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  • 2015-2019  (14)
  • 1995-1999
  • Oxford : Oxford University Press  (14)
  • Geschichte  (8)
  • Kommunikation  (6)
  • General works  (14)
Material
Language
Years
Year
  • 1
    Online Resource
    Online Resource
    New York : Columbia University Press | Oxford : Oxford University Press
    ISBN: 9780231543125
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Film and culture
    Series Statement: Columbia scholarship online
    DDC: 302.23/43
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    Keywords: Geschichte ; Film ; Kunst ; Experimentalfilm ; Videokunst ; Motion picture audiences History ; Video art History ; Motion pictures and the arts ; Art and motion pictures ; Motion picture industry Technological innovations
    Abstract: Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, 'After Uniqueness' traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity - or both at once.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 2
    ISBN: 9780197266564
    Language: English
    Pages: xvi, 408 Seiten
    Edition: First edition
    Series Statement: Proceedings of the British Academy 223
    DDC: 781
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    Keywords: Geschichte ; Musik ; Kulturaustausch ; Westliche Welt ; Seidenstraße ; Orient ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift
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  • 3
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252050459
    Language: English
    Pages: 1 Online-Ressource (248 Seiten) , Illustrationen
    Series Statement: The history of communication
    DDC: 384.10978
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    Keywords: Geschichte ; Telegraf ; USA
    Note: Literaturverzeichnis: Seite [223]-239
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  • 4
    ISBN: 9780190460532
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks online
    Series Statement: Political science
    Parallel Title: Erscheint auch als The Oxford handbook of networked communication
    DDC: 302.231
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    Keywords: Digital media Social aspects ; Online social networks ; Digital media ; Social aspects ; Online social networks ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Internet ; Social Media ; Kommunikation
    Abstract: Communication technologies, including the Internet, social media, and countless online applications, create the infrastructure and interface through which many of our interactions take place today. This form of networked communication creates new questions about how we establish relationships, engage in public, build a sense of identity, and delimit the private domain. Digital technologies have also enabled new ways of observing the world; many of our daily interactions leave a digital trail that, if followed, can help us unravel the rhythms of social life and the complexity of the world we inhabit, including dynamics of change. The analysis of digital data requires partnerships across disciplinary boundaries that are still uncommon. This book bridges academic silos so that we can address the big puzzles that beat at the heart of social life in this networked age.
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  • 5
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780191840487
    Language: English
    Pages: 1 Online-Ressource
    Edition: First edition.
    DDC: 302.2
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    Keywords: Kommunikation ; Interaktion ; Kleidung ; Erzählen
    Abstract: G.R.F. Ferrari offers a new framework for understanding ways in which we communicate with each other. He explores the idea of 'intimations': social interactions that approach outright communication but do not quite reach it. He considers poetry, storytelling, and fashion as examples of different levels of communication.
    Note: This edition previously issued in print: 2017 , Includes bibliographical references and index
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  • 6
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 9780195324907 , 9780190673482
    Language: English
    Pages: xiv, 783 Seiten , Illustrationen , 25 cm
    Edition: First issued as an Oxford University Press paperback
    Series Statement: Oxford handbooks
    DDC: 304.209
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    Keywords: Geschichte ; Human ecology History ; Environmental sciences History ; Nature Effect of human beings on ; History ; Humanökologie ; Umweltwissenschaften ; Anthropogener Einfluss ; Umwelt ; Historische Umweltforschung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Umwelt ; Geschichte ; Umwelt ; Historische Umweltforschung ; Humanökologie ; Umweltwissenschaften ; Geschichte ; Umwelt ; Anthropogener Einfluss ; Geschichte
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  • 7
    ISBN: 9780190297084
    Language: English
    Pages: getrennte Zählung , Illustrationen , 26 cm
    Edition: Thirteenth edition
    DDC: 302.2
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    Keywords: Communication ; Kommunikation ; Kommunikation
    Note: Includes bibliographical references and index
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  • 8
    ISBN: 0198798423 , 9780198798422
    Language: English
    Pages: xii, 190 Seiten
    DDC: 302.2
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    Keywords: Kommunikation ; Interaktion ; Kleidung ; Erzählen
    Abstract: G. R. F. Ferrari offers a new framework for understanding different ways in which we communicate with each other. He explores the idea of "intimations": social interactions that approach outright communication but do not quite reach it. The metaphor from which he starts is that of a communicative scale or switch, which goes from "off" (no communication intended) to fully "on" (outright communication). Intimations lie in between. Three intermediate positions are identified: quarter-on, half-on, and three-quarters-on. Progression along the communicative scale is determined by the extent to which what comes across in the transmission is required to come across by recognition of the intention of the transmitting party. At a quarter-on, it is required not to; at half-on, it is neither required to nor required not to; at three-quarters-on, it is required to, but only partially; at full-on, it is required to, and the recognition is complete. The half-on intimation is primarily used for impression-management in social life. To illustrate it, the book concentrates on fashion and the "messages" we send with our clothes. With the quarter-on and three-quarters-on intimation, the focus of argument is on the fact that transmissions at the same position of the communicative scale have the same underlying structure, whether they are made in the formal arts or in daily life outside the arts. For the quarter-on intimation, the formal art is lyric poetry; for the three-quarters-on intimation, it is storytelling. The book discusses storytelling at length, and at the end investigates its connection to situational irony
    Note: Literaturverzeichnis: Seite [179]-183
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  • 9
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252093784
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: The history of communication
    DDC: 302.230899
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    Keywords: Geschichte ; Bürgerrechtsbewegung ; Fernsehen ; Nachrichtensendung ; Unterhaltungssendung ; Ethnische Beziehungen ; Öffentliche Meinung ; Television and politics ; Television broadcasting of news Political aspects ; African Americans on television ; Race relations on television ; African Americans in television broadcasting History 20th century ; Civil rights movements History 20th century ; Television broadcasting United States ; USA
    Abstract: This work explores the crucial role of network television in reconfiguring new attitudes in race relations during the civil rights movement. The book provides an analysis which makes us think about the relationship between the media and the civil rights movement.
    Note: Previously issued in print: 2012 , Includes bibliographical references and index
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  • 10
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 0191800988 , 9780191800986
    Language: English
    Pages: 1 Online-Ressource
    Edition: 2. edition
    Series Statement: Oxford Reference Online Premium
    DDC: 302.203
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    Keywords: Medien ; Kommunikation ; Wörterbuch ; Online-Publikation
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  • 11
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 019180309X , 9780191803093
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford Reference Online Premium
    DDC: 302.23103
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    Keywords: Medien ; Kommunikation ; Englisch ; Wörterbuch
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  • 12
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 9780198719670
    Language: English
    Pages: xv, 319 Seiten , 24 cm
    Edition: First edition
    DDC: 792.0942/09031
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    Keywords: England ; Theater History 16th century ; England / Office of the Revels Theater / History / 16th century / England ; Great Britain / History / Elizabeth, 1558-1603 ; England / Civilization / 16th century ; Great Britain History Elizabeth, 1558-1603 ; England Civilization 16th century ; Elisabeth I. England, Königin 1533-1603 ; Theater ; England ; Hoftheater ; Zensur ; Geschichte 1558-1603 ; Geschichte
    Abstract: The Masters of the Revels and Elizabeth I's Court Theatre places the Revels Office and Elizabeth I's court theatre in a pre-modern, patronage and gift-exchange driven-world of centralized power in which hospitality, liberality, and conspicuous display were fundamental aspects of social life. W.R. Streitberger reconsiders the relationship between the biographies of the Masters and the conduct of their duties, rethinking the organization and development of the Office, re-examining its productions, and exploring its impact on the development of the commercial theatre. The nascent capitalist economy that developed alongside and interpenetrated the gift-driven system that was in place during Elizabeth's reign became the vehicle through which the Revels Office along with the commercial theatre was transformed. Beginning in the early 1570s and stretching over a period of twenty years, this change was brought about by a small group of influential Privy Councillors. When this project began in the early 1570s the Queen's revels were principally in-house productions, devised by the Master of the Revels and funded by the Crown. When the project was completed in the late 1590s, the Revels Office had been made responsible for plays only and put on a budget so small that it was incapable of producing them. That job was left to the companies performing at court. Between 1594 and 1600, the revels consisted almost entirely of plays brought in by professional companies in the commercial theatres in London. These companies were patronized by the queen's relatives and friends and their theatres were protected by the Privy Council. Between 1594 and 1600, for example, all the plays in the revels were supplied by the Admiral's and Chamberlain's Players which included writers such as Shakespeare, and legendary actors such as Edward Alleyn, Richard Burbage, and Will Kempe. The Queen's revels essentially became a commercial enterprise, paid for by the ordinary Londoners who came to see these companies perform in selected London theatres which were protected by the Council.
    Note: Literaturverzeichnis: Seite 295-304 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 13
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780199379866
    Language: English
    Pages: 1 Online-Ressource (xviii, 197 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 793.33097471
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    Keywords: Geschichte 1900-2000 ; Einwanderer ; Geschichte ; Gesellschaft ; Ballroom dancing / New York (State) / New York / History / 20th century ; Dance / New York (State) / New York / History / 20th century ; Dance / Social aspects / New York (State) / New York / History / 20th century ; Jazz / New York (State) / New York / 1921-1930 / History and criticism ; Music and race / New York (State) / New York / History / 20th century ; Immigrants / New York (State) / New York / History / 20th century ; Racism / United States / History / 20th century ; Ragtime ; Ethnische Beziehungen ; Einwanderung ; Jazz ; Tanz ; USA ; New York (N.Y.) / Race relations / History / 20th century ; New York, NY ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung
    Abstract: 'Modern Moves' examines the movement of American social dances between black and white cultural groups and immigrant and migrant communities during the early twentieth century. It is structured by five overlapping case studies drawn from the disparate and yet related dance scenes of Manhattan, a black Atlantic capital into which diverse people and dances flowed and intermingled, and out of which new dances were marketed globally
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 14
    ISBN: 9780199605194 , 019960519X
    Language: English
    Pages: ix, 327 Seiten , Illustrationen
    Edition: First edition
    Parallel Title: Erscheint auch als Nott, James J. Going to the palais
    DDC: 793.30941
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    Keywords: Geschichte 1900-2000 ; Geschichte 1918-1960 ; Geschichte ; Gesellschaft ; Nationalcharakter ; Gesellschaftstanz ; Tanzclub ; Tanz ; Großbritannien ; Großbritannien ; Dance / Social aspects / History / 20th century / Great Britain ; Dance halls / History / 20th century / Great Britain ; Dance halls ; Dance / Social aspects / Great Britain / History ; Großbritannien ; Tanz ; Gesellschaftstanz ; Tanzclub ; Nationalcharakter ; Geschichte 1918-1960
    Abstract: From the mid-1920s, the dance hall occupied a pivotal place in the culture of working- and lower-middle-class communities in Britain - a place rivalled only by the cinema and eventually to eclipse even that institution in popularity. 'Going to the palais' examines the history of this vital social and cultural institution, exploring the dances, dancers, and dance venues that were at the heart of one of twentieth-century Britain's most significant leisure activities. 'Going to the palais' has several key focuses. First, it explores the expansion of the dance hall industry and the development of a 'mass audience' for dancing between 1918 and 1960. Second, the impact of these changes on individuals and communities is examined, with a particular concentration on working and lower-middle-class communities, and on young men and women. Third, the cultural impact of dancing and dance halls is explored. A key aspect of this debate is an examination of how Britain's dance culture held up against various standardizing processes (commercialization, Americanization, etc.) over the period, and whether we can see the emergence of a 'national' dance culture. Finally, the volume offers an assessment of wider reactions to dance halls and dancing in the period. 'Going to the palais' is concerned with the complex relationship between discourses of class, culture, gender, and national identity and how they overlap - how cultural change, itself a response to broader political, social, and economic developments, was helping to change notions of class, gender, and national identity
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