Brazil's deeply biased medical system. In the face of such entrenched, intersectional intimate violence, Falu's informants actively pursue well-being in ways that channel their struggle for self-worth toward broader goals of social change, self care, and communal action. Demonstrating how the racist and heteronormative underpinnings of gynecology erase Black lesbian subjecthood through mental, emotional, and physical traumas, Falu explores the daily resistance and abolitionist practices of worth-making that claim and sustain Black queer identity and living. Falu rethinks the medicalization of race, sex, and gender in Brazil and elsewhere while offering a new perspective on Black queer life through well-being grounded in relationships, socioeconomic struggles, the erotic, and freedom strivings
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) , In English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 12
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478027232
    Language: English
    Pages: 1 Online-Ressource (264 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.6/97097946
    Keywords: SOCIAL SCIENCE / Anthropology / Cultural & Social ; Community life ; Cultural pluralism ; Intercultural communication ; Minorities ; Muslims Social conditions ; Muslims
    Abstract: From the Black Power movement and state surveillance to Silicon Valley and gentrification, Medina by the Bay examines how multiracial Muslim communities in the San Francisco Bay Area survive and flourish within and against racial capitalist, carceral, and imperial logics. Weaving expansive histories, peoples, and geographies together in an ethnographic screenplay of cinematic scenes, Maryam Kashani demonstrates how sociopolitical forces and geopolitical agendas shape Muslim ways of knowing and being. Throughout, Kashani argues that contemporary Islam emerges from the specificities of the Bay Area, from its landscapes and infrastructures to its Muslim liberal arts college, mosques, and prison courtyards. Theorizing the Medina by the Bay as a microcosm of socioeconomic, demographic, and political transformations in the twentieth- and twenty-first centuries, Kashani resituates Islam as liberatory and abolitionist theory, theology, and praxis for all those engaged in struggle
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 13
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478024002
    Language: English
    Pages: 1 Online-Ressource (256 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 304.2086/942095492
    Keywords: SOCIAL SCIENCE / Anthropology / Cultural & Social ; Human ecology ; River settlements ; Rural poor ; Sand bars
    Abstract: In River Life and the Upspring of Nature Naveeda Khan examines the relationship between nature and culture through the study of the everyday existence of chauras, the people who live on the chars (sandbars) within the Jamuna River in Bangladesh. Nature is a primary force at play within this existence as chauras live itinerantly and in flux with the ever-changing river flows; where land is here today and gone tomorrow, the quality of life itself is intertwined with this mutability. Given this centrality of nature to chaura life, Khan contends that we must think of nature not simply as the physical landscape and the plants and animals that live within it but as that which exists within the social and at the level of cognition, the unconscious, intuition, memory, embodiment, and symbolization. By showing how the alluvial flood plains configure chaura life, Khan shows how nature can both give rise to and inhabit social, political, and spiritual forms of life
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 14
    ISBN: 9781478015895 , 9781478018513
    Language: English
    Pages: xiii, 266 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Corinealdi, Kaysha, 1980 - Panama in black
    DDC: 305.896/07287
    Keywords: Blacks History ; Blacks Social conditions ; Blacks Migrations ; History ; Blacks Race identity ; Blacks Politics and government ; Race discrimination ; HISTORY / Latin America / Central America ; SOCIAL SCIENCE / Black Studies (Global) ; Panama Emigration and immigration ; Social aspects ; Panama Race relations ; Panama ; Schwarze ; Geschichte
    Abstract: "In Panama in Black, Kaysha Corinealdi traces the multigenerational activism of Afro-Caribbean Panamanians as they forged diasporic communities in Panama and the United States throughout the twentieth century. Drawing on a rich array of sources including speeches, yearbooks, photographs, government reports, radio broadcasts, newspaper editorials, and oral histories, Corinealdi presents the Panamanian isthmus as a crucial site in the making of an Afro-diasporic world that linked cities and towns like Colón, Kingston, Panamá, Brooklyn, Bridgetown, and La Boca. In Panama, Afro-Caribbean Panamanians created a diasporic world view of the Caribbean that privileged the potential of Black innovation. Corinealdi maps this innovation by examining the longest running Black newspaper in Central America, the rise of civic associations created to counter policies that stripped Afro-Caribbean Panamanians of citizenship, the creation of scholarship-granting organizations that supported the education of Black students, and the emergence of national conferences and organizations that linked anti-imperialism and Black Liberation. By showing how Afro-Caribbean Panamanians used these methods to navigate anti-Blackness, xenophobia, and white supremacy, Corinealdi offers a new mode of understanding activism, community, and diaspora formation"--
    Note: Includes bibliographical references and index
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  • 15
    ISBN: 9781478022688
    Language: English
    Pages: 1 Online-Ressource (320 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Carmody, Todd, 1979 - Work requirements
    DDC: 361.973
    Keywords: Öffentliche Sozialleistungen ; Randgruppe ; Behinderte Arbeitskräfte ; Rasse ; Arbeit ; Reputation ; Geschichte ; USA ; Public welfare History ; Welfare recipients History ; Work Social aspects ; African Americans Social conditions ; People with disabilities Social conditions ; Minorities Social conditions ; SOCIAL SCIENCE / People with Disabilities ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
    Abstract: Introduction: Signs Taken for Work -- . The Pensioner's Claim -- The Beggar's Case -- The Work of the Image -- Institutional Rhythms -- Coda: Remaking Reciprocity
    Abstract: "Work Requirements reframes the history of work-based social welfare practice as a representational project tasked with shoring up the inherent meaningfulness of work, examining what Todd Carmody calls the "print culture of social welfare" to show how work became an indicator of social deservingness over the late nineteenth and early twentieth centuries. Prior to the emergence of the formal US welfare state, textual projects-from documentary photographs to insurance claims-contributed to the idea that individuals must be engaged in work to deserve social welfare. Progressive charity reformers and advocates of Black industrial education pushed for social welfare reforms to make people with disabilities, poor people, people of color, and incarcerated people into wage-earning citizens. Carmody shows how the bootstrap narrative, Taylorist studies of labor, and nineteenth-century ideas of race and disability fed into a specific ideology about labor-particularly, that someone's willingness to work could be scientifically measured and systematically evaluated-that continues to shape US welfare policy today."
    Note: Includes bibliographical references and index
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  • 16
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478007494 , 9781478006077 , 9781478006749
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: USA ; Human geography
    Abstract: Juan Herrera maps 1960s Chicano Movement activism in the Latinx neighborhood of Fruitvale in Oakland, California, showing how activists there constructed a politics forged through productions of space
    Note: English
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  • 17
    Language: English
    Series Statement: Religious cultures of African and African diaspora people
    Keywords: Trinidad und Tobago ; Schwarze ; Orischa
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  • 18
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478022466
    Language: English
    Pages: 1 Online-Ressource (281 Seiten)
    Series Statement: ANIMA: critical race studies otherwise
    Parallel Title: Erscheint auch als Bow, Leslie, 1962 - Racist love
    DDC: 305.895073
    Keywords: Electronic books ; USA ; Asiaten ; Ethnische Beziehungen ; Rassismus
    Abstract: Leslie Bow traces the ways in which Asian Americans become objects of anxiety and desire, showing how attraction to Asianized objects and images functions as a source of anti-Asian bias and violence.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 19
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478022961
    Language: English
    Pages: 1 Online-Ressource (xviii, 201 Seiten) , Illustrationen, Karten
    Parallel Title: Erscheint auch als
    DDC: 304.209519
    RVK:
    Keywords: SOCIAL SCIENCE / Anthropology / Cultural & Social ; Biodiversity conservation ; Biodiversity conservation ; Ecology ; Ecology ; Human ecology ; Human ecology ; Korean War, 1950-1953 Environmental aspects ; Grenzgebiet ; Feldforschung ; Biodiversität ; Wissenschaft ; Korea ; Korea ; Grenzgebiet ; Biodiversität ; Wissenschaft ; Feldforschung
    Abstract: The Korean Demilitarized Zone (DMZ) has been off-limits to human habitation for nearly seventy years, and in that time, biodiverse forms of life have flourished in and around the DMZ as beneficiaries of an unresolved war. In Making Peace with Nature Eleana J. Kim shows how a closer examination of the DMZ in South Korea reveals that the area's biodiversity is inseparable from scientific practices and geopolitical, capitalist, and ecological dynamics. Drawing on ethnographic fieldwork with ecologists, scientists, and local residents, Kim focuses on irrigation ponds, migratory bird flyways, and land mines in the South Korean DMZ area, demonstrating how human and nonhuman ecologies interact and transform in spaces defined by war and militarization. In so doing, Kim reframes peace away from a human-oriented political or economic peace and toward a more-than-human, biological peace. Such a peace recognizes the reality of war while pointing to potential forms of human and nonhuman relations
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover  (lizenzpflichtig)
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  • 20
    ISBN: 9781478022473 , 1478022477
    Language: English
    Pages: 1 Online-Ressource (xxiv, 294 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 634.9/8096751
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: SOCIAL SCIENCE / Anthropology / Cultural & Social ; Logging ; Logging ; Lumber camps ; Lumber camps Management ; Lumber camps ; Lumbermen Social life and customs ; Männlichkeit ; Holzfäller ; Holzwirtschaft ; Demokratische Republik Kongo ; Demokratische Republik Kongo ; Holzwirtschaft ; Holzfäller ; Männlichkeit
    Abstract: Congolese logging camps are places where mud, rain, fuel smugglers, and village roadblocks slow down multinational timber firms; where workers wage wars against trees while evading company surveillance deep in the forest; where labor compounds trigger disturbing colonial memories; and where blunt racism, logger machismo, and homoerotic desires reproduce violence. In Rainforest Capitalism Thomas Hendriks examines the rowdy world of industrial timber production in the Democratic Republic of the Congo to theorize racialized and gendered power dynamics in capitalist extraction. Drawing on ethnographic fieldwork among Congolese workers and European company managers as well as traders, farmers, smugglers, and barkeepers, Hendriks shows how logging is deeply tied to feelings of existential vulnerability in the face of larger forces, structures, and histories. These feelings, Hendriks contends, reveal a precarious side of power in an environment where companies, workers, and local residents frequently find themselves out of control. An ethnography of complicity, ecstasis, and paranoia, Rainforest Capitalism queers assumptions of corporate strength and opens up new ways to understand the complexities and contradictions of capitalist extraction
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) , In English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
    Language: English
    Series Statement: Religious cultures of African and African diaspora people
    Keywords: Trinidad und Tobago ; Schwarze ; Orischa
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  • 22
    Online Resource
    Online Resource
    Durham : Duke University Press | The Hague : OAPEN FOUNDATION
    ISBN: 9781478007494 , 9781478006077 , 9781478006749
    Language: English
    DDC: 305.86872079466
    Keywords: USA ; Human geography ; social movements ; activism ; place ; race ; Chicano movement ; place-making ; Oakland ; geography ; ethnic studies
    Abstract: Juan Herrera maps 1960s Chicano Movement activism in the Latinx neighborhood of Fruitvale in Oakland, California, showing how activists there constructed a politics forged through productions of space.
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  • 23
    ISBN: 9781478018186 , 9781478015550
    Language: English
    Pages: xiv, 215 Seiten
    Parallel Title: Erscheint auch als Lumba, Allan E. S., 1981- Monetary authorities
    DDC: 330.12/2v
    Keywords: 1898-1935 ; Postkolonialismus ; Kolonialismus ; Geldpolitik ; Philippinen ; USA ; Capitalism ; Decolonization ; Anti-imperialist movements ; Colonization Economic aspects 19th century ; History ; HISTORY / United States / General ; HISTORY / Asia / Southeast Asia ; Philippines History 1898- ; Philippines Politics and government 1898-1935 ; Philippines Economic conditions ; Philippines Foreign economic relations ; United States Foreign economic relations ; Philippinen ; USA ; Postkolonialismus ; Kolonialismus ; Geldpolitik ; Antiimperialismus ; Geschichte 1850-1950
    Abstract: The wealth of colonies -- Mongrel currencies -- Bad money -- An orgy of mismanagement -- Under common wealth.
    Abstract: "In Monetary Authorities Allan E. S. Lumba explores how money worked to justify racial and class hierarchies, enforce capitalist exploitation, and counter movements for decolonization in the American colonial Philippines. By tracing the archives of economic experts from the late nineteenth century through the 1930s, Lumba illuminates the colonial state's obsession with policing the economic activities of colonized subjects, who they believed could radically threaten the security of capital accumulation and U.S. imperial sovereignty. Authority over money, however, did not remain the possession of American colonizers. Filipino statesmen would attempt to gain control over colonial money, coveting both its material and meaning-making power. Lumba thus examines how struggles over the colonial monetary system would resonate with broader struggles over capitalism and decolonization in the Philippines and U.S. empire."
    Note: Includes bibliographical references and index
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  • 24
    ISBN: 9781478017943 , 9781478015321
    Language: English
    Pages: xv, 207 Seiten , Illustrationen
    Series Statement: Dissident acts
    Parallel Title: Erscheint auch als Schaeffer, Felicity Amaya Unsettled borders
    DDC: 304.8/721
    Keywords: Border crossing Social aspects ; Border security ; Indigenous peoples Social conditions ; Traditional ecological knowledge ; Indian activists ; SOCIAL SCIENCE / Emigration & Immigration ; SOCIAL SCIENCE / Indigenous Studies ; SCIENCE / Philosophy & Social Aspects ; Mexican-American Border Region Emigration and immigration ; Social aspects ; USA ; Staatsgrenze ; Mexiko ; Indianer ; Militär ; Überwachung ; Grundeigentum
    Abstract: "The story of how the U.S.-Mexico border has become more dangerous for migrant crossing has preoccupied scholars across a range of fields. As necessary as this has been, the overwhelming focus on border crossers has eclipsed the consequences of military occupation on Native tribes whose land and bodies spill across the border, including mounting numbers of Maya refugees. Unsettled Borders follows the science and technological development of border surveillance back to military innovations tasked with seeing the invisible movements of Apache and Chiricahua warriors across the rugged terrain of the western frontier. Felicity Amaya Schaeffer follows a range of militarized surveillance innovations across time and space, recalling the Spanish lookout points erected to monitor Maya in the Yucatan, the superior eyes of Indian scouts, automated border avatars, and swarming bee drones. From the perspective of Native border inhabitants, a broader story emerges about how mechanized seeing attempts to eradicate Native sacred and animate relation with land. With an eye on the more-than-human world, Apache, O'odham and Maya teach us about the impossibility of borders in their sacred scientific worldviews that see relation where westerners impose segregated seeing and knowing. Unsettled Borders returns to ancestral practices-from beekeepers caring for the Melipona bees who bring back their forests to O'odham relations with saguaro peoplehood amputated by border walls. The border comes alive with a resurgent force of Native land defenders who refuse extraction, occupation, and surveillance by the futile attempts to build virtual and iron-cast walls that will ultimately fail to contain life and erect borders around the world"--
    Note: Literaturverzeichnis: Seiten 185-200
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  • 25
    ISBN: 9781478014591 , 9781478013662
    Language: English
    Pages: xx, 415 Seiten , Illustrationen
    RVK:
    Keywords: Schwarze ; Homosexualität ; Queer-Theorie ; Theoriebildung ; Ethnologie
    Note: Literaturverzeichnis Seite 379-402
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  • 26
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478015642 , 9781478018285
    Language: English
    Pages: x, 315 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Spigel, Lynn TV snapshots
    Parallel Title: Erscheint auch als Spigel, Lynn, 1955 - TV snapshots
    DDC: 302.23/45
    RVK:
    RVK:
    Keywords: Television Social aspects ; Photography Social aspects ; Television viewers Attitudes ; Popular culture History 20th century ; PERFORMING ARTS / Television / History & Criticism ; USA ; Fotografie ; Fernsehen ; Geschichte 1950-1970
    Abstract: TV portraits : picturing families and household things -- TV performers : a theater of everyday life -- TV dress-up : fashion poses and everyday glamour -- TV pinups : sex and the single TV -- TV memories : snapshots in digital times.
    Abstract: "In TV Snapshots, Lynn Spigel explores snapshots of people posing in front of their television sets in the 1950s through the early 1970s. Like today's selfies, TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture. Drawing on her collection of over 5,000 TV snapshots, Spigel shows that people did not just watch TV: women used the TV set as a backdrop for fashion and glamour poses; people dressed in drag in front of the screen; and, in pinup poses, people even turned the TV setting into a space for erotic display. While the TV industry promoted on-screen images of white nuclear families in suburban homes, the snapshots depict a broad range of people across racial, ethnic, and class backgrounds that do not always conform to the reigning middle-class nuclear family ideal. Showing how the television set became a central presence in the home that exceeded its mass entertainment function, Spigel highlights how TV snapshots complicate understandings of the significance of TV in everyday life"--
    Note: Includes bibliographical references and index
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  • 27
    ISBN: 9781478023289
    Language: English
    Pages: 1 Online-Ressource (xiv, 321 Seiten)
    Parallel Title: Erscheint auch als García-Peña, Lorgia, 1978 - Translating blackness
    DDC: 980.00496
    RVK:
    Keywords: Electronic books ; Hispanos ; Schwarze ; Migration ; Ethnische Identität ; Kolonialismus
    Abstract: Drawing from archives and cultural productions from the United States, the Caribbean, and Europe, Lorgia García Peña considers Black Latinidad in a global perspective in order to chart colonialism as an ongoing sociopolitical force.
    URL: Cover
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  • 28
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478022947
    Language: English
    Pages: 1 Online-Ressource (x, 234 Seiten)
    Parallel Title: Erscheint auch als Moore, Kelli, 1976 - Legal spectatorship
    DDC: 362.8292
    Keywords: Electronic books ; USA ; Häusliche Gewalt ; Unterdrückung ; Sklaverei ; Rassismus ; Intersektionalität ; Gerichtssaal ; Visuelle Medien ; Fotografie ; Beweis
    Abstract: Kelli Moore traces the political origins of the concept of domestic violence through visual culture in the United States, showing how it is rooted in the archive of slavery.
    Note: Description based on publisher supplied metadata and other sources
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  • 29
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478022893
    Language: English
    Pages: 1 Online-Ressource (329 Seiten)
    Parallel Title: Erscheint auch als Spigel, Lynn, 1955 - TV snapshots
    DDC: 302.23/45
    RVK:
    RVK:
    Keywords: Electronic books ; USA ; Fotografie ; Fernsehen ; Geschichte 1950-1970
    Abstract: Lynn Spigel explores historical snapshots of people posing in front of their television sets in the 1950s through the early 1970s, showing how TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 30
    ISBN: 9781478023128
    Language: English
    Pages: 1 online resource (281 pages)
    Parallel Title: Erscheint auch als Corinealdi, Kaysha, 1980 - Panama in black
    DDC: 305.89607287
    Keywords: Electronic books ; Electronic books ; Panama ; Schwarze ; Geschichte
    Abstract: Kaysha Corinealdi traces the multigenerational activism of Afro-Caribbean Panamanians as they forged diasporic communities in Panama and the United States throughout the twentieth century.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 31
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478023203
    Language: English
    Pages: 1 online resource (xvii, 328 pages) , Illustrationen, Karten
    Series Statement: Experimental futures
    Series Statement: technological lives, scientific arts, anthropological voices
    Series Statement: 20
    Parallel Title: Erscheint auch als Stötzer, Bettina, 1971 - Ruderal city
    RVK:
    Keywords: City and town life History ; Human ecology History ; Nature and civilization ; Urban ecology (Sociology) History ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; 2023 Diana Forsythe Prize Winner ; 2023 German Studies Association Award Winners ; AAA Book Prize Winners ; AAA Committee for the Anthropology of Science, Technology and Computing ; CASTAC Diana Forsythe Prize book award winner ; Diana Forsythe award winner ; German Studies Association Book Awards ; Berlin ; Park ; Wald ; Kleingarten ; Freizeitverhalten
    Abstract: In Ruderal City Bettina Stoetzer traces relationships among people, plants, and animals in contemporary Berlin as they make their lives in the ruins of European nationalism and capitalism. She develops the notion of the ruderal—originally an ecological designation for the unruly life that inhabits inhospitable environments such as rubble, roadsides, train tracks, and sidewalk cracks—to theorize Berlin as a “ruderal city.” Stoetzer explores sites in and around Berlin that have figured in German national imaginaries—gardens, forests, parks, and rubble fields—to show how racial, class, and gender inequalities shape contestations over today’s uses and knowledges of urban nature. Drawing on fieldwork with gardeners, botanists, migrant workers, refugees, public officials, and nature enthusiasts while charting human and more-than-human worlds, Stoetzer offers a wide-ranging ethnographic portrait of Berlin’s postwar ecologies that reveals emergent futures in the margins of European cities. Brimming with stories that break down divides between environmental perspectives and the study of migration and racial politics, Berlin’s ruderal worlds help us rethink the space of nature and culture and the categories through which we make sense of urban life in inhospitable times
    Abstract: Bettina Stoetzer traces the more-than-human relationships between people, plants, and animals in contemporary Berlin, showing how Berlin's "urban nature" becomes a key site in which notions of citizenship and belonging as well as racialized, gendered, and classed inequalities become apparent.
    Abstract: "In Ruderal City Bettina Stoetzer traces relationships among people, plants, and animals in contemporary Berlin as they make their lives in the ruins of European nationalism and capitalism. She develops the notion of the ruderal-originally an ecological designation for the unruly life that inhabits inhospitable environments such as rubble, roadsides, train tracks, and sidewalk cracks-to theorize Berlin as a "ruderal city." Stoetzer explores sites in and around Berlin that have figured in German national imaginaries-gardens, forests, parks, and rubble fields-to show how racial, class, and gender inequalities shape contestations over today's uses and knowledges of urban nature. Drawing on fieldwork with gardeners, botanists, migrant workers, refugees, public officials, and nature enthusiasts while charting human and more-than-human worlds, Stoetzer offers a wide-ranging ethnographic portrait of Berlin's postwar ecologies that reveals emergent futures in the margins of European cities. Brimming with stories that break down divides between environmental perspectives and the study of migration and racial politics, Berlin's ruderal worlds help us rethink the space of nature and culture and the categories through which we make sense of urban life in inhospitable times"--
    Description / Table of Contents: Forest Tracks -- Rubble -- Ruderal City -- Gardens -- Gardening the Ruins -- Parks -- Provisioning against Austerity -- Barbecue Area -- Forests -- Living in the Unheimlich -- Stories of the "Wild East"
    Note: Description based on publisher supplied metadata and other sources , Frontmatter , CONTENTS , Preface: Forest Tracks , Acknowledgments , Introduction , Rubble , 1 Botanical Encounters , Gardens , 2 Gardening the Ruins , Parks , 3 Provisioning against Austerity , 4 Barbecue Area , Forests , 5 Living in the Unheimlich , 6 Stories of the “Wild East” , Epilogue: Seeding Livable Futures , NOTES , REFERENCES , INDEX , In English
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 32
    ISBN: 9781478015222 , 9781478017851
    Language: English
    Pages: 267 Seiten , Illustrationen
    Series Statement: Anima: critical race studies otherwise
    Parallel Title: Erscheint auch als Bow, Leslie, 1962- Racist love
    Parallel Title: Erscheint auch als Bow, Leslie, 1962 - Racist love
    DDC: 305.895/073
    Keywords: Asian Americans Public opinion ; Asian Americans Social conditions ; Asian Americans Ethnic identity ; Racism ; SOCIAL SCIENCE / Ethnic Studies / American / Asian American Studies ; United States Race relations ; USA ; Asiaten ; Ethnische Beziehungen ; Rassismus
    Abstract: "In Racist Love Leslie Bow traces the ways in which Asian Americans become objects of anxiety and desire. Conceptualizing these feelings as "racist love," she explores how race is abstracted and then projected onto Asianized objects. Bow shows how anthropomorphic objects and images such as cartoon animals in children's books, home decor and cute tchotchkes, contemporary visual art, and artificially intelligent robots function as repositories of seemingly positive feelings and attachment to Asian-ness. At the same time, Bow demonstrates that these Asianized proxies reveal how fetishistic attraction and pleasure serve as a source of anti-Asian bias and violence. By outlining how attraction to popular representations of Asian-ness cloaks racial resentment and fears of globalization, Bow provides a new means of understanding the ambivalence surrounding Asians in the United States while offering a theory of the psychological, affective, and symbolic dynamics of racist love in contemporary America"--
    Note: Includes bibliographical references and index
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  • 33
    ISBN: 9781478018315 , 9781478015680
    Language: English
    Pages: 260 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Kim, Jodi, 1970- Settler garrison
    Parallel Title: Erscheint auch als Kim, Jodi, 1970 - Settler garrison
    DDC: 325/.32
    Keywords: Militärstandort ; Kolonialismus ; Postkolonialismus ; Internationale Wirtschaftsbeziehungen ; Asiatisch-pazifischer Raum ; USA ; Military bases, American ; Debts, Public ; Imperialism ; Postcolonialism ; HISTORY / World ; POLITICAL SCIENCE / Colonialism & Post-Colonialism ; United States Territorial expansion ; United States Foreign economic relations ; Pacific Area Foreign economic relations ; USA ; Asiatisch-Pazifischer Raum ; Außengebiet der Vereinigten Staaten ; Militärstützpunkt ; Imperialismus ; Schuldendienst ; Geschichte 1945-2022
    Abstract: "Settler Garrison offers an analysis of how transpacific cultural productions provide an alternative, anti-militarist, and decolonial archive to U.S. militarist settler imperialism in Asia and the Pacific. Focusing on the post-World War II era, Jodi Kim theorizes militarist settler imperialism as a set of relations significantly structured and continually reproduced through temporal and spatial exceptions. Kim argues that that the temporal exception is debt imperialism, a process through which the United States rolls over its significant national debt indefinitely and does not conform to the time of repayment that it imposes on others at multiple scales. The spatial exception is the creation of juridically ambiguous spaces where sovereignties at once proliferate, compete, and cancel one another out. Focusing on three types of spatial exceptions-the military base and attendant camp town, the POW camp, and the unincorporated territory or military colony of Guam-the book argues that such spaces are remade into America's settler garrison."
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  • 34
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478022459
    Language: English
    Pages: 1 Online-Ressource (450 p.)
    DDC: 305.3
    RVK:
    Keywords: Geschlechterrolle ; Männlichkeit ; USA ; Electronic books
    Abstract: In Sissy Insurgencies Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how sissiness constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Whether examining Washington's practice of cleaning as an iteration of sissiness, Baldwin's self-fashioned sissy deportment, or sissiphobia in professional sports and black nationalism, Ross demonstrates that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy. In this way, sissiness constitutes a central element in modern understandings of race and gender.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 35
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478018872 , 9781478016236
    Language: English
    Pages: xiv, 218 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Abstract: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Description / Table of Contents: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
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  • 36
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478023500
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Note: Bevorzugte Informationsquelle Ladingpage (Duke), da weder Titelblatt nocht Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 37
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478013907 , 9781478014843
    Language: English
    Pages: xi, 164 Seiten
    Parallel Title: Erscheint auch als Gray, Biko Mandela Black Life Matter
    DDC: 305.800973
    Keywords: Racism ; Racism Philosophy ; Black lives matter movement ; Racism in law enforcement ; Racism against Black people ; Police murders ; Murder victims ; Police brutality ; African Americans Social conditions ; SOCIAL SCIENCE / Black Studies (Global) ; RELIGION / Philosophy ; United States Race relations ; History ; USA ; Rassismus ; Person of Color
    Abstract: Four Black Lives -- Hands and Braids: Black Bodies as Mere Corporeal Matter -- "What I Do?": Black Flesh as Living Matter -- "I Am Irritated, I Really Am": Blackness as Affective Matter -- Black Life Matter.
    Abstract: "In Black Life Matter, Biko Mandela Gray offers a philosophical eulogy for Aiyana Stanley-Jones, Tamir Rice, Alton Sterling, and Sandra Bland that attests to their irreducible significance in the face of unremitting police brutality. Gray employs a theoretical method he calls "sitting with"-a philosophical practice of care that seeks to defend the dead and the living. He shows that the police that killed Stanley-Jones and Rice reduced them to their bodies in ways that turn black lives into tools that the state uses to justify its violence and existence. He outlines how Bland's arrest and death reveal the affective resonances of blackness, and he contends that Sterling's physical movement and speech before he was killed point to black flesh as unruly living matter that exceeds the constraints of the black body. These four black lives, Gray demonstrates, were more than the brutal violence enacted against them; they speak to a mode of life that cannot be fully captured by the brutal logics of antiblackness"--
    Note: Includes bibliographical references and index
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  • 38
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478023265
    Language: English
    Pages: 1 online resource (289 pages)
    Parallel Title: Erscheint auch als Lewis, Jovan Scott Violent utopia
    DDC: 305.8009766/86
    Keywords: Electronic books ; Tulsa, Okla. ; Massaker von Tulsa ; Auswirkung ; Schwarze ; Ethnische Beziehungen ; Eigentum ; Geschichte 1921-2021
    Abstract: Jovan Scott Lewis retells the history and afterlife of the 1921 Tulsa race massacre and its century-long legacy of dispossession, placing it in a larger historical and social context of widespread anti-Black racism and segregation in Tulsa and beyond.
    Abstract: Cover -- Contents -- Acknowledgments -- Introduction -- 1. Violence -- 2. Inheritance -- 3. Restoration -- Photography -- 4. Repair -- 5. Territory -- Conclusion -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 39
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478015215 , 9781478017837
    Language: English
    Pages: x, 440 Seiten , Illustrationen , 24 cm
    DDC: 305.3
    RVK:
    Keywords: Geschlechterrolle ; Männlichkeit ; USA
    Abstract: In Sissy Insurgencies Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how sissiness constitutes a historically fluid range of gender practices that is expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Whether examining Washington's practice of cleaning as an iteration of sissiness, James Baldwin's self-fashioned sissy deportment, or sissiphobia in professional sports and black nationalism, Ross demonstrates that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy. In this way, sissiness constitutes a central element in modern understandings of race and gender.
    Note: Literaturverzeichnis Seite 403-431
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  • 40
    ISBN: 9781478015703 , 9781478018346
    Language: English
    Pages: ix, 234 Seiten , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als Moore, Kelli, 1976 - Legal spectatorship
    DDC: 362.82/92
    Keywords: Family violence Law and legislation ; Victims of family violence Legal status, laws, etc ; Slavery Social aspects ; African Americans Social conditions 19th century ; Discrimination in justice administration History 19th century ; Photography Social aspects ; Legal photography ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; SOCIAL SCIENCE / Media Studies ; USA ; Häusliche Gewalt ; Unterdrückung ; Sklaverei ; Rassismus ; Intersektionalität ; Gerichtssaal ; Visuelle Medien ; Fotografie ; Beweis
    Abstract: Authenticating domestic violence : image and feeling in abolitionist media -- Battered women in a cybernetic milieu -- Authenticating testimony in the domestic violence courtroom -- Incorporating camp in criminal justice.
    Abstract: "Legal Spectatorship examines the visual culture surrounding domestic violence, or DV, focusing on the ways that photographs are marshaled as a form of spectacular evidence rooted in slavery and antiblackness. Historically, slaves were not able to testify in person in court although they were often silent witnesses to white domestic conflicts. Today, these histories of racism are embedded into domestic violence prosecution as photographs documenting evidence of DV stand in for women's testimony, and an extensive web of surveillance and administrative tactics criminalize female victims. Kelli Moore reads the legislative, juridical, and media structures that have developed around domestic violence as an extension of the logics of slavery that points to a broader form of US "domestic violence" in the form of slavery and racism. The chapters take up slave witnessing and black subjectivity; the psychological theories that developed around DV in the context of the Civil Rights movement; "artivism" around domestic violence imagery and anti-DV campaigns; and Moore's own ethnographic work in the courtroom observing domestic violence cases"--
    Note: Includes bibliographical references and index
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  • 41
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478022800
    Language: English
    Pages: 1 Online-Ressource (481 Seiten)
    Parallel Title: Erscheint auch als Davis, Thulani The emancipation circuit
    DDC: 973/.0496073009034
    Keywords: Electronic books ; USA ; Schwarze ; Politische Betätigung ; Politische Publizistik ; Politische Organisation ; Geschichte 1865-1900
    Abstract: Thulani Davis provides a sweeping rethinking of Reconstruction by tracing how the four million people newly freed from bondage created political organizations and connections that mobilized communities across the South.
    Abstract: Cover -- Contents -- List of Maps -- List of Tables -- Acknowledgments -- Gallery -- Introduction: Black Political Thought as Shaped in the South -- 1. Flight: Movement Matters -- 2. The Emancipation Circuit: A Road Map -- 3. Virginia: Assembly -- 4. North Carolina: Custody -- 5. South Carolina: Majority -- 6. Georgia: Mobilization -- 7. Florida: Faction -- 8. Alabama: Redemption -- 9. Louisiana: Societies -- 10. Mississippi: Bulldoze -- 11. Arkansas: Minority -- Conclusion: What Lives On Is Black Political Thought -- Notes -- Bibliography -- Table Source Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 42
    ISBN: 9781478018667 , 9781478016038
    Language: English
    Pages: xiv, 321 Seiten , Illustrationen
    Parallel Title: Erscheint auch als García-Peña, Lorgia, 1978- Translating Blackness
    Parallel Title: Erscheint auch als García-Peña, Lorgia, 1978 - Translating blackness
    DDC: 980/.00496
    RVK:
    Keywords: Black people Migrations ; Latin Americans Migrations ; Black people History ; African diaspora ; Decolonization ; SOCIAL SCIENCE / Black Studies (Global) ; SOCIAL SCIENCE / Ethnic Studies / American / Hispanic American Studies ; Latin America Emigration and immigration ; Hispanos ; Schwarze ; Migration ; Ethnische Identität ; Kolonialismus
    Abstract: "Translating Blackness examines the relationship between race, migration, and colonialism through the lives, works, and epistemologies of Black Latinx people across diasporas. Lorgia García-Peña presents Black Latinidad as a social, cultural, and political formation that produces new approaches, knowledges, and ways of understanding our present world. Central to Translating Blackness is the concept of vaivén (coming and going). The term vaivén denotes the crossings-forth and back-that shape migrant life and expose the limits of the binary oppositions through which human beings are deployed as either citizens or foreigners. Vaivén also refers to the nations which oscillate between empire and country, receiving or expulsing people from its center. Black Latinx peoples, García-Peña argues, are subjects in vaivén between belonging and unbelonging. Their lived experience reveals that the nation is not a sufficient rubric from which to understand human experiences"--
    Note: Literaturverzeichnis: Seite 279-301
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  • 43
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478014393 , 9781478013471
    Language: English
    Pages: 132 Seiten , 1 Illustration
    Series Statement: Singles
    DDC: 782.42166092
    RVK:
    Keywords: Popmusik ; USA
    Note: Bibliography Seite 125-126
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  • 44
    ISBN: 9781478013464 , 9781478014379
    Language: English
    Pages: xiii, 340 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Sharma, Nitasha Tamar, 1973- Hawai'i is my haven
    DDC: 305.8009969
    Keywords: African Americans ; Racism ; Minorities ; Hawaiians Ethnic identity ; Ethnic groups ; Hawaii Race relations ; Hawaii Ethnic relations ; Hawaii Social conditions ; Hawaii ; Schwarze ; Ethnische Beziehungen ; Nationale Minderheit ; Rassismus ; Soziale Identität
    Abstract: Opening Poem: "Who is the Black woman in Hawaii?" / by Kathryn Takara -- Introduction: Hawaiʻi is my Haven -- Over two centuries : the history of Black people in Hawaiʻi -- "Saltwater Negroes" : Black locals, multiracialism, and expansive Blackness -- "Less pressure" : Black transplants, settler colonialism, and a racial lens -- Racism in Paradise : antiblack racism and resistance in Hawaiʻi -- Embodying Kuleana : negotiating Black and Native positionality in Hawaiʻi.
    Abstract: "Hawaiʻi Is My Haven is the first ethnography of Hawaiʻi's Black residents, providing a contemporary and on-the-ground documentation that expands historical and military histories of the Black Pacific. Drawing from a decade of fieldwork, it addresses two questions: What does the Pacific offer people of African descent? And what perspectives do Black people bring to help us better understand the Islands? Based on interviews with sixty civilian Black residents, including Hawaiʻi-born locals and transplants to the Islands, it engages debates in Black and Native Studies, Asian settler colonialism, and critical mixed race studies"--
    Note: Includes bibliographical references and index
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  • 45
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478021698
    Language: English
    Pages: 1 Online-Ressource (140 p.)
    Series Statement: Singles
    DDC: 782.42166092
    RVK:
    Keywords: Popmusik ; USA
    Abstract: Jonathan Richman and the Modern Lovers' 1972 song "Roadrunner" captures the freedom and wonder of cruising down the highway late at night with the radio on. Although the song circles Boston's beltway, its significance reaches far beyond Richman's deceptively simple declarations of love for modern moonlight, the made world, and rock & roll. In Roadrunner, cultural theorist and poet Joshua Clover charts both the song's emotional power and its elaborate history, tracing its place in popular music from Chuck Berry to M.I.A. He also locates "Roadrunner" at the intersection of car culture, industrialization, consumption, mobility, and politics. Like the song itself, Clover tells a story about a particular time and place-the American era that rock & roll signifies-that becomes a story about love and the modern world.
    URL: Cover
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  • 46
    Language: English
    Pages: 1 Online-Ressource (xvi, 336 Seiten) , Illustrationen
    Series Statement: Religious cultures of African and African diaspora people
    Parallel Title: Erscheint auch als Embodying Black religions in Africa and its diasporas
    DDC: 200.896
    Keywords: Religion and culture ; Religions African influences ; African diaspora ; Religion Social aspects ; Africa Religion ; Africa Religious life and customs ; Afrika ; Neue Religion ; Islam ; USA ; Schwarze ; Religiosität ; Embodiment
    Abstract: Foreword / Jacob Olupona, Harvard University, Divinity School -- Introduction: Embodiment and relationality in religions of Africa and its diaspora / Yolanda Covington-Ward and Jeanette S. Jouili -- Spirited choreographies : embodied memories and domestic enslavement in Togolese mama tchamba rituals / Elyan Hill -- Alchemy of the fuqara : spiritual care, memory, and the Black Muslim body / Youssef Carter -- Spiritual ethnicity : our collective ancestors in Ifá devotion across the Americas / N. Fadeke Castor -- Faith full : sensuous habitus, everyday affect, and divergent diaspora in the UCKG / Rachel Cantave -- Covered bodies, moral education, and the embodiment of Islamic reform in northern Nigeria / Elisha P. Renne -- Embodied worship in a Haitian protestant church in the Bahamas : religious habitus among Bahamians of Haitian descent / Bertin M. Louis Jr. -- The quest for spiritual purpose in a secular dance community : Bèlè's rebirth in contemporary Martinique / Camee Maddox-Wingfield -- Embodying Black religion : the ethics and aesthetics of Afro-diasporic Muslim hip-hop in Britain / Jeanette S. Jouili -- Secular affective politics in a national dance about AIDS in Mozambique / Aaron Montoya -- Wrestling with homosexuality : kinesthesia as resistance in Ghanaian pentecostalism / Nathanael Homewood -- "Exceptional healing" : gender, materiality, embodiment, and prophetism in the Lower Congo / Yolanda Covington-Ward -- Dark matter : formations of death pollution in southeastern African funerals / Casey Golomski.
    Abstract: "Embodying Black Religions in African and Its Diasporas critically examines the role of the body as religiously motivated social action for people of African descent across the geographic regions of the African continent, the Caribbean and Latin America, the American South, and Europe. Tackling a variety of religious contexts, from Pentecostalism, to Ifa divination, to Islam, the contributors investigate the complex intersections between the body, religious expression, and the construction and negotiation of particular social relationships and collective identities"--
    Note: Includes bibliographical references and index
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  • 47
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478014089 , 9781478011941
    Language: English
    Pages: xxii, 552 Seiten , Illustrationen
    Series Statement: Refiguring American music
    DDC: 782.421640973
    RVK:
    Keywords: Volksmusik ; Popmusik ; USA
    Note: Literaturverzeichnis Seite 446-512
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  • 48
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478013167
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8
    RVK:
    Keywords: Rassismus ; Antirassismus ; Schwarze ; Anti-racism ; Racism ; Race relations ; Blacks / Race identity ; Schwarze ; Rassismus ; Antirassismus
    Abstract: Openings -- The Illumination of Blackness / Charles W. Mills -- Afropessimism and the Ruse of Analogy: Violence, Freedom Struggles, and the Death of Black Desire / Frank B. Wilderson III -- Afro-feminism before Afropessimism: Meditations on Gender and Ontology / Iyko Day -- Toward a General Theory of Antiblackness / Anthony Paul Farley -- Groundings -- Limited Growth: U.S. Settler Slavery, Colonial India, and Global Rice Markets in the MidNineteenth Century / Zach Sell -- The Reproduction of Black Culpability / Sarah Haley -- "Not to Be Slaves of Others": Antiblackness in Precolonial Korea / Jae Kyun Kim and Moon-Kie Jung -- Captivities -- "Mass Incarceration" as Misnomer: Chattel/Domestic War and the Problem of Narrativity / Dylan Rodríguez -- The Coextensive Logics of Gendered Antiblackness and British Political Liberalism / Mohan Ambikaipaker -- In and against Captivity: Black Girls and School Discipline Policies in the Afterlife of Slavery / Connie Wun -- Presidential Powers in the Captive Maternal Lives of Sally, Michelle, and Deborah / Joy James -- Unsettlings -- On the Illegibility of French Antiblackness: Notes from an African American Critic / Crystal M. Fleming -- Latino Antiblack Bias and the Census Categorization of Latinos: Race, Ethnicity, or Other? / Tanya Katerí Hernández -- Antiblackness and the Womb of Zionist Settler Colonialism: Notes on Palestine's "Captive Maternal" / Sarah Ihmoud -- Not Yet: Indigeneity, Antiblackness, and Anticolonial Liberation / Jodi A. Byr
    Abstract: "The modern world is fundamentally antiblack. In this book, scholars from across the disciplines grapple, unflinchingly, with antiblackness-its enduring depth, breadth, and violence. Casting radical doubt on the foundational categories of the modern world, the Social and the Human, their contributions collectively suggest a thoroughgoing critique and overhaul of the social sciences and the humanities"--
    Note: Bevorzugte Informationsquelle: Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 49
    ISBN: 9781478021391
    Language: English
    Pages: 1 Online-Ressource (552 p.)
    Series Statement: Refiguring American Music : 25
    DDC: 782.421640973
    RVK:
    Keywords: Volksmusik ; Popmusik ; USA ; Electronic books
    Abstract: In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre-cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 50
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478011811 , 9781478010692
    Language: English
    Pages: ix, 382 Seiten , Illustrationen
    DDC: 305.8
    RVK:
    RVK:
    Keywords: Schwarze ; Rassismus ; Antirassismus
    Note: Literaturverzeichnis Seite 325-368
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  • 51
    ISBN: 9781478011446 , 9781478010418
    Language: English
    Pages: x, 137 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Freeburg, Christopher Counterlife
    Parallel Title: Erscheint auch als Freeburg, Christopher, 1972 - Counterlife
    DDC: 306.3/620973
    RVK:
    RVK:
    RVK:
    Keywords: Slavery History ; Slavery Sociological aspects ; Slavery in literature ; Schwarze ; Sklaverei ; Psychische Verarbeitung ; Kreativität
    Abstract: Introduction: Slavery's Hereafter -- Sambo's Cloak -- Kaleidoscope Views -- Sounds of Blackness -- The Last Black Hero -- Coda: Chasing Ghosts
    Abstract: "Counterlife demonstrates that scholarship on slavery in the Americas has its imaginative roots in the emergence of sociology/social theory in the 1950s as well as aesthetic movements (e.g., naturalism and modernism) that flourished in the early twentieth century. Debates between social scientists, artists, and politicians about mass culture, modern urban space, and socialization amplify slavery studies' preoccupation with political insurgency and resistance. This book analyzes the kinds of descriptions of social space, power, and personality type that became pivotal in the early sociology and psychology of slavery studies"--
    Note: Includes bibliographical references and index
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  • 52
    ISBN: 9781478014140 , 9781478013235
    Language: English
    Pages: xvi, 296 Seiten , Illustrationen, Diagramme, Faksimiles , 23 cm
    Parallel Title: Erscheint auch als Morgan, Jennifer L. Reckoning with slavery
    DDC: 306.3/62
    Keywords: Slavery Political aspects ; Slavery Economic aspects ; Women slaves ; Women slaves ; Slave trade History ; Slave trade History ; Sklaverei ; USA ; Atlantischer Raum
    Abstract: "The history of the trans-Atlantic slave trade is deeply embedded in the emergence of early modern economic and political institutions. Reckoning with Slavery resituates the early modern as the space out of which race, racial hierarchies, notions of value and trade, and ideas of gender and reproduction are mutually constituted. Through a study of numeracy, trade, counting, and commerce, the lives and experiences of enslaved women in the sixteenth and seventeenth century English Atlantic world come into focus. Rather than treating economy and culture as distinct aspects of social history, Reckoning with Slavery asks what we can come to know about kinship, family, and race through the archives of trade and commerce"--
    Abstract: Inhaltsverzeichnis: Producing numbers: reckoning with the sex ratio in the transatlantic slave trade, 1500-1700 -- "Unfit subjects of trade": demographic logics and colonial encounters -- "To their great commoditie": numeracy and the production of African difference -- Accounting for the "most excruciating torment": transatlantic passages -- "The division of the captives": commerce and kinship in the English Americas -- "Treacherous rogues": locating women in resistance and revolt.
    Note: Literaturverzeichnis: Seite 257-281
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  • 53
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012573 , 1478012579
    Language: English
    Pages: 1 Online-Ressource (xiii, 221 pages) , illustrations
    Series Statement: Errantries
    Parallel Title: Erscheint auch als
    DDC: 305.896073
    RVK:
    RVK:
    Keywords: African Americans / Study and teaching ; African Americans / Social conditions ; Race / Philosophy ; African American feminists ; Cross-cultural studies ; Schwarze ; Musik ; Philosophie ; Kunst ; Rassismus ; Identität ; Schwarze ; Identität ; Rassismus ; Philosophie ; Kunst ; Musik
    Abstract: He Liked to Say That This Love Was the Result of a Clinical Error -- Curiosities (My Heart Makes My Head Swim) -- Footnotes (Books and Papers Scattered about the Floor) -- The Smallest Cell Remembers a Sound -- Consciousness (Feeling like, Feeling like This) -- Something That Exceeds All Efforts to Definitively Pin It Down -- No Place, Unknown, Undetermined -- Notes -- Black Ecologies. Coral Cities. Catch a Wave -- Charmaine's Wire -- Polycarbonate, Aluminum (Gold), and Lacquer -- Black Children -- Telephone Listing -- Failure (My Head Was Full of Misty Fumes of Doubt) -- The Kick Drum Is the Fault -- (Zong) Bad Made Measure -- I Got Life/Rebellion Invention Groove -- (I Entered the Lists) -- Dear Science
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 54
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478021896
    Language: English
    Pages: 1 Online-Ressource (435 p.)
    DDC: 306.76608996
    RVK:
    Keywords: Schwarze ; Homosexualität ; Queer-Theorie ; Theoriebildung ; Ethnologie
    Abstract: In There's a Disco Ball Between Us, Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls "Black gay habits of mind." In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.
    URL: Cover
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  • 55
    ISBN: 9781478010647 , 9781478011750 , 9781478013112
    Language: English
    Pages: xvi, 336 Seiten , Illustrationen
    Series Statement: Religious cultures of African and African diaspora people
    Parallel Title: Erscheint auch als Covington-Ward, Yolanda Embodying Black Religions in Africa and Its Diasporas
    Parallel Title: Erscheint auch als Embodying Black religions in Africa and its diasporas
    DDC: 200.896
    Keywords: Religion and culture ; Religions African influences ; African diaspora ; Religion Social aspects ; Africa Religion ; Africa Religious life and customs ; Afrika ; Neue Religion ; Islam ; USA ; Schwarze ; Religiosität ; Embodiment
    Abstract: Foreword / Jacob Olupona, Harvard University, Divinity School -- Introduction: Embodiment and relationality in religions of Africa and its diaspora / Yolanda Covington-Ward and Jeanette S. Jouili -- Spirited choreographies : embodied memories and domestic enslavement in Togolese mama tchamba rituals / Elyan Hill -- Alchemy of the fuqara : spiritual care, memory, and the Black Muslim body / Youssef Carter -- Spiritual ethnicity : our collective ancestors in Ifá devotion across the Americas / N. Fadeke Castor -- Faith full : sensuous habitus, everyday affect, and divergent diaspora in the UCKG / Rachel Cantave -- Covered bodies, moral education, and the embodiment of Islamic reform in northern Nigeria / Elisha P. Renne -- Embodied worship in a Haitian protestant church in the Bahamas : religious habitus among Bahamians of Haitian descent / Bertin M. Louis Jr. -- The quest for spiritual purpose in a secular dance community : Bèlè's rebirth in contemporary Martinique / Camee Maddox-Wingfield -- Embodying Black religion : the ethics and aesthetics of Afro-diasporic Muslim hip-hop in Britain / Jeanette S. Jouili -- Secular affective politics in a national dance about AIDS in Mozambique / Aaron Montoya -- Wrestling with homosexuality : kinesthesia as resistance in Ghanaian pentecostalism / Nathanael Homewood -- "Exceptional healing" : gender, materiality, embodiment, and prophetism in the Lower Congo / Yolanda Covington-Ward -- Dark matter : formations of death pollution in southeastern African funerals / Casey Golomski.
    Abstract: "Embodying Black Religions in African and Its Diasporas critically examines the role of the body as religiously motivated social action for people of African descent across the geographic regions of the African continent, the Caribbean and Latin America, the American South, and Europe. Tackling a variety of religious contexts, from Pentecostalism, to Ifa divination, to Islam, the contributors investigate the complex intersections between the body, religious expression, and the construction and negotiation of particular social relationships and collective identities"--
    Note: Includes bibliographical references and index
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  • 56
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478008200 , 9781478006824
    Language: English
    Pages: xi, 247 Seiten
    Parallel Title: Erscheint auch als Brim, Matt Poor queer studies
    Parallel Title: Erscheint auch als Brim, Matt Poor queer studies
    DDC: 306.76010973
    Keywords: Gay and lesbian studies ; Elite (Social sciences) Education ; Queer theory ; Educational equalization ; USA ; Queer-Theorie ; Elite ; Hochschulbildung ; Randgruppe ; Prekariat
    Abstract: Introduction: queer dinners -- The College of Staten Island: a poor Queer Studies case study -- "You can write your way out of anywhere": the upward mobility myth of rich Queer Studies -- The queer career: vocational Queer Studies -- Poor Queer Studies mothers -- Counternarratives: a black queer reader -- Epilogue: queer ferrying.
    Abstract: "POOR QUEER STUDIES contextualizes the material conditions under which Queer Theory is produced in the academy. Locating elite universities as the primary loci of Queer Theory, and as producers of and investors in racialized class stratification, Matt Brim interrogates what role Queer Theory has in shoring up class and racial disparities. How, Brim asks, is Queer Theory-a field theoretically dedicated to disrupting structures of power and inequality-implicated in the classed structures of the academy? Brim contends that, in its current formation, Queer Theory-or what he dubs "Rich Queer Theory"-is propelled by universities who refuse to serve poor students and only hire faculty who have graduated from the "prestige pipeline." Moreover, Brim argues that class as an analytic has effectively dropped out of Queer Theory scholarship. To counter these trends, Brim argues for a "Poor Queer Studies" that attends to class differences within the queer academy by examining the material reality through which "subversive" and "antinormative" Rich Queer Theory is produced. For Brim, the "Poor" in Poor Queer Studies allows for two connotations: the lack of material resources at under-resourced and non-elite universities, and the theoretical "holes" around class and racialized class positions in Rich Queer Studies. In chapter 1 Brim offers a case study of his own institution-The College of Staten Island, CUNY-by way of contextualizing the need for a Poor Queer Studies. In chapter 2 Brim expands his introductory argument that the exclusion of low-income students and working-class faculty from Queer Theory is a field-defining feature. In chapter 3 Brim offers a "vocational Queer Studies" that forces academics to consider how Queer Studies prepares students for labor outside of the academy. Chapter 4 is an examination of how students who are mothers have shaped Brim's understanding of Poor Queer Studies. In chapter 5 Brim centers John Keene's 2015 book, Counternarratives, to arrive at a conversation about learning how to read Black queer literature. In the conclusion, Brim proposes a notion of "queer ferrying" by which resources are shared between rich and poor institutions. This book will be of interest to students and scholars of queer studies, black queer studies, American studies, higher education studies, and labor studies"--
    Note: Includes bibliographical references and index
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  • 57
    ISBN: 9781478011224 , 9781478010197 , 1478010193 , 147801122X
    Language: English
    Pages: xiv, 392 Seiten
    Series Statement: Refiguring american music
    Parallel Title: Online version Mahon, Maureen Black diamond queens
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    Keywords: Schwarze ; Frau ; Rockmusik ; USA
    Abstract: African American women have played a pivotal part in rock and roll-from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
    Note: Literaturverzeichnis: Seite [349]-373 , Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
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  • 58
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478006817 , 9781478008101
    Language: English
    Pages: xiii, 247 Seiten , Illustrationen
    Series Statement: A camera obscura book
    Parallel Title: Erscheint auch als Wallace, Leonelle Mary, 1962- Reattachment theory
    DDC: 306.84/8
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    Keywords: Same-sex marriage ; Marriage ; Lesbianism in motion pictures ; Homosexuality in motion pictures ; Gleichgeschlechtliche Ehe ; Motiv ; Film ; USA
    Abstract: "REATTACHMENT THEORY eschews dominant queer critiques of same-sex marriage to examine the varied histories of queer influences on marriage. According to the traditional queer critique, the legalization of same-sex marriage signaled a neoliberal and homonormative assimilation into normative structures of heterosexism and reproductive futurism. Countering this argument, queer film scholar Lee Wallace claims that, since the eighteenth century, marriage has allowed for many queer and non-normative plotlines. In this book, Wallace is more interested in marriage as a narrative-both in how marriage is narrativized, as well as the story of the changing meaning of marriage-than she is in marriage as a legal institution. Drawing on historians of marriage, Wallace traces the iterations of love associated with marriage vows: from obligation or duty, to romance, and finally to intimacy. Historicizing the discourse of intimacy, Wallace claims that the valorization of intimacy across the twentieth century led to an idealization of the couple form, regardless of heterosexual or homosexual affiliation. Furthermore, Wallace draws on twentieth-century formulations of sexual reciprocity and sexual satisfaction regardless of marital status-and their links to the discourses of intimacy-to reveal how these concepts proved flexible enough to include homosexuality. Tracking these changing narratives of marriage throughout the twentieth century, Wallace grounds her analyses in an archive of popular culture films. Using Stanley Cavell's notion that, following the "marriage crisis" created by divorce in the early twentieth century, all marriage is remarriage, Wallace argues that after the advent of same-sex marriage, all marriage is gay marriage. Chapter 1, which doubles as the introduction, lays out the stakes of the project. Chapter 2 examines nineteenth-century literature and early twentieth-century popular culture to reveal the changing story of marriage. Chapter 3 situates the 1936 film Craig's Wife as an anticipation of gay and lesbian alternatives to marriage. Chapter 4 reads Tom Ford's film production of Christopher Isherwood's A Single Man as a means to extend homosexual style as a "brand" of cultural and emotional capital. Chapters 6 and 7 engage directly with Cavell's theory of remarriage as an analytic to examine same-sex marriage. This book will be of interest to students and scholars of queer theory, feminist studies, and film studies"--
    Note: Includes bibliographical references and index
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  • 59
    ISBN: 9781478009597 , 9781478008699
    Language: English
    Pages: x, 217 Seiten
    Series Statement: Refiguring American music
    DDC: 781.644
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    Keywords: Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; USA
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  • 60
    ISBN: 9781478012603
    Language: English
    Pages: 1 Online-Ressource (xviii, 403 Seiten) , Illustrationen, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 307.1/21609597/8
    RVK:
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    Keywords: Geschichte 1973- ; Socialist city planning ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; Architecture Political aspects 20th century ; History ; Architecture, German History 20th century ; City planning German influences ; Urbanization History 20th century ; Niedergang ; Planstadt ; Baufälligkeit ; Postkommunismus ; Sozialismus ; Nutzungsänderung ; Stadtplanung ; Städtebau ; Wiederaufbau ; Luftangriff ; Stadtforschung ; Architektur ; Vietnam ; Deutschland ; Vinh ; Vinh ; Deutschland ; Luftangriff ; Stadtplanung ; Architektur ; Sozialismus ; Postkommunismus ; Geschichte 1973- ; Vinh ; Städtebau ; Wiederaufbau ; Stadtplanung ; Deutschland ; Sozialismus ; Postkommunismus ; Geschichte 1973- ; Vietnam ; Vinh ; Städtebau ; Planstadt ; Baufälligkeit ; Nutzungsänderung ; Geschichte 1973- ; Vietnam ; Postkommunismus ; Planstadt ; Niedergang ; Stadtforschung
    Abstract: Following a decade of United States bombing campaigns that obliterated northern Vietnam, East Germany helped Vietnam rebuild in an act of socialist solidarity. In Building Socialism Christina Schwenkel examines the utopian visions of an expert group of Vietnamese and East German urban planners who sought to transform the devastated industrial town of Vinh into a model socialist city. Drawing on archival and ethnographic research in Vietnam and Germany with architects, engineers, construction workers, and tenants in Vinh's mass housing complex, Schwenkel explores the material and affective dimensions of urban possibility, and the quick fall of Vinh's new built environment into unplanned obsolescence. She analyzes the tensions between aspirational infrastructure and postwar uncertainty to show how design models and practices that circulated between the socialist North and the decolonizing South underwent significant modification to accommodate alternative cultural logics and ideas about urban futurity. By documenting the building of Vietnam's first planned city and its aftermath of decay and repurposing, Schwenkel argues that underlying the ambivalent and often unpredictable responses to modernist architectural forms were anxieties about modernity and the future of socialism itself
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 61
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012733
    Language: English
    Pages: 1 online resource (257 pages)
    Parallel Title: Erscheint auch als Sheller, Mimi, 1967 - Island futures
    DDC: 304.209792
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    Keywords: Human ecology Sociological aspects ; Sustainable development ; Human ecology Political aspects ; Human ecology-Political aspects-Caribbean Area ; Karibischer Raum Haiti ; naturkatastrophe ; Klimawandel ; Verhältnis Mensch - Natur ; Humanökologie ; Anthropozän ; Postkolonialismus ; Caribbean Haiti ; Climate change ; Human ecology ; Anthropocene ; Postcolonialism ; Electronic books ; Caribbean Area Environmental aspects ; Caribbean Area Climatic factors ; Karibik ; Klimaänderung ; Naturkatastrophe ; Haiti ; USA ; Humanökologie
    Abstract: Mimi Sheller delves into the ecological crises and reconstruction challenges affecting the entire Caribbean region, showing how vulnerability to ecological collapse and the quest for a "just recovery" in the Caribbean emerge from specific transnational political, economic, and cultural dynamics.
    Abstract: Cover -- Contents -- Preface: An Autobiography of My Mother -- Acknowledgments -- Introduction: Im/Mobile Disaster -- 1. Kinopolitical Power -- 2. Water Power -- 3. Aerial Power -- 4. Digital Power -- 5. Bordering Power -- 6. Sexual Power -- Conclusion: Surviving the Anthropocene -- Afterword: This is Not a Requiem -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 62
    ISBN: 9781478008323 , 9781478007838
    Language: English
    Pages: ix, 254 Seiten , Illustrationen
    Series Statement: Black studies gender and sexuality
    Parallel Title: Erscheint auch als Pinto, Samantha Infamous bodies
    DDC: 305.48/896073
    RVK:
    Keywords: Wheatley, Phillis ; Hemings, Sally ; Baartman, Sarah ; Seacole, Mary ; Bonetta, Sarah Forbes ; Women, Black, in popular culture ; African American women in popular culture ; Women, Black Legal status, laws, etc ; African American women Legal status, laws, etc ; African American feminists ; Womanism ; Fame Social aspects ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Abstract: "INFAMOUS BODIES portrays ...
    Note: Includes bibliographical references and index
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  • 63
    ISBN: 9781478008118 , 9781478006831
    Language: English
    Pages: viii, 278 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Harkins, Gillian, 1970- Virtual pedophilia
    DDC: 306.77
    Keywords: Pedophilia Social aspects ; Pedophilia in mass media Social aspects ; Online sexual predators ; Computer crimes Investigation ; Mass media and crime ; Sex offenders ; Internet and children Social aspects ; USA ; Pädophilie ; Sexualtäter ; Massenmedien
    Abstract: Introduction: Virtual pedophilia -- Monstrous sexuality and vile sovereignty -- Profiling virtuality and pedophilic data -- Informational image and procedural tone -- Capturing the past and the vitality of crime -- Capturing the future and the sexuality of risk -- Conclusion: Exceptional pedophilia and the everyday case.
    Abstract: "VIRTUAL PEDOPHILIA examines the cultural construction of the pedophile in relation to the rise of the carceral state and neoliberal tactics of forensic securitization. The pedophile, according to Gillian Harkins, is everywhere and nowhere: he eludes diagnostic and forensic profiling by slipping into the veneer of everyday normality. But it wasn't always this way; in this book, Harkins investigates the changing discourses of pedophilia over the late twentieth and early twenty-first centuries to ask why and how the pedophile shifted from a social outcast to the image of white male normality, and why the latter image of the pedophile became a cultural fixation. According to Harkins, this shift was also accompanied by new security regimes: now that the pedophile could no longer be easily detected, the point was to detect potential crime through constant vigilance. Drawing on film, television, and popular culture, Harkins explores how the everyday American was inscripted to "hunt" white male pedophiles, arguing that these cultural texts implied the state and science were no longer sufficient to find the pedophile, thereby creating a biopolitics in which everyone must be on the lookout. Drawing on a Deleuzian interpretation of virtuality as potentiality, as well as the contemporary understanding of virtuality as a condition of technologically produced reality, Harkins positions the pedophile as a virtual construction: an always possible potential whose actuality needs to be determined using modern technologies and security apparatuses. In chapters 1 and 2, Harkins outlines a genealogy of the pedophile from Krafft-Ebings's naming of "paedophilia erotica" in 1886 to today's construction of the virtual pedophile. Chapter 3 focuses on the cultural production of the pedophile by examining the television series Law and Order: Special Victims Unit and To Catch a Predator, and how these shows trained audiences to "detect" pedophiles. Chapter 4 examines the pedophile in documentary and narrative film. In the final chapters, Harkins turns towards queer encounters with the security regimes around pedophilia and sex offenders, and considers what's at stake in the calls to dismantle or reduce sex offender management. This book will be of interest to students of gender and sexuality studies, neoliberalism, carceral studies and the security state, cultural studies, and social theory"--
    Note: Includes bibliographical references and index
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  • 64
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478011071 , 9781478010029
    Language: English
    Pages: x, 374 Seiten , Illustrationen
    Series Statement: Thought in the act
    Parallel Title: Erscheint auch als Manning, Erin For a pragmatics of the useless
    DDC: 155.8/2
    Keywords: Racism Psychological aspects ; Psychoanalysis and racism ; Racism ; USA ; Schwarze ; Nutzlosigkeit ; Neurodiversität
    Abstract: Fugitively, Approximately -- For a Pragmatics of the Useless: A Politics of the Infrathin, in Preamble -- Toward a Politics of Immediation: The Subject -- pocket practice - nestingpatching -- What Things Do When They Shape Each Other -- pocket practice - backgroundingforegrounding -- Experimenting with Immediation: Collaboration and the Politics of Fabulation: A -- Laboratory for Thought in Motion -- Practicing the Schizz -- interlude - How Do We Repair? -- Me Lo Dijo un Pajarito: Neurodiversity, Black Life, and the University As We know It -- pocket practice - livingloving -- Not at a Distance: On Touch, Synesthesia, and Other Ways of Knowing -- pocket practice - ticcingflapping -- Cephalopod Dreams: Finance at the Limit -- coda - schizzinganarchiving
    Abstract: "Leading with the proposition that "all black life is neurodiverse life," For a Pragmatics of the Useless explores how value is produced in the context of resolutely white, neurotypical modes of existence, proposing schizoanalysis as a mode of practice that opens the way for other ways of living and learning"--
    Note: Includes bibliographical references and index
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  • 65
    ISBN: 9781478004684 , 9781478004073
    Language: English
    Pages: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
    RVK:
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Abstract: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Note: Includes bibliographical references and index
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  • 66
    ISBN: 9781478007869 , 9781478008385
    Language: English
    Pages: 386 Seiten , Illustrationen
    Series Statement: Black outdoors
    Series Statement: Innovations in the poetics of study
    Parallel Title: Erscheint auch als Otherwise worlds
    DDC: 305.8
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    Keywords: Blacks Study and teaching ; Indians of North America Study and teaching ; African Americans Relations with Indians ; African Americans Race identity ; Indians of North America Ethnic identity ; Racism ; Race Political aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Nordamerika ; Schwarze ; Indigenes Volk ; Ethnische Beziehungen
    Abstract: Introduction. Beyond incommensurability : toward an otherwise stance on Black and indigenous relationality / Tiffany Lethabo King, Jenell Navarro, Andrea Smith -- Stayed / Freedom / Hallelujah / Ashon Crawley -- Reading the dead : a method of (the critique of) global capital / Denise Ferreira Da Silva -- Staying ready for Black study / Frank B. Wilderson III and Tiffany Lethabo King -- New world grammars : the 'unthought' Black discourses of conquest / Tiffany Lethabo King -- The vel of slavery : tracking the figure of the unsovereign / Jared Sexton -- Sovereignty as deferred genocide / Andrea Smith -- Murder and metaphysics in Leslie Marmon Silko's "Tony's story" and Audre Lorde's "Power" / Chad Benito Infante -- Black malpractice (or, the fugitive sacred) / J. Kameron Carter -- Possessions of whiteness : settler colonialism and anti-Blackness in the Pacific / Maile Arvin -- "What's past Is prologue" : Black native refusal and the colonial archive / Sandra Harvey -- Indian country's apartheid / Cedric Sunray -- Maskoke peoples and our pervasive anti-Black racism / Marcus Briggs-Cloud -- "Mississippian Black metal girl on a Friday night" with artist's statement / Hotvlkuce Harjo -- The countdown remix : why two native feminists ride with Queen Bey / Jenell Navarro and Kimberly Robertson -- "Slay" serigraph with artist's statement / Kimberly Robertson -- Mass incarceration since 1492 / Jenell Navarro and Kimberly Robertson -- "Liberation," cover of queer indigenous girl, Volume 4 and "Roots," cover of Black indigenous boy, Volume 2 / Se'mana Thompson -- Visual cultures of indigenous futurism / Lindsay Nixon -- Diaspora, transnationalism and the decolonial project / Rinaldo Walcott -- Building Maroon intellectual communities / Chris Finley.
    Abstract: "OTHERWISE WORLDS is an anthology motivated by the possibilities of other ways of being, feeling, thinking, and relating that exist outside of a settler-colonial, anti-Black ontology. In exploring the practices needed to access these possibilities, the editors and contributors call for new modes of understanding the intersections and tensions that hold Black and Indigenous communities in relation. Pushing past previous articulations of equivalence or incommensurability, solidarity or antagonism, the essays, interviews, and works of art that comprise the volume cohere around a singular, but multivocal, method: engaging with relation as a process, rather than a predetermined reality, in order to draw out the moments and spaces in which the "otherwise" might be reached. Navigating not only the formative debates that have brought Black studies and Indigenous studies scholars to the current impasse, but also the promises of otherwise futures, the editors and contributors read across difference and resist disciplining and disciplinary norms. The collection is divided into four interrelated thematic parts, each a series of provocations and engagements that highlight imaginative strategies and new forms of praxis. The first section considers otherwise potentialities through the corporeal form and the concerns of violence and pain that are themselves intrinsically bound to the body. Essays by Ashon Crawley and Denise Ferreira da Silva draw upon Hortense Spillers's invocation of flesh in order to confront understandings of corporeality focused on the sovereign body. The second section turns to Native studies scholars' use of land and conquest as analytics that productively unsettle the terrain of Black studies' inquiry (and draws a distinction between settler colonial studies and Native studies), with essays by Tiffany King and Chad Infante connecting the afterlives of slavery and conquest. The third section considers the possibilities of Black and Indigenous being-together as a site of both surveillance and resistance; essays by Maile Arvin and Cedric Sunray consider the erasure of Black and Indigenous socialities in the context of anti-Black racism among Native communities. The fourth and final section centers the crucial role of kinship in building future imaginaries through community and a more capacious understanding of relation. This section in particular draws upon artwork, notably that of Kimberly Robertson and Se'mana Thompson. This book will be of interest ...
    Note: Includes bibliographical references and index , Enthält 20 Beiträge
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  • 67
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478008859
    Language: English
    Pages: 1 Online-Ressource (x, 234 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Dávila, Arlene M., 1965 - Latinx art
    DDC: 700.98
    Keywords: Art, Latin American-Political aspects ; Electronic books ; USA ; Hispanos ; Künstler ; Kunst ; Kunstmarkt ; Kunsthandel ; Kulturelle Identität ; Rassismus
    Abstract: Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore how and why the contemporary international art market continues to overlook, devalue, and marginalize Latinx art and artists.
    URL: Volltext  (lizenzpflichtig)
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  • 68
    ISBN: 9781478005179 , 9781478006787
    Language: English
    Pages: 325 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Are you entertained?
    Parallel Title: Erscheint auch als Are you entertained?
    Parallel Title: Erscheint auch als Are You Entertained?
    DDC: 305.896/073
    Keywords: African Americans in popular culture ; Racism in popular culture ; African American arts ; Popular culture ; Politics and culture ; United States Civilization ; African American influences ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Abstract: Performing Blackness -- "Mutts like me" : mixed-race jokes and post-racial rejection in the Obama era / Ralina L. Joseph -- Black radio : Robert Glasper, Esperanza Spalding, and Janelle Monae? / Emily Lordi -- Camping and vamping across borders : locating cabaret singers in the Black cultural spectrum / Vincent Stephens -- The art of Black popular culture / Ike Okafor-Newsum -- Interview: Lisa B. Thompson -- Politicizing Blackness -- "Refashioning political cartoons : comics of Jackie Ormes, 1938-1958" / Kelly Jo Fulkerson-Dikuua -- Queer kinship and worldmaking in Black queer web series : Drama queenz and No shade / Eric Pritchard -- Styling and profiling : ballers, Blackness, the sartorial Ppolitics of the NBA / David J. Leonard -- Interview: Tracy Whiting-Sharpley -- Owning Blackness -- The subaltern is signifyin(g) : Black Twitter as a site of resistance / Sheneese Thompson -- Authentic Black cool? : branding and trademarks in contemporary African American culture / Richard Schur -- Black culture without Black people : hip hop and dance beyond appropriation discourse / Imani Johnson -- At the corner of chaos & divine : Black ritual theater, performance and politics / Nina Angela Mercer -- Interview: Mark Anthony Neal -- Loving Blackness -- The booty don't lie : pleasure, agency, and resistance in Black popular dance / Takiyah Nur Amin -- He said nothing : sonic space and the production of quietude in Barry Jenkins' Moonlight / Simone Drake -- Black women readers and the uses of urban fiction / Kinohi Nishikawa -- Interview: Patricia Hill Collins.
    Abstract: "ARE YOU ENTERTAINED? re-examines Blackness in popular culture in the digital age. Inspired by Stuart Hall's essay "What is this 'Black' in Black popular culture?" this book contains essays and interviews which explore the complexities of Black popular culture with a focus on the history that has led to this point. Highlighting the challenge Black popular culture must negotiate as it contends with white consumerism and the white gaze, this book emphasizes the cultural changes of the last quarter century and their impacts. ARE YOU ENTERTAINED? covers both new and little known material, bridging the gap between early scholarship on Black popular culture and new scholarship. The collection offers a wide range of perspectives on aspects of popular culture across time period, medium and genre"--
    Note: Includes bibliographical references and index
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  • 69
    ISBN: 9781478009658 , 9781478008798
    Language: English
    Pages: xxii, 306 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Londoño, Johana Abstract Barrios
    DDC: 305.868/073
    Keywords: Hispanic American neighborhoods History ; Hispanic Americans Social life and customs ; Hispanic Americans Ethnic identity ; Urban policy History ; City planning Social aspects ; Gentrification History ; United States Ethnic relations ; USA ; Stadt ; Segregation ; Gentrifizierung ; Hispanos ; Stadtteilkultur
    Note: Includes bibliographical references and index
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  • 70
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012436
    Language: English
    Pages: 1 online resource (301 pages)
    Series Statement: A Camera Obscura Book Ser.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Mani, Bakirathi Unseeing empire
    DDC: 909.04914
    RVK:
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    Keywords: South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; South Asian Americans-Ethnic identity ; South Asian Americans-Cultural assimilation-United States ; South Asian Americans-Ethnic identity.. ; South Asian diaspora ; South Asian Americans-Cultural assimilation-United States.. ; Electronic books ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Abstract: Bakirathi Mani examines the visual and affective relationships between South Asian diasporic viewers, artists, and photographic representations of immigrant subjects, showing how empire continues to haunt South Asian American visual cultures.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 71
    ISBN: 9781478010296
    Language: English
    Pages: 1 Online-Ressource (233 Seiten)
    Edition: [Online-Ausgabe]
    Parallel Title: Erscheint auch als Abreu, Maria José A. de, - 1970- The charismatic gymnasium
    Keywords: Anthropology of religion ; Christianity ; Leadership Religious aspects ; Catholic Church ; Religion and politics ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; Electronic books ; Electronic books
    Abstract: Frontmatter -- CONTENTS -- Preface: Breathe In. Breathe Out -- Acknowledgments -- Introduction -- PART I -- 1. The Media Acts of the Apostles -- 2. Confession, Technically Speaking -- 3. Outstanding Elasticity -- PART II -- 4. The Aerobics of Jesus -- 5. Sanctuary Theotókos: A Conception -- 6. Ghost Chair -- Epilogue: Theology on the Run -- Afterword: On Bipolarity -- Notes -- Bibliography -- Index
    Abstract: In The Charismatic Gymnasium Maria José de Abreu examines how Charismatic Catholicism in contemporary Brazil produces a new form of total power through a concatenation of the breathing body, theology, and electronic mass media. De Abreu documents a vast religious respiratory program of revival popularly branded as “the aerobics of Jesus.” Pneuma—the Greek term for air, breath, and spirit—is central to this aerobic program, whose goal is to labor on the athletic elasticity of spirit. Tracing the rhetoric, gestures, and spaces that together constitute this new theological community, de Abreu exposes the articulating forces among evangelical Christianity, neoliberal logics, and the rise of right-wing politics. By calling attention to how an ethics of pauperism vitally intersects with the neoliberal ethos of flexibility, de Abreu shows how paradoxes do not hinder but expand the Charismatic gymnasium. The result, de Abreu demonstrates, is the production of a fluid form of totalitarianism and Christianity in Brazil and beyond.
    Note: In English
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  • 72
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012351
    Language: English
    Pages: 1 Online-Ressource (xi, 195 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 959.4
    RVK:
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    Keywords: SOCIAL SCIENCE / Anthropology / Cultural & Social ; Dams Environmental aspects ; Dams Social aspects ; Economic development projects Environmental aspects ; Economic development projects Social aspects ; Ethnology ; Rivers Religious aspects ; Ökologie ; Umweltveränderung ; Landbevölkerung ; Dorf ; Alltag ; Thailand ; Mekong ; Thailand Nordost ; Mekong ; Landbevölkerung ; Umweltveränderung ; Alltag ; Mekong ; Dorf ; Ökologie ; Alltag
    Abstract: The Mekong River has undergone vast infrastructural changes in recent years, including the construction of dams across its main stream. These projects, along with the introduction of new fish species, changing political fortunes, and international migrant labor, have all made a profound impact upon the lives of those residing on the great river. It also impacts how they dream. In Mekong Dreaming, Andrew Alan Johnson explores the changing relationship between the river and the residents of Ban Beuk, a village on the Thailand-Laos border, by focusing on the effect that construction has had on human and inhuman elements of the villagers' world. Johnson shows how inhabitants come to terms with the profound impact that remote, intangible, and yet powerful forces-from global markets and remote bureaucrats to ghosts, spirits, and gods-have on their livelihoods. Through dreams, migration, new religious practices, and new ways of dwelling on a changed river, inhabitants struggle to understand and affect the distant, the inassimilable, and the occult, which offer both sources of power and potential disaster
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 73
    ISBN: 9781478012023
    Language: English
    Pages: 1 Online-Ressource (386 Seiten)
    Series Statement: Black Outdoors: Innovations in the Poetics of Study
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8
    RVK:
    Keywords: SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African Americans Race identity ; African Americans Relations with Indians ; Blacks Study and teaching ; Indians of North America Ethnic identity ; Indians of North America Study and teaching ; Race Political aspects ; Racism ; Interaktion ; Afroamerikanismus ; Identität ; Indigenes Volk ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Afroamerikanismus ; Schwarze ; Indigenes Volk ; Identität ; Interaktion
    Abstract: The contributors to Otherwise Worlds investigate the complex relationships between settler colonialism and anti-Blackness to explore the political possibilities that emerge from such inquiries. Pointing out that presumptions of solidarity, antagonism, or incommensurability between Black and Native communities are insufficient to understand the relationships between the groups, the volume's scholars, artists, and activists look to articulate new modes of living and organizing in the service of creating new futures. Among other topics, they examine the ontological status of Blackness and Indigeneity, possible forms of relationality between Black and Native communities, perspectives on Black and Indigenous sociality, and freeing the flesh from the constraints of violence and settler colonialism. Throughout the volume's essays, art, and interviews, the contributors carefully attend to alternative kinds of relationships between Black and Native communities that can lead toward liberation. In so doing, they critically point to the importance of Black and Indigenous conversations for formulating otherwise worlds.ContributorsMaile Arvin, Marcus Briggs-Cloud, J. Kameron Carter, Ashon Crawley, Denise Ferreira da Silva, Chris Finley, Hotvlkuce Harjo, Sandra Harvey, Chad B. Infante, Tiffany Lethabo King, Jenell Navarro, Lindsay Nixon, Kimberly Robertson, Jared Sexton, Andrea Smith, Cedric Sunray, Se'mana Thompson, Frank B. Wilderson
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 74
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012771 , 1478012773
    Language: English
    Pages: 1 Online-Ressource (xiv, 392 pages) , illustrations
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als
    DDC: 782.421660820973
    RVK:
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    Keywords: Geschichte 1950-1990 ; African American women rock musicians / History / 20th century / United States ; Rock music / Social aspects ; Music and race ; Rockmusikerin ; Schwarze ; Ethnische Identität ; Geschlechterrolle ; USA ; USA ; Rockmusikerin ; Schwarze ; Geschlechterrolle ; Ethnische Identität ; Geschichte 1950-1990
    Abstract: Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 75
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009283
    Language: English
    Pages: 1 Online-Ressource (ix, 254 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.48/896073
    Keywords: Geschichte ; SOCIAL SCIENCE / Black Studies (Global) ; African American feminists ; African American women in popular culture ; African American women Legal status, laws, etc ; Fame Social aspects ; Womanism ; Women, Black Legal status, laws, etc ; Women, Black, in popular culture ; Schwarze Frau ; Feministin ; USA ; Biografie ; Biografie ; Biografie ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Abstract: The countless retellings and reimaginings of the private and public lives of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta have transformed them into difficult cultural and black feminist icons. In Infamous Bodies Samantha Pinto explores how histories of these black women and their ongoing fame generate new ways of imagining black feminist futures. Drawing on a variety of media, cultural, legal, and critical sources, Pinto shows how key political concepts such as freedom, consent, contract, citizenship, and sovereignty are shaped by the narratives surrounding these eighteenth- and nineteenth-century celebrities. Whether analyzing Wheatley's fame in relation to conceptions of race and freedom, notions of consent in Hemings' relationship with Thomas Jefferson, or Baartman's ability to enter into legal contracts, Pinto reveals the centrality of race, gender, and sexuality in the formation of political rights. In so doing, she contends that feminist theories of black women's vulnerable embodiment can be the starting point for future progressive political projects
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 76
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009245
    Language: English
    Pages: 1 Online-Ressource (x, 374 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.6095124/2
    RVK:
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    Keywords: SOCIAL SCIENCE / Anthropology / Cultural & Social ; Economic development Religious aspects ; Economic development ; Ethnology ; Wirtschaftsentwicklung ; Ritual ; Sozialer Wandel ; Sozioökonomischer Wandel ; Religion ; China ; Wenzhou ; Wenzhou ; Religion ; Ritual ; Sozioökonomischer Wandel ; China ; Wenzhou ; Religion ; Ritual ; Wirtschaftsentwicklung ; Sozialer Wandel
    Abstract: In Re-enchanting Modernity Mayfair Yang examines the resurgence of religious and ritual life after decades of enforced secularization in the coastal area of Wenzhou, China. Drawing on twenty-five years of ethnographic fieldwork, Yang shows how the local practices of popular religion, Daoism, and Buddhism are based in community-oriented grassroots organizations that create spaces for relative local autonomy and self-governance. Central to Wenzhou's religious civil society is what Yang calls a "ritual economy," in which an ethos of generosity is expressed through donations to temples, clerics, ritual events, and charities in exchange for spiritual gain. With these investments in transcendent realms, Yang adopts Georges Bataille's notion of "ritual expenditures" to challenge the idea that rural Wenzhou's economic development can be described in terms of Max Weber's notion of a "Protestant Ethic". Instead, Yang suggests that Wenzhou's ritual economy forges an alternate path to capitalist modernity
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 77
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012245 , 1478012242
    Language: English
    Pages: 1 Online-Ressource (x, 217 pages)
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 781.644
    RVK:
    Keywords: Geschichte 1960- ; Soul music / History and criticism ; Soul musicians ; African Americans / Music / History and criticism ; Music and race / History / 20th century / United States ; Popular music / History and criticism / United States ; Resilienz ; Afroamerikanische Musik ; Ethnische Identität ; Soulmusiker ; USA ; USA ; Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; Resilienz ; Geschichte 1960-
    Abstract: From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 78
    ISBN: 9781478009009
    Language: English
    Pages: 1 Online-Ressource (325 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
    RVK:
    Keywords: Geschichte 2000-2019 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African American arts ; African Americans in popular culture ; Politics and culture ; Popular culture ; Racism in popular culture ; Massenkultur ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Abstract: The advent of the internet and the availability of social media and digital downloads have expanded the creation, distribution, and consumption of Black cultural production as never before. At the same time, a new generation of Black public intellectuals who speak to the relationship between race, politics, and popular culture has come into national prominence. The contributors to Are You Entertained? address these trends to consider what culture and blackness mean in the twenty-first century's digital consumer economy. In this collection of essays, interviews, visual art, and an artist statement the contributors examine a range of topics and issues, from music, white consumerism, cartoons, and the rise of Black Twitter to the NBA's dress code, dance, and Moonlight. Analyzing the myriad ways in which people perform, avow, politicize, own, and love blackness, this volume charts the shifting debates in Black popular culture scholarship over the past quarter century while offering new avenues for future scholarship.Contributors. Takiyah Nur Amin, Patricia Hill Collins, Kelly Jo Fulkerson-Dikuua, Simone C. Drake, Dwan K. Henderson, Imani Kai Johnson, Ralina L. Joseph, David J. Leonard, Emily J. Lordi, Nina Angela Mercer, Mark Anthony Neal, H. Ike Okafor-Newsum, Kinohi Nishikawa, Eric Darnell Pritchard, Richard Schur, Tracy Sharpley-Whiting, Vincent Stephens, Lisa B. Thompson, Sheneese Thompson
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Cover
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  • 79
    ISBN: 9781478009436 , 9781478008545
    Language: English
    Pages: xvi, 310 Seiten , Illustrationen
    DDC: 305.52
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    Keywords: Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung ; USA ; Los Angeles- Hollywood
    Note: Literaturverzeichnis Seite 271-300
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  • 80
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009337
    Language: English
    Pages: 1 Online-Ressource (xi, 290 Seiten)
    Series Statement: Sign, Storage, Transmission
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.76/63
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    Keywords: Lesbian Herstory Archives ; Geschichte 1970-2020 ; SOCIAL SCIENCE / Media Studies ; Archival materials Digitization ; Social aspects ; Archives Social aspects ; Digital media Social aspects ; Lesbian feminism Archival resources ; Lesbians Archival resources ; Queer theory ; Medien ; Queer-Theorie ; Soziale Bewegung ; Lesbe ; Kommunikation ; Feminismus ; USA ; Hochschulschrift ; Hochschulschrift ; Aufsatzsammlung ; USA ; Lesbe ; Feminismus ; Soziale Bewegung ; Medien ; Kommunikation ; Queer-Theorie ; Geschichte 1970-2020 ; Lesbian Herstory Archives
    Abstract: For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. InInformation Activism Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on-the-fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 81
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009139
    Language: English
    Pages: 1 Online-Ressource (xiii, 247 Seiten) , Illustrationen
    Series Statement: A Camera Obscura Book
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.84/8
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    Keywords: Geschichte ; Hollywood marriage plot ; changing narrative of intimacy ; valorization of intimacy ; PERFORMING ARTS / Film & Video / History & Criticism ; Homosexuality in motion pictures ; Lesbianism in motion pictures ; Marriage ; Same-sex marriage ; Homosexualität ; Film ; Ehe ; USA ; USA ; Film ; Homosexualität ; Ehe ; Geschichte
    Abstract: In Reattachment Theory Lee Wallace argues that homosexuality-far from being the threat to "traditional" marriage that same-sex marriage opponents have asserted-is so integral to its reimagining that all marriage is gay marriage. Drawing on the history of marriage, Stanley Cavell's analysis of Hollywood comedies of remarriage, and readings of recent gay and lesbian films, Wallace shows that queer experiments in domesticity have reshaped the affective and erotic horizons of heterosexual marriage and its defining principles: fidelity, exclusivity, and endurance. Wallace analyzes a series of films-Dorothy Arzner's Craig's Wife (1936); Tom Ford's A Single Man (2009); Lisa Cholodenko's High Art (1998), Laurel Canyon (2002), and The Kids Are All Right (2010); and Andrew Haigh's Weekend (2011) and 45 Years (2015)-that, she contends, do not simply reflect social and legal changes; they fundamentally alter our sense of what sexual attachment involves as both a social and a romantic form
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 82
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009283
    Language: English
    Pages: 1 Online-Ressource (ix, 254 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.48/896073
    Keywords: Geschichte ; SOCIAL SCIENCE / Black Studies (Global) ; African American feminists ; African American women in popular culture ; African American women Legal status, laws, etc ; Fame Social aspects ; Womanism ; Women, Black Legal status, laws, etc ; Women, Black, in popular culture ; Feministin ; Schwarze Frau ; USA ; Biografie ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Abstract: The countless retellings and reimaginings of the private and public lives of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta have transformed them into difficult cultural and black feminist icons. In Infamous Bodies Samantha Pinto explores how histories of these black women and their ongoing fame generate new ways of imagining black feminist futures. Drawing on a variety of media, cultural, legal, and critical sources, Pinto shows how key political concepts such as freedom, consent, contract, citizenship, and sovereignty are shaped by the narratives surrounding these eighteenth- and nineteenth-century celebrities. Whether analyzing Wheatley's fame in relation to conceptions of race and freedom, notions of consent in Hemings' relationship with Thomas Jefferson, or Baartman's ability to enter into legal contracts, Pinto reveals the centrality of race, gender, and sexuality in the formation of political rights. In so doing, she contends that feminist theories of black women's vulnerable embodiment can be the starting point for future progressive political projects
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 83
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012108
    Language: English
    Pages: 1 online resource (232 p.)
    Series Statement: Latin America in Translation
    DDC: 306.2098
    RVK:
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    Keywords: Indigenous peoples / Latin America / Politics and government ; Political culture / Latin America ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Electronic books
    Abstract: In Pluriversal Politics Arturo Escobar engages with the politics of the possible and how established notions of what is real and attainable preclude the emergence of radically alternative visions of the future. Reflecting on the experience, philosophy, and practice of indigenous and Afro-descendant activist-intellectuals and on current Latin American theoretical-political debates, Escobar chronicles the social movements mobilizing to defend their territories from large-scale extractive operations in the region. He shows how these movements engage in an ontological politics aimed at bringing about the pluriverse—a world consisting of many worlds, each with its own ontological and epistemic grounding. Such a politics, Escobar contends, is key to crafting myriad world-making stories telling of different possible futures that could bring about the profound social transformations that are needed to address planetary crises. Both a call to action and a theoretical provocation, Pluriversal Politics finds Escobar at his critically incisive best
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 84
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478008569 , 9781478009450
    Language: English
    Pages: x, 234 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Dávila, Arlene M., 1965 - Latinx art
    Parallel Title: Erscheint auch als Dávila, Arlene M., 1965 - Latinx Art
    DDC: 700.98
    Keywords: Art, Latin American Political aspects ; Museum exhibits Political aspects ; Hispanic American artists ; Anthropology Political aspects ; Ethnology Political aspects ; Cultural policy ; Hispanos ; Kunst ; Künstler ; Kunstmarkt ; Kunsthandel ; Kulturelle Identität ; Rassismus ; Lateinamerika ; USA
    Abstract: What is Latinx art? Lessons from Chicanx and diasporican artists -- Exhibiting Latinx art : on critics, curators, and going "beyond the formula" -- Nationalism and the currency of categories -- On markets and the need for cheerleaders -- Whitewashing at work, and some ways out.
    Note: Includes bibliographical references and index
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  • 85
    ISBN: 9781478007326
    Language: English
    Pages: 1 Online-Ressource (241 Seiten)
    Parallel Title: Erscheint auch als Beck, John, 1963 - Technocrats of the imagination
    DDC: 700.1/050973
    RVK:
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    Keywords: Technology and the arts History 20th century ; Military-industrial complex ; Arts Experimental methods ; Art / Criticism & Theory ; Electronic books ; USA ; Medienkunst ; Militärtechnik ; Geschichte 1960-1969 ; Experiments in Art and Technology ; Laboratorium ; Militär
    Abstract: Science, Art, Democracy -- A Laboratory of Form and Movement: Institutionalizing Emancipatory Technicity at MIT -- The Hands-on Approach: Engineering Collaboration at E.A.T. -- Feedback: Expertise, LACMA and the Think-Tank -- How to Make the World Work -- Heritage of Our Times.
    Abstract: "TECHNOCRATS OF THE IMAGINATION traces the rise of collaborative art and technology labs in the U.S. from WWII to the present. Ryan Bishop and John Beck reveal the intertwined histories of the avant-garde art movement and the military-industrial complex, showing how radical pedagogical practices traveled from Germany's Bauhaus movement to the U.S. art world and interacted with government-funded military research and development in university laboratories. During the 1960s both media labs and studio labs leaned heavily on methods of interdisciplinary collaboration and the power of American modernity to model new modes of social organization. The book's chapters take up MIT's Center for Art, Science, and Technology, Bell Labs's E.A.T. (Experiments in Art and Technology) Salon, and Los Angeles Museum of Art's Art + Technology Program. Their interconnected history illuminates how much of contemporary media culture and aesthetics depends on the historical relationship between military, corporate, and university actors. In light of revived interest in Black Mountain College and other 1960s art and technology labs, this book draws important connections between the contemporary art world and the militarized lab model of research that has dominated the sciences since the 1950s. The authors situate the rise of collaborative art and technology projects in the 1960s within John Dewey's ideology of scientific democracy, showing how leading thinkers from the Bauhaus movement in Germany immigrated to the U.S. and brought with them a Deweyan model for collaborative and interdisciplinary art and technology research. Over the course of the decade, the U.S. government increased funding to scientific research at university and private laboratories. Beck and Bishop investigate how various art and technology projects incorporated the collaborative and innovative interdisciplinarity of the avant-garde art movement with the corporate funding structure driven by the U.S. government's military and technoscientific interests. Finally, the authors consider the legacy of 1960s art and technology projects. During the 1970s and 80s, defense R&D funding was less motivated by a Cold War corporate state, and was instead restructured according to an entrepreneurial and neoliberal model. At the same time, funding in the art world also became increasingly financialized and globalized. Today's art and technology work happens collaboratively not because of an intellectual commitment to interdis ...
    Note: A cultural politics book , Includes bibliographical references and index
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  • 86
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012078
    Language: English
    Pages: 1 Online-Ressource (263 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 301.01
    Keywords: Schele, Linda ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; Anthropological ethics ; Anthropologists ; Anthropology Methodology ; Anthropology Philosophy ; Ethnology Methodology ; Ethnology Philosophy ; Ethnology Religious aspects ; Schele, Linda 1942-1998
    Abstract: In Afterlives of Affect Matthew C. Watson considers the life and work of artist and Mayanist scholar Linda Schele (1942-1998) as a point of departure for what he calls an excitable anthropology. As part of a small collective of scholars who devised the first compelling arguments that Maya hieroglyphs were a fully grammatical writing system, Schele popularized the decipherment of hieroglyphs by developing narratives of Maya politics and religion in popular books and public workshops. In this experimental, person-centered ethnography, Watson shows how Schele's sense of joyous discovery and affective engagement with research led her to traverse and disrupt borders between religion, science, art, life, death, and history. While acknowledging critiques of Schele's work and the idea of discovery more generally, Watson contends that affect and wonder should lie at the heart of any reflexive anthropology. With this singular examination of Schele and the community she built around herself and her work, Watson furthers debates on more-than-human worlds, spiritualism, modernity, science studies, affect theory, and the social conditions of knowledge production
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  • 87
    ISBN: 9781478012580
    Language: English
    Pages: 1 Online-Ressource (288 p)
    Series Statement: Experimental futures
    Series Statement: technological lives, scientific arts, anthropological voices
    Parallel Title: Erscheint auch als Fearnley, Lyle Virulent zones
    DDC: 614.5/180951222
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    Keywords: Animals as carriers of disease ; Influenza Research ; Viruses Research ; Zoonoses ; Agriculture Environmental aspects ; SOCIAL SCIENCE / Anthropology / Cultural & Social
    Abstract: Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- CHAPTER ONE THE ORIGINS OF PANDEMICS -- CHAPTER TWO PATHOGENIC RESERVOIRS -- CHAPTER THREE LIVESTOCK REVOLUTIONS -- CHAPTER FOUR WILD GOOSE CHASE -- CHAPTER FIVE AFFINITY AND ACCESS -- CHAPTER SIX OFFICE VETS AND DUCK DOCTORS -- CONCLUSION VANISHING POINT -- POSTSCRIPT -- NOTES -- BIBLIOGRAPHY -- INDEX
    Abstract: Scientists have identified Southern China as a likely epicenter for viral pandemics, a place where new viruses emerge out of intensively farmed landscapes and human-animal interactions. In Virulent Zones, Lyle Fearnley documents the global plans to stop the next influenza pandemic at its source, accompanying virologists and veterinarians as they track lethal viruses to China's largest freshwater lake, Poyang Lake. Revealing how scientific research and expert agency operate outside the laboratory, he shows that the search for origins is less a linear process of discovery than a constant displacement toward new questions about cause and context. As scientists strive to understand the environments from which the influenza virus emerges, the unexpected scale of duck farming systems and unusual practices such as breeding wild geese unsettle research objects, push scientific inquiry in new directions, and throw expert authority into question. Drawing on fieldwork with global health scientists, state-employed veterinarians, and poultry farmers in Beijing and at Poyang Lake, Fearnley situates the production of ecological facts about disease emergence inside the shifting cultural landscapes of agrarian change and the geopolitics of global health
    Note: In English
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  • 88
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012276 , 1478012277
    Language: English
    Pages: 1 Online-Ressource (xxii, 306 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 305.868/073
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    Keywords: Hispanic American neighborhoods / History ; Hispanic Americans / Social life and customs ; Hispanic Americans / Ethnic identity ; Urban policy / History / United States ; City planning / Social aspects / United States ; Gentrification / History / United States ; Stadtteilkultur ; Gentrifizierung ; Hispanos ; Stadt ; Segregation ; USA ; USA ; Stadt ; Segregation ; Gentrifizierung ; Hispanos ; Stadtteilkultur
    Abstract: Design for the "Puerto Rican problem" -- Colors and the "culture of poverty" -- A fiesta for "white flight" -- Barrio affinities and the diversity problem -- Brokering or gentrification by another name
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 89
    ISBN: 9781478012634
    Language: English
    Pages: 1 Online-Ressource (xiii, 303 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.4/88
    Keywords: SOCIAL SCIENCE / Women's Studies ; Aesthetics ; African American women in art ; Art and race ; Body image in art ; Body image in girls ; Body image in women ; Body image Social aspects ; Hispanic American women ; Human body in popular culture ; Körperbild ; Schönheit ; Ästhetik ; Bildnis ; Hispanos ; Massenkultur ; Schwarze ; Rassentheorie ; Schwarze ; Hispanos ; Körperbild ; Bildnis ; Ästhetik ; Schönheit ; Massenkultur ; Rassentheorie
    Abstract: Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying "excessive" styles that are presumed to indicate sexual deviance. In Aesthetics of Excess Jillian Hernandez examines how middle class discourses of aesthetic value racialize the bodies of women and girls of color. At the same time their style can be a source of cultural capital when appropriated by the contemporary art scene. Drawing on her community arts work with Black and Latina girls Miami, Florida, Hernandez analyzes the art and self-image of these girls alongside works produced by contemporary artists and pop musicians such as Wangechi Mutu, Kara Walker, and Nicki Minaj. Through these relational readings, Hernandez shows how notions of high and low culture are complicated when women and girls of color engage in cultural production and how they challenge the policing of their bodies and sexualities through artistic authorship
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  • 90
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012092
    Language: English
    Pages: 1 Online-Ressource (258 Seiten)
    Series Statement: Global Insecurities
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 342.7308
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    Keywords: temporary worker status ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; Emigration and immigration law ; Emigration and immigration law ; Identification cards Law and legislation ; Identification cards Law and legislation ; Formular ; Dokumentation ; Aufenthaltsgenehmigung ; Migration ; Aufsatzsammlung ; Aufsatzsammlung ; Migration ; Dokumentation ; Formular ; Aufenthaltsgenehmigung
    Abstract: Across the globe, states have long aimed to control the movement of people, identify their citizens, and restrict noncitizens' rights through official identification documents. Although states are now less likely to grant permanent legal status, they are increasingly issuing new temporary and provisional legal statuses to migrants. Meanwhile, the need for migrants to apply for frequent renewals subjects them to more intensive state surveillance. The contributors to Paper Trails examine how these new developments change migrants' relationship to state, local, and foreign bureaucracies. The contributors analyze, among other toics, immigration policies in the United Kingdom, the issuing of driver's licenses in Arizona and New Mexico, the Deferred Action for Childhood Arrivals program, and community know-your-rights campaigns. By demonstrating how migrants are inscribed into official bureaucratic systems through the issuance of identification documents, the contributors open up new ways to understand how states exert their power and how migrants must navigate new systems of governance.Contributors. Bridget Anderson, Deborah A. Boehm, Susan Bibler Coutin, Ruth Gomberg-Muñoz, Sarah B. Horton, Josiah Heyman, Cecilia Menjívar, Juan Thomas Ordóñez, Doris Marie Provine, Nandita Sharma, Monica Varsanyi
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  • 91
    ISBN: 9781478009849 , 9781478010890
    Language: English
    Pages: xv, 271 Seiten, 12 ungezählte Seiten , Illustrationen
    Series Statement: A camera obscura book
    Parallel Title: Erscheint auch als Mani, Bakirathi Unseeing Empire
    DDC: 909/.04914
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    Keywords: South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Abstract: "In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in US public culture and to reflect on their desires to be represented"--
    Note: Literaturverzeichnis: Seiten 245-259
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  • 92
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009344
    Language: English
    Pages: 1 Online-Ressource (xiii, 274 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302
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    Keywords: SOCIAL SCIENCE / Anthropology / Cultural & Social ; Anthropology Methodology ; English language Discourse analysis ; Ethnology Methodology ; Interpersonal relations and culture ; Interpersonal relations ; Verwandtschaft ; Anthropologie ; Ethnologie ; Electronic books ; Verwandtschaft ; Anthropologie ; Ethnologie
    Abstract: The concept of relation holds a privileged place in how anthropologists think and write about the social and cultural lives they study. In Relations, eminent anthropologist Marilyn Strathern provides a critical account of this key concept and its usage and significance in the English-speaking world. Exploring relation's changing articulations and meanings over the past three centuries, Strathern shows how the historical idiosyncrasy of using an epistemological term for kinspersons ("relatives") was bound up with evolving ideas about knowledge-making and kin-making. She draws on philosophical debates about relation-such as Leibniz's reaction to Locke-and what became its definitive place in anthropological exposition, elucidating the underlying assumptions and conventions of its use. She also calls for scholars in anthropology and beyond to take up the limitations of Western relational thinking, especially against the background of present ecological crises and interest in multispecies relations. In weaving together analyses of kin-making and knowledge-making, Strathern opens up new ways of thinking about the contours of epistemic and relational possibilities while questioning the limits and potential of ethnographic methods
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  • 93
    ISBN: 9781478008880
    Language: English
    Pages: 1 Online-Ressource (xvi, 310 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.5/2
    Keywords: SOCIAL SCIENCE / Anthropology / Cultural & Social ; Celebrities in mass media ; Fame Social aspects ; Hispanic American mass media ; Hispanic Americans in mass media ; Mass media and culture ; Mass media Political aspects ; Paparazzi ; Popular culture ; Women journalists ; Berühmte Persönlichkeit ; Paparazzo ; Regenbogenpresse ; Diskriminierung ; USA ; Los Angeles- Hollywood ; USA ; Los Angeles- Hollywood ; Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung
    Abstract: In Manufacturing Celebrity Vanessa Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture. Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Díaz examines the racialized and gendered labor involved in manufacturing and selling relatable celebrity personas. Celebrity reporters, most of whom are white women, are expected to leverage their sexuality to generate coverage, which makes them vulnerable to sexual exploitation and assault. Meanwhile, the predominantly male Latino paparazzi can face life-threatening situations and endure vilification that echoes anti-immigrant rhetoric. In pointing out the precarity of those who hustle to make a living by generating the bulk of celebrity media, Díaz highlights the profound inequities of the systems that provide consumers with 24/7 coverage of their favorite stars
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  • 94
    ISBN: 9781478010050 , 9781478011101
    Language: English
    Pages: xiii, 303 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Hernandez, Jillian, 1979- Aesthetics of excess
    Parallel Title: Erscheint auch als Hernandez, Jillian, 1979 - Aesthetics of excess
    DDC: 305.4/88
    Keywords: Body image Social aspects ; Aesthetics ; Human body in popular culture ; Art and race ; Body image in art ; Body image in women ; Body image in girls ; African American women in art ; Hispanic American women ; Schwarze ; Hispanos ; Körperbild ; Bildnis ; Ästhetik ; Schönheit ; Massenkultur ; Rassentheorie
    Abstract: Reading Black and Latina Embodiment in Miami -- Sexual-Aesthetic Excess: Or, How Chonga Girls Make Class Burn -- "Fine as Hell": The Aesthetic Erotics of Masculinity -- Interlude -- Rococo Pink: The Power of Nicki Minaj's Aesthetics of Fakery -- Interlude -- Encounters with Excess: Girls Creating Art, Theory, and Sexual Bodies -- Interlude
    Abstract: "Aesthetics of Excess examines how the bodies of women and girls of color are racialized through cultural discourses of aesthetic value that mark them as sexual "others," and how in turn, aesthetic value is generated through the presentation of their bodies. Hernandez employs participatory research with young women of color, critical readings of art and popular culture, and autoethnography to provide new frameworks for understanding the relationships between cultural production and racialized bodies that can be variously exploitative and socially transformative. The book is grounded in Hernandez's community arts work with Black and Latina girls through Women on the Rise!, an outreach project she established at the Museum of Contemporary Art in North Miami, Florida"--
    Note: Includes bibliographical references and index
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  • 95
    ISBN: 9781478009252
    Language: English
    Pages: 1 Online-Ressource (xiii, 282 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.809/08
    Keywords: SOCIAL SCIENCE / Anthropology / Cultural & Social ; Elite (Social sciences) ; Elite (Social sciences) ; Parenting ; Parenting ; Parents, White ; Parents, White ; Privilege (Social psychology) ; Privilege (Social psychology) ; Wealth Moral and ethical aspects ; Wealth Moral and ethical aspects ; Whites Race identity ; Whites Race identity ; Elite ; Weiße ; Elternschaft ; San Juan ; Rio de Janeiro ; Electronic books ; Electronic books ; Rio de Janeiro ; San Juan ; Weiße ; Elite ; Elternschaft
    Abstract: In Parenting Empires, Ana Y. Ramos-Zayas focuses on the parenting practices of Latin American urban elites to analyze how everyday experiences of whiteness, privilege, and inequality reinforce national and hemispheric idioms of anti-corruption and austerity. Ramos-Zayas shows that for upper-class residents in the affluent neighborhoods of Ipanema (Rio de Janeiro) and El Condado (San Juan), parenting is particularly effective in providing moral grounding for neoliberal projects that disadvantage the overwhelmingly poor and racialized people who care for and teach their children. Wealthy parents in Ipanema and El Condado cultivate a liberal cosmopolitanism by living in multicultural city neighborhoods rather than gated suburban communities. Yet as Ramos-Zayas reveals, their parenting strategies, which stress spirituality, empathy, and equality, allow them to preserve and reproduce their white privilege. Defining this moral economy as "parenting empires," she sheds light on how child-rearing practices permit urban elites in the Global South to sustain and profit from entrenched social and racial hierarchies
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  • 96
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478005537 , 147800553X
    Language: English
    Pages: 1 Online-Ressource (ix, 236 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 779.93058
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    Keywords: Photography in ethnology / History / United States ; Documentary photography / History / United States ; Art and photography / United States ; Photography in historiography ; Photography / Social aspects / History / United States ; Art and history / United States ; Fotografie ; Rassenfrage ; USA ; Electronic books ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 97
    ISBN: 9781478008408 , 9781478007890
    Language: English
    Pages: xviii, 298 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Blanchette, Alexander David, 1981- Porkopolis
    Parallel Title: Erscheint auch als Blanchette, Alex Porkopolis
    DDC: 338.1/76400973
    Keywords: Schweinehaltung ; Agroindustrie ; Fleischwirtschaft ; Ethnologie ; USA ; Swine industry ; Swine breeders ; Factory farms ; Agriculture Economic aspects ; USA ; Schweinehaltung
    Abstract: Boar. The Dover Flies -- The Herd : Intimate Biosecurity and Posthuman Labor -- Sow. Somos Puercos -- Stimulation : Instincts in Production -- Hog. Lutalyse -- Stockperson : Love, Muscles, and the Industrial Runt -- Carcass. Miss Wicked -- Biological System : Breaking In at the End of Industrial Time -- Viscera. Maybe Some Blood, but Mostly Grease -- Lifecycle : On Using All of the Porcine Species -- Epilogue: The (De-)Pigification of the World.
    Abstract: "PORKOPOLIS is an ethnographic account of hog production in "Dixon," a 15,000-resident agribusiness town in the Great Plains. In Dixon, where nearly 5,600,000 hogs are killed a year, human life has been reorganized around the life and death cycles of porcine production. Alex Blanchette accounts for the totalizing force of hog production by arguing that towns like Dixon represent a reinvestment in 20th-century notions of industry in a post-industrial United States. In practice, this means not only the taking up of industrial stock images, organization forms, and identities, but also an intense desire, on the part of agribusiness corporations, to achieve standardization-to create the "perfect" pig. To achieve standardized results, agribusiness corporations have implemented systems of full "vertical integration," in which they directly own and engineer every stage of a pig's life and death cycle. The result, Blanchette argues, is more than just an effort to create the perfect pig, but rather a calibration of human life and affect to meet the needs of porcine production. Drawing on his ethnographic fieldwork as a worker in a hog factory, Blanchette illustrates how methods of vertical integration and standardization in agribusiness factories work to transform hogs-and humans-into tokens of capitalist animality. The book is divided into five parts. Part I, "Boar," examines how corporations manage the threat of porcine diseases, and the biopolitical protocols that corporations enact in workers' homes to protect hogs. Part II, "Sow," draws from Blanchette's own experiences working the artificial insemination line, where workers are encouraged to "become the boar" with their hands to imitate mating. This part theorizes interspecies and labor politics that arise from situations in which workers are only intimate with one dimension of pigs-in this case, porcine sexual instincts. Part III, "Hog," explores the consequences of standardizing animality, where genetic refinements create litters too large to supply adequate nutrients in uterus. Part IV, "Carcass," examines the vertical integration of human workers' bodies on the assembly lines. Part V, "Viscera" explores the biological "excess" of porcine production-bones, feces, fat, livers, lungs-and corporations' desires to use "all" of the pig. This section examines how the fully integrated factory farm depends on modes of consumption that extend beyond what can be supplied by human eaters alone."
    Note: Includes bibliographical references and index
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  • 98
    ISBN: 9781478001409 , 9781478001003
    Language: English
    Pages: xx, 395 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
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    Keywords: AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Abstract: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people
    Note: Includes bibliographical references and index
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  • 99
    ISBN: 9781478005674 , 9781478005049
    Language: English
    Pages: xii, 228 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Freeman, Elizabeth Beside you in time
    DDC: 306.7601
    Keywords: Time Social aspects 19th century ; History ; Homosexuality Social aspects 19th century ; History ; Time perception in literature ; Human body in literature ; American literature African American authors 19th century ; History and criticism ; Literature and society History 19th century ; Queer theory ; Queer-Theorie ; Literatursoziologie ; Zeitbewusstsein ; Literatur ; USA ; Geschichte 1800-1899 ; Homosexualität
    Abstract: Shake it off : the physiopolitics of Shaker dance, 1774-1856 -- The gift of constant escape : playing dead in African American literature, 1849-1900 -- Feeling historicisms : libidinal history in Twain and Hopkins -- The sense of unending : defective chronicity in "Bartleby, the scrivener" and "Melanctha" -- Sacra/mentality in Djuna Barnes's Nightwood.
    Note: Literaturverzeichnis: Seite 199-217
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  • 100
    ISBN: 9781478002895 , 9781478001881
    Language: English
    Pages: xii, 163 Seiten , Illustrationen, Diagramm
    Parallel Title: Erscheint auch als Ching, Leo T. S., 1962 - Anti-Japan
    DDC: 303.48/25052
    Keywords: World War, 1939-1945 Influence ; Nationalism History ; Imperialism History 20th century ; United States Relations ; Japan Foreign public opinion, East Asian ; United States Foreign public opinion, East Asian ; East Asia Relations ; Japan Relations ; East Asia Relations ; Ostasien ; Japan ; USA ; Nationalismus ; Imperialismus ; Internationale Kommunikation ; Gefühl ; Zweiter Weltkrieg ; Geschichte ; China ; Japan ; USA ; Außenbeziehungen ; Nationalismus ; Imperialismus ; Japanbild ; Öffentliche Meinung ; Geschichte 1949 -
    Description / Table of Contents: Introduction : anti-Japanism (and pro-Japanism) in East Asia -- When Bruce Lee meets Gojira : transimperial characters, anti-Japanism, anti-Americanism, and the failure of decolonization -- "Japanese devils" : the conditions and limits of anti-Japanism in China -- Shameful bodies, bodily shame : "comfort women" and anti-Japanism in South Korea -- Colonial nostalgia or postcolonial anxiety : the Dōsan generation in-between "retrocession" and "defeat" -- "In the name of love" : critical regionalism and co-viviality in post-East Asia -- Reconciliation otherwise : intimacy, indigeneity, and the Taiwan difference -- Epilogue : From anti-Japanism to decolonizing democrazy : youth protests in East Asia
    Note: Literaturverzeichnis: Seite 153-160
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