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  • 2015-2019  (138)
  • 1995-1999  (39)
  • 1985-1989  (48)
  • Bibliografie
  • Electronic books
  • Musicology  (219)
Datasource
Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    Rediscovered musical treasures : exegeses of secular Oriental music (2019-)
    Bucureşti : Editura Universităţii Nationale de Muzică Bucureşti
    Details
    Language: English , Greek, Ancient (to 1453)
    RVK:
    LS 36060
    Keywords: Osmanen ; Komposition ; Bibliografie
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    BSZ
    GBV
  • 2
    Book
    Book
    A bibliography of North American folklore and folksong (1961-)
    New York : Dover Publications
    Details
    Language: English
    Pages: 25 cm
    Edition: 2. rev. ed
    DDC: 016.398
    RVK:
    LP 10010
    Keywords: Folklore Bibliography ; United States ; African Americans Folklore ; Bibliography ; Indians of North America Folklore ; Bibliography ; Folk songs Bibliography ; United States ; Folk songs Bibliography ; History and criticism ; United States ; Afro-Americans Music ; Bibliography ; Afro-Americans Music ; Bibliography ; History and criticism ; Indians of North America Music ; Bibliography ; Indians of North America Music ; Bibliography ; History and criticism ; Bibliografie ; Nordamerika ; Folksong ; Nordamerika ; Volkskultur ; Nordamerika ; Indianer ; Eskimo ; Folksong ; Volkskultur
    Note: The first ed. of this work appeared in one vol
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Ethn. Museum Berlin
  • 3
    Book
    Book
    Tanzbibliographie : Verzeichnis der in deutscher Sprache veröffentlichten Schriften und Aufsätze zum Bühnen-, Gesellschafts-, Kinder-, Volks- und Turniertanz sowie zur Tanzwissenschaft, Tanzmusik und zum Jazz (1966-)
    Leipzig : Bibliograph. Inst.
    Details
    Language: German
    RVK:
    LS 13000
    RVK:
    ZY 5040
    RVK:
    AP 80000
    Keywords: Bibliografie ; Deutsches Sprachgebiet ; Tanz
    Note: Teilw. im Verl. Dokumentation Saur, München
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    Book
    BSZ
    GBV
  • 4
    Book
    Book
    Rediscovered musical treasures : exegeses of secular Oriental music (2019-)
    Bucureşti : Editura Universităţii Nationale de Muzică Bucureşti
    Details
    Language: English , Greek, Ancient (to 1453)
    RVK:
    LS 36060
    Keywords: Osmanen ; Komposition ; Bibliografie
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    KOBV
  • 5
    Online Resource
    Online Resource
    Radiohead and the Journey Beyond Genre : Analysing Stylistic Debates and Transgressions (2019)
    Milton : Routledge
    Details
    ISBN: 9780429817229
    Language: English
    Pages: 1 online resource (195 pages)
    Series Statement: Routledge Studies in Popular Music Ser.
    Parallel Title: Erscheint auch als
    RVK:
    LS 48045
    Keywords: Electronic books
    Abstract: Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- Acknowledgements -- Introduction -- Book structure -- Notes -- References -- Chapter 1 Popular music genre -- Definitions and distinctions -- Etymological debates -- Historical origins -- Genre theory in cultural studies: genre as process and as discourse -- Genre theory in popular music studies: from tradition to transgression -- Genre identities and the popular music discourse -- Notes -- References -- Chapter 2 Genre and transgression in the music of Radiohead -- Methodological backgrounds -- A look at "Creep" and its alternatives -- A text-based analysis of genre in the music of Radiohead -- Concluding thoughts -- Notes -- References -- Chapter 3 Challenging genre: Radiohead and the music press -- A brief history of genre in music journalism -- Journalism in theory -- The case of the 'genre portrait' -- The journalistic genre discourse on Radiohead -- Uses of genre in music journalism -- Notes -- References -- Chapter 4 Scholarly perspectives on Radiohead -- The scholarly discourse on Radiohead -- Notes -- References -- Chapter 5 Genre online: Wider audience and fan perspectives -- Methodology and ethical concerns -- Online writing conventions and temporal constraints -- Specialist genre audiences and processes of canon-building -- Canonic terminologies and stages of the discourse -- Non-canonic terminologies -- A few words about fan message boards -- The 'Radiohead genre' and notions of transgression -- Notes -- References -- Conclusion -- Note -- Reference -- Appendix -- Index.
    Note: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5963843
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    Online Resource
    GBV
  • 6
    Online Resource
    Online Resource
    Jugend – Pop – Kultur : Eine transnationale Geschichte (2019)
    Berlin : Suhrkamp Verlag
    Details
    ISBN: 9783518754597
    Language: German
    Pages: 1 online resource (866 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Mrozek, Bodo, 1968 - Jugend, Pop, Kultur
    DDC: 305.23509045
    RVK:
    NB 2252
    RVK:
    LS 48070
    RVK:
    EC 2410
    Keywords: Krawall ; Jugendbewegung ; Subkultur ; Jugendmedien ; Electronic books ; Hochschulschrift ; Jugendkultur ; Massenkultur ; Kriminalisierung ; Popularisierung ; Transnationalisierung ; Soziokultureller Wandel ; Geschichte 1953-1966 ; Jugendkultur ; Pop-Kultur ; Massenkultur ; Kriminalisierung ; Popularisierung ; Transnationalisierung ; Soziokultureller Wandel ; Geschichte 1953-1966
    Abstract: Cover -- Informationen zum Buch -- Titel -- Impressum -- Inhalt -- 1. Einleitung -- 1.1. Jugend- und Popgeschichte: Fragestellung und Problemaufriss -- 1.2. Forschungsperspektive und Methodik -- 1.3. Begriffe und Hypothesen -- 1.4. Transnationale Perspektive -- 1.5. Aufbau des Buches -- 1.6. Platten, Filme, Akten: Popgeschichtliche Quellen -- 2. Jugend und Stadt: Zur Topographie von Devianz (1953-1958) -- 2.1. Street Corner Societies: Die »Glokalisierung« von Jugendkulturen -- 2.1.1. Jugend in der Mitte des 20. Jahrhunderts: Historische Kontexte -- 2.1.2. »Innerstädtische Problemviertel«: Delinquenz als Urbanisierungsproblem -- 2.1.3. Kleider machen neue Leute: Vestimentäre Codes und Gruppenbildung -- 2.1.4. Eckensteher und pimp roll: Richtige und falsche Haltungen -- 2.2. »Ronnie the Masher«, Michael Farmer und die »Slim-Bande«: Gerichtsverfahren als Kulminationspunkte -- 2.2.1. Vom Fall Bentley zum Clapham Common Murder: Teddy Boys vor Gericht -- 2.2.2. »Teen Terror« in New York: Der Fall Michael Farmer -- 2.2.3. Großkrawalle in Ostberlin: Die »Slim-Bande« -- 2.2.4. Kölner »Knüppeldemokraten«: Der Staatsschutz jagt »Die schwarze Hand« -- 2.2.5. Von Exzentrikern zu Verbrechern: Verpolizeilichung von Medienklischees -- 2.3. Jugend im Parlament: Straßenpolitik und behördliche Maßnahmen -- 2.3.1. Motorräder als sonisches Ärgernis -- 2.3.2. Provokation durch Herumstehen: Deviante Raumaneignung -- 2.3.3. ›The Jury is Out‹: Jugenddelinquenz wird Chefsache -- 2.3.4. Kampf dem Rowdytum in der DDR: Strategien der Exterritorialisierung -- 2.3.5. Die Notting Hill Riots von 1958 -- 2.3.6. Globale Reaktionen: Die Notting Hill Riots im globalen Süden (Exkurs) -- 2.3.7. Die Politisierung der Jugendfrage -- 2.4. Hardliner versus Streetworker: Zwischen Kriminalisierung und Therapeutisierung -- 2.4.1. ›Reaching the Fighting Gang‹: Das New York City Youth Board.
    Note: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5830367
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    Online Resource
    GBV
  • 7
    Online Resource
    Online Resource
    Nachgelassene Schriften. Abteilung V : Band 1: Vorträge 1949-1968. (2019)
    Berlin :Suhrkamp Verlag,
    Details
    ISBN: 978-3-518-76139-7
    Language: German
    Pages: 1 online resource (789 pages).
    Edition: 1st ed
    RVK:
    MQ 3010
    RVK:
    CI 1322
    RVK:
    LP 91140
    Keywords: Electronic books
    Note: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=6109233
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    Online Resource
    HU Berlin
  • 8
    Online Resource
    Online Resource
    Fangirls : scenes from modern music culture (2019)
    London : Hardie Grant - Quadrille
    Details
    ISBN: 9781787133273
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 305.4
    RVK:
    LS 48015
    Keywords: Geschichte 1960-1920 ; Rockmusik ; Weiblicher Fan ; Berühmte Persönlichkeit ; Popmusik ; Women-Sociological aspects ; Electronic books ; Berühmte Persönlichkeit ; Popmusik ; Rockmusik ; Weiblicher Fan ; Geschichte 1960-1920
    Abstract: Intro -- Title Page -- Table of Contents -- Preface -- 1 An Animal within an Animal: A Brief Fangirl History -- 2 The Waiting Game -- 3 I'm (Not) Okay: To Retreat and Return -- 4 Lady Gaga Will See You Now -- 5 Sex &amp -- iPhones &amp -- Rock &amp -- Roll -- (i) 'Fuck Me Daddy' (or Screaming Obscenities at Objects of Desire) -- (ii) Queering with Strangers -- 6 'We Are The Media': Inside the Hive Mind -- 7 Harry's Girls, Long Distance Love and Global Fangirling -- 8 Dangerous Women and Political Fun -- 9 Our Tears Dry on Their Own: Amy, Grief and British Female Fans -- 10 Witches Always Live Through This: Courtney Love's Older Fangirls -- Afterword -- Reading List -- Acknowledgements -- Copyright Page.
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BVB
  • 9
    Online Resource
    Online Resource
    Curating pop : exhibiting popular music in the museum (2019)
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    Details
    ISBN: 9781501343612 , 9781501343605
    Language: English
    Pages: 1 Online-Ressource (x, 180 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.64075
    RVK:
    AK 86500
    RVK:
    LR 57250
    RVK:
    LS 48015
    Keywords: Organisation ; Ausstellung ; Museum ; Popmusik ; Music museums / Curatorship ; Popular music / Exhibitions ; Popular music / Historiography ; Electronic books ; Museum ; Ausstellung ; Popmusik ; Organisation
    DOI: 10.5040/9781501343612
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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    KOBV
  • 10
    Online Resource
    Online Resource
    Jewish Difference and the Arts in Vienna : Composing Compassion in Music and Biblical Theater (2019)
    Bloomington : Indiana University Press
    Details
    ISBN: 9780253040565
    Language: English
    Pages: 1 online resource (226 pages)
    Additional Information: Rezensiert in Uslin, Karen L. [Rezension von: Kita, Caroline A., Jewish Difference and the Arts in Vienna] 2021
    Series Statement: German Jewish Cultures Ser.
    Parallel Title: Erscheint auch als Kita, Caroline A. Jewish difference and the arts in Vienna
    DDC: 780.943613
    RVK:
    NY 4690
    RVK:
    LS 33100
    RVK:
    BD 6820
    RVK:
    BD 6810
    Keywords: Music-Austria-Vienna-History and criticism ; Music-Austria-Vienna-History and criticism ; Electronic books ; Biblisches Drama ; Juden ; Mitgefühl ; Musik ; Literatur ; Bibel Altes Testament ; Juden ; Wien ; Geschichte 1876-1918
    Abstract: Jewish Difference and the Arts in Vienna explores how Jewish writers and composers sought, through their engagement with musical forms and styles, to capture Jewish voices and their dynamic expression of compassion and otherness.
    Abstract: Cover -- Title -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgments -- Note on Translation -- Introduction -- 1. A Case for Compassion: Siegfried Lipiner's Adam -- 2. Voicing Compassion: Gustav Mahler's Second and Third Symphonies -- 3. Polyphony as a Poetics of Compassion: Arnold Schoenberg's Die Jakobsleiter -- 4. Dialogues of Compassion: Richard Beer-Hofmann's Jaákobs Traum -- 5. Compassion as Communal Song: Stefan Zweig's Jeremias -- Epilogue -- Bibliography -- Index -- About the Author.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
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    Online Resource
    BSZ
    GBV
  • 11
    Online Resource
    Online Resource
    Cornelius's Fantasma (2019)
    New York : Bloomsbury Academic | London : Bloomsbury Publishing
    Details
    ISBN: 9781501330209 , 9781501330193
    Language: English
    Pages: 1 Online-Ressource (xv, 178 pages) , illustrations
    Series Statement: 33 1/3 Japan
    Parallel Title: Erscheint auch als Roberts, Martin Cornelius's Fantasma
    DDC: 781.63
    RVK:
    LS 48040
    Keywords: Cornelius ; Popular music History and criticism 1991-2000 ; Electronic books ; Biografie ; Biografie ; Electronic books ; Biografie ; Japan ; Popmusiker ; Musikalbum ; Geschichte 1997 ; Volkstümliche Musik ; Unterhaltungsmusik ; Geschichte 1997 ; Cornelius 1969-
    Abstract: "In Tokyo in the early 1990s, an indie band called Flipper's Guitar was at the forefront of a new wave in Japanese popular music known as Shibuya-kei. The band's founder, Keigo Oyamada, would go on to produce, under the name Cornelius, a series of albums that are among the most innovative in Japanese popular music of the past two decades. Oyamada's third album under his Cornelius alter-ego, Fantasma (1997), played a key role in putting J-pop on the world map for Western music fans, and Oyamada himself is today one of the most respected figures in the Japanese music industry. This book tells the story of Fantasma's emergence from the Shibuya-kei scene and considers the wider impact of Oyamada's work both internationally and on Japanese popular music today. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more"--Bloomsbury Collections
    Abstract: Dedication -- Epigraph -- Note on Transliterations and Japanese Names -- Preface: White Rabbit -- Chapter 1. From Nakameguro to Everywhere -- Chapter 2. Magic Kingdom -- Chapter 3. Ape Shall Not Kill Ape -- Chapter 4. Mutations -- Chapter 5. Pet Sounds -- Chapter 6. Merrie Melodies -- Chapter 7. Three-Dimensional Music -- Chapter 8. Analog Afterlives -- Chapter 9. Double Fantasy -- Notes -- Bibliography -- Permissions -- Index.
    Note: Includes bibliographical references and index
    DOI: 10.5040/9781501330209
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    BSZ
    GBV
    KOBV
  • 12
    Online Resource
    Online Resource
    Popular Music in the Nostalgia Video Game : The Way It Never Sounded (2019)
    Cham : Palgrave Macmillan
    Details
    ISBN: 9783030042813
    Language: English
    Pages: 1 Online-Ressource (165 Seiten)
    Series Statement: Palgrave Studies in Audio-Visual Culture
    Parallel Title: Erscheint auch als Ivănescu, Andra Popular music in the nostalgia video game
    DDC: 791.43
    RVK:
    EI 6828
    RVK:
    LS 48660
    RVK:
    ST 324
    Keywords: Nostalgia in literature ; Electronic books
    Abstract: Intro -- Acknowledgements -- Contents -- About the Author -- Chapter 1 The Ghosts of Popular Music Past and Video Games Future -- 1.1 Introduction: Flappers in Rapture -- 1.2 Semiotic Ghosts -- 1.3 Appropriated Music -- 1.4 Nostalgia: The Land of Constant Return -- 1.5 Video Game Nostalgia -- 1.6 The Nostalgia Game -- 1.7 Nostalgia, Appropriated Music and Video Games -- 1.8 Appropriated Music and the Nostalgia Game -- References -- Chapter 2 Games on Media: Beyond Remediation -- 2.1 Games on Games -- 2.1.1 Evoland as Playable Game History -- 2.1.2 Evoland 2: Taking It Further -- 2.1.3 Player as Media Archaeologist -- 2.2 Games on Film -- 2.2.1 L.A. Noir -- 2.2.2 Immediacy/Hypermediacy, Real/Hyperreal -- 2.2.3 La Musique Noir -- 2.2.4 La Musique Fatale -- 2.2.5 La Musique Prêtée -- 2.2.6 La Musique Nostalgique -- 2.3 Canon Fodder -- 2.3.1 Miami Vice City and the American Dream -- 2.3.2 A Media History of Violence -- 2.3.3 Musical Vices -- 2.3.4 Canon Fodder -- 2.4 Conclusions: Remediation Is the Message -- References -- Chapter 3 Games on Society: Playable Anxieties -- 3.1 Games on Race -- 3.1.1 When Did You Meet Lincoln Clay? -- 3.1.2 Born on the Bayou -- 3.1.3 Sympathy for the Devil -- 3.1.4 The Sound of the Moment -- 3.1.5 The Sound of the Movement -- 3.1.6 Conclusions -- 3.2 Games on Gender -- 3.2.1 Cool Schmool -- 3.2.2 Oh the Horror! -- 3.2.3 The Grrrl's a Riot! -- 3.2.4 Intersectional Riot -- 3.2.5 The Twist Is There Is No Twist -- 3.3 Conclusions: Playable Anxieties -- References -- Chapter 4 Temporal Anomalies: Alternative Pasts and Alternative Futures -- 4.1 Nostalgia on Nostalgia -- 4.1.1 Maybe -- 4.1.2 The Wasteland -- 4.1.3 The Future That Never Was -- 4.1.4 No Future -- 4.1.5 Musical Fallout -- 4.1.6 Way Back Home -- 4.1.7 Love Me as Though There Were No Tomorrow.
    Note: Literaturangaben , Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5632051
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    GBV
    KOBV
    BVB
    Bayreuth UB
  • 13
    Book
    Book
    Popular music theory and analysis : a research and information guide (2019)
    London : Routledge, Taylor & Francis Group
    Details
    ISBN: 0367871718 , 9780367871710
    Language: English
    Pages: ix, 334 Seiten
    Edition: First issued in paperback
    Series Statement: Routledge music bibliographies
    RVK:
    LS 48015
    RVK:
    LP 10150
    Keywords: Popmusik ; Rockmusik ; Musiktheorie ; Music theory Bibliography ; Music theory Bibliography ; Bibliografie ; Bibliografie
    Abstract: Popular Music Theory and Analysis: A Research and Information Guide uncovers the wealth of scholarly works dealing with the theory and analysis of popular music. This annotated bibliography is an exhaustive catalog of music-theoretical and musicological works that is searchable by subject, genre, and song title. It will support emerging scholarship and inquiry for future research on popular music
    Note: First published 2017 by Routledge
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    Book
    BSZ
    GBV
    HeBIS
  • 14
    Online Resource
    Online Resource
    Devět Z české Hudební Alternativy Osmdesátých Let (2019)
    Prague : Karolinum Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9788024643397
    Language: Czech
    Pages: 1 Online-Ressource (216 pages)
    DDC: 780.07
    RVK:
    KS 7523
    RVK:
    LS 48040
    RVK:
    LS 48060
    Keywords: Geschichte 1980-1990 ; Alternative Rock ; Jazz ; Experimentelle Musik ; Music-Social aspects-Czech Republic ; Tschechien ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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    Online Resource
    HeBIS
  • 15
    Online Resource
    Online Resource
    The Blues Come to Texas : Paul Oliver and Mack McCormick's Unfinished Book (2019)
    College Station : Texas A&M University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781623496395
    Language: English
    Pages: 1 Online-Ressource (472 pages)
    Series Statement: John and Robin Dickson Series in Texas Music, sponsored by the Center for Texas Music History, Texas State University
    DDC: 781.64309764
    RVK:
    LS 48500
    RVK:
    LQ 89407
    Keywords: Geschichte ; Blues ; Blues (Music)-Texas-History and criticism ; Texas ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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    Online Resource
    HeBIS
  • 16
    Online Resource
    Online Resource
    Music of a Thousand Years : A New History of Persian Musical Traditions (2019)
    Berkeley, CA : University of California Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780520972032
    Language: English
    Pages: 1 Online-Ressource (288 p.)
    DDC: 780.955
    RVK:
    LS 37060
    Keywords: Musik ; Iran ; Electronic books
    Abstract: A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Iran's particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran's national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region's political history.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020)
    DOI: 10.1515/9780520972032
    URL: kostenfrei
    URL: Cover
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    HeBIS
  • 17
    Online Resource
    Online Resource
    Jazz in Europe : networking and negotiating identities$h (2019)
    New York : Bloomsbury Academic & Professional
    Details
    ISBN: 9781501346606
    Language: English
    Pages: 1 online resource (201 pages)
    Parallel Title: Erscheint auch als
    RVK:
    LS 48200
    Keywords: Electronic books ; Europa ; Jazz ; Forschung ; Musikerziehung ; Musikförderung ; Netzwerk ; Kulturelle Identität
    Abstract: Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgements -- Abbreviations -- Introduction -- 1 Researching jazz in Europe today -- 2 Challenges for European jazz networking -- 3 Current strategies -- 4 Giving voice to ground players -- Conclusions -- References -- Index.
    Note: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5751870
    URL: Inhaltsverzeichnis
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    Online Resource
    BSZ
    GBV
  • 18
    Online Resource
    Online Resource
    Sprechen Sie Rhythmus? : Onomatopoesie beim Lernen melorhythmischer Pattern (2019)
    Wien : Hollitzer Wissenschaftsverlag
    Details
    ISBN: 9783990125786
    Language: German
    Pages: 1 online resource (169 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.62
    RVK:
    AP 84350
    RVK:
    LR 55250
    RVK:
    AP 84050
    Keywords: Rhythm ; Electronic books ; Musikerziehung ; Lautmalerei ; Rhythmus ; Pattern
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
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    BSZ
    GBV
  • 19
    Online Resource
    Online Resource
    Theory for ethnomusicology : histories, conversations, insights (2019)
    New York : Routledge
    Details
    ISBN: 1315408570 , 1315408554 , 1315408562 , 9781315408576 , 9781315408552 , 9781315408569
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Edition: Second edition
    Parallel Title: Erscheint auch als Theory for ethnomusicology
    RVK:
    LC 87000
    RVK:
    LS 16000
    Keywords: Ethnomusicology ; Ethnomusicology ; Music Philosophy and aesthetics ; MUSIC / Ethnomusicology ; bisacsh ; Ethnomusicology ; fast ; (OCoLC)fst00916186 ; Electronic books ; Musikethnologie ; Musiksoziologie ; Musikphilosophie
    Abstract: Theory for Ethnomusicology: Histories, Conversations, Insights, Second Edition, is a foundational work for courses in ethnomusicological theory. The book examines key intellectual movements and topic areas in social and cultural theory, and explores the way they have been taken up in ethnomusicological research. New co-author Harris M. Berger and Ruth M. Stone investigate the discipline's past, present, and future, reflecting on contemporary concerns while cataloging significant developments since the publication of the first edition in 2008. A dozen contributors approach a broad range of theoretical topics alive in ethnomusicology. Each chapter examines ethnographic and historical works from within ethnomusicology, showcasing the unique contributions scholars in the field have made to wider, transdisciplinary dialogs, while illuminating the field's relevance and pointing the way toward new horizons of research. New to this edition: Every chapter in the book is completely new, with richer and more comprehensive discussions. New chapters have been added on gender and sexuality, sound and voice studies, performance and critical improvisation studies, and theories of participation. New text boxes and notes make connections among the chapters, emphasizing points of contact and conflict among intellectual movements
    Note: Includes bibliographical references and index
    URL: Volltext
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    Online Resource
    BSZ
  • 20
    Online Resource
    Online Resource
    The making of a Reform Jewish cantor : musical authority, cultural investment (2019)
    Bloomington, IN : Indiana University Press
    Details
    ISBN: 9780253045478 , 0253045479
    Language: English
    Pages: 1 Online-Ressource , illustrations
    Edition: First paperback edition
    Series Statement: [Helen B. Schwartz book in Jewish studies]
    Parallel Title: Erscheint auch als Cohen, Judah M Making of a Reform Jewish cantor
    RVK:
    LR 56600
    RVK:
    LR 57050
    RVK:
    LR 57740
    RVK:
    LS 33240
    Keywords: Hebrew Union College-Jewish Institute of Religion ; Hebrew Union College-Jewish Institute of Religion - New York Campus - School of Sacred Music ; Cantillation Instruction and study ; Cantors (Judaism) Education ; Reform Judaism ; Hebrew Union College-Jewish Institute of Religion ; Berufsausbildung ; Kantor ; Reformjudentum ; USA ; USA ; MUSIC / Ethnomusicology ; Cantillation ; Instruction and study ; Reform Judaism ; Judaïsme réformé ; Cantors (Judaïsme) - Éducation ; Reform Judaism ; Cantors (Judaism) ; Reform Judaism - Liturgy - History ; Synagogue music ; Cantillations ; Cantillations ; Synagogue music ; Cantillations ; Musique synagogale ; Electronic books ; Synagogue music ; Cantillations
    Abstract: To fashion a cantor -- Seeking the tradition -- Constructing a tradition -- Through the prism of the practicum -- A prism of cantorial sound -- A prism of cantorial identity.
    Abstract: "The Making of a Reform Jewish Cantor provides an unprecedented look into the meaning of attaining musical authority among American Reform Jews at the turn of the twenty-first century. How do aspiring cantors adapt traditional musical forms to the practices of contemporary American congregations? What is the cantor's role in American Jewish religious life today? Judah M. Cohen follows cantorial students at the School of Sacred Music, Hebrew Union College, over the course of their training, as they prepare to become modern Jewish musical leaders. Opening a window on the practical, social, and cultural aspects of aspiring to musical authority, this book provides unusual insights into issues of musical tradition, identity, gender, community, and high and low musical culture."--Jacket
    Note: Includes bibliographical references and index
    URL: lizenzpflichtig
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  • 21
    Online Resource
    Online Resource
    Kulturelle Teilhabe durch Musik? : Transkulturelle Kinder- und Jugendbildung im Spannungsfeld von Empowerment und Othering (2019)
    Bielefeld : transcript
    Details
    ISBN: 9783839448496
    Language: German
    Pages: 1 Online-Ressource (353 Seiten)
    Series Statement: Kultur und soziale Praxis
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Stoffers, Nina, 1978 - Kulturelle Teilhabe durch Musik?
    Dissertation note: Dissertation Humboldt-Universität zu Berlin
    DDC: 306.4842
    RVK:
    AP 14900
    RVK:
    DG 8500
    RVK:
    DG 9000
    RVK:
    DS 7400
    RVK:
    LR 56600
    RVK:
    LR 56957
    RVK:
    LR 57070
    RVK:
    MS 3500
    Keywords: Electronic books ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Musikerziehung ; Kulturpädagogik ; Teilhabe ; Außerschulische Jugendbildung ; Ethnosoziologie ; Multikulturelle Gesellschaft ; Gruppenarbeit ; Ausgrenzung
    Abstract: Die Idee kultureller Teilhabe wird in wissenschaftlichen und gesellschaftspolitischen Kontexten immer wichtiger - mit entsprechenden Hoffnungen verbunden ist dabei insbesondere die Förderung von benachteiligten Gruppen. Dem Diskurs inhärent ist jedoch, dass das Ziel kultureller Teilhabe in sein Gegenteil verkehrt werden und zu einer inkludierenden Exklusion führen kann. Nina Stoffers zeigt, wie dieses Spannungsverhältnis wechselseitig voneinander abhängiger Strategien des Empowerment und des Othering gerade in transkulturellen Musikprojekten mit Kindern und Jugendlichen austariert wird. Kulturelle Teilhabe wird dabei als diversitätssensible und rassismuskritische Praxis begreifbar
    Abstract: Frontmatter -- Inhalt -- Danksagung -- Teil I: Einleitung -- 1. Forschungshorizont -- 2. Forschungsperspektive -- 3. Aufbau -- Teil II: Theoretische Grundlagen -- 1. Kulturelle Bildung -- 2. Bedeutungsvarianten des Kulturbegriffs -- 3. Transkulturalität -- 4. Kulturelle Teilhabe -- Teil III: Methodik -- 1. Das Forschungsfeld und seine Erschließung -- 2. Standortgebundenheit, methodisch kontrolliertes Fremdverstehen und ethische Forschungshaltung -- 3. Erhebungsmethoden -- 4. Erhebung und Sampling -- 5. Auswertungsmethoden -- 6. Darstellung der Daten -- Teil IV: Transkulturelle Musikprojekte -- Einleitung -- A. Heimat re-invented (Köln) -- Steckbrief -- Übersicht der Szenen von Heimat re-invented -- 1. Selbst- und Fremdbild: (Re-)Präsentationen in Antrag, Homepage, Evaluation und Presse -- 2. Zur Relevanz der Dramaturgie: Wer hält die Fäden in der Hand? -- 3. Was wird aufgeführt und wer steht auf der Bühne? Zur Auswahl des Repertoires und der Teilnehmenden -- 4. Kostüme und Requisiten -- 5. Wer arbeitet wie? Die Arbeitsweisen der künstlerischen Dozentinnen -- 6. Für wen ist das Projekt? Erwartungen und Ziele aus künstlerischen und pädagogischen Perspektiven -- 7. Titel und Rahmen -- 8. Exkurs: Der Umgang mit Klischees und Stereotypen -- B. Philharmonischer Verein der Sinti und Roma (Frankfurt/Main) -- Steckbrief -- 1. Titel und Rahmen -- 2. Auswahl des Repertoires und der Teilnehmenden -- 3. Selbst- und Fremdbild -- C. Zukunftsmusik (Berlin) -- Steckbrief -- 1. Titel und Rahmen -- 2. Auswahl des Repertoires und der Teilnehmenden -- 3. Selbst- und Fremdbild -- Teil V: Im Spannungsfeld von Empowerment und Othering -- 1. Sichtbarkeit -- 2. Kompetenzorientierung -- 3. Zuschreibungen -- 4. Musik als Mittel zum Zweck? -- 5. Schlüsselkategorie: Das Spannungsfeld von Empowerment und Othering -- Teil VI: Fazit und Ausblick -- Einleitung -- Inkludierende Exklusion -- Ausblick -- Teil VII: Anhang -- Materialauflistung und Abkürzungsverzeichnis -- 1. Allgemein -- 2. Projekt A: Heimat re-invented (Köln) -- 3. Projekt B: Philharmonischer Verein der Sinti und Roma (Frankfurt/Main) -- 4. Projekt C: Zukunftsmusik (Berlin) -- Teil VIII: Bibliografie
    Note: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5988547
    URL: https://www.transcript-verlag.de/978-3-8376-4849-2/kulturelle-teilhabe-durch-musik/
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5988547
    URL: https://www.transcript-verlag.de/978-3-8376-4849-2/kulturelle-teilhabe-durch-musik/
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  • 22
    Online Resource
    Online Resource
    Music Practices Across Borders : (E)Valuating Space, Diversity and Exchange (2019)
    Bielefeld : transcript-Verlag
    Details
    ISBN: 3839446678 , 9783839446676
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Musik und Klangkultur 35
    RVK:
    LS 48000
    Keywords: Music ; Musicology ; Ethnomusicology ; SOCIAL SCIENCE / General ; MUSIC / History & Criticism ; Music ; Musicology ; Ethnomusicology ; Electronic books ; Konferenzschrift ; Aufsatzsammlung
    Abstract: Frontmatter --Content --Introduction-Music practices across borders /Peres da Silva, Glaucia / Hondros, Konstantin --Valuation in a reversed economy /Fryberger, Annelies --Culture, creativity and practice /Wafula, Mukasa Situma --"Come and expose yourself to the fantastic music from around the world" /Lell, Peter --From desire for recognition to desire for independence /Le Coz, Sandrine --The invention of African art music /Riva, Nepomuk --Contemplating musical life in Tunisia under the French protectorate-the society and challenges /El Kahla, Alla --The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century /Anabel González, Daniela --Brazilian grooves and cultured clichés /Boy Bystron, Janco / Santana, Chico --About the authors
    Abstract: Reconnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Music is here approached as a practice not confined by audibility - rather, it is "seen" when the YouTube video is clicked, "felt" when the subwoofer vibrates, and "smelled" when the festival crowd dances: practices make music emerge in concrete situations constituted by people, objects, techniques, meanings, and emotions. Through these practices, values are created and shared which connect a way of music-making with objects and places of experiencing music unconfined by borders of any kind
    Note: In English
    URL: kostenfrei
    URL: kostenfrei
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  • 23
    Online Resource
    Online Resource
    Jewish Religious Music in Nineteenth-Century America : Restoring the Synagogue Soundtrack (2019)
    Bloomington : Indiana University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780253040237
    Language: English
    Pages: 1 Online-Ressource (345 pages)
    Edition: 1st ed.
    RVK:
    NY 4900
    RVK:
    LS 33260
    Keywords: Geschichte 1800-1900 ; Juden ; Synagoge ; Geistliche Musik ; Kirchenmusikpflege ; USA ; Electronic books
    Abstract: Jewish Music in Nineteenth Century America looks at key Jewish American musical figures and texts from the 19th century, demonstrating the significant influence central European traditions had during this period and complicating the notion that American Jewish musical traditions "progressed" from solo chant to canters and choirs.
    Note: Description based on publisher supplied metadata and other sources
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  • 24
    Online Resource
    Online Resource
    Music Is Power : Popular Songs, Social Justice and the Will to Change (2019)
    New Brunswick : Rutgers University Press
    Details
    ISBN: 9781978808157
    Language: English
    Pages: 1 online resource (248 pages)
    Parallel Title: Erscheint auch als
    DDC: 306.48424
    RVK:
    LS 48050
    Keywords: Popular music-Political aspects-History ; Popular music-Social aspects-History ; Electronic books ; Electronic books
    Abstract: Cover Page -- Title Page -- Copyright Page -- Contents -- Introduction -- Chapter 1. Musical Workers of the World Unite: Joe Hill, Woody Guthrie, and Pete Seeger -- Chapter 2. There for More Than Fortune: Phil Ochs, Joan Baez, and Bob Dylan -- Chapter 3. Caged Artists: Lesley Gore, Janis Ian, and P. F. Sloan -- Chapter 4. Parody and Poetry: Tom Lehrer -- Peter, Paul and Mary -- and The Smothers Brothers -- Chapter 5. Psychedelicate Situations: Jimi Hendrix and Pink Floyd -- Chapter 6. Reason and Blues: Marvin Gaye and The Temptations -- Chapter 7. Say It Loud, We're Blocked but Proud: James Brown and Curtis Mayfield -- Chapter 8. Hard Rock Turns Metallic: The Who and Black Sabbath -- Chapter 9. More Than a Working-Class Hero: John Lennon and The Beatles -- Chapter 10. Out of Place and In Your Face: The Dead Kennedys and The Sex Pistols -- Chapter 11. Word: Gil Scott-Heron and Grandmaster Flash -- Chapter 12. Global Music Consciousness: Bob Marley and Peter Gabriel -- Chapter 13. Weird, Funny, Smart, Angry: Frank Zappa versus Everyone -- Chapter 14. Rap, Not Hip-Hop: NWA and Public Enemy -- Chapter 15. Weapons of Mass Deconstruction: Dixie Chicks and Green Day -- Epilogue: Music Is Power -- Acknowledgments -- Bibliography -- Index -- About the Author.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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  • 25
    Online Resource
    Online Resource
    Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives (2019)
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
    RVK:
    LS 48015
    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Cultural History ; Diplomacy ; History of the 20th Century ; History ; International Relations ; Music ; Musicology ; Politics ; Pop Music ; Popular Culture ; Unterhaltungsmusik ; Public Diplomacy ; MUSIC / History & Criticism ; Electronic books
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
    DOI: 10.1515/9783839443583
    URL: kostenfrei
    URL: Cover
    URL: kostenfrei registrierungspflichtig
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: De Gruyter, Cover
    URL: EBSCOhost
    URL: https://doi.org/10.14361/9783839443583
    URL: https://openresearchlibrary.org/content/422dabda-0d15-4fb7-847b-a0d3dd102bff
    URL: Biblioboard
    URL: Image
    URL: lizenzpflichtig
    URL: kostenfrei
    URL: kostenfrei
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  • 26
    Online Resource
    Online Resource
    The Routledge companion to popular music analysis : expanding approaches (2019)
    New York ; London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781315544700 , 9781134830787 , 1134830785 , 1315544709
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.64/117
    RVK:
    LS 48000
    RVK:
    LS 48015
    Keywords: Musikalische Analyse ; Unterhaltungsmusik ; Neue Musik ; Popular music / Analysis, appreciation ; Popular music / History and criticism ; Musical analysis ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Musikalische Analyse ; Unterhaltungsmusik ; Neue Musik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://www.taylorfrancis.com/books/9781315544700
    URL: https://doi.org/10.4324/9781315544700
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    HU Berlin
    München BSB
    KOBV
    HeBIS
    BVB
  • 27
    Book
    Book
    Creative improvised music : an international bibliography of the jazz avant-garde, 1959-present (2019)
    Nyack, New York : African Diaspora Press
    Details
    ISBN: 9780984413485
    Language: English
    Pages: xv, 639 Seiten
    Series Statement: Black music reference series volume 9
    Series Statement: Black music reference series
    RVK:
    LS 48015
    RVK:
    LS 48100
    Keywords: Geschichte 1959- ; Jazz ; Jazzmusiker ; Bibliografie ; Bibliografie ; Jazz ; Jazzmusiker ; Geschichte 1959-
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 28
    Online Resource
    Online Resource
    Adorno-Handbuch : Leben - Werk - Wirkung (2019)
    Stuttgart :J.B. Metzler Verlag,
    Details
    ISBN: 978-3-476-05458-6
    Language: German
    Pages: 1 Online-Ressource (XV, 711 Seiten).
    Edition: 2., erweiterte und aktualisierte Auflage
    Parallel Title: Erscheint auch als
    DDC: 190
    RVK:
    CI 1337
    RVK:
    CI 1329
    RVK:
    LP 91140
    RVK:
    MQ 3010
    Keywords: Adorno, Theodor W. ; Modern Philosophy ; Critical Theory ; Philosophy, modern ; Critical theory ; Kritische Theorie. ; Bibliografie ; Aufsatzsammlung ; Lehrbuch ; Aufsatzsammlung ; 1903-1969 Adorno, Theodor W. ; Kritische Theorie
    DOI: 10.1007/978-3-476-05458-6
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
    URL: Rezension
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    HU Berlin
    BSZ
    MPI Ethno. Forsch.
  • 29
    Online Resource
    Online Resource
    Turkic soundscapes : from shamanic voices to hip-hop (2018)
    Abingdon, Oxon : Routledge
    Details
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: SOAS musicology series
    Parallel Title: Erscheint auch als Turkic soundscapes
    DDC: 780.9174943
    RVK:
    LS 36760
    Keywords: Music Europe, Western x History and criticism ; Music Middle East x History and criticism ; Turkic peoples Music ; History and criticism ; Music Turkish influences ; Electronic books
    Abstract: Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of tables -- List of musical examples -- Notes on contributors -- Acknowledgements -- Map of the Turkic-speaking world -- Foreword -- Foreword -- 1 Introduction: traditions and transformations in Turkic musical cultures -- Part I Cultural foundations in music of the twenty-first century -- 2 The concept of makam-based melody and its problematic in musical analysis -- 3 The pedagogical system of Azerbaijani master musician Bahram Mansurov (1911‒1985) -- 4 From popular tradition to pop diffusion: jahrī zikr among teenagers in present-day Kazakhstan -- Part II Turkic music in popular culture and mass media -- 5 Azerbaijani rap music and oral poetry between "the folk" and "the popular" -- 6 Mass music in Kazakhstan: the phenomenon and its interpretation -- 7 Musical images of Istanbul from Fatih Akin's films and stage performances -- Part III Cross-cultural encounters in the Turkic-speaking world and beyond -- 8 From the spiritual to the profane and back: religious melodies and folksongs of Turkic peoples -- 9 The Circumpontic Lezginka dance as a cultural phenomenon -- 10 The impact of Turkic musical culture on the music of Bulgaria -- Part IV Turkic music and national identities -- 11 Debating "national ownership" of musical instruments: the balalaika as a subject of ethnopolitical discourse -- 12 New music of the Crimean Tatars: history and current status -- 13 Ancient roots, modern nation-building: Kazakh spirituality and identity in the music of the Turan ensemble -- References -- Index.
    Note: Includes bibliographical references and index
    URL: Volltext
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  • 30
    Book
    Book
    Music of Sub-Saharan Africa : an international bibliography and resource guide (2018)
    Nyack : African Diaspora Press
    Details
    ISBN: 9780984413478
    Language: English
    Series Statement: Black music reference series 8
    Series Statement: Black music reference series
    RVK:
    LS 48015
    RVK:
    LS 46399
    Keywords: Musik ; Subsaharisches Afrika ; Bibliografie ; Subsaharisches Afrika ; Musik
    URL: Inhaltsverzeichnis
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    BVB
  • 31
    Online Resource
    Online Resource
    Anti-Music : Jazz and racial blackness in German thought between the wars (2018)
    Albany : State University of New York Press
    Details
    ISBN: 9781438469881
    Language: English
    Pages: 1 Online-Ressource (228 pages)
    Series Statement: SUNY Series, Philosophy and Race
    Series Statement: SUNY Series, Philosophy and Race Ser.
    Parallel Title: Erscheint auch als Thompson, Mark Christian, 1970 - Anti-music
    DDC: 781.6508996073043
    RVK:
    LS 48100
    Keywords: Philosophy, German-20th century ; Jazz-Germany-20th century-History and criticism ; Blacks-Race identity-Germany-History-20th century ; Electronic books ; Deutschland ; Afroamerikanische Musik ; Jazz ; Kulturpolitik ; Geschichte 1919-1939 ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter One The Jazz Paradox -- I. Bloch's Blacks -- II. Jonny's Jimmy -- III. Parodic Primitivism -- IV. Nazi Neger -- Chapter Two The Jazz Machine -- I. The Jazz Machine -- II. The Principle of Looking -- III. Jazz Vulgarity -- IV. The Astaire Automaton -- Chapter Three The Monkey's Trick -- I. The Monkey's Trick -- II. The Track of the Divine -- III. Jazzman Mozart -- Chapter Four The Music of Fascism -- I. Jazz at War -- II. That Ol' Wagnerian Rag -- III. Slave to Jazz -- IV. Sacrificial Jazz -- Chapter Five Jazz-Heinis -- I. The Inner Crisis -- II. The Nazi Princess -- III. Stop, Thief -- IV. The White-Face Minstrel -- Conclusion -- Notes -- Bibliography -- Index
    URL: Volltext  (lizenzpflichtig)
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  • 32
    Book
    Book
    Free Jazz : a research and information guide (2018)
    New York ; London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781138232679
    Language: English
    Pages: xx, 388 Seiten
    Series Statement: Routledge music bibliographies
    Parallel Title: Erscheint auch als
    RVK:
    LS 48270
    Keywords: Free Jazz ; Bibliografie ; Bibliografie ; Bibliografie ; Free Jazz
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
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  • 33
    Online Resource
    Online Resource
    Sonic agency : sound and emergent forms of resistance (2018)
    Cambridge : Goldsmiths Press
    Details
    ISBN: 9781906897536
    Language: English
    Pages: 1 Online-Ressource (191 Seiten)
    Series Statement: Goldsmiths Press sonics series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als LaBelle, Brandon, 1969 - Sonic agency
    DDC: 303.48/4
    RVK:
    LC 59000
    RVK:
    LR 56650
    RVK:
    LR 56668
    Keywords: Sound Psychological aspects ; Resistance (Philosophy) ; Resistance (Philosophy) ; Resistance (Philosophy) ; Sound Psychological aspects ; Sound Psychological aspects ; Sound-Psychological aspects ; Electronic books ; Sozialer Wandel ; Politischer Wandel ; Widerstand ; Klang ; Psychoakustik ; Sozialer Wandel ; Politischer Wandel ; Widerstand ; Klang ; Psychoakustik
    Abstract: A timely exploration of whether sound and listening can be the basis of political change.
    Abstract: Cover -- Half title -- Title page -- Copyright -- Contents -- Acknowledgments -- 1 Unlikely Publics: On the Edge of Appearance -- Tact / And Tenderness -- Four Sonic Figures -- Anti-political Politics -- Notes -- 2 The Invisible -- Acousmatic Voices / Listening in the Dark / Encounters beyond the Face -- The Black Arts / And Black Readings / From Histories of Secrets / (Im)possible -- The Hidden / Yet Heard / As New Consciousness / The Making of Faces -- Notes -- 3 The Overheard -- Urban Scenes / A Logic of Encounters / Stranger Relations -- Networks / The Cognitive Body / Leaks and Invisible Remainders -- Unsitely Commons / Pirate Cultures / New Moral Challenge -- Notes -- 4 The Itinerant -- Echo Worlds / And Diversal Subjects / Lyrics of Displacement -- Rasta Reasoning / "I and I" / Of Deep Echoes -- The Migrations / And Desperate Walks / For No Borders -- Border Subjects / Giving Way to Border Publics / Encroachments -- Notes -- 5 The Weak -- Ecstasy / Collective Vibrations / By Which to Weaken / And Raise -- Non-violence / Standing Still / Within Churches from Below -- Listening / Loving Relations / This Rage / And Other Weapons -- Notes -- 6 Poor Acoustics: Listening from Below -- Notes -- Bibliography -- Index.
    Note: Description based on publisher supplied metadata and other sources
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  • 34
    Book
    Book
    Music of Sub-Saharan Africa : an international bibliography and resource guide (2018)
    Nyack : African Diaspora Press
    Details
    ISBN: 9780984413478
    Language: English
    Series Statement: Black music reference series 8
    Series Statement: Black music reference series
    RVK:
    LS 48015
    RVK:
    LS 46399
    Keywords: Musik ; Subsaharisches Afrika ; Bibliografie ; Subsaharisches Afrika ; Musik
    URL: Inhaltsverzeichnis
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    München BSB
    Bayreuth UB
  • 35
    Online Resource
    Online Resource
    Gender, branding, and the modern music industry : the social construction of female popular music stars (2018)
    Boca Raton, FL : Routledge, an imprint of Taylor and Francis,
    Details
    ISBN: 9781351662857
    Language: English
    Pages: 1 online resource (294 pages)
    Edition: Second edition.
    Parallel Title: Lieb, Kristin Gender, branding, and the modern music industry
    RVK:
    LS 48070
    RVK:
    MS 8020
    Keywords: Women musicians ; Women in music ; Music trade Social aspects ; Popular music Social aspects ; Electronic books ; Music trade ; Social aspects ; Popular music ; Social aspects ; Women in music ; Women musicians ; Geschlechterforschung ; Marke ; Musikwirtschaft
    URL: Volltext
    URL: lizenzpflichtig
    URL: Volltext
    URL: lizenzpflichtig
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  • 36
    Online Resource
    Online Resource
    Gender Inequality in Metal Music Production (2018)
    Bingley : Emerald Publishing Limited
    Details
    ISBN: 9781787146747
    Language: English
    Pages: 1 Online-Ressource (170 pages)
    Series Statement: Emerald Studies in Metal Music and Culture Ser
    Parallel Title: Print version Berkers, Pauwke Gender Inequality in Metal Music Production
    DDC: 305.4
    RVK:
    LR 56610
    RVK:
    LS 48635
    Keywords: Music trade.. ; Sound recordings-Production and direction.. ; Sex discrimination against women.. ; Discrimination in employment ; Electronic books
    Abstract: In metal, it seems that women are nowhere but gender is everywhere. This title offers a sociological analysis of metal music's historical and global gender imbalance to investigate why this genre is such an impenetrable fortress for female musicians and how it could change
    Abstract: Intro -- Gender Inequality in Metal Music Production -- Contents -- Lists of Images, Figures and Tables -- Images -- Figures -- Tables -- About the Authors -- Preface and Acknowledgments -- Introduction: Gender Inequality in Metal Music Production -- Learning, Doing and Evaluating Gender in Society, Pop Music and Metal -- I. Gender in Society at Large -- II. Gender in Popular Music -- Representation of Women in Pop Music -- Explaining the Representation of Women in Pop Music -- III. Gender in Metal Music -- Representation of Women in Metal Music -- Explaining the Representation of Women in Metal Music -- Data and Methods -- Structure and Outline of the Book -- 1. Winds of Change? Longitudinal Trends and Cross-National Differences -- A History of Women in Metal Music Production -- Getting into Metal Music -- The Statistics of a Boy's Club: Three Per Cent -- Global Cultural Production of Metal Music -- The Masculine Glocalisation of Metal Music -- 2. 'Female-Fronted Metal': Gender Differences and (Sub)Genres -- Genre Rules: Expectations, Orientations and Conventions -- Gendered Genre Rules -- The Statistics of Gendered Subgenres -- Gender and Subgenres -- Gender and Subgenres in Six Countries -- Gendering of (Sub)Genre Through Social Marking -- 3. All Vocals, Few Chords: Gender Differences in Instrumentation -- Horizontal Sex Segregation: Gender, Instruments and Stereotypes -- Vertical Sex Segregation: Gender, Prestige and Instruments -- The Statistics of Instrumentation: All Vocals, Few Chords -- Gender and Instrumentation -- Gender and Instrumentation in Metal Subgenres -- 4. Wielding the Double-Edged Sword: Gender Differences in Artistic Careers -- Social Marking and Boundaries -- Tokenism -- Cultural/Structural Embeddedness and the Double-Edged Sword -- Positive Tension: The Benefits of Higher Visibility
    Abstract: Negative Tension: The Disadvantages of Higher Visibility -- The Statistics of the Double-Edged Sword: Institutional Recognition -- The Great Trade-Off: Standing Out or Fitting In? -- Conclusion: Women Are Nowhere, Gender Is Everywhere -- Main Findings and Contributions -- Discussion and Further Research -- Amplifying Gender Equality, Perhaps -- Appendix 1: Quantitative Data - The Metal Archives -- Variable Construction: Subgenre and Instruments -- Appendix 2: Qualitative Data - Interviews with Metal Musicians -- References -- Secondary Sources -- Index
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  • 37
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    Sonic Agency : Sound and Emergent Forms of Resistance (2018)
    Cambridge : Goldsmiths | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781906897529
    Language: English
    Pages: 1 Online-Ressource (191 pages)
    Series Statement: Goldsmiths Press / Sonics Ser. v.1
    DDC: 303.484
    RVK:
    LC 59000
    RVK:
    LR 56650
    RVK:
    LR 56668
    Keywords: Sozialer Wandel ; Politischer Wandel ; Widerstand ; Klang ; Psychoakustik ; Sound-Psychological aspects ; Electronic books
    Abstract: A timely exploration of whether sound and listening can be the basis of political change.
    Note: Description based on publisher supplied metadata and other sources
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  • 38
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    Online Resource
    Black Music Matters : Jazz and the Transformation of Music Studies (2018)
    New York : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781538111710
    Language: English
    Pages: 1 Online-Ressource (257 pages)
    DDC: 780.71
    RVK:
    LS 48015
    Keywords: Geschichte 2000- ; Jazz ; Musikerziehung ; Kulturelle Identität ; USA ; Electronic books
    Abstract: Black Music Matters: Jazz and the Transformation of Music Studies is among the first books to examine music studies reform through the lens of African American music, as well as the emergent field of consciousness studies. It is inspired by conversations on race and a rich body of literature on the place of black music in American culture.
    Note: Description based on publisher supplied metadata and other sources
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  • 39
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    Online Resource
    The Devil's Music : How Christians Inspired, Condemned, and Embraced Rock 'n' Roll (2018)
    Cambridge : Harvard University Press
    Details
    ISBN: 9780674919747
    Language: English
    Pages: 1 Online-Ressource (345 pages)
    Edition: Online-Ausg.
    Parallel Title: Print version Stephens, Randall J The Devil's Music : How Christians Inspired, Condemned, and Embraced Rock 'n' Roll
    DDC: 306.4/84260973
    RVK:
    LV 78630
    Keywords: Rock music Religious aspects ; Christianity ; Rock music History and criticism ; Rock music History and criticism ; Christian rock music History and criticism ; Fundamentalism History ; Electronic books
    Abstract: When rock and roll emerged in the 1950s, ministers denounced it from their pulpits and Sunday school teachers warned of the music's demonic origins. The big beat, said Billy Graham, was "ever working in the world for evil." Yet by the early 2000s Christian rock had become a billion-dollar industry. The Devil's Music tells the story of this transformation. Rock's origins lie in part with the energetic Southern Pentecostal churches where Elvis, Little Richard, James Brown, and other pioneers of the genre worshipped as children. Randall J. Stephens shows that the music, styles, and ideas of tongue-speaking churches powerfully influenced these early performers. As rock 'n' roll's popularity grew, white preachers tried to distance their flock from this "blasphemous jungle music," with little success. By the 1960s, Christian leaders feared the Beatles really were more popular than Jesus, as John Lennon claimed. Stephens argues that in the early days of rock 'n' roll, faith served as a vehicle for whites' racial fears. A decade later, evangelical Christians were at odds with the counterculture and the antiwar movement. By associating the music of blacks and hippies with godlessness, believers used their faith to justify racism and conservative politics. But in a reversal of strategy in the early 1970s, the same evangelicals embraced Christian rock as a way to express Jesus's message within their own religious community and project it into a secular world. In Stephens's compelling narrative, the result was a powerful fusion of conservatism and popular culture whose effects are still felt today.--
    Abstract: Cover -- Title Page -- Copyright -- Contents -- Introduction -- 1. Pentecostalism and Rock 'n' Roll in the 1950s -- 2. Race, Religion, and Rock 'n' Roll -- 3. The Beatles, Christianity, and the Conservative Backlash -- 4. The Advent of Jesus Rock -- 5. The Fundamentalist Reaction to Christian Rock -- Epilogue -- Notes -- Acknowledgments -- Index
    Note: Includes bibliographical references and index
    URL: Volltext
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    URL: https://doi.org/10.4159/9780674919747?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780674919747
    URL: Cover
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  • 40
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    The Jazz Bubble : Neoclassical Jazz in Neoliberal Culture (2018)
    Berkeley : University of California Press
    Details
    ISBN: 9780520968219
    Language: English
    Pages: 1 Online-Ressource (297 pages)
    Edition: Online-Ausg.
    Parallel Title: Print version Chapman, Dale The Jazz Bubble : Neoclassical Jazz in Neoliberal Culture
    DDC: 306.4/84250973
    RVK:
    LS 48200
    Keywords: Gordon, Dexter ; Verve Records (Firm) History ; Verve Music Group History ; Jazz Economic aspects ; Jazz History and criticism ; Jazz Social aspects ; Sound recording industry Economic aspects ; Music-halls (Variety-theaters, cabarets, etc.) History ; Electronic books
    Abstract: Hailed by corporate, philanthropic, and governmental organizations as a metaphor for democratic interaction and business dynamics, contemporary jazz culture has a story to tell about the relationship between political economy and social practice in the era of neoliberal capitalism. The Jazz Bubble approaches the emergence of the neoclassical jazz aesthetic since the 1980s as a powerful, if unexpected, point of departure for a wide-ranging investigation of important social trends during this period, extending from the effects of financialization in the music industry to the structural upheaval created by urban redevelopment in major American cities. Dale Chapman draws from political and critical theory, oral history, and the public and trade press, making this a persuasive and compelling work for scholars across music, industry, and cultural studies
    Abstract: Cover -- The Jazz Bubble -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction: Banks, Bonds, and Blues -- 1. âControlled Freedomâ: Jazz, Risk, and Political Economy -- 2. âHomecomingâ: Dexter Gordon and the 1970s Fiscal Crisis in New York City -- 3. Selling the Songbook: The Political Economy of Verve Records (1956â1990) -- 4. Bronfmanâs Bauble: The Corporate History of the Verve Music Group (1990â2005) -- 5. Jazz and the Right to the City: Jazz Venues and the Legacy of Urban Redevelopment in California -- 6. The âYoshiâs Effectâ: Jazz, Speculative Urbanism, and Urban Redevelopment in Contemporary San Francisco -- Notes -- Works Cited -- Index
    Note: Includes bibliographical references and index
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  • 41
    Online Resource
    Online Resource
    The race of sound : listening, timbre, and vocality in African American music (2018)
    Durham : Duke University Press
    Details
    ISBN: 9780822372646 , 0822372649
    Language: English
    Pages: 1 Online-Ressource (xiv, 268 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.2/308996073
    RVK:
    LS 48015
    Keywords: Anderson, Marian 1897-1993 ; Holiday, Billie 1915-1959 ; Scott, Jimmy 1925-2014 ; Vocaloid (Computer file) ; African Americans Music ; Social aspects ; Music and race United States ; Voice culture Social aspects ; United States ; Tone color (Music) Social aspects ; United States ; Music Social aspects ; United States ; Singing Social aspects ; United States ; Zuhören ; Afroamerikanische Musik ; Klang ; Electronic books ; Afroamerikanische Musik ; Klang ; Zuhören
    Note: Includes bibliographical references and index , Formal and informal pedagogies : believing in race, teaching race, hearing race -- Phantom genealogy : sonic Blackness and the American operatic timbre -- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity -- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed -- Bifurcated listening : the inimitable, imitated Billie Holiday -- Widening rings of being : the singer as stylist and technician
    DOI: 10.1215/9780822372646
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 42
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    Music, sound, and architecture in Islam (2018)
    Austin : The University of Texas Press
    Details
    ISBN: 9781477312476 , 9781477312483
    Language: English
    Pages: 1 Online-Ressource (xix, 440 Seiten)
    Edition: First edition
    Parallel Title: Erscheint auch als Music, sound, and architecture in Islam
    DDC: 700.91767
    RVK:
    LS 34000
    RVK:
    LO 87143
    Keywords: Music and architecture-Islamic countries ; Art and architecture-Islamic countries ; Music-Social aspects-Islamic countries ; Music-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Art and architecture-Islamic countries ; Music and architecture-Islamic countries ; Music-Islamic countries-History and criticism ; Music-Social aspects-Islamic countries ; Electronic books ; Aufsatzsammlung ; Islam ; Architektur ; Musik ; Akustik ; Islam ; Architektur ; Musik ; Akustik
    Abstract: Intro -- List of Figures, Plates, Charts, and Tables -- Foreword by Ali S. Asani -- Acknowledgments -- Part One: Transregional -- 1. Listening to Islamic Gardens and Landscapes, by D. Fairchild Ruggles -- Part Two: The Ottoman Empire and Turkey -- 2. A Sound Status among the Ottoman Elite: Architectural Patrons of Sixteenth-Century Istanbul Mosques and Their Recitation Programs, by Nina Ergin -- 3. A Concert Platform: A Space for a Style in Turkish Music, by John Morgan OâConnell -- 4. Articulating Otherness in the Construction of Alevi-BektaÅi Rituals and Ritual Space in a Transnational Perspective, by Irene Markoff -- Part Three: The Arab World -- 5. Venerating Cairoâs Saints through Monument and Ritual: Islamic Reform and the Rise of the Architext, by Michael Frishkopf -- 6. Nightingales and Sweet Basil: The Cultural Geography of Aleppine Song, by Jonathan H. Shannon -- 7. Aural Geometry: Poetry, Music, and Architecture in the Arabic Tradition, by Samer Akkach -- Part Four: Andalusia and Europe -- 8. Tents of Silk and Trees of Light in the Lands of Najd: The Aural and the Visual at a Mawlid Celebration in the Alhambra, by Cynthia Robinson -- 9. Aristocratic Residences and the Majlis in Umayyad Córdoba, by Glaire D. Anderson -- 10. Sounds of Love and Hate: Sufi Rap, Ghetto Patrimony, and the Concrete Politics of the French Urban Periphery, by Paul A. Silverstein -- Part Five: Central and South Asia -- 11. Ideal Form and Meaning in Sufi Shrines of Pakistan: A Return to the Spirit, by Kamil Khan Mumtaz -- 12. The Social and Sacred Microcosm of the Kiiz Ãi: Space and Sound in Rituals for the Dead among the Kazakhs of Mongolia, by Saida Daukeyeva -- Part Six: Iran -- 13. Listening to Pictures in Iran, by Anthony Welch -- 14. Of Mirrors and Frames: Music, Sound, and Architecture at the Iranian ZÅ«rkhÄneh, by Federico Spinetti -- References
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  • 43
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    Logic of experimentation : reshaping music performance in and through artistic research (2018)
    Leuven (BE) : Leuven University Press
    Details
    ISBN: 9789462701380 , 9461662505 , 9462701385 , 9461662505 , 9789462701380 , 9789461662507
    Language: English
    Pages: 1 Online-Ressource (300 pages)
    Series Statement: Orpheus Institute series
    Parallel Title: Print version Assis, Paulo de Logic of experimentation. Reshaping music performance in and through artistic research
    RVK:
    LR 56008
    Keywords: Music Performance ; Music ; Electronic books ; Music ; Performance ; MUSIC / Instruction & Study / General ; Musikalische Aufführungspraxis ; Experiment ; Musikalische Aufführungspraxis ; Rezeption ; Musikalische Aufführungspraxis ; Künstlerische Forschung
    Abstract: Beyond interpretation: a proposal for experimental performance practices.0'Logic of Experimentation' offers several innovative and ground-breaking perspectives on music performance, music ontology, research methodologies and ethics of performance. It proposes new modes of thinking and exposing past musical works to contemporary audiences, arguing for a new kind of performer, emancipated from authoritative texts and traditions, whose creativity is propelled by intensive research and inventive imagination. Moving beyond the work-concept, Logic of Experimentation presents a new image of musical works, based upon the notions of strata, assemblage and diagram, advancing innovative practice-based methodologies that integrate archival and musicological research into the creative process leading to a performance. Beyond representational modes of performance - be it mainstream or historically informed performance practices - 'Logic of Experimentation' creates an ontological, methodological and ethical space for experimental performance practices, arguing for a new mode of performance. Written in an experimental style, its eight chapters appropriate music performance concepts from post-structural philosophy, psychoanalysis, science and technology studies, epistemology and semiotics, displaying how transdisciplinarity is central to artistic research
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
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    MPI Ethno. Forsch.
  • 44
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    Middlebrow modernism : Britten's operas and the great divide (2018)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520970700 , 0520970705 , 9780520298651 , 0520970705 , 9780520298651 , 9780520970700
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Parallel Title: Erscheint auch als
    Parallel Title: Print version Chowrimootoo, Christopher, 1985- Middlebrow modernism
    RVK:
    LP 91536
    Keywords: Britten, Benjamin ; Britten, Benjamin ; Britten, Benjamin ; Music ; Opera ; Modernism (Music) ; Music Philosophy and esthetics 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Music Philosophy and esthetics 20th century ; Electronic books ; MUSIC / History & Criticism ; Modernism (Music) ; Opera ; Operas (Britten, Benjamin) ; History ; Electronic books ; Britten, Benjamin 1913-1976 ; Oper ; Soziale Situation ; Massenkultur ; Neue Musik
    Abstract: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Abstract: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 45
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    Theory and practice in the music of the Islamic world : essays in honour of Owen Wright (2018)
    Abingdon, Oxon ; New York, N.Y. : Routledge,
    Details
    ISBN: 9781315191461 , 9781351752145
    Language: English
    Pages: 1 online resource (xxxviii, 321 Seiten)
    Series Statement: SOAS musicology
    Parallel Title: Erscheint auch als
    DDC: 780.917/67
    RVK:
    LS 34120
    Keywords: Geschichte ; Musik ; Musiktheorie ; Musikpflege ; Islamische Staaten ; Music / History and criticism / Islamic countries ; Music ; Islamic countries ; History and criticism ; Electronic books ; Festschrift ; Islamische Staaten ; Musik ; Musikpflege ; Musiktheorie ; Geschichte
    DOI: 10.4324/9781315191461
    URL: https://www.taylorfrancis.com/books/9781315191461
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    KOBV
  • 46
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    Music and Modernity among First Peoples of North America (2018)
    Middletown, CT. 06459 : Wesleyan University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780819578648
    Language: English
    Pages: 1 Online-Ressource (361 pages)
    Edition: 1st ed.
    DDC: 780.89/97
    RVK:
    LS 49700
    Keywords: Musik ; Musikethnologie ; Indianer ; Nordamerika ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 47
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    Online Resource
    Popular music, stars and stardom (2018)
    Acton, ACT, Australia : Australian National University Press
    Details
    ISBN: 9781760462123 , 1760462136 , 1760462128 , 1760462136 , 9781760462123 , 9781760462130
    Language: English
    Pages: 1 Online-Ressource (x, 162 pages)
    Parallel Title: Print version Popular music, stars and stardom
    RVK:
    LR 57730
    RVK:
    MS 7850
    Keywords: Mercury, Freddie Criticism and interpretation ; Caballé, Montserrat Criticism and interpretation ; Jacques, Judy Criticism and interpretation ; Saddington, Wendy Criticism and interpretation ; Beyoncé Criticism and interpretation ; Mercury, Freddie ; Caballé, Montserrat ; Jacques, Judy ; Saddington, Wendy ; Beyoncé ; Rock music ; Popular music Political aspects ; Popular music Social aspects ; Popular music History and criticism ; Fame Political aspects ; Minstrel music History ; Women musicians ; Popular music ; Rock music ; Popular music ; Popular music ; Popular music ; Fame ; Minstrel music ; Women musicians ; Popular music ; Electronic books ; Beyoncé ; Caballé, Montserrat ; Mercury, Freddie ; Music ; Popular culture ; Media, information & communication industries ; Minstrel music ; Popular music ; Popular music ; Political aspects ; Popular music ; Social aspects ; Rock music ; Women musicians ; Australia ; Criticism, interpretation, etc ; History ; Electronic books ; Popmusik ; Popsänger ; Popsängerin ; Starkult
    Abstract: "A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music."
    Abstract: "A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music."
    Note: Includes bibliographical references and index
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  • 48
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    Philosophie des HipHop : Performen, was an der Zeit ist (2018)
    Bielefeld : Transcript-Verlag
    Details
    ISBN: 3839441528 , 9783839441527
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: X-Texte zu Kultur und Gesellschaft
    Parallel Title: Erscheint auch als
    RVK:
    LC 87000
    RVK:
    LS 48650
    RVK:
    MR 7100
    Keywords: Music ; Hip-hop ; Musique ; Musique ; Hip-hop ; Music ; Music ; Music ; Theory of music & musicology ; Hip-hop Philosophy and aesthetics ; Music ; Music Philosophy and aesthetics ; Hip-Hop ; Philosophie ; Electronic books ; Electronic books ; Hip-Hop ; Philosophie
    Abstract: In Gesprächen, mit Texten, Songs, Kommentaren und durch spontane Assoziationen loten Philosoph*innen und Rapper*innen (Megaloh, Sookee, Spax u.a.) miteinander aus, was Philosophie des HipHop heißt. Dabei geht es um lebendiges Philosophieren. Philosophieren im Sinne des HipHop verlangt, sich selbst aktiv einzubringen. Eigene Gedanken blitzen auf in der Konfrontation mit den Gedanken anderer. Authentizität bzw. Realness und Kreativität: das sind die Leitwerte des HipHop. Philosophie des HipHop bedeutet nicht talking philosophy, sondern doing philosophy, und zwar in der Auseinandersetzung mit den Herausforderungen der Gegenwart. Philosophie des HipHop heißt: Performen, was an der Zeit ist
    Abstract: Philosophers and rappers jointly explore in discussions, texts, songs, comments and spontaneous associations what philosophy of hip-hop means, the focus being on living philosophyzing. Philosophyzing in the sense of hip-hop requires getting personally involved. What is dreaded is not amateurism but copying the thoughts of others. In the confrontation with the thoughts of others, your own thoughts flash through your head. Authenticity, respectively realness and creativity: These are the ethical values of hip-hop. The philosophy of hip-hop does not mean talking philosophy but doing philosophy - namely when facing the challenges of modern life. The philosophy of hip-hop means performing what's happening
    Note: Frontmatter -- , Inhalt -- , Danksagung -- , 01. Philosophie und HipHop -- , 02. Selbstmeisterung -- , 03. Die 10 Gesetze der Rap-Philosophie -- , 04. Wo bin ich zu Hause? -- , 05. HipHop heiSt wissen, was ungerecht ist -- , 06. Dialektik der Gewalt -- , 07. Anleitung zur Dekonstruktion -- , 08. Täter*in des Wortes -- , 09. Kampf um Anerkennung -- , 10. Intersektionale Perspektiven -- , 11. Performative Philosophie -- , 12. Wahrsprechen -- , 13. Die Vision des Neu-Anfangen-Könnens -- , 14. Sehnsucht nach dem guten Leben -- , 15. Transfiguration der Welt -- , 16. Philosophie in Bewegung: Zwischen hip und hop -- , 17. Wider die Wiederkehr des Gleichen -- , 18. HipHop don't stop ... -- , Autoren & Co-Autor*innen -- , Namensregister -- , Literatur -- , Anmerkungen , In German
    DOI: 10.14361/9783839441527
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    Regensburg UB
    BVB
  • 49
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    Klingende Eklats : Skandal und Neue Musik (2018)
    Bielefeld : Transcipt Verlag
    Details
    ISBN: 9783839439838
    Language: German
    Pages: 1 Online-Ressource (357 pages)
    Series Statement: Histoire Band 118
    Parallel Title: Print version Schürmer, Anna Klingende Eklats : Skandal und Neue Musik
    DDC: 306
    RVK:
    LR 56707
    RVK:
    LR 57720
    Keywords: Popular culture ; Electronic books ; Hochschulschrift ; Hochschulschrift
    Abstract: Cover -- Inhalt -- KLINGENDE HISTORIOGRAPHIE (Einleitung) -- REFERENZEN und CHIFFREN (Exposition) -- AGON und SKANDAL (Durchführung #1) -- ELEKTRONISCHE EKLATANZ (Durchführung #2) -- TRANSKULTURELLE TRANSFERS (Durchführung #3) -- QUERSTAND von KUNST und POLITIK (Durchführung #4) -- ANALYTISCHE KONTRAPUNKTE (Reprise) -- BIBLIOGRAPHIE
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: kostenfrei
    URL: Open Access
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: kostenfrei
    URL: http://www.transcript-verlag.de/978-3-8376-3983-4
    URL: Inhaltsverzeichnis
    URL: Unbekannt
    URL: kostenfrei
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  • 50
    Online Resource
    Online Resource
    In Search of Soul : Hip-Hop, Literature, and Religion (2017)
    Berkeley : University of California Press
    Details
    ISBN: 9780520966758
    Language: English
    Pages: 1 online resource (290 pages)
    Edition: 1st ed.
    Parallel Title: Print version Nava, Alejandro In Search of Soul : Hip-Hop, Literature, and Religion
    Parallel Title: Nava, Alejandro, 1956 - In search of soul
    DDC: 233/.5
    RVK:
    LS 48650
    Keywords: Hip-hop Religious aspects ; Christianity ; Soul in literature ; Music Philosophy and aesthetics 20th century ; Music Philosophy and aesthetics 21st century ; Soul Judaism ; Soul Christianity ; Soul Christianity ; Electronic books ; USA ; Schwarze ; Hispanos ; Literatur ; Hip-Hop ; Seele ; Christentum ; Judentum ; Geschichte
    Abstract: In Search of Soul explores the meaning of "soul" in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the "soul" revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.
    Abstract: Cover -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- PART ONE: SACRED HISTORIES OF THE SOUL -- 1 In Search of Soul -- 2 On Hebrew Soul: De Eloquentia Vulgaria -- 3 Christian Soul and the Revolt of the Slave -- PART TWO: PROFANE ACCENTS OF SOUL -- 4 In Search of Duende: Lorca on Spanish Soul -- 5 The Souls of Black Folk: Ralph Ellison's Tragicomic Portrait -- 6 From Soul to Hip-Hop: The Rise of the Apocalypse -- 7 Afro-Latin Soul and Hip-Hop -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Note: Includes bibliographical references and index
    URL: Volltext
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=4797580
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  • 51
    Online Resource
    Online Resource
    Nachgelassene Schriften. Abteilung IV : Band 3: Ästhetik (1958/59). (2017)
    Berlin :Suhrkamp Verlag,
    Details
    ISBN: 978-3-518-74867-1
    Language: German
    Pages: 1 online resource (523 pages).
    Edition: 1st ed
    RVK:
    CI 1322
    RVK:
    MQ 3010
    RVK:
    LP 91140
    Keywords: Electronic books
    Abstract: [Cover] -- [Informationen zum Buch / zum Autor] -- [Titel] -- [Impressum] -- Inhalt -- Vorlesungen 1958/1959 -- 1. Vorlesung 11. 11. 1958 -- 2. Vorlesung 13. 11. 1958 -- 3. Vorlesung 18. 11. 1958 -- 4. Vorlesung 20. 11. 1958 -- 5. Vorlesung 2. 12. 1958 -- 6. Vorlesung 4. 12. 1958 -- 7. Vorlesung 9. 12. 1958 -- 8. Vorlesung 11. 12. 1958 -- 9. Vorlesung 16. 12. 1958 -- 10. Vorlesung 18. 12. 1958 -- 11. Vorlesung 6. 1. 1959 -- 12. Vorlesung 8. 1. 1959 -- 13. Vorlesung 13. 1. 1959 -- 14. Vorlesung 15. 1. 1959 -- 15. Vorlesung 20. 1. 1959 -- 16. Vorlesung 22. 1. 1959 -- 17. Vorlesung 27. 1. 1959 -- 18. Vorlesung 29. 1. 1959 -- 19. Vorlesung 3. 2. 1959 -- 20. Vorlesung 5. 2. 1959 -- 21. Vorlesung 12. 2. 1959 -- Stichworte zu den Vorlesungen -- Anmerkungen des Herausgebers -- Abkürzungen -- 1. Vorlesung -- 2. Vorlesung -- 3. Vorlesung -- 4. Vorlesung -- 5. Vorlesung -- 6. Vorlesung -- 7. Vorlesung -- 8. Vorlesung -- 9. Vorlesung -- 10. Vorlesung -- 11. Vorlesung -- 12. Vorlesung -- 13. Vorlesung -- 14. Vorlesung -- 15. Vorlesung -- 16. Vorlesung -- 17. Vorlesung -- 18. Vorlesung -- 19. Vorlesung -- 20. Vorlesung -- 21. Vorlesung -- Stichworte zu den Vorlesungen -- Editorische Nachbemerkung -- Register -- Übersicht
    Note: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5777499
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    HU Berlin
  • 52
    Book
    Book
    Burma, Kipling and western music : the riff from Mandalay (2017)
    New York : Routledge
    Details
    ISBN: 9780367229603 , 9781138125087
    Language: English
    Pages: xx, 293 pages
    Series Statement: Routledge research in music 14
    Parallel Title: Erscheint auch als
    DDC: 781.5/99
    RVK:
    LS 45700
    Keywords: Kipling, Rudyard ; Kipling, Rudyard ; Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1948-2015 ; Geschichte 1824-1948 ; Musik ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music Burmese influences ; Orientalism in music ; Rezeption ; Vertonung ; Musik ; Musikleben ; Orientalismus ; Burma Songs and music ; History and criticism ; Birma ; Westliche Welt ; Bibliografie ; Bibliografie ; Bibliografie ; Westliche Welt ; Musik ; Rezeption ; Birma ; Orientalismus ; Geschichte 1824-1948 ; Birma ; Musikleben ; Geschichte 1948-2015 ; Kipling, Rudyard 1865-1936 Mandalay ; Vertonung
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    Würzburg UB
    KOBV
    BVB
  • 53
    Book
    Book
    Jazz derivatives and developments in twentieth-century Africa : Gerhard Kubik (2017)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781496806086
    Language: English
    Pages: 285 Seiten , Illustrationen, Notenbeispiele
    Edition: First printing
    Series Statement: Jazz transatlantic / Gerhard Kubik Volume 2
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Bibliografie
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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    HBZ
  • 54
    Book
    Book
    The African undercurrent in twentieth-century jazz culture (2017)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781628462302
    Language: English
    Pages: xxii, 433 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Jazz transatlantic / Gerhard Kubik Volume 1
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Bibliografie
    URL: Inhaltsverzeichnis
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    HBZ
  • 55
    Online Resource
    Online Resource
    The Americana Revolution : From Country and Blues Roots to the Avett Brothers, Mumford & Sons, and Beyond (2017)
    Lanham, MD : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781442269415
    Language: English
    Pages: 1 Online-Ressource (265 pages)
    Series Statement: Roots of American Music: Folk, Americana, Blues, and Country
    DDC: 781.64097300000003
    RVK:
    LQ 89307
    RVK:
    LQ 89308
    RVK:
    LS 48000
    Keywords: Geschichte ; Blues ; Folk music ; Countrymusic ; Amerikana ; Americana (Music)--History and criticism ; Electronic books
    Abstract: Michael Cain offers an informal social history that describes Americana as both a musical genre and a movement, showing what it is, where it came from and where it is going. Through anecdotes and interviews, Cain provides a firsthand view into the creation of Americana, trying to clarify how the genre can be categorized and defined.
    Note: Description based on publisher supplied metadata and other sources
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  • 56
    Book
    Book
    Jazz transatlantic; Volume I: The African undercurrent in twentieth-century jazz culture (2017)
    Jackson : University Press of Mississippi
    Show associated volumes/articles
    In:  1
    Details
    ISBN: 9781628462302
    Language: English
    Pages: XXII, 433 Seiten , Illustrationen, Notenbeispiele
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 1
    RVK:
    LS 48100
    Keywords: Bibliografie ; Bibliografie ; Bibliografie
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
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    Bayreuth UB
  • 57
    Online Resource
    Online Resource
    Consuming Music : Individuals, Institutions, Communities, 1730-1830 (2017)
    Rochester : Boydell & Brewer
    Details
    ISBN: 9781782049227
    Language: English
    Pages: 1 Online-Ressource (265 pages)
    Series Statement: Eastman Studies in Music v.Volume 138
    Parallel Title: Print version Green, Emily H Consuming Music : Individuals, Institutions, Communities, 1730-1830
    Parallel Title: Erscheint auch als Consuming music
    DDC: 780.9/033
    RVK:
    LR 56604
    RVK:
    LR 57760
    RVK:
    LR 57435
    RVK:
    LR 57434
    RVK:
    LR 57430
    RVK:
    LR 55860
    Keywords: Electronic books ; Aufsatzsammlung ; Musikmarkt ; Musikleben ; Geistesleben ; Kulturleben ; Geschichte 1730-1830
    Abstract: This collection of nine essays investigates the consumption of music during the long eighteenth century, providing insights into the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics
    URL: Volltext  (lizenzpflichtig)
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  • 58
    Book
    Book
    The necessity of music : variations on a German theme (2017)
    Toronto : University of Toronto Press
    Details
    ISBN: 1487500688 , 1487520484 , 9781487500689 , 9781487520489
    Language: English
    Pages: xii, 402 Seiten , Illustrationen
    Series Statement: German and European studies 26
    Series Statement: German and European studies
    DDC: 780.943
    RVK:
    LQ 80100
    Keywords: Music Social aspects ; Music History and criticism ; Music ; Germany ; Criticism, interpretation, etc ; Bibliografie ; Deutschland ; Musik ; Gesellschaft ; Nationalbewusstsein ; Geschichte 1800-1914
    Abstract: "In The Necessity of Music, Celia Applegate explores the many ways that Germans thought about and made music from the eighteenth- to twentieth-centuries. Rather than focus on familiar stories of composers and their work Applegate illuminates the myriad ways in which music is integral to German social life. Musical life reflected the polycentric nature of German social and political life, even while it provided many opportunities to experience what was common among Germans. Musical activities also allowed Germans, whether professional musicians, dedicated amateurs, or simply listeners, to participate in European culture. Applegate's original and fascinating analysis of Mendelssohn, Schumann, Brahms, Wagner, and military music enables the reader to understand music through the experiences of listeners, performers, and institutions. The necessity of music demonstrates that playing, experiencing, and interpreting music was a powerful factor that shaped German collective life."--
    Abstract: Part I. Places -- How German is it? -- Music in place -- Musical itinerancy in a world of nations -- Music at the fairs -- Part II. People -- Mendelssohn on the road -- A.B. Marx's cosmopolitan nationalism -- Schumann's German nation -- The musical worlds of Brahm's Hamburg -- Part III. Public and private -- What difference does a nation make? -- Men with trombones -- Women's Wagner -- Hausmusik in the Third Reich -- To be or not to be Wagnerian in Leni Riefenstahl's films -- Saving music
    Note: Auch als Online-Ausgabe erschienen
    URL: Inhaltsverzeichnis
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    MPI Ethno. Forsch.
  • 59
    Online Resource
    Online Resource
    A distinctive voice in the antipodes : essays in honour of Stephen A. Wild (2017)
    Acton, A.C.T : ANU Press
    Details
    ISBN: 9781760461119 , 1760461121
    Language: English
    Pages: 1 Online-Ressource (Electronic text (xvi, 502 pages))
    DDC: 305.899/15
    RVK:
    LS 49400
    Keywords: Wild, Stephen ; Essays ; Festschriften ; Dance ; Aboriginal Australians ; Music ; Festschrift ; Aufsatzsammlung ; Electronic books ; Electronic books ; Electronic books
    Abstract: Stephen A. Wild: A Distinctive Voice in the Antipodes / Kirsty Gillespie, Sally Treloyn, Kim Woo and Don Niles -- Festschrift Background and Contents / Kirsty Gillespie, Sally Treloyn and Don Niles -- Indigenous Australia. A Different Mode of Exchange: The Mamurrng Ceremony of Western Arnhem Land / Reuben Brown -- Warlpiri Ritual Contexts as Imaginative Spaces for Exploring Traditional Gender Roles / Georgia Curran -- Form and Performance: The Relations of Melody, Poetics, and Rhythm in Dhalwangu Manikay / Peter G. Toner -- Alyawarr Women's Rain Songs / Myfany Turpin, Richard Moyle and Eileen Kemarr Bonney -- Singing with a Distinctive Voice: Comparative Musical Analysis and the Central Australian Musical Style in the Kimberley / Sally Treloyn -- Turning the Colonial Tide: Working towards a Reconciled Ethnomusicology in Australia / Elizabeth Mackinlay and Katelyn Barney ---
    Abstract: Pacific Islands and Beyond. Chanting Diplomacy: Music, Conflict, and Social Cohesion in Micronesia / Brian Diettrich -- Songs for Distance, Dancing to Be Connected: Bonding Memories of the Ogasawara Islands / Masaya Shishikura -- The Politics of the Baining Fire Dance / Naomi Faik-Simet -- Touristic Encounters: Imag(in)ing Tahiti and Its Performing Arts / Jane Freeman Moulin -- Heritage and Place: Kate Fagan's Diamond Wheel and Nancy Kerr's Twice Reflected Sun / Jill Stubington -- Living in Hawai'i: The Pleasures and Rewards of Hawaiian Music for an 'Outsider' Ethnomusicologist / Ricardo D. Trimillos -- Archiving and Academia. Protecting Our Shadow: Repatriating Ancestral Recordings to the Lihir Islands, Papua New Guinea / Kirsty Gillespie -- The History of the 'Ukulele 'Is Today' / Gisa Jähnichen -- 'Never Seen It Before': The Earliest Reports and Resulting Confusion about the Hagen Courting Dance / Don Niles ---
    Abstract: Capturing Music and Dance in an Archive: A Meditation on Imprisonment / Adrienne L. Kaeppler -- Some Comments on the Gradual Inclusion of Musics beyond the Western Canon by Selected Universities and Societies / Barbara B. Smith -- Ethnomusicology in Australia and New Zealand: A Trans-Tasman Identity? / Dan Bendrups and Henry Johnson -- Publications by Stephen A. Wild
    DOI: 10.2307/j.ctt1trkk4c
    URL: Volltext  (Kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 60
    Online Resource
    Online Resource
    Contemporary film music : investigating cinema narratives and composition (2017)
    London, England : Palgrave Macmillan
    Details
    ISBN: 9781137573759
    Language: English
    Pages: 1 online resource (280 pages)
    Parallel Title: Contemporary film music
    Parallel Title: Print version Coleman, Lindsay Contemporary Film Music : Investigating Cinema Narratives and Composition
    DDC: 780.2
    RVK:
    AP 51450
    RVK:
    LR 53509
    Keywords: Motion pictures ; Motion picture music History and criticism ; Electronic books ; Filmmusik ; Film ; Komponist ; Geschichte 1990-2016
    Abstract: Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- Chapter 1: Introduction -- Notes -- Bibliography -- Chapter 2: A.R. Rahman Interview -- Chapter 3: The 'Alternate Space' of A.R. Rahman's Film Music -- Introduction -- Comparative Conventions in Indian and Western Film Music -- Aspects of Tonality and Extra-Musical Meaning in Indian and Western Music -- Roja, 1992 and Bombay, 1995 -- Fire, 1996 -- Slumdog Millionaire, 2008 and 127 Hours, 2010 -- Conclusion -- Notes -- Bibliography -- Internet -- Chapter 4: Zbigniew Preisner Interview -- Chapter 5: Music by Zbigniew Preisner? Fictional Composers and Compositions in the Kieślowski Collaborations -- Fictional Music in Theory and Practice -- Composing Fiction -- The Fictional and the Real -- Notes -- Bibliography -- Chapter 6: Carter Burwell Interview -- Chapter 7: Burwell and Space: Inner, Outer, Environmental and Acoustical -- Introduction -- The Materials -- Motive, Acoustical Space, and Place -- Narrative Disconnect to Emotional Synchrony: Motive, Image and Affect -- Conclusion: Film as Music -- Notes -- Bibliography -- Chapter 8: Rachel Portman Interview -- Chapter 9: Eero Tarasti and the Narratological Construction of Rachel Portman's Emma -- Notes -- Bibliography -- Chapter 10: Dario Marianelli Interview -- Chapter 11: Solo Instruments and Internal Focalization in Dario Marianelli's Pride & Prejudice and Atonement -- Pride & Prejudice -- Lizzie's Theme -- The Secret Life of Daydreams -- The Solo Cello in Pride & Prejudice -- The Role of the Orchestra -- Atonement -- 'Elegy for Dunkirk' and the Solo Cello -- The Love Theme -- Denouement and a Change of Narrative Perspective -- Conclusion -- Notes -- Bibliography -- Chapter 12: Mychael Danna Interview -- Chapter 13: Mychael Danna: Music as Metaphor -- The Ice Storm -- Moneyball -- Life of Pi -- Epilogue -- Notes
    Abstract: Bibliography -- Chapter 14: John Williams and Contemporary Film Music -- A Background of Contemporary Hollywood Music -- John Williams and Contemporary Hollywood -- Notes -- Bibliography -- Chapter 15: Musical Syntax in John Williams's Film Music Themes -- Sentence -- Period -- Trifold Sentence -- Sentence with a Dissolving Third Statement -- Unfolding Sentence -- Conclusion -- Notes -- Appendix -- Sentence -- Sentence with Dissolving Third Statement -- Trifold Sentence -- Unfolding Sentence -- Period -- Bibliography -- Index
    URL: Volltext
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  • 61
    Online Resource
    Online Resource
    Woman Walk the Line : How the Women in Country Music Changed Our Lives (2017)
    Austin : University of Texas Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781477314890
    Language: English
    Pages: 1 Online-Ressource (233 pages)
    Series Statement: American Music Ser.
    DDC: 781.64209252
    RVK:
    LS 48610
    Keywords: Women country musicians-United States ; Country musicians-United States ; Women singers-United States ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 62
    Online Resource
    Online Resource
    Popular Music in Southeast Asia : Banal Beats, Muted Histories (2017)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048534555
    Language: English
    Pages: 1 online resource (105 pages)
    Parallel Title: Erscheint auch als
    DDC: 306.484
    RVK:
    LS 40040
    Keywords: Popular music-Southeast Asia-History and criticism ; Popular music-Southeast Asia-History and criticism ; Electronic books ; Criticism, interpretation, etc ; Electronic books
    Abstract: Cover -- Table of Contents -- Introduction -- Muted sounds, obscured histories -- Living the modern life -- Four eras -- Research project Articulating Modernity -- 1. Oriental Foxtrots and Phonographic Noise, 1910s-1940s -- New markets -- The rise of female stars and fandom -- Jazz, race, and nationalism -- Box 1.1 Phonographic noise -- Box 1.2 Dance halls -- Box 1.3 The modern woman -- 2. Jeans, Rock, and Electric Guitars, 1950s-mid-1960s -- Youth culture -- Moral indignation -- Local industry -- Beat goes local -- Box 2.1 Gangs -- Box 2.2 Blue Jeans -- Box 2.3 Tremolo guitar -- 3. The Ethnic Modern, 1970s-1990s -- Modern music for the Muslim Malay masses -- Pop history, as we know it -- Subversive sounds -- Making noise in the big melting pot -- What is so modern about the ethnic? -- The sound of longing for home: pop Minang -- Village girl and big city pop diva: The story of Elly Kasim -- Box 3.1 Disco -- Box 3.2 Dangdut -- Box 3.3 Going abroad (in two songs) -- 4. Doing it Digital, 1990s-2000s -- Musical revolutions: Finally indie-pendent? -- Pop, politics, and piety -- Asia around the corner -- Doing it Digital: Three apparent paradoxes -- The Malay Muslim girl-next-door: A deeper conversation with Yuna -- Box 4.1 - JKT48 -- Box 4.2 - An Indonesian indie song -- Box 4.3 - Karaoke discs -- Box 4.4 - SoundCloud communities -- Selected Bibliography -- List of Illustrations -- Illustration 1 – A Malay dondang sayang song recorded in Singapore by Pagoda Record, subsidiary of Deutsche Grammophon, c. 1935 -- Illustration 2 – Quranic text interpretation (tafsir) and translation from Arabic to Malay by a female religious expert (ustazah) recorded by Extra Records (His Master’s Voice) in Indonesia, c. 1938 -- Illustration 3 – Rajuan Irama, an Malay orchestra, c. 1935.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
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  • 63
    Online Resource
    Online Resource
    Klingende Eklats : Skandal und Neue Musik (2017)
    Bielefeld : transcript | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9783839439838
    Language: German
    Pages: 1 Online-Ressource (357 pages)
    Edition: 1st ed.
    Series Statement: Histoire v.118
    DDC: 306
    RVK:
    LR 56707
    Keywords: Geschichte ; Klang ; Musik ; Skandal ; Avantgarde ; Ereignis ; Neue Musik ; Popular culture ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 64
    Book
    Book
    Popular music theory and analysis : a research and information guide (2017)
    New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781138206328
    Language: English
    Pages: ix, 335 Seiten
    Series Statement: Routledge music bibliographies
    DDC: 016.781641
    RVK:
    LS 48000
    Keywords: Bibliografie ; Bibliografie ; Bibliografie ; Bibliografie
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    Würzburg UB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 65
    Book
    Book
    Lady Gaga and the sociology of fame : the rise of a pop star in an age of celebrity (2017)
    New York : Palgrave Macmillan
    Details
    ISBN: 9781137584670 , 113758467X
    Language: English
    Pages: xii, 245 Seiten
    DDC: 306.4/8424
    RVK:
    LS 48040
    Keywords: Lady Gaga ; Gesellschaft ; Geschlechterrolle ; Starkult ; Popmusik ; Musikbranche ; USA ; Lady Gaga ; Women singers / United States / Criticism and interpretation ; Fame / Social aspects / Criticism and interpretation ; Feminism / Social aspects ; Sex / Social aspects ; Marketing / Social aspects ; Popular culture / Social aspects ; Celebrities ; Bibliografie ; Bibliografie ; Bibliografie ; Bibliografie ; Lady Gaga 1986- ; Popmusik ; Musikbranche ; Geschlechterrolle ; Starkult
    Description / Table of Contents: Popular culture and the sociology of fame -- The life and times of Lady Gaga -- The business of Lady Gaga -- The laws of Lady Gaga -- Gaga media : from internet to radio -- The audience of Lady Gaga : beyond the little monsters -- Gaga activism : the new ethics of pop culture -- The sex of Lady Gaga -- Art pop : the styles of Lady Gaga -- Epilogue: Professor goes Gaga : teaching Lady Gaga and the sociology of fame
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    BSZ
    GBV
    KOBV
    BVB
  • 66
    Online Resource
    Online Resource
    Flip the script : European Hip Hop and the politics of postcoloniality (2017)
    Chicago : University of Chicago Press
    Details
    ISBN: 9780226496351
    Language: English
    Pages: 1 Online-Ressource (295 Seiten)
    Series Statement: Chicago Studies in Ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Rollefson, J. Griffith Flip the script
    DDC: 782.421649094
    RVK:
    LS 48650
    Keywords: Hip-hop-Europe, Western ; Postcolonialism and music ; Music-Europe, Western-African American influences ; Electronic books ; Hip-hop ; Music ; Postcolonialism and music ; Europe, Western ; Westeuropa ; Hip-Hop ; Postkolonialismus ; Westeuropa ; Hip-Hop ; Postkolonialismus
    Abstract: Intro -- Contents -- Acknowledgments -- Introduction: Hip Hop as Postcolonial Art and Practice -- 1. "J'accuse": Hip Hop's Postcolonial Politics in Paris -- 2. Nostalgia "En noir et blanc": Black Music and Postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- 3. Musical (African) Americanization: Strategic Essentialism, Hybridity, and Commerce in Aggro Berlin -- 4. Heiße Waren: Hot Commodities, "Der Neger Bonus," and the Commercial Authentic -- 5. M.I.A.'s "Terrorist Chic": Black Atlantic Music and South Asian Postcolonial Politics in London -- 6. Marché Noir: The Hip Hop Hustle in the City of Light -- 7. "Wherever We Go": UK Hip Hop and the Deformation of Mastery -- 8. "Straight Outta B.C.": Différance, Defness, and Juice Aleem's Precolonial Afrofuturist Critique -- Conclusion: Hip Hop Studies and/as Postcolonial Studies -- Notes -- Bibliography -- Discography and Videography -- Index.
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  • 67
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    Popular music and multimodal critical discourse studies : ideology, control and resistance in Turkey since 2002 (2017)
    New York : Bloomsbury Academic
    Details
    ISBN: 9781350016477 , 9781350016453
    Language: English
    Pages: 1 Online-Ressource (216 Seiten)
    Parallel Title: Erscheint auch als Way, Lyndon C. S. author Popular music and multimodal critical discourse studies
    Parallel Title: Erscheint auch als
    DDC: 781.6309561
    RVK:
    LS 36000
    Keywords: Popular music Political aspects ; Electronic books
    Note: Erscheinungsjahr der Druckausgabe 2018
    DOI: 10.5040/9781350016477
    URL: http://dx.doi.org/10.5040/9781350016477?locatt=label:secondary_bloomsburyPopularMusic
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  • 68
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    Online Resource
    Historical sources of ethnomusicology in contemporary debate (2017)
    Newcastle-upon-Tyne : Cambridge Scholars Publishing
    Details
    ISBN: 9781443892230
    Language: English
    Pages: 1 Online-Ressource (x, 271 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Historical sources of ethnomusicology in contemporary debate
    DDC: 780.89
    RVK:
    LS 16000
    Keywords: Ethnomusicology ; Congresses ; Electronic books ; Aufsatzsammlung ; Musikethnologie
    Abstract: This anthology concerns traditional music and archives, and discusses their relationship as seen from historical and epistemological perspectives. Music recordings on wax cylinders, 78 records or magnetic tape, made in the first half of the 20th century, are regarded today as valuable sources for understanding musical processes in their social dimension and as unique cultural heritage. Most of these historical sound recordings are preserved in sound archives, now increasingly accessible in digital formats. Written by renowned experts, the articles here focus on archives, individual and collective memory, and heritage as today's recreation of the past. Contributors discuss the role of historical sources of traditional music in contemporary research based on examples from music cultures in West Africa, Scandinavia, Turkey, and Portugal, among others. The book will appeal to musicologists and cultural anthropologists, as well as historians and sociologists, and will be of interest to anyone concerned with sound archives, libraries, universities and cultural institutions dedicated to traditional music.
    Abstract: Intro -- Table of Contents -- List of Figures -- Introduction -- Part One: Rethinking Archives and Collections -- Chapter One -- Chapter Two -- Chapter Three -- Chapter Four -- Chapter Five -- Chapter Six -- Chapter Seven -- Chapter Eight -- Chapter Nine -- Part Two: Written Documents and Musical Instruments as Sources -- Chapter Ten -- Chapter Eleven -- Chapter Twelve -- Chapter Thirteen -- Part Three: Individual Memory, Musical Practice and Heritage -- Chapter Fourteen -- Chapter Fifteen -- Chapter Sixteen -- Chapter Seventeen -- Chapter Eighteen -- Contributors.
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  • 69
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    Online Resource
    The Jazz republic : music, race, and American culture in Weimar Germany (2017)
    Ann Arbor : University of Michigan Press | The Hague : OAPEN Foundation
    Details
    ISBN: 9780472122660
    Language: English
    Pages: 1 Online-Ressource (xi, 311 Seiten) , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    DDC: 306.4/8425094309042
    RVK:
    LS 48100
    RVK:
    LS 48200
    RVK:
    LS 48060
    RVK:
    NQ 1090
    Keywords: Kultur ; Jazz ; Modernität ; Ethnische Beziehungen ; Deutschland ; Electronic books ; Criticism, interpretation, etc ; History ; Electronic book ; Electronic book ; Criticism, interpretation, etc. ; History ; Electronic books.
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    URL: https://hdl.loc.gov/loc.gdc/gdcebookspublic.2020707233
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  • 70
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    Book
    Die Geigen des Amnon Weinstein (2017)
    Leipzig : Open House
    Details
    ISBN: 9783944122328 , 3944122321
    Language: German
    Pages: 287 Seiten , Illustrationen , 22 cm
    Edition: 1. Auflage
    Series Statement: Seismograph
    Uniform Title: Violins of hope
    Parallel Title: Erscheint auch als
    DDC: 943
    RVK:
    BD 7110
    RVK:
    NQ 2360
    RVK:
    NY 9250
    RVK:
    LS 33100
    Keywords: Weinstein, Amnon ; Geschichte 1933-1945 ; Musiker ; Geiger ; Judenverfolgung ; Musikinstrument ; Violine ; Restaurierung ; Europa ; Bibliografie ; Bibliografie ; Bibliografie
    Note: Literaturverzeichnis Seite 274-281
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  • 71
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    Lady Gaga and the Sociology of Fame : The Rise of a Pop Star in an Age of Celebrity (2017)
    New York : Palgrave Macmillan US | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137584687
    Language: English
    Pages: 1 Online-Ressource (XII, 245 p)
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
    LS 48040
    Keywords: Lady Gaga ; Social sciences ; United States Study and teaching ; Music ; Cultural studies ; Mass media ; Communication ; Social sciences in mass media ; Popmusik ; Starkult ; Musikbranche ; Geschlechterrolle ; Bibliografie ; Bibliografie ; Bibliografie ; Biografie ; Lady Gaga 1986- ; Popmusik ; Musikbranche ; Geschlechterrolle ; Starkult
    DOI: 10.1057/978-1-137-58468-7
    URL: http://dx.doi.org/10.1057/978-1-137-58468-7
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  • 72
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    Global Pop : das Buch zur Weltmusik (2017)
    Stuttgart : J.B. Metzler Verlag
    Details
    ISBN: 9783476054807
    Language: German
    Pages: 1 Online-Ressource (VII, 392 Seiten)
    Parallel Title: Erscheint auch als Global Pop
    DDC: 780
    RVK:
    LS 48015
    Keywords: Culture Study and teaching ; Music ; Cultural and Media Studies ; Popular music ; Weltmusik ; Popular music ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Hochschulschrift ; Aufsatzsammlung
    Abstract: Intro -- Inhalt -- Einleitung -- Mut zur Lücke: Zu diesem Buch -- Global Pop oder The art formerly known as world music -- Audiotopia -- Danksagung -- I. Konzepte und Anschlüsse -- 01 Weltmusik: Ein politisch umstrittener Begriff -- Eine Frage von Macht -- Die Spannungen zwischen Wissenschaft und dem Musikmarkt -- Kritik -- Neueste wissenschaftliche Betrachtung der Weltmusik -- 02 Von Fusion und Crossover zur Weltmusik Eine Begriffsund Ideologie kritik -- Crossover -- Hybridität und Hyperkultur -- 03 Volksmusik und Folklore -- Volksmusikforschung -- Folkloristik -- Volksmusikdiskurs und Ideologiegeschichte -- Akteure -- Gattungen und Stile europäischer Volksmusik -- Volksmusikbezogene Erneuerungs bewe gungen (Revival, Folklorismus, »Pflege«) -- 04 Musikethnologie -- Forschungstraditionen -- Wandel der Untersuchungsobjekte -- Weltmusik -- 05 Musik und Religion/ Spiritualität -- Die Gesänge der Synagoge -- Musik unter christlichen Vorzeichen -- Säkularisation und Re-Sakralisierung -- Musik im Islam -- Sufismus -- Animismus -- Tibetischer Buddhismus -- Klang und Ritual in China -- Indische Klangkosmologie und ihre säkulare Relativierung -- Musik jenseits religiöser Konfessionen -- Evolutionstheorien und Psychologie -- Musik und Religion als universale Kulturfähigkeiten -- Spirituelle Qualitäten von Musik an sich? -- 06 Interund Transkulturalität -- Interkulturalität -- Transkulturalität -- 07 Postkolonialismus und Orientalismus -- Edward Said: Orientalismus -- Gegendiskurse, Subversion und Widerstand -- 08 Popmusikkulturen: Ent wicklung und Verständnis -- Herangehensweisen -- Transformationen des Pop -- Populäre Kultur als Programm -- 09 Sampling: Ästhetik der Zitate oder Piraterie? -- Sampling im Studio - und vor Gericht -- Kulturwissenschaftliche Perspektiven und Problematisierungen -- II. Akteure und Projekte -- 10 Archive der Musik der Welt.
    Abstract: Sammeln, Archivieren, Klassifizieren -- Herders Projekt und die Folgen: Zum Archiv der Musiken der Welt -- Weltmusik 2.0: Musikarchivein Zeiten des Internet -- 11 Marcel Cellier: Ein Vermittler der frühen Weltmusik -- Bedeutung und Einfluss -- Kulturwissenschaftliche Einordnung -- 12 Ry Cooder: Sammler, Archivar, Visionär -- Raga-Blues und Mali-Blues -- Buena Vista Social Club -- Von Irland nach Mexiko -- 13 A World of Music Arts and Dance: Peter Gabriel und Real World Records -- Festivals: Von der Pleite bis zum Welterfolg -- Peter Gabriel & Youssou N'Dour -- Von Music and Rhythm zu Real World -- 14 Alan Bern und das Klezmer-Revival -- Klezmer-Revival in den USA -- Klezmer in Deutschland -- Brave Old World (BOW) -- Klezmer-Revival in Israel -- The Other Europeans -- Other Music Academy -- 15 Manu Chao: Weltbürger mit Attitude -- Mano Negra -- Solokarriere -- 16 Damon Albarn: Netz werker des Global Pop -- Africa Express: Das Netzwerk - die Aktionen -- Mali Music und Kinshasa One Two -- Politik der gleichen Augenhöhe -- 17 Brian Shimkovitz: Awe some Tapes from Africa -- Kassettenkultur in Afrika -- Informelle Ökonomie und Urheberrecht -- Im Spannungsfeld von Postkolonialismus und Entexotisierung -- 18 Der Soundtrack der Migration, oder: Hungrige Vögel singen schöner -- Opaganda - Propaganda: Musik der Roma als Modell -- Wechselgesang -- Nostalgia, oder: Sprung in der Platte? -- Rembetiko - Der griechische Blues -- Widerstand -- Sons of Gastarbeita -- III. Infrastrukturen und Instrumente -- 19 Weltmusik als Markt und Marke -- Der Pop-Intellektuelle als Mäzen -- Global Player im Weltmusik-Markt -- Die Hauptstadt der Weltmusik -- Der deutsche Zweig der Weltmusik-Szene -- Die Spur der Goldschürfer -- Multiplikatoren in den Medien -- Was von der Weltmusik geblieben ist -- Weltmusik 2.0: Eine neue Generation
    Abstract: 20 Weltmusik: Musikwirt-schaftliche Annäherungen -- Weltmusik als Repertoirekategorie, Genrebezeichnung und Markt -- Vermessungen des Marktes für Weltmusik -- 21 Messen, Wettbewerbe, Auszeichnungen -- Messen: WOMEX & Co -- creole - Weltmusik / Globale Musik aus Deutschland -- Der Preis der deutschen Schallplattenkritik -- RUTH - Der deutsche Weltmusikpreis -- 22 Zwischen Kulturpolitik und Kreativwirtschaft: Weltmusik in Deutschland -- Globale Musik als kulturpolitische Herausforderung -- Zur Geschichte der Selbstorganisation des Weltmusik-Bereichs -- Charta der Weltmusik und Künstlermobilität -- 23 Wa(h)re Weltmusik: Diskurse des Global Pop -- David Byrne: Why I hate World Music -- Joe Boyd: Wie Stalin die Weltmusik erfand -- Klaus Frederking: Was ist Weltmusik -- Thomas Burkhalter: Weltmusik -- 24 Tourismus -- Musik-Event-Tourismus -- Tourismus und Globalisierung -- Weitere Dimensionen der Musiktourismusforschung -- Musiktourismus und Weltmusik -- 25 Weltmusikfestivals und Festivalisierung der Weltmusik -- Vorläufer und Entstehung von Weltmusikfestivals -- Aspekte der Festivalisierung -- Kontroverse Weltmusikfestivals -- 26 Die Wiederkehr der Ukulele -- Spaßfaktor und Widerstandssymbol -- Mitbringsel aus Madeira -- Erfolgswellen -- Rock Killed the Ukulele-Star -- Die Beatles und der neue Boom -- Uke Goes Online -- 27 Weltmusik studieren - unterrichten - vermitteln -- Weltmusik studieren -- Weltmusik unterrichten -- Weltmusik vermitteln -- IV. Sound und Raum -- 28 Sounds like World Music: Zur klanglichen Konstruktion räumlicher Ordnungen -- Klanglichkeit und deren Bedeutung -- Medientechnologische Transformationsprozesse -- Seismographische Klänge -- 29 Folk in den USA, Europa und Deutschland -- Folk in den -- Folk in Großbritannien und Irland -- Folk in Südeuropa -- Folk im übrigen Europa -- Folk in Deutschland
    Abstract: 30 Neue Volksmusik: Alpine Klanglabore in Deutschland, Österreich und der Schweiz -- Kratzen an den Fundamenten der Tradition -- Musik ohne Genre -- Sonderfall Blasmusik -- Akademisierung einer Laienkultur -- 31 Pop, Politik und musikalische Peripherie -- Die Entdeckung Südafrikas -- Kein Entkommen vor der Politik -- Der Sound der Rebellion -- Ausblick -- 32 Turbofolk: Politik und Weltmusik -- Von der »neukomponierten Volksmusik« zum Turbofolk -- Die akademische Kontroverse -- Turbofolk als »Weltmusik 2.0«? -- 33 Balkanmusik auf dem westeuropäischen World Music-Markt -- Die Entdeckung der Musik der Roma in Südosteuropa -- Blasmusik der Roma: Zentraler Topos der Balkanmusik -- Gypsy Music als Kategorie: Vermarktung der Klischees -- Balkanpartys und Balkanpop -- Institutionalisierung von Balkanmusik in der World Music -- 34 Von der Sitar zum Laptop: Indien und der Westen -- Die Sitar als Symbol -- Weltmusik 2.0 -- 35 Highlife transnational: Moderne westafrikanische Populärmusik 1950-1965 -- Spezifische Merkmale des Highlife und musikhistorische Berührungspunkte -- Highlife und Calypso -- Ghanaisch-nigerianische musikalische Interaktion als transnationales Vermächtnis des Highlife -- Präkolonialer Preisgesang und Pop in den jungen Nationen -- Gerappte Opposition, Unabhängigkeits-nostalgie und neue Bedrohungen -- 36 Westafrikanische Musik:Vom Preisgesang zum Pop -- Präkolonialer Preisgesang und Pop in den jungen Nationen -- Gerappte Opposition, Unabhängigkeitsnostalgieund neue Bedrohungen -- 37 J-Pop: Warum populäre Musik aus Japan nicht unbedingt japanisch klingt -- 38 Das globale Mestizo-Dorf -- Der Begriff »mestizo« und seine ambivalenten Hintergründe -- Die alten und die neuen musikalischen »mestizos« -- Die Mestizo-Pioniere des 20. Jahrhunderts und ihre Vorläufer -- Barcelona - Relaisstation der Mestizos
    Abstract: Die markantesten Bestandteile der Mestizo-Rezeptur -- Wichtige Standorte und Gralshüter der »música mestiza« -- Diskrepanzen und Grenzen der grenzenlosen Mestizo-Musik -- 39 Südafrikas Musik zwischen Popularität und Politisierung -- Mbube und Isicathamiya - die populäre Chormusik Südafrikas -- Miriam Makeba und der Kampf gegen die Apartheid -- Brenda Fassie und der Bubblegum -- Die Postapartheidgeneration: Kwaito und House -- 40 »Das Schweigen brechen« - vom Raï zum HipHop in Algerien -- Die Vorläufer der algerischen Raï-Musik -- Oran - Drehscheibe des Raï -- Der Raï im politischen Spannungsfeld -- Der Siegeszug des Raï in Westeuropa -- »Aufschrei gegen das Schweigen« - Rap in Algerien -- Lokaler und globaler »Sound of Protest« -- Raï, Reggae, Rap -- Flucht ins Exil -- 41 Dub - Vom Remix zur Produktionsmethode -- Dub in Jamaika: Der engineer als Musiker -- Dub-Alben -- Dub als Remix und als Produktionsmethode: King Tubby und Lee Perry -- Dub-Diaspora -- Dub als Virus -- 42 Neue Formen von Hybridität in der populären Musik Brasiliens -- Samba: Vorläufer und Variationen -- Rock Nacional / Crossover / Heavy Metal -- HipHop und Funk Carioca -- 43 Madagassischer Heavy Metal - globale oder lokale Praxis? -- »Global Metal« und seine Lesart -- Metal in Madagaskar - Der Kampf um den Sound -- 44 Bikutsi: Kameruner Popmusik abseits der Weltmusik -- Bikutsi-Pop in Kamerun -- Bikutsi als Weltmusik -- Getrennte Bikutsi-Welten: Europa und Kamerun -- Die Autorinnen und Autoren -- Register
    Note: Literaturangaben
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  • 73
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    Online Resource
    Klezmer : music, history and memory (2016)
    New York, NY : Oxford University Press
    Details
    ISBN: 978-0-19-024454-5
    Language: English
    Pages: 1 Online-Ressource (xxiv, 412 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    RVK:
    LS 33635
    Keywords: Sozialgeschichte ; Klezmer music / History and criticism ; Jews / Music / History and criticism ; Aschkenasim ; Tanz ; Klezmer ; Musikleben ; Musikalischer Stil ; Musik ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    DOI: 10.1093/acprof:oso/9780190244514.001.0001
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  • 74
    Book
    Book
    Hip-Hop studies : an international bibliography and resource guide (2016)
    Nyack, New York : African Diaspora Press
    Details
    ISBN: 9780984413461 , 0984413464
    Language: English
    Series Statement: Black music reference series Volume 7
    Series Statement: Black music reference series
    DDC: 016.782421649
    RVK:
    LB 10000
    RVK:
    LC 87000
    RVK:
    LS 48015
    RVK:
    LS 48650
    Keywords: Bibliografie ; Hip-Hop ; Rap ; Hip-Hop
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  • 75
    Online Resource
    Online Resource
    Nachgelassene Schriften. Abteilung IV : Band 9: Philosophische Terminologie. (2016)
    Berlin :Suhrkamp Verlag,
    Details
    ISBN: 978-3-518-74408-6
    Language: German
    Pages: 1 online resource (913 pages).
    Edition: 1st ed
    RVK:
    CI 1322
    RVK:
    LP 91140
    RVK:
    MQ 3010
    Keywords: Electronic books
    Abstract: Cover -- Titel -- Impressum -- Inhalt -- Vorlesungen SS 1962 -- Vorlesungen WS 1962/63 -- Gesamtplan und Stichworte zu den Vorlesungen -- Anmerkungen des Herausgebers -- Editorische Nachbemerkung -- Register
    Note: Description based on publisher supplied metadata and other sources
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    HU Berlin
  • 76
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    Online Resource
    Beyond no future : cultures of German punk (2016)
    New York : Bloomsbury Academic
    Details
    ISBN: 9781501314117
    Language: English
    Pages: 1 online resource (193 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Beyond no future
    DDC: 306.10943
    RVK:
    LS 78060
    Keywords: Punk rock music Social aspects ; Punk rock music History and criticism ; Punk rock music ; Germany ; Social aspects ; Punk rock music ; Germany ; History and criticism ; Electronic books ; Electronic books ; Deutschland ; Punk Rock ; Subkultur ; Geschichte ; Deutschland ; Punk ; Soziale Funktion ; Jugendkultur ; Subkultur
    Abstract: Cover -- Contents -- List of Figures -- Notes on Contributors -- Acknowledgments -- Mirko M. Hall, Seth Howes, and Cyrus M. Shahan -- Dennis Borghardt -- Matthew Sikarskie -- Peter Brandes -- Seth Howes -- Karen Fournier -- Melanie Eis and Fabian Eckert -- Cyrus M. Shahan -- Mirko M. Hall -- Mirko M. Hall, Seth Howes, and Cyrus M. Shahan -- Select Bibliography -- Index
    Note: Includes bibliographical references and index. Description based on print version record
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  • 77
    Book
    Book
    Hip-Hop Studies : an international bibliography and reference guide /John Gray (2016)
    Nyack, New York : African Diaspora Press
    Details
    ISBN: 0984413464 , 9780984413461
    Language: English
    Pages: XVIII, 1116 Seiten
    Edition: First published
    Series Statement: Black music reference series Volume 7
    RVK:
    LS 48015
    RVK:
    LS 48650
    RVK:
    LC 87000
    RVK:
    LB 10000
    Keywords: Hip-Hop ; Rap ; Bibliografie
    URL: Inhaltsverzeichnis
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  • 78
    Book
    Book
    Bibliorock : répertoire signalétique de 6.000 livres en français sur l'histoire du rock et de ses artistes (2016)
    Paris : Pol Gosset
    Details
    Language: French
    Pages: 254 Seiten , 30 cm
    Edition: 8ème édition
    RVK:
    LS 48000
    Keywords: Bibliografie ; Rockmusik ; Bibliografie ; Frankreich ; Rockmusik ; Bibliografie
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  • 79
    Online Resource
    Online Resource
    The SAGE handbook of cultural sociology (2016)
    Los Angeles : SAGE
    Details
    ISBN: 9781473957886 , 9781473957886 , 9781446271971
    Language: English
    Pages: 1 Online-Ressource (598 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als The SAGE handbook of cultural sociology
    DDC: 306
    RVK:
    MQ 3010
    RVK:
    CI 1329
    RVK:
    CI 1337
    RVK:
    LP 91140
    Keywords: Sociology ; Sociology Handbooks, manuals, etc ; Culture Handbooks, manuals, etc ; POLITICAL SCIENCE / Public Policy / Cultural Policy ; SOCIAL SCIENCE / Anthropology / Cultural ; SOCIAL SCIENCE / Popular Culture ; Culture ; SOCIAL SCIENCE / Popular Culture Handbooks and manuals ; Electronic books ; Electronic books ; Kultursoziologie ; Kultursoziologie
    Abstract: Cultural sociology - or the sociology of culture - has grown from a minority interest in the 1970s to become one of the largest and most vibrant areas within sociology globally. In The SAGE Handbook of Cultural Sociology, a global range of experts explore the theory, methodology and innovations that make up this ever-expanding field. The Handbook's 40 original chapters have been organised into five thematic sections: Theoretical Paradigms, Major Methodological Perspectives, Domains of Inquiry, Cultural Sociology in Contexts, Cultural Sociology and Other Analytical Approaches
    Note: Includes bibliographical references and index
    DOI: 10.4135/9781473957886
    URL: Volltext
    URL: Volltext  (URL des Erstveröffentlichers)
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    GBV
  • 80
    Book
    Book
    A pure solar world : Sun Ra and the birth of Afrofuturism (2016)
    Austin : University of Texas Press
    Details
    ISBN: 9780292726369
    Language: English
    Pages: 346 pages , Illustrationen
    Edition: First edition
    Series Statement: Discovering America
    DDC: 781.65092
    RVK:
    LS 48100
    RVK:
    LS 48200
    Keywords: Sun Ra ; Bibliografie ; Biografie ; Diskografie ; Bibliografie ; Biografie ; Diskografie ; Bibliografie ; Biografie ; Diskografie
    Note: Bibliography: Seite 311-321 , Discography: Seite 323-331
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    GBV
    KOBV
    HeBIS
    BVB
    Bayreuth UB
  • 81
    Online Resource
    Online Resource
    Klezmer : music, history and memory (2016)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190244545
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 781.62924
    RVK:
    LS 33635
    Keywords: Sozialgeschichte ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Musikleben ; Klezmer ; Aschkenasim ; Musik ; Musikalischer Stil ; Tanz ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://dx.doi.org/10.1093/acprof:oso/9780190244514.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    München BSB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 82
    Online Resource
    Online Resource
    Global metal music and culture : current directions in metal studies (2016)
    New York : Routledge | London : Taylor & Francis Group
    Details
    ISBN: 9781317587255 , 1317587251 , 9781315742816 , 1315742810 , 9781317587248 , 1317587243 , 9781317587231 , 1317587235 , 9781138062597 , 1138062596
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Routledge studies in popular music
    DDC: 781.66
    RVK:
    LS 48635
    Keywords: Geschichte ; Heavy Metal ; Musikleben ; Heavy metal (Music) History and criticism ; Music Social aspects ; Aufsatzsammlung ; Electronic books ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philosophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom metal, Death metal, and Progressive metal. They interrogate production technologies, sound engineering, album artwork and band promotion, logos and merchandising, t-shirt and jewellery design, and fan communities that define the global metal music economy and subcultural scene. The volume explores how the new academic discipline of metal studies was formed, also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, and sociology, as well as those interested in metal communities around the world
    Note: Includes bibliographical references and index
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    Regensburg UB
    HeBIS
    BVB
  • 83
    Online Resource
    Online Resource
    Pop und Papageno : Über das Spannungsverhältnis Zwischen U- und E-Musik (2016)
    Boston : BRILL | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9783846760819
    Language: German
    Pages: 1 Online-Ressource (119 pages)
    Edition: 1st ed.
    RVK:
    LR 54600
    RVK:
    LS 48000
    Keywords: Mozart, Wolfgang Amadeus ; Musikästhetik ; Klassische Musik ; Popmusik ; Pop-Kultur ; Popularität ; Gleichartigkeit ; Verschiedenheit ; Cross-over ; Electronic books
    Abstract: ›Pop‹ ist ein kurzes und prägnantes three letter word. Sein Sinn erschließt sich schnell. ›Pop‹ ist die Kurzfassung für ›populär‹. Im Wort Popmusik schwingt mit, dass diese Musik keine Scheu vor trivialen Knalleffekten hat. Genau dies aber kann auch bei sogenannter ernster Musik der Fall sein - sie kann zum Gassenhauer werden. Was also sind Gemeinsamkeiten und Unterschiede zwischen E- und U-Musik? Der Fall Mozart ist bestens geeignet, um deutlich zu machen, wie reizvoll heikel es um die Unterscheidung von E- und U-Musik steht. Viele seiner Kompositionen sind zweifellos populär, ja sie sind Pop-Musik. Man denke nur an die Kleine Nachtmusik, die unzählige Pop-Bearbeitungen erfahren hat, auch deshalb, weil sie sich dafür anbietet. Oder an die 'irre' Arie der Königin der Nacht aus der Zauberflöte, an die etwa die virtuosen Gitarren-Variationen von Jimi Hendrix erinnern. Unübersehbar ist auch, dass der junge Mozart lange, bevor es den Begriff gab, von seinem Vater zum Popstar aufgebaut und als Wunderkind vermarktet wurde. Parallelen zu Michael Jackson drängen sich geradezu zwanghaft auf. Virtuosen wie der Teufelsgeiger Niccolò Paganini oder der akrobatische Pianist Franz Liszt haben sich im neunzehnten Jahrhundert ungemein erfolgreich selbst als Popstars avant la lettre inszeniert.
    Note: Description based on publisher supplied metadata and other sources
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  • 84
    Book
    Book
    Hip-Hop studies : an international bibliography and resource guide (2016)
    Nyack, New York : African Diaspora Press
    Details
    ISBN: 9780984413461
    Language: English
    Pages: xviii, 1116 Seiten , 25 cm
    Series Statement: Black music reference series volume 7
    Series Statement: Black music reference series
    RVK:
    LB 10000
    RVK:
    LC 87000
    RVK:
    LS 48015
    RVK:
    LS 48650
    Keywords: Rap (Music) / Bibliography ; Hip-Hop ; Bibliografie ; Bibliografie ; Hip-Hop
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    München BSB
    BVB
    Bayreuth UB
  • 85
    Online Resource
    Online Resource
    Rockin' the Free World! : How the Rock & Roll Revolution Changed America and the World (2016)
    Lanham, MD : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781442266056
    Language: English
    Pages: 1 Online-Ressource (289 pages)
    DDC: 781.660973
    RVK:
    LS 48050
    Keywords: Rockmusik ; Sozialer Wandel ; Bürgerrechtsbewegung ; Rock music - Social aspects ; USA ; Electronic books
    Abstract: In Rockin' the Free World, international relations expert Sean Kay takes readers inside "Bob Dylan's America" and shows how this vision linked the rock and roll revolution to American values of freedom, equality, human rights, and peace while tracing how those values have spread globally.
    Note: Description based on publisher supplied metadata and other sources
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  • 86
    Online Resource
    Online Resource
    The American Songbook : Music for the Masses (2016)
    Lanham, MD : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781442242456
    Language: English
    Pages: 1 Online-Ressource (165 pages)
    Series Statement: Tempo: A Rowman & Littlefield Music Series on Rock, Pop, and Culture
    DDC: 782.421640973
    RVK:
    LS 48050
    Keywords: Popmusik ; Musikleben ; Song ; Kanon ; Popular music - United States - History and criticism ; USA ; Electronic books
    Abstract: The American Songbook explores key aspects of individual song's popularizations, addressing how and why the tradition of standards was eventually usurped by rock and roll in the 1950s and 1960s, as well as how it has continued to hold historic, nostalgic, and contemporary value for listeners.
    Note: Description based on publisher supplied metadata and other sources
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  • 87
    Online Resource
    Online Resource
    Women's Bands in America : Performing Music and Gender (2016)
    Lanham, MD : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781442254411
    Language: English
    Pages: 1 Online-Ressource (387 pages)
    DDC: 784.0820973
    RVK:
    LR 56610
    RVK:
    LQ 89300
    RVK:
    LS 48030
    Keywords: Geschichte ; Frau ; Musikgruppe ; Women's bands (Music) - United States - History ; USA ; Aufsatzsammlung ; Electronic books
    Abstract: In the first comprehensive exploration of women's bands in American history, contributors trace women's emerging roles in town, immigrant, family, school, suffrage, military, swing, and rock bands, as well as society at large. Contributors bring together a series of disciplines in this unique work, including musicology, American history, women's studies, and history of education.
    Note: Description based on publisher supplied metadata and other sources
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  • 88
    Online Resource
    Online Resource
    John Lee "Sonny Boy" Williamson : The Blues Harmonica of Chicago's Bronzeville (2016)
    Lanham, MD : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781442254435
    Language: English
    Pages: 1 Online-Ressource (249 pages)
    Series Statement: Roots of American Music: Folk, Americana, Blues, and Country
    DDC: 788.821643092
    RVK:
    LS 48050
    RVK:
    LS 48040
    RVK:
    LS 48500
    Keywords: Williamson, Sonny Boy ; Blues ; Mundharmonika ; Williamson, Sonny Boy ; Chicago, Ill. ; Electronic books
    Abstract: Mitsutoshi Inaba offers the first full-length biography of this key figure in the evolution of the Chicago blues. Interviews with Sonny Boy's family members and his last harmonica student provide new insights into the character of the man as well as the techniques of the musician.
    Note: Description based on publisher supplied metadata and other sources
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  • 89
    Online Resource
    Online Resource
    Classics for the Masses : Shaping Soviet Musical Identity under Lenin and Stalin (2016)
    New Haven, CT : Yale University Press
    Details
    ISBN: 9780300219432
    Language: English
    Pages: 1 Online-Ressource (297 pages)
    Parallel Title: Erscheint auch als Fairclough, Pauline, 1970 - Classics for the masses
    DDC: 306.4842809470904
    RVK:
    LQ 86007
    RVK:
    NQ 8294
    RVK:
    NK 4700
    Keywords: Music - Soviet Union - History and criticism ; Electronic books ; Sowjetunion ; Musikpolitik ; Nationalismus ; Musikleben ; Kulturelle Identität ; Geschichte 1917-1953
    Abstract: Cover page -- Halftitle page -- Title page -- Copyright page -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGEMENTS -- NOTE ON TRANSLITERATION AND ARCHIVAL SOURCES -- SOVIET ACRONYMS AND ABBREVIATIONS -- INTRODUCTION -- Postscript -- CHAPTER ONE PROPAGANDIZING THE CLASSICS 1917-1929 -- After 1917 -- Shaping the Canon: The Russian Classics -- Marketing the Western Classics -- Narkompros -- Composer Societies in the 1920s -- Mass Work in the 1920s: Amateur Groups -- The Modernism Question: Repertoire Politics in the Leningrad and Moscow Philharmonias, 1921-8 -- The Church Music Problem -- CHAPTER TWO CULTURAL REVOLUTION, REPERTOIRE POLITICS AND THE CLASSICS -- The All-Union Conferences, 1929-31 -- Repertoire Politics during the 'Great Break' -- Final Attacks on Church Music -- End of an Era -- The Campaign against RAPM -- CHAPTER THREE INTERNATIONALISM, MODERNISM AND THE 'STALINIST ENLIGHTENMENT' 1932-1941 -- The End of RAPM? -- Internationalism and Modernism -- Narratives of Enlightenment, 1932-41 -- The Soviet Bach Revival -- Pergolesi, Mozart and Beethoven -- Anti-fascism and Wagner -- Classics versus Moderns -- CHAPTER FOUR TURNING INWARDS: THE RISE OF RUSSIAN NATIONALISM 1937-1941 -- The Philharmonia Purges -- Nationalism and Repertoire -- Old Faces, New Scapegoats -- The End of Internationalism? -- Reinventing the Russian Musical Past -- Musorgskiy and the Kuchka -- CHAPTER FIVE FROM THE GREAT PATRIOTIC WAR TO THE ZHDANOVSHCHINA 1941-1953 -- The Radio Committee Orchestra in Blockaded Leningrad, 1941-4 -- Allied 'Internationalism' -- Restoring the Orthodox Church: The Return of Russian Sacred Music? -- The 'Rehabilitation' of Rakhmaninov -- The 'Iron Curtain' Descends: 1944-7 -- Background to the Zhdanovshchina -- 'Weary of False Notes': The Gol'denveyzer Affair -- The End of Internationalism: Late Stalinist Stagnation
    Abstract: Wagner Revisited and New Soviet Music -- Attitudes to the West in Post-war Soviet Scholarship -- CONCLUSION -- BIOGRAPHIES -- NOTES -- SELECT BIBLIOGRAPHY -- INDEX
    URL: Volltext  (lizenzpflichtig)
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    BSZ
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  • 90
    Online Resource
    Online Resource
    Frank Zappa FAQ : All That's Left to Know About the Father of Invention (2016)
    Milwaukee : Backbeat | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781617136740
    Language: English
    Pages: 1 Online-Ressource (250 pages)
    Series Statement: FAQ
    DDC: 782.42166092
    RVK:
    LS 48040
    Keywords: Zappa, Frank ; Zappa, Frank-Miscellanea ; Electronic books
    Abstract: FRANK ZAPPA FAQ: ALL THAT'S LEFT TO KNOW ABOUT THE FATHER OF INVENTION.
    Note: Description based on publisher supplied metadata and other sources
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  • 91
    Online Resource
    Online Resource
    Keys to Play: Music as a Ludic Medium from Apollo to Nintendo (2016)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520965096 , 9780520965096 , 9780520965096 , 9780520291249
    Language: English
    Pages: 1 Online-Ressource (1 electronic resource (468 p.))
    RVK:
    LR 57600
    Keywords: Music ; Media studies ; Electronic books
    Abstract: How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to Play spans Greek myth and contemporary Japanese digital games to chart a genealogy of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book?s diverse objects of inquiry?from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles?enter into analogical relations. Remapping the keyboard?s topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to Play invites readers to unlock ludic dimensions of music that are at once old and new
    Note: English
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 92
    Online Resource
    Online Resource
    »Wem gehört der Schrank mit den heiligen Büchern?« : Jüdische Religion im Kontext israelischer Popularmusik (2016)
    Göttingen : Vandenhoeck & Ruprecht
    Details
    Language: German
    Pages: 1 Online-Ressource (336 Seiten) , Ill , 155 x 232 mm
    Edition: 1. Aufl
    Series Statement: Jüdische Religion, Geschichte und Kultur (JRGK)
    Parallel Title: Erscheint auch als
    Dissertation note: Zugl.: Universität Halle-Wittenberg, Dissertationsschrift, 2015
    RVK:
    BD 7450
    RVK:
    LS 33100
    Keywords: Judentum ; Religiosität ; Gesellschaft ; Popmusik ; Israel ; Bibliografie ; Hochschulschrift ; Diskografie ; Israel ; Popmusik ; Religiosität ; Judentum ; Gesellschaft
    Abstract: Das Thema Religion ist neuerdings im Mainstream israelischer Musik angekommen, obwohl es zuvor belächelt wurde. Felix Papenhagen analysiert grundsätzlich das Verhältnis von jüdischer Religiosität und israelischer Popularmusik.Er versteht die Popularmusik als Seismograph für gesellschaftliche Veränderungen und geht davon aus, dass sich die jüngere Geschichte Israels auch vorwiegend in dessen Musikkultur widerspiegelt. Um dies zu zeigen, führte und analysierte Papenhagen Interviews mit bekannten israelischen Popmusikern sowie deren Liedtexte mit dem Ziel, Erkenntnisse über ihr Verständnis von religiösen Motiven zu gewinnen. Dabei lässt er den Einfluss und die Bedeutung von Musik und Religion für die Musiker selbst in seiner Analyse nicht außer Acht und geht explizit auf die Ambivalenz von säkularem und religiösem Selbstverständnis unterschiedlicher Musikerpersonen ein, welches die Biografie jedes einzelnen mitgeprägt hat
    DOI: 10.13109/9783666570476
    URL: Volltext  (URL des Erstveröffentlichers)
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    BVB
  • 93
    Online Resource
    Online Resource
    Business innovation and disruption in the music industry (2016)
    Cheltenham, UK : Edward Elgar Publishing
    Details
    ISBN: 9781783478156
    Language: English
    Pages: 1 Online-Ressource (vii, 233 Seiten) , Illustrationen
    Series Statement: Edward Elgar books
    Series Statement: Elgaronline
    Series Statement: Edward Elgar E-Book Archive
    Parallel Title: Erscheint auch als Business innovation and disruption in the music industry
    RVK:
    LR 57440
    RVK:
    QR 750
    Keywords: Musikwirtschaft ; Innovation ; Störungsmanagement ; Music trade ; Creative ability in business ; Electronic books ; Musikwirtschaft ; Digitalisierung ; Technischer Fortschritt ; Innovation ; Unternehmensmodell
    Abstract: pt. I. Music industry transformation in context -- pt. II. Changing business models -- pt. III. Streaming music services and the future of music.
    Abstract: Patrik Wikström and Robert DeFillippi bring together innovative, multidisclipinary perspectives on business innovation and disruption in the music industry. Authors from fields such as cultural studies, economics, management, media studies, musicology and human geography in North America, Europe and Asia focus on the "second wave" of digital disruption and the transformation of the music industry. The chapters are structured into three parts: the first part contextualizes changes in the music industry that have been driven by digital technologies since the end of the 1990s. The second part unpacks the impact of these disruptive technologies on business models in specific industry sectors and geographies, and the third and final part examines questions related to the emergence of subscription music services. Concluding chapters link back to the role of hackers as a subversive and innovative force in the music economy and examine how hacker creativity can be facilitated and encouraged to generate the next big music industry innovation. This multifaceted look at the music business will serve as a resource for both undergraduate and graduate students, as well as established scholars and industry professionals
    Note: Enthält 11 Beiträge
    DOI: 10.4337/9781783478156
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Deutschlandweit zugänglich
    URL: Deutschlandweit zugänglich
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    MPI Ethno. Forsch.
  • 94
    Online Resource
    Online Resource
    Punks, Monks and Politics : Authenticity in Thailand, Indonesia and Malaysia (2016)
    London : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781786600226
    Language: English
    Pages: 1 Online-Ressource (305 pages)
    Edition: 1st ed.
    DDC: 320.95929999999998
    RVK:
    LS 44770
    RVK:
    MS 2350
    RVK:
    MS 8020
    Keywords: Electronic books ; Aufsatzsammlung
    Abstract: Explores the notion of authenticity in three Southeast Asian countries with a high degree of cross-border mobility where the boundaries between the local and international are blurred.
    Note: Description based on publisher supplied metadata and other sources
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  • 95
    Online Resource
    Online Resource
    Identity, intertextuality, and performance in early modern song culture (2016)
    Leiden, Netherlands ; : Brill
    Details
    ISBN: 9789004314986
    Language: English
    Pages: 1 online resource (397 pages) , illustrations, photographs.
    Series Statement: Intersections Volume 43
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Identities, Intertextuality and Performance in Song Culture (2012 : Amsterdam) Identity, intertextuality, and performance in early modern song culture
    DDC: 782.0094
    RVK:
    LS 21000
    RVK:
    LR 53970
    Keywords: Autograph albums History 16th century ; Music Social aspects 16th century ; History ; Music Social aspects 17th century ; History ; Music Social aspects 18th century ; History ; Music Social aspects 19th century ; History ; Vocal music History and criticism 16th century ; Vocal music History and criticism 17th century ; Vocal music History and criticism 18th century ; Vocal music History and criticism 19th century ; Vocal music ; Europe ; 16th century ; History and criticism ; Vocal music ; Europe ; 17th century ; History and criticism ; Vocal music ; Europe ; 18th century ; History and criticism ; Vocal music ; Europe ; 19th century ; History and criticism ; Music ; Social aspects ; Europe ; History ; 16th century ; Music ; Social aspects ; Europe ; History ; 17th century ; Music ; Social aspects ; Europe ; History ; 18th century ; Music ; Social aspects ; Europe ; History ; 19th century ; Autograph albums ; Netherlands ; History ; 16th century ; Electronic books ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift Identity, intertextuality, and performance in early modern song culture 17.10.2012-19.10.2012 ; Vokalmusik ; Volkslied ; Liederbuch ; Geschichte 1450-1850
    Abstract: Contents -- Acknowledgements -- Notes on the Editors -- Notes on the Contributors -- List of Illustrations -- Chapter 1 Introduction -- Chapter 2 Local and Religious Identity in Swedish Popular Hymn Singing during the Seventeenth and Eighteenth Centuries -- Chapter 3 Performing Pietism in the Peatlands: Songs in the Manuscript Miscellany of a Village Schoolmaster in the Dutch Republic between 1750 and 1800 -- Chapter 4 Guilielmus Bolognino's Den Gheestelijcken Leeuwercker: The Collected Songs of a Counter-Reformation Champion -- Chapter 5 Songs and Identities: Handwritten Secular Songbooks in German-Speaking Areas of the Fifteenth and Sixteenth Centuries -- Chapter 6 'Social Networking is in Our Dna': Women's Alba Amicorum as Places to Build and Affirm Group Identities -- Chapter 7 The Many Shades of Love: Possessors and Inscribers of Sixteenth-Century Women's Alba -- Chapter 8 Exploring Love's Options: Song and Youth Culture in the Sixteenth Century Netherlands -- Chapter 9 Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany -- Chapter 10 The Perils of Performance: From Political Songs to National Airs in Romantic-Era Wales (1790-1820) -- Chapter 11 Folksongs, Conflicts and Social Protest in Early Modern France -- chapter 12 "Fortune My Foe": The Circulation of an English Super-Tune -- Chapter 13 Samuel Pepys and the Making of Ballad Publics -- Chapter 14 Slave Orchestras and Rainbow Balls: Colonial Culture and Creolisation at the Cape of Good Hope, 1750-1838 -- Index Nominum
    Note: Includes bibliographical references at the end of each chapters and index. Description based on print version record
    URL: lizenzpflichtig
    URL: Volltext
    URL: lizenzpflichtig
    URL: Volltext
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  • 96
    Book
    Book
    Klezmer : music, history and memory (2016)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190244514
    Language: English
    Pages: xxiv, 412 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.62/924
    RVK:
    LS 33635
    Keywords: Sozialgeschichte ; Juden ; Musik ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Klezmer ; Musikalischer Stil ; Aschkenasim ; Tanz ; Musik ; Musikleben ; Osteuropa ; Bibliografie ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major sources principally in Russian, Yiddish, Hebrew, and Romanian from the 16th to the 20th centuries, including interviews with authoritative European-born klezmorim conducted over a period of more than thirty years in America, Eastern Europe, and Israel. In its musical analysis, this book draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. - Walter Zev Feldman is a leading researcher in both Ottoman Turkish and Jewish music. During the 1970s he spearheaded the revival of klezmer music. His book, Music of the Ottoman Court (Berlin, 1996) is taught as a basic text world wide. He is also an authority on East European Jewish dance, forming part of his current research on the role of gesture in the performing arts.
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Literaturverzeichnis
    URL: Register // Gemischte Register
    URL: Inhaltsverzeichnis
    URL: Literaturverzeichnis
    URL: Register // Gemischte Register
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Literaturverzeichnis
    URL: Register // Gemischte Register
    URL: https://global.oup.com/academic/product/klezmer-9780190244514?cc=eu&lang=en&
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    HU Berlin
    München BSB
    München UB
    Würzburg UB
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    BVB
    Bayreuth UB
    Ethn. Museum Berlin
  • 97
    Online Resource
    Online Resource
    Instruments for new music : sound, technology, and modernism (2016)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520963122 , 0520963121 , 9780520288027 , 0520288025
    Language: English
    Pages: 1 Online-Ressource (xii, 236 pages)
    Parallel Title: Erscheint auch als Patteson, Thomas, 1981 - Instruments for new music
    Parallel Title: Print version Patteson, Thomas Instruments for new music
    RVK:
    LR 11180
    Keywords: Music and technology History. ; Electronic musical instruments History. ; Music Philosophy and aesthetics. ; Engineering ; Civil engineering ; Communication ; Mass media ; Musical instruments ; Musical instruments. ; Engineering. ; Civil engineering. ; Communication. ; Mass media. ; Music Philosophy and aesthetics ; Electronic musical instruments History ; Music and technology History ; Engineering ; Civil engineering ; Communication ; Mass media ; Musical instruments ; Music ; Electronic musical instruments ; Music and technology ; Civil engineering ; Communication ; Electronic musical instruments ; Engineering ; Mass media ; Music and technology ; Music ; Philosophy and aesthetics ; Musical instruments ; Musikinstrument ; Neue Musik ; Musik ; Music History & Criticism, Instrumental ; Music ; Music, Dance, Drama & Film ; MUSIC ; History & Criticism ; History ; Electronic books
    Abstract: "Player pianos, radio-electric circuits, gramophone records, and optical sound film-these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson's fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts."--Provided by publisher.
    Abstract: Listening to instruments -- "The joy of precision": mechanical instruments and the aesthetics of automation -- "The alchemy of tone": Jörg Mager and electric music -- "Sonic handwriting": media instruments and musical inscription -- "A new, perfect musical instrument": the trautonium and electric music in the 1930s -- The expanding instrumentarium
    Note: Includes bibliographical references (pages 209-228) and index , English
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
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    Online Resource
    MPI Ethno. Forsch.
  • 98
    Online Resource
    Online Resource
    Sounds of the underground : a cultural, political and aesthetic mapping of underground and fringe music (2016)
    Ann Arbor : University of Michigan Press | Berlin : Knowledge Unlatched
    Details
    ISBN: 9780472121649 , 9780472902378
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als Graham, Stephen, 1982 - Sounds of the Underground
    DDC: 781.64
    RVK:
    LS 48015
    Keywords: Underground music Social aspects ; Underground music Political aspects ; Underground music History and criticism ; Subculture ; Music ; Music / Ethnomusicology ; Electronic books ; Electronic books ; Electronic books ; Underground ; Musiker ; Musikleben ; Soziale Funktion
    Abstract: In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture through interviews and analysis, developing a critical account of both the music and its political and cultural economy
    Note: Literaturverzeichnis: Seite 269-289
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
    URL: kostenfrei
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
    URL: kostenfrei
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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    BSZ
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  • 99
    Online Resource
    Online Resource
    Good Vibrations : Brian Wilson and the Beach Boys in Critical Perspective (2016)
    Ann Arbor : University of Michigan Press | [Berlin] : BiblioLabs
    Details
    ISBN: 9780472902385
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Tracking Pop
    DDC: 782.42166092/2
    RVK:
    LS 48040
    Keywords: Wilson, Brian ; The Beach Boys ; Geschichte ; Electronic books ; Electronic books ; Electronic books
    Abstract: Good Vibrations brings together scholars with a variety of expertise, from music to cultural studies to literature, to assess the full extent of the contributions to popular culture and popular music of one the most successful and influential pop bands of the twentieth century. The book covers the full fifty-year history of the Beach Boys' music, from essays on some of the group's best-known music-such as their hit single "Good Vibrations" -to their mythical unfinished masterpiece, Smile. Throughout, the book places special focus on the individual whose creative vision brought the whole enterprise to life, Brian Wilson, advancing our understanding of his gifts as a songwriter, arranger, and producer
    URL: kostenfrei
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
    URL: kostenfrei
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
    URL: kostenfrei
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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    BSZ
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    HeBIS
    MPI Ethno. Forsch.
  • 100
    Book
    Book
    "Wem gehört der Schrank mit den Heiligen Büchern?" : jüdische Religion im Kontext israelischer Popularmusik (2016)
    Göttingen : Vandenhoeck & Ruprecht
    Details
    ISBN: 3525570473 , 9783525570470
    Language: German
    Pages: 336 Seiten , Illustrationen
    Series Statement: Jüdische Religion, Geschichte und Kultur (JRGK) Band 25
    DDC: 296.462
    RVK:
    LS 33100
    Keywords: Popmusik ; Religiosität ; Judentum ; Gesellschaft ; Israel ; Hochschulschrift ; Bibliografie ; Diskografie ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Bibliografie ; Diskografie
    Note: Literatur und Nachweise: Seite 317-333
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    München BSB
    München UB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
    Bayreuth UB
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